Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘expression of love’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Phir Kab Milogi” (1974) was produced by Hari Mehra and directed by Hrishikesh Mukharjee. The movie had Biswajeet, Mala Sinha, David, Deven Verma, Bipin Gupta, Vijaya Chaudhary, Abhi Bhattacharya, Parveen Paul, Ansari, Sailesh Kumar, Naaz, Uma Dutt, Neelima, Shridhar, Sujata, Bishan Khanna, Vikram etc, with Dilip Kumar is a special role.

The movie had five songs in it. Four of these songs have been covered in the past

Here is the fifth and final song from “Phir Kab Milogi” (1974) to appear in the blog. This song is sung by Lata. The song is picturised on Mala Sinha and Vishwajeet.

Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

Lyrics of this song were sent to me by Prakashchandra long long ago (in april 2013, to be exact. 🙂 )

With this song, “Phir Kab Milogi” (1974) joins the list of movies that have all their songs covered in the blog.

Audio (Longer)

Video

Song-Le gayi khushboo maang ke bahaar (Phir Kab Milogi)(1974) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics(Provided by Prakashchandra)

aaa aaa aaa
aaa aaa aaa
hmm hmm hmmm
le gayee khushboo
le gayee khushboo
maang ke bahaar
le gayee khushboo
maang ke bahaar
mehki main aisi
leke teraa pyaar
mehki main aisi
leke teraa pyaar
le gayee khushboo

ab toh muhabbat
dil mein samaayee
kaali latein
goraa badan
leke ae ae
tere paas aayee
ab toh muhabbat
dil mein samaayee
kaali latein
goraa badan
leke ae ae
tere paas aayee
hai samaayaa sainyyaan
in meri aahon mein tu
hoon mehak main teri
rakhnaa mujhe baahon mein tu
aa gayaa mausam
chhodke gulzaar
aa gayaa mausam
chhodke gulzar
mehki main aisee
leke teraa pyaar
mehki main aisee
leke teraa pyaar
le gayee khushboo

meraa toh aisaa
pyaar anokhaa
kabhi kabhi huaa balam
khud pe ae ae
aur saa dhokhaa
meraa toh aisaa
pyaar anokhaa
kabhi kabhi huaa balam
khud pe ae ae
aur kaa dhokhaa
na samajh mein aaye
par baat sun le piyaa
pee Milan ko maine
sau rang hain badle piyaa
tod ke aayee laaj ki deewaar
tod ke aayee laaj ki deewaar
mehki main aisee
leke teraa pyaar
le gayee khushboo
maang ke bahaar
le gayee khushboo
maang ke bahaar
mehki main aisee
leke teraa pyaar
mehki main aisee
leke teraa pyaar


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dharm Patni”(1953) was directed by Ramchandra Thakur for Harishchandra Pictures, Bombay. This movie had Mahipal, Nirupa Roy, Moti sagar, Durga Khote, Yashodhara Katju, Niru, Mona, Kumar, Gope, Bhagwandas, Dalpat, Eruch Tarapore, hameed, Dewaskar, Maqbool, Deepak Nayudu, Parvati Bai, anwari, Vijaybala, Dewan etc in it.

This “social” movie had si songs in it.

Here is the first song from “Dharm Patni”(1953) to appear in the blog. This song is sung by Asha Bhonsle. Bharat Vyas is the lyricist. Music is composed by Jamal Sen.

I am unable to identify the lady who lip syncs this song while seated at the grand piano. I request our knowledgeable readers to help identify her. Audio quality of the video link is poor. One needs to listen to the audio version of the song to derive full pleasure out of this rare song from this forgotten movie.

I may have erred at a few places while noting down the lyrics of the song. I request our readers with keener ears to suggest corrections in the lyrics wherever applicable.

With this song, “Dharm Patni”(1953) makes its debut in the blog.

Audio

Video

Song-Lagi tumse lagan mere bhole sajan (Dharm Patni)(1953) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Jamal Sen

Lyrics

lagi tumse lagan
mere bhole sajan
dil hai mera magan
tere pyaar mein
lagi tumse lagan
mere bhole sajan
dil hai mera magan
tere pyaar mein

chaand ki raaten
taaron ki baaten (?)
hum tum jhoomen gagan mein aen aen
hum tum jhoomen gagan mein
lagi tumse lagan
mere bhole sajan
dil hai mera magan
dil hai mera magan
tere pyaar mein
aa aa aa aa aa
aa aa aa aa aa

raat rangeeli
rut hai suhaani
raat rangeeli
rut hai suhaani
gungun gaaye jawaani ee
gungun gaaye jawaani
khil raha hai chaman
muskuraata hai man
naachte hain nayan is bahaar mein
lagi tumse lagan
mere bhole sajan
dil hai mera magan
tere pyaar mein

aa aa aa aa aa
aa aa aa aa aa

khile phool aur mast hawaayen
khile phool aur mast hawaayen
jhoom rahi hain lataayen
jhoom rahi hain lataayen
aao aao sanam
tumhen meri kasam
man machalta balam
tere intzaar mein

chaand ki raaten taaron ki baaten (?)
hum tum jhoomen gagan mein
hum tum jhoomen gagan mein
lagi tumse lagan mere bhole sajan
dil hai mera magan
dil hai mera magan tere pyaar mein


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I had never thought highly of producer-director Kishore Sahu until I read an article written in August 1942 issue of ‘Filmindia’ by Hyacinth (a pseudo name for Susheela Rani Patel) a few months back. Until then, I had come across his name as the director of ‘Dil Apna Aur Preet Paraayi’ (1960) which I had seen in the theatre. Then, I was also aware of him of his association with ‘Kaalighata’ (1951) and ‘Mayur Pankh’ (1954). But in all these films, Kishore Sahu was not in my radar as my attention was more on Shankar-Jaikishan for their melodious songs in these movies.

I had no idea how Kishore Sahu looked like until I saw ‘Poonam Ki Raat’ (1965) in which he had the role of a doctor. After that I saw him in ‘Guide’ (1965) in the role of Marco. In both these films, he did not impress me either with his personality or with his acting. Even in the song picturisation of phoolon ka taaron ka sabka kehna hai, his acting during lip syncing one line ‘daady ko mummy ko…..sung by R D Burman was pedestrian.

But the article referred to above, read with many tit bits and news snippets appearing on the various issues of ‘Filmindia’ magazines about his films, revealed that in the 1940s, he had directed many successful films. Even as an actor, he had a good fan following if I go by readers' mail in the Filmindia magazines. The fact that Sardar Vallabhbhai Patel attended the premier of the film ‘Veer Kunal’ (1945), produced and directed by Kishore Sahu would testify to the fact that he had a charming and pleasing personality in his younger days.

Kishore Sahu (22/11/1915 – 22/08/1980) was born in Durg in a wealthy family. His grandfather was the Diwan (Prime Minister) of Raja of the State of Raigarh and Rajnandgaon (now in Chhattisgarh). After completion of high school, Kishore Sahu completed graduation from Morris College, Nagpur in 1936. He was a brilliant student and was the Secretary of his college’s English Literary Society. He also edited the College magazine and took part in college dramas.

His father was keen to send him abroad for higher studies to become a barrister. But the young Kishore was attracted towards film industry and he was keen to become an actor. After knowing the intense desire of Kishore Sahu to become an actor, his father encouraged him in his pursuit. In 1937, Kishore Sahu came to Bombay (Mumbai) and met Himanshu Rai, the founder of Bombay Talkies. After his interview, Kishore Sahu was selected for the lead role opposite Devika Rani for the film ‘Jeewan Prabhat’ (1937). The film was commercially successful. However, in the review of the film in ‘Filmindia’ magazine, Kishore Sahu was pronounced as “another misfit as an actor. He is a big disappointment. He is worse than Ashok Kumar”.

Kishore Sahu’s entrepreneurial ambition made him to leave Bombay Talkies and float a film production company called ‘India Artists Ltd’ for which he was the Managing Director. ‘Bahurani’ (1940) was the first film produced under this banner in which he acted in the lead role opposite Rose. The film was commercially successful. However, during the making of the film, Kishore Sahu had differences with one of the largest contributors of finance for the banner. After the release of the film, Kishore Sahu resigned from the company and returned to Bombay Talkies to take the lead role in the film ‘Punar Milan’ (1940) opposite Snehprabha Pradhan. The film was a runaway hit.

During the making of ‘Punar Milan’ (1940), Kishore Sahu fell in love with Snehprabha Pradhan. They got married on September 13, 1940. However, in less than six months of their marriage, they separated leading to divorce sometime in 1942. The separation in less than six months of the marriage affected Kishore Sahu to such an extent that he left Bombay and stayed for months in his native town and Nagpur.

After recovering from the shock of separation, Kishore Sahu returned to Bombay with a story of ‘Kunwaara Baap’ (1942) which was his debut film as a director. He was also the lead actor opposite Protima Dasgupta. The film was a light social comedy. The box office success of this film encouraged him to direct two more social comedy films – ‘Raja’ (1943) and ‘Sharaarat’ (1944) in which he was again paired with Protima Dasgupta. While ‘Raja’ (1943) was a commercial success, ‘Sharaarat’ (1944) did not fare well at the box office.

Kishore Sahu’s next film belonged to the historical genre in which he was not so far been involved as an actor and director. The success of ‘Veer Kunal’ (1945) took him to a greater height. In the same year, he bought Hindustan Chitra Production from Chinubhai Madhavlal. So he had now his own film production company. However, his next three films – ‘Sindoor’ (1947), ‘Saajan’ (1947) and ‘Nadiya Ke Paar’ (1948) which he directed, were produced by Filmistan. With these films, Kishore Sahu scored a hat trick of box office hits followed by his home production ‘Saawan Aaya Re’ (1949) in which he was in the lead role and the director.

In the 1950s, Kishore Sahu seems to have lost his ‘golden touch’ in most of the films which he produced and/or directed. The one film during this period which was critically acclaimed and also fared well at the box office was ‘Dil Apna Aur Preet Paraayi’ (1960) which he directed. In the 1960s, ‘Grahasti’ (1963) directed by him for the Gemini was a box office success. His home production ‘Poonam Ki Raat’ (1965) did not create ripples at the box office.

To launch his daughter Naina Sahu as heroine, Kishore Sahu produced and directed ‘Hare Kaanch Ki Choodiyaan’ (1967) which was a box office failure. He made one more attempt to promote his daughter by producing and directing ‘Pushpanjali’ (1970) which also failed at the box office. The last film which Kishore Sahu produced and directed was ‘Dhuen Ki Lakeer’ (1974) which sealed his fateas producer and director. His last film as an actor was ‘Vakil Babu’ (1982) which was released after his sudden death in Bangkok on 22nd August 1980.

Apart from acting and directing films, Kishore Sahu was known for his short stories which he used to contribute to Hindi journals. Most of the short stories were written during his early days in the film industry. In 1942, he published his select collection of short stories in a book ‘Tes Ke Phool’ in Hindi.

RAJA (1943) was the second of his trilogy of light social comedy films, the other two films being ‘Kunwaara Baap’ (1942) and ‘Sharaarat’ (1944) in which Kishore Sahu acted in the lead roles and also directed the films. In these three films, his leading lady was Protima Dasgupta.

The film had 8 songs written by Rammurti Chaturvedi (4), Amritlal Nagar (1) and Bhagwati Charan Verma (2). Lyricist for the remaining one song is not known. All the songs were set to music by Khan Mastana. As far as I know, this was the only film in which Bhagwati Charan Verma, a well-known Hindi novelist and the poet was associated as lyricist. In fact, one of the twosongs credited to him in the film, namely ‘hum deewaanon ki kya hasti' was written by him as a poem in 1928:

Hum deewaanon ki kya hasti
Hai aaj yahaan kal wahaan
Masti kaa aalam saath chala chale
Hum dhool udaate jahaan chale

I wanted to present this song sung by Kishore Sahu. Unfortunately, this song is not available on the internet. In fact, none of the 8 songs were available on YT until one song ‘niraali duniya hamaari’ was uploaded by me on YT about a month back which I am presenting for this post. The song is sung by Kishore Sahu and Protima Dasgupta on the words of Rammurthi Chaturvedi.

Enjoy this rare song in the voice of the lead actors.

With this song, ‘Raja’ (1943) makes its debut on the Blog.


Song-Niraali duniya hamaari (Raja)(1943) Singers-Kishore Sahu, Protima Dasgupta, Lyrics-Rammurty Chaturvedi, MD-Khan Mastana
Both

Lyrics

niraali duniya hamaari
niraali duniya hamaari
niraali duniya hamaari
niraali duniya hamaari
niraali duniya hamaari
niraali duniya hamaari

yahaan mahlon ki tarah
dard bhare geet nahin
yahaan mahlon ki tarah
dard bhare geet nahin
yahaan hain meet sabhi
haar nahin jeet nahin
yahaan hain meet sabhi
haar nahin jeet nahin

yahaan hai preet nahin
khoon si seenchi huyi kyaari
yahaan hai preet nahin
khoon si seenchi huyi kyaari
niraali duniya hamaari
niraali duniya hamaari
niraali duniya hamaari
niraali duniya hamaari

wahaan hai bair
yahaan madhur milan
madhur milan

wahaan hai bair
yahaan madhur milan
madhur milan

yahaan hai preet
wahaan jee ki jalan
yahaan hai preet
wahaan jee ki jalan
yahaan sukh dukh ke phool khilte hain
milte kahin daari
yahaan sukh dukh ke phool khilte hain
milte kahin daari

haan haan
milte kahin daari
haan haan

milte kahin daari
haan haan
milte kahin daari
niraali duniya hamaari
niraali duniya hamaari
niraali duniya hamaari
niraali duniya hamaari


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhakt Pooran”(1952) aka “Parasmani” was a partially colour film. It was produced by Vinod Chandra Desai and directed by Dhirubhai Desai for Vinod Films, Bombay. The movie had Nirupa Roy, Shahu Modak, Vanmala, Sapru, B M Vyas, Niranjan Sharma, Lalita Pawar, Shanta Kunwar, Radha, Dhuliya, Lathani, Amina, Munnas, Anwari, Pratibha, Ramesh Tiwari, Dilip Pahalwan, M Tandon, Baby Naaz, Pappu etc in it.

Today (14 january 2017) is the 26th death anniversary of Chitragupta (16 november 1917- 14 january 1991). On this occasion, here is the second song from “Bhakt Pooran”(1952) to appear in the blog. This song is sung by Geeta Dutt and chorus. Gopal singh Nepali is the lyricist. Music is composed by Chitragupta.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

Lyrics of this song were sent to me by Avinash Scrapwala.

(audio) complete song
Song-Aayi poonam ki raat re (Bhakt Pooran)(1952) Singer-Geeta Dutt, Lyrics-Gopal Singh Nepali, MD-Chitragupta
Chorus

Lyrics(Provided by Avinash Scrapwala)

Ho o o
o o o
o o o

Aa aa aa aa aa

Aayi poonam ki raat re
Aayi poonam ki raat
Aayi poonam ki raat re
Aayi poonam ki raat

Aayi poonam ki raat re
Chhitraate huye taare
Tum taara taara dekhte aa jaana
Mere dwaare re
Main dwaar band kar ke
Ghoonghat pat kholoongi
ho o

Barson ki meri preet hai
Us par chaandni chhaayi
Barson ki meri preet hai
Us par chaandni chhaayi
Chadhti jawaani aayi to
main Daudi daudi aayi
Main daudi daudi aayi ho
Aayi poonam ki raat re
chhitraate huye taare

Tum taara taara dekhte aa jaana
Mere dwaare re
Main dwaar band kar ke
Ghoonghat pat kholoongi
ho o

Hey jogi aankhen khol ke
Singaar mera dekho
Hey jogi aankhen khol ke
Singaar mera dekho
Ubhaar kahin dekho ji
Utaar kahin dekho
Utaar kahin dekho
ho o
Aayi poonam ki raat re
Chhitraate huye tare

Tum taara taara dekhte aa jaana
Mere dwaare re
Main dwaar band kar ke
Ghoonghat pat kholoongi
ho o

Nirmohi meri maan to
main teri hokar naachoon
Nirmohi meri maan to
main Teri hokar naachun
Nazar bhar dekho to
Umar bhar naachoon
Umar bhar naachoon ho o
Aayi poonam ki raat re
Chhitraate huye taare

Tum taara taara dekhte aa jaana
Mere dwaare re
Main dwaar band kar ke
Ghoonghat pat kholoongi ho o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Vallah Kya Baat Hai”(1962) was produced and directed by Hari Walia for Nitie Pictures, Bombay. This movie had Shammi Kapoor, Bina Roy, Nishi Kohli, Mumtaz, K.N.Singh, Tuntun, Maruti Rao, Mohan Choti, Abhi Bhattacharya, Anant Apte(Introducing), Raja, Munshi Munaqqa, Nag Paul, Jankidass, Rajen Kapoor, Edwina(dancer), Moolchand, Nazir Kashmiri etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bolti Bulbul”(1942) aka “Shaahi Fakeer” was directed by Dhirubhai Desai for Vishnu Cinetone, Bombay. This fantassy movie had Anil Kumar, zebunnisa, Mehar Sultana, sardar Mansoor, Nawaz, Mumtaz, S Nazir, Samson, Ali, Mirajkar, Shahzaadi, Alaknanda etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the previous song discussed in the blog, we saw a role reversal in Hindi movie where a lady was making passes on a gentleman. The gentleman happened to be none other than Shammi Kapoor.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sim Sim Marjeena”(1958) was the sequel of “Khul Ja Sim Sim”(1956). Both movies had come from the same production house with same makers, namely produced and directed by Mulkraj Bhakri for his own banner-Golden movies, Bombay. The movie had Mahipal, Shakila, Helen, Roopmala, , Hiralal, Maruti, Niranjan Sharma, Tiwari etc in it.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Recently, I had the occasion to read an essay titled The Magical World of Bombay Talkies, written by Professor Lalit Joshi. The paper has been written in the context of making of the cultural space for the nation in waiting and the role of the Bombay Talkies Ltd. (BT) in the evolution of Bombay film industry. The essay sets out the growth of BT since its inception in 1934 until it closed down in 1954.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Vasantsena”(1942) was directed by Gajanan Jageerdaar for Atre Pictures, Bombay. The movie had Vanmala, Gajanan Jageerdar, Shahu Modak, Baby Devi, Eruch Tarapur, Navin Yagnik, Sunalini, Vijaya, Vimal Tripathi, Nazeer Bedi, Raj Vishwas, Sudhir Gore, Pandit Gokhle etc in it.
Read more on this topic…


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(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 12800 song posts by now.

This blog is active and online for over 3000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

12814

Number of movies covered in the blog

Movies with all their songs covered =865 Total Number of movies covered =3595

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Blog Start date: 19 july 2008 Active for 3000 days.
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