Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘expression of love’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Phir Kab Milogi” (1974) was produced by Hari Mehra and directed by Hrishikesh Mukharjee. The movie had Biswajeet, Mala Sinha, David, Deven Verma, Bipin Gupta, Vijaya Chaudhary, Abhi Bhattacharya, Parveen Paul, Ansari, Sailesh Kumar, Naaz, Uma Dutt, Neelima, Shridhar, Sujata, Bishan Khanna, Vikram etc, with Dilip Kumar is a special role.

Today (30 september 2016) is the 96th birth anniversary of Hrishikesh Mukherji (30 september 1922- 27 august 2006). On this occasion, here is the fourth song from “Phir Kabh Milogi”(1974) to appear in the blog.

This song is sung by Lata. The song is picturised on Mala Sinha and Vishwajeet as a sulking appeasing song with roles reversed. Here Vishwajeet the hero sulks and it is the lady who tries to appease him. Normal rules of such songs (as explained in the past) apply here, of course.🙂

Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

Lyrics of this song were sent to me by Prakashchandra long long ago (in april 2013, to be exact.🙂 )


Song-Koyi paas aaye yoonhi mujhe chhoo ke muskuraaye (Phir Kabhi Milogi)(1974) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-R B Durman

Lyrics(Provided by Prakashchandra)

koyee paas aaye
yoon hi mujhe chhooke muskuraaye
raam kasam buraa nahin maanoongi
allaah kasam buraa nahin maanoongi
ho o o
koyee paas aaye
yoon hi mujhe chhooke muskuraaye
haan aaa aaa
raam kasam buraa nahin maanoongi
arrey allaah kasam buraa nahin maanoongi

alag rahe toh woh lehraaye ae ae
mile toh kuchh usse ho jaaye ae
alag rahe toh woh lehraaye ae ae
mile toh kuchh usse ho jaaye
haan..aa aa
aaheein bhare halki
labon se woh dil ki
aadhi aadhi baatein sunaaye ae ae
raam kasam
allaah kasam buraa nahin maanoongi
aaa…aaa…aaa
koyee paas aaye
yoon hi mujhe chhooke muskuraaye
haan aaa aaa
raam kasam buraa nahin maanoongi
arrey allaah kasam buraa nahin maanoongi

nazar kare sadaa ulfat ki ee
baatein kare meri soorat ki ee
nazar kare sadaa ulfat ki ee ee
baatein kare meri soorat ki
haan aaa aa
dekhe kabhi kaajal
chhede kabhi aanchal
kabhi meri laten giraaye ae ae
raam kasam
allah kasam buraa nahin maanoongi
haan aaa
koyee paas aaye
yoon hi mujhe chhooke muskuraaye
haan aaa
raam kasam buraa nahin maanoongi
arrey allaah kasam buraa nahin maanoongi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Pagle’ (1950) was directed by Pratima Dasgupta for Mercury Productions, Bombay. The movie had Begum Para, Madhuri, Jagirdar, Pratima Devi, Mubarak, David, Kukku, Agha Jaan, Sherry etc in it.

This obscure movie had nine song in it that were pened by three lyricists viz. Anjum Rehmani, Behzaad Lucknavi and Kaabil Amritsari.

Five songs from “Pagle”(1950) have been discussed in the past. Here is the sixth song from the movie to appear in the blog.

This rare song is credited as sung by Begam Para. But the voice clearly is that of Rajkumari. Going by the earlier songs of this movie, we notice that HFGK mentions the name of the actors as singers, whereas the singers are different.

Lyricist is not known. Music is composed by Snehal Bhatkar (credited as V G Bhatkar in this movie).

Only the audio of this song is available but seeing that HFGK mentions Begam Para as the “singer”, it is clear that this song was picturised on Begam Para.

I have not been able to get a few words correct in the lyrics/ I request our readers with keere ears to fill in the blanks/ suggest corrections as applicable in the lyrics.


Song-Tum mera dil lubhaao to jaanoon (Pagle)(1950) Singer-Rajkumari, MD-Snehal Bhatkar

Lyrics

tum mera dil
tum mera dil lubhaao to jaanoon
meri duniya pe chhaao to janoon
ho meri duniya pe
ho meri duniya pe chhaoo to jaanoon
tum mera dil
tum mera dil lubhaao to jaanoon
meri duniya pe chhaao to jaanoon
ho meri duniya pe
ho meri duniya pe chhaoo to jaanoon

maine maana ke tum mehjabeen ho
maine maana ke tum mehjabeen ho
baanke tirchhe ho aur tum haseen ho
baanke tirchhe ho
baanke tirchhe ho aur tum haseen ho
mujhpe jaadoo chalaao to jaanoon
mujhpe jaadoo chalaao to jaanoon
tum mera dil
tum mera dil lubhaao to jaanoon
meri duniya pe chhaao to janoon
ho meri duniya pe
ho meri duniya pe chhaoo to jaanoon

kaam degi na ye khoshantaayi(?)
kaam degi na ye khoshantaayi(?)
saath degi na kuchh ye dhhithhaai
saath degi na kuchh ye dhhithhaai
mujhko apna banaao to jaanoon
mujhko apna banaao to jaanoon
tum mera dil
tum mera dil lubhaao to jaanoon
meri duniya pe chhaao to jaanoon
ho meri duniya pe
o meri duniya pe chhaao to jaanoon

laakh milne ke dhoondho bahaane
laakh milne ke dhoondho baahaane
laakh joda karo taane-baane
laakh joda karo taane-baane
mujhko ismein phansaao to jaanoon
mujhko ismein phansaao to jaanoon
tum mera dil
tum mera dil lubhaao to jaanoon
meri duniya pe chhaao to jaanoon
ho meri duniya pe
meri duniya pe chhaao to jaanoon


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Baawra” (1950) was directed by G Rakesh for Shri Durga Pictures. The movie had Raj Kapoor, Nimmi, Lalita Pawar, Hiralal, K N Singh, Sundar, Rattan Kumar etc in it.

Two songs from this movie has been discussed in the past. Here is the third song from the movie. This song is sung by Lata. Raghupat Rai is the lyricist. Music is composed by Krishan Dayal.

Only the audio of this song is available. going by the starcast, the song could have been picturised on Nimmi though one cannot be sure of it. I request our knowledgeable readers to throw light on the picturisation of this rare song.


Song-Julmi naina balam ke maar gaye (Baawra)(1950) Singer-Lata, Lyrics-Raghupat Rai, MD-Krishn Dayal

Lyrics

Julmi naina balam ke maar gaye
ho zulmi naina balam ke maar gaye
tum jeete sajan
hum haar gaye
tum jeete sajan
hum haar gaye
haaye maar gaye
ho julmi naina balam ke maar gaye
ho julmi naina balam ke maar gaye

matwaari najariya sanwariya ki ho
matwaari najariya sanwariya ki ho
matwaari najariya sanwariya ki ho
matwaari najariya sanwariya ki ho
mohe aisi najariya pe waar gaye
mohe aisi najariya pe waar gaye
haaye maar gaye
ho julmi naina balam ke maar gaye
ho julmi naina balam ke maar gaye

deewaani banaaye gayo balma ke nain
deewaani banaaye gayo balma ke nain
more nainon mein naina wo daar gaye
more nainon mein naina wo daar gaye
haaye maar gaye
ho julmi naina balam ke maar gaye
ho julmi naina balam ke maar gaye

main to neha lagaaye leenho
balma se raam
main to neha lagaaye leenho
balma se raam
main to neha lagaaye leenho
balma se raam
main to neha lagaaye leenho
balma se raam
khoi baithi thhi main
wo sanwaar gaye
khoi baithi thhi main
wo sanwaar gaye
haaye maar gaye
ho julmi naina balam ke maar gaye
ho julmi naina balam ke maar gaye


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 35
– – – – – – – – – – – – – – – – – –

इकतारा बोले॰॰॰ तुन तुन
क्या कहे ये तुमसे॰॰॰ सुन सुन
बात है लंबी मतलब गोल
खोल ना दे ये सबके पोल
तो फिर उसके बाद
इकतारा बोले॰॰॰ तुन तुन

There is an interesting aside related to this iconic song from the 1970 film ‘Yaadgaar’. This song was originally written as a romantic song with the lines

रात अकेली साये दो
हुस्न भी हो और इश्क़ भी हो
तो फिर उसके बाद

It was selected by Manoj Kumar for his seminal classic ‘Upkar’. Eventually, this song somehow could not be fitted into the storyline. The song remained in suspended state, till Manoj Kumar revived it three years later, got it modified into a song of social messaging, and included it in his film ‘Yaadgaar’. After spending two and a half decades practically in the wilderness in the industry, here came the first major super hit for the song writer. This surely must be a record of some sorts.

We shall talk of another special and unique record by this artist, in a while. But before that, let me invite you all and congratulate you for the 124th century of our blog. We are now eight years in the running, and passing through the 9th. The numbers and averages are now a matter of some standard calculations. Nowadays, the regulars are not so enthused by the regular century markers (‘yawn…’). Especially since we passed the 10K milestone. Since then, the major events have been the 11K and the 12K stations. And the tastes are changing too. The century milestones seem tasteless, and uninteresting. Instead, in recent times, there is a ton of interest around the peculiar and the seemingly unremarkable, which of course turned out to be events of keen anticipation, as well as unexpectedly remarkable. Ah yes, I am talking about the recently passed “artificial” milestones (as Atul ji likes to call them) – the post nos. 12345 and 12357. In fact, on the way, we missed some interesting dates, as pointed out by dear Avadh Lal ji. This month i.e. September of 2016 is a very interesting month. After a long time we have a month in which the month number and the year number are perfect squares. And then what does this do to some days in this month. Yes, you guessed it right. Some days in this month are perfect squares. E.g. 4th September, 2016, written as 4-9-16 – you see, each number is a perfect square of the numbers 2, 3 and 4; three numbers in perfect ascending order. The last such date was 1st April, 2009 i.e. 1-4-9. So, in fact we missed an opportunity, enormously significant, because it will never, never, ever occur again – the three numbers in the date being perfect squares of numbers in ascending order, (unless of course someone dares to change the calendar to have at least sixteen months). Ah but, yes, I digress. But again, before I get back to the point, just so you know, tomorrow will be 25-9-16. Not in order, but a date with all numbers that are squares, the last such date for the next nine years (1-1-25).

OK, ok, I get back to the point. Yes, 124th century. That is twelve thousand and 400 songs. I know many of us would be keeping tabs, but just the same. The visitor ticker is just about 50 thousand short of the 8.5 million mark. The blog is going great guns. And the entire team is to be congratulated for that.  A couple of posts back, Atul talked about the slow pace at which we are making progress. But he also added that this circumstance will be changing shortly.

And the celebration for today. It is the century post for the songwriter Verma Malik. A little before I wrote that it took him more than two and a half decades to trump up a super hit song to his credit. The scenario on the blog does not seem to be different either. The first post of this enigmatic lyricist came as far back as 2nd September, 2008 (“Wo Pari Kahaan Se Laaun”, from ‘Pehchaan’, 1970). That is a little over eight years now. Eight years that this gentleman took to complete his first century on the blog. Maybe unlucky, but also very doggedly persistent, and eventually successful, remarkably. Just like in real life.

He was born Barkat Rai Malik, on the day of Baisakhi, 13th April, 1925, in Ferozepur (Punjab). Another one of those well known but unsung artists about whom not much information is available anywhere. There are references to him being active in the independence movement and writing songs of patriotic fervour. He got a break in writing songs for films with the help of his friend and mentor, Hans Raj Behl. He gave him his first break as a lyricist for the Punjabi film ‘Lachhi’ (1949). The same year, the same friend got him a break in Hindi films, with the film ‘Chakori’. And this friend also gave him a suggestion to change and shorten his name. ‘Barkat Rai Malik’ may not cut much ice with a lot of people. So, at this advise, he shortened his name to Verma Malik.

The first part of his career in Hindi films is the dullest and the most disheartening, if ever there was. Starting in 1949, for the next one dozen years, he could barely manage 49 songs in 24 films; doing just about 4 songs a year. What a life of struggle it would have been for him. As I scanned the list of his songs from this stretch, the only memorable one that I can identify is the famous Talat Mehmood song, “Aaye Bhi Akela, Jaaye Bhi Akela”, from the film ‘Dost’ (1954).

And then, as if this beating by destiny was not serious enough, he passes through another phase, another six years, and no work at all, to his name. After the film ‘Saaya’ in 1961, he has no work in films till 1967. The personal situation literally was that “utensils from the kitchen had to be sold” – ‘बर्तन बिक गए’. In fact, it is on record that he even made an attempt to change his profession, and tried his hand at garments business. But nothing seemed to work in life. And yet, destiny was not yet done with him. Starting with the year 1966-67, his stars began to rise once again.

Through his friends, especially Hans Raj Behl, he got to a meeting which turned the tide in his life. He had gone to Famous Studios to meet with director Mohan Sehgal. The meeting did not happen, but chance that day led him to the door of music director Kalyan ji. Providence had a meeting in store for him. Manoj Kumar was present at Kalyan ji Bhai’s house at that time. The chance meeting turned a new leaf in his life. Manoj was an old friend, and was familiar with Verma Malik’s work, especially in Punjabi films. He asked the down-in-time-and luck songwriter to present something new. Work on ‘Upkar’ (1967) was in progress, and Manoj ji was looking for some more songs for his film. Verma Malik presented the lines, listed at the beginning of this article – “Ik Taara Boley”. Originally this song was intended to be a romantic expression of a lovers’ tryst. Manoj Kumar liked the opening lines immediately and commissioned Verma Malik to do the complete song. But as fortune would have it, the song eventually did not make it to the screen in ‘Upkar’. But later, when the film ‘Yaadgaar’ (1970) was conceived, these lines were adapted into a different mood, and what emerged became the theme song of the film. The song that appears in three or four parts in the film, cumulatively runs for more than eight minutes. It became the signature song of the film, and also, became a super hit popular song that was on the lips of the common man. The second phase of Verma Malik’s career was now ascending.

When the luck turns, then other things start to fall in place too. 1967 saw the release of ‘CID 909’ and in 1968 came ‘Dil Aur Mohabbat’, both having music by OP Nayyar. The former had the song “Nadi Ka Kinaara Ho, Paani Awaara Ho” and the latter had the song “Aankhon Ki Talashi De De, Mere Dil Ki Ho Gai Chori”. The two songs became immediate hits. And then followed ‘Yaadgaar’ in 1970. Verma Malik was finally on roll.

1970 turned out to be a watershed year for him. Unprecedented in his career thus far, five films with songs written by him came out this year – ‘Pehchaan’, ‘Saawan Bhaadon’, ‘Mujrim’ and ‘Truck Driver’, besides ‘Yaadgaar’. The songs of these films need no introduction. And the icing on the cake was the Filmfare award for best lyrics for the song “Sab Se Bada Nadaan Wohi Hai, Jo Samjhe Nadaan Mujhe” from film ‘Pehchaan’. The tide had truly turned for him.

Let me now tell you about the unique-est record that was created by his songs. In the decades of the 50s, 60s and 70s, the most important benchmark of popularity of songs and artists was – yes, Binaca Geetmala. In the entire history of this iconic radio program, there is only one instance in which the top two songs of the year belonged to the same songwriter. In 1975, that credit went to Verma Malik, when the two songs of film ‘Roti, Kapda Aur Makaan’, viz., “Baaki Kuchh Bacha To Mehngaai Maar Gai” and “Arre Hai Hai Ye Majboori”, both written by him, topped the Binaca popularity chart. There is no other instance in the entire history of this program. The closest one can compare is for the year 1964, when two songs of the film ‘Sangam’ hit the top two positions simultaneously. Albeit, the two songs were written by different songwriters – “Mere Mann Ki Ganga, Aur Tere Mann Ki Jamuna Ka” written by Shailendra, and “Ye Mera Prem Patra Padh Kar” written by Hasrat Jaipuri. And yes, by the way, on way from ‘Pehchaan’ in 1970 to ‘Roti, Kapda Aur Makaan’ in 1975, Verma Malik picked up another (albeit controversial) Filmfare award, that for “Jai Bolo Beimaan Ki” for the film ‘Beimaan’ in 1972.

The list of songs in this period surely makes a head turning appeal. “Priye Praaneshwari, Hridyeshwari” from ‘Hum, Tjm Aur Who’ (1971), “Jo Tum Hansoge To Duniya Hansegi” from ‘Kathputli’ (1971), “Ladki Chale Jab Sadkon Par” from ‘Seema’ (1971), “Pranaam Karo Is Dharti Ko” from ‘Balidaan’ (1971), “Gaya Bachpan To Aayi Jawaani” from ‘Aankhon Aankhon Mein’ (1972), “Ban Ke Dulhaniya Aaj Chali Hoon Main Saajan Ke Dwaare” from ‘Shor’ (1972), “Do Bechaare Bina Sahaare” from ‘Victoria No. 203’ (1972), “Chanda Ki Kirnon Se Lipti Hawaaein” from ‘Intezaar’ (1973), “Balma Hamaar Motor Caar Le Ke Aayo Re” from ‘Anhonee’ (1973), “Raaz Ki Baat Keh Doon To Jaane Mehfil Mein Phir Kya Ho” from ‘Dharma (1973), “Badi Door Se Aaye Hain” from ‘Samjhauta’ (1973), “Hum Bolega To Bologe Ke Bolta Hai” from ‘Kasauti’ (1974), “Sun Baal Brahmchaari Main Hoon Kanya Kunwaari” from ‘Sanyaasi’ (1975), “Tere Ishq Ka Mujh Pe Hua Ye Asar Hai” from ‘Naagin’ (1976), “Aaj Mere Yaar Ki Shaadi Hai” from ‘Aadmi Sadak Ka’ (1977), “Chanda Mama Se Pyaara Mera Mama” from ‘Kartavya’ (1979), “Mere Pyaar Ki Umar Ho Itni Sanam” from ‘Waaris’ (1988), and on and on and on – many more can be added to this list.

And to add to the above, he has written songs for 50 Punjabi films, 48 of which celebrated silver jubilees in the regional circuit in North India. Many of his songs of Punjabi films have transcended the label of film songs and have become timelessly popular folk songs. On the Punjabi side of his career, he also has written dialogues and screenplays, and has also composed music for three films.

Verma Malik passed away on 15th March, 2009.

For today’s celebration, I present this very obscure and very rare Asha Bhosle song from the 1959 film ‘Ek Armaan Mera’. The music is composed by SD Batish. A very catchy sound, that has been rendered with such verve and excitement by Asha ji. Listen and enjoy.

[Note: I must thank Harish Raghuvanshi ji, for providing me detailed information and some earlier published articles on Verma Malik. Harish ji’s inputs and the book ‘Hindi Filmon Ke Geetkar’ by Shri Anil Bhargav, are the primary references for the above post.]

 

Song – Dil Aap Ka Daulatkhaana, Jab Chaaho Chale Aana (Ek Armaan Mera) (1959) Singer – Asha Bhosle, Lyrics – Verma Malik, MD – SD Batish

Lyrics

dil aap ka daulatkhaana

dil aap ka daulatkhaana
jab chaaho chale aana
ik baar mohabbat kar lo
samjho na begaana
dil aap ka daulatkhaana
jab chaaho chale aana
ik baar mohabbat kar lo
samjho na begaana
dil aap ka daulatkhaana. . .

na pyaar se hum ko dekho
hum aap se sharmaate hain
hum dil nazraana de kar
aadaab bajaa laatey hain. . .
na pyaar se hum ko dekho
hum aap se sharmaate hain
hum dil nazraana de kar
aadaab bajaa laatey hain. . .
ye waqt hai bada suhaana
le lo ye dil nazraana
ik baar mohabbat kar lo
samjho na begaana
dil aap ka daulatkhaana. . .

thodi si mohabbat kar len
sarkaar ijaazat de do
aankhon ki pyaas bujha len
ik baar ijaazat de do
thodi si mohabbat kar len
sarkaar ijaazat de do
aankhon ki pyaas bujha len
ik baar ijaazat de do
dil le ke badal na jaana
is dil ko na thukraana
ik baar mohabbat kar lo
samjho na begaana
dil aap ka daulatkhaana. . .

is dil ko basaa lo dil mein
ehsaan badaa maanenge
kadmon pe jhuka ke sar ko
hum tum ko khuda jaanenge
is dil ko basaa lo dil mein
ehsaan badaa maanenge
kadmon pe jhuka ke sar ko
hum tum ko khuda jaanenge
teri aankehn hain maikhaana
de do bhar ke paimaana
ik baar mohabbat kar lo
samjho na begaana
dil aap ka daulatkhaana
jab chaaho chale aana
ik baar mohabbat kar lo
samjho na begaana
dil aap ka daulatkhaana. . .

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

दिल आप का दौलतखाना

दिल आप का दौलतखाना
जब चाहो चले आना
इक बार मोहब्बत कर लो
समझो ना बेगाना
दिल आप का दौलतखाना
जब चाहो चले आना
इक बार मोहब्बत कर लो
समझो ना बेगाना
दिल आप का दौलतखाना॰॰॰

ना प्यार से हमको देखो
हम आप से शर्माते हैं
हम दिल नज़राना दे कर
आदाब बजा लाते हैं॰॰॰
ना प्यार से हमको देखो
हम आप से शर्माते हैं
हम दिल नज़राना दे कर
आदाब बजा लाते हैं॰॰॰
ये वक़्त है बड़ा सुहाना
ले लो ये दिल नज़राना
इक बार मोहब्बत कर लो
समझो ना बेगाना
दिल आप का दौलतखाना॰॰॰

थोड़ी सी मोहब्बत कर लें
सरकार इजाज़त दो दो
आँखों की प्यास बुझा लें
इक बार इजाज़त दे दो
थोड़ी सी मोहब्बत कर लें
सरकार इजाज़त दो दो
आँखों की प्यास बुझा लें
इक बार इजाज़त दे दो
दिल ले के बादल ना जाना
इस दिल को ना ठुकराना
इक बार मोहब्बत कर लो
समझो ना बेगाना
दिल आप का दौलतखाना॰॰॰

इस दिल को बसा लो दिल में
एहसान बड़ा मानेंगे
कदमों पे झुका के सर को
हम तुमको खुदा मानेंगें
इस दिल को बसा लो दिल में
एहसान बड़ा मानेंगे
कदमों पे झुका के सर को
हम तुमको खुदा मानेंगें
तेरी आँखें हैं मयखाना
दे दो भर के पैमाना
इक बार मोहब्बत कर लो
समझो ना बेगाना
दिल आप का दौलतखाना
जब चाहो चले आना
इक बार मोहब्बत कर लो
समझो ना बेगाना
दिल आप का दौलतखाना॰॰॰


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am aware that Begum Para and Paro Devi are two different actresses. There is no same name confusion. Yet momentarily, I tend to get confused with the names of these two actresses. If someone to ask me as to which one of these two actresses was in the film ‘Neel Kamal’ (1947), I may have to think for a while before giving the correct answer, that is Begum Para.
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“Paapi”(1953) was directed by Chandulal Shah for Ranjit Movietone, Bombay. The movie had Raj Kapoor and Nargis in lead roles, with Raj Kapoor playing a double role. The movie also had Dulaari, P Kailash, Maruti, Ramesh Thakur, Amarnath, Mehar Banu, Shrawan Kumar, Butaram Sharma etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aastik”(1956) was produced by Gordhan Das Kakkad and directed by S P Kalla for Rani Productions, Bombay. The movie had shahu Modak, Paro, Meenakshi, B M Vyas, Nagpal, Anand Joshi, Pravil Paul, Lotan, Ramesh, Micky, Dinanath, M S Phatak, Naazi, Shaanti, Mithailal, Master Dabboo, Master Babu etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Rifle Girl”(1958) was produced by Dhanpat Rai and directed by B J Patel for People pictures, Bombay. The movie had Neelofar, Mehru, Samar Roy, Habeeb, Rajan Kapoor, Mirajkar, Azeem, Uma, Tiger (dog), I D Chaudhary, Vishwa Mehra, Lallu (monkey) etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mr Lambu”(1956) was produced by Sheikh Mukhtar and directed by N A Ansari. The movie had Sheikh Mukhtar, Suraiyya, Vijaylaxmi, N A Ansari, Kamaljeet, Meera Devi, Minu Mumtaz, Helen, Bhagwan, Umar Daraj, Kamal Mohan, Jagdish Kamal, Uma Devi, Uma Dutt, Akkan, T N Charlie, Amina, S T Hussaini, Fazal Kareem, Vimal Kapoor, Ranjana Kumari, Robert Armstrong etc in it with Harish in guest appearance.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Durgapooja-54, a Mythological film. It is a lovely duet of Rafi and Asha Bhonsle. Looks like, songs of C.Ramchandra and songs from religious films will not leave me alone in my life !
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 12400 song posts by now.

Total number of songs posts discussed

12412

Number of movies covered in the blog

Movies with all their songs covered =815 Total Number of movies covered =3479

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