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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Rafi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Delhi Junction”(1960) was produced by RL Sharma and directed by Mohammad Hussain for Nigaaristan (India) Films, Bombay. The movie had Ajeet, Shakeela, Nishi, Maruti, Manorama, Tiwari, Pran, Protima Devi, Murad, Rafiq, Kamal Mohan, Harun, Anwari Bai, Pal Sharma, Jagdish Kanwal, Nadir, Satish, Sadiq, Sarita, Kukku, Rajni, and Khurshid etc in it.

The movie had six songs in it that were penned by four lyricists viz. PL Santoshi, Prem Dhawan, Farooque Kaiser and Gulshan Bawra. 

Three songs have been covered in the blog.

Here is the fourth song from “Delhi Junction”(1960). This song is a Rafi-Lata duet with chorus. It is penned by Prem Dhawan. Music is composed by Kalyanji.

Only the audio of this song is available. My guess is that this song is picturised on the lead pair of Shakeela and Ajeet. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Kehti hoon main sach sach (Delhi Junction)(1960) Singers-Lata, Rafi, Lyrics-Prem Dhawan, MD-Kalyanji
Chorus

Lyrics

ho ho ho ho
ho ho ho

aa aa aa aa
hahahaha

kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
haathhon se gaya jo dil
jaayega kaleja hil
rona padega jo naina lade
ae ji rone do
ho kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
hone do
hone do
hone do

l l l la l ll la ll la

bada hi naazuk dil ka sheesha hai
dil na kahin takraana
soch samajh lo
ae dilwaalon
phir na kahin pachhtaana
par jo maza hai
dil takraane mein
wo hi na tum ne jaana

kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
hone do hone do hone do

poochho ji humse pyaar ki baaten
aashiq hain hum to puraane
phirte hain kabse
thhaam ke dil ko
husn ke hum parwaane

jahaan bhi jaaoge
thokaren khaaoge
bano na yoon deewaane
kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
hone do hone do hone do

l l l la l ll la ll la
lalalala

berukhi itni bhi achchi nahin hai
chhodo ye gussa
aji chhodo

hum pe chalega na jaadu ye baaton ka
aur kahin sar phodo
nazron ke maare hain
hum to tumhaare hain
humse na naata todo

kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
haathhon se gaya jo dil
jaayega kaleja hil
rona padega jo naina lade
ae ji rone do
rone do rone do rone do
l l l la l ll la ll la lala
l l l la l ll la ll la

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (28 september 2017) is the birth anniversary of one and only Lata Mangeshkar. People may have wondered why there was a lull in the blog today. These days we have just a couple of posts daily with some rare days when we manage to crank up the rate to day four of five songs a day.

Lata Mangeshkar is the most well represented artist in the blog. As many as 3244 songs sung by Lata Mangeshkar are represented in the blog. There was a time when she averaged over one song a day in the blog. With less songs posted in the blog over the last couple of years, now the figure stands at 3244 songs /3359 days, viz. 0.966 songs per day.

Out of these 3244 songs, as many as 2074 songs are solo songs. So the remaining 1170 of her songs are duets and others. Her most common singing partner has been Rafi. The two of them have collaborated in around 415 duets or so. As many as 328 of these duets are already represented in the blog.

On the occasion of Lata Mangeshkar’s birth anniversary today, here is a less heard Rafi Lata duet. This song is from “Band Master” (1963). This movie was directed by Ravindra Dave for R L Films, Bombay. This obscure movie had Jagdeep, Azra, Lalita Pawar, Rajan Haksar, Ravikant etc in it.

The movie had four songs in it. HFGK is silent about the singers of these songs including the song under question. But on listening to the songs, one can easily identify the voices in all four songs.

The song under discussion, the third song from the movie to be covered here, is sung by Lata and Rafi. Prem Dhawan is the lyricist. Music is composed by Chitragupta.

On the occasion of the birth anniversary of Lata Mangeshkar (28 september 1929), here is the 329th Rafi-Lata duet to appear in the blog. I take this opportunity to wish her a very happy birth anniversary and wish her many more happy returns of the day.


Song-Sajna saawan aaya (Band Master)(1963) Singers-Lata, Rafi, Lyrics-Prem Dhawan, MD-Chitragupta

Lyrics

sajna
saawan aaya
sajna saawan aaya
haaye
dil udke chala hai baadal mein
ho
mujhko saath liya ja
mujhko saath liya ja
haaye
dil baandh ke mera aanchal mein
ho

sajna saawan aaya

hosh lutaa ke
hosh mein aaye
ye hai paheli kaisi
koi samjhaaye
hosh lutaa ke
hosh mein aaye
ye hai paheli kaisi
koi samjhaaye

dil to ganwaaya to jeene ka maza hai paaya
sajna saawan aaya
sajna saawan aaya
haaye
dil udke chala hai baadal mein
ho
sajna saawan aaya

mujhpe nasheeli nazren na daalo
gir gir jaau main to aake sambhaalo
mujhpe nasheeli nazren na daalo
gir gir jaaun main to aake sambhaalo
hum kya sambhaalen
ke ham pe bhi nasha hai chhaaya
mujhko saath liya ja
mujhko saath liya ja
haaye
dil baandh ke mera aanchal mein
ho

sajna saawan aaya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhakt Gopal Bhaiyya”(1948) was a mythological (bhakti pradhan) movie which was directed by Shanti Kumar for Jayshakti Pictures, Bombay. The movie had Anant Marathe, Ameerbai Karnataki, Shashi Kapoor (senior), Pande, Ved Prakash, Laxman, Brahmbhatt, Dubey, Sinha, Om Prakash, Shukla, Sitaram etc in it.

The movie had twelve songs in it and HFGK does not contain details of singers for any songs.

Here is the first song from “Bhakt Gopal Bhaiyya”(1948) to appear in the blog. Though HFGK is silent about the singer, listening to the song leavs us in no doubt that this song is sung by Rafi. It is one of the three songs in this movie that are known to contain the voice of Rafi and find mention in Rafi’s excel sheet.

Ramesh Gupta is the lyricist. Music is composed by Shankarrao Vyas.

The song can be described as a black humour genre of song. It describes an eighty year old man desiring to marry a young woman but dies just as he tries to climb on the ghodi and thus spares the would be bride and others much agony.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this song, “Bhakt Gopal Bhaiyya”(1948) makes its debut in the blog.


Song-Assi baras ka boodhha baaba karne chala hai aaj lagan (Bhakt Gopal Bhaiyya)(1948) Singer-Rafi, Lyrics-Ramesh Gupta, MD-Shankarrao Vyas

Lyrics

assi baras ka booddha baaba
karne chala hai aaj lagan
maut ke panje se bachne ko
byaahne chala hai nayi dulhan
assi baras ka boodha

baalon mein kaali syaahi lagaaye
aji vastron se wo ang chhupaaye
dagmag dagmag naar hilaaye
thumak thumak kar paanv badhaaye
maut ki raani khadi pukaare
kya man mein ho raha magan
assi baras ka boodha baaba
karne chala hai aaj lagan
assi baras ka boodha

paad padosi kahe deewana
aji buddhi ka kuchh nahin thikana
ladki ke ladke aa bolen
byaahne chale bhai naani naana
ladkon ke ladke bolen
boodhe baba ko phir aaya bachpan
mere baaba ko aaya phir bachpan
assi baras ka booddha baaba
karne chala hai aaj lagan
assi baras ka boodha

wo kas ke kamar taiyyaar hua
jhat ghode per aswaar hua
thhes lagi ghoda bidka
bewde ka beda paar hua
shaadi ke taraane band huye
shaadi ke taraane
shaadi ke taraane band huye
chautarfa phail gaya maatam
assi baras ka booddha baba
karne chala thha naya lagan
assi baras ka boodha

chauri se ban gai chita
aur jaame se ban gaya kafan
aur jaame ka ban gaya kafan
baandh boondhne chale baaraati
ladke karen sab kriya karam
sage sambandhi khaayen laddu
sage sambandhi
sage sambandhi khaayen laddu
sabki door hui uljhan
assi baras ka booddha baaba
karne chala tha naya lagan
assi baras ka boodha

ladki ka neelaam kiya thha
maat pita ne lekar dhan
aji maat pita ne lekar dhan
boodhe ki sun kar ke mrityu
wo bhi manaane lage jashan
kar di jawaan se shaadi
kar di jawaan se shaadi uski
ladki ka khul gaya karam
assi baras ka booddha baaba
karne chala tha naya lagan
assi baras ka boodha

dhan ke lobhi socho samjho
paise per mat becho dharam
aji paise per mat becho dharam
garib gaay ki kanya par kasaai ka mat karo karam
apna jeewan maran sudhaaro
apna jeewan maran sudhaaro
baar baar kehte hain hum
assi baras ka booddha baba
karne chala thha naya lagan


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Today’s post is under instructions from my husband- Peevesie’s Dad. Oh yes, he is a silent-satulite (a term coined by team Atulites when referring to spouses of Atulites, the term has no geographical or scientific connotation and will be found only in Atulite-lingo 🙂 ). He had asked me to write a post after we returned from a pilgrimage of Sabarimala, which is the abode of Swami Ayyappa. And as far as possible I fulfil every farmaish/ request of his (actually the children, Peevesie more than her brother, rag the two of us for going out of our way to fulfil each other’s requests- there have been no demands between the two of us only requests).

A recent program that I attended at Chowdiah Memorial with Asha Bhonsle as the attraction is a case in point – we were scheduled to go to Kerala on that date to drop my dear mom-in-law at our native village and my husband (sweetly) asked me to go ahead and book tickets for the show and he himself went with his mom. So, when he indulges me how can I not do what he says? 🙂 These last two months I had been looking for a song that would accompany the post but never found any song or bhajan dedicated to Ayyappa in a Hindi song album- filmy or non-filmy. Even looking up dubbed movies drew a blank. Whatever the internet had to offer were songs in the south Indian languages. But now I think I have found a way out.

The pilgrimage to Sabarimala is neither easy nor tough; what it needs is commitment on the part of the devotee. It can be undertaken by all men and females below the age of 10 and above the age of 50. There are a few legends to explain why this restriction is in place for the ladies. But the main reason, for ladies of age group 10-50 not being allowed is biological and instead of arguing against it; which some sections of the equality for females brigade has undertaken, my personal view is we should respect it. If some rule has been in place for an activity we follow it. If there is a dress code to a party we adhere to it. I have seen people follow the rule of covering their heads at gurudwaras and mosques (am not sure if churches have this rule, but have seen some sections of Kerala Christians cover their heads). If rules can be followed at these places then why not at Hindu places of worship. (I hope that my thoughts are not construed to be against equality for the female gender, they are just my way of looking at things)

The Sabarimala temple is open for a few days (of the Malayalam calendar) every month and from November 15th to January 20th (I think). Devotees who plan to undertake the trip normally live a satvik life for a period of 40 days. They abstain from wine and women, the stricter followers make their own food, visit an Ayyappa temple twice a day, walk bare foot and also don’t shave. Then just before leaving for the trip they have a ritual wherein they gather the main things needed for the pilgrimage in a bag which is carried on their heads till they reach the temple. The bag typically contains two or three coconuts, one of which is filled with ghee for the abhishek of the deity. Plus, pooja items like camphor, agarbatti, pan-supari, beaten rice etc.

The temple itself is in the Periyar Tiger Reserve of western ghats in Kerala’s Pathanamthitta District. One can go up to the Pampa river (which is at the base of the path leading up to the temple) by road, from where it is a climb of about 5 kms of which the initial 2 km or so is very steep. Of course, there are a few palkhis available to carry up those who find the climb difficult. But when one sees the passion in those climbing alongside us it spurs us to try and do the distance without palki assistance. That is what happened with me. I felt a sense of tiredness after the initial half an hour; then I saw who were the people around me. There was a small boy taking his almost 80-year-old grandparents with him. Then there was a man with a twisted ankle making his way uphill and that made me feel I should complete the route. And there is the chant of Swamiye Sharanam Ayyappa (we take refuge in you ayyappa) reverberating about the route, enough to egg you on. A seasoned devotee (like my husband who has gone close to 25 times) may do the path in about two or two and half hours depending on the weather; and I took about two hours and forty minutes in spite of the initial panting and nausea due to the height. But I must admit that then it had felt like a never-ending walk.

Now any person undertaking the pilgrimage for the first time is called a “Kanni Ayyappan” and our group had two of us. And then last month around Onam time when the temple was open my sister’s family- her husband and two nine-year-old sons- also went to the temple. The twins were the life of the group along with a few other kids. About 10-15 years back my aged parents-in-law and parents had undertaken the trip. So, what I am trying to say is age and health should not stop a determined soul from making the trip and there are experienced Ayyappas (that is the term with which the male devotees address each other) to guide those who want to make the trip and believe me it was a great experience enough to make me feel I should redo it.

Reading the above description may have sent images of the trek to Kedarnath, Yamunotri or Vaishno Devi to the reader. Even I recalled my Kedarnath, Yamunotri trip as I was chanting Swamiye Sharanam Ayyappa and singing all the Ayyappa songs I knew to myself during the walk. And in my mind, I visualised my dearest mom-in-law undertaking the Vaishno Devi pilgrimage about 10 years back. Hats off to her spirit! I hope I am half as energetic when I reach her age.

Now that I have mentioned vaishno devi I looked for a song that will show the journey to the temple in the Himalayas in Kashmir. And I found that there is a song in the 1980 released J. Om Prakash movie which shows Rameshwari and Jeetendra going to Vaishno Devi as “Mannat” fulfilment of his mother Sulochana. (wonder why she didn’t accompany them 🙂 ) it shows them trudging up to the temple along with other devotees much like what I experienced. But the difference is the distance which my mom-in-law says is close to 14 kms. The song is from the pen of Anand Bakshi and Laxmi- Pyare are the music directors. Narendra Chanchal and Mohd. Rafi are the playback.
I think this is a good song to start Navaratri with. Bolo Jai Mata Ki!

Editor’ note:- This is the sixth and final song from “Asha”(1980) to appear in the blog. with this song, “Asha”(1980) joins the list of movies that have all their songs covered in the blog.


Song-Toone mujhe bulaaya shera waaliye (Asha)(1980) Singers-Narendra Chanchal, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Rafi + Chanchal

Lyrics

saanchi jyoto waali maata
maata
teri jay-jay-kaar
jay-jay-kaar
jay-jay-kaar
jay-jay-kaar

toone mujhe bulaaya shera waaliye ae
main aaya
main aaya shera vaaliye

toone mujhe bulaaya shera vaaliye
main aaya,
main aaya shera vaaliye

o jyota vaaliye
pahaada vaaliye
o mehra vaaliye ae
toone mujhe bulaaya shera vaaliye
main aaya,
main aaya shera vaaliye

o o
toone mujhe bulaaya shera vaaliye
main aaya
main aaya shera vaaliye

saara jag hai ik banjaara
saara jag hai ik banjaara
sabki manzil tera dwaara
oonche parvat lamba rasta
oonche parvat lamba rasta
par main rah na paaya shera vaaliye
toone mujhe bulaaya shera vaaliye
ho o
main aaya,
main aaya shera vaaliye
toone mujhe bulaaya shera vaaliye

soone man mein jal gayi baati
tere pathh mein mil gaye saathi
munh kholoon kya tujhse maangoon
munh kholoon kya tujhse maangoon
bin maange sab paaya
shera vaaliye ae

toone mujhe bulaaya shera vaaliye
o o o
main aaya
main aaya shera vaaliye

toone mujhe bulaaya shera vaaliye

kaun hai raaja
kaun bhikhaari
kaun hai raaja
kaun bhikhaari
ek baraabar tere saare pujaari
toone sabko darshan de ke
toone sabko darshan de ke
apne gale lagaaya shera vaaliye
toone mujhe bulaaya shera vaaliye
o jota vaaliye
pahaada vaaliye
o mehra vaaliye ae
toone mujhe bulaaya shera vaaliye
main aaya
main aaya shera vaaliye

o prem se bolo
jay maata di
o saare bolo
jay maata di
o aate bolo
jay maata di
o jaate bolo
jay maata di
o kasht nivaare
jay maata di
o paar utaare
jay maata di
devi maan bholi
jay maata di
bhar de jholi
jay maata di
o jode dar par
jay maata di
maa deke darshan
jay maata di
o jay maata di
jay maata di
jay ay ay maata di
jay maata di

jai bhavaani ki jai
pahaada vaali ki jay,
vaishno raani ki jay
ambe raani ki jay
pahada waali ki jai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“China Town”(1962) was produced and directed by Shakti Samant for Shakti films, Bombay. The movie had Shammi Kapoor, Shakila, Helen, Madan Puri, S N Bannerji, Mridula, Jeewankala, Gautam Mukherji, Kanu Roy, Shetty, Samson, Keshav, Khursheed, Tuntun, Rasheed Khan, Polson, F C Chang, Khatana, Fazal, Abdul, Lydia, Deendayal, Balaram, Ranjeet Sood, Shamsher Singh, Master aziz, Master Aslam, Aruna, Ram Reddy, Bina, Mauji Singh, B Bannerji, Bhattacharya, Minu, Mohan, Omi etc in it.

The movie had eight songs in it. Five of these songs have been covered in the blog.

Here is the suth song from “China Town”(1962) to appear in the blog. This song is a duet sung by Asha Bhonsle and Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by Ravi.

The song is picturised as a car song on Shakila and Shammi Kapoor. Seeing that it is a Rafi song picturised on Shammi Kapoor, this song is a rather unknown song. Personally I had not heard this song before.


Song-Ye rang na chhotega ulfat ki nishaani hai (Chinatown)(1962) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-Ravi
Both

Lyrics

ye rang na chhootega
ulfat ki nishaani hai
ye rang na chootega
ulfat ki nishaani hai
kuchh tera fasaana hai
kuchh meri kahaani hai

ye rang na chhootega
ulfat ki nishaani hai
ye rang na chhootega

lehra ke uthha mausam
rut ban ke karaar aayi
lehra ke utha mausam
rut ban ke karaar aayi
aayi to magar kitna
tarsa ke bahaar aayi

tarsa ke bahaar aayi
par kitni suhaani hai
ye rang na chhootega

aanken hain tumhaari
ya chhalka hua paimaana
aanken hain tumhaari
ya chhalka hua paimaana

apna to muhabbat mein dil ho gaya deewaana
ya hum hi deewaane hai
ya rut hi deewaani hai

ye rang na chhootega

dekho na bhula dena
in pyaar ki waadon ko
dekho na bhula dena
in pyaar ki waadon ko
tum bhi na badal dena
chaahat ke iraadon ko

jab preet lagi tumse
kuchh maine bhi thhaani hai
ye rang na chhootega
ulfat ki nishaani hai
kuchh tera fasaana hai
kuchh meri kahaani hai

ye rang na chhootega
ulfat ki nishaani hai
ye rang na chhootega


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Raaj Mukut” (1950) was directed by N Vakil for Mohan Pictures. The movie had Nimmi, Jairaj, Veena, Ramsingh, Sapru, Tabassum, R. Sinha etc in it. The movie had eleven songs in it. Two of these songs have been covered in the blog.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Halla Gulla” (1954) was produced and directed by Bhagwan for Bhagwan Art Productions, Bombay. The movie had Bhagwan, Shakila, Sajjan, Baburao, Leela Gupte, Leela Gandhi , Begam Bai, Suneeta, Salvi, Qamar, Sukumar, Bhagwan Rao “Aankh”, Balaram, Deepak, Yashwant, Swami etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (15 august 2017) is the 71st Independence day of India.

This is the tenth independence day for the blog. In addition, we have also had nine republic days. We have discussed a few patriotic songs on all these 17 national days. So one can imagine the number of patriotic songs that we have covered in the blog so far. The count of patriotic songs in the blog shows 106 songs as of now !
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hathhkadi”(1958) was directed by Sudarshan Bhatia for D S Films. The movie had Motilal, Shakila, Sajjan, Jabeen Jaleel, Amarnath, , Mirza Musharraf, Mirajkar, Ramesh Sinha, Bhagwan Sinha, Umesh Sharma, Murad, Bhudo Advani, Cuckoo, Sheila Vaz etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Insaaf”(1956) was directed by Kedar Kapoor for Bhagyoday Pictures, Bombay. This movie had Nalini Jaiwant, Ajit, Kamal Kapoor, Ramesh Tiwari, Durga Khote, Helen, Johny Walker etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13600 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Number of movies covered in the blog

Movies with all their songs covered =1024
Total Number of movies covered =3736

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