Archive for the ‘stage dance’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4440 | Post No. : | 15885 |
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Blog 10-Year Challenge (2010-2020) – Song No. 78
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This day ten years ago viz 13 september 2010 saw six songs getting covered. The fist post appeared at 6:06 AM whereas the sixth and final post of the day appeared at 17:37 AM. Six songs posted within 91 minutes. That is called making short work of the daily blog target ! 🙂
Here are the details of the six songs discussed on 9 september 2010:-
| Blog Post number | Song | Movie Year of release | Remarks |
|---|---|---|---|
| 2957 | Man letaa hai angdaayi | Anmol Ghadi 1946 | YIPPEED |
| 2958 | Haay re insaan ki majbooriyaan | Ghoonghat 1960 | 7 songs covered out of 10 |
| 2959 | Jhanan jhanjhanaa ke apni paayal | Aashiq 1962 | YIPPEED |
| 2960 | Chale jaanaa zaraa thahro Multiple version song | Around the world 1967 | YIPPEED |
| 2961 | Ba hosho hawaas mein deewaanaa | Night in London 1967 | YIPPEED |
| 2962 | One two three baby yaa yaa yaa | Kismat 1968 | YIPPEED |
As can be seen from the above table, five movies out of six whose songs were covered ten years ago have since been YIPPEED. “Anmol Ghadi”(1946) and “Kismat”(1968) got YIPPEED ten years back on this day viz on 13 september 2010 !
So, that leaves us with “Ghoonghat”(1960) as the sole movie eligible for today’s blog Ten year challenge.
As many as seven songs of “Ghoonghat”(1960) have been covered so far. Here are the details:-
| Song | Posted On |
|---|---|
| Laage naa moraa jiyaa | 13.05.2009 |
| Mori chham chham baaje paayaliyaa | 14.05.2009 |
| Kyaa kyaa nazaaren dikhaatin hai ankhiyaan | 06.09.2009 |
| Do nain milye do phool khiley | 08.09.2010 |
| Haay re insaan ki majbooriyaan | 13.09.2010 |
| Ye zindagi ka mausam aur ye samaa suhaanaa | 24.03.2012 |
| Meri pat raakho Giridhaari | 8.09.2020 |
Here is the eighth song from Ghoonghat”(1960) to appear in the blog. This song is a stage dance performance song. It is sung by Asha Bhonsle and it is picturised on Helen and others. No, it is not a cabarat song, rather it is a proper desi dance performance, where Helen lip syncs in not just Hindi but also in Tamil, Bangla and Punjabi, accompanied by the appropriate regional dances as well.
The picturisation shows Helen and others on stage. Dancing legend Gopi Krishna also joins during the Tamil part of the song.
The audience seated in the front row include Pradeep Kumar, Bina Rai, Minu Mumtaz etc.
Shakeel Badayuni is the lyricist. Music is composed by Ravi.
Lyrics of the song were sent to me by Prakashchandra, who has done a gallant job in attempting to note down the lyrics of all the languages. I request our knowledgeable readers to help suggest corrections in the lyrics wherever applicable.
video link (Full)
audio link part 1
audio link part 2nd
Song-Dil na kahin lagaana zaalim hai ye zamaana (Ghoonghat)(1960) Singer-Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Ravi
Lyrics(Provided by Prakashchandra)
dil na kahin lagaana
zaalim hai ye zamanaa
dil na kahin lagaana
zaalim hai ye zamanaa
pyaar koi jo kare duniya kare haa…aa aa aaye
dil na kahin lagaana
zaalim hai ye zamaanaa
pyar koi jo kare duniya kare
haayye
dil na kahin lagaanaa
zaalim hai ye zamaanaa..aaa
raste mein ik din mila mujhe ik dilwaala
raste mein ik din mila mujhe ik dilwaala
kehne laga woh teri ankhiyon ka main hoon matwaala
main ne na jaana
mujhe dekhe hai zamaanaa
main to masti mein gaane lagi
yeroo putti puwwaayye inne chinanney
mmm….tongammillam perumme inne chinanney
yeroo putti puwwaayye inne chinanney
mmm….tungammillam perumme inne chinanney
yeroo putti puwwaayye inne chinanney (haaan…aaan…aaan…aaannn )
mmm….tungammillam perumme inne chinanney( aaan…aaan…aaan…aaannn )
duniya daraane lagi
baatein banaane lagi
bhaagi rey main to apni jaan bachaa..aaaye/bachaa
dil na kahin lagaana
zaalim hai ye zamaana
pyar koi jo kare duniya kare
haa..aayye
dil na kahin lagaanaa
zaalim hai ye zamanaa
raste mein ek din mila mujhe baanka ik chhailaa
raste mein ek din mila mujhe baanka ik chhailaa
kehne lagaa woh tere saamne to chandaa bhi hai maila
main ne na jaana mujhe dekhe hai zamanaa
main to masti mein gaane lagi
tumee jey aamaar
o go tumee jey aamaar
kaane kaane shudho
ek baar bolo
tumi jey aamaar aar
tumi jey aamaar (shotti go oo ooo o o o)
o go tumi jey amaar (oo oooo oooo ooo)
tumi jey amaar(oo oooo oooo ooo)
o go tumi jey amaar (oo oooo oooo ooo)
duniya daraane lagi
baatein banaane lagi
bhaagi rey main to apni jaan bachaa.. aa aaye
dil na kahin lagaana
zaalim hai ye zamaanaa
pyar koi jo kare duniya kare
haayye haayye ae
dil na kahin lagaanaa
zaalim hai ye zamaanaa
raste mein ik din mila mujhe ik albela
raste mein ik din mila mujhe ik albela
kehne lagaa o beli tere bina dil hai akela
maine na jaanaa mujhe dekhe hai zamaana
main to masti mein gaane lagi
heyye
hadippa hadippa adippaa
balley balley balley balley balley balley ae
oyye kuwen wakirey waaliyaan
main kehniyaan
kar chhatri di chhaaon mein chhaa vikhaawe bainiyaan aan
oyye kunwen wakirey waaliyaan
main kehniyaan
kar chhatri di chhaaon mein chhaa vikhaawe bainiyaan aan
oyye kunwe wakirey waaliyaan aan aan aan
ho o o o hoo o o o ho o oo o o o o
oyye kunwen wakire waaliyaan sunnnn kikraaawein
kikra laayeen bahaar mele mitraa den aen aen aen
oyye kunwen wakire waaliyaan ?? kikraaawein
kikra laayi bahaar mele mitraawein aen aen
oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye
balley balley balley balley balley balley ae ae
oyye oyye oyye oyye
oooooooooo
hadippa hadippa hadippa hadippa hadippa
balley balley balley balley ae ae
o o o o o o o o oo
balley balley
oyye oyye oyye oo oooooo
- In: "This Week That Year" | Asha Bhonsle solo | Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Dance song | Devnagri script lyrics by Sudhir | Dream Sequence Song | expression of love | Feelings of heart | Guest posts | Happy song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Series of articles | Songs of 1950s (1951 to 1960) | Songs of 1958 | stage dance | Stage song | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4413 | Post No. : | 15813 |
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This Week, That Year – 1
– – – – – – – – – – – – – – – – – –
16Aug – 22Aug, 2010
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Blog ten year challenge (2010-2020)- Song Number 56
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Reviewing the week of Aug16 – Aug22, I just thought of doing the analysis in one more way – to just see where all we had been and what all were we listening to during the time from the start of the blog on 19Jul2008 to 22Aug2010. Interesting things appeared.
It all started with thought – what is the distribution of songs across the decades in the week under review. I did a quick sort check and came up with the following data. This week we had seen 31 songs posted in all. And these 31 songs were distributed according to decade as follows,
|
1930s |
1 |
|
1940s |
4 |
|
1950s |
16 |
|
1960s |
9 |
| 1970s |
1 |
The distribution is quite as expected – of the 31 songs, 25 songs (80%) are from the decades of 50s and 60s. Goodness, aren’t these the most favorite years of practically all listeners of Hindi film music.
The thought then prompted me to take a view of the total songs posted thus far, i.e. till 22Aug of 2010. By the end of that week, the total number of posts was 2827, and the total number of songs posted was 2928. The 100 odd more songs are due to multiple songs being included in a single post – multipart and multi version songs.
And the results are pretty much along the same lines, as expected. The overall distribution for all songs till 22Aug2010 stands as follows,
| 1930s | 26 |
| 1940s | 228 |
| 1950s | 972 |
| 1960s | 1069 |
| 1970s | 511 |
| 1980s | 89 |
| 1990s | 30 |
| 2000s | 5 |
The overall % of the songs from 50s and 60s dips a little – down to 71%, but still, overwhelmingly most songs are still coming from that era. There is a sizeable interest in the 1970s – 17%. I am sure that is due to the fact that we are still listening to our favorite artists from the Golden Era. To approximately round off, the 30s-40s component is 8% and for 80s and beyond the allocation is 4%. In tabular form, as follows
| 30s-40s | 8% |
| 50s-60s | 71% |
| 70s | 17% |
| 80s+ | 4% |
Well, much as expected – the distribution of the listening and selection preferences of this group. Well, not maybe every week, but I will try to revisit this analysis after 2/3 months, and see the evolution of our selection preferences with time.
Let’s do the numbers for that week. Total posts that came on board that week is 31. Number of films represented is 27, with four films making a double appearance. Four films had made their debut that week, and no films were yippeee’d. However, since that week over the past 10 years, 24 of these films have been yippeee’d and seven remain pending. Also, that week we had one dot day.
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Blog Ten Year Challenge (2010-2020) Series |
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| Sl.No. | Movie Name | Year | HFGK NoS | ASAD NoS | Deb/Yip | Milestone | Film Status | Pending |
| 16-Aug-10 | ||||||||
| 1 | Bade Sarkaar | 1957 | 4 | 4 | D | Yippeee’d | ||
| 2 | Madhumati | 1958 | 11 | 11 | Yippeee’d | |||
| 3 | Ardhaangini | 1959 | 7 | 7 | Yippeee’d | |||
| 4 | Gumnaam | 1965 | 8 | 8 | *BC – 2800 | Yippeee’d | ||
| 17-Aug-10 | ||||||||
| 1 | Vidyapati | 1937 | 13 | 13 | Yippeee’d | |||
| 2 | Aan | 1952 | 11 | 11 | Yippeee’d | |||
| 3 | Shri 420 | 1955 | 8 | 8 | Yippeee’d | |||
| 4 | Raagini | 1958 | 12 | 10 | Pending | 2 | ||
| 5 | Madhumati | 1958 | 11 | 11 | Yippeee’d | |||
| 6 | Ek Shrimaan Ek Shrimati | 1969 | 7 | 5 | Pending | 2 | ||
| 18-Aug-10 | ||||||||
| 1 | Mastaana | 1954 | 8 | 9 | Yippeee’d | |||
| 2 | Raftaar | 1955 | 10 | 5 | D | Pending | 5 | |
| 3 | Chandi Pooja | 1957 | 8 | 4 | D | Pending | 4 | |
| 4 | Ek Shola | 1958 | 8 | 6 | Pending | 2 | ||
| 5 | Suraj | 1966 | 7 | 7 | Yippeee’d | |||
| 6 | Do Kaliyaan | 1968 | 7 | 7 | Yippeee’d | |||
| 19-Aug-10 | ||||||||
| [No Posts] | ||||||||
| 20-Aug-10 | ||||||||
| 1 | Dahej | 1950 | 10 | 10 | Yippeee’d | |||
| 2 | Sharda | 1957 | 9 | 9 | Yippeee’d | |||
| 3 | Basant | 1960 | 14 | 10 | Pending | 4 | ||
| 21-Aug-10 | ||||||||
| 1 | Rattan | 1944 | 10 | 10 | Yippeee’d | |||
| 2 | Boot Polish | 1953 | 7 | 7 | Yippeee’d | |||
| 3 | Dharamputra | 1961 | 8 | 8 | Yippeee’d | |||
| 4 | Shaadi | 1962 | 7 | 7 | Yippeee’d | |||
| 5 | Do Badan | 1966 | 6 | 6 | Yippeee’d | |||
| 6 | Ek Shrimaan Ek Shrimati | 1969 | 7 | 5 | Pending | 2 | ||
| 22-Aug-10 | ||||||||
| 1 | Rattan | 1944 | 10 | 10 | Yippeee’d | |||
| 2 | Jogan | 1950 | 15 | 15 | Yippeee’d | |||
| 3 | Amaanat | 1955 | 6 | 6 | Yippeee’d | |||
| 4 | Samrat Chandragupta | 1958 | 8 | 8 | Yippeee’d | |||
| 5 | Do Badan | 1966 | 6 | 6 | Yippeee’d | |||
| 6 | Balidaan | 1971 | 6 | 2 | D | Pending | 4 | |
The special event recorded for that week was a blog century. I have now inserted another column in the chart to track the appearance of century milestones. On 16 Aug 2010, the song “Jaan Pehchaan Ho” from the 1966 film ‘Gumnaam’ clocked in on the 28th century milestone for the blog. It was the 2800th post to come on board. Going back to revisit some of these posts, it is very enlightening. It is a delight to recall and refresh the large amount of trivia that is now silently sitting in the electrons on this blog’s storage. About this post – this was a special request post that Greta Memsaab had written for the blog. At 2800 posts, this was only the 12th guest post till then, and the second on by Memsaab. Poring through the article and the comments, one learns and re-learns so much more about these songs – names of the guitarists, name of the dancers, the fleeting appearance by Helen, the fact that the lead in dance music is lifted from the song “Teen Kanastar Peet Peet Kar” (‘Love Marriage’, 1957), and that an ad by Heinken has used this song – the entire lead in music and the mukhda of the song, in the voice of Rafi Sb. It is a revival experience par excellence.
And so, getting into this week. Seven films, and eight challenge opportunities for the team members. I must acknowledge that members are sending in challenge contributions – lyrics and sometimes articles too. And we need more of that. Gear up, and happy posting.
‘Raagini’ of 1958 is one of the two films pending for today’s date. The song being presented is a stage dance song, and as the performance rolls to the end, one finds that it is actually dream sequence song. It is being played out in a dream being experienced by Padmini, as she visualizes herself to be Anaarkali, dancing in the court of Prince Saleem, that is Kishore Kumar, the person she is love with.
The lyrics of this song are penned by Qamar Jalaalabaadi, the music is composed by OP Nayar and the singing voice is that of Asha Bhosle.
Lyrics for this song have been sent in by Prakash ji.
With this post, the film ‘Raagini’ moves closer to gaining yippeee status, with just one more song pending.
[Author’s Note: This post is the beginning of a weekly series that is about the story of this blog. This story has already been appearing as the weekly challenge information being shared on Whatsapp group. In discussion with Atul ji, we agreed that the weekly presentation of this evolving story has become as good as a post by itself. And so we decided that the weekly information post on Whatsapp will also be duplicated as a post on the blog itself, making a more firm documentation of this story. Hence, this series.]
Video
Audio
Song – Tujhe Dekh Ke Machal Gaya Aaj Mera Mann (Raagini) (1958) Singer – Asha Bhosle, Lyrics – Qamar Jalaalabaadi, MD – OP Nayar
Chorus
Lyrics (Provided by Prakashchandra)
aaa aaaa aaa aaa aaaa aaa aaaa aaa
ummm ummmmm ummmm ummm
aaaa aaaa aaa
aaa aaaa aaa
aaaa aaaa aaa
aaaa aaaa aaa
o o o o o o o o
o o o o o o o o
kuchh aisa chhed
umangon ka raag aaa..aaa..aaj ki raat
ke jaaye khwaab jawaani ke jaag aaj ki raat
zamaana jis ko
muhabbat ki aag
kehta hai..ae
dil o jigar mein lagaa dey
wo aag aaj ki raat
haaan aaan aaan aaan
tujhe dekh ke machal gayaa aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
tujhe dekh ke machal gayaa aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
wo muskuraayen
inaayat isi ko ke..ehthe hain
nazar churaayen
sharaarat isi ko kehthe hain
ye meethi aankh micholi
ye dillagi ye adaa..aa
aji huzoor muhabbat isi ko kehthe hain
haaan aaan aaan aaan
tujhe dekh ke machal gaya aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
tujhe dekh ke machal gaya aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
aaa aaa aaa aaa aaa aaa
tu hai saleem mera
main teri anaarkali
qubool kar meri ulfat ki purbahaar kali
o taajdaar mere
ishq ki bahaa..aa..ar hai tu
khila de aaj mere dil ki beqaraar kali
haaan aaan aaan aaan
tujhe dekh ke machal gaya aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
tujhe dekh ke machal gaya aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
aaaaa aaaaa aaaaaa aaaaa aaaaa
aaaaa aaaaa aaaaaa aaaaa aaaaa
aaaaa aaaaa aaaaaa aaaaa aaaaa
aaaaa aaaaa aaaaaa aaaaa aaaaa
aaaaa aaaaa aaaaaa aaaaa aaaaa
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Hindi script lyrics (Provided by Sudhir)
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आ आ आ आ आ आ आ आ
अम्ममम अम्ममम अम्ममम अम्ममम
आ आ आ
आ आ आ
आ आ आ
ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ
कुछ ऐसा छेड़
उमंगों का राग आ॰॰आज की रात
के जाये ख्वाब जवानी का जाग आज की रात
ज़माना जिसको
मुहब्बत की आग कहता है॰॰ऐ
दिल ओ जिगर में लगा दे
वो आग आज की रात
हाँ आं आं आं
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
वो मुस्कुराएं
इनायत इसी को कहते हैं
नज़र चुराएँ
शरारत इसी को कहते हैं
ये मीठी आँख मिचौली
ये दिल्लगी ये अदा॰॰आ
अजी हुज़ूर मुहब्बत इसी को कहते हैं
हाँ आं आं आं
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
आ आ आ आ आ आ
तू है सलीम मेरा
मैं तेरी अनारकली
क़ुबूल कर मेरी उलफत की पुरबहार कली
ओ ताजदार मेरे
इश्क़ की बहा॰॰आर है तू
खिला दे आज मेरे दिल की बेक़रार कली
हाँ आं आं आं
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
Ek do teen chaar paanch chhe saat
Posted on: May 15, 2020
This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4319 | Post No. : | 15605 | Movie Count : |
4297 |
Hullo Atuldom
Today’s song is from a movie that released 32 years ago. This movie and song were instrumental in catapulting our today’s birthday girl into the big-league.
She had made her debut in Bollywood in 1984 through a Rajshri Productions movie which had a story similar to the Jaya Bhaduri starrer “Uphaar” of the 70s. Then followed a string of movies; which were not so successful; where she was an “also there” or what is generally termed as a glamour doll. Even 1988 saw her in four movies three of which were commercial failures. So we can term her start to be something like what the Big B experienced in the 70s.
But her fourth release of 1988 (release date 11 November) made her an overnight star along with re-affirming Anil Kapoor’s standing in the industry.
So today’s song is from N.Chandra’s “Tezaab” and with this we are wishing our “Mohini” a.k.a Madhuri Dixit (Nene got added to her name after marriage to Dr. Nene in 1999). Madhuri played a unfortunate, kindhearted and gentle girl who is forced to dance by her father so that his drunken ways are financed. She looked the role of a meek, frail girl but danced brilliantly.
Most Madhuri’s subsequent movies had atleast one great dance number. Who can forget “humko aaj kal hain intezaar”; “mera piya ghar aaya o ramji”; “Tamma tamma loge”; “dhak dhak karne laga” and the cream of them all “choli ke peeche kya hain” to name the most popular ones (there are many more) As I write this I find all the songs that I have mentioned here are yet to make their appearance on the blog except for the song from Khalnayak “choli ke peeche”.
She made an excellent pair with whoever she was cast opposite but the pairing with Anil Kapoor was a different class altogether. They did 18 films together including the 2018 release “Total Dhamaal”. There is a strange camaraderie between the two actors which is evident in any scene that they enact.
She must be among the few actress who have acted with pairs of father and son- Rishi and Ranbir Kapoor, Vinod and Akshaye Khanna for example.
Today’s song has a female and male version. Female playback -Alka Yagnik and male – Amit Kumar. The songs were written by Javed Akhtar and Laxmi-Pyare were the composers.
The male version is shot on the streets of Mumbai and we can see the steps of the famous Asiatic Library; also Akbarally’s which was one of the first departmental store of Mumbai (have done shopping there a few times when the kids were small.)
The Female version is a stage song which ends when a group of bandits or thugs led by Kiran Kumar, invade the scene with the intention to corner Anupam Kher (who played the drunkard father of Mohini). They leave carrying Mohini with them when they cannot find Anupam Kher.
So here is wishing the ever so beautiful brilliant dancer and of a million-bucks smile a long and healthy life and success in all her future ventures too. She still has a lot of time before she calls it a day. She is still very young.
Male version
Female version
Song-Ek do teen chaar paanch chhe saat (Tezaab)(1988) Singer-Amit Kumar/ Alka Yanik, Lyrics-Jawed Akhtar, MD-Laxmikant Pyarelal
Male chorus
Female chorus
Lyrics
——————–
Male version
——————–
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong
ek do teen
char paanch chhe saat aath nau
dus gyarah baarah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah
tera karoon
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
chaar paanch chhe saat aath nau
dus gyarah barah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah
chaudah ko jab maine kehlaaya thha
chaudah ko jab maine kehlaaya thha
pandarah ko aaoonga
main aaya thha
pandarah ko parde se nikli na tu
tujh ko na paake main ghabraaya tha
solah ko bhi
solah ko bhi subah se tha bekarar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah
satarah ko soya nahin raatbhar
athhaarah ko bhi tu na aayi nazar
unees ko main deewaana hua
bees ko ghar se rawaana hua
galiyon mein
galiyon mein goonje deewaane ki pukaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
chaar paanch chhe saat aath nau
dus gyarah barah terah
ikkees ko aayi na
baaees ko tu
jab na mili teyees chaubees ko
pachees ko samjhaya sab ne mujhe
mat jaane de de na chhabees ko
duniya mein bas
duniya mein bas din hain mere aur chaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah baarah terah
din lage hafte
re hafte maheene
maheene lagte saal
aake zaara tu dekh toh le
kya hua hai mera haal
deewaana dar dar main phirta hoon
na jeeta hoon na main marta hoon
tanhaayi ki raatein sehta hoon
aaja aaja
aaja aaja aaja
aaja ke din ginta rehta hoon
aaaa
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah
—————————————–
Female version
—————————————–
mohini mohini mohini mohini
mohini mohini mohini mohini
ho ho ho ho
ho ho ho ho oooooo
namaskaar
namaskaar
kahiye, kya sunege aap
arre pehle ye kahiye, kahaan thi aap
main
main kar rahi thi kisi ka intezaar
kaun hai woh
jisse karati hoon pyaar
haaye
aur, jisse karati hoon minnate baar baar,
kaise
aise
ding dong ding,
ding dong ding dong ding dong
ding dong dong
ding dong ding dong dong dong
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah
tera karoon,
tera karoon din gin gin ke intezaar
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar
aaja piya aayi bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah
chaudah ko tera sandesa aaya
chaudah ko tera sandesa aaya,
pandrah ko aaoonga ye kehlaaya
chaudah ko aaya na pandrah ko tu,
tadpaake mujhko toone kya paaya
solah ko bhi
solah ko bhi solah kiye thhe singaar,
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aayi bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah
satrah ko samjhi sang chhoot gaya
athharah ko dil toot gaya
ro ro guzaaraa maine saaraa unnees
bees ko dil ke tukde hue bees
phir bhi nahin
phir bhi nahin dil se gaya tera pyaar,
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah
ikkees beeti,
baayees gayi,
teyees guzari, chaubees gai
pachchees chhabees ne maara mujhe
birha ki chakki mein main pis gayi
din bas
din bas maheene ke hain aur chaar
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah
din bane hafte re,
hafte maheene,
mahine ban gaye saal
aake zara tu dekh to le
kya hua hai mera haal
deewaani dar dar main phirti hoon
main jeeti hoon naa main marti hoon
tanhaayi ki raaten sehti hoon
aaja aaja
aaja aaja aaja
aaja ke din ginnti rehti hoon
ek do teen,
chaar paanch chhe saat aath nau,
dus gyaarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhai saat aath nau,
dus gyarah barah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyaarah baarah terah
Nazar hai kaanton se teekhi
Posted on: March 26, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4269 | Post No.: | 15496 |
“Black Shadow”(1961) was a stunt movie which was directed by Madan Mohan Mehra for Paul Productions, Bombay. This move had Nishi, Manhar Desai, Amrit Rana, Indira Bansal, Baburao, Sudha, Ramlal, Roshan, Menaka, Naseem, Narmada Shankar, BHaag Singh, Balraj Kapoor, Raju, Jaani Babu Qawwaal, Sheikh etc in it.
The movie had five songs in it. One song from the movie has been covered in the past.
The songs of this movie are as obscure as the movie itself. Posting songs from missing movies of 1960s was a project which was originally the brainchild of our beloved Khyati Bhatt who prepared an excel sheet of missing movies of 1960s. Sudhir Jee took upon this project with right earnesh and posted elusive songs from many of these missing movies.
929 movies were released during 1960s (1961 to 1970). At present, 873 of these movies are represented in the blog.
During the early days of this project (which started in 2013), I also used to cover a few missing movies, before Sudhir Jee took over full responsibility of this project. During the earlier days of this project, I covered the first song from “Black Shadow”(1961) which was this song. It was the only song from this movie that I could locate at that time.
Now, nearly seven years later, when I searched for the songs of this movie, I was able to locate another song. And what a song it turns out to be. It is an all female duet sung by Shamshad Begam and Sudha Malhotra. Naqsh Llayalpuri is the lyricist. Music is composed by Harbans.
Going by the lyrics, I guess that it is a Punjabi style stage performance dance song where one female is dressed as a male and singing in Shamshad Begam’s voice whiile other female, playing a female sings in Sudha Malhotra’s voice.
Only the audio of this “expression of love” genre of song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Nazar hai kaanton se teekhi (Black Shadow)(1961) Singers-Shamshad Begam, Sudha Malhotra, Lyrics-Naqsh Llayalpuri, MD-Harbans
Lyrics
nazar hai kaanton se teekhi
badan hai phoolon se halka
nazar hai kaanton se teekhi
badan hai phoolon se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya
saja ke resham ka patka
ho mere dil ko de jhatka
hawa mein kyun ude zaalim
pahan ke joota makhmal ka
ho sun mere haaniya haaye
ho sun mere haaniya
balle baale
ho sun mere haaniya haaye
ho sun mere haaniya
ho o o
kashmiri sebo ki laali
chhalke tere gaalon se
saawan bhi sharmaaye tere
ghoonghar waale baalon se
dil ko le dooba hai
dora tere kaajal ka
nazar hai kanto se teekhi
ho tan hai phulo se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya
saja ke resham ka patka
ho mere dil ko de jhatka
hawa mein kyun ude zaalim
pahan ke joota makhmal ka
ho sun mere haaniya haaye
ho sun mere haaniya
ho balle balle
ho sun mere haaniya haaye
ho sun mere haaniya
o o o
rasmon ki zanjeer tod kar
aa gayi teri baahon mein
dekh goriye dol na jaana
pyaar ki lambi raahon mein
jeewan bhar ka saath hai apna
khel nahin pal ka
nazar hai kanto se teekhi
badan hai phoolon se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
ho balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya
Main haseena naazneena
Posted on: February 22, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4236 | Post No. : | 15447 |
“Baazi”(1968), not to be confused with the well known “Baazi”(1951) was directed by Moni Bhattacharya for Golden Films Production, Bombay. The movie had Dharmendra, Waheeda Rehman, Johnny Walker, Mehmood, Helen, Ansari, Nazir Hussain, Ullhas, Chans Usmani, Amar, Manmohan, Keshto Mukherjee, Pinchoo Kapoor etc in it.
The movie had five songs in it. Four songs have been covered in the past.
Here are the details of the songs already covered in the blog:-
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Aa mere galey lag jaa o jaane jaana | 7860 | 9-Apr-2013 |
| 2 | Pyaar ki ye baaten hamko na samjhaao | 7949 | 21-Apr-2013 |
| 2 | Ek anaar do beemaar badi mushqil hai | 15143 | 29-July-2019 |
| 2 | Dil tootaa roye nainaa | 15440 | 17-Feb-2020 |
Here is the fifth and final song from “Baazi”(1968). This song is sung by Asha Bhonsle and Lata Mangeshkar. Shakeel Badayuni is the lyricist. Music is composed by Kalyanji Anandji.
This song is quite a remarkable song. It is picturised as a stage performance song on Helen and Waheeda Rehman. Helen plays evil queen and Waheeda Rehman her daughter. The evil queen regards herself as the prettiest female around and she would not hesitate to get prettier females killed, even if she happens to be her own daughter.
This is a very long song, more than ten minutes long. The picturisation also shows several small time actors as well.
I think that this song must be one of a kind for lyricist Shakeel Badayuni too. This must be one of the very few Helen dance songs for him.
Lata Mangeshkar had sung five female duets in the movies of 1968. Four of these duets are already covered in the blog. So, with this song, all the five female duets of Lata Mangeshkar from movies of 1968 are covered.
With this song, “Baazi”(1968) joins movies that have all their songs covered in the blog and the movie thus gets YIPPEED.
Lyrics of this song were sent to me by Avinash Scrapwala.
Song-Main haseena naazneena (Baazi)(1968) Singers-Asha Bhonsle, Lata, Lyrics-Shakeel Badayuni, MD-Kalyanji Anandji
Lyrics(Provided by Avinash Scrapwala)
ek raaja ki sauteli raani thhi
mahal ke andar
jo kahti thhi
main hoon jag mein sabse zyaada sundar
ae mere sheeshe
kaun hai jag mein sabse zyaada sundar
Raaj kumaari
raajkumaari
teri beti
isi mahal ke andar
hahahahaha
hahahahaha
hain
ladki
chim chika chim chika chim chika chim
jaane kaun hai ye ladki
chim chika chim chika chim chika chim
soorat ki bhi hai achchi
chim chika chim chika chim chika chee
na ghabra tu ae ladki
ham hain tere saathhi
is ghar mein tu khushi se jee
ae mere sheeshe
ab bata
kaun hai jug mein sabse zyaada sundar
Rajkumaari
teri beti
rahti hai jo ab door kutiyon ke andar
seb le lo
meethhe meethhe seb le lo
kirkiti kirkiti kirkiti kir
kirkiti kirkiti kirkiti kir
kirkiti kirkiti kirkiti kir
kirkiti kirkiti kirkiti kir
ab bata ae sheeshe
kaun hai sundar
teri beti rajkumari
ab hai rajkumar ke saath
main haseena nazneena
main haseena nazneena
koi mujhsa nahin een een
koi mujhsa nahin nahin naheen
main sameena mahajabeena
main sameena mahajabeena
mujhmein kya kya nahin een een
mujhmein kya kya nahin nahin ee
main qayaamat ki pehchaan hoon
ek bijli aur toofaan hoon
main mohabbat hoon
imaan hoon
ik aashiq ka armaan hoon
jo mere paas aaye
sukoon e dil paaye
phir jaaye na wo kahin
kahin een
main haseena naazneena
koi mujhsa nahin een een
koi mujhsa nahin nahin een
main hansoon to chaman bhi khiley pyaar ki zindagi bhi miley
main jaloon to patanga jaley
maut mere kahe par chaley
nigaahon se main kheloon
arre jisko bhi main dekhoon
wo jaan de de wahin
wahin een
main sameena mahajabeena
mujhmein kya kya nahin een een
mujhme kya kya nahin
nahin een een
pyaar ki main hoon ik daastaan
mere dam se hai duniya jawaan
main nahin to bahaaren kahaan
mere bas mein hai saara jahaan
main hoon shola
main hoon shabnam
main hoon naghma
main hoon sargam
aa aa aa
jhuke hain mere aage
ye chaand aur sitaare
ye aasmaan aur zameen zameen een
o main haseena
main sameena
koi mujhsa nahin een
mujhmein kya kya nahin
nahin een
o main haseena
main sameena
koi mujhsa nahin een
mujhmein kya kya nahin
nahin een
Tum Ne Dekha Kya Bhala. . .
Posted on: February 2, 2020
- In: "disguise" song | Bela Bose dance song | C Ramchandra Mahendra Kapoor duet | C Ramchandra songs as a singer | Club song | Dance song | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1965 | stage dance | Stage song | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4216 | Post No. : | 15417 |
Fabulous Foot Tappers – 10
– – – – – – – – – – – – – – –
Ah, a post waiting for some time now to come on board. This post and this song is specially for dear Avinash ji. 🙂 🙂
As you listen to the song, and the words settle down in the mind, you can almost imagine – Avinash ji, on his flight back from Kenya to India, thinking about this song. And then the landing at Mumbai, then passing thru the immigration and baggage collect. He bumps into an old friend while waiting for the bags. The friend asks him where from he is returning. Avinash ji says, Kenya. The friend says – अरे यार, वो भी कोई जगह है देखने की, see, I am returning from Barcelona, now that is a place to visit. And instantly Avinash ji breaks into this song, telling his friend “Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika”. And there is a loud applause from the crowd waiting for their baggage.
And then, Avinash ji decides that this song must also be screened for the musical bandwagon on our blog. The Atulites must be made aware – they have missed something significant in life – “तुमने क्या देखा भला, जो ना देखा आफ्रिका”. 🙂
The song is performed as a club dance cum stage dance setting. A fiesty rock and roll number, which should have been heard more. But maybe then, the 1960s was overflowing with such rollicking dance numbers. The film itself, of course did not seem to have made any impact, and so this superb song seems to have dived below the radar of listeners.
The first one to make an entrance is Bela Bose, all made up as a native African belle. Next on the scene is Bhagwan Dada, also in an African attire and face wash. The first stanza goes by. And then, in the second stanza, we have Chandrashekhar make his appearance – a white man, suited and booted, riding in an open car. He declares that he was on way to America (jeez) but then the beauty of Africa and the African ‘माहजबीं’ made him change his mind. Quite a stretch of imagination here by Bakshi Sb (I mean Anand Bakshi 🙂 ), calling a dark and dusky damsel as ‘माहजबीं’ (literal meaning – moon faced).
And then we are on to the third stanza, in which Bhagwan Dada, feeling threatened by the invasion of the white male competitor, advises his heart throb that the fair color is not so fair, if the heart is not in the game.
In the interludes, we see the audience as well as a quartet of sinister looking ‘thugs’ who are apparently up to no good, and most likely are looking for somebody. Could be the scenario is that Bhagwan and Chandrashekhar are on the run followed by this quartet, and they both mingle in with this performance, trying to hide behind the disguises. Now isn’t that so original 🙂
The film is ‘Hum Deewaane’ from 1965. Produced under the banner of Young India Entertainer, Bombay, the film is directed by Bhagwan himself. The star cast is listed as Mumtaz, Chandrashekhar, Bhagwan, Helen, Iftikhar, Anwar, Agha, Maruti, Rajan Haksar, Kundan, Prem Sagar, Rajan Kapoor, Kanchanmala and Bela Bose.
The songs are written by Anand Bakshi, and the music is by C Ramchandra under the name of Anna Saheb. This song is an all male duet in the voices of C Ramchandra himself, as Chitalkar, accompanied by Mahendra Kapoor.
Goodness, almost one and a half years since the last post in this series. I need to pull up my socks. 🙂
Song – Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika (Hum Deewaane) (1965) Singer – Chitalkar, Mahendra Kapoor, Lyrics – Anand Bakshi, MD – Anna Sahab (C Ramchandra)
Chitalkar + Mahendra Kapoor
Lyrics
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
muskura o dilruba
ho ja fida honay de fida
muskura o dilruba
ho ja fida honay de fida
jeene ka yahi hai
jeene ka yahi hai
tareeka
tareeka
tareeka
hoye tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
thi whaan wo mahjabeen
reh gaya main bhi wahin
thi whaan wo mahjabeen
reh gaya main bhi wahin
jaan tha mujhe
arey jaana tha mujhe
amreeka
amreeka
amreeka
haa haa
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
o sanam teri kasam
kaale hain par dilwaale hum
o sanam teri kasam
kaale hain par dilwaale hum
dil bina ye rang gora
dil bina ye rang gora
hai pheeka
hai pheeka
hai pheeka
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
जीने का यही है
जीने का यही है
तरीका
तरीका
तरीका
होय तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
जाना था मुझे
अरे जाना था मुझे
अमरीका
अमरीका
अमरीका
हा हा
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
दिल बिना ये रंग गोरा
दिल बिना ये रंग गोरा
है फीका
है फीका
है फीका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4211 | Post No. : | 15412 |
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Blog 10-Year Challenge (2010-2020) – Song No. 6
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“Arpan”(1983) was produced and directed by J Om Prakash for Filmyug Private Limited, Bombay. The movie had Jeetendra, Reena Roy, Parveen Babi, Raj Babbar, Preeti Sapru, Shashi Puri, Sujit Kumar, Sulochana Latkar, Dina Pathak supported by Sudhir Dalvi, Ranveer Raj, Tom Alter, Vikas Anand, Sunder Taneja, Harjeet, Feroz, Vishwanath Shetty, Shafiq Pathan, R.R. Somaiya etc in it.
The movie had five songs in it. Three songs have been covered in the past.
The movie made its debut in the blog on 21 january 2010 with the song Pardes jaake pardesiyaa bhool na jaana piyaa . The second song was discussed one week later on 28 january 2010 and it was Likhne waale ne likh daale .
For the next ten years, no other songs from this movie were covered. Then there was sudden activity exactyly ten years later and the third song from the movie was discussed on 21 january 2020, exactly one decade after this movie had debuted in the blog. This song was Mohabbat ab tijaarat ban gayi hai Avinash Scrapwala, who is very enthusiastic about the “blog ten year challenge”.
Seeing that the second song from the movie was covered on 28 january 2010, today presents us with another “blog ten year challenge” opportunity as far as this movie is concerened. So here is another song from the movie. This song is sung by Lata and chorus. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
This song is picturised as a stage dance song on Parveen Babi and others. Jeetendra is seen among the audience.
I find this song so reminiscent of “Asha”(1980) songs where too Jeetendra would be seen witnessing the stage dance performances. That movie had Reena Roy instead of Parveen Babi. This resemblence is not coincidence. Both these movies were by J OmPrakash. His stories used to be similar. Jeetendra used to be a fixture in his movies. and the titles of his movies would start from the letter A. He produced 23 movies in his career, styaring from “Aas Ka Panchhi”(1961) till “Afsaana Dilwaalon Ka” (2001). 22 of his titles started with A. Only exception being “Bhagwan Dada” (1986), after which he reverted back to his lucky letter A.
Music of his movies during that succeesful spell (Apnapan, Asha, Arpan) used to be by Laxmikant Pyarelal. That is the reason why the songs of these movies sound similar to me.
Here is this nice song from “Arpan”(1983). Incidentally, all the four songs that have been covered so far were quite popular and they have remained so till now.
Song-Tauba kaise hain naadaan ghunghroo paayal ke (Arpan)(1983) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lata + Chorus
Lyrics
taubaa taubaa aa aa
taubaa taubaa aa aa
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
sharm ke maare laal pad gayaa rang meraa baadaami
chhanak chhanak ke gali gali mein karen meri badnaami
ghunghruu paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
kaise koi bhed chhupaaye ae ae
ghar kaa bhedi lankaa dhaaye
kaise koi bhed chhupaaye ae
ghar kaa bhedi lankaa dhaaye
dede ke main haari saari raam raheem ki kasmen
aisaa lagataa hai ye nigode nahin kisi ke bas mein
hindu hai na musalmaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
chhup ke gali se kaise guzroon
chhat se main neeche kaise utroon
chhup ke galii se kaise guzroon
chhat se main neeche kaise utroon
kabhi kabhi main sochoon inko phenkoon abhi utaaroon
tokne waali usi padosan ke munh par de maaroon
bharte hain logon ke kaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
jab chham se ye baj uthhte hain
pag men kaanten chubhte hain haaye
jab chham se ye baj uthte hain
pag mein kaanten chubhte hain
meethhaa meethhaa dard nigodaa mere man se nikle
inhen nikaaloon pairon se to jaan badan se nikle
mere dil ke hain armaan ghunghruu paayal ke
ho mere dil ke hain armaan ghunghruu paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
Chhed Diye Mere Dil Ke Taar Kyun
Posted on: January 16, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4199 | Post No. : | 15383 |
Hullo Atuldom
Happy festival at the outset.
A festival that goes by various names :- Makara Sankranti (AP, Karnataka, Kerala, Goa, Maharashtra), Pongal (TN & Pondicherry), Lohri (Punjab, Haryana, Delhi), Sakraat & Makraat (Bihar, UP, Uttarakhand), Uttarayan (Gujarat, Diu, Daman), Suggi (in parts of Karnataka), Magh Saaji (HP), Ghughuti – (Kumaon), Makara Chaula (Odhisha), Kicheri (Poorvanchal, East UP), Pousha Sankranti (Bengal and North East), Magh Bihu (Assam), Shishur Sankraat (Kashmir ), etc etc. Outside of the country, in some neighbouring Asian countries to be exact, it is celebrated as Maaghe Sankrast – Nepal, Tirmoori – Sindh Pakistan, Songkran -Thailand , Pi Ms. Lao – Laos, Thingyan – Myanmar, Mohan Songkran – Cambodia etc. Basically we are all celebrating the transition of the Sun across the Equator, on it’s journey from the southern hemisphere to the northern hemisphere.
Each region of India have their own ways of celebrating the event but as I have come to understand there are a few things common to all –Jaggery, til (also called gingelly, or sesame seeds), sugarcane, and freshly harvested ears of corn, wheat or even turmeric (in South India). Then of course the children enjoy themselves with kite flying which takes on the form of competition at times. So let us say Happy Festival. Tamil Nadu has its festivities spread over 3-4 days culminating in what is called Mattu Pongal – celebrated the next day of Sankrant with races with cattle involved. (PETA has tried to bring some order to the extent to which the animals can be made use of, and the conditions in which the races take place).
Last weekend, I was lucky to be asked to join my Chacha and Chachi, to an evening full of OPN songs by a newly formed music group. The members of the group were out to entertain themselves and showcase their talent among their close friends and relatives. The closest anyone of the group had come to anything Bollywood was when the hostess’s father had his ardent fan moment when he came face to face with OP Nayyar sometime in the 70s or 80s. That man was a self taught Harmonica player and encouraged his children and wife to sing along. And the wife and daughter of the (now) deceased man were at the forefront of the group which had female and male singers who sang in their own voices without aping any of the originals and that was a welcome change. The group presented medleys of songs with similar beats- the trade mark tonga-beat songs, and songs dipped in Punjabi folk tunes. The evening began with the song from ‘Sambandh’ – “Chal Akela Chal Akela” and then one song followed the next. The evening climaxed with songs that fell in tune with “Sar Pe Topi Laal Haath Mein Resham Ka Roomal”. In between there was an instrumental rendition of songs from ‘Kashmir ki Kali’, ‘Ek Musafir Ek Haseena’, ‘Kismat’ and ‘Phir Wohi Dil Laaya Hoon’ using the saxophone by Shri Shyam Raj ji who (if I heard right) had been a saxophone player for many of OPN’s songs.
Let me add that we were invited to the evening because my cousin’s husband has taken up singing and joined this group post his retirement. It was a revelation that he sang so well. The first song he sang that evening was “Piya Piya Piya Mora Jiya Pukaare” and “Surma Mera Niraala” was his next. And I must say he “yodels” almost like the Kishore Kumar whose fan he is.
As is my habit (ever since I associated with this blog) the first thing I did on returning home was to look up the anniversary page of our blog and see what was the date of OPN’s anniversaries. Next I checked what songs of OPN are yet to make their appearance on the blog. I found many movies of the 50s & 60s with two or three songs left to attain yyiippeeeehood. Then I began looking up for associated videos on YouTube, these songs are not yet available on YouTube too. In fact only the audio of some songs are available and not the whole movie. So that makes reaching videos difficult. But we cannot let the occasion of remembering OPN go by without a song.
So here it is. A song from the film ‘Raagini’ of 1958. The film is produced by Ashok Kumar, jointly with TS Ganesh, and is directed by Rakhan. This movie had a song which was enacted on screen by Kishore Kumar and playback was by Mohd Rafi. Now I discovered another song, as I was hunting songs for this post, which is again classical raaga based and Ustaad Amaanat Ali Khan and Fateh Ali Khan are the playback singers. On screen we have Padmini performing a classical dance and Kishore Kumar sitting on stage in a classical gaayaki mode and lip-syncing. A very uncharacteristic Kishore and a very uncharacteristic Omkar Prasad Nayyar who was popular as OP Nayyar. The song ends with Padmini matching steps to the brilliant tabla accompaniment.
As I was writing this post I recollected a post by Atul ji where he has mentioned about movies with names of popular actresses of the time but the actresses were not part of the cast of that particular movie, e.g. ‘Kalpana’ (1960) didn’t have Kalpana as heroine. An this film, ‘Raagini’ has Padmini as the heroine; Raagini the actress was her sister.
Let us enjoy this rare presentation, Kishore Kumar lip syncing a classical song in the voice of Bade Fateh Ali Khan.
Song – Chhed Diye Mere Dil Ke Taar Kyun (Raagini) (1958) Singers – Ustaad Amaanat Ali Khan, Bade Fateh Ali Khan, Lyricist – Jaanisar Akhtar, MD – O P Nayyar
Ustaad Amaanat Ali Khan + Fateh Ali Khan
aaaaaaa aaaaaaa
aaaa aaaaaaa aaaaaaaaa
aaaaaaa aaaaaaaa
chhed diye mere dil ke taar kyun
chhed diye mere dil ke taar kyun
baaj rahi paayal madmaati
baaj rahi paayal madmaati
chaal chale pag pag lehraati
chaal chale pag pag lehraati
jhoom raha jiya baar baar yoon
jhoom raha jiya baar baar yoon
chhed diye mere dil ke taar kyun
chhed diye mere dil ke taar kyun
(sargam)
chhed diye mere dil ke taar kyun
(sargam)
chhed diye mere dil ke taar kyun
aaaaaaaa aaaaaaa
chhed diye mere dil ke taar kyun
aaaaaaa aaaaaaaa
aaaaaa aaaaa aaaaaaa aaaaaaaa
aaaaaaa aaaaa aaaaaa
chhed diye mere dil ke tar kyun
aaaaaaa aaaaaa
aaaaa aaaaa aaaaaa aaaaaaaa
aaaaaaa aaaaaa aaaa
chhed diye mere dil ke tar kyun
chhed diye mere dil ke tar kyun
Badi kaafir tumhaari nazar nikli
Posted on: January 15, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4198 | Post No. : | 15381 |
“Sangdil” (1967), unlike “Sangdil”(1952) is a less known movie. It was directed by Dharam Kumar for Alamdeep Productions, Bombay. This B grade movie had Manohar Deepak, Bhagwan, Johnny Walker, Surendra, Ameeta, Dara Singh, Anwar, Indira, Satish etc in it.
“Sangdil”(1967) had five songs in it that have been forgotten with time. But these songs are forgotten gems.
One song from “Sangdil”(1967) has been covered in the blog. Here is the second song from the movie to appear in the blog.
This song is sung by Lata and Usha Mangeshkar. Naqsh Llayalpuri is the lyricist. Music is composed by G S Kohli.
The song is picturised as a synchronised dance song on a stage, watched by a house full audience in a hall.
I am unable to identify the two dancers. I request our knowledgeable readers to help identify them.
Song-Badi kaafir tumhaari nazar nikli (Sangdil)(1967) Singers-Lata, Usha Mangeshkar, Lyrics-Naqsh Llayalpuri, MD-G S Kohli
Both
Lyrics
Badi kaafir tumhaari nazar nikli
o Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
mehfil mein tumhaare jalwon mein
o o o
kya mujhpe qayaamat dhhaayi hai
kya mujhpe qayaamat dhhaayi hai
sau baar to dhhalka hai aanchal
sau baar ye nazar sharmaayi hai
sau baar ye nazar sharmaayi hai
ye mulaaqaat jaadoo asar nikli
kyun Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
tum hosh mein rehna ae saaqi
o o o o o
mumkin hai rahe na hosh mujhe
mumkin hai rahe na hosh mujhe
ab mera sambhalna mushqil hai
behkoon to na dena dosh mujhe
behkoon to na dena dosh mujhe
saat rangeen pichhle pahar nikli
o Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
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