Archive for the ‘Songs of 2001’ Category
Wo Ladki Hai Kahaan
Posted on: April 25, 2023
- In: "Dream of Wide Awake Eyes" | "Searching for Beloved" Song | "Searching for something" song | Dance song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Group Dance | Guest posts | Happy song | joie de vivre | Kavitha Krishnamurthy Songs | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Sudhir | Shaan - Kavita Krishnamurthy Duet | Shaan Songs | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5394 | Post No. : | 17699 |
It really has been a while– I do not follow the current Hindi films scene on a regular basis. I think this started in mid 1980s. One factor was that my life became quite mobile as far as my work situation was concerned. Moving to Bombay (now Mumbai) in 1987, then on to US in 1988, back in Delhi 1996, change of workplace two times, and then back again in the US in 2000. Back in Delhi 2009/10, and then more ongoing travel albeit shorter and less frequent.
There are two more factors that I can think of. My deep interest in Hindi films and film music has been with me since I was a student of 3rd/4th grade school. A big chunk of my memory is full of many items starting from that period. However, as we get on to 1980s, and beyond the mid 1980s, the flavors of music in films were changing. For good or bad, I do not make this judgment, but it became different from the likeable and favorite stock stored in me. And so the interest started to wane somewhat. 1980s was also a period of significant transition and churn in terms of the artists and persona who had molded my interest and my love for this art form. Many left us, and many others were sidelined, for reasons I once again do not want to make a judgment on. Bottom line was that the music that was being created in the industry was holding less and less attraction and interest for me.
No, this is not a blanket dismissal of everything that has happened in the industry since mid 1980s. Just that there were progressively lesser artifacts that would catch my attention, and get added to my list of favorites in the memory stores.
Another factor that started becoming more prominent in life relates to the advent of the internet in the 1990s. Being in the IT industry, we were always at the forefront of the changes that were being brought in technology. Email appeared, messaging appeared, and network connectivity in some limited manner became available. Working in IT companies, I was always connected to whatever was the extent of the online net availability. Public networks and home connectivity was still a few years ahead, but from the offices, we had the luxury of being able to access whatever online resources were available then.
I remember I was on an assignment in San Dimas, close to LA in California. While browsing the internet from my office I stumbled upon a web site that had been put up by a gentleman named Amarjeet Singh Anand, who lived in San Fernando, further south from where I was. I discovered a gold mine – songs that were heard on radio in the 60s and 70s, and then never heard of again. The recordings were very low bit rate – the networks could not support high volumes. But I latched on to this website, and my entire weekends were spent in office, dedicated to downloading everything I could. The websites were not restricted, the concept and ability to download was not well known, and the office networks also did not have any controls as yet. Once having figured out the download capability, it was a trip into a wonderland of music of the years gone by, the music that was burnt onto the hard drives in my memory.
Then started this new phase of my passion for this music. Now the trip became to collect Hindi film songs in digital form. As time progressed, more and more online resources were discovered. Also one started getting introduced to more people who were doing such collections – the network grew and so did the collections by exchange and sharing.
And so, the interest in the current Hindi cinema and its music never really took any roots inside. The search still continues. This activity brought me in contact with many more like minded collectors, archivists and film history buffs. Geet Kosh came into life and a lot changed after that. And then Atul ji stepped into my life through Atul-Song-A-Day. And of course, the things in life were never the same again.
So in the current times, viewing of films and listening to music is more as per recommendations from friends and family members. I continue to read enough news to keep abreast of the current happenings in Hindi cinema, but only rarely do I get motivated to see any films of the new crop.
But that does not mean that my contact with current cinema is zero. As I said, based on recommendations I do keep in touch. The film ‘Dil Chaahta Hai’ (2001) – I had heard good things about this film. A maiden production effort by Farhan Akhtar ; a story revolving around the lives of three very close friends, and their fortunes in personal relationships.
I was based in San Jose at that time. I think I got to see this film probably in 2003 or 2004. A junior Indian colleague at work coaxed me to see this film. He expressed surprise that I had not seen this film. He promptly made a DVD disc for me, to view at leisure.
In many ways, it was a first introduction to many an actor from the newer generation. It was the first time to find out that Farhan Akhtar is the son of Javed Akhtar (from his earlier marriage with Honey Irani). Also the first time to be introduced to the lyrics from the pen of Javed Akhtar. Also to know that the tradition of duo and trio music directors in Hindi cinema is still alive with Shankar-Ehsaan-Loy. And to be introduced to the new crop of actors – Aamir, Priety, Saif, Akshay (Khanna), Sonali et al. And to find out to my dismay that my sweet little Bobby, the heartthrob of my college days, had actually aged.
The film is about love, about different flavors of it. That different people view it differently, treat it differently, have different interpretations and expectations. The fundamental message being that each person has a different opinion of love, and it is a great fortune to meet someone who has the similar view in life. Yes, truly a great fortune. Having been fed on primarily happy ending fairy tales that I had been viewing since childhood, the mindset of the child within was that there is always a smooth ride and a happy outcome of a love story. No, not that I have not viewed films at variance with this view, but still. After a gap of having kept distance from Hindi films, ‘Dil Chahta Hai’ was a wonderful refresher course in looking at filmy love stories once again.
I liked the film at first viewing itself. And also the music and songs. A learning for me that yes, music can be refreshing coming from artists whose names I had never heard before, and names that did not inspire any confidence. And yet, this film and its music entered my list of favorites. And that too, post 2000.
Four songs of this film are already on the blog. I present today a lilting exchange between the girl-boy pair in their effort to find the perfect match in life. There is a certain old world charm and a slowly sinking in surrealism in the presentation of this song. Sameer (role played by Saif Ali Khan) and Pooja (role played by Sonali Kulkarni) are friends who go to see a film. The magic happens in the cinema hall, and we come face to face with another “dream of wide awake eyes” experience. Immersed in the music, both Sameer and Pooja fancy themselves to be the protagonists on the screen. The love song being played is “dreamed” of as being enacted by them. There is disbelief at first, which is then followed by a disarming acceptance of a shared experience that brings to surface realizations that they have probably been nurturing inside.
And the surrealism comes to a sharp pitch at the end of the song sequence, when the entire audience inside the hall joins the love birds in chorus, acknowledging the presence of an “Aha” moment amidst them. A cute presentation. The song picturization, the dress up, the dance steps all are an enlivening throwback on the earlier decades of Hindi cinema.
This song once again further emboldens the firm belief that all it takes to make love and consent appear between the supposed love birds is three minutes (in this case five), i.e. the duration of a song. All that is in doubt is set right, all that is hidden beneath surprised appearances surfaces, the smiles come on, and the hand-in-hand arms entwined happy outcome is signaled at the end of the three minutes. Well, somethings will probably never change. And thankfully so. 😀
Getting close to time out and I must pause to make this post online. The century marker trumpet is just waiting behind me to tootle the announcement of the 177th century milestone. So without much further ado, take a listen to this song and then on to the milestone.
Happy listening.
Song – Wo Ladki Hai Kahaan (Dil Chaahta Hai) (2001) Singer – Shaan, Kavita Krishnamurthy, Lyrics – Javed Akhtar, MD – Shankar, Ehsaan, Loy
Lyrics
jise dhoondhta hoon main har gali
jo kabhi mili mujhe hai nahin
mujhe jiske pyaar par ho yakeen
wo ladki hai kahaan
jise sirf mujhse hi pyaar ho
jo ye kehne ko bhi taiyaar ho
suno tum hi mere dildaar ho
wo ladki hai kahaan
jo tumhaare khwaabon mein hai basi
wo haseen murti pyaar ki
miliegi tumhen kabhi na kabhi
zara dekho yahan wahan
chalo dhoondhte hain hum tum kahin
wo pari wo hoor wo naazneen
jise dekho to kaho tum wahi
arey ye to hai yahaan
jaane kyon
khayaal aaya mujhe
ke wo ladki kahin tum to nahin..een
tum mein hain
wo saari khoobiyaan
hai jinko dhoondhta
main har kahin
tumhen dhokha lagta hai ho gaya
mujhe hai samajh liya jaane kya
na main hoon pari na hoon apsara
karo tum na ye gumaan
jise dhoondhta hoon main har gali
jo kabhi mili mujhe hai nahin
mujhe jiske pyaar par ho yakeen
wo ladki hai kahaan
maan lo
agar main ye kahoon
ke mere khwaabon mein
tum hi to ho..oo..oo
jaan lo
mera armaan hai
ke mere saath hi
ab tum raho..oo..oo
mujhe tumne kya ye samjha diya
mere dil ko kaise dadhka diya
mere tan badan ko pighla diya
wo sunaai daastaan..aan
jise dhoondhta hoon main har gali
jo kabhi mili mujhe hai nahin
mujhe jiske pyaar par ho yakeen
wo ladki hai kahaan
wo ladki hai yahaan
wo ladki hai kahaan
wo ladki hai yahaan
wo ladki hai kahaan
wo ladki hai yahaan
wo ladki hai kahaan
wo ladki hai yahaan
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
जिसे ढूँढता हूँ मैं हर गली
जो कभी मिली मुझे है नहीं
मुझे जिसके प्यार पर हो यकीं
वो लड़की है कहाँ
जिसे सिर्फ मुझसे ही प्यार हो
जो ये कहने को भी तैयार हो
सुनो तुम ही मेरे दिलदार हो
वो लड़की है कहाँ
जो तुम्हारे ख्वाबों में है बसी
वो हसीन मूर्ति प्यार की
मिलेगी तुम्हें कभी ना कभी
ज़रा देखो यहाँ वहाँ
चलो ढूंढते हैं हम तुम कहीं
वो परी वो हूर वो नाज़नीं
जिसे देखो तो कहो तुम वही
अरे ये तो है यहाँ
जाने क्यों
खयाल आया मुझे
के वो लड़की कहीं तुम तो नहीं॰॰ईं
तुम में हैं
वो सारी खूबियाँ
है जिनको ढूँढता
मैं हर कहीं
तुम्हें धोखा लगता है हो गया
मुझे है समझ लिया जाने क्या
ना मैं हूँ परी ना हूँ अप्सरा
करो तुम ना ये गुमाँ
जिसे ढूँढता हूँ मैं हर गली
जो कभी मिली मुझे है नहीं
मुझे जिसके प्यार पर हो यकीं
वो लड़की है कहाँ
मान लो
अगर मैं ये कहूँ
के मेरे ख्वाबों में
तुम ही तो हो॰॰ओ॰॰ओ
जान लो
ये मेरा अरमान है
के मेरे साथ ही
अब तुम रहो॰॰ओ॰॰ओ
मुझे तुमने क्या ये समझा दिया
मेरे दिल को कैसे धड़का दिया
मेरे तन बदन को पिघला दिया
वो सुनाई दास्तान॰॰आं
जिसे ढूँढता हूँ मैं हर गली
जो कभी मिली मुझे है नहीं
मुझे जिसके प्यार पर हो यकीं
वो लड़की है कहाँ
वो लड़की है यहाँ
वो लड़की है कहाँ
वो लड़की है यहाँ
वो लड़की है कहाँ
वो लड़की है यहाँ
वो लड़की है कहाँ
वो लड़की है यहाँ
Badi mushqil baaba badi mushqil
Posted on: March 20, 2023
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5358 | Post No. : | 17573 | Movie Count : |
4724 |
Hullo Atuldom
Presenting
“Badi Mushkil Baba
Badi Mushkil
Gore gore gaalon pe hain
Kala kala til”
A song that I love to see. Why?!!
(1) Because of its choreography
(2) Because of the smiling ladies in the sequence.
(3) A visual treat.
I hope the followers of the blog will get the same pleasure from this song that I experience every time I see it. The song is from the Rajkumar Santoshi produced & directed “Lajja” (2001). The story of the film was woman-centric just like “Damini” (1993); the major difference between ‘Damini’ & ‘Lajja’ being that ‘Lajja’ had four female characters as its protagonist.
The film had a cast of highly talented, super versatile actors with Rekha, Madhuri Dixit, Mahima Chaudhry, Manisha Koirala (as the main ladies), Jackie Shroff, Anil Kapoor, Ajay Devgan, with Danny, Gulshan Grover, Suresh Oberoi, Razak Khan, Johnny Lever, Sharman Joshi, Tinnu Anand, Farida Jalal, Dina Pathak, Anjan Shrivastav, Beena, Govind Namdeo, Rohini Hattangadi etc in supporting roles. The film also had Sonali Bendre & Urmila Matondkar for a song sequence each. Also there were Viju Khote, Asrani, Jagdeep, Samir Soni, Jaya Bhattacharya in guest appearances. That is a very long list and most of the supporting actors have been given near-equal screen time.
The film was the story of Vaidehi (Manisha Koirala) who is a girl with conservative family values and undergoes a culture shock when she has to shift to the USA after marriage to Raghu (Jackie Shroff). The film then follows her journey after she leaves her husband and the USA; comes to India and encounters other ladies in similar or worse situations. The ladies Maithili (Mahima Chaudhry), Janki (Madhuri Dixit), and Rampyari (Rekha) are all shown to be coping with the good & bad happenings in their lives to the best of their abilitiies. Mathili & Rampyari have Raju (Anil Kapoor- a common thief) & Bhulwa (Ajay Devgan- a not-so-dreaded bandit) helping the ladies in their own way.
In spite of good performances by the cast, excellent songs, and being well-directed with a good second half the film was not a commercial success. It was felt by some critics that the film tried to pack in too many issues viz. dowry, computer education, female literacy, (only) females being accountable in society and female infanticide. But Rekha & Madhuri were nominated for best supporting actress at the 47th Filmfare awards and Ajay Devgan for best supporting actor.
The film had background score was by Ilaiyaraja and Anu Malik was the music director for the songs that were sung by Richa Sharma, Sonu Nigam, Alka Yagnik, Anuradha Paudwal, Anuradha Sriram, K.K., Shubha Mudgal & Lata Mangeshkar. The songs were written by Sameer.
Today, Alka Yagnik, the playback singer of this song turns a year older. She was born in Calcutta (now Kolkata) in a Gujarati family. Herr mother was a Indian Classical music singer and Alka too beegan singing at a very young age. She came to Mumbai with her parents to try her luck & was advised by Kalyanji-Anandji as well as Laxmikant of Laxmi-Pyare duo to wait a few years for her voice to mature a bit more before taking up professional assignments. She was first heard in Rajshri Productions’ “Payal Ki Jhankaar” and followed it up with “Hotel”, “Itni Si Baat”, “Hamaari Bahu Alka” etc. She tasted real success with “Mere Angane Mein” from “Lawaaris” (1981). And, since then, she has her place in the music industry & is the voice for Madhuri Dixit, Manisha Koirala, Juhi Chawla etc. She has been a Judge on a few reality shows on various television channels.
Here is wishing her All the best and a life filled with music.
Song-Badi mushqil baaba badi mushqil (Lajja)(2001) Singer-Alka Yagnik, Lyrics-Sameer, MD-Anu Malik
Lyrics
ha aa
ha aa
kangna kangna kangna
haa aa
jhumka jhumka jhumka
haa aa
paayaliya paayaliya
haa aa
kangna kangna kangna
jhumka jhumka jhumka
paayaliya paayaliya
chhanak chhanak ke bole
chhanak chhanak ke bole
o o o o
badi mushqil baqba badi mushqil
gorey gorey gaalon pe hai kaala kaala til
badi mushqil baaba badi mushqil
til pe atak jaaye aashiko ka dil
zara bachke
rehna chhaliye
zara bachke
rehna chhaliye
meri ada bhi hai qaatil
badi mushqil baaba badi mushqil
gorey gorey gaalon pe hai kaala kaala til
badi mushqil baaba badi mushqil
til pe atak jaaye aashiqon ka dil
haa aa
koi kahe
ho mujhko chhamiya
koi kahe
mujhko nautanki
shehar shehar meri baaten
Mumbai ya Barabanki
sab kahen mujhe aake mil
aake mil baaba aake mil
meri ada bhi hai qaatil
badi mushqil baaba badi mushqil
gorey gorey gaalon pe hai kaala kaala til
badi mushqil baaba badi mushqil
til pe atak jaaye aashiqon ka dil
haa aa
haa aa
chal chalen in galiyon se
chalen
in rangraliyon se
loot na le pyaase bhanwre
khushbu mahki kaliyon se
ye nahin chaahat ke qaaabil
ye nahin chaahat ke qaabil
meri ada bhi hai qaatil
badi mushqil baaba badi mushqil
gorey gorey gaalon pe hai kaala kaala til
badi mushqil baaba badi mushqil
til pe atak jaaye aashiqon ka dil
zara bachke rehna chhaliye
jara bachke rehna chhaliye
meri ada bhi hai qaatil
badi mushqil baaba badi mushqil
gorey gorey gaalon pe hai kaala kaala til
badi mushqil baaba badi mushqil
til pe atak jaaye aashiqon ka dil
haa aa
haa aa
haa aa
Door kahin ik aam ki bagiya
Posted on: February 6, 2023
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5315 | Post No. : | 17426 |
Tribute to Lata Mangeshkar – 1
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A R Rahman – The Musician of 21st Century – 5
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On February 06, 2022 the voice fell silent forever. Today is the first Remembrance Day of ‘Nightingale of India’. We can give her many adjective call her ‘Andaleeb-e-hindostan’ or ‘hindustan ki bulbul’. The government of India has awarded her the highest civilian award of ‘bharat ratna’.
I turn to Iqbal for inspiration. I was hoping to find something suitable for this occasion, as ‘bulbul’ figures prominently in Allama Iqbal’s poetry. I am not going too deep in the interpretation of this one, just reproducing the ghazal, with the translation in English, which I found on one of the sites on Allama Iqbal.
Ye Surood-e-Qumri-o-Bulbul Faraib-e-Gosh Hai
———————————————–
Ye Surood-e-Qumri-o-Bulbul Faraib-e-Gosh Hai
Batin-e-Hangama Abad-e-Chaman Khamosh Hai
These songs of turtle doves and nightingales are merely ear’s illusion
Behind this uproar the world of the garden is silent
Tere Pemanon Ka Hai Ye Ae Mai-e-Maghrib Asar
Khanda-Zan Saqi Hai, Sari Anjuman Be-Hosh Hai
O Western wine the effect of your goblets is only this
That cup‐bearer is laughing and the entire assembly is unconscious
Dehr Ke Gham Khane Mein Tera Pata Milta Nahin
Jurm Tha Kya Afreenish Bhi Ke Tu Ru-Posh Hai
In the world’s sorrowful house you are not traceable
Was creation also a crime so Your nature is concealed?
Ah, Dunya Dil Samajhti Hai Jise, Woh Dil Nahin
Pehlu-e-Insan Mein Ek Hangama-e-Khamosh Hai
Ah! What the world considers heart is not heart
In the human breast this is a silent tumult
Zindagi Ki Rah Mein Chal, Lekin Zara Bach Bach Ke Chal
Ye Samajh Le Koi Meena Khana Bar-e-Dosh Hai
.
Walk on the path of life but walk carefully
Understand that some glass work is on your shoulders
Jis Ke Dam Se Dilli-o-Lahore Hum Pehlu Huwe
Ah, Ae Iqbal! Woh Bulbul Bhi Ab Khamosh Hai
Through whom Delhi and Lahore were drawn together
Ah! Iqbal that nightingale is silent now.
This ghazal talks of Nightingale’s song, silence behind noises of the world, effect of wine (of power) on those who enjoy power, the role of ‘saaqi’ in this process, the true beauty of creation being invisible and untraceable in this sad world, a silent tumult in the human chest, the heart without characteristics of a real heart, an advice to be careful in the world as one carries delicate matters as baggage, etc.
The ghazal ends, stating that the nightingale which brought ‘Dilli’ and ‘Lahore’ closer is silent now. How appropriate!
It is just co-incidence that I started this post with the sentence ‘On February 06, 2022 the voice fell silent forever’ and afterwards found this ghazal which ends with a similar refrain. As expected, Iqbal never fails to impress, with vocabulary, which is unusual, yet relatable.
I will at least make a trilogy of posts as a tribute to a legend among all Indian artists. It disturbs me to hear people criticise her, whenever her name is mentioned in informal talks, during lunch time etc. Even without actively trying to dominate the hindi films singers’ field, which some allege Lata Mangeshkar did, she would have dominated and overshadowed her competition. There was lot of focus, dedication, talent, devotion to her singing and single-minded ambition involved in making her the voice of the nation, and it gave her the heights and glory, which she deserved and no one else could have achieved.
And the perfectionist in her would not have settled for anything less. There are hundreds of her songs, which are a legacy too varied, for any body to emulate. I have always held her voice, the shine of it, close to my heart. As a professional, she held the belief that she is the best and she would be the best. In this she was her own competition, and she competed with no one else.
Though the world of music does not consider hindi film music as a serious form of music. The format of writer, composer and singer being different persons, is a factor in this non-recognition. Despite this Lata Mangeshkar’s status as Indian vocalist is hers alone and this cannot be overstated and over rated.
This fact was amply acknowledged by the new age musician like A. R. Rehman. Lata Mangeshkar sang very few songs in the last 20 years, but majority of these songs are for ARR. ARR is forever, having unknown singers from his academy sing his songs. Many of the established playback singers of hindi films have sung for him, 1, 2 or 3 songs for him. Lata Mangeshkar would top this list with Sukhwinder Singh, as film after film, he had her sings bhajans, fusion songs and lullabies and sad songs. From ‘Dil Se’ to ‘Rang De Basanti’ to ‘Pukar’, the songs are many.
I am presenting here one such lullaby from the film Zubeida (2001), one of the well-known songs by Lata-ARR. The poetry is by Javed Akhtar.
Two songs from “Zubeida”(2001) are already on the blog:-
| Song | Date of posting |
|---|---|
| Dheeme dheeme gaaun dheere dheere gaaun | 29 May 2019 |
| Mehandi hai rachnewaali | 4 October 2014 |
As a lullaby goes, this is softer and having a story of a ‘Shehzadi’. As all are asleep, the Shehzadi comes down from her home in the stars, to the child’s house. She brings with her all the sweet dreams with her and arranges those dreams on the child’s eyelashes. How endearingly the scene for the child to go to sleep is created, making he or she secure in the knowledge that the princess is going to come and give him sweet dreams as soon as he or she sleeps.
With ARR’s orchestration yet to reach the pinnacle in the new century, this is one of the best scores of that period. I have my favourites in this film’s songs too. But this ‘lori’ becomes all time classic in this genre, with Lata’s singing, not to mention the imagery of dreams brought down from the shining stars, that Javed Akhtar created.
Full Audio:
Part video:
Song-Door kahin ik aam ki bagiya (Zubeida)(2001) Singer-Lata Mangeshkar, Lyrics-Javed Akhtar, MD-A R Rahman
Lyrics
hmmm mmm mmmm
hmmm hm hmmhmmhmm
hmmm mmm mmmm
hmmm hm hmmhmmhmm
aa aaaa
aahaahaa aaaa haaaaa
door kahin ik aam ki bagiyaa aa
door kahin ik aam ki bagiyaa
bagiyaa mein hai
thhandi chhaaon
chhaaon mein ik kachcha rastaa
raste mein pyaara sa gaaon
gaaon mein ik chhota sa ghar
ghar mein ik ujlaa sa aangan
aangan mein chandan ka palna
palne mein chandaa sa munnaa
aaa…
munne ki aankhon mein nindiyaa aa
door kahin ik aam ki bagiyaa
bagiyaa mein hai
thhandi chhaaon
chhaaon mein ik kachcha rastaa
raste mein pyaara sa gaaon
neele neele aasmaan mein
taaron ka hai ek nagar
jagmag jagmag ik taare par
ek shehzaadi ka hai ghar
chupke chupke raat ko uthh ke
dhyaan se dekhe koyi agar
jhilmil jhilmil hai taare mein
uss shehzaadi ke zevar
shehzaadi ithhlaaye
shehzaadi ye gaaye
door kahin ik aam ki bagiyaa aa
aadhi raat jab ho jaati hai
jab duniya so jaati hai
taaron se shehzaadi utar ke
munne ke ghar aati hai
meethhe meethhe saare sapne
apne saathh woh laati hai ae
sote munne ki palkon pe
ye sapne woh sajaati hai ae
sirhaane wo aaye
haule se wo gaaye
door kahin ik aam ki bagiyaa aa aa
Kambakht ishq hai jo
Posted on: September 8, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5165 | Post No. : | 17131 | Movie Count : |
4620 |
Hullo Atuldom
I am sitting to write a post to wish my favourite singer on turning an year older. The task is not easy. Because the blog has 2967 songs, from a possible 7874, leaving us with 4907 songs to choose from. So, the difficulty is of one-too-many to choose from. The task is further complicated when I have zeroed in on atleast 10 songs in the last few hours. I want to write about each and everyone of them.
The song that first came to my mind is from the 27th April 2001 released, Ram Gopal Verma produced and Rajat Mukherjee written & directed “Pyaar Tune Kya Kiya” (PTKK). It had Urmila Matondkar play a possessive, headstrong, young woman (Ria) and daughter of Suresh Oberoi- a businessman who is concerned about his daughter’s nature. Fardeen Khan played a married fashion photographer (Jai) and Sonali Kulkarni played Jai’s wife. Jai sees Ria in Goa and convinces her to model for his fashion magazine and she also falls in love with him. She is shocked to find his marital status when she visits his house and that he is happily married man.
In her obsession to be with Jai and marry him she tries various methods to disrupt his family life like attempting suicide & calling him to be by her side; creating a situation whereby his wife finds them getting intimate etc. She goes to the extent of even trying to murder the wife but Jai reaches in the nick of time, saves his wife and shows the father his daughter’s mental condition. The film closes with Ria in hospital and Jai feeling guilty for her condition. Urmila Matondkar walked away with a lot of praise for her acting.
PTKK had music by Sandeep Chowta who has been in the film industry since 1996 having made his debut in Telugu films. The lyricist for PTKK was Nitin Raikwar and the playback singers used were K.S. Chitra, Alka Yagnik, Sonu Nigam, Kavitha Krishnamurthy, Alisha Chinai, Sukhwinder Singh etc & our today’s birthday personality- Asha Bhonsle.
She had only one song in the movie but it was very popular back then and the choreography and picturization was classy.
I don’t think we have anything to write about the legend that Ashatai is other than that she kept reinventing herself through the 74 years that she has been in public eye.
The last film with a song sung by AshaTai came in 2020 in a movie called “Bhangra Paa Le”. She has sung for a few mother-daughter actresses like Tanuja and Kajol (there will be many more which the readers will recall).
She has sung songs under fathers and sons like SD Burman- RD Burman, Roshan- Rajesh Roshan and many more.
Sung with Kishore Kumar and his son Amit Kumar, Mukesh and his son Nitin Mukesh.
She has seen song recording style down the decades and has managed to mould herself accordingly.
I can go on & on about Ashatai’s versatility and control over her voice which she modulates according to the on-screen artist. I can list out all the languages that she has sung in. I can write about all the international artists that she has cut albums with over the years. I can write about how I was excited to see her in person at concerts in Bangalore. But let us get on to the song where Sonu Nigam and Sukhwinder Singh accompany her.
Wishing the darling of all Film Music lovers (across the world) a Very Happy Birthday. May she have Good Health and Cheer.
Audio (Longer)
Video
Song-Kambakht ishq hai jo(Pyaar Toone Kya Kiya)(2001) Singers-Asha Bhonsle, Sonu Nigam, Sukhwinder Singh, Lyrics-Nitin Raikwar, MD-Sandeep Chowtha
Lyrics(Based on audio version)
kamabakht ishq
hai jo o
saara jahaan
hai vo o
kab aata hai ae ae
kab jaata hai ae
per rehta hai jab tak
ye kamabakht
jannat dikhata hai
kamabakht ishq hai jo
saara jahaan hai wo
kab aata hai ae ae
kab jaata hai ae
per rehta hai jab tak
ye kamabakht
jannat dikhaata hai ae ae
kamabakht ishq hai jo
saara jahaan hai wo
kab aata hai ae ae
kab jaata hai ae
per rehta hai jab tak
ye kamabakht
jannat dikhaata hai ae ae ae
ye ishq ishq himmat hai
ye ishq ishq kismat hai
ye ishq ishq taakat hai
ye ishq dil ki daulat hai
ye ishq ishq himmat hai
ye ishq ishq kismat hai
ye ishq ishq taakat hai
ye ishq dil ki daulat hai
ye ishq na mit paaega
tu ishq me mit jaayega
hai ishq me mitana aisa
koi nayaa janam ho jaisa
kamabakht ishq hai jo
hai jo
saara jahaan hai wo
hai wo
ho tadpaata hai
per rehta hai jab tak
kambakht
jannat dikhaata hai ae
dil dil mein basa hai aise
patthar pe lakeeren jaise
is’se bachna hai mushqil
bachna chaahe to o o kaise
dil dil mein basa hai aise
patthar pe lakeeren jaise
is’se bachna hai mushqil
bachna chaahe to kaise
saalon se yahaan rehta hai
har koi ise karata hai
is se chhupna hai mushqil
is mein na koi parda hai
kamabakht ishq hai jo
hai jo
saara jahaan
hai wo
hai wo
kab aata hai ae ae
kab jaata hai ae
par rehta hai jab tak
ye kamabakht
jannat dikhaata hai re ae ae
kamabakht ishq hai jo
hai jo
saara jahaan hai vo
hai vo
kab aata hai
tadpaata hai re
kab jaata hai
tarsaata hai
par rehata hai jab tak
ye kamabakht
jannat dikhata hai
jaata hai re ae
Sach Keh Raha Hai Deewaana
Posted on: June 4, 2022
- In: "Broken heart" song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Group Dance | Guest posts | KK Song | Lyrics by Sudhir | Lyrics contributed by readers | Post by Peevesie's mom | sad song | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5069 | Post No. : | 16985 | Movie Count : |
4601 |
Hullo Atuldom
‘Rehnaa Hai Terre Dil Mein’ (RHTDM – 2001) was produced by Vashu Bhagnani and directed by Gautam Vasudev Menon. It was either a remake or made along side Gautam Vasudev Menon’s Tamil ‘Minnale’. ‘Minnale’ released in February and RHTDM released in October 2001. Both the versions had R Madhavan play the lead, music was by Harris Jayaraj (I think both the movies were the composers’ debut in the respective languages).
RHTDM was the debut of, second runner-up Miss India 2000, Dia Mirza who had gone to be crowned Miss Asia Pacific 2000. Indian beauties Lara Dutta & Priyanka Chopra were that year’s Miss Universe & Miss World respectively.
‘Rehnaa Hai Terra Dil Mein’ (please note that the extra alphabets in the title may have something to do with numerology and that is how it appeared in the movie’s title card) had Saif Ali Khan as the other male protagonist along with Vrajesh Hirjee, Tannaz Irani (she was Tannaz Currim back then), Anupam Kher, Navin Nischol, etc in the cast. Sameer was the lyricist and Bombay Jayashree, Roop Kumar Rathod, Sonu Nigam, Kavitha Krishnamurthy, Shaan, Preeti – Pinky, Sukhvinder Singh, Shekhar Ravijani, Sunidhi Chauhan, Vasundhara Das and KK were the playback singers used.
The movie was the story of a love-struck man, (unknowingly) stealing the identity of his former college foe, to pursue his lady-love and the eventual repercussions he has to face, when his cover is blown before he could come clean.
I had originally zeroed in to the songs of this movie to wish R Madhavan on his birthday which was on 1st of June. R Madhavan was born in Jamshedpur to South Indian parents and completed his graduation from Kolhapur. In college he was a leading NCC cadet and had the opportunity to go to England and get training in the Royal Air-Force, Royal Navy and British Army. I read somewhere that he had briefly toyed the idea of joining the armed forces too but missed the cut-off by a few months. A brief stint in modelling helped him gain a foothold in the entertainment industry via the television industry. I remember him playing Satish Shah’s son-in-law and Mandira Bedi’s husband in ‘Ghar Jamai’ in the ’90s. His first chance in Indian films came via Kannada movies.
Before I could complete the post in came the news of the untimely death of the KK aka Krishnakumar Kunnath after a stage performance in Kolkatta. He was only 53.
KK was born to South Indian parents (like Madhavan) in New Delhi. He was an alumnus of Kirori Mal College. He was the voice of the jingles in the ’90s before AR Rehman gave him a break in Tamil. His debut in Hindi films was the full throat song “Tadap Tadap Ke Is Dil Se Aah Nikalti Rahi” from the film ‘Ham Dil De Chuke Sanam’ (1999) under the baton of Ismail Darbar (the song is already present on our blog with a post by Nahmji).
Yesterday fellow-Atulite Satyajitji shared a short clip featuring hits of KK and I found most of them had been my favorites; of course without knowing who was singing those. I must also admit that I am as ignorant about the current lot of singers as I was about the singers of the Golden Era of Indian Music. Just as some songs are prophetic about the concerned writer, music director, singer etc. There is a song which KK sang “Hum Rahe Ya Na Rahe Kal” from the non film album ‘Pal’. It seems that he had sung this song on-stage on that fateful evening of 31st May.
For this post I present the song which I had originally chosen to wish Madhavan on his birthday on 1st June.
But now this song unfortunately also happens to be a tribute to KK.
Song – Sach Keh Raha Hai Deewaana (Rehnaa Hai Terre Dil Mein) (2001) Singer – KK, Lyrics – Sameer, MD – Harris Jayraj
Lyrics (Provided by Sudhir)
sach keh raha hai deewaana
dil
dil na kisi se lagaana
jhoothe hai yaar ke waade saare
jhoothi hain pyaar ki kasmen
maine har lamha jise chaaha
jise pooja
usi ne yaaro mera dil toda
toda
tanha
tanha chhoda
sach keh raha hai deewaana
dil
dil na kisi se lagaana
jhoothe hai yaar ke waade saare
jhoothi hain pyaar ki kasmen
maine har lamha jise chaaha
jise pooja
usi ne yaaro mera dil toda
toda
tanha
tanha chhoda
sunder sunder
wo haseena
badi sunder sunder
main to khone laga
uske nashe mein
bin piye behka. . .
aa aa aa
sunder sunder
wo haseena
badi sunder sunder
main to khone laga
uske nashe mein
bin piye behka. . .
ek din usey bhula doonga main
uske nishaan mita doonga main
chaahoonga na main us patthar ko
ja usey bata de
oo oo
sach keh raha hai deewaana
dil
dil na kisi se lagaana
jhoothe hai yaar ke waade saare
jhoothi hain pyaar ki kasmen
maine har lamha jise chaaha
jise pooja
usi ne yaaro mera dil toda
toda
tanha
tanha chhoda
mausam
mausam
tha bada suhaana
mausam
mausam
maine dekha usey
hua main paagal
bas pal bhar mein
aa aa
mausam
mausam
tha bada suhaana
mausam
mausam
maine dekha usey
hua main paagal
bas pal bhar mein
aake basi hai wo mere mann mein
uski kami hai ab jeevan mein
wo door hai meri nazron se
kyun usey main chaahoon
la laai laai laai laai laa
le
la laai laai laai laai laa
la laai laai laai laai laa
le
maine har lamha jise chaaha
jise pooja
usi ne yaaro mera dil toda
toda
tanha
tanha chhoda
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
सच कह रहा है दीवाना
दिल
दिल ना किसी से लगाना
झूठे हैं यार के वादे सारे
झूठी हैं प्यार की कसमें
मैंने हर लम्हा जिसे चाहा
जिसे पूजा
उसी ने यारो मेरा दिल तोड़ा
तोड़ा
तन्हा
तन्हा छोड़ा
सच कह रहा है दीवाना
दिल
दिल ना किसी से लगाना
झूठे हैं यार के वादे सारे
झूठी हैं प्यार की कसमें
मैंने हर लम्हा जिसे चाहा
जिसे पूजा
उसी ने यारो मेरा दिल तोड़ा
तोड़ा
तन्हा
तन्हा छोड़ा
सुन्दर सुन्दर
वो हसीना
बड़ी सुन्दर सुन्दर
मैं तो खोने लगा
उसके नशे में
बिन पिये बहका
आ आ आ
सुन्दर सुन्दर
वो हसीना
बड़ी सुन्दर सुन्दर
मैं तो खोने लगा
उसके नशे में
बिन पिये बहका॰ ॰ ॰
इक दिन उसे भुला दूँगा मैं
उसके निशां मिटा दूँगा मैं
चाहूँगा ना मैं उस पत्थर को
जा उसे बता दे
ओ ओ
सच कह रहा है दीवाना
दिल
दिल ना किसी से लगाना
झूठे हैं यार के वादे सारे
झूठी हैं प्यार की कसमें
मैंने हर लम्हा जिसे चाहा
जिसे पूजा
उसी ने यारो मेरा दिल तोड़ा
तोड़ा
तन्हा
तन्हा छोड़ा
मौसम
मौसम
था सुहाना बड़ा
मौसम
मौसम
मैंने देखा उसे
हुआ मन पागल
बस पल भर में
आ आ
मौसम
मौसम
था सुहाना बड़ा
मौसम
मौसम
मैंने देखा उसे
हुआ मन पागल
बस पल भर में
आके बसी है वो मेरे मन में
उसकी कमी है अब जीवन में
वो दूर है मेरी नज़रों से
क्यों उसे मैं चाहूँ
ल लाई लाई लाई लाई ला
ले
ल लाई लाई लाई लाई ला
ल लाई लाई लाई लाई ला
ले
मैंने हर लम्हा जिसे चाहा
जिसे पूजा
उसी ने यारो मेरा दिल तोड़ा
तोड़ा
तन्हा
तन्हा छोड़ा
Roshni se bhare bhare
Posted on: November 2, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4855 | Post No. : | 16645 | Movie Count : |
4535 |
Hullo Atuldom
Recently, last five years to be exact, November 2nd has been added to the dates for which I feel compelled to write a post. These were the posts from the last Five years
| Dates | Song |
|---|---|
| 2 November 2016 | Dil aashna hai jigar aashna hai |
| 2 November 2017 | Taak dhin dhin taak dhin dhin dhin |
| 2 November 2018 | Jaata hai tu kahaan |
| 2 November 2019 | Aashiq hoon main qaatil bhi hoon |
| 2 November 2020 | Katthai aankhon waali ek ladki |
November 2nd became an important date in the calendar for Atuldom when we discovered that a very dear Atulite has his birthday on this date. He used to be a very active member of Atuldom. But has been missing from action since the last four months- his last post on the blog was on July 19, 2021. He has contributed 1407 posts to the blog (the highest by a guest poster on ASAD), enriched 137 posts by contributing lyrics for them, plus he has added Devnagari lyrics to 1414 posts. Most importantly all his posts have lyrics in both Devnagari and the Roman script. He is a treasure house of information and has connections to collectors of music and vinyl records of music from all eras and is competent in locating rare gems when requested by followers of the blog.
Of course his journey on the blog began like all other followers (correct me if I am wrong Sudhirji) landing on Atulsongaday in search of some song, liking the premise of the blog and staying glued to it forever. He went a step further when he became Atulji’s aide and shared the task of posting songs on the blog, which actually helped on days when Atulji was busy with earthly responsibilities.
Here is wishing our very own Dilldaar Dilliwala “Many More Happy returns of the day”.
For this post I propose that we have a song from the 26th October 2001 released, Santosh Sivan directed and Gauri Khan/ Juhi Chawla produced ‘Asoka’. It had a starcast headed by Kareena Kapoor, Shah Rukh Khan, Danny, Ajith Kumar (the southern star), Gerson Da Cunha (Adman, Stage & media personality), Umesh Mehra (the producer/ director of films like ‘Guru’, ‘Ashanthi’, ‘Mujrim’ etc.) along with Subhashini Ali, Hrishita Bhatt, Rahul Dev etc. The music was composed by Anu Malik; Gulzar and Anand Bakshi are credited as lyricists (must be the only time these two featured as lyricists in the same film). The vocals of Alka Yagnik, Abhijeet, Sunidhi Chauhan, Shaan, K.S. Chitra, Hema Sardesai can be heard in the songs.
Here is a melodious song from the movie which is filmed on another Dilliwala -SRK who also has his birthday today with Anu Malik the music composer also celebrating his birthday. This post which celebrates three birthdays is sung by a person whose birthday was on 30th October- Abhijeet. The female voice is of Alka Yagnik.
Wish you a very Happy Birthday Sudhirji with this song penned by Gulzar.
Audio (Longer)
Video
Song-Roshni se bhare bhare (Asoka)(2001) Singers-Abhijeet, Alka Yagnik, Lyrics-Gulzar, MD-Anu Malik
Chorus
Lyrics
roshni se ae bhare bhare
bhare bhare ae naina tere
chhoo ke bolen
na chhoona mujhe
chhoo ke bolen
na chhoona mujhe
aa aa aa
sapnon se ae bhare bhare
bhare bhare ae naina tere
aa aa aa aa
aa aa aa aa
dhoondha hai dhoondha hai tujhe
aakaash upar taley
shaayad kisi badri mein
lipti hui tu miley
o o o
dhoondha hai dhoondha hai tujhe
aakaash upar taley
shaayad kisi nadiya pe
chalta hua tu miley
roshni se ae bhare bhare
bhare bhare ae naina tere
chhoo ke bolen
na chhoona mujhe
chhoo ke bolen
na chhoona mujhe
aa aa aa aa
aa aa aa aa
maine samay rok ke
tera pata poochha hai
neeli nadi se keh ke
saagar taley dhoondha hai
o o o
lehron pe chalte huve
paani ke phan chhoote hain
jaise tere ye haath hon
mera ye tan chhoote hain
roshni se ae bhare bhare
bhare bhare ae naina tere
chhoo ke bolen
na chhoona mujhe
Mere dil mein tum nazar mein tum
Posted on: October 11, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4833 | Post No. : | 16614 | Movie Count : |
4525 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part LV: Year 2001
———————————————————————————————————
In this episode, the 55th episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 2001.
In 2001, 60 Hindi movies containing 405 songs were released. Lata Mangeshkar got to sing in 6 of these movies and she sang 12 songs in these movies. So Lata Mangeshkar’s voice was heard in 10 % of the movies released in 2001. Her voice was heard in 3 % of the songs appearing in the movies of 2001.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 2001 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Censor | Jatin Lalit | 0 | 1 | 1 | 0 | 0 | 0 | Vinoo Mahendra |
| 2 | Farz | Uttam Singh | 0 | 3 | 0 | 2 | 0 | 1 | Sameer |
| 3 | Kabhi Khushi Kabhi Gham | Jatin Lalit | 1 | 2 | 2 | 0 | 0 | 0 | Sameer |
| 4 | Lagaan | A R Rahman | 0 | 1 | 0 | 1 | 0 | 0 | Javed Akhtar |
| 5 | One 2 ka 4 | A R Rahman | 0 | 2 | 0 | 2 | 0 | 0 | Mehboob |
| 6 | Zubeida | A R Rahman | 0 | 3 | 3 | 0 | 0 | 0 | Javed Akhtar |
| Total | 6 movies | 3 MDs | 1 | 12 | 6 | 5 | 0 | 1 | 4 lyricists |
Lata Mangeshkar worked with 3 music directors and 4 lyricists in these 6 movies released in 2001. Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2000. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3733 songs out of 5217 songs that Lata Mangeshkar had sung in Hindi movies till end of 2000. Anand Bakshi with 728 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3249 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2001 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 17 movies | 51 | 57 | 42 | 8 | 4 | 3 | |
| 1949 | 40 movies | 141 | 160 | 105 | 35 | 13 | 7 | |
| 1950 | 36 movies | 116 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 190 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 172 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 60 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 3 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
| 1994 | 12 movies | 5 | 39 | 9 | 28 | 0 | 2 | |
| 1995 | 4 movies | 2 | 8 | 3 | 4 | 0 | 1 | |
| 1996 | 5 movies | 2 | 14 | 7 | 7 | 0 | 0 | |
| 1997 | 5 movies | 1 | 21 | 2 | 14 | 4 | 1 | |
| 1998 | 3 movies | 4 | 11 | 3 | 7 | 0 | 1 | |
| 1999 | 7 movies | 3 | 14 | 6 | 7 | 0 | 1 | |
| 2000 | 2 movies | 3 | 5 | 1 | 2 | 0 | 2 | |
| 2001 | 6 movies | 1 | 12 | 6 | 5 | 0 | 1 | |
| Total upto 2001 | 1872 movies | 3748 | 5217 | 3378 | 1503 | 213 | 123 |
It can be seen from the table of 2001 that Lata Mangeshkar sang 12 songs in 6 movies released in 2001.
One song sung by Lata Mangeshkar in movies of 2001 has been covered in the blog. That still leaves us with six movies of 2001 that offer us 11 Lata Mangeshkar songs for discusussion.
alphabetically, the first movie of 2001 that offers us a Lata Mangeshkar song to discuss is “Censor”(2001). This movie was written, produced and directed by Dev Anand for Navketan Films, Mumbai. The movie introduced Heenie Kaushik, Raja aka Raja Bherwani, Vinay Anand(actor Govinda`s Nephew ) and Mohini Sharma aka Pinky Campbell. The movie also had Dev Anand, Hema Malini, Jackie shroff, Ayesh Jhulka, Amrish Puri, Aruna Irani, Johnny Lever, Randhir Kapoor, Raj Babbar,
Shammi Kapoor,Rekha,Mamta Kulkarni,Tara Deshpande,Archana Puransingh, Shivaji Satham,Govind Namdeo,Smita Jaykar,Anjan Srivastav, Amar Upadhyaya, Anil Nagrath, Nikhil Kapoor,Rajit Kapoor,Ramesh Bhatkar, Dolly Bhindra, Late Reema Lagoo,Birbal,Shanu deo, Amita Nangia etc
The movie also had special appearances by Sharad Kapoor, Mukesh Khanna, Randhir Kapoor, Mink Singh, Pooja Batra, Mukul Dev, Adi Irani. Govinda played himself in a song in the movie.
The movie had eight songs in it. One song had the voice of Lata Mangeshkar.
Here is that song from “Censor”(2001). This song is sung by Lata Mangeshkar. The son also had humming by a male voice which sounds like the voice of Kumar Sanu. But the song is a female solo song for all practical purposes.
Vinoo Mahendra is the lyricist. Music is composed by Jatin Lalit.
The song is picturised on Heenie Kaushik and Raja Bherwani.
Lyrics of this song and other details were sent to me by Prakashchandra.
With this song, “Censor”(2001) makes its debut in the blog.
audio link:
video link:
Song-Mere dil mein tum nazar mein tum (Censor)(2001) Singer-Lata Mangeshkar, Lyrics-Vinoo Mahendra, MD-Jatin Lalit
Kumar Sanu
Female chorus
Lyrics(Provided by Prakashchandra)
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye ae
hmm mmm hmmm
aaa aaaa aaaa aa aa
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye
koyi pyaas meethhi meethhi si
tumhein har ghadi bulaaye
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye
koyi pyaas meethhi meethhi si
tumhein har ghadi bulaaye
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye aey ae
aa aa aa aa aa aa
aa aa aa aaaa
aankhon mein kajraa lagaaye
baalon mein gajraa sajaaye
maathey ki bindiyaa bhi poochchey mujhe (aa aa aa)
ke sajnaa teraa kab aaye ae (aa aa aa)
dekhoon main jab jab aainaa
dikhtey tumhaarey hi saaye
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye
koyi pyaas meethhi meethhi si
tumhein har ghadi bulaaye
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye aey ae
aey hey ae ae aey ae
aa aaa aaaaa aaa
aahaaa aaa ahaaaa haa
aey hey
aahaaa aaa ahaaaa haa haaaaa
aa aa aa aa aa aa
thham thham ke chaltey hain pal
aisey naheen thhe ye kal
tum kya mujhe bhee naheen ye pataa (aa aa aa)
seeney mein hai kaisi hulchal (aa aa aa)
aahatein kaheen bhi hon
lagtaa hai tum hee aaye
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye
koyi pyaas meethhi meethhi si
tumhein har ghadi bulaaye
mere dil mein tum
nazar mein tum
saanson mein tum hi samaaye aey ae
aey hey ae ae
aa aaa aaaa
aahaaa aaa aa ahaaaa haa haaaaa
aey hey
aa aaa aaaaa haaa aaa
aahaaa aaa ahaaaa haa haaaaa
(aa aa aa)
Maine koi jaadoo nahin kiyaa
Posted on: September 20, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4812 | Post No. : | 16582 | Movie Count : |
4518 |
Hullo Atuldom
Heard this song today in the noon program of Vividh Bharati -Desh Ki Surili Dhadkan (the channel’s tagline). And immediately recalled a 2001 release which featured the off-springs of the actors from the above song. ‘Farz’ from which today’s trigger happened is 54 years old, the off-springs of the actors are themselves 44 and 40..everything seems like yesterday but all things that I mentioned are decently in the PAST. Even a movie that released in 2001 is 20 years old, ooh!!!
I am talking of “Mujhe Kucch Kehna Hai” which was directed by Satish Kaushik, written by Rumi Jaffery, songs were by Sameer and Anu Malik. Its cast included Kareena Kapoor, Rinke Khanna, Tusshar Kapoor, Amrish Puri, Dalip Tahil, Alok Nath, Vrajesh Hirjee, Himani Shivpuri, Dinesh Hingoo etc.
I have not seen the movie as a whole but vaguely recall that the story revolved around a sensitive young adult Karan (Tusshar Kapoor) who frequently skips college. Despite his poor academic performance, he displays many other talents. He is clever, an excellent musician, and plays in a band. His father constantly expresses his disappointment in him which often leads to Karan having outbursts of frustration and anger. One day in a deserted street, he lays eyes on Pooja (Kareena Kapoor) for the first time and falls in love with her. Following this brief acquaintance, he looks all over for her but fails to find her. He slowly begins to lose hope in his quest, stops playing music and decides to move to another city with his uncle. While on his way there, his car breaks down, and he is forced to hitch a ride. To his amazement, he finds Pooja in the driver’s seat. As they introduce themselves, an accident occurs when a truck collides with their car, which subsequently falls into a valley. Karan and Pooja find themselves hanging from a cliff, and even though Karan manages to haul Pooja back up the steep cliff, he loses his grip and falls into the ravine.
When Pooja regains consciousness, she assumes responsibility for Karan’s death and offers to help in the search for his body. Meanwhile, Karan has survived the fall but is seriously injured and unconscious. He is found by a man who takes him to the hospital and soon after, Karan is reunited with his family. As he recovers, he reflects on how he should have confessed his love to Pooja in the few moments they were together. He also begins to focus on his education instead of his music. In time, Pooja arrives at his doorstep to apologize and offers her friendship. They become good friends and then Pooja tells Karan that she must leave for the United States for further studies. Devastated, he finally confesses his love for her. Pooja feels the same way and cannot deny her feelings for Karan, and promises that she will return to him once she completes her education. Karan agrees to patiently wait for her.
September 20th is the birthdate of Kareena Kapoor. The fifth generation of the Kapoor Khaandan, only the third girl from the clan to enter showbiz- the other two being Sanjana Kapoor (Shashi Kapoor’s daughter) and Karisma Kapoor. The younger daughter of Randhir Kapoor and Babita. A few other caps also fit her dainty head- cousin to Ranbhir Kapoor, wife of Saif Ali Khan, daughter-in-law to Sharmila Tagore. She is a recipient of 6 filmfare awards beginning with award for best debut for her role in ‘Refugee’ (2000). She is considered to be a style icon and has also competent in enacting a variety of characters as we have see in ‘Chameli’, ‘Yuva’, ‘Dev’, ‘Fida’, ‘Aitraaz’ -all in 2004, each character different from the other. She has been paired opposite most of the heroes of that period- Akshay Kumar, Ajay Devgan, Fardeen Khan, Shahid Kapoor, and the Khans viz. Salman, Shahrukh, Aamir, Saif. She has also acted in a few multi-heroine movies. She says she is a huge fan of the (late) Sridevi.
With this song “Mujhe Kucch Kehna Hai” (2001) makes its debut. This song is in the voices of Preethi, Pinky and Babul Supriyo. Preethi and Pinky are sisters who were very popular in the late 90s and at the turn of the millennium. I recall that a song, picturised on Rani Mukherjee and Preity Zinta, rendered by these sisters was very popular among school children and youngsters in that period.
Happy Birthday Bebo, I mean, Kareena.
Song-Maine koi jaadoo nahin kiya (Mujhe Kuchh Kehna Hai)(2001) Singers-Preeti, Pinky, Babul Supriyo, Lyrics-Sameer, MD-Anu Malik
Lyrics
ankhiyon ne raat kya jaadu kiya
kya jaadu kiya
kya jaadu kiya
ankhiyon ne raat kya jaadu kiya
kya jaadu kiya
kya jaadu kiya
maine koi jaadu nahin kiya
tuhi mere peechhe aaya piya
maine koi jaadu nahin kiya aa
tuhi mere peechhe aaya piya
ankhiyaan milaake toone dil ko churaaya
loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya
toohi mere peechhe aaya piya
ankhiyaan milaake toone dil ko churaaya
loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya
toohi mere peechhe aaya piya
shokh haseena khushbu waali
chaand bhi tujh pe marta
itni haseen hoon chaand bechara aur bhala kya karta
chaand ki baaten chaand pe chhodo
apni baat bataao
bin bole har baat samajh lo
yoon na paheli bujaao
sona sona
main hoon sona
itna kehdo o occurs
meri hona
ankhiyaan milaake toone dil ko churaaya
loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya
toohi mere peechhe aaya piya
maine koi jaadu nahin kiya aa aa
tuhi mere peechhe aaya piya
maine koi jaadu nahin kiya
toohi mere peechche aaya piya
is mehfil mein mere dil mein
kisne aag lagaayi
aag lagaane waali
tujhe tadpaane waali
mujhko nazar na aayi
chham chham paayal kyun bajti hai
mujhko zara samjhaao
baat samajhni hai jo tum ko
pass mere aa jaao
chhoona chhoona bainyya gori
dil tu de de chori chori
ankhiyaan milaake tune dil ko churaaya, loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya aa aa
toohi mere peechche aaya piya
ankhiyon ne raat kya jaadu kiya
maine koi jaadu nahin kiya
kya jaadu kiya
kya jaadu kiya
maine koi jaadu nahin kiya
toohi mere peechche aaya piya
maine koi jaadu nahin kiya aa aa
toohi mere peechche aaya piya
ankhiyaan milaake toone dil ko churaaya
loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya
Main Nikla, O Gaddi Le Ke
Posted on: June 20, 2021
- In: Bhangra Song | Devnagri script lyrics by Ashwini Scrapwala | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 2000s (2001 to 2010) | Songs of 2001 | stage dance | Stage song | Udit Narayan Solo Songs | Udit Narayan Song | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
47207 | Post No. : | 16431 | Movie Count : |
4463 |
We have often likened this blog to a ‘train and its journey’. Here this train- ‘the blog’ is driven by the ‘engine’ that is our fearless leader Atul ji. The coaches of this train or the ‘wagons’ 🙂 are the team members. This train – a ‘bandwagon’ is on an exciting journey of exploring and discussing yesteryear Hindi Film Music and some non-film music too. The blog is read all over the globe (right?) and there are many many readers and well-wishers associated with this blog.
The journey is on … and before anybody ‘sleeps’ :), he or she must fulfill the commitments made to themselves and for the blog. These commitments have been taken voluntarily by the members with the permission of the ‘leader’. From the team members there already is our ‘in-house’ ‘encyclopedia’ and seniors writing in-depth posts on the yesteryear’s music and movies. There are passionate team members actively participating in this journey of ‘love for the cinema and HFM’.
Then there is me often sending articles, lyrics contribution, reminders to the editors, pointing out corrections, giving suggestions and (emotional blackmailing 🙂 of the editors not included.) always requesting for something or the other, all the time. 🙂
So, everything is going on well in order like a ‘standard operating procedure’. Here it is mutually agreed and ‘non-documented’ ‘SOP’ operating successfully for more than ten years now (that is after the contributors joined). This blog is the best example of well-synchronized efforts towards a ‘common goal’ in agreement by all.
Well, everyone is now aware of what I have mentioned above. But how the blog was in its initial days …
When it started, only the originator ‘the leader’ was there, and then he was not also a leader but a simple ‘enthusiastic music lover’. I guess that when he initiated this blog, he was an already married person. What did you said … is that anything to do with this blog? Yes, because after all a family person has to look after his family and also needs to contribute to domestic work 😊 at least in a small way if not a big contribution.
So how it was all when Atul ji had just started the blog? And after that, how he keeps it going, moving from places to places in his professional life?
That imagination is the subject of the today’s article with a rocking song accompanying to it :).
Before that we need to see Atul ji in two aspects – one being ‘his self’ in isolation as the one-man army, and second as a ‘team leader’ with all team members. It is him only who is ‘constant’ (like ‘change’) and owns a responsibility to keep this blog going. So, how he sets out on this journey, travelling from places to places, exploring HFM. I am sure when he launched this blog his morale was at an all-time high-level. Since he was already doing a job then, the workplace responsibility also gets added and after that he needs to find time for his passion – writing about Hindi movies, the songs, and his related memories.
So, the journey of blog started from Jabalpur and then moving from places to places – Jabalpur to Nagpur, Nagpur to Bilaspur, Bilaspur to Izzat Nagar (Bareilly)- it is now halting at Gorakhpur. The next station may be Bhopal 😊 we hope so 😊.
Well, the journey must have started with the same energy as our today’s hero started ‘main niklaa o gaddi le ke’ 🙂!
And every city he (our leader) lived in he left his ‘dil’ and collected ‘unforgettable memories’ of these places. In this process he did not care where he was. He was just moving … ‘gaddi le ke’
On the way he finds ‘moti’ (substitute for ‘mutiyaar’ 🙂 ), or actually lot of ‘motis’ (pearls). These are the ‘rarest of rare gems’ that are posted on the blog. Imagine that the dot days on the blog are the obstacles or ‘phaatak’ and ‘signal’. But, being disciplined person, our leader will not break the signal (translation of ‘signal todna’ or jumping the signal) and run, but he will wait’ and resume with more force with new milestones. Just think that the milestones are the centuries of songs and stations en route are the centuries of the various artists.
I believe that our leader does not believe in ‘dreaming’ and is a ‘man of action’. But, if not dreaming, at least, he must be planning some special articles for special occasions and combining them to ‘special statistical events’ on the blog. There are many new things – new songs – of yesteryear (starting from the thirties) coming to the blog which maintain the excitement of this beautiful journey. New events with ‘older songs’ keep the momentum always on a higher scale.
Just imagine thousands of songs falling from the heaven like petals of flowers, their fragrance filled in all the space around, and the man with his both his hands trying to collect each petal and embracing them to his heart with love. . . each creation of the songs getting the same love and enthusiasm and resting at their places shining like a bright star. . .
(We have compared the treasure-trove of songs to the ‘ocean of songs’ many times, for a change this time we symbolize them with flower-petals falling from the heaven 🙂 so that we can embrace them to the heart.)
Operating in this digital age now and maneuvering the steering with remote controls the ‘gaddi’ is travelling. And the journey is on. . .
So today when our dear Atul ji is celebrating his birthday we wish him a very happy birthday and a healthy, wealthy, peaceful and ‘full of musical life’ ahead. . .
Let us now enjoy this entertaining song dance performance in Jat Yamla style 🙂 and celebrate this occasion. . .
Audio
Video
Song – Main Nikla, O Gaddi Le Ke (Gadar – Ek Prem Katha) (2001) Singer – Udit Narayan, Lyrics – Anand Bakshi, MD – Uttam Singh
Chorus
Lyrics
main niklaa aa
o gaddi leke ae
he ae he ae
o o o ho o o o ho ho ho
o ho ho ho ho
aa aaha aa aa ha ha aa
main niklaa o gaddi leke ae
o raste par
o sadak mein
ik mod aayaa aa
main utthey dil chhod aaya aa
he ae hoo oo
ik mod aayaa aa
main utthey dil chhod aaya aa
rab jaane
kab guzraa amritsar
o kab jaane
lahore aayaa aa
main utthey dil chhod aaya aa
he ae ae
oo oo
ik mod aayaa aa
main utthey dil chhod aaya aa
us mod pe wo mutiyaar mili ee
ho us mod pe wo mutiyaar mili ee
jat yamlaa paagal ho gayaa
uski zulfon ki chhaaon mein
main bistar daal ke so gaya
o jab jaagaa
main bhaagaa
o sab phaatak
sab signal
main tod aayaa aa
main utthey dil chhod aaya aa
he ae ae
oo oo
ho ik mod aayaa aa
main utthey dil chhod aaya aa aa
bas ek nazar usko dekha
bas ek nazar usko dekha
dil mein uski tasveer lagi
kya naam thaa uska rab jaane
mujhko raanjhe ki heer lagi
o maine dekha ik sapnaa
sang uske ae naam apnaa
main jod aayaa
main utthey dil chhod aaya aa
he ae ae
oo oo
ik mod aayaa aa
main utthey dil chhod aaya aa aa
o o o o o o o
ho o o o o o o o
o o o o o o o o o o
la la la la la laa
o o o o
o o o
la la la la la laa
aa aaha aa aa ha ha aa
la la la la la la la laa
o ho o o o o
aa haa haa haa
o sharmaa ke wo yoon simat gayi
hn sharmaa ke wo yoon simat gayi
jaise wo neend se jaag gayi
maine kahaa gal sun o kudiye
wo darr ke pichhe bhaag gayi
ha
wo samjhi
o ghar uske
chori se
o chupke se
koyi chor aayaa
main utthey dil chhod aaya aa
he ae ae
oo oo
ik mod aayaa aa
main utthey dil chhod aaya aa aa
——————————————————————————–
Hindi script lyrics (Provided by Avinash Scrapwala)
——————————————————————————–
मैं निकला आ
ओ गड्डी लेके आ
हे ए हे ए
ओ ओ ओ हो ओ ओ ओ हो ओ
ओ हो हो हो हो
आ आहा आ आ हा हा आ
मैं निकला आ ओ गड्डी लेके ए
ओ रस्ते पर
ओ सड़क में
इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ
हेsss एss हूss ऊss
इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ
रब जाने
कब गुजरा अमृतसर
ओ कब जाने
लाहौर आया आ
मैं उत्थे दिल छोड़ आया आ
हे ए ए
ऊ ऊ
इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ
उस मोड़ पे वो मुटियार मिली ई
हो उस मोड़ पे वो मुटियार मिली ई
जट यमला पागल हो गया
उसकी जुल्फों की छाओं में
मैं बिस्तर डाल के सो गया
ओ जा जागा
मैं भागा
ओ सब फाटक
सब सिग्नल
मैं तोड़ आया आ
मैं उत्थे दिल छोड़ आया आ
हे ए ए
ऊ ऊ
हो इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ आ
बस एक नज़र उसको देखा
बस एक नज़र उसको देखा
दिल में उसकी तस्वीर लगी
क्या नाम था उसका रब जाने
मुझको रांझे कि हीर लगी
ओ मैंने देखा इक सपना
संग उसके ए नाम अपना
मैं जोड़ आया
मैं उत्थे दिल छोड़ आया आ
हे ए ए
ऊ ऊ
हो इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ आ
ओ ओ ओ ओ ओ ओ ओ
हो ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ
ल ल ल ल ल ला ल ला
आ आहा आ आ हा हा आ
ल ल ल ल ल ल ल ला
आहा हा हा हा
ओ शरमा के वो यूं सिमट गयी
हं शरमा के वो यूं सिमट गयी
जैसे वो नींद से जाग गयी
मैंने कहा गल सुन ओ कुड़िये
वो डर के पीछे भाग गयी
हा
वो समझी
ओ घर उसके
चोरी से
ओ चुपके से
कोई चोर आया
मैं उत्थे दिल छोड़ आया आ
हे ए ए
ऊ ऊ
हो इक मोड़ आया आ
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Hansta Hua Ye Pyaara Chehra Tera
Posted on: May 30, 2021
- In: "wooing" song | Baag/Bagiya song | Body part song | Chehra song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | MG Sreekumar Solo Songs | MG Sreekumar Songs | Post by Peevesie's mom | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Hullo Atuldom
In my post for the song “Kyun Aage Peechhe Dolte Ho Bhanwaron Ki Tarah“, two years ago, I had stated that ‘Hera Pheri’ (2000) had Paresh Rawal playing Baburao Ganpatrao Apte which gave a new angle to Paresh Rawal’s career. In that post I had also said that he had played main villain in movies and had mentioned ‘Roop Ki Rani Choron Ka Raja’ (RKRCKR) in the list of movies where we could see Paresh Rawal as a negative character.
Recently there was a comment to that post where it was pointed out that ‘RKRCKR’ had Anupam Kher as the lead villain. As I was thinking about today’s post I realized another error in that post of mine. Paresh ji had shown his comic side in movies like ‘Andaz Apna Apna’ (1994), ‘Chachi 420’ (1997), ‘Mr. and Mrs. Khiladi’ (1997) etc. before ‘Hera Pheri’ happened. Sorry for the errors.
Over the years Paresh ji has played varied characters and most of them can be easily recalled. He has played the Iron Man (as Sardar Patel was called) in the 1994 release ‘Sardar’ and it is as unforgettable as many of his roles in masala movies like the Gujarati husband of a North-Indian wife in ‘Baghban’ (2003) who is forever quoting all the muhawaras (proverbs) wrong. He played the role of a father to Tabu in ‘Cheeni Kum’ (2007) who is shocked to find a 64-year old Amitabh Bachchan approaching him with a request to marry Tabu. He had played a henchman to Prem Chopra, Amrish Puri and others of the ’80s and even those characters have not been forgotten. He has shaken a leg with Akshay Kumar, Amitabh Bachchan, Suniel Shetty etc. and was not off-the-mark in them.
We have seen Paresh Rawal lip-sync songs in movies and he has had a few romantic songs too which was rather unusual considering that he was never the romantic protagonist. Today we have one such song wherein we can see Paresh Rawal wooing an astonished Mahima Chaudhry with flowers and singing a song in the voice of MG Sreekumar. The song is tuned by Anand Milind and written by Ibrahim Ashq.
The song is from the 2001 released, Priyadarshan directed and Neeraj Vora written ‘Ye Teraa Ghar Ye Meraa Ghar’. (The extra ‘a’ in the title is seen in the movie credits too)
The movie dealt with the troubles a house owner (Suniel Shetty) goes through to get his tenant’s family vacate the rented premises so that he can sell the property. Now the house owner is in a financial crunch and selling the house is an option that will work for his family. The tenant’s family (after the passing of the tenant) is being looked after by the working daughter (Mahima) and her contention is that they have been paying rent without defaulting and so the house owner cannot evict them. The movie has a few interesting and hilarious characters like the neighbor who comes like a knight-in-shining armour to Saraswati’s (Mahima) aid and retreats when he sees Dayashankar Pandey (Suneil Shetty). Similarly we have Saurabh Shukla playing Saraswati’s uncle, supposedly a goonda, who fails to help the family. Then there is OP Yadav (Paresh Rawal) an Inspector and a childhood friend to Pandey who promises to help in the eviction and ends up falling in love with Saraswati. The movie ends with Pandey and Saraswati working out a solution to their problems and the audience is entertained for close to 3 hours.
Priyadarshan had remade it from the Malayalam original ‘Sanmanassullavarkku Samadhanam’ (1986) (which should translate as ‘Peace of mind for the like-minded’). I think this was the first time that Hindi audiences heard MG Sreekumar who is a well-established singer in South Indian movies.
Here is wishing Paresh Rawal ji health and happiness on his 66th birthday. May we be entertained by you in the coming years too.
[Ed Note: Tomorrow, i.e. 31st May, is also the birth anniversary of Milind Srivastav, of the Anand-Milind duo, the music directors of this song. Wishing him many happy returns of the day.]
Audio
Video
Song – Hansta Hua Ye Pyaara Chehra Tera (Ye Teraa Ghar Ye Meraa Ghar) (2001) Singer – MG Sreekumar, Lyrics – Ibrahim Ashq, MD – Anand Milind
Paresh Rawal
Mahima Chaudhry
Lyrics
hansta hua ye pyaara chehra tera
pyaar bhara dil kabhi jhooth nahi bolta
dekha jo maine tujh ko pagal hua
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tu ne na jaana
haaye tu ne ye na jaana aa
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tu ne na jaana
haay tu ne yeh na jaana aa
hansta hua yeh pyara chehra tera
dekha jo maine tujh ko paagal hua
teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
ho oo
teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
dil maine haara
sab tujhpe vaara
dil maine haara
sab tujhpe vaara
jeena marna tere liye
hansta hua yeh pyaara chehra tera
dekha jo maine tujh ko paagal hua
tu ru ru
tu ru ru
tu ru ru ru ru
aankhen ye teri kaali kaali
gaalon pe tere chhaayi laali
ho oo
aankhen yeh teri kali kali
gaalon pe tere chhayi laali
sun le haseena
tu hai nagina
sun le haseena
tu hai nagina
aa ja meri baahon mein
hansta hua ye pyaara chehra tera
aa der ho rahi hai
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tune na jaana
haay tu ne ye na jaana aa
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हँसता हुआ ये प्यारा चेहरा तेरा
प्यार भरा दिल कभी झूठ नहीं बोलता
देखा जो मैंने तुझको पागल हुआ
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
हो ओ
तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
दिल मैंने हारा
सब तुझपे वारा
दिल मैंने हारा
सब तुझपे वारा
जीना मरना तेरे लिए
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
तु रु रु
तु रु रु
तु रु रु रु रु
आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
हो ओ
आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
सुन ले हसीना
तू है नगीना
सुन ले हसीना
तू है नगीना
आजा मेरी बाहों में
हँसता हुआ ये प्यारा चेहरा तेरा
आ देर हो रही है
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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