Archive for the ‘Songs of 1950’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5010 | Post No. : | 16913 |
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Blog 10-Year Challenge (2012-2022) – Song No. 42
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This date ten years ago (6 April 2012) saw as many as seven songs from seven different movies getting covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5740 | Tu kaun si badli mein mere chaand hai aa jaa | Khandaan(1942) | Movie YIPPEED by now |
| 5741 | Bol pardesia ye toone kyaa kiya | Mangu (1954) | 6 songs covered in the blog out of 7 |
| 5742 | Zara seekh lo ankhiyon sharmaana/a> | Vachan (1955) | Movie YIPPEED by now |
| 5743 | Mubaarak sab to phoolon ka sajaa kar laaye hain sehra | Zindagi Ya Toofaan(1958) | Movie YIPPEED by now |
| 5744 | Maine kaha babuji itna bataaoge | Chhoti Bhabhi(1950) | 8 songs covered out of 9 |
| 5745 | Thhoda sa intezaar keejiye | Chowkidaar (1974) | Movie YIPPEED by now |
| 5746 | Manmohana tu jo bhi de | Vandana (1975) | 2 songs covered out of 5 |
We can see that four movies (out of 7) whose songs were covered in the blog ten years ago have since been YIPPEED in the blog. That leaves us with three movies that are eligible for Blog Ten Year Challenge today (6 April 2022).
“Chhoti Bhaabhi”(1950) is one of the three movies eligible for BTYC today.
“Chhoti Bhaabhi”(1950) was directed by Shanti Kumar for Filmkar Limited, Bombay. The movie had Nargis, Karan Diwan, Shyam, Kuldip aka Kuldip Kaur, Gulab, Shyaama, Suraiyya chaudhry, Yakub, I.S.Johar, Baby Tabassum, Gyani, Jugnu, G.Sarang, Khushdil etc in it.
Here is the ninth and final song from “Chhoti Bhaabhi”(1950) to appear in the blog. The song is sung by Shamshad Begam and chorus, alongwith one unnown male voice. Qamar Jalalabadi is the lyricist. Music is composed by Husnlala Bhagatram.
The song is picturised as a stage dance song on several female dancers. We can see Nargis, Shyam and GopeYakoob seated in the front row among the housefull audience.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the songs of “Chhoti Bhaabhi”(1950) are covered in the blog. “Chhoti Bhaabhi”(1950) thus joins the list of movies that have been YIPPEED in the blog.
Song-Tashreef rakhiye jee tashreef rakhiye (Chhoti Bhaabhi)(1950) Singer-Shamshad Begam, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram
Chorus
Unknown male voice
Lyrics(Provided by Prakashchandra)
tashreef rakhiye jee tashreef rakhiye
tashreef rakhiye jee tashreef rakhiye
mere dil ke makaan mein tashreef rakhiye jee
mere dil ke makaan mein tashreef rakhiye
tashreef rakhiye jee tashreef rakhiye
mere dil ke makaan mein tashreef rakhiye jee
mere dil ke makaan mein tashreef rakhiye
khaali hai makaan meraa aake basaao jee ee..ee…eeee
aa aa aa aaa aaa aaaa aa aa aa aa aa aaa
aankhon ki khidkiyon se chori chori aao jee..ee…ee…eeee
aaa aaaa aaa aaaa aaa aaaa aaa aaaa aa aa aaa aa
badey shauq se makaan mein tashreef rakhiye
badey shauq se makaan mein tashreef rakhiye
mere dil ki makaan mein tashreef rakhiye jee
mere dil ki makaan mein tashreef rakhiye
aaa aa aa aaa aaa aaa
oo ooo oo ooo oo
aaa aaa aaaa aaa aa aa aaa aaa aaa
oooo ooo oo ooo oo ooo oo
sarson ka khet hai aey ae ae aey ae
sarson ka khet hai
umangein jawaan hain
umangein jawaan hain aen aen
sarson ka khet hai
umangein jawaan hain
umangein jawaan hain aen
pyaar bharey dil mein mere laakhon armaan hain jee
laakhon armaan hain jee
laakhon armaan hain aen aen aen
deerdeer deerdeer deer/reeraa reeraa reeraaa reeraa
deerdeer deerdeer deer/reeraa reeraa reeraaa reeraa
deerdeer deerdeer deer/reeraa reeraa reeraaa reeraa
mere dil ke har armaan mein tashreef rakhiye
mere dil ke har armaan mein tashreef rakhiye
mere dil ke makaan mein tashreef rakhiye jee
mere dil ke makaan mein tashreef rakhiye
aa aaa aaa aaa aa aaa aaa aaa
aa aaa aaa aaa aa aaa aaa aaa
bujh gaye chiraag raajaa..aa…aaa
o raajaa…aaa..aa..aaa
bujh gaye chiraag raajaa aaa aa aaa aaa aa aa aa aaa
soya durbaan hai
gori gori ret mere pyaar ka jahaan hai
gori gori ret mere pyaar ka jahaan hai/em>
mere pyaar ke jahaan mein tashreef rakhiye
mere pyaar ke jahaan mein tashreef rakhiye
mere dil ke makaan mein tashreef rakhiye jee
mere dil ke makaan mein tashreef rakhiye
nadee kaa kinaaraa haa aaa
tandaa tandaa paani
paani haaa..aaaa…aaa
tandaa tandaa paani
paani haaa..aaaa
tandaa tandaa paani mein aag ka jawaani haa
aag kaa jawaani haa aaa
aajaa mere raajaa aajaa aajaa..aaa
aajaa mere raajaa aajaa aajaa..aaa
tera meharbaanee haa…aaaa…haaa…aaa…aaaa..aa
aake pyaar ke toofaan mein tashreef rakhiye
aake pyaar ke toofaan mein tashreef rakhiye
mere dil ke makaan mein tashreef rakhiye jee
mere dil ke makaan mein tashreef rakhiye
Aahen jo main na bharoon
Posted on: March 29, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5002 | Post No. : | 16902 |
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Blog 10-Year Challenge (2012-2022) – Song No. 38
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This date ten years ago (viz 29 march 2012) was a lean day for the blog. This date saw only two songs from two different movies getting covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5702 | Dil mein shama jalaake tere intezaar ki | Sabak(1950) | & songs covered so far out of 10 |
| 5703 | Muhabbat ka naghma zubaan par na aata | Pyaar Kiya To Darna Kya (1963) | Movie YIPPEED by now |
It can be seen that one of the two movies whose songs were covered on 29 march 2012 has since been YIPPEED.
That leaves us with only one movie which is eligible for Blog Ten Year challenge today ten years later on 29 march 2022.
This movie is “Sabak”(1950).
“Sabak”(1950) was produced and directed by M Sadiq for Sadiq Productions, Bombay. The movie had Munawar Sultana,Jagirdar,Karan Dewan,Om Prakash,Kumar, Cuckoo, Jilloo Maa, Shyama etc in it.
“Sabak”(1950) had ten songs in it. Seven songs have been covered in the blog so far.
Here is the eighth song from the movie to appear in the blog. This song is sung by Surinder Kaur. D N Madhok is the lyricist. Music is composed by A R Qureshi.
Only the audio of this rare song is available. My guess is that this song was picturised on the leading lady of th movie viz Munawwar Sultana. I request our knowledgeable readers to help throw light on the picturisation of this song.
Lyrics of the song and other details were sent to me by Prakashchanda.
audio link:
Song-Aahen jo main na bharoon (Sabak)(1950) Singer-Surinder Kaur, Lyrics-D N Madhok, MD-A R Qureshi
Lyrics(Provided by Prakashchandra)
aahein jo main naa bharoon oon oon
tum hi kaho kyaa karoon oon oon
aahein jo main naa bharoon oon oon
tum hi kaho kyaa karoon
bheegee bheegee morey tan mein
bheegee bheegee morey tan mein
chhalkey dono nainon mein aansoo
chhod gayaa tu ulfat ko gaaliyaan doon oon oon
tum hi kaho kyaa karoon oon oon oon
aahein jo main naa bharoon ooon oon
tum hi kaho kyaa karoon
terey merey khel se pehley
tere mere khel se pehley
pyaar ne laakhon khel rachaaye
pyaar ne laakhon khel rachaaye
ek bhi aisaa aa hamne na dekhaa
jis`ke labon par aayee naa haaye
jis`ke labon par aayee naa haaye
abki jo main na daroon..oon
tum hi kaho kyaa karoon oon oon
aahein jo main na bharoon oon oon
tum hi kaho kyaa karoon oon oon
aahein jo main na bharoon ooon
Baalam se munh mod maad ke
Posted on: March 27, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5000 | Post No. : | 16899 |
When one looks at the songs of Hindi movies, there are lots and lots of songs of the genre of feelings of heart” and “expression of love”. Going by the statistics of the blog, 46 % songs are “feelings of heart” and 25 % of all Hindi movie songs are “expression of love”.
An interesting and spicy version of the above mentioned genre of songs is “nok jhonk” songs or. They may be fewer in number, but they are great fun songs to listen to.
Another variation of such songs is “roothhna-manaana” aka “sulking-appeasing” song.
The blog so far has 61 “nok jhonk” songs that often take place between the lovers, who are often spouses. I had done some research in these songs and I had come to the conclusion that all the roothhna (on the past of the lady) lasts for 2 minutes and 30 seconds in a 3 minutes song, and the lady then relents in the slog overs of the match and then all is well. 🙂
Here is another “nok jhonk”cum “sulking appeasing” song. This song is from “Guru Dakshina”(1950).
“Guru Dakshina”(1950) was produced by Rajasthan Studios, Bombay. This is all the detail that is mentioned about this movie in HFGK.
The movie had eight songs in it. Two songs have been covered in the past.
This third song from the movie is sung by Trilok Kapoor (singer) and Prempal. Prempal is a female singer unlike what the name suggests. Sarshar Sailaani is the lyricist according to the uploader (Mr Girdharilal Vishwakarma, a renowned collector of records). Music is composed by Pt Lachchiram.
This is an interesting song. after the roothna-manaana on the part of the lady, it is the gentleman that sulks, and then quicky gets appeased just in the nick of time as the record time is coming to an end. 🙂
Song-Baalam se munh mod maad ke (Guru Dakshina)(1950) Singers-Trilok Kapoor, Prempal, Lyrics-Sarshar Sailaani, MD-Pt Lachchiram
Both
Lyrics
O baalam se mukh mod maad ke
prem ka naata tod taad ke
gehne kapde chhod chhaad ke
kaahe roothh chali ho gori
kaahe roothh chali
main chali shahar ke thhaane
rapat likhaane
mulzim ko saza dilaane
ho kaisa mulzim
ik Rajput ka bachccha
baat ka kachcha
jo kare mera dil chori
dikhlaaye seena jori
ab bhanwra ban ke kali kali ka
ghoome gali gali
o gori kaahe roothh chali
o o
kisne bhar diye tere kaan
kaun hai aisa beimaan
naam uska batlaao gori
yoonhi kaam na khaa
kyun batlaaun
kyun batlaaun ke nandu naai
usko batlaawe harjaai
sach kehta hai ?? baniya
tera baalam bada ??
teri aankh mein dhool daal ke
ghoome gali gali
o gori kaahe roothh chali
o rajput ki bachchi
kaan ki kachchi
?? se mera mair puraana
nandu ko mera karz chukaana
isi liye karte hain donon
baaten bhali buri
o gori kaahe roothh chali
chhod bhi do taqraar ki baaten
aao karen kuchh pyaar ki baaten
sun le chaukidaar ki baaten
aadhi aadhi raat gaye tu
ghoome gali gali
chaukidaar se mera pehra
gaaon ka numberdaar jo thhehra
chaukidaar ki dekh bhaal ko
ghoomoon gali gali
ho gori kaahe roothh chali
sach kehta hai
teri qasam main sach kehta hoon
pooch ?? jaaye
jo aur ko chaahoon
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
uhoon
roz roz tu kare ladaai
roz kare meri ruswaai
ab main roothh chala
tumse roothhe meri bala
sach kehti hai
teri qasam main sach kehti hoon
tujhse mil ke khush rehti hoon
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
Kyun pareshaan huye
Posted on: March 13, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4986 | Post No. : | 16874 |
Today 13th March 2022 is the eighty-nineth birthday of Singer Sulochana Kadam (DoB 13th March’1933) who later became Sulochana Chavan.
I think she has sung many songs during the ‘golden period’ of HFM, but the total number of songs sung by her is yet to be determined. However, the blog so far has sixty-three songs containing her voice.
She had also sung many famous and popular ‘laavanis’ in Marathi Film Music and that is why she is popularly known as the ‘Laavni-samradhni’ in Marathi music.
Today on her birthday I am presenting a song from the movie “Baabuji-1950” which is lying with us since long. Incidentally I had presented a song from the same movie on her birthday last year in ‘2021’.
“Baabuji” or ‘Babooji’ was directed by Bhagwan for ‘Uday Productions, Bombay’.
It had Bhagwan, Leela Gupte, Baburao, Usha Shukla, Vasant Rao, Azeem, Jani, Mirajkar, Zafar, Vitthalrao, Dhondu, Anmanta, Swami and others.
This movie had nine songs written by Ehsaan Rizvi and composed by music director P. Ramakant (i.e., C. Ramchandra ji).
HFGK Vol-II (1941-1950) lists the songs of this movie as given below; (in order of their appearing on this movie (Babooji-1950) page in HFGK)
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Saawanwa umdaa aaye ho | Sulochana Kadam | 13.03.2021 |
| 02 | Baat meri maan lo ji, baat meri maan lo | Sulochana Kadam,Anna Saheb | |
| 03 | Milne nahin paate hain naina lachaaye huye | Sulochana Kadam | |
| 04 | Zaraa sunte jaana ho do dilon ka afsaanaa | Sulochana Kadam,Anna Saheb | 23.08.2013 |
| 05 | Nazar se nazar lad gayi | Sulochana Kadam | 12.09.2018 |
| 06 | Rewdiyaan hain rewdiyaan | Sulochana Kadam,Anna Saheb | |
| 07 | Kyun pareshaan huye | Sulochana Kadam | Being presented today |
| 08 | Jo bigad gayi wo qismat hoon | Sulochana Kadam | 22.11.2017 |
| 09 | Gorey gorey mukh se jo ghoonghat hataawjo | Anna Saheb |
So far, four songs from this movie “Babuji-1950” have been posted on the blog. Today’s song is the fifth song from this movie to be posted on the blog.
Let us hope that we get all the songs from this movie here on the blog as early as possible. 😊
Let us now listen to today’s lovely song and wish a very happy birthday to Sulochana Kadam and our wishes for her healthy and peaceful life ahead.
Song-Kyun pareshaan huye (Babuji)(1950) Singer-Sulochana Kadam, Lyrics-Ehsan Rizvi, MD-P Ramakant (C Ramchandra)
Lyrics
Kyun pareshaan huye
Kyun pareshaan huye ae
Hamne dekha jo tumhe
Kyun pareshaan huye ae
Man ke bhi ee
Meet bane ae
Dil ke bhi mehmaan huye
Ae ji dil ke bhi mehmaan huye
Kyun pareshaan huye
Hamne dekha jo tumhe
Kyun pareshaan huye
Ik nazar dekh liya
Aa aa aa aa aa
Ik nazar dekh liya
Ismein kya meri khataa aa aa
Kuchh bigaada to nahin
Apna hi nuksaan kiya
Apna dil tumko diya
Apna dil tumko diya
Dil ke tum armaan huye
Ae ji dil ke tum armaan huye
Kyun pareshaan huye
Hamne dekha jo tumhe
Kyun pareshaan huye
Munh se kuchh kehte nahin
ee ee ee ee ee
Munh se kuchh kehte nahin
Dil mein jo kar jaate ho
Jaane kya baat hai
Reh reh ke jo yaad aate ho
Din bhi kuchh aise nahin
Din bhi kuchh aise nahin
Beete hain pehchaan huye
Ae ji beete hain pehchaan huye
Kyun pareshaan huye ae
Hamne dekha jo tumhe
Kyun pareshaan huye
Ye teri kahaani hai
Posted on: February 26, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4971 | Post No. : | 16843 |
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Blog 10-Year Challenge (2012-2022) – Song No. 23
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This date ten years ago (26 February 2012) saw six songs from six different movies getting covered in the blog.
Here are the details:-
| Blog post number | Song | Movie (Year) | Reamrks |
|---|---|---|---|
| 5531 | Ban ban ke mit gayin hain taqdeer ki lakeeren | Gauna (1950) | 4 songs covered out of 7 so far |
| 5532 | Main jaanti hoon tum na aaoge kabhi piyaa | Leela(1947) | Movie YIPPEED by now |
| 5533 | Sun le tu dil ki sadaa | Tere Ghar Ke Saamne(1963) | Movie YIPPEED by now |
| 5534 | Dil sambhaale sambhalta nahin aaj to | Raaz(1967) | Movie YIPPEED by now |
| 5535 | Aao na galey lagaa lo naa o jaane jaan | Mere Jeewan Saathi(1972) | Movie YIPPEED by now |
| 5536 | Hazaar baaten kahe zamaana | Ghatna(1974) | Movie YIPPEED by now |
One can notice that five movies out of six whose songs were discussed ten years ago have since been YIPPEED in the blog.
In other words, only one movie is eligible for Blog ten years Challenge today on 25 February 2022.
That movie is “Gauna”(1950).
“Gauna”(1950) was directed by Amiya Chakraborty for Jagat Pictures, Bombay. The movie had Usha Kiran, Anoop Kumar, Purnima, S.Nazir, Kesari, Wasti,Chaubey, Indumati etc in it.
The movie had seven songs in it. Four songs have been covered so far.
Here is the fifth song from “Gauna”(1950) to appear in the blog. This song is sung by Geeta Roy (later Dutt). Qamar Jalalabadi is the lyricist. Music is composed by Husnlal Bhagatram.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song were sent to me by Prakashchandra.
audio link:
Song-Ye teri kahaani hai (Gauna)(1950) Singer-Geeta Dutt, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram
Lyrics(Provided by Prakashchandra)
ye teri kahaani hai
ye teri kahaani hai
aur meri zabaani hai aey
aur meri zabaani hai
hans hans ke banaayee hai
hans hans ke banaayee hai
ro ro ke sunaanee hai aey
ro ro ke sunaanee hai
ye teri kahaani hai
par waqt bahot kam hai
bas itnee kahaani hai ae
bas itnee kahaani hai
majboor muhobbat hai
majboor muhobbat hai
barbaad jawaani hai
barbaad jawaani hai
ye teri kahaani hai
kyun ashq pe hanstaa hai ae ae
ye teraa hi tohfaa hai ae
ye teraa hi tohfaa hai
kyon zakhm se jaltaa hai
kyon zakhm se jaltaa hai
teree hi nishaani hai ae ae
teree hi nishaani hai
ye teri kahaani hai
hum keh bhee naheen saktey
chup reh bhee naheen saktey ae
chup reh bhee naheen saktey
ye kaisaa fasaanaa hai
ye kaisaa fasaanaa hai
ye kaisi kahaani hai ae
ye kaisi kahaani hai
ye teri kahaani hai ae
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4956 | Post No. : | 16824 |
Today’s song is from the film Nirdosh-1950.
There were 4 films with the same title – Nirdosh-1941, Nirdosh-1950, Nirdosh-1973 and Nirdosh-2018. The first film Nirdosh-1941 had singer Mukesh as Hero, opposite Nalini Jaywant and he sang his first film song on the screen. Film Nirdosh- 1950 was a film made by Filmistan Ltd.,Bombay and it was directed by Najmul Hasan Naqvi or simply Najam Naqvi. This shortening of his name had a history behind it.
Initially, when Najam came into the film line, he joined Bombay Talkies as an assistant doing odd jobs. However, soon ,looking at his interests, he was kept as a Continuity man in the direction department. In 1935, a handsome young man joined Bombay Talkies and the first film of Bombay Talkies-” Jawani ki Hawa”-1935 was made with Devika Rani and this young man-Najmul Hasan as the lead pair. The film was a Hit film. During the making of this film, he and Devika Rani fell in love. While their second film-” Jeevan Naiya”-1936 was on the floor, the Love Birds eloped to Calcutta. There was great commotion in the studio and everyone talked about it. The prestige of Bombay Talkies was at stake as the wife of the owner had run away with her lover.Eventually, Devika Rani was persuaded to return to Bombay. Najmul Hasan dared not come back. He continued in Calcutta, did some films and a roaring love affair with actress Kajjan, before migrating to Lahore.
The whole episode of elopement had become a matter of embarrassment for the continuity man; working in the same studio. His name too was Najmul Hasan. Because of the same name, this innocent chap -who had nothing to do with the elopement drama- had to suffer staring eyes and hush hush whisperings within the studio and the film circle of Calcutta !
He was Najmul Hasan Naqvi, born on 11-4-1913 at Moradabad-UP. He was working in Bombay Talkies doing odd jobs-continuity man and even as an actor in Achhut kanya-36. He was a very hardworking person. After this episode he changed his name to a shorter edition- Najam Naqvi.
He worked in the Direction department and his first film as an independent Director was PUNARMILAN-1940. He went on directing films like Raja Rani-42, Tasveer-43, Naya Tarana-43, Panna-44, Prithwiraj Sanyogita-46, Nateeja-47, Parayee Aag-48, Actress-48, Nirdosh-50, Rangili-52 and last film- Samrat-54.
In 1955, Najam Naqvi migrated to Pakistan and directed 7 films- Kunwari Bewa-56, Naghma e dil-59, Dil e nadaan-60, Qaidi-62, Ek manzil do rahein-62, Ek tera sahara-63 and lastly Payal Ki Jhankaar-66. Najam Naqvi died on 26-1-82 at Lahore. Due to the same name, many sites still mix up the filmography of these two artistes.
The cast of the film Nirdosh-1950 was Shyam, Rehana, Kuldeep Kaur, Om Prakash, K N Singh, Mukri and others. 3 Lyricists wrote the 10 songs of the film. They were S H Bihari, Asad Bhopali and RMA Khan. The Music Director was Shyam Sunder-one of my favourite MDs. He is one of the very few old time composers who composed some songs which will never fade away. He was not very prolific- just 20 films in a career of 10 years, but some of his songs are evergreen. he showed his talent right from his first film “Nai Kahani”-1943, by composing the beautiful song ” Neend hamari khwab tumhare”, sung so nicely by G M Durrani and sung on screen by the handsome B. Nandrekar.
To be famous and to shine in this world, mere Talent is not enough. You must also have Lady Luck with you. While it is generally true,it is more true in the case of our Film Industry.
It is said that LAXMI and SARASWATI do not stay together. Laxmi is the Goddess for Wealth and Saraswati stands for Arts,music and Wisdom. We have seen several examples of Actors,singers,Directors and composers,where,despite being talented,the person did not shine in life and had to remain unhonoured and unrecognised. But we have also seen cases where genuinely talented people in various fields do get honoured,recognised and become wealthy too.
So,what is the factor that binds Laxmi and Saraswati together ? It is ,Undoubtedly,LUCK ! Without having Luck,no one can get name,fame and wealth,however talented he may be.
But,what about those talented people who had almost everything coming their way,name,fame and wealth too,but just because of their own egos,bad tempers and bad habits,they lost everything and either died soon or spent their last days in neglect and sorrow ?
Yes,there are such examples too in the Film Industry. One such glaring example is that of Music Director SHYAM SUNDER. ( Another notable example is that of SAJJAD HUSAIN). Songs composed by Shyamsunder are one of my most favourite ones. His songs from Nai kahani,Bazar,Lahore and Village girl are to be remembered eternally.Bazar -49 song, ” Saajan ki galiyan ” is Lata’s No. 1 favourite song( so is mine ! ). The 6 songs of Noorjehan in Village Girl-45 are simply matchless.
Shyamsunder himself was a highly respected and preferred composer for singers and producers. He had the capacity to scale heights much higher than other composers of his time. But…Alas ! The habit of drinking and talking rubbish when drunk destroyed his career. Here is an anecdote of how much respected and remembered he was by the Ace singers like Noorjehan and Lata Mangeshkar…
Thirty five years after the partition and two wars between India and Pakistan; in the year 1982 the melody queen, Malika-e-Taranum Noorjehan visited India. It was certainly a grand occasion for millions of music lovers of the Indian sub-continent.
In her honour and to facilitate nostalgic music lovers, an impressive show was organised in Shanmukhanand Hall, Bombay which was attended by a large number of luminaries of Indian cinema. Notable amongst them were- Anil Biswas, Naushad, the maestro music composers and matinee idols- Devika Rani, Ashok Kumar, Dilip Kumar & nightingale of India Lata Mangeshkar to name a few.
Noorjehan came to the dais with a thunderous applause from the jam-packed auditorium and after a brief speech; as expected, she sang her most popular melody- ‘Awaaz de kahan hai, duniya meri jawan hei’ she recorded in India for film ‘Anmol Ghadi’ -Music was composed by Naushad.
Thereafter, it was Lata to sing, who found herself in a very difficult situation owing to a completely charged atmosphere all around the auditorium. She kept everyone guessing about the selection of her song.
Lata came out with one of her endearing melodies- ‘Saajan ki galian chhod chaley, dil roya aansoo beh na sakey’ from the film ‘Bazaar’ music for which was composed by Shyam Sunder. The applause was beyond imagination. The memory of the completely forgotten genius music director Shyam Sunder came alive, when in her next round Noorjehan sang– ‘Baithee hun teri yaad ka ley karkey sahara’ another immortal melody from film- ‘Village Girl’, music for which was composed by none other than Shyam Sunder.
The audience was indeed spellbound. Every one thought as to why she chose a completely forgotten Indian melody instead of a large number of songs she recorded in Pakistan after migrating from her performing place of origin- Bombay . Perhaps, it was in view of the fact that the singer and the composer of the film ‘Village Girl’ were from Punjab .
The momentous event continued with lots of nostalgic and tearful exchanges and it became a history in the annals of pre and post partition Indian art, culture, music and all such related aspects of humane
Why such a legendary music- composer has completely been forgotten,who composed music for some of the classics of his time, such as ‘Village Girl’- 1945, ‘Devkanya’ 1946, ‘Actress’ and ‘Ek Roz-1947, ‘Bazaar’ and ‘Lahore’- 1949, ‘Dholak’, ‘Kale Badal and Alif Laila’ -1951 just to name a few.
In 1943, he composed music for the film ‘Nai Kahani’. An alluring song of G.M. Durani and others–‘Neend hamari khwab tumhare, kitne meethe kitne pyare’ which became an instant hit. Even today after a gap of more than seventy years, the melody richly deserves an eloquent place in the list of popular melodies of yesteryears.
In his next film ‘Village Girl’ -1945, Shyam Sunder came with flying colours, wherein Noorjehan sang some of her fabulous melodies viz–‘Baithi hoon teri yaad mein ley karkey sahara’, ‘Kis tarah bhulega dil’ & ‘Sajan pardesi, balam pardesi’. In these vital numbers, the feelings immersed in the lyrics -written by Wali Saheb- she was in her complete command. The singer did not merely sing the words inscribed in the lyrics, but the depth of feelings. The class of accompanying instrumentation and the matching orchestration was superb and the genius of the composer was distinctively visible.
It is needless to reiterate that as and when a list of immortal melodies of previous century of Indian sub-continent in general and Noorjehan in particular will be drawn; these numbers will invariably find a prime place, music for which was composed by a totally forgotten genius called- Shyam Sunder.
For Shyam Sunder, after the exit of Noorjehan from Indian film music, there came the film ‘Actress’ in the year 1948, wherein Mohammad Rafi gave his initial introduction to the music world by singing – ‘Hum apne dil ka fasana unhe suna na sakey’ . This proved to be Rafi’s initial introduction. .
The music-creating journey of Shyam Sunder can be matched with another maestro called Sajjad Husain, who also composed music for just 14 films, but composed some of the finest melodies of his era.
Both the masters were highly perfectionists; but ill-tempered and uncompromising. Shyam Sunder, additionally in view of his addiction to liquor and excessive drinking, occasionally uttered abusive language and consequently used to lose control over his head and heart. During the making of the film ‘ Lahore ’, he had some abusive interaction with Lata Mangeshkar; as such, they were not on talking terms for a considerable time.
In the year 1952, when the film- ‘Alif Laila’ was in making, Shyam Sunder died in the recording studio, owing to excessive drinking and consequent heart attack; the music thereby was completed by his assistant- Madan Mohan. Due to his spat with Lata,she had stopped singing for him,but on his request she sang a song in his last film, Alif Laila-1953. She knew his calibre as a composer !
Shyamsunder was born in Multan (now in Pakistan). He was an expert Violin player and used to play in Jhande Khan’s orchestra in the early stage of his career. He started with Punjabi films from 1939. He gave a break to Mohd. Rafi in Punjabi film ‘Gul Baloch’. Nai kahani-41 was the beginning of his bright career and village girl-45,Lahore-49 and Bazar-49 were his pinnacle. He composed 187 songs in 20 films.
Shyamsundar died on 15-7-1952.
Some years back, Lata Mangeshkar had been interviewed on rediffmail.com, on 7-1-2011, in which she gave some short memory clips of her famous MDs. About Shyamsunder, she had this to say……
” During the period of 1946-1947, I was an employee of Master Vinayak.
One day he summoned me to his house in Dadar and told me that Shyam Sudner had come and wants to hear you sing. I complied and sang a Bandish. There was no reaction on Shyam Sunder’s face. Days passed by. Master Vinayak met an untimely end. I was searching for work.
Then one day, Shyam Sunder called for me.
I have sung many melodious songs for Shyam Sunder. I remember a qawaali from the film Chaar Din. The singers included Rafi, Shivdayal Batish, Rajkumari, Hamida, Johrabai and Iqbal. This qawaali, Haseenon ki adaein bhi by Shyam Sunder was very challenging and consisted of difficult taans.
Our rehearsal was going on. I was the focus of his attention. He was keen to know how I perform on a song which had a Punjabi style. I sang all the taans much to the delight of Shyam Sunder. He told everyone, “This is how to sing a song in Punjabi style.”
Shyam Sunder was a jovial person. Due to some misunderstandings, I was not singing for him for a period of time.
One day, I received a message from him. He had composed a song especially for me. The song Tujhko Bhulana Mere Basme Nahi from the film Alif Laila was the last song that I sang for him. He met a sad, untimely death. The song from his film Bazaar-1949 ” Sajan ki galiyan” is my favourite.”
Today’s song is also a typical Shyam Sunder song, sung by Shamshad Begum. This is the third song from this film here.
Song-Gaye wo mere dil ko veeraan kar ke (Nirdosh)(1950) Singer-Shamshad Begam, Lyrics-S H Bihari, MD-Shyam Sundar
Lyrics
na aaye thhe to zara itminaan thha dil ko
wo aa ke chal diye
phir bekraar karke mujhe ae
gaye wo mere dil ko veeraan kar ke
gaye wo mere dil ko veeraan kar ke
judaai mein rone ka saamaan karke
gaye wo mere dil ko veeraan kar ke
judai mein rone ka saamaan karke
jaate jaate saath apne ae
dil mera lete gaye
dard wo mujhko tadapne ke liye dete gaye ae ae
mila ye humen unse pehchaan karke
mila ye humen unse pehchaan karke
judaai mein rone ka saamaan karke
gaye wo mere dil ko veeraan kar ke
judaai mein rone ka saamaan karke
chaar din ki chaandni thhi ee
phir andheri raat hai ae
phir wahi tanhaaiyaan hain
aur gham ka saath hai
bada dukh hua unko mehmaan karke
bada dukh hua unko mehmaan karke
judaai mein rone ka saamaan karke
gaye wo mere dil ko veeraan kar ke
judaai mein rone ka saamaan karke
Maangi muhabbat mili judaai
Posted on: January 13, 2022
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4927 | Post No. : | 16765 |
It was the 19th death anniversary of Qamar Jalaalabadi on 9th January 2022. Some months ago, I found this very sweet and sad solo song by Rafi Sahab and it is been in my drafts all this while. The movie is ‘Gauna’ of 1950. Lyricist is Qamar Jalaalabadi and composers are Husnlal-Bhagatram.
It is a poignant rendition of a short 4 sha’ir ghazal. The following three songs from this movie are posted in the blog out of total 7 songs.
| Song | Date of post |
| Ban ban ke mit gayin hain taqdeer ki lakeeren | 26 February 2012 |
| Aaj kisi se ho gayin aankhen chaar chaar chaar | 22 October 2016 |
| Mere dil ko jalaaya na karo | 10 June 2021 |
This is a very interesting music score actually with songs by Geeta Dutt, Lata Mangeshkar and Shamshad begum, along-with a Shamshad-Geeta duet, remaining to be posted. This will be a treat to discover, listen and post one by one.
This is the present tally of the creators of this song, in the blog:
| artist | Songs in the blog | Songs of artist in his career |
|---|---|---|
| Husnlal Bhagatram | 303 | 50 movies (451) |
| Qamar Jalalabadi | 400 | 721 |
| Rafi | 3171 | 4846 |
It appears that only audio of these songs are available. This movie was directed by Amiya Chakrobarty and had actors like Anoop Kumar, Purnima, Wasti, Usha Kiran, Indumati, S. Nazir and Kesari.
Audio Link:
Song-Maangi muhabbat mili judaayi (Gauna)(1950) Singer-Mohammad Rafi, Lyrics-Qamar Jalalabaadi, MD-Husnlal-Bhagatram
Lyrics
Toote huye dil se mere
Awaaz yeh aayi ee ee
Bhagwan na dushman ko bhi de
Dard-e-judaayi ee
Maangi muhobbat
Mili judaayi ee
Maangi muhobbat
Mili judaayi ee
Duniyaa waale
Teri duhaayi
Teri duhaayi
Maangi muhobbat
Mili judaayi ee
Duniyaa waale
Teri duhaayi
Teri duhaayi
Aaye thhe deewaane ae
Ban ke
Jaate hain aen
Begaane ban ke ae
Duniyaa tujh ko
Dayaa na aayi
Maangi muhobbat
Mili judaayi ee
Maangi muhobbat
Mili judaayi ee
Duniyaa waale
Teri duhaayi
Teri duhaayi
Mera aaa
Pyaar mitaane waale ae
O taqdeer banaane waale
Yeh kaisi taqdeer banaayi
Maangi muhobbat
Mili judaayi ee
Maangi muhobbat
Mili judaayi ee
Duniyaa waale
Teri duhaayi
Teri duhaayi
Maangi muhobbat
Mili judaayi ee
Duniyaa waale
Teri duhaayi
Teri duhaayi
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4872 | Post No. : | 16667 |
Today’s song is from the film Hanste Rehna-1950. The film was made by Rajan Pictures, Bombay. It was directed by Mohammed Hussain, about whom no information is available from any source, except for his Filmography. As per HFGK, it seems, he directed 39 films, most of which were B and C grade action films. In the 60’s decade he directed some films featuring Dara Singh. His first film was Sher E Bangal-1947 and his last film was Mandir Masjid-1977. Some well known films he directed were Sipah Salar-56, Aji bas shukriya-58, Rooplekha-49 and 62, Shikar-63, CID 909-67 Faulad-63 and Aaya Toofan-64 etc etc. He was born on 25-2-1918 in Lucknow.
The film had music by Wadhva. His only other film was Dushmani-50, as Ramnath Wadhva. The film lyrics were by Faruk Kaiser and Indivar. Faruk Kaiser (6 June 1918 – 10 November 1987) was an Urdu poet and a renowned lyricist , making a significant contribution to the success of many Bollywood films. He was one of the dominating forces of music in Indian Cinema during the 1950s through the 1980s. He contributed to more than 115 movies and 390 songs.
Faruk Kaiser was born in 1918 into a jeweller’s family. He was to be the second eldest of 12 children and was educated in Bombay (present day Mumbai). Faruk had an enquiring mind and, even as a child, exhibited a keen interest in reading- books and newspapers – and later in the wireless. Faruk’s mother died when he was 18; shortly after that he left his family home and found lodgings in a friend’s tailoring premises. Here, he devoted his time to further learning: immersing himself in poetry, literature, educational books, newspapers, magazines, and almost anything available in print – whilst also learning languages besides his native Urdu.
Faruk’s love for poetry and his friendship with neighbour Kamran Khan (father of Farah Khan and Sajid Khan) were instrumental in his developing an enthusiasm for the creative works of Hindi Cinema. While Kamran Khan produced and acted in films, Faruk was introduced into the Bollywood scene as an assistant director, whose expertise was frequently sought to modify dialogues and revamp scenes. He went on to direct several movies until he found his niche as a lyricist.
Among his many colleagues in the film industry, Faruk was a great friend of actor Kamal Mohan, who was the father of six sons and one daughter. Kamal Mohan proposed his daughter Aisha’s hand in marriage to his dear friend and confidant Faruk- who took an immediate liking for her. During their courtship, he penned the lyrics of Sari Sari Raat Teri Yaad Sataye for the movie Aji Bas Shukriya (1958) while she was stricken with tuberculosis and hospitalised in Bombay for a year. Soon after Aisha’s discharge from hospital in 1959, they married and moved to Bandra. Faruk’s career had developed and his work took him all over India; during his many travels he wrote diligently to his wife and soulmate. It was during his travels, on a shoot in 1963, that he wrote the song Oee Ma Oee Ma Yeh Kya Ho Gaya for the movie Parasmani (1963)
Faruk and Aisha had three children- one son, Shakil (1960) and two daughters – Bilkis Whelan (1962 -2003) and Tabassum (1963-1983).(Thanks to wiki)
The film was made on the famous novel ” Comedy of Errors” by William Shakespear. This story is so interesting that the story and its variations involving Mistaken Identity is used in Hindi as well as regional films, since the beginning of Talkie films. The first such film was Awara Shehzada-33. Later on, some of the well known films made on this story in Hindi are-
Chacha Chaudhari-53
Do dooni chaar-68
Angoor-82
Cirkus-forthcoming in 2022
Some films in other languages-
Bhranti Bilas-Bangla-63
Ulta palta-kannada-97
Ulta Palta-Telugu-98
Double di trouble-2014.
These films used the same theme, but there are many more films in Hindi and other languages, in which the theme has some changes, but centrally it is “Mistaken Identity” only. Films like Ram aur Shyam, Seeta aur Geeta and Chaalbaaz were some films in this category.
Today’s song is sung by Leela Mehta. Leela is a name in Hindi films, which has several Same Name artistes-just like the name Nalini. In case of Nalini these were the artistes-
In Hindi films, as many as 12 NALINIs acted/ sang in films at slightly different times. Add to this list, the name of a Male actor ‘ Nalini Ranjan Roy ‘, who, thankfully, acceded to the suggestion to change his name to ‘Kanu’ Roy. ( It is another matter that even this name clashed with another artiste, Kanu Roy, who was MD, in the same period…causing serious ” Same Name Confusion”. ) The different NALINIs were…
Nalini Tarkhud…..many films
Nalini Jayawant…many films
Baby Nalini…Mera ladka-43
Nalini Nagpurkar…Krishnarjun yuddha-34, Chacha Chaudhari-53
Nalini Chonkar… many films
Nalini Borkar…singer
Nalini Dhere… Nagad Narayan-43
Nalini Gupte…Ankh ki sharm-43
Nalini Mulgaonkar…Didi-48, nakli Baap-49
Nalini Rao…Talash-43
Nalini Saraf (later Seema Deo)… Anand-70
Nalini korgaonkar… singer
Additionally, there were actresses called SuNALINI and MriNALINI too.
These Nalinis did not cause any Same name Confusion, because, being Marathi artistes, they wrote their names with Surnames, so their names remained different always.
Similarly, there were many Leelas, commonly found in HFGK-
Leela Sawant-A/s
Leela Gupte-A
Leela Desai-A/S
Leela Mishra-A
Leela Chitnis-A/S
Leela Mehta-A
Leela Naidu-A and
Leela Chandragiri A/S. There may be some more Leelas, found occasionally.
Like Nalinis, these Leelas (except two-Leela Desai and Leela Chandragiri) did not cause Same Name Confusion as their names were used with surnames.
Today’s singer Leela Mehta was an actress in Gujarati and Marathi films and stage dramas, but she acted in only one Hindi film. She sang 17 songs in 9 films. Her today’s song is her last song in Hindi films.
Daughter of Kanhaiyalal Mehta and Indumati, Leela was born on 10-12-1935 at Borivali in Bombay. She was the elder of the two sisters. Due to loss in business, her family shifted first to Ahmedabad and later to Baroda, where they settled. Leela studied in Marathi medium school- New Era Vidyalaya in Baroda. Leela participated in all functions of the school and acted in dramas, much to the annoyance of their social circle. She developed interest in singing after listening to songs by Khursheed and Kananbala. She started learning music despite the resistance from home and others in their society.
V.M.Vyas, the famous Director and a family friend knew about her interest and offered her the main role in the film Ranak Devi-46. She was just 11 year old and did not suit the role, but she was given another role in it. Kokila Balsara aka Nirupa Roy too acted in it as a Debut film.
Due to her father’s death, the family shifted to Bombay and Leela took the responsibility of being the bread earner by acting and singing in dramas and Radio plays. Meanwhile she learnt further music from Prof. Surendra Rao. She started acting and singing in Gujarati films. Ranjit Movietone offered her a big role in the film Gunsundari-48, but since the role needed her to put on a Sleeveless Blouse, she refused that role. Finally, it went to Dulari. She, however, sang songs in that film and they became quite popular in Gujarat.
Leela Mehta had grown up in a Marathi atmosphere and also was educated in Marathi Medium, so her Marathi was very good. She was invited to work in Marathi dramas. She did roles in famous and popular Marathi dramas and also sang songs. From 1950 onwards, she started acting in Gujarati dramas. Meanwhile she used to sing in Hindi films occasionally. In the early 50s, she made very successful foreign trips with her troupe, to do Gujarati dramas and singing concerts.
In Spite of being successful and acting and singing in Marathi, Hindi and Gujarati films and dramas, her father did not see even one show of hers. This pained her till end. Leela stayed in a Bungalow in Versova in Bombay. Once it was rumoured that there was a Ghost in it, she immediately left that house and shifted to Dadar. Inadvertently, she forgot to inform the industry about her change of address, and this diminished her demand drastically.
Her mother died in 1972. In 1982, she toured the USA. In 1985, the Marathi Natya Parishad honoured her with a cash award. Till 1992, she acted in Marathi and Gujarati TV serials. In all, Leela acted in 300 Gujarati/Marathi dramas, films and serials. Leela was bedridden and unable to speak also.Her house was demolished. She was under the care of a close relative, Nitin Dahisariya. Finally, the news came that Leela Mehta expired in September 2019.
Leela Mehta acted in only one Hindi film- Shri Ram Avatar-50. She sang 17 songs in 9 Hindi films, including 2 Unreleased films.
Her Films are Nai Kahani-43 ( 2 songs), Gaurav-47 (1), Namak-47 (1), Pehli Pehchan-47 (2), Gunsundari-48(2), Satyawan Savitri-48..No information, Chocolate-50..No information, Shri Ram Avatar-50 (4) and Hanste Rehna-50 (1). Her unreleased films were, Apradh-48 (3) and Bidhata-48 (1).
( My thanks to Harish Raghuvanshi ji for some information from his book, ‘ Inhe Na Bhulaana’.)
Let us now listen to her song in this film.
Song- Main to chanda ke sang kheloon aankh michauli(Hanste Rehna)(1950) Singer- Leela Mehta, Lyricist- Farooque Qaiser, MD- Wadhwa
Lyrics
Main to chanda ke
Main to chanda ke sang kheloon aankh michauli
kheloon aankh michauli
Main to chanda ke
chanda ki nazron se khud ko bachaa ke
baadal ke tukde mein chhip jaaun jaa ke
chanda ki nazron se khud ko bachaa ke
baadal ke tukde mein chhip jaaun jaa ke
dhoondhe sitaaron ki toli
main to chanda ke sang
dhoondhe sitaaron ki toli
main to chanda ke sang
kheloon aankh michauli
main to chanda ke
Main to chanda ke sang kheloon aankh michauli
kheloon aankh michauli
Main to chanda ke
duniya hai meri sabse niraali
duniya hai meri sabse niraali
chaand aur sitaaron ki main rehne waali
chaand aur sitaaron ki main rehne waali
ye hai mere humjoli
ho main to chanda ke sang
kheloon aankh michauli
Main to chanda ke
Main to chanda ke sang kheloon aankh michauli
kheloon aankh michauli
Main to chanda ke
khel chukoon main khel apne nyaare
chanda hanse aur muskaayen taare
khel chukoon main khel apne nyaare
chanda hanse aur muskaayen taare
baaten karoon aisi bholi
main to chanda ke sang
baaten karoon aisi bholi
main to chanda ke sang
kheloon aankh michauli
Main to chanda ke
Main to chanda ke sang kheloon aankh michauli
kheloon aankh michauli
Main to chanda ke
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4820 | Post No. : | 16594 |
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Blog 10-Year Challenge (2011-2021) – Song No. 32
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When I look at this day ten years ago (28 September 2011), I find that as many as eight songs were covered on this day ten years ago. Six out of eight songs were Lata Mangeshkar songs to celebrate the 82nd birthday of Lata Mangeshkar.
| Blog Post number | Song | Movie (Year) | MD | Lyricist | Singer(s) | Remarks |
|---|---|---|---|---|---|---|
| 4712 | O main banke jogan aayi tori gali khhidki mein aa jaa | Preet(1945) | Bulo C Rani | D N Madhok | Snehprabha Pradhan | 4 songs covered out of 13 |
| 4713 | Sapera re zehar utaar mera zehar utaar | Kaun Hamaara(1947) | Bulo C Rani | Pt Indra Chandra | Hamida Bano | Two songs covered out of 9 by now |
| 4714 | Aankhon mein samaa jaao is dil mein rahaa karnaa | Yaasmeen(1955) | C Ramchandra | Jaan Nissar Akhtar | Lata | Movie YIPPEED by now |
| 4715 | Ae chaand zaraa sun le | Pyaar Ki Manzil (1950) | Husnlal Bhagatram | Shewan Rizvi | Lata and Husnlal | 7 songs covered by now out of 10 |
| 4716 | Unki pehli nazar kyaa asar kar gayi | April Fool(1964) | Shankar Jaikishan | Hasrat Jaipuri | Lata | Movie YIPPEED by now |
| 4717 | Pyaase huye nain sulag gayi shaam | Afsaana(1966) | Chitragupta | Majrooh Sultanpuri | Lata | 3 songs covered by now out of 6 |
| 4718 | Aajkal ke sabhi naujawaan bade jhoothhe bade beimaan | Johar in Bombay(1967) | Usha Khanna | Qamar Jalalabadi | Lata and Usha Mangeshkar | Movie YIPPEED by now |
| 4719 | Aa aa bhi jaa raat dhhalne lagi | Teesri Kasam(1966) | Shankar Jaikishan | Shailendra | Lata | Movie YIPPEED by now |
Today, ten years later, Lata Mangeshkar is celebrating her 92nd birthday. As Blog Ten Year Challenge, here is another Lata Mangeshkar song from “Pyaar Ki Manzil”(1950).
“Pyaar Ki Manzil”(1950) was directed by Keki Mistry for Superteam Federal Productions, Bombay. The movie had Munawwar Sultana, Rehman, Gope, Kamal, Pratima devi, Ramesh Sinha, Seeta Bose, Niranjan Sharma, Jankidas, Roohi, Devaskar, Fazloo, Bheemji, Maqbool, Hari Bhai, Altaf etc in it.
The movie had ten songs in it. Seven of these songs are covered in the blog.
This eighth song from “Pyaar Ki Manzil”(1950) is sung by Lata Mangeshkar. Rajinder Krishan is the lyricist. Music is composed by Husnlal Bhagatram.
We take this opportunity to wish Lata Mangeshkar a very happy birthday and many more happy returns of the day.
Song-Aankhon se door ho ke dil se na bhool jaana(Pyaar Ki Manzil)(1950) Singer-Lata, Lyrics-Rajinder Krishan, MD-Husnlal Bhagatram
Lyrics
aankhon se door hoke ae
dil se na bhool jaana
ujde huye chaman mein ae
banke bahaar aana
aankhon se door hoke ae
dil se na bhool jaana
aankhon se door hoke
jab tak juda rahoge ae
roti rahengin aankhen aen
roti rahengin aankhen
jab tak juda rahoge ae
roti rahengin aankhen aen
roti rahengin aankhen aen
aa na sakega mere ae
honthon ko muskuraana aa
aankhon se door hoke ae
dil se na bhool jaana
aankhon se door hoke
saajan siwa tumhaare ae
koi nahin hai mera aa
koi nahin hai mera
saajan siwa tumhaare ae
koi nahin hai mera aa
koi nahin hai mera aa
tum meri zindagi ho o
tum hi na roothh jaana
tum meri zindagi ho o
tum hi na roothh jaana
aankhon se door hoke ae
dil se na bhool jaana
aankhon se door hoke
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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