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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘stage dance’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3620 Post No. : 14427

16th June is the birthday of the disco dancer who had to struggle a lot in his career initially. But then “sabr’ ka phal meetha hota hai” and his stars changed after the success of B. Subhash’s “Disco Dancer” in 1982.

We are today wishing Gourang Chakraborty a.k.a Mithun Chakravarty on his 68th birthday.

He was a graduate from FTII and was the national award winner for his debut movie “Mrigaya” (1976) which was a Mrinal Sen direction. Then followed a spate of successful and semi-successful movies “Suraksha”, “Wardat”, “Wanted”, “Pyar Jhukta Nahi”, “Prem Vivah” etc. The last 2 named showcased him in characters that were diametrically opposite to what he played in the action-packed “Suraksha”, “Wardat” (a sequel to Suraksha) & “Wanted”. All these movies made him dear to those producers who couldn’t afford big stars like Amitabh Bachchan etc., as most of his successful movies were low-budget films to start off but in raked in the moolah at the Box-Office and that is what matters in the final analysis. The success of “Disco Dancer” went on to endorse his style of acting and dancing and youngsters copy his style to this day. He must have done close to 100 movies in the 90s itself in spite of it being the period when the Khans were on their upward movement. The turn of the millennium saw him in supporting roles that were comic, villainous, benevolent etc.

Rohit Shetty’s “Golmaal 3” had him re-visiting his “Disco Dancer” where he danced the song that made him popular. It was re-recorded and reshot with a few changes- the original was a stage song; this one was in a discotheque. And after the song we have a typical Indian film scene where the heroines’ rich father asks him to forget the girl in exchange for money & the self-respecting (swabhimaani) hero refuses to take the money. All-in-all a hilarious tribute to everything that Bollywood and Indian movies showcase.

Todays’ song from “Disco Dancer” is sung by Vijay Benedict written by Anjaan and music is by Bappi Lahiri. Kamal and Suresh Bhatt were the choreographers for the movie. People say that this song changed Bappida’s fortunes. Also though there are many who will cry that this movie and its songs changed the face of Bollywood music. But I will not get into that debate here. Let us all just say Happy birthday Mithunda. 🙂


Song-I am a disco dancer (Disco Dancer)(1982) singer-Vijay Benedict, Lyrics-Anjaan, MD-Bappi Lahiri

Lyrics

Wow!!
Will you sing with me?
yeaa

Say d
D
Say I
I
Say s
S
C
C
O
O
Disco
Disco
Disco
Disco
yeaa

I am a disco dancer
I am a disco dancer
I am a disco dancer
zindagi mera gaana
main isi ka deewaana
toh jhoomo toh naacho
aao mere saath nacho gaao
I am a disco dancer,
hey I am a disco dancer
hey I am a disco dancer

Doston
meri yeh zindagi
geeton ki amaanat hai
Main isi liye paida hua hoon
ye log kehte hain
main tab bhi gaata thha
jab bol paata nahin thha
ye paanv mere toh
tab bhi thhirakte thhe
jab chalna aata nahi tha
naghmon ki masti hai
meri jawaani mein
hai dance mere lahoo ki rawaani mein
ha ha ha ha ha
ooo
yahaan meri haar
oooo
yahaan meri jeet
ooo
yahi mere geet
toh jhoomo
toh naacho
aao mere saath naacho gaao
I am a disco dancer
I am a disco dancer
I am a disco dancer

d se kya hota hai
darling
aaha
deewana
aaha
disco
aaha
d se hota hai dance
i se hota hai item
s se hota hai singer
c se hota hai chorus
o se orchestra

o beautiful
whats your name?
Nisha
Tumhe maloom hai jawaani kya hoti hai
Mmm nahin maaloomhahahaha

jawaani ek lehar hai,
jawaani ek nasha hai
jawaani jis pe aata hai,
woh hi jaane ye kya hai
do din ki hasti mein
sadiyon ki masti hai
bindaas bawari jawaani,
dil pyase milte hain
aise jawaani mein
jaise mile aag paani
is umr mein kyun na,
manmaani kar jaayen
masti ki raahon mein,
had se guzar jaye
ha ha ha ha ha
o ho ho
jahaan mile pyaar
o ho ho
wahi mere yaar
o ho ho
ho jaaye nisaar
to jhoomo
to naacho
oo mere saath nacho gaao
I am a disco dancer
I am a disco dancer
I am a disco dancer
zindagi mera gaana
lalalala
main isi ka deewaana
lalalalala
to jhoomo
to naacho
aao mere saath naacho gaao
I am a disco dancer
I am a disco dancer
yea
I am a disco dancer

disco dancer
disco dancer
disco dancer
disco dancer

disco dancer
disco dancer
disco dancer
disco dancer
disco dancer
disco dancer
disco dancer
disco dancer
hey

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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3589 Post No. : 14342

Hullo Atuldom

Back to writing after a gap of 3 weeks. Lovely three weeks. Spent among the hills of North- East India and South India. Must thank my nephew for insisting that I accompany them. If the Himalayas and its snow-clad peaks are a heavenly sight so are the mountain ranges of the Nilgiris in the south – the common feature being acres of tea gardens. For the second weekend outing to the Nilgiris, I hold my son and niece responsible.

Trust humans to spoil a good thing. Where there was a lot of discipline among the locals at both places; tourists have ruined Ooty as much as say Lonavla, Khandala or Mahabaleshwar in Maharashtra. Thankfully Sikkim has not faced much tourist onslaught and so is much cleaner. The air in these hill stations are so pollution free one doesn’t feel like returning to pavilion and the reality of daily routine. I am sure our Sadanand ji will be nodding in agreement being an avid traveller and having visited many such pristine locations. Hope I am right?

More about my travels some other time, I will get straight to the topic of this post.

This post is to wish the lady with the dazzling smile a very happy birthday. Unbelievable that she turned 51 yesterday. The dancer who out-dances her co-star without meaning to and effortlessly at that. But she is not all song and dance only; she is great in exhibiting all emotions with her eyes, face and voice. Just like the heroines of yesteryear, specially Madhubala, with whom she used to be constantly compared. Yes yes. I am speaking of Madhuri Dixit (now Nene). Having made her debut in movies through the 1984 Rajshri Productions ‘Abodh’ and tasting success with ‘Tezaab’, ‘Ram Lakhan’, ‘Tridev’, etc. she made a place for herself among the top-ranked heroines of Bollywood. Her teaming with Anil Kapoor, Sunny Deol, Sanjay Dutt, Govinda, Jackie Shroff (all the reigning stars of that period) was well received by the audiences. In the later half of the 90s she also teamed successfully with the 3Khans. She was lucky to have roles written specially for her as in Prakash Jha’s ‘Mrityudand’ and MF Hussain’s ‘Gaja Gamini’.

As much as I love Madhuri and her movies with their songs and dances, there are some songs of her’s which I don’t approve of. For example, her song in the movie ‘Anjaam’ – “Athraa Baras Ki Kunwaari Kali Thi. . . Choodi Tooti Chane Ke Khet Mein” or the song from ‘Khalnayak’ – “Choli Ke Peeche Kya Hai”; and then there is ‘Mera Piya Ghar Aaya O Ram ji” in ‘Yaarana’ or even “Dhak Dhak Karne Laga” from ‘Beta’. All these songs and some more of that type, which made Madhuri Dixit a dancing-star, are full of double meanings and were lapped up by the public. But there also is a greater number of Madhuri songs which are just as popular and have more ‘decent’ lyrics. For example, “Didi Tera Devar Deewana”, and her songs from ‘Devadas’, ‘Saajan’, ‘Sangeet’ etc. (no, I am not going to list her filmography here 🙂 ). The song with this post is one such song.

It is from Rajkumar Santoshi’s 2000 release ‘Pukaar’ (making a debut on the blog).  The main cast of this film is Madhuri with Anil Kapoor and Namrata Shirodkar and a supporting cast of Om Puri, Kulbhushan Kharbanda, Rohini Hattangadi, KD Chandran, Neeraj Vora, Danny and Prabhu Deva (just for a song). It is a well-made film based on espionage in the army and had a love triangle added for spice which gives the central characters a lot of scope to showcase their ‘sacrificing attitudes’. The songs are penned by Javed Akhtar and AR Rehman is the composer. This song is sung by Shankar Mahadevan and Kavita Krishnamurty. It is a stage show to celebrate some event in the army cantonment. The song shows Madhuri decently matching steps to Prabhu Deva’s vigorous dance. Anil Kapoor, Namrata and the other members of the cast are in the audience which join in towards the song’s climax.

Wish you a very Happy Birthday Madhuri!

Song – Que Sera Sera Sera, Jo Bhi Ho So Ho (Pukaar) (2000) Singer – Shanker Mahadevan, Kavita Krishnamurthy, Lyrics – Javed Akhtar, Kaly, MD – AR Rehman
Female Chorus
Male Chorus
All Chorus

Lyrics

naujawaano
baat maano
kabhi kisi se
na pyaar karna
naujawaano
baat maano
kabhi kisi se
na pyaar karna
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar zindagi
pyaar har khushi
pyaar jisne paaya hai,
wahi dil phool jaisa khila
pyaar galti hai
pyaar dhokha hai
pyaar dhalti chhaaya hai,
dekho phir na karna gila
oo oo
pyaar zindagi
pyaar har khushi
pyaar jisne paaya hai,
wahi dil phool jaisa khila
pyaar galti hai
pyaar dhokha hai
pyaar dhalti chhaaya hai,
dekho phir na karna gila
pyaar hi dhadakano ki kahaani hai,
pyaar hai haseen daastaan
pyaar ashqon ki deta nishaani hai,
pyaar mein hai chain kahaan
pyar ki baat jisne na maani hai
uski na to zameen hai na hai aasmaan
naujawaano
baat maano
kabhi kisi se
na pyaar karna
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar jaise hai purab-pashchim
pyaar hai uttar-dakkhin,
yahaan hai pyaar hi har disha
pyaar rog hai
pyaar dard hai
pyaar tode dil ek din
ye hi hai pyaar ka silsila
oo oo
pyaar jaise hai purab-pashchim
pyaar hai uttar-dakkhin,
yahaan hai pyaar hi har disha
pyaar rog hai
pyaar dard hai
pyaar tode dil ek din
ye hi hai pyaar ka silsila
pyaar se hi to rangeen jeevan hai
pyaar se hi dil hai jawaan
pyaar kaanto ka jaise koi ban hai
pyaar se hi gam ka samaan
pyaar se jaane kyon tum ko uljhan hai
pyaar to saari duniya pe hai meharbaan
naujawaano
baat maano
naujawaano

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

na na na na naujawaano
na na na na
na na na na
na na na na
na na na na
naujawaano
na na na na
na na na na
na na na na
na na na na
na na na na
na na na na
na na na na

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar pyaar pyaar pyaar pyaar pyaar

ok ok ok ok. . .

pyaar pyaar pyaar pyaar pyaar pyaar

hamein pyaar ka ho aasra
phir chaahe jo ho
hamein pyaar ka ho aasra
phir chaahe jo ho

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
phir chaahe jo ho
phir chaahe jo ho
phir chaahe jo ho


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3548 Post No. : 14238

“Dillagi”(1978) was Produced by Kanwar Ajit Singh andBikram Singh Dehal and directed by Basu Chatterjee for BikramJeet Films International, Bombay. This movie had Dharmendra, Hema Malini, Mithu Mukherjee, Devan Verma, Asrani, Urmeela Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali Paigankar, Manjita,Poornima Jairam, Dulari, Lalita Kumari, Rajan Kapoor,Shobhana Shah,Geetanjali,Manik Chowdhury,Guffi Paintal, Qamar Khan, Bina Bawa etc in it with Friendly appearance by Keshto Mukherjee and Brahmachari and unfriendly Special appearance by Shatrughan Sinha. 🙂

It was described as a “social” movie but it was a romantic comedy bordering on soft erotica. That is what I felt about this movie when I watched it in 1978 (duly bunking my college 🙂 ).

I was perhaps a bit too young and immature for a movie with this story line at that time. With the benefit of hindsight, now I feel that it is a nice movie to be watched with one’s lover/ spouse, rather than a movie to be watched with one’s siblings/ parents etc.

The movie had four songs in it. Three of these songs have been covered in the past. Here are the details of these songs :-

Song Title

Post No.

Post Date

Main kaun sa geet sunaaun 8137 27-may-13
Kar gayee mast mujhe phaagun ki hawaa 9584 17-Mar-14
Baadal to aaye lahra ke chhaaye 14234 4-Apr-18

With time, the movie, and moreso its songs have ended up becoming obscure.

The fourth and final song, the song under discussion is perhaps the most obscure out of the four songs of the movie. This song is sung by Lata and Nitin Mukesh. Yogesh is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised as a romantic stage performance song on Hema Malini and Dharmendra dressed like Shakuntala and Dushyanta, immortalised by Kalidas in his Sanskrit epic “Abhigyan Shakuntala”. Lyrics by Yogesh are in pure Sanskritised Hindi, as befitting the genre, and they sound quite appropriate for the picturisation.

Mithu Mukherjee, Preeti Ganguly, Poornima Jairam etc are also visible in the picturisation as backstage support persons. 🙂

Lyrics of this song as well as other details were provided by Prakashchandra, who informed me that the audio version of the song is longer than the video version.

With this song, “Dillagi”(1978) joins the list of movies that have all their songs covered in the blog.

Video

Audio (Longer)

Song-Prem hai prem hai (Dillagi)(1978) Singer-Lata, Nitin Mukesh, Lyrics-Yogesh, MD-Rajesh Roshan
Both

Lyrics (of audio link)(Provided by Prakashchandra)

prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piya mann ki madhur ik bhaawnaa
anbujhi pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
be-sudh apni
inn saanson mein
ghul jaaye
jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi ee
aisey hi
har ghadi ee
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa

aaj pranay ki
is belaa mein
mera har adhikaar mujhe do
main naa bhooloon
tum na bhoolo
aisa kuchch uphaar mujhe do
tum yeh angoothhi meri sajni
lo sweekaar karo o o

kam kabhi ee
ho nahin
kam kabhi ee
ho o nahin
preet ki apni aaraadhnaa

piyaa mann ki madhur ik bhaawna
prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi
pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
besudh apni inn saanson mein
ghul jaaye jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi
aisey hi
har ghadi
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa

prem hai ae ae ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3540 Post No. : 14213

“Bandhe Haath”(1973) was directed by O.P.Goyal for Ralhan Productions, Bombay. The movie had Mumtaz, Amitabh Bachchan, O.P.Ralhan, Kumud Chhugani, Ajit, Anjana, Sardar Akhtar, Ram Mohan, Ranjit, Madan Puri, Gajanan Jagirdar, Asit Sen, Tun Tun, Baldev Mehta, Pinchoo Kapoor, Kamaldeep, Moolchand, Sikandar, Ravikant, Ratan Gourang, Maqbool, Usha Amershi, Vanita Thakur etc in it.

The movie had six songs in it. Five of these songs have been covered in the past.

Details of the five songs that have already been covered in the past are given below:-

Song Title

Post No.

Post Date

Kyaa jaano main hoon kaun 11026 6-Apr-15
Toone chheen liya dil ka chain piya 11040 9-Apr-15
Ye kaun aaj aaya mera dil churaane 11047 11-Apr-15
O maanjhi o maanjhi o maanjhi re 11219 27-Jun-15
Naacho re mere pyaar 14206 25-Mar-18

Here is the sixth and final song from “Bandhe Haath”(1973) to appear in the blog. The song is a stage dance performance song. It is sung by Asha Bhonsle, Manna Dey, Mahendra Kapoor and chorus. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

Picturisation shos that it is a “tribal” dance song. A “tribal” dance song in Hindi consists of skimpily dressed dancers, wearing strange outfits / masks etc that are vaguely of African or Red Indian origin.

The main female dancer is a skimpily clad Mumtaz who makes sure that the movie makers save money hiring a Helen or Padma Khanna for this dance sequence. She alongwith other similarly dressed females perform this dance in the presence of a housefull auditorium.

Whenever such performances take place in a Hindi movie, one can be rest assured that baddies would be swarming the place. This song is no exception. We find a galaxy of baddies, led by Ajit, Madan Puri etc marking their attendance. They are looking for Amitabh Bachchan, who like the baddies would invariably find himself in the vicinity of such a dance performance.

SAmitab Bachchan may be hiding in the outfit of a Sheikh, but he cannot escape from Ajit’s eagle eyes, who then passes on the intelligence to his minions as well as a policeman (Ram Mohan ?). What is the standard way in which our Hindi movie heroes try to hide from the baddies ? The join the dance performance. How an uninvited dancer can join in the performance and how the back stage organisers allow this to happen is something that we will never know. And how the hero is aware of the lyrics as well as the corrrect dance steps for the dance is also something that is a mystery to all. This supposedly disguised hero then lip syncs and dances loudly and quite prominently which is their standard attempt to hide from the baddies. :).

That is not all, we find another disguised dancer (O P Ralhan ?) joining in, no doubt easily dodging the back stage managers to the performance, and he too starts to sing and dance loudly. In his part of the song and dance, he “discreetly” passes on the information that baddies are in hot pursuit of him.

It all sounds quite silly really, but we are so used to such dance performances that we do not bat out eyelids. 🙂

I request our knowledgeable readers to help identify the people who are visible in the picturisation of this song.

With this song, “Bandhe Haath”(1973) joins the list of movies that have all their songs covered in the blog.


Song-Dil to lai gawa ab kya hoga re(Bandhe Haath)(1973) Singers-Asha Bhonsle, Manna Dey, Mahendra Kapoor, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus
Female chorus

Lyrics

ho o o o
mar jaana re
o o o
par jiyra na lagaana re
bholi soorat ke ik beimaan se
moko bhi pyaar bhayo re
ae ae ae
bholi soorat ke ek beimaan se
moko bhi pyar bhayo re
haan haan
paapi aisa dhokhebaaz sakhi
mohe milke maar gayo re
hey hey
dil to le gawa
ab ka hoga
haan haan haan
dil to lai gawa
ab ka hoga

dhokha dai gawa
ab ka hoga re he
dhokha dai gawa
ab ka hoga re

tarbo
ho ho
tarbo
ho ho ho

aansu liye
aansu liye bade bade
gir jaaun khade khade
kahoon pe na aise pade raa aa aam
jaise jaise yaad pade
waise waise dard badhe
waise waise zehar chadhe raam
chaahat
chaahat
na kariyo
na kariyo
o
aansu liye bade bade
gir jaaun khade khade
kahoon pe na aise pade raa aa aam
jaise jaise yaad pade
waise waise dard badhe
waise waise zehar chadhe raam
jhhoota thha haaye nainan ka mel
main samjhoon pyaar
tu samjha khel
uska to ka bigda
mora hi jiya gaya haa
ho dil to lai gawa
ab ka hoga

hoga
dil to lai gawa
ab ka hoga

ho o
dhokha dai gawa
ab ka hoga re

ae
dhokha dai gawa
ab ka hoga re

todmo
ha ha
todmo
ha ha ha

ho o o o
tori kasam tora piya
sada tohe chaaha kiya
kabhi nahi dhokha diya je ee ee
nain ko jab mila liya
jiya bheetar basa liya
tohe apni bana liya jee ee
sanam

sanam
teri kasam
teri kasam
ho
jhootha thha haaye
nainan ka mel
main samjhoon pyaar
tu samjha khel
uska to ka bigda
mora hi jiya gaya ha
dil to lai gawa
ab ka hoga

hoga
dil to lai gawa
ab ka hoga

ho o
dhokha dai gawa
ab ka hoga re

dhokha dai gawa
ab ka hoga re

torbo
ho ho ho
torbo
ho ho

o o o
le ae
lai lo

aa
le ae
lai lo

aj kuj jajajaja
hai
aja kuj jajajaja
hai
aja kuj jajajaja
hai
aja kuj jajajaja

meri bhi to
meri bhi to sunte jaana
hota hai kaahe deewaana
pyaare aashiq sambhal jaana yaar
laaga tu gori ke peechhe
koi laaga tere peechhe
kisi gali nikal jaana yaar
sanam

sanam
hey hey teri kasam
teri kasam
ho
jhootha thha haaye
nainan ka mel
main samjha pyaar
tu samjha khel
uska to ka bigda
mora hi jiya gaya ha
dil to le gawa
ab ka hoga
hoga
dil to lai gawa
ab ka hoga

hey hey hey
dhokha dai gawa
ab ka hoga re

dhokha dai gawa
ab ka hoga re

tarbo
ae ae
tarbo

bholi soorat ke
ek beimaan se
moko bhi pyaar bhayo re
haan haan
paapi aisa dhokhebaaz sakhi
mohe milke maar gayo re
hey hey
dil to le gawa
ab ka hoga
ha ha ha
dil to lai gawa
ab ka hoga

ho o
dhokha de gawa
ab ka hoga re he
dhokha dai gawa
ab ka hoga re

torbo
hahaha
torbo
torbo
dil to le gawa
ab ka hoga
dil to lai gawa
ab ka hoga

dhokha dai gawa
ab ka hoga re

dhokha dai gawa
ab ka hoga re

torbo
ha ha
torbo
torbo
dil to le gawa
ab ka hoga
dil to lai gawa
ab ka hoga

dhokha dai gawa
ab kya hoga re

dhokha dai gawa
ab kya hoga re

hoy
dil to lai gawa
ab kya hoga

dil to lai gawa
ab ka hoga


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3530 Post No. : 14181

“Toote Khilaune”(1978) was directed by Ketan Anand for Chakravyooh Productions, Bombay. This “social” movie had Shaban Azmi, Shehar Kapoor, Utpal Dutt, Rakesh Pandey, Urmila Bhatt, Shobhana Shah, Meena Chitnis, Jankidas, Bharat Kapoor, Gautam Sareen, Sharat Saxxena, D Kumar Vivek Adharkar, Master Ravi, Mahesh Bhatta, Sooraj Saneem, Prem Prakash, Vimal Chopra, Dharmveer, Gurbachan Singh, Bhagwan, Dhanna Lal, Jugnu Jain etc with special role by Ambika Johar.

The movie had five songs in it. Four of these songs have been covered in the past. Here are the details of the four songs covered in the past:-

Song Title

Post No.

Post Date

Nanha sa panchhi re tu bahut badaa pinjra teraa 2313 23-Feb-10
Maana ho tum behad haseen 2317 28-Feb-10
Doob raha hai mera dil shaam se 5950 10-May-12
Bandhan kat gaye baadal chhant gaye 14175 17-Mar-18

Here is the fifth and final song from “Toote Khilaune”(1978) to appear in the blog. This song is sung by Amit Kumar and Sulakshana Pandit. Kaifi Azmi is the lyricist. Music is composed by Bappi Lahiri.

The song is picturised as a magic performance song where Shekhar Kapoor and Shabana Azmi play the magicians who perform magic tricks while singing this song.

With this song, “Toote Khilaune”(1978) joins the list of movies that have all their songs covered in the blog.


Song-Kya jaane ye duniya kya jaane (Toote Khilaune)(1978) Singers-Amit Kumar, Sulakshana Pandit , Lyrics-Kaifi Azmi, MD-Bappi Lahiri
Both

Lyrics

kya jaane
ye duniya kya jaane
kya jaane
ye duniya kya jaane
apne dil ki baaton ko
o o o
apne dil ki baaton ko
kya jaane ae ae ae

kya jaane
ye duniya kya jaane
kya jaane
ye duniya kya jaane

duniya samay ke peechhe deewaani
badle samay ko pal mein jawaani
o o o
subahen gulaabi shaamen suhaani
dekhe kahaani duniya puraani

apne dil ki baaton ko
o o
apne dil ki baaton ko
kya jaane ae ae

kya jaane
ye duniya kya jaane
kya jaane
ye duniya kya jaane

samjhe na jo
armaan ka ishaara
door se usko
salaam hamaara
o o o
dil ko hamesha dil ka sahaara
aanchal mein apne apna sitaara

apne dil ki baaton ko
ho o
apne dil ki baaton ko
kya jaane ae ae

kya jaane
ye duniya kya jaane
kya jaane
ye duniya kya jaane
laa lala
lalalalalaala
laa lala
lalalalalaala


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3526 Post No. : 14165

“Aankh Michauli”(1962) was directed by Ravindra Dave for Verma Productions, Bombay. This “social” movie had Mala Sinha, shekhar, S Nazir, Jagdish Raj, Mahendra, Leela Mishra, Baalam, Lal Bahadur, Kusum Thakkar, Jamal, Krishn Sharma, Himmat Dave, Naazi etc in it.

The movie had six songs in it. Four songs from the movie have been covered in the past.

Here is the fifth song from “Aankh Michauli”(1962) to appear in the blog. The song is sung by Lata. Majrooh Sultanpuri is the lyricist. music is composed by Chitragupta.

The song is lip synced by Mala Sinha, who is seen given a stage dance performance accomanied by several other female dancers.


Song-Chaliye jee bewafa hain ham (Aankh Michauli)(1962) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Chitragupta

Lyrics

chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale

dhadkan pe tera hi haath nahin
laakhon hain
ik do ki baat nahin een
dhadkan pe tera hi haath nahin
laakhon hain
ik do ki baat nahin een
tum hi nahin
milte yahi saare zamaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale

jo kal thha
chalta hai daur wahi
hai apni mehfil ka taur wahi ee
jo kal thha
chalta hai daur wahi
hai apni mehfil ka taur wahi ee
chal bhi diye
aa bhi gaye baaten banaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale

chaahat se milta hai koi kahaan
dil jode
aisa hai kaun yahaan
chaahat se milta hai koi kahaan
dil jode
aisa hai kaun yahaan
jidhar chale
humko mile thokar lagaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3524 Post No. : 14157

“Aankh Michauli”(1962) was directed by Ravindra Dave for Verma Productions, Bombay. This “social” movie had Mala Sinha, shekhar, S Nazir, Jagdish Raj, Mahendra, Leela Mishra, Baalam, Lal Bahadur, Kusum Thakkar, Jamal, Krishn Sharma, Himmat Dave, Naazi etc in it.

The movie had six songs in it. Three songs have been covered in the past. The last time a song from this movie was discussed in the blog was in 2012 !

Here is the fourth song from “Aankh Michauli”(1962) to appear in the blog. This song is sung by Lata. Majrooh Sultanpuri is the lyricist. Music is composed by Chitragupta.

Though the singer is credited as Lata, it appears to me that the voice sounds a bit different, may be like Usha Mangeshkar. I request our knowledgeable readers to throw light on the voice. Other Lata songs in the movie , which are picturised on Mala Sinha, sound properly Lata like to me.

The song is picturised as a stage performance song on a lady who is not Mala Sinha. Going by the cast, the only name that I can think of for the dancer is Kusum Thakkar. I request our knowledgeable readers to help identify her.


Song-Ho o ik nazar idhar bhi (Aankh Michauli)(1962) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Chitragupta

Lyrics

ho o o
ho o
ho o o
aa aa aa
aa aa aa
aa aa aa

ho ik nazar idhar bhi
ho aan baan waale
ho ik nazar idhar bhi
ho aan baan waale
ek teer phenkta ja
ek teer phenkta ja
baanki kamaan waale
ho o
ek teer phenkta ja
baanki kamaan waale

koi pukaarta hai
bhar bhar ke aahen tujhko
aeji haan haan
koi pukaarta hai
bhar bhar ke aahen tujhko
hasrat se dekhti hain
kiski nigaah tujhko o o
kiski nigaah tujhko
itna to dekhta ja
itna to dekhta ja
arre wo gumaan waale
itna to dekhta ja
arre wo gumaan waale
o o ek teer phenkta ja
baanki kamaan waale

laaya hai rang dil ka
milna teri nazar se
aeji haan haan
laaya hai rang dil ka
milna teri nazar se
aakhir nikal pade hum
betaab hoke ghar se ae ae
betaab hoke ghar se
galiyon mein phir rahe hain
galiyon mein phir rahe hain
nanhi si jaan waale
galiyon mein phir rahe hain
nanhi si jaan waale
o o
ek teer phenkta ja
baanki kaamaan waale

teri nigaahen ulfat
mera dil ye deewaana
aeji haan haan
teri nigaahen ulfat
mera dil ye deewaana
jaye jidhar ye milke
jaaye udhar zamaana
jaaye udhar zamaana
dekhen zara tamaasha
dekhen zara tamaasha
saare jahaan waale
dekhen zara tamaasha
saare jahaan waale
ho o
ek teer phenkta ja
baanki kamaan waale


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3488 Post No. : 14010

“Paraayi Aag”(1948) was directed by Najam Naqvi for Great India Pictures. The movie had Munawwar Sultana, Ulhas, Mumtaz (Madhubala), Sheri, A Shah, W M Khan, Jilloo Bai etc in it.

The movie had eight songs in it. Six of them have been covered in the past.

Here is the seventh song from “Paraayi Aag”(1948) to appear in the blog. This song is sung by Zohrabai Ambalewaali and Naseem Akhtar. Akhtar Ul Imaan Naqvi is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of this song is available. It sounds like a stage performance song where who ladies are presenting a roothhna-manaana song and dance performance, with one lady playing the role of a male. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-O tohe kaise dikhaaun dil cheer ke (Paraai Aag)(1948) Singers-Zohrabai Ambalewali, Naseem Akhtar, Lyrics-Akhtar Ul Imaan, MD-Ghulam Mohammad

Lyrics

tohe kaise dikhaaun dil cheer ke
tohe kaise dikhaaun dil cheer ke
ho gori
kaise dikhaaun dil cheer ke
ho gori
ho gori
kaise dikhaaun dil cheer ke
haay
tohe kaise dikhaaun dil cheer ke

hato jaao jee
hato jaao jee
baaten banaate ho kyun
hato jaao jee
hato jaao jee
baaten banaate ho kyun
jhoothhi chaahat jata ke jalaate ho kyun
jhoothhi chaahat jata ke jalaate ho kyun
khote hote hain chhore aheer ke

haay gori
kaise dikhaaun dil cheer ke

ek hi daaon mein
khelwaa rahoon main
aen aen aen aen
ek hi daaon mein
khelwaa rahoon main
keh diya tere nainon ka maara hoon main
tohe kaise dikhaaun ghaav teer ke
haay gori
kaise dikhaaun dil cheer ke

bhanwre udte phirte hain
idhar se udhhar
bhanwre udte phirte hain
idhar se udhhar
aaj is phool par
kal hai us phool par
aaj is phool par
kal hai us phool par
lobhi kaaran hai auron ke peer ke
haaye
lobhi kaaran hai auron ke peer ke

to main harjaai hoon
jaao yoon hi sahi
ab na aaunga mud kar tumhaari gali
haan tumhaari gali
dhun ke pakke hain chhore aheer ke
kahaan jaate ho
o o o
kahaan jaate ho tum to
banaati thhi main
man ki lene
jhoothhon sataati thhi main

tum hi maalik ho
man ke shareer ke
haay bhala kaise
dikhaaun dil cheer ke
ho gori
ho chhaila
ho gori
ho chhaila
tohe kaise dikhaaun dil cheer ke


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3457 Post No. : 13870

 

phoolon ke rang se
dil ki kalam se
tujh ko likhi roz paati

Nirantar Neeraj’ – the name of a stage program that has been created by the Ibaadat group, on the life and works of this distinguished poet of this sub continent. [Ed Note: Ibaadat Foundation (www.ibaadatindia.org) is a non-profit group of lovers of poetry and film music, who conduct regular stage shows in various cities. Each of their programs is focused on an eminent poet. ‘Nirantar Neeraj’ was first staged in Delhi, in September 2014.] When I read the title of the, it enamoured me so much. A feeling of profundity follows the sound of this title.

Gopaldas Saxena ‘Neeraj’, turns 92 today. We all wish for him continued – ‘nirantar’ – time of good health, comfort and above all, creative passions.

Neeraj has had a patchy relationship with the Hindi film industry. But despite that, the gems that have come from this partnership are simply too great to be overlooked. He made his debut in the film world with the film ‘Nai Umar Ki Nai Fasal’ (1965). The director of this film, R Chandra, an earlier acquaintance of Neeraj, was highly influenced by his famous poem “Kaarwan Guzar Gaya Gubaar Dekhte Rahe”. His vision for the film was to present the essence of this poem as the theme of the film. How successful he was in translating this theme into the film is a matter of judgment. The film did not do well at the box office. However, its songs went on to become very famous and popular – “Dekhti Hi Raho Aaj Darpan Na Tum”, “Aaj Ki Raat Badi Shokh Badi Natkhat Hai”, “Mero Saiyyaan Gulabia Ko Phool”, and of course the theme song.

In terms of timeline, his first songs appeared in the film ‘Cha Cha Cha’ which was released in 1964. The two songs in the voice of Rafi Sb, and composed by Iqbal Qureshi, have stood the test of time – “Subah Na Aayi, Shaam Na Aayi” and “Wo Hum Na The Wo Tum Na The”. Till this day, when these song are heard, one is struck by the sheer poetic content.

In 1965, came another film which, by industry standards, also did not do too well on the box office. However, its song – well that is another story. The film is “Tu Hi Meri Zindagi” – a film about Goa’s struggle for independence from Portuguese rule. The film has not stayed in the collective memory of the filmgoers. Maybe, the songs even were not very popular. But the songs, created in partnership with the music director Rono Deb Mukherjee, themselves are a shining gems, each one of them. Listen to “Ye Kaun Thak Ke So Raha Hai Gulmohar Ki Chhaon Mein”; or “Mere Watan Ka Hai Tu Wo Ratan” (happy version); or “Aadam Ka Lahu”; or “Mere Himaalay Ke Paasbaanon”.

Coming to work with Shankar Jaikishan for the film ‘Kanyadaan’ (1968), the initial working relationship was quite ‘explosive’, especially with Shankar. S-J requested for a love song, and Neeraj returned to them with a poem that spanned three handwritten pages. Shankar was ‘snappy’, but then decided to work with the poet. A very hard give and take had to happen to convert this poem into a film song of three minutes. But the end result of this was the fabulous love song that broke all broadcasting records in that year – “Likhe Jo Khat Tujhe. . .”.

Neeraj used to teach at the Dharam Samaj College in Aligarh. In 1970, he got an invitation from Dev Anand to come to Bombay and stay for a week at his expenses. Dev Anand was preparing for ‘Prem Pujari’ (1970). SD Burman was very cautious, and not confident that Neeraj would assimilate well into his music, with predefined situations and pre-prepared tunes. When Neeraj arrived in Bombay, Dev Sb immediately took him to meet Burmam Da. Dada already had a tune in mind, and wanted lyrics set to the tune and the situation. He explained that a girl sees her beau at a party in the company of another lady, and the circumstances are such that the beau is not recognizing her. The song should be of a complaint, frustration, depression, sarcasm – all this Burman Da piled on to Neeraj. So much that even Neeraj himself became hesitant and unsure. To top it, Burman Da also informed that the song has to start with the words “Rangeela Re”. Neeraj returned from the meeting, not sure about his own nerve. He mentioned this to Dev, and Dev said, you have a week to make it happen. If it does not happen, then no problem, you are still my guest for a week in Bombay.

In his hotel room, Neeraj worked the night, and next morning met again with Dev Anand to tell him he has something he would like to show to Burman Da. They immediately drove down to the latter’s residence. Neeraj handed him the paper with the lyrics he had written for the tune and for the situation. One look at the lyrics, and Burman Da said to Dev Anand – you may leave now, the two of us have work to do.

This started a partnership that Neeraj says he really enjoyed in the industry. After ‘Prem Pujari’ they went on to work together on such memorable films as ‘Gambler’ (1971), ‘Sharmeeli’ (1971), ‘Tere Mere Sapne’ (1971) and ‘Chhupa Rustom’ (1973). A scan through the song lists of these films is enough to send a shiver down the spine.

The other close partnership that he enjoyed working with was Shankar Jaikishan. After ‘Kanyadaan’, their partnership continued with ‘Duniya’ (1968) – “Ye Dharti Hindustan Ki”; ‘Chanda Aur Bijli’ (1969) – “Kaal Ka Pahiya Ghoome Bhaiya”; ‘Mera Naam Joker’ (1970) – “Ae Bhai Zara Dekh Ke Chalo” (1970); ‘Pehchaan’ (1970) – “Bas Yahi Apradh Main Har Baar Karta Hoon”; ‘Umang’ (1970); ‘Ek Naari Ek Brahmchari” (1971); ‘Kal Aaj Aur Kal’ (1971) – “Tik Tik. . . Chalti Jaaye Ghadi”; ‘Laal Pathar’ (1971) – “Sooni Sooni Saans Ki Sitar Par”; ‘Patanga’ (1971) – “Jhoom Ke Ga Yun Aaj Mere Dil”; and some more.
There is an interesting note that Neeraj shares about the song “Ae Bhai. . .”. When this song was presented to S-J, Shankar’s mood was sitched off – such bland and blank verses, he could not get himself to compose a tune for this song. The song finally turned out after Neeraj and Shankar both worked together for the composition.

Working closely with some of the best and the most successful music directors in the industry, turned out to be both a blessing and a curse. Blessing that we see a heady proliferation of magical songs created by Neeraj together with these music directors, in the period from 1965 to about 1972. And then there is a tapering down of this creative streak. In Neeraj’s own words, he got caught in a cycle of near depression, when in quick succession his music director partners departed – first Roshan in 1967, then Jaikishan in 1971 and finally SD Burman in 1973. These departures created a vacuum in his life that was depressing enough for him to pack his bags and move back to Aligarh and to academics.

He continued to work sporadically, but not many people from Bombay called upon him any more. Dev Anand and Vijay Anand were the only film persona who continued to call upon Neeraj to pen songs for them. Neeraj was associated with Dev and Navketan right till the film ‘Chargesheet’ which released in 2011, and Dev Anand playing the lead at 82. 🙂

At 92, Neeraj currently is the chancellor of the Mangalayatan University in Aligarh. At 92, he has health limitations. But the poet in him is still very active. A recent couplet from him

ab to mazhab bhi koi chalaaya jaaye
ke insaan ko insaan banaaya jaaye
aag behti hai ganga mein jehlum mein bhi
tum bataao kahaan jaa ke nahaaya jaaye

For today’s song I turn to the film ‘Tere Mere Sapne’ from 1971. This song is a light hearted dance song which is performed by Hema Malini on the screen, inside the screen that we watch. Meaning that the situation is the Dev Anand and Mumtaz are on a ‘date’ at a village ‘mela’ (i.e. before they are married in the film), and they get into a tent cinema to watch a film. And this song is playing in the film that they are watching. So this maybe a unique situation wherein a complete song is performed on the screen that is being watched by the actors we are watching on our screen.

From the looks of it, Dev Anand is hugely enamoured by the actress on the screen, much to the chagrin of Mumtaz, whose pleasure of the evening suddenly evaporates, as she looks at Dev Anand watching Hema Malini with fascination. 🙂

Interesting to hear such light hearted verses coming from Neeraj. But you know, that is not an isolated incident. Sample some of his other songs – “Sunday Ko Pyaar Hua, Monday Iqraar Hua” from ‘Kanyadaan’, “Darr Lage To Gaana Ga” from ‘Yaar Mera’ (1971) and “Dheere Se Jaana Khatiyan Mein” from ‘Chhupa Rustom’ (1973).

But this song, is still so very special. Note the huge variation in the metre of different parts of lyrics. And kudos to Burman Da to have seamlessly knitted together the song with such a variety of lengths of singing lines. Quite a masterpiece it is.

And then once again, heartful wishes to Neeraj ji – continue ‘nirantar‘.

[Ed Note: Part of the material for this write up is adapted from an interview with Neeraj published in the Hindu of May 21, 2015.]

[Ed Note: Although the video clip is quite adequate in itself, the audio link is also presented, not for the sound of the song, but for the image that is accompanying it. The image shows Asha Bhosle standing next to a seated Kersi Lord – musician and instrumentalist par excellence. Kersi had a very close working relationship with SD Burman. At first I wondered why someone has created this audio post this way. But then when I listened to this song again, it was clear. I suggest the readers also to listen to this song closely, and more than once if possible. There are many little special sound effects and variations in the instrumentation, that make this song really so magical. That is all Kersi Lord’s handiwork. 🙂 ]

Video

Audio

Song – Phurr Ud Chala Hawaaon Ke Sang Sang Dil Jaane Kidhar  (Tere Mere Sapne) (1971) Singer – Asha Bhosle, Lyrics – Neeraj, MD – SD Burman

Lyrics

phurrrrr
ud chala..aa..aa..aa

phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar

phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar..rr..rr

main hi nahin
dil hi nahin
udi jaaye saari fizaa
thaamo koi
aa ke hamen
hum ko na apna pataa
main hi nahin. . .
main hi nahin
dil hi nahin
udi jaaye saari fizaa
thaamo koi
aa ke hamen
hum ko na apna pataa
kabhi yahaan
kabhi wahaan
kabhi wahaan
kabhi yahaan
jaane nahin kahaan kahaan
ud chalaa. . .
ud chala
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar aa aa

sooni sooni
bheeni bheeni
rangeen kya shaam hai
meetha meetha
hsssss pyaara pyaara
hothon pe ik naam hai
sooni sooni. . .
sooni sooni
ha bheeni bheeni
ha rangeen kya shaam hai
meetha meetha
hsssss pyaara pyaara
hothon pe ik naam hai
roko isey toko isey
thaamo isey baandho isey
dekho dekho ye to ud chala. . .
ha ha ha
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar..rr..rr

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

फुर्रर्रर्र
उड़ चला॰॰आ॰॰आ॰॰आ

फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर

फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर॰॰र्र॰॰र्र

मैं ही नहीं
दिल ही नहीं
उड़ी जाये सारी फिज़ा
थामो कोई
आ के हमें
हमको ना अपना पता
मैं ही नहीं॰ ॰ ॰
मैं ही नहीं
दिल ही नहीं
उड़ी जाये सारी फिज़ा
थामो कोई
आ के हमें
हमको ना अपना पता
कभी यहाँ
कभी वहाँ
कभी वहाँ
कभी यहाँ
जाने नहीं कहाँ कहाँ
उड़ चला॰ ॰ ॰
उड़ चला
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर आ आ

सूनी सूनी
भीनी भीनी
रंगीन क्या शाम है
मीठा मीठा
हस्ससस प्यारा प्यारा
होठों पे इक नाम है
सूनी सूनी॰ ॰ ॰
सूनी सूनी
भीनी भीनी
रंगीन क्या शाम है
मीठा मीठा
हस्ससस प्यारा प्यारा
होठों पे इक नाम है
रोको इसे टोको इसे
थामो इसे बांधो इसे
देखो देखो ये तो उड़ चला॰ ॰ ॰
हा हा हा
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर॰॰र्र॰॰र्र


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3455 Post No. : 13858

 

On the first day of the year 2008, I mentioned that I was able to hold on to my previous year’s new year resolution for 40 days (introducing a debutant movie daily) and 125 days (YIPPYing a movie daily) respectively.

Our regulars, suitably inspired by my writeup, have taken it upon themselves to at least help me in introducing one debutant song daily in the year 2018. The very first song post covered in the year 2018 by Peevesie’s mom was a debutant movie viz “Kohraam” (1999). On the next day viz 2 january 2018, a song from a debutant movie “Kisaan Kanya” (1937) was discussed by Mr Sadanand Kamath. Sudhir Jee has lined up another debutant movie song for the next day. That way at least the “debutant” movie resolution has been taken care of till now.

That frees me up to concentrate on YIPPEE movies. I discussed the last song from “Mad Bhare Nain” (1955) on the first day of the year. Today (2 january 2018), I again scanned for suitable movies (with one song left). As happens most of the time, I found that the final song of many movies were not available. On the few cases where the final songs were available, the songs were so special that I felt that these songs needed to be held back for some special occasions.

That really limits my options. After scanning yearwise, staring from the earlier years onwards, I finally settled for “Ek Kunwaari Ek Kunwaara” (1973) as the movie whose final song was available and the movie movie could be YIPPEED for the day.

“Ek Kunwaari Ek Kunwaara” (1973) was a comedy film which was directed by Prakash Mehra for J J Films, Bombay. The movie had Rakesh Roshan, Leena Chandawarkar, Pran, Kumkum, Rajendranath, Janki Das, Jugal Kishore, Goga Kapoor, Lalita Kumari, Raj Mehra, Moolchand, Yunus Parvez, Ram Sethi, Sundar etc ion it.

The movie has four songs in it. Three songs, including the most popular song from the movie viz. Agar dil hamaara sheeshe ke badle patthar kaa hotaa , have been covered in the past.

The fourth and final song from the movie is chronologically the first song of the movie. It appears in the movie just about 19 minutes after the start. A new year party is in progress and the announcer announces this “item” number, presented by a new “item”. This song is a stage performance song. It is sung by Asha Bhonsle. The dance performer is Jayshree T (I guess), but Pran, who is there among the audience, imagines her to be Kumkum. So one can say that this song is picturised on Jayshree T as well as Kumkum.

Majrooh Sultanpuri is the lyricist. Music is composed by Kalyanji Anandji.

With this song, “Ek Kunwaari Ek Kunwaara” (1973) joins the list of movies that have all their songs covered in the blog.

[Ed Note: The lyrics for this song were sent in by Prakash ji earlier in July. At time after reviewing the song, we had agreed to retain this song for the New Year day. At that time the video clip of this song was available, which had the lead in announcement of the song being in celebration of New Year. When we checked again two days ago, the video clip on YT is now disabled. On YT, we are able to locate only an audio clip of the song, which excludes the New Year connection. The video clip is now uploaded on Atul ji’s Vimeo channel. The complete movie is however available on YT at https://www.youtube.com/watch?v=2i4IwQWxFME . In this film clip, the song appears at 18:58 to 23.10, including the New Year announcement in the beginning.]

Audio

Video

Song-Chori khole na ye maathe ka paseena (Ek Kunwaari Ek Kunwaara)(1973) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Kalyanji Anandji

Lyrics (Provided by Prakashchandra)

lagta hai mile ho tum
ae yaar kahin pahle
khele ho mere dil se dildaar
kahin pahle

chori khole na
chori khole na
ho o chori khole na
ye maathe ka paseena
ye dhak dhak seena
banaaya toone kaisa ye haal sajna
ye haal sajna
teri aankhon ne
ho o teri aankhon ne
ye chhal kiya mujhse
magar maine tujhse
kiya to nahin koi sawaal sajna
sawaal sajna
chori khole na
ho o chori khole na

kaahe soche re
kaahe soche
kaahe soche re daaman thhaam koi
aisi barson mein aati hai shaam koi
ye hai pyaala puraana
chhod bhi de
naya pyaala uthha
ise tod bhi de
naye rang se mana naya saal sajna
saal sajna
chori khole na
ho o chori khole na
ye maathe ka paseena
ye dhak dhak seena
banaaya toone kaisa ye haal sajna
ye haal sajna
chori khole na
ho o chori khole na

toone jis din se ae
toone jis din se
toone jis din se mera ye haal kiya
main bhi chalne lagi teri chaal piya
mujhe dil se nikaal diya
gham nahin
mujhe raahon mein daal diya
gham nahin
padoon peechhe to rakhna khayaal sajna
khayaal sajna
chori khole na
ho o chori khole na
ye maathe ka paseena
ye dhak dhak seena
banaaya toone kaisa ye haal sajna
ye haal sajna
teri aankhon ne
ho o teri aankhon ne
ye chhal kiya mujhse
magar maine tujhse
kiya to nahin koi sawaal sajna
sawaal sajna
chori khole na
ho o chori khole na


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14500 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1144
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