Archive for the ‘Asha Bhonsle Mahendra Kapoor duet’ Category
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4017 | Post No. : | 15124 |
The years roll by – time stops for no one.
And, just like that, it is now 7 years since that day in 2012.
I still remember that day very well – I first got the news on Facebook.
One of my friends had posted “vaada tera vaada”, saying “RIP Rajesh Khanna”.
It shook me – I immediately checked Twitter for validation. (Now Twitter is known to post fake death news from time to time. Not so long ago, they had posted news of Mumtaz’s death – thankfully, fake.) But I wanted a second source.
Sadly, and I realized this very soon with a sinking feeling, the news on 18th July 2012 was not fake. Rajesh Khanna (or Kaka, as he was more affectionately known) HAD passed away. For the past year, he had been suffering from cancer – and the cancer had finally won.
I felt miserable that day. Not that I didn’t know he was suffering from cancer, but I never expected him to go when he did.
That day my Facebook status was
Kya samjhega ye aalam koi
Badaa bhaari hai dil ye mera
Ki le gaye ho saath safar pe tumhaare
Tukda jo kabhi tha dil ye mera
Rubbish poetry, I know – but hey, it did reflect my mood.
Those were the times when I’d seek refuge in my blog. I’d just dump my thoughts onto my blog, for my own sake. It was my way of releasing my feelings, not suppressing them within.
That day too I went to my blog, and wrote a piece for Rajesh Khanna. A personal piece – well, about as personal a piece that one can write about someone he has never met, someone whose many character flaws one acknowledges, and yet someone who was a big part of one’s childhood.
I’ve written about Kaka several times here, and I don’t want to bore readers by repeating stuff.
I’ll just say a few things, and then move on to the song.
Firstly, most times when I discuss Kaka with others (I don’t do much of this anymore), I get the following reactions.
Firstly, a criticism of his acting – mostly his set mannerisms, and his hamming.
Secondly, criticism about him as a person.
I’ve noticed that people who dislike Kaka, tend to dislike him rather intensely. 🙂 On one, or both, of the above counts.
And, I must admit, they would not be wrong.
The first point first.
Without doubt, Kaka’s acting lost its freshness after a few years – and was a big reason for his decline. His superstar success lasted only a few years. During this period, he acted in a whole lot of films. Both he, and his producers, wanted to cash in on his name. Just his name used to be enough to sell a film. Sure, the films were all successful – Kaka holds the record for maximum number of consecutive hits.
But over-exposure comes with its risks. Especially when you’re boxed into a method of acting, expected to conform to set mannerisms, and a set dialogue delivery style. Yes, they made you successful, but style wears out after a while. Kaka’s mannerisms did become an issue. That the storylines also were beginning to get thin, did not help.
Much later in his career, we got to see a different Rajesh Khanna. Not THE superstar anymore, he could afford to act differently, in different roles. Let’s not forget he got his break in films by winning an acting contest, so he couldn’t have been that bad an actor. 🙂
Now, to the second point.
Again, I have to agree. It’s no secret that Kaka allowed success to get to his head. His unprofessional, and possibly even mean, behaviour with colleagues and others, left a lot of people bitter. No doubt many would have been happy to see him go down. A point made even more stark when compared with the upcoming star, Amitabh Bachchan, who was the model professional actor, punctual and polite.
I will not defend Kaka on this front at all. Much later in life, he did realize this himself.
All I will say is, every one of us has failings. Maybe if Kaka’s success had been more gradual, he’d have been a different person. Failure teaches us much more than success – Amitabh had a string of failures before becoming a superstar.
One person’s life is often a lesson for another. Just as people can tell aspiring youngsters “Look at Amitabh – how he struggled early in his career, but his perseverance and professionalism made him a superstar”, they can also say “Look at Rajesh Khanna – how he let success get to his head at a young age, and destroyed his career and relationships”.
One can learn from both.
To me, while I accept these criticisms, I will always remember, and thank, Rajesh Khanna for giving me many wonderful memories in my childhood.
That tilt of the head, that smile, that kurta, that dialogue delivery – today people might mock all of this, but in those days, these are what millions swooned over. That “Pushpa, I hate tears” line is still one of the best-known lines in Hindi cinema.
His films of that era made me feel good when I saw them in the early 70s. Later, when I saw them again, I’d still smile at “rona kabhi nahin rona”, “yahaan wahaan saare”, “nainon mein nindiya hai”, “ye shaam mastaani” and a whole lot of other songs. They’d bring back memories of my childhood.
Like one of my best friends (in class I) would always sing “pyaar deewana hota hai” from Kati Patang. It was his favourite song. I liked it a lot too, but I’d counter him with “ye shaam mastaani”. I know it sounds silly, but these are not just songs for me – they have memories attached to them. Like the incident attached to “o mere dil ke chain” – I’ve discussed the incident here earlier.
And that’s the thing. Each person’s memories are different, and therefore connect with someone is different. And while I acknowledge all Kaka’s failings, I also want to give him back a little bit of that love that I got from watching his films during my childhood.
That’s also the reason for this post. I haven’t written for a while now, but Avinashji requested me to write a post for this occasion. I was hesitant, since I sincerely believe I’ve lost my writing ability. I even told Avinashji “I can’t write anything longer than a tweet now” :-). But he was kind enough to share with me a whole lot of Kaka songs not posted yet, so I could easily pick one.
Now to the song.
Initially I thought of posting a sad song, considering it is on Kaka’s death anniversary. But then I thought again.
What I’d like to remember most of Kaka is the joy I got from watching his films, from before his decline. I think, from up there, he’d also probably like most people to remember him for those films.
So today’s song is from one of his early films – Bandhan (1969). I remember seeing this film long ago, though I don’t remember the story now.
By the way, it is exactly 50 years since this film was released. 1969 was a milestone year for Kaka – this was the year he became a superstar with Aradhana. And Do Raaste was a huge hit too.
The song “jaana hai to jao” shows early glimpses of the superstar-to-be. One can see some of those mannerisms that would become his hallmark in the coming years. And it is always fun to see Kaka and Mumtaz together, even if this was a less-known film than their more famous films to come.
The song is in the voices of Mahendra Kapoor and Asha Bhosle. Not surprising that Mahendra Kapoor was used, considering music is by Kalyanji-Anandji. The MK-KA combo had a huge hit with Upkar (1967), so KA were happy to use MK again. And at that time, Rajesh Khanna was “just another hero”. Kishore Kumar had not yet become his voice. In fact, in this film, even Mukesh sings a happy song for Rajesh Khanna. 🙂
I hope you like the song.
Thanks for the memories, Kaka.
Whatever the world might say about you, remember, when it comes to romance in film,
“tere hi to sar pe mohabbat ka taaj hai”.
Song-Arrey jaana hai to jaao manaayenge nahin (Bandhan)(1969) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics(Provided by Avinash Scrapwala)
Arrey jaana hai to jaao
arrey jaana hai to jaao manaayenge nahin
jaana hai to jaao
manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin
eh
aana hai to aao
bulaayenge nahin
aana hai to aao
bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
hmph
aana hai to aao
dekhi hai dekhi hai dekhi
arrey dekhi hai dekhi hai
tere jaisi kitni chhoriyaan
marti hain marti hain mujhper
saare gaaon ki goriyaan
arrey budhhu hai budhhu hai bilkul
tu kya dulhan laayega
Lagta hai tu kunwaara mar jaayega
Lagta hai tu kunwaara mar jaayega
hum kahen aur kya
tera bhaiyya khada
tujhe
nazron mein uski giraayenge nahin
ha ha ha
nazron me uski giraayenge nahin
arre samjhe
jaana hai to jaao manaayenge nahin
jaana hai to jaao manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin
jaana hai to jaao
jab raaja mahaaraaja
koi mujhe byaahne aayega
jab raaja mahaaraaja
koi mujhe byaahne aayega
seene pe seene pe tere
saanp sa lahra jaayega
arrey tu hai bandariya
hmphh
chal chal
arrey tu hai bandariya
koi madaari hi tujhko le jaayega
kas ke maarega dande
nachaayega
kas ke maarega dande
nachaayega
haa haa
akl moti teri
O naak chhoti teri
mendhki ko to munh hum lagaayenge nahin
chhi chhi
mendhki ko munh hum lagaayenge nahin
eh
jaana hai to jaao
jaana hai to jaao bulaayenge nahin
jaana hai to jaao bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
jaa
jaana hai to jaao
———————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————
अरे जाना है तो जाओ
अरे जाना है तो जाओ
मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
ये
आना है तो आओ
बुलायेंगे नहीं
आना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
हं
आना है तो आओ
देखी है देखी है देखी
अरे
देखी है देखी है
तेरे जैसी कितनी छोरियां
मरती है मरती है मुझपे
सारे गाँव की गोरियाँ
अरे बुद्धू है बुद्धू है बिलकुल
तू क्या दुल्हन लाएगा
लगता है तू कुंवारा मर जाएगा
लगता है तू कुंवारा मर जाएगा
हम कहे और क्या
तेरा भैय्या खडा
तुझे
नज़रों में उसकी गिराएंगे नहीं
हं हं हं
नज़रों में उसकी गिराएंगे नहीं
अरे समझे
जाना है तो जाओ मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
जाना है तो जाओ
जब राजा महाराजा कोई
मुझे ब्याहने आएगा
जब राजा महाराजा कोई
मुझे ब्याहने आएगा
सीने पे सीने पे तेरे
सांप सा लहरा जाएगा
अरे तू है बंदरिया
चल चल
अरे तू है बंदरिया
कोई मदारी ही तुझको ले जाएगा
कसके मारेगा डंडे
नचाएगा
कसके मारेगा डंडे
नचाएगा
हां हां
अक्ल मोटी तेरी
ओ नाक छोटी तेरी
मेढकी को तो मुंह हम लगायेंगे नहीं
छी छी
मेढकी को मुंह हम लगायेंगे नहीं
ये
जाना है तो आओ
जाना है तो आओ
बुलायेंगे नहीं
जाना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
जा
जाना है तो जाओ
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3955 | Post No. : | 15031 |
“Balidaan”(1971) was produced by Arun Verma and directed by Ravi Tandon. This movie had Manoj Kumar, Saira Banu, Dev Kumar, Anwar Hussan, Bindu, Manmohan etc in it.
This obscure movie had six songs in it. One song from the movie has been covered in the blog. That one song was discussed nine years ago, viz on 22 august 2010 by Raja.
I was not aware of the movie, but it turned out that Ava, our knowldegeable regular was not only aware of the movie, she also pointed out that Ravi Tandon (father of Raveena Tandon) made his debut as a director with this movie.
Now, nine years later, here is the second song from “Balidaan”(1971) to appear in the blog. This song is a dance song which is sung by Asha Bhonsle, with a few lines by Mahendra Kapoor. I am unable to tell who is the female dancer lip syncing in Asha Bhonsle’s voice. She vaguely resembles Bindu, but I cannot be sure. I request our knowledgeable readers to help identify her. Manoj Kumar lip syncs in Mahendra Kapoor’s voice in the picturisation of this dance song. There are many others in the picturisation. I can identify Manmohan among them.
Verma Malik is the lyricist. Music is composed by Shankar Jaikishan.
I am unable to get a couple of worrds right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.
Song-Haay haay re daiyya muyi main to kyun jawaan hui(Balidaan)(1971) Singers-Asha Bhonsle, Mahendra Kapoor, Lyrics-Verma Malik, MD-Shankar Jaikishan
haaye haaye
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
mangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
pukaarte hain mujhko ab jawaan chhokre
kahte hain aao paas mere jaan chhokre
arre har shareef nazar beimaan ho gayi
jawaan hoke main to pareshaan ho gayi
ho deewane chanda haaye deewaane chanda
arre thhaam meri bainya mera aur nahin koi
haaye re daiyya moyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
haaye
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
koi meri kalaai mein kangana fansa gaya
ungli mein pyar se koi chhalla chadha gaya
koi to meri baahon se aake lipat gaya
zulfon ko chhed chhed ke jhumka palat gaya
oye ?? dena haay
?? dena
main tere gale lag lag baar baar royi
haaye re daiyya muyi main to kyun jawaan hui
haye re daiyya muyi main to kyun jawaan hui
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
masti se bhari teri ye naadaan jawaani
sab jaante huye bhi ye anjaan jawaani
duniya ki nigaahon mein ye toofaan jawaani
ye teri zindagi ka imtihaan jawaani
o jawaan gori haaye
o jawaan gori
ari aaj tere sab kal tera nahin koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haay
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
- In: Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1980 | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3885 | Post No. : | 14913 |
Today 8th March (2019) is the ninety-eighth ‘birth anniversary’ (08.03.1921 – 25.10.1980) of Sahir Ludhianvi. Imagine, in another two years it will be his birth centenary celebrations and we can say that ‘sau saal pehle is sarzameen par ‘Sahir’ ka janam huaa tha’…
Regulars on this blog are well aware that already much has been written about Sahir Ludhianvi on this blog and other sources, and as mentioned by me in one of my earlier posts people are still exploring ‘Sahir’ in their own way. Many researches have been done and still continuing about Sahir and his poems.
I have mentioned in one of my earlier posts that we know Sahir Ludhianvi as a poet of the highest quality, a romantic at heart, and a rebel.
But for me, he was much more than this.
For me he was a truly secular individual, a humanitarian, and a motivational philosopher. There were many aspects to Sahir’s poetry and writing.
He has in his poems talked about Women’s issues and raised his concerns over their ‘plight’ in the Society and how women are still subjected to insult, exploitation, torture which is still prevailing around us. The issues Sahir wrote about and had concerns about are still relevant since years and years and on …
While Sahir has given us many memorable ‘romantic songs’ he has also given us many memorable or ‘immortal’, bhajans which lead us to the world of the sublime, to introspect within ourselves. His many motivational songs can inspire people and have been a source of motivation to many like me in this journey of life. They will continue to be so if someone listen to them with interest and also studies life and times of Sahir in right earnest.
In today’s post I have a lovely song penned by Sahir touching the ‘romantic’ side of his poetry and presenting one of those many many lovable and beautiful songs which Sahir Ludhianvi has written.
Today’s song is from the ‘1980’ movie ‘Insaaf Ka Taraazu’.
‘Insaaf Ka Taraazu-1980’ was produced and directed by B.R. Chopra for his home production ‘B.R. Films, Bombay’.
Ravi Chopra was the Associate Producer for this movie.
It had Zeenat Aman, Raj Babbar (new discovery), Deepak Parashar (new discovery), Padmini Kolhapure, Shreeram Lagoo, Simi Garewal, Iftekhar, Jagdish Raj, Vijay Sharma, Prem Sagar and Sunil Dhawan.
Om Shivpuri, Sujit Kumar, Yunus Parvez, Sudha Shivpuri, and Hiralal make a ‘guest appearance’ in this movie.
Dharmendra makes a ‘special appearance’ in this movie.
This movie had four songs written by Sahir Ludhianvi and composed by Ravindra Jain. Asha Bhonsle, Hemlata and Mahendra Kapoor gave their voices to the songs in this movie.
Story, Screenplay and Dialogues for this movie were written by Shabd Kumar. S.B. Mane was the Chief Editor for this movie, while R.P. Bapat was the Associate Editor.
Two songs from this movie have been posted earlier on this blog as given below;
| Song Title | Post Date |
|---|---|
| Insaaf ka taraazu | 27.09.2013 |
| Log aurat ko faqat jism samajh lete hain | 08.03.2017 |
Today we are going to enjoy the third song of this movie sung by Asha Bhonsle and Mahendra Kapoor.
Lyrics are by Sahir Ludhianvi and music composed by Ravindra Jain as mentioned above.
Incidentally, and this I noted today only while drafting this post and going through the HFGK Vol-V, this movie was passed by Censor Board (or the certificate was issued on) on 25.10.1980.
Sahir Ludhianvi passed on the same day 25.10.1980. I am not aware if the movie was also released in theatres on the same day.
Let us now listen to this song of eternal – everlasting love …
Video
Song-Hazaar khwaab haqeeqat ka roop le lenge (Insaaf Ka Taraazu)(1980) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravindra Jain
Both
Lyrics
Hazaar khwaab
Haqeeqat ka roop le lenge
Hazaar khwaab
Haqeeqat ka roop le lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o o
Muhabbaton mein hai donon ka
Ek hi matlab
Muhabbaton mein hai donon ka
Ek hi matlab
Adaa se na kaho ya
Muskuraa ke haan keh do o o
Hazaar khwaab
Haqeeqat ka roop le ae lenge
Hazaar khwaab
Bahaaron ke aur sitaaron ke
Tumhaare saath meri zindagi mein
Aaye hain
Tumhaari baahon ke jhoole mein
Jhoolne ke liye
Machal machal ke mere ang
Gun gunaaye hain
Ho o
Ye saare shauq
Saare shauq
Ye saare shauq
Sadaaqat ka roop le lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o o
Hazaar khwaab
Haqeeqat ka roop le lenge
Bharegi maang tumhaari
Wo din bhi kya hoga
Sajegi sej hawaaon ki
Saans mehkegi
Tum apne haath se sarkaaoge
Mera aanchal
Ajeeb aag mere
Tan badan mein dehkegi
Ho o
Ye saare shauq
Saare shauq
Ye saare shauq
Sadaaqat ka roop le lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o
Hazaar khwaab
Haqeeqat ka roop le lenge
Ho o o o o
Aa aa aa aa
Aa aa aa aa aa aa aahaa
Aa aa aa aa aa aa aa aa
Main apni zulfon ke saaye
Bichhaaungi tum par
Main tumpe apni jawaan
Dhadkanen lutaaunga
Main subah tum ko jagaaungi
Lab pe lab rakh kar
Main tumko bheench ke kuchh aur
Paas laaunga
Ho o
Ye saare shauq
Saare shauq
Ye saare shauq
Sadaaqat ka roop le ae lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o o
Muhabbaton mein hai donon ka
Ek hi matlab
Adaa se na kaho
Ya aa
Muskuraa aa ke haan keh do
Hazaar khwaab
Haqeeqat ka roop le lenge ae
(Meaning of Sadāqat – True or sincere friendship; love, affection; friendliness; sincerity, candour; loyalty, fidelity; truth)
———————————-
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————–
हज़ार ख्वाब
हकीकत का रूप ले लेंगे
हज़ार ख्वाब
हकीकत का रूप ले लेंगे
मगर ये शर्त है तुम
मुस्कुरा के हाँ कह दो
मुहब्बतों में है दोनों का
एक ही मतलब
मुहब्बतों में है दोनों का
एक ही मतलब
अदा से ना कहो या
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले ए लेंगे
हज़ार ख्वाब
बहारों के और सितारों के
तुम्हारे साथ मेरी ज़िन्दगी में
आये हैं
तुम्हारी बाहों के झूले में
झूलने के लिए
मचल मचल के मेरे अंग
गुन गुनाए हैं
हो ओ ओ ओ
ये सारे शौक़
सारे शौक़
ये सारे शौक़
सदाक़त का रूप ले लेंगे
मगर ये शर्त है तुम
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले लेंगे
भरेगी मांग तुम्हारी
वो दिन भी क्या होगा
सजेगी सेज हवाओं की
सांस महकेगी
तुम अपने हाथ से सरकार्ओगे
मेरा आँचल
अजीब आग मेरे
तन बदन में देह्केगी
हो ओ
ये सारे शौक़
सारे शौक़
ये सारे शौक़ सदाक़त का रूप ले लेंगे
मगर ये शर्त है तुम
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले लेंगे
हो ओ ओ ओ ओ
आ आ आ आ
आ आ आ आ आ आ आहा
आ आ आ आ आ आ आ
मैं अपनी जुल्फों के साए
बिछाउंगी तुम पर
मैं तुमपे अपनी जवाँ
धड़कने लुटाऊंगा
मैं सुबह तुमको जगाऊंगी
लब पे लब रख कर
मैं तुमको भींच के कुछ पास लाऊंगा
हो ओ ओ ओ
ये सारे शौक़
सारे शौक़
ये सारे शौक़ सदाक़त का रूप ले लेंगे
मगर ये शर्त हा तुम
मुस्कुरा के हाँ कह दो ओ ओ
मुहब्बतों में है दोनों का
एक ही मतलब
अदा से ना कहो
या आ
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले लेंगे ए
Suno Saathhiyon
Posted on: April 6, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3549 | Post No. : | 14239 |
“Paaras”(1971) was directed by C P Dixit for Prithvi Pictures, Bombay. This “social” movie had Sanjeev Kumar, Rakhi, Farida Jalal, Shatrughan Sinha, Mehmood, Madan Puri, Mukri, Kamal Mehra, Birbal. Uma Khosla, Ratnamala, Badri Prasad, Narbada Shankar, Bhushan Tiwari, Kunal Chaudhary etc in it.
The movie had six songs in it. Four of these songs have been covered in the blog.
Here is the fifth song from “Paaras”(1971) to appear in the blog. This song is sung by Mahendra Kapoor, Asha Bhonsle and chorus. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
The song is lip synced by Sanjeev Kumar, Farida Jalal and others who play villagers going somewhere in bullock carts. The song sounds a bit like “mere des ki dharti sona ugle”, which was also creacted by the same male singer- music director team. Unlike the “Upkaar”(1967) song, this song is rather unknown. I in fact had not heard this song till today.
Song-Suno saathiyon (Paaras)(1971) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus
Lyrics
suno saathiyon o o o
haan re haan ho bhaiyya
haan re haan ho
haan re haan ho bhaiyya
haan re haan ho
suno saathiyon o o o
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o
insaanon se pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o
o o o o o
o o o o o
saara dhan hai amber ka
moti dhan hai saager ka
moti dhan hai saager ka
o o o
nirdhan ka dhan mehnat hai
pet bhare saare ghar ka
pet bhare saare ghar ka
o o
laaj bina sooni sooni rey naari
phool bina aa aa aa
pyaar bina sooni sooni hai kyaari
laaj bina sooni sooni rey naari
phool bina sooni sooni hai kyaari
ho o o
pyaar bina aa aa
pyaar bina hirday soona re
yaar bina duniya saari ee
insaanon ko pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o
haan rey haan ho bhaiyya
haan rey haan ho
haan rey haan ho bhaiyya
haan rey haan ho
ho ho o
ho ho o
har insaan hai yahaan pyaara
pooja ghar hai jag saara
pooja ghar hai jag saara
ho o o
kan kan mandir masjid hai
kan kan girja gurudwaara
kan kan girja gurudwaara
ho o o
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi
ho o o
pyaar to hai ae ae ae
pyar to hai to hai ek chadhta sooraj
badli koi chhupa na sakegi
insaanon ko pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon
o o o
suno saathiyon
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o o
insaanon se pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyo
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o
Mal Mal Ke Jaaye Mera Jiyaa
Posted on: April 27, 2017
- In: Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Folk song | fun timepass song | Guest posts | Happy song | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Question-Answer song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
OK so, ‘Ek Ladki Saat Ladke’ from 1961, is the film that today joins the ranks of films with all their songs posted. It is Yippeee-land time for this film. And that’s all folks, that I can say for this film. Another one of the ‘Lost Children’, about whom nothing more is known, nothing more exists in memory. Yes, there is information that is contained in the Geet Kosh. Based on the Geet Kosh inputs, the basic demographics for this film are as follows.
The film is produced and directed by Roop K Shorey. The cast of actors is very brief – Ravinder Kapoor, Ameeta, Majnu, Badri Prasad, and Durga Khote. After having tasted success with ‘Ek Thi Ladki’ (1949) and ‘Ek Do Teen’ (1953), Roop K Shorey tried to repeat a similar sounding formula in this film. The earlier two films had Motilal and Meena K Shorey as the lead pair, and Vinod as the music director. But in this film, the only common link is Vinod, who also was replaced by S Mohinder, in unfortunate circumstances.
Read more on this topic…
Hamne bhi mohabbat ki thhi magar
Posted on: December 2, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Dilli Ka Daada” (1962) was directed by R S Tara for Film Sagar productions. The movie had Sahira, Sheikh Mukhtar, Shekhar, Mukri, Nishi etc in it.
Read more on this topic…
Mil gaye milne waale
Posted on: October 2, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Miyaan Biwi Raazi”(1960) was directed by Jyoti Swaroop for Anupam Chitra, Bombay. The movie had Shrikant Gaurav, Kamini Kadam, Mehmood, Seema Deo, Manorama, David Abraham, Sabita Chatterjee, Raja Gosavi, Daisy Irani, Niranjan Sharma, Shaila Vaz etc in it.
Read more on this topic…
Aise To Hamen Dekha Na Karo
Posted on: March 6, 2016
- In: Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Boat song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1962 | Tonga song | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 19
– – – – – – – – – – – – – –
We are now getting close to the end of 1962. The next film from that year which is being introduced today is ‘Sher Khan’. The film and its songs are available on the internet, and have been for some time now. Apparently, we just did not get around to bringing up here, the songs from this film. Probably it is the obscurity of the film and its title, and the level of unfamiliarity that the team may have with this film and its songs. With music by SN Tripathi, the songs of this film are very good. Once we get to hear them, then the mind wonders – where have these been hiding so far. But anyway, we are getting to them now, and that is a good thing.
Read more on this topic…
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