Archive for the ‘Asha Bhonsle Mahendra Kapoor duet’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3955 | Post No. : | 15031 |
“Balidaan”(1971) was produced by Arun Verma and directed by Ravi Tandon. This movie had Manoj Kumar, Saira Banu, Dev Kumar, Anwar Hussan, Bindu, Manmohan etc in it.
This obscure movie had six songs in it. One song from the movie has been covered in the blog. That one song was discussed nine years ago, viz on 22 august 2010 by Raja.
I was not aware of the movie, but it turned out that Ava, our knowldegeable regular was not only aware of the movie, she also pointed out that Ravi Tandon (father of Raveena Tandon) made his debut as a director with this movie.
Now, nine years later, here is the second song from “Balidaan”(1971) to appear in the blog. This song is a dance song which is sung by Asha Bhonsle, with a few lines by Mahendra Kapoor. I am unable to tell who is the female dancer lip syncing in Asha Bhonsle’s voice. She vaguely resembles Bindu, but I cannot be sure. I request our knowledgeable readers to help identify her. Manoj Kumar lip syncs in Mahendra Kapoor’s voice in the picturisation of this dance song. There are many others in the picturisation. I can identify Manmohan among them.
Verma Malik is the lyricist. Music is composed by Shankar Jaikishan.
I am unable to get a couple of worrds right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.
Song-Haay haay re daiyya muyi main to kyun jawaan hui(Balidaan)(1971) Singers-Asha Bhonsle, Mahendra Kapoor, Lyrics-Verma Malik, MD-Shankar Jaikishan
haaye haaye
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
mangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
pukaarte hain mujhko ab jawaan chhokre
kahte hain aao paas mere jaan chhokre
arre har shareef nazar beimaan ho gayi
jawaan hoke main to pareshaan ho gayi
ho deewane chanda haaye deewaane chanda
arre thhaam meri bainya mera aur nahin koi
haaye re daiyya moyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
haaye
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
koi meri kalaai mein kangana fansa gaya
ungli mein pyar se koi chhalla chadha gaya
koi to meri baahon se aake lipat gaya
zulfon ko chhed chhed ke jhumka palat gaya
oye ?? dena haay
?? dena
main tere gale lag lag baar baar royi
haaye re daiyya muyi main to kyun jawaan hui
haye re daiyya muyi main to kyun jawaan hui
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
masti se bhari teri ye naadaan jawaani
sab jaante huye bhi ye anjaan jawaani
duniya ki nigaahon mein ye toofaan jawaani
ye teri zindagi ka imtihaan jawaani
o jawaan gori haaye
o jawaan gori
ari aaj tere sab kal tera nahin koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haay
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
- In: Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1980 | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3885 | Post No. : | 14913 |
Today 8th March (2019) is the ninety-eighth ‘birth anniversary’ (08.03.1921 – 25.10.1980) of Sahir Ludhianvi. Imagine, in another two years it will be his birth centenary celebrations and we can say that ‘sau saal pehle is sarzameen par ‘Sahir’ ka janam huaa tha’…
Regulars on this blog are well aware that already much has been written about Sahir Ludhianvi on this blog and other sources, and as mentioned by me in one of my earlier posts people are still exploring ‘Sahir’ in their own way. Many researches have been done and still continuing about Sahir and his poems.
I have mentioned in one of my earlier posts that we know Sahir Ludhianvi as a poet of the highest quality, a romantic at heart, and a rebel.
But for me, he was much more than this.
For me he was a truly secular individual, a humanitarian, and a motivational philosopher. There were many aspects to Sahir’s poetry and writing.
He has in his poems talked about Women’s issues and raised his concerns over their ‘plight’ in the Society and how women are still subjected to insult, exploitation, torture which is still prevailing around us. The issues Sahir wrote about and had concerns about are still relevant since years and years and on …
While Sahir has given us many memorable ‘romantic songs’ he has also given us many memorable or ‘immortal’, bhajans which lead us to the world of the sublime, to introspect within ourselves. His many motivational songs can inspire people and have been a source of motivation to many like me in this journey of life. They will continue to be so if someone listen to them with interest and also studies life and times of Sahir in right earnest.
In today’s post I have a lovely song penned by Sahir touching the ‘romantic’ side of his poetry and presenting one of those many many lovable and beautiful songs which Sahir Ludhianvi has written.
Today’s song is from the ‘1980’ movie ‘Insaaf Ka Taraazu’.
‘Insaaf Ka Taraazu-1980’ was produced and directed by B.R. Chopra for his home production ‘B.R. Films, Bombay’.
Ravi Chopra was the Associate Producer for this movie.
It had Zeenat Aman, Raj Babbar (new discovery), Deepak Parashar (new discovery), Padmini Kolhapure, Shreeram Lagoo, Simi Garewal, Iftekhar, Jagdish Raj, Vijay Sharma, Prem Sagar and Sunil Dhawan.
Om Shivpuri, Sujit Kumar, Yunus Parvez, Sudha Shivpuri, and Hiralal make a ‘guest appearance’ in this movie.
Dharmendra makes a ‘special appearance’ in this movie.
This movie had four songs written by Sahir Ludhianvi and composed by Ravindra Jain. Asha Bhonsle, Hemlata and Mahendra Kapoor gave their voices to the songs in this movie.
Story, Screenplay and Dialogues for this movie were written by Shabd Kumar. S.B. Mane was the Chief Editor for this movie, while R.P. Bapat was the Associate Editor.
Two songs from this movie have been posted earlier on this blog as given below;
| Song Title | Post Date |
|---|---|
| Insaaf ka taraazu | 27.09.2013 |
| Log aurat ko faqat jism samajh lete hain | 08.03.2017 |
Today we are going to enjoy the third song of this movie sung by Asha Bhonsle and Mahendra Kapoor.
Lyrics are by Sahir Ludhianvi and music composed by Ravindra Jain as mentioned above.
Incidentally, and this I noted today only while drafting this post and going through the HFGK Vol-V, this movie was passed by Censor Board (or the certificate was issued on) on 25.10.1980.
Sahir Ludhianvi passed on the same day 25.10.1980. I am not aware if the movie was also released in theatres on the same day.
Let us now listen to this song of eternal – everlasting love …
Video
Song-Hazaar khwaab haqeeqat ka roop le lenge (Insaaf Ka Taraazu)(1980) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravindra Jain
Both
Lyrics
Hazaar khwaab
Haqeeqat ka roop le lenge
Hazaar khwaab
Haqeeqat ka roop le lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o o
Muhabbaton mein hai donon ka
Ek hi matlab
Muhabbaton mein hai donon ka
Ek hi matlab
Adaa se na kaho ya
Muskuraa ke haan keh do o o
Hazaar khwaab
Haqeeqat ka roop le ae lenge
Hazaar khwaab
Bahaaron ke aur sitaaron ke
Tumhaare saath meri zindagi mein
Aaye hain
Tumhaari baahon ke jhoole mein
Jhoolne ke liye
Machal machal ke mere ang
Gun gunaaye hain
Ho o
Ye saare shauq
Saare shauq
Ye saare shauq
Sadaaqat ka roop le lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o o
Hazaar khwaab
Haqeeqat ka roop le lenge
Bharegi maang tumhaari
Wo din bhi kya hoga
Sajegi sej hawaaon ki
Saans mehkegi
Tum apne haath se sarkaaoge
Mera aanchal
Ajeeb aag mere
Tan badan mein dehkegi
Ho o
Ye saare shauq
Saare shauq
Ye saare shauq
Sadaaqat ka roop le lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o
Hazaar khwaab
Haqeeqat ka roop le lenge
Ho o o o o
Aa aa aa aa
Aa aa aa aa aa aa aahaa
Aa aa aa aa aa aa aa aa
Main apni zulfon ke saaye
Bichhaaungi tum par
Main tumpe apni jawaan
Dhadkanen lutaaunga
Main subah tum ko jagaaungi
Lab pe lab rakh kar
Main tumko bheench ke kuchh aur
Paas laaunga
Ho o
Ye saare shauq
Saare shauq
Ye saare shauq
Sadaaqat ka roop le ae lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o o
Muhabbaton mein hai donon ka
Ek hi matlab
Adaa se na kaho
Ya aa
Muskuraa aa ke haan keh do
Hazaar khwaab
Haqeeqat ka roop le lenge ae
(Meaning of Sadāqat – True or sincere friendship; love, affection; friendliness; sincerity, candour; loyalty, fidelity; truth)
———————————-
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————–
हज़ार ख्वाब
हकीकत का रूप ले लेंगे
हज़ार ख्वाब
हकीकत का रूप ले लेंगे
मगर ये शर्त है तुम
मुस्कुरा के हाँ कह दो
मुहब्बतों में है दोनों का
एक ही मतलब
मुहब्बतों में है दोनों का
एक ही मतलब
अदा से ना कहो या
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले ए लेंगे
हज़ार ख्वाब
बहारों के और सितारों के
तुम्हारे साथ मेरी ज़िन्दगी में
आये हैं
तुम्हारी बाहों के झूले में
झूलने के लिए
मचल मचल के मेरे अंग
गुन गुनाए हैं
हो ओ ओ ओ
ये सारे शौक़
सारे शौक़
ये सारे शौक़
सदाक़त का रूप ले लेंगे
मगर ये शर्त है तुम
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले लेंगे
भरेगी मांग तुम्हारी
वो दिन भी क्या होगा
सजेगी सेज हवाओं की
सांस महकेगी
तुम अपने हाथ से सरकार्ओगे
मेरा आँचल
अजीब आग मेरे
तन बदन में देह्केगी
हो ओ
ये सारे शौक़
सारे शौक़
ये सारे शौक़ सदाक़त का रूप ले लेंगे
मगर ये शर्त है तुम
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले लेंगे
हो ओ ओ ओ ओ
आ आ आ आ
आ आ आ आ आ आ आहा
आ आ आ आ आ आ आ
मैं अपनी जुल्फों के साए
बिछाउंगी तुम पर
मैं तुमपे अपनी जवाँ
धड़कने लुटाऊंगा
मैं सुबह तुमको जगाऊंगी
लब पे लब रख कर
मैं तुमको भींच के कुछ पास लाऊंगा
हो ओ ओ ओ
ये सारे शौक़
सारे शौक़
ये सारे शौक़ सदाक़त का रूप ले लेंगे
मगर ये शर्त हा तुम
मुस्कुरा के हाँ कह दो ओ ओ
मुहब्बतों में है दोनों का
एक ही मतलब
अदा से ना कहो
या आ
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले लेंगे ए
Suno Saathhiyon
Posted on: April 6, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3549 | Post No. : | 14239 |
“Paaras”(1971) was directed by C P Dixit for Prithvi Pictures, Bombay. This “social” movie had Sanjeev Kumar, Rakhi, Farida Jalal, Shatrughan Sinha, Mehmood, Madan Puri, Mukri, Kamal Mehra, Birbal. Uma Khosla, Ratnamala, Badri Prasad, Narbada Shankar, Bhushan Tiwari, Kunal Chaudhary etc in it.
The movie had six songs in it. Four of these songs have been covered in the blog.
Here is the fifth song from “Paaras”(1971) to appear in the blog. This song is sung by Mahendra Kapoor, Asha Bhonsle and chorus. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
The song is lip synced by Sanjeev Kumar, Farida Jalal and others who play villagers going somewhere in bullock carts. The song sounds a bit like “mere des ki dharti sona ugle”, which was also creacted by the same male singer- music director team. Unlike the “Upkaar”(1967) song, this song is rather unknown. I in fact had not heard this song till today.
Song-Suno saathiyon (Paaras)(1971) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus
Lyrics
suno saathiyon o o o
haan re haan ho bhaiyya
haan re haan ho
haan re haan ho bhaiyya
haan re haan ho
suno saathiyon o o o
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o
insaanon se pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o
o o o o o
o o o o o
saara dhan hai amber ka
moti dhan hai saager ka
moti dhan hai saager ka
o o o
nirdhan ka dhan mehnat hai
pet bhare saare ghar ka
pet bhare saare ghar ka
o o
laaj bina sooni sooni rey naari
phool bina aa aa aa
pyaar bina sooni sooni hai kyaari
laaj bina sooni sooni rey naari
phool bina sooni sooni hai kyaari
ho o o
pyaar bina aa aa
pyaar bina hirday soona re
yaar bina duniya saari ee
insaanon ko pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o
haan rey haan ho bhaiyya
haan rey haan ho
haan rey haan ho bhaiyya
haan rey haan ho
ho ho o
ho ho o
har insaan hai yahaan pyaara
pooja ghar hai jag saara
pooja ghar hai jag saara
ho o o
kan kan mandir masjid hai
kan kan girja gurudwaara
kan kan girja gurudwaara
ho o o
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi
ho o o
pyaar to hai ae ae ae
pyar to hai to hai ek chadhta sooraj
badli koi chhupa na sakegi
insaanon ko pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon
o o o
suno saathiyon
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o o
insaanon se pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyo
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o
Mal Mal Ke Jaaye Mera Jiyaa
Posted on: April 27, 2017
- In: Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Folk song | fun timepass song | Guest posts | Happy song | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Question-Answer song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
OK so, ‘Ek Ladki Saat Ladke’ from 1961, is the film that today joins the ranks of films with all their songs posted. It is Yippeee-land time for this film. And that’s all folks, that I can say for this film. Another one of the ‘Lost Children’, about whom nothing more is known, nothing more exists in memory. Yes, there is information that is contained in the Geet Kosh. Based on the Geet Kosh inputs, the basic demographics for this film are as follows.
The film is produced and directed by Roop K Shorey. The cast of actors is very brief – Ravinder Kapoor, Ameeta, Majnu, Badri Prasad, and Durga Khote. After having tasted success with ‘Ek Thi Ladki’ (1949) and ‘Ek Do Teen’ (1953), Roop K Shorey tried to repeat a similar sounding formula in this film. The earlier two films had Motilal and Meena K Shorey as the lead pair, and Vinod as the music director. But in this film, the only common link is Vinod, who also was replaced by S Mohinder, in unfortunate circumstances.
Read more on this topic…
Hamne bhi mohabbat ki thhi magar
Posted on: December 2, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Dilli Ka Daada” (1962) was directed by R S Tara for Film Sagar productions. The movie had Sahira, Sheikh Mukhtar, Shekhar, Mukri, Nishi etc in it.
Read more on this topic…
Mil gaye milne waale
Posted on: October 2, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Miyaan Biwi Raazi”(1960) was directed by Jyoti Swaroop for Anupam Chitra, Bombay. The movie had Shrikant Gaurav, Kamini Kadam, Mehmood, Seema Deo, Manorama, David Abraham, Sabita Chatterjee, Raja Gosavi, Daisy Irani, Niranjan Sharma, Shaila Vaz etc in it.
Read more on this topic…
Aise To Hamen Dekha Na Karo
Posted on: March 6, 2016
- In: Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Boat song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1962 | Tonga song | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 19
– – – – – – – – – – – – – –
We are now getting close to the end of 1962. The next film from that year which is being introduced today is ‘Sher Khan’. The film and its songs are available on the internet, and have been for some time now. Apparently, we just did not get around to bringing up here, the songs from this film. Probably it is the obscurity of the film and its title, and the level of unfamiliarity that the team may have with this film and its songs. With music by SN Tripathi, the songs of this film are very good. Once we get to hear them, then the mind wonders – where have these been hiding so far. But anyway, we are getting to them now, and that is a good thing.
Read more on this topic…
- In: "Baansuri" song | Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Duet | expression of love | Feelings of heart | Lyrics by Nitin Shah | Lyrics contributed by readers | Mahendra Kapoor songs | Rare song | Songs of 1960s (1961 to 1970) | Songs of 1964 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kohra”(1964) was directed by Biren Nag. This movie was a Hindi adaptation of Daphne Du Maurier’s “Rebecca”(1938), or more accurately it was an Hindi adaptation of Alfred Hitchcock’s “Rebecca”(1940) based on the novel of Daphne Du Maurier.
Read more on this topic…
- In: "Aankh" song | Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | joie de vivre | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Rail song | Rare song | Regulars' meet at Mumbai | Songs about a place | Songs of 1960s (1961 to 1970) | Songs of 1962 | Songs picturised in cities | Yearwise breakup of songs
- 11 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Yeh Hai Bombay Meri Jaan – 2
– – – – – – – – – – – – – – – – –
Bombay Gangout – Part 2
After the Breakfast.
After having amicably negotiated the breakfast time, the gang members descended again to the secret basement chambers, to start the day’s proceedings in earnest. I will have to now write a little bit more about Bombay syndicate members, as we were getting more and more familiar with every passing minute. The most energetic and the most engaging personality of the hour was definitely the IndiaMan. He has a joke ready for every occasion, for every topic. Let me tell you why I used the epithet – ‘the antithetic patella specialist’ for him.
Read more on this topic…
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