Archive for the ‘expression of love’ Category
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from the film Ghar Ki Izzat (1948). It is a lively duet of Shamshad Begum and Ram Kamlani. The film is produced and directed by Ram Daryani, under the banner of Murli Cinetone, Bombay. Music was given by Pt Gobind Ram and songs and dialogues were by Ishwar Chandra Kapoor. The cast of the film was Mumtaz Shanti, Dilip Kumar, Gope, Gulab, Dixit, Manorama, Jeevan, Suleiman etc etc.
In the early decades of talkie era, i.e. in the 1930s and 40s, many Muslim actors and actresses took on Hindu names, for obvious reasons. Here are some such examples – Mumtaz Shanti (real name – Mumtaz Begum), Renuka Devi (Begum Khurshid Mirza), Neena (Shahida), Meena Shorey (Khursheed Jehan), Geeta Nizami (Rasheeda Begum), Madhubala (Mumtaz Jehan), Indurani (Ishrat Jehan), Veena (Tajour Sultana), Shyama (Khurshid Akhtar), Dilip Kumar (Yusuf Khan), Jayant (Zakaria Khan), Kumar (Syed Ali Hasan Zaidi), Suresh (Naseem Ahmed), Sudhir (Shah Zamaan Khan) and many more.
However, not all did this. Those who did not change name were Mehboob Khan, Mazhar Khan, Ashraf Khan, Najmul Hasan, Zubeida, Noorjehan, Khursheed etc etc.
After Independence, this trend diminished, but a new trend started – that of taking on a screen name other than the real name. Some examples are Sunil Dutt, Balraj Sahni, Sanjeev kumar, Raaj Kumar, Jeetendra, Rajesh Khanna, Akshay Kumar etc. A full article can be written on this subject, but this is enough for now.
Film ‘Ghar Ki Izzat’ was the only film Mumtaz Shanti did with Dilip kumar. Compared to young Dilip Kumar, Mumtaz Shanti was more successful and experienced with films like ‘Basant’ (1942) and ‘Kismet’ (1943). She had worked with top actors of that era, like Ashok Kumar. In this film, you can see an awkward Dilip Kumar and a vibrant and seasoned actress Mumtaz Shanti.
Mumtaz Shanti or Mumtaz Begum was born in 1922 at village Dinga in Punjab (now in Pakistan). She lost her parents early and she was brought up by her uncle who was a police constable. After his transfer to Lahore, Mumtaz was able to continue her schooling. She learnt dancing and music. She was also an expert in household chores. At the start of filmi career, she was at first rejected by Shorey Pictures. But then the famous writer/lyricist Wali Saheb helped her and took her to Calcutta’s East India Film Co. to work in a Punjabi film ‘Sohni Kumharan’ (1937). She also did another Punjabi film ‘Chambey Di Daali’ (1941) in Calcutta. Now the things were different and she was invited by Shorey Pictures to Lahore, to act in their Punjabi film ‘Mangti ‘ (1942). This film was immensely successful and ran for 65 weeks giving her name and fame.
Rai Bahadur Chunilal Of Bombay Talkies offered her a role in their film ‘Basant’ (1942). She came to Bombay and did Basant and then ‘Kismet’ (1943). Both the films were hits all over India. Mumtaz was good looking, tall and lithe, so looked attractive. After ‘Kismet’ she became a free lancer and worked with many different studios. Her notable films are ‘Badalti Duniya’ and ‘Sawaal’ (1943), ‘Bharthari’, ‘Lady Doctor’ and ‘Pagli Duniya’ (1944), ‘Chaand Chakori’ (1945), ‘Shravan Kumar’, ‘Dharti’, ‘Magadhraj’ and ‘Pujari’ (1946), ‘Dekhojee’ and ‘Doosri Shadi’ (1947), ‘Padmini’, ‘Heer Ranjha’ and ‘Ghar Ki Izzat’ (1948), ‘Putli’, ‘Biwi’ and ‘Aahuti’ (1950). Her last film in India was ‘Zamaane Ki Hawa’ (1952). In all she worked in 21 Hindi and 4 Punjabi films. She did 2 films in Calcutta, 4 in Lahore and the rest in Bombay.
She married lyricist/writer/director Wali Saheb in 1947. He directed her in 3 films in India. He was very strict and forced her to come to studios only in burqa. She was not allowed to talk to anyone. No one was allowed to touch her, even in any scene. They migrated to Pakistan after 1953. She retired from films and remained a housewife only. Wali Saheb did 3-4 films in Pakistan, without much success. He passed away in 1977. Mumtaz Shanti passed away in 1993/94, unsung and unknown in Pakistan.
After Independence films were being made on social values which the Indian people wanted to inculcate in their new life, like importance of joint families, need to do hard work, need to abolish bad customs like dowry, bridging the gap between the rich and the poor, importance of education, women’s emancipation, abolition of castes and untouchability, respecting elders and traditions etc. Thus it will be seen that every film had some or the other message for the society.
This was also one such film, in which the makers stressed the need to strengthen the joint family tradition and to reduce the gap between the rich and the poor. The film had become quite popular, as it did not sound like a propaganda film but the message was conveyed in a very entertaining way. The songs were good and became popular. The music of this film is composed by Pt Gobind Ram.
Pt Gobind Ram was a highly respected composer in the industry for his originality. Stalwarts like C Ramchandra considered Sajjaad Husain and Pt Gobind Ram ji as the original composers. It is stated by Pankaj Raag in his book ‘Dhunon Ki Yatra’ that in the mid 1940s, “. . . when K Asif planned his magnum opus ‘Mughal e Azam’, he had initially engaged Gobindram ji as the music director”. It is another thing that the film was delayed, for other reasons, by almost 15 years. Almost all the main players in the film got changed during this period of delay, including the music director. During his career, Pt Gobind Ram gave music to 32 films from 1937 to 1955, composing 302 songs.
Just before writing this article, I saw this film on YouTube to refresh my memory. I had seen the film in the early 1950s in its second run in Hyderabad. The cast of the film includes the name Dixit. Only a handful readers will recollect who he was, but there was a time in the early talkie era of 1930s and the 40s when he was a popular name. He and actor Ghory had formed a comic pair on the lines of the Laurel and Hardy team of the English cinema. In those days 4 comedians were popular – Dixit, Ghory, Kesari and Charlie.
Manohar Janardan Dikshit (this became Dixit in film line) was born on 12-11-1906 at Sinnar in Nashik district of Maharashtra. It seems, his arrival in this world was predicted by a sadhu. Somehow, in Dixit’s career, roles of sadhu played a vital role. He acted as a sadhu in as many as 31 films. His father was a district judge and was very strict at home. Due to frequent transfers, Dixit lost interest in studies. After two unsuccessful attempts in matriculation, he stopped going to school.
He started his film career as an assistant cameraman in Navjeevan Studio, with the help of Mama Varerkar, a noted Marathi writer who was associated with many studios of Hindi films. Of course Dixit did not learn anything of cinematography and did only manual works like carrying the camera etc. On the 14th November 1929, he faced the camera for his first role in the silent film ‘Sparkling Youth’ with P Jairaj and Madhav Kale. In Navjeevan Studios he did 3 more silent films and then joined the prospering, upcoming Ranjit Film company. Here he met his future partner Nazir Ahmed Ghory, who was born on 11-8-1901 at Bombay. Ghory was a graduate in those days. They paired in their first comedy film, ‘Char Chakram’ (1932), directed by Jayant Desai. The four ‘chakrams‘ in the film were Dixit, Ghory, Eddie Bilimoria and Madhuri. It was a hit film and the comedy pair became famous. They copied Laurel and Hardy. They even looked like them. Dixit was the Hardy part of the team.
They continued working together till 1947. I do not know exactly, but my guess is that they worked together in about 20 films. After partition, Ghory migrated to Pakistan and Dixit worked alone. Dixit was described by Baburao Patel as ‘our best comedian’. He was the darling of film critics too. Unfortunately, all the Ranjit Films where in they worked together were destroyed along with other negatives and except for few photos and stories about them, nothing remains now. Dixit worked in 4 silent and 66 Talkie films in 17 years’ time. For a person carrying 220 pounds weight, it was really creditable.
After the film ‘Ghar Ki Izzat’, Dixit suffered from a heart attack and he passed away on 29-6-1949 (adapted from Eena Meena Deeka and MuVyz, with thanks.)
The story of the film,
Seth Chunilal (Dixit) is a rich person. His daughter Radhika (Manorama) has married Chaman (Gope) who is their ‘ghar jamaai‘. He does not work anywhere. Radhika’s mother (Gulab) taunts him every now and then and one day, frustrated Radhika leaves the house along with Chaman. They start an insurance business and prosper in a village nearby. Chunilal’s son Chander (Dilip Kumar) becomes a lawyer. He visits his sister in the village. In same village, lives Roopa (Mumtaz Shanti) with her two brothers (Jeevan and Suleiman).
Chander gets introduced to this family, falls in love with Roopa and they get married. Upon coming to the city home, Chander’s mother starts taunting the new bahu on her poverty. Bahu, being adarsh bhartiya nari tolerates everything, but Chander gets frustrated and starts drinking. Sister Radhika and Chaman bring him to their house.
Chander’s mother and father start repenting and finally they go to Chander and Roopa, beg their pardon and bring them back with honour. They even call Chander and Radhika, but they refuse to come back, as they have prospered now.
So, all is well that ends well.
This film has 11 songs. According to the blog 6 songs are already discussed, but it transpires that one song ‘Ae Dard Zara Dum Le’ posted on 17-5-2011 and included as this film’s song, is actually a song from film ‘Zamana’ (1938). It was only used in this film as a radio song. So actually only 5 songs are covered. Today’s song is the 6th song from this film. In the video, Gope and Manorama singing this melodious song. The newer generation folks will remember the Chachi in the 1972 film ‘Seeta Aur Geeta’. Ah yes, this is the same Manorama.
Song – Aankhon Ko Aankhon Se Do Chaar Kiye Jaao (Ghar Ki Izzat) (1948) Singer – Ram Kamlani, Shamshad Begum, Lyrics – IC Kapoor, MD – Pt Gobind Ram
Shamshad Begum + Ram Kamlani
Lyrics
aankhon se aankhon ko
aankhon se aankhon ko do chaar kiye jaao
pyaar kiye jaao ji
pyaar kiye jaao
aankhon se aankhon ko
aankhon se aankhon ko do chaar kiye jaao
pyaar kiye jaao ji
pyaar kiye jaao
hai teer nigaahon mein
aur bijli adaaon mein
hai teer nigaahon mein
aur bijli adaaon mein
bas yun hi mere dil pe
tum vaar kiye jaao
bas yun hi mere dil pe
tum vaar kiye jaao
pyaar kiye jaao ji
pyaar kiye jaao
aankhon se aankhon ko
aankhon se aankhon ko do chaar kiye jaao
pyaar kiye jaao ji
pyaar kiye jaao
o mast nazar aaj tu
masti ko luta de
aur chaand se chehre se zara
zulfen hataa de
jo dil mein tere hai
jo dil mein tere hai
wo nigaahon se suna de
ulfat ke nibhaane ka iqraar kiye jaao
ulfat ke nibhaane ka iqraar kiye jaao
pyaar kiye jaao ji
pyaar kiye jaao
aankhon se aankhon ko
aankhon se aankhon ko do chaar kiye jaao
pyaar kiye jaao ji
pyaar kiye jaao
pehlu mein mere chhota sa ik
sehma hua hai dil
har taar hai is dil ka
tere pyaar ke kaabil
aa dekh sajaa rakhi hai
kis thaath se mehfil
aa dekh sajaa rakhi hai
kis thaath se mehfil
ji jaan ka nazraana sarkaar liye jaao
ji jaan ka nazraana sarkaar liye jaao
pyaar kiye jaao ji
pyaar kiye jaao
aankhon se aankhon ko
aankhon se aankhon ko do chaar kiye jaao
pyaar kiye jaao ji
pyaar kiye jaao
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आँखों से आँखों को
आँखों से आँखों को दो चार किए जाओ
प्यार किए जाओ जी
प्यार किए जाओ
आँखों से आँखों को
आँखों से आँखों को दो चार किए जाओ
प्यार किए जाओ जी
प्यार किए जाओ
है तीर निगाहों में
और बिजली अदाओं में
है तीर निगाहों में
और बिजली अदाओं में
बस यूं ही मेरे दिल पे
तुम वार किए जाओ
बस यूं ही मेरे दिल पे
तुम वार किए जाओ
प्यार किए जाओ जी
प्यार किए जाओ
आँखों से आँखों को
आँखों से आँखों को दो चार किए जाओ
प्यार किए जाओ जी
प्यार किए जाओ
ओ मस्त नज़र आज तू
मस्ती को लुटा दे
और चाँद से चेहरे से ज़रा
ज़ुल्फें हटा दे
जो दिल में तेरे है
जो दिल में तेरे है
वो निगाहों से सुना दे
उल्फ़त के निभाने का इक़रार किए जाओ
उल्फ़त के निभाने का इक़रार किए जाओ
प्यार किए जाओ जी
प्यार किए जाओ
आँखों से आँखों को
आँखों से आँखों को दो चार किए जाओ
प्यार किए जाओ जी
प्यार किए जाओ
पहलू में मेरे छोटा सा इक
सहमा हुआ है दिल
हर तार है इस दिल का
तेरे प्यार के क़ाबिल
आ देख सजा राखी है
किस ठाठ से महफिल
आ देख सजा राखी है
किस ठाठ से महफिल
जी जान का नज़राना सरकार लिए जाओ
जी जान का नज़राना सरकार लिए जाओ
प्यार किए जाओ जी
प्यार किए जाओ
आँखों से आँखों को
आँखों से आँखों को दो चार किए जाओ
प्यार किए जाओ जी
प्यार किए जाओ
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Mr X”(1957) was produced by G P Sippy and directed by Nanabhai Bhatt for Sippy Films Limited, Bombay. This “crime” movie had Ashok Kumar, Nalini Jaiwant, Johny Walker, Pran, Nishi, Hari Shivdasani, Rajan Kapoor, Leela Mishra, Ameerbai, Sheila Vaz, Helen etc in it.
The movie had seven songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Mr X”(1957) to appear in the blog. This song is sung by Asha Bhonsle. Tanveer Naqvi is the lyricist. Music is composed by N Datta.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Beech bhare baazaar karenge tumse aankhen chaar (Mr X)(1957) Singer-Asha Bhonsle, Lyrics-Tanveer Naqvi, MD-N Datta
Lyrics
beech bhare baazaar
beech bhare baazaar
karenge
tumse aankhen chaar
hamaara duniya kya kar legi
hamaara duniya kya kar legi
apni bala se
jalte hain to
jale zamaane waale ae ae
apni bala se
jalte hain to
jale zamaane waale
apna rasta dekhen
humko raah dikhaane waale
humko raah dikhaane waale
jaayenge us paar
jaayenge us paar
gira ke rasmon ki deewaar
hamaara duniya kya kar legi
hamaara duniya kya kar legi
beech bhare baazaar
karenge tumse aankhen chaar
hamaara duniya kya kar legi
hamaara duniya kya kar legi
dil hai apna
nazren apni
phir kaisi majboori ee ee
dil hai apna
nazren apni
phir kaisi majboori
nahin darenge
karenge apni har ik khwaahish poori
karenge har ik khwaahish poori
sacha ho gar pyaar
sacha ho gar pyaar
to hoga apna beda paar
hamaara duniya kya kar legi
hamaara duniya kya kar legi
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Teesri Gali” (1958) was directed by Kundan Kumar for Radiant movies production. The movie had Shyama, Abhi Bhattacharya, Prem Adeeb, Gope, Mohan Choti, Kammo, Neeru, Leela Mishra, Nagpal, Bhagwan Sinha, Dubey, Panchotia, Ramlal Pahalwan, Arya Kumar, C N Kapoor etc in it.
This obscure “social” movie had six songs in it. Two of these songs have been covered in the past.
Here is the third song from this movie to appear in the blog. It is sung by Lata. Majrooh Sultanpuri is the lyricist. Music is composed by Chitrgupta.
Only the audio of this song is avilable. My guess is that this song was picturised on Shyama. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Tauba jee tauba na poochho mera haal (Teesri Gali)(1958) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Lyrics
tauba ji tauba
na poochho mera haal
tauba ji tauba
na poochho mera haal
sun kar ke sainyyaan ji thaamenge bainyaan
bahak gayi chaal
tauba ji tauba
na poochho mera haal
unke khayaalon ke jhoole mein jhool ke
kaliyon se kheloon main kaanton ko bhool ke
unke khayaalon ke jhoole mein jhool ke
kaliyon se kheloon main kaanton ko bhool ke
mukh se lagaaa li jo phoolon ki daali
ulajh gaye baal
tauba ji tauba
na poochho mera haal
tauba ji tauba
na poochho mera haal
koi samajh le
kare aisa raam na
maare khushi ke pada dil ko thhaamna
koi samajh le
kare aisa raam na
maare khushi ke pada dil ko thhaamna
kahti hoon ji se jo milna hai pi se
to khud ko sambhaal
tauba ji tauba
na poochho mera haal
tauba ji tauba
na poochho mera haal
ban ke deewaani balam ji ki chaah mein
doloon akeli mohabbat ki raah mein
ban ke deewaani balam ji ki chaah mein
doloon akeli mohabbat ki raah mein
rasta na jaana kahin ye zamaana chale na koi chaal
tauba ji tauba
na poochho mera haal
sunkar ke sainyaan ji thaamenge bainyan
bahak gayi chaal
tauba ji tauba
na poochho mera haal
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“China Town”(1962) was produced and directed by Shakti Samant for Shakti films, Bombay. The movie had Shammi Kapoor, Shakila, Helen, Madan Puri, S N Bannerji, Mridula, Jeewankala, Gautam Mukherji, Kanu Roy, Shetty, Samson, Keshav, Khursheed, Tuntun, Rasheed Khan, Polson, F C Chang, Khatana, Fazal, Abdul, Lydia, Deendayal, Balaram, Ranjeet Sood, Shamsher Singh, Master aziz, Master Aslam, Aruna, Ram Reddy, Bina, Mauji Singh, B Bannerji, Bhattacharya, Minu, Mohan, Omi etc in it.
The movie had eight songs in it. Five of these songs have been covered in the blog.
Here is the suth song from “China Town”(1962) to appear in the blog. This song is a duet sung by Asha Bhonsle and Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by Ravi.
The song is picturised as a car song on Shakila and Shammi Kapoor. Seeing that it is a Rafi song picturised on Shammi Kapoor, this song is a rather unknown song. Personally I had not heard this song before.
Song-Ye rang na chhotega ulfat ki nishaani hai (Chinatown)(1962) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-Ravi
Both
Lyrics
ye rang na chhootega
ulfat ki nishaani hai
ye rang na chootega
ulfat ki nishaani hai
kuchh tera fasaana hai
kuchh meri kahaani hai
ye rang na chhootega
ulfat ki nishaani hai
ye rang na chhootega
lehra ke uthha mausam
rut ban ke karaar aayi
lehra ke utha mausam
rut ban ke karaar aayi
aayi to magar kitna
tarsa ke bahaar aayi
tarsa ke bahaar aayi
par kitni suhaani hai
ye rang na chhootega
aanken hain tumhaari
ya chhalka hua paimaana
aanken hain tumhaari
ya chhalka hua paimaana
apna to muhabbat mein dil ho gaya deewaana
ya hum hi deewaane hai
ya rut hi deewaani hai
ye rang na chhootega
dekho na bhula dena
in pyaar ki waadon ko
dekho na bhula dena
in pyaar ki waadon ko
tum bhi na badal dena
chaahat ke iraadon ko
jab preet lagi tumse
kuchh maine bhi thhaani hai
ye rang na chhootega
ulfat ki nishaani hai
kuchh tera fasaana hai
kuchh meri kahaani hai
ye rang na chhootega
ulfat ki nishaani hai
ye rang na chhootega
Dil mein hai baat aisi
Posted on: September 15, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Chaalis Baaba Ek Chor”(1954) was produced by Kamini Kaushal and it was directed by P L Santoshi. The movie had Kamini Kaushal, Balraj Sahni, Smriti Biswas, Om Prakash, David, Chandabai, Jagdeep etc in it.
Six songs from this movie have been discussed in the past. Here is the seventh song from “Chaalis Baaba Ek Chor”(1954) to appear in the blog. This rare song is sung by Lata. P L Santoshi is the lyricist. Music is composed by S D Burman.
This song has a line in it that goes
ijaazat ho to baabu
ye kehne tumse aaye
Online sources (all mindlessly copying from each other) mention this line as
khincha jo photo babu
ye kahne tumse aaye 🙂
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Dil mein hai baat aisi (Chaalis Baba Ek Chor)(1954) Singer-Lata, Lyrics-P L Santoshi, MD-S D Burman
unknown male voice
Lyrics
dil mein hai baat aisi
kaanon mein kahi jaaye
kaanon mein kahi jaaye
ijaazat ho to baabu
ye kehne tumse aaye
aaye
kaanon mein kahi jaaye
dil mein hai baat aisi
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kuchh meri nazren bolen
kuchh teri najren bolen
duniya waalon ki nazren
donon ki najre tolen
itna naazuk dil seene mein
rah rah ke hai ghabraaye
dil ghabraaye
ijaazat ho to baabu
ye kahne tumse aaye
aaye
kaanon mein kahi jaaye
dil mein hai baat aisi
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
mehfil mein teri dil mein
ik raaz hoon lekar aayi
chup hoon to dum ghut’ta hai
keh doon to hai ruswaai
ye ter di hai uljhan
ab tu hi ise suljhaaye
tu suljhaaye
ijaazat ho to baabu
ye kehne tumse aaye
aaye
kaanon mein kahi jaaye
dil mein hai baat aisi
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
kaanon mein kahi jaaye
ye rukh ki badla badli
ye roothhi mani nigaahen
kehti hain chupke chupke
saahab kuchh kahna chahe
keh do tum bhi kaanon mein
jo koi na sun’ne paaye
sun’ne na paaye
ijaazat ho to baabu
ye kehne tumse aaye
aaye
kaanon mein kahi jaaye
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Chamkee”(1952) was produced by Maganlal G Desai and directed by J K Nanda for National Film Circuit, Bombay. this movie had Raagini (Sr), Shekhar, Roopmala, Ulhas, Murad, Meera Mishra, Cuckoo, Jeewan, Nana palsikar, Mumtaz, Uma Dutt, Khairaati, Brij Sarah, Iqbal, Pannu etc in it.
The movie had nine songs in it. Five songs from the movie have been covered so far.
Here is the sith song from “Chamkee”(1952) to appear in the blog. this song is sung by Lata. The song is penned by Kavi Pradeep. Music is composed by Manna Dey.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Nahin maaloon ki piya jab se miley tum (Chamkee)(1952) Singer-Lata, Lyrics-Kavi Pradeep, MD-Manna Dey
Lyrics
nahin maaloom kyun
nahin maaloom ki piya jab se miley tum
tum
ek niraale nashe mein main hoon gum
ho o
ek niraale nashe mein main hoon gum
nahin maaloom ki piya jab se miley tum
tum
ek niraale nashe mein main hoon gum
ho o
ek niraale nashe mein main hoon gum
tumse jis ghadi meri aankhen ladin
tumse jis ghadi meri aankhen ladin
na jaane kyun mere dil ki dhadkan badhi
na jaane kyun meri paayal kare rumjhum
rumjhum
nahin maaloom kyun
nahin maaloom ki piya jab se miley tum
tum
ek niraale nashe mein main hoon gum
ho o
ek nirale nashe mein main hoon gum
ek chhoti si hai vinti meri mat taalna
main dagmaga rahi hoon
sajan sambhaalna
ek chhoti si hai vinti meri
mat taalna
main dagmaga rahi hoon
sajan sambhaalna
badi aasha se lagaaya hai ye kumkum
kumkum
nahin maaloom kyun
nahin maaloom ki piya jab se miley tum
tum
ek niraale nashe mein main hoon gum
ho o
ek niraale nashe mein main hoon gum
jala ke tumne piya
meri mohabbat ka diya
aa aa aa aa
mohabbat ka diya
jala ke tumne piya
meri mohabbat ka diya
aa aa aa aa
mohabbat ka diya
andhere dil mein mere maano ujaala kiya
mahak uthhe meri aasha ke sab kusum
kusum
nahin maaloom kyun
nahin maaloom ki piya jab se miley tum
tum
ek niraale nashe mein main hoon gum
ho o
ek niraale nashe mein main hoon gum
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Birha Ki Raat” (1950) was directed by Jagidaar for Noble Arts Production. The movie had Dev Anand, Snehprabha, Nargis, Snehprabha, Om Prakash, Jagirdar, Madan Puri etc in it.
The movie had eight songs in it. seven songs from the movie have been discussed in the past.
Here is the eightt and final song from the movie to appear in the blog.
This rare song is sung by Shamshad Begam and chorus. Sarshar Sailaani is the lyricist. Music is composed by Husnlal Bhagartam.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
With this song, “Birha Ki Raat” (1950) joins the list of movies that have all their songs covered in the blog. It is the first movie in nearly four weeks to get YIPPEED in the blog. This YIPPEE project as well as the debutant movie project have slowed down of late, but hopefully it is just a temporary phase of lull.
Song-Bas dekhte hi dil mera deewaaana ho gaya(Birha Ki Raat)(1950) Singer-Shamshad Begam, Sarshar Sailaani, Husnlal Bhagatram
Chorus
Lyrics
unka qusoor thhaa
na hamaara qusoor thha
aankhon mein aankhen daal ke ae
dekha zurooor thha
aaa aaa aaa
bas dekhte hi
bas dekhte hi dil mera deewaaana ho gaya
haay pehli mulaaqaat
haay pehli mulaaqaat ka bahaana ho gaya
dil ki baat lab pe aayi
aa ke reh gayi
dil ki baat lab pe aayi
aa ke reh gayi
lab jo baat keh na sake
aankh keh gayi
haaye aankh keh gayi
bas itni si
bas itni si baat ka fasaana ho gaya
haay pehli mulaaqaat
haay pehli mulaaqaat ka bahaana ho gaya
bas dekhte hi
jaadoo bhare nainwa ko maan gaye ham
jaadoo bhare nainwa ko maan gaye ham
pyaar kise kehte hain ye jaan gaye ham
haaye jaan gaye ham
lo aaj samaa
lo aaj samaa aur bhi suhaana ho gaya
haay pehli mulaaqaat
haay pehli mulaaqaat ka bahaana ho gaya
bas dekhte hi
bas dekhte hi dil mera deewaana ho gaya
haay pehli mulaaqaat
haay pehli mulaaqaat ka bahaana ho gaya
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Raaj Mukut” (1950) was directed by N Vakil for Mohan Pictures. The movie had Nimmi, Jairaj, Veena, Ramsingh, Sapru, Tabassum, R. Sinha etc in it. The movie had eleven songs in it. Two of these songs have been covered in the blog.
Here is the third song from “Raaj Mukut” (1950) to appear in the blog. This song is sung by Shamshad Begam and Rafi. Bharat Vyas is the lyricist. Music is composed by Pt Govindram.
Only the audio of this song is available. This song is an epression of love cum sawaal-jawaab song. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Apni nagariya chhod ke raaja mere gaanv kyun aaye(Raaj Mukut)(1950) Singers-Shamshad Begam, Rafi, Lyrics-Bharat Vyas, MD-Pt Govindram
Lyrics
apni nagariya chhod ke raaja
mere gaanv kyun aaye
ho raaja
mere gaanv kyun aaye ho
apni nagariya chhod ke raaja
mere gaanv kyun aaye ho
mere gaanv kyun aaye ho jee
mere gaanv kyun aaye ho
apni nagariya chhod ke raja
mere gaanv kyun aaye
ho raaja
mere gaav kyun aaye ho
meri nagariya sooni padi thhi
ghor andhera chhaaya thha
us nagri mein rahte rahte
jiya mera ghabraaya thha
tere nagar mein chaand nahin kya
nahin chamakte taare hain
jagmag karti kirnon ke
kya wahaan nahin najaare hain
chaand sitaare sabhi wahaan hain
lekin aisa chaand kahaan
lekin aisa chaand kahaan
chaand sitaare sabhi wahaan hai
lekin aisa chaand kahaan
lekin aisa chaand kahaan
jise dhoondhne main nikla hoon
wo hai mera chaand yahaan
jise dhoondhne main nikla hoon
wo hai mera chaand yahaan
isi chaand ki khaatir gori
nagar nagar bharmaaya hoon
apni nagariya chhod ke gori
tere gaanv yoon aaya hoon
o pardesi tere nagar mein
roop nahin kya rang nahin
o pardesi tere nagar mein
roop nahin kya rang nahin
gungun karte bhanwron ke dal
phool kamal ke sang nahin
sun pardesan
roop wahaan hai
lekin aisa rang nahin
lekin aisa rang nahin
jeewan hai jeete hain hum
par jeene ka koi dhang nahin
jeewan hai jeete hain hum
par jeene ka koi dhang nahin
tere gaanv ke jharnon ki sargam sun’ne lalchaaya hoon
tere gaanv ke jharnon ki sargam sun’ne lalchaaya hoon
apni nagariya chhod ke gori
tere gaanv yoon aaya hoon
main tere gaanv yoon aaya hoon
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Raam Laxman”(1957) was produced by M Nanabhai directed by Mohan Sinha for Harihar Chitra, Bombay. This mythological movie had Sulochana, Shahu Modak, Anant Kumar, Nanda, Ramesh Sinha, Dar Kashmiri, Bhalerao, Tilak Raj, Tiwari, laita Pawar, Gope, Rajendra, Minu Mumtaz, Tum Tun, Dube etc, with guest appearances by Sulochana Chatterji, Krishna Kumari, Naina and Gopikishna in it.
This movie had eight songs in it.
One song from the movie has been covered in the past.
Here is the second song from “Raam Laxman”(1957) to appear in the blog. This song is sung by Lata. Bharat Vyas is the lyricist. Music is composed by Avinash Vyas.
Only the audio of this song is available. Going by the knowledge of Ramayana, it appears that this song could be picturised on a character playing Shoorpnakha trying to woo Laxman. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Main hoon albeli naar kar solah singaar(Raam Laxman)(1957) Singer-Lata, Lyrics-Bharat Vyas, MD-Avinash Vyas
Lyrics
main hoon albeli naar
kar solah singaar
aayi hoon tere dwaar
mo se bol re
zara ras ke bhare naina khol re
main hoon albeli naar
kar solah singaar
aayi hoon tere dwaar
mo se bol re
zara ras ke bhare naina khol re
o o o o
o o o o
o o o o
mere baalon mein simti saawan ki ghata
saawan ki ghata
aa aa aa aa
saawan ki ghata
mere gaalon pe chhitki poonam ki chhata
mere gaalon pe chhitki poonam ki chhata
mere honthon mein pyaar
nainon mein nikhaar
aaj jogi tu aasan se dol re ae
zara ras ke bhare naina khol re
main hoon albeli naar
kar solah singaar
aayi hoon tere dwaar
mo se bol re
zara ras ke bhare naina khol re
rut hai basanti main raswanti
ang ang lahraaye ae ae
ang ang lahraaye
aaja kar len preet ki baaten
aaja kar len preet ki baaten
awsar chooka jaaye
ho o
awsar chooka jaaye
pade ras ki phuhaar
kare koyal pukaar
aaj jeevan mein preet ras ghol re ae
zara ras ke bhare naina khol re
main hoon albeli naar
kar solah singaar
aayi hoon tere dwaar
mo se bol re
zara ras ke bhare naina khol re
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Pratima”(1945) was directed by P Jairaj for Bombay Talkies, Bombay. The movie had Swarnlata, Dilip Kumar, Jyoti, Mumtaz Ali, Pithawala, Mukri, Zebunnissa, Shahnawaz etc in it.
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