Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Devnagri script lyrics by Sudhir’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4637 Post No. : 16295

‘PANCHAM-RAFI’ Jodi’s Variety Songs – 5
———————————————————

Welcome all to today’s post which is coming after a long gap of more than two years. In this series we discussed song by ‘Pancham-Rafi’ jodi. This series was basically inspired by an article on the blog ‘Pancham and Only Pancham’ – and the title of the article is ‘Tribute to Rafi Sahab on 28th Death Anniversary‘, published on Rafi Sb’s twenty-eighth ‘Remembrance Anniversary’ on 31.07.2008. This article lists out the ‘variety of songs by the genius -Pancham-Rafi’ jodi based on different ‘genres’ of music.

When I came across the above article I thought to share this list with readers on our blog too. So, when I started this series in ‘2015’ with this song – “Jaag Devta Naag Devta – nine out of the twenty songs listed in the article were already posted on the blog. After that, I shared three more songs viz. – “Raqqaasa Mera Naam, Ae Sahib Sabko Salaam“, “Maine Kab Chaaha Ke Dulha Banoonga” and “Maakhan Chor Nandkishore Manmohan Ghanshyam Re“. The remaining songs were shared by our team members from time to time, and all these twenty songs are on the blog now.

Readers can go through the list in the article mentioned above. As the songs in this list were already getting posted on the blog, I had in the post for the song “Maine Kab Chaaha Ke Dulha Banoonga” mentioned that I will include some more songs in this series, not on the basis of music-genres, but these ‘special songs’ are from the category of being ‘the only Rafi song in a movie where music was composed by RD Burman.

Today’s song is one such song and it is from the movie ‘Phir Wohi Raat’ (1980).

This film was directed by Danny Dengzongpa for Prithvi Pictures, Bombay. The star cast includes Rajesh Khanna, Kim (new discovery), Shashikala, AK Hangal, Suresh Oberoi, Lalita Pawar, Tamanna, Aruna Irani, Danny Dengzongpa, Om Shivpuri, Shobha Khote, Jagdeep, Mukri, Bhagwan, Mohan Choti, Birbal, Madhu Malhotra, Shashi Kiran, Manmauji, Prakash, Lalita Kumari, Brahm Bharadwaj, Ranjeet Sood, Jugnu, Chand Usmani, Moolchand, Gopal Saigal, Master Chirag and others.

This movie was passed by Censor Board on 06.08.1980 with restricted viewing (Adults Only) certificate.

This movie had six songs, all written by Majrooh Sultanpuri and composed to music by RD Burman. Here is the list of the songs of this movie,

S.No.

Song Title Singer/s

Posted On

01

Dekho idhar dekho ae mere hamsafar Kishore Kumar, Asha Bhonsle, Sushma Shreshtha

12.02.2021

02

O o bindiya tarse kajraa barse Lata Mangeshkar

03

Dhoondho re … Sang mere nikley thhe saajan haar baithhe Lata Mangeshkar, Kishore Kumar, chorus

26.02.2013

04

Chhalkaao jhoomke paimaana khushi ka Kishore Kumar, chorus

11.03.2013

05

Haan … Phir wohi raat aayi jaane jaan Asha Bhonsle

20.05.2013

06

Haa … Aa gaye yaaron jeene ke din Mohd Rafi, chorus Being discussed today

Today’s song, the only Rafi song, in this movie is lip-synced on screen by actor Jagdeep.

Today 29th March 2021 is eighty-second birth anniversary (born on 29.03.1939) of actor Jagdeep. He passed away last year on 08th July 2020. As a tribute to him we will listen and enjoy this entertaining song from this movie. The song is ‘joie-de-vivre’ where other than Jagdeep we can see Mohan Choti, Bhagwan, Mukri, Birbal, Gopal Saigal and others also performing with him.

Also wishing herewith is ‘Happy Holi’ to all. Though the song is not a ‘holi’ song but ‘holi’ celebrations can be enjoyed this year ‘in house’ only – with playing this song and ‘taking a jig’ on this vibrant Pancham composition.

Video

Audio

Song – Aa Gaye Yaaro Jeene Ke Din (Phir Wohi Raat) (1980), Singer – Mohammed Rafi, Lyrics – Majrooh Sultanpuri, MD – RD Burman
Chorus

Lyrics

haa haa

aa gaye yaaro jeene ke din
khelne khaane peene ke din
naacho pyaaro ke maujen maaro
chiraag de gaye alladdin
hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haaye
haaye re hoo hoo na

aa gage yaaro jeene ke din
din
khelne khaane peene ke din
din
naacho pyaaro ke maujen maaro
chiraag de gaye allaadin
hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haay
haaye re hoo hoo na

ab dekhna mere laal
kismat ke ghode ki chaal
ab dekhna mere laal
kismat ke ghode ki chaal
haath milaao lagayenge daanv
ab ek ek par teen teen
hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haaye
haaye re hoo hoo na

aa gage yaaro jeene ke din
din
khelne khaane peene ke din
haa
naacho pyaaro ke maujen maaro
chiraag de gaye allaadin
hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haaye
haaye re hoo hoo na

duniya banegi ghulaam
jhuk jhuk karegi salaam
duniya banegi ghulaam
jhuk jhuk karegi salaam
aage pichhe hamaare honge
zamaane bhar ke haseen
hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haaye
haaye re hoo hoo na

haa
aa gage yaaro
jeene ke din
khelne khaane
peene ke din
naacho pyaaro ke maujen maaro
chiraag de gaye allaadin
hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haaye
haaye re hoo hoo na

aa gage yaaro jeene ke din
din
khelne khaane peene ke din
haa
naacho pyaaro ke mauje maaro
chiraag de gaye allaadin
naacho
hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haaye
haaye re hoo hoo na
hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
he he
haaye re hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na
haaye re hoo hoo na

naacho o

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————

हा हा

आ गए यारो जीने के दिन
खेलने खाने पीने के दिन
नाचो प्यारो के मौजें मारो
चिराग दे गए अल्लादीन
हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हाये
हाये रे हू हू ना

आ गए यारो जीने के दिन
दिन
खेलने खाने पीने के दिन
दिन
नाचो प्यारो के मौजें मारो
चिराग दे गए अल्लादीन
हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हाये
हाये रे हू हू ना

अब देखना मेरे लाल
किस्मत के घोड़े की चाल
अब देखना मेरे लाल
किस्मत के घोड़े की चाल
हाथ मिलाओ लगाएंगे दांव
अब एक एक पर तीन तीन
हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हाये
हाये रे हू हू ना

आ गए यारो जीने के दिन
दिन
खेलने खाने पीने के दिन
दिन
नाचो प्यारो के मौजें मारो
चिराग दे गए अल्लादीन
हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हाये
हाये रे हू हू ना

दुनिया बनेगी ग़ुलाम
झुक झुक करेगी सलाम
दुनिया बनेगी ग़ुलाम
झुक झुक करेगी सलाम
आगे पीछे हमारे होंगे
जमाने भर के हसीन
हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हाये
हाये रे हू हू ना

हा
आ गए यारो जीने के दिन
दिन
खेलने खाने पीने के दिन
हा
नाचो प्यारो के मौजें मारो
चिराग दे गए अल्लादीन
नाचो
हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हाये
हाये रे हू हू ना
हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हे हे
हाये रे हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना
हाये रे हू हू ना

नाचो॰॰ओ


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4629 Post No. : 16282

Rafi Sahab’s Legendary Associations – 3
———————————–————––———

Sar jo tera chakraaye, Ya dil dooba jaaye
Aa jaa pyaare paas hamaare, Kaahe ghabraaye
Kaahe ghabraaye. . .

Ae dil hai mushkil jeena yahaan
Zara hatt ke zara bach ke
Yeh hai bombay meri jaan. . .

Jaane kahan mera jigar gaya ji
Abhi abhi yahi thha kidhar gayaa ji. . .

Gareeb jaan ke hum ko na tum mita dena
Tumhin ne dard diya hai tumhi dawaa denaa

Just to list a few of the famous Rafi solos and duets for Johny Walker.

This series is about collaborations and team work by Rafi Sahab for various artists, mainly with composers, singers and lyricists.  But since the song I stumbled upon is too good, atypical rendition by Rafi Sahab for Johnny Walker, as we know the veteran comic actor.  So I have included this in the series.

In the list of Rafi Sahab’s songs I counted around 125 songs of Johnny Walker.   This blog already has 136 songs listed as filmed on Johnny Walker songs. The readers can view the list here.

Some of these are by other singers like Mannadey or Mahendra Kapoor etc., but they should be very few, so what I have found is possibly one of the very few around 5-10 Rafi songs actually sung on screen by Johnny Walker remaining to be posted.

‘Ghulam Begum Baadshah’ is a 1956 film produced under the banner of Niagra Films, Bombay and is directed by Jugal Kishore. The star cast of the film is listed as Sheela Ramani, Daljeet, Wazir Muhammad Khan, Altaf, Nishi, Sadiq, Paras, Khairati, Malika, R Nath, Jogendra, Preetam, Dilip Bamblaheri, Wajid Ali, Bhanesh Kumar, Shivji Bhai, Chand, Kamaldeep, Rajpuri, Prakash, and Johnny Walker

The film has six songs written by four lyricists – Indeewar, Roopbani, Shyam Hindi and Shaukat Pardesi. This song is written by Roopbani. The film’s music is composed by Sudipta Bhattacharya. Four out of six songs of this film are posted in the blog :

Aaj Hai Mujhko Khushi Jhoomti Hai Zindagi
Dil Hai Ye Tera Dil Tu Liye Jaa
Dil Se Mere Dil Mila
Jannat Ki Hoor Hoon Dil Ka Suroor Hoon

The tally of the lyricist and the music director in our blog, as per the stats page is as follows:

Sudipta Bhattacharya 6
Roopbani 19

Going by the above Sudipta Bhattacharya, was not a one film wonder and he has composed the music for at least two Hindi films or may be some non-film songs.  This is a rare qawwali by a Bengali music director, discounting the excellent filmy qawwaliyan composed by RD Burman.

Such is the beauty of 50’s Rafi songs, and this song has the added attraction is being specifically sung for Johnny Walker.  As a composition also I must say it is top-notch.  It could have been the run of the mill, funny, chhed-chhad qawwali, but it is not so.  The sense of timing of Johnny Walker and Rafi sahab’s spirited enjoyment of performing and singing is a highlight.

One can imagine the amount of time and hard work in the creation of this and the many  rehearsals etc that must have been gone into creating this song.

The more times I see and hear this song, I am sure whoever is reading the post is going to see this song multiple times.  Truly, it is so perfectly synchronised, composed, written, sung, performed and edited song.

Song – Thoda Sa Hum Ko Sharbat e Deedar Chahiye (Ghulam Begum Baadshah) (1956) Singer – Mohammed Rafi, Lyrics – Roopbani, MD – Sudipta Bhattacharya
Unidentified Male Voice
Chorus

Lyrics 

aa aaa aaaa

bahot jal kar
muhobbat mein mera dil. . .
aaj bolaa hai..ae..ae
qayamat hai tu
arey bijli hai tu
sholaa hai..ae..ae
tthoda sa hum ko sharbat-e-deedar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye ea
tthoda sa hum ko sharbat-e-deedar chaahiye
pi pi ke jise jhoomen hum ko pyaar chaahiye haan
pi pi ke jise jhoomen hum ko pyaar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye

ha ha aa

aa aa aaaa
daulat na chahiye mujhe
na maal chaahiye
aaa aaaaaa
aaaaa aaaaaaaaaa
arey roti na chahiye mujhe
na daal chahiye..ae..ae
phir kya chahiye
arey jo haathh mein hai tere
wo rumaal chahiye
samjhe na
jo haath mein hai tere
wo rumaal chahiye
jo haath mein hai tere
wo rumaal chahiye ea
jo haath mein hai tere
wo rumaal chahiye
aashiq hain hum ko
ishq ka aazaar chahiye
aashiq hain hum ko
ishq ka aazaar chahiye
arey
tthoda sa hum ko sharbat-e-deedar chaahiye..ae

ha aa

haaan aaaan
qaatil hai tu agar
to main qaatil ka
ba ba ba
baap hoon
baap hoon
naagin hai tu agar
to main zehreela saa..aanp hoon
to phir kya ho. . .
sab kuchh hoon tere ishq mein
khaana kharaab hoon
sab kuchh hoon tere ishq mein
khaana kharaab hoon
sab kuchh hoon tere ishq mein
khaana kharaab hoon
sab kuchh hoon tere ishq mein
khaana kharaab hoon
ik tere jaisa hum ko bhi dildaar chahiye
ik tere jaisa hum ko bhi dildaar chahiye

tthoda sa hum ko sharbat-e-deedar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————

आ आs आsss

बहोत जल कर
मुहब्बत में मेरा दिल॰॰॰
आज बोला है॰॰ए॰॰ए
क़यामत है तू
अरे बिजली है तू
शोला है॰॰ए॰॰ए

थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
पी पी के जिसे झूमें हमको प्यार चाहिये
पी पी के जिसे झूमें हमको प्यार चाहिये
थोड़ा सा हमको शर्बत ए दीदार चाहिए

हा हा आ

आ आ आsss
दौलत ना चाहिए मुझे
न माल चाहिए
आss आsssss
आssss आsssssssss
अरे रोटी ना चाहिए मुझे
ना दाल चाहिए॰॰ए॰॰ए
फिर क्या चाहिए
अरे जो हाथ में है तेरे वो रुमाल चाहिए
समझे ना
जो हाथ में है तेरे वो रुमाल चाहिए
जो हाथ में है तेरे वो रुमाल चाहिए
जो हाथ में है तेरे वो रुमाल चाहिए
आशिक हैं हमको इश्क़ का आज़ार चाहिए
आशिक हैं हमको इश्क़ का आज़ार चाहिए
अरे
थोड़ा सा हमको शर्बत ए दीदार चाहिए॰॰ए

हा आ

हाँ॰॰आँ
क़ातिल है तू अगर
तो मैं क़ातिल का
बा बा बा
बाप हूँ
बाप हूँ
नागिन है तू अगर
तो मैं ज़हरीला साँ॰॰प हूँ
तो फिर क्या हो
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
इक तेरे जैसा हमको भी दिलदार चाहिए
इक तेरे जैसा हमको भी दिलदार चाहिए

थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4622 Post No. : 16271

Today’s song is from the ‘1956’ movie ‘Sati Naagkanya’.  This is a film directed by Babubhai Mistry for ‘Mukti Films, Bombay’. It was produced by Subhash Desai – RN Mandloi. This movie was passed by Censor Board on 07.08.1956.

It had Nirupa Roy, Manhar Desai, SN Tripathi, Babu Raje, Indira Bansal, Heera Sawant, Samar Roy, Malay Sarkar, Jharna Ghosh, Rajrani, Bhalerao, Shri Bhagwan, P. Kailash and others.  Mahipal made a guest appearance in this movie.

This movie had eight songs composed by SN Tripathi. Three lyricists viz. Saraswati Kumar Deepak (three songs), Gopal Singh Nepali (three songs) and B.D. Mishra (two songs) penned the lyrics for this movie.

Following is the list of songs of this movie;

S.No. Song Title Lyricist Posted on
01 Choli meri pili, chunariya meri neeli … G.S. Nepali
02 Thhandi hawaayein maare jhatke … G.S. Nepali
03 Sej par aakash ki ye jhilmil jhilmil taare B.D. Mishra 19.09.2018
04 Yadi maine man, vachan, karm se … Saraswati Kumar ‘Deepak’
05 Sheshnaag ke phan par … Saraswati Kumar ‘Deepak’
06 Dankaa bajaa bajaa kar… o dinbandhu Saraswati Kumar ‘Deepak’
07 O gagan bataa… kab tak chhupegaa aasmaan G.S. Nepali
08 Hari Om tatsat … B.D. Mishra

One song Sej par aakash ki ye jhilmil jhilmil taare has been posted on the blog on 19.09.2018.

Today’s song is the second from this movie to appear on the blog. This song is sung by Geeta Dutt and Chitragupt. I came across this song years back and since then (2014) it was lying to be posted.

I would request knowledgeable readers to throw more light on this movie and its songs…

Let us listen to the song now …

Hari Om Tatsat Hari Om Tatsat

 

Song – Hari Om Tat Sat Hari Om Tat Sat (Sati Naagkanya) (1956) Singer – Chitragupt, Geeta Dutt, Lyrics – BD Mishra, MD – SN Tripathi
Chitragut + Geeta Dutt

Lyrics

hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat
ghar mein ghuso to gharwaali kare kat kat
hari om tatsat
hari om tatsat
ghar mein ghuso to gharwaali kare kat kat
hari om tatsat
hari om tatsat
roz roz jhanjhat roz roz khat khat
roz roz jhanjhat roz roz khat khat
ab to beetaao zindgaani yahi rat rat
hari om tatsat
hari om tatsat
ab to beetaao zindgaani yahi rat rat   
hari om tatsat
hari om tatsat

jab se huyi hai shaadi bhool gayi chhakdi
jab se huyi hai shaadi bhool gayi chhakdi
teen cheez yaad rahi
noon tel lakdi ee ee
meri phir gayi khopdi
dekho ye shareer mera
adhaa huaa ghat ghat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat             

na to shaadi karte na hota ye ghotaala
na to shaadi karte na hota ye ghotaala
kaahe tumhe lagti main zehar ka pyaala
kaahe rog ye paala
jaan boojh ke ye zehar kaahe piya gat gat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat

hum ko jo laal peeli aankhen dikhlaaogi
hum ko jo laal peeli aankhen dikhlaaogi
dekh lena mar ke bhi chain nahin paaogi
phir peechhe pachhtaaogi
sadhu ban ke chhod chala jaaunga main jhat pat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat

sadhu ban ke bhatkoge tum dwaare dwaare
sadhu ban ke bhatkoge tum dwaare dwaare
ratiaan katengi mori gin gin taare
mohe chhod ke na jaa re
paiyaan padoon saiyaan ab main karoon to se hat pat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat

achhi nahin hoti pati patni ki ladaai
achhi nahin hoti pati patni ki ladaai
aapas ki phoot kare ghar ki safaai
baat maano mere bhai
ab jo ladaai ho to mel kar lo chat pat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat
hari om tatsat

————————————————–
Devnagri Script lyrics (Provided by Sudhir)
————————————————–

हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
घर में घुसो तो घरवाली करे कट कट
हरी ॐ तत्सत्
हरी ॐ तत्सत्
घर में घुसो तो घरवाली करे कट कट
हरी ॐ तत्सत्
हरी ॐ तत्सत्
रोज़ रोज़ झंझट रोज़ रोज़ खट खट
रोज़ रोज़ झंझट रोज़ रोज़ खट खट
अब तो बिताओ ज़िंदगी यही रट रट
हरी ॐ तत्सत्
हरी ॐ तत्सत्
अब तो बिताओ ज़िंदगी यही रट रट
हरी ॐ तत्सत्
हरी ॐ तत्सत्

जबसे हुई है शादी भूल गई छकड़ी
जबसे हुई है शादी भूल गई छकड़ी
तीन चीज़ याद रही
नून तेल लकड़ी
मेरी फिर गई खोपड़ी
देखो ये शरीर मेरा आधा हुआ घट घट
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्

ना तो शादी करते ना होता ये घोटाला
ना तो शादी करते ना होता ये घोटाला
काहे तुम्हें लगती मैं ज़हर का प्याला
काहे रोग ये पाला
जान बूझ के ये ज़हर काहे पिया गट गट
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्

हमको जो लाल पीली आँखें दिखलाओगी
हमको जो लाल पीली आँखें दिखलाओगी
देख लेना मर के भी चैन नहीं पाओगी
फिर पीछे पछताओगी
साधु बन के छोड़ चला जाऊंगा मैं झट पट
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्

साधु बन के भटकोगे तुम द्वारे द्वारे
साधु बन के भटकोगे तुम द्वारे द्वारे
रतियाँ कटेंगी मोरी गिन गिन तारे
मोहे छोड़ के ना जा रे
पइयाँ पड़ूँ सइयाँ अब मैं करूँ तोसे हट पट
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्

अच्छी नहीं होती पति पत्नी की लड़ाई
अच्छी नहीं होती पति पत्नी की लड़ाई
आपस की फूट करे घर की सफाई
बात मानो मेरे भाई
अब जो लड़ाई हो तो मेल कर लो चट पट
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्
हरी ॐ तत्सत्

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4621 Post No. : 16267

‘Baabu Ji’ (1950) was directed by Bhagwan for Uday Productions, Bombay.  It had Bhagwan, Leela Gupte, Baburao, Usha Shukla, Vasant Rao, Azeem, Jani, Mirajkar, Zafar, Vitthalrao, Dhondu, Anmanta, Swami and others.

This movie has nine songs, all written by Ehsaan Rizvi and composed by music director P Ramakant. Going by the style of composition, it has been commented that the music is composed by C Ramchandra himself, under the name of P Ramakant. I request our more knowledgeable readers to be please comment on this observation.

HFGK Vol-II (1941-1950) lists the songs of this movie as given below; (in order of their appearing on this movie (Babooji-1950) page in HFGK)

Sl No

Song Title Singer/s

Posted On

01

Saawanwa umdaa aaye ho Sulochana Kadam Being presented today

02

Baat meri maan lo ji, baat meri maan lo Sulochana Kadam,

Anna Saheb

03

Milne nahin paate hain naina lachaaye huye Sulochana Kadam

04

Zaraa sunte jaana ho do dilon ka afsaanaa Sulochana Kadam,

Anna Saheb

23.08.2013

05

Nazar se nazar lad gayi Sulochana Kadam 12.09.2018

06

Rewdiyaan hain rewdiyaan Sulochana Kadam,

Anna Saheb

07

Kyun pareshaan huye, Sulochana Kadam

08

Jo bigad gayi wo qismat hoon Sulochana Kadam 22.11.2017

09

Gorey gorey mukh se jo ghoonghat hataawjo Anna Saheb

As we can see above this movie had made its debut on the blog in 2013 and since then only three songs from the movie have been posted so far. As I was noting the song-list I realized that the voice of Sulochana Kadam is appearing in all songs of this movie, but it is not the case as the last song is a solo in the voice of Anna Saheb. And this is the only male solo in this movie.

Today 13th March 2021 is the eighty-eighth birth anniversary of Sulochana Kadam (born 1933) who later became Sulochana Chavan.  Her singing of many famous and popular ‘lavanis’ in Marathi brought her the honour as ‘Laavni-samradhni’ in Marathi music.

On this occasion here is the song from ‘Baabu Ji’ which is lying with us since August’2013.

Actually, during 2013 – 2015 when I was staying in Kachchh, I had shared some of her songs on the blog. And I had enjoyed listening many of her songs from Hindi movies of that era. The today’s song is also a song which I like very much. One other song “Kyun Preshaan Huye” from this movie is also pending with the editors since then. Let us see when it appears 😊 on the blog.

Let us now listen to the today’s song and wish ‘a very happy birthday’ to Sulochana ji on her birth anniversary today and also wishing her a healthy and peaceful life ahead. . .

Saawanwa Umdaa Aaye Ho

Song – Saawanva Umda Aaye Ho (Baabu Ji) (1950) Singer – Sulochana Kadam, Lyrics – Ehsaan Rizvi, MD – P Ramakant

Lyrics

saawanwa umda aaye ho
saawanwa umda aaye
barkhaa rim jhim jal barsaaye
mann mein aag lagaaye ho
saawanwa umda aaye
saawanwa umdaa aaye ho
saawanwa umdaa aaye

geet ke ras mein mann dooba hai
pyaar ke ras mein naina aa
yaad ke ras mein din dooba hai
birha ke ras mein rainaa
dhyan tera aa jaaye jo
bijli ye jo lehraaye
saawanwa umda aaye
saawanwa umda aaye ho
saawanwa umda aaye

tere sundar roop se akhiyaan
hate nahin hataaye
tujhko sabse nazar bachakar
koi dekhe jaaye
chupke chupke mann veena bhi
pyaar ke geet sunaaye ho
saawanwa umda aaye
saawanwa umda aaye ho
saawanwa umda aaye

kali kali par bhanwaraa doley ae ae ae
koyal shor mahcaaye
pihu pihu kare papiha aa aa
piya ki yaad dilaaye
sab ke mann se taan nikalti
mere mann se haaye
saawanwa umda aaye

saawanwa umda aaye ho
saawanwa umda aaye
barkhaa rim jhim jal barsaaye
mann mein aag lagaaye ho
saawanwa umda aaye

————————————————–
Devnagri Script lyrics (Provided by Sudhir)
————————————————–

सावनवा उमड़ा आए हो
सावनवा उमड़ा आए
बरखा रिमझिम जल बरसाए
मन में आग लगाए हो
सावनवा उमड़ा आए
सावनवा उमड़ा आए हो
सावनवा उमड़ा आए

गीत के रस में मन डूबा है
प्यार के रस में नैना॰ ॰ ॰
याद के रस में दिन डूबा है
बिरह के रस में रैना
ध्यान तेरा आ जाये जो
बिजली ये जो लहराए
सावनवा उमड़ा आए
सावनवा उमड़ा आए हो
सावनवा उमड़ा आए

तेरे सुंदर रूप से अखियाँ
हटे नहीं हटाये
तुझको सबसे नज़र बचाकर
कोई देखे जाये
चुपके चुपके मन वीणा भी
प्यार के गीत सुनाए हो
सावनवा उमड़ा आए
सावनवा उमड़ा आए हो
सावनवा उमड़ा आए

कली कली पर भँवरा डोले॰ ॰ ॰
कोयल शोर मचाये
पीहू पीहू करे पपीहा॰ ॰ ॰
पिया की याद दिलाये
सबके मन से तान निकलती
मेरे मन से हाए
सावनवा उमड़ा आए

सावनवा उमड़ा आए हो
सावनवा उमड़ा आए
बरखा रिमझिम जल बरसाए
मन में आग लगाए हो
सावनवा उमड़ा आए

 


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4621 Post No. : 16266

Hullo Atuldom

There is a popular movie of the late ’70s, that has had a rather slow journey through the blog. With this post I hope to bring it to the YYIIPPEEEE station.

It began its journey on the blog with its most iconic song. A song that gave its singer -the legend Mohd. Rafi the National Award for best singer as well as that year’s Filmfare award. The song sort of put all doubting Thomas(es) in their place.

The post for the song “Kya Hua Tera Waada, Wo Qasam Wo Iraada“was the 2900th of the blog written by Santosh Ojha.

The next post on the song “Ye Ladka Haaye Allah Kaisa Hai Deewaana” by Rajaji spoke of his experience of how he had seen the movie in 1977 and gave a link to his own blog and what he had written there-in in 2008. (Cannot find that blog now )

The third and fourth songs from this movie came one-after-the other as part of Nahm ji’s series where she presented Rafi saab’s songs in alphabetical order:- “Chaand Mera Dil, Chaandni Ho Tum” for the song beginning with ‘C’ and “Hai Agar Dushman Dushman, Zamaana Gham Nahin” as the song beginning with ‘H’.

Then came this post – “Bachna Ae Haseeno, Lo Main Aa Gaya” – a highly educative post by our Sudhir ji on ‘How a song is born’.

The next came the song “Aa Dil Kya Mehfil Hai Tere Qadmon Mein, a post by yours truly exactly three years back. I had tried to express what I liked about the movie and its maker.

The post for one of the songs in the medley “Mil Gaya Humko Saathi Mil Gaya” was a surprise. It was by our in-house encyclopedia; a biographical write up from a person who is a store house of information.

The last post for this film, was for the song “Hum Ko Yaara Teri Yaari“, as a part of 10-year challenge 2010-2020.

So then these are the eight out of nine songs from ‘Ham Kisi se Kam Nahin’ (1977) that are present in our blog. We are having the ninth and final song today on the 18th remembrance day of its maker Nasir Hussain. This is the third song in the four song medley scene. It is sung by RD Burman, set to tune by RD Burman himself, and written by Majrooh Sultanpuri. It has Tariq lip-syncing on screen. The sequence comes to a close with an excellent music piece where we see the two males trying to beat each other in the dance competition which Rishi Kapoor wins as Tariq gives up when he sees Kajal Kiran and Rishi Kapoor together.

Ending this post with a thanks to Nasir Hussain for all the entertainment his films have provided to Hindi film fans.

Video

Audio

Song – Ho Tum Kya Jaano, Mohabbat Kya Hai (Hum Kisi Se Kam Nahin) (1977) Singer – RD Burman, Lyrics – Majrooh Sultanpuri, MD – RD Burman

Lyrics

Ooooooo ha
ho tum kya jano
mohabbat kya hai
dil ki mehfil sanam
ye mehfil nahi dil hai

ho tum kya jano
mohabbat kya hai
dil ki mehfil sanam
ye mehfil nahi dil hai

suno kehna hamara
amiri hai sitaara
garibi ek aansoo oooo
ye aansoo hai mohabbat
mohabbat zindagi hai
bas itna jaan le tu ooo

ho tum kya jaano
mohabbat kya hai
dil ki mehfil sanam
ye mehfil nahi dil hai
ho tum kya jaano
mohabbat kya hai
dil ki mehfil sanam
ye mehfil nahi dil hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ऊ ऊ
हा
हो तुम क्या जानो
मोहब्बत क्या है
दिल की महफिल सनम
ये महफिल नहीं
दिल है

हो तुम क्या जानो
मोहब्बत क्या है
दिल की महफिल सनम
ये महफिल नहीं
दिल है

सुनो कहना हमारा
अमीरी है सितारा
ग़रीबी एक आँसू॰ ॰ ॰
ये आँसू है मोहब्बत
मोहब्बत ज़िंदगी है
बस इतना जान ले तू॰ ॰ ॰

हो तुम क्या जानो
मोहब्बत क्या है
दिल की महफिल सनम
ये महफिल नहीं
दिल है
हो तुम क्या जानो
मोहब्बत क्या है
दिल की महफिल सनम
ये महफिल नहीं
दिल है

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4616 Post No. : 16256

A celebration of 100 years of Sahir Ludhianvi – his 700th song being posted on our blog.

A hundred years today. Being celebrated by the 700th post on our blog.

Sahir Ludhianvi – the “. . . Pal Do Pal Ka Shaayar. . .“, who would be actually “. . . Har Ik Pal Ka Shaayar. . .“, being relevant for all times, and responsive to all the pitfalls and tragedies of the human experience. But then also, never to be discounted for romanticism a la “Ye Raat Ye Chaandni Phir Kahaan. . .” and “Yoon To Hamne Laakh Haseen Dekhe Hain“, or even as “Phir Na Keeje Meri Gustaakh Nigaahi Ka Gila“, or the upbeat strings of “Mere Labon Pe Dekho Aaj Bhi Taraane Hain. . .“, or even the most in depth portrayal of the bhakti (devotion) sentiment, as in “Aan Milo Aan Milo Shyaam Saanwre“, and “Tum Bansi Ho Main Taan, Ham Tum Do Nahin” and even more intense in “Aaj Sajan Mohey Ang Laga Lo. . .“.

Yes, it is the poet who is Har Ik Pal Ka Shaayar, touching all the facets of experiences of life, from the time when a child is pining for the moon as a toy, and all the way to the derelict conclusion of the human life as in “Lo Apna Jahaan Duniyawaalo, Hum Is Duniya Ko Chhod Chale“.

Sahir Sb seemed to have an affinity for the phrase ‘pal do pal’. We hear these words in ‘Railway Platform’ (1957) –

Pal Do Pal Ka Saath Hamaara, Pal Do Pal Ki Yaari
Aaj Ruke To Kal Karni Hai Chalne Ki Tayaari
Basti Basti Parvat Parvat. . .

Repeated in ‘Mehmaan’ (1974)

. . .
Pal Do Pal Dhoom Machha Ley
Yoon Mar Mat Mar Mat Yaaraa

In ‘Zameer’ (1975), he would write

Zindagi Hansne Gaane Ke Liye Hai Pal
Do Pal. . .

Then again in ‘Burning Train’ (1980), reminding us of the shades of ‘Railway Platform’

Pal Do Pal Ka Saath Hamaara
Pal Do Pal Ke Yaaraane Hain. . .

And yes, ‘Kabhi Kabhi’ (1976) of course,

Main Pal Do Pal Ka Shaayar Hoon
Pal Do Pal Meri Kahaani Hai
Pal Do Pal Meri Hasti Hai
Pal Do Pal Meri Jawaani Hai

In ‘Pyaasa’ of 1957, he had posed three very profound questions in the lines of poetry he wrote for that film. At a personal level, the query was “Jaane Wo Kaise Log The Jin Ke Pyaar Ko Pyaar Mila“. On the plane of social strife and stigma he had asked “Jinhen Naaz Hai Hind Par Wo Kahaan Hain“. And then, the ultimate question of life that he has posed is “Ye Duniya Agar Mil Bhi Jaaye To Kya Hai“. The film gains its depths, attempting to interpret and address these questions. And more than sixty years later, these questions continue to haunt the discerning mind. Timeless queries, one would say, but still, crystallized for once in words by Sahir.

There is this one incisive insight that the poet possesses, or maybe the other way round, this incisive insight possesses the poet. Each verse, each song that he has penned in his lifetime, goes well beyond the simple words that he wrote. His words, his lines offer you, nay they force you to take a pause and think – what profundity, in just this simple arrangement of 8, 10 or 15 words. And the thought will stay in the mind for much much longer that what it took to simply read the words for once.

This life, ‘zindagi’ – the incisive insight brings out so many facets that the poet examined it. In 1954, he penned the following for ‘Taxi Driver’

Ae Meri Zindagi
Aaj Raat Jhoom Le, Aasmaan Ko Choom Le
Kis Ko Pata Hai Kal Aaye Ke Na Aaye. . .

For ‘Munim Ji’in 1955, he wrote

Ek Taraf Haseen Jalwe Hain
Ik Taraf Jawaani
Zindagi Hai Zinda. . .

In 1958, his words for ‘Light House’ are

Tang Aa Chuke Hain Kashmakash-e-Zindagi Se Hum
Thukra Na Den Jahaan Ko Kahin Be-dilee Se Hum

With 1960 came ‘Barsaat Ki Raat’ and the promising words are

Zindagi Bhar Nahin Bhoolegi Wo Barsaat Ki Raat. . .

1962, and it is ‘Hum Dono’, with the lines

Main Zindagi Ka Sath Nibhata Chala Gaya. . .

With ‘Aaj Aur Kal’, 1963, ‘Zindagi’ was a most depressing thought.

Maut Kitni Bhi Sangdil Ho Magar
Zindagi Se To Meharbaan Hogi

‘Chandi Ki Deewaar’ and 1964, another depressing sentiment

Kahin Qaraar Na Ho Aur Kahin Khushi Na Miley
Hamaare Baad Kisi Ko Ye Zindagi Na Mile

And then, a refreshing thought in 1965, with these lines in ‘Shagoon’,

Ham Hain Maayoos Magar Itne Bhi Maayoos Nahin
Ek Na Ek Din To Yah Ashqon Ki Ladi Tootegi
Ek Na Ek Din To Chhatenge Ye Ghamon Ke Baadal
Ek Na Ek Din To Ujaale Ki Kiran Phootegi
Zindagi Zulm Sahi Zabr Sahi Gham Hi Sahi

On to 1969, and the life is a happenstance – film is ‘Aadmi Aur Insaan’,

Zindagi Ittefaaq Hai
Kal Bhi Ittefaaq Thi Aaj Bhi Ittefaaq Hai

And in the same film, we have the sobering sentiment as,

Zindagi Ki Raah Mein Khushi Ke Phool Bhi
Zindagi Ki Raah Mein Ghamon Ki Dhool Bhi
Zindagi Kabhi Yaqeen Kabhi Gumaan Hai
Har Qadam Pe Teraa-Meraa Imtahaan Hai
Zindagi Ke Rang Kai Re Saathi Re. . .

Come 1975, and it is ‘Ek Mahal Ho Sapnon Ka’; the refrain once again is downbeat as in

Dekha Hai Zindagi Ko Kuchh Itna Qareeb Se
Chehre Tamaam Lagne Lage Hain Ajeeb Se

But then it is ‘Zameer’ in the same year that bounces back to say,

Zindagi Hansne Gaane Ke Liye Hai Pal Do Pal
Ise Khona Nahin Kho Ke Rona Nahin

Plus a more sobering thought, from the same film,

Tum Bhi Chalo Hum Bhi Chalen
Chalti Rahe Zindagi
Naa Zameen Manzil Naa Aasmaan
Zindagi Hai Zindagi

With ‘Kaala Pathar’ in 1979 came the motorcycling song that infused the bubbling spirit of freedom and hope.

Jaate Huye Qadmon Se
Aate Huye Qadmon Se
Bhari Rahegi Raahguzar
Jo Ham Gaye To Kuchh Nahin
Ik Raastaa Hai Zindagi
Jo Tham Gaye To Kuchh Nahin
Ye Qadam Kisi Muqaam Pe
Jo Jam Gaye To Kuchh Nahin

Coming to the song being presented today. It is a wonder that I thought of, as I listened to this song today after a very long time. Yes, a child pining for getting the moon to play with. And with the ‘बाल हठ’ (a child’s obduracy), it is an overwhelming experience to be able to convince the child and talk it out of its impossible wish. As I listened, I am reminded of the story from the Ramayan – the passage where Ram, as a toddler, one day gets into His mind that he wants the moon to play with. No amount of coaxing and appeasing and promises by the parents and others can talk Him out of His insistence. And the accompanying wailing and waving of arms is making Kaushalya and Dashrath very worried and uncomfortable. Rajguru, Vashishth ji is summoned for help. He arrives and says, well, if the child is wanting the moon, give Him the moon. The parents are confused, and ask Vashishth ji, as to how to make that happen.

Rajguru asks for a large dish (‘परात’) with raised edges. The dish is placed in front of the child, and is filled with water. Instantly, the likeness of the moon is reflected in the water in the dish. So Vashishth ji beckons the child and points to the reflection and says, here is the moon, now play. So the toddler Ram, seeing that the moon is now so close, puts His hands in water, but swish and splash as He may, He is not able to hold in hand, the reflection that can be seen with the eyes. But the splashing play pleases Him, and the wailing is forgotten.

Sahir Sb is addressing the same situation in this song, likely that the child is insisting on visiting ‘Chanda Mama’. And as is the rule in Hindi films – well, you have a song to for a three-minute-disposition-of-a-difficult-situation. The lines in the song are actually trying to reason with the child, based on some simple logic statements, that aim at convincing the child that they (the three bad men in the film) are much better suited to be ‘Mamma’ to the child than the distant moon.

So there is arguments like, hads ‘Chanda Mama’ ever visited you? Has ‘Chanda Mama’ ever invited you to his place. He just sits in the sky and creates a fake uproar. Where as we (the three bad men in the film) are with you every day. We play with you, we take care of you and bring you toys. And so, as is wont in Hindi films, all it takes is three minutes of music and song to change the mind of any individual in any situation. Start the song, and you can time the mind conversion almost exactly to 3 minutes (maybe plus a few more seconds).

The video of this song is not available, but it most certainly is picturized on Geeta (role played by Baby Rani) who plays the upset little child, wanting the moon, and the three bad men – Govind, Joseph and Nazir (roles played by Pran, Ajit and Anwar Hussain respectively). The singing voice for the three bad men are back played by Manna Dey, Mahendra Kapoor and Manhar. The singing voice is not identified for a few lines at the end of the song, which are apparently lip synced by the child.

The film is ‘Nanha Farishta’ from 1969. A film by T Prakash Rao, is a touching tale of three criminals whose lives are transformed by the love a small child girl they have kidnapped. The star cast of this film includes Pran, Ajit, Anwar Hussain, Baby Rani, Padmini, Pandharibai, Balraj Sahni, Johnny Walker, Suresh, Mukri, Raj Mehra, Sunder, Maruti, and Prem Kumar.

The film has four songs, all penned by Sahir Sb. The music is composed by Kalyanji Anandji. Two of the four songs are already showcased on our blog. This is the third song to find its place here, as the centenary celebration of this gifted poet. And we also add the celebration of adding the 700th song by Sahir Sb to our blog.

A very refreshingly joyful song – yes, Sahir Sb had the versatility to pen such gems also.

Listen and enjoy.

Song – Chanda Kaahe Ka Tera Maama (Nanha Farishta) (1969) Singer – Manna Dey, Mahendra Kapoor, Manhar, Unidentified Child Voice, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Manna Dey + Mahendra Kapoor + Manhar

Lyrics

arre chanda kaahe ka tera mamma
mamma

chanda kaahe ka tera mamma
naabhe ke naama na jaama
jaama
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma

na tujh se milne dharti pe aaye
na tujh ko apni nagri dikhaaye
hum ko to chanda bilkul na bhaaye
bilkul na bhaaye
hamen bilkul na bhaaye
amber pe baitha chaahat jataaye
jhootha machaaye humgaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma

hum tujh ko nit nit godi khelaayen
arre nehla dhula ke powder lagaayen
haathi dilaayen ghoda dilaayen
haathi dilaayen munni ghoda dilaayen
naach aur ga ke kartab dikhaayen
tak dhin tak dhin sa re ga ma. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma

tu hai chaheti tu hai dulaari
mariam hamaari seeta hamaari
dil tujh pe sadqe
jaan tujh pe waari
donon jahaan se tu hum ko hai pyaari
hum ne tera haath thaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre tum ho mere mammaa
chanda kaahe ka tera mamma
chanda nahin hai mera mamma
mamma
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————
अरे चंदा काहे का तेरा मामा
मामा

चंदा काहे का तेरा मामा
नाभे के नामा ना जामा
जामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा

ना तुझसे मिलने धरती पे आए
ना तुझको अपनी नागरी दिखाये
हमको तो चंदा बिलकुल ना भाए
बिलकुल ना भाए
हमें बिलकुल ना भाए
अंबर पे बैठा चाहत जताए
झूठा मचाये हंगामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा

हम तुझको नित नित गोदी खिलाएँ
अरे नहला धुला के पाउडर लगाएँ
हाथी दिलाएँ घोड़ा दिलाएँ
हाथी दिलाएँ मुन्नी घोड़ा दिलाएँ
नाच और गा के करतब दिखाएँ
तक धिन तक धिन सा रे गा मा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा

तू है चहेती तू है दुलारी
मरियम हमारी सीता हमारी
दिल तुझपे सदक़े
जां तुझपे वारी
दोनों जहां से तू हमको है प्यारी
हमने तेरा हाथ थामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे तुम हो मेरे मामा
चंदा काहे का तेरा मामा
चंदा नहीं है मेरा मामा
मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा

 


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4481 Post No. : 15991

Mohammed Rafi: The incomparable (II) – Song No. 20
—————————————————————

25/10/2020 – Remembrance Day of Sahir Ludhianvi 

Koyi shaayar ta’aaruf ka mohtaaj ho saktaa hai lekin uss ki shaayari kisi ta’aaruf ki mohtaaj nahi honi chaahiye, chaahe wo shaayari doosri zubaan mein tarjuma shudaa hi kyun na ho”.

So began the article published in the Urdu magazine ‘Fann Aur Shakhsiyat’ (Sahir number), dated 22nd July 1958, written by Khwaaja Ahmed Abbas.

Sahir. . . ba-zubaan e khud
(Answering a question asked by Nida Fazli)

I am the youngest among my contemporaries except Kaifi considering my age. Faiz, Sardar, Niyaaz all are senior.  When Majaz’s ‘Aahang’ was published I was a student in Matric (Xth std) and at the time of publication of Faiz’s collection I was studying in BA. There are really effects of Faiz in some of my poems. Majaaz is more classical, which I like. Maybe it is more impressive in ‘Chaklay’. Every poet is impressed by his senior poets. But there is a difference in vinegar and its affects. Many of my poems tackle different topics like, Taj Mahal, chakla, avoidance (garez), and beautiful turn (khoobsurat mod) etc. No one’s 100% and perfect. In Faiz’s work there are more of comparisons (Anthropomorphization). The adjectives in my poems create an atmosphere. The personality of the poet also has an impact on his art and expression. There is an inner circle, the subject and vivid representation takes shape accordingly. By nature I belong to the middle class. Maybe I have still not managed to de-class myself. Years ago my poems were heard silently among the labourers.  But Kaifi would generate more claps. Some people have an opinion that Sahir is more liked the college going boys and girl, this is poetry of an immature brain. But I do doubt the maturity of brains of the people who think like this. I am product of this very circumstances and it is natural to be affected by it. But the poetry’s subjects and their treatment is also bound to change with the age of the poet, as in our times Hafeez and A’dam were very popular among elderly poets. We used to take part is these Mushaa’ire, recited our poems which were well liked by all. Firaaq says this even today that “Mushaa’iron ke ticket to Sahir ke naam par hi bikte hain”.

I know there are very few people who understand Urdu and fewer are interested in it in India. But the revived interest in Urdu poetry, contemporary as well as some poets belonging to the earlier generations, and other literary works, which is raising its head frequently, is heartening. Urdu poetry in itself is a strong statement. It is very important and significant in the 21st century and new millennia also, as it was in 19th and 20th centuries.

And Sahir is a big part of this strong statement. For his content and creative flexibility. There may be a way of looking at his poetry apart from his roots in leftist ideology.  I don’t think he died with, as strong sense of his ideology as he began his active poetic life.

I am fascinated by the impact of Allama Iqbal on his poetry.  He wrote this in early 40’s :

ye kooche ye neelaam ghar dilkashi ke
ye lut’te huye caaravan zindagi ke
kahaan hain, kahan hain, muhafiz khudi ke
sana-khwaan-e-taqdees-e-mashriq kahan hain

Very few poets have used the word ‘khudi’ after Iqbal so immediately after him.  In fact the philosophy of ‘khudi’ is the inherent identity of Iqbal’s literary and poetic work.  Here if Sahir is speaking of ‘khudi’ it must be a reference to glorification and paeans of the civilizational progress of the ‘mashriq’ sung by Iqbal.   The question by Sahir is still valid, as it was 80 years ago.  The question is much bigger than ever, exactly when and how much more, the personal integrity, conscience of each one of us singing praises of cultural, civilizational and religious values are going to go and face this shameful reality.

Allama Iqbal left this world in 1939.  For the impressionable youth, a rebellious one like Sahir, the impressive content and complete logical values in Iqbal’s considerable poetic output, could have felt like the shackles.  So he hits out, at the reality of society, more in self-defence to stop his own slide into the spirituality.  He wants to stay in the realm of the material and spirituality seems like a cave to him, with no way out.

But it is a fact that he ventured into the cave, with a parody too :

cheen-o-arab hamaara, hindostaan hamaara
muslim hain ham watan hai saara jahan hamaara

Bringing it down to the basic issues of survival with:

Cheen-o-arab hamaara, hindostan hamaara
Rehne ko ghar nahin hai, saara jahan hamaara

He takes this She’r of Iqbal ;

Na tu zameen ke liye hai na aasmaan ke liye
Jahaan hai tere liye tu nahin jahaan ke liye

And makes it;

Na tu zameen ke liye hai na aasmaan ke liye
Tera wajood hai ab sirf daastaan ke liye

He does satire, demoralise and ridicule the concept of humans being the supreme creation, and degenerates it.  Not that he has any answers or solutions to the angst expressed in “jinhen naaz hai hind par. . .”.   How the ideology he wore on his sleeve, must have been time and again, weighed against the religiosity and convictions of Iqbal.  He challenges Iqbal’s concepts and thrives on it.

tere ishq ki intehaa chaahta hoon
meri saadgi dekh kya chaahta hoon

He takes the above ghazal of Iqbal and writes this as college bait-baazi song “Tere Pyaar Ka Aasra Chaahta Hoon“.

In relation to the saga called ‘chaklay’, I am reproducing a portion of the article ‘Sahir aur Us ki Sha’iri’, by Kaifi Azmi, originally published in 1948, in ‘Naye Adab Ke Ma’emaar’ (‘Ma’emaar’ – builders or constructors, derived from ta’ameer or ‘imaarat’):

The hapless and hungry nation in reverence towards which glorious paeans are sung with closed eyes, houses brothels at every step. Hence brothels are entrenched in Indian literature too.

The rank intensity, hatred and sincerity with which saahir has shaken up the ‘sanakhwan-e-tasdeeq-e-mashriq’ are simply incomparable.

In ‘chaklay’ (brothels), Sahir’s dignity, his soul and the restlessness of his conscience can be seen at the acme of eminence; I get goose bumps when I read this poem.  The feelings that might have stimulated him to write it are so intense that here his characteristic melancholy transforms into an overwhelming deluge.

[Source – ‘Yeh Un Dinon Ki Baat Hai’, selected and translated by Yasir Abbasi].

One wonders if Sahir ever gave a thought to Rafi sahab’s rendition of the songs of ‘Pyasa’, as he got into a controversy over credit and remuneration. It is 40 years since both of them left the temporary abode called life. We are into 100th year of Sahir and no closer to finding the reply to his call. . .

sana-khwaan-e-taqdees-e-mashriq ko laao
sana-khwaan-e-taqdees-e-mashriq kahan hain

I wonder if any literary work of this world, or any research paper is there, that offers solutions, shows the way out, of this socio-economic problem.  But it is a sad state of affairs that this civilization has ceased to view this as a degenerating parasite of a problem in society.  It exists only in Sahir’s poetry as an issue.

I am presenting a Rafi song on this occasion. This is a solo song written by Sahir Ludhianvi for the film ‘Naach Ghar’ (1959).  N Datta is the composer for this film. The song is a prayer, banjaara song, and overlay of a mujra.  As if the mujra is going on and the viewer is singing the song.  I can only guess at it as the video is not available.  The rendition by Rafi Sahab is again out of this world, especially the starting one minute, before the mujra part begins.  I am at a loss, ke sahir ki baat karun ya Rafi ki.

The movie ‘Naach Ghar’ has 10 songs with Rafi being the only male singer, singing four duets with Lata Mangeshkar, one with Asha Bhosle and one with Geeta Dutt.  The only solo song by Rafi in this film the present post.  I had never heard this song before March 2020, when I decided to post this as the birthday post for Sahir’s birth anniversary.  But since it could not be posted, I have revised the post for the death anniversary.

This is the 20th song in the series of ‘Mohammed Rafi – The Incomparable (II)’.   The first two differing portions of the song are too brief; one wants them to go on and on.  But the song moves on to beyond the dance music to chhed-chhaad mode, romantic and pardesi.  3:15 duration is too short to pack so much, and it ends too soon.  Only the audio is available of the song which is picturized on Gopi Krishna.  This could be a stage song or road-side tamasha song.

Song – Teri Ada Pe Qurbaan, O Jaane Waale (Naach Ghar) (1959) Singer – Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – N Datta

Lyrics (Provided by Avinash Scrapwala)

main banjaara
door ka aa
ghoomun dagar dagar
base rahen is nagar ke baasi
basaa rahe ye nagar
ho ho oo ooooooo

allah ke naam pe
maula ke naam pe 
allah ke naam pe
maula ke naam pe 
de de o jaanewaale
allah ke naam pe
allah ke naam pe
maula ke naam pe 

teri adaa pe qurbaan
o jaanewaale
na ja na ja na ja na jaa
teri adaa pe qurbaan
o jaanewaale
na ja re
na ja na ja na jaa
na ja na ja na jaa
teri adaa pe qurbaan

ho jaayenge
hum deewaane
ho jaayenge
hum deewaane
lut jaayenge
khwaab suhaane
lut jaayenge
khwaab suhaane
o zaalim tarsaane waale
teri adaa pe qurbaan
o jaanewaale
na ja na ja na ja na jaa
teri adaa pe qurbaan
o jaanewaale
na ja re
na ja na ja na jaa
na ja na ja na jaa
teri adaa pe qurbaan

pardesi ke dil ki duaa le
pardesi ke dil ki duaa le
khud ruk jaa yaa
hum ko bula le
khud ruk jaa yaa
hum ko bulaa le
ghaayal chhod ke jaane waale
teri adaa pe qurbaan
o jaanewaale
na ja na ja na ja na jaa
yeri adaa pe qurbaan
o jaanewaale
na ja re
na ja na ja na jaa
na ja na ja na jaa
teri adaa pe qurbaan

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————

मैं बंजारा
दूर का
घूमूँ डगर डगर
बसे रहें इस नगर के बासी
बसा रहे ये नगर
हो हो ओ ओssssss

अल्लाह के नाम पे
मौला के नाम पे
अल्लाह के नाम पे
मौला के नाम पे
दे दे ओ जाने वाले
अल्लाह के नाम पे
अल्लाह के नाम पे
मौला के नाम पे

तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा रे
ना जा ना जा ना जा
ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान

हो जाएँगे
हम दीवाने
हो जाएँगे
हम दीवाने
लुट जाएँगे
ख्वाब सुहाने
लुट जाएँगे
ख्वाब सुहाने
ओ ज़ालिम तरसाने वाले
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा रे
ना जा ना जा ना जा
ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान

परदेसी के दिल की दुआ ले
परदेसी के दिल की दुआ ले
खुद रुक जा या
हमको बुला ले
खुद रुक जा या
हमको बुला ले
घायल छोड़ के जाने वाले
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा रे
ना जा ना जा ना जा
ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4454 Post No. : 15921

In my last three articles, I have discussed Hindi film dancers, Mohana Cabral, Sheila Vaz and Minu Mumtaz. One common factor in all the three dancers was that they had active Hindi film careers of around 5-6 years after which they got married and quit Hindi films when they had not even attained 25 years of age. They took the responsibilities as house-wives and lived happily with more or less the same level of comfort and life style as they would have got had they continued their filmy careers. To this list of three Hindi film dancers, I am adding one more dancer who also quit Hindi films after her active years of Hindi film career during 1960-66. The name of the dancer is Jeevankala. She got married in 1969 when she was 25.

I got background information on Jeevankala from her two interviews – one in 1964 which was published in ‘Picture Post’ magazine and republished in ‘Cineplot’ on January 1, 2012. The other interview was of recent origin which was taken by Shishir Krishna Sharma in December 2018 and published in his Blog, ‘Beete Hue Din’ on March 31, 2020. Based on these two interviews, the main highlights of the profile of Jeevankala and her journey with Hindi film industry are given below:

Jeevankala (also written as Jeevan Kala) was born on June 29, 1944 at Pune to Dattatreya and Gangubai who were actors in silent films and later in Marathi films when sound films started in 1931. However, after Jeevankala was born, the parents gave up their film career. Incidentally, the name, ‘Jeevankala’ was suggested by her neighbour, Lata Mangeshkar. Jeevankala did her primary schooling in Pune. Simultaneously, knowing his daughter’s interest in dances, the father put her under the tutelage of Babsaheb Gokhale for Kathak dance and Professor Gaekwad for Bharatnatayam dance for a period of 7 years. Later, she learnt all other formats of dances by herself.

In 1957, Jeevankala’s family shifted to Mumbai as she got a job of assiatant dance teacher in Bharatiya Vidhya Bhawan and taught Kathak dance to students. She was also participating in Lata Mangeshkar’s musical shows in Mumbai in which she used to give her dance recitals. She also attended the night school and completed her Matric in 1960.

In one of Jeevankala’s dance recitals, producer-director K Amarnath saw her skill in dancing and offered her a role of a dancer in his film, ’Kal Hamaara Hai’ (1959) in which she had two dance songs. However, she also said that ‘Goonj Uthi Shehnai’ (1959) was her debut film in which a song “Akhiyaan Bhool Gayi Hain Sona” was picturised on her. [As per her filmography, she had already acted in 8 films during 1956-58. I will come to it later].

After she was noticed in her dance skills in ‘Kal Hamaara Hai’ (1959) and ‘Goonj Uthi Shehnai’ (1959), Jeevankala started getting many films offers. Starting as a dancer, over a period of time, she started getting character actor’s roles and also romantic roles pairing with comedians. She also got the role of a vamp in ‘Mr. X in Bombay’ (1964) and ‘Saraswatichandra’ (1968).

In 1969, Jeevankala got married to Ram Kelkar, the story, screen-play and dialogue writer in Marathi films. It was a marriage arranged by Sulochana Latkar who was like ‘God Mother’ to her after the death of her mother in 1965. After marriage, Jeevankala quit the film industry. Her husband, Ram Kelkar became a successful story, screen-play and dialogue writers for Hindi films like ‘Beimaan’ (1972), ‘Aap Ki Kasam’ (1974), ‘Sanyaasi’ (1975), Kaalicharan’ (1976), ‘Asha’ (1980), ‘Hero’ (1983), ‘Ram Lakhan’ (1989), ‘Khalnaayak’ (1993) etc.

On the basis of Jeevankala’s filmography checked from the various sources, I have been able to list 110 Hindi films in which she worked during 1956 to 1968. A few films of her were released late up to 1974. Her active years of film career was during 1960-1966, appearing in 70 films. In the 1964 interview, Jeevankala gave the impression of ‘Kal Hamara Hai’ (1959) as her first Hindi film and in the 2018 interview, she mentioned ‘Goonj Uthi Shehnai’ (1959) as her debut film. It is interesting to note that in ‘Goonj Uthi Shehnai’ (1959), Jeevankala has not been accredited in the credit titles of the film. But she appears in one song of the film.

A further interesting observation about Jeevankala’s filmography is that before 1959, she had worked in as many as 8 films which include ‘Alam Ara’ (1956), ‘Paristaan’ (1957), ‘Khota Paisa’ (1958) and ‘Detective’ (1958). In ‘Khota Paisa’ (1958), a dance song “O Jaan e Jaan Muddat Ke Baad” has been picturised on her.

Jeevankala, who started with big banners film producing companies like Prakash Pictures’ ‘Goonj Uthi Shahnai’ (1959) and K Amarnath Productions’ ‘Kal Hamaara Hai’ (1959), drifted into ‘B’ grade movies in the genres of fantasy, action, costume drama, thriller etc. In such films, heroes would be like Sheikh Mukhtar, Ranjan, Daljeet, Dara Singh and heroines would be like Chitra, Vijaya Chowdhary, Parveen Chowdhary, Nishi etc. Of course, she also continued to be associated with big banner films like ‘China Town’ (1962), ‘Taj Mahal’ (1963), ‘Mere Sanam’ (1965), ‘Khandaan’ (1965), ‘Himalaya Ki God Mein’ (1965), ‘Saawan Ki Ghata’ (1966), ‘Saraswatichandra’ (1968) etc.

Jeevankala has also worked in some Marathi films. In ‘Putra Whava Aisa’ (1961), she was in lead role opposite Vivek in which an immortal song,  जिथे सागरा धरणी मिळते beautifully rendered by Suman Kalyanpur was picturised on Jeevankala. A laavani  song, रेशमाच्या रेघांनी, लाल काळया धाग्यांनी from ‘Marathi Tituka Melwava’ (1964) was also picturised on Jeevankala as a laavani dancer.

In the interview of December 2018, Jeevankala has claimed that about 70 songs have been picturised on her. Our Blog has covered 38 songs picturised on her and 17 songs, the video clips of which are available on video sharing platforms are yet to be covered on the Blog. Thus, the total songs picturised on Jeevankala works out to 55. In addition, there could be a few more of her songs for which video clips are not available as some of her films are not traceable as of now.

During the listing of songs picturised on Jeevankala, I came across an obscure  film ‘Panch Ratan’ (1965) (In the credit titles it is written as ‘पंच-रतन’ in Hindi) which was directed by Kamran. The star cast consisted of Randhawa, Parveen Chowdhary, Kamran, Kamal Mehra, Amarnath, Shyam Kumar, Randhir, Sadhana Khote, Jeevankala, Laxmi Chhaya, Meenaxi, Aruna etc. The full film is available for viewing in HD quality and it belongs to the ‘Action-Costume Drama’ genre. Probably, this film was meant for those audience who used to enjoy wrestling bouts between Dara Singh, King Kong and others in the 60s at Sardar Vallabhbhai Patel Stadium, Worli in Mumbai. In addition, there are sword fights in the film for such audience.

The film has 5 songs written by 2 lyricists – Anjaan (4) and Upendra (1). I am presenting the song, “Kya Ho. . . Kahin Miley Do Nigaahen” from ‘Panch Ratan’ (1965). The song is rendered by Suman Kalyanpur and Kamal Barot and is picturised on Laxmi Chhaya and Jeevankala, respectively. In the audience, Parveen Chowdhary,  Randhawa, Kamal Mehra, Meenaxi and Shyam Kumar can be seen among others.

The song is written by Anjaan which is set to music by Sardar Malik.

Song – Kya Ho. . Haaye Kya Ho (Panch Ratan) (1965) Singer – Suman Kalyanpur, Kamal Barot, Lyrics – Anjaan, MD – Sardar Malik
Suman Kalyanpur + Kamal Barot

Lyrics

kya ho
haaye kya ho
kahin miley do nigaahen
phir kya ho
arre kya ho
haaye kya ho
tumhen kaise samjhaaye phir kya ho
puchho na
jaan e jaan

baat hai
raaz ki

haaye kya ho
 
jab jawaan hasraton ka
jaam ho chhalka chhalka
dagmagaate ho armaan
ho nasha halka halka
aise mein
jab koi
dekh le
pyaar se

phir kya ho
kahin miley do nigaahen phir kya ho
arre kya ho
tumhen kaise samjhaayen phir kya ho
puchho na
jaan e jaan

baat hai
raaz ki

haaye kya ho
 
ho sama aashiqaana
dil mein bhi bachpana ho
aisi naazuk ghadi mein
unse jo saamna ho
dil dagaa
de hamen

dhadkane
jaayen tham

phir kya ho
kahin miley do nigaahen
phir kya ho
haay kya ho
tumhen kaise samjhaayen phir kya ho
puchho na
jaan e jaan

baat hai
raaz ki

haaye kya ho

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

क्या हो
हाय क्या हो
कहीं मिलें दो निगाहें
फिर क्या हो
अरे क्या हो
हाय क्या हो
तुम्हें कैसे समझाएँ फिर क्या हो
पूछो ना
जान ए जां
बात है
राज़ की
हाय क्या हो

जब जवां हसरतों का
जाम हो छलका छलका
डमगाते हों अरमां
हो नशा हल्का हल्का
ऐसे में
जब कोई
देख ले
प्यार से
फिर क्या हो
कहीं मिलें दो निगाहें फिर क्या हो
अरे क्या हो
तुम्हें कैसे समझाएँ फिर क्या हो
पूछो ना
जान ए जां
बात है
राज़ की
हाय क्या हो

हो समा आशिक़ाना
दिल में भी बचपना हो
ऐसी नाज़ुक घड़ी में
उनसे जो सामना हो
दिल दगा
दे हमें
धड़कनें
जाएँ थम
फिर क्या हो
कहीं मिलें दो निगाहें फिर क्या हो
अरे क्या हो
तुम्हें कैसे समझाएँ फिर क्या हो
पूछो ना
जान ए जां
बात है
राज़ की
हाय क्या हो


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4451 Post No. : 15913 Movie Count :

4366

Missing Films of 1960s – 116
– – – – – – – – – – – – – – –

Ah, wonderful. Revisiting an old friend after a very long gap. Feels good.

This series was initiated on 30th Sep, 2015, almost 5 years ago to the day. The series continued with a certain regularity almost for four years, till 1st July, 2019. That day, I had posted a rarest of the rare finds – “Taaron Bhari Raat Hai” – a song from the film ‘Hawa Mahal’ (1962), a film which is very much available in video, but sadly all its songs have been axed from the VCD release. I had written in that post, that I had even gone beyond the VCD version and searched out the VHS cassette of the film, and even that had no songs. But fortunately, searching thru film, I accidentally chanced to catch half a song that appeared at the end of the film. Probably, when the editors were making the cuts, for whatever reasons (which we do not know at this point), they had missed out the closing shots of the film, whereat one song is repeated partially as is the tradition followed in many Hindi films we know.

That was the 112th episode of this series. And I believed at that time that I had exhausted all the available films of 1960s that I could gather from all the sources I could take help from. But I was so wrong in my belief at that time. And man, am I glad that I was so wrong. Actually, as soon as that post appeared, I got a few messages from friends on the blog and off it, that hey, this here is another film available, so please check it out. I did, and found a few more films and songs available, that have helped to keep this series alive and continuing.

The frequency has reduced significantly, but surely, we have now added three more films to the series. We keep chugging along, and hopefully will continue to reduce the number of films which sit on the list of pending films from 1960s. I bring on board one more film from 1960s, that had been unavailable for quite sometime. And to let you know, there still are two more films that have been identified and I will be posting them appropriately.

The intent of the series continues today with a song from the 1965 film ‘Panch Ratan’. This obscure film had remained so for quite many years. Even the Geet Kosh did not carry the complete information about this film. The list of songs is there, but the songs themselves remained elusive for long. It appears that the songs of this film were not released on gramophone records, and so the audio version of the songs of this film remains out of reach even today. However, the video of this film has been available online for almost 10 years now, indicating that it was a major miss on my part as I started searching five years or so ago, for missing films of 1960s.

Anyway. The film is available, as are its songs. Here is the first song of this film, as it makes it debut on our blog here today. The film is produced under the banner of Broadway Pictures, Bombay, and is directed by Kamran. The film is a costume drama, with a theme that has been oft repeated in Hindi cinema and also the world cinema. The theme is the variation of the storyline in which a group of well meaning friends come together in a pact of solidarity, to overthrow a local regime of a tyrannical bad-man. Films on this theme are plenty across the world – ‘Seven Samurai’, and ‘The Magnificent Seven’ immediately come to mind, as do films like ‘Khotey Sikkey’ etc. I am sure readers will be able to add more films as examples.

The cast of the film is listed as Randhawa, Parveen Chaudhary, Kamran, Shaam Kumar, Kamal Mehra, Habeeb, Amarnath, Randhir, Meenakshi, Sadhana Khote, Fazal, Moolchand, Sabir, Anjum, Madhumati, Jeevankala, Aruna, Lakshmichaya, Saudagar Singh, Joginder Singh, Vasant Singh, and Sony Alexander etc.

The film has five songs, all in video. None of these songs have appeared any gramophone records. Four of the songs are written by Anjaan and one song is credited to Upendra. Today’s song is by Anjaan. Music for this film is composed by Sardar Malik. Today, I present the first song of this film here. This is a raj-darbaar dance song – a dance performed in a royal court setting. The singing voice is that of Suman Kalyanpur. On screen, the song has been performed by actress Aruna. The identification of the dancer has been made by our dear Prakash ji. Also, in this video clip, we can see Parveen Chaudhry, Randhir, and Kamran, seated on the raised dias watching this performance. In between, the scene cuts to a dungeon where we see Randhawa and Shaam Kumar as prisoners being tortured by the king’s soldiers. We also see three other soldiers enter the dungeon, one of whom is actually a lady dressed as a male soldier. Apparently, these three are friends of Randhawa who have come to rescue him. Their identity gets revealed as the helmet of lady gets disturbed and her long hair fall down. A melee ensues in which Randhawa and Shaam Kumar are freed and the chief of the torture chamber is put in chains. All this while the dance and the song continues in the royal court. There is help required to identify all the players in this clip, and I request Prakash ji and other knowledgeable readers and friends to please help to identify more actors.

With this song, ‘Panch Ratan’ makes its debut here on the blog. And it also bring up the 116th episode of this series. I must admit that the gap in the episodes has been quite a bit, and even this post has been prompted by the fact that another post, by Sadanand ji, is now waiting to be posted, and it uses another song of this film. When Atul ji and I received the post from Sadanand ji, I was prompted into quick action to ensure that the debut song of this film is first brought on board as part of this series and then the post by Sadanand ji gets published. I must thank him for being patient to wait for me to post this debut song. His post should be coming on within a day.

Another very interesting observation here. In the flurry of Ten Year Challenge posts, we seem to have backed away from posting debut songs. The last debut song posted here was on 5th Sept, nineteen days ago. And 46 posts ago. Meaning that in the past nineteen days, 46 songs have been posted and not a single one is from a debut film. We need to research whether this is a record. I am not sure, but seems quite like it.

I will sign off now and let you take a view and listen to this wonderful fast paced melody which is quite attractive in the first hear itself. The dance movements and expressions presented by Aruna are very impressive. A song that surely is worth watching as well as hearing.

 

Song – Saaqiya. . Uff Teri. . Ye Ada  (Panch Ratan) (1965) Singer – Suman Kalyanpur, Lyrics – Anjaan, MD – Sardar Malik

Lyrics 

saaqiya
uff teri
ye ada
saaqiya
uff teri
ye ada
tauba tauba
tauba tauba
bin piye
kya hua
ye nasha
tauba tauba
tauba tauba

duniiya ko deta hai paimaane bhar ke
hum to hain pyaase teri nazar ke
duniiya ko deta hai paimaane bhar ke
hum to hain pyaase teri nazar ke
hum ko teri
mehfil bhala
kya vaasta
kya vaasta
saaqiya
uff teri
ye ada
saaqiya
uff teri
ye ada
tauba tauba
tauba tauba
bin piye
kya hua
ye nasha
tauba tauba
tauba tauba

wo mai buri hai jo hosh uda de
aisi pila de jo hosh mein laa de
wo mai buri hai jo hosh uda de
aisi pila de jo hosh mein laa de
behke huye
sambhlen zara
aisi pila
aisi pila
saaqiya
uff teri
ye ada
saaqiya
uff teri
ye ada
tauba tauba
tauba tauba
bin piye
kya hua
ye nasha
tauba tauba
tauba tauba

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
साक़िया
उफ़्फ़ तेरी
ये अदा
साक़िया
उफ़्फ़ तेरी
ये अदा
तौबा तौबा
तौबा तौबा
बिन पिये
क्या हुआ
ये नशा
तौबा तौबा
तौबा तौबा

दुनिया को देता है पैमाने भर के
हम तो हैं प्यासे तेरी नज़र के
दुनिया को देता है पैमाने भर के
हम तो हैं प्यासे तेरी नज़र के
हमको तेरी
महफिल भला
क्या वास्ता
क्या वास्ता
साक़िया
उफ़्फ़ तेरी
ये अदा
साक़िया
उफ़्फ़ तेरी
ये अदा
तौबा तौबा
तौबा तौबा
बिन पिये
क्या हुआ
ये नशा
तौबा तौबा
तौबा तौबा

वो मय बुरी है होश उड़ा दे
ऐसी पीला दे जो होश में ला दे
वो मय बुरी है होश उड़ा दे
ऐसी पीला दे जो होश में ला दे
बहके हुये
संभलें ज़रा
ऐसी पिला
ऐसी पिला
साक़िया
उफ़्फ़ तेरी
ये अदा
साक़िया
उफ़्फ़ तेरी
ये अदा
तौबा तौबा
तौबा तौबा
बिन पिये
क्या हुआ
ये नशा
तौबा तौबा
तौबा तौबा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4450 Post No. : 15911

———————————–
This Week, That Year – 4
———————————–
20Sep – 26Sep, 2010

Post by post analysis of the weekly output – is an exercise that is getting more involved and detailed. As we progress, we are finding newer varieties and newer variations that add on to a now growing list of things to look at and check for. OK, so let us see what insight this week brings in.

Let’s first do the numbers. The challenge analysis and other details are presented in the table below. With one dot day (on 23rd Sep), this week saw as many as 34 posts. Except for one repeat, all songs are from different movies. So, 33 movies got featured that week. As many as 12 films made their debut. And of the 33 films that were showcased that week, 22 films have been yippeee’d over the past 10 years. Of the remaining 11, I am shifting two film to the twilight zone of Conditional Yippeee status, which I had proposed last week. The films are ‘Panchaayat’ from 1958 and ‘Dr Vidya’ from 1962 – I will give more details little later in write up.

Blog Ten Year Challenge (2010-2020) Series
Sl.No. Movie Name Year HFGK NoS ASAD NoS Possible UnTrace Deb/
Yip
Milestone Film Status Pending
20-Sep-10
1 Khazaanchi 1941 9 9 D Yippeee’d
2 Sabak 1950 10 7 D Pending 3
3 Deewaana 1952 8 9 Yippeee’d
4 Panchaayat 1958 10 8.5 1 Yc 1, ? 1 UT
5 Chhabili 1960 7 6 Pending 1
6 Chhota Bhai 1966 6 2 D BC:3000
AC:1000 (Lata)
Pending 4
21-Sep-10
1 Khazaanchi 1941 9 9 Yippeee’d
2 Parwaana 1947 9 11 Yippeee’d
3 Aankhen 1950 8 8 Yippeee’d
4 Aar Paar 1954 8 8 Yippeee’d
5 Pyaase Panchhi 1961 10 6 Pending 4
6 Caravan 1971 8 8 Yippeee’d
22-Sep-10
1 Shokhiyaan 1951 8 8 D Yippeee’d
2 Miss Coca Cola 1955 8 8 Yippeee’d
3 Mr Lambu 1956 8 8 D Yippeee’d
4 Fashion 1957 8 6 Pending 2
5 Aaj Aur Kal 1963 8 9 Yippeee’d
6 Mahaan 1983 7 2 D Pending 5
23-Sep-10
[No Posts]
24-Sep-10
1 Magroor 1950 8 8 D Yippeee’d
2 Baap Re Baap 1955 11 11 Yippeee’d
3 Champaakali 1957 9 9 Yippeee’d
4 Ustaad 420 1969 4 4 D Yippeee’d
5 Bhool Na Jaana (UR) 1960s 7 6 D Pending 1
6 Aalaap 1977 9 9 D Yippeee’d
7 Saaheb 1985 5 1 D Pending 4
25-Sep-10
1 Jalpari 1952 9 6 Pending 3
2 Anaarkali 1953 11 11 Yippeee’d
3 Tu Nahin Aur Sahi 1960 7 8 Yippeee’d
4 Dr Vidya 1962 7 8 1 Yc 1, ? 1 UT
5 Ishaara 1964 6 6 Yippeee’d
6 Khuddar 1982 6 3 D Pending 3
26-Sep-10
1 Aaraam 1951 8 8 Yippeee’d
2 Nau Do Gyaarah 1957 8 8 Yippeee’d
3 Sone Ki Chidiya 1958 8 9 Yippeee’d

I will highlight one change in notation. Last week I had proposed that for the songs which are listed for the film, but which are possibly not available in any format, will be denoted by ‘LFe’ – short for ‘Lost Forever’. Now there is a rethink about this terminology. At least one response to me was that ‘Lost Forever’ is a despairing notation, putting a sort of finality to the issue. So I propose to change this terminology to ‘UT’ indicating that the song is ‘Untraceable’ at least for now.

Two major milestones were announced this week. With the sixth song posted on 20th Sep, 2010, the blog reached the 3000th post. Given where we were at that time, ten years back, this was an enviable milestone in itself. Looking back, it may seem not very significant, on account of where we have now reached. But at that time, breaching the 3000 barrier was a great event. With the same song, we also had the first 1000th milestone for an individual artist. This very same song also became the 1000th song by Lata ji, posted on our blog. This was the first such accomplishment on the blog, for an artist.

We had just one guest post this week. Raja ji has done the post for the 3000th song plus the 1000th song of Lata Mangeshkar.

This week, we see many interesting variations and differences in the information that is available about the songs contained in specific films. Here are the details,

  1. ‘Deewaana’ (1952) – Geet Kosh lists 8 songs for this film. Then the footnote to this film indicates that one more song was recorded for this film in the voice of Shamshad Begum. The inference to be drawn is that this 9th song is an unused song from this film. This song is also available, and has been posted on our blog.
  2. ‘Panchaayat’ (1958) – the gap in information is quite remarkable here. There is one song listed in Geet Kosh that is simply not traceable anywhere. The words of the song are “Main Ye Soch Kar Us Ke Dar Se Utha Tha”. Ah yes, rings a bell. This song appears in the 1964 film ‘Haqeeqat’. I replayed the movie to check, but did not find even a snippet of this song.
    However, viewing the film gave me some good information. The theme song of this film, “Mil Ke Baitho Jodo Bandhan” is a multi part song that appears in the film five times. We have this song on the blog, but we only have the portion that is heard in background as the film titles are being presented on screen. This song recurs on four more occasions later in the film.
    So two updates to this film that must be put on the blog. First, the theme song has to be updated for all the multi part segments. Second, then this film should be declared Conditional Yippeee, because the song “Main Ye Soch Kar. . .”, in all likelihood will remain untraceable, as far as this film is concerned.
  3. ‘Parwaana’ (1947) – Geet Kosh lists 9 songs, whereas we on the blog had added two more which we have extracted from the film soundtrack. One of them – “Balam To Pe Sabar Pade” is a very special song. This is the very last recording of KL Saigal Sb. It is an incomplete recording. However, the director has used this as a background song near the end of the film, by modifying the situations somewhat.
  4. ‘Aaj Aur Kal’ (1963) – Geet Kosh lists 8 songs, whereas in the film there is one more song, actually a qawwaali, in the voice of Shamshad Begum and Usha Mangeshkar. So on the blog, we have one more song than the list in Geet Kosh.
  5. ‘Tu Nahin Aur Sahi’ (1960) – On the blog we have one additional song, actually a snippet that is played at the end of the film. This snippet is not listed in the Geet Kosh.
  6. ‘Dr Vidya’ (1962) – This song list mismatch here is quite confusing. There are seven songs listed in the Geet Kosh, out of which the song a serial no. 2 “Yahi Din Hain Bhanware Mann Arey Tum Nahin Samajhte” is not traceable. It does not appear to match with any other song in the film. And then there are two songs in the film which are not listed in the Geet Kosh. There is a fun qawwaali – “Yoon Hans Hans Kar Dekho Na Idhar”, which is performed on screen by Helen and Prem Chopra. And then there is this romantic song of promises to meet again – “Main Kal Phir Miloongi Isi Gulsitaan Mein”. So we have 8 songs of this film already posted, and there is one still pending whose fate is not known. Possibly then ‘Dr Vidya’ also merits to declared Conditional Yippeee.
  7. ‘Sone Ki Chidiya’ (1958) – This film has 8 songs listed in the Geet Kosh. However, on our blog, we have one more additional song posted, which is essentially a poem rendition.
  8. ‘Doctor’ (1941) – I had mentioned about this film in the previous episode of this series. There is a small bit of confusion in the song list of this film in the Geet Kosh. GK lists 11 songs for this film. This film was declared as Yippeee’d on 29th August, 2014. In that post, Atul ji had written that ten songs of this film are already posted, and the eleventh song was being posted, declaring this film to be Yippeee’d. However, as we examine the lists, there is a bit of confusion that prevails overall.
    For starters, the song “Aai Nit Nai Rut Ki Bahaar” is listed twice in GK, once with Ila Ghosh as the singer, and once with Pankaj Mullick as the singer. This threw me off so completely, that I spent three four days two weeks ago, trying to trace the Pankaj Babu version of this song. Most responses I got from within the circle of collector friends was that this song does not exist. Secondly, the iconic Pankaj Babu song – “Aayi Bahaar Aaj Aayi Bahaar” is not listed in GK. I went over the GK entries in detail, including the addenda and the corrigenda. But could locate no other information.
    After some back and forth discussions, it is concluded that there is an error in the GK listings, in that the song listed in GK at serial no. 11 – “Aayi Nit Nari Rut Ki Bahaar” in the voice of Pankaj Babu, is incorrect, and that the words of this song should be “Aayi Bahaar Aaj Aayi Bahaar”. If this change is made, then the listings can be reconciled correctly.
    There is still one more variation in the GK listing and the blog list. The GK listing shows the two songs viz. “Kab Tak Niraasha Ki Andhiyaari” and “Bhai Jagat Ujiyaari Dekho” as two separate songs. On our blog, these two songs appear in the same post, so essentially the blog list does not show the latter song.

Now a word about the song covered in this post. The film is ‘Zindagi Ya Toofaan’ from 1958. As per the Geet Kosh, this film has 10 songs listed. All the songs come from the pen of J Nakshab, a name that we are also familiar as Nakshab Jarchavi. Music is composed by Nashaad.

The film is produced under the banner of Serafim Pictures, Bombay and is directed by Nakshab Jarchavi, the lyricist. The cast of actors is briefly given as Nutan, Pradeep Kumar, Om Prakash, Minoo Mumtaz, Johnny Walker, and Yakub. The film tells the story about the love of a young man, role played by Pradeep Kumar, for a dancing girl, role played by Nutan. Nine songs of this film are already posted here on our blog. This is the tenth and the final song of this film to come on board.

The song itself is a wonderful expression in words about the exchanges that happen between the lover and the beloved. Each couplet, each line is such a beautiful visualization of that relationship. The video clip for this song could not be located. So it is not feasible to comment on the picturization of this song. Given the music and rendition, one can surmise that this song is presented as a mujra on screen. Expectedly, the song is performed by Nutan and Minoo Mumtaz. Both are dancing girls entertaining the guests, which would include Praeep Kumar and Yakub.

This wonderful ghazal presented as a mujra, is the tenth and the final song of this film to come on board, and we can declare this film to be Yippeee’d now.

 

Song – Angdaai Bhi Wo Lene Na Paaye Utha Ke Haath  (Zindagi Ya Toofaan) (1958) Singer – Asha Bhosle, Shamshad Begum, Lyrics – J Nakshab, MD – Nashaad
Asha Bhosle + Shamshad Begum

Lyrics

kya kya nigaah e shauk luti hai haya ke haa..aath
aaaa aaaaa aaaaaaa
ye kya hua ke ruk gaye seene tak aa ke haath
angdaai bhi wo lene na paaye utha ke haath
angdaai bhi wo lene na paaye utha ke haath
angdaai bhi wo lene na paaye utha ke haath
dekha mujhe to chhod diye muskura ke haath
angdaai bhi wo lene na paaye utha ke haath

aaaaa aaaaa
baaton me aise ho gaye madhhosh be-piye
baaton me aise ho gaye madhhosh be-piye
baaton me aise ho gaye madhhosh be-piye
afsanaa ghair ka wo samajh kar suna kiye
afsanaa ghair ka wo samajh kar suna kiye
aaya jo mera naam
to bas uth ke chal diye
aaya jo mera naam to bas uth ke chal diye
jhunjhala ke taish khaa ke bigad ke chhuda ke haath
jhunjhala ke taish khaa ke bigad ke chhuda ke haath
angdaai bhi wo lene na paaye utha ke haath
dekha mujhe to chhod diye muskara ke haath
angdaai bhi wo lene na paaye utha ke haath

parda tha par naqaab se kuchh husn chhan pada
parda tha par naqaab se kuchh husn chhan pada
parda tha par naqaab se kuchh husn chhan pada
bekal huye to reh gaya sab baankpan pada
bekal huye to reh gaya sab baankpan pada
shikvon ka jab jawab na kuchh un se ban pada
shikvon ka jab jawab na kuchh un se ban pada
gardan me meri daal diye muskura ke haath
gardan me meri daal diye muskura ke haath
angdaai bhi wo lene na paaye utha ke haath
dekha mujhe to chhod diye muskara ke haath
angdaai bhi wo lene na paaye utha ke haath

aaaa aaaa aaaaa aaaaa
saaqi ko samjhe ye nahin har aadmi ka kaam
saaqi ko samjhe ye nahin har aadmi ka kaam
saaqi ko samjhe ye nahin har aadmi ka kaam
nakshab ko kis ada se inaayat kiya tha jaam
nakshab ko kis ada se inaayat kiya tha jaam
aaaa aaaaa
dena kisi ka saaghar e mai yaad hai nizaam
dena kisi ka saaghar e mai yaad hai nizaam
munh pher kar udhar ko idhar ko badha ke haath
munh pher kar udhar ko idhar ko badha ke haath
angdaai bhi wo lene na paaye uthaa ke haath
dekha mujhe to chhod diye muskara ke haath
angdaai bhi wo lene na paaye uthaa ke haa..aa..aath

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————–

क्या क्या निगाह ए शौक लुटी है हया के हा॰॰आथ
आsss आsss आssssss
ये क्या हुआ के रुक गए सीने तक आ के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
देखा मुझे तो छोड़ दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ

आsss आsss
बातों में ऐसे हो गए मदहोश बे-पिये
बातों में ऐसे हो गए मदहोश बे-पिये
बातों में ऐसे हो गए मदहोश बे-पिये
अफ़साना ग़ैर का वो समझ कर सुना किये
अफ़साना ग़ैर का वो समझ कर सुना किये
आया जो मेरा नाम
तो बस उठ के चल दिये
झुँझला के तैश खा के बिगड़ के छुड़ा के हाथ
झुँझला के तैश खा के बिगड़ के छुड़ा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
देखा मुझे तो छोड़ दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ

पर्दा था पर नक़ाब से कुछ हुस्न छन पड़ा
पर्दा था पर नक़ाब से कुछ हुस्न छन पड़ा
पर्दा था पर नक़ाब से कुछ हुस्न छन पड़ा
बेकल हुये तो रेह गया सब बांकपन पड़ा
बेकल हुये तो रेह गया सब बांकपन पड़ा
शिकवों का जब जवाब ना कुछ उनसे बन पड़ा
शिकवों का जब जवाब ना कुछ उनसे बन पड़ा
गर्दन में मेरी डाल दिये मुस्कुरा के हाथ
गर्दन में मेरी डाल दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
देखा मुझे तो छोड़ दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ

आss आss आsss आssss
साक़ि को समझे ये नहीं हर आदमी का काम
साक़ि को समझे ये नहीं हर आदमी का काम
साक़ि को समझे ये नहीं हर आदमी का काम
नक़शब को किस अदा से इनायत किया था जाम
नक़शब को किस अदा से इनायत किया था जाम
आss आssss
देना किसी का साग़र ए मय याद है निज़ाम
देना किसी का साग़र ए मय याद है निज़ाम
मुंह फेर कर उधर को इधर को बढ़ा के हाथ
मुंह फेर कर उधर को इधर को बढ़ा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
देखा मुझे तो छोड़ दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हा॰॰आथ


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16312

Number of movies covered in the blog

Movies with all their songs covered =1257
Total Number of movies covered =4426

Total visits so far

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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