Archive for the ‘expression of love’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4272 | Post No.: | 1504 |
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Blog 10-Year Challenge (2010-2020) – Song No. 15
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“Insaaf” is a title that is like Halley’s comet. It arrives in Hindi movie scene at ten year intervals or so, We have seen movies titles “Insaaf” being released in 1946, 1956, 1966, after break of one decade, it appeared again in 1987.
“Insaaf”(1956) was produced by Ravjibhai U Patel and Natwar Shyam and directed by Kedar Kapoor for Bhagyoday Pictures, Bombay. This movie had Nalini Jaiwant, Ajeet, Kamal Kapoor, Tiwari, Kamal, Sagar, Ramesh Tiwari, Helen, Durga Khote, Johny Walker etc in it.
The movie had eight songs in it. Four of these songs have been covered in the past.
The first song from this movie had appeared in the blog on this day ten years ago. This song was Do dil dhadak rahe hain aur aawaaz ek hai .
So, this song is one out of five movies that are eligible for blog ten year challenge this week.
Here is the fifth soong from “Insaaf”(1956) to appear in the blog. This song is sung by Lata and chorus. Asad Bhopali is the lyricist. Music is composed by Chitragupta.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Zindagi mein husn hai husn mein guroor hai (Insaaf)(1956) Singer-Lata, Lyrics-Asad Bhopali, MD-Chitragupta
Chorus
Lyrics
zindagi mein husn hai
husn mein guroor hai
ek nayi bahaar hai
ek naya suroor hai
kuchh na kuchh zaroor hai
kuchh na kuchh zaroor hai
zindagi mein husn hai
husn mein guroor hai
ek nayi bahar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
o o o
itni sanwarne lagi ae meri sarkaar kyun
itni sanwarne lagi ae meri sarkaar kyun
dekhti hun aaina din mein kai baar kyun
din mein kai baar kyun
dekhti hu aaina din mein kai baar kyun
din mein kai baar kyun
kya kahoon dil aa gaya
baat kya huzoor hai
ek nayi bahaar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
o o o o
o o o o
aisi na baaten karo
rooth ke chal denge ham
aisi na baaten karo
rooth ke chal denge ham
dil jo kahin aayega
dil ko masal denge ham
dil ko masal denge ham
hamko apne aap par
naaz hai guroor hai
ek nayi bahar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
zindagi mein husn hai
husn mein guroor hai
ek nayi bahaar hai
ek naya suroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
kuchh na kuchh zaroor hai jee
kuchh na kuchh zaroor hai
- In: "beach" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Love song | Lyrics contributed by readers | Post by Sudhir | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4271 | Post No. : | 15501 |
Four films in his debut year. An accomplishment that is not claimed by many other music directors. The year – 1966. And the films – ‘Thakur Jarnail Singh’, ‘Smuggler’, ‘Shera Daku’ and ‘Husn Aur Ishq’. And a sampler of hits from these films – the all time favorite “Hum Tere Bin Jee Na Sakenge Sanam”; the timeless Rafi Sb – Suman Kalyanour duet “Hum Jahaan Hai Wo Maqaam Husn Aur Ishq Hai”; the lilting Mukesh solo “Ae Mere Dil Teri Manzil”; the haunting Lata solo “Intezaar Ka Aalam, Tanhaai Aur Hum”; the racy cabaret number by Lata – “Dil Ka Lagaana Is Duniya Mein”. Songs all made memorable by the lilting tunes mixed with wonderful rhythm and orchestration – the music coming from the mind of Ganesh Prasad Sharma.
Remembering music director Ganesh – he passed away on 28th March, 2000. He was 58.
Ganesh Prasad Sharma, son of the venerable Ram Prasad Sharma, came on to the film scene in early 1960s, working along with the music director duo of Laxmikant Pyaarelal. He was the younger brother of Pyaarelal. His work accompanying his elder brother as and arranger and orchestration expert. As the word got around about his talent, and his ability to create attractive rhythm and orchestration arrangements, and by the middle of the decade he started getting assignments as independent music directors. The rush of assignments was such that he had to turn down some offers, right at the beginning of his career.
Over the years, however, despite creating some very wonderful music for films, his career did not really develop much beyond the initial euphoria. Around mid 1970s, after having composed music for almost 25 films, his career simply faded away. The general opinion is that Ganesh could not get away from the shadow of the more illustrious and successful team of Laxmi-Pyaare. Since he continued to work with L-P also, the quality and characteristics of the music of his own independent films never really stood out as distinct. The similarity between the two threads of music did not allow him to create a truly independent identity for himself.
Today, I present a duet song from the 1973 film ‘Ek Naari Do Roop’. The film is remembered for the iconic favorite in Rafi Sb’s voice – “Dil Ka Soona Saaz Taraana Dhoondega”. The film is produced by the famous BR Ishara under the banner of Co-Operative Pictures, Bombay, and is directed by Madhusudan. The cast of actors is listed as Shatrughan Sinha, Rashmi Dhawan, Mehmood (Junior), Iftekhar, Madan Puri, Nadira, Roopesh Kumar, Malika, Chaman Puri, Honey Chhaya, Sapru, Lalita Kumari, Maruti, Kaajal, Rajni, Moolchand, Qureshi, Ranveer Raj, Subhash, Master Sheru, Master Ratan, and Master Chiku, with a guest appearance by Asha Sachdev.
The film has five songs listed. Four of these songs are already showcased on our blog. Today we bring on board the fifth and final song of this film. The song is penned by Naqsh Lyallpuri. The singing voices are of Asha Bhosle and Kishore Kumar. On screen, the song is performed by Shatrughan Sinha and Rashmi Dhawan. The name Rashmi Dhawan is not very familiar as a heroine. Her name can be seen in just one more film ‘Mann Tera Tan Mera’ from 1971, which is also produced by BR Ishara. She had a side role in that film – the lead pair is listed as Anil Dhawan and Rehana Sultana. So apparently, ‘Ek Naari Do Roop’ is the only film of this actress as the heroine.
The song is picturised as a love song, with the protagonists expressing their feelings of first love for each other, in a beach scenario. Shatrughan has a very trim and fresh look in this film,
The post also rings in the Yippeee status for this film. The earlier four songs of this film have appeared in the blog as follows.
|
S.No. |
Song Title | Film | Year | Post No, |
Post Date |
| 1 | Dil Ka Soona Saaz Taraana Dhoondhega | Ek Naari Do Roop | 1973 | 13 | 31-Jul-08 |
| 2 | Mere Mann Pawan Sang Udd Chal | Ek Naari Do Roop | 1973 | 7771 | 28-Mar-13 |
| 3 | Zindagi Mein Sada Muskuraate Raho | Ek Naari Do Roop | 1973 | 14830 | 8-Jan-19 |
| 4 | Ham Hi Jaanen Ek Torey Manwa Ki Peer | Ek Naari Do Roop | 1973 | 15028 | 14-May-19 |
A very interesting thing to note here. The first song of this film, posted as far back as on 31st July, 2008, is the first teen song of our blog. And the film is the first teen film. What I mean is that this film made its debut as the 13th song on the blog, and also that it is the 13th film to appear on the blog. 🙂
And further, those were the days when the blog was still following ‘song-a-day’ convention. So it was also the 13th day for the blog. 🙂
Song – Tum Samjho To Achha Hai, Main Bolun To Kya Bolun (Ek Naari Do Roop) (1973) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Naqsh Lyallpuri, MD – Ganesh
Asha Bhosle + Kishore Kumar
Lyrics
hmmmm hmmmm hmmm
hmmm hmmm
hmmm hmmmmmm
aa ha ha ha ha
arey
chup kyon ho gayi
gaao naa
na
na
na
na
oohn hoon
tum samjho
to achha hai
main bolun
to kya bolun
tum samjho to achha hai
main bolun to kya bolun
bolo bolo bolo bolo bolo
tum se hi jawaani hai
ye duniya suhaani hai
meri jaan
tum ye kya jaano
kya keh rahin hain aap
tum samjho to achha hai
main bolun to kya bolun
arey tum samjho to achha hai
main bolun to kya bolun
ho ke dewwana main kaise luta
dil se mere tum ye poochho zara
ho ke dewwana main kaise luta
dil se mere tum ye poochho zara
kehta hai ye mera dil
meri hai yahi manzil
meri jaan tum ye kya jaano
tum bolo to achha ha
main bolun. . .
na na na
tum samjho to achha hai
dekha jo tumko ae mere sanam
meri jawaani ke behke kadam
oy hoy
dekha jo tumko ae mere sanam
meri jawaani ke behke kadam
pehle bhi mila saawan
bheega bhi nahin daaman
meri jaan tum ye kya jaano
tum samjho to achha hai
na
tum bolo to achha ha
main bolun to kya bolun
baahon mein le lo ye mehka badan
tum ho meri tumko jaane chaman
baahon mein le lo ye mehka badan
tum ho meri tumko jaane chaman
chheena hai
hazaaron se
maanga hai
bahaaron se
meri jaan tum ye kya jaano
tum bolo to achha ha
main bolun to kya bolun
bolo
bolo bolo bolo bolo bolo bolo
tum se hi jawaani hai
ye duniya suhaani hai
meri jaan
tum ye kya jaano
kya keh rahin hain aap
tum bolo to achha ha
main bolun to kya bolun
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Hindi script lyrics (Provided by Sudhir)
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हम्ममम हम्ममम हम्मम
हम्मम हम्मम
हम्मम हम्ममममम
आ हा हा हा हा
अरे चुप क्यों गईं
गाओ ना
ना
ना
ना
ना
ऊँ हूँ
तुम समझो
तो अच्छा है
मैं बोलूँ
तो क्या बोलूँ
तुम समझो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
बोलो बोलो बोलो बोलो बोलो
तुमसे ही जवानी है
ये दुनिया सुहानी है
मेरी जाँ
तुम ये क्या जानो
क्या कह रहीं हैं आप
तुम समझो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
अरे तुम समझो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
हो के दीवाना मैं कैसे लुटा
दिल से मेरे तुम ये पूछो ज़रा
हो के दीवाना मैं कैसे लुटा
दिल से मेरे तुम ये पूछो ज़रा
कहता है ये मेरा दिल
मेरी है यही मंज़िल
मेरी जाँ तुम ये क्या जानो
तुम बोलो तो अच्छा है
मैं बोलूँ॰ ॰ ॰
ना ना ना
तुम समझो तो अच्छा है
देखा जो तुमको ए मेरे सनम
मेरी जवानी के बहके कदम
ओय होय
देखा जो तुमको ए मेरे सनम
मेरी जवानी के बहके कदम
पहले भी मिला सावन
भीगा भी नहीं दामन
मेरी जाँ तुम ये क्या जानो
तुम समझो तो अच्छा है
ना
तुम बोलो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
बाहों में ले लो ये महका बदन
तुम हो मेरी तुमको जाने चमन
बाहों में ले लो ये महका बदन
तुम हो मेरी तुमको जाने चमन
छीना है
हजारों से
मांगा है
बहारों से
मेरी जाँ तुम ये क्या जानो
तुम बोलो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
बोलो
बोलो बोलो बोलो बोलो बोलो बोलो
तुमसे ही जवानी है
ये दुनिया सुहानी है
मेरी जाँ
तुम ये क्या जानो
क्या कह रहे हैं आप
तुम बोलो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
- In: Amitabh Bachchan songs | Amitabh Bachchan songs by Kishore Kumar | Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Dance song | Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics contributed by readers | Rain song | Songs of 1980s (1981 to 1990) | Songs of 1982 | Thhelaa (Cart) song | Yearwise breakup of songs
- 4 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4270 | Post No.: | 15499 |
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Blog 10-Year Challenge (2010-2020) – Song No. 14
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In my personal opinion, “Namak Halaal”(1982) is one movie that had come at a critical juncture in the history of HFM and also in my personal life as well. 1982 was a time when the golden era of HFM was over. Songs and also movies were plainly becoming ridiculously rubbish. This was my personal opinion and many others shared this view.
But common people, what is often described as the LCD (Lowest common denominator) could not care less. This section of moviegoers, who are not much into thinngs like class, taste etc and are more into instant gratification loved whatever was being dished at that time.
And what was that ? That was disco. Most of them mindless, brainless kind of it. Standard formula of those days was to fill the movie with a few loud disco music where lyrics did not matter much. The lyricist only had to fit in a few arbitrary words including the word Disco, and the lyrics was done. Music director had an easier time. They only had to lift tunes of disco music from west. This lifting was shameless and blatant, without giving any credit to the original composer , and obviously without buying its rights.
The person who was almost singlehandedly responsible for this rot was Bappi Lahiri.
But Bappi Lahiri was not always like that. He started his career in mid 1970s and created some veryfine compositions. His music was so catchy that I often mistook his composition for R D Burman compositions, which is real high praise for a music director. It was he who composed such catchy and often iconic songs such as Chalte chalte mere ye geet yaad rakhna(Chalte Chalte)(1976), Aali re aali re Holi(Zakhmee)(1975), Pyaar maanga hai tumhi se(College Girl)(1978), Maana ho tum behad haseen (Toote Khilone) , Haan pahli baar ik ladki mera haath pakadkar (Aur Kaun), Hamse nazar to milaao (Ikraar), Tumhaaraa pyaar chaahiye mujhe jeene ke liye (Manokaamna) etc.
The problem with these tunes was that most of these tunes were class but these movies and its songs often went unnoticed. As a result, Bappi Lahiri’s career was going nowhere. So he finally decided that “to hell with class. I will compose music that sells.” So he started creating plagiarised disco songs. These songs were so popular that the entire music industy was forced to copy his disco music. And that sounded the death knell for the golden era of HFM.
Ironically, Bappi Lahiri kept producing some classy compositions even during the post Goolden era. My simple observation is that he did so when he used golden era singers in movies of golden era directors. On rest of the occasions, when mediocre producers and directors along with mediocre starcast was used, Bappi Lahiri would produce mediocre plagiarised music, and he would insist on giving playback for the hero in such movies.
“Namak Halaal”(1982) was directed by a golden era director namely Prakash Mehra. This movie, which was produced by Satyendra Pal for Chaudhary Enterprises, Bombay was a A grade movie with top stars of the day. Amitabh Bachchan was the hero. Others in the movie were Waheeda Rehman, Shashi Kapoor, Parveen Babi, Smita Patil, Satyen Kappu, Ashalata, Harish, Chandrashekhar, Dev Kumar, R S Chopra, Tuntun, Asha Chandra, Aazaad, Bob Cristo, Viju Khote, Jinder Walia, Nandita Thakur, Ram Sethi, Ranjeet Sood, Om Prakash, Ranjeet etc, with special appearances by Suresh Oberoi and Kamal Kapoor.
I had watched this movie by bunking my college (so what is new 🙂 ). Being a movie goer of high standards, I did not like the movie much. Having watched the movie, I went to the college the next day in what was the college recreation room which has facilities for indoor games like carrom board, TT etc. Some sports magazines were also available there.
There a few staff were playing carrom. While playing it, one of the staff, who had watched the movie, animatedly described the movie in glowing terms to his colleagues, leaving others suitably impressed and overwhelmed. He certainly made them eager to watch the song. I was listening to the discussion and I too got inflenced and realised that the movie was not all that bad that I had thought. This movie indeed was fun to watch. subsequently, I have watched parts of this movie and realised that this movie has some parts that have become all time classic scenes. For instance, there is this scene where hotel manager (played by Ranjeet) asks hairon Singh (played by Amitabh Bachchan) if he can speak English. The scene that follows can amuse movie goers even today. It is this movie that gave us a classic dialogue- “Moochhen ho to Nathhulal jaisi warna na hon.”
The movie had five songs in it. These songs had the golden era singers in it. Kishore Kumar sang for Amitabh Bachchan and his singing made all the difference. No one else could have sung these songs with so much energy, verve and midas touch. And the picturisation of these songs were fantastic. There are cases when poor picturisation destroys the effect of a great song. But that is not the case in this movie. all the songs have been picturised superbly. watching the picturisation of these songs is a highly entertaining and fulfilling experience.
Four of these songs have been covere in the past. Here are the details of the songs already covered in the blog:-
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Pag ghunghroo baandh Meera naachi thi | 143 | 11-Oct-2008 |
| 2 | Jawaan jaaneman haseen dilruba | 2364 | 27-Mar-2010 |
| 3 | Raat baaqi baat baaqi | 8622 | 1-Sep-2013 |
| 4 | Thhodi si jo pee li hai | 14951 | 23-Mar-2019 |
One can see that the previous song from the movie was covered more that one year ago. After covering that song, I had become aware that only one song from the movie remained. But this song was such a song that it deserved a befitting writeup, and that required time. And I for some reason or the other was not able to find time for a writeup.
So I kept dilly dallying and things kept getting delayed. Finally a time came when I was informed that “Namak Halaal”(1982) becomes eligible for the blog ten year challenge. I informed other potential writers- “Dont dare touch it. It is my song.” 🙂
So here I am, finally forced to bring thing song onboard in the blog.
This song “aaj rapat jaaye to hamen na uthhaiyo” is a rain song extraordinaire. And it becomes so because it had been sung with gusto by Kishore Kumar and Asha Bhonsle. It is difficult to think of any other singers who could have sung this song with this much aplomb.
The song was picturised on Amitabh Bachchan and Smita Patil as a rain song. In rain songs, the actors , especially the lady gets dangerously wet. This song is one of the most dangerously wet sari song of them all. We are aware of several occasions when censors have ordered that songs be deleted because they found the picturisation as objectionable. Some examples being Balmaa khuli hawaa mein (Kashmir Ki Kali) and Jaata kahaan hai deewaane sab kuchh yahaan hai sanam (CID). Censors found the depiction of the female character objectionable in these songs. So these songs were deleted from the movie. Only their audio remain. and I need not tell you how popular these songs are.
When I posted the previous song from the movie, which was Thhodi si jo pee li hai , and which happened to be posted on 3900th day of the blog, our beloved Khyati jee censured me as well as Sudhir jee.
Congratulations Atulji and team on reaching this milestone.
I am thinking what kind of spell ASAD is under recently? Aap nashe waali baat kar rahe ho, seedhe shaade Sudhurbhai pichkaari maarne ki baat kar rahe hai… Just concerned or rather worried. 😉
Regards
Khyati
My comment was:
Agla jo gaana bacha hua hai is movie ka, that will increase your anxiety about us even more. That song is- aaj rapat jaaye. 🙂 🙂
Khyati jee commented
That song should be played/posted behind the curtain. Bachhon pe bura asar padega. 😉
The picturisation of this song is indeed like that. Fortunately Indian censors had become more liberal since the days of 1950s and 1960s and this song passed muster with the censors. The fact that this movie was directed by a heavyweight diirector and starred the biggest star of the day, who also had strong political connections must have certainly helped.
So, here is this song, the fifth and final song from “Namak Halaal”(1982). as part of blog ten year challenge. With this song, all the songs of “Namak Halaal”(1982) have been covered and this movie thus joins the list of movies that have been YIPPEED in the blog.
Devnagri script lyrics are provided by Avinash Scrapwala, a person who keeps an eagle eye on “blog ten year challenge” opportunities. 🙂
Video
Audio
Song-Aaj rapat jaaye to hamen na uthhaiyyo (Namak Halal)(1982) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anjaan, MD-Bappi Lahiri
Lyrics
aaj rapat jaayen to hamen na uthhaiyyo
aaj phisal jaayen to hamen na uthhaiyyo
hamen jo uthhaiyo to o
hamen jo uthhaiyyo to
khud bhi rapat jaiyo
haan khud bhi phisal jaiyo
aaj rapat
aa ha aaj rapat jaayen to hamen na uthhaiyyo
barsaat mein thhi kahaan baat aisi
pehli baar barsi barsaat aisi
barsaat mein thhi kahaan baat aisi
pehli baar barsi barsaat aisi
kaisi ye hawa chali
ha
paani mein aag lagi
ha
jaane kya pyaas jagi re ae
bheega ye tera badan
ha
jagaaye meethi chubhan
ha
nashe mein jhume ye mann re
kahaan hoon main
mujhe bhi ye hosh nahin aa
ha ha ho ho ha ha ho ho
aaj behak jaayen to hosh na dilaiyo
aaj behak jaayen to hosh na dilaiyo
hosh jo dilaiyo to o
hosh jo dilaiyo to
khud bhi behak jaiyo
aaj rapat
aa ha aaj rapat jaayen to
hame na uthhaiyyo
baadal mein bijli baar baar chamke
dil mein mere aaj pehli baar chamke
baadal mein bijli baar baar chamke
dil mein mere aaj pehli baar chamke
haseena dari dari
ha
baahon mein simat gayi
ha
seene se lipat gayi re ae
tujhe to aaya maza
ha
tujhe to soojhi hansi
haa
meri to jaan phasi re
jaan e jigar kidhar chali
nazar churaa ke
aa ha ho ho ha ha o ho
baat ulajh jaaye to aaj na suljhaiyo
baat ulajh jaaye to aaj na suljhaiyo
baat jo suljhaiyo to o o
baat jo suljhaiyo to
khud bhi ulajh jaiyo
aaj rapat
aa ha aaj rapat jaayen to
hame na uthhaiyo
baadal se chham chham sharaab barse
saanwri ghata se shabaab barse
baadal se chham chham sharaab barse
ho saanwri ghata se shabaab barse
boondon ki baji paayal
ha
ghata ne chhedi ghazal
ha
ye raat gayi machal re ae
dilon ke raaz khule
ha
fiza mein rang ghule
ha
jawaan dil khulke miley re ae
hona thhaa jo hua wahi
abb darna kya
aa ha
o ho aa ha ho ho
aaj doob jaayen to hamen na bachaiyo
aaj doob jaayen to hamen na bachaiyo
hamen jo bachaiyo to o o
hamen jo bachaiyo to
khud bhi doob jaiyo
aaj rapat
aa ha aaj rapat jaayen to
hame na uthhaiyo
aaj phisal jaayen to hamen na uthhaiyo
aa ha
o ho
aa ha
o ho
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Devnagri script lyrics (Provided by Avinash Scrapwala)
———————————————
अरे अरे अरे
ना ना ना ना
ना ना ना ना आ
आज रपट जाएँ तो
हमें ना उठैय्यो
आज फिसल जाएँ तो
हमें ना उठैय्यो
हमें जो उठैय्यो तो ओ
हमें जो उठैय्यो तो
खुद भी रपट जैय्यो
हाँ
खुद भी फिसल जैय्यो
आज रपट
आ हा
आज रपट जाएँ तो
हमें ना उठैय्यो ओ
बरसात में थी कहाँ बात ऐसी
पहली बार बरसी बरसात ऐसी
बरसात में थी कहाँ बात ऐसी
पहली बार बरसी बरसात ऐसी
कैसी ये हवा चली
हाँ
पानी में आग लगी
हाँ
जाने क्या प्यास जगी रे ए
भीगा ये तेरा बदन
हा
जगाये मीठी चुभन
हा
नशे में झूमें ये मन रे ए
कहाँ हूँ मैं
मुझे भी ये होश नहीं आज
आ हा
ओ हो
आ हा
ओ हो
आज बहक जाएँ तो होश न दिलैय्यो
आज बहक जाएँ तो होश न दिलैय्यो
होश जो दिलैय्यो तो ओ ओ
होश जो दिलैय्यो तो
खुद भी बहक जैय्यो
आज रपट
आ हा
आज रपट जाएँ तो
हमें ना उठैय्यो ओ
बादल में बिजली बार बार चमके
दिल में मेरे आज पहली बार चमके
बादल में बिजली बार बार चमके
दिल में मेरे आज पहली बार चमके
हसीना डरी डरी
हा
बाहों में सिमट गयी
हा
सीने से लिपट गयी रे
तुझे तो आया मज़ा
हा
तुझे तो सूझी हंसी
हा
मेरी तो जान फँसी रे ए
जान जिगर किधर चली
नज़र चुरा के
आ हा
ओ हो
आ हा
ओ हो
बात उलझ जाए तो
आज ना सुलझैय्यो
बात उलझ जाए तो
आज ना सुलझैय्यो
बात जो सुलझैय्यो तो
खुद भी उलझ जैय्यो
आज रपट
आ हा
आज रपट जाएँ तो
हमें ना उठैय्यो ओ
बादल से छम छम
शराब बरसे
सांवरी घटा से
शबाब बरसे ए
बादल से छम छम
शराब बरसे ए
ओ सांवरी घटा से
शबाब बरसे ए
बूंदों की बजी पायल
हा
घटा ने छेदी ग़ज़ल
हा
ये रात गयी मचल रे ए
दिलों के राज़ खुले ए
हा
फिजा में रंग घुले ए
हा
जवान दिल खुलके मिले रे ए
होना था जो हुआ वही
अब डरना क्या
आ हा
ओ हो
आ हा
ओ हो
आज डूब जाए तो
हमें न बचैय्यो
आज डूब जाए तो
हमें न बचैय्यो
हमें जो बचैय्यो तो ओ ओ ओ ओ
हमें जो बचैय्यो तो
खुद भी डूब जैय्यो
आज रपट
आ हा
आज रपट जाएँ तो
हमें ना उठैय्यो
आज फिसल जाएँ तो
हमें ना उठैय्यो
आ हा
ओ हो
आ हा
ओ हो
Mujhe dekho hoti der
Posted on: March 27, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4270 | Post No.: | 15498 |
“Mr John”(1959) was produced by Nigam and directed by Indar for N K Productions, Bombay. The movie had Shyama, Johny Walker, Helen, Lalita Pawar, Ifthikhar, Krishnakumari, Mumtaz, Tuntun, Mohan Choti, Kamal Mohan, Sampson, Uma Dutt, Ravi, Champal Lala, Rashid, Daraaz, Wahid, Genious, Tiwari, Ramlal, Anil, Singh, Jaani, Ghouse, Tarun Kumar, Ajay Kumar, Ajeet, B Fazl e Kareem, Mukhtaar, Pt Baijnath etc in it.
The movie had seven songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Mr John”(1959) to appear in the blog. The song is sung by Lata and Rafi. Jaan Nisaar Akhtar is the lyricist. Music is composed by N Datta.
Only the audio of the song is available. My guess is that this song is picturised on Shyama and Johny Walker. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Mujhe dekho hoti der (Mr John)(1959) Singers-Lata, Rafi, Lyrics-Jaan Nisaar Akhtar, MD-N Datta
Lyrics
mujhe dekho hoti der
khade kyun mera rasta gher
sajan ghar jaane do o
sajan ghar jaane do
o karo haaye na ye andher
na lo yoon hamse nazren pher
ki dil bhar jaane do o o
ki dil bhar jaane do
sajan ghar jaane do o
na dekho din na dekho raat
karo kyun chhed mere saath
na dekho din na dekho raat
karo kyun chhed mere saath
kahin chhoona na mera haath
karoongi phir na tumse baat
karoongi phir na tumse baat
sajan ghar jaane do o
sajan ghar jaane do
ho karo haaye na ye andher
na lo yoon hamse nazren pher
ki dil bhar jaane do o
ki dil bhar jaane do
sajan ghar jaane do o
jo dekhen gorey gorey gaal
na bigde kaise dil ka haal
jo dekhen gorey gorey gaal
na bigde kaise dil ka haal
na baaton mein hamen do taal
raho aankhon mein aankhen daal
raho aankhon mein aankhen daal
ki dil bhar jaane do o
ki dil bhar jaane do
mujhe dekho hoti der
khade kyun mera rasta gher
sajan ghar jaane do o
sajan ghar jaane do
sajan ghar jaane do o
aji ye dil hai be-aaraam
zara to pyaar se lo kaam
aji ye dil hai be-aaraam
zara to pyaar se lo kaam
karoge kya mujhe badnaam
arre hone ko aayi shaam
arre hone ko aayi shaam
sajan ghar jaane do o
sajan ghar jaane do
mujhe dekho hoti der
khade kyun mera rasta gher
sajan ghar jaane do o
sajan ghar jaane do
ho karo haaye na ye andher
na lo yoon hamse nazren pher
ke dil bhar jaane do o
ke dil bhar jaane do
sajan ghar jaane do o o
Nazar hai kaanton se teekhi
Posted on: March 26, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4269 | Post No.: | 15496 |
“Black Shadow”(1961) was a stunt movie which was directed by Madan Mohan Mehra for Paul Productions, Bombay. This move had Nishi, Manhar Desai, Amrit Rana, Indira Bansal, Baburao, Sudha, Ramlal, Roshan, Menaka, Naseem, Narmada Shankar, BHaag Singh, Balraj Kapoor, Raju, Jaani Babu Qawwaal, Sheikh etc in it.
The movie had five songs in it. One song from the movie has been covered in the past.
The songs of this movie are as obscure as the movie itself. Posting songs from missing movies of 1960s was a project which was originally the brainchild of our beloved Khyati Bhatt who prepared an excel sheet of missing movies of 1960s. Sudhir Jee took upon this project with right earnesh and posted elusive songs from many of these missing movies.
929 movies were released during 1960s (1961 to 1970). At present, 873 of these movies are represented in the blog.
During the early days of this project (which started in 2013), I also used to cover a few missing movies, before Sudhir Jee took over full responsibility of this project. During the earlier days of this project, I covered the first song from “Black Shadow”(1961) which was this song. It was the only song from this movie that I could locate at that time.
Now, nearly seven years later, when I searched for the songs of this movie, I was able to locate another song. And what a song it turns out to be. It is an all female duet sung by Shamshad Begam and Sudha Malhotra. Naqsh Llayalpuri is the lyricist. Music is composed by Harbans.
Going by the lyrics, I guess that it is a Punjabi style stage performance dance song where one female is dressed as a male and singing in Shamshad Begam’s voice whiile other female, playing a female sings in Sudha Malhotra’s voice.
Only the audio of this “expression of love” genre of song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Nazar hai kaanton se teekhi (Black Shadow)(1961) Singers-Shamshad Begam, Sudha Malhotra, Lyrics-Naqsh Llayalpuri, MD-Harbans
Lyrics
nazar hai kaanton se teekhi
badan hai phoolon se halka
nazar hai kaanton se teekhi
badan hai phoolon se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya
saja ke resham ka patka
ho mere dil ko de jhatka
hawa mein kyun ude zaalim
pahan ke joota makhmal ka
ho sun mere haaniya haaye
ho sun mere haaniya
balle baale
ho sun mere haaniya haaye
ho sun mere haaniya
ho o o
kashmiri sebo ki laali
chhalke tere gaalon se
saawan bhi sharmaaye tere
ghoonghar waale baalon se
dil ko le dooba hai
dora tere kaajal ka
nazar hai kanto se teekhi
ho tan hai phulo se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya
saja ke resham ka patka
ho mere dil ko de jhatka
hawa mein kyun ude zaalim
pahan ke joota makhmal ka
ho sun mere haaniya haaye
ho sun mere haaniya
ho balle balle
ho sun mere haaniya haaye
ho sun mere haaniya
o o o
rasmon ki zanjeer tod kar
aa gayi teri baahon mein
dekh goriye dol na jaana
pyaar ki lambi raahon mein
jeewan bhar ka saath hai apna
khel nahin pal ka
nazar hai kanto se teekhi
badan hai phoolon se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
ho balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya
Phool gulaab ka
Posted on: March 25, 2020
This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4268 | Post No. : | 15495 | Movie Count : |
4270 |
hullo Atuldom
Under Sudhirji’s current series “Songs repeated in hindi films” he posted Ek Ladki Bheegi Bhaagi Si on March 17th, that reminded me that Farooque Sheikh’s Birth anniversary was round the corner. he would have turned 72 today (25 march 2020).
I was reading up about Farooque Sheikh ((25 March 1948 – 28 December 2013) and discovered he was the son of a lawyer and was a law graduate himself. He had leanings towards theatre and met his future wife Roopa and future co-star Shabana Azmi on the stages of St. Xavier’s College in Mumbai.
His first released movie was M.S. Sathyu’s “Garam Hawa”. What followed was a list of movies that represented the meaningful cinema of the 70s and 80s, movies that were neither ART or COMMERCIAL but more of the MIDDLE-OF-THE-ROAD kind; movies that the middle class audiences of those times identified with. We saw him in Chashme Baddoor, Katha, Rang Birangi, Ek Baar Chale Aao, Faasle, Ab Aayega Maza, Biwi Ho Toh Aisi etc.
Today we shall have a song from “Biwi Ho Toh Aisi” which had an unusual pairing. We were used to seeing Farooque with Deepti Naval in most films back then, but “BHTA” had Farooque pairing with Rekha romantically, and Kadar Khan and Bindu played his parents and Salman Khan (this was Salman Khan’s debut movie) played his brother.
This was not the first time that Rekha teamed up with Farooque Sheikh. He had played a Nawaab who was in love with Umrao in Umrao Jaan. There was one other movie with the same pairing but we see Farooque Sheikh playing the typical romantic Bollywood hero here.
Here is today’s song.
Song-Phool gulaab ka (Biwi Ho To Aisi)(1988) Singers-Md Aziz, Anuradha Paudwal, Lyrics-Anjaan, MD-Laxmikant Pyarelal
Both
Lyrics
phool gulaab ka
phool gulaab ka
laakhon mein hazaaron mein
ek chehra janaab ka aa aa
phool gulaab ka
haan jhonke suroor ke
jhonke suroor ke ae
aisi taareefen taareefen
aisi taareefen karna
seekhe koyi huzoor se ae ae
phool gulab ka
haan jhonke suroor ke ae
gore gore haathon mein mehandi mehakti hai
gore gore haathon mein mehandi mehakti hai
phool si kalaayi mein choodi khanakti hai ae
choodi khankati hai ae ae
maujen chenaab ki
maujen chenaab ki ee
maathhe pe chamakti hai bindiya hijaab ki ee ee
phool gulaab ka
khushbuon ke saaye mein
kya kya gul boote hain
khushbuon ke saaye mein
kya kya gul boote hain
prem rang sachcha hai
baaki rang jhoothhe hain
baaki rang jhoothhe hain ae ae
mausam jawaan hai
mausam jawaan hai ae
tauba boloon kya boloon
mushkil mein jaan hai ae ae
jhonke suroor ke ae ae
thhami thhami lehren hain
ruka ruka paani hai
thhami thhami lehren hain
ruka ruka paani hai
teri meri aankhon mein
raat ki kahaani hai
teri meri aankhon mein
raat ki kahaani hai
raat ki kahaani hai ae ae
waada bahaar ka
waada bahaar ka aa
umrr bhar gaayenge
naghma yeh pyaar ka aa aa
phool gulaab ka
laakhon mein hazaaron mein
ek chehra janaab ka aa aa
jhonke suroor ke
aisi taareefen karna seekhe koyi huzoor se ae ae
phool gulab ka
laakhon mein hazaaron mein
ek chehra janaab ka aa aa
phool gulaab ka
laakhon mein hazaaron mein
ek chehra janaab ka
Aao karen baaten
Posted on: March 25, 2020
This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4268 | Post No.: | 15494 |
Hello Atuldom
She was a child star to start with, facing the camera for the first time, probably at the age of 8 or 9 in 1948. Her father was a successful actor-producer-director of his time, but his death at a young age had this Baby becoming a child actress so that she could support her family. I am referring to Master Vinayak Damodar Karnataki’s daughter Nanda Karnataki a.k.a Nanda.
She debuted as Baby Nanda in the 1948 release “Mandir”. Her first adult role was in “Toofan Aur Diya” in 1956 at the age of maybe 17. She had a long career where she acted with as a supporting roles of kid sister, second heroine etc before graduating to heroine roles in the 60s. She paired with Shashi Kapoor in 8 films when he was not yet a successful star. “Jab Jab Phool Khile” helped her have a image change and this was seen in later movies like “Joru Ka Ghulam” and “The Train” (both with Rajesh Khanna), “Abhilasha”, “Beti” opposite Sanjay Khan. She had a successful pairing with Jeetendra too in movies like “Dharti kahe pukaar ke”
This Video that I saw sometime ago on youtube has Tabassum, with whom Nanda had near parallel career and was friends till she passed away in 2014, giving us some insight into Nanda’s life.
I spent some time trying to get the right song to remember this beautiful leading lady of the 60s and 70s. And here is a song from a movie that released in 1973, one of her last as a leading lady, where she is opposite the Bengali actor Ranjit Mallick. One song from this movie has been posted on the blog in 2012.
“Naya Nasha” directed by Hari Dutt and produced by C.V.K. Shastry had Nanda, Ranjit Mallick, Madan Puri, etc. etc in its cast. Our personal encyclopedia has given us an idea of what the movie was about in the comments of the only song from this movie to have appeared on the blog. the movie had four songs here is the second on the sixth anniversary of Baby Nanda i.e. Nanda.
Song-Aao karen baaten (Naya Nasha)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-Sapan Chakravorty
Lyrics
ae
aao karen baatein
aur baatein mulaaqaatein
o o pyaar ke din aaye
prem ki raatein
ae
aao karein baatein
aur baatein mulaaqaatein
pyaar ke din aaye
prem ki raatein
aise kyun khoye ho o
rut suhaani mein ae ae
aise kyun khoye ho o
rut suhaani mein ae
phir kahaan ye mausam
iss jawaani mein
iss hawaa se
lag rahi hai
aag paani mein
ae
aao karein baatein
aur baatein mulaaqaatein
oo pyaar ke din aaye
prem ki raatein
hai milan ki ye bela aa
kab milan hoga aa aa
hai milan ki ye bela aa
kab milan hoga aa aa aa
dil tadap jaayenge ae
tab milan hoga
ab toh hamse
hans ke keh do
ab milan hoga
ae
aao kare baatein
aur baatein mulaaqatein
oooo pyaar ke din aaye
prem ki raatein
ae
aao karein baatein
aur baatein mulaaqaatein
pyaar ke din aaye
prem ki raatein aen
Dil de bhi diya dil le bhi liya
Posted on: March 19, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4262 | Post No.: | 15486 |
“Annadaata”(1952) was produced by Sheikh Mukhtaar and directed by Ismail Memon for Umar Khayya Films, Bombay. This “social” movie had Veena, Ajeet, Kanhaiyyalal, N A Ansari, Sankatha Prasad, Shareifa, Nazeer Kashmiri, Kamal Mohan, Sheikh, Akhtar, Itar Singh, Neena Maker, Mukri, Sheikh Mukhtaar, etc with Murad in guest appearance.
The movie had eleven songs in it. One song has been covered in the past.
Here is the second song from “Annadaata”(1952) to appear in the blog. This was song is sung by Lata. Anjum Jaipuri is the lyricist. Music is composed by Mohammad Shafi.
Only the audio of the song is available. My guess is that the song was picturised on Veena. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Dil de bhi diya dil le bhi liya (Annadaata)(1952) Singer-Lata, Lyrics-Anjum Jaipuri, MD-Md Shafi
Lyrics
miley thhe dil magar ulfat ke geet gaa na sake
hansi labon pe rahi ee
aur muskura na sakey
dil de bhi diya
dil le bhi liya
dil de bhi diya
dil le bhi liya
ulfat ka sila hum paa bhi gaye
dil de bhi diya
dil le bhi liya
kaliyon ki tarah kuchh der khiley
kaliyon ki tarah kuchh der khiley
phoolon ki tarah murjha bhi gaye
murjha bhi gaye
dil de bhi diya
dil le bhi liya
ro ro ke sahi par jee lenge
ro ro ke sahi par jee lenge
ashqon ka zahar bhi pee lenge
ashqon ka zahar bhi pee lenge
chupke se tassli le lenge
tum yaad jo dil ko aa bhi gaye
haye aa bhi gaye
dil de bhi diya dil le bhi liya
chaandi si chamakti raaton mein
chsandi si chamakti rsaton mein
kya khoob tamasha tumne kiya
kya khoob tamasha tumne kiya
ek aas ka deep bujha bhi diya
ik gham ka deep jala bhi gaye
ho jala bhi gaye
dil de bhi diya
dil le bhi liya
dil de bhi diya
dil le bhi liya
ulfat ka sila hum paa hi gaye
dil de bhi diya
dil le bhi liya
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4252 | Post No. : | 15472 |
“Bhanwra”(1944) was a comedy movie that was well received during its time.
Mr Arunkumar Deshmukh, our in-house encyclopaedia on HFM related information has this to say about this movie:-
Bhanwara-44 was a story of two friends- Pancham (Saigal) and Rikhab (Arunkumar Ahuja), who come to Bombay in search of employment. The chawl where they stay,in single room tenements, has a pair of sisters, Indu(Monica) and Bindu(Kamla Chaterji). Indu happens to work as a teacher in the same place where Pancham is working as a Music and singing teacher. They fall in love. His friend Rikhab loves Bindu but is too shy to express his love. In this, he is assisted by his neighbour friend Pehelwan (Lala Yaqub). With his help, Rikhab develops a great body and finally wooes his ladylove. At the end, both the couples unite happily. The film was full of comic sequences, particularly with Arun Ahuja and Bindu. All in all, it was a hilarious movie.
Here is a rare song from “Bhanwra”(1944). The song is sung by Amir bai Karnataki. Swami Ramanand is the lyricist. Music is composed by Khemchand Prakash.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturization of this song.
Song-Duniya ki aankhon se sharmaane waale (Bhanwra)(1944) Singer-Amirbai Karnataki, Lyrics-Swami Ramanand, MD-Khemchand Prakash
Lyrics
Duniya ki aankhon se sharmaane waale
chhaaon ki badli mein chhup chhup ke aa
chhup chhup ke aa
chhaaon ki badli mein chhup chhup ke aa
chhup chhup ke aa
sooni hai tujh bin man ki nagariya
sooni hai tujh bin man ki nagariya
aa ke ise tu basa aa aa
aa ke ise tu basa
aa ke ise tu basa aa aa
aa ke ise tu basa
Duniya ki aankhon se sharmaane waale
chhaaon ki badli mein chhup chhup ke aa
chhup chhup ke aa
badli ke aanchal mein jaise hon taare
badli ke aanchal mein jaise hon taare
taare
palkon mein aise jo rehna ho pyaare
palkon mein aise jo rehna ho pyaare
aankhon mein loongi chhupaaye
aankhon mein loongi chhupaaye
aankhon mein loongi chhupaaye
aankhon mein loongi chhupaaye
Duniya ki aankhon se sharmaane waale
chhaaon ki badli mein chhup chhup ke aa
chhup chhup ke aa
do pal ke din hain
rut hai suhaani
do pal ke din hain
rut hai suhaani suhaani
yaad se aaye hain aankhon mein paani
yaad se aaye hain aankhon mein paani
itna na hamko rula aa
itna na hamko rula
itna na hamko rula aa
itna na hamko rula
itna na hamko rula
itna na hamko rula
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