Posts Tagged ‘Rajinder Krishan’
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Blog Day : |
4606 | Post No. : | 16237 |
“Maa Baap”(1960) was produced by Trikambhai Dave and directed by V M Vyas for Ratndeep Pictures, Bombay. The “social” movie had Rajendra Kumar, Kamini Kadam, Peace Kanal, Pran, Anar, Kumar, Naaz, Bipin Gupta, Kuldeep Kaur, Sundar, Kudsum, Romi, Leela Mishra, Baby Shobha, Keshav, Pratap Bhansali, Roop Kumar, Dinanath, Tribhuvan Sinha, Madan Sahgal, Leela Chitnis etc in it.
THe movie had eight songs in it. One song has been covered in the past.
Here is the second song from “Maa Baap”(1960) to appear in the blog. This song is sung by Lata Mangeshkar. Rajinder Krishan is the lyricist. Music is composed by Chitragupta.
This joie de vivre song is picturised on Kamini Kadam. I hope I have identified her correctly. I request our knowledgeable readers to help identify her.
Video
Audio
Song-Jal ja paraayi aag mein parwaana kah gaya(Maa Baap)(1960) Singer-Lata, Lyrics-Rajinder Krishan, MD-Chitragupta
Lyrics
aa aa aaaa aa aa
aa aa aa
jal ja paraayi aag mein parwaana kah gaya
jal ja parayi aag me parwaana kah gaya
kitne pate ki baat ik deewana kah gaya
kitne pate ki baat ik deewana kah gaya
deewaana kah gaya
jal ja parayi aag mein parwaana kah gaya
mujhko to sabki pyaas bujhaane se kaam hai
mujhko to sabki pyaas bujhaane se kaam hai
honthon tak aake raaz ye paimaana kah gaya
paimaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
jal ja parayi aag mein parwaana kah gaya
deta na apne phool jo duniya ke baag ko
deta na apne phool jo duniya ke baag ko
aabaad main bhi hota ye weerana kah gaya
weerana kah gaya
jal ja parayi aag mein parwaana kah gaya
jal ja parayi aag mein parwaana kah gaya
aayi subah to aakhri taara bhi toot ke
aayi subah to aakhri taara bhi toot ke
kaisi kati hai raat ye afsaana kah gaya
afsaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
kitne pate ki baat ik deewaana kah gaya
deewaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
Aajaa re aajaa morey sajan aa
Posted on: February 23, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4603 | Post No. : | 16232 |
Hullo Atuldom
12th February was the birthday of an Atulite. He has started a series to introduce missing movies of the ’70s, and just as well as movies of 70s will complete 50 years. It is unbelievable that movies that were part of our childhood are 50 years old.
‘Guddi’, ‘Andaz’, ‘Haathi Mere Saathi’, ‘Caravan’, ‘Anand’, ‘Anubhav’, ‘Parwana’, ‘Tere Mere Sapne’, etc all 1971 releases, all which I have seen multiple times. I am sure that these movies would be favourites of a majority of the followers of this blog.
There is one more movie that will complete 50 years this year. Its release date has been recorded on various internet sites as 1st July 1971, but the censor certificate has a date of 24th February 1970 i.e. exactly a year after its leading lady bade goodbye to this mortal world.
Madhubala- the beauty who charmed an entire generation of moviegoers. A beauty who had an infectious smile and near-musical laughter: – can anyone forget the laughter that precedes ‘haal kaisa hai janaab ka’ or the mischievous smile through ‘accha jee main haari chalo maan jaao na’ and ‘jaanu jaanu re chhupke kaun aaya tore angna’. Her eyes were so expressive. But write-ups about her say that she kept a low public profile and was not seen at film parties and premieres.
She was born Mumtaz Jehan Begum Dehlavi in Delhi on 14th February (which the world celebrates as valentine day in modern times) as fifth of eleven children to Ataullah Khan and Ayesha Begum. An out of work father first reached Delhi from Peshawar (now in Pakistan) and then to Bombay. A very young Mumtaz was first cast as a child actor in the 1942 release ‘Basant’ which was followed by ‘Mumtaz Mahal’,‘Phulwaari’, ‘Dhana Bhagat’, ‘Rajputaani’. Baby Mumtaz became Madhubala from “Neel Kamal” in 1947. It is said that baby Mumtaz and baby Mahjabeen became friends in the period they were child actors and grew up to be contemporaries – Madhubala and Meena Kumari. Madhubala is said to have been a fan of Meena and her voice.
Madhubala was one of the most popular, successful and highly paid actresses of the ‘50s and ’60s. She acted in 73 movies in a career spanning almost two decades though the ‘60s saw only five films of hers. She also produced three movie: – ‘Naata’ (1955), ‘Mehlonkekhwab’ (1960) and ‘Pathan’ (1962). She sang a song or two as baby Mumtaz in ‘Basant’. She was an enigma who was rarely seen at filmy functions or premieres, this was because she was an obedient daughter and submitted to the domination of her father. According to what Dilip Kumar has once said:- she was the only female star for whom crowds would gather at the gates of the studios where she was shooting. Many believe she was one of the most underrated actresses as her beauty attracted more attention than her talent. She was good at expressing a range of emotions through her eyes- comedy, pathos etc etc. In spite of being an iconic actress she never won any awards and was only nominated for her role in “Mughal-e-azam” but she reigned on the hearts of her fans.
She was unlucky in life and had a few heartbreaks before leaving this world and Kishore Kumar, whom she married in 1960, yearning for her. She died on 23rd February 1969 of congenital heart disease;an ailment for which there was no treatment when she was diagnosed in 1954 on the sets of a film being made in Madras. By the time heart surgeries were possible she was too weak to withstand and was confined to bed for nearly nine years. In 1966 she attempted to complete her part of work in the Raj Kapoor starrer “Chalaak” but that was also a strain for her fragile body. (Most of this information I have found on Wikipedia about an actress/ star who was on my dad’s list of favorites in those times).
The song with this post is from a movie that was shot sometime in the ‘50sand we have a very young Sunil Dutt romancing the princess “Jwala” (Madhubala). This movie is significant as it is the only movie of Madhubala that was shot in colour, “Mughal-e-azam” was partly in colour at the time of making, but “Jwala” was made as a colour movie. Sudhirji’s post gives us details about the movie which was essentially a ‘princess falling in love with a commoner who turns out to be a prince in exile’ story. Today’s song is written by Rajinder Krishan, tuned by Shankar -Jaikishan and sung by Manna Dey and Lata Mangeshkar.
February was the month of Madhubala’s birth and she would have turned 88. It is also the month she left the world at 36. We, her fans, can only fantasize how she would have looked as an octogenarian.
Song-Aaja re aaja more sajan aa(Jwaala)(1970) Singer-Lata, Manna Dey, Lyrics-Rajinder Krishan, MD-Shankar Jaikishan
Both
Lyrics
aaja re aaja
more sajan aa
sapnon ki paalki mein dheere dheere aa
sajan dheere dheere aa
aaja re aaja
more sajan aa
sapnon ki paalki mein dheere dheere aa
sajan dheere dheere aa
kis ne hamaara naam le liya
pardon mein chhupne waale
saamne to aa
zara samne to aa
kis ne hamaara naam le liya
pardon mein chhupne waale
saamne to aa
zara saamne to aa
aaun to aaun kis tarha
koi baar baar roke
bol re sainya kaun hai jo mera pyaar roke
aaun to aau kis tarha
koi baar baar roke
bol re sainya kaun hai jo mera pyaar roke
mahal ye tera haal ye mera
rok raha hai na ja
aaja re aaja
more sajan aa
sapnon ki paalki mein dheere dheere aa
sajan dheere dheere aa
kis ne hamaara naam le liya
pardon mein chhupne waAle
samne to aa
zara saAmne to aa
main to hoon panchhi baAwra
tu baagh ki hai raani
donon hain rahi pyaar ke
aur ek hai kahaani
main to hoon panchhi baawra
tu baagh ki hai raani
donon hain raahi pyaar ke
aur ek hai kahaani
pankh laga ke saath uda ke
le chal mohe raaja
aaja re aaja
more sajan aa
sapnon ki palki mein dheere dheere aa
sajan dheere dheere aa
kis ne hamaara naam le liya
pardon mein chhupne waale
saamne to aa
zara saamne to aa
baandh ke dori preet ki
aa door kahin jaayen
phir koi bulaaye bhi
to laut ke na aayen
baandh ke dori preet ki
aa door kahin jaayen
phir koi bulaaye bhi
to laut ke na aayen
koi na dekhe
koi na jaane
mujh mein yoon samaa ja
aaja re aaja
more sajan aa
sapnon ki paalki mein dheere dheere aa
sajan dheere dheere aa
kis ne hamaara naam le liya
pardon mein chhupne waale
samne to aa
zara saamne to aa
aa aa aa aa aa
aa haa aa aa
aa ha haa
aa aa aa
aa haa aa
aa haa aa aa aa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4553 | Post No. : | 16141 |
Hullo Atuldom
4th January is the 90th birth anniversary of the on-screen mother of Rajesh Khanna, Vinod Khanna, Amitabh Bachchan, Shashi Kapoor, Dharmendra, and a few heroines too. She mostly played mother to heroes, at least that is what my personal experience was, fed as I was on movies of the ’70s and ’80s.
But that is not how she began her career. Our in-house encyclopedia whom I prefer calling Guruji has written a post and also in a few of his comments to other posts on the blog that she has played comic characters and stunt roles too in addition to playing Goddesses in mythologicals after having made her debut as heroine in movies of the late ’40s and continuing to play central characters through the ’50s and early ’60s. In post of his Atulji has commented about a 44 year old Nirupa Roy (who this post is dedicated to) playing mother to a 38 year old Shashi Kapoor and 34 year old Amitabh Bachchan who incidentally played the older son.
“Laadla” (1966) had seven songs of which the blog has four songs. One of the songs posted thus far is a two part song and shows Nirupa Roy sing a lullaby to a baby in a pram who grows up to be Sudhir Kumar (of ‘Dosti’ fame). Today’s song show her on a train journey and making her son comfortable on the berth of the compartment. This must have been the first class coach of yore which used to have a lot of space and private washroom etc.; this I am deducing from all the train scenes of old time movies that I have grown up seeing. Personally I have never experienced that luxury, but that is not the matter of this post.
Today’s song has Lata Mangeshkar giving playback to Nirupa’s atma ki awaaz (voice of conscience) and the charming actress shows her distress so well. Heard this song for the first time as I wrote it out for the post and like what Rajinder Krishan has written and Laxmi-Pyare have composed.
Song-Kaun tujhko maa kahega (Laadla)(1966) Singer-Lata, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal
Lyrics
kaun tujhko maa kahega
tu kisiki maa nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tere dil mein maa–mta ka
ek bhi armaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
phool jiss daali se nikla
haq ussi daali ka hai ae ae
phool jiss daali se nikla
haq ussi daali ka hai
teri hasti tera darza
teri hasti tera darza
toh fakat maali ka hai
jhhooth ko sach kar dikhaana
iss kadar aasaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tu kisi ki maa nahin
soch jiska yeh jigar hai
aaj woh roti hai kyun
soch jiska yeh jigar hai
aaj woh roti hai kyun
tu kisi ke aansuon se
tu kisi ke aansuon se
apna munh dhoti hai kyun
jo khushi chheene kisi ki
woh koi insaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tere dil mein maa–mta ka
ek bhi armaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tu kisi ki maa nahin
maa nahin
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4545 | Post No. : | 16119 |
Today’s song is from a B grade Costume drama film- Teerandaz-1955.
The music was from an A grade composer who was going downhill via B and C grade films and within 2 years’ time, would walk into a path leading to the end of a spectacular musical career – C. Ramchandra. With the strong competition from New blood composers lika Shankar Jaikishan, Madanmohan, O P Naiyyar and others, C Ramchandra was finding it difficult to maintain his leading position.
In 1955, C Ramchandra had actually 8 films on hand, out of which film Baap re Baap slipped out of his hands and went to O P Naiyyar, leaving him with only 7 films. They were Yasmin, Teerandaz, Pehli Jhalak, Lutera, Insaniyat, Duniya Gol hai and Azaad. As far as the film Baap re Baap is concerned, C Ramchandra had composed 3 songs ( 2 Asha solos and 1 Kishore solo) before quitting the film. The songs remained in the film ( since its shooting was already done), but commercial records were not issued. Effectively, all the 8 songs out of the total 11 songs were by Asha Bhosle ( because of O P Naiyyar, obviously).
Film Insaniyat had Dev Anand and Dilip Kumar (for the first and the last time) together in the lead. The film was made in Madras, where C Ramchandra was quite popular amongst the Madrasi producers. There was a trained monkey ‘ Zippy ‘ in the film ( Baburao Patel had said that Zippy’s acting was the best in the film ! ). The monkey was brought from Hollywood. Out of the 7 films in 1955, film Yasmin was C Ramchandra’s favourite film. He is on record saying that he had taken extra efforts for that film. However Yasmin songs did not become very popular as he had expected and even the film was not very successful. C Ramchandra was upset, more also because it was made by Musical Pictures, a joint venture by Lata and C Ramchandra !
Film Teerandaz had only 6 songs and as expected all were Lata songs ( like all Asha songs in O P Naiyyar films). In 1956 C Ramchandra had only 3 films, in 1957 5 films. This was also the year when there was a rift and separation of C Ramchandra and Lata. Consequently, succeeding 3 years, C Ramchandra had only 4, 2 and 3 films. His downfall gained momentum.
The film was directed by H.S.Rawail. Harnam Singh Rawail aka H.S.Rawail was born in Lyallpur,Punjab, British India on 21-8-1921 and moved to Mumbai to aspire to be a filmmaker. Here he wrote lyrics for films, Veer kesari-38, Na hone wali baat-38 and Yaad rahe-40. Later, he moved to Calcutta where he wrote several film scripts and debuted as a director with Dorangia Daaku -1940. His three consecutive films; Shukriya-1944, Zid-1945 and Jhoothi Kasmen -1948; were commercial failures. His next film Patanga-49 was successful and was the seventh highest grossing Bollywood film of 1949. The film is still remembered for the song “Mere Piya Gaye Rangoon” sung by Shamshad Begum.
Later, Rawail’s nine consecutive films from 1949 till 1956 did not perform well at the box office. In March 1956, Rawail started with two new projects, Chaalbaaz with Meena Kumari and Baazigar with Vyjayantimala. Both the films were dropped eventually. However, in 1958 director Nanabhai Bhatt revived both the projects starring Nirupa Roy, Jairaj and a Dog- Tiger. Chitragupta was the MD for both films. Chaalbaaz-58 was a Stunt film and Baazigar a Costume Drama. Rawail took three years sabbatical and returned in 1959 with a comedy film Shararat, starring Raaj Kumar, Kishore Kumar and Meena Kumari. The film was not a commercial success along with his next two films, Roop ki Rani Choron ka Raja-61, starring Dev Anand and Waheeda Rehman and Kanch ki Gudia -63 starring Manoj Kumar. But the film brought recognition to Manoj Kumar after having starred in various unsuccessful films before.
Rawail’s major success came with 1963 musical film Mere Mehboob starring Rajendra Kumar and Sadhana Shivdasani. Kumar had earlier worked as an assistant director to Rawail. The film was praised for Rawail’s direction and is remembered for the title song composed by music director Naushad and performed by singers Mohammad Rafi and Lata Mangeshkar. His next film Sunghursh -68 was based on a novel written by the Bengali author Mahashweta Devi. The film was set in the 19th century and showcased the lives of bandits. It was praised for the “exceptional performances” by its actors like Dilip Kumar, Vyjayanthimala, Balraj Sahni, Sanjeev Kumar and Jayant. The actor-director Rajesh Roshan had worked as an assistant director on the film.
His next film Mehboob ki Mehndi -71, featuring Rajesh Khanna and Leena Chandavarkar performed average at the box office but was recognised for its music composed by Laxmikant-Pyarelal. However, his 1976 film Laila Majnu, starring Rishi Kapoor and Ranjeeta Kaur in lead roles, became a huge blockbuster. Rawail’s last film as director Deedar-E-Yaar -82 was a commercial failure with which he took sabbatical from the film industry. He directed,in all, 22 films.
His son Rahul Rawail is also a film director and is best known for films like Love story -81, Betaab-83, and Anjaam-94. He paid a tribute to his father’s “best work”Sunghursh -68 by titling one of his film as Jeevan Ek Sanghursh -90.Rawail’s grandson Bharat Rawail is an upcoming director, who recently assisted Yash Chopra for his last film, Jab Tak Hai Jaan (2012). Rawail died on 17 September 2004 at the age of 83 in Mumbai.(adapted from Wiki, with thanks).
What makes a film successful ? So far, no one has got the answer. We have seen Big star films flopped and ordinary films like Jai Santoshi Maa-75 doing record business. That is why, maybe, producers try various tricks like taking 2-3 heroes, 2-3 heroines, a battery of Comedians etc. Film Teerandaz had 2 Heroes-Jairaj and Ajit, 2 heroines- Madhubala, and Kuldeep kaur and 3 Comedians, Gope, Sundwer and kumud Tripathi. It also had 3 dancers-Helen , Kammo and Mohana. Even Madhubala’s sister Chanchal had a song in it. Despite all this, the film did not do well.
As far as Kumaud Tripathi is concerned, he joined the films as a Lyricist and wrote songs for films Rimjhim-49, Bijli-50, Sandesh-52, Jeevan Sathi-57 and Nai zindagi-51. Then he became a comedian. His role in the film Apradhi-57 kaun was the best among his 73 films. After films, he joined TV serials. His role as Guptaji, General store owner in serial Nukkad was much appreciated. In his initial days, he shared a cottage in Bandra slum along with Sunil Dutt and Rajendra Kumar.
Comedian Sunder Singh aka Sunder was born in Sialkot, Punjab in August 1916. His father was working in Madon Theatres, Calcutta. Sunder also started working there. Initially, for a long period,he did Girl’s roles. Once his work was seen by H.S.Rawail (Director in later life). He was quite impressed. Later Rawail started working with R.N.Vaidya as his assistant in direction.Meanwhile Sunder started working in Talkie films. His first film,where he was credited, was ” Na honewali baat”-38. Before that, Rawail and Vaidya were preparing to make the film Banke Sipahi-37.Rawail recommended Sunder and Vaidya gave him an uncredited small role in that film.
Sunder and Rawail became good friends and started staying in one flat in Calcutta. After a few films here, they both went to Lahore and Sunder got the Hero’s role in the film ” Shukriya”-44. There were 4 Heroines in the film- Ramola, Rooplekha, Manorama and Raksha. Sunder’s role in this film was that of a young man from a village and Ramola was from a City. Sunder’s one song from this film-‘ Nayanon ke teer chala gayee ek shehar ki laundiya’ became very popular all over India, However the song was banned in Punjab due to its lyrics. After this they both came back to Calcutta.
His next film was Albeli-45, in which too there were 4 Heroines- Ramola, Rooplekha, Manoram and Usha. In the 40’s , Sunder acted in many films like Arabian Nights, Baap, Shabri, Chandrashekhar, Ek aurat, Grihalaxmi, Lottery, Samapti, Jhoothi kasme, Savyasachi, Do baaten, Shadi ke baad, Bawra, Khiladi, Nai Bhabhi etc. In Calcutta, Sunder got married to a girl from his community. Rawail left for Bombay. After a few months, Sunder also returned to Bombay.
Rawail was very happy to get him back and gave him roles in almost all of his films. Not only Rawail, but also J.Om Prakash, Mohan Kumar, Lekhraj Bhakri, Manoj kumar etc gave him roles in their all films and he became a busy actor. He was at one time, in great demand. He was quite popular due to his nature.In the decade of 50’s he did 88 films, which increased in the 60s and 70s. In the 80s however films came haltingly.
From singing Hero, he became a Junior artiste( extra), in presence of the new crop of actors. The role of comedians was on decline, as Heroes like Amitabh and others did comedy scenes themselves. His health started troubling him. His last film was probably Bahurani-89. He became ill for a long time and finally died on 5-3-1992. Sunder acted in 436 films. He was a good singer and sang his own songs in early cinemas. In all, Sunder sang 40 songs in 25 films. ( Thanks to Harish Raghuwanshi ji for material for adaptation.)
The story of film Teerandaz-55 was about a masked Teerandaz who supports the oppressed janta against a Tyrant Senapati. The Teerandas is a girl- Madhubala. there were only 6 songs, out of which 2 are already posted. let us now enjoy the third song by Lata and chorus.
Song-Rehti nahin hamesha ye chaand ki jawaani (Teerandaaz)(1955) Singer- Lata, Lyricist- Rajendra Krishna, MD- C Ramchandra
Chorus
Lyrics
rehti nahin hamesha ye chaand ki jawaani
jee bhar ke aish kar le
jee bhar ke aish kar le
jab tak hai zindgaani
jab tak hai zindgaani
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
guzre jo mastiyon mein
achchi wohi ghadi hai
warna ajal to kabse
peechhe tere khadi hai
aa aa aa aa aa
aa aa aa aa aa
aa aa aa
jab tak chale calaa le
ye saans ki kahaani
jee bhar ke aish kar le
ji bhar ke aish kar le
jab tak hai zindgaani
jab tak hai zindgaani
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
ye khwaab hai sunehra
rangeen hai ye dhokha
mat chhod zindagi ka koi haseen mauka
aayega haath phir na
behta hua ye paani
jee bhar ke aish kar le
jee bhar ke aish kar le
jab tak hai zindgani
jab tak hai zindgani
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
rehti nahin hamesha ye chaand ki jawaani
jee bhar ke aish kar le
jee bhar ke aish kar le
jab tak hai zindgaani
jab tak hai zindgaani
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4518 | Post No. : | 16075 |
Some regulars of the blog are more keen eyed than most people and they keep looking for important events taking place in the blog. One important event happened in the blog yesterday. I became aware of it mainly because some regulars pointed it out in our whatsapp group.
On this day in the afternoon, the blog silently registered its 14 millionth visitor. The blog began 12 years ago on 19 july 2008 and it took the blog 4517 days to reach this magic figure on 29 november 2020.
Here is a summary of all the million visitors that have taken place in the blog so far :-
| Visitor number | Date achieved | Blog day number | Days taken for the million hits | Remarks |
|---|---|---|---|---|
| 1 million | 25 October 2010 | 829 | 829 | Slowest one million @ 1206 visitors per day |
| 2 millions | 7 November 2011 | 1207 | 378 | @2645 visitors per day |
| 3 millions | 7 April 2012 | 1359 | 152 | Fastest one million @ 6579 visitors per day |
| 4 millions | 10 December 2012 | 1606 | 247 | @ 4049 visitors per day |
| 5 millions | 29 October 2013 | 1929 | 323 | @3096 visitors per day |
| 6 millions | 12 October 2014 | 2277 | 348 | @2873 visitors per day |
| 7 millions | 4 July 2015 | 2542 | 265 | @ 3773 visitors per day |
| 8 millions | 20 April 2016 | 2833 | 291 | @ 3436 visitors per day |
| 9 millions | 24 February 2017 | 3143 | 310 | @ 3226 visitors per day |
| 10 millions | 14 January 2018 | 3467 | 324 | @ 3086 visitors per day |
| 11 millions | 22 November 2018 | 3779 | 312 | @ 3205 visitors per day |
| 12 millions | 4 July 2019 | 4003 | 224 | @ 4464 visitors per day |
| 13 millions | 8 February 2020 | 4222 | 219 | @ 4566 visitors per day |
| 14 millions | 29 November 2020 | 4517 | 295 | @ 3390 visitors per day |
Overall rate of visitors till now is 3099 visitors per day.
The above table shows that the blog, despite dealing in a non populist topic in a non TRP seeking manner, still draws a regular stream of visitors. It certainly serves as a source of encouragement for us.
I remember that the blog used to have visitors in trickles (in double figures in a day) during its early days. It was on 16 august 2008 that the blog touched three figures in a day for the first time. It was on 23 january 2009 (189th day of the blog) when more than one thousand visitors visited the blog for the first time. 5 August 2009 saw more than 2000 visitors for the first time in a day. The blog has even seen over ten thousand visits in a day. Here are the details:-
| Date | Number of visitors | Blog day | Remarks |
|---|---|---|---|
| 19 July 2008 | 4 | 1 | Only four visitors on the first day. Only occasion of single digit visitors in a day |
| 20 July 2008 | 12 | 2 | First time the blog reached double figure of visitors on the second day of the blog |
| 16 August 2008 | 253 | 29 | First time the blog reached three figures of visitors in a day |
| 23 January 2009 | 1145 | 189 | First time the blog reached four figures of visitors in a day |
| 29 August 2009 | 2071 | 407 | First time the blog reached 2000 visitors in a day |
| 15 July 2011 | 3060 | 1092 | First time the blog reached 3000 visitors in a day |
| 4 October 2011 | 4137 | 1173 | First time the blog reached 4000 visitors in a day |
| 7 October 2011 | 5379 | 1176 | First time the blog reached 5000 visitors in a day |
| 9 October 2011 | 6082 | 1178 | First time the blog reached 6000 visitors in a day |
| 10 October 2011 | 7561 | 1179 | First time the blog reached 7000 visitors in a day |
| 12 October 2011 | 9824 | 1181 | First time the blog reached 8000 visitors in a day |
| 12 October 2011 | 9824 | 1181 | First time the blog reached 9000 visitors in a day |
| 19 October 2011 | 10630 | 1188 | First and only time the blog reached 10000 visitors in a day |
It took the blog more than 1000 days before it could get 3000 plus visitors in a day. But then all of a sudden, the blog touched heights of 4000 plus, 5000 plus, 6000 plus, 7000 plus, 8000 plus , 9000 plus and 10000 plus visits in a day in the month of October 2011, all within 15 days !
All these figures are interesting figures and they have been achieved without making any conscious attempts. In fact, we are not even aware how and why these visitors find us. All we know from wordpress stats is that the blog gets hits from all around the globe. Indiais the major country where this blog gets viewed the most and USA comes second. Other major countries from where this blog gets viewed are UK, Pakistan, Malaysia, Canada, UAE, Mauritius, Australia, Sri Lanka, Singapore, South Africa etc.
All we can conclude from the above is that Hindi movie music, especially those created decades ago, enjoy good following all around the world among music lovers of Indian origin and sometimes even among non Indian origin persons. People who are looking for difficult to find songs are likely to find their way into the blog. Some of them, after stumbling upon the blog may decide to bookmark the blog for further reference.
It gives us encouragement to find that we are visited even by people who are themselves associated with HFM and they sometimes post messages in the blog or contact us as well.
The figures about visitors to the blog are in a way a reflection on the fact that the work being done in the blog for old HF songs is being noticed and appreciated. And this is just the reward that we, like most normal human beings seek. Such appreciation is just the tonic that keeps us motivated and make us do this work regularly without taking any breaks.
On this occasion, here is a song from “Ek Shrimaan Ek Shrimati”(1969). This song is sung by Rafi and Lata. Rajinder Krishan is the lyricist. Music is composed by Kalyanji Anandji.
Only the audio of the song is available as of now. This movie was produced by Surinder Kapoor and directed by Bhappi Sanie for Amar Chhaya Productions. The movie had Shashi Kapoor, Babita, Kamini Kaushal, Om Prakash, Helen, Rajendra Nath, Laxmi Chhaya, Mumtaz Begum, Mohan Choti, Dhumal, Hari Shivdasani, Sudhir, Sulochana Latkar, Sujata, Snehlata, Jagadish Kamal, Maqbool, Devi Chand, Baba Benjamin, Shobha, Madan Kenny etc in it. So, my guess is that thd song was picturised on Shashi Kapoor and Babita. I request our knowledgeable readers to throw light on the picturisation of the song.
Audio
Song-Jeewan pathh par pyaar ne chhedi madhur madhur sargam(Ek Shrimaan Ek Shrimati)(1969) Singers-Rafi, Lata, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Both
Lyrics
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
aa aa aa aa
bhool chale hain saari duniya
preet ki dhun mein hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
mehke huye nazaare kehte hain aao pyaare ae
kab se saja rahe hain
hum raaste tumhaare
hum raaste tumhaare
der se aayi in raahon mein
paayal ki chham chham m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
ab apna aashiyaana
phoolon ke darmiyaan hai
ab ye zameen hai apni
apna hi aasmaan hai
apna hi aasmaan hai
duniya bhar mein aaj basa den
pyaar ki khusboo hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
soyi hui tamanna
angdaayi le rahi hai
ab to milan ki manzil
aawaaz de rahi hai
aawaaz de rahi hai
dekh zamaane saathh chale hain
saathh chalenge hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
bhool chale hain saari duniya
preet ki dhun mein hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
madhur madhur sargam
madhur madhur sargam
hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm hmm
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4518 | Post No. : | 16073 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part X: Year 1956
———————————————————————————————————
No we have reached part ten of this ambitious series. Lata Mangeshkar sang her first Hindi film songs in 1946. She sang just four songs that year and 5 songs the next year. By the time she completed one decade of her career, she had already sung more than one thousand songs in HFM, becoming the first playback singer to achieve this feat.
1956 was the eleventh year of Lata Mangeshkar as a playback singer in Hindi movies. In other words she entered the second decade of her HFM career this year. If she had sung 4 songs in 3 movies in 1946, 1956 saw her singing a whopping 204 songs in 49 movies.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1956 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 26th January | C Ramchandra | 2 | 5 | 5 | 0 | 0 | 0 | Rajinder Krishan |
| 2 | Aan Baan | Husnlal Bhagatram | 2 | 3 | 3 | 0 | 0 | 0 | Qamar Jalalabadi |
| 3 | Aawaaz | Salil Chaudhari | 6 | 6 | 5 | 1 | 0 | 0 | Vishwamitra Adil (2) Zia Sarhadi (2) Prem Dhawan (1) Shailendra (1) |
| 4 | Anjaan | Hemant Kumar | 6 | 6 | 6 | 0 | 0 | 0 | Rajinder Krishan |
| 5 | Anuraag | Mukesh | 2 | 8 | 4 | 0 | 0 | 0 | Indeewar (2) Kaif Irfani (2) |
| 6 | Bandhan | Hemant Kumar | 1 | 2 | 2 | 0 | 0 | 0 | Rajinder Krishan |
| 7 | Basant Bahaar | Shankar Jaikishan | 4 | 4 | 2 | 1 | 1 | 0 | Shailendra (3) Hasrat Jaipuri (1) |
| 8 | Bhai Bhai | Madan Mohan | 8 | 8 | 6 | 2 | 0 | 0 | Rajinder Krishan |
| 9 | Chori Chori | Shankar Jaikishan | 8 | 8 | 2 | 5 | 1 | 0 | Shailendra (4) Hasrat Jaipuri (4) |
| 10 | Dashehra | N Datta | 0 | 1 | 1 | 0 | 0 | 0 | Kavi Pradeep |
| 11 | Devta | C Ramchandra | 4 | 6 | 5 | 1 | 0 | 0 | Rajinder Krishan |
| 12 | Dhola Maaru | S K Pal | 0 | 3 | 2 | 0 | 1 | 0 | Bharat Vyas |
| 13 | Dilli Darbaar | S N Tripathi | 1 | 1 | 1 | 0 | 0 | 0 | Shailendra |
| 14 | Durgesh Nandini | Hemant Kumar | 6 | 6 | 5 | 1 | 0 | 0 | Rajinder Krishan |
| 15 | Ek Hi Raasta | Hemant Kumar | 3 | 5 | 2 | 3 | 0 | 0 | Majrooh Sultanpuri |
| 16 | Fifty Fifty | Madan Mohan | 3 | 3 | 3 | 0 | 0 | 0 | Rajinder Krishan |
| 17 | Halaaku | Shankar Jaikishan | 8 | 8 | 5 | 2 | 1 | 0 | Shailendra (5) Hasrat Jaipuri (3) |
| 18 | Hamaara Watan | Hemant Kumar | 0 | 1 | 1 | 0 | 0 | 0 | Raja Mehdi Ali Khan |
| 19 | Harihar Bhakti | K Datta | 1 | 1 | 1 | 0 | 0 | 0 | S P Kalla |
| 20 | Heer | Anil Biswas | 2 | 2 | 2 | 0 | 0 | 0 | Rajinder Krishan (1) Majrooh Sultanpuri (1) |
| 21 | Insaaf | Chitragupta | 2 | 2 | 2 | 0 | 0 | 0 | Asad Bhopali |
| 22 | Inspector | Hemant Kumar | 2 | 3 | 2 | 1 | 0 | 0 | S H Bihari |
| 23 | Jaagte Raho | Salil Chaudhari | 1 | 1 | 1 | 0 | 0 | 0 | Shailendra |
| 24 | Jai Shree | Chitragupta | 2 | 5 | 3 | 0 | 2 | 0 | Gopal Singh Nepali (4) Anjum Jaipuri (1) |
| 25 | Kaarwaan | S Mohinder | 2 | 2 | 1 | 1 | 0 | 0 | Tanveer Naqvi |
| 26 | Kar Bhala | Nisaar Chic Chocolate | 1 | 2 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 27 | Kismat Ka Khel | Shankar Jaikishan | 6 | 6 | 5 | 1 | 0 | 0 | Shailendra (4) Hasrat Jaipuri (2) |
| 28 | Lalkaar | Sanmukh Babu Upadhyay | 1 | 1 | 0 | 1 | 0 | 0 | Bharat Vyas |
| 29 | Mr Chakram | Husnlal Bhagatram | 1 | 2 | 2 | 0 | 0 | 0 | Nakshab |
| 30 | Naya Aadmi | Vishwanath Ramamurthy (2) Madan Mohan (1) | 1 | 4 | 3 | 1 | 0 | 0 | Rajinder Krishan |
| 31 | New Delhi | Shankar Jaikishan | 6 | 6 | 6 | 0 | 0 | 0 | Shailendra (4) Hasrat Jaipuri (2) |
| 32 | Paisa Hi Paisa | Anil Biswas | 2 | 4 | 2 | 0 | 0 | 2 | Majrooh Sultanpuri |
| 33 | Parivaar | Salil Chaudhari | 2 | 2 | 0 | 2 | 0 | 0 | Shailendra |
| 34 | Patrani | Shankar Jaikishan | 9 | 10 | 8 | 0 | 1 | 1 | Shailendra (9) Hasrat Jaipuri (1) |
| 35 | Pocketmaar | Madan Mohan | 7 | 7 | 5 | 2 | 0 | 0 | Rajinder Krishan |
| 36 | Rajdhaani | Hansraj Bahl | 7 | 7 | 6 | 1 | 0 | 0 | Asad Bhopali (4) Qamar Jalalabadi (3) |
| 37 | Raj Hath | Shankar Jaikishan | 9 | 9 | 7 | 1 | 1 | 0 | Shailendra (6) Hasrat Jaipuri (3) |
| 38 | Rajraani Meera | S N Tripathi | 2 | 6 | 6 | 0 | 0 | 0 | B D Mishra |
| 39 | Rangeen Raaten | Roshan | 6 | 6 | 3 | 1 | 2 | 0 | Kidar Sharma |
| 40 | Sajni | Sudhir Phadke | 5 | 5 | 4 | 1 | 0 | 0 | Pt Narendra Sharma |
| 41 | Shatranj | C Ramchandra | 4 | 4 | 3 | 1 | 0 | 0 | Rajinder Krishan |
| 42 | Shirin Farhaad | S Mohinder | 3 | 3 | 2 | 1 | 0 | 0 | Tanveer Naqvi |
| 43 | Sultaana Daakoo | Bipin Baabul | 1 | 1 | 1 | 0 | 0 | 0 | Tanveer Naqvi |
| 44 | Taaj | Hemant Kumar | 8 | 8 | 7 | 1 | 0 | 0 | Rajinder Krishan |
| 45 | Taksaal | Roshan | 3 | 3 | 2 | 1 | 0 | 0 | Prem Dhawan |
| 46 | Toofaan Aur Diya | Vasant Desai | 4 | 4 | 3 | 0 | 1 | 0 | Meerabai (3) Bharat Vyas (1) |
| 47 | Yahudi Ki Beti | Kamal Mitra | 2 | 2 | 2 | 0 | 0 | 0 | Shyamlal Shams (1) Kaifi Azmi (1) |
| 48 | Zindagi | Md Shafi | 1 | 3 | 2 | 1 | 0 | 0 | Kaifi Azmi |
| 49 | Zindagi Ke Mele | Md Shafi | 1 | 3 | 1 | 0 | 2 | 0 | Tanveer Naqvi (2) Manohar Khanna (1) |
| Total | 49 movies | 24 MDs | 168 | 204 | 153 | 35 | 13 | 3 | 27 lyricists |
Statistically, this was the third most prolific year till then for Lata Mangeshkar. This year she sang 204 songs.
In 1956, she gave playback in 49 movies. 120 movies were released in 1956 and they contained 765 songs. So Lata Mangeshkar gave plaback in 41 % of the movies released in 1956 and her voice appeared in 27 % of the songs created that year !
In 1956, Lata Mangeshkar worked with 24 music directors and 27 lyricists. She worked with six music directors for the first time this year. They were Bipin Babul, Kamal Mitra, Mukesh, S K Pal, Sanmukh babu Upadhyay and Vishwanathan Ramamurthy. This year, she worked with three lyricists for the first time. They were B D Mishra, Manoharlal Khanna and S P Kalla.
By the end of 1956, Lata Mangeshkar had sung 1548 songs in 375 movies. The blog contains 1278 of these songs. By the end of 1955, she had worked with 85 Music directors and 109 lyricists.
Here is the summary of her playback career in Hindi movies till end of 1956 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| Total upto 1956 | 375 movies | 1278 | 1548 | 1159 | 280 | 76 | 33 |
One can see that Lata Mangeshkar sang in 49 movies that were released in 1956. All Lata Mangeshkar songs have been covered in 30 of these movies. So we only have 19 movies of 1956 left from which Lata Mangeshkar songs can still be covered.
Alphabetically the first such movie is “26th January”(1956). This movie was produced and directed by Ramesh Sahgal for Sahgal Productions, Bombay. The movie had Nalini Jaiwant, Ajeet, Johny Walker, Sapru, B M Vyas, Leela Mishra, Cuckkoo, Balraj Mehta Chamanpuri, Nishi (debutant) etc in it. The movie also had guest appearances by Gajanan Jaageerdaar, Jagdeesh Sethi, Randheer, Gyani and Patanjali.
The movie had seven songs in it. Two songs have been covered in the blog. The movie had five Lata solos. Both songs covered in the blog were Lata solo songs.
Here is the third Lata solo song from “26th January”(1956) to appear in the blog. This song, sung by Lata Mangeshkar is penned by Rajinder Krishan. C Ramchandra is the music director.
Incidentally, Rajinder Krishan by 1956 had penned 255 songs for Lata Mangeshkar and C Ramchandra had composed 237 Lata Mangeshkar songs. They were the top most lyricists and music director respectively as far as working with Lata Mangeshkar till that time was concerned.
Listening to this song tells me that we still have lots and lots of forgotten gems left unexplored. I listened to this song for the first time only just now.
Song-Aankh royi magar muskuraana padaa(26th January)(1956) Singer-Lata, Lyrics-Rajinder Krishan, MD-C Ramchandra
Lyrics
aankh royi magar muskuraana pada
aankh royi magar muskuraana pada
dil ke tukde huye
phir bhi aana pada
aankh royi magar
baghbaan aaj khush hai chaman bech ke
apni ulfat ki khaatir watan bech ke
baghbaan aaj khush hai chaman bech ke
apni ulfat ki khaatir watan bech ke
sar pe iljaam ye bhi uthhaana pada
sar pe iljaam ye bhi uthhaana pada
dil ke tukde huye phir bhi aana pada
aankh royi magar
aankh royi magar muskuraana pada
dil ke tukde huye
phir bhi aana pada
aankh royi magar
aa aa aa aa aa
tere dam se jawaan ye muhabbat rahe
tere dam se jawaan ye muhabbat rahe
mera kya hai magar tu salaamat rahe
tere dam se jawaan ye muhabbat rahe
mera kya hai magar tu salaamat rahe
bas yahi soch kar zahar khaana pada
bas yahi soch kar zahar khaana pada
dil ke tukde huye
phir bhi aana pada
aankh royi magar
aankh royi magar muskuraana pada
dil ke tukde huye
phir bhi aana pada
aankh royi magar
Jo baat abhi tak thhi dil mein
Posted on: October 28, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4485 | Post No. : | 16002 |
“Fifty Fifty”(1956) was produced and directed by Roshanlal Malhotra for Roopnagar Limited, Bombay. This “social” movie had Nalini Jaiwant, M Rajan, David, Manmohan Krisgna, Lalita Kumari, Amar, Sundar, Gope, Om Prakash, Tuntun, Helen, Mumtaz, Rajan Kapoor, Kathana, Dubey, Lalita Kapoor etc, with guest appearances by Randheer, Jayant and Jeewan.
The movie had eight songs in it. Seven songs have been covered in the past. Here are the details of these seven songs :-
| Blog Post number | Song | Date posted |
|---|---|---|
| 2744 | Chal diyaa dil mera tod ke | 8 August 2010 |
| 2840 | Aadhi tum khaa lo aadhi ham khaa len | 25 August 2010 |
| 6637 | Mere jaisa nahin milega ulfat ka deewaana | 14 September 2012 |
| 8338 | Ye bhool huyi bhoole se kabhi | 13 July 2013 |
| 12128 | Shaam ka aanchal dhhalka | 23 June 2016 |
| 15792 | Ye to bata rasiyaa | 8 August 2020 |
| 15998 | Kab tak tu Bhagwan se apna aap chhupaayegaa | 27 October 2020 |
One song remains to be discussed. Here is that eighth and final song from “Fifty Fifty”(1956). This song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by Madan Mohan.
What a lovely song to listen to. Only the audio of the song is available. It appears almost certain that a song like this can only be picturised on the leading lady f the movie, and that was Nalini Jaiwant in this movie. I request our knowledgeable readers to throw light on the picturisation of this song.
With this song, all the songs of “Fifty Fifty” (1956) are covered in the blog. The movie joins the list of movies that have been YIPPEED in the blog.
Song-Jo baat abhi tak thhi dil mein (Fifty Fifty)(1956) Singer-Lata, Lyrics-Rajinder Krishan, MD-Madan Mohan
Lyrics
jo baat abhi tak thhi dil mein
honthon pe wo aa hi jaati hai
honthon pe wo aa hi jaati hai
naadaan balam aise bhi kahin
ye preet jataai jaati hai
ye preet jataai jaati hai
honthon ki zaroorat hi kya hai
afsaana-e-dil kehne ke liye
honthon ki zaroorat hi kya hai
afsaana-e-dil kehne ke liye
chup rehke kahaani ulfat ki
aankhon se sunaai jati hai
aankhon se sunaai jati hai
naadaan balam aise bhi kahin
ye preet jataai jaati hai
ye preet jataai jaati hai
jab raat ko taare khilte hain
tanhaaai mein do dil milte hain
jab raat ko taare khilte hain
tanhaai mein do dil milte hain
jab saara zamaana sota hai
tab preet jagaai jaati
tab preet jagaai jaati
naadaan balam aise bhi kahin
ye preet jataai jaati hai
ye preet jataai jaati hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4484 | Post No. : | 15998 |
“Fifty Fifty”(1956) was produced and directed by Roshanlal Malhotra for Roopnagar Limited, Bombay. This “social” movie had Nalini Jaiwant, M Rajan, David, Manmohan Krisgna, Lalita Kumari, Amar, Sundar, Gope, Om Prakash, Tuntun, Helen, Mumtaz, Rajan Kapoor, Kathana, Dubey, Lalita Kapoor etc, with guest appearances by Randheer, Jayant and Jeewan.
The movie had eight songs in it. Six songs have been covered in the past.
Here is the seventh song from “Fifty Fifty”(1956) to appear in the blog. The song is sung by Rafi. Rajinder Krishan is the lyricist. Music is composed by Madan Mohan.
ONly the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song. My guess is that the song is a beggar/ fakir song on some character artist.
Song-Kab tak tu Bhagwan se apna aap chhupaayega(Fifty Fifty)(1956) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Madan Mohan
Lyrics
kab tak tu bhagwaan se apna aap chhupaayega aa
tera likkha ik din tere samane aayega aa aa
saamne aayega
kab tak tu bhagwaan se apna aap chhupaayega aa
tera likkha ik din tere samane aayega aa aa
saamne aayega
jo saagar ke andar seepi beech chupaaye moti
dekh rahi hai sab kuchh logon us maalik ki jyoti
jo saagar ke andar seepi beech chhupaaye moti
dekh rahi hai sab kuchh logon us maalik ki jyoti
arre us maalik ki jyoti
jag ke bhedi kya bande se dhokha khaayega aa
tera likkha ik din tere saamne aayega
kab tak tu bhagwaan se apna aap chhupaayega
tera likkha ik din tere samane aayega aa aa
saamne aayega
jiski marzi bin o moorakh hil na paaye tinka
lekh likha hai paass usi ke tere ik ik din ka
jiski marzi bin o moorakh hil na paaye tinka
lekh likha hai paass usi ke tere ik ik din ka
arre tere ik ik din ka
kahaan phir uski nazron se tu bach ke jaayega
tera likha ek din tere saamne aayega
kab tak tu bhagwan se apna aap chhupaayega aa
tera likkha ik din tere saamne aayega aa aa
saamne aayega
- In: "Helen" song | Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Duet | Jeevankala Dance Songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Songs of 1960s (1961 to 1970) | Songs of 1965 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- 1 Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4476 | Post No. : | 15978 |
“Khaandaan” (1965)was produced by Vasu Menon and directed by A Bhim Singh for Vasu Films, Madras. The movir had Sunil Dutt, Nutan, Pran, Sudesh Kumar, Manmohan Krishna, Mohan Choti, Om Prakash, Ravikant, Arundev, Mumtaz, Sulochana Chatterjee, Lalita Pawar, Helen, Jeewankala etc in it.
This archtypical “social” movie had the usual fare typical of movies made in the South.
“Khaandaan”(1965) had eight songs in it. Seven songs have been covered in the past. Here are their details:-
| Blog post no | Song | Posted On |
|---|---|---|
| 2687 | Tumhi mere mandir tumhi meri poojaa tumhi devtaa ho | 28.07.2010 |
| 4298 | Kal chaman thhaa aaj ek sehraa huaa | 30.07.2011 |
| 4298 | Neel gagan par udte baadal aa aa aa | 01.08.2011 |
| 4312 | Tu ho ke badaa ban jaana apni maan ka rakhwaala | 09.03.2012 |
| 10032 | Aa dance karen | 31.07.2014 |
| 15760 | Ho ballo soch ke mele jaana | 28.07.2020 |
| 15795 | Badi der bhayi Nandlala teri raah takey Brijbaala | 11.08.2020 |
Here is the eighth and final song from “Khandaan”(1965) to appear in the blog. This song is sung by Asha Bhonsle and Usha Mangeshkar. Rajinder Krishan is the lyricist. Music is composed by Ravi.
The song is picturised as a synchronised stage dance performance song on Helen and Jeewankala. Their energetic dance performance is bound to recharge the spirits of the watchers even today, 55 years after this video was first witnessed by moviegoers in moviehalls. Watching this performance made me realise that performing such dances were the secret behind the figures of these dancers. 🙂
Lyrics of the song were sent to me by Avinash Scrapwala.
With this song, all the eight songs of “Khandaan”(1965) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.
Video
Audio
Song-Meri mitti mein mil gayi jawaani haay raam (Khaandaan)(1965) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Rajinder Krishan, MD-Ravi
Both
Chorus
LyricsProvided by Avinash Scrapwala)
do din jhhoothha pyaar jataa ke
chalaa gaya ik baabu
koyi bataa de kaise rakhoon
apne dil par kaabu
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
khilaata tha pyaar se
banaaras ke paan
wo ghadi ghadi kehtaa tha
haay meri jaan
khilaata tha pyaar se
banaaras ke paan
wo ghadi ghadi kehtaa tha
haay meri jaan
yaad aati hai jab uski
meethhi zabaan
yaad aati hai jab uski
meethhi zabaan
to ro ro ke kehtaa hai
dil naadaan
kyaa
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
abhi to hai mushqil se do din ki baat
ke sainyya ke pahlu mein kat’ti thi raat
abhi to hai mushqil se do din ki baat
ke sainyya ke pahlu mein kat’ti thi raat
main to samjhi thi
saari umr ka hai saath
main to samjhi thi
saari umr ka hai saath
pataa kya tha aisi hai
mardon ki jaat
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
na hota agar chaar aankhon ka mel
judaayi ki hoti naa lambi ye jail
na hota agar chaar aankhon ka mel
judaayi ki hoti naa lambi ye jail
ho padaa kitna mehengaa
mohabbat ka khel
ho padaa kitna mehengaa
mohabbat ka khel
ye kehta hai bah bah ke
zulfon ka tel
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
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