Archive for the ‘Waiting for love’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5367 | Post No. : | 17601 | Movie Count : |
4732 |
I was not aware that there was film with the title ‘Rog’ (2005). Recently, I heard a song from the film for the first time and liked it. This led me to the film. I also found that there were couple of more songs which were also good to my ears. Box Office India report has categorized the film as ‘disaster’. That explains as to why this film was not much talked about. Even then, I watched this film mainly for the songs and for Irfan Khan.
‘Rog’ (2005) was produced by Pooja Bhatt and Sujit Kumar Singh and was directed by the debutante Himanshu Brahmbhatt who had earlier worked with Mahesh Bhatt as Assistant Director. The story and the screenplay was written by Mahesh Bhatt. The main cast included Irfan Khan, Himanshu Malik, Suhel Seth and Munish Makhija. In addition, it was the first film for Shyamoli Varma and Ilene Hamann, a South African model. The film is a ‘romantic’ murder mystery. It is almost a remake of an American film, ‘Laura’ (1944) which can be watched here. I did not find the acknowledgement for the same in the credit titles of ‘Rog’ (2005).
The gist of the story of ‘Rog’ (2005) is presented below:
Uday Singh Rathod (Irfan Khan), an insomniac detective is entrusted with investigating the murder of a high-profile model Maya (Ilene Hamann), with in a week’s time by the police commissioner. The preliminary investigation leads to three prime suspects – Harsh (Suhel Seth), a journalist and the mentor of Maya, Ali (Himanshu Malik) a wealthy playboy and Maya’s boyfriend, and Shyamoli (Shyamoli Varma), Ali’s partner. Each of them has got motives to kill Maya.
Rathod meets the first suspect, Harsh who offers him to facilitate in his investigation and takes him to Shyamoli and Ali. After he interrogates all the three suspects, Rathod visits Maya’s flat to gather further evidence. He see a portrait of Maya hanging on the wall. Rathod is mesmerised by beauty of Maya and falls in love with her portrait. He finds some letters and books which gives him some key information about Maya. Suddenly, the door of the flat gets opened by a key and a girl appears. Rathod is flabbergasted as the girl is Maya and she is alive.
Rathod starts interrogating her while admiring her beauty and the innocence in her replies. She tells him that she had gone on two days’ holiday before that night when murder purportedly took place. She had told both Harsh and Ali about her holiday plan which she preferred to spend alone. Rathod thinks that in all probability, Ali could have used duplicate key of Maya’s flat to spend a night with his new girlfriend in the flat. After interrogating Maya and Ali, he concludes that it was a different girl who got murdered. So, Rathod has to rework on his investigation. Before leaving the flat, he tells Maya not to leave the flat or contact anyone as she could be in trouble. He again interrogates Harsh and Ali to get some clues.
In the meanwhile, Maya flouts Rathod’s instruction and meets Ali which Rathod comes to know from her tapped phone. He goes to her house and brings her to the police station. In the interrogation room, he tells her that there is evidence to put her under arrest for the murder of the girl in her flat. The authorities wants at least someone to be arrested to show to their political bosses the progress in the investigation. But he tells her that he personally feels she is innocent. He suggests Maya to flee, and he would make all the arrangements. Maya refuses to leave. But his concern for her makes Maya to realize that for the first time, she has come across a man in her life who can be trusted. She goes back to her flat.
Next day, Rathod visits her flat to search for a gun which has been used for the murder and he gets it. Harsh, after knowing that Maya is alive, also visit her flat when he finds Maya in her bath-cum dressing room. He accuses her of neglecting him despite being her mentor, in favour of Ali. He tries to kill her by pointing gun at her. In shuffle between them, his gun falls. The sound of shuffle bring Rathod to the bathroom where Harsh now takes out his knife to stab Rathod. In the fight between Rathod and Harsh, Maya escapes to from the bathroom, comes back with a gun and kills Harsh to save Rathod. Maya and Rathod are united.
The film is supposed to be a suspense thriller. But sometime in the second half, the elements of suspense and thrills get diluted as the murdered girl returns to her house. The investigation goes into background as Rathod is more interested in insulating Maya from her potential killer due to now his romantic involvement with her. And it is not difficult to guess the killer of the girl who thought her to be Maya.
As for the performances of the actors, the film is a one-man show, that is Irfan Khan. Performances of the rest of the actors looks pale against him. One can watch this film only for the performance of Irfan Khan. MM Kreem’s compositions are good but only for listening and not for watching in the film. Ideally, the film of this genre should not have songs except snippets of one or two background songs.
The film has 7 songs – 5 of them are written by Nilesh Mishra and 1 by Sayeed Quadri. These are set to music by MM Kreem. In addition, there is a traditional Sufi Qawwaali song set to music by Gaudi. I am presenting the first song, “Maine Dil Se Kaha Dhoondh Laana Khushi” from the film to appear on the Blog. The song is written by Nilesh Mishra and is sung by KK (Krishnakumar Kunnath).
This songs is played in the film in the background with sleep deprived Irfan Khan shown in sombre mood. The song is played in the film on three different occasions. The video clip combines all the three situations in the film with three different antaras. The second antara in the video clip is not included in the audio clip. The 4th antara in the audio clip is not included in the video clip.
The orchestration of the song, mainly with the use of guitar, trumpet and violins has been kept soft in line with the poignant mood of the song.
Video
Audio
Song – Maine Dil Se Kaha Dhoondh Laana Khushi (Rog) (1996) Singer – KK, Lyrics – Nilesh Mishra, MD – MM Kreem
Lyrics
(Based on Audio Clip with Additional Stanza from Video Clip)
maine dil se kaha dhoond laana khushi
naasamajh laaya gham
to ye gham hi sahi
maine dil se kaha dhoond laana khushi
naasamajh laaya gham
to ye gham hi sahi
maine dil se kaha dhoond laana khushi
bechaara kahaan jaanta hai
khalish hai ye kya khala hai
shehar bhar ki khushi se
ye dard mera bhala hai
jashn ye raas naa aaye
maza to bas gham mein aaya hai
maine dil se kaha dhoond laana khushi
na samajh laaya gham
to ye gham hi sahi
(Additional Stanza from Video Clip)
khula hai iss raat mein jo
behakta noor uska
kabhi wo ek chehra ban ke
agar ho jaaye apna
yahi meri haqeeqat hai
magar ab tak hai to sapna
maine dil se kaha dhoondh laana khushi
na samjah laaya gham
to ye gham hi sahi
kabhi hai ishq ka ujaala
kabhi hai maut ka andhera
bataao kaun bhes hoga
main jogi banu ya lootera
kai chehre hain iss dil ke
na jaane kaun saa mera
maine dil se kaha dhoond laana khushi
na samajh laaya gham
to yeh gham hi sahi
hazaaron aise faasle thhe
jo tay karne chale thhe
raahen magar chal padi thhi
aur peeche hum reh gaye thhe
kadam do chaar chal paaye
kiye phere tere mann ke
maine dil se kaha dhoond laana khushi
na samajh laaya gham
to ye gham hi sahi
maine dil se kaha dhoond laana khushi
na samajh laaya gham
to yeh gham hi sahi
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
मैंने दिल से कहा ढूंढ लाना खुशी
नासमझ लाया ग़म
तो ये ग़म ही सही
मैंने दिल से कहा ढूंढ लाना खुशी
नासमझ लाया ग़म
तो ये ग़म ही सही
मैंने दिल से कहा ढूंढ लाना खुशी
बेचारा कहाँ जानता है
ख़लिश है ये क्या खला है
शहर भर की खुशी से
ये दर्द मेरा भला है
जश्न ये रास ना आए
मज़ा तो बस ग़म में आया है
मैंने दिल से कहा ढूंढ लाना खुशी
नासमझ लाया ग़म
तो ये ग़म ही सही
खुला है इस रात में जो
बहकता नूर उसका
कभी वो इक चेहरा बन के
अगर हो जाये अपना
यही मेरी हक़ीक़त है
मगर अब तक तो है सपना
मैंने दिल से कहा ढूंढ लाना खुशी
नासमझ लाया ग़म
तो ये ग़म ही सही
कभी है ईशक़ का उजाला
कभी है मौत का अंधेरा
बताओ कौन भेस होगा
मैं जोगी बनूँ या लुटेरा
कई चेहरे हैं इस दिल के
ना जाने कौन सा मेरा
मैंने दिल से कहा ढूंढ लाना खुशी
नासमझ लाया ग़म
तो ये ग़म ही सही
हजारों ऐसे फासले थे
जो तय करने चले थे
राहें मगर चल पड़ीं थीं
और पीछे हम रह गए थे
कदम दो चार चल पाये
किए फेरे तेरे मन के
मैंने दिल से कहा ढूंढ लाना खुशी
नासमझ लाया ग़म
तो ये ग़म ही सही
मैंने दिल से कहा ढूंढ लाना खुशी
नासमझ लाया ग़म
तो ये ग़म ही सही
Kaahe dheere chale ree ghadi
Posted on: February 14, 2023
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5324 | Post No. : | 17453 |
Tribute to Lata Mangeshkar – 3
From where can one start talking of Lata Mangeshkar, from the ‘carefree’ Hawa mein udtaa jaaye, to the restless Jiya bekaraar hai, to the idealistic “ham ne dekhi hai unn aankhon ki mehekti khushoo”, to the itthlati/itraati “bindiya chamkegi’/ ’koyi shehri babu dil lehri babu’, to pensive “rahen na rahen ham’, to the patient “ab to hai tum se’ mischievous “baahon mein chale aao’, to the mysterious ‘naina barse’/“lag ja gale” , to the despairing ‘jo ham ne daastaan apni sunaayi’, to the unabashed “kaanton se kheench kar yeh aanchal” & “ab ke sajan saawan mein” & “nainon mein badra chhaye”, to the resigned “duniya mein aisa kahan sab ka naseeb hai”, to sad “duniya mein ham aayen hai to” & ‘bekas pe karam keejiye”, & “Raja ki aayegi baraat”….. the list will go on forever.
Songs like “main tere ishq mein mar na jaaun kahin”, “dil mein kisi ke pyar ka jalta hua diya”, “jab bhi jee chaahe nayi duniya”, “hai tere saathh meri Wafaa”, ”milo na tum to ham ghabraayen”, “do dil toote do dil haare”, “Do hanson ka joda bichhad gayo re” & “dhoondo dhoondo re saajna”, “raat bhi hai kuchh bheegi bheegi”, “gairon pe karam” / “milti hai zindiagi mein”, “baar baar tohe kya samjhaaye”, “yoon hasraton ke daagh” & “unn ko yeh shikayat hai” , the unforgettable songs of “pakeeza’. I will stop now; the list is never ending.
If I go through all the films featuring in the ‘list of songs movie-wise’ I will find 60 % movies having Lata songs. This is just a guess; I could not go through them all. With 3800 plus songs posted on the blog, she is bound to be in 60% movies list. With 17400/- total songs posted in the blog, Lata Mangeshkar is featuring in more than 22 % songs.
Her many melodies will haunt the music and songs aficionados forever.
Tu chanda main chaandni
yoon hee mahke preet piyaa ke
Ae dil e nadaan
For decades, we have heard her, in Meena Kumari’s tallafuz, Mala Sinha’s diction, Waheeda’s naunces, Hema Malini’s accent, Nargis’s melancholy, Jaya’s integrity, Mumtaz’s exuberance, among many others hues and emotions. It is said that it was Madan Mohan who really taught her to emote in songs. It could be true, in a sense, we as radio listeners could not always know the mood of the song, when listening to Lata’s perfection in delivery and diction. A case in point, is the song “ham tere pyar mein saara aalam’ from “Dil Ek Mandir”. I have heard it on the radio from childhood, but had no idea that it is a sad, and crying song, though at the end of the song there is a “siski”. When I saw that song on youtube, for the first time, I was surprised to see that Meena Kumari is crying ‘zaar-o-qataar”. It is as if Lata Mangeshkar was not briefed about the crying of Meena Kumari while singing the song on screen. This is the more likely explanation, in my opinion.
The perfection of Lata Mangeshkar, is a great learning instrument for vocalists around the world. And her dignity, her self-belief and pride are her achievements, for always keeping herself head and shoulders above her colleagues and competitors, even her own sister. For the world is not a nice place for a woman, who is alone, without a husbands name to add. People judge women unfairly. This has happened to women, in history and in reality, in fact and in fiction, in personal life and in professional life. In a society, where women are goddess and maataa, but in real application, they are subordinate to the god and pita/pati, a male one.
If there was anyone, who could be her equal in her professional field, it was one and only Rafi Sahab. In terms of success, in voice quality, delivery and versatility, Lata Mangeshkar remained first among equals. That is her final triumph acknowledged as such. As the life force drained out of her, we do not know what she felt as a creation, finally going to meet her creator. But we shall remember her as a shining voice, which will resonate till this civilization lasts.
I have chosen this song from 1949 film ‘Raakhi”, where she sounds like the young girl, she was then. Sarshar Sailani is the lyricist and composers are Husnlal-Bhagatram.
These five songs from this film posted in the blog:
| Song | Date of posting |
|---|---|
| Ab to aa jaao | 17 June 2011 |
| Raakhi ka aaya tyohaar sakhi | 2 august 2012 |
| Dil par kisi ka teer e nazar khhaa ke reh gaye | 24 January 2014 |
| Mohe laa de reshmi lahanga | 3 October 2019 |
| O roothh jaane waale mera qasoor kya hai | 28 september 2022 |
This song is truly a hidden gem. I say this about most of Husnlal- Bhagatram songs. But then there is nothing sweeter than a youth, who cannot wait to embrace life. Time has a way of running away when it wishes and moving slowly when it wills.
In this song, the girl/lady singing feels that time is moving too slowly, she is charmingly complaining to the clock, for running slowly, as she waits for her “saajan” to return home in the evening. There have been a few songs in this genre too in hindi films. This is also a ‘dheere dheere’ catrgory song.
Song-Kaahe dheere chale ree ghadi (Raakhi)(1949) Singer-Lata Mangeshkar, Lyrics-Sarshaar Sailani, MD-Husnlal-Bhagatram
Lyrics
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
baat dekhoon main
baat dekhoon main kab se khadi ee
kab se khadi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
chain padti nahin
mohe saajan bina
mohe saajan binaa
tere bas mein saajan ko
laana yahaan
haan laana yahaan
tez ho jo ghadi ki ghadi ee ee
tez ho jo ghadi ki ghadi
ghadi ki ghadi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
tu jo tick tick kare
jiya dhak dhak kare
jiya dhak dhak kare
yeh khushaamad bhala
koyi kab tak kare
koyi kab tak kare
main to sau baar
painyyaan padi ee ee
main to sau baar
painyyan padi ee
painyyaan padi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
jhhoom uthhe
ashaaon bhara man
aashaaon bhara man
jhhoom uthhe
aashaaon bhara man
aashaaon bhara man
chhoom chhanana chhanan
chhan chhan chhan chhan
paanch bajaa
(tan tan tan tan tan)
meharbaani ho teri badi ee ee
meharbaani ho teri badi
teri badi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
baat dekhoon main
baat dekhoon main kab se khadi ee
kab se khadi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5269 | Post No. : | 17278 |
Today’s song is an ‘all female qawwaali song’ from the 1964 movie ‘Jaadui Angoothi’.
So far, I have been presenting qawwaalis from the decade of seventies on the blog. For a change today, I am presenting this one from the decade of sixties. In fact, today’s song was lying with me since long and Initially I sent only the audio of this song (the only vailable version at that time). But now the movie as well as the video of this songs has become available online.
‘Jaadui Angoothi’ of 1964 alias ‘Magic Ring’ was directed by AM Khan for AM Khan Productions, Bombay’. It had Chitra, Manhar Desai, Sheri, Krishna Kumari, SK Shaam, Anil Kashmiri, Jilani, Uma Khosla, Violet, Ameerbai Karnataki, Sujata, Saroj, Sabina, Balwant Sharma, Kallan, Bagla, Chaman, Deva Kumari, Kanta Kumari, Polson and others.
This movie had five songs composed by Suresh Kumar. Lyrics were written by Anjaan and Zafar Rahi. Here is the list of songs of this movie.
| Sl No | Song Title | Lyricist | Singer/s | Posted On |
| 01 | O Sanan Nanana Hawaa Lehraaye | — | Asha Bhonsle | 08.09.2020 |
| 02 | Kahaan Nazar Takraayi | Zafar Rahi | Mahendra Kapoor | 09.01.2014 |
| 03 | Zamaane Ke Hazaaron Gham…Bujh Gaya Dil Ka Diyaa | Zafar Rahi | Subir Sen | 21.05.2022 |
| 04 | Ude Nainon Se Gulaal | Anjaan | Kamal Barot, Mahendra Kapoor | |
| 05 | Dam Bhar Hai Judaa, To Haal Hai Ye… | — | Not mentioned |
HFGK mentions Anjaan and Zafar Rahi for one song each on the movie details page of this movie and in ‘Addenda’ it further mentions Zafar Rahi as lyricist for song number three. The songwriter for song nos. 1 and 5 are not specifically identified. Asha Bhonsle, Mahendra Kapoor, Minoo Purshottam, Sulochana Chavhan, Subir Sen and Kamal Barot have given their voices to the songs in this movie.
Story and screenplay of this movie was written by Munshi Nayaab, and dialogues were written by AK Khan. Editing of this movie was done by GG Patil and he was assisted by Rohi Das.
As mentioned in the above table three songs from this movie have been posted on the blog earlier. Today’s song is the fourth song of this movie to be presented on the blog.
Singers’ name for the today’s song is not mentioned in HFGK Vol-IV (1961-1970). Also, I am unable to identify the actresses who are performing this song on screen. I would request knowledgeable readers to help in identifying the actresses lip-syncing this song. The lady sitting on the throne is most likely Chitra.
While listening to this song when it ends it seems that it is not a full version of this song, but in the movie (available online) also only this much part is available for this song.
Let us now enjoy oday’s song.
Dam bhar hain judaa to haal hai ye. . .
Song – Dum Bhar Hain Juda To Haal Hai Ye (Jaadui Angoothi) (1964) Singers – Unidentified Female Voice 1, Unidentified Female Voice 2, Lyrics – [Unattributed], MD – Suresh Kumar
Unidentified Female Voice 1 + Unidentified Female Voice 2
Chorus
Lyrics
dum bhar hain judaa to haal hai ye
dil toot gaya to kya hoga
gar uski mohabbat ka daaman
kahin chhoot gaya to kya hoga
dum bhar hain judaa to haal hai ye
dil toot gaya to kya hoga
gar uski mohabbat ka daaman
kahin chhoot gaya to kya hoga
dum bhar hain judaa to haal hai ye
ga ma pa
ni pa ma ga ma pa
pa ni ni pa sa ni
pa ni pa
ma pa ma
ga ma ga saa
ga ma pa
aa aa aa aa aa
aa aa aa aa aa
na koi rang rahaa
ab haseen nazaaron mein ae
taraane ab na chhiden shokh
aabshaaron mein ae ae
har ek rehguzar hai
sooni soooni aur udaas
koi raunaq na rahi ab to
chaa..nd taaron mein
in khoyi khoyi aankhon mein
bas wohi saanwali surat hai
bas wohi saanwali surat hai
surat hai
saanwali surat hai
dil ke veeraane mein hardam
bas wo hi mohini murat hai
bas wo hi mohini murat hai
murat hai
mohini murat hai
aane ki abhi ummeed to hai
aane ki abhi ummeed to hai
waade pe abhi aitbaar to hai
waade pe abhi aitbaar to hai
aa aa aa aa aa aa. . .
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
दम भर हैं जुदा तो हाल है ये
दिल टूट गया तो क्या होगा
गर उसकी मोहब्बत का दामन
कहीं छूट गया तो क्या होगा
दम भर हैं जुदा तो हाल है ये
दिल टूट गया तो क्या होगा
गर उसकी मोहब्बत का दामन
कहीं छूट गया तो क्या होगा
दम भर हैं जुदा तो हाल है ये
ग म प
नी प म ग म प
प नी नी प स नी
प नी प
म प म
ग म ग स
ग म प
आ आ आ आ आ
आ आ आ आ आ
ना कोई रंग रहा अब हसीं नज़ारों में
तराने अब ने छिड़ें शोख आबशारों में
हर एक रहगुज़र है सूनी सूनी और उदास
कोई रौनक ना रही अब तो चाँ॰॰द ता॰॰रों में
इन खोई खोई आँखों में
बस वही साँवली सूरत है
बस वही साँवली सूरत है
सूरत है
साँवली सूरत है
दिल के वीराने में हरदम
बस वो ही मोहिनी मूरत है
बस वो ही मोहिनी मूरत है
मूरत है
मोहिनी मूरत है
आने की उम्मीद तो है
आने की उम्मीद तो है
वादे पे अभी एतबार तो है
वादे पे अभी एतबार तो है
आ आ आ आ आ आ ॰ ॰ ॰
- In: Aspirations of Love | Bhupinder Singh solo | Bhupinder Singh songs | Devnagri script lyrics by Sudhir | Expecting the beloved | Feelings of heart | Ghazal | Guest posts | Lyrics contributed by readers | Post by Avinash Scrapwala | Song from unreleased movie | Songs of 1980s (1981 to 1990) | Songs of 1986 | Waiting for love | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5145 | Post No. : | 17107 | Movie Count : |
4617 |
Today 19th of August 2022 is the third ‘Remembrance anniversary’ of the legendary music director Mohammed Zahur “Khayyam” Hashmi Saab, whom we fondly know as Khayyam Saab.
He was born on 18th February 1927 in a village Rahon in the District of Jalandhar – Punjab.
From Jalandhar he came to Delhi and from Delhi to Lahore to Mumbai again back to Lahore and finally to Mumbai to start his career in Hindi Films in 1948. He started his musical career as a Singer first, singing a duet in the movie ‘Romeo and Juliet’ (1947) with Zohrabai Ambalewali. And later got his first assignment to compose music for the movie ‘Heer Ranjha’ (1948).
As per the statistics given in the book ‘Khayyam – The Man – His Music’, researched, compiled, and edited by Vishwas Nerurkar and Bishwanath Chatterjee, since 1948 to 2007 Khayyam Saab composed music for 55 movies (released) for 321 songs. As many as 17 movies where he composed music for 60 songs were not released for various reasons. Some of them were shelved and were not completed.
He had also given music to 194 non-filmy songs composed for various albums including patriotic songs and others. He also composed music for 8 TV serials composing 45 songs.
On our blog we have so far covered 201 songs composed by Khayyam Saab.
As a tribute to him today I am presenting a song from the movie ‘Tere Shahar Mein’ (1986) in which Khayyam Saab was the music director.
‘Tere Shahar Mein’ was directed by for Sagar Sarhadi for Mahesheka Films Pvt Ltd., Bombay. It was produced by SS Broca. It had Naseeruddin Shah, Smita Patil, Kulbhushan Kharbanda, Dipti Naval, Marc Zuber and others.
This movie had four songs composed by Khayyam Saab. Two songs were written by Naqsh Lyallpuri. Bashar Nawaz and Amir Minai had penned one song each. [Source for this detailed information is the book ‘Khayyam- The Man-His Music’ by Vishwas Nerurkar and Bishwanath Chatterjee.]
I guess that this movie was not released at all. Because very less information is available about the movie and video of the songs or others is not available. The ‘Hindi Filmography – 1986-2000’ mentions only the names of the Producer, Director, and Music Director for this movie title.
But luckily audio of the songs from this movie is available. I came across today’s song only few months back and loved it very much. The song is a gem of song but very less heard.
Today’s song is sung by Singer Bhupinder Singh.
Lyricist for this song is Bashar Nawaz. Incidentally yesterday, 18th August was his birth anniversary. Here is a brief about him taken from ‘Wikipedia’.
Bashar Nawaz (18 August 1935 – 9 July 2015) was one of the prominent progressive Urdu Poet, critic, and lyricist, who penned the song “Karoge Yaad To” in the film ‘Bazaar’ (1982). He picked up the ‘Pulotsav Samman’ and ‘Ghalib Award’ for his contribution to Urdu literature.
He had written lyrics for a few Hindi films such as ‘Bazaar’, ‘Lorie’ and ‘Jaan e Wafa’. Ghulam Ali, Lata Mangeshkar, Mohd Aziz, Asha Bhosle, Talat Aziz, Bhupinder, and Mehdi Hasan among others have given voice to his ghazals.
He also wrote 13 episodes of the TV serial ‘Amir Khusro’, which was telecast on Doordarshan in 1983. Bashar also penned 26 episodes of the musical opera ‘Saare Jahan se Accha Hindustan Hamara’, which was broadcast by All India Radio. He scripted a serial on Dr. Babasaheb Ambedkar, which was televised on Doordarshan in 2000.
Nawaz’s poems have been translated into Marathi, Hindi, Punjabi, and Kannada and published in journals and anthologies. As many as ten of his poems have been translated into English by Zaheer Ali. Anwar Saeed from Pakistan has made special mention of Bashar Nawaz in his book ‘Short History of Urdu Literature’. His ghazals and poems have been included in almost all the anthologies of best Urdu poetry from 1960 onward, said noted Urdu poet Khan Shamim. On 9 July 2015, Bashar Nawaz died at the age of 79 in Aurangabad (Maharashtra).
Let us now listen to the today’s lovely song sung by Bhupinder Singh and composed by Khayyam Saab. Lyrics are written by Bashar Nawaz as mentioned above.
With this song the movie ‘Tere Shahar Mein’ makes its debut on the blog.
Our tributes to Khayyam Saab !!!
His immortal compositions will live forever and will continue to mesmerize the coming generations with the magic of his music !!!
Song-Bhoole bisre kayi afsaane sunaane aaya (Tere Shahar Mein)(1986)(UR) Singer-Bhupinder Singh, Lyrics-Bashar Nawaz, MD-Khayyam
Lyrics
bhoole bisre kayi afsaane sunaane aaya aa aa
bhoole bisre kayi afsaane sunaane aaya aa aa
baad ik umr ke phir chaand sirhaane aaya aa
baad ik umr ke phir chaand sirhaane aaya aa aa
bhoole bisre ae
koyi dastak si huyi
phir mere darwaaze par
koyi dastak si huyi
phir mere darwaaze par
phir koyi dard e muhabbat ko jagaane aaya aa
phir koyi dard e muhabbat ko jagaane aaya aa
baad ik umr ke phir chaand sirhaane aaya aa aa
bhoole bisre ae
mehki mehki si hain aen
kuchh aaj fazaayein dil ki ee
mehki mehki si hain aen
kuchh aaj fazaayein dil ki ee
phool hi phool koyi jaise
bichhaane aaya aa
phool hi phool koyi jaise
bichhaane aaya aa
baad ik umr ke
phir chaand sirhaane aaya aa aa
bhoole bisre ae
rang aanchal mein ae ae
nigaahon mein sitaare lekar
rang aanchal mein ae ae
nigaahon mein sitaare lekar
phir se raahon mein koyi
deep jalaane aayaa aa
phir se raahon mein koyi
deep jalaane aayaa aa
baad ik umr ke
phir chaand sirhaane aaya aa aa
bhoole bisre ae
koyi jhonkaa hai wo khushboo ka
jo sehn e dil mein
koyi jhonkaa hai wo khushboo ka
jo sehn e dil mein
ik musaafir ki tarah raat bitaane aaya
ik musaafir ki tarah raat bitaane aaya
baad ik umr ke
phir chaand sirhaane aaya aa aa
bhoole bisre kayi afsaane sunaane aaya aa aa
bhoole bisre ae
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
भूले बिसरे कई अफसाने सुनाने आया
भूले बिसरे कई अफसाने सुनाने आया
बाद इक उम्र के फिर चाँद सिरहाने आया
बाद इक उम्र के फिर चाँद सिरहाने आया
भूले बिसरे
कोई दस्तक सी हुई
फिर मेरे दरवाज़े पर
कोई दस्तक सी हुई
फिर मेरे दरवाज़े पर
फिर कोई दर्द ए मुहब्बत को जगाने आया
फिर कोई दर्द ए मुहब्बत को जगाने आया
बाद इक उम्र के फिर चाँद सिरहाने आया
भूले बिसरे
महकी महकी सी हैं
कुछ आज फ़ज़ाएं दिल की
महकी महकी सी हैं
कुछ आज फ़ज़ाएं दिल की
फूल ही फूल कोई जैसे
बिछाने आया
फूल ही फूल कोई जैसे
बिछाने आया
बाद इक उम्र के
फिर चाँद सिरहाने आया
भूले बिसरे
रंग आँचल में
निगाहों में सितारे ले कर
रंग आँचल में
निगाहों में सितारे ले कर
फिर से राहों में
कोई दीप जलाने आया
फिर से राहों में
कोई दीप जलाने आया
बाद इक उम्र के
फिर चाँद सिरहाने आया
भूले बिसरे
कोई झोंका है वो खुशबू का
जो सहन ए दिल में
कोई झोंका है वो खुशबू का
जो सहन ए दिल में
इक मुसाफिर की तरह रात बिताने आया
इक मुसाफिर की तरह रात बिताने आया
बाद इक उम्र के
फिर चाँद सिरहाने आया
भूले बिसरे कई अफसाने सुनाने आया
भूले बिसरे
[sehn सहन – an open space in the interior, like an inner courtyard]
[sehn e dil = सहन ए दिल – the space within the heart]
Tan Bhi Jaley, Man Bhi Jaley
Posted on: January 30, 2022
- In: "Helpless" song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lyrics contributed by readers | Manna Dey Hemlata duet | Manna Dey songs | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1972 | Vagaries Of Love | Waiting for love | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4944 | Post No. : | 16802 | Movie Count : |
4573 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 166 # Missing Films of 1972 – 11#
——————————————
Today’s song is from the movie ‘Parivartan’ which was released in the year 1972. Like the earlier missing movies of this year 1972 this must also be one of the obscure movies of its time.
‘Parivartan’ was directed by DS Sultania for DS Pictures, Calcutta. It had Ranjit Mallick, Heena Kausar, Manisha, Sudha Shivpuri, Bhaskar Choudhury, Anoop Kumar, Ravi Ghosh, Subrat Chatterjee, Lalita Chatterjee, Mam Mukherjee, Smt. Sushila, Shekhar Chatterjee, Dyanesh Mukherjee, Rasraj Chakravarty, Shambhu Bhattacharya, Guddu, Rajiv, Hanumant Sethia, Baba Majgaonkar, Jayshree T, and others. Utpal Dutt and Jalal Agha make guest appearances in this movie.
This movie was passed by Censor Board on 27.12.1972 with restricted viewing certificate that is ‘A’ Certificate (for adults only).
This movie has three songs. Songwriters Neeraj and Nawal have penned one song each. For remaining one song the lyricists name is not mentioned in HFGK page of this movie. Two music directors viz. Chand Pardesi and MK Pujari composed one song each and for one song again the composer’s name is not mentioned in HFGK. The list of songs in this movie is as given below (as provided in HFGK).
| Sl. No. | Song Title | Singer/s | Composer |
| 01 | Tan Bhi Jaley, Man Bhi Jaley, Raat Bhi Jaley | Manna Dey, Hemlata | Chand Pardesi |
| 02 | Roothho Naa Sarkaar Hamse Pyaar Karo Naa | Kishore Kumar | MK Pujari |
| 03 | Dil Se Mere Jo Tera Dil Miley | Not mentioned. | – |
Today’s song is written by Neeraj and sung by Manna Dey and Hemlata. I guess it must be picturised on Ranjit Mallick and Heena Kausar. Music for today’s song is composed by Chand Pardesi. With this song the movie ‘Parivartan’ makes its debut on the blog.
Let us have a look on the list of movies of 1972 alphabetically after adding the today’s movie. For brevity the list given below includes the list of movies missing on the blog and list of all movies from the last post from movie ‘Naag Panchami’ – “Main Nadiya Ki Dhaara Baahen Teri Kinaara” to today’s movie song-post.
| Sl. NO. | Movie Title | Director | Music Director | Passed by Censor Board | No of Songs on the Blog | No of Songs as per HFGK |
| 1 | Aakraant | Girish Vaidya | Jagat Singh | 07.12.1972 | 0 | No Information |
| 17 | Bachche Mere Saathi | TN Babu | M.S. Vishwanathan | 17.11.1972 | Songs Not Available | 6 |
| 24 | Bharat Darshan | Khwaja Ahmed Abbas | Jaidev | 04.11.1972 | 0 | No Information |
| 45 | Fighter Sheela | Vijay | Not Mentioned | 07.10.1972 | 0 | No Information |
| 50 | Gunfighter Johny | K.S.R. Das | Aadi Narayan Rao | 25.03.1972 | Songs Not Available | 5 |
| 53 | Hunterwaali | K.S. Reddi | Satyam | 02.09.1972 | Songs Not Available | 5 |
| 54 | Jaadoo Nagari | Vednatham Roghaviya | Aadi Narayan Rao | 05.06.1972 | 0 | No Information |
| 65 | Kavi Sammelan | Kedar Sharma | 18.02.1972 | 0 | 17 | |
| 68 | Lady James Bond | KSR Das | Satyam | 11.07.1972 | Songs Not Available | 5 |
| 73 | Maayaa Darpan | Kumar T Shahni | Bhaskar Chandavarkar | 12.12.1972 | 0 | No Information |
| 81 | Miss Chaalbaaz (Tingoo Agent 000) | Ravi | Rajan-Nagendra | 27.11.1972 | Songs Not Available | 4 |
| 84 | Naag Panchami | Babubhai Mistry | Ravi | 04.02.1972 | 1 | 4 |
| 85 | Naarad Leelaa | Dhirubhai Desai | Narayan Dutt | 01.03.1972 | 1 | 10 |
| 86 | Parchhaaiyaan | Sharan Kumar Chaand | RD Burman | 15.11.1972 | 1 | 5 |
| 87 | Parichay | Gulzar | RD Burman | 18.10.1972 | 5 | 4 |
| 88 | Parivartan | DS Sultania | Chaand Pardesi, MK Pujari | 27.12.1972 | Making its debut today | 3 |
*Notes: –
- Songs for ‘Bachche Mere Saathi’, ‘Gunfighter Johnny’, ‘Hunterwaali’, ‘Lady James Bond’ and ‘Miss Chaalbaaz’ (Tingoo Agent 000) seem to be unavailable as of now.
- There is no information about the songs in HFGK Vol-V (1971-1980) for the movies – ‘Aakraant’, ‘Bharat Darshan’, ‘Fighter Sheela’, ‘Jaadoo Nagari’ and ‘Maaya Darpan’ as mentioned above.
Today’s song is sung by Manna Dey and Hemlata. I came across this song only during the preparation of this post and had never heard it earlier. A good song to listen and only its audio is available. So far one more song from this movie sung by Kishore Kumar is also available on internet sources. However, no video or any additional information about this movie seems to be available now.
Let us now listen to the today’s song and welcome ‘Parivartan-1972’ on the blog 😊
Song – Tan Bhi Jaley, Man Bhi Jaley (Parivartan) (1972) Singer – Manna Dey, Hemlata, Lyrics – Neeraj, MD – Chand Paardesi
Manna Dey + Hemlata
Lyrics
tan bhi jaley
mann bhi jaley
raat bhi jaley
mausam bhi jaley
sar pe khadi hai ye balaa
pyaar ham kaise karen aen
sar pe khadi hai ye balaa
pyaar ham kaise karen aen aen aen
tan bhi jaley
mann bhi jaley
raat bhi jaley
mausam bhi jaley
sar pe khadi hai ye balaa
pyaar ham kaise karen aen
sar pe khadi hai ye balaa
pyaar ham kaise karen aen aen aen
he ae ae
ab to yahaan
koi nahin
khatra hai kis baat ka aa
kaash wo phir
laute nahin
sukh hon na kam saath ka
he ae
ab to yahaan
koi nahin
khatraa hai kis baat ka aa
kaash wo phir laute nahin
sukh hon naa kam saath ka
behra ho jaaye wo
andha ho jaaye wo
wahin gir jaaye wo
kaash mar jaaye wo
wo to bada hai behaya
pyaar ham kaise karen
wo to bada hai behaya
pyaar ham kaise karen aen aen aen
he ae ae
tere bina
priyatame
chain na dil ko miley
so jaane de
pal bhar mujhe
in gesuon ke taley
he ae ae
tere bina
priyatame
chain na dil ko miley
so jaane de
pal bhar mujhe
in gesuon ke taley
arey arey ae
dekho wo baithha hai
haan
pehra bhi deta hai
haan
ham ko wo takta hai
sota na jagta hai
mitti mein mil gaya maza
pyaar ham kaise karen
mitti mein mil gaya maza
pyaar ham kaise karen aen aen aen
he ae ae
tera bhi dil
mera bhi dil
milne se majboor hum
hai pyaar ki
pehli ye raat
phir bhi hain kyon door hum
he ae ae
tera bhi dil
mera bhi dil
milne se majboor hum
hai pyaar ki
pehli ye raat
phir bhi hain kyon door hum
haaye ae
kya ho laachaari hai
haan
uski mat maari hai
uff
aafat ye bhaari hai
arey
poori beemaari hai
ooparwaale ne di kya saza
pyaar ham kaise karen
ooparwaale ne di kya saza
pyaar ham kaise karen aen aen aen
tan bhi jaley
mann bhi jaley
raat bhi jaley
mausam bhi jaley
sar pe khadi hai ye balaa
pyaar hum kaise karen
sar pe khadi hai ye balaa
pyaar ham kaise karen aen aen aen
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
तन भी जले
मन भी जले
रात भी जले
मौसम भी जले
सर पे खड़ी है ये बला
प्यार हम कैसे करें
सर पे खड़ी है ये बला
प्यार हम कैसे करें॰॰एं॰॰एं
तन भी जले
मन भी जले
रात भी जले
मौसम भी जले
सर पे खड़ी है ये बला
प्यार हम कैसे करें
सर पे खड़ी है ये बला
प्यार हम कैसे करें॰॰एं॰॰एं
हे॰॰ए॰॰ए
अब तो यहाँ
कोई नहीं
खतरा है किस बात का
काश वो फिर
लौटे नहीं
सुख हो ना कम साथ का
हे॰॰ए॰॰ए
अब तो यहाँ
कोई नहीं
खतरा है किस बात का
काश वो फिर
लौटे नहीं
सुख हो ना कम साथ का
बहरा हो जाये वो
अंधा हो जाये वो
वहीं गिर जाये वो
काश मर जाये वो
वो तो बड़ा है बेहया
प्यार हम कैसे करें
वो तो बड़ा है बेहया
प्यार हम कैसे करें॰॰एं॰॰एं
हे॰॰ए॰॰ए
तेरे बिना
प्रियतमे
चैन ना दिल को मिले
सो जाने दे
पल भर मुझे
इन गेसूओं के तले
हे॰॰ए॰॰ए
तेरे बिना
प्रियतमे
चैन ना दिल को मिले
सो जाने दे
पल भर मुझे
इन गेसूओं के तले
अरे अरे ए
देखो वो बैठा है
हाँ
पहरा भी देता है
हाँ
हमको वो तकता है
सोता ना जगता है
मिट्टी में मिल गया मज़ा
प्यार हम कैसे करें
मिट्टी में मिल गया मज़ा
प्यार हम कैसे करें॰॰एं॰॰एं
हे॰॰ए॰॰ए
तेरा भी दिल है
मेरा भी दिल है
मिलने से मजबूर हम
है प्यार की
पहली ये रात
फिर भी हैं क्यों दूर हम
हे॰॰ए॰॰ए
तेरा भी दिल है
मेरा भी दिल है
मिलने से मजबूर हम
है प्यार की
पहली ये रात
फिर भी हैं क्यों दूर हम
हाए ए
क्या हो लाचारी है
हाँ
उसकी मत मारी है
उफ़्फ़
आफत ये भारी है
अरे
पूरी बीमारी है
ऊपरवाले ने दी क्या सज़ा
प्यार हम कैसे करें
ऊपरवाले ने दी क्या सज़ा
प्यार हम कैसे करें॰॰एं॰॰एं
तन भी जले
मन भी जले
रात भी जले
मौसम भी जले
सर पे खड़ी है ये बला
प्यार हम कैसे करें
सर पे खड़ी है ये बला
प्यार हम कैसे करें॰॰एं॰॰एं
- In: Devnagri script lyrics by Sudhir | Guest posts | Jilted lover song | Lyrics contributed by readers | Omi Solo Songs | Omi Songs | Post by Avinash Scrapwala | sad song | Songs of 1970s (1971 to 1980) | Songs of 1972 | Theme song | Title song | Vagaries Of Love | Waiting for love | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4941 | Post No. : | 16797 | Movie Count : |
4571 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 159 # Missing Films of 1972 – 09#
——————————————
Today’s song is from the movie ‘Mehmil’. It is one of those movies from the year 1972 which is yet to be represented on the blog.
‘Mehmil’ is directed by Vibhuti Mishra for Mitra Productions, Bombay. The list of actors includes Farah, Shiv Kumar, Shatrughan Sinha, Vibhuti Mishra, Indrani Dutt, Pratima Devi, Mona, Jayant Bhatt, Pankaj, Tun Tun, Shekhar Purohit, Prem Mubarak, Prem Pujari, Yunus Bihari, Sitara, Lakshmi, Jeniffer, Shareefa, Dulari, Rajkumari and others. This movie was passed by Censor Board on 13.10.1972.
This movie has five songs – four penned by Kafil Azar and one song penned by Qamar Jalalabadi. Music for this movie is composed by Sonik-Omi. The list of songs in this movie is as given below (as provided in HFGK).
| Sl. No. | Song Title | Singer/s |
| 01 | Kitna hai soona soona mehmil (Part-1) | Asha Bhonsle |
| 02 | Hamen milnaa thhik nahin | Asha Bhonsle |
| 03 | Meri jaan hai sona | Asha Bhonsle, Mohd Rafi |
| 04 | Kitna hai soona soona mehmil (Part-2) | Omi |
| 05 | Kaash main ladki hota | Asha Bhonsle |
Today’s song is sung by Omi and when I listen this song the very first time, I liked it very much. Omi’s singing in this song is something special that leaves one humming this song after it ends. And it grows as we listen to it more. I had earlier presented the title song of ‘Ek Khilaadi Baawan Pattey’ sung by him. It would be interesting to know how many songs he had sung in HFM so far.
Well, HFGK Vol-V (1971-1980) lists the today’s song in two parts. However, on all sources only this Omi version is available. Though some sources give the link with the name of singer Asha Bhonsle but have uploaded the same song sung by Omi. I tried to locate the female version but could not find it so far. Till then we will enjoy this song in the voice of Omi. We will add the female version to today’s post if it is made available later.
The videos of the songs of ‘Mehmil’ are also not available and neither is the movie available online. I would request knowledgeable readers to throw more light on the movie and its songs.
Meaning of ‘Mehmil’ as taken from Rekhta.org
(maḥmil n. of place fr ‘to bear, carry,’ c.)
(A maḥmil (n. of place fr ‘to bear, carry,’ &c.), s.m. That by which anything is supported, that in (or on) which anything is borne; that which carries the double load of a camel, a camel’s saddle; a camel litter or dorser (in which women travel).
Let us have a look on the list of movies of 1972 after adding the today’s movie and till the today’s movie alphabetically. Today’s movie is the 76th in this alphabetical list.
Ed Note: In the interest of brevity, the list is collapsed to show the films onward from the previous episode in the series , namely ‘Maanavta’ plus the ones that are without any available information or songs. Readers may refer to previous episodes of this series for earlier details – “Tere Vishal Hriday Ne Paai, Saaton Saagar KI Gehraai“.
| Sl. No. | Movie Title | Director | Music Director | Passed by Censor Board | No of Songs on the Blog | No of Songs as per HFGK |
| 1 | Aakraant | Girish Vaidya | Jagat Singh | 07.12.1972 | 0 | No Information |
| 17 | Bachche Mere Saathi | TN Babu | M.S. Vishwanathan | 17.11.1972 | Songs Not Available | 6 |
| 24 | Bharat Darshan | Khwaja Ahmed Abbas | Jaidev | 04.11.1972 | 0 | No Information |
| 45 | Fighter Sheela | Vijay | Not Mentioned | 07.10.1972 | 0 | No Information |
| 50 | Gunfighter Johnny | KSR Das | Aadi Narayan Rao | 25.03.1972 | Songs Not Available | 5 |
| 53 | Hunterwaali | KS Reddi | Satyam | 02.09.1972 | Songs Not Available | 5 |
| 54 | Jaadoo Nagari | Vednatham Roghaviya | Aadi Narayan Rao | 05.06.1972 | 0 | No Information |
| 65 | Kavi Sammelan | Kedar Sharma | Not Mentioned | 18.02.1972 | Songs Not Available | 17 |
| 68 | Lady James Bond | KSR Das | Satyam | 11.07.1972 | 0 | 5 |
| 71 | Maanavtaa | Chanakya | Kalyanji-Anandji | 04.12.1972 | Making its debut today |
5 |
| 72 | Maan Jaaiye | BR Ishara | Jaidev | 15.12.1972 | 3 | 3 |
| 73 | Maayaa Darpan | Kumar T. Shahni | Bhaskar Chandavarkar | 12.12.1972 | 0 | No Information |
| 74 | Mahaa Shivraatri | Shantilal Soni | S.N. Tripathi | 16.08.1972 | 1 | 6 |
| 75 | Mangetar | Roopa Sen | Sudhir Sen | 20.04.1972 | 1 | 6 |
| 76 | Mehmil | Vibhuti Mishra | Sonik-Omi | 13.10.1972 | Making its debut today |
5 |
*Notes: –
- Songs for ‘Bachche Mere Saathi’, ‘Gunfighter Johnny’ and ‘Hunterwaali’ seems to be unavailable as of now.
- The film ‘Kavi Sammelan’ was a presentation of poetry by selected iconic poets of our country, of that time.
- There is no information about the songs in HFGK Vol-V (1971-1980) for the movies – ‘Aakraant’, ‘Bharat Darshan’, ‘Fighter Sheela’, ‘Jaadoo Nagari’ and ‘Maaya Darpan’ as mentioned above.
Let us now listen to the today’s song. . .
Song – Kitna Hai Soona Soona Mehmil Hamaara Re (Mehmil) (1972) Singer – Omi, Lyrics – Kafil Azar, MD – Sonik Omi
Lyrics
kitna hai soona soona
mehmil hamaara re ae
kitna hai soona soona
mehmil hamaara re
aa jaaye saathi koyi ban ke sahaara re ae
aa jaaye saathi koi
ban ke sahaara re
kitna hai soona soona
mehmil hamaara re
sapnon ka dil mein mela hai ae
phir bhi ye dil akela hai
ho koi hamsafar to ho miley bhola bhaala
le le jo haath haathon mein ae
jaadu ho jiski baaton mein
ke meri nazar ko o lage wo niraala
dekhe zamaana usey itna ho pyaara re ae
aa jaaye saathi ee koi
ban ke sahaara re
kitna hai soona soona
mehmil hamaara re ae
kitna hai soona soona
mehmil hamaara re
aaya thha ban ke saathi jo o
nikla ajeeb raahi wo
ho mujhe kya samajh ke ae
milaa thha wo jhoothha
chheda jo main afsaana aa
us ko banaaya deewaana
o zara door chalke ae mujh se wo roothha
samjha na baatein meri
haaye bechaara re ae
aaya thha saathi ee koi
ban ke sahaara re ae
kitna hai soona soona
mehmil hamaara re
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
कितना है सूना सूना महमिल हमारा रे
कितना है सूना सूना महमिल हमारा रे
आ जाये साथी कोई बन के सहारा रे
आ जाये साथी कोई बन के सहारा रे
कितना है सूना सूना महमिल हमारा रे
सपनों का दिल में मेला है
फिर भी ये दिल अकेला है
हो कोई हमसफर तो हो मिले भोला भाला
ले ले जो हाथ हाथों में
जादू हो जिसकी बातों में
के मेरी नज़र को ओ लगे वो निराला
देखे ज़माना उसे इतना हो प्यारा रे
आ जाये साथी कोई बन के सहारा रे
कितना है सूना सूना महमिल हमारा रे
कितना है सूना सूना महमिल हमारा रे
आया था बनके साथी जो
निकला अजीब राही वो
हो मुझे क्या समझ के
मिला था वो झूठा
छेड़ा जो मैंने अफसाना
उसको बनाया दीवाना
ज़रा दूर चल के मुझसे वो रूठा
समझा ना बातें मेरी
हाए बेचारा रे
कितना है सूना सूना महमिल हमारा रे
Barkha Bairan, Zara Tham Ke Barso
Posted on: October 7, 2019
- In: Devnagri script lyrics by Sudhir | Expecting the beloved | expression of love | Feelings of heart | Guest posts | Love song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Rain song | Songs of 1970s (1971 to 1980) | Songs of 1973 | Suman Kalyanpur solo | Suman Kalyanpur songs | Waiting for love | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4098 | Post No. : | 15244 |
There are some very special memories related to this song. Memories of certain flights of fancy, associated with the expressions and emotions contained here in.
Greetings to Usha Khanna ji, on her 78th birthday today (7th October). It is sixty years now that she made her debut as a music director, way back in 1959 – ‘Dil Deke Dekho’, a film by Filmalya’s Sashadher Mukherjee. She recounts with a glee now, but then she was very nervous. Of course, just seventeen, recently out of school, and so miraculously given a break for a big name Shammi Kapoor starrer film. The first song recorded was “Megha Re Boley. . .”. She walked into the recording studio with Sonik, who was the arranger for that film. She recalls that some musicians actually whistled at her as she made her way toward the group. And then Sonik told them that she is the music director. Quite a silence of disbelief followed.
Her nervousness was heightened by the fact that she would be directing Rafi Sb for her first song. The rehearsals and the recordings happened. Then at the end of the recording Rafi Sb asked her whether the song was recorded to her satisfaction. She recounts that she was too dazed and overcome by just his presence, and that she stammered in agreement. Then Rafi Sb told her – you are the music director. No matter who the singer is, but you are the boss. Even if I make a mistake, then you should correct me. Usha Khanna says that she was forever in Rafi Sb’s debt for giving her that encouragement and that advise.
More than 4 decades of active career and about 200 films in her portfolio, there are many a memorable songs and melodies that she has created – one of those music directors who would make you hear again. Ah, this one! Usha Khanna? Wow.
Listening to her music, one feels a lot of similarity with OP Nayyar. Of course that was the era that Nayyar Sb ruled with his rhythmic melodies, and other music directors would try to create music inspired by him. So Usha Khanna was also influenced by that style, but then she is not limited to style alone. There is definitely a lot of her own creativity that has gone into her work, else she would not have survived in this industry for four decades. And that too, being of a gender that generally is not associated with the work of a music director. The earlier names we can think of – Jaddan Bai, Bibbo, Saraswati Devi – all names from 1930s and 40s, when the classical music was the forte, and these ladies were trained and grounded in the classical mould.
Not Usha Khanna. She in fact, has no formal training in music. Her father, Manohar Lal Khanna, a lyricist active in the industry from late 1940s to 1960s, was her segue into music. He would write the lyrics and she would informally compose tunes for his songs at home. It was a creative spark and something special about her melodies that capture attention of her fathers industry friends like OP Nayyar and Indeewar. One thing led to another, and she was placed before Sashadher Mukherjee for an interview. The conversation started uncomfortably with singing, and ended very comfortably with music direction. S Mukherji, impressed with her tenacity and consistency (he had asked her to create two new tunes and present to him every day, for a year – think about doing that!!) gave her the first break with ‘Dil Deke Dekho’, and followed it up with ‘Hum Hindustani’ (1960). After these two films, Usha was quite much on her way. That she was able to sustain her standing in the industry for four decades, speaks volumes about her talent and her approach. Might we also notice that contemporaneous to her, and subsequently, we do not hear of any other lady music director in the industry whose performance has left a mark on the music history of Indian cinema.
Ah yes, about the flights of fancy that I mentioned about, in the first para. Regulars are aware that this song forms a part of a tandem pair. The accompanying song is the hit sung by Mukesh – “Barkha Rani, Zara Jam Ke Barso”. Yes of course, that is the better known and the more popular song in comparison. However, this rendition by Suman Kalynapur is no less pleasant, alluring and engaging. Rather more so. So when this film was released, the teenager in me was still at school. And as with a boy’s fancies at that age, of course, I do not have to put it in words. Suffice to say that right from the time I heard these two songs for the first time, my liking has always been for the Suman Kalyanpur version. The fancy connected with the Mukesh song is that there would be a charming princess for whom the boy in me would sing this song. However, the fancy associated with the Suman Kalyanpur song is that there would be charming beautiful princess who would be singing this song for me. That appealed so much more to me, that my flight of fancy those days was someone singing this song for me. Aaye haaye – the heart still takes a swing at this thought. 🙂
Quick summary – the film is ‘Sabak’ from 1973, produced and directed by Jugal Kishore, songs written by Sawan Kumar and Hasrat Jaipuri, and music by Usha Khanna. The star cast of this film is listed as Shatrughan Sinha, Poonam, Jaishri T, Jugal Kishore, Ranjan, KN Singh, Nazeer Hussain, Master Satyajeet, Chandrashekhar, Brahmchari, Hercules, Mumtaz Begum, Ramesh Dev, Seema, Rajnibala, Maruti, Rajpal, Kishan Kaul, Ved Sharma, Rajan Kapoor, Moolchand, Bholanath, Manohar, Jerry, Omi Chopra, Uma Dutt, Pritam Kumar, Raj Verma, Kishan Billa, and Sundar Singh.
Once again, wishing Usha ji a very happy birthday and praying for many more healthy and comfortable returns of this day.
Ah yes, the lyrics of this song have been sent in by our dear Prakashchandra ji.
Song – Barkha Bairan, Zara Tham Ke Barso (Sabak) (1973) Singers – Suman Kalyanpur, Lyrics – Saawan Kumar Tak, MD – Usha Khanna
Lyrics (Provided by Prakashchandra)
barkha bairan
zara tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan
zara tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan
pee se hai mera milan
kyon hai ree tujh ko jalan
pee se hai mera milan
kyon hai ree tujh ko jalan
haaye re paapan zaraa ruk jaa
zara tham jaana re
barkha bairan
zara tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan
pee ko mere aane de
ang se lag jaane de
pee ko mere aane de
ang se lag jaane de
phir tu dushman
yun barasna
jaane paayen wo na re..e..e
barkha bairan
zaraa tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ
पी से है मेरा मिलन
क्यों है री तुझको जलन
पी से है मेरा मिलन
क्यों है री तुझको जलन
हाए रे पापन ज़रा रुक जा
ज़रा थम जा ना रे
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ
पी को मेरे आने दे
अंग से लग जाने दे
पी को मेरे आने दे
अंग से लग जाने दे
फिर तू दुश्मन
यूं बरसना
जाने पाएँ वो ना रे॰॰ए॰॰ए
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ
बरखा बैरन
- In: Alka Yagnik Song | Devnagri script lyrics by nahm | Duet | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Missing the loved ones | Post by nahm | Romantic song | Songs of 1980s (1981 to 1990) | Songs of 1988 | Udit Narayan - Alka Yagnik Duet | Udit Narayan Song | Waiting for love | Yearwise breakup of songs
- 10 Comments
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4092 | Post No. : | 15236 |
I have been meaning to write a post on Majrooh Sultanpuri for some months now to commemorate the 100th birth Anniversary of a poet and film song writer par excellence. But as usual one puts somethings on back burner and postpones things for some other time.
Last week I started the lyrics of this song from ‘Qayaamat Se Qayaamat Tak’ (1988), incidentally on my iPad and saved the file in yahoo mail. But that file is not opening in the any of the computers, so this post again didn’t even start. Today is 1st October, 2019. A very nice post by Sadanad Kamath Sir has appeared in the blog, which is quiet inspiring and it gave fresh ammunition to my jaded thoughts to start this write up.
Majrooh Saab’s super success with all music director, big and small, prolific and selective, is not comparable to anyone else. None of the major song writers in his era can boast a list of composers as comprehensive as him, and more importantly successful, famous and hit songs. Be it Madan Mohan and SD Burman, Chitragupt and Laxmikant Pyarelal, or RD Burman, Roshan, Rajesh Roshan & Khaiyyam, least of all Naushad & OP Nayyar, C Ramchandra & Salil Chaudhary also. I don’t have to start listing the beautiful lyrical and profound songs, Majrooh Saab wrote with/for all these composers.
Among his contemporaries, Kaifi Azmi, Sahir Ludhianvi, Shailendra, Hasrat Jaipuri, Rajendra Krishnan, Shakeel Badayuni, Qamar Jalaalabadi, later on Indeevar, Anand Bakshi and Gulzar etc., most were aligned with a music director or a film production group etc. Music Directors also preferred to work with a single lyricist or a couple at a time. Among the major composers only SD Burman seemed to have worked with all of the above listed lyricist, as well as Majrooh.
Sahir Ludhianvi was more prone to making tributes to other poets in his songs. But Majrooh seems to have paid a ‘khiraj-e-aqeedat’ to his fellow progressive poet Faiz Ahmed Faiz in Madan Mohan’s “Chiraag’ song “Teri Aankhon Ke Siwa Duniya Mein Rakha Kya Hai”. This line is part of the immortal Nazm by Faiz – “Mujh Se Pehli Si Mohabbat Mere Mehboob Na Maang“.
In recent times, I have found that reading good work by others inspires me to write my own thoughts. This is truer about poetry. When I listen to some poets work, it given wings to my thoughts too. I feel like writing something not necessarily on similar lines, better or superior, but some verse, some tributary sentences.
One can only wonder how such great creative minds must have felt when they heard some inspiring work of other greats and felt like expanding on the theme. In this instance Majrooh Saab has gone on another tangent –
teri aankhon ke siwaa duniya mein rakkha kya hai
ye utthen subha chale, ye jhuken sham dhaley
mera jeena mera marna inhi palkon ke taley
As a poet with a heart that was Majrooh, why won’t he say –
dil me rakh lena ise haathon se ye chhoote na kahin
geet naazuk hai mera sheeshe se bhi toote na kahin
In my earlier tribute post for Majrooh Saab I have stated that just the lyrical poetry in “Rahen Na Rahen Hum, Mehka Karenge” in ‘Mamta’ (1966) is enough to make his place in the ‘Hall of Fame’ of Hindi film music. Many colourful songs for Nasir Hussain’s films are written by Majrooh Saab for OP Nayyar and RD Burman.
The new age songs written by Majrooh for the film ‘Khaamoshi’ (1996) are among my favourites. This time I have chosen a song from the 1988 film ‘Qayaamat Se Qayaamat Tak’ produced by Nasir Hussain and directed by his son Mansoor Khan for launching of Tahir Hussain’s son Aamir Khan. Incidentally dialogues, story and screenplay all are credit to Nasir Hussain. The song starts with prelude music of clocks going “tick tock tick tock” in a departmental store, where Juhi Chawla has come to shop with her parents, Dalip Tahil and Beena. She accidentally runs into Aamir Khan, who has promised his parent that he will not meet and talk to Juni Chawla for 6 month (?) or so. Aamir Khan and Juhi Chawla belong to two Rajput families who are at logger heads with each other over past broken alliances among the families due to which Dalip Tahil’s sister had committed suicide.
Juhi Chawla and Aamir Khan met during a picnic trip to Mount Abu and fell in love without knowing that their families are having this rivalry. Due to this, the love story is actually doomed to end in tragedy, but at the time of this song the lovebirds are unaware of this and are happily waiting for the wait period to get over. The singers are Udit Narayan and Alka Yagnik, and the music is by Anand-Milind. The songwriter is one and only Majrooh Sultanpuri. If I remember correctly, this was the film which started the trend of abbreviating the name of film as QSQT.
A song of hope and happy endings. A song with birthday parties, picnic on cycles and dreamy dates and marking days in the calendar till happy days are here again.
Audio
Video
Song – Ae Mere Humsafar, Ek Zara Intezaar (Qayaamat Se Qayaamat Tak) (1988) Singer – Udit Narayan, Alka Yagnik, Lyrics – Majrooh Sultanpuri, MD – Anand Milind
Lyrics
ae mere
humsafar
ek zara intezaar
sun sadaayen
de rahi hai
manzil pyaar ki
ae mere
humsafar
ek zara intezaar
sun sadaayen
de rahi hai
manzil pyaar ki
ab hai judaai ka mausam
do pal ka mehmaan
kaise na jaayega andhera
kyun na thamega toofaan
ab hai judaai ka mausam
do pal ka mehmaan
kaise na jaayega andhera
kyun na thamega toofaan
kaise na milegi
manzil pyaar ki
ae mere
humsafar
ek zaraa intezaar
sun sadaayen
de rahi hai
manzil pyaar ki
pyaar ne jahaan pe rakkha hai
jhoom ke qadam ek baar
wahin se khula hai koi rasta
wahin se giri hai deewaar
pyaar ne jahaan pe rakkha hai
jhoom ke qadam ek baar
wahin se khula hai koi rasta
wahin se giri hai deewaar
roke kab ruki hai
manzil pyaar ki
ae mere
humsafar
ek zara intezaar
sun sadaayen
de rahi hai
manzil pyaar ki
———————————————————-
Hindi script lyrics (Provided by Nahm)
———————————————————-
ए मेरे
हमसफर
एक ज़रा इंतजार
सुन सदाएं
दे रही हैं
मंज़िल प्यार की
ए मेरे
हमसफर
एक ज़रा इंतजार
सुन सदाएं
दे रही हैं
मंज़िल प्यार की
अब है जुदाई का मौसम
दो पल का महमाँ
कैसे न जाएगा अंधेरा
क्यूँ न थमेगा तूफान
अब है जुदाई का मौसम
दो पल का महमाँ
कैसे न जाएगा अंधेरा
क्यूँ न थमेगा तूफान
कैसे न मिलेगी
मंज़िल प्यार की
ए मेरे
हमसफर
एक ज़रा इंतजार
सुन सदाएं
दे रही हैं
मंज़िल प्यार की
प्यार ने जहां पे रक्खा है
झूम के कदम एक बार
वहीं से खुला है कोई रस्ता
वहीं से गिरि है दीवार
प्यार ने जहां पे रक्खा है
झूम के कदम एक बार
वहीं से खुला है कोई रस्ता
वहीं से गिरि है दीवार
रोके कब रुकी है
मंज़िल प्यार की
ए मेरे
हमसफर
एक ज़रा इंतजार
सुन सदाएं
दे रही हैं
मंज़िल प्यार की
- In: 15K Song Milestone Celebration Posts | Calling the beloved | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Group Dance | Guest posts | Lyrics contributed by readers | Post by Pradeep Raghunathan | Shreya Ghoshal - Vaishali Mhade Duet | Shreya Ghoshal Songs | Songs of 2010s (2011 to 2020) | Songs of 2019 | Vaishali Mhade Song | Waiting for love | Yearwise breakup of songs
- 15 Comments
This article is written by Pradeep Raghunathan, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3930 | Post No. : | 15002 | Movie Count : |
4107 |
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Atul Song-A-Day 15K Song Milestone Celebrations – 12
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Cannot believe that we have reached the milestone of 15k on the blog. Just seems like yesterday that we were all waiting with bated breath to reach the 10k milestone. How time flies, and how consistent and persistent all of you have been. No words to express each one of your dedication, passion and labour of love.
What can one say about this haven of ours that has not been said before? For someone like me who has been like a pardesi in some ways (not being active as all the regulars), it is so heartening when all of you still reach out and ask how things are with me and family.
Team ASAD we could equate with the CSK team in IPL, consistent, champions and liked by one and all. Needless to say, we have calm, composed leaders to lead us too 🙂 .
It does feel guilty that our Yippeeee! team could not continue our work after a point of time, and yet there is hope that we would get back to it one day soon and try really hard to get to the ever moving target of the blog :).
These days, the only place I get to listen to songs is the car, and most of the times, it is what my daughter decides to play that we get to listen to. One of the recent numbers that is pretty much on repeat in her current playlist is a lovely song from the upcoming movie that most people are looking forward to called ‘Kalank’.
The song has been picturised so well, and is even better thanks to two amazingly talented actors, Madhuri Dixit and Alia Bhatt. The voice for these two are the versatile Shreya Ghoshal and Vaishali Mhade. For some reason, when you listen to this song multiple times, reminds us of songs sung by the Mangeshkar sisters (the names of the songs do not come to mind).
Though Pritam is accused many a time to blatantly copy songs for his tracks in movies, he does come up with some brilliant numbers that forces you to play them in a loop.
I know I have not done justice to this article celebrating the 15k milestone of the blog, nor the song featured here, but I am hoping the article would be the last thing on your mind after you listen to this beautiful number which has such an amazing tempo and so well rendered.
Wishing Atul ji, Sudhir ji, Arun ji, Khyati Ben, Raja ji and the entire paltan and followers of the blog, a very big Congratulations! This is no mean achievement, and I am sure for the celebration we can expect some amazing trivia and posts to reach even more unique milestones with this one big milestone. Let the force be with our blog.
Video
Audio
Song – Ghar Morey Pardesiya, Aao Padhaaro Piya (Kalank) (2019) Singer – Shreya Ghoshal, Vaishali Mhade, Lyrics- Amitabh Bhattacharya, MD-Pritam
Chorus
Lyrics (Based on Audio Version)
raghukul reet sadaa chali aayi
praan jaaye par vachan na jayi
jai raghuvanshi ayodhyapati
ram chandra ki jai
siyavar ram chandra ki, jai
jai raghuvanshi ayodhyapati
ram chandra ki jai
siyavar ram chandra ki jai
ta di ya na dheem..
de re ta na de re nom
ta di ya na dheem..
de re ta na de re nom
ta di ya na dheem…
raghuvar teri raah nihaarein
raghuvar teri raah nihaarein
saaton janam se siya..aa..aa
ghar more pardesiya
aao padhaaro piya
ghar more pardesiya
aao padhaaro piya
ta di ya na ta de re na dum
ta di ya na ta de re na dheem
ta di ya na ta de re na dheem
ta da re na de dheem ta da ni
maine sudh-budh chain ganvaa ke
maine sudh-budh chain ganvaa ke
ram ratan paa liya
ghar more pardesiya
aao padhaaro piya
ghar more pardesiya
aao padhaaro piya
dheem ta dheem tanana dere na
dheem ta dheem tanana dere na
dha ni sa ma, sa ga ma dha, ni dha ma ga pa
ga ma pa sa sa, ga ma pa ni ni
ga ma pa ni dha pa ma ga re ga ma dha pa
re ma pa dha ma pa ni ni dha pa ma pa ga ma re sa ni sa re re ma ma pa pa dha dha ma ma
ni ni ni re sa ni dha ni dha pa ma pa dha ni dha pa ma ga re ga re sa ni sa re re ga
na to maiya ki lori
na hi phaagun ki hori
mohe kuch doosra na bhaaye re
jab se naina yeh jaa ke
ik dhanurdhar se laage
tab se birha mohey sataye re
haa..
na to maiya ki lori
na hi phaagun ki hori
mohe kuch doosra na bhaaye re
jab se naina yeh jaa ke
ik dhanurdhar se laage
tab se birha mohey sataaye re
duvidha meri sab jag jaane
duvidha meri sab jag jaane
jaane naa nirmohiya
ghar morey pardesiya
aao padhaaro piya
ghar morey pardesiya
aao padhaaro piya
haa, gayi panghat par bharan
bharan paniyaan deewaani
gayi panghat par bharan
bharan paniyaan…
(sargam)
gayi panghat par bharan
bharan paniyaan deewaani
gayi panghat par bharan
bharan paniyaan…
ho naino ke
naino ke tere baan se
murchhit huyi re hiraniya
jhoom jha na na na na…
jhana na na na na…
bani re bani main teri joganiya
ghar morey pardesiya
aao padhaaro piya
ghar morey pardesiya
aao padhaaro piya.
———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-
रघुकुल रीत सदा चली आई
प्राण जाये पर वचन ना जाई
जय रघुवंशी अयोध्यापती
राम चंद्र की जय
सिया वर राम चंद्र की जय
जय रघुवंशी अयोध्यापती
राम चंद्र की जय
सिया वर राम चंद्र की जय
ता दी या ना धीम॰॰
दे रे ता ना दे रे नॉम
ता दी या ना धीम॰॰
दे रे ता ना दे रे नॉम
ता दी या ना धीम॰॰
रघुवर तेरी राह निहारे
रघुवर तेरी राह निहारे
सातों जनम से सिया॰॰आ॰॰आ
घर मोरे परदेसिया
आओ पधारो पिया
घर मोरे परदेसिया
आओ पधारो पिया
ता दी या ना ता दे रे ना दम
ता दी या ना ता दे रे ना धीम
ता दी या ना ता दे रे ना धीम
ता दा रे ना दे धीम ता दा नी
मैंने सुध बुध चैन गंवा के
मैंने सुध बुध चैन गंवा के
राम रतन पा लिया
घर मोरे परदेसिया
आओ पधारो पिया
घर मोरे परदेसिया
आओ पधारो पिया
धीम ता धीम तानाना देरे ना
धीम ता धीम तानाना देरे ना
धा नी सा मा
सा गा मा धा
नी धा मा गा पा
गा मा पा सा सा
गा मा पा नी नी
गा मा पा नी धा पा
मा गा रे गा मा धा पा
रे मा पा धा मा पा नी नी धा पा मा पा गा
मा रे सा नी सा रे
मा मा पा पा धा धा मा मा
नी नी नी रे सा नी धा नी धा पा मा पा धा नी
धा पा मा गा रे गा
रे सा नी सा रे रे गा
ना तो मईया की लोरी
ना ही फागुन की होरी
मोहे कुछ दूसरा ना भाये रे
जब से नैना ये जा के
इक धनुर्धर से लागे
तब से बिरह मोहे सताये रे
हा॰॰
ना तो मईया की लोरी
ना ही फागुन की होरी
मोहे कुछ दूसरा ना भाये रे
जब से नैना ये जा के
इक धनुर्धर से लागे
तब से बिरह मोहे सताये रे
दुविधा मेरी सब जग जाने
दुविधा मेरी सब जग जाने
जाने ना निर्मोहिया
घर मोरे परदेसिया
आओ पधारो पिया
घर मोरे परदेसिया
आओ पधारो पिया
हा॰॰
गई पनघट पर भरन
भरन पनियाँ दीवानी
गई पनघट पर भरन
भरन पनियाँ॰॰॰
(सरगम)
गई पनघट पर भरन
भरन पनियाँ दीवानी
गई पनघट पर भरन
भरन पनियाँ॰॰॰
हो नैनों के
नैनों के तेरे बाण से
मूर्छित हुई रे हिरणीया
झूम झा ना ना ना ना॰॰॰
झा ना ना ना ना॰॰॰
बनी रे
बनी मैं तेरी जोगनिया
घर मोरे परदेसिया
आओ पधारो पिया
घर मोरे परदेसिया
आओ पधारो पिया
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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