Archive for December 2021
Ek se baney do do se baney teen
Posted on: December 31, 2021
- In: Abhijeet song | Car Repair Garage Song | Car song | Guest posts | Introduction song | movie opening song | Post by Peevesie's mom | S P Balasubramanyam songs | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1993 | Udit Narayan Song | Yearwise breakup of songs
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4914 | Post No. : | 16735 | Movie Count : |
4555 |
Hullo Atuldom
Time for a yearly roundup!!!! 2021 coming to a close. 2022 just a sunrise away. Hope we have different experiences in 2022, experiences that make us glad and bring a smile to our lips which stays the whole year.
I am sure Atulji or Sudhirji or one of the other blog-contributors, who have the patience to go through the statistics etc., will give us a table of how many new movies debuted on the blog in 2021, and other related info about which date saw how many posts etc. But the best that happened this year, IMO, is the series that Atulji undertook to enlist all the movies, music directors etc that Lata Mangeshkar was associated with in her looonnngg career.
On the way out of 2021 here is a song from the 1993 release “Shatranj”. A movie that I saw at the time of its release on cable TV, before the Satellite TV Tsunami hit us. It was produced by Arun S. Thakur, directed by Aziz Sejawal, had music by Anand Milind, and Sameer was the lyricist. S P Balasubramaniam, Abhijeet, Udit Narayan, Jolly Mukherjee, Kumar Sanu, Sudesh Bhonsle, Jayshree (popular as Bombay Jayshri in classical music circles), Poornima, Sadhana Sargam (i.e. all the good singers of the 90s) were used in the movie.
Kadar Khan was the dialogue writer of the movie which begins like “Chalti ka Naam Gaadi” (CKNG) which means we have three brothers -bachelors- who are reared by the eldest brother Dharamraj (Kadar Khan), the other two brothers being Dino and Dinky (Jackie and Mithun). The eldest brother has a problem with the female gender of the populace (like Ashok Kumar in CKNG), the other two don’t have any such issues and Renu & Radha (Divya Bharaati and Juhi Chawla) are their girl friends. Then there is a female called Rosie (Jamuna who appeared in a few films in the 80s and 90s, not much is known about her) who is shown to like the elder brother Dharamraj since childhood (Sarfaraz Khan, Kadar Khan’s own son played the younger Dharamraj). The reason for Dharamraj’s problem with females is shown as his step-mother who was nasty to him and his brothers as children.
The story has the necessary villain in the character of Prajapati (Kiran Kumar) the manager to the brothers’ father’s (Vikas Anand) business and also his killer. He is cheating the brothers’s step-mother and step-brother (Shakti Kapoor) and using their business as a front for his illegal activities (what else). The brothers have some misunderstandings with Dharamraj when Renu & Radha enter their lives, which get resolved; then the hard-feelings towards the step-family also is sorted out and the cause of all the problems in their lives (Prajapati) is brought to his logical end. And then “The End”.
Oh I forgot to mention a few more tributes that the movie paid to CKNG. CKNG had ‘Mohan Garage’ here the brothers have ‘Dharam Garage’. There was a ‘car’ in CKNG even this movie had a ‘car’ important to the story. CKNG begins with a song on the pet car, this one too begins with a song on the car. Additionally the brothers have a pet Monkey/ Chimpanzee. So let us have the movie debuting on the blog with the film-opening song that shows us the bonding between the brothers. This song is in the voices of SPB, Abhijeet and Udit Narayan.
There used to be a show called ‘Superhit Muqabla’ on Doordarshan Metro of those years (28 years back) which was on the lines of the legendary Binaca Geetmala. The show used to retire songs from the list of popular songs, which were complied based on vinyl records and cassette sales & and viewership of the show as such, after a 25 week run to make place for newer songs, very much like Binaca Geetmala. And songs of “Shatranj” (1993) were on this show for many weeks.
With this song we also say thank you to the entertainer Kadar Khan who left us today, in 2018, in Canada, where he was staying with his sons following his retirement from Bollywood. His last release was ‘Hogaya Dimaagh ka Dahi” in 2015 October (after a gap of seven years when ‘Mehbooba’ and ‘Deshdrohi’ released). He was a recipient of three Filmfare awards viz:
Best Dialogue for “Meri Awaz Suno” in 1982.
Best Comedian for “Baap Numbri Beta Dus Numbri” in 1991.
Best Dialogue (again) for “Angaar” in 1993.
He was conferred the Padma Shri, posthumously in 2019 by the Government of India.
He was 81 when he passed away.
Video
Audio
Song-Ek se bane do do se bane teen (Shatranj)(1993) Singers-S P Balasubrahmaniam, Abhijeet, Udit Narayan, Lyrics-Sameer, MD-Anand Milind
Lyrics
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
arre humsa koi hoga nahin
Londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
koi ye jaane na
isko pehchaane na
apni mehbooba hai yeh
hum jo bulaate hain
yeh daudi aati hai
hum jo bulaate hain
yeh daudi aati hai
jeevan ki raahon mein
khushiyan lutaati hai
aisi yahaan gaadi kahaan
sabse hai ye behtareen
chham chham
chham chham
chham chham
kaali saadi waali (chham chham)
ladki bholi bhali (chham chham)
aise na bal kha ke chal (chham chham)
gori gori baahen (chham chham)
qaatil teri adaayein (chham chham)
dil mera jaayen machal
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
uthhte hain sote hain
hanste hain rote hain
rehte hain hum saath saath
sapne sajaate hain
masti lutaate hain
chaahe ho din chaahe raat
hum ek dooje ka
daaman na chhodenge
mar jaayenge lekin rishta na todenge
hum jo miley
toh hai wahi
tasveer aisi haseen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
hey humsa koi hoga nahin
londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum zidhar se guzrein
woh safar ho rangeen
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4914 | Post No. : | 16734 |
‘Chaalu Mera Naam’ (1977) was directed by Krishna Naidu for BC Deora Films, Bombay. This B grade movie had Vinod Mehra, Mahendra Sandhu, Vidhya Sinha, Helen, Madan Puri, Anwar Hussain, Deven Verma, Nazneen, Maruti, Jagdish Raj, Prakash Thapa, Radheshyam, Ramesh Deo, Chandrashekhar Vaidya, Sajjan, Sulochana Latkar, Anand Girdhar, Gurbachan Singh etc. in it.
The movie had four songs in it. One song has been covered so far.
Here is the second song from ‘Chaalu Mera Naam’ (1977) to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Verma Malik is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised as a celebration song (birthday celebration?) where Helen and Vinod Mehra (in disguise ?) perform this song and dance. Villains are in attendance in full strength , as we can notice in the picturisation.
I request our knowledgeable readers to tell us what is going on in this picturisation.
The song itself is quite wonderful to listen to. It reminds me of music of ‘Don’ (1978), composed by the same music director duo. Sadly, this movie, which predates ‘Don’ by one year could not take advantage of such a fantastic sounding song.
It is a nice song that has been forgotten with time, mainly because the movie failed at the box office.
Song-Tumse hi is mehfil mein aayi hai bahaar(Chaalu Mera Naam)(1977) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Verma Malik, MD-Kalyanji Anandji
Both
Lyrics
is rangbhari mehfil se
ek cheez churaane aaye hain
kisi ke dil ki basti mein
hum aag lagaane aaye hain
hum kuchh galat no nahin keh gaye
nahin to
aapka matlab hai
khushiyon ke deep jalaane aaye hain
haan
arre tumse hi is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
hamko bhi kheench laaya yahaan tera pyaar
hamko bhi kheench laaya yahaan tera pyaar
bhanwron se bachna hoga rehna hoshiyaar
haan haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar khabardaar
hoshiyaar khabardaar
ummeedon ke din hain
muraadon ki raaten
ummeedon ke din hain
muraadon ki raaten
hoti naseeb se hain aisi mulaakaaten
dil mein umang leke
aaj naya rang leke
dil mein umang leke
aaj naya rang leke
barson ke baad aaye karne deedaar
bhanwron se bachna hoga rehna hoshiyaar haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar hey khabardaar arre hoshiyaar arre khabardaar
palkon mein apni tujhko chhupaayen
palkon mein apni tujhko chhupaayen
jeewan ki baazi tujhpe lagaayen
maano hamaara kehna
duniya se bach ke rehna
maano hamaara kehna
arre duniya se bach ke rehna
duniya ke logon ka kya hai aitbaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
arre tumse hi /font>
is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar
hey
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar
arre
khabardaar
arre hoshiyaar
hey
khabardaar:ff00ff;”>
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4913 | Post No. : | 16733 |
There have been two excellent reviews of 83 film which was released recently on 24 December 2021. As such there is not much to add to the review per se. But then the event itself is engraved in golden moments and letters in the annals of sporting history of our country. Well, there always was hockey in which we ruled the roost in those days. People had little doubts in their minds on the continued dominance of West Indies which had already won the first as well as the second world cup in 1975 and 79 respectively. Dark horses India created history by upsetting West Indies in the finals by successfully defending a modest score of 183 runs, a record which stands tall to this day.
Apart from songs and films, railways and cricket (of bygone era) remain amongst the favourite topics on the blog. So, when Avinash ji posted his euphoric post on having watched the film 83 first day first show, there was lot of buzz on our WhatsApp group and its was rather decided that whosoever watches the film should make attempts to write a post on the experiences of not only the film or the event but their own expectations, memories etc.
Well, I am here with my post and would request whatapp group members to ignore reading the next one-line para for obvious reasons and the cliché for which I have become rather infamous. 🙂
I was all but 9 in 1983, having born in Feb’74.
Thus, I knew about India having won the 1983-world cup only a few years later. [Sachin Tendulkar at 10 in the movie is seen dancing in the streets (on someone’s shoulders)]. As such, this post of mine could be some sort of damp squib for keen readers. To add to the misery of writing this post, I am not an avid follower of cricket or for that matter any sport. But, whenever India plays, I always follow up with keen interest. For the said reasons, I am yet to see a full IPL match and can say with enough conviction that I will never ever watch such a match. Further, I have almost completely stopped watching television and my TV table is now occupied by various indoor plants, a new hoppy which I have recently cultivated. Above the TV, creepers such as money plants and broken heart are scaling up the wall to reach the slab. 🙂
However, I have been following follow-up stories of 1983 world cup with all interests. I could completely understand what Kapil Dev’s unbeaten innings of 175 meant for the team, tournament and our country as a whole. With the advent of internet, I have visited web sites pertaining to cricket world cup several times and tried the understand the circumstances under which India went on to upset the two-time defending champions. A perfect example of dark horses turning out to be derby winners. A day after the match, London Times, a British newspaper apparently had the headline “Kapil’s men turn world upside down” on its front page.
With whatever little I have watched on cricket, Kris Srikkanth has been one of my favourite cricketers. In my opinion, he remains one of the few players who played mainly for the crowds. He successfully faced some of the most lethal fast bowlers of different teams.
I remember reading an article in India Today magazine wherein there was a beautiful article entirely dedicated to him. I had been searching for this article published in March 1987 all these years and with renewed interest, I happened to get hold of it in the magazines’ s archives articles. I would recommend readers to spare time to read the article. There have been many a great Indian cricket player over the years. But, the style, controlled aggression, antics on field etc, no one can match the peerless Kris Srikkanth.
Ball racing to the boundary like a bullet was the hallmark of his batting. For every ball that he faced it was always the viewers and not Kris Srikkanth who were afraid that the ball would end up disturbing the furniture behind. He long walks away from the crease towards square-leg umpire, frequent twisting of his nose, closing of his eyes in a flutter, the cursory glance at the skies as if he was reporting to someone after each ball, the meticulous and fast curling of the bat, his legs positioned wide apart on the crease while batting etc. will remain etched in active memories of avid lovers of the game.
Coming back to 1983, but remaining with Kris Srikkanth and his batting style, I am always happy of the fact that with a regal 38 he was the highest scorer of the finals in spite of a few towering batsmen on the opposite camp. Viv Richards scored 33 and that was the second highest individual score in the final.
With all such fond memories, the viewing of the film was for me like travelling back in a time machine. My wife along with my daughter studying II PU are now placed at D.K. Friday 24, the release date of the film, they ended up at U.K. on an unexpected, unplanned and a totally unscheduled visit. My wife has played this pleasant prank on me a couple of times and so even though it was quite surprising, it took just a nano second for me to realise that, yes, they were here for a visit.
On Saturday, 25 Dec, my daughter started this slow and silent campaign that we ought to watch a movie in the only (non-ac) theatre in this town. I do not even bother to follow up which movie plays as I do not go to theatres often. But in this case and to my inner delight it was 83 of all the films that was being screened on that day. And seeing that my daughter was killing time brooding and surfing net for tickets, story etc. I decided that the movie had to be watched anyhow. And so, I saw the film along with my daughter.
Watching films in movie theatres with my wife needs a special mention here. I was placed in Mumbai when I got married in 2003. (Yes, in 3 years, I will be slaying the seven-year itch for the third consecutive time) 🙂
Instead of watching some junk Hindi or Hollywood movie, I thought I would begin my married-life-film-watching-experiences-with-spouse by watching a scientific documentary in the newly opened world’s largest IMAX dome theatre at Bhakti Park, Wadala. My Monorail site was hardly half a km away from the theatre though my residence was far away.
I later realised that my excitement of watching a documentary in a dome theatre was wholly a one-way traffic. Having a keen interest in astronomy, I got rivetted to the documentary show on stars, planets and galaxies. Being a dome theatre, the seats were obviously push back as well as quite reclining on which my wife comfortably dozed off for the entire show. On completion of the show of which I was totally absorbed in, I asked my wife if she had enjoyed the show. She had a brutal reply that she had dozed off from the word go. I realised that we both were travelling in the vastness of space while the documentary was being screened. The only difference was that I had my eyes wide open. 🙂
Thus, being the experience (there were a few more), my wife decided to stay put at home for some house-hold chores and I accompanied my daughter for the 83 show.
The description of the movie has been amply presented in the two posts posted and will be elaborated more when others write in. And so, I will have limited non-chronological bullet-wise observations on the film.
• The film aptly starts with the now legendary catch taken by Kapil Dev dismissing a batsman who could have easily denied India the Cup. Viv Richards. As the ball tends to safely fall into the hands of Kapil Dev, the titles begin, and the movie starts.
• Ranveer Singh has gotten into the skin of the character he plays that of captain Kapil Dev himself. Many a times, his dialogue delivery is simply impeccable. Hats off to him for his efforts in portraying the role with such similarity.
• Kris Srikkanth remains what he has been to the team during their hey days and during the various film promos and stories told on TV earlier too, a complete entertainer.
• The film has tried to keep the aura of those days alive by displaying the runs scored, nature of batsman getting out etc. I only wish, they had more such displays and retained them for a bit longer time than shown in the movie.
• The mood of the nation, prior, during and after the tournament has been captured well.
• The unbeaten knock of 175 by Kapil Dev against Zimbabwe in a do or die match as well as that of the tournament should have been covered in more detail especially since the actual recording and telecast never happened.
• The rotating of the antenna by Indian public with TV sets for better reception brought back fond memories. 🙂
• The premonition of players and other officials remaining still in their positions in the pavilion when the batsman was in good flow is to be seen to be believed and appreciated.
• Kapil Dev pep talk in the dressing room should have been more elaborate and frequent even if they were in Hindi. It has been shown as if he hardly spoke which I feel could not have been the case.
• Kapil Dev’s encouragement talk to his players during the innings break that West Indies team have to still make the “paltry” 183 runs and we will not allow them to achieve it easily is quite emotional and superb.
• PR Man Singh, the Indian manager who accompanied the team to the tournament has been played quite well by Pankaj Tripathi of Mirzapur TV series fame. Given the time space he occupies in the film, Pankaj Tripathi had done full justice to the role. I understand he went to stay with the real Man Singh for a few days in Hyderabad to prepare himself for the role. Much appreciated.
• Wamiqa Gabbi plays Madan Lal’s wife. Why am I mentioning this? I really donno. 🙂 So, (Don’t) keep guessing.
The detailed wiki page of the film has a soundtrack length of about 54 minutes. For obvious reasons, there is no playback as far as songs are concerned. For many in this blog self included the names of present lyricists, singers, composers etc. are all Greek and Latin. Our Avinash ji offered me to send lyrics of any song that I could pick up in the film. That indeed would have made my task a lot easier and I thank him for the outreach.
However, surfing the net whilst writing the post, I came across a very apt song for the occasion. On 17 August 1983 Lata Mangeshkar apparently performed live in a concert in Delhi to facilitate and also raise funds for the winning team on their spectacular victory in the Cricket World Cup tournament.
Joining her in chorus were Nitin Mukesh, Suresh Wadkar and even members of the team including the captain himself. The song for the special occasion was written by renowned lyricist Indeewar and the tune composed by Hridaynath Mangeshkar. It gives me immense pleasure to bring forth this special song to the readers of the blog.
I would also like to reproduce a snap taken during the Cup award ceremony with Indians occupying the entire ground at Lord’s. It amply showcased the euphoric mood of our nation on winning the world cup in 1983.
Lastly, I would like to end the post with my strong conviction that it’s never too late to honour Kapil Dev with the Bharat Ratna for what he has achieved for our country.
Jai Hind.
Concert song sung on 17 August 1983.
Song-Bharat vishv Vijeta apna Bharat vishv vijeta (Patriotic NFS)(1983) Singers-Lata, Nitin Mukesh, Suresh Wadkar, Lyrics-Indeewar, MD-Hridaynath Mangeshkar
Lyrics
Bharat Vishv vijeta apna
Bharat Vishv vijeta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
har ek disha mein vijay miley hamen
iska bal hai deta
har ek disha mein vijay miley hamen
iska bal hai deta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
ek taraf Bharat ke khilaadi
ek taraf thha saara jahaan
ek taraf Bharat ke khilaadi
ek taraf thha saara jahaan
jahaan ekta wahaan safalta
jahaan manobal vijay wahaan
jahaan ekta wahaan safalta
jahaan manobal vijay wahaan
khele apne khilaadi yoon
thha kaun jo takkar leta
khele apne khilaadi yoon
thha kaun jo takkar leta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
khel ki duniya mein Bharat ne
likha hai itihaas naya
khel ki duniya mein Bharat ne
likha hai itihaas naya
jeet sada kaayam rakhne ko
jaga hai vishwaas naya
jeet sada kaayam rakhne ko
jaga hai vishwaas naya
yahi haathh laye hain vijay ye
yahi to Bhaagy praneta
yahi haathh laye hain vijay ye
yahi to Bhaagy praneta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
vande maatram, vande maatram, vande maatram
vande maatram, vande maatram, vande maatram
vande maatram, vande maatram, vande maatram
vande maatram, vande maatram, vande maatram
————————-
Devnagri script lyrics
————————-
भारत विश्व विजेता अपना,
भारत विश्व विजेता,
भारत विश्व विजेता अपना,
भारत विश्व विजेता |
संग है विश्व विजेता अपना,
संग है विश्व विजेता,
संग है विश्व विजेता अपना,
संग है विश्व विजेता |
हरेक दिशा में विजय मिले हमें,
इसका बल है देता,
हरेक दिशा में विजय मिले हमें,
इसका बल है देता |
भारत विश्व विजेता अपना,
भारत विश्व विजेता,
भारत विश्व विजेता अपना,
भारत विश्व विजेता |
एक तरफ भारत के खिलाडी,
एक तरफ था सारा जहाँ,
एक तरफ भारत के खिलाडी,
एक तरफ था सारा जहाँ |
जहां एकता, वहां सफलता,
जहां मनोबल, विजय वहां |
जहां एकता, वहां सफलता,
जहां मनोबल, विजय वहां |
खेले अपने खिलाडी यूं,
था कौन जो टक्कर लेता?
खेले अपने खिलाडी यूं,
था कौन जो टक्कर लेता?
भारत विश्व विजेता अपना,
भारत विश्व विजेता,
भारत विश्व विजेता अपना,
भारत विश्व विजेता |
संग है विश्व विजेता अपना,
संग है विश्व विजेता,
संग है विश्व विजेता अपना,
संग है विश्व विजेता |
खेल की दुनिया में भारत ने लिखा है इतिहास नया,
खेल की दुनिया में भारत ने लिखा है इतिहास नया,
जीत सदा कायम रखने को जगा है विश्वास नया |
जीत सदा कायम रखने को जगा है विश्वास नया |
यही हाथ लाए है विजय ये, यही तो भाग्य प्रणेता,
यही हाथ लाए है विजय ये, यही तो भाग्य प्रणेता |
भारत विश्व विजेता अपना, भारत विश्व विजेता,
भारत विश्व विजेता अपना, भारत विश्व विजेता |
संग है विश्व विजेता अपना, संग है विश्व विजेता,
वंदे मातरम, वंदे मातरम. वंदे मातरम |
वंदे मातरम, वंदे मातरम. वंदे मातरम |
वंदे मातरम, वंदे मातरम. वंदे मातरम |
वंदे मातरम, वंदे मातरम. वंदे मातरम |
- In: "beach" song | "Fisherman" song | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Avinash Scrapwala | Group Dance | Guest posts | Inspirational song | Kishore Kumar songs | Lyrics contributed by readers | Post by Avinash Scrapwala | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Shailendra Singh songs | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1982 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
|
Blog Day: |
4912 | Post No. : | 16732 |
Rajesh Khanna – The Phenomenon – 9
– – – – – – – – – – – – – – – – – – – –- – –
Today 29th December’2021 is the seventy-nineth birth anniversary (29 December 1942 – 18 July 2012) of Rajesh Khanna, born as Jatin Khanna.
On this occasion we pay our tributes to him and listen a song from one of his movies.
In this ninth episode of ‘Rajesh Khanna- The Phenomenon’ we look at Rajesh Khanna movies in the year 1982. In the year 1982 the following six movies of Rajesh Khanna were released (including ‘Disco Dancer’* where he had a friendly appearance).
| S No | Movie Title | Director | Passed by Censor Board |
| 01 | Ashaanti | Umesh Mehra | 01.05.1982 |
| 02 | Dharam Kaantaa | Sultan Ahmed | 28.07.1982 |
| 03 | Disco Dancer* | B. Subhash | 10.12.1982 |
| 04 | Jaanwar | Ali Raza | 20.12.1982 |
| 05 | Raajput | Vijay Anand | 08.04.1982 |
| 06 | Suraag** | Dr Jagmohan Mundra | 01.01.1982 |
(*Friendly Appearance, **Guest Appearance)
In the previous post in this series ‘Rajesh Khanna – The Phenomenon – 8’ we had discussed how Rajesh Khanna in the late seventies switched on to different roles exploring and introspecting himself and taking a new challenge for his ‘second innings’.
In the late seventies and early eighties, he has a string of successful movies viz. ‘Amardeep’ (1979), ’Thodi Si Bewafaai’ (1980), and critically acclaimed movies like ‘Red Rose) (1980), ‘Phir Wohi Raat’ (1980), and ‘Bandish’ (1980).
In 1981 he tasted more success with movies like ‘Dard’, ‘Dhanwan’, ‘Dil e Naadan’, ‘Qudrat’ and ‘Fifty-Fifty’.
‘Qudrat’ (1981) was a multi-starrer movie and had good success at the box-office. That saw Kaka putting more efforts to change his image and considering films in the ‘multi-starrer’ and ‘action’ genres, which he thought earlier was not his ‘cup of tea’. It can also be said that these two ‘genres’, where he was not doing films, were partly responsible for the failure of his earlier movies on the box-office.
In 1982 we had Kaka’s films like ‘Raaput’, ‘Ashaanti’, ‘Dharam Kaanta’ which were multi-starrer as well as action movies. He further continued doing such ‘multi-starrer-masaala’ films like ‘Paapi Pet Ka Sawaal Hai’, ‘Dharm Aur Qaanoon’, ‘Maqsad’, ‘Bewafaai’, ‘Awaam’, ‘Vijay’, etc. coming in the next few years.
Today’s song is from one of the above movies and that movie is ‘Ashaanti’. This song also beautifully catches the ‘spirit of team efforts’ instead of a ‘one-man-show’ and advocates ‘helping each other’ to get success.
‘Ashaanti’ is directed by Umesh Mehra for Eagle Films, Bombay, and is produced by Parvesh C. Mehra.
The movie has Rajesh Khanna, Zeenat Aman, Parveen Babi, Shabana Azmi, Mithun Chakravarty, Kanwaljeet, Amrish Puri, Jeevan, Narendra Nath, Monty, Mac Mohan, Kishore Kapoor, Yusuf Khan, Ram Sethi, Nadira, Satyen Kappu, Bob Christo, Mohan Choti, Avtar Gill, Ajay Agrawal, Amir Jambra, Yusuf, Ganesh, and others. Prem Kishan and Ramesh Deo makes a special appearance in this movie.
This movie was passed by Censor Board on 01.05.1982.
This movie has five songs composed by RD Burman. Lyrics for all the five songs are penned by Anand Bakshi. Following is the list of songs this movie had.
| S.No. | Song Title | Singer/s | Posted On |
| 01. | Ru ru ru ru … Dil diya hai maine dil diya hai | Asha Bhonsle, Amit Kumar | |
| 02 | Main hoon sharaabi, nahin ji nahin | Shailendra Singh | |
| 03 | Naa tujhse naa mujhse oye naa mujhse naa tujhse, hamse hai yah duniya |
Asha Bhonsle, Kishore Kumar, Shailendra Singh | |
| 04 | Suniye main jis shahar mein jaati hoon… laungi mirchi main Kolhapurchi |
Lata Mangeshkar, Asha Bhonsle, | 19.11.2017 |
| 05 | Shakti de ma … o pag pag thokar khaaun chal naa paaun … | Chandrashekhar Gadgil, chorus | 29.12.2012 |
That was all around forty years back now. And if we go back further ten years to the year 1972. That is around fifty years back from now, we have the following movies of Rajesh Khanna released in that year.
(Rajesh Khanna movies – 1972)
| S No | Movie Title | Director | Passed by Censor Board |
| 01 | Anuraag** | Shakti Samanta | 22.11.1972 |
| 02 | Apnaa Desh | Jambu | 28.03.1972 |
| 03 | Bawarchi | Hrishikesh Mukherjee | 30.06.1972 |
| 04 | Dil Daulat Duniya | Prem Narayan Arora | 12.06.1972 |
| 05 | Joroo Ka Ghulaam | A Bhim Singh | 07.09.1972 |
| 06 | Maalik | A Bhim Singh | 26.10.1972 |
| 07 | Mere Jeewan Saathi | Ravi Nagaich | 19.09.1972 |
| 08 | Shaahzaadaa | K. Shankar | 05.09.1972 |
(*Guest appearance, ** Friendly/Special Appearance)
We can see all the above movies had great music too as usual for Kaka movies.
Coming back to the today’s song it is from the movie 1982 movie ‘Ashaanti’. As mentioned above Lyrics for all the songs are written by Anand Bakshi and music is composed by RD Burman.
In today’s song Rajesh Khanna is lip-syncing for the voice of Kishore Kumar, Mithun Chakravarty for Shailendra Singh, Kanwaljeet for Kishore Kumar and Zeenat Aman, Parveen Babi and Shabana Azmi are lip-syncing for the voice of Asha Bhonsle.
We can see many others in the picturisation of this song.
Let us now enjoy this foot-tapping song now …
Video
Audio
Song – Na Tujh Se Na Mujh Se, Na Mujh Se Na Tujh Se (Ashaanti) (1982) Singer -Kishore Kumar, Asha Bhosle, Shailendra Singh, Lyrics – Anand Bakshi, MD – RD Burman
Kishore Kumar + Asha Bhosle
Shailendra Singh + Asha Bhosle
Chorus
Lyrics
naa tujh se
naa mujh se
oye naa mujh se
naa tujh se
hamse hai ye duniya aa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
arey main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho ho o saathiyaa
tera sahaaraa ban jaaun main
mera shaaraa tu ban jaa
tera sahaaraa ban jaaun main
mera shaaraa tu ban jaa
main nadiya ki dharaa banoon
mera kinaaraa tu ban ja
dhadke tera dil
to dhadke mera jiya
o saathiyaa
ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa
ho o mere binaa ye kis kaam ki
hoye hoye
iske bina main kis kaam ka
arey mere binaa ye kis kaam ki
hoye hoye
iske bina main kis kaam ka
meri ya botal ki baat hai
aashiq hai tu kiske naam ka
dil aadhaa aadhaa donon ko hamne diya
o saathiyaa
ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho o o saathiyaa aa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
arey main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa
do haathon se ye taali baje
la la laa
mehfil akele se naa saje
la la la laa
do haathon se ye taali baje
mehfil akele se naa saje
sab ho magar jo ik tu naa ho
tere binaa ye ji na lagey
baati na ho jo kaise jaley ye diyaa
ho o o o saathiyaa
o ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya kya kya kya
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o o saathiyaa aa
o saathiyaa aa
——————————————————————————–
Hindi script lyrics (Provided by Avinash Scrapwala)
——————————————————————————–
ना तुझ से
ना मुझ से
ओये ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
अरे मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो हो ओ साथिया
तेरा सहारा बन जाऊं मैं
मेरा सहारा तू बन जा
तेरा सहारा बन जाऊं मैं
मेरा सहारा तू बन जा
मैं नदिया कि धरा बनूं
मेरा किनारा तू बन जा
धडके तेरा दिल
तो धडके मेरा जिया
ओ साथिया
हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
अरे मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ साथिया
हो ओ मेरे बिना ये किस काम कि
होए होए
इसके बिना में किस काम का
अरे मेरे बिना ये किस काम कि
होए होए
इसके बिना मैं किस काम का
मेरी या बोतल कि बात है
आशिक है तू किसके नाम का
दिल आधा आधा दोनों को हमने दिया
ओ साथिया
हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो हो ओ साथिया
दो हाथों से ये ताली बजे
ल ल ला
महफ़िल अकेले से ना सजे
ल ल ल ला
दो हाथों से ये ताली बजे
महफ़िल अकेले से ना सजे
सब हो मगर जो इक तू ना हो
तेरे बिना ये जी ना लगे
बाती न हो जो कैसे जले ये दिया
हो ओ ओ ओ साथिया
ओ हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या क्या क्या क्या
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
ओ साथिया आ
ओ साथिया आ आ
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Kavitha Krishnamurthy Solo Songs | Kavitha Krishnamurthy Songs | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | movie opening song | Multiple version song | Parent Child song | Post by Peevesie's mom | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1980s (1981 to 1990) | Songs of 1986 | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4912 | Post No. : | 16731 | Movie Count : |
4554 |
Hullo Atuldom
‘Adhikaar’ meaning ‘Rights’ is a title that has been used four times by Bollywood. This information I gathered from the blog’s ‘List of songs- Moviewise’ tab. Of the four films titled ‘Adhikaar’ the ones released in 1938, 1954, and 1971 have already made their debut on the blog; in fact the ones released in 1954 and 1971 have been Yippeee’d too. The 1938 ‘Adhikaar’ has four out of seven songs on the blog. Today’s post sees ‘Adhikar’ (1986) make is debut on the blog. The song with this post is the one that plays as the movie’s titles play on-screen and we can see this ‘Adhikar’ is an ‘a’ short.
“Adhikar” (1986) was a movie that I recall having seen in a cinema theater. It had the standard, run-of-the-mill story, popular in that period.
“A rich girl loves and marries a not so rich man. Her parents initially agree to the wedding but cracks begin to appear in the marriage when the girls’ parents start interfering in the couple’s daily life.”
This is the two-line synopsis of movies like ‘Pyar Jhukta Nahi’ (1985), ‘Pyar Ke Kaabil’ (1987) etc.
The common element between ‘Pyar Jhukta Nahin’ (PJN), ‘Pyar Ke Kaabil’ (PKK) and ‘Adhikar’ is Bindu- she played the heroine’s interfering mother in all the three films. PJN had Padmini Kolhapure play a simple girl born to rich parents, and PKK had her (Padmini) play a lady working in her mother’s business venture. ‘Adhikar’ was slightly hat ke in the sense that Tina Munim played a simple girl born to an ambitious mother who wants her to be a singer and become rich & famous. So that should give a brief idea about what the movie was about.
‘Adhikar’ had Tina Munim and Rajesh Khanna play the parents to a sweet boy credited as Master Lucky on some sites (even in the titles of the film) and Baby Bulbul on others. Zarina Wahab, Bindu, Danny, Raza Murad, Murad, Sulochana, Yunus Parvez etc. form the supporting cast. Tanuja is there in a special appearance. Bappi Lahiri is the music director and Indeevar is the lyricist. Lata Mangeshkar, Chandrani Mukherjee, Anupama Deshpande, Uttara Kelkar, Kavita Krishnamoorthy and Kishore Kumar are the playback singers used in the movie. The movie is directed by Vijay Sadanah and produced by Jawaharlal Bafna and Vasant Doshi. It is the last movie that Rajesh Khanna and Tina Munim came together for and then the hit pairing came to an end.
The song with this post plays at the start, establishing Rajesh Khanna’s (Vishal’s) single parent status. The song shows Lucky developing interests in horses etc. Oh, I forgot to add that Rajesh Khanna plays a retired jockey. The sad version, in Kavitha Krishnamurthy’s voice, occurs at the end, when the child sings it to try and revive an unconscious Vishal. Vishal has had an hemorrhage after winning his last race as a jockey, and the doctor has given little hope of his survival. But Vishal survives and the film has a happy ending with the misunderstandings between the couple clearing up.
This song showcases Rajesh Khanna at his emotional best. His charming smile, that reaches his eyes and the mustachioed look, at the start of the song is what I liked about Rajesh Khanna – remember the look he sported at the start of ‘Dushman’ (1971). He was the heart throb of a whole generation of movie goers in the early 70s and he had ardent followers who were loyal to him forever – whatsay Avinash ji, Raja ji, and others!!!! We were upset when Amitabh Bachchan dislodged him but there were people, like yours truly, who loved to see ‘Anand’, ‘Namak Haraam’ as much for Kaka as for Amitabh Bachchan. I loved AB Sr. in ‘Inquilaab’ as much as Kaka in ‘Aaj Ka MLA Ram Avatar”. I am sure there were fans who didn’t know who to choose as favorite. The careers ran parallel for some time. But then all these have been written a number of times and will be written forever till the 70s generation decides who they loved more —- that means forever I suppose.
Thinking of Kaka a.k.a Rajesh Khanna on his birth anniversary. He would have gone a year closer to 80.
Male Voice
Female Voice
Song – Main Dil Tu Dhadkan, Tujh Se Mera Jeevan (Adhikar) (1986) Singer – Kishore Kumar, Kavita Krishnamurthy, Lyrics – Indeevar, MD – Bappi Lahiri
Chorus
Lyrics (Provided by Sudhir)
Male Version
oo oo oo oo
oo oo oo oo
aa aa aa aa
aa aa aa aa
suraj se kirnon ka rishta
seep se moti ka
tera mera wo rishta
jo aankh se jyoti ka
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
aa aa aa aa
aa
aa aa aa
aa aa aa
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
mere jeevan ka ye deepak
tujhse hi roshan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
Female Version
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
aaa aaa aaa
aaa aaa aaa
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
aaaa aaaa
aaaa aaaa
tere dum se judi hui hai
saanson ki ye kadi
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi. . .
main to. . . ek ghadi. . .
aa aa aa aa
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
Chaand taley jhoom jhoom
Posted on: December 29, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4912 | Post No. : | 16730 |
Today, December 29, 2021 is the 6th Remembrance Day of Subir Sen, singer, actor and the music director in Hindi and Bangla films. The resemblance of his voice with that of Hemant Kumar seems to have influenced the music director, Shankar-Jaikishan to try him as a playback singer in Hindi films. Subir Sen sang just 28 songs in Hindi films in the span of around 12 years. Most of the songs he rendered became popular.
Subir Sen (24/07/1934 – 29/12/2015) was born in Assam and grew up in Guwahati where his father had a pharmacy business. He completed his matriculation from Guwahati. From the childhood, he was drawn towards music and this was the reason that made his father to shift to Kolkata after selling his pharmacy business. During his growing up days, he was highly influenced by the singing of Dhananjay Bhattacharya, Hemant Kumar and Talat Mehmood. When he started singing their songs in some programmes, the audience started appreciating his renditions. He felt that he can also sing like his favourite singers which made him to pursue the singing as a career.
Subir Sen enrolled himself in Marris College of Music (later renamed as Bhatkhande Music Institute), Lucknow. During the third year of his college, he received the first prize for singing a vilambit Khayal in raag Purvi. Later, he learnt Hindustani classical music from Acharya Chinmoy Lahiri, a vocalist in Hindustani classical music. On the advice of Acharya Chinmoy, Subir Sen learnt the Thumri singing from Usha Ranjan Mukherjee for over 2 years.
On an invitation from Guru Dutt, Subir Sen along with the music director, Sudhin Dasgupta shifted to Mumbai and became the part of the Guru Dutt’s Films for his film under production (probably for ‘Pyaasa’1957). However, though they were on the payroll of Guru Dutt Films, they never got opportunity to sing in his film. It is said that Guru Dutt sent Subir Sen to S D Burman for audition. He introduced himself as a singer who sang in the style of Hemant Kumar. S D Burman rejected him without taking his audition by asking him as to why he should use him when he can have the original voice of Hemant Kumar. (Source: Interview of Pandit Shiv Kumar Sharma on S D Burman).
While Sudhin Dasgupta returned to Kolkata, Subir Sen got an opportunity to sing for the first time in Hindi films under the baton of Shankar-Jaikishan who were impressed with the resemblance of his voice with that of Hemant Kumar. The first song he sang in Hindi film was manzil wohi hai pyaar ki raahi badal gaye in ‘Kathputli’ (1957) picturised on Balraj Sahni. The song became very popular and was one of the three songs from ‘Kathputli’ (1957) to figure in the top 32 songs of Binaca Geetmala for the year 1958. In 1959-60, Subir Sen sang six songs in six films with six music directors (including one under the baton of Hemant Kumar), all of which became popular.
Subir Sen again came into the attention when his song, dil mera ek aas ka panchhi picturised on Rajendra Kumar (who was nick named as ‘Jubilee Kumar’), became even more popular than his first song, ranking 5th among the top 32 Hindi film songs of Binaca Geetmala for the year 1961.
With the kind of the early successes, Subir Sen must have dreamt of a bright future for him as a playback singer in Hindi films. But his discography in the table given below reveals that his playback singing career in Hindi films did not reach to a level to make a living out of it. In most of the films, he got the opportunity to sing only one song.
| No. | Songs | Name of the Film | Co-singer | Music Director |
|---|---|---|---|---|
| 1 | manzil wohi hai pyaar ki | Kathputli (1957) | Solo | Shankar-Jaikishan |
| 2 | pyaar mein milna sanam | Ardhaangini (1959) | Lata | Vasant Desai |
| 3 | main rangeela pyaar ka raahi | Chhoti Bahen (1959) | Lata | Shankar-Jaikishan |
| 4 | gori tere natkhat nainaa | Ham Bhi Insaan Hain (1959) | Geeta Dutt | Hemant Kumar |
| 5 | dil leke jaate ho kahaan | O Tera Kya Kehna (1959) | Kamal Barot | Kalyanji Virji Shah |
| 6 | hamen in raahon pe chalna hai | Maasoom (1960) | Aarti Mukherjee | Robin Banerjee |
| 7 | gar tum bura na maano | Mehlon Ke Khwaab (1960) | Asha Bhosle | S Mohinder |
| 8 | dheere chalaao zaraa | Aas Ka Panchhi (1961) | Asha Bhosle | Shankar-Jaikishan |
| 9 | dil mera ek aas ka panchhi | Aas Ka Panchhi (1961) | Solo | Shankar-Jaikishan |
| 10 | bahaare luta ke nazaare dikha ke | Anarbala (1961) | Suman Kalyanpur | Bulo C Rani |
| 11 | dekho na jaao ae jaaneman | Boy Friend (1961) | Solo | Shankar-Jaikishan |
| 12 | sun le daastaan yoon na sata | Passport (1961) | Solo | Kalyanji-Anandji |
| 13 | aa jaa re nain dwaare | Roop Ki Rani Choron ka Raja (1961) | Chorus | Shankar-Jaikishan |
| 14 | chanda salone itna bata de | Sati Renuka (1961) | Suman Kalyanpur | S L Merchant |
| 15 | kya kaha zara phir kaho | Gangu (1962) | Geeta Dutt | Kalyanji-Anandji |
| 16 | kasam na lijiye kasam na dijiye | Jaadoo Mahal (1962) | Purnima Seth | Bulo C Rani |
| 17 | Jeewan ki lambi raahon par | Pick Pocket (1962) | Mahendra Kapoor | Sardar Malik |
| 18 | thaam mujhe gir na jaaun | Raaz Ki Baat (1962 UR) | Solo | Robin Banerjee |
| 19 | chaand tale jhoom jhoom | Jab Se Tumhen Dekha Hai (1963) | Suman Kalyanpur | Dattaram |
| 20 | gagan ke chanda na poochh hamse | Apne Huye Paraaye (1964) | Lata | Shankar-Jaikishan |
| 21 | haath chod de mera bedardi | Hukum Ka Ekka (1964) | Aarti Mukherjee | Robin Banerjee |
| 22 | bujh gaya dil ka diya | Jaadui Anghooti (1964) | Solo | Suresh Kumar |
| 23 | ab to aisa lagta hai | Roop Sundari (1964) | Solo | Sardar Malik |
| 24 | jaago anjaani raajdulaari | Ek Soorat Do Dil (1968) | Aarti Mukherjee | Bijan Pal |
| 25 | aah dil mein hai | Rani Chandravati (1968, UR) | Solo | S N Tripathi |
| 26 | Ye pukaar kiske liye | Rani Chandravati (1968, UR) | Suman Kalyanpur | S N Tripathi |
| 27 | sedin dujone dulechhinu bone (Bangla) | Anubhav (1971) | Solo | Rabindranath Tagore |
| 28 | koi mera ho gaya | Midnight (1972) | Solo | Subir Sen |
The initial euphoria Subir Sen created in Hindi film music due to the resemblance of his voice with that of Hemant Kumar may have becoming a stumbling block in his playback singing career. It would be a natural response from the music directors that they would rather work with Hemant Kumar who had already established himself as a playback singer than Subir Sen. Also, producers, directors, actors and the film financiers/distributors have their own preferences for playback singers among the established ones.
Ashutosh Banerjee, music director who had composed many Bangla films and non-film songs for Subir Sen was of the view that while in Mumbai, Subir Sen started listening to a lot of western music during which Jim Reeves and Nat King Cole became his favourite singers. From Jim Reeves, he picked up the tonal quality and from Nat King Cole the drama in singing. In his subsequent renditions, Subir Sen was influenced by the styles of these two American singers.
Some changes in Subir Sen’s rendition style are evident in his later songs. For instance, in ‘dheere chalo zara’ from ‘Aas Ka Panchhi’ (1961), one can feel some shades of Mukesh in the song. In ‘dekho na jaaneman’ which he sang for Shammi Kapoor in ‘Boy Friend’ (1961), his voice sounds somewhat different giving a feel of Manna Dey. I have listened to some of his Bangla non-film songs and I feel that he had adapted to a style of rendition to sound somewhat different from Hemant Kumar’s voice. For examples, ‘oy ujjwal din’ and ‘pagol hawa’ (a rehash of non-film Bangla song originally sung by Jatileshwar Mukherjee and ‘na jaane tum’ from ‘Chhoti Si Baat’, 1976).
With his playback singing career in Hindi films getting stangnated, Subir Sen returned to Kolkata sometime in early 1970s. He recorded hundreds of Bengali modern and Rabindra Sangeet numbers over three decades. He also acted along with Uttam Kumar in Bangla film, ‘Momer Alo’ (1964) and in Hindi film “Anubhav’ (1971).
Subir Sen and also Dwijen Mukherjee could not create a place for themselves in Hindi films mainly because they were born with their voice boxes almost similar to Hemant Kumar. And both of them were the contemporary of Hemant Kumar and in competition with him. Also, they came at a time when the troika of the main male playback singers – Mohammed Rafi, Mukesh, Talat Mehmood and later Kishore Kumar had already well-established in Hindi film industry.
On the occasion of the 6th Remembrance Day of Subir Sen, I am presenting ‘chaand tale jhoom jhoom tirak rahi hai’ rendered by him with Suman Kalyanpur for the film ‘Jab Se Tumhen Dekha Hai’ (1963). The song is written by Shailendra which is set to music by Dattaram.
With this song, all the six songs of ‘Jab Se Tumhen Dekha Hai’ have been covered in the Blog.
Acknowledgements:
1. Videos of interview of Subir Sen by Kolkata Gaan available on YouTube. Since the interview was conducted in Bengali, I requested Partha Chanda ji for the English translation which he promptly sent me with the links of a couple of Subir Sen’s Bangla songs. Thanks Partha Chanda ji.
2. Interview of Ashutosh Banerjee which appeared on The Times of India E-Paper, updated on 29/12/2015.
Audio Clip:
Song-Chaand taley jhoom jhoom (Jab Se Tumhen Dekha Hai)(1963) Singers-Suman Kalyanpur, Subir Sen, Lyrics-Shailendra, MD-Dattaram
Suman Kalyanpur + Subir Sen
Male chorus
Female chorus
All chorus
Lyrics
ha aa aa aa
ha aa aa aa
ha aa aa aa
ha
ho o o o
ho o o
o o o o
ha aa aa aa
ha aa aa aa
ha aa aa aa
ha
ho o o o
ho o o
o o o o
chaand tale jhoom jhoom
thirak rahi hai ghoongharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
haand tale jhoom jhoom
thirak rahi hai ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
ho o o o
aa aa aa
o o o o
ho o o o
aa aa aa
ho o o o
aa aa aa aa
ho o o o
ho o o o
aa aa aa
o o o o
chori chori dil ko mere kaun gaya chhoo
aaj meri har nazar pe kis ki justujoo
aa aa aa
o o o o
aa aa aa
o o o o
bekaraar mera pyaar meri aarzoo
mere dil ko bhaa gayi hai aaj tu hi tu
haay main bhi aaj main nahi tu bhi nahin tu
hoy
chaand tale jhoom jhoom
thirak rahi hai ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
ha aa aa aa
ha aa aa aa
ha aa aa aa
ha
ho o o o
o o o
o o o o
ha aa aa aa
ha aa aa aa
ha aa aa aa
ha
ho o o o
o o o
o o o
aaj itne paas hain jo kal thhe paraaye
saamne hai jo kabhi thhe khwaab mein aaye
la ra ra ra
la ra la ra li ra
la la la la
la ra la ra li ra
dekhti hai par nigaah sochti nahin
kya bharam kya hai sach ye jaanati nahi
o mere dil ki manzile hain bas yahin kahin
hoy
chaand tale jhoom jhoom
thirak rahi hai ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
ho o o o
ha aa aa
o o o
ho o o o
ha aa aa
o o o
be-dhadak ye dil mein mere aa raha hai kaun
apni raah mujhko bhi bhula raha hai kaun
ha aa aa aa
ho o o o
ha aa aa aa
ho o o o
dheere dheere dil se dil mein la raha hai kaun
dekhiye to pyaar se bula raha hai kaun
o kya khabar ye mujhko aajma raha hai kaun
chaand tale jhoom jhoom
thirak rahi hain ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hain taaliyaan
chaand tale jhoom jhoom
thirak rahi hai ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4912 | Post No. : | 16729 |
Today’s song is from the film Raja Harishchandra-1952.
The story of Raja Harishchandra is prominent in Hindu culture for being a Satyawadi king, who made big sacrifices to stand by his word given to a sage, though in a dream. Most people in the age group of 50 and above possibly must have read his story in their childhood. This was not only a popular story for children but even the Hindi film makers loved this story.
The very first silent feature film made in 1913 by Dadasaheb Phalke was on this story. From 1913 onwards there were 5 silent films made on this story, in the years 1913, 1917,1924, 1928 and 1929. After the Talkie films started, in the first year itself, i.e. in 1931, there were 2 films made on this story. The first was Harishchandra-1931 made in Bombay by Krishnatone film co. and the other was Satyawadi Raja Harishchandra-1931 made in Calcutta by Madan Theatres. Following is the list of films on this story….
1931- Harishchandra
1931- Satyawadi Raja Harishchandra
1932- Ayodhya ka Raja ( Hindi version of the First Marathi Talkie ” Ayodhyecha Raja”, by Prabhat Films )
1952- Raja Harishchandra
1958- Harishchandra
1963- Harishchandra-Taramati
1970- Harishchandra Taramati
1979- Raja Harishchandra
These are Hindi films. There were several films in Regional languages too. In the last 30 years or so, I am not aware of any mythological or religious films made in Hindi – though regional languages keep on making such films. Perhaps Hindi filmmakers have become too ‘ Secular’ to make religious films !
Film Raja Harishchandra-1952 was made by Trivedi productions, owned by Chimanlal Trivedi. He was a producer of a different kind. He founded many production houses, starting with the famous CIRCO Productions – which was sold to A.R.Kardar in 1942 to make his own Kardar studio. Kardar was a paid director in this company.
Chimanlal Trivedi, was one of the major filmmakers of the 30s and the 40s decade. He was more a Producer businessman than a Director. While he directed hardly 7 films, he produced close to 50 films- all having A grade actors, directors and composers !
Born on 19-3-1909 at a village near Anand in Gujarat he was from a Brahmin family. He did his schooling in Ahmedabad and technical graduation from Baroda. Being an expert in weaving, he took up a job as a weaving Master in Calcutta. Fond of writing, he started writing Dramas, which were staged in Bengal and Gujarat. He was attracted towards Cinema and tried some work in New Theatres. Knowing that the real playing field is Bombay he reached there. He wrote stories for the film Chevrolet-36 and Danger Signal-37 for Mohan pictures.
He established his own production company CIRCO (Cine Industries Recording COmpany) in 1937. By 1943, he had made 12 films. He preferred not to direct his films, but appointed directors like Mohan Sinha for Laxmi-40, Anuradha-40 and Vanmala-41, Balwant Bhatt for Suhag-40 and Madhusudan-41, A R Kardar for Swami-41 and Nai Duniya-42 and Debki Bose for Apna Ghar-42.
He had the art of getting the most popular stars for his films like, Prithviraj kapoor, Chandramohan, Durga Khote,Mazhar khan, Bibbo,Surendra, Jairaj, Sitara, Jeevan, Yaqub, Shobhana Samarth, Prem Adeeb, Vishnupant Pagnis,Leela Desai, Pahadi Sanyal, Shanta Apte and many others. Even big directors like Debki Bose,Nitin Bose, Kardar,Mohan Sinha, Sarvottam Badami, Nandlal Jaswantlal,Profull Roy, Sudhir Sen, R S Chaudhary, Phani Mujumdar, Balwant Bhatt etc. worked for him. From Prabhat he brought Shanta Apte for Rs.1000 pm, and also Chandramohan, Pagnis and Mazhar khan. His friend Chandulal Shah followed his way and brought K L Saigal from New Theatres !
C L Trivedi was an expert in gathering funds for his films. After CIRCO at Parel, he started Laxmi Productions at Andheri, in 1942. He made mera Gaon, Sharafat, Bhagya Laxmi, Kadambari, Tamanna, Inkaar, Mohabbat,Miss Devi etc. In 1951, it was Supreme Pictures, Trivedi Productions was in 1952, Kala Kendra in 1953 and with Chitra Bharati in 1954, he made 13 films upto 1961. Top Composers like Timir Baran, Ashok Ghosh, Rafiq Gaznavi, K C Dey, Saraswati Devi,Husnlal-Bhagatram and Naushad gave music to his films.
In the end, he turned to Stage and started Abhinay Bharati. He staged many dramas in Bombay and Gujarat. Chimanlal always went for big names. He had close relations with Nehru, Menon, Morarji Desai, and other National leaders. His wife Kantaben was a Leader herself. Chimanlal Trivedi died on 25-11-1973. His wife, 3 sons and a daughter settled in the USA.
It may be a coincidence, but Gujarati businessmen like Chimanlal Trivedi, Chimanlal Desai,Chimanlal Luhar, Chaturbhuj Doshi, Chimankant Desai, Chunibhai Desai and Chandulal Shah made sizable contribution to Hindi cinema in the first 20 years of the Talkie era. All names started with CH ( ? ) !
My today’s post will be my last post in this year – 2021. I have written 121 posts in this year, from January 2021 till this one. This is much faster than my 95 posts written in 2020. I had reached my Landmark post no. 1000 on 18-8-2021. Forget the number of posts I write, the sheer joy I get in writing about old films and music can not be measured. The credit for my writing goes to ATUL ji and our readers of this Blog. This Blog has achieved an unique position in the Blogosphere for its consistency, accuracy, credibility and variety of information available – unrestricted to any and everyone interested in old films and music. It is a matter of Pride for us to be one of the contributors here. Thank you, ATUL ji.
Most of us who had read the story of Raja Harishchandra in our childhood may not be remembering it fully now. So, here is the story of the film Raja Harishchandra-1952….
Truth alone shall succeed in the end. For, Truth alone can keep the world stable. From times immemorial, torch-bearers of Truth have blazed the trail of human progress. Such one was Harishchandra, the King of Ayodhya. . Child Harischandra flowered into a handsome youth on the bough of royal luxury. The young heart fell for Princess Taramati of Mithila. Every full moon saw the young hunter Harischandra making his way to the forest to meet his love, Taramati.
On one such occasion, the lovers lost their track in the darkness of the heavy bursting clouds and wandered to the ashram of a blind Brahmin sage Sachchidanand, who gave them shelter for the night. Next morning came the time to take leave; but Harishchandra could not feel like leaving the ashram until he knew his future from the lips Sachchidanand, the miracle of whose astrological powers, he was fortunate to see. Sachinanand tried to dissuade Harishchandra from his thoughts but Harishchandra insisted upon knowing his future. Helpless Sachidanand had to foretell what lay in store in the future of Harishchandra. . “The married life of Harishchandra and Taramati shall be a hard one”. What a rude shock to the great lovers.
Harishchandra did his utmost to persuade Taramati away from her decision of marrying him. But how could Taramati be happy without Harishchandra? So Harishchandra and Taramati were married. The father of Harishchandra refused to believe in the words of Sachchidananad and put him behind the bars. . Destiny has its way with human beings. In spite of everything, Harishchandra could not find peace with himself. The shadows of the coming events made him restless. The words of Sachchidanad started taking shape. This development was too much for the old father of Harishchandra to bear. He broke down under its weight and died a miserable man.
This completely unnerved Harishchandra and took him to the feet of Sachchidanand seeking his advice in saving himself and his family from ruination. . Sachchidanad impressed upon him the greatness of Honesty and Karma, and asked him to practice Truth.
When Harishchandra accepted and started practicing the doctrine of Truth, Indra, the King of Gods, was greatly shocked. For, a mere human being like Harishchandra had started on his path to Godliness by practicing Truth and might one day unseat the Gods! . Sensing this great danger, Vishwamitra decided to put Harishchandra on severe trials, with a view of forcing him to commit breaches in his practice of Truth. He thought of the most ruthless snares to catch Harishchandra unawares. Next day he went to the king and asked him to donate all his kingdom, which the king had promised him in the sage’s dream. Satyavadi Harishchandra donates the kingdom, sells his wife and son to a Brahman and self to a guard of Shamshan, in order to collect Dakshina amount.
After a few days,his son dies of snake bite,but there is no money to pay tax for cremation. Taramati sells her Mangalsutra and pays to Harishchandra, the Shamshan Guard to cremate their son. Seeing all this, the Gods descend and make his son alive,return all his kingdom and give the family a place in Heaven. Thus Truth alone triumphs.
The cast of the film was Sumitra Devi, Prem Adeeb, Gope, Lalita pawar, Tiwari, Kammo and many others.Film’s 6 songs were written by Bharat vyas, Ramesh Gupta, Gulshan and qamar Jalalabadi and the music was by Husnlal-Bhagatram. 5 songs of this film were already discussed. Today’s song is the 6th and final song here, making the film an ” YIPPEE” film.
Here is wishing our readers a very Happy and prosperous New Year – 2022 !
Song- Khushiyan manaao aaj deepak jalaao aaj(Raja Harishchandra)(1952) Singers- Sulochana Kadam, Satish Batra, Lyricist- Not known, MD- Husnlal Bhagatram
Lyrics
khushiyaan manaao aaj
deepak jalaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
khushiyaan manaao aaj deepak jalaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
o o o o
o o o o
suno suno suno saajna tumhen sikhaaun naachna
suno suno suno saajna tumhen sikhaaun naachna
aaj naache mora ang ang re
aaj naache mora ang ang re
naacho naacho chham chhama chham chham chhama chham
naacho naacho chham chhama chham chham chhama chham
jhoom jhoom gaao aaj masti lutaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
khushiyaan manaao aaj
deepak jalaao aaj
saajan ke sang sang naacho sajaniya
sajan ke
saajan ke sang sang naacho sajaniya
o o o o
o o o o
o o o o
dekho dekho dekho saanwri huyi khushi se baawri
dekho dekho dekho saanwri huyi khushi se baawri
man bhi naache paayal ke sang re
man bhi naache paayal ke sang re
khelo khelo khelo more baalma
khelo khelo khelo more baalma
raas rachaao aaj
rang udaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
khushiyaan manaao aaj
deepak jalaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
o o o o o
o o o o
hato hato hato saanwre
chhedo na sabke saamne
hato hato hato saanwre
chhedo na sabke saamne
mukhde ka ud na jaaye rang re
mukhde ka ud na jaaye rang re
jaao jaao jaao more baalma
jaao jaao jaao more baalma
dil ko na jalaao aaj
aankhen na churaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
khushiyaan manaao aaj
deepak jalaao aaj
saajan ke sang sang naacho sajaniya
saajan ke
saajan ke sang sang naacho sajaniya
Dheere dheere dil mein samaa
Posted on: December 28, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4911 | Post No. : | 16727 |
“Husn Ka Chor”(1953) was produced by Homi Wadia and directed by JBH Wadia for Basant Pictures, Bombay. The movie had Usha Kiran, Mahipal, Brij Mohan Vyas, Azeem Dalpat, Sardar Mansoor, Agha Shapoor, Bismilla etc in it.
The movie had seven songs in it. Six songs have been covered in the past. Here are the details of the songs that have been covered so far :-
| Blog post number | Song | Date of post | Singer (s) |
|---|---|---|---|
| 3472 | Sangdil zamaane mujhe kyun rulaataa hai | 31 January 2011 | Sandhya Mukherjee |
| 4782 | Dil lagaane waale aapse hazaaron hain | 11 October 2011 | Sandhya Mukherjee, Rafi |
| 4895 | O jaane waale kisi ka salaam letaa jaa | 27 October 2011 | Sandhya Mukherjee |
| 15931 | Ho gaya tere majnu ko ishq ka bukhaar | 29 September 2020 | Rafi, Asha Bhonsle, Unknown male voice |
| 16088 | Duniya mein hain bande pyaare daulat ke | 10 December 2020 | Rafi |
| 16713 | O duniya banaane waale bataa anjaam hamaara kya hoga | 23 December 2021 | Geeta Dutt |
Here is the seventh and final song from “Husn Ka Chor”(1953). The song is sung by Shankar Dasgupta and Sandhya Mukherjee. Raja Mehdi Ali Khan is the lyricist. Music is composed by Bulo C Rani.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
With this song, all the seven songs of “Husn Ka Chor”(1953) have been covered in the blog. “Husn Ka Chor”(1953) thus joins the list of movies that have been YIPPEED in the blog.
Song-Dheere dheere dil mein samaa (Husn Ka Chor)(1953) Singers-Shankar Dasgupta, Sandhya Mukherjee, Lyrics-Raja Mehdi Ali Khan, MD-Bulo C Rani
Both
Lyrics(Provided by Prakashchandra)
dheere dheere dil mein samaa aa aa
dheere dheere dil mein sama aa
dil ki dhadkan ye keh rahi hai
dil ki dhadkan ye keh rahi hai ae ae
chupke chupke aankhen mila aa
dil ki dhadkan ye keh rahi hai ae
dil ki dhadkan ye keh rahi hai ae ae
dheere dheere dil mein sama aa
ek ishaara kar do to la doon
ek ishaara kar do to la doon
aasmaan ke ye sitaare
aasmaan ke ye sitaare
kaho to chun chun ke ulfat ki kaliyaan
kaho to chun chun ke ulfat ki kaliyaan
haar pahna doon galey tumhaare
haar pahna doon galey tumhaare ae ae ae
thhodi thhodi ulfat jata aa aa
thhodi thhodi ulfat jata aa
dil ki dhadkan ye kah rahi hai
dil ki dhadkan ye kah rahi hai ae ae
chupke chupke aankhen mila aa aa
dheere dheere dil mein sama aa
haatho mein jo haath liya hai ae
haathon mein jo haath liya hai
dekho chhoot na jaaaaye
dekho chhoot na jaaaaye
bada hi naazuk dil ka sheesha aa
bada hi naazuk dil ka sheesha
dekho toot na jaaaaye
aisi baaten lab pe na la aa aa
aisi baaten lab pe na la aa
dil ki dhadkan ye kah rahi hai ae
dil ki dhadkan ye kah rahi hai ae ae
chupke chupke aankhen mila aa aa
dheere dheere
dheere dheere dil me sama aa aa
dheere dheere dil mein sama
- In: Alka Yagnik Song | Dance song | Devnagri script lyrics by Sudhir | Duet | Dupatta song | expression of love | Feelings of heart | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | One singer singing for two actors | Post by Peevesie's mom | Songs of 2000s (2001 to 2010) | Songs of 2004 | Udit Narayan Song | Yearwise breakup of songs
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4910 | Post No. : | 16726 | Movie Count : |
4553 |
Hullo Atuldom
‘Mujhse Shaadi Karogi’ (release date 30th July 2004) is produced by Sajid Nadiadwala and directed by David Dhawan. It has a cast headed by Priyanka Chopra, Salman Khan, Akshay Kumar, Amrish Puri, Kadar Khan, with Shashikala, Upasana Singh, Supriya Karnik, Satish Shah, Rajpal Yadav, etc for support. A few well-known faces make cameo appearances as themselves. The songs of the movie are written by Arun Bhairav, Jalees Sherwani (never heard these two names) and Sameer. Sajid- Wajid and Anu Malik are the music composers with Anu Malik giving music for one song and Sajid-Wajid having tuned the rest (there were 8 songs with two songs being multi-version songs).
The movie is the story of two friends Sameer and Sunny who meet in Goa after a gap of many years and only one of them recognizes the other as the ‘bachpan ka yaar‘. Actually Sunny seeks out Sameer with the help of Sameer’s grandmother (Shashikala) and tracks him down in Goa. Sunny gets Sameer to believe that he is after the girl, Rani Singh whom he is trying to woo. That makes it two hurdles for Sameer to overcome in his love-life; the other being Rani’s father (Amrish Puri). The movie has some fun moments between Sameer and Rani’s parents as also the landlord (Kadar Khan) of Sameer and Sunny. After a lot of madcap happenings Sameer comes to know that Sunny is actually Arun Khanna- his bachpan ka yaar – and that his aim in seeking out Sameer was just to reunite with him.
On the way to ‘THE END’ there is a chase through a crowded stadium (filmed at Bangalore’s stadium) after Sameer is taunted by Sunny about Sameer’s anger-management issues. Sameer snatches the microphone from the Chief Guest at the cricketing event, a friendly match between India and Pakistan, much to the amusement of the commentators and the players. He makes a public apology to Rani and her parents and proposes to her in front of the spectators.
This movie has Salman Khan playing Sameer, Akhsay Kumar playing Sunny alias Arun Khanna and Priyanka Chopra playing Rani Singh. Rajpal Yadav plays a madcap astrologer who keeps giving Sameer directions on how to woo Rani which always flop.
There have been a few posts on the blog, since 24th when the movie based on the 1983 world cup had its theatrical release. That movie is on my wish-list, but all those posts and references to cricketers making appearances, as themselves, on the silver screen, reminded me of this movie. Of course we have had Sunil Gavaskar and Sandeep Patil playing romantic characters on-screen and Syed Kirmani playing a negative character too, but we are looking at films that have cricketers playing themselves.
‘Mujhse Shaadi Karogi’ has Navjot Singh Sidhu play a commentator (he had turned a commentator mouthing Sidhuisms by then) and Sajid Khan (the comedian and film maker) sharing the commentary box. Then we have Javagal Srinath, Ashish Nehra, Irfan Pathan, Mohammad Kaif, Parthiv Patel, and Harbhajan Singh looking at the goings-on, on the pitch, from the pavilion. And (finally) we have Kapil Dev as the chief guest from whom Sameer snatches the microphone. Kapil Paaji also puts in his two-bit to help Sameer’s case with Rani and her father and put an end to the interruption that the drama was causing to the start of the game.
We are having this film making its debut on the blog to wish Salman Khan on his 56th birthday. Here is wishing him health and happiness and a long innings entertaining us Hindi Film Followers. This romantic song is composed by Sajid-Wajid and written by Arun Bhairav. It is sung by Alka Yagnik and Udit Narayan.
Song – Laal Dupatta Udd Gaya Re Bairi Hawa Ke Jhonke Se (Mujhse Shaadi Karogi) (2004) Singer – Alka Yagnik, Udit Narayan, Lyrics – Arun Bhairav, MD – Sajid-Wajid
Chorus
Lyrics
laal dupatta
laal dupatta
udd gaya re bairi hawa ke jhonke se
laal dupatta
udd gaya re bairi hawa ke jhonke se
mujhko piya ne dekh liya
haaye re dhokhe se
maana ke mujhe dil dega wo
magar meri jaan lega wo
maana ke mujhe dil dega wo
magar meri jaan lega wo
laal dupatta
laal dupatta
udd gaya re tera hawa ke jhonke se
laal dupatta
udd gaya re tera hawa ke jhonke se
tujhko piya ne dekh liya
haaye re dhokhe se
maana ke tujhe dil dega wo
magar apni jaan dega wo
maana ke tujhe dil dega wo
magar apni jaan dega wo
oo oo oo oo
oo oo oo
hey hey hey hey hey
la la
laakh chhuopaye baithi thi main
chaand se chehre ko
ik pal mein hi tod diya
bairan hawa ne pehre ko
oo
tere chehre kya jaana
kucch aisa jaadu chhaa gaya
mere chaand ko dekh ke
chaand bhi sharma gaya
mujhe sharam si aaye
haaye tauba
mera dil ghabraaye
haaye tauba
arey aa baahon mein chook naa jaayen
aise mauke se
tujhko piya ne dekh liya
haaye re dhokhe se
maana ke tujhe dil dega wo
magar apni jaan dega wo
maana ke mujhe dil dega wo
magar meri jaan lega wo
haaye
mehka mehka ye samaa
kehne laga aa pyaar kar
mere sohne yaar tu
dilbar se iqraar kar
oo
tere pyaar ki khushboo
meri saanson mein sama gai
le sajna sab chhod main tere
peechhe peechhe aa gai
tujhe pyaar ho gaya
haaye tauba
iqraar ho gaya
haaye tauba
arey
ab to roke naa rukun main
kisi ke roke se
mujhko piya ne dekh liya
haaye re dhokhe se
maana ke mujhe dil dega wo
magar meri jaan lega wo
maana ke tujhe dil dega wo
magar apni jaan dega wo
laal dupatta
udd gaya re bairi hawa ke jhonke se
hoye
laal dupatta
udd gaya re tera hawa ke jhonke se
tujhko piya ne dekh liya
haaye re dhokhe se
maana ke mujhe dil dega wo
magar meri jaan lega wo
maana ke tujhe dil dega wo
magar apni jaan dega wo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
लाल दुपट्टा
लाल दुपट्टा
उड़ गया रे बैरी हवा के झोंके से
लाल दुपट्टा
उड़ गया रे बैरी हवा के झोंके से
मुझको पिया ने देख लिया
हाय रे धोखे से
माना के मुझे दिल देगा वो
मगर मेरी जान लेगा वो
माना के मुझे दिल देगा वो
मगर मेरी जान लेगा वो
लाल दुपट्टा
लाल दुपट्टा
उड़ गया रे तेरा हवा के झोंके से
लाल दुपट्टा
उड़ गया रे तेरा हवा के झोंके से
तुझको पिया ने देख लिया
हाय रे धोखे से
माना के तुझे दिल देगा वो
मगर अपनी जान देगा वो
माना के तुझे दिल देगा वो
मगर अपनी जान देगा वो
ओ ओ ओ ओ
ओ ओ ओ
हे हे हे हे हे
ल ल ल ला ला
लाख छुपाए बैठी थी मैं
चाँद से चेहरे को
इक पल में ही तोड़ दिया
बैरन हवा ने पहरे को
ओ
तेरे चेहरे क्या जाना
कुछ ऐसा जादू छा गया
मेरे चाँद को देख के
चाँद भी शर्मा गया
मुझे शरम सी आए
हाए तौबा
मेरा दिल घबराए
हाए तौबा
अरे आ बाहों में चूक ना जाएँ
ऐसे मौके से
तुझको पिया ने देख लिया
हाय रे धोखे से
माना के तुझे दिल देगा वो
मगर अपनी जान देगा वो
माना के मुझे दिल देगा वो
मगर मेरी जान लेगा वो
हाय
महका महका ये समा
कहने लगा आ प्यार कर
मेरे सोहने यार तू
दिलबर से इक़रार कर
ओ
तेरे प्यार की खुशबू
मेरी साँसों में समा गई
ले सजना सब छोड़ मैं
तेरे पीछे पीछे आ गई
तुझे प्यार हो गया
हाय तौबा
इक़रार हो गया
हाय तौबा
अब तो रोके ना रुकूँ
मैं किसी के रोके से
मुझको पिया ने देख लिया
हाय रे धोखे से
माना के मुझे दिल देगा वो
मगर मेरी जान लेगा वो
माना के तुझे दिल देगा वो
मगर अपनी जान देगा वो
लाल दुपट्टा
उड़ गया रे बैरी हवा के झोंके से
होय
लाल दुपट्टा
उड़ गया रे तेरा हवा के झोंके से
तुझको पिया ने देख लिया
हाय रे धोखे से
माना के मुझे दिल देगा वो
मगर मेरी जान लेगा वो
माना के तुझे दिल देगा वो
मगर अपनी जान देगा वो
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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