Archive for the ‘S P Balasubramanyam songs’ Category
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5185 | Post No. : | 17163 | Movie Count : |
4623 |
Hullo Atuldom
28th September is the date which is deeply etched in the minds of followers of Hindi Film music. It is the birthdate of the LATA MANGESHKAR. She had a great fan following even among celebrities and in all corners of the earth.
There are pages & pages written about this legend. Every song that she has ever sung has some significance to the listener. Talk to any layman and they will have their own personal playlist featuring songs of this “nightingale”. Invariably the list will have a bhajan, aarathi at the top of the list that will be followed by songs in all moods possible.
Whatever one writes may be a repeat of what has already been written and/or said. Hence I am getting straight to a song. My quest for a song featuring S P Balasubramaniyam and Lata Mangeshkar gave me all the expected results- meaning songs featuring Salman Khan, Jeetendra etc. as also songs from some popular Rajshree Production films. Among all those results I spied a long-forgotten song which featured Rakesh Roshan and Rati Agnihotri. We shall listen to that song today .
The song is from the 1981 released, Rajashekhar directed “Jeene Ki Aarzoo”. It was produced by M. Kumaran, Balasubramanian M. and M. Saravan. That means the production house was AVM Studios of Madras. It was the last Hindi film of the production house, the first one being “Bahar” in 1951 that introduced the Hindi film audiences to a dancing actress Vyjayanthimala.
The music director for “Jeene Ki Aarzoo” was Bappi Lahiri and Anjaan the lyricist. The four songs of the film were sung by Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and S P Balasubramaniyam. Mithun Chakravarthy, Bindiya Goswami, Rakesh Roshan, Rati Agnihotri, Keshto Mukherjee, Rajendranath, Jagdeep, Sujit Kumar, Manmohan Krishna, formed the main cast.
The film was a remake of the director’s own Kannada original “Hunnimeya Rathriyalli” (1980) I have no clue about the plot of the movie but only recall that there was a song featuring Rati in a village belle outfit where she sang about ‘raw mangoes’. Reviews about the movie on online websites say that Mithun Chakravarthy had given a sensational performance and that Rakesh Roshan was good. The reviewer also says that even if the movie itself was not mind-blowing; it was a different kind of film in times when movies were mostly full of ‘Maar-Dhaad’.
Getting on to the song, thinking of Balu sir (whose anniversary was on 25th -two years already!!) and Lata Didi.
Song-Gup chup chori chori gori kare dil chori (Jeene Ki Aarzoo)(1981) Singers-Lata Mangeshkar, S P Balasubrahmaniam, Lyrics-Anjaan, MD-Bappi Lahiri
Both
Lyrics
oo ho o o
laa laalaa laa
laa laalaa
lala lalaa la laa
laa laalaa laa
laa laalaa
lala lalaa la laa
gup chup chori chori
gori kare dil chori
dil ko churaake chhup jaaye re
arre haye re
haan
gup chup chori chori
gori kare dil chori
dil ko churaake chhup jaaye re
arre haaye re
din ko sataaye mujhe
raaton ko jagaaye mujhe
aise roothhe maane na manaaye re
arre haye re
roz banaaye jhootha bahaana
tu kahaan jaane re
dil ka lagaana
gup chup chori chori
gori kare dil chori
dil ko churaake chhup jaaye re
arre haaye re
baadal mein
bijli hai
phoolon mein
khushboo hai
khushboo hai
baadal mein
bijli hai
phoolon mein
khushboo hai
waise hi mere dil mein tu u u
phoolon pe
titli hai
kaliyon pe
bhanwra hai
aisa hi hai harjaayi tu u u
main hoon deewaana
arre ja ja ja
tera parwaana
arre na na
arre na na
na na na na
badi badi baatein karen
meethi meethi ghaatein karen
batiyon se dil bharmaaye re
arre haye re
din ko sataaye mujhe
raaton ko jagaaye mujhe
aise roothhe maane na manaaye re
arre haye re
laa laa aa aa aa
laa laa aa aa aa
woh sapne
kyun toote
woh saathhi
kyun roothhe
kyun roothhe
woh sapne
kyun toote
woh saathi
kyun roothe
jaane bewafa jaane tu u
woh kasmein
jhoothi thhin
wo waade
jhoothe thhe
jhootha mujhe kyun maane tu u
main tera hoon
arre ja ja ja
tu meri hai
arre na na
arre na na
na na na na
sajke rijhaaye mujhe
hanske jalaaye mujhe
tadpaaye haath na aaye re
arre haaye re
gup chup chori chori
koyi kare dil chori
kaise kaise rang dikhaaye re
arre haaye re
roz banaaye jhoothha bahaana
tu kahaan jaane re
dil ka lagaana
gup chup
chori chori
koyi kare
dil chori
kaise kaise rang dikhaaye re
arre haye re
la laalaa laa
laa laalaa
lala lalaa la laa
la laalaa laa
laa laalaa
lala lalaa la laa
la laalaa laa
laa laalaalaa
lala lalaa la laa
laa laalaalaa
lala lalaa la laa
Dil deewaana bin sajnaa ke maane naa
Posted on: June 9, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
5074 | Post No. : | 16996 |
Hullo Atuldom
“Maine Pyaar Kiya” (MPK 1989) was from the Rajshri Productions stable. It was directed by Sooraj R. Barjatya, story by S.M.Ahale, and screenplay and dialogues were by Sooraj Barjatya. Asad Bhopali and Dev Kohli were the lyricists. Vijay Patil (a.k.a Raamlaxman) was the music director. Bhagyashree made her debut in this movie and it was Salman Khan’s first as a hero (he was present in “Biwi Ho To Aisi” in a supporting role before this). Aloknath, Rajeev Verma, Mohnish Behl, Reema Lagoo, Ajeet Vachani, Harish Patel, Huma Khan, Dilip Joshi, and Laxmikant Berde formed the supporting cast. There was a ‘homing pigeon’ too.
S.P.Balasubramaniam, Lata Mangeshkar, Shailendra Singh, Usha Mangeshkar, and Sharda Sinha were the singers who sang the 10 songs in the movie. We have the following two songs from the movie on the blog
| Song | Dat of post | Remarks |
|---|---|---|
| Kahe tose sajna ye tohri sajaniya | 16 July 2013 | (by Shekhar Gupta) |
| Antaakshari song | 27 December 2013 |
Shekhar Gupta’s post gives us the story of the movie.
Asad Bhopali was born Asadullah Khan in Bhopal on July 10th, 1921 to Munshi Ahmad Khan. He was learned in Persian, Arabic, Urdu and English. AT 28 he moved to Mumbai to become a songwriter. That was the period of lyricists and songwriters of repute like D.N. Madhok, Prem Dhawan, Rajinder Krishan, Khumar Barabankavi, Jaan Nisar Akhtar etc. and Asad Bhopali managed to create an identity for himself.
Asad Bhopali has given songs which have been popular and can be heard on the radio and music systems regularly. Songs like ‘woh jab yaad aaye’; ‘kismat bigadi duniya badali’; ‘sau baar janam lenge’; the fun song in the late ’70s ‘ram dulaari maike gayi’. Today’s generation or those in their 30s currently will remember the songs of ‘Maine Pyar Kiya’ (MPK) which was among the last movies that he wrote songs for. He passed away on June 9th, 1990. Thanking Asad Bhopali for today’s song and numerous others that he wrote for movies since his debut in 1949.
I have never seen MPK as a whole. Also I have not seen all the songs but the song with this post is one that no TV viewer or Radio listener can escape. It is in the voices of S P Balasubramaniam and Lata Mangeshkar but not a duet, its a multi version song. We cannot call the male version serious or sad but the female version is full of coy romance and is lip-synced by the dainty Bhagyashree Patwardan.
June 9th happens to be the birthday of a dear friend of Atuldom. I wish him a very Happy Birthday with this post. He is a person who is my inspiration in the sense that he learnt so many skills after retirement proving that there is no age-limit to learn anything new. He has no prejudices as regards the age of the music he listens to- meaning he is of the opinion there are good and bad songs/ music in all ages and times. He may not go out of his way seeking songs of new movies but appreciates good work when he sees it. He is generous in sharing his knowledge. He is among the few persons who I am comfortable in chatting with and can pick up the phone and start talking as if there is no gap in communication. The mornings of the WhatsApp group associated with the blog begin with his “GOOD MORNING” messages and we treasure the beautiful thoughts that come with it. (I am sorry if I am repeating everything that I said last year, but my feelings and thoughts remain the same)
We in Atuldom like to think of him as our IN-HOUSE ENCYCLOPEDIA and I prefer addressing him as Guruji or Arunji. Yes!! today is our dear Arunkumar Deshmukhji’s birthday. All his posts are so well-researched that I am sure it is a big, time consuming activity for him considering that he also has his responsibilities of being a doting father and proud grandfather. May God give you all the energy needed to keep the posts coming in at a steady pace and awaiting your 1100th post soon.
Wish you A Very Happy Birthday Guruji!!! Hope the great musical times continue. 🙂
Male version
Female version
Song-Dil deewaana bin sajna ke maane naa (Maine Pyaar Kiyaa)(1989) Singer-S P Balasubrahmanium/ Lata Mangeshkar, Lyrics-Asad Bhopali, MD-Ram Laxman
Lyrics
————————–
Male version– S P Balasubrahmanium
————————-
dil deewaanaa
bin sajnaa ke
maane na aa
dil deewaanaa bin sajnaa ke maane na aa
ye paglaa hai
samjhaane se samjhe na aa
ye paglaa hai
samjhaane se samajhe na aa
dhak dhak boley
it ut dole din rainaa aa
ye paglaa hai
samjhaane se samjhe na aa
ye paglaa hai
samjhaane se samjhe na aa
dard-e-judaai kya hota hai
tum jaano main jaanoon
o ho ho
ho o o
dard-e-judaai kya hota hai
tum jaano main jaanoon
pyaar bulaaye duniyaa roke
kiskaa kehnaa maanoon
tumse miley bin dil ko kuchh bhi soojhe naa aa
ye paglaa hai
samjhaane se samjhe na aa
ye paglaa hai
samjhaane se samjhe na aa
o ho ho ho ho ho ho ho
ho ho ho ho ho ho ho ho
ban ke lahu nas nas mein muhabbat daude aur pukaare
ho ho ho
o o o
ban ke lahu nas nas mein muhabbat daude aur pukaare
pyaar mein sab kuchh haar diyaa
par himmat kaise haare
keh do duniya dil ka rastaa roke na aa
ye paglaa hai
samjhaane se samjhe na aa
ye paglaa hai
samjhaane se samjhe na aa
dil deewaanaa bin sajnaa ke maane na aa
ye paglaa hai
samjhaane se samjhe na aa
ye paglaa hai
samjhaane se samjhe na aa
—————————–
Female version Lata Mangeshkar
—————————-
o ho
lalalalalalala
hmm hmm hmm hmmhmm
o ho ho o
dil deewaana
bin sajna ke
maane na aa
dil deewaana bin sajna ke maane na aa
ye paglaa hai
samajhaane se samjhe na
ye paglaa hai
samajhaane se samjhe na
dhak dhak boley
it ut dole din rainaa
ye paglaa hai
samajhaane se samjhe na
ye paglaa hai
samajhaane se samjhe na
duniya maange apni muraaden
main to maangoon saajan
ho ho ho
ho o ho ho
duniya maange apni muraaden
main to maangoon saajan
rahe salaamat mera sajnaa
aur sajnaa ka aangan
iske siwaa na dil rab se kuchh bhi chaahe naa aa
ye paglaa hai
samajhaane se samjhe na
ye paglaa hai
samajhaane se samjhe na
hmm hmm
hmm hmm
hmm hmm
hmm hmm
ho ho o
o o o
ho o
o ho ho
ho o o o
ho o o ho ho
o o o
lalalalalalalalala
ho o o ho ho
o o o
lalalalalalalalala
jee ye chaahe bana ke aanchal
tumko lapetoon tan pe
ho ho ho
ho o o
jee ye chaahe bana ke aanchal
tumko lapetoon tan pe
main soochoon main ud jaaun
tumko liye gagan pe
aur bhi kuchh hain dil ke iraade
kya kehnaa aa
ye paglaa hai
samajhaane se samjhe na
ye paglaa hai
samajhaane se samjhe ae na
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4920 | Post No. : | 16749 |
Hullo Atuldom
It is winter and the temperatures in Bangalore and adjoining regions have taken a dip. I am sure North India will be much colder, I don’t know what is the experience of those in western and eastern India. But then, winter is the feature for the entire Northern hemisphere at this time of the year.
We have categories on the blog, that songs are tagged under. The Category “Rain” and “Saawan” have around 86 and 109 posts/ songs respectively. “Saawan” is used to talk of rains and is also the month in the Hindu calendar, when the Indian sub-continent experiences heavy monsoon rains.
In sharp contrast we have only 2 posts for “Summer” category and 5 for the “Snowy Mountain” category. No separate category for winter, cold winds etc. Does that mean that there are no songs in Hindi films that are filmed in winter, when the cold winds blow etc.? No. I recall songs from “Junglee”, “Kasmir Ki Kali”, “Aap Ki Kasam” and hundreds of other films that have ever-so-popular songs that were filmed on the snowy slopes of the many hill-stations that the Himalayan range offers. But when songs from these movies were being posted on the blog, in the infancy stages of the blog i.e., Atulji may not have thought of this particular category; if he had, then this category would have had lots of songs. Today’s song will fit the bill for “Snowy Mountain”.
This song is from the 1992 release, Mani Ratnam directed and K. Balachander produced “Roja”. It had a cast of Pankaj Kapur, Madhoo (billed as Madhubala), Arvind Swamy, and a whole lot of South Indian actors. This is because “Roja” was made in Tamil and later its dubbed versions were released in other languages. The movie had some melodious songs that were written by Vairamuthu (in the Tamil original) and P.K.Mishra (for the Hindi dubbed version). The playback singers used (in Hindi) were Hariharan, Minmini, Sujatha Mohan, Shweta Rao, Baba Sehgal, S.P. Balasubramaniam, KS Chitra. The music director was A R Rehman.
“Roja” was the story of a gritty- young lady. The lady, Roja (Madhoo) is married to a man who was selected as a prospective groom for her older sister. But the to-be-groom (Rishi) takes a liking for Roja. She agrees to the marriage after getting to know that her older sister is happy that she was rejected (she had her heart set on marrying another guy). Roja settles in her husband’s (Arvind Swamy) home when she gets to know that he has been selected to go on deputation to Jammu-Kashmir for helping the army communication center with military intelligence. The young couple find themselves in alien yet beautiful land. Roja’s life turns upside-down when her husband is abducted by Kashmiri terrorists demanding the release of a leader of their’s in exchange. The movie shows how Roja runs from pillar-to-post to get assistance in rescuing her husband, specially when she has a language problem too- she can communicate only in Tamil. (This part got diluted in the Hindi-dubbed version though).
The song with this post happens when the young couple- Roja and Rishi- are exploring the snow clad Baramulla, and honeymooning. It is in the voices of SPB sir and K S Chitra.
The Tamil version of the song was sung by Sujatha Mohan and Unni Menon.
With this post we are wishing the music director, singer, Oscar-award winner A R Rehman on turning a year older today. In addition to the Oscars he has a few Filmfare and National awards to his name. Plus the government of India has conferred the Padma Shri and Padma Bhushan on Rehman. We wish him health and happiness and hope to have lots of great music from him.
Song-Ye haseen waadiyaan ye khula aasmaan (Roja)(1992) Singers-K S Chitra, S P Balasubrahmaniam, Lyrics-P K Mishra, MD-A R Rahman
Lyrics
yeh haseen waadiyaan
yeh khula aasmaan
aa gaye hum kahaan
ai mere saajna
in bahaaron mein dil ki kali khil gayi
mujhko tum jo miley
har khushi mil gayi
tere hontho pe hai husn ki bijliyaan
tere gaalon pe hai zulf ki badliyaan
tere baalon ki khushboo se mehke chaman
sangmarmar ke jaisa yeh tera badan
mere jaanejaan yeh hai teri chaandni
chhed do tum aaj koi pyaar ki raagini
yeh haseen waadiyaan
yeh khula aasmaan
aa gaye hum kahaan ae mere saajna
yeh bandhan hai pyaar ka
dekho toote na sajni
yeh janmon ka saath hai
dekho chhoote na sajna
tere aanchal ki chhaanv ke taley
meri manzil mujhe mil gayi
teri palkon ki chhaanv ke taley
mohabbat mujhe mil gayi
yeh haseen vaadiyaan
yeh khula aasmaan
aa gaye hum kahaan ae mere saajna
in bahaaron mein dil ki kali khil gayi
mujhko tum jo miley
har khushi mil gayi
yeh haseen waadiyaan
yeh khula aasmaan
aa gaye hum kahaan ae mere saajna
jee karta hai saajna
dil mein tumko bithha loon
aa masti ki raat mein
apna tumko bana loon
uthne lage hain toofaan kyon
mere seene mein ae sanam
tumhen chaahoonga dil o jaan se
meri jaane jaan teri kasam
yeh haseen waadiyaan yeh khula aasmaan
aa gaye hum kahaan
ai mere jaanejaan
in bahaaron mein dil ki kali khil gayi
mujhko tum jo miley
har khushi mil gayi
mere jaanejaan yeh hai teri chaandni
chhed do tum aaj koi pyaar ki raagini
yeh haseen waadiyaan
yeh khula aasmaan
aa gaye hum kahaan
ae mere saajna
yeh haseen waadiyaan
yeh khula aasmaan
aa gaye hum kahaan
ae mere saajna
Ek se baney do do se baney teen
Posted on: December 31, 2021
- In: Abhijeet song | Car Repair Garage Song | Car song | Guest posts | Introduction song | movie opening song | Post by Peevesie's mom | S P Balasubramanyam songs | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1993 | Udit Narayan Song | Yearwise breakup of songs
- Leave a Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4914 | Post No. : | 16735 | Movie Count : |
4555 |
Hullo Atuldom
Time for a yearly roundup!!!! 2021 coming to a close. 2022 just a sunrise away. Hope we have different experiences in 2022, experiences that make us glad and bring a smile to our lips which stays the whole year.
I am sure Atulji or Sudhirji or one of the other blog-contributors, who have the patience to go through the statistics etc., will give us a table of how many new movies debuted on the blog in 2021, and other related info about which date saw how many posts etc. But the best that happened this year, IMO, is the series that Atulji undertook to enlist all the movies, music directors etc that Lata Mangeshkar was associated with in her looonnngg career.
On the way out of 2021 here is a song from the 1993 release “Shatranj”. A movie that I saw at the time of its release on cable TV, before the Satellite TV Tsunami hit us. It was produced by Arun S. Thakur, directed by Aziz Sejawal, had music by Anand Milind, and Sameer was the lyricist. S P Balasubramaniam, Abhijeet, Udit Narayan, Jolly Mukherjee, Kumar Sanu, Sudesh Bhonsle, Jayshree (popular as Bombay Jayshri in classical music circles), Poornima, Sadhana Sargam (i.e. all the good singers of the 90s) were used in the movie.
Kadar Khan was the dialogue writer of the movie which begins like “Chalti ka Naam Gaadi” (CKNG) which means we have three brothers -bachelors- who are reared by the eldest brother Dharamraj (Kadar Khan), the other two brothers being Dino and Dinky (Jackie and Mithun). The eldest brother has a problem with the female gender of the populace (like Ashok Kumar in CKNG), the other two don’t have any such issues and Renu & Radha (Divya Bharaati and Juhi Chawla) are their girl friends. Then there is a female called Rosie (Jamuna who appeared in a few films in the 80s and 90s, not much is known about her) who is shown to like the elder brother Dharamraj since childhood (Sarfaraz Khan, Kadar Khan’s own son played the younger Dharamraj). The reason for Dharamraj’s problem with females is shown as his step-mother who was nasty to him and his brothers as children.
The story has the necessary villain in the character of Prajapati (Kiran Kumar) the manager to the brothers’ father’s (Vikas Anand) business and also his killer. He is cheating the brothers’s step-mother and step-brother (Shakti Kapoor) and using their business as a front for his illegal activities (what else). The brothers have some misunderstandings with Dharamraj when Renu & Radha enter their lives, which get resolved; then the hard-feelings towards the step-family also is sorted out and the cause of all the problems in their lives (Prajapati) is brought to his logical end. And then “The End”.
Oh I forgot to mention a few more tributes that the movie paid to CKNG. CKNG had ‘Mohan Garage’ here the brothers have ‘Dharam Garage’. There was a ‘car’ in CKNG even this movie had a ‘car’ important to the story. CKNG begins with a song on the pet car, this one too begins with a song on the car. Additionally the brothers have a pet Monkey/ Chimpanzee. So let us have the movie debuting on the blog with the film-opening song that shows us the bonding between the brothers. This song is in the voices of SPB, Abhijeet and Udit Narayan.
There used to be a show called ‘Superhit Muqabla’ on Doordarshan Metro of those years (28 years back) which was on the lines of the legendary Binaca Geetmala. The show used to retire songs from the list of popular songs, which were complied based on vinyl records and cassette sales & and viewership of the show as such, after a 25 week run to make place for newer songs, very much like Binaca Geetmala. And songs of “Shatranj” (1993) were on this show for many weeks.
With this song we also say thank you to the entertainer Kadar Khan who left us today, in 2018, in Canada, where he was staying with his sons following his retirement from Bollywood. His last release was ‘Hogaya Dimaagh ka Dahi” in 2015 October (after a gap of seven years when ‘Mehbooba’ and ‘Deshdrohi’ released). He was a recipient of three Filmfare awards viz:
Best Dialogue for “Meri Awaz Suno” in 1982.
Best Comedian for “Baap Numbri Beta Dus Numbri” in 1991.
Best Dialogue (again) for “Angaar” in 1993.
He was conferred the Padma Shri, posthumously in 2019 by the Government of India.
He was 81 when he passed away.
Video
Audio
Song-Ek se bane do do se bane teen (Shatranj)(1993) Singers-S P Balasubrahmaniam, Abhijeet, Udit Narayan, Lyrics-Sameer, MD-Anand Milind
Lyrics
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
arre humsa koi hoga nahin
Londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
koi ye jaane na
isko pehchaane na
apni mehbooba hai yeh
hum jo bulaate hain
yeh daudi aati hai
hum jo bulaate hain
yeh daudi aati hai
jeevan ki raahon mein
khushiyan lutaati hai
aisi yahaan gaadi kahaan
sabse hai ye behtareen
chham chham
chham chham
chham chham
kaali saadi waali (chham chham)
ladki bholi bhali (chham chham)
aise na bal kha ke chal (chham chham)
gori gori baahen (chham chham)
qaatil teri adaayein (chham chham)
dil mera jaayen machal
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
uthhte hain sote hain
hanste hain rote hain
rehte hain hum saath saath
sapne sajaate hain
masti lutaate hain
chaahe ho din chaahe raat
hum ek dooje ka
daaman na chhodenge
mar jaayenge lekin rishta na todenge
hum jo miley
toh hai wahi
tasveer aisi haseen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
hey humsa koi hoga nahin
londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum zidhar se guzrein
woh safar ho rangeen
Aaya hai raaja logon re logon
Posted on: November 18, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4871 | Post No. : | 16666 | Movie Count : |
4542 |
Most Indians today know that Tiger is the national animal of India. But that was not the case when India became independent. Asiatic Lion (found in Geer forest in Gujarat), was declared as India’s national animal in 1948 by PM Jawaharlal Nehru in 1948, mainly because of lobbying by Gujrat Natural History Society.
But the number of lions was very small, whereas Tigers were found in as many as 16 states of India. On 18 november 1972, exactly 49 years ago, Royal Bengal Tiger was chosen as India’s national animal.
It is to be kept in mind that tigers found all over India are of the same species viz Royal Bengal tiger (Tigris panthera). If someone thinks that Royal Bengal Tigers are only found in Bengal and Bangladesh, and tigers in other parts of India are of different species , then that is not the case. The name Royal Bengal Tiger itself is a misnomer. Some British Official had first seen this animal in an area now falling in Central India – present day MP, Chhatisgarh, Maharashtra region- in other words in Mowgli country of Rudyard Kipling) and named it as Royal Bengal Tiger, because that region then fell under Bengal Presidency. It is to be noted that Bengal Presidency covered a vast region of India those days. It covered entire North East India, Present Bangladesh, Bangal, Bihar , Jharkhand, Orissa, Eastern UP, MP, Chhatisgarh, etc. Like the case then, even today most population of Royal Bengal tigers is found in the same Mowgli land.
Both Lions and tigers were facing extinction during 1970s. There were only 1827 tigers left in India in 1972. To save tigers from extinction, a tiger conservation programme called Project Tiger was started in April 1973 by Government of India. 27 tiger sanctuaries were created under this project. Today, the number of tigers in India is estimated to be around 2500-3500.
Today Bengal has a tiger population of under 100. Same is the case for Bangladesh. In contrast, MP, and Karnataka have over 500 tigers each while Uttarakhand has 400 plus and Maharashtra 300 plus. Tamilnadu has 200 plus. Kerala, UP, Assam have 100 plus tigers each. Overall, as many as nine different Indian states have more Royal Bengal Tigers than are found in Sundarban area of Bengal and Bangladesh. So personally I would like to describe this animal as Royal Indian Tiger that enjoys a pan Indian presence.
The population of these tigers have reduced in Bangladesh and Bengal (sundarban area), whereas their population has increased in other parts of India. So, I can only laugh when Bangladesh stakes claims on this animal. Like India, they too have Royal Bengal Tiger as their national animal. On another note, lions are used as their their national symbols by England as well as Sri Lanka, though none of these countries today have any lions left in their jungles.
To mark today’s date as the date when Tiger’s became the national animal of India, I was looking for a song where Tiger finds a mention, even if symbolically. I think I have found a rocking and rollicking song for the occasion. This song is from “Appu Raja”(1990), which was a dubbed version of the Original Tamil movie Apoorva Sagodharargal (1989).
This movie (both original as well as Hindi dubbed version) were produced by Kamal Haasan and directed by Singeetam Srinivasa Rao for Raaj Kamal Films International, Madras. The film had Kamal Haasan, Jaishankar, Nagesh, Gautami, Rupini, Manorama, Srividya, Janagaraj, Moulee, Delhi Ganesh, Nassar etc in it.
The movie was dubbed but songs in Hindi version were specially recorded, duly translating the Tamil lyrics into Hindi.
Here is the first song from “Appu Raja”(1990) to appear in the blog. This fantastic danc song is sung by S P Balasubrahmaniam and chorus. Prem Dhawan is the lyricist. Music is composed by Ilayaraja. The picturisation shows wonderful dance performance by Kamal Hasan, Manorama (playin Kamal Hasan’s mother) and others.
On the occasion of adoption of Tiger as Indian national animal, here is a wondful dance song. I am told that this song has become a must play song at birthday parties in Maharashtra. This song is a fit song to dance, no doubt about that.
With this song, “Appu Raja”(1990) makes its debut in the blog.
Song-aaya hai raaja logon re logon(Appu Raaja)(1990) Singer-S P Balasubrahmaniam, Lyrics-Prem Dhawan, MD-Ilayaraja
Lyrics
aaya hai raaja logon re logon
raaja ke sang sang jhoom lo jhoom lo
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
sheron ka hoon main sher yaaron
are koi na mujhsa daler pyaaron
shero ka hu mai hoon
sher yaaro
are koi na mujhsa
daler pyaaron
such such kahta main
dat ke rahta main
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
are dar kya hai dham dham dhamaadham dhamaake se naacho re
ho o
jab tak ye dam hai koi nahin gham hai
hoga jo hone do
yaaron aage bhi peechhe bhi mudke zara dekho
ho o
koi chupke se chhup chhup ke aake na maare tum ko yehan
aji vo hai shikaari to ham bhi khilaadi
haar na maanen
hoy hoy
pehalwaan vahalwan aayen jo saame
maar bhagaayen
hoy hoy
khilaadi kaun hai
raaja ho raaja
balwaan kaun hai
raaja aa
yoon chhupke nishaane karo kaahe
hey dhokhe mein raaja to na aaye
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
aji pyaar mein ban jaaya karte hain hum hi zara bhole ho o
par jab aa jaaye samne dushman to bach ke jaaye na
pyaara koi mila to usey dil se laga daala ho o
koi akde vakde to phir chhode na uski jaan
choro ke chor hain
veeron ke veer hain
aazma lo
hoye hoye
kaato to kaatenge
maaro to maarenge
baazi lagaa lo
hoye hoye
ustaad sab ka
raaja ho raaja
o daada sab ka
raaja
o jee bandook to hai khilauna re
hey dil waale darte na goli se
aaya hai raaja
logon re logon
o raaja ke sang sang
jhoom lo jhoom lo
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
sheron ka main hoon
sher yaaron
are koi na mujhsa
daler pyaaron
sheron ka main hoon
sher yaaron
are koi na mujhsa
daler pyaaron
arre sach sach kehta main
dat ke rehta main
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
arre aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
Jaanam yahaan koi nahin
Posted on: October 17, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4839 | Post No. : | 16625 | Movie Count : |
4528 |
In Hindi film industry, there have been many ‘rags to riches’ stories since its inceptions. There were instances where ‘rags to riches’ went back to their ‘rags’ status because they could not prudently handle their wealth and the fame. On the other hand, there are instances who could retain their rich status thanks to their dedication to work as well as prudent financial planning. One of them was Chandrashekar Narvekar, who is known in Hindi film industry as N. Chandra (born 04/04/1952).
N Chandra was born and brought up in a lower middle class family in the midst of mill workers in Worli Naka. The working class had their chawls and hutments at the foot of Worli Hills while the affluent class of the society lived on the top of the hills. So, he had closely seen the economic disparity between the rich and the poor.
After completion of his high-school, N Chandra joined the Film Centre at Tardeo in the film editing division where his father was employed. He learnt the nuances of film editing. In 1971, he started as clapper boy for Gulzar’s ‘Mere Apne’ (1971) and became one of Gulzar’s assistant directors in ‘Parichay’ (1972), ‘Koshish’ (1972), ‘Achanak’ (1973), Aandhi’ (1975), ‘Khushboo’ (1975) and ‘Mausam’ (1975). Chandrashekhar Narvekar changed his name to N Chandra when he became the associate director to Bapu in ‘Bezubaan’ (1982) and ‘Woh 7 Din’ (1983) for which he was also a full-pledged Editor of these two films.
While working for ‘Woh 7 Din’ (1983), N Chandra got the inspiration to independently direct a Hindi film. He co-produced and directed his debut film ‘Ankush’ (1986) with non-star actors, most of whom were from Marathi and Gujarati stages. The story of the film was based on what N Chandra had witnessed during his younger days in Worli Naka after a prolonged mill workers strike. At that time, Worli-Lower Parel areas of Mumbai had the highest concentrations of cotton mills. The prolonged strike led to the closure of mills permanently, creating unemployment among the youth and the social unrest.
‘Ankush’ (1986) grossed over 3 crores on the box office on a budget of Rs,12 lakhs, a part of which was raised by N Chandra by selling his personal belongings. The tremendous success of the film helped Nana Patekar in improving his career graph as an actor. For N Chandra, the film boosted his confidence that a good story based on the contemporary subject with a realistic approach in direction could make a film successful even with non-star actors. His next two films – ‘Pratighaat’ (1987) and ‘Tezaab’ (1988) completed a sort of a trilogy of films on social justice.
‘Pratighaat’ (1987) was the second film which N Chandra directed apart from writing the screen-play and editing the film. The film was produced by A Ramoji Rao and was a remake of a Telugu film ‘Pratighatana’ (1985) which was also remade in Malayalam as ‘Pakarathinu Pakaram’ (1986). Sujata Mehta, a prominent Gujarati stage actor who had become popular with her Hindi TV serials ‘Khandaan’ (1985) and ‘Shrikant’ (1986), made her debut in this film as a lead actor along with Arvind Kumar and Charan Raj. The other actors included Rohini Hattangadi, Ashok Saraf, Mohan Bhandari, Nana Patekar, Subbiraj, Usha Nadkarni, Savita Bajaj, Ravi Patwardhan, Anuradha Sawant etc. The film was released on March 17, 1987.
Even though, in the film, Sujata Mehta was paired with Arvind Kumar, it was Charan Raj who had a larger presence in the film in the role of a criminal, Kali Prasad. Charan Raj is a Kannada actor who mostly did the role of a villain in Kannada, Tamil, Telugu, Malayalam and Hindi films. He has also produced, directed and composed music for some films.
The DVD of the film is available for on-line for viewing. However, the quality of the picture as well as sound is not of good quality. Hence, I have watched the film sporadically. The gist of the story of the film is as under:
Laxmi (Sujata Mehta) is married to Satya Prakash (Arvind Kumar) who is a practicing lawyer. Laxmi works as a scool teacher. In the town, there is a hardened criminal, Kali Prasad (Charan Raj) whose writ rules over the entire town as he has blessing from a local politician. He has bee arrested in the past but gets release on bail with the blessing of a local politician which is followed by Kali taking the revenge on the complainers or the policeman who arrested him, resulting in their deaths. One of the victims is an ex-constable (Nana Patekar) who has become insane after his wife is brutually killed by Kali.
Laxmi finds it odd that even her school is under the influence of Kali for his notorious activities. She seeks help from her college-mate, sub-inspector, Ajay Shrivastav (Mohan Bhandari). He tells Laxmi that there is no point in arresting him as no one would stand witness against him and he gets the bail.
Nonetheless, Ajay arrests him after which he gets the bail. In the broad daylight, Ajay is murdered by Kali and Laxmi has witnessed his murder. She is ready to stand witness against Kali in the police station. Kali takes revenge on Laxmi by striping her in the public and in front of her husband who is scared to rescue her.Laxmi takes a vow that she would continue to fight against Kali for justice and she is helped by Durga (Rohni Hattangadi) whose husband was killed by Kali for lodging complaint against him in the police station. Local election is due and Kali has been selected as a candidate. Laxmi stands in the elections against Kali. Kali’s hooligans create a lot of problem for Laxmi in her election campaign. Kali wins the election by booth capturing.
During the election victory celebration, Laxmi reaches on the stage and congratulate him on his election victory. She has brought a real axe which was the election symbol of Kali and hacks him to death in front of a large crowd. The film ends with police arriving on the scene and arresting Laxmi who sarcastically tells the Inspector that she is happy that he is doing his duties which he failed to do so while Kali was on a killing spree in the town.
‘Pratighaat’ (1987) made with non-star cast was a runway success at the box office front. The film reviews highly praised the performance of Sujata Mehta and Charan Raj.
The film had four songs all written and composed by Ravindra Jain. I am presenting the first song, ‘tere sar pe mere pyaar kaa farz hai’ from the film to appear on the Blog. The song is rendered by S P Balasubrahmanyam and S Janaki.
With this song, the film, ‘Pratighaat’ (1987) makes its debut on the Blog.
Audio Clip:
Video Clip:
Song-Jaanam yahaan koi nahin (Pratighaat)(1987) Singers-S Janaki, S P Balasubrahmanyam, Lyrics-Ravindra Jain, MD-Ravindra Jain
Both
Lyrics
hmm hmm hmm
hmm hmm hmm hmm
aa haa haa haa
aa aa aa
hmm hmm hmm
hmm hmm hmm hmm
aa haa haa
hmm hmm hmm
hmm hmm
tere sar pe mere
pyaar kaa karz hai
karz kar de adaa
ye tera farz hai
o o
yoon door rahke na kar aur bhi bekaraar
jaanam yahaan
koi nahin ee
jaanam yahaan
koi nahin ee
ek hi raat mein
kaise doon main chuka
re dheere dhreere tera
karz hoga adaa
hey ae
do ek din aur rahne de mujhpe udhaar
sone de naa
soyi nahin ee
sone de naa
soyi nahin ee
betaabi badhne lagi hai
dil pe rakh do haath
aise machal rahe ho
jaise pehli ho raat
ye tera badan phoolon saa mahka huwa aa
lagta hai tu thhoda thhoda behka huwa
ae ae
tera hi nasha hai
kyun peechhe pada hai
ho o
tera hi nasha hai
hey
kyun peechhe pada hai
deewaana karke na daaman chhuda baar baar
jaanam yahaan
koi nahin ee
sone de na
soyi nahin ee
tere sar pe mere pyaar ka karz hai
hey ae
karz kar de adaa
ye tera farz hai
hey
aankhon mein meri abhi neend ka hai khumaar
sone de naa
soyi nahin
ho o
jaanam yahaan
koi nahin
yoon mujhko jaga ke tum to roothh ke chaley
kya karna jab koi jaage raat dhaley ae ae
tum sowo aaram se koi jaley to jaley
meri tarah zara tu bhi to haath maley
o o
ab maan bhi jaao na
jaao bahlaao na
o o
ab maan bhi jaao na
jaao bahlaao na
tumko manaate manaate gayi main to haar
jaanam yahaan
koi nahin
jaanam yahaan
koi nahin
aah
aa ha ha ha
aahahah
aahahah
aaaah
ahahahaaha
oho
aahahaha
umhoon hmm
aahhahaha
unhmm
hahahaha
hahahaha
aaah
Paathhshaala te indur elo
Posted on: September 6, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4798 | Post No. : | 16562 |
Hullo Atuldom
The song with this post is one that I have been wanting to present on the blog for years. I have kept looking for its link on YouTube and finally found that someone has uploaded it in May 2019. Then I looked for the movie’s songs on our blog and found one song was posted with lyrics contributed by Avinashji.
In the comments to that song Prakshchandraji has written this about the movie:-
“Shubh Kaamna is a remake of famous Telugu hit movie “Shubh Lekha(1982) (directed by the same famous director K.Vishwanath) starring famous Telugu Hero (now turned into politician) Chiranjeevi and Sumalata. The film dealt with the Dowry system and Utpal Dutt`s acting in Shubh kaamna is very good. And the music of Pancham is also very good. Kiran Vairale acted very well. But I think, somehow the southern flavour of the movie was not accepted by northern audience. But I enjoyed the movie very much.”
Prakashji had also mentioned that the videos related to the movie are not easily available.
The movie had a cast of Rati Agnihotri, Kiran Vairale, Ashalata, Rakesh Roshan, Vinod Mehra (think it was a special appearance), Sujit Kumar, Utpal Dutt, Asrani, Omprakash, Satyen Kappu, and South actor Sudhakar played Utpal Dutt’s younger son and Kiran Vairale’s love interest. The songs were written by Majrooh Sultanpuri. I had seen this movie with family at the time of its theatrical release; and loved the concept of the movie. There was something to do with Allwyn watch company in the movie and some portion of the movie was shot in the factory, if my memory is correct. Also the beaches of Andhra Pradesh served as location for much of the movie.
Today’s song is a stage song which has Rakesh Roshan singing at a cultural program at the college where Rati Agnihotri is a lecturer and Kiran Vairale (her sister) is a student. The song is in a few dialects(editor’s- it is in Bangla).
Today happens to be Rakesh Roshan’s birthdate. He started his career at 21 or 22 after the untimely death of his father -the music director Roshan. He began as assistant to director Mohan Kumar in films like ‘Anjaana’. He was recommended by Rajendra Kumar to Soodesh Kumar and he got a supporting role in ‘Ghar Ghar Ki Kahani’ All through his acting career he has acted in many heroine-centric movies like ‘Paraya Dhan’, ‘Khoobsurat’, ‘Aankhon Aankhon Mein’, ‘Bahurani’, ‘Humari Bahu Alka’ etc. He played a few grey characters too as in ‘Jhootha Kahin Ka’, ‘Dil Aur Deewar’, ‘Daasi’, ‘Aakhir Kyon?’ etc. When he started his own production house his first movie was ‘Aap Ke Deewane’ which starred Tina Munim opposite two heroes- Rishi Kapoor and Rakesh Roshan. His next was ‘Kaamchor’ which had Jaya Prada as the central character. this was followed by ‘Jaag Utha Insaan’ and ‘Bhagwan Dada’ both of which had Sridevi in important roles. He turned a full-fledged filmmaker i.e. a producer director with ‘Khoon Bhari Maang’ which was on Rekha’s character. ‘Bahurani’ (1989) and ‘Aurat Aurat Aurat’ (1996) where the last movies where he had a substantial part to play. He has since been seen in guest appearances in ‘Koi Mil Gaya’, ‘Krrish’ and ‘Om Shanti Om’. He has been in the enterainment industry for 50 years now.
Here is wishing Rakesh Roshan lots of health and happiness as he turns 72.
Song-Paathhshaala te indur elo (Shubhkaamna)(1983) Singer-S P Balasubrahmaniam, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
aaaaa aaaaa
haa haaa haaaaa
haa haaaa
haa aa aa
la la la la
la la la la
beautiful
pa ma ga pa
ma ga ma ga
paathshaala te indur elo
sheekhte bole lekha podha
shono shono golpo shono
shono shono golpo shono
paathshaala te indur elo
sheekhte bole lekha padha
shono shono golpo shono
shono shono golpo shono
(guru bollen
lekha podha seekhte
tomar guru
gonesher kaacha jaao
aekhaane keno
hmm)
na na koro na aadesh
goneshaar nai je gonesh
haan haan na na koro na aadesh
goneshaar nai je gonesh
{main jo kehna cha raha hoon,
aap log samajh rahe hain?
ek chhooha, likhaayi padhaayi seekhne ke liye school aaya
toh guruji ne kaha , tum toh Ganeshji ke vahaan ho,
aur Ganeshji toh vidya ke devta hain, unse jaa kar seekho.
Toh chhoohe ne kaha, ke aaj kal Ganeshji bhi paisa maangte hain.}
na na koro na aadesh
goneshaar nai je gonesh
takaay chhaada guru gonesh debe na
aamayi kono shikha
aamayi kono shikha
paathshaala te indur elo
sheekhbe bole lekha paadha
shono shono golpo shono
shono shono golpo shono
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno
{guru ne kaha
sangeet vidya
seekhne ke liye yahan kyun aayi ho
sangeet toh tumhaare mata pita ki sampatti hai
wahan jaao naa}
na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
haan haan na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
maata pita bhi paisa liye bina
dete nahin shikshaa
haan haan
dete nahin shikshaa
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno
guruji ke pass seekhan ko naach
morni aayi
morni aayi
suno suno katha suno
suno suno katha suno
{guru ne kahaa
arre morni
tumhare premi mor se accha kaun naachta hai
wahaan jaao na}
haar gayi usko manai ke
taal de bahaana banai ke
hoye hoye
haar gayi usko manai ke
taal de bahaana banai ke
haar gayi usko manai ke
taal de bahaana banai ke
ek din bola mufat naache de ne
pehle deyi de paisa
pehle deyi de paisa
ho o
ha a
hmm mm
guruji ke pass sikhan ko naach
morni aayi morni aayi
suno suno katha suno
suno suno katha suno
- In: Duet | expression of love | Feelings of heart | Lata song | Lata-S P Balasubramanyam duet | Lyrics by Prakashchandra | Lyrics contributed by readers | S P Balasubramanyam songs | Series of articles | Songs of 1990s (1991 to 2000) | Songs of 1994 | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
- 11 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4784 | Post No. : | 16540 | Movie Count : |
4502 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLVIII: Year 1994
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1994.
In 1994, 116 Hindi movies containing 665 songs were released. Lata Mangeshkar got to sing in 12 of these movies and she sang 39 songs in these movies. So Lata Mangeshkar’s voice was heard in 10 % of the movies released in 1994. Her voice was heard in 5 % of the songs appearing in the movies of 1994.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1994 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1942 A love story | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Javed Akhtar |
| 2 | Anokha Premyudh | Manoj Saran | 0 | 2 | 0 | 2 | 0 | 0 | Manoj Saran |
| 3 | Chaand Ka Tukda | Mahesh Kishore | 1 | 3 | 2 | 1 | 0 | 0 | Saawan Kumar |
| 4 | Elaan | Shyam Surendra | 0 | 1 | 0 | 1 | 0 | 0 | Rani Malik |
| 5 | Fauj | Ram Laxman | 0 | 1 | 0 | 1 | 0 | 0 | Unknown |
| 6 | Gangster | Jatin Lalit | 0 | 1 | 1 | 0 | 0 | 0 | M G Hashmat |
| 7 | Hum Aapke Hain Kaun | Ram Laxman | 2 | 12 | 3 | 8 | 0 | 1 | Ravindra Rawal (7) Dev Kohli (5) |
| 8 | Insaaniyat | Rajesh Roshan | 0 | 1 | 0 | 1 | 0 | 0 | Anjaan |
| 9 | Kanoon | Ram Laxman | 0 | 6 | 1 | 5 | 0 | 0 | Faiz Anwar (3) Rani Malik (2) Maya Govind (1) |
| 10 | Karan | Ram Laxman | 0 | 2 | 0 | 2 | 0 | 0 | Dev Kohli |
| 11 | Prem Shakti | Ram Laxman | 0 | 4 | 1 | 3 | 0 | 0 | Ravindra Rawal(1) Dev Kohli(1) Unknown (2) |
| 12 | Ye Dillagi | Dilip Samir | 0 | 5 | 0 | 4 | 0 | 1 | Sameer |
| Total | 12 movies | 8 MDs | 4 | 39 | 9 | 28 | 0 | 2 | 11 lyricists |
Lata Mangeshkar worked with 8 music directors and 11 lyricists in these 12 movies released in 1994. Laxmikant Pyarelal were the most prolific music directors with Lata, with 661 songs in HFM with Lata Mangeshkar by the end of 1994. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Rajesh Roshan (110), Bappi Lahiri (110), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3721 songs out of 5117 songs that Lata Mangeshkar had sung in Hindi movies till end of 1994. Anand Bakshi with 693 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (155). These ten lyricists had penned 3211 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1994 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 138 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 115 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 172 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 3 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
| 1994 | 12 movies | 4 | 39 | 9 | 28 | 0 | 2 | |
| Total upto 1994 | 1836 movies | 3726 | 5122 | 3343 | 1455 | 208 | 116 |
It can be seen from the table of 1994 that Lata Mangeshkar sang 39 songs in 12 movies released in 1994.
4 songs sung by Lata Mangeshkar in movies of 1994 have been covered in the blog. All Lata songs (viz one) from one movie, namely “1942 A love Story” has been covered. That leaves us with 35 songs from 11 movies of 1994 that are yet to be covered.
Alphabetically “Anokha Premyudh”(1994) is the first movie of 1994 that offers us a Lata Mangeshkar song to be covered in the blog.
“Anokha Premyudh”(1994) was a Hindi remake of Telugu movie “Prema Shikharam” (1992). The movie was produced by Manoj Bhatnagar and directed by Satya Gopalram for Sameer Films and studios. The movie had Prashanth, Mamta Kulkarni, Arun Pandiyan, Sitara etc in it.
The movie had seven songs in it. Lata Mangeshkar’s voice figured in two songs (both duets).
Here is one of these duets. It is sung by Lata Mangeshkar and S P Balasubrahmaniam. Lyrics and music are by Manoj Saran.
Prakashchandra sent the lyrics and other details of the movie. He tells us this interestng fact that the lyricist cum Manoj Saan was none other than Manoj Bhatnagar, the producer himself ! Why he felt the need to use another name while composing music is a matter of conjecture. My guess is that he used a suth Indian sounding name, since he was composing in South Indian movies. Personally I find this name more Bihari than South Indian. 🙂
Only the audio of the song is available. I requst our knowledeable readers to throw light on the picturisation of the song. My guess is that it was pictursed on Prashanth and Mamta Kulkarni.
With this song, “Anokha Premyudh”(1994) makes its debut in the blog.
Song-Saajan tere seene mein meri dhadkan(Anokha Premyudh)(1994) Singers-Lata, S P Balasubrahmanyam, Lyrics-Manoj Saran, MD-Manoj Saran
Chorus
Lyrics (Provided by Prakashchandra)
o o o o
saajan n n
tere seeney mein meri dhadkan n
sajnee ee
tere seene mein meri dhadkan
baajey to mehkey
ye chandan saa badan mera tann mann
baajey to mehkey
ye dharti aur gagan n
saajan n n
tera meraa pyaar ho amar r r
sajnee ee ee
teraa meraa pyaar ho amar r r
ho oo o
ho oo
jhumm jhumm
jhumm jhumm
jhumm jhumm jhumm jhumm
jhumm jhumm jhumm jhumm
jhumm jhumm jhumm jhumm
jhumm jhumm jhumm jhumm
jhumm jhumm jhumm jhumm
jhumm jhumm jhumm jhumm
jeevan ek melaa hai
yahaan har akelaa hai
tujhko paa ke laagaa aaa
jaisey koyee meraa hai
ohho hhohhoo
hhohho ohhho
jeevan ik melaa hai
yahaan har akelaa hai
tujhko paa ke laagaa
jaisey koyee meraa hai ae
aisaa laagey aey ae (aaaa..aaa)
o o o o (aaaa..aaa)
jag bin tere aey ae
deewaali mein aen aen aen (aaaaa..aaa)
oo o oo (aaa..aaaa)
hon andherey
tera mera paawan bandhan
janm janmon ka hai sambandh
mil hee jaatey hain do panchchi
udtey udtey kaheen door gagan
saajan n n n n
tera meraa pyaar ho amar r r
sajnee ee ee
teraa meraa pyaar ho amar r r r
ho oo o
oho o ho
laaallaala
laaallaala
ho o o
ooo oo
oooo
oooo
laalallaaa lala
laalaallaa lala
laalallaaa laalaaa
laalaallaa lala
laalallaaa laalaaa
laalaallaa lala
geeton ne pukaaraa hai
phoolon ne sanwaaraa hai
teraa mera pyaar sangeet ne nikhaaraa hai
ohho ohho
ohho ohho
geeton ne pukaaraa hai
phoolon ne sanwaaraa hai
teraa mera pyaar sangeet ne nikhaaraa hai
tujhko dekhaa aa aaaa aaa (aaaa..aaa..aaa)
dil ye kehtaa..aaa (aaaa..aaaa)
tujh bin jeevan (aaaa..aaaa..aaaa)
oo o oo o (aaaa..aaaa..aaa)
banjar hotaa aaa(aaaaa)
jab se miley tosey nain sanam
tab se laagee ye prem agan
uss din ki main raah takoon
jis din banoongi teri dulhan
saajan n n n
terey seeney mein meri dhadkan
sajnee ee eee
tere seeney mein meri dhadkan
baajey
to mehkey
ye chandan saa badan mera tann mann
baajey to mehkey
ye dharti aur gagan n n
saajan n n n
tera meraa pyaar ho amar r r
o o o o o
hmmm hmmmm mmmmmmm
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4725 | Post No. : | 16439 |
Hullo Atuldom
“Andaaz Apna Apna” which released in November 1994 was a comedy, laugh riot, and a ‘comedy of errors’ which had nothing to do with the original ‘comedy of errors’. I am a huge fan of this movie and so is every member of my family. There is always a smile playing on the lips, waiting to turn into a burst of laughter, whenever we discover the movie on any channel. The comedy was in the scenes and dialogues. The movie had stand-out characters that have stayed in public memory after all the intervening 27 years.
Think of Deven Verma being hoodwinked by his ‘get-rich-quick-scheming’ son Aamir Khan (playing Amar) and you smile or grin. Specially when the son tells the father “main aaj bahut khush hoon” and the father replies “tu jab bhi khush hua hai mera kuch na kuch nuksaan hua hai” and proceeds to list a few incidents. Then we have the barber Jagdeep getting similar treatment from his son Salman Khan (playing Prem). The scene that happens between Mehmood (who plays a casting agent) and Jagdeep is another standout. One thing about this comedy movie was we had seasoned players like Deven Verma, Jagdeep, Mehmood and Aamir Khan who (imho) thought making faces (contorting is not the right word) and Salman Khan who thought saying ‘aila’ in a squeaky tone was comedy. The ladies were spared as they didn’t need to be comic as also the father character of Paresh Rawal. Shakti Kapoor’s character ‘crime-master Gogo’ was more comic than scary as was Paresh Rawal’s Teja (character). Crime-master Gogo’s oneliner (Takiya kalaam) “aaya hoon kuch na kuch leke jaoonga” used to be oft-quoted in my family. The story tried to create comedy by giving the male lead actors filmy names of Amar and Prem trying to pay tribute to the 70s classic.
To have an idea about the movie we should read this post which was written by SURPRISE! (re-visit the post to find out)
Tushar Bhatia was the music director of this movie which had 6 songs. As per this article two songs were deleted from the movie to give it a better look (I suppose). Majrooh Sultanpuri was the lyricist and Asha Bhonsle, Abhijeet, S P Balasubramanyam, were the playback singers with a few new names Behrouz Chatterjee, Mangal Singh, Vicky Mehta which were heard for the first time in Bollywood.
Today’s song has Salman Khan serenading the millionaire, heiress Raveena with a song and dance in the middle of the night but with a tiny “dholak” instead of a guitar or violin (as is the general norm for this kind of situations). It is only at the end of the song that Salman (Prem) realizes that the lady with him is Karisma and not Raveena. We have Amar (Aamir Khan) first thinking that Raveena is the one who is responding to Prem but his fears are laid to rest when he sees Raveena outside his window. Then we have Shehzad Khan (a spitting image of his father Ajit) and Viju Khote (playing helpers around the household) also enjoying this midnight entertainment.
Incidentally, the girls switch names, in the movie, to test prospective grooms so Karisma Kapoor who is the actual Raveena (daughter of the millionaire) introduces Raveena Tandon as Karisma (who is the daughter of the millionaire’s munim). So, there is a bit of confusion in the minds of Amar and Prem once the girls reveal their true names and identity. Hope the situation is clear and we now get on to the song which is sung by Asha (Tai) and SPB (Balu Sir)
With this post we also wish Lolo on turning a year younger. Lolo which is the pet name of Karisma Kapoor, the first person from the fifth generation of the Kapoor Khandan to step into Bollywood and carve a niche for herself. She made a name for herself enacting a variety of roles from plain inane to high voltage emotional characters. We saw her play a serious character in the song which was posted two years back. Today we will see her with a cute and endearing smile.
Audio
Video
Song-Ye raat aur ye doori tera milna hai zaroori (Andaaz Apna Apna)(1994) Singer-S P Balasubrahmaniam, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Tushar Bhatia
Lyrics
ye raat aur ye doori,
tera milna hai zaroori
ye raat aur ye doori
tera milna hai zaroori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ke dil mera dhak dhak doley,
deewaana liye jaaye hichkoley
ye raat aur ye doori
tera milna hai zaroori
ye raat aur ye doori
tera milna hai zaroori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ye raat aur ye doori
kehna chaahoon tumse ae
tumse main kitni baatein
iss hasrat mein kaatin
kaatin hain kitni raatein
kehna chaahoon tumse
main kitni baatein
iss hasrat mein kaatin
hain kitni raatein
tu chhat par aa bhi ja,
jhalak dikhla bhi ja
tu chhat par aa bhi ja
jhalak dikhla bhi ja
haa haaa haa haaa
haal hai jo tera
wahi haal mera
haal hai jo tera
wahi haal mera,
piya haal wahi hai mera
karoon pyaar chori chori
tauba itni majboori
karoon pyaar chori chori
tauba itni majboori
ke dil mera
ke dil mera dhak dhak doley
deewaana liye jaaye hichkoley
ke dil mera dhak dhak doley
deewaana liye jaaye hichkoley
ye raat aur ye doori
ho o o
ho o o
ho o o ho o o
sun le mere khwaabon ki,
khwaabon ki o shehzaadi
aawaazein deta hai,
deta hai kab se fariyaadi
sun le mere khwaabon ki o shehzaadi
arre aawaazein deta hai kab se fariyaadi
sitamgar aa bhi ja aa,
karam farma bhi ja
sitamgar aa bhi ja,
karam farma bhi ja
haa haa haa haa
dard hai jo tera
wahi dard mera
dard hai jo tera
wahi dard mera
piya dard wahi hai mera
karoon pyaar chori chori
tauba itni majboori
karoon pyaar chori chori
tauba itni majboori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ye raat aur ye doori
tera milna hai zaroori
ye raat aur ye doori
tera milna hai zaroori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichhkoley
ke dil mera
dhak dhak doley
deewana liye
jaaye hichkoley
ke dil mera
deewaana liye
ke dil mera
deewaana liye
ke dil mera
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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