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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rajesh Khanna present (without lip syncing)’ Category


This article is written by Peevesie’s mom , a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3570 Post No. : 14307

Hullo to all in Atuldom

My post today (27 april 2018) should be read after reading what our dear Rajaji wrote last year in this post of his. In there he has poured a lot of love for the handsome actor- producer- (and lastly) a politician. He has spoken for all the fans of Vinod Khanna.

It is simply unbelievable that a year has passed since this most charming actor passed away. I remember how shocked I was on reading the news on our WhatsApp group that day. The news must have broken on the news channels about noon, around the time when Vividh Bharati – All India Radio’s commercial channel- starts their farmaishie filmy gaane etc. I used to have this habit of listening to this programme, with headphones on, as I commute around (I have stopped it since). Now that day, I was most happy with the content of the programme as every single song was from a Vinod Khanna movie and all of which I simply love. It occurred to me that those songs were being played as a tribute to the departed artist, only when I read all the WA messages on returning home. It was very very saddening. But then life is like that, and apparently Vinod was ill for sometime before his death. And as Rajaji has mentioned in his post last year, there were photographs being shared on social media of a rather sick Vinod, but I always thought that must be a look for some forthcoming movie. But that was not how it was to be.

I cannot forget the look on his face when he is listening to the recorded message from his wife. And then the pain on discovering that his wife has been unfaithful- in Gulzar’s song less wonder “Achanak”. Can remember how he smartly outwits Jeetendra’s father as villain in “Anokhi Ada”. Thinking of him singing “nainon mein darpan hain darpan mein koi dekoon jise subaha shaam” with Saira Banu on a cycle in “Aarop”.

After having made his debut in 1968 through Sunil Dutt’s “Man Ka Meet” and doing roles of secondary characters as Manoj Kumar’s friend in “Purab Aur Paschim”; Shammi Kapoor’s younger brother who loses track of ‘good and bad’ in “Jaan Pehchaan”; an inspector out to nab the smuggler (Rajesh Khanna) in “Sachha Jhootha”; and a few villainous characters we saw him as a confused educated unemployed man in “Mere Apne” which was followed by “Achanak” and a small blink and miss role in “Parichay”- all of which were made by Gulzar. No mention of Vinod Khanna is complete without thinking of the “Jabbar Singh” he played in “Mera Gaon Mera Desh”- he was unforgettable, he is unforgettable, we can’t forget him.

How can we forget him- when the radio plays “priye praneshwari” or “koi hota jisko apna” or “bambai se aaya mera dost” or “ruk jaana nahin tu kahi haarke” or “darbaar mein uparwaale ke” or “bhaagi re bhaagi re brijbala kanha ne pakda rang dala” or “lagi aaj saawan ki phir who jagi hai” and all the other famous and not so famous songs featuring him.

Though his pairing with Amitabh was always enjoyed we cannot forget that he paired well with Feroz Khan, Shatrughan Sinha, Vinod Mehra, Rajesh Khanna, Dharmendra, Jeetendra, Sunil Dutt etc. As I was writing this post I wondered if he has never worked with Sanjeev Kumar and I saw that among yesterday’s posts is a song from “Chowkidaar” which had Sanjeev Kumar and VK is also there. The later year heroes Govinda, Salman Khan, Shahrukh Khan etc also co-starred with him playing an elder brother or father figure to them. He has done more than two movies each with most of the heroines of his era; be it Leena Chandavarkar, Bharati, Saira Banu, Zeenat Aman, Hema Malini, Rakhee, Parveen Babi, Reena Roy, Shaban Azmi, Rekha, Yogita Bali etc. and in his second innings Dimple Kapadia, Meenakshi, Madhuri, Madhavi, Jaya Prada, Sridevi etc. God, he had a good career and we were well entertained by him.

“Kudrat” was one of the movies where he co-starred Rajesh Khanna and Hema Malini. It also had Raaj Kumar and Priya Rajvansh in important roles. It was directed by Chetan Anand and had rebirth as its theme. It had great songs written by Majrooh Sultanpuri and Qateel Shifai and R D Burman was the music director. The song with this post is written by Majrooh and sung by Suresh Wadkar and Asha Bhonsle. It is a typical pahadi folk song performed by local dancers and as is the norm in Indian films the stars in the audience are drawn in to dance and shake a hip or leg with the performers. So, we can see Vinod Khanna starting the dance and trying to drag Hema Malini into it. This is followed by Aruna Irani (who plays the missing link between the two births of the main characters) Rajesh Khanna and Priya joining in. The song is meant to transport Hema into memories of her past birth and give her hints of link between Madho and Paro, Vinod catches Hema staring at Rajesh Khanna. And from here the story moves towards what the purpose of the movie is – getting justice for Madho and Paro (Rajesh and Hema) for the crime done to them by Raaj Kumar, father of Priya in this movie.

Thinking of the handsome Vinod Khanna today.


Song-Saawan nahin bhaadon nahin (Kudrat)(1981) Singers-Suresh Wadkar, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Male chorus
Female chorus
All Chorus

Lyrics

taakita dhim takita dhim
taakita dhim dhim dhim dhim
taakita dhim takita dhim
taakita dhim dhim dhim dhim

ho o o
saawan nahin bhaado nahi
saawan nahin bhaado nahin
o bindiya waali bata aa
bin baadal bijli kidhar chamki
o bin baadal bijli kidhar chamki
dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim

Ha aa
taakita dhim takita dhim
taakita dhim dhim dhim dhim

Ha aa
toone abhi dekha hai kya
toone abhi dekha hai kya
pagle nazar toh uthha aaa
bin baadal bijli idhar chamki
ho oo bin badal bijli idhar chamki

dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim
dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim

ho oohoo ohoooo
dhim taakita dhim takita dhim (oh ho ho ho hoho)
taakita dhim dhim dhim dhim (ho ho hoho)
dhim taakita dhim takita dhim (oh ho ho ho ho)
taakita dhim dhim dhim dhim

arey sun kar ke mele ki dhoom
hum aaye hain tumhre gaanv
sunkar ke mele ki dhoom
hum aaye hain tumhre gaanv

haan gori sambhaalo humein
kar do chunariya ki chaanv
gori sambhaalo humein
kar do chunariya ki chhaanv

arrey dil pe kahin gir na pade
dil pe kahin gir na pade
dhadke hamaara jiya aaa
bin baadal bijli kidhar chamki
o bin baadal bijli kidhar chamki

dikhti nahin sar pe dhoop
saawan ke andhe ho kya ha ha

dikhti nahin sar pe dhoop
saawan ke andhe ho kya

arre bijli kahaan baaware
gora badan hai mera ha aa

arey bijli kahaan baaware
gora badan hai mera

arey thoda sa main balkha gayi
thoda sa main bal kha gayi
toh jhooma mera jhumka
ho bin baadal bijli idhar chamki
ho ooo

ho bin badal bijli idhar chamki
oo saawan nahin bhaado nahi
saawan nahin arey bhaado nahin
o bindiya waali bata aa
bin baadal bijli kidhar chamki
o bin baadal bijli
idhar chamki
oo bin badal bijli
kidhar chamki

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 900th song of Anand Bakshi as a lyricist in the blog.

Blog Day : 3476 Post No. : 13965

When one looks at it, R D Burman, Rajesh Khanna, and Kishore Kumar rose to the top, taking the film world by storm almost simultaneously. In many of these movies, the three in fact worked together as well.

But their careers diverged as far as staying at the top was concerned. While Kishore Kumar remained at the top throughout his life, Rajesh Khanna’s superstardom deserted him by the mid 1970s. R D Burman continued to rule throughout 1970s, before he found himself upstaged, not by better music, but by music of the nature that testified to the fact that the saying “if you cannot dazzle them by brilliance, baffle them by bulshitting” applied to HFM after 1980s. R D Burman could not cope with that kind of music that began the vogue after 11980s and he slowly began to lose ground and assignmet, before finding a late second wind with “1942 a Love Story”(1994) which came a bit too late for him as he has already expired by the time music of this movie began to make waves.

One can notice that while Rajesh Khanna saw a meteoric rise and then fall, R D Burman maintained his brilliance for much longer. If fact, the music that R D Burman created in the second half of 1970s was arguably better that those composed in the first half of 1970s. While majority of R D Burman compositions in first half are inspired by Western music, the second half finds him using more and more Indian kind of music.

“Mehbooba”(1976) is a case in point. The songs of this movie present some very fine examples of semi classical songs. This movie finds R D Burman composing songs based on Raag Bihag, Raag Darbari Kaanda as well as Raag Shivranjani. One of these songs, viz

“Mehbooba”(1976) was produced by Musheer-Riaz andit was directed by Shakti Samanta. The movie had Rajesh Khanna, Hema Malini, Yogita Bali, Manmohan Krishan, Nazir Hussain, Sujit Kumar, Asrani, Asha Sachdev, Prem Chopra, Meena.T., Harindranath Chattopadhyaya, Chandrashekhar, Leela Mishra, Madan Puri, Master Alankar, Birbal, UmaDutt, Raj Rani, Abhimanyu Sharma, Ram Murti Chaturvedi etc in it.

The movie had eight songs in it. seven of these songs have been covered in the blog in the past. Here are the details of these seven songs posted in the blog:

Parbat ke peeche chambe da gaaon 410 19-Dec-08
Gori tori paijaniya 411 20-Dec-08
Mere naina saawan bhaadon phir bhi mera man pyaasa Multiple version song 480 1-Jan-09
Main tawaayaf hoon mujra karoongi 10692 13-Jan-15
Haseenon mere paas aao 11710 30-Dec-15
Jamuna kinaare aaja chhaliya pukaare aaja 13948 20-Jan-18

That leaves us with the eighth and final song from “Mehbooba”(1976). This song is sung by Lata. Anand Bakshi is the lyricist and music is of course composed by R D Burman. It is an extremely sweet and melodious folk music based song which is picturised as a “panghat” song on Hema Malini and sahelis, while Rajesh Khanna looks on from a distance. He acts and grabs Hema Malini’s kalaai only after the song gets over. Good to see him not interrupting the song midway. Our heroes and also villians certainly have taste for HFM music. 🙂

With this song, “Mehbooba”(1976) joins the list of movies that have all their songs covered in the blog.

And unnoticeably, R D Burman touches 900 songs as a lyricist in the blog with this spng.


Chalo ree chalo ree(Mehbooba)(1976) Singer-Lata, Lyrics-Anand Bakshi, MD-R D Burman
Chorus

Lyrics

chalo ri
chalo ri
chalo ri
chalo ri
chalo ri
chalo ri
chalo ri
chalo ri

ho o o
chalo ri
chalo ri
chalo ri
chalo ri
kisi pyaase pardesi ke aane se pahle
panghat se ghar ko chalo ri
chalo ri
chalo ri

chalo ri
chalo ri
kisi pyaase pardesi ke aane se pahle
panghat se ghar ko chalo ri

hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm

chameli ke prem ki kahaani
sunaata hai nadiya ka paani
naina uljha ke kahin raani
ban gayi kisi ki deewaani
ho kam ho gayi
gaanv tere chhichhori
rurururururru
haayhaayhaayhaay
hoyhoyhoyhoyhoy
rurururururru
ho o
chalo ri
chalo ri
chalo ri
chalo ri
kisi pyaase pardesi ke aane se pahle
panghat se ghar ko chalo ri

isi panghat pe raam jaane
ghada uthwaane ke bahaane
mile kitne log anjaane
janmon ke premi puraane
o ho
o o o o
logon se chupke duniya se chori
chalo ri
chalo ri

chalo ri
chalo ri
ho o
chalo ri
chalo ri
chalo ri
chalo ri


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3461 Post No. : 13890

“Dharam Kaanta” (1982) was produced and directed by Sultan Ahmad for Sultan Ahmad Productions, Bombay. The movie had Raaj Kumar, Rajesh Khanna, Jeetendra, Waheeda Rehman, Reena Roy, Sulakshana Pandit, Amjad Khan, Satyen Kappu, Om Prakash, Nazir Hussain, Mukri, Hina Kausar, Nisar Ahmad Khan, Sheetal, Purnima etc in it.

This Daaku-drama tale would not have been out of place if it was released in 1960s, but a story like this was an anachronism in 1980s. If one asks me, even the main actors signed up for this movie were by and large past their sell by date.

The movie had five songs in it. three of these songs have been covered in the past.

Here is the fourth song from “Dharam Kaanta” (1982) to appear in the blog. The song is s “villain’s den” genre of song. It is sung by Asha Bhonsle and it is lip synced by Reena Roy, with other main characters of the movie also present. Majrooh Sultanpuri is the lyricist. Music is composed by Naushad.

Yesterday (7 january 2018) was the birthday of Reena Roy. So this song serves as a belated bithday greetings for her as well.


Song-Teri meri hai nazar qaatil ki (Dharam Kaanta)(1982) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Naushad

Lyrics

teri meri hai nazar qaatil ki
aa aa aa
teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki
haaye
teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki

tu sharaabi hai
tere haath mein paimaana hai
meri aankhon mein chhalakta hua maikhaana hai
hum wo saaqi hain jo deewaana bana dete hain
jaam khaali ho to nazron se pila dete hain

ye jawani ye ada
iska hai aur nasha
jaam ye jisne piya
mast hokar wo gira
zara nigaah uthha deewaane
jara nigah uthha deewaane
aaj nikal jaaye tamanna dil ki
teri meri hai nazar qaatil ki
haan
teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki

pyaar mein jaan ki parwaah nahin ki jaati
dil mein ho dard magar aah nahin ki jaati
pyaar karte hain jo ghar baar luta dete hain
qatl ho jaaye to qaatil ko dua dete hain
kya khabar tujhko bhala
pyaar hai kaisi bala
aag us dil mein lagi
shola is dil mein uthha
ishaara mera samajh le dilbar
ishaara mera samajh le dilbar
baat nahin aisi koi musqil ki
teri meri hai nazar qaatil ki
haan teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki

naam mera bhi hai bijli
muqaddar waala hai
na samjhna ki akela tu hi dilwaala hai
chhed dono mein chalegi to maza aayega
aag se aag milegi to maza aayega
kuchh teri baat bane
kuchh meri baat bane
raat dhalne de zara
phir koi ba bane
kisi ka tu bhi agar ghaayal ho
kisi ka tu bhi agar ghqayal ho
jaanega phir baat kisi ghaayal ki
teri meri hai nazar qaatil ki
aa teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is Peevesie’s mom’s 200th writeup in the blog

Hullo Atuldom

I had a message from Atulji after he posted my last contribution: “Your next write-up will be your 200th. So, make that a special write-up. 🙂 ”. And my reaction was “oh maa”. I didn’t realise I had done 200 posts. I knew I was within touching distance of the double century but not just one run away. But then here it is and I must thank Atulji for posting 99% of all that I have written and sent him since 2012.

Mere yaar ko mere allah de ek chaand sa pyaara lalla was my first post ever in any blog. I remember what I had sent him was one long unstructured post. Atulji was good enough to edit it to look readable. Plus the lyrics that I had sent had to be corrected for spellings etc. Before the song from “Dacait” I used to only send lyrics of those songs which I thought everyone will like and enjoy.

The first person to tell me “now that you have started writing please don’t stop” was my daughter, our Peevesie. I think I have kept my promise to her. My next post came around 15 days later for the birthdates of Amitabh and Rekha and since then whenever I think of a song I try to write something around that particular actor or actresses’ birthdays. That means I don’t write daily but about once in a week or 10 days.

My 100th post came up with this Sanjeev Kumar-Vidya Sinha song from “Hiraasat” and that first 100 took me a little more than three years. Now this next 100 posts have come in two years, so, just goes to show how much addiction I have developed in writing “for the blog”. And no, I have never tried to find rare songs only tried for different combinations. I also try my best to write and send a post for some dates in the calendar of this blog in addition to birthdates of Amitabh, Rekha, Kishore Kumar etc.

Now today is also a birthdate of an actress of the time when I was growing up. She was a style icon in her times. She proved that a girl clothed in western outfits was as much an Indian as a girl in a saree or salwar suit. She was unconventional in her style of dressing as well as the roles she chose. Consider this- you debut in a sister role to a hero and in your next movie with the same hero you try to woo him. Cut to two years later you again pair up with the actor and this time as his romantic co-star, this was something unheard of in an industry which said once a sister always a sister.

But without rebelling against the norms of the industry she gained a foothold in Bollywood and went on to be the favourite of the masses. B.R Chopra (whose anniversary was on 8th of this month) cast her in the role of a lady caught in a difficult marriage early on in her career and later he showed faith in her and this time cast her as rape- survivor who kills her tormentor when she finds that he has committed the same crime on her younger sister. Okay I agree my preamble is getting very confusing. I am talking of Zeenat Aman or Zeenie baby as her fans used to call her. The two B.R. Chopra films are “Dhundh” and “Insaaf Ka Tarazu”. The other movies that I referred to were- “Hare Rama Hare Krishna”, “Heera Panna” and “Ishk Ishk Ishk”- all with Dev Anand (she did about seven movies with Dev Anand.)

Zeenat Aman was liked by the audiences no matter whom she was paired with whether Amitabh, Vinod Khanna, Dharmendra, Sanjeev Kumar etc. Oh yes, she had paired romantically with Sanjeev Kumar too. Remember “Manoranjan” “Takkar” etc. She was friendly with her female co-actors too as could be seen when she appeared in an episode of “Koffee with Karan” with Hema Malini. There have been movies where she has co-starred with Parveen Babi, Shabana Azmi, Moushmi Chatterjee etc.

I am spoilt for choice as to which song to present today. I can choose from any of the movies I have mentioned or a song with any of the co-stars I have listed. I am choosing a song with the co-stars I listed, in fact a song which features three talented ladies- Parveen Babi, Shabana Azmi and our dear birthday girl Zeenie. It is from the 1982 Umesh Mehra directed “Ashanti”. It had a huge star cast led by Rajesh Khanna and Mithun Chakravarty with the above-mentioned ladies and Amrish Puri. The music director was R.D. Burman and lyricist was Anand Bakshi. Today’s song is sung by Asha Bhonsle and Lata Mangeshkar. We have Mithun and Rajesh Khanna in disguise for that matter even the girls are dressed as Lavani dancers.

Happy Birthday Zeenat dear. Wish you all health and happiness today and forever.


Song-Laungi mirchi main Kolhapur ki (Ashanti)(1982) Singers-Asha Bhonsle, Lata, Lyrics-Anand Bakshi, MD-R D Burman
All

Lyrics

suniye
main jis sheher mein jaati hooon
kehte hai sheher ke log
arey saare seher ko lag jaata hai
mere prem ka rog
kehta thha ye ek paagal thaane ka pahreder
ho o o o
arey tere aashiq bhare hain andar
paagal hain do chaar aar
hhaa aaa aa aa
o bach ke rahna
phir na kehna
laungi mirchi main kolhapur ki
lagi toh mushkil hogi
ho laungi mirchi main kolhapur chi
lagi toh mushkil hogi
si si karte phiroge ji ji
si si karte phiroge ji ee ee
lagi toh mushkil hogi

laungi mirchi main kolhapur chi
lagi toh mushkil hogi
laungi mirchi main kolhapur ki
lagi toh mushkil hogi
si si karte phiroge ji ji
si si karte phiroge ji ee ee
lag gayi toh mushkil hogi

ho laungi mirchi main kolhapur ki
daajiba
lagi toh mushkil hogi
haan

aisi tikhat main aisi karaari
kuchh mat poochho baat
ik baabu ne pakad liya thha
ik din raste mein haath
aisi tikhat main aisi karaari
kuchh mat poochho baat
ik baabu ne pakad liya thha
ik din raste mein haath

bechaare ki chutti ho gayi ee ee ee hi hi
bechaare ki chutti ho gayi
aisa ho gaya haal
log uthha ke le gaye usko seedha haspataal
bachke rehna
phir na kahna

laungi mirchi main kolhapur ki
daajiba
lagi toh mushkil hogi
laungi mirchi main kolhapur ki
pahuna
lagi toh mushkil hogi
haan

bade badon ke chhakke chhoote
sun kar mera naam
aate jaate karte hain sab
door se mujhe salaam

bade badon ke chhakke chhoote
sunkar mera naam
aate jaate karte hain sab
door se mujhe salaam
ek gali ka ladka mujhse
ae ae ae ae he
ek gali ka ladka mujhse
kar baitha thha preet
aaj talak gaata phirta
galiyon mein yahi geet

o bach ke rahna
phir na kehna
ho laungi mirchi main kolhapur ki
pahuna
lagi toh mushkil hogi
ho laungi mirchi main kolhapur ki
dajiba
lagi toh mushkil hogi
haan

waise to main sharmeeli hoon
lekin mere hazoor
mirchi mirchi hoti hai
nahin hoti koi khajoor
bhool se ik deewaana mera aa aa ho
bhool se ik deewaana mera
dil baitha thha maang
wahin hai baithha
jahaan pe maine
todi uski taang

o bach ke rahna
phir na kahna
ho laungi mirchi main kolhapur ki
pahuna
lagi toh mushkil hogi
laungi mirchi main kolhapur li
lagi toh mushkil hogi
si si karte phiroge ji ji
si si karte phiroge ji ee ee
lagi toh mushkil hogi
ho laungi mirchi main kolhapur ki
dajiba
lag gayi toh mushkil hogi
haan


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Rajesh Khanna – The Phenomenon – 4
– – – – – – – – – – – – – – – – – – – –

This post under this series is not in chronological order as far as my ongoing reminiscences about Rajesh Khanna movies are concerned. But this post fits in this series about Rajesh Khanna. This particular movie “Chakravyooh”(1978) was critically acclaimed for the performance of Rajesh Khanna as also for ‘its offbeat story line’ which was at variance with typical Rajesh Khanna-romantic movies that we were used to.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dushman”(1971) was directed by Dulal Guha for Suchitra Productions, Bombay. the movie had Meena Kumari, rajesh Khanna, Mumtaz, nan Palsikar, Kanhaiyalal, K N Singh, Sajjan, Anwar Hussain, Rehman, Abhi Bhattacharya, Tiwari, Asit sen, Gurnam, Kuljeet, Leela Mishra, Naaz, Master Tito, Master Deepak, Narbada Shankar, Shekhar Purohit, Habib, Bihari, Khursheed, pahalwan, Soni, lalla, Mukhtar ahmad, Chatterji, Gilani, Moolchand, Samir Roy, Fazlu, Nadir, Chandulal, Bishan Khanna, H Prakash, Yusuf, Noor Mohammad, Maqbool, Reedi, Darshan, Amir Ali, Nazeer Kashmiri, etc with special appearance by Bindu and guest appearances by Maruti and Murad.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Palkon Ki Chhaaon Mein”(1977) was produced by A Khalia and Nariman Baria and directed by Meraj Ansari for Navsampati Productions, Bombay. This movie had Rajesh Khanna, Hema Malini, Farida Jalal, Leela Chitnis, Master Raju Shrestha, Indrani Mukherjee, Amjad Khan, Asrani, Kanhaiyalal, Leela Mishra, Jeetendra, Rekha, Aruna Irani, Om Shivpuri, Sharma, Pratima Devi, Dhumal, Shahid Bijnori, Sunder etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 51 # Remembering Pancham Da on his death anniversary #
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‘Mere Jeewan Saathi-1972’ is well known for his music and its songs composed by R.D.Burman. Though the film was not that much successful as compared to other movies of the Superstar Rajesh Khanna at that time, its songs are still remembered and few of them have become timeless classics viz. ‘o mere dil ke chain’, ‘chalaa jaata hoon kisi dhoon mein’ etc.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Dushman (1971) was a movie starring the hit Jodi of the 70s viz. Rajesh Khanna- Mumtaz. It was the story of a convict who is given a punishment with a difference. His truck runs over a villager who is the only earning member of the family. The poor victim is responsible for his old parents, unmarried sister and his own family –wife and two kids. Now the judge gives the truck driver (Rajesh Khanna) a punishment to look after the family, their field etc. in the village he comes across a girl who shows bioscope shows to the children in and around the village. Falls in love with her. Tries to solve all the problems of the accident victims’ family etc. this is the story in brief.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When ‘Anand’ was released in theatres in 1970, I was still in school. I remember I did not get a chance to see this film on the big screen in the first run.  It would be later re runs that I got to see this film.  Being still not very involved with cinema and music, the best fare for us used to be what we could see on Doordarshan.  Rather, whatever was telecast on Doordarshan was always the quality stuff in my mind.  So having watched films like ‘Sikander’ (1941) and ‘Roti’ (1942) and ’Baazi’ (1951) on TV, the micro mind of mine carried them as benchmarks and anything that we would see on posters and billboards going to and from school, would be just so so.  I remember, when we came to know about this film ‘Anand’, the names Rajesh Khanna and Amitabh Bachchan did not mean much to us.  Rajesh Khanna, to some extent, as we had all heard the “Mere Sapnon Ki Raani Kab Aayegi Tu” that became popular the year earlier.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for TEN years. This blog has over 14500 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

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14510

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Movies with all their songs covered =1141
Total Number of movies covered =3961

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