Archive for the ‘S D Batish Shamshad Begam duet’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4506 | Post No. : | 16047 |
Today’s song is from the film Kaise Kahoon-1945.
To start with, Bombay was the first film making centre followed closely by Calcutta. Slowly, some other centres like Madras, Coimbatore, Poona, Bangalore etc. as occasional film centres also developed. In 1924,i.e. 11 years after the first silent feature film was released in Bombay, Lahore made its first silent film-“The daughters of Today”. It was made and released in Lahore. This film was made by Mr. G K Mehta, a former officer of North Western Railways, who had imported a Camera from London. A R Kardar, who was making posters for foreign film productions and who was a qualified well known Calligrapher, assisted Mehta. Kardar and his friend Ismail both also acted in that film.
In 1928, Kardar, with no other work on hand, decided to start a film making studio and a production company called ” United Players Corporation” to make films. He made 12 silent films in Lahore, thus bringing Lahore’s name on the map of film centres in India. Therefore, Kardar can be called the architect of Lahore film industry, in a sense. Slowly Talkie films were planned in Lahore. Dalsukh Pancholiestablished his studio. The making of films like Khazanchi, Khandan and Zamindar firmly established Lahore as a Film making centre. Many films like Poonji, Daasi etc were made there. Punjabi aspirants in various fields like acting, direction, music, singing, cinematography etc found Lahore convenient to start careers, rather than going to Bombay all the way.
Film Kaise Kahoon – 45 was made by Pancholi Art Studio, Lahore which had earned All India fame with its highly successful films. As per Baburao Patel’s review in Film India magazine January 1945, the film’s story was by Dalsukh pancholi himself. He had also written the story for another hit film Daasi-44 earlier. Patel said in his review that ” Pancholi stole ideas from foreign films “. Whether True or not, the treatment Pancholi’s films gave to the stories was certainly loved by the audience all over India, so there was no problem. The film was directed by foreign trained Moti B Gidwani, who directed 17 films in his career. It is interesting to know, however, that his first film as a director, ” Midnight Girl -29″ was a resounding flop and it caused the film maker company- Maharashtra Film company of Kolhapur to close down. It also caused a group of 5 people to leave the company earlier and start their own Prabhat Film Company, at Kolhapur.
Cast of the film was Ragini, Najmul Hasan, Akhtar, Jagirdar, Durga Mota etc. Ragini was famous and popular. She was one of the two actresses of Hindi films, who had Brown eyes, the other being Vanmala. The hero Najmul Hasan was a compromise actor, who had become infamous due to his elopement with Devika Rani of Bombay Talkies. She returned to her husband and he was left high and dry ! Baburao Patel described him as ” an overfed Owl ” !
One name in the cast is that of Durga Mota. His real name was Durgaprasad. Due to his heavy build he was nicknamed Mota(fat). He was a permanent member of Pancholi films as a comedian. It is very sad that his career ended in a gruesome way. In 1947, after Partition, there was an exodus of millions from Lahore to India. Durgaprasad also wanted to shift to Delhi. He went to Lahore station to catch the train. Suddenly, a frenzied mob of rioters invaded Lahore station and they started killing all the passengers waiting to go to India. People started running to save life. Due to his fatness, Durgaprasad could not move faster and was caught by the mob, who cut him in pieces on the Lahore Railway station platform itself.
The film was released on 16-11-45 ( 75 years ago to the date, almost), in Imperial Cinema, Bombay. The story of the film, as adapted from the Film India magazine review by our Sadanand kamath ji, was – A doctor (Gajanan Jagirdar) has a son and two grown up daughters – Geeta (Ragini) and Basanti (Baby Akhtar). The son who was in Burma is expected to return home, However, he is accidentally killed by Pradeep (Najam ul Hasan) without knowing the identity of the deceased. As it often happens in Hindi films, coincidentally, Pradeep lands in a doctor’s house for an overnight stay. He falls in love with Geeta instantaneously. The overnight guest becomes a permanent attachment. Basanti, the younger sister of Geeta, is also happy about her sister’s love for Pradeep.
As usual in Hindi films, when the love reaches a finale, a villain, a zamindar (probably Ajmal) steps in the picture. He comes to know about the accidental death of the doctor’s son and the killer who is none other than Pradeep. After a lot of suspicions and misunderstanding, the things get cleared and Pradeep gets his fiancee Geeta.
The music of film kaise Kahoon-45 was by a veteran Pt. Amarnath Batish. I am purposely calling him Batish, because there was another MD with the same name of Pt. Amarnath Chawla. They were obviously different, but were a case of ” Same Name Confusion” because both never wrote their full names. In this matter Marathi actresses never became a case of SNC, because they all used their surnames, like Shanta Apte and Shanta Hublikar, Nalini Tarkhad and Nalini Jaywant, Leela Chitnis and Leela Chandragiri etc. etc. This made matters clear and easy to identify.
In 1931 the first Talkie film was released. There were seven songs in this film. With this film, along with the existing Film Industry an additional Music Industry also came into existence. The early film makers understood the importance of music in India. Music, Instrumental or Vocal had secured the Royal Patronage from the kings and Nawabs. For the common people Gramophone records were providing musical entertainment. Occasional open air dramas and music concerts too were popular. By the 30’s decade the NFS (Non Film Songs) became a craze and several popular singers churned out their records.
Music became an integral part of Hindi films. Famous filmmakers like Prabhat, Ranjit, New Theatres, Madon Theatres, Bombay Talkies, Saraswati Cinetone etc. also helped in promoting film music. Initially Film music was greatly influenced by Parsi Theatre, and Marathi and Gujarati Natya Geets as well as Folk songs. This was successfully changed by Ghulam Haider with Punjabi Music in Lahore and Naushad with UP folk music in Bombay. Pt. Amarnath and his younger brother pair of Husnlal-Bhagatram carried forward the Punjabi music.
Amarnath Batish was born in 1912 in Jalandhar. He started his career as an actor and singer on stage dramas. He was a good Harmonium and Tabla player. He started his career with HMV as an Orchestra Director, in Delhi. Master Madan, the child Prodigy recorded few Punjabi songs under his baton.
It was natural that Amarnath joined Films. His first film was Roop K Shorey’s Nishani-1942. Pandit ji had discovered Naseem Akhtar. She and Shamshad begum sang songs for him. In the same year, his first Punjabi film Govandi-42 was released. His new find Zeenat Begum sang in it. Even Amarnath sang a song ” Pagadi utaar jatta” along with S D Batish and chorus in it. However, the British government banned this Patriotic song. The film was a hit film. Film Daasi-44 was his most popular film. All songs became hits. He did a film Irada-44, in Calcutta in which he introduced Hemant Kumar in Hindi films.
Simultaneously, he was giving music to Punjabi films too like Koel-44 and Gul Baloch-45.During the 40s decade Pt. Amarnath was the most busy composer, with a line up like- Nishani-42, Paapi-43, Irada-44, Daasi-44, Panchhi-44, Shirin Farhad-45, Ragini-45, Kaise Kahoon-45, Dhamkee-45, Sham Savera-46, Shalimar-46, Shehar se door-46, Jhumke-46, Aai Bahar-46, pagdandi-47, Mirza Saheban-47, Roop Rekha-48 and Ek Teri Nishani-49.
He gave music to 18 Hindi films, composing 152 songs in all. Due to his success, he started taking drinks, which became his nemesis. At the time of film Pagdandi-47, after a few songs, he was replaced by Khurshid Anwar. Even in his last two films Roop Rekha-48 and Ek teri nishani-49 after a few songs, he was replaced by other MDs. Film Patjhad, which he had signed, was given to Ghulam Haider.
During the making of the film Mirza Sahiban-47, Pt. Amarnath died at the age of just 35 years, on 20-2-1947. The balance songs were done by Husnlal Bhagatram.
(Adapted with thanks, from Film Sangeetkar by Prof. Yadav, an article by Sharad Dutt in milleniumpost.in, Dhunon ki yatra by P.Raag, HFGK, muVyz and my notes).
So far, 2 songs of this film were discussed. Today’s song is the third song here. I would say, songs of this film do not conform to the fame of Pt. Amarnath for giving melodious songs. But then, every song of every film can not be of the same quality.
Song-Gori gaagar ki Ganga udhhaar diye jaa (Kaise Kahoon)(1945) Singers- S D Batish, Shamshad Begum, Lyricist- Sharma, MD- Pt. Amarnath
Chorus
Lyrics
Gori ee
gaagar ki Ganga udhhaar diye jaa
udhhaar diye jaa
tujhe ganga kasam
o tujhe Ganga kasam
haan
dil waalon ke dil ka vyopaar kiye jaa
vyopaar kiye jaa
tujhe ganga kasam
o tujhe Ganga kasam
gori ee
gaagar ki ganga
wo bageeche mein dekho
wo gaagar pade
wo bageeche mein dekho
wo gaagar pade
nahin hoti hai
?? mein pade
babu dil mein hi
o babu dil mein hi
dil ka vyopaar kiye jaa
gori
gaagar ki Ganga udhhaar diye jaa
udhhaar diye jaa
tujhe ganga kasam
o tujhe
o tujhe
o tujhe
ganga kasam
baabu
dil mein hi Ganga utaar kiye jaa
utaar kiye jaa
tujhe ganga kasam
o tujhe Ganga kasam
Gori ee
gaagar ki ganga
Gori har roz tumse to kehna nahin
Gori har roz tumse to kehna nahin
sada gaagar ki ganga mein behna nahin
sada roop jawaani mein rehna nahin
rehna nahin
aji din hain tere
upkaar kiye jaa aa
baabu u
dil mein hi dil ka vyopaar kiye jaa
vyopaar kiye jaa
tujhe ganga kasam
o tujhe
o tujhe
o tujhe
ganga kasam
o gori ee
gaagar ki ganga
baabu baala jobanwa hai
pyaar kiye jaa
pyaar kiye jaa
baabu baala jobanwa hai
pyaar kiye jaa
pyaar kiye jaa
kachchi kaliyaan hain
kachchi kaliyaan hain
tan man nisaar kiye jaa
nisaar kiye jaa
phool ban’ne talak
intzaar kiye jaa
gori ee ee
gaagar ki ganga udhhaar kiye jaa
udhaar diye jaa
tujhe ganga kasam
o tujhe
o tujhe
baabu
dil mein hi dil ka vyopaar kiye jaa
vyopaar kiye jaa
tujhe ganga kasam
o tujhe
ganga kasam
o gori ee
gaagar ki ganga
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Dil Ki Duniya”(1949) was directed by Mazhar Khan for Noble Art Production, Bombay. The movie had Munnawwar Sultana, Mazhar Khan, Geeta Bali, Shrimati Suman, Jaswant, Madan Puri, Suraiyya Chaudhary, Aghajaan, Rajpal, Raj adeeb, Robi, Abu Bakar etc in it.
Read more on this topic…
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Shirin Farhad”(1945) was directed by Prahlad Dutt for Pancholi Art Pictures, Lahore. The movie had Raagini, Jayant, Ghulam Mohamad, Gyani, Zahoor Shah, Ata, Ishaq, Nafees Begam, Wazir Begam etc in it.
Read more on this topic…
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Hamaari Manzil”(1949) was directed by O P Datta for Famous Pictures Limited, Bombay. This movie had Nirupa Roy, Prem Adeeb, Gope, Yashodhara Katju, Badri Prasad, Faizi, Gyani, Randhir, Raj Mehra, Mishra, Niranjan Sharma etc in it.
Read more on this topic…
Recent comments