Archive for the ‘Lyrics by Avinash Scrapwala’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4616 | Post No. : | 16255 |
“Paisa Ya Pyaar”(1969) was directed by Jawar N Sitaraman for Gemini Productions, Madras. The movie had Ashok Kumar, Mala Sinha, Biswajeet, Tanuja, Shashikala, Jagirdar, Aseem Kumar, Abhimanyu Sharma, Gopal Krishnan, Sharad Kumar, Lalita Kumari, Praveen Pal, Sarita Devi etc in it.
This movie had five songs in it. Four songs have been covered so far. Here are the details:-
Blog post number | Song | Date posted |
---|---|---|
7185 | Mil ley mil ley mil ley | 1 December 2012 |
8756 | Mewa ghareebon ka tere mere naseebon ka | 2 September 2013 |
15269 | Insaanon ne paise ke liye aapas ka pyaar mitaa daala | 25 October 2019 |
16242 | Jaane kyun baar baar baar mera dil | 2 March 2021 |
The movie had lyrics by Sahir Ludhianvi and music by Ravi. Today(8 march 2021) is Sahir Ludhianvi’s birth anniversary and Ravi’s ninth remembrance day. On this occasion, here is the fifth and final song from “Paisa Ya Pyaar”(1969) to appear in the blog.
Only the audio seems to be available. I request our knoledgeable readers to thro light on the picturisation of the song.
Lyrics of this song were sent to me by Avinash Scrapala.
ith this song, all the songs of “Paisa Ya Pyaar”(1969) have been covered and the movie thus gets YIPPEED in the blog.
Audio
Song-Tu bhi number ek hai pyaare main bhi number ek (Paisa Ya Pyaar)(1969) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Sahir Ludhianvi, MD-Ravi
Both
Lyrics(Provided by Avinash Scrapwala)
tu bhi number ek hai pyaare
main bhi number ek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
aley ae
poore syndicate ke
hamne diye hain ghutne tek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
dharti maa
aakaash pitaa
aur ham sab beti bete ae
phir kyun ek footpath pe soye
ek mahlon mein lete ae
dharti maa
aakaash pitaa
aur ham sab beti bete ae
phir kyun ek footpath pe soye
ek mahlon mein lete
ab sab ek banenge
jaise
ham tum ho gaye ek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
poore syndicate ke
hamne diye hain ghutne tek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
la la la laa la laa aa
la la la laa la laa
ho ho ho ho ho
ahaa haa haa haa
jinki moti tondey khaa gayin
duniya bhar ki rakme ae
samjhe thhe wo chor ke
ham hai un logon ke haq mein
arey jinki moti tondey khaa gayin
duniya bhar ki rakme ae
samjhe thhe wo chor ke
ham hain un logon ke haq mein
hamne aisi suyee chubhoyi
kar diyaa tond mein chhed
tu bhi number ek hai pyaare
main bhi number ek
he he he he he he he
aley
poore syndicate ke
hamne diye hain ghutne tek
arey
tu bhi number ek hai pyaare
main bhi number ek
jinki sochen boodhhi
aklen andhi
shaklen bhaddi
kehte thhe ham jisko chaahen
de den desh ki gaddi ee
jinki sochen boodhhi
aklen andhi
shaklen bhaddi
kehte thhe ham jisko chaahen
de den desh ki gaddi
nayi nasl se takkar le li
kar baithhe mistake
aley
mistake
aley ae
tu bhi number ek hai pyaare
main bhi number ek
poore syndicate ke
hamne diye hain ghutne tek
arey
tu bhi number ek hai pyaare
main bhi number ek
thheek nishaane par yoon maaraa
hamne apnaa golaa aa
poonchh dabaakar bhaag gayaa
maidaan se munh hi kaalaa
thheek nishaane par yoon maaraa
hamne apnaa golaa aa
poonchh dabaakar bhaag gayaa
maidaan se munh hi kaalaa
haath se haath miley ab
yaani hand se hand ho shake
siyaawar ramchandra ki jai
ale
pawansut hanuman ki jai
?
aley ae
tu bhi number ek hai pyaare
main bhi number ek
poore syndicate ke
hamne diye hain ghutne tek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4616 | Post No. : | 16251 |
Rafi Sahab’s legendary associations: 02
—————————————————-
Saahir Ludhianvi’s 100th birth anniversary
———————————————————————
It is Sahir Ludhianvi’s 100th birth anniversary on 08/03/2021 and I have the good fortune of writing for the last remaining song/snippet from ‘Pyasa’ 1957 to post on this occassion. There is no better showcase then the musical canvas of this classic film, I could not ask for a better opportunity. Thank you Avinash ji for giving me this gift.
It is arguably the best of Sahir, among the very best of S. D. Burman and most intense music score by him. It was Rafi sahab’s voice that becomes the poet and the poet becomes a Rafi personified because of the voice over in playback, in romance, in confusion, in jest, in irritation, in poetic narration, in bitterness, inebriation, in rebellion, and in cursing. Sahir made the so-called curse words in urdu palpable in poetry.
This is the list of all songs of “Pyaasa(1957)” already posted in the blog:
Song | Date of posting |
---|---|
Jaane wo kaise log the jinke pyaar ko pyaar mila | 21 April 2009 |
Ham aapki aankhon mein is dil ko basaa den to | 10 september 2009 |
Aaj sajan mohe ang lagaalo janam safal ho jaaye | 25 October 2009 |
Ye duniya agar mil bhi jaaye to kyaa hai | 26 September 2009 |
Sar jo tera chakraaye yaa dil doobaa jaaye | 27 September 2009 |
Jinhe naaz hai Hind par wo kahaan hain | 16 October 2010 |
Jaane kyaa toone kahi jaane kyaa maine suni | 5 October 2011 |
Rut phire par din hamaare phire na | 13 January 2012 |
Tang aa chuke hain kashmakashe zindagi se ham | 17 January 2012 |
Ye hanste huye phool ye mehka hua gulshan | 8 June 2017 |
Peechhe peechhe duniya aage aage hum | 9 July 2017 |
S. D. Burman was never averse to having both Lata and Asha Bhonsle sing for his song, but they are conspicuously absent in this music score. Geeta Dutt is singing for both Waheeda Rehman and Mala Sinha in this film.
My post on Sahir Ludhianvi’s remembrance day in 2020 is for the song where I have highlighted the effect of Iqbal on the Sahir and his poetry. This blog is one of the widely followed and read serious blogs on film music, and I thought, the aficionados of Sahir’s poetry would have some opinion to put forward, regarding my theory which I gave in that post.
I am reproducing a brief intro of Sahir from the book “Yeh un dinon ki baat hai” by Yasir Abbasi :
“Talkhi (bitterness) entered Sahir’s life early when his father chose to name him Abdul Ha’ee purely to spite a nieghbour. With a troubled childhood behind, he was still in his early 20’s when he stormed the literary arena with his first collection of poems, Talkhiyaan(1944). Films beckoned with Aazadi ke rahh par (1948), but it was with Naujawan and Baazi (both in 1951) – that he arrived with a bang. Widely regarded as the finest lyricist to grace Hindi cinema, he scaled dizzying heights with Pyaasa (1957). He was always vociferously critical of any kind of oppression, and in his indictment of social ills, he spared no one – be it the society(Aurat ne janam diya – Sadhna/1958), a bygone emperor (mere mehboob kahin aur – Ghazal/1964) or God (aasman pe hai khuda – Phir subah hogi/1958). Yet the same man could stir up romance like no one else when he wrote Abhi na jaao chhod kar (Hum dono/1961) or kabhi kabhi mere dil mein khayaal aata hai (Kabhie kabhie/1976). Temperamental but absolutely sublime at his craft, Sahir Ludhianvi elevated the lyricist in hindi films and raised the bench mark to a level that a few could touch.”
I have no arguments with the above introduction, but to add a few more dimensions in the expressing the intricacies of human relationship and romantic entanglements, Sahir’s intro is incomplete without these songs:
1. Tum agar mujh ko na chaaho to koyi baat nahin
2. Chalo ek baar phir se ajnabi ban jaayen
3. Zindagi bhar nahi bhulegi wo barsaat ki raat
4. Jo baat tujh mein hai teri tasveer mein nahin
There are many more, but the above should give a fair idea of the term ‘absolutely sublime’ in the above intro.
One more small para in the same book, an absolute gem, is this:
Aisa mehsoos hota hai ki Sahir ne apni shakhsiyat ka saara gudaaz shai’ri mein bhar diya hai aur sha’iri ki saari jaaduiyat apne khat-o-khaal mein jazb kar li hai. Aaine se aaina-gar ka ubharna lateefa hi sahi lekin Talkhiyaan ka mutaal’aa keejiye to uss ke musannif ki rooh bolti dikhaayi degi – musannif se baatein keejiye to ma’aloom hogaa aap us ki nazmein padh rahe hain.
Here is a list compiled by Avinash ji of the songs/films of the team of SDB and Sahir.
S.no. | Movie | Year | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
---|---|---|---|---|---|
1 | Baazi | 1951 | 8 | 8 | 8 |
2 | Naujawan | 1951 | 7 | 7 | 7 |
3 | Sazaa | 1951 | 1 | 1 | 1 |
4 | Jaal | 1952 | 8 | 8 | 8 |
5 | Laal Kunwar | 1952 | 8 | 11 | 11 |
6 | Armaan | 1953 | 8 | 8 | 8 |
7 | Baabla | 1953 | 6 | 6 | 6 |
8 | Jeevan Jyoti | 1953 | 8 | 7 | 7 |
9 | Shahenshah | 1953 | 9 | 9 | 9 |
10 | Angaarey | 1954 | 10 | 10 | 10 |
11 | Radha Krishna | 1954 | 2 | 2 | 2 |
12 | Taxi Driver | 1954 | 8 | 8 | 8 |
13 | Devdas | 1955 | 10 | 10 | 10 |
14 | House No.44 | 1955 | 8 | 8 | 9 |
15 | Munimji | 1955 | 7 | 7 | 7 |
16 | Society | 1955 | 8 | 8 | 8 |
17 | Funtoosh | 1956 | 8 | 8 | 9 |
18 | Pyaasa | 1957 | 11 | 8 | 12 |
Total | 135 | 134 | 140 |
The list ends abruptly in 1957, as the association between Sahir and SDB ended soon after the master piece Pyaasa.
Rafi sahab’s association with both these geniuses continued independently till the end of their lives. Here is their tally in the blog:
Name | No of songs in the blog | No of songs in the career |
---|---|---|
S. D. Burman | 641 | 87 movies (666) |
Sahir Ludhianvi | 652 | 724 |
All the available songs by Rafi sahab under S. D. Burman are already posted in the blog. A few more Rafi songs written by Sahir remain to be posted.
Video
Song-Gham is qadar badhe ke main ghabra ke pi gaya (Pyaasa)(1957) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-S D Burman
Lyrics (Provided by Avinash Scrapwala)
gham is qadar badhe
ke main ghabraa ke pee gayaa
is dil ki bebasi pe taras khaa ke
pee gayaa
thhukraa rahaa thhaa mujhko
badi der se jahaan
thhukraa rahaa thhaa mujhko
badi der se jahaan
main aaj sab jahaan ko
thhukraa ke pee gayaa aa …
main aaj sab jahaan ko
thhukraa ke pee gayaa aa …
——————————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————————
ग़म इस क़दर बढे
के मैं घबरा के पी गया
इस दिल कि बेबसी पे तरस खा के
पी गया
ठुकरा रहा था मुझको
बड़ी देर से जहां
ठुकरा रहा था मुझको
बड़ी देर से जहां
मैं आज सब जहां को
ठुकरा के पी गया…
मैं आज सब जहां को
ठुकरा के पी गया…
Ye mausam ye khuli hawaa
Posted March 7, 2021
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4615 | Post No. : | 16248 |
“Samaaj Ko Badal Daalo”(1970) was a “social” movie. It as directed by V Madhusudan Rao for Gemini Arts, Madras. The Movie had Ajay Sahni, Prem Chopra, Aruna Irani, Pran, Mehmood, Sharda, Kanchana, Shammi, Naki Jahaan, Kanhaiyalal, David, Pravin Pal, Jayshree Talpade, Baby Brahmaji, Baby Dolly, Manmohan Krishna, Dhumal, Sunder, Muki etc in it.
The movie had eight songs in it. Six songs have been covered in the past.
Today (7 March 2021) is the ninth remembrance day of Ravi (3 March 1926 – 7 March 2012). Tomorrow is the birth centennary of Sahir Ludhianvi (8 March 1921 – 25 October 1980). As a tribute to both, here is a song from “Samaaj Ko Badal Daalo”(1970). This song is sung by Asha Bhonsle, Rafi and chorus.
Lyrics of the song were sent to me by Avinash Scrapwala. Curiously, HFGK mentions this song as a female duet of Lata and Usha Mangeshkar. Listening to the song, we notice that it is sung by Asha Bhonsle and Rafi, with chorus. This is a Rafi song that does not find mention in the Rafi excel sheet floating online because HFGK (source of that sheet) does not mention it as a Rafi song. That way it is a Rafi song that can be said to be accidentally “discovered” by us. 🙂
Only the audio of the song seems to be available. I request our knoledgeable readers to thro light on the picturisation of this song.
Song-Ye mausam ye khuli hawaa (Samaaj Ko Badal Daalo)(1970) Singers-Asha Bhonsle, Rafi, Lyrics-Sahir Ludhianvi, MD-Ravi
Chorus
Lyrics(Provided by Avinash Scrapala)
ye mausam
ye khuli hawaa aa
jhoom ke chal
aur jhoom ke gaa
aaj ka din hai tera
aaj holiday
jollyday ae ae
holiday
ho jollyday ae
ye mausam
ye khuli hawaa aa
jhoom ke chal
aur jhoom ke gaa
aaj ka din hai tera
aaj holiday
holiday ae
jollyday ae ae
jollyday ae
holiday
holiday
ho jollyday ae
jollyday ae
udte baadal
gaate jharne
us par saath jawaani ka aa
haa haa aa
haa haa aa
udte baadal
gaate jharne
us par saath jawaani ka aa
aaj muraadein poori kar le
mausam hai manmaani ka aa
jhoom rahi fizaa aa
aaj holiday
holiday ae
jollyday ae
jollyday ae
holiday
holiday
ho jollyday
jollyday
ye mausam
ye khuli hawaa aa
jhoom ke chal
aur jhoom ke gaa
aaj ka din hai tera
aaj holiday
holiday ae
jollyday ae ae
jollyday ae
holiday
holiday
jollyday
jollyday ae
aa aa aa aa aa aa aa aa aa aa
haa haa haa haa haa haa haa aa
aa aa aa aa aa aa aa aa aa aa
haa haa haa haa haa haa haa aa
aaj ke din kya naataa apnaa
banjar khushq kitaabon se ae
haa haa haa aa
haa haa haa aa
aaj ke din kya naataa apnaa
banjar khushq kitaabon se ae
aaj ke din shaakhon se liptein
khele surkh gulaabon se ae
aaj bahak le zaraa aa
aaj holiday
holiday ae
he jollyday
jollyday ae
holiday
jollyday
ye mausam
ye khuli hawaa aa
jhoom ke chal
aur jhoom ke gaa
aaj ka din hai tera
aaj holiday
holiday ae
jollyday
jollyday ae
holiday
holiday
jollyday
jollyday ae
saanson ki khushboo ko pakdein
nazron ki aawaaz sunen
saanson ki khushboo ko pakdein
nazron ki aawaaz sunen
kisi ko apnaa bhed bataayein
kisi se uskaa raaz sune ae
aaj muaaf hai khataa aa
aaj holiday
holiday ae
he jollyday
jollyday ae
holiday
holiday
jollyday
jollyday
ye mausam
ye khuli hawaa aa
jhoom ke chal
aur jhoom ke gaa
aaj ka din hai tera
aaj holiday
holiday ae
jollyday
jollyday ae
holiday
holiday
jollyday
jollyday ae
Dekho idhar dekho
Posted February 12, 2021
on:- In: Asha Bhonsle songs | Car song | Feelings of heart | Kishore Kumar songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1980 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4592 | Post No. : | 16217 |
“Phir Wahi Raat”(1980) was produced by N N Sippy and directed by Danny Denzongpa. This suspense film had Rajesh Khanna, Kim, Danny Denzongpa, Aruna Irani, Jagdeep, A K Hangal, Tamanna, Lalita Pawar, Shashikala, Suresh Oberoi, Bhagwan Dada, Mukri, Om Shivpuri, Shubha Khote etc in it.
I have not watched this movie, but the movie appears quite an interesting movie, going by the story as contained in its wikipedia page:
Asha(Kim) lives in a hostel and troubled by the nightmares of her deceased aunt. The hostel warden (Lalita Pawar) and her friend Shobha (Aruna Irani) take her to a psychiatrist Dr Vijay (Rajesh Khanna). Doctor finds nothing wrong with her and advises her to get away from old memories. Parents of other girl’s from the hostel complains the administration about Asha’s behaviour and she was told to vacate the place.
Asha decides to go to her ancestral home. Dr Vijay and Shobha accompanies her. The huge manor is taken care of by Vishwanath (A.K. Hanglal) and his daughter Gauri (Tamanna). Dr Vijay and Asha develop a bond and after a few days Dr Vijay goes back to city for some work. Same night Asha sees a scary looking woman walking in the corridors. The woman keeps haunting her every night and Asha’s condition worsens. Dr Vijay comes back to help her and meets Asha’s cousin Ashok (Danny) in the manor.
Dr Vijay and Ashok plan a big party on the occasion of Asha’s birthday. Ashok calls his wife who lives abroad to join them. Ashok’s wife arrives, when Asha is cutting her birthday cake. Asha gets shocked to see her as she is the same woman who is haunting her from last many days in the house. She gets panicked and stabs Ashok’s wife, who succumbs to her injuries and dies on the spot. Police inspector Sharma (Suresh Oberoi), who is a guest of the party arrests Asha on the charge of murder. The court suspends the hearing as Asha’s condition is not stable and she is not suitable to go through the legal process.
Dr Vijay treats Asha and tries to get the answer why Asha killed Ashok’s wife. He tells Asha that Ashok’s wife arrives in India on the same day and there is no possibility that Asha saw her before her birthday in that house. But Asha is adamant that it was Ashok’s wife who was haunting her.
Gauri also gets killed after a few days. Shobha starts watching another woman walking around the house. Dr Vijay investigates further with the help of Inspector Sharma and solve the mystery at the end exposing a web of lies and greed.
This story piqued my interest and I have thought of watching this movie to find about the mystery. Watching this movie on the big screen during its original run in 1980 would have been the best way to watch the movie. Watching this movie 40 years, and that too on a tiny laptop, sitting alone would not be the same. 95 % of the thril and anticipation and suspence of watcing the movie with others would be missing.
The movie had six songs in it. Three songs have been covered in the past.
Here is the fourth song from “Phir Wahi Raat”(1980) to appear in the blog. The song is sung by Kishore Kumar, Asha Bhonsle and Sushma Shreshtha. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.
The song is picturised as a car song on Rajesh Khanna, Aruna Irani and Kim.
The tune of the some sounds familiar. It is same as that of Meri soni meri tamanna jhoothha nahin hai mera pyaar (Yaadon Ki Baaraat). If this movie is called “Phir Wahi Raat”, then this tune can be called “Phir Wahi tune”. 🙂
Lyrics of this song were sent to me by Avinash Scrapwala long ago. Today happens to be his birthday. So we take this opportunity to wish him happy birthday and many happy returns of the day,
Video
Audio
Song-Dekho idhar dekho (Phir Wahi Raat)(1980) Singers-Kishore Kumar, Asha Bhonsle, Sushma Shreshtha, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics(Provided by Avinash Scrapwala)
Dekho idhar dekho
Ae mere humsafar
Jeewan ke safar mein
Peechhe mud ke kyaa dekhnaa
Dekho idhar dekho
La la la la la la
Ae mere humsafar
La la la la la
Jeewan ke safar mein
La la la la
Peechhe mud ke kyaa dekhnaa
Dekho idhar dekho
Ae mere humsafar
Jeewan ke safar mein
Peechhe mud ke kyaa dekhnaa
Beeti huyee baaton ka gham chhodo
Zara
Aao bolo hanso
Mausam badal gayaa chalo
Aanewaali bahaaron mein baso o
Are Beeti huyee baaton ka gam chhodo
Zara aao bolo hanso
Aha
Mausam badal gayaa chalo
Aanewaali bahaaron mein baso
Dekho idhar dekho
Ae mere humsafar
Jeewan ke safar mein
Peechhe mud ke kyaa dekhnaa
Haree haree phoolon bhari
Raahon mein zindagi kho gayi
Aa aa aa aa aa
La la la la
Haree haree phoolon bhari
Raahon mein zindagi kho gayi
O ghamon ke din gaye to phir
Hawaa bhi kya suhaani ho gayee
La la la la
La la la la
La la la la
Ghamon ke din gaye to phir
Hawaa bhi kya suhaani ho gayee ee
Dekho idhar dekho
La la la la. la la
Ae mere humsafar
La la la la…
Jeewan ke safar mein
La la la la la la
Peechhe mud ke kyaa dekhnaa
Dekho idhar dekho
Ae mere humsafar
Jeewan ke safar mein
Peechhe mud ke kyaa dekhnaa aa aa aa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4577 | Post No. : | 16185 |
“Rivaaj” (1972) was produced by K C Bokadia and directed by T Prakash Rao. The movie had Mala Sinha, Sanjeev Kumar, Shatrughan Sinha, Farida Jalal, Nazir Hussain, Sulochana, Pandhari Bhai, Mukri, Gauri, Jayshree T, Raj Kishore, Zeb Rehman, Mehmood Junior etc in it.
The movie had 8 songs in it (including one multiple version song). Four songs have been covered in the blog.
Here are the details of the song in the movie:-
Song | Posted On |
---|---|
Main teri prem deewaani meera, meera, aao chhaliyaa | 12.11.2020 |
Tujh mein hoon main, mujh mein hai tu”>Tujh mein hoon main, mujh mein hai tu | 09.07.2013 |
Pyaara pyaara sabse nyaara aanewaala hai koyi hamaara | Being posted today |
Tujh jaisi laadli laakhon mein ek (multiple version song) | |
Lagey koi lottery yaa jackpot lagey | 30.01.2015 |
Jalaa do jalaa do jaalaa do duniya ko jalaa do | 06.11.2020 |
Phoolon sa mahka huaa ye reshmi tan mera |
Today (28 January 2021) is the 84rd birthday of Suman Kalyanpur (DoB 28 Jauary 1937). On this occasion, here is a song from “Rivaaj”(1972). This song is sung by Suman LKalyanpur. Indeevar is the lyricist. Music is composed by Shankar Jaikishan.
The song is lip synced by Mala Sinha and it is picturised as a god bharai ceremony song, as can be guessed from the lyrics of the song. Many people are seen in the picturisation. I can only identify Sanjeev Kumar. I request our knowledgeable readers to help identify the other actors seen in the picturisation.
Lyrics of this song were sent to me by Avinash Scrapwala.
We take this opportunit to wish Suman Kalyanpur a very happy birthday and many happy returns of the day.
Song-Pyaara pyaara sabse nyaara aanewaala hai koi hamaara (Rivaaj)(1972) Singer-Suman Kalyanpur, Lyrics-Indeevar, MD-Shankar Jaikishan
Chorus
Suman Kalyanpur + Chorus
Lyrics(Provided by Avinash Scrapwala)
la la laa laa aa
la la laa laa aa
la la laa aa aa
la la laa laa aa
la la laa laa aa
la la laa laa aa
la la laa aa aa
la la laa laa aa
pyaaara aa
pyaaraa aa
o pyaaraa aa
sabse nyaaraa aa
aanewaala hai koyi hamaaraa
aisa moti naa hoga saagar mein
aisa ambar mein hogaa na taaraa
pyaaara aa
pyaaraa aa
o pyaaraa aa
sabse nyaaraa aa
aanewaala hai koyi hamaaraa
o o o aisa moti naa hoga saagar mein
aisa ambar mein hogaa na taaraa
pyaaara aa
banke soorajmukhi mera man khil gaya
ye na poochho mujhe aaj kya mil gaya aa
banke soorajmukhi mera man khil gaya
ye na poochho mujhe aaj kya mil gaya aa
kisne dharti pe sooraj utaaraa aa
o utaaraa
pyaaara aa
pyaaraa aa
o pyaaraa aa
sabse nyaaraa aa
aanewaala hai koyi hamaaraa
o o o aisa moti naa hoga saagar mein
aisa ambar mein hogaa na taaraa
pyaaara aa
phool wo jiske aage chaman kuchh nahin
aisaa dhan jiske aage ratan kuchh nahin
phool wo jiske aage chaman kuchh nahin
aisaa dhan jiske aage ratan kuchh nahin
apne angnaa bahegi ras dhaaraa
ras dhaaraa aa
pyaaara aa
pyaaraa aa
o pyaaraa aa
sabse nyaaraa aa
aanewaala hai koyi hamaaraa
o o o aisa moti naa hoga saagar mein
aisa ambar mein hogaa na taaraa
pyaaara aa
jiske aate hi aanchal bahak jaayega
jisko paate hi jeewan mahek jaayegaa
jiske aate hi aanchal bahak jaayega
jisko paate hi jeewan mahek jaayegaa
jiske sapnon ne jeewan sanwaaraa
o sanwaara
pyaaara aa
pyaaraa aa
o pyaaraa aa
sabse nyaaraa aa
aanewaala hai koyi hamaaraa
o o o aisa moti naa hoga saagar mein
aisa ambar mein hogaa na taaraa
pyaaara aa
pyaaara aa
pyaaraa aa
sabse nyaaraa aa
aanewaala hai koyi hamaaraa …
Jaage hain ab saare
Posted January 23, 2021
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4571 | Post No. : | 16175 |
I was not around when India got freedom from British Raj. When I was growing up, we were told that India won her freedom through non violent movement. Some people like Bhagat Singh, Chandrashekhar Azad, Subhash Chandra Bose etc found passing mention who were not part of non violent movement.
I was around when Bangladesh won her freedom from Pakistan in 1971. I was surprised to know what Bangladeshis are taught about their freedom. They are taught that Mukti bahini defeated Pakistani army and secured freedom for Bangladesh from Pakistan ! There is no mention of the fact that there was a full fledged war between India and Pakistan and that Pakistanis army, with 93000 Pakistani soldiers, surrendered before Indian army in Dhaka, leading to the independence of Bangladesh. There is a famous surrender photograph to prove it.
As for Pakistan, they are taught in their text books that Pakistan had defeated India in 1971 war but the scheming Indians in collusion with the entire world got Bangladesh to separate from Pakistan. There is no mention of the fact in Pakistani history textbooks that Pakistani army massacred 3 million East Pakistanis and raped 5 lakh East Pakistani women in what was a human right abuse second only to what was perperated by Nazis on jews during second world war, which ultimately led to the liberation of Bangladesh.
Who knows, we Indians too may have been been disinformed about our freedom struggle the way Bangladeshis are disinformed about their freedom from Pakistan ! Today, in the era of internet we have access to information over and above what we were taught in India in our history textbooks. And the facts that emerge from these independent sources differ from what we have been told in India.
When the second world war ended, Britain had paid a heavy price for their war efforts. Britain, which was the largest economy in the world a few decades ago, found their economy in a bad shape. So much so that they had to take loan from USA (the new superpower) to shore up their economy. Britain had looted the resources of their colonies and they could no longer afford to hold on to their colonies as holding on to them had become prohibitively expensive for them.
Here is the lowdown about British economy in the aftermath of world war 2:-
Labour rejoiced at its political triumph, the first independent parliamentary majority in the party’s history, but it faced grave problems. The war had stripped Britain of virtually all its foreign financial resources, and the country had built up “sterling credits”—debts owed to other countries that would have to be paid in foreign currencies—amounting to several billion pounds. Moreover, the economy was in disarray. Some industries, such as aircraft manufacture, were far larger than was now needed, while others, such as railways and coal mines, were desperately short of new equipment and in bad repair. With nothing to export, Britain had no way to pay for imports or even for food. To make matters worse, within a few weeks of the surrender of Japan, on September 2, 1945, U.S. President Harry S. Truman, as he was required to do by law, ended lend-lease, upon which Britain had depended for its necessities as well as its arms. John Maynard Keynes, as his last service to Great Britain, had to negotiate a $3.75 billion loan from the United States and a smaller one from Canada. In international terms, Britain was bankrupt.
Also this:
Withdrawal from the empire
——————————
Britain, not entirely by coincidence, was also beginning its withdrawal from the empire. Most insistent in its demand for self-government was India. The Indian independence movement had come of age during World War I and had gained momentum with the Massacre of Amritsar of 1919. The All-India Congress Party, headed by Mohandas K. Gandhi, evoked sympathy throughout the world with its policy of nonviolent resistance, forcing Baldwin’s government in the late 1920s to seek compromise. The eventual solution, embodied in the Government of India Act of 1935, provided responsible government for the Indian provinces, the Indianization of the civil service, and an Indian parliament, but it made clear that the Westminster Parliament would continue to legislate for the subcontinent. The act pleased no one, neither the Indians, the Labour Party, which considered it a weak compromise, nor a substantial section of the Conservative Party headed by Churchill, which thought it went too far. Agitation in India continued.Further British compromise became inevitable when the Japanese in the spring of 1942 swept through Burma to the eastern borders of India while also organizing in Singapore a large Indian National Army and issuing appeals to Asian nationalism. During the war, Churchill reluctantly offered increasing installments of independence amounting to dominion status in return for all-out Indian support for the conflict. These offers were rejected by both the Muslim minority and the Hindu majority.
The election of a Labour government at the end of World War II coincided with the rise of sectarian strife within India. The new administration determined with unduly urgent haste that Britain would have to leave India. This decision was announced on June 3, 1947, and British administration in India ended 10 weeks later, on August 15. Burma (now Myanmar) and Ceylon (now Sri Lanka) received independence by early 1948. Britain, in effect, had no choice but to withdraw from colonial territories it no longer had the military and economic power to control.
The same circumstances that dictated the withdrawal from India required, at almost the same time, the termination of the mandate in Trans-Jordan, the evacuation of all of Egypt except the Suez Canal territory, and in 1948 the withdrawal from Palestine, which coincided with the proclamation of the State of Israel. It has been argued that the orderly and dignified ending of the British Empire, beginning in the 1940s and stretching into the 1960s, was Britain’s greatest international achievement. However, like the notion of national unity during World War II, this interpretation can also be seen largely as a myth produced by politicians and the press at the time and perpetuated since. The ending of empire was calculated upon the basis of Britain’s interests rather than those of its colonies. National interest was framed in terms of the postwar situation—that is, of an economically exhausted, dependent Britain, now increasingly caught up in the international politics of the Cold War. What later became known as “decolonization” was very often shortsighted, self-interested, and not infrequently bloody, as was especially the case in Malaysia (where the politics of anticommunism played a central role) and in Kenya.
So, as can be seen from the accounts of British historians, Britain was in no position to hold on to its colonies and they left these colonies as soon as they could. It is not just India, but also other colonies that got liberated one after other in the wake of world war 2. The circumstances that led to British haste was only partially to do with Mahatma Gandhi led movement. British historians mention Indian National Army also as a reason, something which Indian historians sought to push under the carpet.
The report also mentions rise of sectarian strifes within India. So those indulging in sectarian strifes were certainly not following non violence as preached by Gandhiji, but they too were contributing to British unease. It also shows that British rules found themselved unable to prevent these sectarian violences.
It would appear to me that British rulers did not fear non violent protest as much as they feared violence. It is the violence that began frequent in the second half of 1940s that unnerved the British. British ruled India through a machinery manned by Indians.
The INA trials, the stories of Subhas Chandra Bose (“Netaji”), as well as the stories of INA’s fight during the Siege of Imphal and in Burma were seeping into the glaring public-eye at the time. These, received through the wireless sets and the media, fed discontent and ultimately inspired rebellion in the ranks of navy.
A rebellion of Royal Indian air force, followed by a full fledged mutiny of Royal Indian Navy did take place in 1946. From the initial flashpoint in Bombay on 18 february 1946, the revolt spread and found support throughout British India, from Karachi to Calcutta, and ultimately came to involve over 20,000 sailors in 78 ships and shore establishments.
The mutiny was suppressed by British troops and Royal Navy warships. Total casualties were 8 dead and 33 wounded.
The rebelling Indian Naval personnel began calling themselves the “Indian National Navy” and offered left-handed salutes to British officers. At some places, NCOs in the British Indian Army ignored and defied orders from British superiors. In Madras and Poona (now Pune), the British garrisons had to face some unrest within the ranks of the Indian Army. Widespread rioting took place from Karachi to Calcutta. Notably, the revolting ships hoisted three flags tied together – those of the Congress, Muslim League, and the Red Flag of the Communist Party of India (CPI), signifying the unity and downplaying of communal issues among the mutineers.
The revolt was called off following a meeting between the President of the Naval Central Strike Committee (NCSC), M. S. Khan, and Vallab Bhai Patel of the Congress, who had been sent to Bombay to settle the crisis. Patel issued a statement calling on the strikers to end their action, which was later echoed by a statement issued in Calcutta by Mohammed Ali Jinnah on behalf of the Muslim League. Under these considerable pressures, the strikers gave way. Arrests were then made, followed by courts martial and the dismissal of 476 sailors from the Royal Indian Navy. None of those dismissed were reinstated into either the Indian or Pakistani navies after independence.
As can be guessed, such s revolt by a wing of armed forces is a serious matter and it must have unnerved the British. And just look at the name that these mutineers chose for themselves- India National Navy. Clearly inspired from the name “Indian National Army” that Subhash Chandra Bose had given to his army. So Subhash Chandra Bose was influencing Indian armed forces in a manner that was not to the liking of British government.
The weekly intelligence summary issued on 25 March 1946 admitted that the Indian Army, Navy and Air Force units were no longer trustworthy, and, for the Army, “only day to day estimates of steadiness could be made”. The situation has thus been deemed the “Point of No Return.”
In 1967 during a seminar discussion marking the 20th anniversary of Independence; it was revealed by the British High Commissioner of the time John Freeman (1965-1968), that the mutiny of 1946 had raised the fear of another large scale mutiny along the lines of the Indian Rebellion of 1857, from the 2.5 million Indian soldiers who had participated in the Second World War. The mutiny had accordingly been a large contributing factor to the British deciding to leave India. “The British were petrified of a repeat of the 1857 Mutiny, since this time they feared they would be slaughtered to the last man”.
There it is. The main reason why British left India was not non violent movement of independence, but fear of rebellion like in 1857, and this time fear of rebellion by armed forces, and not just some small time rulers (as in 1857). This fact was admitted by no less than a person than the British High Commissioner to India. And this state of affairs was caused by Subhash Chandra Bose. It was this kind of influence that Subhash Chandra Bose had on collective psyche of British rulers. It is a fact that has been carefully kept hidden by Indian historians. In fact the naval mutiny was not even known to most Indians. It has become known only in later decades when gathering information became easier thanks to internet.
This view that Mahatma Gandhi’s new found weapon of non violence defeated British and that Subhash Chandra Bose was just a misguided partiot who failed to see the merits of non violence was not exactly subscribed to by British rulers. For that matter it was not even subscribed to by large sections of people in India itself, viz those who were demanding separate Pakistan through violent means such as direct action day (16 august 1946) which saw an estimated 4000 people dead in bloody violence in one day. This violence sparked off further religious riots in the surrounding regions of Noakhali, Bihar, United Provinces (modern Uttar Pradesh), Punjab, and the North Western Frontier Province. These events sowed the seeds for the eventual Partition of India.
In summary, Subhash Chandra Bose’s contribution to Indian independence is far greater than what he is given credit for. His contribution has been conveniently pushed under the carpet. Hopefully, in future, his contribution will be realised and appreciated. He was not a misguided patriot, he was a great visionary, who had the drive and energy to implement his vision. He raised Indian National Army. His army got defeated no doubt, but it was defeated by fellow Indians fighting for British army. It was the age old problem of India, where Indians, at the behest of foreign powers, would act against Indian interests. No doubt INA got defeated and a few of their personnel were subjected to trial, but these trials galvanised Indian public, including sections of Indian armed forces. That way, Subhash Chandra Bose (by that time already dead) turned the tables on the British rulers. Even though his army was defeated, his army caught the imagination of Indians and drew widespread public support for themselves during INA trials. British rulers were more afraid of the prospect of armed forces rebellion, which could have happened at any time according to the assessment of British rulers. So that was a major reason why they left India in a hurry.
We have been discussing songs from “Bose-A Forgotten Hero”(2004) on 23 January of various years. So far we have covered three songs from the movie on 23rd January of three different years as shown below:-
Blog post number | Song | Date posted |
---|---|---|
7394 | Mujhe yaad aati hai | 23 January 2013 |
13964 | Jodi tod daak shene keu na aashe…tanha raahi apni raah chalta jaayegaa | 23 January 2018 |
14853 | Ham Dilli Dilli jaayenge | 23 January 2019 |
The routine of these posts is always the same, Avinash Scrapala, our inhouse hardcore patriot who keeps track of the anniversaries of various freedom fighters, sends me the lyrics, with request for my writeup. 🙂 He knows that I cannot help but summon up my increasingly dwindling creative juices to come up with some heartfelt tribute on the occasion.
So here it is, yet another song from “Bose The Forgotten Hero”(2004) on the occasion of the 125th birth anniversary (DoB 23 January 1897) of Subhash Chandra Bose.
The song is sung and composed by A R Rahman. Some chorus is also there but their words are not clear. Lyrics are by Jawed Akhtar.
Only the audio of the song seems to be available. I request our readers with keener ears to help fill in the blanks in the lyrics.
Audio
Video (Partial)
Song-Jaage hain ab saare (Bose- The forgotten hero)(2004) Singer-A R Rahman, Lyrics-Jawed Akhtar, MD-A R Rahman
Chorus
Lyrics(Provided by Avinash Scrapala)
???
dushman ko lalkaara
???
???
tiranga pyaara
jai hind ka naara
jaage hain ab saare ae
log tere
log tere ae
dekh watan
goonje hai naaron se
ab ye zameen
aur ye gagan
kal tak main tanhaa thhaa
soone thhe sab raste
kal tak main tanhaa thhaa
par ab hain saath mere
laakhon dilon ki dhadkan
dekh watan
aazaadi ee paayenge ae
aazaadi ee laayenge
aazaadi ee chhaayegi
aazaadi ee aayegi
aayegi
???
dushman ko lalkaara
???
dushman ko lalkaara
???
tiranga pyaara
????
jaage hain ab saare ae
log tere ae
dekh watan
goonje hain naaron se
ab ye zameen
aur ye gagan
kal tak main tanhaa thhaa
soone thhe sab raste
kal tak main tanhaa thhaa
par ab hain saath mere
laakhon dilon ki ee dhadkan
dekh watan
ham chaahen aazaadi
ham maangen ae aazaadi
aazaadi ee chhaayegi
aazaadi ee aayegi
aayegi
jai ???
???
dushman ko lalkaara
jai ???
???
desh ko pyaara
tiranga pyaara
????
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4558 | Post No. : | 16151 |
‘Josheela’(1973) was produced by Gulshan Rai and directed by Yash Chopra for Trimurti Films Private Limited, Bombay. The movie had
Dev Anand, Hema Malini, Pran, Bindu, Madan Puri, Manmohan Krishna, Padma Khanna, Sulochana, Iftekhar, Sudhir, Hercules, Master Satyajit, I S Johar, Vikas Anand, Jagdish Raj, S.N. Bannerjee, Chandu Allahabadi, Praveen Kumar, Uma Khosla, Ramlal, Shamlal, Uma Dutt Nazeer etc in it. Rakhi and Mahendra Sandhu had made special appearances in this movie. Roopesh Kumar, A K Hangal, Sheetal, Ashu and Laxmichhaya had made guest appearances in the movie.
‘Josheela’(1973) had eight songs in it. The movie made its debut in the blog in 2009. Till no seven songs have been covered. Here are their details:-
Song | Posted On |
---|---|
Kiska rasta dekhen ai dil ai saudaayi | 15 March 2009 |
Sona rupaa laayo re | 04 August 2009 |
Kuchh bhi kar lo ik din tumko | 28 September 2013 |
Dil mein jo baaten hain aaj chalo ham keh den | 25 March 2015 |
Kaanp rahi main | 07 February 2018 |
Jo baat ishaaron mein kahi | 15 March 2019 |
Sharmaa naa yoon ghabraa naa yoon … | 2 January 2021 |
Here is the eighth and final song from ‘Josheela’(1973) to appear in the blog. The song is sung by Lata. Sahir Ludhianvi is the lyricist. Music is composed by R D Burman.
Only the audio of the song is available. I request our knoledgeable readers to thro light on the picturisation of the song. The song sounds like a mujra song, or may be a mushaaira song to me.
Lyrics of the song were sent to me by Avinash Scrapwala.
ith this song, all the eight songs of ‘Josheela’(1973) are covered in the blog and the song joins the list of movies that have been YIPPEED in the blog.
Audio
Song-Mehfil mein chhupaane pade jazbaat kisi se (Josheela)(1973) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-R D Burman
Lyrics
hmm hmm hmm mm
mehfil mein chhupaane pade
jazbaat kisi se ae
ho kar bhi na ho paayi
mulaaqaat kisi se ae ae
din raat kasak rehti hai
kuchh roz se ae dil mein ae
le baithhe hain
ham dard ki saugaat kisi se ae ae
kuchh unko takalluf saa hai
kuchh ham ko hayaa si ee
aise mein jo ho bhi
to ho kya baat kisi se ae
wo raat jo bhar deti hai
daaman mein sitaare ae ae
maangi hai
mere dil ne
wohi raat kisi se ae ae ae
hmm mm mm
——————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————–
म्म हम्म हम्म म्म
महफ़िल में छुपाने पड़े
जज़्बात किसी से ए
हो कर भी न हो पायी
मुलाक़ात किसी से ए ए
दिन रात कसक रहती है
कुछ रोज़ से ए दिल में ए
ले बैठें हैं
हम दर्द की सौगात किसी से ए ए
कुछ उनको तकल्लुफ़ सा है
कुछ हम को हया सी ई
ऐसे में जो हो भी
तो हो क्या बात किसी से ए
वो रात जो भर देती है
दामन में सितारे ए ए
मांगी है
मेरे दिल ने
वोही रात किसी से ए ए ए
हम्म म्म म्म
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