Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Prem Dhawan


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4197 Post No. : 15380

“Alibaba And 40 Thieves” (1966) was directed by Homi Wadia for Basant Pictures, Bombay. This movie had Sanjeev Kumar, L Vijayalaxmi, S N Tripathi, Veena, Amarnath B M Vyas, David Abraham, Indira, Tabassum etc in it.

The movie had seven songs in it. Two songs have been covered in the past.

Here is another song from “Alibaba And 40 Thieves” (1966). This song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by Usha Khanna.

The song is picturised as a dance performance song by L Vijaylaxmi. The performance is being watched by Sanjeev Kumar and others. I request our knowledgeable readers to help identify the other actors visible in the picturisation.

Lyrics for this song are provided by Nitin ji.


Song-Dekhiye zara pyaar se kyun khafa ho dildaar se (Alibaba And 40 Thieves)(1966) Singer-Lata, Lyrics-Prem Dhawan, MD-Usha Khanna

Lyrics (Provided by Nitin Shah)

dekhiye zara pyaar se
kyu khafa ho dildaar se
dekhiye zara pyaar se
kyun khafa ho dildaar se
tum raaz-e-dil to samjhe nahin
nigaahen kahin hain nishaana kahin
dekhiye zara pyaar se
kyun khafa ho dildaar se

Zara ye raat dhhalne do
shama ko aur jalne do
haqeeqat khul hi jaayegi
hamaara rang badalne do
tum raaz-e-dil to samjhe nahin
nigaahen kahin hain nishaana kahin
dekhiye zara pyaar se
kyun khafa ho dildaar se

ishaaron hi se behlaaun
kisi ke haath naa aaun
hawa ka ek jhonka hoon
zara chhoo ke guzar jaaun
tum raaz-e-dil to samjhe nahin
nigaahen kahin hain nishaana kahin
dekhiye zara pyaar se
kyun khafa ho dildaar se

na badlegi wafa meri
na badlegi nigaah meri
jo dil se jaake milti hai
wo ulfat ki hai raah meri
tum raaz-e-dil to samjhe nahin
nigaahen kahin hain nishaana kahin
dekhiye zara pyaar se
kyun khafa ho dildaar se
dekhiye zara pyaar se
kyun khafa ho dildaar se


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4189 Post No. : 15370

“Taxi 555″(1958) was produced by Mulkraj Bhakri and directed by Lekhraj Bhakri for Golden Movies, Bombay. The movie had Pradeep Kumar, Shakeela, Azra, Lalita Pawar, Maruti, Mahipal Sundar, Vijay Pandit, Sagar, Leela Mishra, Romesh sinha, Amrit Rana, Nadir, Nazeer Kashmiri, Ravikant, Dubey, Brahmbhatt, Vidhyawati, Narbada Shankar, Sadiq, Chandabai, Harun etc, with guest appearance by Heeralal.

The movie had eight songs in it. One song has been covered in the past.

Here is the second song from the movie to appear in the blog. The song is sung by Balbir and Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Sardar Malik.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Aaja aisa waisa koi bhi bahaana kar ke (Taxi 555) (1958) Singers-Balbir, Asha Bhonsle, Lyrics-Prem Dhawan, MD-Sardar Malik

Lyrics

na na haan haan kar ke
haan haan na na kar ke
o main kya baliye kuchch bhi karke
aaja
aisa vaisa koi bhi bahaana kar ke
ho aaja
aisa vaisa koi bhi bahana karke
na na haan haan kar ke
haan haan na na kar ke
ho aaja aisa vaisa koi bhi bahana karke
aaja aisa vaisa koi bhi bahana karke
kaise aaun ghabraaun
maahi mere man ke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main chaloon to bairi jhaanjhar jhan jhan jhanke

main akeli aur duniya ki laakhon ankhiyaan
kabhi chaukidaar dekhe kabhi dekhen sakhiyaan
kabhi chaukidaar dekhe kabhi dekhen sakhiyaan

o teekhe nainon se sabko deewaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
kaise aaun ghabraaun maahi mere man ke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main chaloon to bairi jhaanjhar jhan jhan jhanke

aake aadhi aadhi raat ko jagaaya na karo
seeti maar ke yoon hamko bulaaya na karo
seeti maar ke yoon hamko bulaya na karo

ho phero aankhen na hamko mastaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
kaise aaun ghabraaun maahi mere man ke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main chaloon to bairi jhaanjhar jhan jhan jhanke


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4169 Post No. : 15343

Today’s song is a melodious song from the film Chaalbaaz-58. The film was produced by Balwant Bhatt and Ram Kamlani, under the banner of Neo Lite films. Songs were written by Anjum Jaipuri and Prem Dhawan. The music was by the Melody magician Chitragupta. There were 7 songs in the film. 2 songs are already discussed and today’s song is 3rd song from this film.

The title Chaalbaaz seems to be quite a favourite with film makers. Films with same title were made in 1958, 69, 80, 89 and 2003. In addition there was Chaalbaaz Leader-70 and Chaalbaaz Haseena-2002 also. The cast of Chaalbaaz -58 was Nirupa Roy, Jairaj, Nishi, K N Singh, David, Bhagwan, Cuckoo, Moti(Horse) and Tiger (Dog). It was a stunt film, directed by a veteran of this Genre – Nanabhai Bhatt.

Hindi film industry is a funny place. Here popular actors are immediately typedcast and it becomes their identity, whether they want it or not. Once a particular theme becomes a Hit, producers want to make similar films, with the same actor. Thus most leading actors get stamped. Many dont mind it because they too are comfortable with such type of films.

That is how Dharmendra was in the roles of “He Man” (does this mean all others were “She- Men”?), Amol Palekar as a Middle class simpleton, for a period Dilip kumar was a Tragedy king, Raj Kapoor a straight forward, simple man, Dev Anand a Playboy, Bharat Bhushan a lover or a singer, Rajendra Kumar almost always a suffering lover…..so on and so forth. Same was, even the actresses got typedcast like Meena Kumari was a Tragedy Queen, Madhubala, naughty lucky girl etc etc.

The audience categorised the actors for various Genres and roles. Other than these, the artiste was not acceptable to them in any other type casting. Can you ever imagine Kanhaiyalal, Nana palshikar or Rashid Khan in a Millionaire’s role? Can you imagine Nana Patekar as a Romantic, ‘run around a tree’ type lover boy ? Can you visualise Jeetendra in a Mythological film as Lord Shiva ? We can not, even in our dreams, accept them in these roles. Nimmi always had films in which she suffered and wept throughout. People had forgotten how she looked while smiling.

When film makers tried to change the type of roles of an actor, he became a failure (even a laughing stock) and he was not accepted in that role. For example, in his early films, Ashok Kumar was known as a shy Lover boy. When he was cast as Satyawan in film “Savitri”-1937, the audience was shocked and the film failed miserably. Similarly when Ashok Kumar (then 35 year old) acted as Abhimanuu (22 year old) in film “Uttara Abhimanyu’-1946, he was rejected outright.

Mehboob Khan cast him as King Humayun in film Humayun-45. In one scene, Ashok Kumar had to run, in a war costume, with a sword. The way he ran was so feminine and pathetic, that the audience used to laugh in the theatre. Thankfully, Ashok Kumar never again acted in any such films till the end. Leela Mishra was famous as a simple village type “Leela Mousi” in almost all films. In film “Baton baton mein”-79, she was shown as an Anglo Indian Christian woman. To see Leela Mousi in a knee long Frock and to feel her awckwardness in that dress was a painful exercise for the audience.

However, and thank God for this, there were some actors who consciously avoided getting typedcast and did variety of roles. One shining example was Sanjeev Kumar. He was truly a versatile actor and would fit into any Genre with natural ease. After Film Azad-55, Dilip Kumar also shook off the tag of “Tragedy king” and became a real versatile actor enjoying working in different type of roles.

Among Heroines, I can not think of any such actress, who fitted in all Genres and roles, Except One ! Yes, there was one actress who was truly versatile and did a lot of role types – social, historical, Mythological, comedy, tragedy, crime, family, action and stunts too, character roles, daughter in law, mother in law, mother, mujra dancer, religious films – you name it and she had done it. Can you guess the name ?

NIRUPA ROY !, Yes, she was a versatile actress. To prove my point, I repeat here what I had said about her few years back. Nirupa Roy (4-1-1931 to 13-10-2004) was an enigma of Hindi Cinema. An ordinary lower middle class housewife turned into an actress due to need to survive. Funny thing was that it was her husband who had visited the studio to get a job as an actor and the studio selected his wife instead ! Nirupa Roy who acted in over 250 movies has been variously branded as a Goddess of Mythological films, a suffering wife of a poor farmer, a troubled housewife of social films, an acclaimed quintessential mother of Bollywood and even a Stunt film actress !

She has been a Heroine in 110 films, a mother in over 50 films,has been a Goddess in 50 Mythological films, a suffering wife in over 30 films and a Stunt girl in about 8 films. She sang Bhajans, romantic songs, Comedy songs, qawalis, sad songs and peasant folk songs on the screen.

She changed her Heroes like “Badalate huye saathi”. She did 18 films with Trilok Kapoor ( 50-65), 12 films with Balraj Sahni ( 53-72), 16 films with P.Jairaj ( 53-78), and 21 films with Ashok Kumar ( 56-89). She was Amitabh’s mother in 12 films and stunt Girl in 8 films. She even wrote a popular film song for film Samrat Chandragupta-58 ( Mujhe dekh chaand sharmaye – Lata).

Film Chaalbaaz-58 was produced by Balwant Bhatt and Ram kamlani. The elder brother of Nanabhai Bhatt- Balwant Bhatt was born at Porbandar,Gujarat on 13-1-1909. Balwant started his career by assisting Naval Gandhi in 1930-31 and Pesi karani at Imperial Film company and then N.B.Vakil at Sagar Studios in 1932. A prolific director of second tier, action oriented films, Bhatt’s first as a director was Royal Film Company’s 1932 silent thriller PASSING SHOW which featured popular stunt-film actor Navinchandra. He turned Director with the advent of Talkie films and joined Prakash Pictures with BAMBAI KI MOHINI [1934; aka: ACTRESS] starring Miss Panna and Miss Alakhnanda. His last one was Nagin aur Sapera-1966. He directed 33 films,mostly stunt and C grade films.

Bhatt directed action star Fearless Nadia in DELHI EXPRESS (1949) and CIRCUSWALE (1950) as well as the comedian Bhagwan in JOKER (1949) and JODIDAR (1950), and even had opportunities to work with bigger names such as Bibbo in SUHAAG (1940), Maya Banerjee in MADHU SUDAN (1941), and Prithviraj Kapoor in AANKH KI SHARAM (1943). But the vast majority of Bhatt’s output was in the category of B-grade films.

He directed some Gujarati films like Sansar Leela,Seth Sagsha,Diwadandi,Snehlata etc.He was the producer of Dillagi-1942,Gunehgar-53,Alif Laila-53,Sinbad the sailor-52, Son of Sinbad-58, Police Detective-60 etc. etc. Diwadandi-1950 became famous for its song-” Taari aankhni afini”, sung by Dilip Dholakia with music by Ajit Merchant. His film Mordhwaj-52 was the Debut film for MD Narayan Dutt. Balwant Bhatt died on 7-2-1965,at Bombay.

Today’s song is a duet sung by Geeta Dutt and Ram Kamlani. Ram Kamlani was Gope’s youngest brother. They were 9 siblings and Ram kamlani was the last one. He was born on 20-10-1919. Though Gope started his career in acting in 1933 and concentrated only on acting,Ram kamlani dabbled in Acting,Direction,Production and Playback singing too. He entered the film line in late 40s.

As an actor he acted in 9 films like Ajeet, Inaam, Kaajal, Do Raaha, Joi Bangla Desh etc. As a Singer he sang 22 songs in 15 films. Starting with Doosri Shaadi-47, he sang in Ghar ki Izzat, Rangeen zamana, Kaajal, Refugee, Pyaar ki jeet, Maa ka pyar, Naao, Raakhi, Bahurani, Khamosh Sipahi, Meena Bazar, Malkin, Chaalbaaz, Laal Dupatta etc.

Mostly, he sang for his brother Gope. His songs were generally duets. These were mainly comedy songs,very few were serious ones.His rare solos like,” Bane hai hum to Ghar Jamai'(Ghar ki izzat) and ” Koi samze isse muhabbat”(Meena Bazaar) became popular.

When Gope established Gope Productions,he produced some films and directed some of them,like,Muskurahat,Biradari,Bezuban,khamosh Sipahi,Hangama etc.

Ram Kamlani died in 1983 in Bombay.

This is a melodious song. The mukhda is “Daudo re daudo, bhaga dil chura ke chor”. Surprisingly, there was another song in film Char Minar-56 (MD- Sardul Kwatra) which had a similar mukhda “Daudo ji chor chor bhaga dil chura ke”. This song also was a good song and had almost same tune. That song had Geeta Dutt and Rafi as singers. Let us now enjoy today’s song.
( Thanks to Harish Raghuwanshi ji for his Gujarati article and http://www.cinemajadu.com for information used herein.)


Song-Tina tin ke tina kisi ne dil hai chheena(Chaalbaaz)(1958) Singers- Geeta Dutt, Ram Kamlani, Lyricist-Prem Dhawan, MD- Chitragupta
Both

Lyrics

daudo re daudo bhaaga re bhaaga
dil chura ke chor
tina tin ke tina
kisi ne dil hai chheena
tina tin ke tina
daudo re daudo
bhaaga re bhaaga
dil chura ke chor
tina tin ke tina
kisi ne dil hai chheena
tina tin ke tina
kisi ne dil hai chheena
tina tin ke tina

khol zara to ghoonghat gori
dekhen soorat tori
hoy khol zara to ghoonghat gori
dekhen soorat tori
hum to hain deewaane tere
hamse kaisi chori
aaja ree
aaja chupke se paas gori
kaahe kare shor
tina tin ke tina
kisi ne dil hai chheena
tina tin ke tina
kisi ne dil hai chheena
tina tin ke tina

o ho ho
o ho ho o ho ho
ha ha ha
aa ha ha aa ha ha
devar jaage saas bhi jaage
jaag raha ghar saara
devar jaage saas bhi jaage
jaag raha ghar saara
phir bhi zaalim ne na jaane kaise daaka maara
daudo re daudo bhaaga re bhaaga
dil chura ke chor
tina tin e tina
kisi ne dil hai chheena
tina tin ke tina
kisi ne dil hai chheena
tina tin ke tina

na main jaaun baans bareli na main jaaun jhansi
na main jaaun baans bareli na main jaaun jhansi
in zulfon mein baandh ke mohe de de pyaar ki phaansi
aaja ree
aaja chupke se paas gori
kaahe kare shor
tina tin ke tina
kisi ne dil hai chheena

tina tin ke tina
kisi ne dil hai chheena
haay tina tin ke tina
kisi ne dil hai chheena
haay
tina tin ke tina
kisi ne dil hai chheena
tina tin ke tina


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4165 Post No. : 15339

“Jung Aur Aman”(1968) was directed by Nanubhai Bhatt for Metro Movie Production, Bombay. This movie had Dara Singh, Mumtaz, Jayant, Nadira, Mohan Choti, Krishna Kumari, Rajen Haksar, Murad etc in it.

The movie had five songs in it. One song has been covered in the past.

Here is the second song from “Jung Aur Aman”(1968) to appear in the blog. The song is sung by Suman Kalyanpur. Prem Dhawan is the lyricist. Music is composed by G S Kohli.

The song is picturised as a dancing under duress genre of song where Dara Singh is tied at a stake and Mumtaz has to dance to save his life. So this song is picturised under circumstances similar to “Basanti in kutton ke aage mat naachna” circumstance in “Sholay” (1975). 🙂


Song-Mar jaayenge chaahne waale tere (Jung aur Aman)(1968) Singer-Suman Kalyanpur, Lyrics-Prem Dhawan, MD-G S Kohli

Lyrics

mar jaayenge chaahne waale tere
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere
hum ne to kabhi socha hi nahin ee ee
hum ne to kabhi socha hi nahin
anjaam hamaara kya hoga
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere

mere humdum yahaan o o o
mere humdum yahaan
do dilon ki jubaan
laakh samjhaao koi samajhta nahin
ishq hai gar khata o o o
ishq hai gar khata
jurm hai gar wafa
to bhala kaun ye jurm karta nahin
ye khata hamne ki
haan wafa hamne ki
de de sazaa ham sajaavaar hain
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere

mere khwaabon mein to o o
mere khwaabon mein to
roz aate thhe tum
aaj kismat se deedaar bhi ho gaya
aaj hai saamne o o o
aaj hai samne
phir se jalva wohi
jo dekha ke jhalak thha kahin kho gaya
ab to nikle sanam
tere kadmom mein dam
is haseen maut ke hum talabgaar hain
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere
hum ne to kabhi socha hi nahin ee ee
hum ne to kabhi socha hi nahin
anjaam hamaara kya hoga
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4147 Post No. : 15313

“Zingaaro” (1963) was directed by Chandrakant for Jai Films, Bombay. The movie had Jairaj, Zabeen, Tiwari, Bela Bose, Lakshmi Chhaaya, Aruna Irani, Maruti, Mridula, Baburao Pehalwan, Babu Raje, Radheyshyam, Moolchand, Gani Pehalwan, Julian etc.
The film has six songs. One song has been covered in the past.

Here is the second song from “Zingaaro” (1963) to appear in the blog. The song is sung by Mahendra Kapoor, Suman Kalyanpur and chorus. Prem Dhawan is the lyricist. Music is composed by S N Tripathi.

Only the audio of the song is available. From the sounds of it, the song is a qawwaali. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Arre adaa se muskura dena…aap se humko mohabbat ho gayi (Zingaaro)(1963) Singers-Mahendra Kapoor, Suman Kalyanpur, Lyrics-Prem Dhawan, MD-S N Tripathi
Male chorus
Female chorus

Lyrics

are adaa se muskura dena
aur haseen sar jhuka lena aa aa
haseenon ko bhi kitna sahal hai
bijli gira dena

ae ji aap se haaye
aap se humko mohabbat ho gayi
ho gayi
ae ji aap se humko mohabbat ho gayi
ho gayi

aur hashr se pehle kayaamat ho gayi
ho gayi
aur hashr se pehle kayaamat ho gayi
ho gayi

ishq ka mat naam lo ae meharbaan aan
ishq ka

aji ishq ka mat naam lo ae meharbaan aan
kya karoge
hoye hoye
kya karoge
jo museebat ho gayi
ho gayi

aji aap se humko mohabbat ho gayi
ho gayi

aa aa aa aa aa aa aa
are ishq mein peechhe haten jo
hum vo deewaane nahin
aji kyun nahin ji, kyun nahin
nahin hum vo deewaane nahin
jalne se jo khauf khaaye
hum vo parwaane nahin
aji kyun nahin ji kyun nahin
nahin hum vo parwaane nahin
jo garajte hain baraste hi nahin
aayega na aap par humko yaqeen

jala do haaye
jala do haddiyaan meri
jala do o
uda do
uda do
dhajjiyaan meri uda do
khata-e-ishq ki aisi saza do
meri hasti hi duniya se mita do
mita do
mita do
mita do
o o o

chhodiye hum aazmaaish kar chuke
kar chuke ji kar chuke
hum aazmaaish kar chuke

aapki sachchi wafa pe mar chuke
mar chuke ji mar chuke
sachchi wafa pe mar chuke

aa aa aa aa
humko bhi haaye
humko bhi thhodi si chahat ho gayi

ho gayi
humko bhi thhodi si chahat ho gayi
ho gayi

aapse humko mohabbat ho gayi ee ee
aapse humko mohabbat
haay
mohabbat
hoye
mohabbat ho gayi ee ee
hashr se pehle kayamat ho gayi ee ee
hashar se pehle kayaamat
haay
kayamat
haay
kayamat ho gayi
ee ee

ho gayi ho gayi
ho gayi

ho gayi
ho gayi
ho gayi
ho gayi


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4108 Post No. : 15259

Today’s song is a lovely duet by Lata and Hemant Kumar, from film Daaka-59. The film was made by Starland productions, Bombay for Hasmukh Kheda. The film was directed by Nanubhai Bhatt and the 6 songs of the film were written by Majrooh Sultanpuri (2 songs) and by Prem Dhawan (4 songs). Their music was composed by the King of Melody – Chitragupta. Dilip Dholakia was his assistant for this movie.

The cast of the film was Ashok Kumar, Nirupa Roy, Pran, Maruti, Smriti Biswas, Badri Pershad, Balam, Kesari, Kathana etc.etc. Songs of this film were recorded in 1956, but for reasons not known to us, the film was censored only in 1959 (25-11-1959). The length of the film was 12,698 feet and was in 14 reels.

Why I gave the details of the length and number of reels is that during the period of 50s, I remember how the films used to begin in the theatres. In Hyderabad city, once the show time was up, the theatre would be plunged in darkness and advertisements would start with slides or shorts. After this, usually there would be Indian News Reel or a Documentary of the Films Division. The Indian News reel was interesting and when some Cricket match was being played, here or abroad, some shots of the match would be shown. By this time, all the audience used to be in their seats. The first scene of the start of the main film was showing its Censor Certificate. It was at this time, when 99% audience used to read loudly in chorus, “14 Reels”, as if they had discovered some top secret ! Perhaps, it gave them an idea whether the film was a long one , normal or a short one.

Ashok Kumar (13-10-1911 to 10-12-2001) the Hero of this film, always surprised me. I wonder how much energy this man must have had. If you see his Career graph,it is most unusual. I am saying this because, normally an actor is at his best Performance level when he is young. As the age increases, his level diminishes and after a certain period, he is away from the Silver screen. In case of Ashok Kumar this is very different story. See the following chart and you will realise what I mean.

Period in years Aproximate Age No. of films done in the decade
Decade 1 (1936-1940 ) 25-30 years 12 (First film- Jeevan Naiya-1936)
Decade 2 (1941-1950 ) 30-40 years 23
Decade 3 (1951-1960) 40-50 years 55
Decade 4(1961-1970) 50-60 years 62
Decade 5(1971-1980) 60-70 years 85
Decade 6 (1981-1990) 70-80 years 60
Decade 7 (1991-1997 ) 81-86 years 13 (Last film- Aankhon mein tum ho-1997)

From 1936 to 1997 he acted in 310 films. That is a very long journey in films, of 61 years ! His first Heroine-Devikarani- was born in 1908 and the Heroine of his last film- Suman Ranganathan was born in 1974 ! He worked with Heroines from 4 generations (a film generation is counted as 15 years). Ashok Kumar ,in his career, paired with Devika Rani-she was 3 years elder to him in age- in 8 films, with Nalini Jayawant in 11 films and with Nirupa Roy in 21 films in 33 years’ period-from Bhai Bhai-56 to Dana Pani-89.

He had to sing his own songs. By that time the system of Playback had started, but actor singing his/her own songs also continued for some time. He sang 77 songs in 25 films. Effectively, his singing was halted by Mohd. Rafi, when he sang for Ashok Kumar in the film Saajan-47- a duet with Lalita Deulkar ( Humko tumhara hi aasra). After this Ashok Kumar sang one song each in film Chalti ka naam Gaadi-58, Aashirvad-68, Kangan-72, Khoobsurat-80 and finally in Shaukeen-82.

Look at his energy level in the above chart. As he grew up in age, his demand increased, he worked in more and more films till he was 86 year old. He was simply unique in this respect. May be Amitabh Bachhan is a match to him or even better than him because nowadays more films are made than before. I hope some contributor does this comparison in the same way.

When Ashok kumar started acting, he had a great problem. He did not know what to do with his hands. in all his early films, you will find him acting very awkwardly, because of this problem. When he acted in film Anjaan-41, this problem was solved. In this film he did a Doctor’s role, who is accused of a murder- which he did not commit. He had to be a detective to collect proof of his innocence and argue in the court also. During this period, he started smoking cigarettes and his ‘Hand’ problem was solved once for all. After this film, Ashok Kumar and his smoking became inseparable in every film ! (and also in private life) .

Ashok Kumar was one of those actors who did Natural acting in their films. Initially, that was not so, but after solving his ‘Hand’ problem in film Anjaan-41, he was one of the best such actor. Motilal, Sanjeev Kumar, Amol Palekar, Farooq Shaikh and Paresh Raval are some other names that came to my mind in this category.

For actress Smriti Biswas, film Daaka-59 was her last film. She quit films and married actor, director, producer and studio owner S D Narang.

Actress Smriti Biswas was born on 17-2-1932, in Calcutta in a middle class family. She was educated at home and she worked as child star in Bangla films, Sandhya and Dwandwa in the 1930s.

Hoping to make a better career, she shifted to Lahore. Here Pancholi studio gave her a break with the film Dhamkee-45. The film shooting started in 1943, but it was released in 1945. She got Raagini-45 in the same year. Its Director was Shanker Mehta. Two more of her films, viz Nek Dil-48 and Roop rekha-48 were also released there.

After Partition she returned to Calcutta. S.D.Narang, actor, producer and director also shifted to Calcutta along with her. He established his own Bengal National Studio and made Bangla and Hindi films with Smriti. Their ‘Ek Aurat’-48 was quite popular.

New Theatres cast Smriti in their film “Pehla Aadmi”-50 based on the story of Subhash Chandra Bose. It was directed by Bimal Roy. Both Smriti and Narang came down to Bombay. In the decade of 1950’s, she did about 21 films there. Daaka-59 was her last film. In 1960, she married S.D.Narang and retied from films, though she was still in demand. She has 2 sons. S.D.Narang died on 25-1-1986. She is in her 80s but enjoys life with family and friends.

Smriti Biswas did only about 27 films in her career, but her vivacious looks, sweet face and speaking style still reminds us of her roles.

Some of her more well known films are, Arab ka Saudagar-56, Bhai saheb-54, Lakhon mein ek-55, Samsheer-53, Aab e Hayat-55, Hum Safar-53 (opposite Dev Anand), Dilli ka Thug-58, Teen batti chaar Rasta-53, Baap re Baap-55 and Bhagam Bhag-56.

Recently I saw an article in Maharashtra Times of 14-4-2017. It was mentioned that She was living in a barely 500 square feet flat in Nashik, along with her two grown up, unmarried sons. All the property, Gold and money left by S D Narang was looted by other relatives and Smriti finds it difficult to pull on.

The Heroine of this film Nirupa Roy was a very unconventional actress of Hindi films. Her repertoire of roles was so varied that she could not be stamped with any one type of roles.

Nirupa Roy (4-1-1931 to 13-10-2004) was an enigma of Hindi Cinema. She has been a Heroine in 110 films,a mother in over 50 films,has been a Goddess in 50 Mythological films, a suffering wife in over 30 films and a Stunt girl in about 10 films.( I remember our Raja ji once said that it was difficult to imagine Nirupa Roy in any other dress than a Saree.) She sang Bhajans,romantic songs,Comedy songs,qawalis,sad songs and peasant folk songs on the screen.

She changed her Heroes like “Badalate huwe saathi”. She did 18 films with Trilok Kapoor ( 50-65), 12 films with Balraj Sahni ( 53-72), 16 films with P.Jairaj ( 53-78), and 21 films with Ashok Kumar ( 56-89). She was Amitabh’s mother in 12 films and a stunt Girl in 8 films. She even wrote a popular film song for film Samrat Chandragupta-58 ( Mujhe dekh chaand sharmaye – Lata).

Today’s song is a sweet duet of Lata and Hemant Kumar. Listening to some of their duets is a divine experience. Some of their duets like “yaad kiya dilne kahan ho tum”, “ye raat ye chandni phir kahan”, “gupchup gupchup pyar karen”, and ” Sanware salone aaye din bahar ke ” are some of the songs they made immortal in HFM. Lata’s voice never sounded sweeter with any other singer.

Today’s song is not as well known as the songs mentioned above, nevertheless this song has the hallmark of a Lata-Hemant Kumar duet song. It is a song that is best heard at night time- a “chhaayaageet” category song.


Song- Chaand ne kuchh kaha taaron ne kuchh suna (Daakaa)(1959) Singers- Hemant Kumar, Lata Mangeshkar, Lyrics- Prem Dhawan, MD- Chitragupta
Both

Lyrics

chaand ne kuchh kaha
taaron ne kuchh suna
baat hi baat mein jaane kya ho gaya
aankhen jhuk jhuk gayin
dhadkanen ruk gayin
kya bataaun mera dil kahaan kho gaya

chaand ne kuchh kaha taaron ne kuch suna
baat hi baat mein jaane kya ho gaya

hum to khud se hi nazren churaane lage
jaane kya soch kar muskuraane lage
hum to khud se hi nazren churaane lage
jaane kya soch kar muskuraane lage

ab to dil na kisi bhi bahaane lage
baat hi baat mein jaane kya ho gaya
aankhen jhuk jhuk gayin dhadkanen ruk gayin
kya bataaun mera dil kahaan kho gaya

raat aayi hai zulfen sanwaare huye
aankhon aankhon mein kya kya ishaare huye
raat aayi hai zulfen sanwaare huye
aankhon aankhon mein kya kya ishaare huye
bas hai itni khabar
hum tumhaare huye
baat hi baat mein jaane kya ho gaya

chaand ne kuchh kaha
taaron ne kuchh suna
baat hi baat mein jaane kya ho gaya


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4088 Post No. : 15229

“Coffee House”(1957) was produced and directed by Hari Walia for Niti Arts Productions, Bombay. This movie, whose prints are lost had Geeta Bali, Shammi Kapoor, Vijaylaxmi, Jeevan, Bhagwan, Chanchal, Kumud Tripathi, Pal Sharma, Raja Kapoor, Helen etc in it.

Two songs from this movie has been discussed in the past. Here is the tird song from “Coffee House”(1957) to appear in the blog. This song is sung by Geeta Dutt. Prem Dhawan is the lyricist. Music is composed by Roshan, as mentioned earlier.

From the sounds of it, the song appears to be a club dance song/ cabarat dance song.

Only the audio of this song is available. The prints of this movie are lost. It was a fond wish to Shammi Kapoor to be able to watch this movie seeing that it also starred Geeta Bali who would later become his wife.

I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Ye hawa ye fizaa ye samaa (Coffee House)(1957) Singer-Geeta Dutt, Lyrics-Prem Dhawan, MD-Roshan

Lyrics

ye hawa
ye fiza
ye samaa
aaj hai
kis kadar haseen jahaan
shaam hai
jaam hai
saathi hai
sun hi le
dil ki sau daastaan

jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa

husn ki ye meharbaaniyaan phir kahaan
husn ki ye meharbaaniyaan phir kahaan
ishq ki rangeen kahaaniyan phir kahaan
phir kahaan ye sama
ye sama phir kahaan
aa dil ki mehfil mein
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa

ye nigaah
ye dil ki mastiyaan
ye ada
ye nigaah
ye dil ki mastiyaan
ye ada
tez hai kuchh aaj dhadkanon ki sada
ye sada sun zara
sun zara ye sada
aa dil ki mehfil mein
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa
jhoom jhoom ke
jaam choom ke
aa dil ki mehfil mein aa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4020 Post No. : 15132

21st July, 1969 – a tiny me was waiting for the arrival of the school bus, around 6.40 am in the morning, at the end of the lane where we lived, in Karol Bagh area of Delhi. Three, maybe four other friends, going to the same school – executing the normal morning routine, with strap bags on shoulders, waiting to espy the school bus that we all recognized oh so well, to take a turn from a crossing about 200 metres away – to come, and to gobble us up, and to carry us to yet another day at the school. I think, it was too early in life to philosophize about the love-hate relationship with education, school and school teachers. It was still kind of an eager fun to travel in the bus and get to a classroom, and spend time watching teachers do their things on the blackboard, for us. Ah yes, the blackboards back then were actually black, and white chalks were then the standard instrument of communication between the teacher and us.

Sorry, I am jumping the gun – classroom and education is not the topic today; ‘waiting for the bus’ is. So as I was saying, four five of us kids were at the appointed place, at the appointed time – waiting to be picked. Some of these memories are so vivid and crystal clear in the mind, as if it was just yesterday. Ah yes, does seem like yesterday. I remember there was a bakery and confectionery shop right on the corner where we used to wait for the bus. It was a family run business – two brother partners. Over the years, the ownership of that shop has remained in the family, but the subject matter of the shop has changed from confectionery to designer clothing today. I still remember, the board on the shop – ‘Paul’s – Bakers and Confectioners’.

The kids’ interest of course was in the candies, toffees and chocolate items displayed in the shop’s show cases. The shop would be open before we reached the waiting point, because being a baker, he was catering to the early morning needs of milk and bread supply, to the early riser families, which, in those times, was practically all the families in the neighborhood.

Ah, sorry, I digress again – waiting for the bus it was. So the different thing that happened on that morning was the the bus did not come on time. It was kind of a pleasant, expectation filled feeling in the kiddy hearts – is the bus not coming today? Well, bus used to be late once in a while. And the tiny minds would be inventing conjectures about the school being closed for this or that unimaginable reason. But then, those dreams used to be shattered within a matter of minutes – late it would be, but then it would appear on the horizon, and the young footsteps would prance on to the four steps and into bus, starting another day at the school.

But that day, the few minutes extended into many minutes – and no bus. Although we were all in the mood to run back home and make a pompous announcement of the mystery of the disappearing bus. Of course, none had the courage to do so. It was a mindless wait, but the instructions to this kiddy platoon was to stay rooted to the bus stop area, and not to wander away – no matter how late the bus was. And we waited. No, the parents were not with us. We kids were in that gray transition zone of trust building age, that the parents would drop us at the bus stop, and head back home, with the confidence that the kid would certainly board the bus and spend another productive day at the school. And so we waited.

One of the more enterprising member of this waiting platoon ventured into the bakery shop and asked for time. “Seven o five”, we were told – goodness the bus was twenty five minutes late. This had never happened before. It was a first in the long years of the tiny age of experiences that the kiddy minds had accumulated till then. But then, in the absence of any instructions for this unexpected, first time, unheard of situation, we were clueless as to what should be done. So we waited – did not have courage to venture back home – the certain thought in mind was that parents would simply scold us and ask us to get back to the bus stop immediately and wait some more. There must be a valid reason – breakdown, accident, petrol finish – whatever, but it will come. So go back.

But it didn’t come. Another fifteen minutes passed. Still no bus. The uncomfortable squirming had now transformed into an anxious fear – have we already missed it? Has the bus come and gone and all of us missed it by a minute or something. Now the fear started to grow, since if the bus had already gone, then the fault would be ours that we were a minute or two too late to reach the bus stop. And so what were we doing, while ambling towards the bus stop from home, how did we reach the bus stop late? And why? All sorts of uncomfortable thoughts were now cycling through the mind. And we waited.

But the tension was unbearable now. The urge was to rush back home, but in the absence of an explanation, the apprehension of the consequences did not allow us to move. First time in the long years of tiny experiences, we were facing a helpless situation, the CPUs of mind were primitive and no conclusive directions were forthcoming.

Finally, we saw a ray of hope. We espied a senior student of our school, walking towards our bus stop. This person used to board from the next stop on the route, about half a mile ahead. He came, he declared, and we conquered. 😀 😀

He informed us that the bus would not be coming that day, since the school had declared a holiday. So head back home and take a day off. Whoosh. . . the mounds of stones of uncertainty were suddenly lifted, a new energy seemed to flow now, in place of the helpless limbo. I am very very sure, all would have had this ‘Whoosh’ experience sometimes in school life – an unexpected holiday announcement. It was like ‘छप्पड़ फाड़ के’ – I am using this phrase in hind sight. Of course I was not aware of this phrase or its implications at that time.

Then one of us had the curiosity strong enough to ask, what happened, why this unannounced holiday. The senior was not very sure himself. He said his father had called the school, and the school had announced the holiday – it was because of the moon landing. Totally bewildered with this information the tiny brains could not process, we externally expressed relief and happiness, lugged the bags over the shoulders once again, and walked back home.

It was almost one hour after the bus time, and of course the parents were totally surprised to see me back at the doorway. Dad asked what was the matter. And I recounted in brief, about the wait, the senior student, the information about the holiday announcement and moon landing. Dad started to laugh. He had already known about this news – well he was part of the editorial team that published the morning paper. So he already had the information about the event in the late hours of the previous night. But there was no news in the papers about the school holidays. So then he ventured to confirm – went to another neighbor’s place to make a call to the school. We did not have a phone at home in those times. He returned after a few minutes, and his smile confirmed the announcement, and laid to rest any apprehensions, that I would be held to fault, for making up such tall story.

I asked him, and he explained, quite lucidly of course – he had prepared the news story for print just a few hours prior. But much of that did not register into the brain. The moon landing, Apollo 11, US spacecraft, Neil Armstrong – some key phrases stuck in the mind. I took up the newspaper and read through the story. The quantum and the quality of significance did not sink in then. But yes, this idea did sink in very earnestly that the event that happened was some towering, huge, first of its kind accomplishment by USA. In the later years, as my interest grew in scientific topics, I would come to realize the depth of significance and importance of this huge event. The man had landed on another celestial body for the first time in the history (known history??) of the mankind. Yes, it was huge.

On 25th May, 1961, John F Kennedy, the then US President, made this proposal to the US Congress, to land a man on the moon before the end of the decade. Of course, the objective was achieved on 20th July, 1969.

And so the event, and its earth shattering significance has stayed with me now, for all these years – all because the schools declared a holiday that day – to celebrate this towering achievement of the human race. The man had reached the moon, and the school was closed in celebration.

Today, we are celebrating the 50th anniversary of that accomplishment. Over the past 50 years, the science of astronautics, and the technology had progressed by leaps and bounds. But the ‘man on the moon’ event has this envious and non-duplicate-able quality about it – what more to say. The US scientists and NASA took almost 8 years to accomplish the target that their famous president had set for them. Long before that, the Indian cinema had already responded with the film ‘Rocket Girl’, in 1962, and with this humorous and lilting melody created by Prem Dhawan and Chitragupt.

Searching for an appropriate song for this celebration, I chanced to discover this fabulous gem of a song that has probably been considered lost and consigned to the deep. I tried to search for songs with reference to ‘chaand’. Another song from this film – “Na Jaane Chaand Kaisa Hoga” – is an iconic, popular hit song that is already posted on the blog. When I read the words of the mukhda of this, I was very curious to search and pull out this song, because the mukhda kind of hints at traveling to the moon. With some time spend, I am able to locate this song in my collection. As far as I could check online, this song is not yet available. So I prepared and uploaded this song, and here am presenting it for this celebration today.

Listening this song, I am so surprised that this song has remained obscure all these years. A vintage Chitragupt melody that takes the listener on a journey of lilting extravaganza – so beautifully tuned and so exquisitely arranged. The humming composition simply is not getting out of my mind at this time – the lady wants to travel to the land of the moon and have a romance amongst the stars, and gentleman is not at all convinced that they would reach there alive. 🙂  The words of the song are so interestingly crafted – it is a veritable treat to listen to.

‘Rocket Girl’ is a film from 1962, produced under the banner of Film Sansar, Bombay and is directed by Nanabhai Bhatt. The cast of actors is listed as Naaz, Sudesh Kumar, Jagdish Raj, Nilofer, Kanchanmala, Brahm Bhardwaj, Genius, Lal Bahadur, Mohammad Bhai, Ameer, Sandow, Shafi, Shammi, and Bhagwan Dada. Six songs are listed for this film, all from the pen of Prem Dhawan, with wonderful music compositions coming from the mind of Chitragupt.

I have no idea whether this film is about space travel, and visit to the moon. Listening to the two songs, it appears that his film is about space travel, I request our more knowledgeable readers to add more information about this film.
[Ed Note: Details about the film ‘Rocket Girl’ have already been posted by Arun ji, our in-house encyclopedia, with the earlier posted song of this film – “Na Jaane Chaand Kaisa Hoga”. The same are also available at Atul Movies – Rocket Girl (1962). Thanks to Aero Survey for this reminder.]

Fifty years of moon landing – and a surprisingly wonderful song to go along with – enjoy.

 

Song – Aa Ja Chalen Piya Chaand Waale Des Mein  (Rocket Girl) (1962) Singer – Suman Kalyanpur, Manna Dey, Lyrics – Prem Dhawan, MD – Chitragupt

Lyrics

aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge

basti nai sitaaron mein basaayenge
gaye jo wahaan palat ke naa aayenge
basti nai sitaaron mein basaayenge
gaye jo wahaan palat ke naa aayenge
aisi baaton se hum nahin darenge
na na na na
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge
oo oo oo
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge

jhoothe hain sabhi ye kisse chaand waand ke
le chaloon tujhe main zulfon mein baandh ke
jhoothe hain sabhi ye kisse chaand waand ke
le chaloon tujhe main zulfon mein baandh ke
jaao akele hum aahen bharenge
na na na na
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
oo oo oo
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge

kehte the tumhin
sitaare doonga tod ke
honge meri jaan
ye waade kisi aur ke
mil ke jiye hain mil ke hi marenge
na na na na
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge
oo oo oo
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
oo oo oo
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे

बस्ती नई सितारों में बसाएँगे
गए जो वहाँ पलट के ना आएंगे
बस्ती नई सितारों में बसाएँगे
गए जो वहाँ पलट के ना आएंगे
ऐसी बातों से हम नहीं डरेंगे
ना ना ना ना
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे
ओ ओ ओ
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे

झूठे हैं सभी ये किस्से चाँद वांद के
ले चलूँ तुझे मैं ज़ुल्फों में बांध के
झूठे हैं सभी ये किस्से चाँद वांद के
ले चलूँ तुझे मैं ज़ुल्फों में बांध के
जाओ अकेले हम आहें भरेंगे
ना ना ना ना
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
ओ ओ ओ
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे

कहते थे तुम्हीं
सितारे दूँगा तोड़ के
होंगे मेरी जान
ये वादे किसी और के
मिल के जिये हैं मिल के ही मरेंगे
ना ना ना ना
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे
ओ ओ ओ
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
ओ ओ ओ
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4018 Post No. : 15126

Throughout the year, this blog notes anniversaries of various artistes. We celebrate their birth anniversaries, we remember, and observe with respect, their death anniversaries.

We occasionally also celebrate birthdays of Atulites here.

But there is one date that we all celebrate every year with a lot of love.

And that is this blog’s own birthday.

Yes, today, the 19th of July is the birthday of this blog.

This is the date, 11 years ago, that Atul, who started this blog, posted its very first song “mile na phool to kaanton se dosti kar li”. A beautiful song, written by Kaifi Azmi saab, composed by Roshan, and rendered in Rafisaab’s voice.

What an auspicious start to the blog!

Since then, now a veteran of over 15000 songs, this blog continues to go strong, adding more treasures to its already abundant treasure-chest, and attracting visitors from around the globe.

At last count, the number of hits on the blog was close to 12 million!

Clearly, this blog has established itself as the go-to source for HFM lovers, especially those interested in accurate song lyrics, and with a desire to engage themselves also with a write-up associated with the song.

Over these years, starting as a one-song-a-day blog, it has evolved into multiple-songs-a-day, with a whole lot of features added to it over this period of time.

During the course of this journey, another very important development (at least for some of us here), is the formation of this group called Atulites.

It is nothing fancy as such. Atul started this journey 11 years ago, and there have been many who have visited the blog and enjoyed its content. But a few of us, have been regulars here over the years, either writing comments, or posts. We have developed a bond over the years, thanks to the blog. Many of us have had an opportunity to meet each other in person. Since it all started with Atul, we call ourselves Atulites. 🙂

As someone who has known this blog from day one, it is a great joy for me to see this blog now complete 11 years.

I’ve said this many times – but I will say it again – this blog is unlike any other blog out there. Most blogs don’t last beyond a few months or years. And even then, the posting on these blogs is sporadic. Maybe a post every few weeks, or even months.

This is mainly because it takes a lot of effort and time to post regular content on a blog. Yes, if it’s earning significant money for the author, or promotes him or her in any way, that might be motivation to keep posting. But otherwise, it loses steam, and ends up neglected.

Here, Atul has ensured that this blog has posts almost every single day since it was started. Sure, there have been the odd days without posts, but these have been very few over this 11-year period. This is truly remarkable – and is a testament to Atul’s dedication and discipline.

We must remember, and stress here, that this blog is a “labour of love” for Atul. Had it been a commercial venture, one can understand so much time and effort spent on it. But for Atul, it has just been his passion and love that has kept the blog going for all this while, with daily updates.

I must add here that, in the last few years, Atul has been helped in this process by the one and only Sudhir ji. Together they form a great team, ensuring the blog is always buzzing.
I can’t thank both of them enough for what they do for the blog.

Then there are the other contributors also who enrich the blog greatly by their contributions. Arunji is the first name that comes to mind, but there is a whole host of others – they know who they are. 🙂 Everyone has contributed in his, or her, own way to the blog.

All in all, it has been a wonderful 11-year journey. I am very glad to have been part of it, to have learnt so many songs I’d never heard before, and to have met so many wonderful people, thanks solely to this blog.

So a big thank you to Atul for this.

Even as I type this, it has just struck me that the IPL also started in 2008. The final was played on 1st June 2008 – and this blog started on 19th July 2008. I wonder whether there is a connection. Did the IPL inspire Atul to start this blog? 🙂

Now, quickly avoiding the brickbats coming my way for posing that last question, am moving on to the song for today.

I wanted a fun, lively, song because it is a happy occasion.

And, as usual, I went looking for a song from the era I am most comfortable with, while hunting for songs. That is, the 1970s. Often I come across a song that might not have been all that famous, but is special to me because I remember it from that time, and it brings back memories.

Today’s song is one such. It is from the film Dharkan (1972).

Now this film is one I distinctly remember seeing in my childhood. I remember liking it a lot too at that time. It had a different type of storyline.

From what I remember, the story was about a man travelling with his friend by train, to meet another long-lost friend (who happens to be very rich). This friend in the train gets greedy and kills this man. He then poses as him, and meets the long-lost friend, hoping to swindle him of his wealth. Of course, he needs to be careful not to get exposed.

I don’t remember the details now, but after some initial success, he begins to arouse suspicions about his identity.

The picturisation of this song reflects one such situation. As we can see, Helen and Sanjay Khan are taunting Roopesh Kumar, hinting to him that they know what he has done.

I need to see this film again – though it’s quite possible I might not like it now. 🙂 It happens sometimes that you see a film that you’d last seen decades ago – and it doesn’t have the same appeal anymore.

The moment I heard this song though, I immediately remembered the movie. It is classic Asha Bhosle, though the composer is not RD Burman, but Ravi. I remember this song very well from that time, though I’m not sure if it was popular then. The most popular song of this film was “main to chala, jidhar chale rasta” (which has already been posted here). This is the second song of the film to be posted here.

The video ends a bit abruptly, so the audio is included.

I hope you enjoy this song.

Here’s wishing the blog a very happy birthday – and many more to come.

Video

Audio

Song-Jab toone kuchh na kiya (Dhadkan)(1972) Singers-Manna Dey, Asha Bhonsle, Lyrics-Prem Dhawan, MD-Ravi
Both
Chorus

Lyrics

Paisa
Pa pa pa paisa
Daulat
Sa sa sa daulat
Haasil karne ke liye
Paap
Hahaha
Dhokha
Hohoho
Chhal
Ha
Fareb
Ha
Khoon
Lekin…
Jab toone kuchh na kiya
Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Jab toone kuchh na kiya
Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Waise to
Sab kuchh
Dekha hai
Duniya ki mehfil mein

Lekin
Aha
Koi bhi
Oho
Jaane na
Aha
Kiske kya hai dil mein
Ho
Kaun bhala yahaan kaun buraa hai

O ho ho
Kaatil hai kaun yahaan kisko pataa hai
O ho ho
Kaun bhala yahaan kaun buraa hai
Kaatil hai kaun yahaan kisko pataa hai

O ho
Chehre ka tere kyun rang udaa hai
Hahahahahahahaha
Jab toone ae ae ae
kuchh na kiya aa
Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Hai jhootha to
Arrey jhootha hai
Kab tak
asli roop chhupaayega

khooni to
aha
khooni hai
oho
ek din
aha
pakda hi jaayega
O o
phool jo todaa toone phir wo khila hai

ohoho
Diya bujhaaya tha jo phir wo jalaa hai
Phool jo todaa toone phir wo khila hai
Diya bujhaaya tha jo phir se jalaa hai

Tera hi kaal tere saamne khadaa hai

Jab toone kuchh na kiya
haa
Kyun daraa daraa sa hai
Deewaane kyon daraa daraa sa hai ae

Kyun daraa daraa sa hai
Deewaane kyon daraa daraa sa hai

Paisa
Pa pa pa paisa
Daulat
Sa sa sa daulat
Haasil karne ke liye
Paap
Hahaha
Dhoka
Hohoho
Chhal
Ha
Fareb
Ha
Khoon


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4000 Post No. : 15100

Today (1 july 2019) happens to be the first day of the month (pehli taareekh). People today arev no longer as happy and bullish about pehli taareekh as they were till a few decades back, nevertheless it remains an important day for people.

This time, it happens to be monday, the first working day as well. 😉 It is as if one is beginning a new month with a clean slate, with the first working day of the week. 🙂 There are people who dread mondays. I am sure regulars of this blog are not among such people. 🙂

This day happens to be quite an important day for the blog as well. Today is the 4000th day for this blog ! 4000 days of continous vibrant existence, with posts almost every day !

Out of 4000 days, there have been 217 dot days (5.4 % days) when no posts were published, otherwise there have been posts everyday on 3783 days (94.6 %) out of these 4000 days !

The peak daily strike rate of this blog was 4.626 posts a day on 1902th day of the blog on 2 october 2013 when 8800th post was posted. Those were the days when covering six songs in a day was considered normal in the blog. The strike rate began to fall from 2015 onwards and today on the 4000th day of the blog we are on 15100 only !

Did I say post number 15100 ? Yes, I did. Today on the 4000th day of the blog, we reach another century post, namely post number 15100 in the blog.

Many of our writeup contents, like our strike rate of posts have dried up as well, nevertheless we still summon enough creative juices for special occasions. Blog century post is one such special occasion.

This writeup is a labour of love (a favourite phrase for this blog) and it covers a topic that I wanted to cover on 5 june 2015, which was world environment day. Though I had considerable data on this topic, I was not able to convert all that data into useful and interesting information in the limited time that I could summon by that date. So I decided that this topic would be covered while discussing post number 15100. I discussed the matter with Sudhir Jee and requested him to find a suitable song. Finally we zeroed in on a song that is quite appropriate and suitable for the occasion as well as the topic being discussed in the song.

The topic of this writeup is environment. This writeup covers a man who has singlehandedly performed a Herculean task ( भगीरथ प्रयास) in the area of environment.

Who is this man and what he has done ?

Jitu Kalita, a Jorhat-based journalist who writes a popular column on nature in Prantik, an Assamese magazine, was stalking vultures when he found himself on the far side of Aruna sapori (sapori is the Assamese word for island), entering a forest, when a visibly perturbed tribal man practically attacked him and chased him off the land.

Later, Jitu Kalita managed to pacify the man and he convinced him that he was a journalist and not a poacher as apprehended by the tribal man. It was then that the tribal man, named Jadav Payeng, gradually opened up to Jitu Kalita and Jitu Kalita had the biggest news scoop of his career.

He is a man called Jadav “Molai” Payeng, a native of Assam. A man in his late 50s, he is an ordinary man who lives in a village near Jorhat (Assam). A tribal man of Mising tribe of Assam, he makes his living by milking his cattles and selling their milk.

When he was young, he lived with his parents and family is an island on River Brahamputra, near a small town called Kokilamukh located on south bank of the river.

In 1965, there was a big flood and that devastated the island (called Kartic sapori or Aruna sapori). Jadav Payeng’s family decided to move to another island to the north, namely Majuli island (which incidentally is the biggest river island in the world).

Before relocating, acute poverty compelled his parents to leave five-year-old Jadav in the care of Anil Borthakur, a court-master at the District Judge Court in Jorhat, who looked after his schooling.

In 1979, after he had appeared for his matriculation examination in a Jorhat School, Jadav Payeng visited his native place during summer season. What he saw there devastated him. He saw hundreds of dead snakes or the dry and hot sands. These snakes, which were washed ashore that island during rainy season, had died in summer because there was no vegetation growing in the sands that could protect and nurture these snakes. Jadav Payeng was heart broken. If snakes could die like this, then in future humans can likewise die if there is no vegetation to protect and nurture them- he thought. And he resolved to do something about that.

He approached forest department (where he had worked as a labourer in their project of afforestation), but they refused to help him and stated that it was not possible to do what he wanted.

Jadav Payeng asked the elders who lived in that area about some suitable vegetations that could be grown there. They advised him to grow world’s tallest grass. Initially confused, he later came to know that they described bamboo as world’s tallest grass. They also provided him some seeds.

Jadav Payeng began to plant seeds regularly from that day in 1979. Initially it was bamboo, and later, when Bamboo trees formed a decent enough self sustaining vegetation, he began to plant other variety of seeds as well.

Jada Payeng kept on and on for more than three decades unsung, unknown, unheralded. He obviously had genuine passion for the task that he could go on and on singlehandedly for this long without any support.

It was only thanks to the chance discovery by nature photographer Jitu Kalita that people came to know about this forest which was grown singlehandedly by one man.

This forest became so large and so thick that wild animals like Elephants (from Dibrugarh), Rhinos (from Kaziranga) and tigers (from Karbi anglong) found their way into his forest.

This jungle was named Mulai kathoni (Mulai jungle) by the local people, where Mulai was his nickname.

Jadav Payeng had built his tribal style home (known as Changghar – house on stilts in the Mising style) in the jungle where he lived with his family (wife and three kids). When the herd of elephants first arrived in the jingle in 2008, they overran his home.

He stood and watched from a distance and realised the magnitude of what he had done. While the others watched on, baffled, he was overcome with joy. And he had every reason to be – he has succeeded in bringing life (that too wildlife) back to the island.

But his celebrations were short-lived. A few days later, angry villagers, having assessed the damage to their crops, blamed Mulai Kathoni for attracting the elephants. One mob manifested their anger by cutting down trees while another set fire to a patch at the far end. He reckons he lost one tenth of the forest in that first wave of mindless violence.

Fortunately, things calmed down since. The forest department too realised that wild elephants had gone to this “new” jungle that they knew nothing about till then. The ex-gratia payment for damaged crops offered by the Forest Department, the media attention and accolades bestowed on Payeng helped in suppressing the rage of the villagers.

What was empty sandbar had transformed into a full fledged jungle spread over 1360 acres (550 hectares). The forest now had around 5000 trees of over 100 different species, all singlehandedly planted by him. The vegetation included shimloo, shishoo, bhelo, gamari, segun, jamun, aam, kathol, shirish, dimolu, kohee, koroi, arjuna, amla, kadam, krishnasure, aizar, two types of neem, bagori etc (all local names). Most he planted himself; others grew from the seeds dispersed by winds, birds and the Brahmaputra. The forest now had fullfledged fauna consisting of Elephants, tigers, rhinos , deers, monkeys, rabbits, vultures and other birds etc !

Central Park in Manhattan in New York, a famous man made jungle is spread over 843 acres (341 hectares). It was created thanks to the efforts of many men and machinery.

If Central Park is larger than countries of Monaco(202 hectares) and Vatican city (44 hectares), then this forest (now called mulai kathonibari or Mulai forest) is larger than Gibralter (area 680 hectares) of Great Britain and comparable to area cocos island of Australia (1373 hectares).

Jadav Payeng’s fame spread slowly. Initially it was confined to local media. From 2012 till 2015, he became known mainly among academic circles and he was honoured by JNU (2012) where he was hailed as Forest Man of India. In 2013, he was honoured by Indian Institute of Forest Management.

Earlier, only people have access to corridors of power used to get government awards. Now a days, public are being encouraged to nominate people for such awards. That is how many unknown and unsung people are being recognised these days. That is how someone recommended his name for Padmshree Award and he received Padmshree Award at the hands of President Pranob Mukherji in 2015.

The Padmshree recognition caught the eyes of media and gave him world wide recognition. Many TV channels of various languages have visited him and have featured him in their TV programs. Even International media have covered him. He began to be called nationwide and even abroad to attend seminars and conferences.

Though a school drop out, he has vast knowledge about nature and he talks like an environmentalists that he actually is. He has knowledge which many theoretical environmentalists may not be aware of. For instance, he knows that Rhinos, Elephants and ungulates prefer to eat three different kinds of grasses. He is not familar with the English or scientific names of these grasses though.

He gets invited all over India and also abroad. wherever he goes, he is on the lookout for seeds of plants, which he keeps in his pocket. He manages to bring all these seeds with him to his native place in Assam and then plants them in the forest.

All this fame and recognition has not changed him. he is the same humble person that he was earlier. He did all this not for awards, but because he strongly believed in the cause. That is how he could go about this tast unrecognised and unsung for three decades.

Though not formally educated, he is an environmentalist at heart. He insists that Environment schience should be made compulsory in primary schools. Every kid, when he starts schooling should be given two saplings. He should be responsible for their care. By the time he leaves school some one decade later, his two plants would be full fledged trees. As for senior people not in school, they should plant one plant and nurture it. That way everyone of us would ensure our continued survival in earth.

“Man is responsible for the well-being of all animals and birds in this world,” Payeng explains. “If man does not take care of all animals, who will?”

Jadav Payeng lived in his hut in his jungle till 2011. Then he moved to “mainland”, namely a village called Eklong Mising Gaon near Kokilamukh in Jorhat in 2011, mainly to take care of the schooling needs of his three children.

He still goes to his jungle regularly from his “mainland” home, which involves walk on foot for a few kilimeters, followed by a treacherous boat ride over a stream of River Brahmputra, then walk of a few kilometeres, then another boat ride in another treacherous stream of river Brahmputra, and finally a trek of several kilometers before he reaches his jungle. Then the same trek back home.

To appreciate the logistics, I have provided the google earth image of his forest. One can also see the vastness of the river. As mentioned above, this small island is larger than some small nations of the world. The jungle grown by Jadav Payeng itself is larger than the smallest nations of the world.

Island in River Brahmpurta with Mulai forest
———————————————

Bird’s eye view, with River Brahmputra seen- See how wide is the river. The area to the north of mulai forest is Majuli island.
——————————————————————————————————————————–

It gives me great pleasure to introduce Jadav Payeng, the great self made environmentalist of India. What he singlehandedly achieved despite absolute lack of resources, encouragement and guidance is simply astonishng and out of the world. I am happy that his efforts were finally recognised, even if it took more than three decades.

I hope that we will not just pay lip service to his contributions, but that we will actually try and do out sincere bit for nature and environment.

The song that accompanies this writeup talks about the effects of hot weather as well. So pretty lady- Helen, who else, beseeches her beau to take her to Shimla, seeing how hot it is in the city. Let us grow more threes, so the temperatures in our cities remain under control. Else, even hill cities where people like to go to during summer will become as hot as plain during summer season. We are already witnessing this.

This song is from “Mud Mud Ke Na Dekh” (1962). The song is sung by Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Hansraj Bahl.

On the occasion to 15100th song on 4000th day of the blog, I thank one and all for their continued support and well wishes. We have access to much better support from our fellow music lovers, much better support than what Jadav Payeng enjoyed, so I hope that we will be able to keep our musical bandwagon rolling on and on for as many years as possible.


Song-Ye hai june ka maheena aaye bada hi paseena (Mud Mud Ke Na Dekh)(1960) Singer-Asha Bhonsle, Lyrics-Prem Dhawan, MD-Hansraj Bahl

Lyrics

ye hai june ka maheena
aaye bada re paseena

ho ho ho ho
mar gayi garmi se
le chal shimle baabu
mar gayi garmi se
le chal shimle baabu
are le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
are le chal shimle baabu

kaale pad gaye gaal gulaabi
naina pad gaye peele
kaale pad gaye gaal gulaabi
naina pad gaye peele
kabhi na poochha toone re baabu
ho ho ho
kabhi na poochha tooune re baabu
thanda sharbat peele
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu

nainital mein bachpan beeta
srinagar mein jawani
nainital mein bachpan beeta
srinagar mein jawani
toone meri kadar na jaani haaye ae ae re
tune meri kadar na jaani
ja re rajasthani
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu

dekh ke kaale kaale baadal
main to nikli ghar se
dekh ke kaale kaale baadal
main to nikli ghar se
jaane kiski lagi najariya
haaye ae ae re
jane kiski lagi najariya
chale gaye
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu


Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15388

Number of movies covered in the blog

Movies with all their songs covered =1180
Total Number of movies covered =4242

Total visits so far

  • 12,909,949 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,817 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

%d bloggers like this: