Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics by Avinash Scrapwala’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4515 Post No. : 16068

“Sanskaar”(1952) was produced and directed by V M Vyas for Sunrise Pictures, Bombay. This social movie had Mumtaz Shanti, Purnima, Veera, Pran, Razi, Shashi Kapoor, Ishwar lal, Mirza Musharraf, Murad, Kalyani, Pappu, Baby Naaz, Indira Mumtaz etc in it.

The movie had seven songs in it.

Six songs from the movie have been covered in the past. That leaves only one song to be covered, the one which appears at number 1 in the HFGK song list of this movie.

Here are the details of the songs of this movie :-

Song Posted On
Badlegi, ye duniya ik din badlegi Being covered today
Jeenewaale o matwaale zindagi se pyaar kar 24.07.2018
Andhi qismat kise le chalegi kahaan 15.09.2016
Hanse tim tim tim chhote chhote taare 24.11.2020
Preet nibhaani balmaa tum kya jaano 09.01.2016
Do nainon ne jaal bichhaayaa 26.04.2012
Muhabbat ke jhoothhe sahaaron ne loota 24.11.2010

Here is the seventh and final song from the movie. It is sung by Hridaynath Mangeshkar, then a child. Shailendra is the lyricist. Music is composed by Roshan.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of this song were sent to me by Avinash Scrapwala.

Audio

Song-Badlegi ye duniya (Sanskaar)(1952) Singer-Hridaynath Mangeshkar, Lyrics-Shailendra, MD-Roshan

Lyrics(Provided by Avinash Scrapwala)

badlegi
ye duniya badlegi ee
badlegi ee
badlegi ye duniya
ik din badlegi
badlegi
aasmaan ki bitiyaa dharti
girkar phir se sambhlegi ee
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa

ham bachche laaye hain
apni qismat apni mutthhi mein
ham bachche laaye hain
apni qismat apni mutthhi mein
gud’di mein laal hazaaron
heere bikhre mitti mein
ik din ham bachchon ki toli
chaand sitaare chhoo legi
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa

oonche aasan baithhne waalon
dam bhar dharti par aao
oonche aasan baithhne waalon
dam bhar dharti par aao
jeewan reet seekh lo hamse
ya hamko sikhlaao
jeewan reet seekh lo hamse
ya hamko sikhlaao
har chhoti si baat pe tum
aapas mein lad marte ho
har chhoti si baat pe tum
aapas mein lad marte ho
phailaa itnaa zehar ki tum
ganga jal se bhi darte ho
bachchon ki maasoom nazar
ye reet badal kar dam legi ee
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa

soch liyaa hai
ham bachchon ne
nayaa zamaana kaisaa ho o
soch liyaa hai
ham bachchon ne
nayaa zamaana kaisaa ho o
maata jaisa dil ho jiska
pyaar pitaa ke jaisaa ho o
maata jaisa dil ho jiska
pyaar pitaa ke jaisaa ho
sukh mein jo lori gaaye ae
rote bachchon ko behlaaye ae
sukh mein jo lori gaaye ae
rote bachchon ko behlaaye ae
mel mohabbat mehnat mein
jo jeenaa marnaa sikhlaaye ae
duniya duniya tab hogi
jab hans ke har dukh jhelegi
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4512 Post No. : 16063

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 95
———————————————————————————–

This day ten years ago (viz 24.11.2010) saw five songs from five movies discussed in the blog as given below;

posted

Song Movie title-Year Remarks
Gayaa andheraa huaa ujaaraa Subah Ka Taaraa-1954 05 of 08 songs
Sapnon mein aana chhed chhed jaanaa Sheesham-1952 07 of 10 songs posted
Muhabbat ke jhoothhe sahaaron ne loota Sanskaar-1952 05 of 07 songs posted
Ye maanaa dil jise dhoondhe Zimbo-1958 All songs covered
Tirchhi nazar ka piyaa waar hai Madaari-1959 All songs covered

Ten years later, two of the five movies are YIPPEED whereas three movies are still eligible for Blog Ten Year Challenge today (24 November 2020).

One movie, viz “Subah Ka Taara”(1954) was taken up in this challenge earlier today.

“Sanskaar”(1952), another movie eligible for BTYC today, was produced and directed by V M Vyas. The movie had Mumtaz Shanti, Purnima, Veera, Pran, Razi, Shashi Kapoor (Sr), Ihswar Lal, Mirza Musharraf, Murad, Kalyani, Pappu, Baby Naaz, Indira Mumtaz etc in it.

The movie had seven songs in it. Four songs from this movie have been discussed in the past.The list of songs of the movie, in the sequence given in HFGK, is as follows:-

Song Posted On
Badlegi, ye duniya ik din badlegi
Jeenewaale o matwaale zindagi se pyaar kar 24.07.2018
Andhi qismat kise le chalegi kahaan 15.09.2016
Hanse tim tim tim chhote chhote taarein
Preet nibhaani balmaa tum kya jaano 09.01.2016
Do nainon ne jaal bichhaayaa 26.04.2012
Muhabbat ke jhoothhe sahaaron ne loota 24.11.2010

“Sanskaar”(1952) had made its debut in the blog ten years ago on this date. Today, here is another song from the movie. This song is sung by Lata. Shailendra is the lyricist. Music is composed by Roshan.

Only the audio of the song is available. Lyrics leaves no doubt in the mind that it is a lullaby song. This lullaby for some reasons has been forgotten. It certainly sounds like it belongs to the category of memorable lullabies created in Hindi movies.

I request our knowledgeable readers to throw light on the puicturisation of this song.

Lyrics of this song were sent to me by Avinash Scrapwala.

Audio

Song-Hanse tim tim tim chhote chhote taare (Sanskaar)(1952) Singer-Lata, Lyrics-Shailendra, MD-Roshan

Lyrics(Provided by Avinash Scrapwala)

hanse tim tim tim chhote chhote taare
kahe chandaa bhi aaja aaja aa re ae
tera naam le pukaare
tujhe neend ki pari ee
so jaa
so jaa re ae mere pyaare ae
so jaa
so jaa re ae mere pyaare ae

bagiyaa mein soye jaise
gendaa gulaab
soyegaa laal meri godi mein
saagar mein seenp jaise
mandir mein deep
mera gopal meri godi mein
saagar ke paar
miley saagar ke paar
din dooba
doob gaye din ke rang
so jaa
so jaa re mere pyaare ae
so jaa
so jaa re mere pyaare ae
hanse tim tim tim chhote chhote taare
kahe chandaa bhi aaja aaja aa re ae
tera naam le pukaare
tujhe neend ki pari ee
so jaa
so jaa re ae mere pyaare ae
so jaa
so jaa re ae mere pyaare ae

sapnon ki nagri mein
tere hi geet
gaati hai taaron ki raani
kaliyon pe shabnam ke moti bikher
kahti hai taaron ki raani
bansi ki taan
soye gokul ke shyam
rakhwaale raam rahen tere sang
so jaa so jaa re ae mere pyaare re
so jaa
so jaa re ae mere pyaare ae
hanse tim tim tim chhote chhote taare
kahe chandaa bhi aaja aaja aa re ae
tera naam le pukaare
tujhe neend ki pari ee
so jaa
so jaa re ae mere pyaare ae
hmm hmm hmm hmm hmm
hmm hmm hmm
hmm hmm hmm hmm hmm
hmm hmm hmm


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4502 Post No. : 16039

Today (14 November 2020) is Children’s day in India.

UN Children’s day is observed on 20 November. India began to celebrate Children’s day (on 20 November) since 1956. However, India started observing Children’s day on Jawaharlal Nehru’s birthday (14 November) starting from 14 november 1964), viz after the death of Jawaharlal Nehru (14 november 1889- 25 may 1964) earlier in the year 1964.

According to wikipedia

Children’s Day is celebrated across India to increase awareness of the rights, care and education of children. It is celebrated on 14 November every year as a tribute to India’s First Prime Minister, Jawaharlal Nehru. Fondly known as Chacha Nehru among children, he advocated for children to have fulfilled education.Nehru considered children as real strength of a nation and foundation of society. On this day, many educational and motivational programs are held across India for children.

The celebration of Children’s Day in India dates back to 1956. Prior to the death of Pt. Jawaharlal Nehru, India celebrated Children’s Day on 20 November (the date observed as Universal Children’s Day by the United Nations). After the death of Jawaharlal Nehru, his birth anniversary was deliberated to be celebrated as Children’s Day in India. It was done so because he was very popular with the kids as Chacha Nehru, hence, a resolution was passed in the parliament to give a befitting farewell to the first Prime Minister of India.

Today 14 november 2020 is also Deepaawali !

There are some people (including myself) who were curious to know if Children’s day in India as well as Deepaawali have fallen on the same day in the the past as well.

I did some research, and found that Deepaawali has coincided with 14 november on 6 occasions in the past 120 Years. Here are the details:-

Year Day Remarks
1898 Monday
1917 Wednesday
1936 Saturday Exactly same as in 2020
1955 Monday
1974 Thursday First occastion of Deepawali falling on India’s Children’s day
2020 Saturday Exactly same as in 1936

Gregorian calendar (to determine birthdays) and Hindu calendar (to determine deepawali and other festivals) applicable in 1936 and 2020 were identical ! So the Hindu festivals of both these years fell on the same dates and same days on Gregorain Calendar!

“Naunihaal”(1967) is an ideal movie to celebrate Children’s day. The movie was about Nehru and it was about children. This movie was directed by Raj Marbros for ‘Mercury Productions, Bombay’. The movie had Balraj Sahni, Indrani Mukherji, Sanjeev Kumar, Master Babloo, Harendranath Chattopadhyay, Abhi Bhattacharya, Madhvi, Jagdeep, Asit Sen, Brahm Bharadwaj, Manmohan and others.

The movie had seven songs in it. Five songs have been covered. Here are the details:-

S.No. Song Title Posted on
01 Rin tana rin tana … kitna pyaara pyaara
02 Tumhaari zulf ke saaye mein shaam 06.05.2009
03 Ahaa ahaa ahaa chhutti aa gayi
04 Roop ke pujaariyon husn ke bhikhariyon 01.08.2020
05 Na re na re babu 14.07.2016
06 Patthar ke bhagwaan pighal jaa 10.05.2013
07 Meri aawaaz suno 01.08.2010

On the occasion of Children’s day, here is a quintessential children’s song from “Naunihaal”(1967), a song where Children’s are happy with the fact that chhutti has finally arrived. 🙂

The song is sung by Kamal Barot, Krishna Kalle and chorus. Kaifi Azmi is the lyricist. Music is composed by Madan Mohan.

Lyrics of the song were sent to me by Avinash Scrapwala.


Song-Ahaa ahaa ahaa chhutti aa gayi (Naunihaal)(1967) Singers-Kamal Barot, Krishna Kalle, Lyrics-Kaifi Azmi, MD-Madan Mohan
chorus

Lyrics(Provided by Avinash Scrapwala)

ahaa aa
ahaa aa
ahaa aa
ahaa ahaa ahaa
chhutti aa gayi
aha ha ha ha
chhutti aa gayi
dhol bajaayenge
chhuttiyaan manaayenge
dhoom machaayenge
waah waah waah
ahaa ahaa ahaa
chhutti aa gayi
dekho dekho
dekho chhutti aa gayi
dhol bajaayenge
chhuttiyaan manaayenge
dhoom machaayenge
waah waah waah waah
ahaa ahaa ahaa
chhutti aa gayi
ahaa
ahaa ha ahaa haa
laa la laal aa
paa ram pam
paa paa paa

isne rataaya
kuchh usne rataaya
isne rataaya
kuchh usne rataaya
ye bhi padhaaya
aur wo bhi padhaaya
ye bhi padhaaya
aur wo bhi padhaaya
paper pe baaghon ka nakshaa dikhaaya
lekin hawaa ka ek jhonkaa
naa aayaa aa
baaghon mein jaayenge
lattoo nachaayenge
pench ladaayenge
waah waah waah waah
ahaa ahaa ahaa
chhutti aa gayi
dekho dekho
dekho chhutti aa gayi

phirtaa hai aankhon mein
ghar ka nazaara
phirtaa hai aankhon mein
ghar ka nazaara
aise bhi hai pyaare (?)
kisey aangan ye pyaara (?)
nanhaa munnaa
nanhaa munnaa
bhaai hamaara
jaa ke khilaayenge usi ko dubaara
daddy ab aayenge
mummy ko laayenge
hamko le jaayenge ae
waah waah waah waah
aha ha ha ha
chhutti aa gayi
dhol bajaayenge
chhuttiyaan manaayenge
dhoom machaayenge
waah waah waah waah
ahaa ahaa ahaa
chhutti aa gayi
dekho dekho
dekho chhutti aa gayi


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4489 Post No. : 16012

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 90
———————————————————————————–

The blog was maintaining a high daily strike rate of nearly 6 songs daily during september 2010, which got reduced to a daily rate of 3 songs per day from October 2010 onwards. This rate was sustained in November 2010 as well.

This date ten years ago (viz 1 November 2010) saw three songs getting discussed. Here are the details:-

Song Movie title-Year Remarks
Kal raat zindagi se mulaaqaat ho gayi Paalki-1967 All songs covered
Sainyya chhod de bainyya Rakhi-1962 All songs covered
Badal rahi hai zameen badal rahaa hai aasmaan Fashionable Wife-1959 02 of 10 songs posted

We can see that only one out of the three movies from the above list can be taken up for Blog Ten Year Challenge today (1 November 2020). This movie, namely “Fashionable Wife”(1959) was produced and directed by B K Adarsh for Adarshlok, Bombay. The movie had Jaymala, Abhi Bhattacharya, Anoop Kumar, Daisy Irani, Nazir Husein, Manorama, Leela Misra, Achla Sachdev, Mirza Musharraf, Iftekhar, Anand Joshi, Vijay Kaul, Mastana Azad, Murlidhar, R.S.Dubey, Nitoo, Jagdish Shrivastava, B.R.Wadia, Radhakishan etc in it.

The movie had ten songs in it. Two songs have been covered in the past. Here are the details of the songs of this movie :-

Song Lyricist Posted On
Badal rahi hai zameen badal rahaa hai aasmaan Bharat Vyas 01.11.2010
Paschhim se aazaadi aayi, fashion ki shehzaadi aayi Bharat Vyas
Ho Shirdi ke Sai Baba hamre gusaayin baba Bharat Vyas
Jhoomon re jhoomne ke din aaye … Bharat Vyas 06.04.2013
Bangal ke baabu … peene ki bhi aadat aisi Anwar Farrukhabaadi
Jeewan path mein kahaan… chaltaa chal tu chaltaa chal Bharat Vyas
Sadak pyaar ki kadak badi hai har kooche bazaar mein Bharat Vyas
Tum thekedaar bane baithhe … ye bhi to insaan (I) Bharat Vyas Being posted today
Saadaa jeewan oonche khayaal… upar se ujley Bharat Vyas
Ye bhi to insaan eesh ki santaan (II) Bharat Vyas Being posted today

Today, as Blog ten year Challenge, here is another song from “Fashionable Wife”(1959). The song is a multiple version song. It is sung by Asha Bhonsle and chorus. Bharat Vyas is the lyricist. Music is composed by Suresh-Talwar.

The is a song with a message, about the evil social practice of untouchability, then quite prevalent and fortunately considerably reduced today, six decades later. The song is lip synced by Jaymala.

Lyrics of the song and other details were sent to me by Avinash Scrapwala.

Video (Part I)

Video (Part II)

Audio (Both parts)

Song-Ye bhi to insaan eesh ki santaan (Fashionable Wife)(1959) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Suresh-Talwar
Chorus

Lyrics (Provided by Avinash Scrapwala)

——————————–
(Part I)
——————————–

tum thekedaar bane baithhe ho
dharm ki in dukaanon par
insaan ko jo samjhe achhoot
laanat aise insaanon par
laanat aise insaanon par

ye bhi to insaan
ye bhi to insaan
eesh ki santaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan

ye pawan agan gagan
sabhi ke waaste ae
phir bhi kyun alag alag
hamaare raaste
inko chhoonaa paap hai
ye kya kamaal hai
inka bhi to apne jaisa
khoon laal hai
inko to pehchaan
inmein wahi jaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan

inki pooja ka tilak
lagaaya shyam ne ae
inke shabri ke chakhe
thhe ber raam ne
inke liye tadap uthhi
gandhi ki aatmaa
inko gale lagaa ke
wo bane mahaatmaa
maan ya na maan
inmein hai bhagwaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan

tum jhooth moothh hi reejh rahe ho
pathhar ke bhagwaanon par
nafrat ke teer chalaate ho tum
in gareeb insaanon par
tum tiraskaar ka namak chhidakte
inke ghaayaal praanon par
inke murde jalne naa dete
tum apne shamshaanon par
jo inhe dalit kahe ghrunaa kare to
thhu aise vidwaanon par
jo inhe shastra se thhukaraaye
dhikkaar hai aise puraanon par

ye hain bezubaan
bhagwaaan ke mehmaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun

—————————-
(Part-II)
—————————–
ye bhi to insaan
eesh ki santaan
phir hamse rakhte chhuaachhoot kyun
tum pavitra
ham achhoot kyun

ye bhi to insaan
eesh ki santaan

oonch neech ka ye bhedbhaav
chhodke ae
ham rahenge aaj ye
deewaar tod ke

jiske dwaar band hai
us raam ki qasam
ab na koyi kar sakegaa
ham pe ye sitam

chal padaa jahaan
gandhi ka le vardaan
phir hamse rakhte chhuaachhoot kyun oon
tum pavitra
ham achhoot kyun

ye bhi to insaan
ish ki santaan

ye bhi to insaan
eesh ki santaan

badal gayi ye kudrat kyun
hamse aisi nafrat kyun
badal gayi ye kudrat kyun
hamse aisi nafrat kyun

chhote bade samajhnewaali
padti jaati aadat kyun
raam ke mandir mein jaa saktaa
choohaa billi kawwaa
par seedhi bhi chhu naa sakta
ye insaan ka hauwaa

ham paapi aur tum dharmi kyun
iskaa hamen jawaab do
ham sewak aur tum swaami kyun
iskaa hamen jawaab do
ham pathhar aur tum moti kyun
iskaa hamen jawaab do
ham achhoot aur
tum pavtira kyun
iskaa hamen jawaab do
jawaab do
jawaab do
jawaab do
jawaab do o o o

ye bhi to insaan
eesh ki santaan
phir hamse rakhte chhuaachhoot kyun oon
tum pavitra
ham achhoot kyun
ham bhi to insaan
eesh ki santaan
phir hamse rakhte chhuaachhoot kyun oon
tum pavitra
ham achhoot kyun

(noise, sound, protest, news headlines)

(achhooton ko nayaa Sandesh denewaala …


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4483 Post No. : 15996 Movie Count :

4381

Hullo Atuldom

Wishing all a happy Dassera. I know parts of India celebrated the festival on Sunday and parts are celebrating it today. I think that has something to do with the movement of the Moon from one constellation to another or mostly the phases of the moon which doesn’t necessarily follow the Gregorian calendar. I was confused as to the exact date for Vijaya Dashami or Dassehra and put the query to a group of knowledgeable friends and this is the reply I got:

October 23 Friday 7:00 onwards Ashtami
October 24 Saturday 7:00 onwards Navami
October 25 Sunday 7:45 onwards Dashami
October 26 Monday 9:00 onwards Ekadashi.

Now going by that reply we have Dashami till 9 a.m. today but for convenience sake (read working day/ holiday) there are many (in Kerala atleast) who would have celebrated the festival. But for the pandemic even Ram Leela would have come to a close yesterday (Sunday) with RavanDahan, as Dashami was present in the evening hours. Don’t know if it was held this year!!!!

But today’s post is not a lesson on the Panchang that Indians follow and neither am I the competent authority to comment on the Sun, Moon and the planetary movements. As always my post is to wish a celebrity on turning an year older.

This celebrity is the daughter of Producer/ director of ‘Anhonee’, ‘Khel Khel Mein’ ‘Khuddar’ etc.Ravi Tandon’s daughter- Raveena Tandon turns an year older today. She made her debut in 1991, at the age of 17,in a movie produced by G.P.Sippy and directed by Anant Balani “PattharKePhool” which had Salman Khan as the hero. She then went on to act with Sunny Deol, Govinda, Akshay Kumar, Shahrukh Khan, Anil Kapoor. 1994 saw her star in “Zamaane Se Kya Darna” with Sanjay Dutt, “Dilwale” with Suneil Shetty and Ajay Devgan, “Insaniyat” with Sunny Deol, “Imtihaan” with Saif Ali Khan and Sunny Deol, “Laadla” with Anil Kapoor, “Andaz Apna Apna” with Aamir Khan, “Aatish” again Sanjay Dutt and Mohra with Akshay Kumar. She also played herself in a song-cameo in Saif Ali Khan- Akshay Kumar starrer “Main Khiladi Tu Anari” and a role in a Tamil movie in 1994. She took a hiatus post marriage but was seen in a cameo in PuriJagannadh directed “Bbuddah… Hoga Tera Baap” (2011) as she got a chance to do a romantic scene with Amitaabh Bachchan whose sister she had played in “Bade MiyanChhoteMiyan” in the ‘90s. Since 2011 we see her in a movie or two per year plus she has conducted a few shows on television. On her personal front, she had adopted two young girls when they were 10 and 8 when she herself was only in her 20s. After marriage she has two children of her own.

Her most popular song of the 1994 earned her the nickname the ‘mast mast’ girl. Though she has never claimed to be ‘Mast’ meaning wonderful. So also the other birthday personality.
He is our own Rajaji. He is (to use a Hindi expression) a ‘yaaron ka yaar’. He is a devoted family man. He is deeply sensitive and touched by many current occurrences in this world of ours. But the one thing that introduced us to him or shall I say the two things that got us connected to him-Cricket and Hindi Film Music are also dear to his heart.

He can write pages and pages about his love for the works of Sahir Ludhianvi and ponder about what would have been Sahir’s take on the life in this age and time. And he can do the same when he writes posts on his favourite Rajesh Khanna, Dev Anand, Mohd Rafi. He has told me that he can keep listening to Rafi songs all day and night and not tire of it. But that doesn’t mean he doesn’t appreciate Kishore Kumar, Amitabh Bachchan etc. He claims that he is just discovering movies of the 80s which he had banished for their deteriorating quality and quantity, he gives them a “Pass” certificate only no high marks to them. But even there he may relish and enjoy individual scene of the typical masala kind. I am sure he will enjoy the visual that the accompanying song has to offer.

It has the comic cop Paresh Rawal running around trying to dance in step with Akshay Kumar and Raveena Tandon. We have Tej Sapru exchanging a briefcase with an associate (would like to know who it is). Suniel Shetty is stalking them and please keep in mind that Akshay Kumar is a cop in disguise out to catch Tej Sapru and his associate.

This is a new age song which should appeal to the other birthday girl of this group. She is not an active participant and her father is. I hope she is a “Mast” child, meaning wonderful child.
There is another person, my first playmate, who has her birthday today. I cannot imagine how I was as a toddler before she entered my family in the arms of my Mom.
With this post I wish Raveena Tandon, Rajaji and the two unnamed girls “A Very Happy Birthday” May God bless them with lots of Health and Happiness.

(duet version) (video)

(Female solo version) (video)

Song-Tu cheez badi hai mast mast (Mohra)(1994) Singers-Udit Narayan, Kavita Krishnamurthy, Lyrics-Anand Bakshi, MD-Viju Shah

Lyrics (Provided by Avinash Scrapwala)

———————–
Duet version
———————–

paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
pa pa
ni ni
sa sa
ma ma
pa ni dh ni
dha pa sa ni
sa ni dh pa
sa ni dh pa
paa ni sa aa
paa ni sa aa

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
nahin tujhko koi hosh hosh
nahin tujhko koi hosh hosh
us par joban ka josh josh
nahin tera aa
nahin tera koi dosh dosh
madhosh hai tu har waqt waqt
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aashiq hai tera naam naam
aashiq hai tera naam naam
dil lenaa tera kaam kaam
meri baahen ae
meri baahen mat thaam thaam
badnaam hai tu bad mast mast

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

ni sa ga ma ni sa ga
sa re
sa re ga ma pa dha ni
sa ni dh pa
sa ni dh pa
sa ni dh pa

bol zaraa tu jaan e mehboobi ee
mujhme aisi kyaa hai khoobi
bol zaraa tu oo
aa aa aa
jaan e mehboobi ee ee
aa aa aa
mujhme aisi kyaa hai khoobi
aa aa aa
tu ik resham ki dor dor
tu ik resham ki dor dor
teri chaal pe aashiq mor mor
teri zulf ghani ee
teri zulf ghani chitchor chor
ghanghor ghataa badmast mast
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni

paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni

pa pa
ni ni
dh dh dh
ma ma
sa sa
ma ma
pa ni dh ma pa sa ni
sa ni dh pa
sa ni dh pa
?
paa ni sa aa
paa ni sa aa

ye dil teri aankhon mein doobaa aa
ban jaa meri tu mehbooba
ye dil teri aankhon mein doobaa aa
aa aa aa
ban jaa meri tu mehbooba aa
aa aa aa
mat teer nazar ke maar maar
mat teer nazar ke maar maar
ye chot lagegi aar-paar
aasaan
aasaan samajh mat yaar yaar
ye pyaar badaa hai sakht sakht
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

nahin tujhko koi hosh hosh
nahin tujhko koi hosh hosh
us par joban ka josh josh
nahin tera aa
nahin tera koi dosh dosh
madhosh hai tu har waqt waqt
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aashiq hai tera naam naam
aashiq hai tera naam naam
dil lenaa tera kaam kaam
meri baahen ae
meri baahen mat thaam thaam
badnaam hai tu bad mast mast

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aa aa

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aa aa

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aa aa
————————-
Female solo version
————————-

(sigh & laughing sound)

main cheez badi hoon
mast mast mast mast mast

main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
nahin mujhko koi hosh hosh
nahin mujhko koi hosh hosh
us par joban ka josh josh
nahin mera aa
nahin mera koi dosh dosh
madhosh hoon main har
waqt waqt
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast

o o aankhon pe chhaaya aa
ye kaisa kohraa aa aa aa
kaun baadshah
kaun hai mohraa aa
aankhon pe chhaaya aa
ye kaisa kohraa aa aa aa
kaun baadshah
kaun hai mohraa aa
jaane mera kya naam naam
ho jaane mera kya naam naam
jaane tera kya naam naam
par naam se hai kya
par naam se hai kya kaam kaam
kar jaam ka bandobast mast
main cheez badi hoon
mast mast mast mast mast
main cheez badi hoon mast
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast

(laughing sound)

o o
rakh yaad magar tu oo
mere deewaane ae
tera kya hogaa anjaam
na jaane ae
rakh yaad magar tu oo
mere deewaane ae ae
tera kya hogaa aa anjaam
na jaane ae
dil kitne toote baar baar
ho kitne toote baar baar
sab aashiq doobe aar paar
shaahon ke ae
shaahon ke chhoote yaar yaar
is pyaar mein taaj o takht takht
main cheez badi hoon
mast mast mast mast mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
nahin mujhko koi hosh hosh
us par joban ka josh josh
nahin mera
nahin mera koi dosh dosh
madhosh hoon main har
waqt waqt
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast

(laughing sound)


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4481 Post No. : 15991

Mohammed Rafi: The incomparable (II) – Song No. 20
—————————————————————

25/10/2020 – Remembrance Day of Sahir Ludhianvi 

Koyi shaayar ta’aaruf ka mohtaaj ho saktaa hai lekin uss ki shaayari kisi ta’aaruf ki mohtaaj nahi honi chaahiye, chaahe wo shaayari doosri zubaan mein tarjuma shudaa hi kyun na ho”.

So began the article published in the Urdu magazine ‘Fann Aur Shakhsiyat’ (Sahir number), dated 22nd July 1958, written by Khwaaja Ahmed Abbas.

Sahir. . . ba-zubaan e khud
(Answering a question asked by Nida Fazli)

I am the youngest among my contemporaries except Kaifi considering my age. Faiz, Sardar, Niyaaz all are senior.  When Majaz’s ‘Aahang’ was published I was a student in Matric (Xth std) and at the time of publication of Faiz’s collection I was studying in BA. There are really effects of Faiz in some of my poems. Majaaz is more classical, which I like. Maybe it is more impressive in ‘Chaklay’. Every poet is impressed by his senior poets. But there is a difference in vinegar and its affects. Many of my poems tackle different topics like, Taj Mahal, chakla, avoidance (garez), and beautiful turn (khoobsurat mod) etc. No one’s 100% and perfect. In Faiz’s work there are more of comparisons (Anthropomorphization). The adjectives in my poems create an atmosphere. The personality of the poet also has an impact on his art and expression. There is an inner circle, the subject and vivid representation takes shape accordingly. By nature I belong to the middle class. Maybe I have still not managed to de-class myself. Years ago my poems were heard silently among the labourers.  But Kaifi would generate more claps. Some people have an opinion that Sahir is more liked the college going boys and girl, this is poetry of an immature brain. But I do doubt the maturity of brains of the people who think like this. I am product of this very circumstances and it is natural to be affected by it. But the poetry’s subjects and their treatment is also bound to change with the age of the poet, as in our times Hafeez and A’dam were very popular among elderly poets. We used to take part is these Mushaa’ire, recited our poems which were well liked by all. Firaaq says this even today that “Mushaa’iron ke ticket to Sahir ke naam par hi bikte hain”.

I know there are very few people who understand Urdu and fewer are interested in it in India. But the revived interest in Urdu poetry, contemporary as well as some poets belonging to the earlier generations, and other literary works, which is raising its head frequently, is heartening. Urdu poetry in itself is a strong statement. It is very important and significant in the 21st century and new millennia also, as it was in 19th and 20th centuries.

And Sahir is a big part of this strong statement. For his content and creative flexibility. There may be a way of looking at his poetry apart from his roots in leftist ideology.  I don’t think he died with, as strong sense of his ideology as he began his active poetic life.

I am fascinated by the impact of Allama Iqbal on his poetry.  He wrote this in early 40’s :

ye kooche ye neelaam ghar dilkashi ke
ye lut’te huye caaravan zindagi ke
kahaan hain, kahan hain, muhafiz khudi ke
sana-khwaan-e-taqdees-e-mashriq kahan hain

Very few poets have used the word ‘khudi’ after Iqbal so immediately after him.  In fact the philosophy of ‘khudi’ is the inherent identity of Iqbal’s literary and poetic work.  Here if Sahir is speaking of ‘khudi’ it must be a reference to glorification and paeans of the civilizational progress of the ‘mashriq’ sung by Iqbal.   The question by Sahir is still valid, as it was 80 years ago.  The question is much bigger than ever, exactly when and how much more, the personal integrity, conscience of each one of us singing praises of cultural, civilizational and religious values are going to go and face this shameful reality.

Allama Iqbal left this world in 1939.  For the impressionable youth, a rebellious one like Sahir, the impressive content and complete logical values in Iqbal’s considerable poetic output, could have felt like the shackles.  So he hits out, at the reality of society, more in self-defence to stop his own slide into the spirituality.  He wants to stay in the realm of the material and spirituality seems like a cave to him, with no way out.

But it is a fact that he ventured into the cave, with a parody too :

cheen-o-arab hamaara, hindostaan hamaara
muslim hain ham watan hai saara jahan hamaara

Bringing it down to the basic issues of survival with:

Cheen-o-arab hamaara, hindostan hamaara
Rehne ko ghar nahin hai, saara jahan hamaara

He takes this She’r of Iqbal ;

Na tu zameen ke liye hai na aasmaan ke liye
Jahaan hai tere liye tu nahin jahaan ke liye

And makes it;

Na tu zameen ke liye hai na aasmaan ke liye
Tera wajood hai ab sirf daastaan ke liye

He does satire, demoralise and ridicule the concept of humans being the supreme creation, and degenerates it.  Not that he has any answers or solutions to the angst expressed in “jinhen naaz hai hind par. . .”.   How the ideology he wore on his sleeve, must have been time and again, weighed against the religiosity and convictions of Iqbal.  He challenges Iqbal’s concepts and thrives on it.

tere ishq ki intehaa chaahta hoon
meri saadgi dekh kya chaahta hoon

He takes the above ghazal of Iqbal and writes this as college bait-baazi song “Tere Pyaar Ka Aasra Chaahta Hoon“.

In relation to the saga called ‘chaklay’, I am reproducing a portion of the article ‘Sahir aur Us ki Sha’iri’, by Kaifi Azmi, originally published in 1948, in ‘Naye Adab Ke Ma’emaar’ (‘Ma’emaar’ – builders or constructors, derived from ta’ameer or ‘imaarat’):

The hapless and hungry nation in reverence towards which glorious paeans are sung with closed eyes, houses brothels at every step. Hence brothels are entrenched in Indian literature too.

The rank intensity, hatred and sincerity with which saahir has shaken up the ‘sanakhwan-e-tasdeeq-e-mashriq’ are simply incomparable.

In ‘chaklay’ (brothels), Sahir’s dignity, his soul and the restlessness of his conscience can be seen at the acme of eminence; I get goose bumps when I read this poem.  The feelings that might have stimulated him to write it are so intense that here his characteristic melancholy transforms into an overwhelming deluge.

[Source – ‘Yeh Un Dinon Ki Baat Hai’, selected and translated by Yasir Abbasi].

One wonders if Sahir ever gave a thought to Rafi sahab’s rendition of the songs of ‘Pyasa’, as he got into a controversy over credit and remuneration. It is 40 years since both of them left the temporary abode called life. We are into 100th year of Sahir and no closer to finding the reply to his call. . .

sana-khwaan-e-taqdees-e-mashriq ko laao
sana-khwaan-e-taqdees-e-mashriq kahan hain

I wonder if any literary work of this world, or any research paper is there, that offers solutions, shows the way out, of this socio-economic problem.  But it is a sad state of affairs that this civilization has ceased to view this as a degenerating parasite of a problem in society.  It exists only in Sahir’s poetry as an issue.

I am presenting a Rafi song on this occasion. This is a solo song written by Sahir Ludhianvi for the film ‘Naach Ghar’ (1959).  N Datta is the composer for this film. The song is a prayer, banjaara song, and overlay of a mujra.  As if the mujra is going on and the viewer is singing the song.  I can only guess at it as the video is not available.  The rendition by Rafi Sahab is again out of this world, especially the starting one minute, before the mujra part begins.  I am at a loss, ke sahir ki baat karun ya Rafi ki.

The movie ‘Naach Ghar’ has 10 songs with Rafi being the only male singer, singing four duets with Lata Mangeshkar, one with Asha Bhosle and one with Geeta Dutt.  The only solo song by Rafi in this film the present post.  I had never heard this song before March 2020, when I decided to post this as the birthday post for Sahir’s birth anniversary.  But since it could not be posted, I have revised the post for the death anniversary.

This is the 20th song in the series of ‘Mohammed Rafi – The Incomparable (II)’.   The first two differing portions of the song are too brief; one wants them to go on and on.  But the song moves on to beyond the dance music to chhed-chhaad mode, romantic and pardesi.  3:15 duration is too short to pack so much, and it ends too soon.  Only the audio is available of the song which is picturized on Gopi Krishna.  This could be a stage song or road-side tamasha song.

Song – Teri Ada Pe Qurbaan, O Jaane Waale (Naach Ghar) (1959) Singer – Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – N Datta

Lyrics (Provided by Avinash Scrapwala)

main banjaara
door ka aa
ghoomun dagar dagar
base rahen is nagar ke baasi
basaa rahe ye nagar
ho ho oo ooooooo

allah ke naam pe
maula ke naam pe 
allah ke naam pe
maula ke naam pe 
de de o jaanewaale
allah ke naam pe
allah ke naam pe
maula ke naam pe 

teri adaa pe qurbaan
o jaanewaale
na ja na ja na ja na jaa
teri adaa pe qurbaan
o jaanewaale
na ja re
na ja na ja na jaa
na ja na ja na jaa
teri adaa pe qurbaan

ho jaayenge
hum deewaane
ho jaayenge
hum deewaane
lut jaayenge
khwaab suhaane
lut jaayenge
khwaab suhaane
o zaalim tarsaane waale
teri adaa pe qurbaan
o jaanewaale
na ja na ja na ja na jaa
teri adaa pe qurbaan
o jaanewaale
na ja re
na ja na ja na jaa
na ja na ja na jaa
teri adaa pe qurbaan

pardesi ke dil ki duaa le
pardesi ke dil ki duaa le
khud ruk jaa yaa
hum ko bula le
khud ruk jaa yaa
hum ko bulaa le
ghaayal chhod ke jaane waale
teri adaa pe qurbaan
o jaanewaale
na ja na ja na ja na jaa
yeri adaa pe qurbaan
o jaanewaale
na ja re
na ja na ja na jaa
na ja na ja na jaa
teri adaa pe qurbaan

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————

मैं बंजारा
दूर का
घूमूँ डगर डगर
बसे रहें इस नगर के बासी
बसा रहे ये नगर
हो हो ओ ओssssss

अल्लाह के नाम पे
मौला के नाम पे
अल्लाह के नाम पे
मौला के नाम पे
दे दे ओ जाने वाले
अल्लाह के नाम पे
अल्लाह के नाम पे
मौला के नाम पे

तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा रे
ना जा ना जा ना जा
ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान

हो जाएँगे
हम दीवाने
हो जाएँगे
हम दीवाने
लुट जाएँगे
ख्वाब सुहाने
लुट जाएँगे
ख्वाब सुहाने
ओ ज़ालिम तरसाने वाले
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा रे
ना जा ना जा ना जा
ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान

परदेसी के दिल की दुआ ले
परदेसी के दिल की दुआ ले
खुद रुक जा या
हमको बुला ले
खुद रुक जा या
हमको बुला ले
घायल छोड़ के जाने वाले
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा रे
ना जा ना जा ना जा
ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4480 Post No. : 15989

“Patangaa”(1971) was directed by Kedar Kapoor for K R Films, Bombay. This “social” movie had Shashi Kapoor, Vimi, Ajit, Rajendranath, Sajjan, Wasti, Ashok Kumar, Laxmmi Chhaaya, Zeb Rahman, Jagdish Raj, Rammohan, Leela Mishra, Praveen Pal, Geeta, amina Bai, Ram Avtar, Shekhar Purohit, Prem, Shiv Chandar, Ravindra Kumar, Harun, Lal, Nasir, Balram, Santosh, Rajkumar etc in it.

The movie had eight songs in it. Seven songs have been covered in the past. Here are the details of these seven songs:-

Song Posted On
Thhoda ruk jaayegi to tera kyaa jaageygaa 12.09.2010
Jhoom ke gaa yoon aaj mere dil 18.06.2012
Shyam ke rang mein rang gayi shaam (multiple version song) 22.08.2013
Pee lo aaj pee lo 14.06.2015
Patanga jal jal jal mar jaaye 21.11.2017
Tose najariya ladaai 12.09.2020

Here is the eighth and final song from “Patanga”(1971). This song is sung by Rafi. Neeraj is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised on Shashi Kapoor, playing a kotha going “barbaad insaan” who is lip syncing this song while Laxmi Chhaya performs the mujra. One is reminded of a similar song viz Jhanak jhanak tori baaje paayaliya(Mere Huzoor) which was also a Shamkar Jaikishan composition. But unlike that immortal song, this song fails to leave much of an impression. I had not heard this “Patanga”(1971) song before whic means that the song had failed to become popular during its time.

Lyrics of this song were sent to me by Avinash Scrapwala.

With this song, all the eight songs of “Patanga”(1971) get covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.

Audio

Video


Song-Sone deti hai na ye raat koi baat karo (Patanga)(1971) Singer-Rafi, Lyrics-Neeraj, MD-Shankar Jaikishan

Lyrics(Provided by Avinash Scrapwala)

aa aa aa aa aa aa aa aa
sone deti hai naa ye raat
koi baat karo o o o
sone deti hai naa ye raat
koi baat karo o o o
ho suhaagan ye mulaaqat
koi baat karo o o o
sone deti hai naa ye raat
koi baat karo o o o

tu jawaan main bhi jawaan
pyaas jawaan
dil bhi jawaan
tu jawaan main bhi jawaan
pyaas jawaan
dil bhi jawaan
main jaloon ban ke patangaa aa
tu machal ban ke shamaa aa
ishq ki umr hai ik raat
koi baat karo o
ho suhaagan ye mulaaqat
koi baat karo o
sone deti hai naa ye raat
koi baat karo o o o

haaye maasoom nazar
uspe qaatil ye adaa aa aa
haaye maasoom nazar
uspe qaatil ye adaa aa
jaise de koi jawaani
kisi bachpan ko sadaa aa
jaane phir ho ke na ho saath
koi baat karo o o
ho suhaagan ye mulaaqat
koi baat karo o o o
sone deti hai naa ye raat
koi baat karo o o o o o

jaise bachchaa koyi
kho jaaye kisi mele mein ae
jaise bachchaa koyi
kho jaaye kisi mele mein ae
karvatein badley koi aarzoo
akele mein ae
yoon hai bahke huye jazbaat
koi baat karo o
ho suhaagan ye mulaaqat
koi baat karo o
sone deti hai naa ye raat
koi baat karo o
sone deti hai naa ye raat
koi baat karo o o o o o

———————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————
आ आ आ आ आ आ आ आ
सोने देती है ना ये रात
कोई बात करो ओ ओ ओ
सोने देती है ना ये रात
कोई बात करो ओ ओ ओ
हो सुहागन ये मुलाक़ात
कोई बात करो ओ ओ ओ
सोने देती है ना ये रात
कोई बात करो ओ ओ ओ

तू जवाँ मैं भी जवाँ
प्यास जवाँ
दिल भी जवाँ
तू जवाँ मैं भी जवाँ
प्यास जवाँ
दिल भी जवाँ
मैं जलूं बन के पतंगा आ
तू मचल बन के शमा आ
इश्क कि उम्र है इक रात
कोई बात करो ओ ओ ओ
हो सुहागन ये मुलाक़ात
कोई बात करो ओ ओ ओ
सोने देती है ना ये रात
कोई बात करो ओ ओ ओ

हाए मासूम नज़र
उसपे कातिल ये अदा आ आ आ
हाए मासूम नज़र
उसपे कातिल ये अदा आ आ
जैसे दे कोई जवानी
किसी बचपन को सदा आ
जाने फिर हो के न हो
साथ
कोई बात करो ओ ओ ओ
हो सुहागन ये मुलाक़ात
कोई बात करो ओ ओ ओ
सोने देती है ना ये रात
कोई बात करो ओ ओ ओ

जैसे बच्चा कोई
खो जाए किसी मेले में ए
जैसे बच्चा कोई
खो जाए किसी मेले में ए
करवटें बदले कोई आरज़ू
अकेले में ए ए
यूं है बहके हुए जज्बात
कोई बात करो ओ ओ ओ
हो सुहागन ये मुलाक़ात
कोई बात करो ओ ओ
सोने देती है ना ये रात
कोई बात करो ओ ओ ओ
सोने देती है ना ये रात
कोई बात करो ओ ओ ओ ओ ओ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4476 Post No. : 15978

“Khaandaan” (1965)was produced by Vasu Menon and directed by A Bhim Singh for Vasu Films, Madras. The movir had Sunil Dutt, Nutan, Pran, Sudesh Kumar, Manmohan Krishna, Mohan Choti, Om Prakash, Ravikant, Arundev, Mumtaz, Sulochana Chatterjee, Lalita Pawar, Helen, Jeewankala etc in it.

This archtypical “social” movie had the usual fare typical of movies made in the South.

“Khaandaan”(1965) had eight songs in it. Seven songs have been covered in the past. Here are their details:-

Blog post no Song Posted On
2687 Tumhi mere mandir tumhi meri poojaa tumhi devtaa ho 28.07.2010
4298 Kal chaman thhaa aaj ek sehraa huaa 30.07.2011
4298 Neel gagan par udte baadal aa aa aa 01.08.2011
4312 Tu ho ke badaa ban jaana apni maan ka rakhwaala 09.03.2012
10032 Aa dance karen 31.07.2014
15760 Ho ballo soch ke mele jaana 28.07.2020
15795 Badi der bhayi Nandlala teri raah takey Brijbaala 11.08.2020

Here is the eighth and final song from “Khandaan”(1965) to appear in the blog. This song is sung by Asha Bhonsle and Usha Mangeshkar. Rajinder Krishan is the lyricist. Music is composed by Ravi.

The song is picturised as a synchronised stage dance performance song on Helen and Jeewankala. Their energetic dance performance is bound to recharge the spirits of the watchers even today, 55 years after this video was first witnessed by moviegoers in moviehalls. Watching this performance made me realise that performing such dances were the secret behind the figures of these dancers. 🙂

Lyrics of the song were sent to me by Avinash Scrapwala.

With this song, all the eight songs of “Khandaan”(1965) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.

Video

Audio

Song-Meri mitti mein mil gayi jawaani haay raam (Khaandaan)(1965) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Rajinder Krishan, MD-Ravi
Both
Chorus

LyricsProvided by Avinash Scrapwala)

do din jhhoothha pyaar jataa ke
chalaa gaya ik baabu
koyi bataa de kaise rakhoon
apne dil par kaabu

meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam

khilaata tha pyaar se
banaaras ke paan
wo ghadi ghadi kehtaa tha
haay meri jaan

khilaata tha pyaar se
banaaras ke paan
wo ghadi ghadi kehtaa tha
haay meri jaan

yaad aati hai jab uski
meethhi zabaan
yaad aati hai jab uski
meethhi zabaan

to ro ro ke kehtaa hai
dil naadaan

kyaa

meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam

abhi to hai mushqil se do din ki baat
ke sainyya ke pahlu mein kat’ti thi raat
abhi to hai mushqil se do din ki baat
ke sainyya ke pahlu mein kat’ti thi raat
main to samjhi thi
saari umr ka hai saath
main to samjhi thi
saari umr ka hai saath

pataa kya tha aisi hai
mardon ki jaat
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam

na hota agar chaar aankhon ka mel
judaayi ki hoti naa lambi ye jail
na hota agar chaar aankhon ka mel
judaayi ki hoti naa lambi ye jail
ho padaa kitna mehengaa
mohabbat ka khel
ho padaa kitna mehengaa
mohabbat ka khel

ye kehta hai bah bah ke
zulfon ka tel
meri mitti mein mil gayi jawaani
haay raam
meri mitti mein mil gayi jawaani
haay raam
koyi samjhe na meri kahaani
haay raam
koyi samjhe na meri kahaani
haay raam
meri mitti mein mil gayi jawaani
haay raam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4474 Post No. : 15976

“Aakhir Kyon”(1985) was produced and directed by J Omprakash. Now I realise why this movie title starts with the letter “A”. 🙂

The movie had Rajesh Khanna, Smita Patil, Rakesh Roshan, Tina Munim, Asrani, Sujit Kumar, Shubha Khote, Beena Bannerjee etc in it.

THe movie was a archtypical South Indian “social” movie. Peevesie’s mom, while discussing one earlier song from the movie had provided this summary of the story of the movie

That movie had a very topical theme of a wife (Smita Patil) being abandoned by her whimsical husband (Rakesh Roshan) for another girl (Tina Munim). The story goes on to show Smita becoming a TV anchor (she was one prior to coming into movies) and then graduating to a Novelist. Then it turns out that when her husband’s business falls in bad times he approaches her; requests her to write for him; so that he can get their daughter (whom had forcibly kept with himself at the time of separation) married decently. That is the gist of the movie. We also had a partly bald Rajesh Khanna playing a TV (DoorDarshan) cameraman who admires Smita for her rebounding power and is a support to her throughout.

This movie came at a time when DD was the only channel available and people used to have one TV in their drawing rooms. And whole families used to sit and watch whatever was dished out to them. Otherwise I cannot imagine an entire family sitting and watching this kind of a musical show on TV these days. Also those were the days when people used to quote Rani Jhansi in all their speeches. Also Indira Gandhi and Margaret Thatcher were sources of inspiration.

The movie had five songs in it. Four songs have been covered so far, with the movie making its debut in the blog in 2008, the first year for the blog !
Here are the details of the song covered in the blog :-

Blog post number Song Date posted
422 Dushman na kare dost ne wo kaam kiya hai 21 December 2008
5603 Saat rang mein khel rahi hai 8 March 2012
9544 Komal hai kamzor nahin tu 8 March 2014
15696 Ek andhera laakh sitaare 2 July 2020

We can see from the table that second and third song from the movie were discussed on 8th march (2012 and 2014) on the occasion of Women’s day. It shows that the movie had some sort of “Women’s empowerment” message in the movie.

Today (17 october 2020) happens to be the birthday anniversary of Smita Patil (17 October 1955- 13 December 1986). On this occasion, here is the fifth and final song from “Aakhir Kyon”(1985) to appear in the blog.

This song is sung by Lata. Indeewar is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised as a get together song where Smita Patil lip syncs this semi classocal song while others, including Tina Munim, Rakesh Roshan and others look on. Tina Munim also uses this opportunity to fantasise about Rakesh Roshan.

Lyrics of this song were sent to me by Avinash Scrapwala.

With this song, all the five songs of “Aakhir Kyon”(1985) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog. This movie took nearly 12 years (3753 days to be precise) to get YIPPEED.

This song is the 3600th song of Lata Mangeshkar as a playback singer in the blog.

Video

Audio

Song-Shaam huyi chadhh aayi re badariya (Aakhir Kyon)(1985) Singer-Lata, Lyrics-Indeewar, MD-Rajesh Roshan

Lyrics (Provided by Avinash Scrapwala)

Aa aa aa aa aa
aa aa aa
Hoon hoon hoon
Hoon hoon

Shaam Huyee
Chadh Aayee Re Badariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa
Abahoon Naa Aaye
More Shyaama Sanwaariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa

Abahoon Naa Aaye
More Shyaama Sanwaariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa

O o o
Aa aa aa

Anchhuye Honth Mere
Khoye Khoye Nain Mere
Goonjatey Hai Praanon Mein
Madhur Madhur Bol Tere
Mere Saath Bain Kare ae Ho o
Mere Saath Bain Kare
Moree Atariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa

Solah Baras Beete
Gin Gein Ratiyaan
Pee Se Milan Chalee
Sang Kee Sakhiyaan
Ab to Le Lo Piyaa aa Ho o
Ab to Le Lo Piyaa
Aake khabariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa

Paa ni saa re
Ni saa re
Ni saa re
Ni dha paa
Aa aa aa
Aa aa aa
Shaam Huyee
Chadh Aayee Re Badariyaa
Abahoon Naa Aaye
More Shyaama Sanwaariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4473 Post No. : 15975

16/10/2020 – 72nd Birthday of Hema Malini
————————————————————-
So the dream girl is turning 7 & 2, 72. This same way we should make 2 & 2, 22. Right ? wrong, imdb is making “two and two make five”, in simple translation of the movie “Do aur do paanch”(1980). They have “Athiest” for “Nastik”, “The patriot” for “Deshpremi” and “Blind law” for ‘Andha Kanoon”. This is great going. But they go a step ahead and translate “Naseeb” as “Destiny and Fate”, whereas “Dard” is “Conflict of emotion”. I learnt today that ‘Trishul” is “Trident” and “Kasauti” is “Criterion” in English. Many of the 173 films listed in the filmography have been left alone, to dwell in their hindi/urdu quagmire. Some titles like ‘Shareef Badmash” ‘Sharafat” ‘Sholay” ‘Sachhe ka bolbalaa”, “ Ek chadar maili si”,”Jise tu qubool kar le” and ‘Maan Gaye ustaad” have been wisely given a wide berth.

But they can’t stop from falling into “Seven on seven” for “Satte pe satta”. And they failed to translate “Dharmatma” into “The Godfather” ?. They could have done worse and translated “Raziya Sultan” to “Emperor of Contentment”. I did tell Peevesie’s mom the other day, this translating of movie names business is a good exercise for the brain.

Let us go to the song and birthday girl now. The Wikpedia page on Hema Malini is here and is quite exhaustive. If I have to say something from my own “two paisa worth” opinion, Hema Malini was one courageous female artist, who being a public personality, chose to be Dharmendra’s second wife, rejecting other eligible bachelors such as Sanjeev Kumar and Jeetendra. About Dharmendra’s commitment, there is very filmy dialogue “ekbaar main ne commitment kar li, to phir main apne aap ki bhi nahi suntaa”. Bigger men and personalities have been found to have feet of clay, in similar situations.

The song I have chosen to present today is a much heard and seen song in “Chaayageet”. It was lying buried in the memory and as soon as I saw the title of the song it came back that it is a song where HemaMalini is playing “hide n seek” with kids in the garden. The kids in question are, Master Chintu, Master Raju, Master Alankar, Master Laddu, Padmini Kolhapure, Madhu Malini, Master chicoo, Bunty, Bobby etc. all child artist. The list is sourced from two different sources, so could be inaccurate. There is sad version also of the song, where these kids are singing and searching for Hema Malini.

This is the brief story line of the film, which stars, Ashok Kumar, Dharmendra, Asrani, Prem Chopra etc.:

Sapna, who works under a number of aliases, is a modern day female Robin Hood, who steals from whoever she can, so that she can maintain a home for orphans. One day she meets with wealthy and eligible bachelor, AnupamVerma, and poses as a wealthy princess. He takes her to meet his grandparents, and even lets her live in his palatial bunglow. But soon Sapna’s past catches up with her, when she is recognized as Champabai, a prostitute.

The creative team is the prolific Laxmikant-Pyarelal-AnandBakshi, with Lata Mangeshkar singing both versions with few un-credited kids voices and chorus.

Happy version audio :

Happy version video

Sad version audio :

Sad version video

Song-Chhuppa chhupi khelen aao (Dream Girl)(1977) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics(Provided by Avinash Scrapwala)

———————–
Happy version
———————–

Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Paas hi chhupnaa
Door nahin jaana
Jab main bulaaoon
Daude daude chale aana
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Luk chhup jaana
Makai ka daana
Raja ki beti aayee
Ha ha ha
Ha ha

Sab chhup gaye
Nahin nahin didi
Ek minute

Sab chhup jaao
Aage peechhe
Main baithhi hoon
Ankhiyaan meenchey
Ho o
Sab chhup jaao
Aage peechhe
Main baithi hoon
Ankhiyaan meenchey
Main aayee
Main aayee

Ye pakdi
Kaisi hai ye didi
Bhala aankh michaulee
Daayi aankh band ki
Baanyi aankh kholi

Kisne
Maine
Nahin to
Kaisi hai ye didi
Bhala aankh michaulee
Daayi aankh band ki
Baanyi aankh kholi

Pakadi gayee tum
Chhodo bahaana
Abb main chhupoongi
Mujhe dhoondh ke laana
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Chalo abb meri baari hai
Dekho beimaani nahin karna
Haan

Dhoondh hi lenge dhoondhnewaale
Gora mukhda naina kaale
hoondh hi lenge dhoondnewaale
Gora mukhda naina kaale

Hey pakdee
Chhupne bhi diya nahin
Mujhe haay haay
Chori chori mere peechhe
Peechhe chale aaye
Chori chori mere peechhe
Peechhe chale aaye
Pakadi gayee main
Tumne ye jaana
Tumne ye maana hoga
Maine nahin maana
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Paas hi chhupna
Door naa jaana
Jab main bulaaoon
Daude daude chale aana
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

—————————-
Sad version lyrics :
—————————–

paas hi chhupnaa
door na jaana
jab ham bulaayen
didi daudi chali aana
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao

tu to sach much chhup gayi didi
tu to sach much chhup gayi didi
roothh gayi tu
baat hai seedhi
gali gali dhoondhe
ma’afi maange
ham saare ae
gali gali dhoondhe
ma’afi maange
ham saare ae

saamne to aajaa
tu hi jeeti
ham haare
tu hi jeeti
ham haare

aankh michauli ka kar ke bahaana
achcha banaaya tu ne
hamko deewaanaa
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao

bhool huyi ham
khel khel mein
reh gaye ham sab aaj akele
bhool huyi ham
khel khel mein
reh gaye ham sab aaj akele

ham se zyaada pyaare
kya meet mil gaye
lagtaa hai tujhe didi
naye geet mil gaye
naye geet mil gaye
bhool gayi wo geet puraana
jab ham bulaayen
didi daudi chali aana
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao

chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16000 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16076

Number of movies covered in the blog

Movies with all their songs covered =1235
Total Number of movies covered =4389

Total visits so far

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Active for more than 4000 days.

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