Archive for the ‘stage dance’ Category
Paathhshaala te indur elo
Posted on: September 6, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4798 | Post No. : | 16562 |
Hullo Atuldom
The song with this post is one that I have been wanting to present on the blog for years. I have kept looking for its link on YouTube and finally found that someone has uploaded it in May 2019. Then I looked for the movie’s songs on our blog and found one song was posted with lyrics contributed by Avinashji.
In the comments to that song Prakshchandraji has written this about the movie:-
“Shubh Kaamna is a remake of famous Telugu hit movie “Shubh Lekha(1982) (directed by the same famous director K.Vishwanath) starring famous Telugu Hero (now turned into politician) Chiranjeevi and Sumalata. The film dealt with the Dowry system and Utpal Dutt`s acting in Shubh kaamna is very good. And the music of Pancham is also very good. Kiran Vairale acted very well. But I think, somehow the southern flavour of the movie was not accepted by northern audience. But I enjoyed the movie very much.”
Prakashji had also mentioned that the videos related to the movie are not easily available.
The movie had a cast of Rati Agnihotri, Kiran Vairale, Ashalata, Rakesh Roshan, Vinod Mehra (think it was a special appearance), Sujit Kumar, Utpal Dutt, Asrani, Omprakash, Satyen Kappu, and South actor Sudhakar played Utpal Dutt’s younger son and Kiran Vairale’s love interest. The songs were written by Majrooh Sultanpuri. I had seen this movie with family at the time of its theatrical release; and loved the concept of the movie. There was something to do with Allwyn watch company in the movie and some portion of the movie was shot in the factory, if my memory is correct. Also the beaches of Andhra Pradesh served as location for much of the movie.
Today’s song is a stage song which has Rakesh Roshan singing at a cultural program at the college where Rati Agnihotri is a lecturer and Kiran Vairale (her sister) is a student. The song is in a few dialects(editor’s- it is in Bangla).
Today happens to be Rakesh Roshan’s birthdate. He started his career at 21 or 22 after the untimely death of his father -the music director Roshan. He began as assistant to director Mohan Kumar in films like ‘Anjaana’. He was recommended by Rajendra Kumar to Soodesh Kumar and he got a supporting role in ‘Ghar Ghar Ki Kahani’ All through his acting career he has acted in many heroine-centric movies like ‘Paraya Dhan’, ‘Khoobsurat’, ‘Aankhon Aankhon Mein’, ‘Bahurani’, ‘Humari Bahu Alka’ etc. He played a few grey characters too as in ‘Jhootha Kahin Ka’, ‘Dil Aur Deewar’, ‘Daasi’, ‘Aakhir Kyon?’ etc. When he started his own production house his first movie was ‘Aap Ke Deewane’ which starred Tina Munim opposite two heroes- Rishi Kapoor and Rakesh Roshan. His next was ‘Kaamchor’ which had Jaya Prada as the central character. this was followed by ‘Jaag Utha Insaan’ and ‘Bhagwan Dada’ both of which had Sridevi in important roles. He turned a full-fledged filmmaker i.e. a producer director with ‘Khoon Bhari Maang’ which was on Rekha’s character. ‘Bahurani’ (1989) and ‘Aurat Aurat Aurat’ (1996) where the last movies where he had a substantial part to play. He has since been seen in guest appearances in ‘Koi Mil Gaya’, ‘Krrish’ and ‘Om Shanti Om’. He has been in the enterainment industry for 50 years now.
Here is wishing Rakesh Roshan lots of health and happiness as he turns 72.
Song-Paathhshaala te indur elo (Shubhkaamna)(1983) Singer-S P Balasubrahmaniam, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
aaaaa aaaaa
haa haaa haaaaa
haa haaaa
haa aa aa
la la la la
la la la la
beautiful
pa ma ga pa
ma ga ma ga
paathshaala te indur elo
sheekhte bole lekha podha
shono shono golpo shono
shono shono golpo shono
paathshaala te indur elo
sheekhte bole lekha padha
shono shono golpo shono
shono shono golpo shono
(guru bollen
lekha podha seekhte
tomar guru
gonesher kaacha jaao
aekhaane keno
hmm)
na na koro na aadesh
goneshaar nai je gonesh
haan haan na na koro na aadesh
goneshaar nai je gonesh
{main jo kehna cha raha hoon,
aap log samajh rahe hain?
ek chhooha, likhaayi padhaayi seekhne ke liye school aaya
toh guruji ne kaha , tum toh Ganeshji ke vahaan ho,
aur Ganeshji toh vidya ke devta hain, unse jaa kar seekho.
Toh chhoohe ne kaha, ke aaj kal Ganeshji bhi paisa maangte hain.}
na na koro na aadesh
goneshaar nai je gonesh
takaay chhaada guru gonesh debe na
aamayi kono shikha
aamayi kono shikha
paathshaala te indur elo
sheekhbe bole lekha paadha
shono shono golpo shono
shono shono golpo shono
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno
{guru ne kaha
sangeet vidya
seekhne ke liye yahan kyun aayi ho
sangeet toh tumhaare mata pita ki sampatti hai
wahan jaao naa}
na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
haan haan na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
maata pita bhi paisa liye bina
dete nahin shikshaa
haan haan
dete nahin shikshaa
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno
guruji ke pass seekhan ko naach
morni aayi
morni aayi
suno suno katha suno
suno suno katha suno
{guru ne kahaa
arre morni
tumhare premi mor se accha kaun naachta hai
wahaan jaao na}
haar gayi usko manai ke
taal de bahaana banai ke
hoye hoye
haar gayi usko manai ke
taal de bahaana banai ke
haar gayi usko manai ke
taal de bahaana banai ke
ek din bola mufat naache de ne
pehle deyi de paisa
pehle deyi de paisa
ho o
ha a
hmm mm
guruji ke pass sikhan ko naach
morni aayi morni aayi
suno suno katha suno
suno suno katha suno
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4747 | Post No. : | 16475 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 145 # Samjhauta-1973
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Browsing the blog always brings some surprises for me and reminds me of some forgotten songs. There are movies where some of their songs are very popular and familiar, while the some songs from these films remained unexplored and forgotten.
Today’s movie is one such example.
Lots of nostalgia is associated for me with the “Samjhauta”(1973) songs ‘badi door se aaye hain, pyaar ka tohfaa laaye hain’ and ‘samjahuta ghamon se kar lo’. I have not watched this movie but I was aware of these songs as these songs were extremely popular songs of those days, even among people who never watched this movie. Recently I came across this movie on the blog and then I realised that only three songs (including the multiple version title song) from this movie have been covered on the blog. The third song being ‘sab ke rehte lagtaa hai jaise koi nahin hai meraa’. I am familiar with this song as well. But I was oblivious of the remaining two songs from this movie.
Moreover, if we note the dates of the earlier songs posted – two in 2008 and one in 2010 (or precisely on 24.07.2010)- the last time a song from “Samjhauta”(1973) was covered in the blog as was nearly eleven years ago !
Today I present the fourth song from this movie ‘Samjhauta-1973’.
“Samjhautaa-1973” was directed by Ajoy Biswas for ‘Jwala Pictures Pvt. Ltd, Bombay’. It was produced by Sundeep Sethi. It had Yogita Bali, Anil Dhawan, Shatrughan Sinha, Ajitesh, Pradeep Kumar, Naaz, Sulochana, Asit Sen, Sajjan, Randhir, Tarun Bose, Jankidas, Manik Dutt, Jagdish Raj, Polsan, Dilip Dutt, Madhu Apte, Samar Roy, Gautam Mukherji, Bachan Singh, Sajan, Prem Master Bunty.
This movie introduced Ajitesh Bannerjee, and Keshto Mukherjee and Bipin Gupta had a special appearance in this movie.
Story of this movie was written by Sukhen Das, whereas the screenplay and dialogues of this movie was written by Inder Raj Anand.
Editing of this movie was done by Tarun Dutta.
This movie was passed by Censor Board on 31.05.1973.
This movie had six songs including one multiple version song.
Lyrics for five out of six songs were written by Indeevar (including one multiple version song) and for one song lyrics were written by Verma Malik.
Music for this movie was composed by Kalyanji-Anandji.
Following is the list of the songs from this movie as mentioned in HFGK Vol-V (1981-1980).
| Sno | Song Title | Singer | Lyricist | Posted On |
|---|---|---|---|---|
| 1 | Tanak tuk tandaa… aise logon ka dhandhaa | Kishore Kumar | Verma Malik | Being discussed today |
| 2 | Badi door se aaye hain | Mohd Rafi | Indeevar | 03.12.2008 |
| 3 | Koi nahin hai meraa | Mohd Rafi | Indeevar | 21.11.2008 |
| 4 | Samjhauta ghamon se kar lo | Lata Mangeshkar | Indeevar | 24.07.2010 |
| 5 | Sainkado Kishore yahaan… | Kishore Kumar | Indeevar | Not Posted yet |
| 6 | Samjhauta ghamon se kar lo | Kishore Kumar | Indeevar | 24.07.2010 |
In the movie credits the name of Mukesh is mentioned among playback singers, with Lata Mangeshkar, Kishore Kumar and Mohd Rafi. (Mukesh’s voice appears in the song ‘badi door se aaye hain)
Today’s song is sung by Kishore Kumar. Anil Dhawan is lip-syncing the song and performing on it on screen. Asit Sen and many others can be seen in the picturisation of this song.
This song is the very first song in the movie and appears as the movie starts. The song is shown as played at a ‘nautanki function’ in a village setting, where the hero is laments at the society’s changing behaviour and how the moral values are going down.
Audio
Video
Song-Aise logon ka dhandhaa arrey kabhi na hoga mandaa (Samjhauta)(1973) Singer-Kishore Kumar, Lyrics-Verma Malik, MD-Kalyanji Anandji
Lyrics
he ae he he
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
ha ha
aise logon ka dhandhaa
arey kabhi na hoga mandaa
bhai jiski jeb mein teen degreeyaan
chori jhoothh aur chandaa
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
ha ha
aise logon ka dhandhaa
arey kabhi na hoga mandaa
bhai jiski jeb mein teen degreeyaan
chori jhoothh aur chandaa
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
ha ha
haath mein degree ee
haath mein degree BA ki hai
phir bhi ee
man mein bhari hai udaasi ee
haath mein degree BA ki hai
phir bhi man mein udaasi
sochaa thha kuchh ban ke rahenge
ban gaye ye chapraasi
salaam saab
mai baap
mai baap
pandrah saal ki mehnat pe bhi
phir gayaa dekho randaa
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
ha ha
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
ha ha
isney usko o
arey isney usko
usney usko
usney usko lootaa haa
pataa nahin lagtaa hai yaaron
kisne kisko lootaa
haay haay
kisne kisko lootaa
Golmaal sab kar jaate hain
Karke gorakhdhandhaa
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
ha ha
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
ha ha
jo deta bhaashan hai dharam pe
ae ae ae ae ae
jo deta bhaashan hai dharam pe
uske dil mein dharam nahin
aankh pe do sau ka chashmaa hai
phir bhi aankh mein sharam nahin
dharam karam ko khaa gayaa dekho
ye chaandi ka phandaa
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
ha ha
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
hey hey
sun lo
sun lo
yaaron zamaanaa kaisaa paltaa hai
o sun lo sun lo
yaaron zamaanaa kaisaa paltaa hai
kaam duniya ka jo dekho
ho rahaa ultaa ultaa hai
gadhe ki keemat hai do sau
o o o o o
gadhe ki keemat hai do sau
aadmi sau mein biktaa hai
haan
sab kuchh ho gayaa mehengaa lekin
sastaa ho gaya bandaa
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
he he
aise logon ka dhandhaa
arey kabhi na hoga mandaa
bhai jiski jeb mein teen digreeyaan
chori jhoothh aur chandaa
tanak tuk tanda
tanak tuk tanda
tanak tuk tanda aa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4738 | Post No. : | 16461 |
Hullo Atuldom
“Parvarish” (1977) was one of the four movies that was directed by Manmohan Desai in 1977. It was produced by A A Nadiadwala. It had a small starcast headed by Shammi Kapoor, Neetu Singh, Shabana Azmi, Indrani Mukherjee, Dev Kumar, Tom Alter, Yusuf Khan (Zebisco of Amar Akbar Anthony which also released in 1977) plus some of Manmohan Desai’s favourite actors of that year viz. Amitabh Bachchan, Vinod Khanna, Kadar Khan and Amjad Khan. Kadar Khan also was in-charge of the dialogues.
The movie’s songs were written by Majrooh Sultanpuri and composed by Laxmi Pyare. Mohd Rafi, Kishore Kumar, Amit Kumar, Shailendra Singh and Lata- Asha- Usha were the playback singers used for the six songs of the movie, five of which are there on the blog as under.
| Song | Date of posting | Remarks |
|---|---|---|
| Aji thahr zara thhahro | 7 February 2009 | It was a farmaish by Rajaji before he became a contributor; has 14 comments |
| Ham premi prem karna jaanen | 8 February 2009 | |
| Khuli nazar kya khel dikhega duniya kaa | 6 October 2010 | |
| Aaiye shauq se kahiye | 7 February 2019 | |
| Ye oonche mahal suhaane sab janta ka hai | 29 November 2019 | shortest post for a song from this movie |
High time we took this movie, which first appeared on the blog in 2009, to “Yyiippeeee” station. And July 8th is a good date to do so as it is the 63rd birthday of the sweet-cute-charming-elegant-beautiful Neetu Singh a.k.a Baby Sonia of the gorgeous smile. She was born in Delhi in a Sikh family with the birth name Harneet Kaur. She began as a child actor in the late ’60s as baby Sonia with movies like ‘Suraj’, ‘Dus Lakh’, ‘Do Dooni Chaar’ etc. was seen as an adolescent in ‘Pavitra Paapi’ ‘Ghar Ghar Ki Kahani’ etc before turning to adult roles with ‘Rickshawala’ ‘Yaadon Ki Baraat’ etc in 1973.
She had a good successful career of nearly 10-12 years as an adult before she bade goodbye to stardom to raise a family. We all know she is Bahu of the Kapoor-Khandaan, Mrs. Rishi Kapoor, mother of actor Ranbir Kapoor, etc.. But she is also Neetu Singh (Kapoor to the present generation of moviegoers) and we are all her fans. Here is wishing her good health and cheer. Happy Birthday Baby Sonia.
Today’s song is a stage song where Amjad Khan is the chief guest and Neetu and Shabo (Desai didn’t break his head in naming his heroines) are the qawwali artists on the stage and use the situation to ‘take shots’ at Amjad Khan (ex. daku Mangal Singh) who was the cause of the death of their parents (Ram Sethi and Chand Usmani in blink and miss appearances). If I remember correctly, this was the song just before the climax of the movie. The song is sung by Lata Mangeshkar and Usha Mangeshkar.
Video
Audio
Song-Sambhal jaaye zara jo hum pe khanjar aazmaate hain (Parvarish)(1977) Singers-Lata, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus
Lyrics
sambhal jaaye zara
jo hum pe khanjar aazmaate hain
sambhal jaaye zara
jo hum pe khanjar aazmaate hain
ab aayi apni baari
ab nishaana hum lagaate hain
mere dil jhoom zara
manzil paas aayi
mere dil jhoom zara
manzil paas aayi
badi muddat ke ba.aa.ad
kismat rang laayi
aayi wo raat aayi,
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai
mere dil jhoom zara
manzil paas aayi
badi muddat ke ba..aa..ad
kismat rang laayi
aayi wo raat aayi
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai
jiske liye shehar shehar
aaye haaye shehar shehar
aaa aaa shehar shehar phire aawaara
besahara jaise koi toota taara
aaaaa aaaa aaaa aaaa aaaaa
jiske liye shehar shehar phire aanwaara
besahara jaise koi toota taara
aakhir rach gaye wo din
wo sama guzar gaya
aaj toh aisa lage,
jaise dil thehar gaya
mera kaatil bhi yahi
uski mehfil bhi yahi
mera kaatil bhi yahi
uski mehfil bhi yahi
nazar mili aane lagi angdaai
jise hum dhoondh rahe,
wahi rut laut aayi
badi muddat ke ba..aa..ad kismat rang laayi
(chorus)
aayi wo raat aayi
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai
miley ho aaj mushkil se
miley ho aaj mushkil se
aahe mile ho aaj mushkil se
miley ho aaj mushkil se
na samjho maaf kar denge
miley ho aaj mushkil se
miley ho aaj mushkil se
na samjho maaf kar denge
meri jaan aapki toh hum,
meri jaan aapki toh hum
meri jaan aapki toh hum,
tabeeyyat saaf kar denge
mile ho aaj mushkil se
na samjho maaf kar denge
na samjho maaf kar denge
mile ho aaj mushkil se
ke apna aur tumhara,
aaj insaaf karenge
bada tadpaaya humein,
bada tarsaaya humein
tumhe dekha toh sanam,
sab yaad aaya humein
tumhe dekha to sanam,
sab yaad aaya humein
rote rote yunhi nahi hansi aayi
faisla hone toh do,
kiski kaza aayi
badi muddat ke ba..aa..ad kismat rang laayi
(chorus)
aayi wo raat aayi,
aayi wo raat aayi
aayi wo raat aayi,
meri tauba duhaai
ummm ummm ummm
umm umm um um umm umm
ummm ummm ummm
umm umm um um umm umm
ya to tum nahin
ya to hum nahin
ya to tum nahin
ya to hum nahin
ya to tum nahin
tum nahin
ya to hum nahi n
hum nahin
ya to tum nahin
ya to hum nahin
ya to tum nahin
ya to hum nahin
Main Nikla, O Gaddi Le Ke
Posted on: June 20, 2021
- In: Bhangra Song | Devnagri script lyrics by Ashwini Scrapwala | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 2000s (2001 to 2010) | Songs of 2001 | stage dance | Stage song | Udit Narayan Solo Songs | Udit Narayan Song | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
47207 | Post No. : | 16431 | Movie Count : |
4463 |
We have often likened this blog to a ‘train and its journey’. Here this train- ‘the blog’ is driven by the ‘engine’ that is our fearless leader Atul ji. The coaches of this train or the ‘wagons’ 🙂 are the team members. This train – a ‘bandwagon’ is on an exciting journey of exploring and discussing yesteryear Hindi Film Music and some non-film music too. The blog is read all over the globe (right?) and there are many many readers and well-wishers associated with this blog.
The journey is on … and before anybody ‘sleeps’ :), he or she must fulfill the commitments made to themselves and for the blog. These commitments have been taken voluntarily by the members with the permission of the ‘leader’. From the team members there already is our ‘in-house’ ‘encyclopedia’ and seniors writing in-depth posts on the yesteryear’s music and movies. There are passionate team members actively participating in this journey of ‘love for the cinema and HFM’.
Then there is me often sending articles, lyrics contribution, reminders to the editors, pointing out corrections, giving suggestions and (emotional blackmailing 🙂 of the editors not included.) always requesting for something or the other, all the time. 🙂
So, everything is going on well in order like a ‘standard operating procedure’. Here it is mutually agreed and ‘non-documented’ ‘SOP’ operating successfully for more than ten years now (that is after the contributors joined). This blog is the best example of well-synchronized efforts towards a ‘common goal’ in agreement by all.
Well, everyone is now aware of what I have mentioned above. But how the blog was in its initial days …
When it started, only the originator ‘the leader’ was there, and then he was not also a leader but a simple ‘enthusiastic music lover’. I guess that when he initiated this blog, he was an already married person. What did you said … is that anything to do with this blog? Yes, because after all a family person has to look after his family and also needs to contribute to domestic work 😊 at least in a small way if not a big contribution.
So how it was all when Atul ji had just started the blog? And after that, how he keeps it going, moving from places to places in his professional life?
That imagination is the subject of the today’s article with a rocking song accompanying to it :).
Before that we need to see Atul ji in two aspects – one being ‘his self’ in isolation as the one-man army, and second as a ‘team leader’ with all team members. It is him only who is ‘constant’ (like ‘change’) and owns a responsibility to keep this blog going. So, how he sets out on this journey, travelling from places to places, exploring HFM. I am sure when he launched this blog his morale was at an all-time high-level. Since he was already doing a job then, the workplace responsibility also gets added and after that he needs to find time for his passion – writing about Hindi movies, the songs, and his related memories.
So, the journey of blog started from Jabalpur and then moving from places to places – Jabalpur to Nagpur, Nagpur to Bilaspur, Bilaspur to Izzat Nagar (Bareilly)- it is now halting at Gorakhpur. The next station may be Bhopal 😊 we hope so 😊.
Well, the journey must have started with the same energy as our today’s hero started ‘main niklaa o gaddi le ke’ 🙂!
And every city he (our leader) lived in he left his ‘dil’ and collected ‘unforgettable memories’ of these places. In this process he did not care where he was. He was just moving … ‘gaddi le ke’
On the way he finds ‘moti’ (substitute for ‘mutiyaar’ 🙂 ), or actually lot of ‘motis’ (pearls). These are the ‘rarest of rare gems’ that are posted on the blog. Imagine that the dot days on the blog are the obstacles or ‘phaatak’ and ‘signal’. But, being disciplined person, our leader will not break the signal (translation of ‘signal todna’ or jumping the signal) and run, but he will wait’ and resume with more force with new milestones. Just think that the milestones are the centuries of songs and stations en route are the centuries of the various artists.
I believe that our leader does not believe in ‘dreaming’ and is a ‘man of action’. But, if not dreaming, at least, he must be planning some special articles for special occasions and combining them to ‘special statistical events’ on the blog. There are many new things – new songs – of yesteryear (starting from the thirties) coming to the blog which maintain the excitement of this beautiful journey. New events with ‘older songs’ keep the momentum always on a higher scale.
Just imagine thousands of songs falling from the heaven like petals of flowers, their fragrance filled in all the space around, and the man with his both his hands trying to collect each petal and embracing them to his heart with love. . . each creation of the songs getting the same love and enthusiasm and resting at their places shining like a bright star. . .
(We have compared the treasure-trove of songs to the ‘ocean of songs’ many times, for a change this time we symbolize them with flower-petals falling from the heaven 🙂 so that we can embrace them to the heart.)
Operating in this digital age now and maneuvering the steering with remote controls the ‘gaddi’ is travelling. And the journey is on. . .
So today when our dear Atul ji is celebrating his birthday we wish him a very happy birthday and a healthy, wealthy, peaceful and ‘full of musical life’ ahead. . .
Let us now enjoy this entertaining song dance performance in Jat Yamla style 🙂 and celebrate this occasion. . .
Song – Main Nikla, O Gaddi Le Ke (Gadar – Ek Prem Katha) (2001) Singer – Udit Narayan, Lyrics – Anand Bakshi, MD – Uttam Singh
Chorus
Lyrics
main niklaa aa
o gaddi leke ae
he ae he ae
o o o ho o o o ho ho ho
o ho ho ho ho
aa aaha aa aa ha ha aa
main niklaa o gaddi leke ae
o raste par
o sadak mein
ik mod aayaa aa
main utthey dil chhod aaya aa
he ae hoo oo
ik mod aayaa aa
main utthey dil chhod aaya aa
rab jaane
kab guzraa amritsar
o kab jaane
lahore aayaa aa
main utthey dil chhod aaya aa
he ae ae
oo oo
ik mod aayaa aa
main utthey dil chhod aaya aa
us mod pe wo mutiyaar mili ee
ho us mod pe wo mutiyaar mili ee
jat yamlaa paagal ho gayaa
uski zulfon ki chhaaon mein
main bistar daal ke so gaya
o jab jaagaa
main bhaagaa
o sab phaatak
sab signal
main tod aayaa aa
main utthey dil chhod aaya aa
he ae ae
oo oo
ho ik mod aayaa aa
main utthey dil chhod aaya aa aa
bas ek nazar usko dekha
bas ek nazar usko dekha
dil mein uski tasveer lagi
kya naam thaa uska rab jaane
mujhko raanjhe ki heer lagi
o maine dekha ik sapnaa
sang uske ae naam apnaa
main jod aayaa
main utthey dil chhod aaya aa
he ae ae
oo oo
ik mod aayaa aa
main utthey dil chhod aaya aa aa
o o o o o o o
ho o o o o o o o
o o o o o o o o o o
la la la la la laa
o o o o
o o o
la la la la la laa
aa aaha aa aa ha ha aa
la la la la la la la laa
o ho o o o o
aa haa haa haa
o sharmaa ke wo yoon simat gayi
hn sharmaa ke wo yoon simat gayi
jaise wo neend se jaag gayi
maine kahaa gal sun o kudiye
wo darr ke pichhe bhaag gayi
ha
wo samjhi
o ghar uske
chori se
o chupke se
koyi chor aayaa
main utthey dil chhod aaya aa
he ae ae
oo oo
ik mod aayaa aa
main utthey dil chhod aaya aa aa
——————————————————————————–
Hindi script lyrics (Provided by Avinash Scrapwala)
——————————————————————————–
मैं निकला आ
ओ गड्डी लेके आ
हे ए हे ए
ओ ओ ओ हो ओ ओ ओ हो ओ
ओ हो हो हो हो
आ आहा आ आ हा हा आ
मैं निकला आ ओ गड्डी लेके ए
ओ रस्ते पर
ओ सड़क में
इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ
हेsss एss हूss ऊss
इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ
रब जाने
कब गुजरा अमृतसर
ओ कब जाने
लाहौर आया आ
मैं उत्थे दिल छोड़ आया आ
हे ए ए
ऊ ऊ
इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ
उस मोड़ पे वो मुटियार मिली ई
हो उस मोड़ पे वो मुटियार मिली ई
जट यमला पागल हो गया
उसकी जुल्फों की छाओं में
मैं बिस्तर डाल के सो गया
ओ जा जागा
मैं भागा
ओ सब फाटक
सब सिग्नल
मैं तोड़ आया आ
मैं उत्थे दिल छोड़ आया आ
हे ए ए
ऊ ऊ
हो इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ आ
बस एक नज़र उसको देखा
बस एक नज़र उसको देखा
दिल में उसकी तस्वीर लगी
क्या नाम था उसका रब जाने
मुझको रांझे कि हीर लगी
ओ मैंने देखा इक सपना
संग उसके ए नाम अपना
मैं जोड़ आया
मैं उत्थे दिल छोड़ आया आ
हे ए ए
ऊ ऊ
हो इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ आ
ओ ओ ओ ओ ओ ओ ओ
हो ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ
ल ल ल ल ल ला ल ला
आ आहा आ आ हा हा आ
ल ल ल ल ल ल ल ला
आहा हा हा हा
ओ शरमा के वो यूं सिमट गयी
हं शरमा के वो यूं सिमट गयी
जैसे वो नींद से जाग गयी
मैंने कहा गल सुन ओ कुड़िये
वो डर के पीछे भाग गयी
हा
वो समझी
ओ घर उसके
चोरी से
ओ चुपके से
कोई चोर आया
मैं उत्थे दिल छोड़ आया आ
हे ए ए
ऊ ऊ
हो इक मोड़ आया आ
मैं उत्थे दिल छोड़ आया आ आ
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4719 | Post No. : | 16427 |
When film making started in India, most films-i.e. about 98 %, were based on Religious Mythological or Folk stories. Even in that early era, there were Producers and Directors, who dared to make films on unusual but interesting subjects like Fictional kingdoms, highly scientific discoveries etc. Worth mentioning are a few films like Prabhat’s ‘ Wahan alias Beyond the Horizon’-1937, Prakash pictures’ ‘Mr. X’-38, Ranjit’s ‘ Prof. Waman M.Sc.’, Sagar’s ‘ 300 days and after’-38, Adarsha Chitra, Calcutta’s ‘ India in Africa’-1939 (first film to do shooting outside India, in foreign countries), Sagar’s ‘ Mahageet ‘-37 and the best film by Prakash Pictures-” Khwaab ki duniya’-1937. ( there may be some more such films too).
Not all such offbeat films succeeded, but surely they provided a Ray of Hope that Indian cinema will surely come out of this beaten track and grandma stories. I am not very sure, but I have a strong feeling that during the early films of the 40s, a few C grade action and stunt films too were made on such offbeat themes. One such film is Master Bhagwan’s ” Bhedi Bungala alias House of Mystery “-1949, India’s first Horror film. ( during the shooting, in one scene Bhagwan had to keep his eyes wide open-as if in fear. He stretched them so much and for such a long time that for one day he lost sight of both eyes. After the doctor’s treatment he regained his vision. Can we expect such dedication in today’s actors, in general ?).
For lack of proper documentation, we are unable to comment on such films of yore. As far back as 1936, Prabhat film company had made a film on Mutiny on the sea by a brave woman- Amar Jyoti-1936, featuring a new heroine- Durga Khote. Life on ships and sword fighting by a woman was mesmerising the audience.
The celestial entities have always enticed the Human Race. They were effectively used in sciences like Astrology and Astronomy. Since time immemorial Man always wanted to visit these planets sans The Sun. Moon was the centre of attraction. Could the Hindi filmmakers keep off from making a film on this theme ? Most kept off ! They , perhaps, thought it safe to use The Moon (चांद ) only in songs and dialogues. However, going through the list of film titles, I found that films using the word Chand in the titles were made, but barring a few C grade stunt and action films, this ‘ Chand ‘ was alluding to something else like the Lover, beloved and other similar things.
Film titled only Chaand were made in -1934,1944 and 1959. Then there were 13 films having ‘ Chand ‘ in their titles. As far as I gather, there were only 2 films made on fictional stories involving the Planet Moon. One was Chand ki Duniya-1959 and the other was Chand pe Chadhai (Trip to the Moon)-1967.
Today’s song is from film Chaand ki duniya-59. It is quite a long song….7.41 minutes to be exact. the video reveals that the song is filmed on the Hero Soham Kapila, the heroine Nalini Chonkar and the comedian Ram Avtar. If you remember, he had a hilarious role in film Teesri manzil-1966 as a co-passenger of Shammi Kapoor.
Ram Avtar Pandey, from Rampur-UP, started his filmi career in 1938 with character roles. In the early 50s, he switched to comedy, when he gained weight and a pot belly. Ram Avtar was a fixture in many Nasir Hussain films. His roles in Badi Behan-49,Nagin-54, Hum sub chor hain-56, Tumsa nahin dekha-57, Jab pyar kisi se hota hai-61, Phir vohi dil laya hoon-63, Teesri Manzil-67, Yaadon ki Baraat etc are memorable. His last film was Prem Geet-1981. He acted in 133 Hindi films.
The film was made by Filmistan, a big banner. Unfortunately, it was made as a quicky, without much interest. The film was directed by Mohan Sinha (grandfather of actress Vidya Sinha, of Rajnigandha-74 fame). The MD was Nirmal Kumar alias S.D.Batish.
Many composers gave music to C grade films using Pseudonyms. For example, C. Ramchandra gave music to action films in the name of ” Annasaheb”, S D Batish used the name Nirmal Kumar, Durrani used Gunjan as his name, to quote a few examples. But one name hardly anyone knows and that is Anil Biswas. Yes, when he gave music to film Begunah-1949, he used the name as Haribhai. His co-MD was Shyamu- which was C. Ramchandra ! This information is given in The Encyclopedia of Indian Cinema by Rajadhyaksha.
The cast of the film was Sohan Kapila, Nalini Chonkar, Ram Avtar, P. Kailash, Badri Prasad, Husn Bano, Indira Bansal, B M Vyas, Vijay Kumar, Noor (wife of Johnny Walker) etc etc. the banner was good, story was fine, songs were good, MD was good, Heroine and Director were good. The whole problem was with the dumb Hero- Sohan Kapila. he was one actor who was a Non Actor.
It is said that ‘No trees can grow under a Banyan Tree’. This is absolutely true and applicable in Film industry. Except in cases like the Kapoor family, i.e. Raj, Shammi and Shashi, who made their bright careers despite the shadow of their Father and other Brothers, we find that many of the sons,daughters,brothers or sisters of many popular and famous film stars were failures and never made it big in Hindi cinema.
We know cases like Suneil Anand, Nasir Khan, Tony walker, Naina Sahu, Meera Joglekar, Ajit Chitnis, Rajendranath, Narendranath, Anup kumar, Mallika, Khursheed Jr., Simple Kapadiya, Shivangi Kolhapure, Preeti ganguly, Radhika and many more. In spite of having all the backing of the famous family members, these and such many others just did not make it, because Talents are not always hereditary !
They all were given a fair opportunity to display their talent on the screen, but unfortunately despite their honest effort their skill could not come out & the viewers were left unimpressed . They were selected by big banners and well experienced directors were there to guide them. But their talent remained hidden inside them and with their nonexistent artistry they disappointed their mentors. Non-actor Sohan Kapila was in the romantic lead of Filmistan’s Babar ,which was released in 1960. Hemen Gupta , distinguished director, who earlier had directed Anand Math for Filmistan ,directed the movie and it also had the winning combination of Sahir & Roshan.
Dependable character actor Gajanan Jagirdar did the role of great Moghal Emperor Babar. But the movie flopped, as the new hero failed pathetically to register any emotion on his face. A big jolt for Seth Tola Ram Jalaan, who was already facing financial problems. Mr. Kapila appeared in 2-3 movies in inconsequential roles and disappeared from scene for ever. His daughter Padmini Kapila also pursued film career, but could not achieve much success .
There were many other actors like him, who got chances to appearopposite illustrious heroines, unfortunately their effort did not make any impact on the cine loving public. Watching their miserable performance on the screen, no film maker came forward to sign them again. Out of sight is out of mind, it was a matter of time when public as well as film industry forgot them.
Malhaar, as the name suggests, a musical film produced by great singer Mukesh in 1951. It had a story by veteran actor S K Prem & its evergreen music was composed by Roshan. The movie had newcomers Arjun & Shammi (Nargis Rabaadi ). Arjun did get another chance in Daku Ki Ladki to please the viewers with his emoting before the camera, but could not succeed and it was the end of his career.
Rattan Chopra the lucky boy was selected for films, among hundreds of aspirants. Mohan Kumar had suffered a huge set back when Aman flopped. He took the newcomer for Mom Ki Gudia, opposite Tanuja, with great hopes. Unfortunately, Mom Ki Gudia failed to dispel the gloom and sank to the rock bottom. Acting was not his cup of tea, Rattan Chopra understood and wisely opted out of the race of stardom.
K. Amarnath introduced new comer Vijay Kumar in his 1954 offering Alif Laila opposite Nimmi & Asha Mathur . Sohan Kapila and Vijay Kumar had impressive physique, but had no clue about acting. The movie had lilting music by Shyam Sunder ,which was his last contribution towards film industry .Helen for the first time got a chance to perform solo in the movie & for many decades she remained on top. But for Vijay Kumar it was his first & last chance.
Another non actor Premendra was introduced by old timer Vijay Bhatt in Holi Aayee Re (1970),which was directed by his younger sibling Harsukh Bhatt. It was pathetic to watch Premendra unsuccessfully trying to showcase his imaginary ability in the field of acting. The movie flopped phenomenally & a huge investment made by Bhatt Brothers went up in a cloud of smoke.
There were some more like Pratibha Sinha, Archan Gupta, Jayant Gupta, Ashok Sharma, Nusrat Kardar, Rajeev Kapoor, Manish Kumar, Navinchandra, Aroop Kumar, Prashant, Shalini, Kaycee Mehra, Vikram, Shekhar Suman, Deepak Kumar, Ajay, Som Dutt and many more.
With all this no wonder the film was a flop and a good story was wasted. Today’s song is the 4th song of this film on the Blog. But the song is good. Enjoy….
(some information is used from an article by M N Sardana ji in Voh din yaad karo. Thanks to him)
Song- Lee haay lee haay lippip pippi…aayee jawaani badi deewaani (Chaand Ki Duniya)(1959) Singers-Manna Dey, Asha Bhonsle, Unknown male voice, Lyricist- Qamar Jalalabadi, MD- Nirmal Kumar aka S D Batish
Manna Dey + Asha Bhonsle
All chorus
Female chorus
Male chorus
Lyrics
hahahahahaha
li haay li haayi lippip pippi
li hayi li hayi lippip pippi
li hayi hayi lippi pippi pi
aahaha
la hayi la hayi lappap pappa
la hayi la hayi lappap pappa
la hayi la hayi lappa pappa paa
o ho ho
li hayi li hayi lippip pippi
li hayi li hayi lippip pippi
li hayi li hayi lippip pippi pi
aahaha
la hayi la hayi lappap pappa
la hayi la hayi lappap pappa
la hayi la hayi lappa pappa pa
o ho hoho
ye pappa pappi chhodo
chhodo ye haali holi
kuchh bolo humaari boli
tumhaari boli
haan humaari boli
aayi jawaani badi deewaani
dekho kya kya laayi jawaani
aaha
hans le gaa le maauj mana le
jaa ke phir na aaye jawaani
waah waah
aayi jawaani badi deewaani
dekho kya kya laayi jawaani aaha
hans le gaa le
mauj mana le
jaa ke phir na aaye jawaani waah waah
arre laaga laaga laaga
teri ankhiyon ka dil pe nishaana
jaaga jaaga jaaga
tere pyaar ka sapna suhaana
o o o o
laaga laaga laaga
teri ankhiyon ka dil pe nishaana
jaaga jaaga jaaga
tere pyaar ka sapna suhaana
sapna suhaana
o ho
aaha
baanki chaal ada mastaani
dekho kya kya laayi jawaani
aaha
dil ko milale dhoom machaale
jake phir na aaye jawaani waah waah
aa aa aa aa aaaa aa aa aaaa
aa aa aa aa aa
aa aa aa aa aa aa aa aa aa aa
aa aa aa aa aa
ye sama ye khushi jhoom uthhi zindagi
dil ke gulzar mein phool sa aa khil gaya
dil ke ye raaste jagmagaane lage
muskuraane lage jaane kya aa aa mil gaya
baat baat mein bani kahaani
dekho kya kya laayi jawaani aaha
dil ko milaale dhoom machaale
jake phir na aaye jawaani waah waah
aayi jawaani
badi diwaani
dekho kya kya laayi jawaani aaha
hans le gaa le
mauj mana le
jaa ke phir na aaye jawaani waah waah
o tere bin mora jiya laage na
o tere bin mora jiya laage na
o tere bin mora
o more bin tora
o dekho dekho dekho
jiya la la la la la laage na
tera roop ghazab ka jaani
dekho kya kya laayi jawaani aaha
dil ko milale dhoom machale
jake phir na aaye jawaani waah waah
aayi jawaani
badi deewaani
dekho kya kya laayi jawaani aaha
hans le gaa le
mauj mana le
jaa ke phir na aaye jawaani, waah waah
haay maara maara maara
tere teekhe teekhe nakhron ne maara
dekho dekho behke kadam
zara dena ji sahaara
ho ho ho ho
maara maara maara
tere teekhe teekhe nakhron ne maara
dekho dekho bahke kadam zara dena ji sahaara
dena ji sahaara
o ho
aaha
mausam pyaara raat suhaani
dekho kya kya laayi jawaani aaha
dil ko milaa le dhoom machaa le
jaake phir na aaye jawaani waah waah
arre dhokha dhokha dhokhaa nahin khaana
yehi mauka hai shikaari
jeete jeete jeete khel khel mein jo
wohi hai khilaadi
haan wohi hai khilaadi
o ho
aa haa
samjho dil ki baat suhaani
dekho kya kya laayi jawaani aa haa
dil ko milaa le dhoom machaa le
jaake phir na aaye jawaani waah waah
aayi jawaani
badi deewaani
dekho kya kya laayi jawaani aaha
hans le gaa le
mauj manaa le
jaake phir na aaye jawaani waah waah
ab gaao pappa pappi
ab gaao halli huli
kuchh samjho hamaari boli
tumhaari boli
haan
hamaari boli
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
waada pakka
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
bilkul sachcha
samajhne waale samajh gaye
jo naa samjhe wo kakka
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
waah
li hai li hai lippip pippi
li hai li hai lippip pippi
li hai li hai lippip pippi pi
hoy laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa paa
li hai li hai lippip pippi
li hai li hai lippip pippi
li hai li hai lippip pippi pi
hahahahahaha
hahahahaha
Piyaa binaa jal rahi main yahaan
Posted on: April 23, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4662 | Post No. : | 16333 | Movie Count : |
4434 |
Hullo Atuldom
Last year, this post of mine spoke of “Sholay” inspired movies. Today’s song is from another “Sholay” inspired movie.
“Aandhi Toofan” that released in 1985 was directed by B. Subhash and produced by Pahlaj Nihalani. It had a cast of Hema Malini, Meenakshi Sheshadri, Kajal Kiran, Shatrughan Sinha, Mithun Chakravarthy, Shashi Kapoor (if I remember right, his was a special appearance), Danny, and Raj Kiran, Mac Mohan, Mazhar Khan, Tej Sapru, Sudhir etc. etc.
The cast of this movie has two actors who were part of the Hindi film industry since 1948:- (1) Sajjan who played Hema Malini’s father in “Johnny Mera Naam” was her servant in this one. (2) Raj Mehra who has played senior characters in many movies up till 1993 was Hema’s father in this.
The story was very very simple. Shashi Kapoor, a cop, arrests Balvir (Danny) who in turn wrecks havoc and kills the cop’s family. He then captures the cop who has gone on his trail, ties him up and when the new-bride goes to try and save him Balvir rapes her brutally in addition to killing the cop. The widowed wife (Hema) takes it on herself to seek revenge. She seeks help of two men Ballu (Mithun) and Raghu (Shatru) in this mission. The story is that simple.
I was reminded of today’s because of Prakashchandraji’s comment on this post. Exactly a year back I had a posted for “Gaana Kogile” (singing cuckoo in Kannada) or Isaikkuyil (as in Tamil for cuckoo) or the “Nightingale of South India’s” 82nd birthday. It is a year already and here we are wishing S. Janaki or Janakiamma, as her South Indian fans & film folks call her, on her next birthday. Here is wishing her health and happiness.
The song is a stage dance. We have Hema Malini performing almost like the Shiv-Taandav with flashbacks of the wedding and happenings that followed it. The song was written by Anjaan and Bappi Lahiri is the music director.
Song-Piyaa binaa jal rahi main yahaan (Aandhi Toofaan)(1985) Singer-S Janaki, Lyrics-Anjaan, MD-Bappi Lahiri
Lyrics(Provided by Prakashchandra)
piyaa binaa aaa aaa aaaa
piyaa binaa aaa aaa aaa
piyaa binaa aaa aaaa aaa aaaa
jal rahi main yahaan
piyaa binaa…aaa…aaa….aaaa…aaaaa
piyaa binaa…aaa…aaa
piyaa binaa…aaa…aaaa…aaa
jal rahi main yahaan
jaley saari dharti ee
jaley saaraa ambar
jaley saari dharti ee
jaley saaraa ambar
jal rahey do jahaan
donon yahaan
jal rahi main yahaan…aan
piyaa binaa…aaa…aaa….aaaa aaaaaa
piyaa binaa aaa aa
piyaa binaa…aaa…aaaa…aaa…aaa…aaa
jal rahi main yahaan
aisi sulgi jeevan mein
chingaari eee eee
chingaari eee eee
pal mein meri jal gayee duniyaa saari…ee…eee…eee…eeee
saari eee eee
sang jo mere
tu yahaan nahin
phir to kahin
kuchch bhi nahin
chain dil ko kahaan..aaan..aaan
tere binaa…aaa
jal rahi main yahaan
piyaa binaa…aaaaa
piyaa binaa…aaa
piyaa binaa…aaa…aaa
jal rahi main yahaan
aise tujhko jis ne mujhse chheenaa…aaa..aaaa…aaa
chheenaa…aaa…aaaaaaa
hogaa mushkil ab uss kaa bhi jeenaa…aaa…aaa….aaaa
jeenaa…aaa…aaaaaa
leke jo qasam
toone de dee jaan
poori main ussey ae
karoongi yahaan
teri kasam saajnaa…aaaa
de doongi jaan
jal rahi main yahaan
piyaa binaa…aaa…aaa…aaa…aaaa
piyaa binaa…aaa…aaa
piyaa binaa…aaa…aaaa…aaa
aaa..aaaa…aaa…aaaa
jal rahi main yahaan
jaley saari dharti
jaley saaraa ambar
jal rahey do jahaan
donon yahaan
jal rahi main yahaan…aan
jal rahi main yahaan..aaan
jal rahi main yahaan
piyaa binaa…aaa…aaaaa….aaaaaa
piyaa binaa…aaa…aaaaa…aaa
piyaa binaa…aaa…aaaaa…aaa
piyaa binaa…aaa…aaaaa…aaa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4658 | Post No. : | 16327 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXX: Year 1976
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1976.
In 1976, 104 Hindi movies containing 554 songs were released. Lata Mangeshkar got to sing in 41 of these movies and she sang 97 songs in these movies. So Lata Mangeshkar’s voice was heard in 39.4 % of the movies released in 1976. Her voice was heard in 17.5 % of the songs appearing in the movies of 1976.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1976 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aaj Ka Mahatma | Laxmikant Pyarelal | 1 | 2 | 2 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 2 | Aap Beeti | Laxmikant Pyarelal | 1 | 3 | 1 | 0 | 0 | 2 | Anand Bakshi |
| 3 | Arjun Pandit | S D Burman | 1 | 2 | 2 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 4 | Baarood | S D Burman | 2 | 2 | 2 | 0 | 0 | 0 | Anand Bakshi |
| 5 | Bairaag | Kalyanji Anandji | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 6 | Bajrangbali | Kalyanji Anandji | 0 | 2 | 2 | 0 | 0 | 0 | Kavi Pradeep |
| 7 | Bhanwar | R D Burman | 0 | 2 | 2 | 0 | 0 | 0 | Anand Bakshi |
| 8 | Bullet | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 9 | Bundlebaaz | R D Burman | 2 | 2 | 0 | 2 | 0 | 0 | Majrooh Sultanpuri |
| 10 | Chalte Chalte | Bappi Lahiri | 2 | 2 | 1 | 1 | 0 | 0 | Amit Khanna |
| 11 | Charas | Laxmikant Pyarelal | 2 | 4 | 2 | 1 | 0 | 1 | Anand Bakshi |
| 12 | Deewaangi | Ravindra Jain | 0 | 2 | 1 | 1 | 0 | 0 | Hasrat Jaipuri (1) Ravindra Jain (1) |
| 13 | Do Anjaane | Kalyanji Anandji | 2 | 2 | 2 | 0 | 0 | 0 | Verma Malik |
| 14 | Do Ladkiyaan | Laxmikant Pyarelal | 0 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi |
| 15 | Dus Numberi | Laxmikant Pyarelal | 0 | 3 | 2 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 16 | Ek Se Badhkar Ek | Kalyanji Anandji | 0 | 1 | 0 | 1 | 0 | 0 | Verma Malik |
| 17 | Fakeera | Ravindra Jain | 3 | 3 | 1 | 2 | 0 | 0 | Ravindra Jain |
| 18 | Ginny Aur Johny | Rajesh Roshan | 1 | 1 | 0 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 19 | Hera Pheri | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Anjaan |
| 20 | Jaaneman | Laxmikant Pyarelal | 0 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 21 | Jeewan Jyoti | Salil Chaudhary | 1 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 22 | Kaalicharan | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Inderjeet Singh Tulsi |
| 23 | Kabeela | Kalyanji Anandji | 2 | 2 | 2 | 0 | 0 | 0 | Farooque Kaiser |
| 24 | Kabhi Kabhi | Khayyam | 5 | 5 | 2 | 3 | 0 | 0 | Sahir Ludhianvi |
| 25 | Koi Jeeta Koi Haara | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 26 | Lagaam | Kalyanji Anandji | 1 | 3 | 2 | 1 | 0 | 0 | Vishveshvar Sharma (2) Kulvant Jani (1) |
| 27 | Laila Majnu | Madan Mohan (3) Jaidev (1) | 4 | 4 | 1 | 3 | 0 | 0 | Sahir Ludhianvi |
| 28 | Maa | Laxmikant Pyarelal | 1 | 4 | 2 | 2 | 0 | 0 | Anand Bakshi |
| 29 | Mahachor | R D Burman | 1 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 30 | Mehbooba | R D Burman | 5 | 5 | 4 | 1 | 0 | 0 | Anand Bakshi |
| 31 | Mera Shyaam | Govind Naresh | 0 | 1 | 1 | 0 | 0 | 0 | Pt Narendra Sharma |
| 32 | Naach Uthhe Sansaar | Laxmikant Pyarelal | 1 | 2 | 0 | 2 | 0 | 0 | Majrooh Sultanpuri |
| 33 | Naagin | Laxmikant Pyarelal | 3 | 3 | 1 | 2 | 0 | 0 | Verma Malik |
| 34 | Nahle Pe Dahla | R D Burman | 1 | 3 | 1 | 1 | 0 | 1 | Anand Bakshi |
| 35 | Raees | Sapan Jagmohan | 0 | 1 | 1 | 0 | 0 | 0 | Naqsh Llayalpuri |
| 36 | Rangeela Ratan | Kalyanji Anandji | 1 | 1 | 0 | 1 | 0 | 0 | Gulshan Baavra |
| 37 | Sabse Bada Rupaiyya | Basu Manohari | 3 | 3 | 0 | 2 | 1 | 0 | Majrooh Sultanpuri |
| 38 | Sangraam | Bappi Lahiri | 0 | 3 | 3 | 0 | 0 | 0 | Gauhar Kanpuri |
| 39 | Tyaag | S D Burman | 2 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 40 | Udhaar Ka Sindoor | Rajesh Roshan | 0 | 3 | 3 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 41 | Zindagi | Rajesh Roshan | 2 | 2 | 1 | 1 | 0 | 0 | Amit Khanna (1) Anjaan (1) |
| Total | 41 movies | 14 MDs | 57 | 97 | 53 | 39 | 1 | 4 | 16 lyricists |
Lata Mangeshkar worked with 14 music directors and 16 lyricists in these 41 movies released in 1976. Shankar Jaikishan with 443 songs in the voice of Lata Mangeshkar were the leading music directors for her followed by Laxmikant Pyarelal with 437 songs. C Ramchandra was in third position with 274 songs. Other top music directors for Lata Mangeshkar were Kalyanji Anandji (261), Chitragupta (238), Madan Mohan (192), S D Burman (179), R D Burman (171), Roshan (144), Naushad (136), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Vasant Desai (104) and Salil Chaudhary (104). Together these fifteen music directors composed 3038 songs out of 4089 songs that Lata Mangeshkar had sung in Hindi movies till end of 1976. The top nine lyricists till end of 1975 for Lata Mangeshkar were Rajinder Krishan (543),Anand Bakshi (419), Shailendra (361), Majrooh Sultanpuri (334), Hasrat Jaipuri (295), Prem Dhawan (201), Shakeel Badayuni (189), Bharat Vyas (189) and Sahir Ludhianvi (141). These nine lyricists had penned 2672 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar collaborated with music directors Basu Manohari Lahiri and Govind Naresh for the first time in movies of this year. Lyricists Amit Khanna and Kulwant Jani got to collaborate with Lata Mangeshkar for the first time in movies released this year.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1976 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 129 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 102 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 188 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 139 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 125 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 118 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 103 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 122 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 83 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 104 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 92 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 83 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 77 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 86 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 105 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 96 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 92 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 69 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 60 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 57 | 97 | 53 | 39 | 1 | 4 | |
| Total upto 1976 | 1310 movies | 3335 | 4089 | 2809 | 1035 | 183 | 80 |
It can be seen from the table of 1976 that Lata Mangeshkar sang 97 songs in 41 movies released in 1976.
57 songs sung by Lata Mangeshkar in movies of 1976 have been covered in the blog. That leaves us with 40 songs from movies of 1976 that are yet to be covered.
All Lata Mangeshkar songs from 20 movies of 1976 are already covered in the blog. So 40 Lata Mangeshkar songs from 21 movies of 1976 are still available to be discussed.
Alphabetically “Aaj Ka Mahatma”(1976)is the first movie of 1976 that offers us Lata Mangeshkar songs.
“Aaj Ka Mahatma”(1976) was produced and directed by Kundan Kumar for Kundan Films, Bombay. The movie had Randhir Kapoor, Rekha, Ranjeet, Bindu, Manmohan, Manmohan Krishna, Kumud Chugaani, Purnima, Shetty, Keshav Rana, Abhimanyu Sharma, Keshto Mukherjee etc, with friendly appearances by Sanjana, Dilip Dutt, Manorama, Rajan Haksar, Jeevan. The movie also had Anand Joshi, Kirti Kumar, Rajan Kapoor, Narbada Shankar, A.N.Malhotra, Bhagwan Sinha, Deepak, R.Yadav, Dijendra Banerjee, Ramesh Deo etc in it.
The movie had four songs in it. One song has been covered in the past.
The movie had two Lata Mangeshkar solo songs in it. The one song from the movie that has been covered was a Lata Mangeshkar solo.
Here is the second Lata Mangeshkar solo song from “Aaj Ka Mahatma”(1976). The song is penned by Majrooh Sultanpuri. Music is composed by Laxmikant Pyarelal.
The song is picturised as a stage dance song on Rekha and others. Randheer Kapoor, the guest of honour, is seen seated in the front seat among the house full audience.
Lyrics of this song were sent to me by Prakashchandra.
Audio
Video
Song-Tum aisey kahaan tak chhupoge raaja jaani (Aaj Ka Mahatma)(1976) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
tum aisey kahaan tak
chhupogey raajaa jaani ee
tum aisey kahaan tak
chhupogey raajaa jaani ee
main kuchch na boloon to
ye meri meharbaani
chhodo ye chhedkhaani
jaani nahin maani baat
to thhaaney mein rapat likhwaay doongi
zyaada boley ae to dekho pakadwaay doongi
nahin thhaane mein rapat likhwaay doongi
zyadaa boley ae to dekho pakadwaay doongi
tum aisey kahaan tak chhupogey raajaa jaani
main kuchch na boloon to
ye meri meharbaani
chhodo ye chhedkhaani
jaani nahin maani baat
to thhaaney mein rapat likhwaay doongi
zyaada boley to dekho pakadwaay doongi
thhaane thhaane mein rapat likhwaay doongi
zyaada boley ae to dekho pakadwaay doongi ee
nayee nayee soorat badaltey hi rehnaa
nayee nayee soorat badaltey hi rehnaa
chitchor mere tumhaara kyaa kehnaa aa
chitchor mere tumhaaraa kya kehnaa
dekho jee tan ko na haaa..aath lagaanaa
chhoonaa meri kalaayee nahin sajnaa
chhoona meri kalaayee nahin sajnaa
abhi abhi hathhkadi lagwaay doongi
zyaada boley ae to dekho pakadwaay doongi
nahin thhaaney mein rapat likhwaay doongi
zyaada boley to dekho pakadwaay doongi
tum aisey kahaan tak chhupogey raajaa jaani
bhari jo sharaarat tumhaari nas nas mein ae
bhari jo sharaarat tumhaari nas nas mein
main bhi hoon chhaliyaa anokhi aathh dus mein ae
main bhi hoon chhaliyaa anokhi aathh dus mein
ek to hai aafat chunariyaa ka phandaa
doojey munshi darogaa mere bas mein
doojey munshi darogaa mere ae bas mein
yehi phandaa tere galey bandhwaay doongi
zyaada boley ae to dekho pakadwaay doongi
thhaane thhaane mein rapat likhwaay doongi
zyaada boley ae to dekho pakadwaay doongi
tum aisey kahaan tak chhupogey raajaa jaani
main kuchch na boloon to
ye meri meharbaani
chhodo ye chhedkhaani
jaani nahin maani baat
to thhaaney mein rapat likhwaayi doongi
zyaada boley to dekho pakadwaayi doongi
thhaane thhaane mein rapatt likhwaayi doongi
zyadaa boley ae to dekho pakkadwaayi doongi
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