Posts Tagged ‘Rafi’
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4078 | Post No. : | 15216 |
“Chandu”(1958) was directed by Manju (Harold Lewis) for N R Productions, Bombay. The movie had Daljit, Meena, Shasikala, Pran, Gulab, Gope, Sunder, Om Prakash, Mehmood, Harun, Satish Batra etc.
The movie had six songs in it. One song has been covered in the past.
Here is the second song from “Chandu”(1958) to appear in the blog. This song is sung by Rafi and Geeta Dutt. Raja Mehdi Ali Khan is the lyricist. Music is composed by Bipin Baabul.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Gore gore gaalon pe kaala ye til (Chandu)(1958) Singers-Rafi, Geeta Dutt, Lyrics-Raja Mehdi Ali Khan, MD-Bipin Babul
Both
Lyrics
aa ha ha ha
gore gore gaalon pe kaala ye til
kaala til
haaye mera dil
gore gore gaalon pe kaala ye til
kaala til
haaye mera dil
ha ha ha
ha ha ha
ankhiyon mein pyaar kare
jhilmil jhilmil
jhilmil jhilmil
haaye mera dil
ek do teen chaar paanch chhe saat aath
ginta rahe
tere liye ho jiya tere liye
nau das gyaarah baarah terah chaudah
pandarah solha
ginti rahoon
tere liye o piya tere liye
hoy ginti na gino madam
aa mujhse mil
aa mujhse mil
haaye mera dil
ha ha
aa ha ha
ha ha ha
ankhiyon mein pyaar kare
jhilmil jhilmil
jhilmil jhilmil
haaye mera dil
taaron ki chhaanv mein tere liye
chanda ke sang sang jaaga karoon
raaton ko jungle mein tere liye
majnu main ban ke ho bhaaga karoon
kisne kiya hai mera jeena mushqil
maine
haan
maine kiya hai tera jeena mushqil
jeena mushqil
haaye mera dil
aa ha ha
aa ha ha
ankhiyon mein pyaar kare
jhilmil jhilmil
jhilmil jhilmil
haaye mera dil
dil ki tijori se daulat luta
mere liye ho billo mere liye
haan samjhe na waah haan
daulat ko sadkon pe doongi bichha
tere liye ho ballo tere liye
seene pe rakh mere sone ki sil
sone ki sil
haaye mera dil
aa ha ha
ha ha ha
ankhiyon mein pyaar kare
jhilmil jhilmil
jhilmil jhilmil
haaye mera dil
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4075 | Post No. : | 15213 | Movie Count : |
4182 |
It is a well-known fact that Shailendra wrote maximum number of songs for the music director, Shankar-Jaikishan (around 365 songs) out of about 750 songs he wrote during his life time. The second in line among music directors was Salil Chowdhury for whom Shailendra wrote around 105 songs. The third place was taken by S D Burman for whom he wrote around 70 songs. There were others music directors for whom he wrote songs albeit in comparatively lesser numbers. They were Roshan, S N Tripathi, Hemant Kumar, Anil Biswas, C Ramchandra, Ravi, Dattaram, and Kishore Kumar.
With major chunk of Shailendra’s songs (around 90% his total songs) written for the music directors listed above, I was curious to know as who were the other music directors to whom Shailendra wrote songs probably for one or two films. I traced almost all ‘other’ music directors. They were Basant Prakash (‘Badnam’ 1952), Manohar Arora (‘Chingaari’, 1955), Mukul Roy (‘Sailaab’ 1956 and ‘Detective’ 1958), Jimmy (Shrimatiji, 1952), Ninu Mazumdar (‘Bhai Saheb’, 1954), Sardul Kwatra (‘Pilpli Saheb, 1954 and ‘Tis Maar Khan’, 1955), Shivram (‘Naya Kadam’ 1958), Shailesh Mukherjee (‘Savera; 1958), Chitrgupt and Gajanan (‘Kal Hamaara Hai’ 1959), Kalyanji-Anandji (‘Satta Baazar’ (1959), Pandit Ravi Shankar (‘Anuradha’ 1960), R D Burman (‘Chhote Nawab’ 1961), Suhrid Kar (‘Kaanch Ki Gudiya’ 1961), and Sapan-Jagmohan (‘Begaana’ 1963).
But the surprise catch among ‘other’ music director to whom Shailendra wrote a song was Nachiketa Ghosh who has composed music for only one Hindi film ‘25th July’ (1951). But Shailendra was not the lyricist for this film. It transpired that Shailendra did write a Hindi song for Nachiketa Ghosh but for a Bengali film ‘Indraani’ (1958). Uttam Kumar and Suchitra Sen were the lead actors in the film. The film is available on YT with English sub-title.
So here is probably Shailendra’s only Hindi song for a Bengali film, ‘Indraani’ (1958). There are 7 songs in the film of which one song is in Hindi. The song is ‘sabhi kuchh lutaakar huye hum tumhaare’ which is sung by Mohammad Rafi. Nachiketa Ghosh is the music director.
The background for this song is that Uttam Kumar and Suchitra Sen get married despite opposition from her parents as Uttam Kumar is unemployed. On the wedding night, their feelings for each other is reflected in this song through a wayside singer playing guitar. The mood of the song appears to me the same as that of songs like ek haseen shaam ko dil mera kho gaya.
The song in the video clip is longer than the audio clip (78 RPM record version) because of the repetition in the former of mukhda part in each antara. Also, there are short dialogues in Bengali between Uttam Kumar and Suchitra Sen during the interludes of the song.
What a lovely song which I heard for the first time. I have been mesmerized by Rafi’s rendition of antara part of the song. Just note, how he goes one octave higher but keep his rendition soft on the antara lines ‘kisi ka tu ho jaa’, ‘hai khaamosh hum bhi’ and ‘ye khwaabon ki duniya’.
Video Clip:
Audio Clip :
Song-Sabhi kuchh lutaa kar huye ham tumhaare (Indraani)(Bangla)(1958) Singer-Rafi, Lyrics-Shailendra, MD-Nachiketa Ghosh
Lyrics(based on Video Clip)
sabhi kuchh lutaa kar
huye hum tumhaare
ke hai jeet uski
jo dil aaj haare
ye khoya sa chanda
ye behke se taare
to phir kyun na machlen
armaan hamaare
sabhi kuchh lutaa kar
mohabbat mein kho jaa..aa
kisi ka tu ho jaa
falak se zameen tak huye ye ishaare
ke hai jeet uski
jo dil aaj haare
sabhi kuchh lutaa kar
huye hum tumhaare
ki hai jeet uski
jo dil aaj haare
sabhi kuchh lutaa kar
hai chupchaap wo bhi
hain khaamosh hum bhi
khule jaa rahe hain magar raaz saare
ke hai jeet uski
jo dil aaj haare
ye khoya sa chanda
ye behke se taare
to phir kyun na machlen
armaan hamaare
sabhi kuchh lutaa kar
wo rangeen duniya
wo khwaabon ki duniya
simat kar ke baahon mein aayi hamaare
ke hai jeet uski
jo dil aaj haare
sabhi kuchh lutaa kar
huye hum tumhaare
ke hai jeet uski
jo dil aaj haare
ye khoya sa chanda
ye behke se taare
to phir kyun na machlen
armaan hamaare
sabhi kuchh lutaa kar
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4062 | Post No. : | 15195 |
“Jal Tarang”(1949) was directed by Rajendra Sharma for Kuldeep Pictures Limited, Bombay. This “social” movie had Geeta Baali, Rehman, Ram Singh, Rajan Haksar, Ramesh Thakur, Shashikala, Kesari, Pesi Patel, Shyama, Sevak, Uma Dutt, Tiger (dog) etc in it.
The ovie had nine songs in it that were penned by six lyricists. Four of these songs have been covered in the past.
Here is the fifth song from “Jal Tarang”(1949) to appear in the blog. The song is a sung by Rafi and Shamshad Begam for most part and then one unknown male voice sings a line in the last stanza. So, what was sounding like a duet becomes a non duet. I request our knowledgeable readers to help identify this unknown male voice. My guess is that it could be Husnlal or Bhagatram, one of the music director duo.
Pt Sudarshan is the lyricist. This was the only song penned by him in this movie. Music is composed by Husnlal Bhagatram.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Musaafir sada geet gaaye chala chal (Jal Tarang)(1949) Singers-Rafi, Shamshad Begam, Unknown male voice, Lyrics-Pt Sudarshan, MD-Husnlal Bhagatram
Both
Lyrics
musaafir sada geet gaaye chala chal
gaaye chala chal
gaaye chala chal
chala chal
chala chal
safar ki kahaani sunaaye chala chal
sunaaye chala chal
sunaaye chala chal
chala chal
chala chal
kahin ban ke rahmat ka baadal baras ja aa aa
kahin ban ke rahmat ka baadal baras jaa
kahin dil pe bijli giraaye chala chal
kahin dil pe bijli giraaye chala chal
giraaye chalaa chal
musaafir sada geet gaaye chala chal
gaaye chala chal
gaaye chala chal
chala chal
chala chal
rukaawat ke patthar hataaye chala chal l
rukaawat ke patthar
hataaye chala chal
dhuyen aasmaan ke udaaye chala chal
dhuyen aasmaan ke udaaye chalaa chal
udaaye chala chal
musaafir sada geet gaaye chala chal
gaaye chala chal
gaaye chala chal
chala chal
chala chal
tu duniya mein apna sabhi kuchh luta kar r
tu duniya mein apna sabhi kuchh lutaa kar
tu duniya ko apna banaaye chala chal
tu duniya ko apna banaaye chala chal
banaaye chala chal
musaafir sada geet gaaye chala chal
gaaye chala chal
gaaye chala chal
chala chal
chala chal
suna kar hamen chaar sukh dukh ki baaten
suna kar hamen chaar sukh dukh ki baaten
rulaaye chala chal hansaaye chala chal
rulaaye chala chal
hansaaye chalaa chal
hansaaye chala chal
musaafir sada geet gaaye chala chal
gaaye chala chal
gaaye chala chal
chala chal
chala chal
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4051 | Post No. : | 15180 |
Today’s song is from film Raj Mukut-50.
From the title itself one would know what type of film this could be. In our childhood we were fond of, first listening and then reading stories of Raja-Rani. As we grow older, this liking seems to have ended,but it is not so, in reality. Every adult has a child in him and the love for the Raja Rani stories is hiding behind the facade of other serious life matters of the adult age.
Precisely, this liking was identified by B and C grade action and costume filmmakers and films on Kings, Queens, the evil Vazier or the Army Chief, plus or minus the evil Magician were made. From the point of business, it was wise to make such films, because its Producers never suffered loss, where as failure of an A grade film invariably ruined the producer.
The simple reason was, the production cost, distribution cost, actors’ payments etc were very low and the income was very good. May be that was the reason, that even the big banners also sometimes or the other had made costume films about Kings and Queens etc.
Going by the film title list made by Hamraz ji, I found at least 43 films starting with Raaj – like Raaj Mukut, Raaj Tarang, Raaj Ratan, Raaj Nandini etc etc. There were 32 films having titles starting with Raja, like Raja Gopichand, Raja Harishchandra, Raja Vikram etc etc. Movie titles with Rani prefix were just 11 (Gender Bias ?).
Coming to the story of Raaj Mukut-50, it is no different than hundreds of its ilk. I wonder why are there story shortages in films ? Why do films have similar stories ? In the 40’s decade ,Master Bhagwan used just one story to make 11 action films. In later times, it was Nasir Hussain, who – starting with Tumsa Nahin Dekha-57 – used only one skeleton story for most of his films and what’s more surprising is that his most film were Hits.
While thinking about it, I found that, in 2004, a book called “Why we tell stories”, written by Christopher Booker was published. It is a book having 728 pages to be exact. The book says “There are only 7 (Seven) basic plots in the whole world. They are recycled again and again in Novels, movies, Plays and Operas. These are
1.Overcoming the Monster
2.Rags to riches
3.The quest
4.Voyage and return
5.Rebirth
6.Comedy and
7.Tragedy “.
After this book was published, there was a chaos and criticism started. ‘New York Times’ also jumped in. The author coolly replied to all points and stuck to his statements. If we look at Hindi films, I personally feel that what the author has said is true in our case. Only thing is that our film stories are always a clever mixture of all or some of the above points.
If we take a look at the cast of the film Raaj Mukut-50, we find some heavyweights like Veena, Jairaj, Nimmi, Sapru, Gulab, Janakidas, Baby Tabassum etc. The decade of the 50s started with the decline of old stalwarts of 30s and 40s, because of the rise of new generation of actors, actresses, directors, MDs and almost all departments of film making. Nimmi was a ‘ Black Sheep’ in this cast because she was from the newer generation rising star.May be she did this film to get well entrenched in the film industry. Moreover the banner was good and the other actors were well known too. Director Nanubhai Vakil was an expert veteran in costume and action film direction. The music was given by Gobindram, a respected name in the musical circles.
Baby Tabassum had debuted with film Nargis-46 ( released in 47). Tabassum – real name Kiran Bala Sachdev was born in 1944 in Mumbai to Ayodhyanath Sachdev, an Indian freedom fighter, and Asghari Begum, freedom fighter, journalist and an author. Her father named her Tabassum, keeping her mother’s religious sentiments in mind, while her mother kept her name Kiran Bala, keeping her father’s religious sentiments in mind. Her official name as per pre-marriage documents was Kiran Bala Sachdev.
Tabassum made her film debut as a child actor with Nargis (1947) followed by Mera Suhaag (1947), Manjhdhar (1947) and Bari Behen (1949). Later in Deedar (1951), directed by Nitin Bose, she played the childhood role of Nargis; the hit song Bachpan Ke Din Bhula Na Dena sung by Lata Mangeshkar and Shamshad Begum was picturised on her. Also, in the next year, she appeared in another important film Baiju Bawra (1952) directed by Vijay Bhatt, where she appeared in the childhood role of Meena Kumari. After a gap, she reentered films in adult roles, working as a character actress.
She hosted the first talk show of Indian television, Phool Khile Hain Gulshan Gulshan, which ran for 21 years from 1972 to 1993. Produced by Doordarshan Kendra Mumbai, it was based on interviews of film celebrities and became immensely popular. This also led to a career as stage compere. She was also the editor of Grihalaxmi, a Hindi women’s magazine for 15 years and wrote many joke books.
In 1985, she directed, produced and wrote her first film, Tum Par Hum Qurban. In 2006, she returned to television, as an actress in Pyaar Ke Do Naam: Ek Raadha, Ek Shyaam, produced by Rajshri Productions. She became a judge in a reality stand-up comedy show Ladies Special (2009) on Zee TV.
She continued to work as an interviewer for television and is currently doing a TV show on TV Asia USA and Canada titled Abhi Toh Main Jawaan Hoon based on the Golden Era of Hindi Cinema. Currently, she has launched her own channel on YouTube, titled “Tabassum Talkies” which consists of nostalgic talks, interviews of celebrities, shayaris, jokes and more.
She is married to Vijay Govil, elder brother of TV actor Arun Govil. Their son Hoshang Govil had brief career as a lead in three films Tum Par Hum Qurbaan (1985), which was produced and directed by Tabassum in which she introduced Johnny Lever for the first time on screen as a comedian. Kartoot (1987) and Ajeeb Dastaan Hai Yeah (1996) produced by Zee TV and directed by J Om Prakash (grandfather of Hritik Roshan). In 2009, her granddaughter Khushi (daughter of Hoshang) made her film debut with Hum Phir Mile Na Mile. ( courtesy- Wikipedia).
Tabassum is an actress of a kind who was an All rounder-not in body shape-(that she is in now!), who is the only one having succeeded in 5 different mediums of entertainment. Films,TV,Radio,Print Media and Stage. Here is a small note about her,as it appears on her Facebook page-
“Tabassum ,during her years as child star ,was dubbed by her fans ,the movie -industry and the media as “THE SHIRLY TEMPLE OF INDIA”.
FILMS
She made her debut at the age of two and half years, in 1946, in her first film –Famous Pictures “Nargis’.This film was produced by Baburao Pai ,directed by D.D.Kashyap ….“Nargis” starred the legendary Nargisji herself with Rehman ,Shahnawaz ,Alka ,Achrekar and BABY TABASSUM.
In a short span of about six years Tabassum chalked up a record of child artist roles in more than thirty films ,and she’s working in films even today with a total of more than 100 films to her credit.
TELEVISION
Tabassum was the first to start the movie- oriented T.V. series on Doordarshan (India’s Government owned Television channel) which started on October 2nd, 1972. On October 8th 1972 , she launched her famous series of film-personality interviews. The first person to be interviewed in these series , titled “PHOOL KHILE HAIN GULSHAN GULSHAN” was a veteran music director Naushad.
This programme ran continuously on Doordarshan for 21 years ..
Various cultural organizations ,audiences ,and the media in general even the then INFORMATION AND BROADCASTING MINISTER Mr. V.P.Sathe have dubbed Tabassum as THE T.V. QUEEN OF INDIA .
RADIO
Tabassum started on radio in 1946 with children programmes and did many other programmes regularly on All India Radio.
For 15 years from 1970 to 1985 Tabassum ran a regular radio programme of jokes on the commercial services of Radio Ceylon.The same programme was later switched also to Vividh Bharti where continued for many years. She is still doing programmes regularly on Vividh Bharti.She was conferred the award of “JOKES QUEEN OF INDIA”.
AUTHORSHIP AND JOURNALISM
Tabassum has been writing Urdu poetry , jokes ,short stories since her childhood which were being regularly published in Urdu and Hindi magazines ,newspapers ,etc.
During her more than sixty four years long career in show business ,Tabassum has also written seven books of Jokes ,Poetry ,and Urdu shayris ,the first of which was published at the age of 17 years when she had just passed her matriculation examination. She did her B.A. in Urdu from Aligarh University.
For the past many years Tabassum has fitted also journalism into her over crowded schedule when she took over as editor of the large circulation of a Woman’s magazine GRIHA LAKSHMI which is published monthly from New Delhi since last 17 years.
STAGE
As Baby Tabassum , Filmland’s original child-star the Shirley Temple of India ,began to appear on stage shows since the tender age of three to four years.Over three decades ago she launched her own stage show unit named “TABASSUM HIT PARADE’.This stage entertainment unit has over the past three decades performed variety entertainment shows all over India and in almost every country of the world from U.S.A.and Canada to the United Kingdom and Europe ,the Middle east and Gulf countries to South-east Asia ,Singapore and the far east in Hong Kong ,China ,Taiwan and Japan.
Now she is busy in promoting a stage programme titled “Tabassum Bhajan Sandhya” in India and abroad as spiritual entertainment.
On May 8th 1995 various well known cultural organizations of India celebrated TABASSUM’S HALF CENTURY IN FILM INDUSTRY AND SHOW BUSINESS AND WAS LARGELY ATTENDED BY FILM AND OWN MEDIA PERSONALITIES INCLUDING THE PRESS. ”
Film Raaj Mukut-50 story was about a Prince who is more interested in doing social service for the poor and down trodden ( and a love affair with the Village Mukhiya’s daughter) than getting crowned legitimately. So he disappears and goes to a village, to do what he always wanted to do, but could not do so far.
He learns that his younger brother, crowned after the deliberate false rumour of the prince- was perpetrating tyranny on kingdom’s people and also arrested his own parents and jailed them. His blood boils and he enters the capital incognito, along with his girlfriend and others. There is a fighting and the younger brother is killed. The King and Queen are released. The prince becomes the King and his girlfriend becomes his Queen. Clap, Clap !
The film had 11 songs. 4 songs are already discussed. Today’s song is the 5th song. It is sung by Shamshad Begum, Amirbai, Rafi and another unknown male voice. Incidentally, Gobind Ram had a special affinity for Shamshad Begum. He gave music to 32 films and composed 302 songs. Out of these, he composed as many as 86 songs in 19 films for Shamshad Begum. I believe, he may be the music director who has most songs for Shamshad Begum- atleast percentage wise (28.4 %).
Song- Dil hai lagane ke liye (Raj Mukut)(1950) Singers- Amirbai Karnataki, Shamshad Begam, Rafi, Lyrics-Bharat Vyas, MD- Pt Gobind Ram
Amirbai Karnataki + Shamshad Begam
Rafi + Unknown male voice
Lyrics
dil hai lagaane ke liye
ise laga lo yahin kahin
aji ise laga lo yahin kahin
nahin nahin jee nahin nahin
nahin nahin jee nahin nahin
dil hai lagane ke liye
ise laga lo yahin kahin
aji ise laga lo yahin kahin
nahin nahin jee nahin nahin
nahin nahin jee nahin nahin
chaar dinon ki hai ye jawaani
chaar dinon ka khel
aji chaar dinon ka khel
chaar dinon ki hai ye jawaani
chaar dinon ka khel
khatkhat karti chali jaa rahi
jeewan ki ye rail
suno jee
jeewan ki ye rail
mauj manaa lo phir nahin kehna
haan
mauj manaa lo phir nahin kehna
dil ki baaten dil mein rahin
is dil ko laga lo yahin kahin
nahin nahin jee nahin nahin
nahin nahin jee nahin nahin
dil hai lagaane ke liye
ise laga lo yahin kahin
aji ise laga lo yahin kahin
jaante hain haal hum
majnu dil e barbaad ka
haan aan aan aan
haan aan
jaante hain haal hum
majnu dil e barbaad ka
aur ishq mein anjaam dekho
kya hua farhaad ka
aur ye barbaadi ka rasta hai
is par chalna nahin nahin
hoy ye barbaadi ka rasta hai
is par chalna nahin nahin
is dil ko lagaa lo yahin kahin
nahin nahin jee nahin nahin
nahin nahin jee nahin nahin
dil hai lagaane ke liye
ise laga lo yahin kahin
aji ise laga lo yahin kahin
honthon par hai naam tumhaara
soorat dil mein basi huyi
aeji soorat dil mein basi huyi
honthon par hai naam tumhaara
soorat dil mein basi huyi
tum chaaho na chaaho
ham hain prem jaal mein phansi huyi
ham prem jaal mein phansi huyi
duniya mein badnaam huyi hain
haay
duniya mein badnaam huyi hain
kya kya baaten hamne sahin
is dil ko laga lo yahin kahin
nahin nahin jee nahin nahin
nahin nahin jee nahin nahin
dil hai lagaane ke liye
ise laga lo yahin kahin
aji ise laga lo yahin kahin
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4042 | Post No. : | 15167 |
“Guru Ghantaal”(1956) was produced by R N Sharma and N K Kaushik and directed by S M Yusuf for V K pictures Bombay. The movie had Sheila Ramani, Motilal, Usha Kiran, Agha, Sundar, Mirza Musharraf, Paro, Sheikh, Kesri, Vijaybala, Ravikant, Jagdev etc in it.
The movie had nine songs in it. Five songs have been covered in the past.
Here is the sixth song from “Guru Ghantaal”(1956) to appear in the blog. The song is sung by Rafi and Asha Bhonsle. Khawar Zamaan is the lyricist. Music is composed by Pt Lachchiram.
Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
This is a superb “nok jhonk” duet which deserves to be better known among music lovers.
Song-Ham aapke hain hamse toh parda na keejiye (Guru Ghantaal)(1958) Singers- Rafi, Asha Bhonsle , Lyrics-Khawar Zamaan, MD-Pt Lachchiram
Both
Lyrics
ham aapke hain
humse toh parda naa keejiye
o o o o
aji parda naa keejiye
aji parda naa keejiye
ho
ho o o
ham rooth jaayenge
hamen chheda naa keejiye
arre waah
ho o o o
hamen chheda naa keejiye
aji chheda naa keejiye ae
ho o
ik baat meri gaur se sun leejiye huzoor
ik baat meri gaur se sun leejiye huzoor
farmaayiye farmaayiye
ho o o
farmaayiye farmaayiye
sun lenge ham zaroor
sun lenge ham zaroor
tirchhi nigaah se hamen dekha naa keejiye
dekha naa keejiye
ham aapke hain
haan
ham aapke hain
humse toh parda naa keejiye
ho o o o
aji chheda naa keejiye
humen chheda naa keejiye ae
ho o o
kya jhoothh-moothh baaten banaane se faayda
kya jhoothh-moothh baaten banane se faayda
baithhe bithhaaye hamko
ho o o
baithhe bithhaaye hamko sataane se faayda
sataane se faayda
yoon baat baat par aji roothha naa keejiye
roothha naa keejiye
ham aapke hain
haan
ham aapke hain
humse toh parda naa keejiye
ho o o o
humen chheda naa keejiye
aji chheda naa keejiye ae
ho o o
dar hai ke zamaana kahin majboor naa kar de
dar hai ke zamaana kahin majboor naa kar de
iss pyaar ki duniya se
o o o
iss pyaar ki duniya se kahin door naa kar de
kahin doon na kar de
inn chhoti-chhoti baaton ko socha naa keejiye
socha naa keejiye
ham aapke hain
ham aapke hain
humse toh parda naa keejiye
ho o o o
aji chheda naa keejiye
humen chheda naa keejiye ae
ho o o
Sone ke gahne kyun toone pahne
Posted on: August 5, 2019
- In: Blog ten year challenge (2009-2019) | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rafi solo | Rafi songs | Songs of 1970s (1971 to 1980) | Songs of 1974 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4035 | Post No. : | 15159 |
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Blog 10-Year Challenge (2009-19) – Song No. 42
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Though I have been discussing Hindi movie songs in the blog for more than a decade now, it is not as if I had watched too many movies during my “formative” years. I recall having watched a few movies in early 1970s, with the last of these movies being “Zindagi Zindagi” (1972) in 1972.
My movie watching spree began in 1978 (after six years) when I joined college and got “freedom” that I as a college goer was “supposed” to enjoy. 🙂 And I fully misused my freedom, by watching movies when I should have been attending my classes.
It was during this movie watching spree that I watched not just the current movies but also those movies which had come between 1972 and 1978 which I had missed during their time. This included all Amitabh Bachchan hit movies like “Zanjeer” (1973), “Deewaar”(1975), “Sholay” (1975) etc.
When my pre teen movie watching ended in 1972, I had watched very few movies. I could only identify Rajesh Khanna, Tanuja, Mumtaz etc thanks to Rajesh Khanna movies like “Haathi Mere Saathi”(1971) and “Apna Desh” (1972) that I got to watch at that time. Thanks to watching “Haqeeqat”(1964) is an open field show at night in my railway colony, I became familiar with Dharmendra. In another such free show, I watched “Dil Diya Dard Liya”(1966) and that is how I became familiar with Dilip Kumar.
That was about it. I had not watched any movies of Rajendra Kumar, Raj Kumar, Raj Kapoor, Dev Anand, Hema Malini, Sanjeev Kumar, Saira Bano etc till 1978 !
During my “catching up with lost time” movie watching spree, I watched “Resham Ki Dori”(1974) some time in 1978 or 1979. This movie, as I know now thanks to HFGK, was directed by Atmaram for Modern Pictures Bombay. The movie had Saira Bano, Dharmendra, Kumud Chhugaani, Rajendranath, Sujit Kumar, Sajja, Ramesh Deo, Rajan Haksar, Jayshree T, Kundan, Meena T, Bhagwan, Shabnam, Sapru, Shivraj, Jankidas, Keshav Rana, Sundar, Master Sachin, Ramlal, Bhagwan Sinha, Leela Mishra, Radheshyam, Chaand Usmani (Special appearance), Kanwar Ajit, Suresh, Murad etc in it.
Except Dharmendra, almost every other actor in the movie was “new” and unfamiliar for me. Many of them continued to remain unfamiliar to me for decades. For instance, I was not aware which actress played the sister of Dharmendra in this movie. Somehow I had erroneously assumed that she was called Urmila Bhatt (I find , to my surprise that she is not even there in the cast). Only now, when I checked up the starcast, I realised that the sister had to be Kumud Chhugaani.
The movie had six songs in it. The most popular song of the song was the raakhi song and it was posted exactly ten years ago. So that means that this day ten year ago was the festival of Rakshabandhan. And as was the practice in the blog, Rakhi related songs were discussed on the blog on that day (5 august 2009).
| Song | Movie | Remarks |
|---|---|---|
| Behna ne bhai ki kalaayi pe pyaar baandha hai | (Reshan ki dori)(1974) | 2 songs covered out of 6 |
| dil se dil ki dor baadhi chori chori | (Chaayaa)(1961) | YIPPEED (all 7 songs covered) |
| Aaya tumpe dil aaya | (Do Ustaad)(1959) | YIPPEED (all 8 songs covered) |
| Soona hai mere dil ka jahaan | (Devtaa)(1956) | 4 songs covered out of 8 |
| Dil tootnaa thha dil toot gaya | (Dilruba)(1950) | YIPPEED (all 11 songs covered) |
| Marne ki duaayen kyun maangoon | (Ziddi)(1948) | YIPPEED (all 9 songs covered) |
As can be seen, six songs from six movies were covered on 5 august 2009. Four out of these six movies have been YIPPEED by now.
Today, we take up one of the unYIPPEED movies, namely “Reshan ki dori”(1974).
The two songs of this movie that have been covered till now are
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Bahnaa ne bhaayi ki kalaayi se pyaar baandhaa hai | 1729 | 5-Aug-09 |
| 2 | Chamka paseena ban ke nageena | 9116 | 8-Dec-13 |
Today, as part of blog ten year challenge (2009-2019), here is a song from “Resham Ki Dori”(1974). This song is a lovers’s song. It is sung by Rafi, with a few sweet nothings uttered by Saira Bano (I guess). Indeewar is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised on Dharmendra and Saira Bano. It was for the first time in this movie that I had seen Saira Bano in a movie. I had not seen her in “Padosan”(1968) because my elders did not take me to watch this (or other well known movies) of those days.
Lyrics of this song were sent to me by avinash Scrapwala.
Video
https://www.youtube.com/watch?v=VsrXJWkEKQs (video)
Audio
Song-Sone ke gahne kyun toone pahne (Resham Ki Dori)(1974) Singer-Rafi, Lyrics-Indeewar, MD-Shankar Jaikishan
Saira Bano
Lyrics (Provided by Avinash Scrapwala)
Sone ke gahne
Kyun tune pahne
Kaaya teri khud kanchan hai ae
Gesu banaaye to
Phool kyun sajaaye
Tera badan khud gulshan hai ae
Achchhaa
Sone ke gahne
Kyun tune pahne ae
A haa haa
dhat
Heere ki angoothhi bhi
Lagti hai jhoothhi
Itni chamak teri aankhon mein ae
Ja ja
Jhoothhe
Moti ki maala
Kyun pahni baalaa
Moti chhupe hai tere daanton mein
Haay Raam
Moti chhupe hai tere daaton mein
Ghadi ghadi darpan ke ae
Oye hoye hoye hoye
Ghadi ghadi darpan ke ae
Aage khadi kyun
Tera badan khud darpan hai
Hato ji
Sone ke gahne
Kyun tune pahne
Kaaya teri khud kanchan hai ae ae
Sone ke gahne
Kyun tune pahne
Hmm mm
how romantic
Sooraj sa chamke
Jab tera mukhda
Maathe pe bindiya sajaayi kyun
Haan
Ha h h h sach
Laali bina honthh laal hai tere
Hothhon pe laali lagaayi kyun
Hmm mm
Hothhon pe laali lagaayi kyun
Singaar ki ee
Haaye ae main mar jaawaan
Singaar ki tujhe kya hai zaroorat
Tera singaar tera yauvan hai
uff
Sone ke gahne
Kyun tune pahne
Kaaya teri khud kanchan hai ae ae
Laa laa laa laa
Gesu banaaye to
Laa laa laal laa
Phool kyun sajaaye
Laa laa laal laa
Tera badan khud gulshan hai ae
Hmm hmm hmm hmm
Sone ke gahne kyun tune pahne
——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
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सोने के गहने
क्यूँ तूने पहने
काया तेरी खुद कंचन है ए ए
गेसू बनाए तो
फूल क्यूँ सजाये
तेरा बदन खुद गुलशन है ए
अच्छा
सोने के गहने
क्यूँ तूने पहने ए
अ हा हा
धत
हीरे की अंगूठी भी
लगती है झूठी
इतनी चमक तेरी आँखों में ए
जा जा
झूठे
मोती की माला
क्यूँ पहनी बाला
मोती छुपे है तेरे दाँतों में
हाय राम
मोती छुपे है तेरे दाँतों में
घडी घडी दर्पण के ए
ओये होए होए होए
घडी घडी दर्पण के ए
आगे कड़ी क्यूँ
तेरा बदन खुद दर्पण है
हटो जी
सोने के गहने
क्यूँ तूने पहने
काया तेरी खुद कंचन है ए ए
सोने के गहने
क्यूँ तूने पहने
हम्म म्म
हाउ रोमांटिक
सूरज सा चमके
जब तेरा मुखड़ा
माथे पे बिंदिया सजाई क्यूँ
हाँ
अ ह ह ह सच
लाली बिना होंठ लाल है तेरे
होंठों पे लाली लगाई क्यूँ
हम्म म्म
होंठों पे लाली लगाई क्यूँ
सिंगार की ई
हाए मैं मर जावां
सिंगार की तुझे क्या है ज़रुरत
तेरा सिंगार तेरा यौवन है
ऊफ
सोने के गहने
क्यूँ तूने पहने
काया तेरी खुद कंचन है ए ए
ला ला ला ला
गेसू बनाए तो
ला ला ला ला
फूल क्यूँ सजाये
ला ला ला ला
तेरा बदन खुद गुलशन है ए
हम्म हम्म हम्म हम्म
सोने के गहने क्यूँ तूने पहने
Ab ham bhi banenge dulhaa
Posted on: July 31, 2019
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4030 | Post No. : | 15148 |
31st July – a day when Hindi Film Music lovers, world over, remember the legendary, Mohd. Rafi who left us this day in 1980. Its 39 years- hard to believe. Seems too recent, when the newspapers carried the news. Those were times when there was no flash news, breaking news or someone getting the news and forwarding on WhatsApp etc. At the most there used to be the evening edition of newspapers like Mid-day, Afternoon Despatch & Courier, and if I remember right there was a newspaper called Evening News and I don’t remember if the news broke out in the evening papers or the early morning papers. What I do remember is that it was monsoon and as is usual for the time of the year, there were rains in Mumbai and the roads of Bandra, where Rafi Saab lived and through which his funeral procession was going to pass, were flooded with his fans. The footage of the procession was recorded by Films Division of India and shown in the pre-movie news reels throughout India. Those were different times altogether and my intention is not to make anyone glum.
So, snapping out of the mood and getting on. Without fear of being labelled a ‘stuck record’ I will make it very clear (and I am sure I have done it a number of times) I am not partial to any singer be it Kishore Kumar or Rafi Saab or Mukesh or Manna Dey or Mahendra Kapoor. Specially in the era when they were ruling the airwaves with their “hai preet jahaan ki reet sada”; “zindagi kaisi hai paheli haayre”; “main pal do pal ka shaayar hoon”; “kya hua tera vaada”; or “bachchna ae haseenon lo main aa gaya” and all the other thousands of songs that these singers have sung between them. I used to be as much in love with “abhi toh haat mein jaam hai toba kitna kaam hai” as with “nadiya se dariya, dariya se sagar, sagar se gehra jaam”. I used to sing along with “chal mere bhai tere haat jod ta hoon” and “karam kiye jaa phal ki ichcha mat kar ae insaan”. And my love for the songs by these singers was not limited to the songs of the 70s but I enjoyed “deewana mastana hua dil” alongwith ‘hum hain raahi pyar ke humse kuch na boliye” and “kisiki muskurahaton pe ho nisaar” etc. etc. etc… I am sure I have proved the point that I was not a partial to any singer and was more concerned about the songs. One reason for this could be that I didn’t know the difference of one from the other till much later in life. I might have started finding differences when we got news of the sad demise of Mukesh when he was on tour in the USA and the papers listed out his popular songs.
Whenever I sit to write about the singers mentioned above, I find that all their most popular songs are already posted. So is the case with songs of Mohd. Rafi. The stats page of our blog gives the possible number of Rafi songs as 4845 of which we have posted 2960 giving us 1885 songs to choose from. And I suppose these are numbers of his Bollywood songs and doesn’t include his recordings in other Indian or international languages song like Sinhalese, Arabic, Farsi, Dutch, Creole etc. I tried to find statistics of his number of songs with his contemporary singers and found that he had maximum duets with Asha Bhonsle, Manna Dey and Lata Mangeshkar (in that order) – and I always used to think that the Lata- Rafi combo would have had more songs. How wrong we can be!!!!
This time too I had zeroed in on two popular (in their time) songs to go with this post. And then I saw a link on facebook in one of the music lovers’ group, to a song by Sudhir Phadke that was sung by Mohd. Rafi and from a rather recent movie- if 1972 can be called recent. The name “Daraar” written as “darar” in some places didn’t ring a bell in my head. I tried the usual reference sources at my disposal- Wikipedia and imdb. I got very sketchy information. The movie was a January 1972 release. It was directed by Ved Rahi and Mahendra Dehlvi and Kulwant Jani were the lyricist. The starcast had the not so famous Baldev Khosa, Lata Arora, Radharani, Birbal etc. Such a non-descript movie had a lively song. It was sung by Jaywant Kulkarni and Mohd. Rafi. How I wish there was a video to see who was lip syncing this.
here is the song.
Song-Ab ham bhi banenge dulha (Daraar)(1972) Singers-Rafi, Jaywant Kulkarni, Lyrics-Kulwant Jaani, MD-Sudhir Phadke
Chorus
Lyrics
o ho
o ho
hadipa
hadipa
ab hum bhi banenge dulha
apna bhi jalega choolha
ab hum bhi banenge dulha
apna bhi jalega choolha
te bhaabhi zara nach ke dikha aa aa
haaye haaye
te bhaabhi zara nach ke dikha
ni bhaabhi zara nach ke dikha
hoye hoye hoye hoye
aaj kismat ki maina
aaho
mere kaanon mein boli
oho
mere ghar bhi aayegi
oho
ek bulbul ki doli
jiski soorat ko ab tak haan
dil ke sheeshe mein dekha hai
jiske sundar mukhde ko haan
maine sapnon mein chooma hai
gulaabon ki wo daali
saru se kad waali
wahi toh mere ghar mein aayegi ee ee
haaye haaye haaye
bhaabhi zara nach ke dikha
ni bhaabhi zara nach ke dikha
hoye
usey doli se uthha ke
saji sej pe bithha ke
thoda ghunghta hata ke
ho gora ang ang dekhoonga haay haay
mujhe saath leke jaana
tera yaar hoon puraana
tera hansna hansaana
ho main bhi sang sang dekhoonga hoye hooye
dekhkar uska jalwa haan
mar na jaaye tu gash khaa ke
toot jaate hain taare haan
uski nazron se takraa ke
wo jiski jawaani chenab ki rawaani
wahi to mere ghar mein aayegi ee ee ee
hoye hoye
te bhaabhi zara nach ke dikha
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4030 | Post No. : | 15147 |
It is that day of the year again.
The 31st of July.
A date that doesn’t need any reminder for lovers of HFM.
Of all the days in the calendar, a few stand out – and the 31st of July is one of them.
For it is the death anniversary of one of the most loved and respected figures of the Hindi film industry, Mohammad Rafi, respectfully referred to as Rafisaab.
Today on his 39th death anniversary, we on this blog, remember him with great fondness and respect.
I’ve written about Rafisaab many times here on this blog. In fact, there’s no one I have written about more than about Rafisaab.
To be honest, there really isn’t anything more for me to say that I haven’t already said before.
How I, growing up in a Kishore-dominated era, fell in love with Rafisaab’s voice.
How I’ve done all-nighters listening to Rafisaab songs, completely losing track of time.
How much I respect Rafisaab for being such a good human being, inspite of having the power to abuse his position, if he had wanted.
I’ve written about all this – and more. And I don’t want to bore readers here by repeating stuff.
Not that I get bored of writing about Rafisaab. Never. When I don’t ever get bored of listening to his voice, how can I possibly get bored of writing about him? It is such a pleasure, and an honour, to write about Rafisaab.
So whether I have any new material or not, I will write about Rafisaab – even if it is only a few lines. That is the very least I can do for someone who has given me so much joy in life. And on his Remembrance Day, I just have to write a few lines for him – to thank him for everything.
Different people make a mark in this world for different reasons. Not all leave a legacy of course, but I doubt even those who do, have any idea of the magnitude of the legacy they would leave behind. And its endurability.
I doubt Rafisaab thought about all this when he was alive. He was a simple man, happy to earn his living through the one profession that he loved, and knew he was loved for – singing. Even for that, he was humble enough to always point upwards, to God, to suggest He was to thank for everything.
Rafisaab was very soft-spoken. For all his animation while singing, he was an extremely shy person in conversation and avoided interviews. Which is also why there are very few interviews of him available out there. It is our loss, but then that was the person he was. At least we have his songs, and anecdotes of those who knew him with us.
Rafisaab was devoted to his profession – he would do riyaaz for hours. He enjoyed spending time with his family. And enjoyed playing badminton. And good food. A man who always had a smile on his lips, who never thought ill for others – on the contrary, he went out of his way to help others.
A simple man – but what a legacy!
One that he would never have imagined during his lifetime.
Even today, 39 years after he is gone, there isn’t a day when his songs are not playing on radio. There isn’t a day when HFM lovers from around the world are not listening to his songs on whatever device they have. Today, thanks to technology, we have access to music on demand.
Yes, Rafisaab has enriched the lives of millions by his sheer voice. And that, for decades. And, I am sure, will continue for decades too. Such is the love people have for Rafisaab. It transcends generations.
This is another aspect that makes me really happy for him. It is great to see young generations today, even teenagers, listen to Rafisaab’s songs. Of course, their music interests are current too – and they should be. But from what I’ve seen, many of them are still happy to listen to old HFM songs – and Rafisaab, of course. Which is why I say Rafisaab’s voice transcends generations.
In my own case, I know my next generation is also very fond of Rafisaab. My niece’s husband invariably plays Rafisaab songs in his car. Not just for me, but for himself too. Not that my niece complains. She is herself very fond of Rafisaab. 🙂 They like current songs too, but Rafisaab is a fixture in their car. Especially 1960s songs like “dil ke jharoke mein”, “pukaarta chala hoon main” and “deewana hua baadal”. I swear, I did nothing to influence them – it all happened by itself. 🙂 Actually, my niece’s father-in-law is also a Rafisaab fan, so maybe that played a role too.
Now my niece has a kid – he is not even 3, but I have a feeling he will also soon be listening to Rafisaab. 🙂
I will not be surprised if this is the story in many other families too. I hope it is – then Rafisaab’s legacy is in safe hands.
Rafisaab deserves nothing less. A person with such a divine voice, a person who had such a good heart, who did good for so many, deserves every little bit of love and respect he gets.
I always have a warm feeling, and feel energized, when I discuss, or write about, Rafisaab. His songs immediately come to my mind, THAT voice, those intonations in the rendering. I get lost, happily so, thinking about his songs.
I can keep going on and on, but then I will be repeating what I’ve written in the past. And will be boring the readers. 🙂
So I’ll just move on to the song for today.
This is from Jaani Dushman (1979). A decade right up my sleeve, given that I’m a 1970s boy. Avinashji, himself a huge Rafisaab fan, sent me the lyrics and requested me to do a write-up.
By the late 70s, Rafisaab had regained his place in public mindspace. The first half of the decade had been totally dominated by Kishore Kumar (inspite of a few Rafisaab hits). But by the mid-70s, Rafisaab began coming back. I remember Laila Majnu (1976) songs being a success. A year later, he had chartbuster hit songs in Amar Akbar Anthony (1977), Hum Kisise Kam Nahin (1977) and Apnapan (1977), to mention just three films.
And so he continued, with hits in Abdullah (1980) and Karz (1980), right until his untimely death.
Jaani Dushman (1979) was during his revival phase.
The film has the popular, foot-tapping Rafisaab-Asha Bhosle duet “tere haathon mein pehna ke chudiyaan”, but also the song of today “chalo re doli utthao kahaar” (which comes multiple times in the film, if I remember right), was popular too.
The film itself is a multi-starrer in keeping with the trend of the time. Those were the days of multi-starrers – many commercial films had two or more lead heroes and heroines. JD went a step further, and must be considered a mother of multi-starrers – it had at least 5 “heroes” – Jeetendra, Sanjeev Kumar, Vinod Mehra, Shatrughan Sinha and Sunil Dutt. And Rekha, Reena Roy, Bindiya Goswami, Neetu Singh and Sarika amongst the “heroines”. Other movies of that era that were multi-multi-starrers that come to mind are Naagin (1976) and the Burning Train (1980).
I remember seeing the film at the time, but given my pathetic memory, I don’t remember too much of it. I do remember that it was meant to be a horror film of sorts, where a monster is supposed to murder every newly-wed bride. Something like that.
The songs of the film were quite popular, and the film too did well I think.
“Chalo re doli utthao kahaar” is a background song, picturised during the bidaai of a daughter as she leaves her parents’ home. It is a typical Rafisaab song – he was very good at emotional, background songs of this type. With their ebbs and flows.
Talking of emotional, background songs, am reminded of Ravi, the composer of songs of Waqt (1965) saying he had insisted with the Chopras on Rafisaab singing “waqt se din aur raat”, though Mahendra Kapoor, and not Rafisaab, was generally their preferred singer. He had said that this song would suit Rafisaab more than anyone else.
Similarly Kalyanji Anandji picked Rafisaab to sing a couple of lines as background song in that death scene in Muqaddar Ka Sikandar (1978) – “zindagi to bewafa hai, ek din thukraayegi”. Anandji said in an interview that he was a bit embarrassed to ask Rafisaab to sing those lines, because he had no other song in the film, and it was only a couple of lines. But he wanted them to be in Rafisaab’s voice. Without the slightest ego, Rafisaab rendered those lines with his usual high standards.
L-P, ever loyal to Rafisaab, even during Kishore Kumar’s peak, used him to render the emotional background song “nafrat ki duniya ko chhod ke” of Haathi Mere Saathi (1971) even though Kishore Kumar sings the songs picturised on Rajesh Khanna.
This song for today is also an L-P composition. I request you to please listen to this song – and remember Rafisaab today.
Rafisaab, you will always be in our hearts. The years roll by, but the love and respect does not diminish one bit. For what you’ve given the world, millions are ever grateful to you.
Personally, I can’t thank you enough, hence this post as a humble tribute.
(As mentioned above, lyrics for today’s song have been provided to me by Avinashji. I thank him for providing me these lyrics).
Video
Audio
Song-Chalo re doli uthhaao kahaar piya milan ki rut aayi (Jaani Dushman)(1979) Singer-Rafi, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Chorus
Lyrics (Provided by Avinash Scrapwala)-Based on audio link
Hmm hmm hmm
Hmm hmm hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm hmm hmm
Ho o
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi ee
Hmm hmm hmm
Hmm hmm hmm hmm hmm
Ho o
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi ee
Pi ki nagri le jaao
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Hmm hmm hmm
Hmm hmm hmm hmm hmm
Jin nainon ki ee tu hai jyoti
Un nainon se ae barse moti
Daawaa nahin hai
koi Zor nahin hai
Beti sadaa hi paraayi hoti
Jaldi naihar se le jaao
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi ee
Chhaayi hai dekho hariyaali ee ee
Aayi hai rut khushiyon waali ee
Har aasha parwaan chadhi ee ee ee
Din hai Dashehra
Raat deewaali ee
Galey daal baahon ka haar
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Tan maike man teri nagariyaa
Ud jaaun main Ban ke badariyaa
Chaand nagar ko Chali chakori ee ee
Pyaasi hoon milan ki sanwariyaa
Mere sapne sajaao
Qahaar
Piya milan ki rut aayi ee
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Sooni padi ee
Bhaiyya ki ee haveli
Vyaakul behnaa aa
Rah gayi akeli ee
Jin sang naachi
Jin sang kheli ee
Chhoot gayi wo o
Sakhi Saheli ee
Ab naa deri lagaao
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Piya milan ki rut aayi
Piya milan ki rut aayi ee
—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————–
हं हं हं
हं हं हं हं ह
हं हं हं
हं हं हं
हं ह
हं हं हं
हो ओ
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई ई
हं हं हं
हं हं हं हं ह
हो ओ
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई ई
पि की नगरी ले जाओ
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
हं हं हं
हं हं हं
हं हं ह
जिन नैनों की तू है ज्योति
उन नैनों से बरसे मोती
दावा नहीं है
कोई जोर नहीं है
बेटी सदा ही पराई होती
जल्दी नैहर से ले जाओ
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई ई
छायी है देखो हरियाली ई ई
आई है रुत खुशियों वाली ई
हर आशा परवान चढ़ी ई ई ई
दिन है दशहरा
रात दिवाली ई
गले डाल बाहों का हार
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
तन मयके मन तेरी नगरिया
उड़ जाऊं मैं बन के बदरिया
चाँद नगर को चली चकोरी ई ई
प्यासी हूँ मिलन की सांवरिया
मेरे सपने सजाओ
कहार
पिया मिलन की रुत आई ई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
सूनी पड़ी ई
भैय्या की ई हवेली
व्याकुल बहना आ
रह गयी अकेली ई
जिन संग नाची
जिन संग खेली ई
छूट गयीं वो ओ
सखी सहेली ई
अब ना देरी लगाओ
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
पिया मिलन की रुत आई
पिया मिलन की रुत आई ई
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