Archive for the ‘expression of love’ Category
Chehra tera allah allah
Posted on: December 9, 2019
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4161 | Post No. : | 15330 |
Hullo Atuldom
“Tum Haseen Main Jawaan” produced and directed by Bhappie Soni, released in 1970. The movie had six songs of which three were written by Hasrat Jaipuri, two by Indivar and one by Rajinder Krishan with Shankar Jaikishan as music directors. The cast was headed by Hema Malini and Dharmendra with Helen, Anjali Kadam, Helen, Sulochana Latkar, Rajendranath, Dhumal, Anwar Hussain, Mohan Choti, Iftikhar and PRAN. The story screenplay etc was the handiwork of Sachin Bhowmick. I have seen this movie a long time ago on Television and this is the basic storyline-
Sunil (Dharam) is a merchant navy officer (if I remember right), and has had numerous affairs with a number of attractive young women. One day he meets with beautiful Anuradha (Hema), and falls in love with her. Anuradha too loves him, and she is introduced to his mom (Sulochana). Anuradha has another admirer in Ranjeet (Pran), who informs Sunil and his mom, that Anuradha is deceiving them, and is the mother of a baby boy. Sunil and his mother are shocked, and will have nothing to do with Anuradha. Then the child, in question, is kidnapped, and held for ransom. It is then Sunil comes to know the shocking truth behind the abduction, which will change his life forever.
The movie had other typical masalas in it – like Helen a dancer with a golden heart, a sobbing sister, a family missing their elder daughter etc.
The movie made its blog debut with this song. I heard that song after years today as I was writing this and felt the song reminded me of the song “mere paas aao nazar toh milao” from “Sunghursh” (I don’t mind if people say I am wrong). Atulji followed this up with song. I would like to make it clear here that Dharam is asking Hema’s help to look after the baby that he has found i.e. he wants her to be its Nanny. And let me also add, that it suits Hema’s purpose as she is looking for a safe haven for that child whom she is shielding from its uncle played by Pran.
The last song from this movie came with a post by Rajaji to wish Hema Malini on her 69th birthday.
The song with today’s post is something I love to watch for its cuteness. Hema Malini was supremely sweet, cute etc. in those days (none of which has lessened with age, mind you). On hearing it without the video one would expect Shammi Kapoor enacting it but we have a very handsome Dharam on-screen. And the “jhatakdaar” steps is the cutest part of the song IMHO.
And why are we having this song today ? To wish the He-man, Garam Dharam on his 84th birthday. Dharmendra who started his career in the early 60s is a huge Dilip Kumar fan. He has acted in close to 300 movies in all these years. He was nominated 4 for the best actor Filmfare award but won only the Life Time achievement award in 1997. He is a Padma Bhushan recipient and has been darling of the masses who have lapped up his pairing with Meena Kumari, Nutan, Sharmila Tagore, Asha Parekh and Mala Sinha etc, but nothing to match the pairing with Hema Malini. They did about 35 films together and were romantically paired in 31; of these 20 were hits and 15 flops.
Let us have a song of this super-hit jodi today and say (belatedly) “Happy Birthday Dharmendraji”
Audio
Video
Song-Chehra tera Allah Allah (Tum Haseen Main Jawaan)(1970) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Lyrics
chehra tera allah allah
baaten teri maasha allah
badi badi aankhonn waali
jaadoo kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga
chehra tera allah all
ah baate teri maasha allah
badi badi aankhon waali
jaadoo kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga
dono jahaan mein tujhsa nahin hai
meri rahegi mujhko yakeen hai
donon jahaan mein tujhsa nahin hai,
meri rahegi mujhko yakeen hai
aahhaa aaa aaa
chehra tera allah-allah
baaten teri maasha-allah
badi badi aankhon waali
jaadoo kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga
aa
idhar toh aa
o meri jaan gale laga
tu hai hamaare pyaar ki duniya
aa ke basa de yaar ki duniya
tu hai hamaare pyaar ki duniya
aa ke basa de yaar ki duniya
aahhaa aaa aaa
chehra tera allah allah
baaten teri maasha allah
badi badi aankhon waali
jaadoo kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga
aa
idhar toh aa
o meri jaan gale laga
tu toh khuda ke hosh bhula de
chain chura le neend uda de
tu toh khuda ke hosh bhula de
chain chura le neend uda de
aahhaa aaa aaa
chehra tera allah allah
baaten teri maasha allah
badi badi aankhon waali
jaadu kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga
aa
idhar toh aa
o meri jaan gale laga
a aa
idhar toh aa
o meri jaan gale laga
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4152 | Post No. : | 15318 |
“Chingaari”(1955) was directed by S Srivastava for co-operative pictures production, Bombay. The movie had Shekhar, Nalini Jaywant, Leela Misra, Sunalini Devi, Pran etc in it.
This forgotten movie had eight rare songs in it. Three songs have been covered in the past.
Here is the fourth song from “Chingaari”(1955) to appear in the blog. This song is sung by Lata. Shailendra is the lyricist. HFGK mentions the music director as Manohar.This Manohar is Manohar Arora.
This movie had seven Lata solo songs in it. It can be assumed that they were all meant for the lead actress viz Nalini Jaiwant.
Song-Dhak dhak dhadke jiyara laaga rog suhaana(Chingaari)(1955) Singer-Lata, Lyrics-Shailendra, MD-Manohar Arora
Lyrics
dhak dhak
dhak dhak
dhak dhak
dhak dhak
dhadke jiyara
dhadke jiyara
laaga rog suhaana
laaga rog suhaana
ghadi ghadi
ghadi ghadi dil mein aaye jaaye
aaye jaaye
ek pardesi anjaana
ho o laaga rog suhaana
kal maine unko dekha
ek sapna din ko dekha
nain mila ke neh lagaa ke
chain ganwaaya
apnon se main aankh churaaun
ho o
aankh churaaun
man bhaaya begaana
ho o
laaga rog suhaana
mere nainon se
mere nainon se dil me samaaye koi
mere honthon ko hansna sikhaaye koi
man mandir mein seekh rahi hoon
seekh rahi hoon
pyaar ke deep jalaana
ho o
laaga rog suhaana
chhup chhup jhaanke taaron se
chain churaaye ishaaron se
paas na aaye
door na jaaye
ji tarsaaye
man ke chor ko dekh na paaun
ko dekh na paaun
mile na koi bahaana
ho o
laaga rog suhaana
dhak dhak
dhak dhak
dhadke jiyara
dhadke jiyara
laaga rog suhaana
laaga rog suhaana
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4147 | Post No. : | 15313 |
“Zingaaro” (1963) was directed by Chandrakant for Jai Films, Bombay. The movie had Jairaj, Zabeen, Tiwari, Bela Bose, Lakshmi Chhaaya, Aruna Irani, Maruti, Mridula, Baburao Pehalwan, Babu Raje, Radheyshyam, Moolchand, Gani Pehalwan, Julian etc.
The film has six songs. One song has been covered in the past.
Here is the second song from “Zingaaro” (1963) to appear in the blog. The song is sung by Mahendra Kapoor, Suman Kalyanpur and chorus. Prem Dhawan is the lyricist. Music is composed by S N Tripathi.
Only the audio of the song is available. From the sounds of it, the song is a qawwaali. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Arre adaa se muskura dena…aap se humko mohabbat ho gayi (Zingaaro)(1963) Singers-Mahendra Kapoor, Suman Kalyanpur, Lyrics-Prem Dhawan, MD-S N Tripathi
Male chorus
Female chorus
Lyrics
are adaa se muskura dena
aur haseen sar jhuka lena aa aa
haseenon ko bhi kitna sahal hai
bijli gira dena
ae ji aap se haaye
aap se humko mohabbat ho gayi
ho gayi
ae ji aap se humko mohabbat ho gayi
ho gayi
aur hashr se pehle kayaamat ho gayi
ho gayi
aur hashr se pehle kayaamat ho gayi
ho gayi
ishq ka mat naam lo ae meharbaan aan
ishq ka
aji ishq ka mat naam lo ae meharbaan aan
kya karoge
hoye hoye
kya karoge
jo museebat ho gayi
ho gayi
aji aap se humko mohabbat ho gayi
ho gayi
aa aa aa aa aa aa aa
are ishq mein peechhe haten jo
hum vo deewaane nahin
aji kyun nahin ji, kyun nahin
nahin hum vo deewaane nahin
jalne se jo khauf khaaye
hum vo parwaane nahin
aji kyun nahin ji kyun nahin
nahin hum vo parwaane nahin
jo garajte hain baraste hi nahin
aayega na aap par humko yaqeen
jala do haaye
jala do haddiyaan meri
jala do o
uda do
uda do
dhajjiyaan meri uda do
khata-e-ishq ki aisi saza do
meri hasti hi duniya se mita do
mita do
mita do
mita do
o o o
chhodiye hum aazmaaish kar chuke
kar chuke ji kar chuke
hum aazmaaish kar chuke
aapki sachchi wafa pe mar chuke
mar chuke ji mar chuke
sachchi wafa pe mar chuke
aa aa aa aa
humko bhi haaye
humko bhi thhodi si chahat ho gayi
ho gayi
humko bhi thhodi si chahat ho gayi
ho gayi
aapse humko mohabbat ho gayi ee ee
aapse humko mohabbat
haay
mohabbat
hoye
mohabbat ho gayi ee ee
hashr se pehle kayamat ho gayi ee ee
hashar se pehle kayaamat
haay
kayamat
haay
kayamat ho gayi
ee ee
ho gayi ho gayi
ho gayi
ho gayi
ho gayi
ho gayi
ho gayi
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4146 | Post No. : | 15312 | Movie Count : |
4218 |
Hullo Atuldom
24th November 2019 is the 75th birthday of Amol Palekar – the actor who played a common man or the boy next door character so convincingly that it jolted the audience when they saw him play a cold-blooded murderer in Vinod Chopra’s “Khamosh” (1985). He played a similar grey-shaded character in “Teesra Kaun” (1994) and “Aanchal” (1980). So, it is not as if he always stuttered in front of a strict boss as in “Golmaal” (1979), “Damaad” (1978), a person who is hyper worried that he will die of some grave illness, leaving his beautiful young wife grieving – “Meri Biwi Ki Shaadi” (1979) etc.
In between he also attempted playing a different kind of character in “Pyaasi Aankhen” (1983). At least that is what I have deduced from the video that is accompanying today’s song. To be truthful, I had never heard of this movie or its songs till I thought of writing this post. I have heard two songs from the movie and they seem to portray a different kind of Amol Palekar. The movie feels like it will be a heavy, 4-5 handkerchief movie, as tear-jerker movies used to be called back then. This movie was directed by Ram Kelkar who was essentially a screenplay/ dialogue/ script writer for many movies like “Piya Ka Ghar”, “aasha”, “Aap Ki Kasam” and many more successful films. On further googling information on Ram Kelkar we find that he has directed only one other movie- “Duniyadari” in 1977.
“Pyaasi Aankhen” had star cast of Waheeda Rehman- Shabana Azmi- Asha Sachdev- Amol Palekar- Om Prakash, with music by Usha Khanna. Indeevar and Rana Saheri (never heard this name) wrote the songs which were sung by Asha Bhonsle Usha Khanna and Kishore Kumar. This is all the information I could gather on the internet;
I would love to know what the story is and why there is a romantic number between Asha Sachdev and Amol Palekar. Also, I would love to know if Waheeda Rehman played his all sacrificing mother, who is an eye-sore for the haughty daughter-in-law played by Asha Sachdev (my assumption) as I found a song that preached the story of a son who plucks out the mother’s heart because the d-i-l asked for it.
I also found a dance number where Amol Palekar and Shabana have actually done a Bollywood-style folk number. We have always seen this pair in semi-serious avatar as in “Apne Paraye”, Kumar Sahani’s “Tarang” (an art film), and a few more (cannot recollect off-hand).
Today we have a lively song sung by Kishore Kumar and Usha Khanna. After seeing the video, I must admit Amol Palekar is a person with a sense of rhythm and moves well to the beats, he didn’t make a spectacle of himself. He is joined by Om Prakash, Sundar and Shabana and we see Waheeda Rehman being dragged into the dance towards the end. Asha Sachdev is seen enjoying herself. This song from a lesser known movie is a discovery for me.
Song-Kya chamatkaar hai tere ik baar ke deedaar mein (Pyaasi Aankhen)(1983) Singers-Kishore Kumar, Usha Khanna. Lyrics-Indeewar, MD-Usha Khanna
Female chorus
Male chorus
All chorus
Lyrics
hey ae ae
ho o o o
h ooooooo ho ho
oooooo
he ae ae ae ae
ho ho oooooo
kya chamatkaar hai
tere ik baar ke deedaar mein
kya chamatkaar hai
tere ik baar ke deedaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
aaa aaaa aaaa aaaa
aaaaa aaaaa aaaaaa
aaaaa aaaaaaa
aankh banke tujh ko hi takta rahoon
galiyon mein teri bhatakta rahoon
aankh banke tujh ko hi takta rahoon
galiyon mein teri bhatakta rahoon
tere liye kaanton pe chalna toh kya
sooli pe hanske latakta rahoon
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
ho ho ho ho
oo
aaaaaaa aaaaa
ho ho ho ho ho ho
aaaaaaa aaaaa
maangoon mein rab se wafaayein teri
yun hi sunta rahoon bas sadaayein teri
maangoon mein rab se wafaayein teri
yun hi sunta rahoon bas sadaayein teri
jo lakha kitaabaan sikha na sakin
sikha gayin woh mujhko adayien teri
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
jogi
jogi
jog chhad ke
jog chhad ke
aa aye hain sansaar mein
jogi
jogi
jog chhad ke
jog chhadke
aa aye hain sansaar mein
pyaar ke ae ae
naam par
maine pooja tujhe
har moorat mein ae ae
maine toh dekha tujhe
pyaar ke naam par maine pooja tujhe
har moorat mein maine toh dekha tujhe
teri khushi par vaaroon apni khushi
jo pyaara tujhe woh hai pyaara mujhe
jogi jog chhad ke
he aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
kya chamatkaar hai
tere ik baar ke deedaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
ye baat hai
o zara jam ke
o zara khul ke
he turr
haan
hoye hoye hoye hoye
hey hey
ye baat hai
zara imaandaari se
arre baja baja
aha
ha
ha ha
ha ha
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4143 | Post No. : | 15308 |
Today’s song is from the film Leela-1947.
Film Leela-1947, a Filmistan offering, was directed by Dattaram N Pai. He was actually an Editor with Filmistan. His name appears as a Director first for film Eight Days-1946. That film was actually directed by Ashok kumar, but Dattaram’s name was given as a Director in the credits. His second and last film as a Director was Leela-1947. I suppose, he did try to do justice to the Director’s chair, but after this film, he did not direct any other film. May be, looking at his limitations, Filmistan did not opt for him anymore.
All the 9 songs of the film were written by G S Nepali and Qamar Jalalabadi. The singers were Binapani, Shamshad, Geeta Roy, Amirbai and Chitalkar. The MD was C Ramchandra. The cast of the film was Shobha, Kanu Roy, Veera, V H Desai, Agha, Leela Mishra, Sunalini Devi etc.etc.
The Heroine of this film, Shobha, unfortunately remains an actress about whom no information is available. On going through the HFGK, I find her name in at least 20++ films. Sometimes she is listed as Shobha Devi. Another bit of information about Shobha was that that the actress Lata Sinha, who started as a child star (as Baby Lata) in Riyasat-55 and Nau Do Gyarah-1957 etc. was her daughter. Lata did a good role in Bees saal baad-1962. She mainly acted in action/stunt, costume and other B and C grade films only. She was also in film Bhoot Bungla-1965.
Film Leela-1947 was made by Filmistan. When a dissatisfied, and disillusioned splinter group fell out of Bombay Talkies, Filmistan was a Dream project for them. The important members from this group were S.Mukherjee, Ashok Kumar, Gyan Mukherjee and Rai Bahadur Chunilal. For them founding Filmistan was a goal achievement. For C Ramchandra, finding Filmistan was a goal achievement, because those days he had left Jayant Desai’s company and was looking for another film company.His good old friend Kavi Pradeep, who was close to S.Mukherjee from their Bombay Talkies days, brought in a very lucrative offer from Filmistan and C Ramchandra joined it with pleasure.
Though C Ramchandra had begun his career in 1942 with Sukhi Jeevan, his first Hindi film as a MD, his music had not flourished till he joined Filmistan. The 5 films he had made with Jayant Desai were reasonably good but they were not Hits. It was only in Filmistan he achieved, what one would call-Success. Out of the 11 films that he made here. his success rate was more than 50%. Especially, the music of films like Shehnai-1947, Saajan-1947, Khidki-1948, Nadiya ke par-1948, Patanga-1949, Samadhi-1950 and Anarkali-1953 created songs which are remembered even today. To make songs whose popularity lasted for more than 70++ years, is surely an achievement.
It was also when he was with Filmistan that people were comparing him and Naushad and a discussion always circulated who was the Numero Uno as an MD. Though I am a C Ramchandra Bhakta, I am of the opinion, that in the race of creating everlasting Hit songs, C Ramchandra was no match to Naushad. The strike rate of Naushad’s Hit films was much much more than that of C Ramchandra.
In the year 1946, C Ramchandra gave music to 4 films(1 for Filmistan), in 1947 it was 7 films (4 for Filmistan) and in 48 films were 8 (2 for Filmistan). So, in these 3 years, he did 19 films (7 for Filmistan). The rest comprised of stunt films of Master Bhagwan and other social films. Hit films were -5, all for Filmistan.
During this period, starting with film Safar-1946, his female lead singer was Binapani Mukherjee. She remained so, till Lata Mangeshkar dominated the music of C Ramchandra from 1950 onwards. As such, Binapani was not a great singer and she had limitations. This, precisely, was the reason why her career was limited to only about just 20 odd films with 50 odd songs. Her all popular songs were with C Ramchandra only.
Binapani was born on 17-10-1925, in a music loving family of Calcutta. Initial music training was by her grandfather Sheetal chandra Mukherjee and and later from ustad Sageer Khan of Rampur.
C.Ramchandra gave her first break in playback in film “Muskurahat”-1943. Her first song was-‘Hans le gaa le…’. It was a duet with CR.
Then came Majdoor, Eight days, Darban, Rangbhumi, but she became famous after ‘Safar’-46.
Her most popular song-‘kabhi yaad kar ke,gali paar kar ke,chali aana hamare angana…’ was from this film, as a duet with C Ramchandra.
She also sang in Leela, Mulakat, Shahnai, Samrat Ashok, Satyanarayan, Raaz, Rumaal, Asra, Abla, Bhikari, Fariyad, Laajawab, Ghayal etc.
Her last film was Gyan Dutt’s ‘Ghayal’-1951.
She was the lead singer (female) for C.Ramchandra, till 1950 i.e. till Lata came on the scene.
Her voice was very sweet and was suitable for sad songs.
She sang under C Ramchandra, Khemchand Prakash, Gyan Dutt, Hansraj Behl, Sardar Malik, Anil Biswas, S D Burman, H P Das, Premnath, Gulshan Sufi, Khursheed khan etc. etc.
After playback singing, she retired from film singing and taught music to aspirants throughout her unmarried life. She was staying in Bombay, with her brother.
The Hero of film Leela was Kanu Roy. The name KANU ROY is another instance of ” Same name confusion “. There was a composer also by the name Kanu Roy who gave music in a few films. Most people and many Internet sites, including IMDB,consider these two different persons as one and claim films for acting and music together, as if he was an actor and a composer. In Hindi films this happened routinely, but in the early era of Talkie films. Master Krishnarao, Vinayakrao Patwardhan, Master Mohammed, Badriprashad, Vithaldas Panchotiya etc can be quoted as actor/composers. Lately only the name of Kishore Kumar comes to the mind in this category.
Kanu Roy (the Actor) was in reality a name for Nalini Ranjan Roy, born on 9-12-1912 at Jabalpore. He was very fond of acting and so landed at Bombay Talkies, a company started by 2 Benagalese- Himanshu Roy and Devika Rani. Those days many people from Bengal used to come to Bombay Talkies, but only the capable ones like Amiya Chakravarty, Shashadhar Mukherjee or Ashok Kumar etc could make their careers here.
Kanu Roy started his acting career from the film Basant-1942. His name Nalini was sounding like a Girl’s name in Bombay ( there were already half a dozen Nalinis working in films those days), so it was changed and he opted for Kanu, his pet name in the house. Thus Kanu Roy came into films. Due to his good looks, he even became a lead actor in a few films. Nazrana-1946 (UR) was one such film where he was working opposite Kamini Kaushal. Kanu Roy also left Bombay Talkies along with S.Mukherjee and others and joined Filmistan. He was in many Filmistan films like, Munim ji, Nastik, Naagin, Jagriti etc. He acted in a Bangla film ‘Samar’too in 1950. Kanu Roy worked in about 40 odd films from 42 to 83 ( kisi se naa kehna).
It is a coincidence that Leela Mishra was also working in film Leela-1947. This is one actress ,who came from a village and remained a villager though out her life. Though she earned a lot with 300++ films, till the end she lived in a 2 room tenement only. She disliked and never saw films, even her own films.
Leela Mishra (1 January 1908 – 17 January 1988) was a Hindi film actress. She worked as a character actor in over 300 Hindi films for five decades, and is best remembered for playing stock characters such as aunts (Chachi or Mausi). She is best known for her role of “mausi” in the blockbuster Sholay (1975), Dil Se Mile Dil (1978), Baton Baton Mein (1979), Rajesh Khanna films such as Palkon Ki Chhaon Mein, Aanchal, Mehbooba, Amar Prem and Rajshri Productions hits such as Geet Gaata Chal (1975), Nadiya Ke Paar (1982) and Abodh (1984). Her career’s best performance was in Naani Maa in 1981, for which she received Best Actress award at the age of 73.
Leela Mishra was married to Ram Prasad Mishra, who was a character artist, then working in silent films. She got married at the very young age of 12. By the time she was 17, she had two daughters. She hailed from Jais, Raebareli. She and her husband were from zamindar (landowners) families.
Leela Mishra was discovered by a man called Mama Shinde, who was working for Dadasaheb Phalke’s Nasik Cinetone. He persuaded her husband to make her work in films. During those days there was a severe scarcity of women actors in films; this was evident in the paychecks that the Mishras received when they went to Nasik for the shooting. While Ram Prasad Mishra was hired on a salary of Rs. 150 per month, Leela Mishra was offered Rs. 500 per month. However, as they fared poorly in front of the camera, their contracts were cancelled.
The next opportunity that came their way was an offer to work in the movie Bhikarin, which was being produced by Kolhapur Cinetone, a company owned by the Maharaja of Kolhapur. However, Leela Mishra lost out on this opportunity too, as the role required her to put her arms round the actor (who was not her husband) while delivering a dialogue, which she point-blank refused to do.
Their next film was Gangavataran-1937, directed by Dadasaheb Phalke. This was his only and the last Talkie film. In this film Leela did the role of Parvati. This became her first film.
She had faced a similar problem while working earlier in another film titled Honhaar-1936. She was cast opposite Shahu Modak as a heroine, and was supposed to hug and embrace him, which she again refused steadfastly. Since the company was legally in a weak position, they couldn’t turn her out of the film, which proved to be a blessing in disguise for her. She was offered Modak’s mother’s role in the film and it clicked instantly. This opened the doors for her to play mother roles at the young age of 18.
Early on in her career she acted in notable films such as the musical hit Anmol Ghadi (1946), Raj Kapoor’s Awaara (1951) and Nargis-Balraj Sahni starrer Lajwanti (1958), which was nominated for the Palme d’Or for Best Film at 1959 Cannes Film Festival.
She acted in the first Bhojpuri film, Ganga Maiyya Tohe Piyari Chadhaibo (1962), which also starred Kumkum, Helen and Nasir Hussain.
Her roles varied from mothers, benign or evil aunts, to comic roles.
She acted in 344 films. Her last released film was Aatank-1996. 8 films were released after her death.
Today’s song is the 7th song (out of nine) from the film. It is a duet of Chitalkar and Binapani ( this is a name of Goddess Saraswati). It is aquite hummable song. Enjoy.
Song-Aate jaate nazar milaate ho jaata hai pyaar (Leela)(1947) Singers-Binapani Mukherjee, C Ramchandra, Lyrics-Gopal Singh Nepali, MD-C Ramchandra
Both
Lyrics
Aate jaate nazar milaate
mil jaate dildaar
do dil bolen
sang sang dolen
ho jaata hai pyaar
ho o ho o
tum ?? milne the
main duniya mein anjaani
tum ?? milne the
main duniya mein anjaani
?? nadi ki donon ??
phir kya aana-kaani
?? nadi ki donon ??
phir kya aana-kaani
hilmil jaayen
ghulmil jaayen
chalo chalen us paar
do dil bolen
sang sang dolen
ho jaata hai pyaar
jab phoolon ka chaand uthhe
dharti se dheere dheere
jab phoolon ka chaand uthhe
dharti se dheere dheere
hum bhi ghar se nikal chalenge
pyaar ki jamuna teere
hum bhi ghar se nikal chalenge
pyaar ki jamuna teere
nayi jawaani raat chaandni
milne ka tyohaar
do dil bolen
sang sang dolen
ho jaata hai pyaar
lambi raah door hai jaana
thhak jaana ruk jaana
lambi raah door hai jaana
thhak jaana ruk jaana
tum peepal ki thhandi chhaaya
ban ke jhhuk jhhuk aana
tum peepal ki thhandi chhaaya
ban ke jhhuk jhhuk aana
preet laga ke
meet bana ke
kaun kare inkaar
do dil bolen
sang sang dolen
ho jaata hai pyaar
Aate jaate nazar milaate
mil jaate dildaar
do dil bolen
sang sang dolen
ho jaata hai pyaar
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4141 | Post No. : | 15303 |
Today’s song is from film Arsi-1947.
Till recently, I was wondering, what was the meaning of this Title word Arsi. I could not find the meaning anywhere and finally I left my attempts. Then one day, I read the review of this film, in the June 1948 issue of Film India and I got a new piece of wisdom that Arsi was a name of the girl in the film. It was for the first time that I learnt that a name such as Arsi could be a girl’s name in India. Out of curiosity, I checked the 3 ” Boys and Girls Names ” books that I have in my collection, but in none of the books this name was found. At last, I decided to surrender to Guru Google ji, and to my surprise, I learnt that the word means ” Mirror ” !
The film Arsi was made by Jeevan Pictures, Lahore. It was directed by Daud Chaand. All the 11 songs were written by Sarashar Sailani. This was his first film as a Lyricist. The owner of Jeevan Pictures, was Motiram Jain and he was a lover of Shayari and poetry. Sarashar Sailani, who was not much educated (not a graduate), but was a school teacher, used to participate in Mushayras. Motiram liked his shayari. When Motiram started his First film Arsi-47, he invited Sailani to write story, song and dialogues for this film. Some songs became popular and Sailani jumped into film line.
Lachhiram called him for his next film Mohini-47 and Shyamsunder called him for Ek Roz-47. Along with director Daud Chaand, Sailani also shifted to Bombay. However, after the Partition, Daud returned to Lahore but Sailani remained in India. He wrote lyrics. generally he got only low budget films, but he worked with some quality composers like Pt. Amarnath, Husnlal-Bhagatram, Roshan, Chitragupta, Jaidev, A R Qureshi, Hansraj Behl etc.
In all, he wrote 150 songs in 32 films. From 1960 onwards, after film ‘ Bade ghar ki bahu’, he stopped song writing and took up only story, dialogue writing, in which he did many good films. Sarshar Sailani died on 10-4-1969.
In film Arsi-47, there were 2 MDs – Lachhiram Tamar and Shyamsunder. Although HFGK is silent on crediting MDs for any song, those who uploaded the songs on YT have indicated MD names as given on the records. Much is written about Shyamsunder, but not much is available on Lachhiram. Last year, in one of posts, I have given information about Lachhiram Tamar already.
The film’s director was Daud Chaand. Dawood Chand was a prominent film director of 1930’s & 1940’s of Indian cinema. He directed Veer Kaisri (1938), Joshe-e-Islam (1939), Sipahee (1941), Jangee jawan (1943), Paraey Bas main (1946), Aaarsee and Aik roze (1947) and Papeeha Re-48 in India.
In Paksitan he was director of first ever released Pakistan film Tairi Yad (1948). Some of his others films were Hichkoley, Mundri (1949), Sassi (1954), Bulbul (1955), Mirza Sahebaan and Hatim (1956), Muraad (1957), Aalam ara (1959), Sapairan (1961), Khaiber Pass and Ghazala (1963), Reshma (1970), and Bahadra (1973).RAZA MIR (Producer/Director)
He acted in Indian film Shaher say door (1946) but in Pakistan he chose other profession. He was Pakistan’s First film Teri yaad’s (1948) cinematographer and director. He also directed some other films like Baiti (1964), Lakhon main aik (1967), Aaasra and Aneela (1969), Parai aag (1971), Naag muni, Vicharya saathi (1973), Professor and Arzoo (1975) Sohni mahiinwal (1976) and Dil keey daagh (1978). Asif Raza Mir film hero of late 1970’s and early 1980’s and a good TV artist is his son. He died on 24-5-1975 at Lahore, Pakistan.
The cast of the film was Meena (Shorey), Al Nasir, Ajmal, Asha Posley, Zahoor Shah, Bheemsain, Ramlal, Pran, Cuckoo etc etc. When I had first come across the name Asha Posley, in my younger days, I was a bit amused, because the name sounded almost like Asha Bhosle ! When I started writing about old films, I realised that her real name was something else and this was a name acquired by her.
Asha Posley was born Sabira Begum in Patiala, Punjab, British India in 1927. She was given the film name Asha Posley by the renowned music director Ghulam Haider. She made her film debut in a Lahore-made Punjabi film Gawandi (1942) as a supporting actress.Later she played just a few female lead roles in some films starting with film Champa (1945) and then Kamli (1946) in British India. Her films in India were Champa-45, Paraye Bas mein-46, Kamla-46, Badnaami-46, Aai Bahar-46, Pagdandi-47, Ek Roz-47, Arsi-47, Sassi-48 (un released), Roop Rekha-48, Papeeha Re-48 and Barsat ki ek raat-48. She also sang 5 songs in 3 films.
After independence of Pakistan in 1947, her whole family migrated to Lahore, Pakistan including her music director father Inayat Ali Nath and her 2 sisters- actress Rani Kiran and Kausar Perveen who later gained fame in Pakistan as a film playback singer. Her father was the music director for the first-ever released film in Pakistan- Teri Yaad (1948) and Asha Posley played the female lead role in the film opposite Nasir Khan who was a brother of famous Indian actor Dilip Kumar.
Later she was mostly cast in supporting roles opposite comedian actors Nazar and Asif Jah in films both in Urdu and Punjabi languages. She acted in 129 films in total in her career spanning over 4 decades (1942-1986). Her last film was Insaf (1986). She also appeared on Stage, TV and Radio and she was also a part-time singer. Asha Posley was awarded a Special Award for Excellence in 30 years of acting by the prestigious Nigar Awards organization in Pakistan in 1982.
Asha Poslay died on March 26, 1998 at Lahore.
Asha Posley’s case is a sad one. The way Pak film industry treated her in her last days, is no different than what Indian film industry did in the past. She and her family spent hard days and she died in poverty. Only the other day, I came across an article written by film journalist of Pakistan- Navaid Rasheed in The Dawn.com in April 2001. In it, he wrote about her house…..” The humble abode is enveloped in depressive atmosphere. The rooms are in ramshackle condition. The main door leads to a very small room which is without a roof. If it was bigger in size, it would be called a courtyard. Things are helter skelter all over the place. Can somebody imagine that this is a place where a glamorous diva lived not too long ago.
Yes, this place was the last abode of Pakistan film industry’s first heroine Asha Posley who died three years ago. Ever since then the family has been living in a dilapidated state. Not that the things were any better when the actress was alive, in fact she herself was dependent on her brother whose house this is. But at least she was there for them, her being there was enough for them.”
Asha Posley was a very attractive, frank, ever smiling and popular actress in Pakistan. Asha Posley was undoubtedly one of the most modern, bold and flamboyant heroine of the local cinema. Those well-arched eye-brows, deep almond-shaped set of eyes, high cheek bones, the square jaw, the curly jet black locks and the mischievous smile is hard to forget. For a woman who once charmed the cinegoers for so long did not have enough money to make her ends meet at her retirement. Such a sad ending is not what she deserved. But that is exactly what happened.
Ever since Asha Posley was forced to sit home by the ruthless film industry that gave her no work for long, there was not a single day when she didn’t wait to be offered even a small role from the industry. When no one came from the industry to help her, she looked towards the public sector. She requested time and again for help but in vain. Such a talented actress of calibre was fast diminishing into oblivion but no one was bothered to save her. So finally she died unsung in March, 1998. Still no one was effected.
Teri Yaad was the first Pakistani film to be released in 1948 and Asha’s hero in it was Dilip Kumar’s brother Nasir Khan. It was directed by Dawood Chand. Asha Posley belonged to Patiala (India) and was born in 1927. She worked in Radio Pakistan as Riffat Aisha and was in possession of a good voice. Before partition she worked for the first time in Kamli (1946) which was not too successful but owing to her looks, her spicy sense of humour and bold style of conversation, she became pretty famous in film circles.
After partition she also worked in films like Ghalat Fehmi, Shahida and Bulbulall of which proved to be failures. However, when she opted to play a vamp in Sassi, it proved to be very successful. Hence onwards began a long journey of vampish roles for Asha. Her occasional pairing with comedian Nazar in certain films too won accolades for her as a comedy star. One of her memorable films as a vamp was Intezaar featuring Noor Jehan and Santosh Kumar
in the lead. Kismet and Dulla Bhatti were other successful ventures where she put in memorable performances. Her dances too were the main highlight of these films.
Asha’s younger sister Rani Kiran was also a film heroine while another of her sister Kausar Parveen was a famous playback singer of the 50s who died very young. Rani Kiran is still alive but leading a pathetic life.
Asha’s famous films include Toofaan, Mukhra, Hatim, Ashiana, Hum Aik Hein, Khizaan kei Baad, Son of Ali Baba, Mehandi, Pasbaan and others. She made occasional appearances on various television shows where she reminisced her past glory and mentioned for support too. But apparently nothing happened. Nobody could improve her state of affairs, but at least someone can still help her sister Rani Kiran and save her from going the Asha Posley way, out of this world.
This was the fate of discarded artistes…be it Pakistan or India. We can quote many such cases from our own court yards. Thank God, these days the situation is much much better and no such cases are to be seen since few years. Hope this is so even in Pakistan.
Film Arsi-47 was released on 10-4-1948 at Majestic Cinema in Bombay. The screenplay was by M R Bhakhri. Film India magazine June 48 issue featured a review of this film. As usual Baburao Patel had nothing good to say about the story, acting or even the Music. He surely sympathised with the Director, who could not do much with the weak story. The story,in short, as given in the review (minus criticism) is …
Ramesh (Al Nasir) is the son of the village Zamindar. He loves Arsi (Meena), daughter of Bansi, a poor farmer. Unfortunately, the Zamindar himself wants to marry Arsi. When this proposal is declined, Bansi, with his daughter and young son is driven out of the village. Soon after, Bansi dies and Arsi has to sell a Gold Frame, gifted by Ramesh. However, she is accused of stealing it from the Zamindar’s house and is sentenced to 14 years of Jail term.
Her brother grows up. The Brother Mohan (Ajmal) loves and marries dancer Sharada (Asha Posley). The Zamindar dies. After 14 years, Arsi is released. She is employed as a Maid by Ramesh and later they marry also. The End !!! (Thank God !)
The story is too simple and predictable. No wonder Film India criticised it. Today’s song is a duet by S D Batish and Zeenat Begum. One more interesting Trivia. Sarashar Sailani had also acted in this film, but under the name Bheemsain. This was the only film he ever acted in a film.
Song- Duniya chhoote par na chhoote teri gali ka phera (Aarsi)(1947) Singers- S D Batish, Zeenat Begum, Lyrics- Sarshar Sailani, MD- Lachhiram Tamar
Lyrics
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
gali ka phera kaise chhoote
prem ka bandhan kaise toote
gali ka phera kaise chhoote
prem ka bandhan kaise toote
kaise chhodoon kaise chhoote
teri gali ka phera re
haay teri gali ka phera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
nain milaa ke
mast banaa ke
nain milaa ke
mast banaa ke
jee bharma ke loot liya
haaye loot liya
nain milaa ke
mast banaa ke
jee bharma ke loot liya
haaye loot liya
loot liya sajni ke man ko
loot liya sajni ke man ko
saajan bada lutera re
haaye saajan bada lutera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
kaise jaadoo daala dil par
teri mast nigaahon ne
kaise jaadoo daala dil par
teri mast nigaahon ne
duniya chhod ke aan lagaaya
duniya chhod ke aan lagaaya
teri gali mein dera re
haaye teri gali mein dera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
naav bhanwar mein chhod na dena
preet ke matwaare rasiya
naav bhanwar mein chhod na dena
preet ke matwaare rasiya
preet laga ke tod na dena
preet laga ke tod na dena
naazuk hai dil mera re
haaye naazuk hai dil mera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
chun chun kankar mahal basaaya
log kahen ghar mera aa re
na ghar tera na ghar mera aa aa
chidiya rain basera aa aa aa
Poorab disha se pardesi aaya
Posted on: November 16, 2019
- In: "pardesi" song | Blog century song | Blog ten year challenge (2009-2019) | Century songs for the blog | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Song involving a snake | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 5 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is the 15300th song post in the blog
| Blog Day : | 4138 | Post No. : | 15300 |
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Blog 10-Year Challenge (2009-19) – Song No. 50
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Welcome all to this post under this series where I am presenting yet another song from the Seventies. The last post presented in this series was also presented by me that too was a song from the year 1973.
The song under discussion is also from a movie of 1973.
Ever since Atul ji started this series it has become my routine to regularly check for movies which are eligible to be discussed in the series in the forthcoming month. I try to find movies that triggers long dormant memories of those days, associated either with the movies or their songs.
I may not necessarily have watched all those movies. In some cases it is only the songs from these movies, frequently being played on the radio or loudspeakers may have left lasting memories in my mind.
The movie for today’s song is a case inn point. I have not watched this movie till now, but I remember its song ‘tere naam ka deewaana, tere dar ko dhoondhtaa hai’ which was arguably the most popular of all the songs of this movie, as it was frequently played on the radio then. I did not like this song those days. Nevertheless this was the song and not any other songs that I associate with its movie.
After many years I listened to ‘honi to hoke rahegi anhoni naa hoye’ and liked it very much.
One more song from this movie which was popular and was played on radio and loudspeakers is the song being presented today. It was only after I browsed the list for the pending songs from this movie that I get to know that this song was from this movie ‘Suraj Aur Chandaa’.
I was surprised when I find that this song has not been posted on the blog till now.
As mentioned above I had not watched this movie or its songs till now. It was during the preparation of this post that I watched the video of this song for the first time.
Despite their popularity, none of these songs made it to the annual list of ‘Binaca Geetmala’ of that year.
Before going into the song let us have a look on the movies represented on the blog ten years ago this day 16th November 2009;
Movies represented on the blog on 16.11.2009 (in descending order);
| Song | Movie title-Year | Remarks |
|---|---|---|
| Gaaon mein peepal peepal ki chhainyya | Suraj Aur Chandaa-1973 | 03 of 06 songs posted |
| Sajanwaa bairi ho gaye hamaar | Teesri Kasam-1966 | All Songs Covered in the blog |
‘Sooraj Aur Chandaa-1973’ or ‘Suraj Aur Chandaa’ was directed by T. Madhava Rao for ‘Suraj Films, Madras’. (It was a costume drama movie as mentioned in HFGK Vol V). It was produced by A.V. Subramaniam. It had Sanjeev Kumar, Meeta (new discovery), Sujeet Kumar, Jagdeep, Lakshmi Chhaya, Shyama, Jairaj, Sajjan, Krishna Kant, Mukri, Ram Mohan, Herucles, Lalita Kumari, Sujata, Mona, Kamal, Bhimraj, Arun Kumar, Prem Kumar, Ravindra and others. Banda makes a special appearance in this movie.
Story of this movie was written by B. Vittalacharya, and dialogues were written by Raj Baldev Raj. Editing of this movie was done by G.G. Krishna Rao.
The movie was passed by Censor Board on 22.05.1973.
This movie had total six songs penned by Anand Bakshi and composed to music by Laxmikant-Pyarelal. Lata Mangeshkar, Mohd Rafi, Mukesh and Suman Kalyanpur had given their voices to the songs in this movie.
Three out of the six songs have been posted on the blog earlier.
Today’s song is the fourth songsfrom this movie to appear on the blog. The song is picturized on Bindu and Sanjeev Kumar where Bindu is lip syncing in Lata Mangeshkar’s voice. Also, there are snakes around in the picturisation of this song.
I would request knowledgeable readers to throw more light on the movie and its songs.
Editor’s note:-This song was quite a well known and hummable song of 1970s. It was a song which one heard without necessaily being aware of its details.
From the lyrics, one would guess that a lady is singing about her beloved who has come from far off.
When one watches the picturisation, all such assumptions get thrown out of the window. What one watches in the picturisation is something mind blowing, inadvertently so.
The song is a “naagin” song, in which a “naagin” is singing this love song to her beloved. “Naagin” is played by Bindu and Sanjeev Kumar is her beloved.
“Naagin”(1954) provided the template of all “Naagin” movies, but this movie “Suraj Aur Chanda” (1973) takes that template to a different plane altogether.
In all other “Naagin” movies, a snake charmer (Sapera) plays the been and the female snake (invariably ichhaadhaari naagin) would turn into a human female and would then perform a dance.In this song, it is different. Here it is the snakes who play the “been” (yes seriously, just watch the picturisation). The snakes do not just play the been, they play the whole orchestra including instruments like Dholak, Tabla, Sitar etc as well. 🙂 And the lead snake Bindu performs the dance.
Snakes playing the music ! It is something unprecedented in the annals of Hindi movies ! I am not aware of any such instance in any other movie.
What an idea ! In my younger days, I would laugh at such a picturisation, but now, I can only be amused at the weirdly imaginative brain of the person behind the picturisation of this song.
This song deserves special recognition, especially for its picturisation.
We in this blog hereby make this song the century song of the blog.
THIS song is the 15300th song post in the blog. This song, marking the 153th century post of the blog is a “special” song in its own way. Picturisation of this song can keep people amused for hours ! 🙂
It appears that Laxmikant Pyarelal had specialised in being music directors of “Naagin” movies of that era. They would compose music for such well known “Naagin” movies like “Nageena”(1986)and “Nigaahen”(1989)” as well. These movies had Sridevi as the ichchaadhaari naagin. Remember ‘balma tum balma ho mere khaali naam ke’ 🙂 ?
So, with this amusingly picturised song, the blog completes another century. An agonisingly slow century that took 72 days. Very much in line with the slowing economy. 🙂
But on a different note, as many as 35 movies made their debut and three movies got YIPPEED during this period.
Thanks are due to all the supporters, well wishers, contributors, regulars and visitors whose continues support ensures that this musical bandwagon keeps chugging along on and on.
Song-Poorab disha se pardesi aaya (Suraj Aur Chanda)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lyrics (Provided by Prakashchandra)
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Purab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Man ka wo meet ban ke ae
pritam ki preet ban ke
Preet ka geet ban ke
honthhon pe aaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Jab se wo aaya aa aa
neend naa aayi
Jab se wo aaya aa aa
neend naa aayi
neend jo aayi o Ram duhaayi
sapnon mein aa ke mujhe
neend se jagaaya aa aa
neend se jagaaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa aa aa aa
O o o o o o o
O o o o o o o
O o o o o o o o
O o o o o o o o
jhoom ke maine ae li angdaayi
jhoom ke maine ae li angdaayi
jab sapere ne been bajaayi
naagin pe jaane kaisa jaadu chalaaya aa
jaadu chalaaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Poochho naa meri ee prem kahaani
Poochho naa meri ee prem kahaani
Ban gayi main to o aisi deewaani
Saara zamaana uski yaad mein bhulaaya aa
Yaad mein bhulaaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Man ka wo meet ban ke ae
preetam ki preet banke
Preet ka geet ban ke
honthhon pe aaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
—————————————————
(Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————–
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
मन का वो मीत बनके ए
प्रीतम की प्रीत बनके
प्रीत का गीत बनके
होंठों पे आया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
जब से वो आया आ आ
नींद ना आयी
जब से वो आया आ आ
नींद ना आयी
नींद जो आयी ओ राम दुहाई
सपनों में आ के मुझे
नींद से जगाया आ आ
नींद से जगाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ आ आ आ
ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ
झूम के मैंने ए ली अंगडाई
झूम के मैंने ए ली अंगडाई
जब सपेरे ने बीन बजाई
नागिन पे जाने कैसा जादू चलाया
जादू चलाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
पूछो ना मेरी ई प्रेम कहानी
पूछो ना मेरी ई प्रेम कहानी
बन गयी मैं तो ओ ऐसी दीवानी
सारा ज़माना उसकी याद में भुलाया
याद में भुलाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
मन का वो मीत बनके ए
प्रीतम की प्रीत बनके
प्रीत का गीत बनके
होंठों पे आया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
Mujhse muhabbat ka izhaar karta
Posted on: November 13, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4135 | Post No. : | 15294 |
Today (13 november 2019) is the birthday of Juhi Chaawla (DoB 13 november 1967). Juhi Chawla, alongwith the likes of Madhuri Dixit, Sridevi, Jayaprada etc was from my generation viz born in 1960s). 🙂
Indian actresses holding their own in inernational beauty pageants and they going on to become popular matinee idols was not all that common those days. Juhi Chawla became Femina Miss India in 1984. She then participated in Miss Universe competition, winning the best costume award there.
Though she did not win the Miss Universe title or even finish among runners ups, it is interesrting to note that she was perhaps the most successful among all Miss Universe contestents of that year. While most other contestents did not have any reat careers, Juhi Chawla had a very successful movie career beginning from 1986, when se made her debut with “Sultanat”(1986).
“Qayamat Se qayamat Tak”(1988) launched her (and Aamir Khan) in Hindi movies.
1990s was the prime decade for Juhi Chawla. when she, alongwith Madhuri Dixit ruled the roost as the leading lady in Hindi movies.
Nowa days, she is still active, not in movies but in IPL, as co owner of Kolkata Night Riders.
Whenever I think of Juhi Chawla, the first movie that comes to my mind is “Hum Hain Raahi Pyaar Ke”(1993).
I have watched this movie. But now I cannot recall where I watched the movie. I was posted in Purna (Maharashtra) during those days. Purna had no movie halls. Going to Nanded or Parbhani to watch movies during weekends used to be my modus operandi. Did I watch this movie in one of these two places, or did I watch the movie somewhere else (like say Secunderabad) I am not sure now. It happens with growing age. I (alongwith the birthday girl) have become older by 26 years. 🙂
I loved the movie. Both lead actors were in my age group, making it easy for me to identify with their characters. 🙂
Three songs from this movie have been covered. The third song from the song was covered exactly two years ago for the same occasion, viz Juhi Chawla’s birthday.
Here is another song from the same movie (Fourth out of six), to celebrate another birthday of Juhi Chawla. The song is sunng by Alka Yagnik and Kumar Sanu. Sameer is the lyricist. Music is composed by Nadeem Shrawan.
The song is picturised on Juhi Chawla and Aamir Khan, who imagine themselves falling in love with each other, while the two kids (playing Aamir Khan’s nephew nd niece) have no clue.
We wish Juhi Chawla a very happy birthday and many happy returns of the day.
Song-Mujhse muhabbat ka izraar karta (Ham Hain Raahi Pyaar Ke)(1993) Singers-Alka Yagnik, Kumar Sanu, Lyrics-Sameer, MD-Nadeem Shrawan
Lyrics
mujhse mohabbat ka izhaar karta
mujhse mohabbat ka izhaar karta
mujhse mohabbat ka izhaar karta
kaash koi ladka mujhe pyaar karta
kaash koi ladka mujhe pyaar karta
mujhse mohabbat ka izhaar karti
mujhse mohabbat ka izhaar karti
kaash koi ladki mujhe pyaar karti
kaash koi ladki mujhe pyaar karti
o o o
meri maang mein chaand taare sajata
jo main roothh jaati mujhe wo manaata
meri maang mein chaand taare sajaata
jo main roothh jaati mujhe wo manaata
haalat meri ee wo jaanta
dhadkan meriee pehchaanta aa
apni bhi chaahat ka ikraar karta
apni bhi chaahat ka ikraar karta
kaash koi ladka mujhe pyaar karta
kaash koi ladka mujhe pyaar karta
mujhse mohabbat ka izhaar karti
mujhse mohabbat ka izhaar karti
kaash koi ladki mujhe pyaar karti
kaash koi ladki mujhe pyaar karti
ho o o
wo bechain hoti
main betaab hota
nigaahon mein uski
mera khwaab hota
wo bechain hoti
main betaab hota
nigaahon mein uski
mera khwaab hota
sharma ke wo lagti gale
rakhta usey palkon tale ae
chori chori wo mera deedaar karti
chori chori wo mera deedaar karti
kaash koi ladki mujhe pyaar karti
kaash koi ladki mujhe pyaar karti
mujhse mohabbat ka izhaar karta
mujhse mohabbat ka izhaar karta
kaash koi ladka mujhe pyaar karta
kaash koi ladka mujhe pyaar karta
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4134 | Post No. : | 15293 |
“Tarang”(1952) was produced by Basudev Sinha and directed by I C Kapoor for Solar Films, Bombay. The movie had Munawar Sultana, Ajeet, Jeevan, Manorama, Baby Rehana, Master Raja, Manju, Lalita, Bhagwan Ji, Niranjan Sharma etc in it.
The movie had ten songs in it. Six songs have been covered in the past.
Here is the seventh song from “Tarang”(1952) to appear in the blog. This joyous expression of love song is sung by Shamshad Begam, Chitragupta and chorus. I C Kapoor, the director doubles as the lyricist while Chitragupta doubles up as the music director.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Aayi jhoom ke jawaani kahe dil ki kahaani (Tarang)(1952) Singers-Shamshad Begam, Chitragupta, Lyrics-I C Kapoor, MD-Chitraagupta
Chorus
Lyrics
aayi jhoom ke jawaani ee
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke
ho o aayi jhoom ke
ho o aayi jhoom ke
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke
dekho aayi hai bahaar r
naya naya hai nikhaar r
dekho aayi hai bahaar
naya naya hai nikhaar
meri aankhon mein
ho meri aankhon mein hai pyaar
ab na karna tu inkaar
hogi
hogi
hogi teri meharbaani
aayi jhoom ke
ho o aayi jhoom ke
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho aayi jhoom ke
sun lo yaaron
yaaron ulfat hai janjaal
jo na jeb mein tere maal
ek rupaiyya wo bhi khota
yaaron ulfat hai janjal
jo na jeb mein tere maal
aankhon mein aankhen na daal
sar ke ud jaayenge baal
sar ke
sar ke
sar ke ud jaayenge baal
yaad aayegi tujhko naani
aayi jhoom ke
ho o aayi jhoom ke
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke
ho o o
gore gaal pe
gore gaal pe kaala til il il
kaaboo mein na mera dil
ho o
gore gaal pe kaala til
kaaboo mein na mera dil
seene pe rakhi hai sil
raaja jaldi aake mil
ho raaja
ho raaja
ho raaja jaldi aake mil
hai ye duniya aani jaani
aayi jhoom ke
ho o aayi jhoom ke
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke
kahna jo kuchh ham bhi chaahen
to kah do na
ama yaar darte hain
kyon
darte hain wo sun na paayen
achcha jee
hum to unse ishq nibhaayen
jo mere ghar pe chal ke aayen
chaahe
chaahe
chaahe langdi ho ya kaani
aayi jhoom ke
ho o aayi jhoom ke
aayi jhoom ke jawaani
kahe dil ki kahaani
suno suno ji
suno suno ji
sunaaun tumhen aankhon ki jabaani
aayi jhoom ke
ho o aayi jhoom ke
ho o aayi jhoom ke
ho o aayi jhoom ke
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