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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1952’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mamta”(1952) was produced by R B Haldia and J L Sharma and directed by Gunjal for Sishaat Films, Bombay. The movie had Sumitra Devi, Ulhas, Mirza Musharraf, Rajan Haksar, Kamal Mehra, Chitralekha, Bhagwandas, Ramesh, Rajni, Shantabai, Sadiq, Kaabil amritsari, Baby Salma, Master Raja, G P Srivastava, Sheila, paro etc in it.

The movie had eight songs in it that were penned for four lyricists.

Two songs have been covered in the past.

Here is the third song from “Mamta”(1952) to appear in the blog. This song is a duet which is sung by Rafi and Sulochana Kadam. Shyam Hindi is the lyricist. Music is composed by Sonik.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this rare song.


Song-Tera mera mera tera pyaar(Mamta)(1952) Singers-Rafi, Sulochana Kadam, Lyrics-Shyam Hindi, MD-Sonik
Both

Lyrics

tera mera mera tera pyaar
o pyaari
tera mera mera tera pyaar
tera mera mera tera pyaar
o pyaari
tera mera mera tera pyaar
karte hai nainon se naina milne ka ikraar
karte hai nainon se naina milne ka ikraar
ho pyaare
ho pyaare
tera mera mera tera pyaar
tera mera mera tera pyaar
o pyaare
tera mera mera tera pyaar

aise jaise seep se moti ee
aise jaise jyot se jyoti
aise jaise seep se moti ee
aise jaise jyot se jyoti
ya jaise jeewan se saansen aati hain har baar
ya jaise jeewan se saansen aati hain har baar
ho pyaare
ho pyare
tera mera mera tera pyaar

tera mera mera tera pyaar
o pyaari
tera mera mera tera pyaar

pyaar se duniya bair karegi ee
hum donon ko gair karegi
pyaar se duniya bair karegi
hum donon ko gair karegi

lekin maan hi legi ik din
pyaar ke aage haar
lekin maan hi legi ik din
pyaar ke aage haar
ho pyaari
o pyaari
tera mera mera tera pyaar
tera mera mera tera pyaar
o pyaare
tera mera mera tera pyaar

ik jeewan aur sau sau hain gham
ghir jaata hun inme jis dam
ik jeewan aur sau sau hain gham
ghir jaata hun inmein jis dam
us dam jyot jalaaye tere man mein mera pyaar
us dam jyot jalaaye tere man mein mera pyaar
o pyaare

o pyaari
tera mera mera tera pyaar
tera mera mera tera pyaar
o pyaare
tera mera mera tera pyaar

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (16 november 2017) is the 50th death anniversary of Roshan (14 july 1917- 16 november 1967).

It was a Roshan composition that was the first song to be discussed in the blog nine years ago. Roshan composed 424 songs in 55 released movies (plus one unreleased movie) during his 18 years long career from 1949 to 1967. This blog contains 326 of his songs, covering songs from all of his released movies. As many as 30 of these movies have already been YIPPEED in the blog. So now we have 98 more Roshan compositions left to be covered from 25 unYIPPEED movies (plus one unreleased movie).

Some of the unYIPPEED movies have just one song left to be covered but those songs are rare songs which I have not been able to locate. “Bedardi”(1951) and “Naubahaar”(1952) are two movies which have remained unYIPPEED because the final song of these movies have so far proved to be elusive.

As a tribute to Roshan, here is a song from “Raag Rang”(1952).

“Raag Rang”(1952) was the inhouse production of Geeta Bali and her siblings. The movie was produced by Har Darshan Bali and directed by Digvijay Bali for Bali Sisters, Bombay. The movie had Ashok Kumar (then 41 years old) starring opposite Geeta Bali (then 22 years old). The movie also had Ruma Guha Thakurta, Sudha Bali, Madan Puri, Agha, Raja Paranjpe, Sundar, Janki Das, S Nazir etc in it.

Nine songs (out of 11) from this movie have been discussed in the past. Here is the tenth and penultimate song from the movie to appear in the blog.

This song is sung by Lata. Sarshar Sailaani is the lyricist. Music is composed by Roshan.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song. Seeing that Lata sang eight songs in it, my guess is that she sang these songs (including this one) for Geeta Bali.


Song-Shaque nahin rupaye mein paai ka (Raag Rang)(1952) Singer-Lata, Lyrics-Sarshar Sailaani, MD-Roshan

Lyrics

shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa

ye duniyaa
ye duniyaa heraa pheri hai
kabhi teri hai to kabhi meri hai
kabhi teri hai to kabhi meri hai
tudunaa tudunaa shur
kali kali manshur
o oh oh baabuji
o baabuji
khel safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa

chatak chatak chatakhaare lekar
sun’ne waale mere taraane
muft bari ke gaye zamaane
jald nikaalo do do aane
o naa naa naa
ek aanaa ham nahin maangtaa
time hai ye mahangaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa

dhan daulat ke matwaalon ki
har baat niraali hoti hai
har baat niraali hoti hai
baazaar mein nikle deewaalaa
aur ghar mein deewaali hoti hai
aur ghar mein dewaali hoti hai
hai ye bhi
hai ye bhi rang jamaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nishaan Danka” (1952) was directed by Jayant Desai for Vikas Productions, Bombay. This “costume” movie had Ranjan, Shyama, Jeevan, baby Tabassum etc in it.

Thmovie had seven songs in it. Three of these songs have been covered in the past.

Here is the third song from the movie. This song is sung by Geeta Dutt. Hasrat Jaipuri is the lyricist. Music is composed by Basant Prakash.

HFGK listing of songs for this movie does not mention this song. However, the song index mentions this song as belonging to “Nishaan Danka” (1952).

Only the audio of this song is available and so it is difficult to tell how and on whom this song was picturised. I request our knowledgeable readers to throw light on this matter.


Song-Kisi ke pyaar ko hans hans ke thhukraana nahin achcha (Nishaan Danka)(1952) Singer-Geeta Dutt, Lyrics-Hasrat Jaipuri, MD-Basant Prakash

Lyrics

kisi ke pyaar ko hans hans ke thukraana nahin achcha
kisi ke pyaar ko hans hans ke thukraana nahin achcha
jo tum par jaan de us par sitam dhaana nahin achcha
kisi ke pyaar ko hans hans ke thukraana nahin achcha

jawaani hans ke aati hai magar ro ro ke jaati hai
jawaani hans ke aati hai magar ro ro ke jaati hai
arre do din ke saathi par ye itraana nahin achcha
jo tum par jaan de us par sitam dhaana nahin achcha
kisi ke pyaar ko hans hans ke thukraana nahin achcha

hamaare jab nahin bante to apni yaad bhi le lo
hamaare jab nahin bante to apni yaad bhi le lo o o
yaad bhi le lo
khayaalon mein kisi ke aa ke tarsaana nahin achcha
jo tum par jaan de us par sitam dhaana nahin achcha
kisi ke pyaar ko hans hans ke thukraana nahin achcha

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

किसी के प्यार को हंस हंस के ठुकराना नहीं अच्छा
किसी के प्यार को हंस हंस के ठुकराना नहीं अच्छा
जो तुम पर जान दे उस पर सितम ढाना नहीं अच्छा
किसी के प्यार को हंस हंस के ठुकराना नहीं अच्छा

जवानी हंस के आती है मगर रो रो के जाती है
जवानी हंस के आती है मगर रो रो के जाती है
अरे दो दिन के साथी पर ये इतराना नहीं अच्छा
जो तुम पर जान दे उस पर सितम ढाना नहीं अच्छा
किसी के प्यार को हंस हंस के ठुकराना नहीं अच्छा

हमारे जब नहीं बनते तो अपनी याद भी ले लो
हमारे जब नहीं बनते तो अपनी याद भी ले लो॰॰ओ॰॰ओ
याद भी ले लो
ख़यालों में किसी के आ के तरसाना नहीं अच्छा
जो तुम पर जान दे उस पर सितम ढाना नहीं अच्छा
किसी के प्यार को हंस हंस के ठुकराना नहीं अच्छा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Raani”(1952) was directed by L V Prasad for Jupiter Pictures, Madras. The movie had Bhanumati, Anup Kumar, Raja, Wahab Kashmiri etc in it.

This movie had ten songs in it. One song has been covered in the past.

Here is the second song from “Raani”(1952) to appear in the blog. This song is sung by T A Moti. Vishwamitra Adil is the lyricist. Music is composed by D C Dutt.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Is duniya ne kabhi na jaana (Raani)(1952) singer-T A Moti, Lyrics-Vishwamitra Adil, MD-D C Dutt

Lyrics

o o
o o o
is duniya ne kabhi na jaana
mar mar kar jeene waalon ka
dard bhara
dard bhara afsaana
haaye dard bhara
dard bhara afsaana
haaye dard bhara

jabse hamne aankh hai kholi
khoon hamaara unki holi
hamne apne hi zakhmon se ae ae ae ae
bhar li apni khaali jholi
teer jidhar bhi chale jahaan mein
ham hi bane nishaana
haaye dard bhara
dard bhara afsaana
haaye dard bhara

hamne jitne deep jalaaye
toofaanon ne aan bujhaaye
deep jalaane waalon hi ko o o o
das gaye andhiyaare ke saaye
aankh bachi aur chhupke chhupke
le gaye chor khazaana
haaye dard bhara
dard bhara afsaana
haaye dard bhara
dard bhara
haan dard bhara


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (19 october 2017) is deepaawali, the biggest festival in India.

It may sound unbelievable, but it is the tenth Deepawali for the blog today (19 october 2017) ! The fact that we have lasted this long, and instead of losing steam, we seem to be adding new features to the blog means that we have come quite a long way from the first deepaawali of this blog in 2008.

We have covered 33 deepaawali songs in the blog in the past, and that includes all the well known deepaawali festival songs.

When we look at the deepaawali songs, we find that these songs can be broadly divided into two categories- happy and sad. Happy deepaawali songs exhort us to celebrate the festival, whereas sad deepaawali songs lament the fact the deepaawali may be happy for some but not quite so for others.

That should make us to think. How come the festival brings happiness for some but not for others, when presumably everyone is worshipping the same goddess Laxmi on the occasion !

I have give this matter some thought and I have come to my own conclusions.

I feel that we as Indians try to take short cuts instead of taking the trouble to achieve results the hard way, be it in our normal works, or in worship. So when we worship the goddess Laxmi, we think that doing her chaaploosi (singing her prayers) as well as bribing her (by offering her some chadhhaawa) does the trick. That way, we tend to believe that our gods are like our public officials.

Then people wonder why goddess Laxmi did not favour them. If one thinks about it, Goddess Laxmi does not favour the chaaploos and the bribe givers, rather she favours those who often do not even observe the festival of deepaawali. If we think about it, the richest and most prosperous nations of the world do not even observe deepaawali unlike Indians.

How is it that Americans, Germans, Japanese, South Koreans, people who do not even observe deepaawali are the most prosperous nations in the world ?

To my mind, they are prosperous because they actually worship two other Gods. The first is Goddess Saraswati. No, they do not do it by installing an idol of her on basant panchami, rather they do it by attaching enormous importance to quality education for their people.

A country’s wealth (defined as GDP per capita) is positively associated with its education expenditures. US spends 5.6 % of its GDP on education which amounts to $2600 per capita. India spends 3.3 % of its GDP on education and that adds up to a niggardly $ 50 per capita. So we see that US spends more money on education than the total GDP of India. Little wonder then that US citizens are in general vastly better educated.

After one is educated, that education must be used to build the nation. In other words, worship of goddess Saraswati must be followed by worship of Lord Vishwakarma. In India, manual labour is so looked down upon that blue collar workers, who help build the industry of a nation, are considered of low social status i India. We in India did not even worship Lord Vishwakarma till recently. It is only some one hundred years ago that British rulers introduced Vishwakarma Puja in India. It is the only Indian Puja that is held according to English calendar.

Put simply, we look down upon hands on work. We look down upon honest hard work. Whatever education that we as Indians receive gets wasted as it is not fruitfully employed.

Since we are neither properly educated nor properly trained in various vocations, so the quality of our output is poor. We do not appreciate quality. Little wonder then that our productivity is low which reflects in our abysmal per capita GDP of $ 1600, which is less that what US spends on education per capita.

When we worship goddess Laxmi on the Deepaawali night and hope that the goddess would bless us, how exactly is she going to bless us ? Surely it cannot be through lottery or jackpot. It will be through the same usual source, viz salary for the salaried, and through sales for the shop keeper. On the eve of Deepaawali, some staff earn “bonus” which a few days later end up in the bank accounts of shop keepers. So in effect it is the shop keepers who really get blessed by Goddess Laxmi during Deepaawali. 🙂

On the occasion of Deepaawali, here is a song from “Shrimati Jee”(1952). This movie was directed by I S Johar for Filmistan, Bombay. The movie had Shyama, Nasir Khan, Ram Singh, Murad, Samson, Vimla, Indira, Prabha, Baldev Mehta, Ram Avtar, Yashwant, Mirazkar, Agha Miraz, Majnu, Johar etc in it.

There were ten songs in the movie. nine of these songs have been covered in the blog. This tenth and final song from the movie is a deepaawali song where people implore goddess Laxmi to arrive at their residence. Why goddess Laxmi would not favour them with her visit has been explained by me in the writeup above. 🙂

The song is sung by Shamshad Begam and chorus. Raja Mehdi Ali is the lyricist. Music is composed by Basant Prakash.

With this rare song, “Shrimati Jee”(1952) joins the list of movies that have all their songs covered in the blog.

I take this opportuity to wish all the contributors, visitors and well wishers of this blog a very happy, prosperous and safe Deepaawali. May Goddess Laxmi REALLY favour you with her blessing.


Song-Kabhi hamaare ghar bhi aao aao jee (Shrimati Jee)(1952) Singer-Shamshad Begam, Lyrics-Raja Mehdi Ali Khan, MD-Basant Prakash
Female Chorus
Male chorus

Lyrics

Kabhi hamaare ghar bhi aao aao jee
ghar aao jee
o nagad narayan jee
ek chhoti si jhhalak dikhlaao dikhlaao dikhlaao jee
ghar aao jee
o nagad narayan jee
nagad narayan
nagad narayan
nagad narayan jee jee
o nagad narayan jee

gairon ke ghar dekh tumhen
ham thhandi aahen bhar lete hain
tum par apna bas nahin chalta
haaye
tum par apna bas nahin chalta
door se darshan kar lete hain aen
door se na mukhdaa dikhaao na dikhaao na dikhaao jee
ghar aao jee
o nagad narayan jee
kabhi hamaare ghar bhi aao aao jee
ghar aao jee
o nagad narayan jee

dhobi kunjde bhaiyye(??) darzi
hamre peechhe laage hain
kayi dafa wo peeche aur ham
haaye
kayi dafa wo peeche aur ham
aage aage bhaage hain aen
in paapiyon se peechha chhudwaao chhudwaao chhudwaao jee
ghar aao jee

O satyanarayan jee
in mujrimon ko qaid karaao jee karaao jee karaao jee
o satyanarayan jee
in zaalimon ko phaansi latkaao latkaao latkaao jee
o satyanarayan jee


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from a very little known film ‘Nirmal’ from 1952. During the period of the 50s, the film industries in all centres, i.e. Calcutta, Madras and Bombay were in full steam. The Partition had made a quantitative and qualitative change in the Hindi film industry. Many seasoned and successful artists had left India, creating a void suddenly. However, this proved to be an opportunity in disguise for many artists ‘waiting in the wings’ in the fields of  acting, film direction and music direction. The void was filled up almost immediately.

Many actors and actresses who used to play supporting roles, became lead players, assistant directors got a chance to become directors and a few new comers and chorus singers also got opportunity to become full fledged singers. Those who migrated from Lahore to India, started a new life here. Many businessmen (many of them black marketeers) who had earned lakhs of rupees during the war and the years of independence struggle as well, poured  money into the film industry. Thus, on all fronts, the film industry had new players, new investors and new topics for making films.

However, one change happened. The taste of Indian audience started to change in terms of music and the subject matter of the film stories. The few old players in music, who could not or did not cope up with the changing tastes of the audience, slowly faded out. Composers like Bulo C Rani, Khemchand Prakash, Hansraj Behl, SK Pal, Lachhiram, Madholal Master, Shankar Rao Vyas, Gobind Ram, Gyan Dutt, SD Batish, Nissar Bazmi, Khursheed Anwar, Ninu Majumdar etc. faded away by the mid 1950s. Many Muslim composers migrated to Pakistan. Composers who adapted themselves, like C Ramchandra, SD Burman, Hemant Kumar, Naushad etc. prospered for a longer period. New blood composers like Shanker-Jaikishen, Madan Mohan, OP Nayyar etc. bloomed quickly.

Same was the case with actors and actresses. Amongst these was one actress – Purnima. Born at Bombay on 2-3-1932 as Meher Bano, she was the daughter of a Lucknow Muslim mother and a Tamil Brahmin father – Ram Seshadri Aiyangar. He was working in the distribution office of producer director Kikubhai Desai (father of Manmohan Desai). While still in school Purnima started working in Hindi and Gujarati films from 1947 itself when she was hardly 15-16 year old. She got married to Shaukat Hashmi. After giving her a son and a divorce, he migrated to Pakistan.

In 1954, Purnima married producer director Bhagwandas Varma and stopped working. Her elder sister also had married producer director Nanubhai Bhatt. Their sons are Mahesh and Mukesh Bhatt. Purnima resumed working in films in 1957, when Bhagwandas was in financial difficulties. He died in 1962.

Purnima appeared as heroine or second lead in about 20 films. Her well known films are – ‘Thes’ (1949), ‘Patanga’ (1949), ‘Jogan’ (1950), ‘Gauna’ (1950), ‘Sagai’ (1951), ‘Baadal’ (1951), ‘Shagoofa’ (1953), ‘Pooja’ (1954), ‘Post Box No 999’ (1958), ‘Son of Sindbad’ (1958), ‘Kangan’ (1959), ‘Naya Kanoon’ (1965), ‘Guide’ (1965), ‘Budtameez’ (1966), ‘Humjoli’ (1970) etc. In all she acted in 152 films, though she claimed more than 200 films, in one of her interview. Her last film was ‘Sada Suhagan’-86, after which she retired. Her friends were Saira Bano, Shakeela and Dulari. Purnima died on 14-8-2013 in Mumbai.

There were two more Purnimas working in the film industry during the same years. One was Purnima Chaudhari who worked in 3 films in 1948. Another Purnima was an actress from Bengal, who acted only in films produced at Calcutta. She worked in about 9-10 films. Due to this, Purnima’s filmography gets mixed up many times.

Purnima’s  hero in the film ‘Nirmal’ was Amarnath (Bharadwaj). He is one of the ‘same name confusions’ victims. There were two Pt. Amarnath music directors, 1 actor Amar, 1 actor Amarnath and 1 actor/director K Amarnath. This Amarnath started his acting career in 1939 with Kidar Sharma’s ‘Dil Hi To Hai’. Graduating from doing small roles he was made the leading man in Dalsukh Pancholi’s film ‘Patjhad’, opposite to Meena (Shorey). The film was launched in 1947. Pancholi had to flee Lahore due to Partition riots, but he carried the negatives of the partially filmed ‘Patjhad’ with him. Though the film was censored in India in 1948, it seems it was never released.

Amarnath starred as hero in many other films like ‘Papiha Re’ (1948), ‘Swayam Siddha’ (1949), ‘Nai Bhabhi’ (1950), ‘Kamal Ke Phool’ (1950), ‘Sheesh Mahal’ (1950), ‘Jalte Deep’ (1950), ‘Nai Zindagi’ (1951) etc. Then he switched over to supporting roles. In all, he worked in 79 films (CITWF data). His last film was ‘Khiladi’ (1968).

All the songs of ‘Nirmal’ were written by Moti, BA. This film was a special film for lyricist Moti BA, because this was his last film as a lyricist. Yogilal Upadhyaya aka Moti BA was born on 1-8-1919 at Devariya, UP. He did his BA in 1938 and MA in 1941, in addition to BT and ‘Sahitya Ratan’ from Benaras University. He was scouted by Ravindra Dave and Sardar Ranjit Singh, emissaries of Dalsukh Pancholi. At that time he was working as a journalist. He went to Lahore and stayed there for 2 years, enjoying company of writers, poets and major stars. He wrote songs for films like ‘Kaise Kahoon’ (1945).

He came to Bombay and started writing songs for films like ‘Subhadra’ (1946), ‘Bhakta Dhruv’ (1947), ‘Ek Kadam’ (1947), ‘Amar Asha’ (1947) etc. Some of his other films are ‘Saajan’ (1947), ‘Nadiya Ke Paar’ (1948), ‘Sindoor’ (1947), ‘Rimjhim’ (1949), ‘Raam Baan’ (1948), ‘Ram Vivah’ (1949), ‘Veer Ghatotkach’ (1949), ‘Rajput’ (1951) etc. He was much in demand, but after ‘Nirmal’ he decided to go back to his hometown and teach. He taught Logic, English Literature and History from 1952 to 1980. He wrote 4 books and won several awards. He died on 18-1-2009 at Devariya.

There is an enigma about lyricist Moti, that though he had done MA, why was he known as Moti, BA ?

Moti, BA is one of the very few artists who left the film world to pursue what he loved – teaching. I can remember another example – Sr. Shashi Kapoor who left a lucrative career as a child artist to pursue his studies in mathematics. He became a maths professor in an American university teaching his favourite subject of maths.

The cast of ‘Nirmal’ was Purnima, Amarnath, Shyam Kumar, Shanta Kunwar, Mirza musharraf, Habib, Cuckoo etc. The story of film Nirmal is-

Nirmal (Amarnath) is an honest young man who loves Purnima (Purnima) and gets married to her. He is sent to Calcutta by his office. He goes alone, leaving wife to look after his ailing father. After few months, when father is very ill, Nirmal leaves for home. Grabbing this opportunity, Champaklal (Shyam Kumar), a colleague in his office, does a fraud and the blame comes to Nirmal. Police arrest Nirmal the day his father dies. The story details how the courageous Purnima goes to Calcutta and proves Nirmal innocent, with the help of some friends. (643)

The film has 8 songs. 2 songs are already discussed. This is the third song. It is a song with a very good tune. . .

 


Song – Tu Jo Mere Pyaar Ki Khichdi Pakaayega (Nirmal) (1952) Singer – Geeta Dutt, GM Durrani, Lyrics – Moti BA, MD – Bulo C Rani

 

Lyrics 

tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega
arre tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega
humre tumhere beech kaise koi aayega
humre tumhere beech kaise koi aayega
tu jo na khilaayegi
to kaise koi khaayega
tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega

dekho bulaanvungi saat kos aayega
kaun teri aankhon ka paani gir jaayega
khaali peeli aayega
khaali peeli jaayega
khaali peeli aayega
aur khaali peeli jaayega
taapta rahega tu
aur koi khaayega
tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega

aaya hoon tumhaare paas
khaali nahin jaane ka
wade ke khilaaf kaani kaudi nahin paane ka
tu bhi pachhtaayegi
hum bhi pachhtaayega
tu bhi pachhtaayegi
aur hum bhi pachhtaayega
taapta rahega tu
aur koi khaayega
tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega

hum to tere pyaar ka
halwa banaayega
baith ke tumhaare saath
gappa gapp
gappa gapp
gappa gap khaayega
maska lagaayega to halwa khilaayega
maska lagaayega to halwa khilaayega
varna kya. . .
taapta rahega tu
aur koi khaayega
humre tumhere beech kaise koi aayega
humre tumhere beech kaise koi aayega
tu jo na khilaayegi
to kaise koi khaayega
arre tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा
अरे तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा
हमरे तुम्हेरे बीच कैसे कोई आएगा
हमरे तुम्हेरे बीच कैसे कोई आएगा
तू जो ना खिलाएगी
तो कैसे कोई खाएगा
तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा

देखो बुलावुंगी सात कोस आएगा
कौन तेरी आँखों का पानी गिर जाएगा
खाली पीली आएगा
खाली पीली जाएगा
खाली पीली आएगा
और खाली पीली जाएगा
टापता रहेगा तू
और कोई खाएगा
तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा

आया हूँ तुम्हारे पास
खाली नहीं जाने का
वादे के खिलाफ कानी कौड़ी नहीं पाने का
तू भी पछताएगी
हम भी पछताएगा
तू भी पछताएगी
और हम भी पछताएगा
टापता रहेगा तू
और कोई खाएगा
तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा

हम तो तेरे प्यार का हलवा बनाएगा
बैठ के तुम्हारे साथ
गप्पा गप्प
गप्पा गप्प
गप्पा गप्प खाएगा
मस्का लगाएगा तो हलवा खिलाएगा
मस्का लगाएगा तो हलवा खिलाएगा
वरना क्या॰॰॰
टापता रहेगा तू
और कोई खाएगा
हमरे तुम्हेरे बीच कैसे कोई आएगा
हमरे तुम्हेरे बीच कैसे कोई आएगा
तू जो ना खिलाएगी
तो कैसे कोई खाएगा
अरे तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Raag Rang-52. The film was produced by Bali sisters, Bombay banner. The producer was Hari Darshan bali, the Director was Digvijay Bali ( elder brother of Geeta Bali) and the heroine of the film was Geeta Bali, opposite Ashok kumar. At this time, the age of Geeta Bali was just 22 years and Ashok kumar was almost double of her age, at 41 years !
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chamkee”(1952) was produced by Maganlal G Desai and directed by J K Nanda for National Film Circuit, Bombay. this movie had Raagini (Sr), Shekhar, Roopmala, Ulhas, Murad, Meera Mishra, Cuckoo, Jeewan, Nana Palsikar, Mumtaz, Uma Dutt, Khairaati, Brij Sarah, Iqbal, Pannu etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chhatrapati Shivaji”(1952) was directed by Bhalji Pendharkar for Prabhakar Pictures, Bombay. The historical movie had Chandrakant, prithviraj, Baburao Pendharkar, Leela, Gajanan Jaageerdaar, Ranjana, Ratnamala, Jaishankar, Vasant, Lalita Pawar, Thengdi, Sureshnath, Vanmala, Vasantrao Pahalwan, Master Vitthal, Krishna Rao Chonkar, Takalkar, Varne etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sapna” (1952) was directed by Kidar Sharma for Hindustan production company. The movie had Kishore Sahu, Bina Rai, Cuckoo, Shakuntala, Moni C., Hiralal, Rani Chanda, Narbada Shanker, Paul Sharma etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13800 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13806

Number of movies covered in the blog

Movies with all their songs covered =1031
Total Number of movies covered =3767

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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