Archive for the ‘Songs of 1986’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5294 | Post No. : | 17336 |
Today’s song is the Title song from the film Chameli ki shaadi-1986.
This is one of my favourite films, amongst the hundreds of films that I have seen since the 1940’s decade. As such I love seeing genuine comedy films. Every Hindi film has atleast one or two comedy scenes. In earlier films, there used to be a specialist actor – the Comedian. Nowadays, especially from the Amitabh times, the film’s Hero does the comedy scenes, stunt scenes and emotional scenes himself, thus eliminating the comedy specialists totally. After Asrani, paintal and others of their ilk, I don’t think any major comedy specialist rose in Hindi films.
The first comedy film, after the Talkie films started, was made almost immediately. It was made by Ranjit Movietone and the film was “Bhutia Mahal”-1932. We do not know about its plot or any other information , other than what is given in the HFGK. Subsequently many comedy films came. The first ever comedy film which I remember having seen was ” Ek thi Ladki ”-1949. I really enjoyed that film. Later on I have seen it several times. Being fond of comedy films, I never missed them. In the 50’s there were several films like Bhagam Bhag, New Delhi, Hum sab chor hain etc etc. During the VCR times, I saw many comedy films-some new some repeat times. Though I had stopped visiting Cinema halls since the 80’s, most newer comedy films were watched either on VCR or the TV. Film Chameli ki shaadi-1986 is one of the Top Ten comedy films I ever saw.
Anil kapoor is not my favourite actor, nor is Amrita Singh. The director Basu Chatterjee, of course, was my favourite. One of the other actors of this film-Amjad khan’s image was etched as Gabbar Singh in my mind. However, in this film he proved his versatility in doing a comic role too. Annu kapoor, pankaj Kapoor and Bharati Achrekar are known experts and they too chipped in their comedy parts.
Anil Kapoor actually started his career with acting in different languages. His first film was Hamare Tumhare-1979, his other film was a Telugu film-‘ Vansh vriksham’-1980 and a Kannada film ‘ Pallavi Anupallavi’-1983. His career took a positive turn with the film ‘ Mashal ‘-1984. I have seen his films, Mr. India-87, Tezab-88, Ram lakhan-89, Bibi No.1-99 and Nayak-2000. Not many actually, considering his large number of films in Hindi.
As far as Amrita Singh is considered, honestly, I always considered her with masculine features and her marriage with 12 years younger Saif Ali khan and her conversion was keeping her low in my eyes. I have seen only one of her films and that was Chameli ki Shaadi-1986. She has done a superb job in it. Hats off to Basu Chatterjee, who used all her typical girlish characteristics. Here is the film’s story….
Charandas is a fledgling wrestler who lives with brother Bhajandas. According to Bhajandas, Charandas should marry and start a family of his own. But Charan is hell bent on becoming a wrestler and is even ready to remain a bachelor until 40 as per the norms of Mastram. However, one day, Charan’s thoughts are challenged when he sees Chameli at Kallumal’s coal depot. He realizes that to marry her, he may have to leave Mastram’s Akhara.
Charan does so and seeks help from Advocate Harish, a close friend of his brother. Harish appreciates Charan’s love and is ready to help him. Charan dares to confess his love to Chameli. On other hand, Anita, Chameli’s best friend is also convinced of Chameli’s true love. The lover duo start meeting secretly. One day, however, the love affair is exposed when a relative of Chameli spots the duo in a restaurant.
The respective families soon take up cudgels against their wards and make it clear that they won’t allow inter-caste marriage. Chameli is kept under house arrest and her parents decide to have her marry one of their acquaintances. Charan learns of this development. Mastram is surprisingly supportive of Charan’s love. He explains that just as bachelorhood is a challenge for would-be wrestlers, a lover should not back out from the challenge posed by the world.
Mastram, along with Charan’s friends, backs the lovers to overcome the obstacles. Here, Champa calls in the help of her rogue brother Chhadam Lal aka Chhadmi against Charan. With the help of Harish and all his friends, Charan chalks out a plan to rescue Chameli from her house. As per the plan, Charan abducts Chameli from her own house, while Harish sees to it that the duo legally get married. Charan and Chameli are initially frightened, but Harish convinces them by telling them that as long as people do not dare to marry outside the caste like them, Indians will never be truly united.
Meanwhile, on learning that Chameli is missing, her parents lodge a complaint against Charan. They proceed to the place where Charan and Chameli are going to get married. Meanwhile, Bhajandas also comes with his men to disrupt the marriage. Both the parties have arrived late, as Charandas and Chameli are legally husband and wife now. They vent their ire on Harish, who according to them is responsible for corrupting the duo. Harish takes Kallumal aside and explains that if the marriage is permitted by him, he will garner votes of both the castes in the election because his son in law is the leader of all the young people and also has support from the akhadas.
Convinced by the argument of Harish, Kallumal relents because of being enticed by the illusion of winning the local election. Similarly, Harish tells Bhajandas that an influential Kallumal is sure to win the elections. If Bhajandas accepts the marriage, he will get special perks for his coal business thanks to Kallumal. Besides, he will get coal and cement at a subsidized rate from Kallumal. Bhajandas becomes greedy and relents. In the end, Chameli and Charandas are united with the blessing from both the parties.
I sometimes see the comedy scene videos of this film on YouTube and get myself cheered up. My most favourite scene is when Anil, Amrita and Komal toton a big Hotel for a date. I have seen this video so many times, that I have learnt that YouTube has decided to ban me from seeing it anymore ! Now that the name of Komal has come up here, how many of us know anything about this lovely looking dance expert who was also known as ” Rupini ” ? Here is some information about her which will surprise the readers, I am sure.
Komal Mahuvakar was born in Mumbai in a well educated family. Her father was a Lawyer and mother a famous Dietician, attached to big Hospitals like Leelavati, Breach Candy and Jaslok. While schooling, she learnt classical dancing. She was accidentally spotted by Hrishikesh Mukherjee and he met her parents. He offered Child roles to her in films like Mili-1975, Kotwal Saab-1977 and Khoobsurat-1980. She also worked in films like Des pardes-78 and Saanch ko aanch nahin-1979. She did her first film as a Heroine -Payal ki Jhankaar-1980.
After this she took a new name “RUPINI ” and went Southwards. We know many south indian actresses like Rekha, Hema Malini, Padmini, Shri Devi etc, who made a name in Hindi films. But we do not know much about Bombay girls going south and making a name for themselves. Komal Mahuvakar aka ‘ Rupini’ worked in 35 Tamil films, 10 Kannada films, 5 Malayalam films and 2 Telugu films. She also worked in 19 Hindi films upto 1989. Rest of the time, she was busy working in the South.
She left films in 1996. She married Mr. Raina, a successful Businessman, having a big Bungalow in Chembur, Mumbai. They have 1 daughter – Anisha. Komal and her husband have opened a big Heart Hospital in Chembur. She also started Dance classes for aspirants. presently she is leading an active life in Mumbai.
In the beginning of Talkie films, most heroes had to sing their songs themselves and it was a troublesome job for the Music Directors to make the non-singer hero sing a song as per their tune. There were some stars who knew or had the singing skill, like actor Surendra (152 songs in 40 films), with whom it was no problem. When the playback system came into full swing in the early 1940’s, the Music Directors heaved a sigh of relief. Actually, Naushad is on record having said ” it was tedious hard work to get the non-singer actors to sing a song. Playback has freed us from this torture !” Thereafter everything seemed to be in order. Actors acted and singers gave them playback.
Then at the end of the 40’s Raj kapoor sang 3 songs for himself in 3 films. He was of course a trained singer, but it started a different trend. His brother Shammi kapoor sang 1 song in his film-Jeewan Jyoti-1953. His younger brother Shashi kapoor sang 2 songs in 2 of his films. Both were non singers. The next generation saw many more actors singing their own songs. This was the time when Actors ruled the industry. The MDs or producers had no guts to say No to them.
Akshay Kumar sang 6 songs in 6 films.
Shatrughna Sinha sang 9 songs in 9 films.
Amir Khan sang 13 songs in 10 films.
Shahrukh khan sang 10 songs in 10 films.
Above all, can you imagine, the Superstar Amitabh Bachchan has sung 64 songs in 44 films !!! (all stats from muVyz).
None of these actors were trained singers. No wonder Anil kapoor also wanted to sing in his own films. He has sung 4 songs in 4 films. His first song was in Chameli ki Shaadi-1986. The others were from Andaz-94, Hamara dil aapke paas hai-2000 and tashan-2008. I read somewhere that Anil approached the MD Kalyanji-Anand ji and requested them for a song in this film.When they agreed, he cautioned them that it was his first time and that they should make it very simple to sing. As a way out, a Title song was created. He did quite a good job of it with hard work during rehearsals and the song was passed in the first take of recording itself !
Today’s song has a lilting, simple but haunting tune. Anil Kapoor sang it nicely. Enjoy his Debut song…
( Thanks to wiki, Net4u, muVyz, and my notes ).
Song- Chameli Chameli Chameli ki shaadi (Chameli Ki Shaadi)(1986) Singer-Anil Kapoor, Lyrics-Anjaan, MD-Kalyanji Anandji
Chorus
Lyrics
chameli chameli
chameli ki shaadi
jahaan se anokhi
niraali ye shaadi
chameli chameli
chameli ki shaadi
jahaan se anokhi
niraali ye shaadi
chameli chameli
chameli ki shadi
jahaan se anokhi
niraali ye shaadi
papapapapara
para
papapapapara
para
papapapapara
para
parararapum
arre charan daas ik ladka thha
aashiq thhaa par kadka thha
charan daas ek ladka tha
aashiq thhaa par kadka thha
o lad gayi aankh chameli se
uljha ajab paheli se
lad gayi aankh chameli se
uljha ajab paheli se
chameli thhi kallu laala ki shahzaadi
chameli thhi kallu laala ki shahzaadi
chameli chameli
chameli ki shaadi
jahaan se anokhi
niraali ye shaadi
chameli chameli
chameli ki shaadi
jahaan se anokhi
niraali ye shaadi
dil jab dil se takraaye
phir koi rok nahin paaye
dil jab dil se takraaye
phir koi rok nahin paaye
chaahe koi toofaan uthhe
chaahe koi aandhi aaye
chaahe koi toofaan uthhe
chaahe koi aandhi aaye
deewaanon ne kashti toofaan se takra di
deewaanon ne kashti toofaan se takra di
chameli chameli
chameli ki shaadi
jahaan se anokhi
niraali ye shaadi
chameli chameli
chameli ki shaadi
jahaan se anokhi
niraali ye shaadi
papapapapara
para
papapapapara
para
papapapapara
para
parararapum
ant magar achcha hi hua
poori hui donon ki dua
ant magar achcha hi hua
poori hui donon ki dua
ik aisa insaan mila
dil ka muqaddar badal diya
ik aisa insaan mila
dil ka muqaddar badal diya
milaqke dilon ko yoon jodi mila di
milaq ke dilon ko yoon jodi mila di
chameli chameli
chameli ki shaadi
jahaan se anokhi
niraali ye shaadi
chameli chameli
chameli ki shaadi
jahaan se anokhi
niraali ye shaadi
lalaala lalaala lalaalalalalala
lalaala lalaala lalaalalalalala
lalaala lalaala lalaalalalalala
lalaala lalaala lalaalalalalala
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Hullo Atuldom
Wishing the followers of the blog A Very Happy 2023. Hope the year brings joy & contentment to one & all.
Presenting a fun song to start the year. It is from the 14/11/1986 released “Insaaf Ki Awaaz”. It was directed by B. Gopal, who was essentially a director of Telugu films who had also directed two Hindi Films, the other being “Kanoon Apna Apna” (1989).
“Insaaf Ki Awaaz” (IKA) was produced by D. Rama Naidu, who had produced close to 130 films in 13 Indian languages before he passed away in 2015. His other Hindi films were ‘Prem Nagar’ (1974), ‘Dildaar’ (1977), ‘Anari’ (1993- the Hindi debut of his younger son Venkatesh), ‘Hum Aapke Dil Mein Rehte Hain’ (1999), ‘Aaghaaz’ (2000), ‘Kuch Tum Kaho Kuch Hum Kahein’ (2002)- all of which were remakes of his successful Telugu films.
‘IKA’ starred Rekha as the avenging angel (a cop too), with Raj Babbar as her husband and Anil Kapoor as her brother. Richa Sharma, Nilu Phule, Sushma Seth, Anupam Kher, Shafi Inamdaar, Gulshan Grover, Roopesh Kumar, Tej Sapru, Jagdeep, Parikshit Sahni, etc formed the rest of the cast. Of course, ‘IAK’ was a made in South film, so it needed Kadar Khan, Asrani and Aruna Irani. Aruna Irani & Asrani formed part of the love triangle with Jagdeep being the 3rd angle. Kadar Khan was the head of the villains brigade with Anupam Kher, Gulshan Grover, Roopesh Kumar and Tej Sapru were the rest of the brigade.
Just by telling that Rekha played an avenging cop we should understand what the story of the movie was. I had not seen it at the time of the theatrical release but got to see it last week, when some channels were screening Anil Kapoor films. I have read somewhere that Anil Kapoor was mighty pleased when Rekha was roped in for the role which Smita Patil was going to play originally; he was a huge fan of Rekha.
‘IAK’ had music by Bappi Lahiri and songs written by Indeevar. Today’s song is a parody where we have Aruna Irani torn between her husband Jagdeep and paramour Asrani. They mouth a parody of songs that were famous in the 80s, all Bappi Lahiri creations. The songs have been rewritten to suit the situation and recorded in S Janaki- Kishore Kumar voices.
Wishing Govardhan Asrani- popular simply as Asrani- on turning 83. He has acted in close to 350 films, mostly as a comedian. He has also produced and directed a few films. He was first seen as Biswajeet’s friend in “Hare Kaanch Ki Choodiyan” (1967), and then followed ‘Satyakam’, ‘Mere Apne’, and and and numerous other movies where he had some memorable role. ‘Sholay’ gave him a new identity and he was made to enact a caricature of the ‘angrezon ke zamaane ka jailor’ in many movie that followed.
Happy Birthday to this versatile actor who was last seen in ‘Bunty Aur Babli’ (2021 which was a sequel of the 2005 hit).
Song-Raadha pyaar de pyaar de pyaar de re (Insaaf Ki aawaaz)(1986) Singers-Kishore Kumar, S Janaki, Lyrics-Indeewar, MD-Bappi Lahiri
Both
Lyrics
o o
o o
o o o
aa aa aa aa aa
aa aa aa
raadha
o
raadha
o
prem gaadhaa
haaye
Raadha pyaar de pyaar de pyaar de re
raadha pyaar de
peechhe swaaami tera chaahe mujhko maar de re
raadha pyaar de
flute ki tu raani hai aur flute ka main raaja
milke hum tum donon bajaayen
pyaar ka baaja aaja raadha pyaar de ae
ye flute mein jo maza hai
ajeeb ye nasha nasha hai
ye flute ka hai pyaara mandar
rahenge donon band andar
jhoom jhoom jhoom baja
choom choom choom baja
flute flute flute baja
haan
o o o o
band kar
band kar
teri ye baansuri ki bakwaas
baanke o baanke o baanke baanke baanke re
kyun mere ghar mein tu jhaanke
murli bajaake gaana sunaake
kyun meri biwi ko taake
sun sun ke tera gaana bajaana
danda bhi mera kaanpe kaanpe
baanke o baanke o baanke baanke baanke re
kyun mere ghar mein tu jhaanke
flutee flutee flutee teri
baaaje baaje baaje baaje
sunke main to main to main to
raazi raazi raazi raazi
teri murli hai nyaari
haaye haaye
mujhe lagti hai pyaari
oye oye
raat din murli bajaaye ja aa aa
dil ko mere tu churaaye ja aa
yeah
I am a flute master
I am a flute master
koi bhi nadi ho
hamko to jamuna kinaara hai
aahaa
tu jahaan wo aangan vrindawan jaisa pyaara hai
haha
I am a flute master
I am a flute master
jee to chaahe
murli ko tod daaloon main
aahaa
aahaa
teri gardan hi marod daloon main
todoon
marodoon
pyaar tujhe mehnga pad jaayega
jail mein tu pada pada sadd jaayega
murli ko arzi bana doon main abhi
gair ki tu biwi ko na chhedega kabhi
ji to chaahe
haan
nadiya mein paani
paani mein naiyya
naiyya mein premi do
chale hain premi do
ghar hamne chhoda
har rishta toda
ab jo chaahe ho
chale hain premi do
chale hain premi do o
chale hain premi do o
o o o
are kidhar gayi
kidhar gayi re
meri biwi bhaag gayi
bhag gayi re
bhaag gayee
bhaag gayee
meri biwi wiwi
meri biwi bhaag gayee re
he he
o o o
boohoohoohoo
biwi bina chain kahaan re ae ae
biwi meri bhaag gayi re ae ae ae
jab dil hi toot gaya aa
jab ghar hi toot gaya hai
hum reh ke kya karenge
flute bajaake koi ee ee
mera ghar hi loot gaya aa aa aa
loot gaya aa aa
loot gaya aaa
aahaah ah
- In: "Kamar" song | Artist century song in blog | Body part song | Century songs for the blog | Dance song | expression of love | Feelings of heart | Guest posts | Hindi Songs in Non-Hindi Films | Kishore Kumar solo | Kishore Kumar songs | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1986 | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This song post covers the 1300th song of Kishore Kumar in the blog as a singer.
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Today 16th November 2022 is the one hundred and fifth birth anniversary of Chitragupt Shrivastava (born on 16.11.1917 and passed away on 14.01.1991). He is better known by his name Chitragupt.
Music director Chitragupt had a long journey in Hindi Film Music since 1946 to 1988 (as per information available). However some sources mentions ‘Chandaal-1998’ as his last film where he is credited with one song. This needs to be checked and authenticated. The titles of this movie don’t mention his name as a music director. (His sons Anand-Milind composed music for this movie.).
In his long career music director Chitragupt has composed many memorable and unforgettable songs and they will always be cherished by music lovers. His name will remain in the annals of Hindi Films Music. He was also the pioneer of the music for ‘Bhojpuri films’ ever since the first ‘Bhojpuri’ film was produced. He has composed timeless melodies in many ‘Bhojpuri’ films. He has collaborated with many mainstream singers from Hindi film music in Bhojpuri films too. And we already have some of these songs posted on the blog. Some of them, from the movies in the ‘eighties’ are yet to be presented on the blog. Today we pay our tributes to Chitragupt ji and remember this talented yet ‘underrated’ music director on this blog on his birth anniversary.
Today we are going to enjoy a song from a ‘Bhojpuri’ movie of ‘1986’.
In Hindi film music, music director Chitragupt has collaborated with singer Kishore Kumar and their collaboration have given us some very very special everlasting songs. Many of them are my favorites. I wish many more should have been there from this un-usual ‘combination’.
Today’s song is sung by Kishore Kumar and this song will mark the 13th century of Kishore Kumar songs on the blog. We still have many Kishore Kumar songs to be covered on the blog. I hope we will be able to see all of them on the blog in our life-time.
Much has already been written about Kishore Kumar – the person and Kishore Kumar – the singer, so I am not going to repeat same here again. But, yes, I have something to write on my journey with Kishore Kumar songs at different stages of my life which I am leaving for another post which I would like to present later on the blog.
Similarly, I am not going into the many other details about Chitragupt ji here today in this article. His music has a ‘special place’ in my heart and I would certainly like to put my thoughts in an article here surely in the future.
So what special for today?
Today’s special is this composition by Chitragupt ji which all of us are going to enjoy. And we are going to enjoy the singing of none other than Kishore Kumar of this song.
(I am not aware if this is going to be the first Kishore Kumar song in Bhojpuri on the blog).
Today’s song is from the movie ‘Ganga Ke Teere Teere-1986’.
It was directed by Rajpati for ‘Shri Jagannath ji Pictures. This movie was passed by Censor Board on 23.04.1986.
“Ganga Ke Teere Teere” was produced by Hari Kishan Madhavdas Masand and Kishan Uttamchand Lalwani.
It had Dr. Shreeram Lagoo, Madhu Malini, Ram Singh, Girja Mitra, Satyen Kappu and Bharat Kapoor.
They were supported by Yunus Parvez, Chand Usmani, Dulari, Shubha Khote, Vandana Shastri, Rajrani, Jai Pahalwan, Ratna, Master Mani, Mishra, Pande, Master Vinit Jha, and Shabana (Banarasi).
Dilip Sinha, Shekhar Purohit, T.P. Ojha, Brajesh Tiwari and Jayshree T made guest appearance in this movie.
Story of this movie was written by Rajpati. Editing of this movie was done by S.R. Sawant.
Rajpati also wrote the lyrics for the songs in this movie.
Music of this movie was composed by Chitragupt.
Kishore Kumar, Asha Bhonsle, Usha Mangeshkar, and Udit Narayan had given their voices to the songs in this movie.
As mentioned above today’s song is sung by Kishore Kumar and it is lip synced on screen by Ram Singh (I guess). Also seen in the picturisation of this song is Madhu Malini and many others.
This song is has a village set up where people seem to be gathered for some village fair (?).
I would request knowledgeable readers to throw more light on the movie and its songs.
Let us now enjoy this entertaining song …
With today’s song this movie ‘Ganga Ke Teere Teere-1986’ makes its debut on the blog .
Video
Song-Jaise badra mein bijuriya tohri lachkela kamariya (Ganga Ke Teere Teere)(1986) Singer-Kishore Kumar, Lyrics-Rajpati, MD-Chitragupta
Lyrics
arrey ho bhaiyya aa
arrey ho babuaa aa
tani palat ke ta dekh
jaise badraa mein bijuriya
tohri lachkela kamariya
hamra jiyara machle naa
hamra jiyara machle naa
tohri lachkela kamariya
hamra jiyara machle naa aa
marloo hamke tu najariya
chaunkal sagri re bajariya
logwaa hathhwaa masle naa
logwaa hathhwaa masle naa
chaunkal sagri re bajariya
logwaa hathhwaa masle naa
ho tohri lachkela kamariya
hamra jiyara machle naa
chal ho gillu
kar khel suru
lachkela dehiya jaise
baans ke gayiniya
lachkela dehiya jaise
baans ke gayiniya
phulwa ke jaisan khilal
tohri jawaniya
o janiya
phulwa ke jaisan khilal
tohri jawaniya
tohri mahkelaa saririyaa
tohri mahkelaa saririyaa
logwaa bhoolelaa dagariyaa
jab acharwaa phisle naa
jab acharwaa phisle naa
o logwaa bhoolela dagariyaa
jab acharwaa phisle naa
ho tohri lachkela kamariya
hamra jiyara machle naa
ang ang tohri goriya
saanche mein dhalalbaa
ang ang tohri goriya
saanche mein dhalalbaa
jitna bhi rangwaa holaa
tohre mein milalbaa baba
jitna bhi rangwaa holaa
tohre mein milalbaa
rehle kouno naa kasariyaa
rehle kouno naa kasariyaa
tohri soraa ki umariyaa
sab ke ankhiyaan bas le naa
ho sab ke ankhiyaan bas le naa
tohri soraa ki umariyaa
sab ke ankhiyaan bas le naa
ho tohri lachkela kamariya
hamra jiyara machle naa
ae meharbaan
ae kadardaan
ab bachaao
aapan aapan jaan
tohraa ke rach ke bidhnaa
Badaa pachhtaayil
tohraa ke rach ke bidhnaa
Badaa pachhtaayil
kaahe ke qayaamat
tohri ankhiyaan samaayil
goriyaa
kaahe ke qayaamat
tohri ankhiyaan samaayil
aisan chale re katariyaa aa
aisan chale re katariyaa
nas nas chadhe laa zaheriyaa
manwaa bas mein rahle naa
ho manwaa bas mein rahle naa
nas nas chadhe laa zaheriyaa
manwaa bas mein rehle naa
tohri lachkela kamariya
hamra jiyara machle naa
ho tohri lachkela kamariya
hamra jiyara machle naa aa
haan
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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#the Decade of Eighties – 1981 – 1990 #
———————————————————–—-
#Bhoole-Bisre Geet # (many moods of Kishore Kumar)
—————————————–
Today’s song is another Kishore Kumar song which I came across recently, on 7th of October 2022 to be exact, when I listened to it on radio (Vividh Bharati). That day was the birthday of Music Director Usha Khanna (born on 07.10.1941).
(She turned eighty-one this 7th October 2022 ).
I was not remembering that either, but I immediately realized it from the other songs (composed by Usha Khanna) played during this program that I was familiar with.
I was not familiar with today’s song. Though, I vaguely remembered that I might have heard it earlier. The whole composition is very nice, and it immediately captivated me as the voice of Kishore Kumar had that special touch he had in his song of seventies. but the song turned out to be from the eighties which I came to know later when I checked for its details.
This song is from the movie ‘Preeti 1986’.
‘Preeti-1986’ was directed by Saawan Kumar for ‘Dunhill Productions, Bombay’. It was produced by Anil Agarwal. It had Rajeev Kapoor, Padmini Kolhapure, Asha Parekh, Shashikala, Prem Chopra, Shastri, Jamboora, Ramesh Oswal, Baby Sucheta and others.
Story of this movie was written by Saawan Kumar. Screenplay and dialogues of this movie were written by Kamleshwar.
This movie was passed by Censor Board on 10.03.1986.
This movie had eight soundtracks released including one music track and seven songs.
Lata Mangeshkar, Kishore Kumar, Manmohan Singh, Usha Khanna, Rajeev Kapoor had given their voices to the songs in this movie.
Today we are going to listen to this melodious song from this movie composed by Usha Khanna. (Other songs from this movie are also interesting and one of them is going to follow soon on the blog 🙂 ).
Lyrics for today’s song are by Saawan Kumar.
Music is composed by Usha Khanna, arguably one of the most successful of few female music directors’ that Hindi film industry has. The other two being Jaddan Bai, and Saraswati Devi.
Usha Khanna has been the most successful of the female music directors and she has given us many unforgettable songs to enjoy with. I am a big fan of her music and many of her compositions are in my list of most favourites of HFM.
Let us now enjoy today’s wonderful song …
With today’s song this movie ‘Preeti-1986’ makes its debut on the blog today …
Recently I am coming across many Kishore Kumar songs which he sung, and which are from the movies of eighties. I am trying to bring such songs here for the listening pleasure of our readers and reviving the memory of such songs and movies here.
Sometimes I feel that I may have missed listening to the many good songs of Kishore Kumar sun in the 1980s( except the songs he sang for Rajesh Khanna during that period).
Over to today’s song now …
Audio
Song-Kuchh log anjaane bhi kyun apnon se lagte hain (Preeti)(1986) Singer-Kishore Kumar, Lyrics-Sawan Kumar Tak, MD-Usha Khanna
Lyrics
hmmmmm
ahaa haa haa haa aa
o ho o o o o
aha haa haa haa aa
kuchh long anjaane bhi
kyun apnon se lagte hain
jaagi aankhon ne dekhe hain
un sapnon se ae lagte hain
kuchh log anjaane bhi
kyun apnon se lagte hain
jaagi aankhon ne dekhe hain
un sapnon se ae lagte hain
kuchh log anjaane bhi
unki muskaan se lagtaa hai ae ae ae
pehchaan puraani hai koi
unki muskaan se lagtaa hai ae ae
pehchaan puraani hai koi
shaamil to hain begaanon mein
lekin apnon se lagte hain ae ae
kuchh log anjaane bhi
kyun apnon se lagte hain
jaagi aankhon ne dekhen hain
un sapnon se ae lagte hain
kuchh log anjaane bhi
koi phool khilaa hai
madhuban mein ae ae ae
ya unka phool sa chehra hai
koi phool khilaa hai
madhuban mein ae ae ae
ya unka phool sa chehra hai
jeewan ka jo singaar bane
wo unn gehnon se lagte hain ae
kuchh log anjaane bhi
kyun apnon se lagte hain
jaagi aankhon ne dekhen hain
kuchh log anjaane bhi ee
(clapping sound)
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5211 | Post No. : | 17197 | Movie Count : |
4627 |
Today (24 october 2022), which is kaartik maas krishn paksh amaawasya in Panchaang is deepaawali, the festival of lights. Lord Ganesh and Goddess Laxmi are worshipped on this day.
Is there some rule that they should be worshipped only on this date ? Is there some rule that they should even be worshipped consciously ?
I have a feeling that majority of us who celebrate deepaawali on this particular day may have reduced it to a ritual imitating our day to day practices. It has sort of turned into like new year resolutions which cannot last for more than a few days after e make them.
If my earlier posts on the earlier occasions of deepaawali festival, I have discussed it in my own way. I have tried to stress the fact that performing the puja of goddess Laxmi in one day of the year will not make her to bless her. She is more likely to bless us if we perform the “puja” of Goddess Saraswati followed by that of Lord Vishwakarma, and that too in the proper way, not in the ritualistic way. “Puja” of Goddess Saraswati basically means educating ourselves, upgrading our skills, doing cutting edge research etc. All that takes years and in case of high tech skills decades and even centuries.
Once we educate ourselves we have to make use of that education to make goods and provide services of acceptable quality that could be sold to consumers. That is basically performing Vishwakarma puja. Based on quality of Saraswati Puja, our quality of Vishwakarma Puja is decided and that decides the degree of blessing from Goddess Laxmi.
To take a simplistic example, if our quality of education and skill is such that we can only manufacture low tech products like say garments, then Godess Laxmi will at the most bless us nominally and we will stay an LDC (least developed nation) or low income group nation. If our skill is of medium level (like say we are able to manufacture and export engineering goods) then we can beome a middle income group country. If our skill sets are such that we can develop cutting edge technology and sell that to rest of the world then we becaome High income group nation. That is when Goddess Laxmi actually starts to bless us abundantly.
Right now, India is a low ncome group nation with a per capita income of just over $ 2000 per annum. We will graduate to a middle income nation when our per capita income crosses $ 4000. It is easier said that done. Our neighbour Sri Lanka continues to hover around this mark and has failed to graduate to the ranks of Middle income group nation because they have failed to upgrade their skills to the level where they could break into the league of middle income group nations.
Likewise there are nations that are perpetually in middle income group ($ 4000 to $ 12000 per capita) but they have failed to break into the league of high income nations (per capita earning of over $ 12000) because that requires a different level of education, skill set and aptitude. This phenomenon is called middle income trap. Countries like Brazil and Argentina have fallen into this middle income trap.
High income group nations are those that have per capita income of above $ 12000. These counries are there because of their stress of high quality education and training, followed by strong manufaturing and services sector.
To cut a long story short, we still have a long long way to go before we can hope to be blessed by Goddess Laxmi adequately. We will hopefully becaome a middle income nation (per capita income of above $ 4000) by end of this decade and will not look back. Becoming a high income nation with a per capita income of above $ 12000 at current prices will take another two decades, depending on the level of education and skills that we are able to achieve for our masses. Hopefully we will reach there three decades from now. But that will not happen if we continue to carry on with our present habits. It is high time we stopped looking at education to be synonymous with acquiring degrees and government jobs. It is high time we shift the gear of our thinking. For long we are moving in second gear, whereas you need to shift to top gear if we have to race on the highway of progress.
I find it strange that the number of Deepaawali related songs in Hindi movies dwindled drastically after the golden era of HFM was over in 1980s.
“Pyaar Kiya Hai Pyaar Karenge”(1986) is one of the exceptions. It was produced by Suresh Bokadia and K C Bokadia and directed by Vijay Reddy for BMB Combines, Madras. The movie, which was a remake of Kannada Hit popular movie “NAA NINNA MAREYALARE”(Translation of Title “I will not forget you”) starring famous Kannada hero Late Dr.Raj Kumar, Julie Lakshmi, Shubha, Leelavathi etc.
The movie “Pyaar Kiya Hai Pyaar Karenge”(1986) had Anil Kapoor, Anita Raj, Padmini Kolhapure,Ashok Kumar, Sushma Seth,Deepak Parashar(in Special appearance),
Ramesh Deo, Seema Deo,Baby Guddoo, Satyen Kapoo,Naval Kishore,Bharat Bhatt etc in it.
The movie had six songs in it. Here is the first song from the movie to appear in the blog.
The song is sung by Mohammad Aziz. S H Bihari is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised on Anil Kapoor, Baby Guddu and Anita Raj.
Lyrics and other details were sent to me by Prakashchandra.
The movie “Pyaar Kiya Hai Pyaar Karenge”(1986) makes its debut with the song.
I take this opportunity to wish everyone a very happy, prosperous and safe Deepaawali. May Goddess Laxmi bless us all in a more fruitful manner than the blessing that most of us are used to from her.
audio link
Video link
Song-Meri chhoti si bagiya ki nanhi kali (Pyaar Kiya Hai Pyaar Karenge)(1986) Singer-Mohammad Aziz, Lyrics-S H Bihari, MD-Laxmikant Pyarelal
Lyrics (Provided by Prakashchandra)
meri chhoti si bagiyaa ki nanhi kali
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli
tu jo hans de ae ae
ho o o o
tu jo hans de
to saaraa jahaan hans de
ye zameen hanse
aasmaan hans de
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli
na diyaa ho kisi maa ne
woh pyaar doon
na diyaa ho kisi maa ne
woh pyaar doon
apnaa sab kuchch main tere liye haar doon
jahaan aati na ho gham ki parchhaayiyaan
jahaan aati na hon gham ki parchhaayiyaan
tujhko khushiyon ka aisaa main sansaar doon
tu jo hans de ae ae
ho o o o
tu jo hans de
toh saaraa jahaan hans de
ye zameen hanse
aasmaan hans de
meri chhoti si bagiya ki nanhi kali
meraa jeevan hai teri hansi laadli/em>
tu hi holi deewaali hai mere liye
tu hi holi deewaali hai mere liye
teri aankhon ke jalte rahein ye diye
laadli tujhko meri umar lag jaaye
laadli tujhko meri umar lag jaaye
hai duaa meri laakhon
baras tu jiye
tu jo hans de ae ae
ho o o o
tu jo hans de
toh saaraa jahaan hans de
ye zameen hanse
aasmaan hans de
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli
tera jeevan madhuban si bagiyaa bane
tera jeevan madhuban si bagiyaa bane
jo ke phoolon se har dum mehakti rahey
tu badi ho ke
pyaari dulhaniyaa bane
tu badi hoke
pyaari dulhaniyaa bane
maang teri sadaa motiyon se bhare
tu jo hans de ae ae
ho o o o
tu jo hans de toh saaraa jahaan hans de
ye zameen hanse
aasmaan hans de
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli
- In: Aspirations of Love | Bhupinder Singh solo | Bhupinder Singh songs | Devnagri script lyrics by Sudhir | Expecting the beloved | Feelings of heart | Ghazal | Guest posts | Lyrics contributed by readers | Post by Avinash Scrapwala | Song from unreleased movie | Songs of 1980s (1981 to 1990) | Songs of 1986 | Waiting for love | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5145 | Post No. : | 17107 | Movie Count : |
4617 |
Today 19th of August 2022 is the third ‘Remembrance anniversary’ of the legendary music director Mohammed Zahur “Khayyam” Hashmi Saab, whom we fondly know as Khayyam Saab.
He was born on 18th February 1927 in a village Rahon in the District of Jalandhar – Punjab.
From Jalandhar he came to Delhi and from Delhi to Lahore to Mumbai again back to Lahore and finally to Mumbai to start his career in Hindi Films in 1948. He started his musical career as a Singer first, singing a duet in the movie ‘Romeo and Juliet’ (1947) with Zohrabai Ambalewali. And later got his first assignment to compose music for the movie ‘Heer Ranjha’ (1948).
As per the statistics given in the book ‘Khayyam – The Man – His Music’, researched, compiled, and edited by Vishwas Nerurkar and Bishwanath Chatterjee, since 1948 to 2007 Khayyam Saab composed music for 55 movies (released) for 321 songs. As many as 17 movies where he composed music for 60 songs were not released for various reasons. Some of them were shelved and were not completed.
He had also given music to 194 non-filmy songs composed for various albums including patriotic songs and others. He also composed music for 8 TV serials composing 45 songs.
On our blog we have so far covered 201 songs composed by Khayyam Saab.
As a tribute to him today I am presenting a song from the movie ‘Tere Shahar Mein’ (1986) in which Khayyam Saab was the music director.
‘Tere Shahar Mein’ was directed by for Sagar Sarhadi for Mahesheka Films Pvt Ltd., Bombay. It was produced by SS Broca. It had Naseeruddin Shah, Smita Patil, Kulbhushan Kharbanda, Dipti Naval, Marc Zuber and others.
This movie had four songs composed by Khayyam Saab. Two songs were written by Naqsh Lyallpuri. Bashar Nawaz and Amir Minai had penned one song each. [Source for this detailed information is the book ‘Khayyam- The Man-His Music’ by Vishwas Nerurkar and Bishwanath Chatterjee.]
I guess that this movie was not released at all. Because very less information is available about the movie and video of the songs or others is not available. The ‘Hindi Filmography – 1986-2000’ mentions only the names of the Producer, Director, and Music Director for this movie title.
But luckily audio of the songs from this movie is available. I came across today’s song only few months back and loved it very much. The song is a gem of song but very less heard.
Today’s song is sung by Singer Bhupinder Singh.
Lyricist for this song is Bashar Nawaz. Incidentally yesterday, 18th August was his birth anniversary. Here is a brief about him taken from ‘Wikipedia’.
Bashar Nawaz (18 August 1935 – 9 July 2015) was one of the prominent progressive Urdu Poet, critic, and lyricist, who penned the song “Karoge Yaad To” in the film ‘Bazaar’ (1982). He picked up the ‘Pulotsav Samman’ and ‘Ghalib Award’ for his contribution to Urdu literature.
He had written lyrics for a few Hindi films such as ‘Bazaar’, ‘Lorie’ and ‘Jaan e Wafa’. Ghulam Ali, Lata Mangeshkar, Mohd Aziz, Asha Bhosle, Talat Aziz, Bhupinder, and Mehdi Hasan among others have given voice to his ghazals.
He also wrote 13 episodes of the TV serial ‘Amir Khusro’, which was telecast on Doordarshan in 1983. Bashar also penned 26 episodes of the musical opera ‘Saare Jahan se Accha Hindustan Hamara’, which was broadcast by All India Radio. He scripted a serial on Dr. Babasaheb Ambedkar, which was televised on Doordarshan in 2000.
Nawaz’s poems have been translated into Marathi, Hindi, Punjabi, and Kannada and published in journals and anthologies. As many as ten of his poems have been translated into English by Zaheer Ali. Anwar Saeed from Pakistan has made special mention of Bashar Nawaz in his book ‘Short History of Urdu Literature’. His ghazals and poems have been included in almost all the anthologies of best Urdu poetry from 1960 onward, said noted Urdu poet Khan Shamim. On 9 July 2015, Bashar Nawaz died at the age of 79 in Aurangabad (Maharashtra).
Let us now listen to the today’s lovely song sung by Bhupinder Singh and composed by Khayyam Saab. Lyrics are written by Bashar Nawaz as mentioned above.
With this song the movie ‘Tere Shahar Mein’ makes its debut on the blog.
Our tributes to Khayyam Saab !!!
His immortal compositions will live forever and will continue to mesmerize the coming generations with the magic of his music !!!
Song-Bhoole bisre kayi afsaane sunaane aaya (Tere Shahar Mein)(1986)(UR) Singer-Bhupinder Singh, Lyrics-Bashar Nawaz, MD-Khayyam
Lyrics
bhoole bisre kayi afsaane sunaane aaya aa aa
bhoole bisre kayi afsaane sunaane aaya aa aa
baad ik umr ke phir chaand sirhaane aaya aa
baad ik umr ke phir chaand sirhaane aaya aa aa
bhoole bisre ae
koyi dastak si huyi
phir mere darwaaze par
koyi dastak si huyi
phir mere darwaaze par
phir koyi dard e muhabbat ko jagaane aaya aa
phir koyi dard e muhabbat ko jagaane aaya aa
baad ik umr ke phir chaand sirhaane aaya aa aa
bhoole bisre ae
mehki mehki si hain aen
kuchh aaj fazaayein dil ki ee
mehki mehki si hain aen
kuchh aaj fazaayein dil ki ee
phool hi phool koyi jaise
bichhaane aaya aa
phool hi phool koyi jaise
bichhaane aaya aa
baad ik umr ke
phir chaand sirhaane aaya aa aa
bhoole bisre ae
rang aanchal mein ae ae
nigaahon mein sitaare lekar
rang aanchal mein ae ae
nigaahon mein sitaare lekar
phir se raahon mein koyi
deep jalaane aayaa aa
phir se raahon mein koyi
deep jalaane aayaa aa
baad ik umr ke
phir chaand sirhaane aaya aa aa
bhoole bisre ae
koyi jhonkaa hai wo khushboo ka
jo sehn e dil mein
koyi jhonkaa hai wo khushboo ka
jo sehn e dil mein
ik musaafir ki tarah raat bitaane aaya
ik musaafir ki tarah raat bitaane aaya
baad ik umr ke
phir chaand sirhaane aaya aa aa
bhoole bisre kayi afsaane sunaane aaya aa aa
bhoole bisre ae
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
भूले बिसरे कई अफसाने सुनाने आया
भूले बिसरे कई अफसाने सुनाने आया
बाद इक उम्र के फिर चाँद सिरहाने आया
बाद इक उम्र के फिर चाँद सिरहाने आया
भूले बिसरे
कोई दस्तक सी हुई
फिर मेरे दरवाज़े पर
कोई दस्तक सी हुई
फिर मेरे दरवाज़े पर
फिर कोई दर्द ए मुहब्बत को जगाने आया
फिर कोई दर्द ए मुहब्बत को जगाने आया
बाद इक उम्र के फिर चाँद सिरहाने आया
भूले बिसरे
महकी महकी सी हैं
कुछ आज फ़ज़ाएं दिल की
महकी महकी सी हैं
कुछ आज फ़ज़ाएं दिल की
फूल ही फूल कोई जैसे
बिछाने आया
फूल ही फूल कोई जैसे
बिछाने आया
बाद इक उम्र के
फिर चाँद सिरहाने आया
भूले बिसरे
रंग आँचल में
निगाहों में सितारे ले कर
रंग आँचल में
निगाहों में सितारे ले कर
फिर से राहों में
कोई दीप जलाने आया
फिर से राहों में
कोई दीप जलाने आया
बाद इक उम्र के
फिर चाँद सिरहाने आया
भूले बिसरे
कोई झोंका है वो खुशबू का
जो सहन ए दिल में
कोई झोंका है वो खुशबू का
जो सहन ए दिल में
इक मुसाफिर की तरह रात बिताने आया
इक मुसाफिर की तरह रात बिताने आया
बाद इक उम्र के
फिर चाँद सिरहाने आया
भूले बिसरे कई अफसाने सुनाने आया
भूले बिसरे
[sehn सहन – an open space in the interior, like an inner courtyard]
[sehn e dil = सहन ए दिल – the space within the heart]
- In: Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lata Mangeshkar - Manhar Udhas Duet | Lata song | Love song | Lover's tête-à-tête | Lyrics by Sudhir | Lyrics contributed by readers | Manhar Udhas songs | Post by Peevesie's mom | Songs of 1980s (1981 to 1990) | Songs of 1986 | Yearwise breakup of songs
- 5 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5095 | Post No. : | 17026 | Movie Count : |
4608 |
Hullo Atuldom
‘Cape Fear’ (1962) was a noir psychological thriller that had Gregory Peck, Robert Mitchum and Polly Bergen in the cast and was directed by J Lee Thompson. The movie was based on the 1957 novel ‘The Executioners’ by John D. Macdonald. The movie was the story of an attorney whose family is stalked by a criminal he had helped to send to jail.
‘Mangal Dada (1986) was directed by Ramesh Gupta, had Sunil Dutt, Reena Roy, Amjad Khan, Sarika, Satyendra Kapoor, Achala Sachdev, Farida Jalal, Bhagwan Dada, Birbal etc in its cast. Though it released in 1986 it was launched in 1975. It had music by Kalyanji Anandji and songs were written by Shaily Shailendra, Gauhar Kanpuri, and Indeevar. Asha Bhonsle, Lata Mageshkar, Aarti Mukherjee and Manhar Udhas were the playback singers. It seems Reena Roy’s voice was dubbed by someone else.
‘Qayamat’ (1983) was directed by Raj N Sippy. It had Dharmendra, Shatrughan Sinha, Jaya Prada, Poonam Dhillon, Smita Patil in its cast. (Jaya Prada’s was either a special or guest appearance). Majrooh Sultanpuri and RD Burman were the lyricist and music director for songs that were sung by Asha Bhonsle. One song sequence from this movie is posted on the blog as part of Sudhirji’s series on ‘songs repeated in Hindi films’ – this one “Aaj Phir Jeene Ki Tamanna Hai“.
‘Kanoon Kya Karega’ (1984) was directed by Mukul Anand and had a cast of Suresh Oberoi, Danny, Deepti Naval, Iftekhar, Shraddha Verma, Sharat Saxena etc. in the cast. The music was by Salil Choudhury but I can’t find any songs attributed to this movie. (I think I have seen this on television).
“Zahreela” (2001) was also directed by Raj N Sippy (he seemed to have been in love with the plot.) The movie’s cast was Mithun Chakravarthy, Om Puri, Kashmera Shah, Gulshan Grover, Shalini Kapoor, etc. The songs were written by Dev Kohli and Anand-Milind were the music directors. Abhijeet, Sudesh Bhonsle, Jaspinder Narula, Purnima, Sonu Nigam, and Preeti Uttam were the playback singers.
I am sure the reader is thinking why I have listed all these movies here. Well all the Hindi films were inspired from ‘Cape Fear’. This statement will give us an idea of the story of all the movies.
This post has a song from ‘Mangal Dada’ which is written by Gauhar Kanpuri and is sung by Manhar Udhas and Lata Mangeshkar.
Gauhar Kanpuri made his debut in Bollywood in 1967 but the real breakthrough came in 1975 when he wrote the songs for Sunil Dutt’s ‘Zakhmee’. After ‘Zakhmee’ he regularly associated with Bappi Lahiri. Many of the songs he wrote went on to become popular:- “Abhi Abhi Thi Dushmani” (Zakhmee), “Ae Mere Humsafar Ae Meri Jaan-e-Jaan” (‘Baazigar’ – 1993), “Tumhe Geeton Mein Dhaaloonga” (‘Saawn Ko Aane Do’ – 1979) to name some. In his career of nearly 25 years he wrote around 300 songs for almost 120 films. The statistics page of our blog says that there are 22 songs written by him on the blog. He was born on 1st October 1932 and passed away on 29th June 2002.
[Author’s Note: The matter for this post has been extracted from Cinemaazi article – ‘Gauhar Kanpuri – Lyricist‘. And I found this site has given atulsongaday.me as its source. Back to starting point? 🙂 ]
30th June is the birth anniversary of Shri Kalyanji Veerji Shah of the Kalyanji-Anandji music director duo. He would have been 94. I am sure we have enough material on the blog on this music duo and Kalyanji bhai, in particular. We all know that the musical journey of Kalyanji Bhai began when he played the ‘been music‘ for ‘Nagin’ in 1954. A journey that went on for almost 46 years with one popular song following the other. Each and every lover of HFM will have a personal playlist of Kalyanji-Anandji song. The blog has 630 songs of this duo from a possible 1435.
Today’s song must be a rare occasion when K-A associated with Gauhar Kanpuri. I haven’t found a video link to the song; but I am assuming that it is filmed on Sunil Dutt and Reena Roy.
Song – Kadam Kadam Tera Pyaar Hum Paate Rahen Sanam (Mangal Dada) (1986) Singer – Lata Mangeshkar, Manhar Udhas, Lyrics – Gauhar Kanpuri, MD – Kalyanji Anandji
Lata Mangeshkar + Manhar Udhas
Lyrics (Provided by Sudhir)
oo oo oo
oo oo oo oo
oo oo
oo oo
oo oo
aa aa aa
aa aa aa
kadam kadam tera pyaar hum
paate rahen sanam
kadam kadam tera pyaar hum
paate rahen sanam
tu mera rahe
main teri rahoon
tu mera rahe
main teri rahoon
rahen saathi janam janam
kadam kadam tera pyaar hum
paate rahen sanam
lab pe tera naam ho
aankhon mein pyaar ho
aankhon mein pyaar ho
khushboo teri dil mein ho
saanson mein pyaar ho
saanson mein pyaar ho
duniya mein hai ye pyaar hi
sabse bada dharam
kadam kadam tera pyaar hum
paate rahen sanam
kadam kadam tera pyaar hum
paate rahen sanam
aaa aaa aaa
aaaa aaaa aaaa
aaa aaa aaa
aaaa aaaa aaaa
chaahe kahin bhi tum raho
aur hum rahen kahin
aur hum rahen kahin
honge juda hum nahin
itna to hai yakeen
itna to hai yakeen
vaada kiya hai dekhna
toote na ye bharam
kadam kadam tera pyaar hum
paate rahen sanam
tu mera rahe
main teri rahoon
rahen saathi janam janam
kadam kadam tera pyaar hum
paate rahen sanam
oo oo oo
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ओ ओ ओ
ओ ओ ओ ओ
ओ ओ
ओ ओ
ओ ओ
आ आ आ
आ आ आ
कदम कदम तेरा प्यार हम
पाते रहें सनम
कदम कदम तेरा प्यार हम
पाते रहें सनम
तू मेरा रहे
मैं तेरी रहूँ
तू मेरा रहे
मैं तेरी रहूँ
रहें साथी जनम जनम
कदम कदम तेरा प्यार हम
पाते रहें सनम
लब पे तेरा नाम हो
आँखों में प्यार हो
आँखों में प्यार हो
खुशबू तेरी दिल में हो
साँसों में प्यार हो
साँसों में प्यार हो
दुनिया में है ये प्यार ही
सबसे बड़ा धरम
कदम कदम तेरा प्यार हम
पाते रहें सनम
कदम कदम तेरा प्यार हम
पाते रहें सनम
आ आ आ
आ आ आ
आ आ आ
आ आ आ
चाहे कहीं भी तुम रहो
और हम रहें कहीं
और हम रहें कहीं
होंगे जुदा हम नहीं
इतना तो है यकीन
इतना तो है यकीन
वादा किया है देखना
टूटे ना ये भरम
कदम कदम तेरा प्यार हम
पाते रहें सनम
तू मेरा रहे
मैं तेरी रहूँ
रहें साथी जनम जनम
कदम कदम तेरा प्यार हम
पाते रहें सनम
ओ ओ ओ
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
Jab se miley ho tum zindagi mein
Posted on: May 26, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 5060 | Post No. : | 16974 | Movie Count : | 4599 |
Pancham’s Music – Eighties (1981-1990) -6 (1986)
—————————————————
In today’s post we move on to Pancham’s music in 1986.
From this year onwards we can see noticeable drop in number of movies where Pancham Da had composed music. Compared to the seventeen movies in 1984 and eighteen movies in 1985, in 1986 Pancham Da composed music for only seven movies .
Here is the list of those movies.
| Sno | Movie Title | Director | Lyricist | Date of Censor Certificate | Status on the Blog |
|---|---|---|---|---|---|
| 1 | Anokhaa Rishtaa | I.V. Sasi | Anand Bakshi | 27.06.1986 | 0 |
| 2 | Ek Main Aur Ek Tu | Ravi Tandon | Anand Bakshi | 15.07.1986 | 0 |
| 3 | Jeevaa Raj Sippy | Gulzar | 19.11.1983 | 1 song posted | |
| 4 | Palay Khan | Ashim Samanta | Anand Bakshi | 03.12.1986 | 0 |
| 5 | Samundar | Rahul Rawail | Anand Bakshi | 03.09.1986 | 1 song posted |
| 6 | Shatru | Pramod Chakravarty | Anand Bakshi | 24.07.1986 | 0 |
| 7 | Zindagaani | Prabhat Roy | Anjaan, Indeevar | 03.07.1986 | Being introduced today |
For today’s presentation we have a song from the movie ‘Zindagaani-1986’.
“Zindagaani-1986” was directed by Prabhat Roy for ‘Sangam Chitra, Bombay’. It was produced by S. Mazumdar.
It had Rakhi Gulzar, Mithun Chakraborty, Rati Agnihotri, Ranjeet, Amjad Khan, Iftekhar, Seema Deo, Paintal, Manek Irani, Madhu Malini, Alka Nupur, Bhushan Tiwari, Kirti Kumar, Manjushree, and others. Suresh Oberoi makes a special appearance in this movie.
Screenplay and dialogues of this movie were written by Fiaz Salim. Editing of this movie was done by Sudhir Verma.
It was passed by Censor Board on 03.07.1986.
This movie had four songs. They were written by Anjaan (two songs) and Indeevar (two songs).
Music for this movie was composed by R.D. Burman.
Here is the list of songs of this movie:-
| SNo | Song Title | Lyricist | Singer |
|---|---|---|---|
| 01 | Jab se miley ho tum zindagi mein | Anjaan | Lata Mangeshkar |
| 02 | Kab dogi pyaar mujhe kab dogi | Indeevar | Asha Bhonsle, Suresh Wadkar |
| 03 | Tum tum ho to ham bhi hain kam nahin | Anjaan | Asha Bhonsle, Shailendra Singh |
| 04 | Pyaar ka hoon main deewaana | Indeevar | Kishore Kumar, Annette Pinto |
So far none of the songs from this movie have been posted on the blog. Today this movie ‘Zindagaani’ makes its debut on the blog.
Today’s song is sung by Lata Mangeshkar. It is lip-synced by Rakhi Gulzar while Suresh Oberoi is also present in the picturisation of this melodious song.
Let us now listen to today’s song.
Lyrics for today’s song are written by Anjaan and music is composed by R.D. Burman.
Video
Audio
Song-Jab se miley ho tum zindagi mein (Zindagaani)(1986) Singer-Lata, Lyrics-Anjaan, MD-R D Burman
Lyrics(Based on audio link)
Laa laa
laa laa laa aa laa
laalaa
laalaalaa
jab se miley ho
tum zindagi mein
jab se miley ho
tum zindagi mein
maine ye jaanaa
hai pyaar kya aa aa aa
jab se miley ho
tum zindagi mein
maine ye jaanaa
hai pyaar kya aa aa
jab se miley ho
tum zindagi mein
ye kya huaa aa
jo bhi huaa
kabhi ye to honaa thha
aa
saathi mere
paa ke tujhe
ye dil to khona thha
ye kya huaa aa
jo bhi huaa
kabhi ye to honaa thha
aa
saathi mere
paa ke tujhe
ye dil to khona thha
hona yahi thha
jo ho gaya aa aa
jab se miley ho
tum zindagi mein ae
jab se miley ho
tum zindagi mein
(Dialogues not included)
tu hai jaisaa aa
koyi aisaa aa
pehle milaa hi nahin
binaa tere
zindagi ye
itni kahaan thhi haseen
tu hai jaisaa aa
koyi aisaa aa
pehle milaa hi nahin een
binaa tere
zindagi ye
itni kahaan thhi haseen
ye kya khushi hai ae
ye kya nashaa aa aa
jab se miley ho
tum zindagi mein ae
jab se miley ho
tum zindagi mein
(dialogues not included)
piyaa mere
sang tere
kahin door jaaungi ee
sapnon ki galiyon mein
naya ghar sajaaoongi
piyaa mere
sang tere
kahin door jaaungi
sapnon ki galiyon mein
naya ghar sajaaoongi
toote kahin naa sapnaa mera
aa aa
jab se miley ho
tum zindagi mein ae
jab se miley ho
tum zindagi mein
maine ye jaanaa
hai pyaar kya aa aa aa
jab se miley ho
tum zindagi mein
laa laa laa laa laa
laa laa laa laa
laa laa laa laa laa
…
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Kavitha Krishnamurthy Solo Songs | Kavitha Krishnamurthy Songs | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | movie opening song | Multiple version song | Parent Child song | Post by Peevesie's mom | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1980s (1981 to 1990) | Songs of 1986 | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4912 | Post No. : | 16731 | Movie Count : |
4554 |
Hullo Atuldom
‘Adhikaar’ meaning ‘Rights’ is a title that has been used four times by Bollywood. This information I gathered from the blog’s ‘List of songs- Moviewise’ tab. Of the four films titled ‘Adhikaar’ the ones released in 1938, 1954, and 1971 have already made their debut on the blog; in fact the ones released in 1954 and 1971 have been Yippeee’d too. The 1938 ‘Adhikaar’ has four out of seven songs on the blog. Today’s post sees ‘Adhikar’ (1986) make is debut on the blog. The song with this post is the one that plays as the movie’s titles play on-screen and we can see this ‘Adhikar’ is an ‘a’ short.
“Adhikar” (1986) was a movie that I recall having seen in a cinema theater. It had the standard, run-of-the-mill story, popular in that period.
“A rich girl loves and marries a not so rich man. Her parents initially agree to the wedding but cracks begin to appear in the marriage when the girls’ parents start interfering in the couple’s daily life.”
This is the two-line synopsis of movies like ‘Pyar Jhukta Nahi’ (1985), ‘Pyar Ke Kaabil’ (1987) etc.
The common element between ‘Pyar Jhukta Nahin’ (PJN), ‘Pyar Ke Kaabil’ (PKK) and ‘Adhikar’ is Bindu- she played the heroine’s interfering mother in all the three films. PJN had Padmini Kolhapure play a simple girl born to rich parents, and PKK had her (Padmini) play a lady working in her mother’s business venture. ‘Adhikar’ was slightly hat ke in the sense that Tina Munim played a simple girl born to an ambitious mother who wants her to be a singer and become rich & famous. So that should give a brief idea about what the movie was about.
‘Adhikar’ had Tina Munim and Rajesh Khanna play the parents to a sweet boy credited as Master Lucky on some sites (even in the titles of the film) and Baby Bulbul on others. Zarina Wahab, Bindu, Danny, Raza Murad, Murad, Sulochana, Yunus Parvez etc. form the supporting cast. Tanuja is there in a special appearance. Bappi Lahiri is the music director and Indeevar is the lyricist. Lata Mangeshkar, Chandrani Mukherjee, Anupama Deshpande, Uttara Kelkar, Kavita Krishnamoorthy and Kishore Kumar are the playback singers used in the movie. The movie is directed by Vijay Sadanah and produced by Jawaharlal Bafna and Vasant Doshi. It is the last movie that Rajesh Khanna and Tina Munim came together for and then the hit pairing came to an end.
The song with this post plays at the start, establishing Rajesh Khanna’s (Vishal’s) single parent status. The song shows Lucky developing interests in horses etc. Oh, I forgot to add that Rajesh Khanna plays a retired jockey. The sad version, in Kavitha Krishnamurthy’s voice, occurs at the end, when the child sings it to try and revive an unconscious Vishal. Vishal has had an hemorrhage after winning his last race as a jockey, and the doctor has given little hope of his survival. But Vishal survives and the film has a happy ending with the misunderstandings between the couple clearing up.
This song showcases Rajesh Khanna at his emotional best. His charming smile, that reaches his eyes and the mustachioed look, at the start of the song is what I liked about Rajesh Khanna – remember the look he sported at the start of ‘Dushman’ (1971). He was the heart throb of a whole generation of movie goers in the early 70s and he had ardent followers who were loyal to him forever – whatsay Avinash ji, Raja ji, and others!!!! We were upset when Amitabh Bachchan dislodged him but there were people, like yours truly, who loved to see ‘Anand’, ‘Namak Haraam’ as much for Kaka as for Amitabh Bachchan. I loved AB Sr. in ‘Inquilaab’ as much as Kaka in ‘Aaj Ka MLA Ram Avatar”. I am sure there were fans who didn’t know who to choose as favorite. The careers ran parallel for some time. But then all these have been written a number of times and will be written forever till the 70s generation decides who they loved more —- that means forever I suppose.
Thinking of Kaka a.k.a Rajesh Khanna on his birth anniversary. He would have gone a year closer to 80.
Male Voice
Female Voice
Song – Main Dil Tu Dhadkan, Tujh Se Mera Jeevan (Adhikar) (1986) Singer – Kishore Kumar, Kavita Krishnamurthy, Lyrics – Indeevar, MD – Bappi Lahiri
Chorus
Lyrics (Provided by Sudhir)
Male Version
oo oo oo oo
oo oo oo oo
aa aa aa aa
aa aa aa aa
suraj se kirnon ka rishta
seep se moti ka
tera mera wo rishta
jo aankh se jyoti ka
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
aa aa aa aa
aa
aa aa aa
aa aa aa
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
mere jeevan ka ye deepak
tujhse hi roshan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
Female Version
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
aaa aaa aaa
aaa aaa aaa
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
aaaa aaaa
aaaa aaaa
tere dum se judi hui hai
saanson ki ye kadi
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi. . .
main to. . . ek ghadi. . .
aa aa aa aa
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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