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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Prem Dhawan


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Lajawab-50. It was a production of Variety pictures – a company owned by actress Ashalata Biswas- wife of Anil Biswas ( real name Mehrunnisa Bhagat). It is needless to state that the music for this and every film of this company, was composed by Anil Biswas. The film was directed by the veteran J.P.Advani, who was known to Anil Biswas from the mid 30s. However, they came together only in 3 successive films, namely Veena-48, Laadli-49 and Lajawab-50.

Jagatrai Pesumal Advani was born on 17-5-1903 in Hyderabad ( Sindh ). After graduating, he studied film making in Germany in the 1920s. After coming back to India, he joined Mohan Bhavnani – a big gun in those days- as his assistant. His first film as a Director was Heer Ranjha-1931. He shifted to Saroj Movietone in 1934 and then to Karachi to work for Golden Eagle Company. He was considered an expert who could handle the Heroines at his will.

He directed about 30 films, including a Hindi/Punjabi bilingual film Sassi-Punnu-46. His Filmography is- 1931: Heer Ranjha; 1933: Zehar-e-Ishq; 1934: Afghan Abla; Dilara; Gafil Musafir; Johar-e-Shamsheer; Tilasmi Talwar; Vasantsena; Flashing Sword; 1935: Bahar-e- Sulemani; Farebi Duniya; Shah Behram; 1936: Elaan-e-Jung; Shokh Dilruba; Sipahsalaar; 1937: Saqi; Insaaf; 1939: Dekha Jayega; 1940: Dharma Bandhan; Sneh Bandhan; 1941: Shehzadi; 1942: Suhagan; 1943: Sahara; 1946: Sassi Punnu; 1948: Veena; 1949: Laadli; 1950: Wafaa; Lajawaab; 1952: Saloni; 1954: Danka; 1955: Hasina.

The cast of the film consisted of Rehana, Sohan, Kuldeep Kaur, David, Pran, Iftekhar etc etc. Not much information is available about this Hero- Sohan. In Hindi films, many aspirants tried their luck. Not all of them got an opportunity to enter films. In the early era, it was easy, but as the years passed by, it became difficult for the hopefuls. Few lucky ones got a Mentor- it helped them to only to enter films but not stay in the industry.

“Aaye bhi vo, gaye bhi vo, khatam fasana ho gaya “. These newcomers were given a fair opportunity to showcase their abilities, but unfortunately, despite their honest efforts, their skill did not show up and the audience was unimpressed. They got big banners, good experienced directors, but they disappointed their Mentors with non existent abilities to act. They proved to be ‘Non- Actors ‘.

Among them, some male actor’s names which I remember off hand are Arjun in Malhar-51, Rattan Chopra in Aman-67,Mom ki Gudia-72, Vijay kumar in Alif laila-54,Premendra in Holi aayee re-70, Deepak kumar in Aabroo-68, Ajay in Wapas-69, Som Dutt in mann ka meet-68, Vikram in Julie-75,Rajeev Kapoor in Raam teri Ganga maili-85, Shekhar Suman in Utsav-84, Kaycee mehra in Chhabilee-60 and mem didi-61, prashant in Sehra-63, Ashok Sharma in Hamari yaad aayegi-61, Ajit Chitnis in Aaj ki baat-55, Nusrat Kardar in Dard-47, Manish in Saraswati Chandra-68, Rajiv in Nayi umar ki nayi fasal-65, Aroop kumar in Bezubaan-62 etc etc.

Sohan kapila was also one such actor, who was not successful as a Hero. Actually, big banners like Filmistan supported him. He got seasoned Heroines like Geeta Bali and Rehana as well as Debutants Jayashree Gadkar and Nalini Chonkar, but nothing worked. He proved that you can take the Horse to the water, but you can not make it drink !!! He acted in Girls school-49, lajawab-50, Sanskar-58, Ek armaan mera-59, Chaand ki duniya-59, Babar-60, Commercial pilot officer-63 and picnik-66 and may be some more as character roles. After he retired, his daughter actress Padmini Kapila also had the same fate !

Film Lajawab-50 had another interesting artiste- Kuldeep kaur. Her life story is very interesting. Born in 1927 at Lahore, Kuldeep Kaur was the daughter of a wealthy landlord family of Punjab and the daughter-in-law of the grandson of Ranjit Singh’s daredevil military commander, General Sham Singh Attariwala.

Her in-laws lived in the village of Attari. Located on Amritsar district’s border with Lahore district, just off the Grand Trunk Road, it was 18 miles away from both Amritsar and Lahore.
Kuldip Kaur was a very shy and simple, beautiful Sikh woman.

Her rich landlord husband, Mohinder Singh Sidhu (also called Mohinder Singh Pompa), was a spoiled chap. He hardly spent a day without visiting either Lahore or Amritsar. He was a good friend of Maharaja Jagatjit Singh of Kapurthala and visited his French style palace – modelled on the Versailles – as well as the magnificent Jagatjit Club several times during the winters. During the summers the Maharaja himself was often on a tour of France and other European countries and was seldom available in Kapurthala.

Kuldip Kaur was brought up like a princess. Her spoiled Sardar husband wanted his wife to be like a modern westernized lady. He wanted his wife to learn swimming and rub shoulders with the club-going English elite based in Lahore and Amritsar.

Once exposed to the club culture, Kuldip Kaur also started getting a taste of its dark side. Since Lahore was a film city, Kuldip Kaur started dreaming about becoming a film actress.

According to one story, Kuldip Kaur started admiring the professional qualities of actor Pran Nath, who was in film acting in Lahore since 1940, when he successfully performed the role of a hero in Punjabi film “Yamla Jutt” (The Simple Peasant).

By July and August of 1947, communal violence erupted into a full-fledged exercise in ethnic cleansing, with Muslims on one side and Sikhs and Hindus on the other. Both Lahore and Amritsar were engulfed in the worst sectarian violence in recent history.

Both Pran and Kuldip Kaur were made to leave Lahore in a jiffy, leaving virtually every belonging behind. Her own village being right on the border was also not peaceful. So Kuldip
Kaur left straight for Bombay. According to one story, in order to impress Pran, Kuldip Kaur decided to bring Pran’s stranded car from Lahore to Bombay.

In a gesture of unprecedented daredevilry, she travelled from the safety of Amritsar to Lahore and drove Pran’s car first to Amritsar and then all the way to Bombay, where she handed over the keys to a surprised but grateful Pran.

After leaving for Bombay, Kuldip Kaur’s contact with her parents and in-laws got diminished. On arrival in Bombay, Kuldip Kaur made up her mind to plunge headlong into the film industry. She was prepared to act in Hindi/Urdu as well as Punjabi films. The experts of film industry were of the opinion that her large piercing eyes and her flat
chin made her an ideal choice for the role of a vamp.

The first ranking heroines of the time included Naseem Bano, Madhubala, Nargis, Suraiya and Nutan. Other heroines included Binarai, Shyama, Nimmi, Nirupa Roy, Meena Shori, Nigar Sultana, Veena and Kamini Kaushal. There was a shortage of ladies willing to perform the role of vamps.

One of Kuldip Kaur’s first films was a Punjabi blockbuster “Chaman” (1948). Within the same year Kuldip Kaur acted in two Hindi/Urdu films “Ziddi” and “Grahasthi“. All her 1948 films did well. After that she never looked back and went from strength to strength. At one stage Kuldip Kaur was so busy in her film roles that for a long duration she did not visit Punjab.

In 1949, Kuldip Kaur worked in at least two films “Ek Thi Ladki” and “Kaneez”. “Ek Thi Ladki” was a blockbuster. Music Director Vinod composed some great tunes for this movie. “Kaneez” did not do too well.In 1950, Kuldip Kaur acted in two great musical Hindi movies “Samadhi” and “Adhi Raat” and did two Punjabi movies “Madaari” and “Chhai”.
1951 was a great year for her: she played the roles of vamps in six movies – “Stage”, “Rajput”, “Nai Zindagi”, “Ek Nazar”, “Afsana” and “Mukhra”. Her role in film “Afsana” received critical acclaim.

1952 was another great year for Kuldip Kaur. She worked in four movies – “Shisham”, “Nau Bahar”, “Baiju Bawra” and “Anjaam”. Again her role was highly praised in what became an all-time classic, “Baiju Bawra”. In 1953 again, Kuldip Kaur had four films – “Mashooka”, “Baaz”, “Anarkali” and “Aabshar”. Of these, “Anarkali” was a super hit and her role stole the limelight. 1954 proved another great year. She was featured in three movies – “Lal Pari”, “Gul Bahar” and “Daak Babu”.

1955 was one of her busiest professional years. She played the bad girl’s role in “Teer Andaz”, “Miss Coca Cola”, “Mast Qalandar” and “Jashan”. In 1956, things slowed down a bit. She worked in two films, but none was released. Two of Kuldip Kaur starrers spilled over into the new year and were released in 1957. These were “Sheroo” and “Ek Saal”. In 1958 Kuldip Kaur had her roles in two films “Sahara” and “Panchyat”. In 1959, she did three films – “Pyaar Ka Rishta”, “Mohar” and “Jagir”. Out of these, one film, “Mohar,” was a great musical. Its music composed by Madan Mohan was simply outstanding.

When Kuldip had fewer Hindi films in hand, she worked in Punjabi films. 1960 started as a reasonably good year for Kuldip Kaur. She had a Hindi film, “Maa Baap,” and a Punjabi film, “Yamla Jutt”.But during this very year, her life was cut short when she got some thorns in her feet and legs and she pulled those out by herself. True to her character of a daredevil woman, she did not seek medical advice immediately. Her sores became not only septic, but she contracted tetanus too, which was then incurable.

Kuldip Kaur died in 1960.

Today’s song is the 5th song to be posted from this film. There were total 11 songs. I feel this film had some of the best songs of Anil Biswas. All the 3 duets of Anil Biswas and Lata are very good. Today’s duet is the third of them, in which Anil Biswas has no words but makes only funny sounds. Enjoy this melodious duet….


Song-Do din bahaar hai do din ka pyaar hai (Laajawaab)(1950) Singers-Lata, Lyrics-Prem Dhawan, MD-Anil Biswas
Male chorus + Anil Biswas
Female chorus

Lyrics

hoyi hoyi hoyi
hoyiya re hoyiya
hoyi hoyi hoyi
hoyiya re hoyiya

ho ho ho ho ho ho
hoyi hoyi hoyi
hoyiya re hoyiya

ho ho ho ho ho
hoyi hoyi hoyi
hoyiya re hoyiya
hoyi hoyi hoyi
hoyiya re hoyiya

ho ho ho ho ho
hoyi hoyi hoyi
hoyiya re hoyiya
hoyi hoyi hoyi hoyiya
re hoyiya
hoyi hoyi hoyi
hoyiya re hoyiya

do din bahaar hai
do din ka pyaar hai
do din ki hai ye zindgaani
hoyi hoyi hoyi
hoyiya re hoyiya

do din bahaar hai
do din ka pyaar hai
do din ki hai ye zindgaani
hoyi hoyi hoyi
hoyiya re hoyiya

duniya jawaan hai
dil mein toofaan hai
duniya jawaan hai
dil me toofaan hai
kar le ji bhar ke tu manmaani ee
do din bahaar hai
do din ka pyaar hai
do din ki hai ye zindgani
hoyi hoyi hoyi
hoyiya re hoyiya
hoyi hoyi hoyi
hoyiya re hoyiya
hoyi hoyi hoyi
hoyiya re hoyiya

bhanwron se boli ye baad e saba
bhanwron se boli ye baad e saba
lo kaliyaan hansi
lo chaman khil gaya
lo kaliyaan hansi
lo kaliyaan hansi
lo kaliyaan hansi
lo chaman khil gaya
phoolon pe jhoom lo
kaliyon ko chum lo
phoolon pe jhoom lo
kaliyon ko choom lo
aayegi phir na rut suhaani ee
do din bahaar hai
do din ka pyaar hai
do din ki hai ye zindgaani
hoyi hoyi hoyi
hoyiya re hoyiya
hoyi hoyi hoyi
hoyiya re hoyiya

jo kahana hai tumse wo kah na sakoon
na kahne ke dukh ko main sah na sakoon
jo kahana hai tumse wo kah na sakoon
na kahne ke dukh ko main sah na sakoon
dil bekaraar hai
tumpe nisaar hai
dil bekaraar hai
tumpe nisaar hai
itni si hai meri kahaani ee
do din bahaar hai
do din ka pyaar hai
do din ki hai ye zindgani

hoyi hoyi hoyi hoyiya re hoyiya
do din bahaar hai
do din ka pyaar hai
do din ki hai ye zindgani

hoyi hoyi hoyi
hoyiya ri hoyiya
hoyi hoyi hoyi
hoyiya re hoyiya

ho ho ho ho ho
hoyi hoyi hoyi hoyiya re hoyiya
ho ho ho ho ho
hoyi hoyi hoyi hoyiya re hoyiya
ho ho ho ho ho
hoyi hoyi hoyi hoyiya re hoyiya

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jai Singh”(1959) was directed by D Yoganand for R R Productions, Madras. It was the dubbed version of Telugu hit movie “Jaysimha”(1955). The movie had N T Ramarao, Waheeda Rehman, Anjali Devi, S V Rangarao, Relangi, Ghummadi, Kantha Ro, K V S Sharma, Rajnala, Rushyendra Mani etc in it.

One song from this movie has been covered in the past. Here is the second song from “Jai Singh”(1959) to appear in the blog. this song is a bhajan which is sung by Manna Dey. Prem Dhawan is the lyricist. Music is composed by Ramesh Naidu.

Only audio of this song is available. The earlier song posted in the blog, which was a Manna Dey-Lata duet was picturised on N T Rama Rao and Waheeda Rehman, so my guess is that this Manna Dey solo is picturised on N T Rama Rao. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Prabhu sang preet laga (Jai Singh)(1959) Singer-Manna Dey, Lyrics-Prem Dhawan, MD-Ramesh Naidu

Lyrics

prabhu sang preet laga re manwa
prabhu sang preet laga
prabhu sang preet laga re manwa
prabhu sang preet laga

naam hari ka sab se pyaara
naam hari ka sab se pyaara
pal chhin hari gun ga re manwa
prabhu sang preet laga

wo hi banaata aa aa aa aa
wo hi banaata
wo hi mitaata
wo hi banaata
wo hi mitaata
wo hi to sab sansaar ka daata
wo hi to sab sansaar ka daata
prabhu sang preet laga re manwa
prabhu sang preet laga

aa aa aa
aa aa aa
aa aa aa
aa aa aa aa
raam hi to hain antaryaami
raam hi to hain antaryaami
aur sab ke swaami ee ee
raam hi to hain antaryaami
aur sab ke swaami ee
unki sharan mein
unke charan mein
unki sharan mein
unke charan mein
arpan kar de praan apne
arpan kar de praan apne
prabhu sang preet laga re manwa
prabhu sang preet laga
naam hari ka sab se pyaara
naam hari ka sab se pyaara
pal chhin hari gun ga re manwa
prabhu sang preet laga


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The month of ‘August’ holds a very special place in our hearts. We celebrate our Independence Day on the Fifteenth day of this month every year since 1947.

In 1942 the ‘Quit India Movement’ or the ‘Bharat Chhodo Andolan’ was launched on 8th August’1942 and Gandhi ji gave a call of ‘Do or Die’. Starting 9th Aug’1942 in the next few days the whole nation witnessed the greatest uprising against the British. Today (9 august 2017) is the 75th anniversary of that important date.

Finally we got our ‘hard fought freedom’ and a ‘free India’ was born on 15th August 1947.
Here is a song from the 1972 movie ‘Bharat Ke Shaheed’ remembering the martyrs and the freedom fighters who laid down their lives for the freedom of this country.

(Note: Part-1, 3 & 4 are in order as given in HFGK Vol-V.
HFGK mentions total four parts of this song, the forth seems to be the last part where the hero dies, however during search I found two more links which starts with praising Motilal Nehru and Bhagat Singh which have been arranged at Part-II and before the final part respectively and guessing of their appearance in the film on the basis of the video of these parts)

Editor’s comment- There is one YT link available that combines all the parts. The combined parts add up to a whopping 47 minutes, arguably making it the longest song in Hindi movie history.
The lyrics of this song are easily the longest lyrics in Hindi movies running to over 3500 words in one script (and over 7000 words in two scripts). A massive effort in noting down of lyrics by Avinash Scrapwala.

Listening to this song can make the listeners aware about many freedom fighters and martyrs, including several forgotten names.

All parts (combined)

Song-Sambhaalo ae watan waalon watan apna sambhaalo (Bharat Ke Shaheed)(1972) Singer-Mahendra Kapoor, Manas Mukherji, Lyrics-Prem Dhawan, MD-Prem Dhawan

Lyrics

——————–
Part I
——————–

Idhar sarhad pe behtaa hai
Lahu apne jawaanon ka
Udhar doobe huye hain ham
Sharaabon aur jaamon mein
Na sambhloge to mit jaaoge
Ae Hindustan waalon
Tumhaari daastaan tak bhi na hogi
Daastaanon mein

Sambhaalo ae watan waalon
Watan apna sambhaalo
Sambhaalo ae watan waalon
Watan apna sambhaalo
Jis watan ke waaste laakhon ne apni jaan di
Jaan di jaane nahin di aan Hindustan ki
Kahaani un shaheedon ki ee ee ee
Kahaani un shaheedon ki
Na bhoolo Hind waalon

Zanzeeron mein bandhi huyi thhi
Sadiyon se ‘Bharat maata’
Inhen todne waala pehla baaghi
Mangal Pandey thha
Chheen ke bola kaartoos wo apne fauji bhaayiyon se
Gaay aur suwwar ki charbi todo na apne daanton se
Karwaayee Mangal ne baghaawat
Karwaayee Mangal ne baghaawat
Naam dharam ka le le kar
Chaaron oar jwaala bhadki
Sataawwan ka huaa gadar
Chaaron oar jwaala bhadki
Sataawwan ka huaa gadar
Sataawwan ka huaa gadar

Badhaa pakadne Hewson to
Mangal ne nishaana banaa diya
Pal me videshi hakim ko mitti me usne mila diya
Gore shaahi ke seene pe chali ye pehli goli thhi
Karke sar ooncha ‘Bharat maa’
Mangal ki jai boli thhi
Mangal Pandey ki jai

Haidar Ali ne jaden hilaa din angrezi sarkaar ki
Goonj rahi jhankaar abhi tak Tipu ki talwaar ki
Peshwa ji ne kamal chapaati se
Kraanti sandesh diya
Phaansi chadh kar Taatya Tope ne
Jeewan balidaan kiya
Nana Phadanvis ne aakhir dam tak haar nahin maani
Ladte ladte amar huyee mardaani Jhansi ki Raani
Mardaani Jhansi ki Raani

Kate haath se lade Kunwar Singh
Haar gayi gori sarkaar
Aaj bhi gaurav se leta hai
Us yoddha ka naam Bihar

Bahadur Shah Zafar ne di
Teenon beton ki Qurbaani
Maut aayi Rangoon mein to
bole aankhon mein bhar paani
Kitna hai badnaseeb Zafar
Dafn ke liye ae
do gaz zameen bhi na mili
Kuu e yaar mein

Ludhiyaana ke guru Ram Singh
Jinka rahega naam amar
Athhaarah sau chaubees mein wo
Janme thhe is dharti par
Angrezon se ladne chale Maler Kotla inke jawaan
Goron ki topon ke munh mein chali gayi kitnon ki jaan
Aa aa aa aa aa aa aa
Ram Singh ko gaali di ee
Ram Singh ko gaali di
Jab ke Cowan commissioner ne
Pakad liye tab kesh uchhal kar
ik nanhe se baalak ne
ik nanhe se baalak ne
Chhoda na jo chhudaane pe to
Kaat diye baalak ke haath
Giraa tadap kar nanhaa baalak
Chhoot gaya praanon ka saath
Idhar Ram Singh ho gaye bandi
Aur Burma ki jail gaye
Desh ki aazaadi ke liye
ye kehte jaan pe khel gaye
Vande ae ae ae Maatram

Jab bhi bolo Vande matram
Yaad karo tum Bankim ko
Jis Bangali desh bhakt ne
Amar gaan diya hamko
Rashtra geet Jan Gan Man ke
Mahaa Kavi ko karo pranaam
Bhoolega na desh kabhi
Ravindra Nath Tagore ka naam

Vasudev Balwant Phadke
Karte thhe naukri sarkaari
Mili na chhutti inko jab mar gayi inki maata pyaari
Kiye pratiggya usi samay ki kesh nahin katwaaunga
Angrezi sarkaar ko jab tak desh se nahin hataaunga
Leke jawaanon ki ik tolee ee
Leke jawaanon ki ik tolee
Toot pade angrezon pe
Phoonk diye sarkaari adaalat
haath na aaye goron ke
Haath na aaye goron ke

ik din jab beemar pade the
Major Daniel aa pahunchaa
Dhokhe se is veer purush ko
Aakhir usne pakad liya

Huyi sazaa kaale paani ki
Par wo jail se huye faraar
Dobaara jab pakde gaye to
Huye shaheed tyaag sansaar
Wo thha Shyam Kishan ji Verma
Kachchh ka sabse pyaara laal
Jisne jalaayi London mein
Kranti ki pehli baar mashaal
Virendra Nath ne London mein
Kar di goron ki neend haraam
Prithvi Singh ne raaj ulatne mein
Paaya thha oonchaa naam

Hardayal ne desh videsh mein
Kranti jwaala bhadkaayi
Pandit Kashiram ne bhi kranti ke liye phaansi paayi
Barkat Ulla ne kaayam ki Gadar Party ki buniyaad
Rakhta hai Mahendra Pratap ko
Kabul Barlin ab tak yaad
Gadar Party ke leader thhe ae
Gadar Party ke leader thhe
Baba Sohan Singh Bakhna
Sohan Lal Pathak chadh phaansi
luta gaye jeevan apna
Luta gaye jeevan apna
Kartar Singh Sarabha aaye
Chhod videsh ko apne desh
Goron ki chhaawni mein pahunche dene kranti ka sandesh
Goron ko thhi sabhi khabar
Phir bhi na rukaa ye deewaana
Haathon mein hathkadi lagi thhi ee
Par kehta tha mastaana

(In Punjabi)
Sewa desh di jindadi badi okhi
galla kaarni ya ……
jinna is sewa vich pair paaya
o o
jinna is sewa vich pair paaya
unna lakh museebataa zalliya we

(Pubjabi lyrics complete)

Phaansi ka phanda chooma tha
Veer Maratha Pingle ne
Dakshin mein swadesh andolan
Kiya Chidambaram Pillai ne
Jhansi ke Parmanand ji
Lahore ke Parmanand Bhai
Jinhone America tak
kranti ki aawaaz thi pahunchaayi

Naam tha Madam Cama hi us Hindustan ki beti ka
Lehraaya jag mein jisne pehla jhanda aazaadi ka
Ram Rakha ne kiya thha anshan
Andaman ki jail mein
Khel gaya wo jaan ki baazi
aazaadi ke khel mein
Dhanya hai Ratnagiri jahaan pe
Bal Tilak ne janm liya
Swarajya hamaara janm siddh adhikaar hai
Ye paighaam diya
Adhikaar hai ye paighaam diya
Patra Kesri se aur Maratha se
Janta ko jagaane lage
Apne kalam ke zor se wo
Shaasan ki neenv hilaane lage
Shiv Jayanti Ganpati Utsav
Maharashtra mein shuru kiya
Dharm ke sang aazaadi ka bhi
Ghar ghar mein sandesh diya

Dada Bhai Navrozi ko Rashtra Pitamah kehta desh
Banaa ke National Congress
Swarajya ka diya pratham sandesh
Wo matwaala Vipin Chandra
Bangal ka thha rehne waala
Bhadkaayi thi jisne jan jan mein aazaadi ki jwaala
Rakhna yaad Kishan Singh ko jo
Bhagat Singh ke pita mahaan
Desh aazaad karaane mein
Kam nahin hai inka bhi balidaan
Kam nahin hai unka bhi balidaan
Jitne Veer Ajit Singh thhe
Swarn Singh utne hi daler
Bhagat Singh ke donon chacha kehlate
Punjab ke sher
Diya Moradabad ki dharti ne Sufi Amba Prasad
Kate haath se bhi jo yoddha
Ladaa thha angrezon ke saath

Yaad karo ae logon
Chaphekar bandhuon ki qurbaani
Jinhone atyaachaari Rand ko
Maar mitaane ki thhaani
Jashn manaa kar malika ka
jahaan Rand aa rahaa tha
Sare aam
Damodar aur Bal Kishan chhup kar
Ja pahunche usi makaam
Damodar aur Balkishan chadh baithe phauran gaadi pe
Ayerst ko maara Balkishan ne
Maara Rand Damodar ne
Gore afsar pakad na paaye ae
Gore afsar pakad na paaye
Donon bhai huye faraar
Mukhbar banaa Ganesh Dravid
Ho gayaa Damodar giraftaar
Mukhbar banaa Ganesh Dravid
Ho gayaa Damodar giraftaar
Ho gayaa Damodar giraftaar
Tilak se geeta mangwaa kar
Phaansi pe chadh gaye Damodar
Dooje bhai Bal Kishan ka bhi ye
Ant huaa aakhir
Teeje bhai Vasudev ne
mukhbar Ganesh ko ja maara
Maut ka badlaa maut se lekar
Ho gaya maut ko wo pyaara
Qasam aise shaheedon ki
qasam aise shaheedon ke
Tumhen ae desh waalon
Tumhne ae desh waalon
Sambhaalo aye watan waalon watan apna sambhaalo
Sambhaalo aye watan waalon watan apna sambhaalo

—————————–
Part-II
—————————–
(Going by the ‘titles’ mentioned for the various parts of this song in HFGK, I guess this is Part-II of the song)

Sambhaalo ae watan waalon
Sambhaalo ae watan waalon o
Sambhaalo ae watan waalon
watan apna sambhaalo
Sambhaalo ae watan waalon
watan apna sambhaalo
Aa aa aa
Jis watan ke waaste
laakhon ne apni jaan di
Jaan di jaane nahin di
aan Hindustan ki
Kahaani un shaheedon ki ee ee ee
Kahaani un shaheedon ki
Na bhoolo Hind waalon
Hind waalon
Na bhoolo Hind waalon

Nahin hai Motilal sa koyi
Saare Bharat mein moti
Jawahar sa kuldeep diya
Aur jyoti Indira si poti
Jhonk diya
Jailon ki dhadhakati jwaala mein jeewan apna
Dada ne jo dekha thha
Poti ne kiya pura sapna
Attharah sau nawaasi ka din
Attharah sau nawaasi ka din
Chaudah November rakhna yaad
Janme Jawahar Lal isi din
Dhanya ho gaya Allahabad
Dhanya ho gaya Allahabad

Tyaag ke sukh Anand Bhawan ka
Aazaadi ke path pe chale
London se yuvraj aaya to
Kaale jhande le ke badhe

Jail chale jab to patni ne
Tilak lagaaya haathon se
Haar na maani kabhi inhone
Angrezon ki ghaaton se
Jab aazaadi ka pehla jhanda
Lehraaya thha nabh mein
Nehru ko Pradhanmantri maana
Saare Bharat ne
Kehte thhe Chacha Nehru
Kehte thhe Chacha Nehru
Ye bachche kal ki moorat hain
Ye bandh ye kal ye kaarkhaane
Nehru ke banaaye teerath hain
Nehru ke banaaye teerath hain
Panchsheel ka naya sandesh
Sab ko diya Jawahar ne
Naam apne Bharat ka raushan
Jag mein kiya Jawahar ne

Gopal Krishna Gokhle ko
Aao sheesh nawaayen ham
Bharat Maa ke dulaare pe
Shraddha ke phool
Chadhaayen ham
Surendra Bannerjee jail gaye thhe
Bang bhang aandolan mein
Nagpur ke Khankhoje ne
Phoonki jwaala jan jan mein
Anaath Panja ne Burdge ko maut ke ghaat utaara tha
Pradyot Bhattacharya ne
Zaalim Douglas ko maara tha
Babu Genu ne vastra videshi ke virodh mein praan diye
Ruki nahin Lorry to ye Lorry ke neeche let gaye

Thha atthharah saal ka baalak
Thha atthharah saal ka baalak
Khudiram tha jiska naam
Sang mein leke Prafulla ko
Kiya tha usne bhaari kaam
Kingsford ki gaadi pe
Isne hi jaa bomb fodaa tha
Choomne phaansi ke phande ko
Maut se naata jodaa tha
Man mein lagan thhi aazaadi ki
Tan pe shaheedi baana thha
Jaate jaate veer ke honthon par
Bas yahi taraana thha

(Lyrics in Bangla)

Ek baare vidaay de Maa
ghoore aashi
Aami haanshi haanshi
choddhbo phaashi
Dekhbe jagat waashi ee ee
Ek baar vidaay de Maa
ghoore aashi

Kiya Kanhaayi Lal ne
Satyen Bose ko lekar kaam mahaan
Jail mein bandi rehkar bhi
Le li thhi ek mukhbar ki jaan
Desh Bandhu Chittaranjan Das ko
Bhoolega na Hindustan
Aazaadi ke mahaayaggya mein ae
kar gaye
Tan man dhan sab daan
Bada diler thha Awadh Bihari
Bada hi sher thha Bal Mukand
Jinhone sang Amir Chand ke
Phenka thha Dilli mein bomb
INA ki neenv dhari Dada ne hi Japan mein
Marte dam tak desh ki sewa ki is veer mahaan ne
Sachindra Nath Sanyal thhe saathi
Sachche Ras Bihari ke
Jailon mein hi jeevan kaata
Mare wahin beemaari se
Mare wahin beemaari se
Yatindra Mukherjee ko
Bagha ke naam se jaane sab Bangal
Balasar ke ban mein pahuncha
Lene shastra jab Maa ka laal
Chamak uthhi sangeen Police ki
Garaj padi inpe goli
Ladte ladte ghiri police se
Kraanti veeron ki toli

Ghaayal ho gaya Chitpriya to
Le Yatindera unhe baahon mein
Vaar lage goron pe karne
Maut se ghiri ghataaon mein

Niren,
Manoranjan,
Jyotish
Gir pade thhe jab goli khaa kar
Tab Yatindra bhi gire zor se
Paani paani chilla kar
Jal
jal
Jal

Sone chale maut ki god mein
Bagha Yatindra ghaayal ho kar
Aaj bhi karti yaad
Un beton ko Bharat Maata ro ro kar
Watan ek sar jo maange to
Watan ek sar jo maange to
Hazaaron sar kataa lo
Hazaaron sar kataa lo
Sambhaalo ae watan waalon
watan apna sambhaalo
Aa aa aa
Sambhaalo ae watan waalon
watan apna sambhaalo
Aa aa aa

—————————
Part III
—————————-
Lyrics in Tamil Provided by Pradeep Raghunathan)

Sambhaalo ae watan waalon
Sambhaalo ae watan waalon
Sambhaalo ae watan waalon
watan apna sambhaalo
Sambhaalo ae watan waalon
watan apna sambhaalo
Jis watan ke waaste laakhon ne apni jaan di
Jaan di jaane nahin di aan Hindustan ki
Kahaani un shaheedon ki ee ee ee
Kahaani un shaheedon ki
Na bhoolo Hind waalon
Hind waalon
arre o Hind waalon

Maharashtra ka Nasik hai
Sawarkar ji ka janm sthaan
Abhinav Bharat Kranti Sabha mein
Daakhil kiye thhe veer jawaan
Rani Jhansi Mangal Pandey
Kunwar Singh ki katha mahaan
Jab London mein jaa ke sunaayi
Tadap uthha tab Madan jawaan
Ik jasoos thha angrezon ka
Curzon Wyllie jiska naam
Madan Dhingra pahuncha wahaan par
Karne uska kaam tamaam
Le gayi hukumat kisi jurm mein
Sawarkar ko baaghi maan
Lekin kood gaye saagar mein
Leke hatheli pe wo jaan
Andaman ki jail mein bhi
Gardan na unki kabhi jhuki
Thhi aazaad aawaaz unki
Aur ye aawaaz na kabhi ruki

Jayostute jayostute
Shri Mahan Mangale Shivaspade
Shubh de
Swatantrate Bhagwati twamaham
Yasho yutaam vande
Yasho yutaam vande
Vande ae
Vande ae

Ganesh Sawarkar ko mili jab
Jackson se sakht sazaa
Anant Kanhere maar ke Jackson ko
Phaansi pe jhool gaya
Aazaadi aur dharm ka jiski
Rag rag mein bharpoor thha josh
Bharat kya saari duniya mein
Chamke the Arvind Ghosh
Virendra Ghosh Arvind Ghosh ka
Chhota bhai pyaara thha
Aazaadi ke liye jiya
Aur isi pe tan man waara thha
Vinay Bose pistol agar thha aa
Vinay Bose pistol agar thha
To Badal uski goli
Dinesh Gupta ke sang khele
Simpson ke khoon se holi
Simpson ke khoon se holi

Goonj rahaa Madras mein ab tak
Ghar ghar Kattabomman ka naam
Khil gaya angrezi shaasan
Chheda usne aisa sangraam
Jis Judge ne ilzaam lagaaya
Use adaalat mein maara
Phaansi ke antim din bhi
Gaata rahaa dakshin ka taara

(Lyrics in Tamil)
Achamillai, Achamillai, Acham Enbathu Illaye,
Icckathulorellam Yethirthu Nindra Podhilum,
Achamillai, Achamillai, Acham Enbadhu Illayeee
Nachchai Vayile Konarndhu Nanbar Ootum Podhilum,
Uchi Meedhu Vaan Idinthu Veezkindra Podhilum

Makke mein ek diya jalaa
Jo kar gaya roshan Hindustan
Abbul Kalam Azad thha wo
Hindu Muslim donon ki jaan
Master Da ne Chittagong se
Britain ka jhanda hataa diya
Preet Lata ne goli se
Goron ki club ko udaa diya

Jinko sab kehte Netaji
Cuttack mein unka huaa janam
Rangaa thha kranti ke rang mein
Bachpan se hi unka man
Naara diya Jai Hind ka
Aur har dil mein ik jwaala bhar di
Boley tum do khoon mujhe
Main tumko doonga aazaadi
Kaanp uthhi gore shaahi
Kaanp uthhi gore shaahi
Aur ghar mein unko qaid kiya
Lekin bhes badal wo nikle
Singapore vishraam kiya
Singapore vishraam kiya
Le Aazaad Hind sena
Bharat aazaad karaane ko
Toot pade goron pe o
Angrezi raaj mitaane ko

Subhash Chandra Bose
Zindabaad!

Shyama Prasad Mukherji ko bhi
Bhoolega na Hindustan
Aazaadi ki khaatir ladta rahaa
Sadaa ye purush mahaan
Durga Bhabhi ne bhi
Aazaadi mein poora saath diya
Bhagat Singh ki saathi ban
Lahore se unhen faraar kiya
Sita Ram Raju ne rakhi
Andhra Pradesh ki oonchi shaan
Baar baar goron pe chhapaa maara
Aakhir de di jaan

Bhagwati Charan Vohra ka sun lo
Badaa anokha hai balidaan
Bomb ki pariksha karte karte
De di unhone apni jaan

Nalni Bagchi bhi Assam mein
Angrezon se dat kar ladaa
Gopi Nath bhi dekho maar ke
Hanste huye phaansi pe chadhaa
Manmath Nath Gupt laaye thhe
Toli mein Azaad ko
Aazaadi ke matwaale
Jeewit hain desh hit aaj bhi wo

Dakshin Bharat ke neta
Anna Durai bade mahaan
Aaj bhi inko Tamilnadu ki
Janta puje dev samaan
Khatm videshi raaj ho
Inki ye aawaaz buland rahi
Chain liya na jab tak
Bharat Maa zanjeeron mein band rahi
Aazaad huaa Bharat apna
Inka sapna saakaar huaa
Mukhya mantri ke pad ka
Janta ne inhe adhikaar diya
Janta ne inhe adhikaar diya

Desh ki sewa kiya janam bhar
Sewa mein hi de diya praan
Tamilnad hi kya yaad inko
Karta saara Hindustan

Doctor Ambedkar ne racha
Swatantra Bharat ka vidhaan
Chhoot chhaat ka bhed mitaakar
Kiya Harijanon ka utthhaan
Tripur Kumaran ko rakhega
Yaad hamesha Tamilnadu
Jhanda lehraate huye laathi khaa kar
Diye thhe praan tyaag

Kaumi shaayar Bismil thha
Aazaadi ka ik deewaana
Nikla veer Shahjahanpur se
Pahne kesariya baana
Kakori mein jaa ke usne
Shaahi khazaana loot liya
Loot ke maal se le bandooken
Dal faulaadi bana diya
Gore haakim lage dhoondhne
Jagah jagah pe Bismil ko
Aakhir ik din pakad liye wo
Is sailani baadal ko
Is sailani baadal ko
Jail mein band rahkar bhi
Likhte rahe wo kraanti ki baani
Dhanya hai aise desh bhakt
Aur dhanya hai unki qurbaani

Milne aayi Maa to boli
Doodh ki toone rakh li laaj
Gaate huye chal diye Bismil
Pahan shahaadat waala taaj

Sarfaroshi ki tamanna ab hamaare dil mein hai
Sarfaroshi ki tamanna ab hamaare dil mein hai
Dekhna hai zor kitna baaju e qaatil mein hai
Dekhna hai zor kitna baaju e qaatil mein hai
Sarfaroshi ki tamanna ab hamaare dil mein hai
Sarfaroshi ki tamanna

Yahi to mar ke jeena hai
Yahi to mar ke jeena hai
Watan pe marne waalon
Watan pe marne waalon
Sambhaalo ae watan waalon
watan apna sambhaalo
Sambhaalo ae watan waalon
watan apna sambhaalo

———————–
Part IV
(HFGK Vol V mentions this as Part-IV of the song)
————————
Kishan Singh Gadgaz Akali Dal ke oonche neta the
Sang saathiyon ke jo hanste hanste phaansi jhool gaye
Gurudwaaron pe jab goron ne tha apna adhikaar kiya
Baba Khadak Singh aur Tara Singh ne tha seena taan liya
Bole jab tak mile na chaabhi hatenge na Gurudwaare se
Goonj uthhe dharti ambar
guru ke is jaikaare se

Bole So Nihaal!
Sat Shri Akal!

Ae satguru rehmat teri saun
Ae satguru rehmat teri saun
Ae satguru rehmat teri saun
Badli taqdeer hazaaran di ???
murdiyaan vichh jaan gayi
Shakti tere deedaara di
Shakti tere deedaara di
Shakti tere deedaara di
Shakti tere deedaara di
Shakti tere deedaara di
ee ee
Shakti tere deedaara di

Khoon ki holi khele gore
lekin wo bhi rahe ade
In veeron ke lahu ke chheente
Guru Granth pe jaa ke pade
tab angrezon ki jidd tooti
chaabhi unko deni padi
Sikhon ki is balidaani se
saari hukoomat kaanp uthhi

Rudra narayan the Jhansi ke
Kiya jinhone kaam kamaal
Photo the Azad ke rakhe
Deewaaron ke beech sambhal

Aaj bhi zinda hai Yashpal ke jo Azad ke saathi the
Viceroy ki train ulatne mein ye sabse the aage
Hemu Kalani thha jisne rail ki patri todi thi
Fauji gaadi ko ultaane maut se kismat jodi thi
Chhota sa ek gram Karamsad
Chhota sa ek gram Karamsad
Hai Gujarat ki dharti pe
Jahaan pe janm liya thha
Loh Purush Sardar Patel ne
Bardoli ke satyagrah ko
Safal kiya Sardar ne
Ruk na sake to rahne lage qaumi
Jailon ki deewaaar mein
Bhagwan Das ka huaa Bhusawal bomb kaand mein
Ooncha naam
sang Sadashiv ke maara
Mukhbar ko adaalat mein sare aam

Thhe Bihar ke pyaare neta Babu Rajendra Prasad
Rowlatt act na maanenge
ye khade huye ban ke faulaad
Patiala ke Udham Singh ki
badi ajab qurbaani hai
Jiske naam se Jaliyanwala Bagh ki bandhi kahaani hai
Sabha lagi thhi vidrohiyon ki
Baagh mein Baisakhi ke din
Kar diya fire Dyer ne
aur maare desh bhagat gin gin
Maataaon ke kitne hi bete ae
Maataaon ke kitne hi bete
Maut ke ghaat utaar diye
kitne deepak bujha diye
Kitne sindoor ujaad diye
Kitne sindoor ujaad diye
Khaayi qasam Udham Singh ne
Is hatyaa ka badlaa loonga
Mauka milte hi Dyer ko maut ke neend suladoonga
Dhoondhte dhoondhte Dyer ko aakhir wo London aa hi gaya
Bees baras ke baad bhi wo goli se use uda hi gaya
Pakda gaya to naam bataaya
Ram Mohammad Singh Azad
Jis din phaansi huyi pukaara desh
Udham Singh zindabad
Udham Singh zindabad
Udham Singh zindabad

————————————–
(Part- V)
————————————–
(Note – going by the plot of the story mentioned in brief on one of the YT links and watching the beginning of the movie for first ten minutes, I guess this parts appear before the climax in the film, where the hero (who finally dies) try to awake his brother who is on the wrong path and doing anti-national activities for money) (unfortunately the movie available online has error and problem in streaming)

Bhagat Singh ki maata ne
Naari ka kiya thha oonchaa bhaal
Desh ki khatir hanste huye
qurbaan kar diya
Apna laal

Janme jahaan pe Veer Bhagat Singh
Amar huaa wo Banga graam
San unnees sau saat sitambar
Bhoolega na Hindustan
Hokar jawaan Bhagat Singh ne
Chheda kraanti ka aandolan
Jagah jagah se jamaa huye
Aazaadi ke anmol ratan
Aazaadi ke anmol ratan

Utthha sher Punjab ka aa aa
Utthha sher Punjab ka
Lala Lajpatrai jiska naam
Waapas jaao waapas Simon
Mission tumhaara hai naakaam
Mission tumhaara hai naakaam
Sanders aur Scott donon
Toot pade Lalaji par
Sar pe laathi padne lagi aur
Behne lagaa lahu sar sar

Lalaji ki qurbaani pe
Bhagat Singh ko krodh chadhaa
Thhan li man mein
Leke rahunga is apmaan ka main badlaa

Rajguru Sukhdev Chandrashekhar
Aur Jaigopal ke saath
Mall road par pahunche
Karne Sanders DSP ki ghaat
Usi samay Sanders DSP
Chadhke motor cycle par
Mall road pe chala jaa rahaa thha
Masti mein apne ghar
Bhagat Singh ne sare aam
Goli ka nishaana banaa diya
Lalaji ke khoon ka badlaa
Khoon se usne chuka diya
Khoon se usne chuka diya

Phir Bharat ko jagaane
Aur sachchi aawaaz sunaane ko
Assembly mein bomb phenka
Gori sarkaar hilaane ko

Inquilaab Zindabad!
Inquilaab Zindabad!

Aakhir chale Bhagat Singh
Jis din
Pahan ke phaansi ka chola
Gaata chala sang unke ae
Rajguru Sukhdev ka bhi tola

Mera rang de basanti chola
Mera rang de
Mera rang de basanti chola oye
Rang de basanti chola
Maaye rang de basanti chola

Mera rang de basanti chola
Mera rang de
Mera rang de basanti chola oye
Rang de basanti chola aa
Maaye rang de basanti chola

Krantikaari Ashfaq Ulla
Bismil ka thha daahina haath
Kakori ke kaand mein isne bhi
Bismil ka diya thha saath

Salam waalequm rahmatullah
Shukr hai mere parvardigaar
Tune izzat ki zindagi ataa famaayi
Aur baefaar maut
Tere bande ke liye mere maalik
Teri har den ek nemat hai
Al ham dul illah

Padhi namaaz aur roza rakha
Din thha jis din phaansi ka
Maut se milne chala ye gaata
Matwaala aazaadi ka

Koyi aarzoo nahin hai
Hai aarzoo to ye hai
Rakh de koyi zaraa si
Khaaq e watan qafan mein

Pandrah saal ki aayu mein hi
Chandrashekhar Azad ne
Nangi peeth par betein khaayin
Asahyog aandolan mein
Vande Matram
Vande Matram
Jai Gandhi ji
Huye bade to kraantikaariyon ke ye
Senapati bane
Kya Kakori kya Lahore
Har rann ke mahaarathi bane

Barson inko dhoondhaa
Aakhir ek din police ki ek toli
Inka thhikaana paa hi gayi
Aur Barsaa di inpe goli
Barsaa di inpe goli
Alfred park mein yuddh huaa
Allahabad ki dharti pe
Ik ik kar ke bhoon diye
Kitne hi sipaahi goli se
Jeete ji na pakad saki ee ee
Jeete ji na pakad saki
Jisko ye angrezi sarkaar
Chandrashekhar azad thha wo
Maane jisko sab sansaar
Chandrashekhar Azad thha wo
Maane jisko sab sansaar
Maane jisko sab sansaar

Antim goli paas bachi to
Apna pran use aaya yaad
Jeete ji aazaad rahaa hoon
Maroonga bhi to main aazaad

Chalaa di Vande Matram kehkar
Khud par hi antim goli
Bharat Maa ke laal ne kheli
Apne khoon se khud holi

Ye matti hai Shaeedon ki
Ye matti hai Shaeedon ki
Ise maathe lagaa lo
Ise maathe lagaa lo

Sambhaalo ae watan waalon
watan apna sambhaalo
Aa aa aa
Sambhaalo aye watan waalon
watan apna sambhaalo
Aa aa aa

———————–
(Part-VI)
————————–
Jis watan ke waaste laakhon ne apni jaan di
Jaan di jaane nahin di aan Hindustan ki
Kahaani un shaheedon ki ee ee ee
Kahaani un shaheedon ki
Na bhoolo Hind waalon
Hind waalon
Na bhoolo Hind waalon
Sambhaalo aye watan waalon
Watan apna sambhaalo
Sambhaalo aye watan waalon
Watan apna sambhaalo

Jai Hind
Jai Hind

———————————————–
Devnagri Script Lyrics (Provided by Avinash Scrapwala)
———————————————–
(भाग – १)

इधर सरहद पे बहता है
लहू अपने जवानों का
उधर डूबे हुए हैं हम
शराबों और जामों में
न संभलोगे तो मिट जाओगे
अय हिंदुस्तान वालों
तुम्हारी दास्ताँ तक भी न होगी
दास्तानों में
संभालो अय वतन वालों
वतन अपना संभालो
संभालो अय वतन वालों
वतन अपना संभालो
जिस वतन के वास्ते लाखों ने अपनी जान दी
जान दी जाने नहीं दी आन हिंदुस्तान की
कहानी उन शहीदों की ई ई ई
कहानी उन शहीदों की
न भूलो हिन्द वालों
जंजीरों में बंधी हुयी थी
सदियों से ‘भारत माता’
इन्हें तोड़ने वाला पहला बाग़ी
मंगल पाण्डेय था
छीन के बोला कारतूस वो अपने फौजी भाइयों से
गाय और सुव्वर की चर्बी तोड़ो न अपने दांतों से
करवायी मंगल ने बग़ावत
करवायी मंगल ने बग़ावत
नाम धर्म का ले ले कर
चारों ओर ज्वाला भड़की
सत्तावन का हुआ ग़दर
चारों ओर ज्वाला भड़की
सत्तावन का हुआ ग़दर
सत्तावन का हुआ ग़दर
बढ़ा पकड़ने हिवसन तो
मंगल ने निशाना बना दिया
पल में विदेशी हाकिम को मिटटी में उसने मिला दिया
गोर शाही के सीने पे चली ये पहली गोली थी
करके सर ऊंचा भारत माँ
मंगल की जय बोली थी
मंगल पाण्डेय की जय
हैदर अली जड़े हिला दी अंग्रेजी सरकार की
गूँज रही झंकार अभी तक टीपू की तलवार की
पेशवा जी ने कमल चपाती से
क्रान्ति सन्देश दिया
फांसी चढ़ कर तात्या टोपे ने
जीवन बलिदान किया
नाना फडनवीस ने आखिर दम तक हार नहीं मानी
लड़ते लड़ते अमर हुयी मर्दानी झांसी की रानी
मर्दानी झांसी की रानी
कटे हाथ से लादे कुंवर सिंह
हार गयी गोरी सरकार
आज भी गौरव से लेता है
उस योद्धा का नाम बिहार
बहादुर शाह ज़फर ने दी
तीनों बेटों की कुर्बानी
मौत आई रंगून में तो बोले आँखों में भर पानी
कितना है बदनसीब ज़फर
दफ्न के लिए दो गज ज़मीन भी न मिली
कू ए यार में
लुधियाना के गुरु राम सिंह
जिनका रहेगा नाम अमर
अठारह सौ चौबीस में वो
जन्मे थे इस धरती पर
अंग्रेजों से लड़ने चले मलेर कोटला इनके जवान
गोरों की तोपों के मुंह में चली गयी कितनों की जान
आ आ आ
राम सिंह को गाली दी ई
राम सिंह को गाली दी
आ आ आ
जब के कोवान कमिश्नर ने
पकड़ लिए तब केश उछल कर
एक नन्हे से बालक ने
एक नन्हे से बालक ने
छोड़ा न जो छुडाने पे तो
काट दिए बालक के हाथ
गिरा तड़प कर नन्हा बालक
छुट गया प्राणों का साथ
इधर राम सिंह हो गए बंदी
और बर्मा की जेल गए
देश की आज़ादी के लिए कहते जान पे खेल गए
वन्दे ए मातरम
जब भी बोलो वन्दे मातरम्
याद करो तुम बंकिम को
जिस बंगाली देश भक्त ने
अमर गान दिया हम को
राष्ट्र गीत जन गण मन के
महा कवी को करो प्रणाम
भूलेगा न देश कभी
रविन्द्र नाथ टैगोर का नाम
वासुदेव बलवंत फडके
करते थे नौकरी सरकारी
मिली न छुट्टी इनको जब मर गयी इनकी माता प्यारी
किये प्रतिज्ञा उसी समय की केश नहीं कटाऊंगा
अंग्रेजी सरकार को जब तक देश से नहीं हटाऊंगा
लेके जवानों की एक टोली ई
लेके जवानों की एक टोली
टूट पड़े अंग्रेजों पे
फूँक दिए सरकारी अदालत हाथ न आये गोरों के
हाथ न आये गोरों के
एक दिन जब बीमार पड़े थे
मेजर डेनियल आ पहुंचा
धोखे से इस वीर पुरुष को
आखिर उसने पकड़ लिया
हुयी सज़ा काले पानी की
पर वो जेल से हुए फरार
दोबारा जब पकडे गए तो
हुए शहीद त्याग संसार
वो था श्याम किशन जी वर्मा
कच्छ का सबसे प्यारा लाल
जिसने जलाई लन्दन में
क्रांति की पहली बार मशाल
वीरेन्द्र नाथ ने लन्दन में
कर दी गोरों की नींद हराम
पृथ्वी सिंह ने राज उलटने में
पाया था ऊंचा नाम
हरदयाल ने देश विदेश में
क्रांति ज्वाला भड़कायी
पंडित काशीराम ने भी क्रांति के लिए फांसी पायी
बरकत उल्ला ने कायम की ग़दर पार्टी की बुनियाद
रखता है महेंद्र प्रताप को
काबुल बर्लिन अब तक याद
ग़दर पार्टी के लीडर थे
ग़दर पार्टी के लीडर थे
बाबा सोहन सिंह बखना
सोहन लाल पाठक चढ़ फांसी लुटा गए जीवन अपना
लुटा गए जीवन अपना
करतार सिंह सराभा आये
छोड़ विदेश को अपने देश
गोरों की छावनी में पहुंचे देने क्रांति का सन्देश
गोरों को थी सभी खबर
फिर भी न रुका दीवाना
हाथों में हथकड़ी लगी थी
पर कहता था मस्ताना

(पंक्तियाँ – पंजाबी भाषा में )

फांसी का फन्दा चूमा था
वीर मराठा पिंगले ने
दक्षिण में स्वदेश आन्दोलन
किया चिदंबरम पिल्लई ने
झांसी के परमानंद जी लाहौर के परमानन्द भाई
जिन्होंने अमेरिका तक क्रांति की आवाज़ थी पहुंचायी
नाम था मैडम कामा ही उस हिंदुस्तान की बेटी का
लहराया जग में जिसने पहला झंडा आज़ादी का
राम रखा ने किया था अनशन अंडमान की जेल में
खेल गया वो जान की बाज़ी आज़ादी के खेल में
धन्य है रत्नागिरी जहां पे
बाल तिलक ने जन्म लिया
स्वराज्य हमारा जन्म सिद्ध अधिकार है
ये पैग़ाम दिया
अधिकार है ये पैग़ाम दिया
पत्र केसरी और मराठा से
जनता को जगाने लगे
अपने कलम के जोर से वो
शासन की नींव हिलाने लगे
शिव जयंती गणपति उत्सव
महाराष्ट्र में शुरू किया
धर्म के संग आज़ादी का भी
घर घर में सन्देश दिया
दादा भाई नवरोज़ी को राष्ट्र पितामह कहता देश
बना के नेशनल कांग्रेस
स्वराज्य का दिया प्रथम सन्देश
वो मतवाला विपिन चन्द्र
बंगाल का था रहने वाला
भड़कायी थी जिसने जन जन में आज़ादी की ज्वाला
रखना याद किशन सिंह को जो
भगत सिंह के पिता महान
देश आज़ाद करने में
कम नहीं है इनका भी बलिदान
कम नहीं है उनका भी बलिदान
जितने वीर अजित सिंह थे
स्वर्ण सिंह उतने ही दलेर
भगत सिंह के दोनों चाचा कहलाते
पंजाब के शेर
दिया मुरादाबाद की धरती ने सूफी अम्बा प्रसाद
कटे हाथ से भी जो योद्धा
लड़ा था अंग्रेजों के साथ
याद करो अय लोगो
चाफेकर बंधुओं की कुर्बानी
जिन्होंने अत्याचारी रैंड को
मार मिटाने की ठानी
जश्न मना मलिका का जहां रैंड आ रहा था
सरे आम
दामोदर और बाल किशन छुप कर
जा पहुंचे उसी मकाम
दामोदर और बाल किशन चढ़ बैठे फौरन गाडी पे
अएर्स को मारा बालकिशन ने
मारा रैंड दामोदर ने
गोरे अफसर पकड़ न पाए
गोरे अफसर पकड़ न पाए
दोनों भाई हुए फरार
मुखबर बना गणेश द्रविड़
हो गया दामोदर गिरफ्तार
मुखबर बना गणेश द्रविड़
हो गया दामोदर गिरफ्तार
हो गया दामोदर गिरफ्तार
तिलक से गीता मंगवा कर
फांसी पर चढ़ गए दामोदर
दूजे भाई बाल किशन का भी ये
दूजे भाई बाल किशन का भी ये
अंत हुआ आखिर
तीजे भाई वासुदेव ने मुखबर गणेश को जा मारा
मौत का बदला मौत से लेकर
हो गया मौत को वो प्यारा
कसम ऐसे शहीदों की
क़सम ऐसे शहीदों की
तुम्हे अय देश वालों
तुम्हे अय देश वालों
संभालो अय वतन वालों
वतन अपना संभालो
संभालो अय वतन वालों
वतन अपना संभालो

(भाग – २ )

संभालो अय वतन वालों
संभालो अय वतन वालों ओ
संभालो अय वतन वालों
वतन अपना संभालो
संभालो अय वतन वालों
वतन अपना संभालो
जिस वतन के वास्ते लाखों ने अपनी जान दी
जान दी जाने नहीं दी आन हिंदुस्तान की
कहानी उन शहीदों की ई ई ई
कहानी उन शहीदों की
न भूलो हिन्द वालों
हिन्द वालों
न भूलो हिन्द वालों
नहीं है मोतीलाल सा कोई
सारे भारत में मोती
जवाहर सा कुलदीप दिया
और ज्योति इंदिरा सी पोती
झोंक दिया
जेलों की धधकती ज्वाला में जीवन अपना
दादा ने जो देखा
पोती ने किया पूरा सपना
अट्ठारह सौ नवासी का दिन
अट्ठारह सौ नवासी का दिन
चौदह नवम्बर रखना याद
जन्मे जवाहर लाल इसी दिन
धन्य हो गया इलाहबाद
धन्य हो गया इलाहबाद
त्याग के सुख आनंद भवन का
आज़ादी के पथ पे चले
लन्दन से युवराज आया तो
काले झंडे ले के बढे
जेल चले जब तो पत्नी ने
तिलक लगाया हाथों से
हार न मानी कभी इन्होने
अंग्रेजों की घातों से
जब आज़ादी का पहला झंडा
लहराया था नभ में
नेहरु को प्रधानमंत्री माना
सारे भारत ने
कहते थे चाचा नेहरु
कहते थे चाचा नेहरु
ये बच्चे कल की मूरत है
ये बंध ये कल ये कारखाने
नेहरु के बनाए तीरथ है
नेहरु के बनाए तीरथ है
पंचशील का नया सन्देश
सब को दिया जवाहर ने
नाम अपने भारत का रोशन
जग में किया जवाहर ने
गोपाल कृष्णा गोखले को
आओ शीश नवाए हम
भारत माँ के दुलारे पे
श्रद्धा के फूल
चढ़ाए हम
सुरेन्द्र बनर्जी जेल गए थे
बंग भंग आन्दोलन में
नागपुर के खानखोजे ने
फूंकी ज्वाला जन जन में
अनाथ पंजा ने बुर्द्गे को मौत के घाट उतारा था
प्रद्योत भट्टाचार्य ने
ज़ालिम डगलस को मारा था
बाबु जानु ने वस्त्र विदेशी के विरोध में प्राण दिए
रुकी नहीं लारी तो ये लारी के नीचे लेट गए
था अठारह साल का बालक
था अठारह साल का बालक
खुदीराम था जिसका नाम
संग में लेके प्रफुल्ल को
किया था उसने भारी काम
किंग्स्फोर्ड की गाडी पे
इसने ही जा बम फोड़ा था
चूमने फांसी के फंदे को
मौत से नाता जोड़ा था
मन में लगन थी आज़ादी की
तन पे शहीदी बाना था
जाते जाते वीर के होठों पर
बस यही तराना था

(पंक्तियाँ – बांग्ला भाषा में)

किया कन्हाई लाल ने
सत्येन बोसे को लेकर काम महान
जेल में बंदी रहकर भी
ले ली थी एक मुखबर की जान
देश बंधू चित्तरंजन दास को
भूलेगा न हिंदुस्तान
आज़ादी के महा यज्ञ में कर गए
तन मन धन सब दान
बड़ा दिलेर था अवध बिहारी
बड़ा ही शेर था बाल मुकंद
जिन्होंने संग अमीर चंद के
फेंका था दिल्ली में बम
आई एन ए की नींव धरी दादा ने ही जापान में
मरते दम तक देश की सेवा की इस वीर महान ने
सचिन्द्र नाथ सान्याल थे साथी
सच्चे रास बिहारी के
जेलों में ही जीवन काटा
मरे वही बीमारी से
मरे वही बीमारी से
यतीन्द्र मुख़र्जी को
बाघा के नाम से जाने सब बंगाल
बालासर के बन में पहुंचा
लेने शास्त्र जब माँ का लाल
चमक उट्ठी संगीन पुलिस की
गरज पड़ी इनपे गोली
लड़ते लड़ते घिरी पुलिस से
क्रांति वीरों की टोली
घायल हो गया चितप्रिय तो
ले यतीन्द्र उन्हें बाहों में
वार लगे गोरों पे करने
मौत से घिरी घटाओं में
निरेन, मनोरंजन, ज्योतिष
गिर पड़े थे जब गोली खा कर
तब यतीन्द्र भी गिरे जोर से
पानी पानी चिल्ला कर
जल … जल
जल … जल
जल …
सोने चले मौत की गोद में
बाघा यतीन्द्र घायल हो कर
आज भी करती याद
उन बेटों को भारत माँ रो रो कर
वतन एक सर जो मांगे तो
वतन एक सर जो मांगे तो
हज़ारों सर कटा लो
हज़ारों सर कटा लो
संभालो अय वतन वालों
वतन अपना संभालो
आ आ आ
संभालो अय वतन वालों
वतन अपना संभालो
आ आ आ

(भाग – ३ )

संभालो अय वतन वालों
वतन अपना संभालो
संभालो अय वतन वालों
वतन अपना संभालो
संभालो अय वतन वालों
वतन अपना संभालो
जिस वतन के वास्ते लाखों ने अपनी जान दी
जान दी जाने नहीं दी आन हिंदुस्तान की
कहानी उन शहीदों की ई ई ई
कहानी उन शहीदों की
न भूलो हिन्द वालों
हिन्द वालों अरे ओ हिन्द वालों

महाराष्ट्र का नासिक है
सावरकर जी का जन्म स्थान
अभिनव भारत क्रांति सभा में
दाखिल किये थे वीर जवान
रानी झांसी मंगल पाण्डेय
कुंवर सिंह की कथा महान
जब लन्दन में जा के सुनाई
तड़प उठा तब मदन जवान
इक जासूस था अंग्रेजों का
कर्ज़न वेली जिसका नाम
मदन धींगरा पहुंचा वहाँ पर
करने उसका काम तमाम
ले गयी हुकूमत किसी जुर्म में
सावरकर को बाग़ी मान
लेकिन कूद गए सागर में
लेके हथेली पे वो जान
अंडमान की जेल में भी
गर्दन ना उनकी कभी झुकी
थी आज़ाद आवाज़ उनकी
और ये आवाज़ न कभी रुकी
जयोस्तुते जयोस्तुते
श्री महं मंगले शिवास्पदे
शुभ दे
स्वतंत्रते भगवती त्वामहं
यशो युताम वंदे
यशो युताम वंदे
वंदे ए
वंदे ए
वंदे ए
गणेश सावरकर को मिली जब
जैक्सन से सख्त सज़ा
अनंत कान्हेरे मार के जैक्सन को
फांसी पे झूल गया
आज़ादी और धर्म का जिसकी
रग रग में भरपूर था जोश
भारत क्या सारी दुनिया में
चमके थे अरविन्द घोष
विरेन्द्र घोष अरविन्द घोष का
छोटा भाई प्यारा था
आज़ादी के लिए
और इसी पे तन मन वारा था
विनय बोस पिस्तौल अगर था
विनय बोस पिस्तौल अगर था
तो बादल उसकी गोली
दिनेश गुप्ता के संग खेले
सिमसन के खून से होली
सिमसन के खून से होली
गूँज रहा मद्रास में अब तक
घर घर कटबोम्मन का नाम
खिल गया अंग्रेजी शासन
छेड़ा उसने ऐसा संग्राम
जिस जज ने इलज़ाम लगाया
उसे अदालत में मारा
फांसी के अंतिम दिन भी
गाता रहा दक्षिण का तारा

(पंक्तियाँ, तमिल भाषा में )

मक्के में एक दिया जला
जो कर गया रोशन हिंदुस्तान
अब्बुल कलम आज़ाद था वो
हिन्दू मुस्लिम दोनों की जान
मास्टर दा ने चितगाँव से
ब्रिटेन का झंडा हटा दिया
प्रीत लता ने गोली से
गोरों की क्लब को उड़ा दिया
जिनको सब कहते नेताजी
कटक में उनका हुआ जनम
रंगा था क्रांति के रंग में
बचपन से ही उनका मन
नारा दिया ‘जय हिन्द’ का
और हर इक दिल में एक ज्वाला भर दी
बोले तुम दो खून मुझे
मैं तुमको दूंगा आज़ादी
काँप उठी गोरे शाही
काँप उठी गोरे शाही
और घर में उनको क़ैद किया
लेकिन भेस बदल वो निकले
सिंगापूर विश्राम किया
सिंगापूर विश्राम किया
ले आज़ाद हिन्द सेना
भारत आज़ाद कराने को
टूट पड़े गोरों पे वो
अंग्रेजी राज मिटाने को
सुभाष चन्द्र बोस
जिंदाबाद !
श्यामा प्रसाद मुख़र्जी को भी
भूलेगा न हिंदुस्तान
आज़ादी की खातिर लड़ता रहा
सदा ये पुरुष महान
दुर्गा भाभी ने भी
आज़ादी में पूरा साथ दिया
भगत सिंह की साथी बन
लाहौर से उन्हें फरार किया
सीता राम राजू ने राखी
आंध्र प्रदेश की ऊंची शान
बार बार गोरों पे छापा मारा
आखिर दे दी जान
भगवती चरण वोहरा का सुन लो
बड़ा अनोखा है बलिदान
बम की परीक्षा करते करते
दे दी उन्होंने अपनी जान
नलनी बागची भी असम में
अंग्रेजों से दर कर लड़ा
गोपीनाथ भी देखो मार के
हँसते हुए फांसी पे चढ़ा
मन्मथ नाथ गुप्त लाये थे
टोली में आज़ाद को
आज़ादी के मतवाले
जीवीत है देश हित आज भी वो
दक्षिण भारत के नेता
अन्ना दुराई बड़े महान
आज भी इनको तमिलनाडु की जनता
पूजे देव समान
ख़त्म विदेशी राज हो
इनकी ये आवाज़ बुलंद रही
चैन लिया न जब तक
भारत माँ जंजीरों में बंद रही
आज़ाद हुआ भारत अपना
इनका सपना साकार हुआ
मुख्या मंत्री के पद का
जनता ने इन्हें अधिकार दिया
जनता ने इन्हें अधिकार दिया

देश की सेवा किया जन्म भर
सेवा में ही दे दिए प्राण
तमिलनाड ही क्या याद इनको
करता सारा हिंदुस्तान

डॉक्टर अम्बेडकर ने रचा
स्वतंत्र भारत का विधान
छूत-छात का भेद मिटाकर
किया हरिजनों का उत्थान
त्रिपुर कुमारन को रखेगा
याद हमेशा तमिलनाडु
झंडा लहराते हुए लाठी खा कर
दिए थे प्राण त्याग
कौमी शायर बिस्मिल था
आज़ादी का दीवाना
निकला वीर शाहजहांपुर से
पहने केसरिया बाना
काकोरी में जा के उसने
शाही खजाना लूट लिया
लूट के माल से ले बंदूकें
दल फौलादी बना दिया
गोरे हाकिम लगे ढूँढने
जगह जगह पे बिस्मिल को
आखिर एक दिन पकड़ लिए वो
इस सैलानी बादल को
इस सैलानी बादल को
जेल में बंद रहकर भी
लिखते रहे वो क्रान्ति की वाणी
धन्य है ऐसे देश भक्त
और धन्य है उनकी कुरबानी
मिलने आयी माँ तो बोली
दूध की तूने रख ली लाज
गाते हुए चल दिए बिस्मिल
पहन शहादत वाला ताज
सरफरोशी की तमन्ना अब हमारे दिल में है
सरफरोशी की तमन्ना अब हमारे दिल में है
देखना है जोर कितना बाजू ए कातिल में है
देखना है जोर कितना बाजू ए कातिल में है
सरफरोशी की तमन्ना अब हमारे दिल में है
सरफरोशी की तमन्ना
यही तो मर के जीना है
यही तो मर के जीना है
वतन पे मरने वालों
संभालो अय वतन वालों
वतन अपना संभालो
संभालो अय वतन वालों
वतन अपना संभालो

(भाग – ४ )

किशन सिंह गडगज़ अकाली दल के ऊंचे नेता थे
संग साथियों के जो हँसते हँसते फांसी झूल गए
गुरुद्वारों पे जब गोरों ने था अपना अधिकार किया
बाबा खड़क सिंह और तारा सिंह ने था सीना तान लिया
बोले जब तक मिले न चाभी हटेंगे न गुरुद्वारों से
गूँज उट्ठे धरती अम्बर गुरु के इस जयकारे से
बोले सो निहाल !
सत श्री अकाल !
अय सतगुरु रहमत तेरी तो
अय सतगुरु रहमत तेरी तो
अय सतगुरु रहमत तेरी तो
बदली तकदीर हजारां दी ??
??
शक्ति तेरे दीदारा
शक्ति तेरे दीदारा
शक्ति तेरे दीदारा
शक्ति तेरे दीदारा
शक्ति तेरे दीदारा
शक्ति तेरे दीदारा

खून की होली खेले गोर लेकिन वो भी रहे अड़े
इन वीरों के लहू के छींटे गुरु ग्रन्थ पे जा के पड़े
अब अंग्रेजों की जिद्द टूटी चाभी उनको देनी पड़ी
सिखों के इस बलिदान से सारी हुकूमत काँप उठी
रूद्र नारायण थे झांसी के
किया जिन्होंने काम कमाल
फोटो थे आज़ाद के रखे
दीवारों के बीच संभाल
आज भी ज़िंदा है यशपाल के जो आज़ाद के साथी थे
वाइसराय कि ट्रेन उलटने में ये सबसे थे आगे
हेमू कालानी था जिसने रेल की पटरी तोड़ी थी
फौजी गाडी को उलटने मौत से किस्मत जोड़ी थी

छोटा सा एक ग्राम करमसद
छोटा सा एक ग्राम करमसद
है गुजरात की धरती पे
जहां पे जन्म लिया था
लोह पुरुष सरदार पटेल ने
बारडोली के सत्याग्रह को
सफ़र किया सरदार ने
रुक न सके तो
जेलों की दीवार में
भगवन दस का हुआ भुसावल बम काण्ड में
ऊंचा नाम
मुखबर को अदालत

हे बिहार के प्यारे नेता बाबु राजेंद्र प्रसाद
रोवलेट एक्ट न मानेंगे ये खड़े हुए बन के फौलाद
पटियाला के उधम सिंह की बड़ी अजब कुरबानी है
जिसके नाम से जलियांवाला बाग की बंधी कहानी है
सभा लगी थी विद्रोहियों की
बाग में बैसाखी के दिन
कर दिया फायर डायर ने और मारे देश भगत गिन गिन
माताओं के कितने ही बेटे
माताओं के कितने ही बेटे
मौत के घाट उतार दिए कितने दीपक बुझा दिए
कितने सिन्दूर उजाड़ दिए
कितने सिन्दूर उजाड़ दिए
खायी क़सम उधम सिंह ने
इस हत्या का बदला लूँगा
मौका मिलते ही डायर को मौत के घाट उतार दूंगा
ढूंढते ढूंढते डायर को आखिर वो लन्दन आ ही गया
बीस बरस के बाद भी वो गोली से उसे उड़ा ही गया
पकड़ा गया तो नाम बताया
राम मोहम्मद सिंह आज़ाद
जिस दिन फांसी हुयी पुकारा देश
उधम सिंह जिंदाबाद !

(भाग – ५ )

भगत सिंह की माता ने
नारी का किया था ऊंचा भाल
देश की खातिर हँसते हुए कुरबान कर दिया
अपना लाल
जन्मे जहां पे वीर भगत सिंह
अमर हुआ वो बंगा ग्राम
सन उन्नीस सौ सात सितम्बर
भूलेगा न हिंदुस्तान
होकर जवान भगत सिंह ने
छेड़ा क्रांति का आन्दोलन
जगह जगह से जमा हुए
आज़ादी के अनमोल रतन
आज़ादी के अनमोल रतन
उठा शेर पंजाब का आ आ
उठा शेर पंजाब का
लाला लाजपतराय जिसका नाम
वापस जाओ वापस
साइमन
मिशन तुम्हारा है नाकाम
मिशन तुम्हारा है नाकाम
सैंडर्स और स्कॉट दोनों
टूट पड़े लालाजी पर
सर पे लाठी पड़ने लगी और
बहने लगा लहू सर सर
लालाजी कि कुरबानी पे
भगत सिंह को क्रोध चढ़ा
ठान ली मन में
लेके रहूँगा इस अपमान का मैं बदला
राजगुरु सुखदेव चंद्रशेखर
और जयगोपाल के साथ
माल रोड पर पहुंचे
करने सैंडर्स डीएसपी की घात
उसी समय सैंडर्स डीएसपी
चढ़के मोटर साइकिल पर
माल रोड पे चला जा रहा था
मस्ती में अपने घर
भगत सिंह सरे आम
गोली का निशाना बना दिया
लालाजी के खून का बदला
खून से उसने चुका दिया
खून से उसने चुका दिया
फिर भारत को जगाने
और सच्ची आवाज़ सुनाने को
असेंबली में बम फेंका
गोरी सरकार हिलाने को
इन्किलाब जिंदाबाद !
इन्किलाब जिंदाबाद !
आखिर चले भगत सिंह
जिस दिन
पहन के फांसी का चोला
गाता चला संग उनके ए
राजगुरु सुखदेव का भी टोला
मेरा रंग दे बसंती चोला
मेरा रंग दे
मेरा रंग दे बसंती चोला ओय
रंग दे बसंती चोला आ
माये रंग दे बसंती चोला
मेरा रंग दे बसंती चोला
मेरा रंग दे
मेरा रंग दे बसंती चोला ओय
रंग दे बसंती चोला आ
माये रंग दे बसंती चोला
क्रांतिकारी अशफाक उल्ला
बिस्मिल का था दाहिना हाथ
काकोरी के काण्ड में इसने भी
बिस्मिल का दिया था साथ
सलाम ….
शुक्र है मेरे परवरदिगार
तूने इज्ज़त की ज़िन्दगी अता फरमायी
और ? मौत
तेरे बन्दे के लिए मेरे मालिक
तेरी हर देन एक नेमत है
अल हम दुल इल्लाह

पढ़ी नमाज़ और रोजा रखा
दिन था जिस दिन फांसी का
मौत से मिलने चला ये गाता
मतवाला आज़ादी का
कोई आरज़ू नहीं है
है आरज़ू तो ये है
रख दे कोई ज़रा सी
खाक ए वतन कफन में

पंद्रह साल की आयु में ही
चंद्रशेखर आज़ाद ने
नंगी पीठ पर बेतें खायी
असहयोग आन्दोलन में
वन्दे मातरम
वन्दे मातरम्
जय गांधीजी
हुए बड़े तो क्रांतिकारियों के ये
सेनापति बने
क्या काकोरी क्या लाहौर
हर रण के महारथी बने
बरसों इनको ढूंढा
आखिर एक दिन पुलिस की एक टोली
इनका ठिकाना पा ही गयी
और बरसा दी इनपे गोली
अल्फ्रेड पार्क में युद्ध हुआ
इलाहाबाद की धरती पे
इक इक करके भून दिए
कितने सिपाही गोली से
जीते जी न पकड़ सकी ई ई
जीते जी न पकड़ सकी
जिसको ये अंग्रेजी सरकार
चंद्रशेखर आज़ाद था वो
माने जिसको सब संसार
माने जिसको सब संसार
अंतिम गोली पास बची तो
अपना प्रण उसे आया याद
जीते जी आज़ाद रहा हूँ
मरूँगा भी तो मैं आज़ाद
चला दी वन्दे मातरम कहकर
खुद पर ही अंतिम गोली
भारत माँ के लाल ने खेली
अपने खून से खुद होली
ये मट्टी है शहीदों कि
ये मट्टी है शहीदों कि
इसे माथे लगा लो
इसे माथे लगा लो
संभालो अय वतन वालों
वतन अपना संभालो
संभालो अय वतन वालों
वतन अपना संभालो

(भाग – ६ )

संभालो अय वतन वालों
वतन अपना संभालो
संभालो अय वतन वालों
वतन अपना संभालो
जिस वतन के वास्ते लाखों ने अपनी जान दी
जान दी जाने नहीं दी आन हिंदुस्तान की
कहानी उन शहीदों की ई ई ई
कहानी उन शहीदों की
न भूलो हिन्द वालों
हिन्द वालों
न भूलो हिन्द वालों
न भूलो हिन्द वालों
संभालो अय वतन वालों
वतन अपना संभालो
संभालो अय वतन वालों
वतन अपना संभालो
जय हिन्द !
जय हिन्द !


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to all on today’s festival of Rakshabandhan. I hope and pray that celebrations have been happily enjoyed in the household of all readers and friends.

As we have discussed in many posts earlier on this topic, Rakshabandhan is celebrated on the full moon day of the month of Saawan. In traditional terms, the timing of today’s celebrations got restricted due to two additional astrological events that coincided with the full moon celebration. As per the calculations of the ephemeris applicable to the Indian subcontinent, the full moon ‘tithi’ i.e. the ‘poornima’ started at 10:29 pm yesterday (6th Aug), and will be in effect till 11:41 pm tonight (7th Aug).

In our astrological scheme, there is a concept of ‘bhadra’, which is invoked on the basis of a combination of certain ‘nakshatras‘ (stellar entities). ‘Bhadra’ is a short period of time for which certain conjunctions of certain stellar entities exist. Although lasting for short spells – few minutes to few hours, ‘bhadra’ has a significance. These short interludes are designated as inauspicious in our system of calculations. As a result, the pundits and astrologers will advise against conducting or initiating any auspicious activity during the time passage of ‘bhadra’. Incidentally, as per astrological calculations, the ‘bhadra’ time period overlaps with the full moon day today, for some time. The effect of ‘bhadra’ conjunction is(was) active till about 11 am today morning. So as per announcements at the temples, on the religious channels, and as advised by knowledgeable elders, the festival celebration of Raakhi today was advised to be initiated only after 11 am.

Then, there is another important astrological event that occurs today. Later tonight, we shall also witness a lunar eclipse. Again, as per calculations for the Indian subcontinent, the lunar eclipse with start at 10:53 pm tonight.  It will last for a duration of little less than two hours, and will end at 00:48 am tomorrow (8th Aug).
[Note: All times indicated above are according to Indian Standard Time.]

In case you wonder, why is one concerned about the lunar eclipse that is anyway going to start so late in the night, there are some reasons. Although the specific time and duration of the actual eclipse is of a certain length, the total duration of the conjunction of the heavenly bodies involved in the eclipse is much longer than just the visible eclipse. In this case, the heavenly bodies involved are the sun, the moon and the earth. The lunar eclipse is effected when the sun, moon and earth are so aligned that the earth is positioned directly in between the sun and the moon, and the shadow of the earth falls on the moon, making it look partially or fully dark; the duration and coverage of course varies depending on where you are placed for viewing, in terms of longitude location.

Folks may recall their geography lessons from the school days, and remember the concept of umbra and penumbra. As an opaque object passes in front of a source of light, it first creates an area of partial darkness (also called the shadow of darkness or shadow of eclipse). This is called the penumbra. Then when the object fully occludes the light coming from the source, we get an area of total darkness, which is the actual eclipse itself. This is called the umbra. As the object continues to move in front of the light source, the umbra once again transforms into penumbra, and we get a second area of partial darkness, after the eclipse is over. Hence the total duration of the two sets of partial darkness periods and one total darkness period, is actually much more than the duration of the visible eclipse (the umbra) only. Given the relative positions and distances of the three moving bodies, the duration of each penumbra could be anywhere from 7 to 9 hours. And so the conjunction of the three heavenly bodies that creates the eclipse effect, actually will last for almost 20 hours.

And the impact of that on our celebrations? Well, once again, as per our astrological definitions, the duration of this ‘shadow of the eclipse’ is also considered to be inauspicious, and hence the advise to refrain from conducting or initiating any auspicious activity. For those who follow these instructions, the lunar eclipse tonight puts in one more restriction on Raakhi celebrations today. Since the penumbra duration can be 8 to 9 hours, then for the given time of eclipse (10:53 pm) we must calculate back by subtracting this time. We arrive at a time of approximately 2 pm as the outer limit of this window. Given these calculations and guidance, the auspicious time for Raakhi today is(was) limited to a window from 11 am to 2 pm.

Anyway, that is just for the information buffs, who need to know the details of why. . .?? 🙂

Coming to the posts for today. Atul ji has posted one song earlier today morning, in which he has given some background of the previous Raakhi celebration days that we have had on our blog. In that background, he has mentioned that overall 22 songs have been posted on our blog, over the past 9 cycles of this festival, from 2008 onwards. As I read this statement, I was a little uncertain about this number, thinking that Atul ji is probably underestimating the count. Nine years at 22 songs computes to a little over two songs on average per festival. I had a feeling there have to be more.

So I started to check, picking out the dates for the Raakhi day each year, and then checking on the blog for the songs on that day. My hunch was correct. We have much more, in fact we have 32 Raakhi songs posted on our blog, and the number now is 34, considering the two songs posted today. The count of songs by year, as per the song lists we maintain, is given as below.

 

Year

Raakhi Day

Post Nos. No. of Songs

Song titles

2008 16th Aug 29 1 Bhaiyya Mere Raakhi Ke Bandhan Ko Nibhaana
2009 5th Aug 1729 1 Bahnaa ne bhaayi ki kalaayi se pyaar baandhaa hai
2010 24th Aug 2834 to 2839 6 Mere Bhaiyya Ko Sandeshaa Pahunchaanaa

Rang Birangi Raakhi Leke Aayi Behnaa

Abke Baras Bhejo Bhaiyya Ko Baabul

Mere Bhaiyya Mere Chandaa Mere Anmol Ratan

Phoolon Kaa Taaron Kaa Sabkaa Kehnaa Hai

Ye Raakhi Bandhan Hai Aisaa Ye Raakhi Bandhan Hai Aisaa

2011 13th Aug 4379 to 4383 5 Rakhiyaa Bandhwaa Le Bhaiyyaa

Raakhi Kehti Hai Tum Se Bhaiyyaa

Meri Bhi Koi Behnaa Hoti

O Meri Laadli Pyaari Behnaa

Meri Behnaa Deewaanee Hai

2012 2nd Aug 6351 to 6357 7 O Saawan Ke Din Aaye Re

Raakhi Ka Aaya Tyohaar Sakhi

Raakhi Dhaagon Ka Tyohaar

Chanda Re Mere Bhaiyya Se Kehna

Meri Behna Ye Raakhi Ki Laaj

Mujhe Maaf Karna Om Sai Ram

Hum Behnon Ke Liye Mere Bhaiyya

2013 20th Aug 8560 to 8563 4 Aa Birna Morey Birna

Meri Raakhi Ki Rakhiyo Tu Aan Re

Rakhi Ke Din Waada Karo Waada Nibhaaoge

Maata Bhi Tu Pita Bhi Tu

2013 21st Aug 8565 1 Pardesi Ho Hamse Rakhiya Bandha
2014 10th Aug 10065 to 10067 3 Rakhiyaa Bandhaawo Bhaiyya

Raakhi Ka Mausam Aaya Re

Bhai Aise Hote Hain

2015 28th Aug 11378 to 11379 2 Mere Bhaiyya Ho Lambi Umariya Teri

Raakhi Ka Din Aaya Sajni

2016 18th Aug 12336 1 Rakhiya Bandha La Bhaiyya

So, over the past nine years, we have 32 songs posted for Raakhi. Maybe 3 or 4 of these songs are not pure bred Raakhi songs – they are songs about brother-sister love, but they have been posted on Raakhi days, in conjunction with the festival.

Way back in 2010, when we were on our third Raakhi celebration, the blog till then, contained only two Raakhi songs (one each posted in 2009 and 2010). Starting the first post for that day (24th Aug, 2010), Atul ji writes,

This is the third Raakhi for this blog. […]

This time I wanted to post more “Raakhi” songs but then I thought that there were very few “Raakhi” songs created in Hindi movies and I wondered if I would be able to post about six “Raakhi” songs. I was delighted to find that I was in fact able to find more than six “Raakhi” songs. So I find myself being able to post my daily quota of six songs on this Raakhi day.

That day, in fact he did post 6 songs of the festival and of brother-sister love. He mentions that he is afraid not too many songs have been created for this festival. Then in 2011, we go ahead and post 5 more songs. In 2012, the count goes up to 7 Raakhi songs posted, all in one day. Atul ji is like a millionaire – many more to come :D:D. (Personally I would have been a spendthrift, trying to save some for future such events. 😉 ).

Then in 2013, the count comes down to 5 (posted across two dates 20th and 21st Aug). In 2014 we are down to 3, then 2 in 2015 and, goodness, just one in 2016. Looks like we are running out of these celebration songs. But wait, we have two posted this year, and our dear Prakash ji has identified a few more from the later decades, that we shall probably be holding on to for next year and later. 🙂

But seriously, I believe there is still some more songs that have to be traced. Reason being, well, none of us has heard all the songs of all the films. Another factor – sometimes we can guess the song’s theme by the words in the song title. Yet, there are so many songs where the title does not easily reveal itself to be of a particular theme. So then, even screening the list contained in the Geet Kosh is only helpful to an extent. Sometimes when I am doing a search, I will try to scan the lists and look for the word ‘राखी’. Most such songs are posted. Then the next two words I would search in the song index are ‘बहना’ and ‘भैया’. These two scanning efforts have turned up some more songs that are meant for today’s celebration.

Case in point is today’s song. The mukhda starts with ‘थईय्या ता ता थईय्या’ (‘thaiya ta ta thaiya’). A speedily glancing eye will just skip over this mukhda and move on. My attention was caught by the last word in the second part of the mukhda ‘जुग जुग जिये मेरा भैया’ (‘jug jug jiye mera bhaiya’). And I decided to investigate. I had not heard this song before, although I have the recordings of all songs of this film (‘Sher Khan’ – 1962) in my collection. I pulled out the song and played it. It was like hitting gold in the first trial. Turns out to very much be a Raakhi song, and coming from an obscure film, and that too quite unexpectedly.

I have this film also (it is also available online). So I pulled the film and edited out the song for uploading, because the song itself is not available online yet.

‘Sher Khan’ is a stunt cum social film, about inter tribal rivalry that involves Pathan and Rajput clans. Produced under the banner of Mukul Movies, it is directed by Radhakant. The lead pair is Kumkum and Kanwaljeet. Other members of the cast include Veena, Jayant, Ulhas, Tabassum, Hiralal, Sunder, Majnu, Madhumati, WM Khan, Jeevankala, Surekha, Samson, Rana, Amir, Prem, Shafi Muhammad, Jagdish Bhalla and others. There are six songs in this film, all from the pen of Prem Dhawan. And the music is by SN Tripathi. One song of this film is already posted on our blog. I just played all the songs and heard them – goodness, this obscure and unknown film is a gold mine of forgotten gems. Such lovely songs that were once in the hearing, have now been forgotten.

This song is a combination of a happiness and sadness. It is celebration time, and the ladies are singing a song of auspicious blessings. Meena (role played by a very young Tabassum), the daughter of Thakur Ranjeet Singh (role played by Ulhas). Sher Khan (role played by Kamaljeet) is a brave Pathan who strikes friendship with Thakur Ranjeet Singh, and treats Meena as his sister. The story is little more complicated than that, of course. It is the day of Raakhi, and Meena is waiting for Sher Khan to come for the tying of the Raakhi thread. Sher Khan has been waylaid; he fights off his attackers, gets to a doorway to get a drink of water. He discovers that it is the day of Raakhi, and then he quickly rides back to the home of Thakur Ranjeet Singh. Menawhile, Meena is singing the sad lines of the celebration song. But by the time the song ends, Sher Khan is standing in front of her, and the Raakhi is tied.

One query for the more knowledgeable readers – the lady who is leading the dance, and singing the happy portions of the song – is that Jeevankala? I request for help with identification.
NOTE: Prakash ji has checked and confirmed that the lead dancer is Madhumati. Also, one of the accompanying dancers is Shirley. Thanks Prakash ji.

This is a lovely lilting song, that soon gets into the humming domain in the mind. Once again, greetings and congratulations to all readers and friends, for today’s celebrations.

Song – Thaiya Ta Ta Thaiya, Jug Jug Jiye Mera Bhaiya  (Sher Khan) (1962) Singer – Kamal Barot, Asha Bhosle, Lyrics – Prem Dhawan, MD – SN Tripathi
Chorus

Lyrics

aaa aaa aaaaa
aaaaaa aaaaaaaa

haa haa haa haa haaaa

thaiya ta ta thaiya
jug jug jiye mera bhaiya
thaiya ta ta thaiya
jug jug jiye mera bhaiya
main to bandhungi raakhi har saal
ke shubh din aayo ree
main to bandhungi raakhi har saal
ke shubh din aayo ree
thaiya ta ta thaiya
jug jug jiye mera bhaiya
main to bandhungi raakhi har saal
ke shubh din aayo ree

na sone ki thaali maangun
na chaandi ki gagariya
na sone ki thaali maangun
na chaandi ki gagariya
maangun to maangun bhaiya
main teri lambi umariya
maangun to maangun bhaiya
main teri lambi umariya
main to bandhungi raakhi har saal
ke shubh din aayo ree
thaiya ta ta thaiya
jug jug jiye mera bhaiya
main to bandhungi raakhi har saal
ke shubh din aayo ree

oo oo oooo
sab ke beeran ghar ko aaye
main hi baithi aas lagaaye
sab ke beeran ghar ko aaye
main hi baithi aas lagaaye
kisko baandhoon aaj main raakhi
kisko baandhoon aaj main raakhi
mann ki mann mein na reh jaaye
ke jiya ghabraayo ree
ke shubh din aayo ree
thaiya ta ta thaiya
jug jug jiye mera bhaiya
main to bandhungi raakhi har saal
ke shubh din aayo ree

aaa aaaa aaaaa
aaja asha toot na jaaye
teri behna rooth na jaaye
aaja asha toot na jaaye
teri behna rooth na jaaye
rasta tera takte takte
rasta tera takte takte
haath se raakhi chhoot na jaaye
ke jiya ghabraayo ree
ke shubh din aayo ree
thaiya ta ta thaiya
jug jug jiye mera bhaiya
main to bandhungi raakhi har saal
ke shubh din aayo ree
main to bandhungi raakhi har saal
ke shubh din aayo ree

thaiya ta ta thaiya
jug jug jiye mera bhaiya
main to bandhungi raakhi har saal
ke shubh din aayo ree
main to bandhungi raakhi har saal
ke shubh din aayo ree

thaiya ta ta thaiya
jug jug jiye mera bhaiya
main to bandhungi raakhi har saal
ke shubh din aayo ree
main to bandhungi raakhi har saal
ke shubh din aayo ree

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आs आs आsss
आssss आssssss

हा हा हा हा हाss

थईय्या ता ता थईय्या
जुग जुग जिये मेरा भैया
थईय्या ता ता थईय्या
जुग जुग जिये मेरा भैया
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री
थईय्या ता ता थईय्या
जुग जुग जिये मेरा भैया
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री

ना सोने की थाली माँगूँ
ना चाँदी की गगरिया
ना सोने की थाली माँगूँ
ना चाँदी की गगरिया
माँगूँ तो माँगूँ भैया
मैं तेरी लंबी उमरिया
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री
थईय्या ता ता थईय्या
जुग जुग जिये मेरा भैया
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री

ओ ओ ओss
सबके बीरन घर को आए
मैं ही बैठी आस लगाये
सबके बीरन घर को आए
मैं ही बैठी आस लगाये
किसको बांधूँ आज मैं राखी
किसको बांधूँ आज मैं राखी
मन की मन में ही ना रह जाये
के जिया घबरायों री
के शुभ दिन आयो री
थईय्या ता ता थईय्या
जुग जुग जिये मेरा भैया
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री

आs आss आsssss
आजा आशा टूट ना जाए
तेरी बहना रूठ ना जाये
आजा आशा टूट ना जाए
तेरी बहना रूठ ना जाये
रस्ता तेरा तकते तकते
रस्ता तेरा तकते तकते
हाथ से राखी छूट ना जाये
के जिया घबरायों री
के शुभ दिन आयो री
थईय्या ता ता थईय्या
जुग जुग जिये मेरा भैया
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री
थईय्या ता ता थईय्या
जुग जुग जिये मेरा भैया
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री

थईय्या ता ता थईय्या
जुग जुग जिये मेरा भैया
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री
थईय्या ता ता थईय्या
जुग जुग जिये मेरा भैया
मैं तो बाँधूँगी राखी हर साल
के शुभ दिन आयो री


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Son of Sindbad”(1958) was produced by Ram Kamlani and Balwant Bhatt, and directed by Nanabhai Bhatt for Neo Light Films, Bombay. The movie had Premnath, Jabeen, Bhagwan, Poornima, Nishi, Tiwari, Cuckoo, Shammi, Sunder, Kuldeep Kaur, Jagdeep, Samson, Jagdish, Ridku, Kriplani, K Tewari, Saroj, Heera, Fazlu, Sayyed, Keshav, Abdul, Kenny etc in it.

The film had eight songs in it. One song from the movie has been covered in the blog in the past.

Here is the second song from “Son of Sindbad”(1958) to appear in the blog. This song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by Chitragupta.

Only the audio of this song is available. I Request our knowledgeable readers to throw light on the picturisation of this “expression of love” genre of song.


Song-Koi kaise bachaaye dil ko (Son of Sindbad)(1958) Singer-Lata, Lyrics-Prem Dhawan, MD-Chitragupta

Lyrics

koi kaise bachaaye dil ko o
dil jaane ke sau hain bahaane
koi kaise bachaaye dil ko o
dil jaane ke sau hain bahaane
jo nazar se bacha
zulfon mein phansa
jo nazar se bacha
zulfon mein phansa
ek dil hai to laakhon nishaane aen
koi kaise bachaaye dil ko o
dil jaane ke sau hain bahaane
koi kaise bachaaye dil ko o
dil jaane ke sau hain bahaane

zamaana kahe ke bacho pyaar se
in aankhon ki do-dhaari talwaar ae
zamaana kahe ke bacho pyaar se
in aankhon ki do-dhaari talwaar ae
magar wo hua jo dil ne kaha
huye hum tumhaare deewaane ae
koi kaise bachaaye dil ko o
dil jaane ke sau hain bahaane
koi kaise bachaaye dil ko o
dil jaane ke sau hain bahaane

haseenon se chhup ke kahaan jaaoge
jahaan jaaoge tum inhen paaoge
haseenon se chhup ke kahaan jaaoge
jahaan jaoge tum inhen paaoge
kahin na kahin
koi to haseen
laga dega dil ko thhikaane ae
koi kaise bachaaye dil ko o
dil jaane ke sau hain bahaane
jo nazar se bacha
zulfon mein phansa
ek dil hai to laakhon nishaane ae
koi kaise bachaaye dil ko o
dil jaane ke sau hain bahaane


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 6th July, is the remembrance day of music director Sardul Kwaatra, who passed away this day in 2005. Four years ago, on this occasion, I have posted a detailed article on this ‘impressive and talented composer who failed to impress’ with the song “Aa Gaye Aa Gaye Aa Gaye”.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

जब मैं छोटा बच्चा था, (and my, not just then. . . even now). . .

No, no I am not going to start a description of my ‘शरारती’ pranks and naughtiness. I am going to tell somethings about my favorite actor and songs; that my favorite male performer was Dev Anand. There was a charismatic attraction in his face, his smile with one out of line canine, his mannerism, and his style of dialogue delivery – all put together made for a striking package,  that would steal hearts. I am talking of the time when films like ‘Baazi’ and ‘Jaal’ and ‘Taxi Driver’ continued to be popular in re runs, and continued to be discussed as iconic films. This popular set of films was shown more than once on TV, and it would be a gala Saturday/Sunday when a Dev Anand film was scheduled. Those were days when the weekly film shows were split across the two last days of the week. And needless to say, the break was very irritating. 🙂
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Riyaasat”(1955) was directed by Jaswant Jhaweri for Roopkamal Chitra, Bombay. The movie had Mahipal, Mala Sinha, Sunder, Kamal, Hiralal, Prakash, Babu Raje etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Band Master”(1963) was directed by Ravindra Dave for R L Films, Bombay. This obscure movie had Jagdeep, Azra, Lalita Pawar, Rajan Haksar, Ravikant etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Baazigar”(1959) was produced by Ram Dayal and directed by Nanabhai Bhatt for Mukul Pictures, Bombay. The movie had Nirupa Roy, Jairaj, Tiwari, Romi, Nazi, Helen, Mridula, Rana, Samson, Rajan Kapoor, Jagdish Kamal, Poonam Kapoor, Bimla, Jeewankala, Rafiq, Hanuman, Balaram, Narayan, Shafi, Dhondhu, Bihari, Vitthal, Sundar, Shammi, Majnu, Tiger (the dog), Mushtaq (the horse) etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13500 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13579

Number of movies covered in the blog

Movies with all their songs covered =1015
Total Number of movies covered =3721

Total visits so far

  • 9,660,915 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 3250 days.

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