Archive for the ‘Songs of 1974’ Category
Zindagi zindaadili ka naam hai
Posted on: September 9, 2019
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4070 | Post No. : | 15207 | Movie Count : |
4180 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 86 # Asha Bhonsle – Happy 86th birth anniversary#
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Yesterday 8th September 2019 was the eighty-sixth birth anniversary (born on 08th Sep’1933) of the legendary singer Asha Bhonsle.
We are all aware of the greatness and versatility of this voice and cannot imagine our HFM (for me Marathi film music too) without her voice. She has been ruling the hearts over seven decades or more than that now…
I am not going into the details of her biography, famous songs, popular songs, awards etc etc because her name itself speaks for the ‘greatness’ and her ‘epic’ journey in our film industry and the name itself carries such a vastness in it that one can only imagine the efforts one have to put in writing about her journey in HFM. And that is why I salute to all the authors who have written the various books on her.
She has come a long way and immortalized herself in the Hindi Film music with her singing. We have been reading about her initial struggle and competition with other singers including her own sister the great legendary singer Lata Mangeshkar. But Asha Bhonsle carved out a special place for her and remain favorites of many music lovers.
Her popularity keeps increasing and was always increasing in other countries too. And how popular she was in other countries than India, I came to know while I was once travelling in a UAE based airlines from Abu Dhabi to Ahmedabad. In the flight ‘entertainment box’ when I was looking for various Hindi film audios to listen during the travel, I came across a compilation of Asha Bhonsle containing almost fifty songs starting from ‘Mr John ya Baba Khan’ to the very latest song, I think, from ‘Begum Jaan (2017)’. Her introduction was given very aptly mentioning her as the ‘true Queen of Melody’ and her seven decades long career in Bollywood and singing film and non-film songs and songs in many languages too. (I do not remember the exact words now, but it was very well mentioning of her great achievements in that brief intro).
Then there were compilations of other Indian singers too like Mohd Rafi, Yesudas, Shreya Ghoshal, and Lata Mangeshkar. (I think Kishore Kumar’s songs were not there and songs from Yesudas and S.P. Balasubramaniam were in regional languages of India).
But the interesting thing that surprised me was when I read the intro given for Lata Mangeshkar. She was mentioned as the ‘another giant singer in Bollywood and sister of the great Asha Bhonsle’ :). And like other singers (that I mentioned above) the quantity of songs included for Lata Mangeshkar too was around 20-25 songs only.
One can understand my feelings, as an Indian, when I read that intro and the thoughts going through my mind. Well, nothing wrong in that if we see the other point of view, and for us both of them will remain ‘great and immortal’ always forever.
And, I think today’s song is a befitting song for the occasion of the 86th birth anniversary of Asha Bhonsle. This song epitomises much of what she is known for.
The song is from the movie ‘Koraa Badan-1974’ directed by B.S. Shad for ‘Brar Productions, Bombay’ and was a ‘social movie’ (passed by Censor Board with ‘A’ certificate).
It had Reeta Anchan, Harinder, Bindu, Jayshree T., Paintal, Montu, Rajan Haksar, Shera, Yash Sharma, Prakash Ved, Meher Mittal, Vijay Tandon.
Also, it had Sunil Dutt, Mala Sinha, Dev Kumar, Subhash Ghai, Shobhna in ‘Special appearances.
This movie had six songs penned by Babu Singh Maan (three songs), Kashmir Qadar (two songs) and Mahendra Dehalvi (one song).
Songs for this movie were composed by Vedpal Verma, and Shruti, Kant Verma and Ajay Kumar were his assistants.
Asha Bhonsle, Hemlata, Krishna Bose and Manhar had given their voices to the songs in this movie.
Background music for this movie was given by Mohammad Shafi.
This movie was passed by Censor Board on 15.03.1974 with restricted viewing for ‘Adults’ only.
(It seems that there was another movie with the same title in ‘2003’, and the online videos of this 2003 movie is available which is wrongly described as movie of 1974.
Today’s song is written by Mahendra Dehalvi and composed by Vedpal Verma. On screen it is performed by Jayshree T., and sung by Asha Bhonsle.
When I initially shared this song in 2013 (on 08.06.2013) the video of this song was available and the link no longer exists
However, audio of this song is available. (there is a little difference in lyrics in the video and the audio of the songs i.e. only for repeating of the same lines in ‘antara’ and the ‘mukhda’ at the end of the song.
The lyrics given are as per audio link available and I have keep the ‘mukhda’ at the end of the song as per the video link).
let us now enjoy this song …
With today’s song the movie ‘Koraa Badan-1974’ makes its debut on the blog.
I would request knowledgeable readers to throw more light on this movie and its songs.
Audio
Song-Zindagi zindadili ka naam hai (Kora Badan)(1974) Singer-Asha Bhonsle, Lyrics-Mahendra Dehalvi, MD-Vedpal Verma
Lyrics
Zindagi
Aha zindagi ee
Ho Zindagi
Zindaa dili kaa naam hai
Zindagi zindaadili kaa naam hai ae
Jeena hai to hans ke jee le tu
Pyaar mein gham ka zehar bhi pee le tu u
Zindagi zindaadili kaa naam hai ae
Zindagi ee
Ya aa yaara yaara yaara ya
Yaara aa
Yaara aa
Narm honthhon ke
Surkh paimaane
Pee le pee le tu u
Aaj deewaane ae
Narm honthhon ke ae ae
surkh paimaane ae
Pee le pee le tu
aaj deewaane ae
Mastiyon mein doob ja re
Bekhudi ka le mazaa re
Zindagi
Zindagi zindaadili kaa naam hai ae
Zindagi zindaadili kaa naam hai
Jeena hai to hans ke jee le tu
Pyaar mein gham ka zehar bhi pee le tu u
Zindagi zindaadili kaa naam hai ae
Zindagi ee
Ya aa yaara yaara yaara ya aa
Ya aa yaara yaara yaara yaa yaa
Yaara aa
Yaara aa
Chaar din ke hain
Gham ke ye baadal
Waqt badlegaa aa
aaj nahin to kal
Chaar din ke hain
gham ke ye baadal
Waqt badlegaa aa
aaj nahin to kal
Husn ki baahon mein aaja
Pyaar ki raahon mein aaja
Zindagi
Zindagi zindaadili kaa naam hai
Zindagi zindaadili kaa naam hai
Jeena hai to hans ke jee le tu
Pyaar mein gham ke zaher bhi pee le tu
Zindagi zindaadili kaa naam hai
Zindagi zindaadili kaa naam hai
Zindagi
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Devnagri Script lyrics(Prrovided by Avinash Scrapwala)
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ज़िन्दगी
आहा ज़िन्दगी ई
हो ज़िन्दगी
ज़िंदा दिली का नाम है
ज़िन्दगी जिंदादिली का नाम है ए
जीना है तो हंस के जी ले तू
प्यार में ग़म का ज़हर भी पी ले तू ऊ
ज़िन्दगी जिंदादिली का नाम है ए
ज़िन्दगी ई
या आ
यारा यारा यारा या
यारा आ
यारा आ
नर्म होंठों के
सुर्ख पैमाने
पी ले पी ले तू ऊ
आज दीवाने ए
नर्म होंठों के
सुर्ख पैमाने ए
पी ले पी ले तू
आज दीवाने ए
मस्तियों में डूब जा रे
बेखुदी का ले मज़ा रे
ज़िन्दगी
ज़िन्दगी जिंदादिली का नाम है ए
ज़िन्दगी जिंदादिली का नाम है ए
जीना है तो हंस के जी ले तू
प्यार में ग़म का ज़हर भी पी ले तू ऊ
ज़िन्दगी जिंदादिली का नाम है ए
ज़िन्दगी ई
या आ
यारा यारा यारा या आ
या आ
यारा यारा यारा या या
यारा आ
यारा आ
चार दिन के हैं
ग़म के ये बादल
वक़्त बदलेगा आ आज नहीं तो कल
चार दिन के हैं ए
ग़म के ये बादल
वक़्त बदलेगा आ आज नहीं तो कल
हुस्न की बाहों में आजा
प्यार की राहों में आजा
ज़िन्दगी
ज़िन्दगी जिंदादिली का नाम है
ज़िन्दगी जिंदादिली का नाम है
प्यार में ग़म का ज़हर भी पी ले तू
ज़िन्दगी जिंदादिली का नाम है ए
ज़िन्दगी ई
Sone ke gahne kyun toone pahne
Posted on: August 5, 2019
- In: Blog ten year challenge (2009-2019) | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rafi solo | Rafi songs | Songs of 1970s (1971 to 1980) | Songs of 1974 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4035 | Post No. : | 15159 |
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Blog 10-Year Challenge (2009-19) – Song No. 42
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Though I have been discussing Hindi movie songs in the blog for more than a decade now, it is not as if I had watched too many movies during my “formative” years. I recall having watched a few movies in early 1970s, with the last of these movies being “Zindagi Zindagi” (1972) in 1972.
My movie watching spree began in 1978 (after six years) when I joined college and got “freedom” that I as a college goer was “supposed” to enjoy. 🙂 And I fully misused my freedom, by watching movies when I should have been attending my classes.
It was during this movie watching spree that I watched not just the current movies but also those movies which had come between 1972 and 1978 which I had missed during their time. This included all Amitabh Bachchan hit movies like “Zanjeer” (1973), “Deewaar”(1975), “Sholay” (1975) etc.
When my pre teen movie watching ended in 1972, I had watched very few movies. I could only identify Rajesh Khanna, Tanuja, Mumtaz etc thanks to Rajesh Khanna movies like “Haathi Mere Saathi”(1971) and “Apna Desh” (1972) that I got to watch at that time. Thanks to watching “Haqeeqat”(1964) is an open field show at night in my railway colony, I became familiar with Dharmendra. In another such free show, I watched “Dil Diya Dard Liya”(1966) and that is how I became familiar with Dilip Kumar.
That was about it. I had not watched any movies of Rajendra Kumar, Raj Kumar, Raj Kapoor, Dev Anand, Hema Malini, Sanjeev Kumar, Saira Bano etc till 1978 !
During my “catching up with lost time” movie watching spree, I watched “Resham Ki Dori”(1974) some time in 1978 or 1979. This movie, as I know now thanks to HFGK, was directed by Atmaram for Modern Pictures Bombay. The movie had Saira Bano, Dharmendra, Kumud Chhugaani, Rajendranath, Sujit Kumar, Sajja, Ramesh Deo, Rajan Haksar, Jayshree T, Kundan, Meena T, Bhagwan, Shabnam, Sapru, Shivraj, Jankidas, Keshav Rana, Sundar, Master Sachin, Ramlal, Bhagwan Sinha, Leela Mishra, Radheshyam, Chaand Usmani (Special appearance), Kanwar Ajit, Suresh, Murad etc in it.
Except Dharmendra, almost every other actor in the movie was “new” and unfamiliar for me. Many of them continued to remain unfamiliar to me for decades. For instance, I was not aware which actress played the sister of Dharmendra in this movie. Somehow I had erroneously assumed that she was called Urmila Bhatt (I find , to my surprise that she is not even there in the cast). Only now, when I checked up the starcast, I realised that the sister had to be Kumud Chhugaani.
The movie had six songs in it. The most popular song of the song was the raakhi song and it was posted exactly ten years ago. So that means that this day ten year ago was the festival of Rakshabandhan. And as was the practice in the blog, Rakhi related songs were discussed on the blog on that day (5 august 2009).
| Song | Movie | Remarks |
|---|---|---|
| Behna ne bhai ki kalaayi pe pyaar baandha hai | (Reshan ki dori)(1974) | 2 songs covered out of 6 |
| dil se dil ki dor baadhi chori chori | (Chaayaa)(1961) | YIPPEED (all 7 songs covered) |
| Aaya tumpe dil aaya | (Do Ustaad)(1959) | YIPPEED (all 8 songs covered) |
| Soona hai mere dil ka jahaan | (Devtaa)(1956) | 4 songs covered out of 8 |
| Dil tootnaa thha dil toot gaya | (Dilruba)(1950) | YIPPEED (all 11 songs covered) |
| Marne ki duaayen kyun maangoon | (Ziddi)(1948) | YIPPEED (all 9 songs covered) |
As can be seen, six songs from six movies were covered on 5 august 2009. Four out of these six movies have been YIPPEED by now.
Today, we take up one of the unYIPPEED movies, namely “Reshan ki dori”(1974).
The two songs of this movie that have been covered till now are
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Bahnaa ne bhaayi ki kalaayi se pyaar baandhaa hai | 1729 | 5-Aug-09 |
| 2 | Chamka paseena ban ke nageena | 9116 | 8-Dec-13 |
Today, as part of blog ten year challenge (2009-2019), here is a song from “Resham Ki Dori”(1974). This song is a lovers’s song. It is sung by Rafi, with a few sweet nothings uttered by Saira Bano (I guess). Indeewar is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised on Dharmendra and Saira Bano. It was for the first time in this movie that I had seen Saira Bano in a movie. I had not seen her in “Padosan”(1968) because my elders did not take me to watch this (or other well known movies) of those days.
Lyrics of this song were sent to me by avinash Scrapwala.
Video
https://www.youtube.com/watch?v=VsrXJWkEKQs (video)
Audio
Song-Sone ke gahne kyun toone pahne (Resham Ki Dori)(1974) Singer-Rafi, Lyrics-Indeewar, MD-Shankar Jaikishan
Saira Bano
Lyrics (Provided by Avinash Scrapwala)
Sone ke gahne
Kyun tune pahne
Kaaya teri khud kanchan hai ae
Gesu banaaye to
Phool kyun sajaaye
Tera badan khud gulshan hai ae
Achchhaa
Sone ke gahne
Kyun tune pahne ae
A haa haa
dhat
Heere ki angoothhi bhi
Lagti hai jhoothhi
Itni chamak teri aankhon mein ae
Ja ja
Jhoothhe
Moti ki maala
Kyun pahni baalaa
Moti chhupe hai tere daanton mein
Haay Raam
Moti chhupe hai tere daaton mein
Ghadi ghadi darpan ke ae
Oye hoye hoye hoye
Ghadi ghadi darpan ke ae
Aage khadi kyun
Tera badan khud darpan hai
Hato ji
Sone ke gahne
Kyun tune pahne
Kaaya teri khud kanchan hai ae ae
Sone ke gahne
Kyun tune pahne
Hmm mm
how romantic
Sooraj sa chamke
Jab tera mukhda
Maathe pe bindiya sajaayi kyun
Haan
Ha h h h sach
Laali bina honthh laal hai tere
Hothhon pe laali lagaayi kyun
Hmm mm
Hothhon pe laali lagaayi kyun
Singaar ki ee
Haaye ae main mar jaawaan
Singaar ki tujhe kya hai zaroorat
Tera singaar tera yauvan hai
uff
Sone ke gahne
Kyun tune pahne
Kaaya teri khud kanchan hai ae ae
Laa laa laa laa
Gesu banaaye to
Laa laa laal laa
Phool kyun sajaaye
Laa laa laal laa
Tera badan khud gulshan hai ae
Hmm hmm hmm hmm
Sone ke gahne kyun tune pahne
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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सोने के गहने
क्यूँ तूने पहने
काया तेरी खुद कंचन है ए ए
गेसू बनाए तो
फूल क्यूँ सजाये
तेरा बदन खुद गुलशन है ए
अच्छा
सोने के गहने
क्यूँ तूने पहने ए
अ हा हा
धत
हीरे की अंगूठी भी
लगती है झूठी
इतनी चमक तेरी आँखों में ए
जा जा
झूठे
मोती की माला
क्यूँ पहनी बाला
मोती छुपे है तेरे दाँतों में
हाय राम
मोती छुपे है तेरे दाँतों में
घडी घडी दर्पण के ए
ओये होए होए होए
घडी घडी दर्पण के ए
आगे कड़ी क्यूँ
तेरा बदन खुद दर्पण है
हटो जी
सोने के गहने
क्यूँ तूने पहने
काया तेरी खुद कंचन है ए ए
सोने के गहने
क्यूँ तूने पहने
हम्म म्म
हाउ रोमांटिक
सूरज सा चमके
जब तेरा मुखड़ा
माथे पे बिंदिया सजाई क्यूँ
हाँ
अ ह ह ह सच
लाली बिना होंठ लाल है तेरे
होंठों पे लाली लगाई क्यूँ
हम्म म्म
होंठों पे लाली लगाई क्यूँ
सिंगार की ई
हाए मैं मर जावां
सिंगार की तुझे क्या है ज़रुरत
तेरा सिंगार तेरा यौवन है
ऊफ
सोने के गहने
क्यूँ तूने पहने
काया तेरी खुद कंचन है ए ए
ला ला ला ला
गेसू बनाए तो
ला ला ला ला
फूल क्यूँ सजाये
ला ला ला ला
तेरा बदन खुद गुलशन है ए
हम्म हम्म हम्म हम्म
सोने के गहने क्यूँ तूने पहने
Dil to maane naa
Posted on: April 20, 2019
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3928 | Post No. : | 14998 | Movie Count : |
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Atul Song-A-Day 15K Song Milestone Celebrations – 8
– – – – – – – – – – – – – – – – – – – – – – – – – – – – –
Not all journeys have a pre-determined destination.
Sometimes a traveler sets off on a journey, purely with the intention of travel. For how long, which specific places he will travel to, where he will stop, who and what he will encounter…these are all unknown.
All he knows is that he has the desire to travel – and will travel for as long as he has such desire, and the ability to travel.
And it is just as well that he travels without a set destination or time-frame. That would take away from the enjoyment of the journey itself. It is not that the travel is meaningless – it certainly has a purpose. Just that the purpose is to enjoy the journey, not to keep a destination or time-frame in focus.
I’d like to think this blog is one such journey – and Atul is this traveler.
Atul has himself said many times, when he posted his first song on this blog on the 19th of July 2008, he had no idea what it would go on to become. As a music lover, all he wanted was to have a blog of his own. A place where he could post songs of his choice and share his taste with other music lovers. Pretty simple, isn’t it?
At that time, he would’ve been happy if he could have got to a 1000 songs on the blog. That would have been huge.
2000? Amazing!
5000? Are you CRAZY?
10000? Ab bas bhi karo yaar, kuchh zyaada hi ho gaya…
But this traveler never stopped travelling. One step at a time, he kept walking. The milestones kept passing by. He acknowledged them – but never stopped. Sort of like “nadiya chale chale re dhaara, chanda chale chale re taara, tumko chalna hoga, tumko chalna hoga”.
Along the way, he met fellow-travellers and became friends with them. They joined him on his journey, so he had company. But he never stopped.
Yes, he might have occasionally slowed down, but the most important thing is – he never stopped.
And that is the only reason we can today celebrate this mega-milestone.
The biggest to date.
15000.
Yes, that’s a thousand songs, fifteen times over.
Mind-boggling.
But, to me, that’s not the whole story.
If you take a flight from Moscow to Vladivostok, it takes about 8 ½ hours.
The Trans Siberian Express train takes about a week.
If I had the time, I know how I’d like to travel.
I’d like to breathe in every moment of the travel – not rush it.
This blog has not rushed through these 15000 songs mindlessly, just for the purpose of statistics. If it had done so, it could’ve reached this milestone much earlier.
No, that was not the idea of this blog at all. Ever.
As I said earlier, Atul’s idea was to share songs with other music-lovers. To have these songs introduced on the blog, discussed in detail with appropriate credits to artistes, with a video/audio and full lyrics.
That was – and continues to be – the format for every single song from day one.
And when you have a format of this type, you want every song to have its own space and time. If you post 20 songs on one day, are you doing justice to each individual song? Won’t it just get lost in the crowd?
So the pace of this blog recognizes this important aspect of music appreciation – don’t overload.
So the bigger story (for me at least) is HOW we have got to 15000.
One song at a time, ranging from 1 to about 7 songs a day (7 itself is a high number), we have come this far over TEN years and NINE months. Yes, we are in our 129th month now. And the posting has not been sporadic – it has been EVERY SINGLE DAY (except for very few days when there’s been no posting).
THAT, for me, is truly astounding.
For ONE person to have THIS level of dedication, commitment and discipline, despite all sorts of constraints along the way – THAT to me is mind-boggling.
Yes, we guest posters have joined on the journey, and posted from time to time. (I’m saying this a bit hesitatingly given my own limited contribution in the last year). But, as Sudhirji pointed out in a recent post, Atul’s posts are 3 times more than all our guest posts put together. That shows the sheer weight-lifting he does.
And mind you, this is just the number of posts. There’s so much more on the blog- the various statistics, by movie, by year, by artiste and so on. And anniversary dates. Atul has truly built a repository for the ages.
That brings me to my next point.
The repository.
It is not that songs aren’t available on the net. Of course they are. There are songs all over the place.
But this blog is different. It doesn’t treat a song as just a song. There’s a narrative about it, a background wherever possible. About the film, the artistes involved. And Atul is a stickler for accuracy, so he does his level best to get the facts and lyrics 100% accurate. It’s not easy with some old songs where the audio itself isn’t clear – but he makes a genuine effort. And that is because of the type of person he is – no shortcuts, no compromises.
All of this means that the reader gets as accurate a source as possible.
Then consider the songs themselves.
Some of these songs are rare songs, which were not even available earlier on the net. Some others were available, but with limited detail. When these songs were made available here, the blog tried to give the song, and its artistes, full respect.
This is what makes this blog a treasure house, a repository for generations.
While on this point, I think I must mention fellow travelers (we call them Atulites) who have contributed greatly to enriching this blog.
Atul will be the first person to admit that his own knowledge of songs and artistes would never have been enough to make the blog what it is today. This is nothing to be ashamed of. All of us know more about some songs and eras, and less about others.
But we thankfully have some “maharathis” (they know who they are, so I won’t name them 🙂 ) who, between them are an ocean of knowledge, and like walking encyclopedias. Their contribution, whether through posts or through comments, is truly outstanding. They have enriched this blog so much, taking it to a different level altogether.
So when we talk of team effort, this is a perfect example of it.
This brings me to my next point of awe.
If this blog had been a commercial venture, I can understand a business posting songs every day, to maximize its views, and earn revenue as a result, through advertising or other means.
But Atul has been doing this as a labour of love. It started as that, in 2008 – and continues to this day with the same intent.
So a labour of love, posting songs every single day, for 129 months at a stretch, to the level of detail and accuracy that this blog has – just pause for a moment to let that sink in.
Pause.
So while we celebrate the 15000 milestone, I request everyone to try to appreciate the true significance of it.
It’s not just the number – it’s the weight of the love and effort that has gone into it. It’s like 15000 kg of love and effort.
Along the way, this blog has done something else too. Possibly unintended initially, but as “Blog Ke Side-Effects” 🙂 , it has brought us Atulites together. Many of us have met each other, we now have a whatsapp group, all thanks to the blog, and Atul.
For me, personally, it has been a very enriching journey. I’ve been fortunate to have been involved right from day one – and along the way I’ve got to know some wonderful people with an amazing level of knowledge about HFM. I’ve got to know SO many songs only through this blog.
I really can’t thank Atul enough for all this.
So even if my participation has been very limited of late, this blog, and everyone associated with it, will always have a very special place in my heart.
And on this occasion, I can only wish that the journey goes on and on as we head towards the next target of 15921. 🙂
A line that comes to mind is “apni pyaar ki gaadi chalti rahe, apni pyaar ki gaadi chalti rahe”. 🙂
Now onto the song for today.
I must admit it wasn’t easy for me to decide on a song for this occasion.
For one, not only has the blog already got 15000 songs, but even the songs still to be posted are mostly relatively new songs ( which I barely know), or lesser-known songs of a much earlier era than mine.
This makes my task somewhat difficult.
A song I had in mind got cancelled out because it had already been posted, so I had to renew my efforts.
But one thing. I did have an idea of the type of song I wanted to post.
I wanted a fun, lively song. After all it is a celebratory occasion, so why not a fun song?
The lyrics didn’t really matter too much, as long as it was a jhakkaas song. 🙂
While looking for random songs, I tend to think of the 1970s as my first choice of decade. The main reason for this is, it is the decade I grew up in – and there’s always a chance I’ll come across a song that I heard in my childhood, and that still happens to not be posted. This has happened on a few occasions with me.
I’ll be the first to admit that the 1970s songs signaled the end of what is popularly known as the golden era of music. By the time the 1970s came along, audience tastes had changed. Not just in India, but around the world. The hippie culture had come in, there was a sense of wanting to break away from the established order of things.
It was only natural that India too would be affected by this trend. Films are a good reflection of society – and films of the 1970s are markedly different from those of an earlier era.
Music, as a very important component of Indian films, also reflected this.
And no one exemplified this better than RD Burman.
RD (or Pancham as he was popularly known) was a trend-setter. Hugely gifted, he experimented a lot, with instruments, tunes and sounds. The audience, already ripe for change, embraced RD’s style wholeheartedly and made him a huge success.
It was not that RD could not compose traditional tunes – he could, and he did. But he also made a deliberate effort to invent his own style, to distinguish himself from his legendary father’s style.
I personally think music, like everything else, evolves. We need to recognize that times keep changing – and music needs an audience too. So if the audience is changing, why wouldn’t music change too?
So, as Tennyson said, “the old order changeth, yielding place to new”.
The song I have picked today is from my schoolboy days. I had heard it a few times then – we used to sing it in school. But somehow I never heard it after that, and had even forgotten all about it.
Recently I came across it again – and was surprised to find it hadn’t been posted yet.
Initially I was thinking of keeping it for an RD occasion, seeing as it has such an RD stamp about it – but then I guess this occasion is as good as any.
If we are celebrating 15000 songs on this blog, and Atul is the architect of it AND is also a 1970s schoolboy, why not a song that he might have heard in those days too?
Dil to maane na….meri jaan, meri jaan aa aa aa aa
Vintage RD & Asha Bhosle.
Ever since this song has come back into my life, I’ve enjoyed listening to it.
I hope you enjoy it too. Jhakkaas enough for you? 🙂
Congratulations to all of us, travelers on this journey, for the 15000-milestone.
And a special thanks to Atul for bringing us all together.
Looking forward to milestone 15921. 🙂
Song-Dil to maane na (Shaitaan) (1974) Singers-Asha Bhonsle, RD Burman, Lyrics-Majrooh Sultanpuri, Music-RD Burman
Chorus
Lyrics
turu turu haa
turu turu haa
turu turu haa
turu turu haa
Dil to maane na
Haa
Dil to maane na
Haa
Haa
Dil to maane na
Meri jaan
meri jaan haa haa ha ha
Dil to maane na ha ha ha ha ha
Meri jaan
Meri jaan haa ha ha ha
Dil to maane na ha
Dil ko milna to hai
Phir kisi se miley
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kiske
tu hi bata de na re
dil to maane na
Haa
Meri jaan
Meri jaan haa ha ha ha ha
Dil to maane na
haa
Dil ko milna to hai
Haa
Phir kisi se miley
Haa
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kiske
tu hi bata de na re
la la la la lalalala
Meri jaan
Meri jaan haa ha ha ha
Dil to maane na
Dweera tara taa taa tara taa
Haa
Dweera tara taa taa tara taa
Jaane dilbar jaane jahaan
Para para para para ha
Tum bin ab chain mujhko kahaan
Kya jaanoon main raaton ki neend
Haa
Hoy
Haa
Hu
Main to mar gayi ho kar jawaan
Rang ras ki bhari
Hai jawaani meri
Behki behki phiroon
Haaye re main baawri
Mujhe to baahon mein
Tu hi uthhaa le na re
dil to maane na
Ha
Meri jaan
Ho Meri jaan haa ha ha ha ha
Dil to maane na
Dil ko milna to hai
Phir kisi se miley
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kis ke
tu hi bata de na re
la la la la lalalala
Meri jaan
Meri jaan haa ha ha ha
Dil to maane na ha
Dugdugdugdugdugdug
Dugdugdugdugdugdug
Haa
Hoy
Haa
ho
Dugdugdugdugdugdug
Dugdugdugdugdugdug
Haa
hu
Hoy
Haa
Naina tujh se jab jab lagey
Tan mein jaise sui chubhey
Pairon se na phir tan rukey
Hui
Haa
Hui
Haa
Hui
Haathon se na dhadkan dabey
Thhandi aahen bharoon
Na kisi se daroon
Main deewaani sahi
Tu bataa kya karoon
Arre lagi dil ki
Tu hi mitaa de na re
dil to maane na
haa
Meri jaan
O Meri jaan haa ha ha ha ha
Dil to maane na
Dil ko milna to hai
Phir kisi se miley
Haa
Hey
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kis ke
tu hi bata de na re
dil to maane na ha ha ha
Meri jaan
Meri jaan haa ha ha ha ha
Dil to maane na
hahahahaha
Meri jaan
Meri jaan haa ha ha ha ha
Dil to maane na ha
Haaa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3896 | Post No. : | 14938 |
We had this post last year on the same date by Avinashji where he has written about the background of the movie “Woh Main Nahi”(1974). He has listed all the famous songs and movies of Navin Nischol. Most of the songs which I like are in that list.
So here’s a duet by Rafi and Asha Bhonsle which was written by Verma Malik. Music direction was by Sonik Omi. Visiting the movie after a full year on the occasion of Navin Nischol’s anniversary.
Song-Ise patli kamar mein na daal ke lahanga khisak jaayega (Woh Main Nahin)(1974) Singers-Asha Bhonsle, Rafi, Lyrics-Verma Malik, MD-Sonik Omi
Male chorus
Female chorus
Lyrics
jhigi jhigi jhigi jhigi jhigi jhina
jhina na re
jhina re jhina ha aa
jhigi jhigi jhigi jhigi jhina re jhina
na re
jhina re jhina haa
hey jhoole jhoole jhoole re jhoole
jhoole re ae
jhool jhool jhool jhool jhool jhoole
hey hey ha haa
hey ae’
mera roop mera rang
mere chalne ke dhang
mera ik ik ang
jaise udti patang hai
aaaa
kayi tujhse malang karen ankhiyon ki jung
meri bholi si jawaani
in aashikon se tang hai
koi rakhta nazar
koi deta hai jigar
koi aahen bhar bhar kar mujhko pukaarta
haan
par tujhsa na dekha maine koi harjaayi
jo andar se marta hai
upar se maarta
arre kaisa tu mard jo hai dil ka sarad
uthh himmat dikha
zaraa saamne toh aa
aa aa
are aa na
hahahahaha
hahahaha
arri dhaai inch ki kamar hai teri
aur pandrah gaz ka lehenga aa aa
haay
chhil gayi kamar bos(?) ki jaisi
toh ye sauda padega mehanga
haan
ri isse patli kamar mein na daal
ke lehanga khisak jaayega
isse patli kamar mein na daal
ke lehanga khisak jaayega
teri umar ka naazuk saal
teri umar ka naazuk saal
uspe tu chale mor ki chaal
ke lahanga
ummm
ke lehenga khisak jaayega
haai haai
isse patli kamar mein na daal
ke lehanga khisak jaayega
arri samjhi
jaa re jaa re
tu dil ko zara sambhaal
nahin to dil michak jaayega
tu dil ko zara sambhaal
nahi to dil michak jaayega
main samajh gayi teri chaal
main samajh gayi teri chaal
ja buri nazar na daal
nahin to dil
hmmm
nahin to dil michak jaayega
ja buri nazar na daal
nahin to dil michak jaayega
nazar hai duniya ki buri
o zara sambhal ke rehna saanwri
nazar hai duniya ki buri
o zara sambhal ke rehna saanwri
o ho o o o
sambhal ke rehna aata hai
arre tu kyun jal jal jaata hai
yoon dil na todo
aji tum peechha chhodo
meri jaan idhar to aa ja
arre hatt ja ja
ja ja
isse kar de kisi ke naam
roop tera dhalak jaayega
haaye
isse kar de kisi ke naam
roop tera dhalak jaayega
ja buri nazar na daal
nahin to dil michak jaayega
bol de kya chaahta hai tu
arre milne kise aata hai tu
bol de kya chaahta hai tu
arre milne kise aata hai tu
oh ho o o
arri chaahta hoon deedaar ko
aur milne aaya yaar ko
kisne bulwaaya
o tujhko lene aaya
agar main shor machaaoon
uthha le jaaoon
jaaoon
phenkoon jo zulf ka jaal
jaal mein atak jaayega
phenkoon jo zulf ka jaal
jaal mein atak jaayega
haay haay
isse patli kamar mein na daal
ke lehenga khisak jaayega
arre hatt
rok na raahen
daal baahon mein baahen
main ungli pe nacha doon
tere chhakke chhuda doon
teri yahaan daal gale na
tera bhi zor chale na
mera gussa bura hai
mera ghoonsa bura hai
laga kar haath to dekho
chhuda kar haath to dekho
bahut dekhe hain aise
na dekhe mere jaise
tere jaise hain kaise
mere jaise hain aise
aise
aise
haan
hahahaaha
- In: Asha Bhonsle songs | Blog ten year challenge (2009-2019) | Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1974 | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3872 | Post No. : | 14891 |
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Blog 10-Year Challenge (2009-19) – Song No. 8
————————————————
When our dear Atul ji recently started an ‘innovative’ initiative under the ‘ten-year challenge’ or ‘Blog ten-year challenge’ I had mentioned it in my comments on the ‘first song’ in this series that, I would try to share lyrics if not articles as possible in this series. I had also mentioned that I could see a few opportunities for me in the coming days of this month. That was because I was browsing the posts of February’2009 on my own.
Today I have this opportunity to share a ‘song post’ under this series. And since its from ‘seventies’ I am happy to share it here.
Ten years back, on this day i.e. on 23rd February 2009, we had songs from the movies ‘Rajkumar-1964’, ‘Milan-1967’, ‘Chor Machaaye Shor-1974’, ‘Call Girl-1974’, ‘Badi Bahan-1949’, and ‘Dushman-1939’ posted on the blog. All the moves mentioned above, except ‘Call Girl-1974’ have already had all their songs posted on the blog and in turn achieved ‘Yippeeee’ ed status on the blog. 🙂
So, we have ‘Call Girl-1974’ remaining to be covered for all songs on the blog. And so far, only one song of this movie has been posted on the blog. And, I think that the one song posted was the only well-known song from the movie or we can say that the movie is identified with this one song only i.e. ‘ulfat me zamaane ki har rasm ko thukraao’ sung by Kishore Kumar.
However, when I was going through the songs available from this movie and song list of this movie in HFGK-Vol-V, I found that the above song is actually a ‘multiple version song’ sung by Kishore Kumar and Lata Mangeshkar. So, I am also sharing the Lata Version for this song separately and requesting Atul ji to kindly update it in the post please. This song was posted on 23rd February 2009 and there was only comment on it on the same day by Greta Memsaab. The second comment was by Mr. Chandrakant H Shah on 08th Dec’2016 and he had mentioned about this song being a multiple version song. However somehow this has been remained to be updated.
I too remember this song ‘ulfat me zamaane ki har rasm ko thukraao’ as a Kishore Kumar song only and I think the version was not that much popular then. I had not watched this movie until now, so can’t say much about that. Except I vaguely remember to have heard this Kishore Kumar song on radio frequently and thereafter its memory was revived when I had started collecting cassettes in 1985-86. In 1987-88 after the death of Kishore Kumar HMV has released an album titled ‘A tribute to the Legend’ (it was a four-cassette set) and this song was included in this album.
As per HFGK listing of songs of this movie the Lata Mangeshkar version appears first (at number 3 in the movie) and the Kishore Kumar version appears later (at number five in the movie).
‘Call Girl-1974’ was directed by Vijay Kapoor for Mukesh Movies, Bombay. It was produced by Mukesh Khanna.
It had Zahira, Vikram, Iftekhar, Urmila Bhatt, Shekhar Purohit, Minoo Mehtab, Reddi, Mansaram, Satyajeet, Shefali, Jankidas and Kuljeet.
Heena Kausar make a special appearance in this movie.
Jalal Agha and Nazneen, Krishan Dhawan and Paintal have friendly appearances in this movie. Story of this movie was by Mukesh Movies Story Department. Editing of this movie was done by B.S. Glaad. Screenplay and dialogues of this movie were written by K. A. Abbas.
This movie had total seven songs including one multiple version song and one cabaret dance music. All the songs in this movie were written by Naqsh Lyallpuri and music was composed by Sapan-Jagmohan. Asha Bhonsle, Kishore Kumar, Lata Mangeshkar and Ranu Mukherjee who gave their voices to the songs in this movie had one solo song each, and there was one duet sung by Asha Bhonsle and Kishore Kumar and one by Kishore Kumar and Ranu Mukherjee.
This movie was passed by Censor Board on 28.05.1974 with restricted viewing certificate (A).
Since I have not watched this movie, I can’t say much about it or the songs from this movie. I would request knowledgeable readers to throw more light on this movie and its songs.
Let us now enjoy the today’s song which is sung by Asha Bhonsle and Kishore Kumar and picturized on Vikram and Zahira.
The song is a nice one though it must not be popular or heard that much as the other song from this movie.
Video
Audio
Song-Ham hain jahaan wo pyaar ki mehki dagar hai (Call Girl)(1974) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Sapan Jagmohhan
Both
Lyrics
laa laa la laa
laa laa la laa
laa laa la laa aa
laa laa la laa
laa laa la laa
laa laa la laa aa
la la laa laa la laa aa
la la laa laa la laa aa
la la laa laa la laa aa
la la laa
ham hai jahaan wo pyaar ki
mehki dagar hai
saathi mere ye to bataa
jaana kidhar hai
ghataaon ke taley
achchha
jahaan tu le chaley
haan haan
jidhar tu le chaley
ghataaon ke taley
jahaan tu le chaley
jidhar tu le chaley ae
bolo tumhe ae
kya naam doon
arey laa laa la laa aa
dil ye kahe meri
pehli hansi ho tum
jis pe loota gulshan mera
aisi kali ho tum
bolo tumhe ae
kya naam doon
laa laa la laa aa
pyaar ki dharti pe
phaila gagan ho tum
jispe khiley sapne mere
aisa chaman ho tum
muskuraate milenge ae
jahaan bhi milenge ham
ham hai jahaan wo pyaar ki
mehki dagar hai
laa la la laa aa aa
saathi mere ye to bataa
jaana kidhar hai
ghataaon ke taley
aha haa
jahaan tu le chaley
he he
jidhar tu le chaley
ghataaon ke taley
jahaan tu le chaley
jidhar tu le chaley ae
haan aa
dil ki kahen
dil ki sunen ae
haan dil ki sunen ae
aa do ghadi baithhe
aisi jagah jaa ke
hamko jahaan koi nazar
dekhe na pehchaane
aisi jagah paayen kahaan
arey paaye kahaan
dekhta hai saagar
lehren hamen jaanen
jaaye jahaan pichchhaa kare
jhonke ye deewaane ae
ek pal bhi meri jaan
yahaan naa rukenge ham
ham hai jahaan wo pyaar ki
mehki dagar hai
laa laa la la laa aa
saathi mere ye to bataa
jaana kidhar hai
ghataaon ke taley
haan haan
jahaan tu le chaley
o ho ho
jidhar tu le chaley
ghataaon ke taley
he he
jahaan tu le chaley
ho ho
jidhar tu le chaley
laa la la laa
ghataaon ke taley
he he
jahaan tu le chaley
o ho ho
jidhar tu le chaley
——————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————————
ला ला ल ला
ला ला ल ला
ला ला ल ला आ
ला ला ल ला
ला ला ल ला
ला ला ल ला आ
ल ल ला ला ल ला आ
ल ल ला ला ल ला आ
ल ल ला ला ल ला आ
ल ल ला
हम है जहां वो प्यार की
महकी डगर है
साथी मेरे ये तो बता
जाना किधर है
घटाओं के तले
अच्छा
जहां तू ले चले
हाँ हाँ
जिधर तू ले चले
घटाओं के तले
जहां तू ले चले
जिधर तू ले चले
बोलो तुम्हे ए
क्या नाम दूं
अरे ला ला ल ला आ
दिल ये कहे मेरी
पहली हंसी हो तुम
जिसपे लूटा गुलशन मेरा
ऐसी कली हो तुम
बोलो तुम्हे ए
क्या नाम दूं
ला ला ल ला आ
प्यार की धरती पे
फैला गगन हो तुम
जिसपे खिले सपने मेरे
ऐसा चमन हो तुम
मुस्कुराते मिलेंगे ए
जहां भी मिलेंगे हम
हम है जहां वो प्यार की
महकी डगर है
ला ल ल ला आ आ
साथी मेरे ये तो बता
जाना किधर है
घटाओं के तले
अहा हां
जहां तू ले चले
हे हे
जिधर तू ले चले
घटाओं के तले
जहां तू ले चले
जिधर तू ले चले
हाँ आ दिल की कहे
दिल की सुने ए
हाँ दिल की सुने ए
आ दो घडी बैठे
ऐसी जगह जा के
हमको जहां कोई नज़र
देखे न पहचाने
ऐसी जगह पाए कहाँ
अरे पाए कहाँ
देखता है सागर
लहरें हमें जाने
जाए जहां पीछा करे
झोंके ये दीवाने ए
एक पल भी मेरी जान
यहाँ ना रुकेंगे हम
हम है जहां वो प्यार की
महकी डगर है
ला ला ल ल ला आ
साथी मेरे ये तो बता
जाना किधर है
घटाओं के तले
हाँ
जहां तू ले चले
ओ हो हो
जिधर तू ले चले
घटाओं के तले
हे हे
जहां तू ले चले
हो हो
जिधर तू ले चले
ला ल ल ला
घटाओं के तले
हे हे
जहां तू ले चले
ओ हो हो
जिधर तू ले चले
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3791 | Post No. : | 14775 |
“Aaina”(1974) was produced by N Selvaraja and L Duraiswamy and was directed by K Balachandar for Kalakendra Films production. The movie had Mumtaz, Rajesh Khanna, A.K.Hangal, Nirupa Roy, Rita Bhaduri, Ratan Chopra, Lalita Pawar, Jayasudha, Adil Aman, Manmohan Krishna, Anjum Savera, Vandana Rane, Yasmin, Baby Seema, Kalpana, Jagdish Raj, Polson, Madhukar, Brahmachari, Suraj, Prem Kumar, Master Paresh Kumar, Master Jaganath, Madan Puri, Suresh Chatwal, Jagdeep etc in it. This movie had Neetu Singh and Dharmendra in special appearances. The film also had Kamal Hasan in it who was also one of the dance directors of the movie.
The movie had five songs in it. Three songs have been covered in the past.
Here is the fourth song from “Aaina”(1974) to appear in the blog. This song is sung by Asha Bhonsle. Jaan Nisaar Akhtar is the lyricist. Music is composed by Naushad.
The song is picturised as a wedding ritual song where Mumtaz, playing a saheli of the bride is seen teasing the bridegroom. While I can identify a few actors seen in the picturisation (such as Nirupa Roy), I am unable to identify most of them. I request our knowledgeable readers to help identify them.
PS-Several months later, I realised that this song is a multi part song according to HFGK. The song begins as “teri dulhan badi jaadoogarni” sung by Vani Jairam. Then the part sung by Asha Bhonsle appears.
So this song basically is a multi part song.
With this, all the five songs of the movie get covered and the movie joins the list of movies that have all their songs covered in the blog.
Song-Kaho to aaj bol doon (Aaina)(1974) Singer-Vani Jairam, Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-Naushad
Chorus
Lyrics
teri dulhan badi jaadugarni
ho teri dulhan badi jaadugarni
dulha raja pe kya jaadu daala re
mere chhaila pe kya tona maara re
teri dulhan badi jaadugarni
roop koi na rang koi
gun hai na dhang
hahahah
roop koi na rang
koi gun hai na dhang
abhi karni to dulhaa ko bharni re
teri dulhan badi jaadugarni
hahahaaha
hahahaha
—————————————
Dialogue
—————————————–
didi
dekho na hamaari bahan ko kis tarah chhed rahe hain
tum kyun nahin unhen chhedti didi
didi
dulhe ko to tum hi ulloo bana sakti ho
jaao na
jaao na
jaao na
haan chalo
hahahahaaha
maza aayega
maza aayega
——————————–
end of dialogue
——————————–
kaho to aaj bol doon
kaho to aaj bol doon
main saare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
kaho to aaj bol doon
main saare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
mujhko maaloom hai sab
dhang iske hain ajab
kabhi jhaanke ye idhar
kabhi taake ye udar
har haseena pe mare
roop kya kya na bhare
laakh nadaan lage
mujhko shaitaan lage ae ae
kaho to
haha
kaho to aaj bol doon
mai sare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
itna bhookha hai ke bas mujhko aata hai taras
iske man bhaaye sabhi
jo mile khaaye sabhi
chaahe jhootha hi mile
sabka thhooka hi mile
ye kahaan tak hai gira
munh na khulvaao mera
kaho to
kyun
kaho to aaj bol doon
main saare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
poochho dulhe se zara
kyun hai gusse mein bhara
aisi kya maine kahi
teer ban ke jo lagi
kyun jhuki jaaye nazar
kyun paseene mein hai tar
iski baaten main sabhi kah deti hoon abhi ee
kaho to aaj bol doon
ho o
kaho to
kaho to aaj bol doon
main saare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3790 | Post No. : | 14774 |
Hullo to Atuldom
At the outset let me wish our friend of Atuldom “A very Happy Birthday” and lotsa of love and joy forever. Let her always be a mystery (paheli); atleast till I meet her personally. But from accounts about her that Sudhirji had once shared on the blog and Atulji’s had written in his post I am very eager to meet her. Till then I will be content with the occasional telephonic chat or WhatsApp masti that we indulge in. Wish you a very Happy Birthday Khyatiji. Have a great day musical day.
“Amir Garib” is a movie I have seen ages back at the time it was released. I have very foggy memory of the contents, only thing I recollect is both Dev Anand and Hema play petty thieves in addition to picking each other’s pockets, and sing the same song one after the other i.e. “soni aur moni ki hai jodiajeeb” has two versions that follow each other in quick succession, in Kishore Kumar and Lata Mangeshkar. Also, I recollect how gorgeous and petite Hema lookedand Dev Anand’s style of dressing, and dancing.
For the plot content I consulted the WIKI and this is what I found :-
The film starts with Mumbai police officials deliberating how to crack a spate of robberies targeting the rich in the city by a masked thief called Bagula Bhagat. Inspector Anand (Sujeet Kumar) is given charge of the case.
Meanwhile, one gets to see musician and singer, Manmohan, alias Moni, working in a hotel owned by Seth Daulatram (Premnath) who is pursued by Sunita aka Soni, a pickpocket, who lives with her foster mother (Sulochana). In fact, Sunita’s rich businessman father died when he was duped by his treacherous manager, Daulatram.Actually, Bagula Bhagat is Moni in disguise, whose informers (including Birbal and Tuntun) garner information about the misdeeds of unscrupulous traders and businessmen. These then become the target of Bagula Bhagat, who robs them of their riches only to distribute among the poor and the needy. Moni’s heart beats for the ill trodden after a childhood incident, in which his grandfather was killed by a ruthless landowner, who not only belittles him for his poverty, and mocks him about Moni’s mother having been duped by a rich man.
After a series of incidents-some interesting, others outright boring and outlandish Moni and Soni agree to teach Seth Daulatram a lesson for his misdeeds. But before that, Moni comes to know that Soni’s foster mother is actually his mother and that inspector Sujeet Kumar is the fiancé of his foster sister. The film ends after a courtroom drama, in which the judge tries Bagula Bhagat for his misdemeanours. Does the judge take a lenient view of Moni’s plea for rights of the poor? Or is he delivered a harsh punishment?
Lets have this party song today to celebrate our Khyatji’s birthday. It has the normal masala movie setup of a climax song, with the villain (Premnath) bringing in the heroine’s mother (Sulochana) as his hidden trump to thwart the hero and heroine in their mission. We have Ranjeet playing Premnath’s chamcha.
This song also shows Dev Anand in the style he was known for after the advent of colour in movies.
Video
Audio
Song-Kahin janaab ko mera to intzaar nahin (Ameer Ghareeb)(1974) Singers-Lata, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics(Based on Audio version)
thha intzar jiska aaa
woh raat aa gayi hai
thha intzaar jiska
woh raat aa gayi hai
dulha miyaan kahaan hai
baaraat aa gayi hai
uljhe huye hain saahib
uljhan ko dhoondhte hain
mehfil mein doston ki ee
dushman ko dhoondhte hain
nashe ka jhonka hai woh
nazar kaa dhokha hai woh
nashe ka jhonka hai woh
nazar kaa dhokha hai woh
huzoor aayega woh zuroor
aayega woh
magar woh dushman e jaan
na aa chuka ho yahaan
magar woh dushman e jaan
na aa chuka ho yahaan
kisi pe kya hai yaqeen
kahin woh main toh nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbaar nahin ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbar nahin
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
nazar udaas hai kyon
labon pe pyaas hai kyon
nazar udaas hai kyon
labon pe pyaas hai kyon
uthhaaon jaam piyo
usi ke naam piyo
guzarne do yeh ghadi
badi hai raat padi
guzarne do yeh ghadi
badi hai raat padi
ke thhodi der mein woh kahega aake suno
tumhen karaar nahin
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
aaa
aa aa aa aa aa
yeh ameer aur gareeb
zara se aayen kareeb
yeh ameer aur gareeb
zara se aayen kareeb
toh koyi baat bane
meri baaraat bane
yahi toh soch ke haan
main aa gaya hoon yahaan
yahi toh soch ke haan
main aa gaya hoon yahaan
yeh meri bhool sahi
ghalat asool sahi
main sharmsaar nahin ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
mera jo haal hai abb
kiya hai tumne yeh sab
mera jo haal hai abb
kiya hai tumne yeh sab
tumhaara kaam hai yeh
ke intekaam hai yeh
diya jo toone mujhe
wahi main doongi tujhe
diya jo toone mujhe
wahi main doongi tujhe
yahi hai kaam mera
khizaa hai nam mera
ke main bahaar nahi ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbaar nahin
kahin janaab ko
mera toh intzaar nahin
kahin janaab ko mera toh intzaar nahin
Kasam khaao tum ek baar
Posted on: September 19, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3715 | Post No. : | 14644 |
In 1989, a new actor made his debut as a hero and that movie had a song of fond hope- papa kehte hain bada naam karega. That movie became a hit and the debutant actor, Aamir Khan really made his father proud. With passage of time, Aamir Khan has grown from strength to strength and he has in fact made his papa proud beyond his wildesh imagination.
That proud father was Tahir Hussain (19 September 1938 – 2 February 2010) whose 80th birth anniversary falls today. Tahir Hussain was a leading movie maker of his time and he was the younger brother of legendary Nasir Hussain.
Both brothers made movies that provided wholesale entertainment to the moviegoers. Extremely popular music used to be the hallmark of these movies. Just recall some of the movies that Tahir Hussain produced- “Caravan”(1971), “Anamika”(1973), “Madhosh”(1974), “Zakhmee”(1975), “Hum Hain Raahi Pyaar Ke”(1993) etc.
He was also a director, writer, actor etc in some of his, or his brother’s movies.
On tis occasion, here is a song from “Madhosh”(1974), this movie, a relatively lesser known movie, had Mahendra Sandhu, Reena Roy, Jay Shree T, Rakesh Roshan, Johny Walker, Helen, Ravindra Kapoor, Aamir Khan (then a child actor), Dilip Dhawan, Faisal Khan, Kiran Kumar etc in it.
The movie had five songs in it. Two of these songs have been covered.
This song, the third from the movie to appear in the blog is a duet. It is sung by Asha Bhonsle and Kishore Kumar. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.
The song is picturised on Reena Roy and Mahendra Sandhu. The audio quality in the picturised value is poor and fails to do justice to the song. So I have provided the audio link which preserves the outstanding quality of this song, which is an archtypical R D Burman composition of those days. It is songs like this that used to rule the airwaves in India those days !
Audio
Song-Kasam khaao tum ek baar(Madhosh)(1974) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
kasam khaao tum ek baar
mere yaar
mere dildaar
chale to na jaaoge tum baabu
kahin le ke mera pyaar
he ae
he he he he he he
kasam khata hai mera pyar mere yaar mere dildaar
aayega deewaana le ke doli sanam kal hi tere dwaar
aa haa aa ha
aa ha aa ha aaha
kasam khao tum ek baar
paagal kaho mujhe ke deewaani kaho
lalala
ab to teri huyi balam jo ho so ho
lalala
meri bala se koi rahe ya na rahe
lalalala
aa aa
magar meri nazar mein tu basi rahe
lalalalaaa
he ae
he he he he he he
basa kar mera sansaar
mere yaar
mere dildaar
chale to na jaaoge tum baabu
kahin le ke mera pyaar
he ae
he he he he he he
kasam khaata hai mera pyaar
rang se tere chhunri meri rangi rahe
lalala
maathe meri bindiya teri lagi rahe
lalala
chanda sooraj ko to mudke na dekhoon main
lalala
agar meri baahon mein tu saji rahe
lalalaaa
he ae
he he he he he he
saja kar mera sansaar
mere yaar mere dildaar
chale to na jaoge tum baabu
kahin tum le ke mera pyaar
he ae
he he he he he he
kasam khaata hai mera pyaar
lala
mere yaar
lalala
mere dildaar
lalalala
aayega deewaana le ke doli sanam kal hi tere dwaar
aa haa
aa aa
aa haa
aa aa
he he
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