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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Sudesh Bhonsle songs’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3512 Post No. : 14111

How do I begin this post? I am at a loss. I have so many things running in my head. Should I say Sunday 25th March 2018, was a bad day or sad day. But it was definitely a day which began sadly for me. I normally begin my Sundays an hour later than working days, but this Sunday was different. The constant buzzing of my mobile due to incoming messages disturbed me. And one of the message was from my son, who was travelling, and had not slept in the bus. He was seeing the internet site of a news channel which carried the shocking news that the darling of the audiences SRIDEVI had passed away in Dubai of a CARDIAC Arrest. That jolted me and my first reaction was to google for confirmation. And sure enough the news had broken on the internet a few minutes back. The first person to break the news to Atulites was Satyajitji from DOWN Under. And the reactions followed through the day- here there everywhere.

There were messages being posted and reposted and forwarded among the various WhatsApp- groups all trying to find a reason for the sudden death of a supposedly perfectly healthy human being. The mystery still continues. But we have lost a “Khwaabon Ki Shehzaadi”, a style icon, an inspiration for numerous aspiring actors. A person who was passionate about her work. She was comfortable doing an Indian classical dance as well as out-of-tune Bollywood-style numbers the equivalent of which in South Indian movies are called Dappang-Kootu; though Dappang-Kootu is largely folk dance based and Sridevi was good in all of it.

On the day the news broke all the news channels spoke of her work in Tamil as well as Hindi movie and mentioned in the passing about her having worked in Malayalam, Kannada and Telugu as well. Having started at the very young age of 4 or 5 she has acted opposite all the giants of the Indian film industry of the period starting with Sivaji Ganesan and Gemini Ganesan in her first movie “Kandan Karunai” as child star in Tamil; followed by “Maa Naana Nirdoshi” in Telugu, “Kumara Sambhavam” in Malayalam, and “Apna Desh” in Hindi as Rajesh Khanna’s niece- cannot forget “Rona kabhi nahin rona chahe toot jaaye koi khilona” although her fist outing as child star in Hindi was “Rani Mera Naam” in 1972. I have also seen her in the Tamil version of “Apna Desh” “Nam Naadu” as niece to MGR. Just before she began performing adult roles we saw her as sister to Lakshmi in “Julie” in the iconic song “My heart is beating”, she was just 11 then.

From the age of 13 she graduated to doing adult roles and Kamal Haasan and Rajnikanth were her first co-actors. There was time when she was a heroine to many actors of the South Indian film industry in whose films she had acted as a child.

Her debut in Hindi was in the not-so-successful “Solva Sawan” in 1979 opposite Amol Palekar; she had also starred in the Tamil original and the Telugu remake. But after her second attempt in Hindi movies in the Jeetendra starrer “Himmatwala” in 1983. I distinctly remember that year I had been to Hyderabad to my mama’s place and there were these huge posters everywhere of this beautiful heroine amid rows of “colourful pots” in what turned out to be a song which is still popular “nainon mein sapna, sapno mein sajna, sajna pe dil aagaya”. That was also the time when Jaya Prada had made her debut in Hindi movies through “Sargam”. And the teenager that I was then, decided Sridevi was a threat to Jaya Prada, and refused to see that movie. I think the first Sridevi movie I saw of my own choice was “Inquilaab” because Amitabh Bachchan was her co-star. And then I was floored by her. Subsequently I have many of her movies and was particularly fond of her pairing with Jeetendra and Amitabh Bachchan though that was only in three movies, she was the FEMALE SUPERSTAR of her times. She also paired successfully with Anil Kapoor and Mithun Chakravarty.

28-2-2018
—————–
I have been writing this for the last two days and still the reality has not sunk-in. I am still thinking of the day when the news broke. In the meantime, there has been news that our shehzaadi died due to “accidental drowning” but whatever be the reason she is lost to us and her numerous fans. But the people who will miss her the most will be her two young daughters and husband, immediate family and friends. They have undergone great mental stress this last few days, the time that it took them to get her mortal remains from Dubai. My thoughts are with them. They say the cremation will finally happen today. May our darling Sridevi find eternal peace.

Over the last two days, as I was talking of a star/ an actor I loved, I told my mom-in-law about all the Sridevi- Jaya Prada movies of the 80s where Sri always played a stronger character and Jaya had all the crying to do. My sister was thinking of all the famous songs of the Jeetendra- Sridevi- Jaya Prada movies which could not have been done by anyone else. Everyone must have had a song of that time which they loved but will never admit as those were songs with seemingly no-sense. But they all were successful.

A thought just went through my mind. The day the news came on TV some channels showed a scene from one of her first movies as a child. It had baby Sridevi “crying unconsolably running a short distance and collapsing on to her Knee and still crying.” Her last released movie “Mom” (2017) has her running similarly, crying uncontrolled and dropping on to her knee. Uncanny I must say!!

The song with this post is from “Lamhe”. I had originally intended that the song should accompany a post on the graceful Waheeda Rehman, but I am presenting it here on this sad occasion. There is an incident behind the shoot of this song which Yash Chopra has related. The shoot was scheduled in London in 1991. That was the time her father passed away. She left the shoot midway to be with her family during the time of grief. The schedule was that this song was to be shot and upon her return Yash Chopra offered to change the schedule or cancel it altogether. But such was Sri’s passion to her work that she was ready to do what the director asked for. Anupam Kher her co-actor in the movie adds that in between shots she used to be drowned in grief but there used to be no trace of that emotion once she was infront of the camera. She was a darling of the camera too.

Rest in Peace Dear—Om Shanti, Shanti Shanti.


Song-Pyaar hua iqraar hua hai parody song(Lamhe)(1991) Singers-Sudesh Bhonsle, Pamela Chopra, Lyrics-Anand Bakshi, MD-Shiv Hari
Sudesh Bhonsle + Pamela Chopra
Pamela Chopra + Unknown female voice
All

Lyrics

pyaar hua ikraar hua hai
pyaar se phir kyun darta hai dil
pyaar hua ikraar hua hai
pyaar se phir kyun darta hai dil
kahta hai dil rasta mushqil
maaloom nahin hai kaha manzil

pyaar hua ikraar hua hai
pyar se phir kyon darta hai dil

tadbeer se bigdi hui
taqdeer bana le
taqdeer bana le
apne pe bharosa hai to
ek daav lagaale
lagaale daav lagaale
tadbeer se bigdi hui
taqdeer bana le,
taqdeer bana le
apne pe bharosa hai to
ek daav lagaale,
lagaale daav lagaale

jai jai shivshankar,
kaanta lage na kankar
he jai jai shivshankar,
kaanta lage na kankar
ke pyaala tere naam ka piya
o o o gir jaaungi
main mar jaaungi
jo toone mujhe tham na liya
o sau rab di

he jai jai shivshankar,
kanta lage na kankar
ke pyaala tere naam ka piya
o o o
gir jaaungi main mar jaaungi
jo toone mujhe thhaam na liya

o sau rab di

hum tum
ek kamre mein band hon
aur chaabhi kho jaaye
hum tum ek kamre mein band hon
aur chaabhi kho jaye
tere nainon ki bhoobhulaiya me
bobby kho jaaye
hum tum ek kamre mein band hon
aur chaabhi kho jaaye

Thakur
bol tere saath kya sulook kiya jaye
maar diya jaye ki chhod diya jaaye
bol tere saath kya sulook kiya kiya jaaye
maar diya jaaye ki chhod diya jaaye
bol tere saath kya sulook kiya kiya jaaye
bol tere saath kya sulook kiya kiya jaaye
jaam diya jaaye ki jahar diya jaaye

bol tere saath kya sulook kiya kiya jaaye
are bol tere saath kya sulook kiya jaaye

babuji dheere chalna,
pyar mein zara sambhalna
haan bade dhoke hain
bade dhoke hai iss raah mein
baabuji dheere chalna,
pyaar mein zara sambhalna
haan bade dhoke hain
bade dhoke hai iss raah mein
babuji dheere chalna

ho re maajhi,
ho re majhi ho o o
mere maajhi,
mere saajan hain us paar
main man maar
hoon is paar
o mere maajhi
abki baar le chal paar
le chal paar
mere saajan hain us paar
ho re maajhi,
ho re maajhi
ho ho ho mere maajhi

bindiya chamkegi
choodi khankegi
bindiya chamkegi
choodi khankegi
teri neend ude te
ud jaaye
kajra bahkega
gazara mehkega
kajra bahkega
gazra mehkega
gaddi tur diye
te tur jaaye
bindiya chamkegi
choodi khankegi

yaahoo
yaahoo
chaahe koi mujhe jungli kahe
kahne do ji kahta rahe
hum pyaar ke toofaanon mein ghire hain
hum kya karen
chahe koi mujhe jangli kahe
kahne do ji kahta rahe
hum pyaar ke toofaanon mein ghire hain
hum kya karen
chaahe koi mujhe jungli kahe

yaahoo,
yaahoo

chaahe koi mujhe jungli kahe
haaaan kahne do jee kahta rahe
yahoo yahoo bhi karenge
waahu waahu bhi karenge
karenge
aa aa
chaahe koi mujhe jungli kahe ae ae
haaaaan baabul mora

tu mere man ka moti hai
in nainan ki jyoti hai
yaad hai mere bachpan ki
gahr aaya mera pardesi ee

maalish
tel maalish
aen
champii
sar jo tera chakraaye,
ya dil dooba jaye
aaja pyaare paas humaare
kaahe ghabraaye,
kaahe ghabraaye
sar jo tera chakraaye,
ya dil dooba jaaye
aaja pyaare pas humaare
kaahe ghabraaye,
kaahe ghabraaye
aen

jaane wo kaise log thhe jinke,
pyaar ko pyaar mila
humne to jab kaliyaan maangi,
kaanton ka haar mila

kaanton se kheench ke ye aanchal
tod ke bandhan baandhi paayal
ho o o
koi na roko dil ki udaan ko
dil wo chala
aaaa aa aa aaaa
aaj phir jeene ki tamanna hai
aaj phir marne ka iraada hai

aaj phir jeene ki tamanna hai
aaj phir marne ka iraada hai

ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa
maine dil tujhko diya,
maine dil tujhko diya

o ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa

maine dil tujhko diya,
maine dil tujhko diya

o ramayyaa vastavayyaa
ramayyaa vastavayyaa

maine dil tujhko diya,
maine dil tujhko diya

o ramayyaa vastavayyaa
ramayyaa vastavayyaa

maine dil tujhko diya,
maine dil tujhko diya

aa aa

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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3455 Post No. : 13859

hullo Atuldom

So, it is the new year. I have not made any resolutions, as usual, just taking life as it chooses to unfold itself. Anyway, it has always been my way of living. People who are connected with me on WhatsApp must have seen my status message- “Kal kya hoga kis ko pata” I also subscribe to the thought “abhi zindagi ka le lo mazaa”. (this is from a song by Gulshan Bawra)
My todays post is a song from the 1994 release “Aag” starring Govinda, Shilpa Shetty, Sonali Bendre (in a special appearance) with Kader Khan, Sadashiv Amrapurkar, Shakti Kapoor, Goga Kapoor, Gulshan Grover, Suresh Chatwal etc. etc. in the supporting cast. This movie was directed by K. Ravi Shankar and released in August 1994. This was a change of image for Govinda in the sense that it had him play a serious character.

The story goes like this-

Orphaned at a very young age, Raju (Govinda) lives a poor lifestyle with his unmarried sister, Laxmi (Prajakta Kulkarni). Both are of marriageable age. One-day Raju meets an attractive fellow-collegian, Parul (Sonali Bendre), and after a few encounters both fall in love. But Parul’s uncle, has already arranged her marriage with Police Inspector Suryadev Singh (Shakti Kapoor). When Suryadev finds out that Parul is refusing to marry him, he arrests Raju on a charge of murder, holds him in jail, and beats him mercilessly.
Laxmi, quite dramatically, takes a gun from a policeman, and helps Raju escape so as to prevent Parul from being forcibly married to Suryadev. They do manage to arrive in time, only to find that Parul has consumed poison and killed herself. Raju is beside himself with rage, is captured by the police, and watches helplessly as Parul is cremated. His horrors have not ended as Suryadev sexually assault’s Laxmi and leaves her in a mentally unstable condition.

Raju takes Laxmi with him to a small village, where he hides her from other people as she has become visibly pregnant, and changes his name to Birju. He meets with a lovely village belle by the name of Bijli (Shilpa Shetty), who wants to marry him. What Raju does not know is that Bijli, the nautanki dancer, is a plainclothes policewoman, Inspector Barkha Sharma, who has been assigned to arrest him at any cost. She does confront him, and he confesses to killing Parul’s uncle and Barkha calls for reinforcements to escort Raju to jail. The Inspector-in-charge of the reinforcements is none other than Suryadev — and this time he is determined to finish Raju once and for all.

Now why did I pick up this movie and this particular raunchy song for posting today? Because we have our today’s birthday boy lip-syncing to singer Hariharan in it. No-no not Kader Khan, he has Sudesh Bhonsle singing for him. I am talking of Sadashiv Amrapurkar. Born on 2nd January 1950 in Ahmednagar Maharashtra he made his way to movies via theatre. His first film was Govind Nihalani’s “Ardh Satya” for which he won that year’s filmfare award for best supporting actor. In 1993 when filmfare added a category of best villain he won it for his act as “maharani” a eunuch in Mahesh Bhatt’s “Sadak”. 1993 saw him play inspector Pyare Mohan- a person who has a problem of forgetting things- in David Dhawan’s “Aankhen”. He showed he was good in comedy. Even in “Aag” along with Kader Khan he provided comic relief.

Today’s song shows how the all the gents of the village react when Bijli- the dancer- makes her entry into the village. We have Dinesh Hingoo, Suresh Chatwal and assorted villagers trying to entertain us in this song. Alka Yagnik sings for Shilpa Shetty, Sameer is the lyricist and Dilip Sen- Sameer Sen the music composers.


Song-Ye kanya kunwaari hai (Aag)(1994) Singers-Sudesh Bhonsle, Hariharan, Alka Yagnik, Lyrics-Sameer, MD-Dilip Sen-Samir Sen
Chorus

Lyrics

ye kanya kunwaari hai
ye teekhi kataari hai
ye kanya kunwaari hai
haan haan haan
ye teekhi kataari hai
haan haan haan
ye meethi supaari hai
haan haan haan
ye hum sabko pyaari hai
haan haan haan
haaye kya maal hai
waah kya chaal hai
isska jawaab nahin
ye bemisaal hai
ye kanya kunwaari hai
haan haan haan
ye teekhi kataari hai
haay haay haay

darogaji
ha darogaji
darogaji tu hamri rapat likhle
mere peechhe pade hain aath das ladke
mere peechhe pade hain aath das ladke
darogaji tu hamri rapat likhle
mere peechhe pade hain aath das ladke
mere peechhe pade hain aath das ladke

ho
sabke sab harjaai bade ho
kaahe ko mere peechhe pade ho
ladki akeli hai
sooni dagariya
kaahe pakad ke kheenche chunariya
darr laage re
ha darr laage re
ho darr laage re
dhak dhak jiya dhadke
mere peechhe pade hai aath das ladke
mere peechhe pade hai aath das ladke

main choodi pahnaaunga
na na na
main choli silwaaunga
na na na
main lahanga mangwaaunga
na na na
main dulhan banaaunga
chal hatt
uff kya baal hai
hoye kya gaal hai
dekha hai jabse isse
hum behaal hain

ye kanya kunwaari hai
haan haan haan
ye teekhi kataari hai
haay haay haay

hey ae ae ae
rinka chika rinka chika
rinka chika rinka chika
rinka chika rinka chika
rinka chika rinka chika

haaye
kori jawaani
bheega badan hai
bas mein nahin ab mera joban hai
jaagi nayee koi man mein agan hai
mujhpe laga ye kaisa grahan hai
karoon kya main
re karoon kya main
ha karoon kya main
meri daanyi aankh phadke
mere peechhe pade hain aath das ladke
mere peechhe pade hain aath das ladke

ye nadiya nahaai hai
haan haan haan
ye jannat se aayi hai
haan haan haan
ye rabdi malaai hai
haan haan haan
ye dil mein samaai hai
ye kanya kunwaari hai
haaye haaye haaye
ye teekhi kataari hai
haaye re haaye re haaye
ye rabdi malaai hai
haaye haaye haaye
ye meethhi supaari hai
haaye haaye haaye haay haay


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

At the outset I should wish everyone a very Happy New Year 2018.

Hope everyone had a good time in 2017.

Our blog also went from song post number 12750 to song post number 13851 during 2017. We had our ring-leader, sutradhar, Atulji touching his personal milestone of 10000 posts on 22nd April 2017, today he stands at 10429. We celebrated 3400 days of existence in cyberland on 8th November 2017 with the 3400th song of the decade of 1960s being posted on that date (Atulji says this was a coincidence). The 13600th post coincided with Sudhirji touching 1100 posts which also happened to be Sahir Ludhianvi’s 600 on the blog.

Added to all this we had our usual milestone of 100 posts every four to five weeks. (Only one set of 100 was slow in coming. Right Atulji?) We were left waiting for the first- farmaisher’s double centurieth (I know this word doesn’t exist in English language) post. If this had been a cricket match I am sure he- the first farmaisher Rajaji- would have hit hard to the boundary for a four and reached the milestone. But this isn’t cricket, here we go one post at a time and so we wait, till his next four posts appear- to celebrate. Of course, in the manner of Tendulkar’s 100 100s (49 in ODIs and 51 in Test Matches) Rajaji has already touched 200 -196 posts and 4 as lyrics contributor.

Now today on day 1 of the new year, 2018, here is my first post. The song I have zeroed in on is a party song. It is a party of the street-side type. We have an unusual jodi- Amitabh Bachchan and Nana Patekar. Amitabh is playing a Bhaiyya or simply put a person from UP and Nana is playing a Bangali. By the story of the movie both are in disguise. Amitabh is an ex- army man, on the run from the law, with the whole and sole aim of taking revenge (what else!) from Danny’s character of corrupt minister who was responsible for the death of an army officer. Nana Patekar is an officer sent on a mission to uncover he truth about Dadabhai/ Devraj Hathoda alias Amitabh in disguise. On discovering the truth, the Bangali- BBC (some name ending with Chattopadhyay) Nana, joins hands with Dadabhai to bring the minister to justice and terminate some terrorist activities. So that then is the gist of the movie. It released in August of 1999 to mixed reviews. It was a treat for Nana Patekar and Tabu fans. It was an average grosser.

Now the regular followers of this blog need not wonder why I chose this song. It features today’s birthday boy – Vishwanath Patekar- birth name of Nana Patekar. He turns 67 (unbelievable). He has been on the Bollywood firmament from 1978 (Gaman). I was impressed when I saw him for the first time in “Ankush” (1986) as an unemployed young man. He was too good in the role of Anna Seth in “Parinda” (1989) which won him an award for Best Supporting actor both at Filmfare and National Awards. He is perhaps the only person to have a Filmfare best actor award – Krantiveer; best supporting actor- Parinda and best villain award -Angaar. He is also a Padmashri winner. He is a silent philanthropist have donated more-than generously to the cause of rebuilding flood ravaged villages of Bihar and drought- hit villagers of Marathwada and Vidarbha. He is one of the few actors with a simple life style.

Today’s song is penned by Dev Kohli and Dilip Sen- Sameer Sen are the music directors who got Sudesh Bhonsle to sing for Amitabh and Amit Kumar for Nana Patekar. We have Mukul Dev and Ayesha Julka playing the romantic young jodi and Tabu making a fleeting appearance. The scene after the song is hilarious with a supposedly drunk Nana mouthing the sher – “na geela karenge, na sookha karenge, tu salaa mat raho yehi bad dua karenge”. And Amitabh understands it correctly as “na gila karenge na shikwa karenge tum salaamat raho yehi bas dua karenge”
I also give the same ‘dua’ for all ASAD followers.

Here is wishing a joyous and musical ride to every follower of Atulsongaday in 2018. And a very Happy Birthday to Nana Patekar.


Song-Ham hain Banaras ke bhaiyya (Kohraam)(1999) Singers-Amit Kumar, Sudesh Bhonsle, Lyrics-Dev Kohli, MD-Dilip Sen Samir Sen
Male chorus
Female chorus

Lyrics

ho o
Ek mashooka hai yeh zindagi
tum ho isspe shaida
aaj tumhaara janam divas hai
hic
arre lo tum ho gaye paida
ha ha
waah bhai waah
kya sher maaraa hai
zara humri bhi toh suno
ain

haan haan sunaao

hum hain banaras ke bhaiyya
ho mere bhaiyya
jissko bhi chaahe nacha den
haan
arre hum hain banaras ke bhaiyya
ho mere bhaiyya
jissko bhi chaahen nacha den
arre chadh ke na utregi bhaiyya
o bade bhaiyya
hum aisi masti pila den

shuno baabu moshaay
aami tere deewaane
tumi goshti bole mishti ghole
manva dole jaane
aami tere deewaane
aami tere deewaane

ham hain banaras ke bhaiyya
ho mere bhaiya
jissko bhi chaahen nacha den
arre chadh ke na utaregi bhaiyya
o bade bhaiyya
ham aisi masti pila den haan

shuno baabu moshaay
aami tere deewaane
tumi goshti bole mishti ghole
manva dole jaane
aami tere deewaane
aami tere deewaane
ham hain banaras ke bhaiyya
ho bade bhaiyya
jissko bhi chaahen nacha den

ho ho ho ho ho ooooo
yaiyai yaiyai yo oooo
ho ho ho ho ho hoooo
yaiyai yaiyai yo oooo

laakhon yahaan dilwaale hain
kuchh gore hain kuchh kaale hain
koyi nahin hamse badhke
sabse juda hum niraale hain

tu mast hai
main hoon mastaana
haay
mashoor hai apna yaaraana
haay
paagal hai tu
main hoon di di di di deewaana
karna hai koyi hungaama
hey ae ae ae
arre aisa na karna tu bhaiyya
hum hain banaras ke bhaiyya
ho ta tha thaiyya
jissko bhi chaahen nacha de
arre chadh ke na utaregi bhaiyya
o mere bhaiyya
hum aisi masti pila den haan

shuno babu moshaay
aami tere deewaane
tumi goshti bole mishti ghole
manava dole jaane
aami tere deewaane
aami tere deewaane

eeya eeya eeya
eeya eeya eeya
eeya eeya

eesh
baanshuri

ham josh mein jab aayenge
phir dekhna rang jamaayenge
chakkar ham aisa chalaayenge
sab dekhte rah jaayenge

ham kaun hain yeh bata denge
hey
pal mein nazaara dikha denge
hey
ham hosh sabke uda denge
hey
parda agar jo uthha denge
hey ae ae ae
arre doobegi phir kisski naiyya
hum hain banaras ke bhaiya,
o ta tha thaiya
jissko bhi chaahe nacha den
arre chadh ke na utaregi bhaiyya
o mere bhaiyya
ham aisi masti pila den haan

shuno babu moshaay
aami tere deewaane
tumi goshti bole mishti ghole
manwa dole jaane
aami tere deewaane
aami tere deewaane


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Number of movies covered in the blog

Movies with all their songs covered =1150
Total Number of movies covered =4028

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