Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Amit Kumar songs’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4768 Post No. : 16517 Movie Count :

4493

Hullo Atuldom

“Bond 303” (1985) was produced B.C. Devra and directed by Ravi Tandon. It was one of those movies that was in the making for a long time.

It was one of the three movies that had Jeetendra play a Spy- an Indian James Bond. His James Bond act began with his ‘mast bahaaron ka main aashiq’ in “Farz” (1967) continued with “Raksha” (1981) {in both these movies Jeetendra was Agent 116}. “Bond 303” was the third in that list.

This spy-movie had all the ingredients, a movie of this genre, required viz: a hero who looks handsome, can shake a leg, do action sequences with ease, and a bevy of lovely ladies. The lovely ladies of ‘Bond 303’ were headed Parveen Babi (in a double role), Jayshree T. and Helen. The list of supporting actors had Prem Chopra, Deven Verma, Tom Alter, Iftikhar, Satyen Kappu, Shreeram Lagoo, Dev Kumar, Yusuf Khan (a.k.a Zebisco of Amar Akbar Anthony).

The story was very simple:

There are terrorist attacks all over the world. Planes, trains, houses are blown to smithereens by unknown rockets! The one to call is India’s super agent Bond 303! When we first meet him he’s preoccupied with a dozen ladies and they all burst out in an intensive song-and-dance number! Bond 303 befriends a young smart scientist, played by the cool Parveen Babi and they start to gather information about the evil organization behind it all. But someone wants to stop them and sooner than you can say “curry” they are in gravy, oops they are in danger!

This Indian spy movie had five songs that were written by Gulshan Bawra and composed by R D Burman. Amit Kumar, Asha Bhonsle, Kishore Kumar, Suresh Wadkar, R D Burman, were the playback singers used. Today’s song is in the voices of Amit Kumar, Suresh Wadkar and Kalyani Mitra.

(The blog’s statistics page shows a name Kalyani Das Mitra whose 11 songs are there on the blog. I would like some knowledgeable follower to confirm if Kalyani Mitra and Kalyani Das Mitra are one and the same. The title song of ‘Saawan Ko Aane do’, posted on the blog, has Kalyani Mitra listed as playback singer.)
The song is a typical ‘roothna-manana’ song where Jeetendra and Deven Verma are seen trying to appease Parveen Babi and her companion. (I think that is Meenakshi Thakur, but I am not sure. Prakashchandraji, please help) The ladies are of course putting on an act of being upset with the boys.
We are wishing Suresh Wadkar on his 66th birthday. And remembering Gulshan Bawra on his 12th anniversary.


Song-Arre main tera deewaana (Bond 303)(1985) Singers-Amit Kumar, Suresh Wadkar, Kalyani Mitra, Lyrics-Gulshan Baawra, MD-R D Burman

Lyrics

ae ae ae he he he
ae he he he

chal yahaan se
yeh toh deewaane lagte hain

arre main tera deewaana
yeh kaise tune jaana
zara meri jaan yeh bata
suno dil waali
chaahe de tu gaali
chhodoon na peechha tera
ho ho ho
main tera deewaana
yeh kaise tune jaana
zara meri jaan ye bata
suno dil waali
chaahe de tu gaali
chhodoon na peechha tera
ha ha

he he heee
he he heee
awaara loafer
arre dabe dabe honthon mein chhupaati hai hansi
hansegi
arre phansegi
hansegi phansegi
haan dekho toh deewaanon ki udaati hai hansi
hansegi
ai phansegi
arre hansegi phansegi
dabe dabe honthon mein chhupaati hai hansi
arre dekho toh deewaanon ki udaati hai hansi
aise na dil jalaao
o ho ho
main tera deewaana
ye kaise tune jaana
jara meri jaan ye bata
suno dilwaali
chaahe de tu gali
chhodoon na peechha tera

yeh toh gunde hain
badmaash

he he
kisi ko toh degi dil kabhi na kabhi
ai haseen
arre dilnasheen
ai haseen dilnasheen
haan kabhi wali baat kyun na ho jaaye abhi
ai haseen
ai dilnasheen
arre ai haseen
ai dilnasheen
kisi ko to degi dil kabhi na kabhi
kabhi waali baat kyun na ho jaaye abhi
dil hai aashiq tera
o ho ho
main tera deewaana
yeh kaise tune jaana
zara meri jaan yeh bata
suno dil waali
chaahe de tu gali
chhodoon na peechha tera
la la la la
la la la la la
la la la la la
la la la la la
la la la la la


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4763 Post No. : 16510

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLV: Year 1991
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1991.

In 1991, 130 Hindi movies containing 667 songs were released. Lata Mangeshkar got to sing in 16 of these movies and she sang 57 songs in these movies. So Lata Mangeshkar’s voice was heard in 11.5 % of the movies released in 1991. Her voice was heard in 8.5 % of the songs appearing in the movies of 1991.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1991 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 100 days Ram Laxman 0 5 1 4 0 0 Dilip K Tahir (1) Dev Kohli (3) Ravindra Rawal (1)
2 Banjaaran Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
3 Dancer Anand Milind 0 1 0 1 0 0 Sameer
4 Do Pal Rajesh Roshan 0 1 1 0 0 0 Payaam Sayeedi
5 Farishtey Bappi Lahiri 0 2 1 1 0 0 Anand Bakshi
6 First Love Letter Bappi Lahiri 0 3 1 2 0 0 Anjaan
7 Henna Ravindra Jain 2 8 5 2 0 1 Ravindra Jain
8 Lamhe Shiv Hari 2 7 4 2 1 0 Anand Bakshi
9 Lekin Hridaynath Mangeshkar 0 10 9 1 0 0 Gulzar (6) Vasant Deo (2) Kabir (1) Wajid Ali Shah (1)
10 Patthar Ke Phool Ram Laxman 1 6 2 4 0 0 Dev Kohli (3) Ravindra Rawal (3)
11 Phool Bane Angaarey Bappi Lahiri 0 1 1 0 0 0 Anjaan
12 Pyaar Ka Devta Laxmikant Pyarelal 0 1 0 1 0 0 Anand Bakshi
13 Sanam Bewafaa Mahesh Kishore 0 6 6 0 0 0 Saawan Kumar Tak
14 Sau Karod Bappi Lahiri 0 1 1 0 0 0 Suraj Jagan
15 Saudaagar Laxmikant Pyarelal 0 2 0 2 0 0 Anand Bakshi
16 Ye Aag Kab Bujhegi Ravindra Jain 0 2 2 0 0 0 Ravindra Jain
Total 16 movies 9 MDs 5 57 35 20 1 1 14 lyricists

Lata Mangeshkar worked with 9 music directors and 14 lyricists in these 16 movies released in 1991. Laxmikant Pyarelal were the most prolific music directors with Lata, with 654 songs in HFM with Lata Mangeshkar by the end of 1989. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 331 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (109), Bappi Lahiri (108), Rajesh Roshan (105) and Vasant Desai (104). Together these seventeen music directors composed 3706 songs out of 5009 songs that Lata Mangeshkar had sung in Hindi movies till end of 1991. Anand Bakshi with 674 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (298), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (153). These ten lyricists had penned 3190 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1991 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 138 157 103 35 12 7
1950 36 movies 115 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 171 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 99 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 3 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 9 38 20 16 1 1
1990 9 movies 3 12 3 9 0 0
1991 16 movies 5 57 35 20 1 1
Total upto 1990 1798 movies 3712 5009 3300 1391 206 112

It can be seen from the table of 1991 that Lata Mangeshkar sang 56 songs in 15 movies released in 1991. It was a good recovery from 1990, hen she got to sing just 12 songs in 9 movies.

By end of 1991, Lata Mangeshkar had just crossed 5000 songs as a playback singer. Out of these 5009 songs, solo songs added up to exactly 3300 songs.

5 songs sung by Lata Mangeshkar in movies of 1991 have been covered in the blog. That leaves us with 52 songs from 16 movies of 1991 that are yet to be covered.

Alphabetically “100 days”(1991) is the first movie of 1991 that offers us a Lata Mangeshkar song to be covered in the blog.

“100 days”(1991) was produced by Jay Mehta Mehta and directed by Partho Ghosh for Jay Vijay Enterprises, Bombay. The movie had Madhuri Dixit, Jackie Shroff, Javed Jaffery, Sabeeha(special appearance), Laxmikant Berde, Kunika Sadanand, Moon Moon Sen, Ajit Vachani, Jay Kalgutkar (introducing) ,Vijay Arora, Chunnu Mehra, Harbans Darshan.M.Arora, Prem Sagar, Sunita, Yusuf. They were supported by Shashikiran, Neelam Mehra, Shivaji Satam, Mahaveer Shah, Raja Duggal, Kanti Karan, Ramakant Burman, Anthony Andrade etc.

This movie was a remake of a remake of a foreign movie. The original Italian movie “Sette Note In Nero” (1977) served as the inspiration for Tamil film “Nooravathu Naal” (1984). Its suceess led into it being dubbed into Telugu as “Nurava Roju” (1984) and remade into Malayalam as “Aayiram Kannukal” (1986)

“100 days”(1991) had six songs in it. Voice of Lata Mangeshkar song was present in five of these songs. One song (non Lata Mangeshkar song) has been covered so far. It means that the remaining five songs from the movie are all Lata Mangeshkar songs.

Here is one of those songs.

This song is a dance song of the kind that was very popular those days. It is sung by Amit Kumar, Lata Mangeshkar and female chorus. The song is picturised as a dance song on Javed Jafrey, Madhuri Dixit and others. Jackie Shroff and Ajit Vachaani are also seen in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.

Audio link: (Full song)

video link: (shorter)

Song-Le le dil de de dil (100 days)(1991) Singers-Amit Kumar, Lata , Lyrics-Ravindra Rawal, MD-Ram Laxman
Chorus
Javed Jaffrey

Lyrics (audio version)(Provided by Prakashchandra)

lalla lalla laaa laaa
lalla lalla laa laaa
laallaaa laallaaa lalallalaala

heartbeat
heartbeat
heartbeat
heartbeat

hhha huhh hha huhh
hhha huhh hha huhh
haaaaaaaa

ley ae aey ae dil
le le dil
de de dil
maukaa hai badaa haseen
le le dil dil dil
de de dil dil dil
maukaa hai ae badaa haseen
chal diyaa aa aa (aaaa)
main agar (aaaa)
aaoongaa aa phir naheen (aaaa)
kaisey dil
de doon dil
ye meraa aa ab naheen een
kaisey dil dil dil
de doon dil dil dil
ye meraa aa ab naheen
gair kaa aa
(aaaa)
ho chukaa aa (aaaa)
kar ley meraa yakeen(aaaa)

mujhko hai pataa
ye bahaaney hain tere
tu haseen hai laakhon hee deewaaney hain tere aey ae
kyaa karoon kisee ka jaadoo mujhpe chal gayaa
aankhein jo mileen haathon se dil nikal gayaa

mujhko hai pataa
ye bahaaney hain tere
tu haseen hai laakhon hee deewaaney hain tere aey ae
kyaa karoon kisee ka jaadoo mujhpe chal gayaa
aankhein jo mileen haathon se dil nikal gayaa
ab jahaan bhee hai woh o o
(aaaa)
dil meraa aa hai waheen (aaaa)
ley aey ae ae ae ae dil
le le dil
de de dil
maukaa hai
badaa haseen een
kaisey dil dil dil
de doon dil dil dil
ye meraa aa ab naheen

chal diyaa aa (aaaa)
main agar (aaaa)
aaoongaa phir nahin (aaaa)

lallaa laaalaaa
lallaalla laalaaa
laallaa laallaa lalala
lallaa laaalaaa
lallaalla laalaaa

heartbeat
heartbeat
heartbeat
heartbeat

hhha huhh hha huhh
hhha huhh hha huhh
haaaaaa

dekhey maine laakhon aisa koyee bhee naheen
mere deewaney ke jaisaa koyee bhee naheen

kaun khush-naseeb hai woh naam to bataa
varnaa ye bahaaney main naheen maantaa
dekhey maine laakhon aisa koyee bhee naheen
mere deewaney ke jaisaa koyee bhee naheen

kaun khush-naseeb hai woh naam to bataa
varnaa ye bahaaney main naheen maanta
aaj ye ae (aaaa)
faislaa (aaaa)
main karoongaa yaheen (aaaa)
ley aey ae ae dil
le le dil
de de dil
maukaa hai
badaa haseen
le le dil dil dil
de de dil dil dil
maukaa hai ae
badaa haseen
chal diyaa aa(aaaa)
main agar (aaaa)
aaoongaa aaa (aaaa)
phir naheen (aaaa)

kaisey dil
de doon dil
ye meraa aa ab naheen
kaisey dil dil dil
de doon dil dil dil
ye meraa aa ab naheen een
gair kaa aa
(aaaa)
ho chukaa aa (aaaa)
kar ley meraa yakeen een een (aaaa)


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4748 Post No. : 16477

Rajesh Khanna – The Phenomenon – 8
– – – – – – – – – – – – – – – – – – – –- – –

Today 18th July’2021 is the ninth ‘Remembrance Anniversary’ of Rajesh Khanna (29 December 1942- 18 July 2012). He passed away on 18th July’2012 in Mumbai.

On this occasion we pay our tributes to him and remember him with a song from one of his movies.

In this episode of ‘Rajesh Khanna- The Phenomenon – 8’ we look at Rajesh Khanna movies of the year ‘1981’. In the year 1981 following six movies of Rajesh Khanna were released (including Naseeb* where he had a friendly appearance).

SNo Movie Title Director Passed by Censor Board on
01 Dard Ambarish Sangal 24.07.1981
02 Dhanwan Surendra Mohan 01.07.1981
03 Dil-E-Naadaan C.V. Sridhar 11.12.1981
04 Fifty-Fifty Shomu Mukherji 15.10.1981
05 Naseeb** Manmohan Desai 17.03.1981
06 Qudarat Chetan Anand 27.02.1981

In the previous post in this series ‘Rajesh Khanna – The Phenomenon – 6’ we had discussed how Rajesh Khanna switched on to different roles exploring and introspecting himself and challenging himself in his ‘second innings’. In ‘1981’ he further capitalizes on the success of his movies like ‘Amardeep-1979’,’Thodisi Bewafaai-1980’, and critically acclaimed movies like ‘Red Rose-1980’, ‘Phir Wohi Raat-1980’, and ‘Bandish-1980’.

In ‘1981’ he tasted more success with movies like ‘Dard’, ‘Dhanwan’, ‘Dil E Naadan’, ‘Qudrat’ and ‘Fifty-Fifty’ that had moderate to decent success at the box office and they received critical acclaim.

That all happened forty years ago !

If we go back even further by another ten years, that takes us to ‘1971’. 1971 is behind us by fifty years from now, viz half a century !

That was when Rajesh Khanna ‘era’ was at its zenith. Here is the list of Rajesh Khanna movies released in the year ‘1971’.

(Rajesh Khanna movies – 1971)

SNo Movie Title Director Passed by Censor Board
01 Amar Prem Shakti Samanta 27.11.1971
02 Andaz* Ramesh Sippy 23.04.1971
03 Badnaam Farishte** Qamar Narvi 05.11.1971
04 Chhoti Bahu K.B. Tilak 25.05.1971
05 Dushman Dulal Guha 31.12.1971
06 Guddi** Hrishikesh Mukherjee 14.09.1971
07 Haathi Mere Saathi M.A. Tirumugam
08 Maryaadaa Arvind Sen 12.05.1971
09 Mehboob Ki Mehandi H.S. Rawail 30.01.1971

(*guest appearance, ** friendly/special appearance)

We notice that all the above movies had great music as was the norm for Kaka movies.

Coming back to today’s song it is from the movie ‘1981’ movie ‘Fifty-Fifty’.

From the movies of Rajesh Khanna released in 1981 the movies ‘Dard’, ‘Dhanwaan’, ‘Dil E Naadaan’, and ‘Qudrat’ have already been ‘Yippeeee’ed’ on the blog. So, we only have this movie ‘Fifty-Fifty’ left to pick a Rajesh Khanna song from.

Tina Munim was the heroine of Rajesh Khanna in this movie, which was their first movie together. It laid the foundation for their further professional and personal chemistry on-screen and off-screen. That way this movie has a special place in the film career of Rajesh Khanna. That is the reason why I have selected a song from this movie for today’s presentation.

‘Fifty-Fifty’ was directed by Shomu Mukherji who also the producer of this movie.

This movie’s star-cast included Rajesh Khanna, Tina Munim, Kader Khan, Ranjeet, Om Shivpuri, Nazir Hussain, Indrani Mukherjee, Anita Guha, Poornima, P. Jairaj, Sundar Taneja, C.S. Dubey, Jankidas, Shaikh, V. Malhotra, Roopesh Kumar, Shashi Kiran, Anu Dhawan, Johny Whisky, Arvind, Miss Nikki, Kumar, Amid, Jagdeep, Mushtaq, Maruti, Bhagwan Dada, Kamrana, Amar Nath, Mangal Singh, Shyam, Vikram Sharma, Miss Neelu, Master Sakha, Baby Pinky, Teerath and others.

This movie was passed by Censor Board on 15.10.1981.

“Fifty-Fifty” had seven songs including one three-part song. Lyrics for all the songs were written by Anand Bakshi. Music for this movie was composed by Laxmikant-Pyarelal.

In today’s song Rajesh Khanna is lip-syncing in the voice of Amit Kumar while Tina Munim lip-syncs in the voice of Asha Bhonsle.

Some other artists too can be seen in the picturisation of this Marathi folk dance song.

Let us now enjoy today’s song where Kaka can be seen performing with trademark jigs. 😊

Video

Audio

Song-Sod maajhaa haath malaa peene de (Fifty Fifty)(1981) Singers-Asha Bhonsle, Amit Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

hunh hunh hunh hunh
hunh ha ha
hunh hunh hunh hunh

oon mm oon oon a
oon oon oon
oon oon oon
oon oon oo oon
oon oon oon

sod majhaa haath
sod majhaa haath
malaa peene de
peene de ae
peene de re malaa
peene de
sod majhaa haath
malaa peene de
peene de ae
peene de re malaa
peene de
hey aankh nako maar malaa jeene de
jeene de ae
jeene de re
malaa jeene de
ye paatlaacya pori zaraa
ikde ye
zaraa ikde ye

nako nako
dekhe na koyi
zaraa tikde ye
zaraa tikde ye
sod majhaa haath
malaa peene de

main bholi bhaali ee
main bholi bhaali
peechhe padaa mawaali
kuchh aur de kaahe deti hai gaali
main bholi bhaali
peechhe padaa mawaali
kuchh aur de kaahe deti hai gaali
tukar tukar kya dekhtaa hai beimaan
tukar tukar kya dekhtaa hai beimaan
ab ho gayi hai tu poori jawaan
logon bachaao is kameene se
kameene se ae
kameene se
is kameene se
sod majhaa haath
malaa peene de
peene de ae
peene de re malaa
peene de

main hoon akelaa aa
arey main hoon akelaa
tere saath kayee saathi ee

malaa Hindi naa yete
bolaa Marathi
arey main hoon akelaa
tere saath kayee saathi ee

malaa Hindi naa yete
bolaa Marathi ee
pyaar mein kya Hindi
Marathi ka kaam
pyaar mein kya Hindi
Marathi ka kaam

ankhiyon se baat kar
bainyyaan na thhaam
arey lag jaa tu aaj mere seene se
seene se re
mere seene se re
mere seene se

sod majhaa haath
malaa peene de
peene de ae
peene de re malaa
peene de
hey aankh nako maar malaa
jeene de
jeene de ae
jeene de re
malaa jeene de
he paatlaacya pori zaraa
ikde ye
zaraa ikde ye

nako nako dekhe na koi
zara ikde ye
zara ikde ye
ho zara ikde ye
zara ikde ye

nako nako
ikde ye zara ikde ye
ho zara ikde ye
zara ikde ye

nako nako
tikde ye zara tikde ye


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4734 Post No. : 16454 Movie Count :

4468

Hullo Atuldom

“Ghar Ka Chiraag” is a title that has been used twice in Bollywood- in 1967 and 1989. The 1967 film had a cast of Dharmendra, Waheeda Rehman, Balraj Sahni, Indrani Mukherjee, Dev Kumar, Biswajeet etc and had music by Madan Mohan for songs written by Kaifi Azmi. This was directed and produced by Jagdev Bhambri.
The 1989 film had Rajesh Khanna leading a cast of Neelam, Chunky Pandey, Om Shivpuri, Shafi Inamdaar, Navin Nischol and Dipika Chikhalia in a special appearance. It had music by Bappi Lahiri and Anjaan was the lyricist. This one was directed by Sikander Bharti and produced by Rajeev Kumar Choudhry.

The content in both the films seem to be different going by the synopsis available on the internet. But I know for a fact that “Ghar Ka Chiraag” (1989) was majorly inspired by the 1969 Balraj Sahni- Sadhana- Sanjay Khan starrer “Ek Phool Do Mail”. This statement of mine is sufficient to give the followers an idea about the movie, correct? Of course, there were minor differences in the story. In “Ek Phool Do Mali” (EPDM) Sadhana becomes an unwed mother because she is molested, whereas “Ghar Ka Chiraag” (GKC) had Neelam getting pregnant with Chunky Pandey’s child. In EPDM Sanjay was a mountaineer and GKC had Chunky as a racing enthusiast. Rest of the story was same in both the movies. And both movies had melodious songs.

GKC had eight songs with two songs having happy and sad versions. “Tutak tutak tutak tutiya” was very popular when the movie had released and I think it was inspired by some Punjabi folk song; this one had two versions. Another song ‘yeh kismat hai kya, jaanta hai wahi’ also had two versions. The happy version is when Kumar (Rajesh Khanna) is celebrating his happiness with wife (Deepika) and friends. We see that this song is echoing the thoughts that Dilip Kumar and Shammi Kapoor had put forth in this song.

In the second version we have Rajesh Khanna singing out his life experiences, and says ‘ek thokar lagi, toota sara nasha’.

Bappi Lahiri used Mohammad Aziz, Amit Kumar and Sapna Mukherjee (youtube is crediting Alka Yagnik for this song, need confirmation) for this song and Alisha Chinai and Amit Kumar for ‘Tutak tutak tutiya’. Udit Narayan, Alka Yagnik and Sarika Kapoor (another new name, for me at least) were the other playback singers.
Mohammad Aziz who sang the sad version of today’s song would have celebrated his 67th birthday on July 2nd. He was born in Kolkatta. He sang, primarily, in Hindi, Bengali and Odia films plus some Sufi devotional songs and also various genres in 10 other languages. He was also credited as Munna in some movies. ‘Mard’ by Anu Malik was his breakthrough though the 1984 movie ‘Amber’ with music by Sapan-Jagmohan was his debut in Bollywood. He has sung alongside all the prominent singers of the ’80s and ’90s with music composed by RD Burman, Laxmi-Pyare, Ravindra Jain, Raamlaxman etc; even OP Nayyar and Naushad.

Amit Kumar who has sung the duet with Sapna Mukherjee (or it could be Alka Yagnik, as per the tagging on youtube) celebrates his birthday on July 3rd turns 69!!!!! Is it so!!!!! Unbelieveable!!!! Cannot think of some people as aging, right no 🙂

We have enough fans of Amit Kumar on this blog and everyone knows his history, lineage etc. His last film appearance was in the 1989 release ‘Mamta Ki Chhaon’ which was a movie left incomplete by Kishore Kumar-his father. He had acted in many movies made by his father beginning with “Door Gagan Ki Chhaon Mein” in 1964. He won the Filmfare award for best singer in 1982 for the 1981 release “Love Story”.

Here is remembering Munna a.k.a Mohammad Aziz on his birth anniversary and Wishing Amit Kumar many more Happy Returns. May he continue to entertain us. He is launching a special RD Burman tribute on his birth-date on his YouTube channel… looking forward to it

Happy version (Duet)

Sad version (Sung by Md Aziz)

Song-Ye kismat hai kya jaante hain wahi zamaane mein hai jinki kismat buri (Ghar Ka Chiraag)(1989) Singers-Alka Yagnik/ Sapna Mukherjee, Amit Kumar, Lyrics-Anjaan, MD-Bappi Lahiri

Lyrics

———————-
Happy version
———————

aadmi kismat se kya
lad paayega bolo yahaan
darr ke kismat se ruka hai
iss zameen pe aasmaan

ye kismat hai kya jaante hain wahi
zamaane mein hai jinki kismat buri
ye kismat hai kya jaante hain wahi
zamaane mein hain jinki kismat buri
hooo ooooo
ooooo
ye kismat hai kya kisne dekha yahaan
ye kismat hai kya kisne dekha yahaan
apni kismat banaata hai khud aadmi

ye kismat hai kya jaante hai wahi
zamaane mein hain jinki kismat buri
ye kismat hai kya kisne dekha yahaan
apni kismat banaata hai khud aadmi

jitne oonche ho insaan ke hausle
utne oonche mahal uske kadmon taley
ho jitne oonche ho insaan ke housle
utne unche mahal uske kadmon taley

jinki mehenat ke dam se mahal hai khade
unko rehne ko milte hai kyon jhonpde
unki mehenat main ye akal shaamil na thhi
apni kismat banaata hai khud aadmi

ye kismat hai kya jaante hain wahi
zamaane mein hai jinki kismat buri

laakh mehnat se seenche koi gulsitaan
baag mein gul khila na sake baaghbaan
laakh mehnat se seenche koi gulsitaan
baag mein gul khila na sake baaghbaan
uski mehenat mein hogi kahi kuchh kami
warna kya hai jo kar na sake aadmi

aadmi khud ko insaan bana na saka
apni kismat banaayega kya aadmi
ye kismat hai kya kisne dekha yahaan
apni kismat banaata hai khud aadmi

aaj ka aadmi chaand ko chhoo saka
phir bhi dharti ko khushaal na kar saka
yahaan mehenat se sholon pe bhi gul khile
buri kismat se barsaat mein ghar jale
aaa aaaa aaa aa
aa aa aa aa
ye takraar sadiyon se yoonhi chale
magar ho sake na kabhi faisle
ye sach hai ki mehnat se sab kuchh miley
magar jab ye kismat yahaan saath de
na mehenat hai chhoti na kismat badi
hai donon ke dam pe ye duniya khadi
ye kismat hai kya jaante hain khadi
zamaane mein hain jinki kismat buri
ye kismat hai kya kisne dekha yahaan
apni kismat banaata hai khud aadmi

——————————————–
Sad version (Sung by Md Aziz )
——————————————–

har dua ek baddua
kyun ban gayi,
pal mein yahaan
bewafa kismat bhi,
uthth gaya sar se aasmaan

ye kismat hai kya jaanta hai wahi
zamaane mein hai jiski kismat buri
aadmi khud ko insaan bana na saka
apni kismat banayega kya aadmi
ye kismat hai kya jaanta hai wahi
zamaane mein hai jinki kismat buri

ye kismat hai karti ajab faisle
yahaan milke sab kuchh
bhi kuchh na miley
bhatakti hai yoon dar-badar zindagi
ke marke bhi insaan mar na sakey
ye kismat hai kya jaanta hai wahi
zamaane mein hai jiski kismat buri

ek thhokar lagi toota saara nasha
ab hai jaanaa kahaan kuchh nahin hai pata
laake kismat ne chhoda hai kis mod par
jo musaafir thha khud ban gaya raasta
ye kismat hai kya jaanta hai wahi
zamaane mein hai jiski kismat buri
aadmi khud ko insaan bana na saka
apni kismat banayega kya aadmi


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4684 Post No. : 16367 Movie Count :

4444

Hullo Atuldom

Over the last few days we have had some very wordy posts- wordy in terms of the write up and also length of the song/s. None of these posts were boring, they were educative and informative.

Nahmji’s post was a lesson on Ramadan, Hajj, Umrah, and the pilgrimages to Makka and Madinah and also the protocols being followed in these times of the Pandemic.

This post of Atulji spoke of “Covid 19: Virus and treatment Simplified” as our Avinashji has said in the comments to the post.

In between the two posts we had one by our in-house encyclopedia on his disciplined habits of making handwritten notes about the movies he had seen. In the post he has written a point to which even I subscribe to “Depending on the age of the person, the period of ‘old films’ differs. For an young man of, say 20-25 years old films may mean films which came in the 80’s and 90’s. For people of 30-40 years, films of the 6o’s and 70’s are old films. For people of 45-60 years of age, old films are from the 50’s. Only people in the age bracket of 65 to say 80/85, it is films of the 30’s and 40’s which are old films!”

In addition I was going to mention that the meaning of entertainment and content of the films made in each era reflects the current social scene, problems, and aspirations of the younger generation. This too Guruji has spoken about in this post yesterday.

I have always seen movies with the intention of getting entertained and I love it when there is no logic in what is shown on the Silver-Screen. That is why I like the “RH ka group” and “two jyothis emanating from the eyes of an idol and giving vision to a blind lady” scenes. Similarly I like it when the doctors on-screen say “isko dawa ki nahin dua ki zaroorat hai”. I am sure the medical fraternity must be squirming in their seats when they see the doctors mouthing these words. Same goes for the Police, they are always shown to arrive late at scenes of crime unless the lead actors are playing the cop. But we will focus on the cops of Indian movies in a different post.

The song with this post sees the heroine playing a doctor. She is the resident Doctor who does her rounds, checks on all the patients and smiles lovingly at each one of them (and that should be enough to cure half her patients as her smile is high-voltage). One of her patients has lost his memory in some accident (regular feature in all Indian Movies) and Dr. Sushma (Madhuri Dixit) not only takes care of him but also falls in love with Krishna (name given to the character played by Aditya Pancholi by the hospital) and marries him. Later, the doctor’s friendly Inspector Ranjit Kapoor (Suresh Oberoi) warns her that her husband was set to kill her before the accident and her life may be in danger if he regains his memory. Krishna regains his memory when he has another accident (again normal for Indian Movies) and he again tries to kill the Doctor accusing her of being the cause of his sister’s death. Then the movie follows the usual path of clearing misunderstandings and All Is Well in the end.

This was the plot of “Sailaab” which released 31 years ago in August of 1990. It was a remake of a 1988 Tamil movie which I have seen in the open-air auditorium of the colony where I had lived in the initial years of my married life. “Sailaab” was produced by Surendra Jain and directed by Deepak Balraj Vij. Bappi Lahiri was the music composer of songs written by Javed Akhtar and Anjaan. The playback singers used were Anupama Deshpanse, Amit Kumar, Kavitha Krishnamurthy, Sudesh Bhonsle, Asha Bhonsle, and someone called Mangal Singh. The cast comprised of Madhuri Dixit, Aditya Pancholi, Suresh Oberoi, supported by Anand Balraj, Shafi Inamdar, Om Shivpuri, Kulbhushan Kharbanda, C S Dubey, Sahila Chadda, Jamuna, Shammi, T.P. Jain etc. I have seen climax of “Sailaab” and must say that it was edge-of-seat experience. The most popular song of this movie won Saroj Khan a Filmfare award for best choreography.

We are having this song to wish Madhuri on her birthday. I don’t think this popular actress of over 70 films needs any introduction. Neither do I need to say that she is a recipient of 6 Filmfare awards and also been awarded the PadmaShri by the government of India in 2008. She made her debut in a Rajshree Productions movie in 1984 and was repeated by the production house in “Hum Aapke Hain Kaun”(1994) a movie that ran to packed houses for 200 days. She has co-starred all the actors (male and female) of the ’80s and ’90s. Then she got married and settled into domestic bliss for a few years and returned with Yashraj films “Aaja Nachle” in 2007. Since then we see her intermittently on-screen and being appreciated for the wide range of characters that she is playing. We also see her on television judging Dance Reality shows.

On to today’s song which is sung by Amit Kumar and Asha Bhonsle. It is written by Javed Akhtar. Going by the available video it looks like the song plays in parts and these have been uploaded as one whole. This song is almost similar to “tumse milke aisa laga tumse milke” from “Parinda”.

Video

Audio

Song-Mujhko ye zindagi lagti hai ajnabee (Sailaab)(1990) Singers-Amit Kumar, Asha Bhonsle, Lyrics-Javed Akhtar, MD-Bappi Lahiri
Both

Lyrics

mujhko yeh Zindagi
lagti hai ajnabee
chhaaon bhi
dhoop bhi
har naye pal hai nayi ee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi
mujhko yeh zindagi
lagti hai ajnabee
chhaaon bhi
dhoop bhi
har naye pal hai nayi ee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi ee

jaane kahaan se aaya hoon
kya jaane main kaun hoon
koi yeh samjhaaye mujhe
kaise main yeh gham sahoon
jaane kahaan se aaya hoon
kya jaane main kaun hoon
koi yeh samjhaaye mujhe
kaise main yeh gham sahoon
mujhko yeh zindagi ee
lagti hai ajnabee
chhaaon bhi
dhoop bhi
har naye pal hai nayi ee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi ee

phir se andhere chha gaye
khoyi ujaale ki kiran
kal raahon mein phool thhe
ab hai kaanton ki chubhan
phir se andhere chha gaye
khoyi ujaale ki kiran
kal raahon mein phool thhe
ab hai kaanton ki chubhan
mujhko yeh zindagi ee
lagti hai ajnabee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi ee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi

tum hi kaho kya baat hai
mujhko lage tum apne kyun
jab se dekha hai tumhein
dekh rahi hoon sapne kyun
tum hi kaho kya baat hai
mujhko lage tum apne kyun
jab se dekha hai tumhein
dekh rahi hoon sapne kyun
mujhko yeh zindagi ee
lagti hai ajnabee
chhaon bhi
dhoop bhi
har naye pal hai nayi ee
chhaon bhi ee
dhoop bhi ee
har naye pal hai nayi

kaise main tumse yeh kahoon
jaan ho tum aur dil bhi tum
tum bin ab jaaoon kahaan
raah bhi tum
manzil bhi tum

kaise main tumse yeh kahoon
jaan ho tum aur dil bhi tum
tum bin ab jaaoon kahaan
raah bhi tum
manzil bhi tum
mujhko yeh zindagi ee
lagti hai ajnabee ee
chhaon bhi ee

dhoop bhi
har naye pal hai nayi
chhaon bhi
dhoop bhi
har naye pal hai nayi


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4641 Post No. : 16301 Movie Count :

4427

Hullo Atuldom

“100 Days” (1991) was produced by Jay Mehta (son of producer Pranlal Mehta), directed by Partho Ghosh. This was a first for both the producer and director. It starred Madhuri Dixit- Moon Moon Sen- Jackie Shroff- Javed Jaffrey- Laxmikant Berde – Sabeeha (daughter of yesteryear actress Ameeta of “Tumsa Nahin Dekha” fame) and a few others. It was a remake of a Tamil hit, a crime thriller with a twist. Madhuri played Moon Moon’s sister and Javed Jaffrey’s college friend. Jackie played a rich man and Laxmikant Berde his secretary.

Usually I like to give the synopsis of the movie with the song but not today. It will take away the fun of seeing the movie, just in case any follower of the blog feels like having a dekho of the movie, anytime. I have seen it in both languages and have loved it. Specially the climax and the various emotions that run through the movie. There is high drama, comedy, romance and a few entertaining songs. Partho Ghosh had an able cinematographer in the (late) Arvind Laad and the frames in the suspense scenes are well composed.

The music for the movie was by Vijay Patil better known as Raam Laxman. I remember that our in-house encyclopedia has mentioned somewhere on the blog that Raam -Laxman were brothers who were signed up for the 1977 movie ‘Agent Vinod’. Unfortunately, Raam the older brother passed away before the release of ‘Agent Vinod’ in 1976. But Vijay Patil continued his journey in the industry as Raam -Laxman and was very successful in the ’90s. He later changed his name to Raamlaxman post ‘Maine Pyar Kiya’.

“100 Days” had songs written by Dilip K Tahir, Dev Kohli and Ravinder Rawal. the singers used were Lata Mangeshkar, Alka Yagnik, S.P. Balasubramaniam, and Amit Kumar. Choreographers were Suresh Bhatt, Chinni Prakash, and Partho Ghosh himself. There are two songs that were filmed on the dancing duo Javed Jaffery and Madhuri of which one was a stage song.

Today we are not having the stage song but the other one, which is essentially keeping with the spirit of today i.e. April Fool’s day or All Fools day. Since morning there have been messages which are supposedly giving insight into why this day is celebrated and the last line of that message says, and I quote: “He used to read all fake stories, like you are doing now. It’s great idea fooling you”. Normally people play harmless pranks on their friends and dear ones on this day and I read somewhere that this is, generally, only till noon.

This is what I found on wikipedia:- “Some writers suggest that April Fools’ originated because in the Middle Ages, New Year’s Day was celebrated on March 25 in most European towns, with a holiday that in some areas of France, specifically, ended on April 1, and those who celebrated New Year’s Eve on January 1 made fun of those who celebrated on other dates by the invention of April Fools’ Day. The use of January 1 as New Year’s Day became common in France only in the mid-16th century, and that date was not adopted officially until 1564, by the Edict of Roussillon”.

Before getting on to the song I would like to congratulate Atulji, Sudhirji and all his followers and contributors and commentors on the blog’s 16300th post. Even if the blog is moving as per the movement of the moon, we are reaching centuries at a constant pace.

Here is the song in Alka Yagnik and Amit Kumar’s voices Sabeeha is in Javed’s team in playing pranks on Madhuri though they are all close friends. This song is written by Ravinder Rawal.

I would like to point out a few things in this song:-
(1) Javed jaffery is holding a small potli in his hand at the start of the song, akin to what Gabbar Singh had in ‘Sholay’.
(2) Madhuri has a step where she is shown mixing tambaaku (tobacco) like Gabbar Singh (of course).
These are the reasons why the song has stayed with me in all these years.


Song-Gabbar Singh ye keh kar gaya (100 days)(1991) Singers-Amit Kumar, Alka Yagnik, Lyrics-Ravindra Raval, MD-Ram Laxman
Male courus
Female chorus

Lyrics

aaaa
aeye
darr gayi
ha ha ha ha ha

ik thi ladki bholi bhali
har aahat se darne waali
baat baat mein ro deti thi woh
achha
haan
ik din ek chhota sa bacha
umar mein jo tha bilkul kachcha
paas mein aake ye bola usko
kya
gabbal ching
ye kah kal gaya
jo dal gaya woh mal gaya

haan gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
haaye gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya

nadaan bachcha hansi khel mein
kaudi ghazab ki dekar gaya
arre naadaan bachcha hansi khel mein
kaudi ghazab ki dekar gaya

haaye re
gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
haaye gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya

la la la la laa laa laa
la la la la laa laa laa la

dilwaalon ki hai yeh adaa
dilwaalon ki hai yeh adaa
jeene ka lete hain mazaa
jeene ka lete hain mazaa
arre un baaton se kya darna
jin par zor nahin apna
haaye haaye haaye
ga ga ga ga gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
haaye gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya

kya hua
ha ha ha ha ha

nakli khaal pehan kar aaye
geedad sher agar ban jaaye
pal bhar dhaak jama leta hai woh

aisa
haan
par logon ke pathar khaake
bhaage jab woh dum dabake
koi bachche kahe agar usko

kya
gabbal ching ye kah kal gaya
jo dal gaya woh mal gaya
haaye gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya

arre gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya

kehte hain geedad ki aaye jo maut
toh bhaag kar woh shehar gaya

kehte hain geedad ki aaye jo maut
toh bhaag kar woh shehar gaya

gabbal ching kya kah kal gaya
jo dal gaya wo mal gaya

Love rap

Posted on: January 1, 2021


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4550 Post No. : 16136 Movie Count :

4398

Hullo Atuldom

A very Happy New Year to the followers of the blog who go by the name Atulites. Here is wishing everyone a year different from the last.

This post is not an attempt at “This day that year” or for the “blog ten year challenge” category. Out of curiosity I just checked out the closing posts of December 2010 and opening of the year 2011. Was surprised that the last post of 2010 was on 29th December. Avinashji’s post gives details of that date. The next post was on January 1st. Saajna din bahure hamaare and Mere barbaad hone ka nazaara dekhne aale were the two songs posted. Going by the lyrics of the two songs it is obvious that they were not dedicated New Year songs or even feel good or party style songs. (I am not complaining because they are melodious). I would love to know which was the first dedicated New Year song ever, posted on the blog. My guess is it could be Saal mubaarak saahib jee by Sudhirji.

My first post for this year is a dance number. It features Bindu- the brilliant dancer from my growing up years, Atul Agnihotri, Mamta Kulkarni and Nana Patekar. It is sung by Amit Kumar, Sapna Mukherjee, Sudesh Bhonsle and Poornima (who sang as Sushma Shrestha in her childhood). It is from the 1994 released Mehul Kumar directed “Krantiveer”.

The movie was the story of a young boy who runs away from home after his doting but strict mother catches him going wayward. The boy lands up in Mumbai, and ends up saving the life of a young boy (Atul Agnihotri). The boy’s father (Paresh Rawal) takes a liking towards the child and takes him under his care . The two kids grow up, the runaway lad turns out to be Pratap (Nana Patekar). From here the story meanders through the usual masala of basti, landlord, corrupt police- judges, rich girl-middle class lad love story, killers revenge etc. There is an added character of a journalist (Dimple) who is trying to expose all things wrong in the area, through her writings. There is a at times serious and sympathetic at other times relation between Pratap and Megha (Dimple).

There have been songs in Rap style in the past too but the ’90s saw a surge in their numbersand a few regular artists followed the footsteps of singers like Bally Sagoo, Bali Brahmabhatt etc. who introduced it to music lovers with songs like “amma dekh tera munda bigda jaaye”, “aaja meri gaadi mein baith jaa” etc which were patronised by some newly formed music recording companies. Today’s “Love Rap” is written by Sameer and Anand-Milind are the music composers. This type was popular on dance floors then and the turn of the century has seen bhangda style songs ruling the air waves. Let us see what the new decade holds for music lovers.

Incidentally, January 1st happens to be Nana Patekars’ date of birth. He turns 70!!!! He has been around in the entertainment business since the ’70s with “Gaman” being his Hindi debut. Nana, along with Irrfan Khan (whom we lost last year, may his soul rest in peace) is the only actor to have won the Filmfare award in the categories of Best Actor, Best Supporting Actor and Best Villain. He has won 3 National Awards and is a Padma Shri too. He does a lot of charity without tom-toming about it. Here is wishing him health and happiness in future too.


Song-Love Rap (Krantiveer) (1994) Singer-Amit Kumar, Poornima , Sudesh Bhonsle, Sapna Mukherjee, Lyrics-Sameer, MD-Anand Milind
Male chorus
Female chorus
Amit Kumar + Male chorus
Sushma Shreshtha + Female chorus
All chorus

Lyrics

love rap
love rap
love rap
aaaaaaaa

o maine dekha jab teri nazron ke through
kabhi hundred one kabhi hundred two
uss din se hua fever ye shuru
kabhi hundred one kabhi hundred two
jaao jaao jaldi jaao doctor ko bulao
oye
nabz dikhao mera haal bataao
oye
jaao jaao jaldi jaao doctor ko bulao
oye
nabz dikhaao mera haal batao
oye

oooo
aaaa

(wow!)
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin yeh hai pyar ka bukhaar
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin yeh hai pyar ka bukhaar
dhak dhak

my heart is beating
dhak dhak
my pulse is missing
dhak dhak
i think I am collapsing
dhak dhak
haaye re haaye re haaye main gaya
maine dekha jab teri nazron ke through
kabhi hundred one kabhi hundred two
uss din se hua fever ye shuru
kabhi hundred one kabhi hundred two
jaao jaao jaldi jaao doctor ko bulao

oye
nabz dikhaao mera haal batao
oye
jaao jaao jaldi jao doctor ko bulao
oye
nabz dikhaao mera haal bataao
oye

kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin yeh hai pyaar ka bukhaar
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin yeh hai pyaar ka bukhaar
dhak dhak
dhak dhak

dhak dhak
dhak dhak

we don’t want palace we don’t want name
we don’t want money we don’t want fame
we don’t want bungalow we don’t want car
we want only love
we want only pyaar

balle balle balle balle balle
oye kudiye

mehekti jawaani
gulaabi tere gaal
nigaahon mein nasha hai
sharaabi teri chaal
mujhe toh dil jaani
hai tera hi khayaal
na pooch bekaraari
na pooch mera haal
haal haal haal
haal haal haal

(hullo
hullo
mere saath dance karoge
nahin
ae
zara meri aankhon mein aankhen dalke baat karo
hmm
ab tum wahi karoge jo main chaahoongi
)

mi paahilya tujha dolencha through
kadhi shambhar ek kadhi shambhar two
tya diwshi zaala fever suru
kadhi shambhar ek kadhi shambbhar two

you know my age
I am thirty plus nine

oh that means you are old wine
koi jaane na kahaan lad jaaye nazar
dekho dekho dil
dekho na umar

na dekh mujhe jaadugar machhali
teri baat lage mujhko nakli

tujhpe mera jadoo chal jaayega
ek din dil tera bhi machal jaayega
aaja aaja aaja aaja aaja aaja aa

chal hat baazu hat
na kar khatpat
mat lapat jhapat natkhat
na kar khatpat
mat lapat jhapat
chal hat baazu hat natkhat hat ja

o maine dekha jab teri nazron ke through
kabhi hundred one kabhi hundred two
uss din se hua fever ye shuru
kabhi hundred one kabhi hundred two
jaao jaao jaldi jao doctor ko bulaao
oye
nabz dikhao mera haal batao
oye
jao jao jaldi jao doctor ko bulao
oye
nabz dikhaao mera haal batao
oye
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin nyeh hai pyaar ka bukhaar
kyun dil karta hai dhak dhak mere yaar
kuchh aur nahin nyeh hai pyaar ka bukhaar
na ishk mein ho generation gap
hum milke karenge aaj
love rap
aaaa
love rap
aaaa
love rap
aaaaaaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4483 Post No. : 15995

Sahir Ludhianvi & His Music Directors-1 – (one movie collaboration only)
————————————————————————————

Welcome all to this post.

Some of you would be surprised to see a ‘Sahir’ related post here today again, because we celebrated Sahir yesterday on his ‘Remembrance Day’ and paid our tributes.

But today’s day is also important for us. It the birthday of one of the founding members of this blog and our beloved Raja Saab. So here is wishing Raja Saab a very happy birthday and ‘many many happy returns of the day’ and ‘healthy, peaceful and ‘full of music- life’ ahead.

And I am sure he is going to enjoy this song in ‘Punjabi’ folk based song as I am aware of his love for ‘Punjabi folk based’ songs.

Well he is also a Sahir fan so a song from Sahir. And he is Kaka fan too. So, we have Rajesh Khanna making an appearance in this song in the movie ‘Dhanwaan-1981’, and if I am correct, he lip-syncs the one stanza in Amit Kumar’s voice. But that is not covered in the video of the song though the audio version of this song is having it.

Not only that we have one more ‘celebration’ here today.

Regulars on the blog might be remembering that I had mentioned in my earlier post with the ‘couplet song’ ‘aap abhi ishq ki tehzeeb se aagaah nahin’ from ‘Dil Hi To Hai’ (1963), that I had prepared an excel sheet for Sahir and his music directors with the number of songs in the movies where Sahir Ludhianvi was lyricist and was going to share it with a new series.

But somehow this series got delayed and what a better occasion than today. Today we discuss Sahir’s association with music directors where they collaborated for only ‘one movie’ (or ‘only one song in some cases).

Today’s song is composed by Hridaynath Mangeshkar from the ‘1981’ movie ‘Dhanwaan’.
And today 26th October’2020 (born on 26th October 1937) is the eighty-third birth anniversary of Hridaynath Mangeshkar. So here is wishing him too a very happy birthday and healthy and peaceful life ahead.

Coming to the list of music directors where Sahir had only one film association the list as given below; (I have tried to compile the details accurately as possible, and would request readers to bring to my notice if any mistake is there and forgive me for that error).

S.no Name of the Movie Year Music Director Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 Aazadi Ki Raah Pe 1948 G.D. Kapoor 1 4 4
2 Alif Laila 1953 Shyam Sundar 8 8 8
3 Humsafar 1953 Ali Akbar Khan 7 8 8
4 Sholey 1953 Dhani Ram 1 1 1
5 Saavdhan 1954 Vasant Ramchandra 7 7 7
6 Chingaari 1955 Manohar 1 1 1
7 Didi 1959 Sudha Malhotra 1 1 1
8 Laal Nishaan 1959 Nirmal Kumar 1 1 1
9 Girl Friend 1960 Hemant Kumar 7 7 7
10 Maasoom 1960 Robin Banerjee 1 1 1
11 Bahurani 1963 C. Ramchandra 7 7 7
12 Bhaai Ho To Aisa 1972 Sonik Omi 1 5 5
13 Nawaab Saahib 1978 C. Arjun 5 4 5
14 Kaalaa Patthar* 1979 Rajesh Roshan 7 6 7
15 Dhanwaan 1981 Hridaynath Mangeshkar 4 5 5
Total 15 movies 59 66 67

(*jageya jageya considered as two-part song)

Coming back to the today’s movie, Dhanwaan-1981” was directed by Surendra Mohan for ‘Film Nagar, Bombay’. It was produced by Sohanlal Kanwar.

This movie had Rajesh Khanna, Reena Roy, Rakesh Roshan, Shakti Kapoor, Pinchoo Kapoor, Vijayendra, Mazhar Khan (there were two persons with same name Mazhar Khan(reference-HFGK)), Aruna Irani, Birbal, Kamal Deep, Chandrashekhar, Ajit Kumar, S.N. Tripathi, Madhok Sharma, Baljeet Mineria, Master Vikas, Om Prakash and others.

This movie was passed by Censor Board on 01.07.1981.

This movie had five songs (to be corrected on the blog) written by Sahir Ludhianvi and composed by Hridaynath Mangeshkar.

Here is the list of songs as per their appearing order in HFGK Vol-VI (1981-1985). Four songs have already been posted on the blog;

Song Posted On
Idhar aa aa aa bhi jaa 21.02.2013
Kuchh log mohabbat ko vyopaar samajhte hain 07.01.2020
Ye aankhen dekh kar ham saari duniya bhool jaate hain 11.09.2008
Maaro bhar bhar kar pichkaari 13.03.2017
Ho balle balle bhai reshmi dupatta waaliye … Being posted today

Last but not the least, to add the above celebrations, this movie ‘Dhanwaan-1981’ gets ‘Yippeeee’ed’ on the blog today with all its songs covered.

Let us now enjoy today’s ‘nok-jhonk’ song 😊 sung by Lata Mangeshkar, Mahendra Kapoor and Amit Kumar…

Mazhar Khan and Aruna Irani are lip syncing in the voices of Mahendra Kapoor and Lata Mangeshkar respectively. I guess that the Amit Kumar’s voice is for Rajesh Khanna who resolves the ‘nok-jhonk’ and make Aruna Irani accept the proposal of Mazhar Khan. However, the video for the Amit Kumar part is not available. The lyrics as per the audio link which is a longer version.

Let us now enjoy this foot tapping entertaining song. 😊

Video (Partial)

Audio (Full)

Song-Ho balle balle bhai reshmi dupatte waaliye (Dhanwan)(1981) Singers-Mahendra Kapoor, Lata, Amit Kumar, Lyrics-Sahir Ludhianvi, MD- Hridaynath Mangeshkar
All
Male chorus
Female chorus

Lyrics

ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
tera roop lashkaare maare
reshmi dupatte waaliye ae
ho tauba tauba
ye gora rang aafat hai
tauba tauba
ye gora rang aafat hai
peechhe pad gaye saare kunwaare

gora rang aafat hai

ho balle balle
bhai duniya ke jamghat mein
sabhi dil milne ke mele ae
duniya ke jamghat mein ae
haa jaa jaa
jaa jaa ke main naa tere haath aaun
chaahe laakh tu paapad bele ae

main naa tere
haath aaun

hai ke jamghat mein ae
sabhi dil milne ke mele ae

main naa tere
haath aaun
chaahe laakh tu paapad bele ae

ho balle balle balle
maan jawaani ka
gori aashiqon ki qadar naa jaane
maan jawaani ka
ha jaa jaa jaa jaa
ke main naa tere munh lagti ee
badaa aaya qadar karaane ae

main naa tere munh lagti

ho balle balle bhai
ham hi mein aib kya hai
tujhe kisika to ghar hai basaana
ham hi mein aib kya hai
tauba
tauba
tauba
tauba
tauba

haaye
tauba
haaye
tauba
haaye
tauba
tauba

tauba tauba ke main naa tere ghar jaaun
chaahe pad jaaye thaane jaanaa

main naa tere ghar jaaun

baliye ae ae ae ae
goriye
soniye
baliye ae
baliye
ho balle balle
ke buddhi ho ke tarsegi
koyi aayega na haath pakadne
buddhi ho ke tarsegi
are jaa jaa
jaa jaa
ke tere jaise laakhon hain
kayi aayenge naak ragadne

tere jaise laakhon hain
ho balle balle
bhai reshmi dupatte waaliye
ho tera roop lashkaare maare
reshmi dupatte waaliye ae
aa haa

jawaani phir naa aaye
karegi haaye haaye
aa haa karegi haay haaye
mera gham tu kyun khaaye
tujhe kyun neend na aaye

aa haa
tujhe kyun neend na aaye

jo tujhpar aankh tikaaye ae ae
wo tera maan badhaaye
jo tujhpar aankh tikaaye
wo tera maan badhaaye
wo tera maan badhaaye

tu chaahe mar bhi jaaye
ye jatti haath na aaye

aa haa
ye jatti haath na aaye

naa jab tak haan kahlaaye
ye jatt waapas naa jaaye
aa haa
ye jatt waapas naa jaaye

jo mujhko haath lagaaye ae
wo apnaa sar tudwaaye

jo mujhko haath lagaaye
wo apnaa sar tudwaaye
wo apnaa sar tudwaaye

jo mujhko haath lagaaye
wo apnaa sar tudwaaye

aa haa
wo apnaa sar tudwaaye

ho balle balle
bhai tere aage haath jodtaa
ho balle balle
bhai tere aage haath jodtaa
jaat jisne akhaade jeete ae

tere aage haath jodtaa
baliye ae ae ae
soniye
soniye
baliye baliye
balle balle
bhai tere aage haath jodtaa aa

achchaa achchaa to aaj maine
haan kar di
achchaa achchaa to aaj maine
haan kar di
ise taalte bahot din beete ae

aaj maine haan kar di
ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
oye tera roop lashkaare maare ae
reshmi dupatte waaliye ae

aa haa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4472 Post No. : 15972

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 106 # Tribute to Music Director Shankar #
——————————————————————————————–

Today 15th October is (15.10.1922) is ninety-eighth Birth Anniversary of the genius music director Shankar Singh Raghuvanshi or known popularly as Shankar of Shankar-Jaikishan duo.

He was born on 15th October’1922 at Hyderabad Deccan in the then state of Hyderabad.
And left this mortal world at the age of sixty-four on 26th April’1986 at Bombay.

As a tribute to him I am presenting a song from the 1977 movie ‘Duniyaadaari’.

One beautiful song from this movie has been posted on the blog on 15th October’2012 which was ‘naao kaaghaz ki gehraa hai paani’ …

As we are all aware the golden period of Shankar-Jaikishan was already over as the HFM embarked in the decade of seventies. The lot of R.D. Burman, Laxmikant-Pyarelal, Kalyanji-Anandji and many others were already producing chart burster music that was getting popular among the masses.

I would like to reproduce the ‘text’ here what Atul ji had said about Shankar-Jaikishan and the ending of their ‘era’ in his article while posting the first song of this movie ‘Duniyaadaari-1977’.

Shankar Jaikishan, the most dominant music directors during the golden era of Hindi movie music ruled the roost for two decades from 1949 to 1968 till R D Burman rose like a meteor and changed the rules of the game.

Many other developments took place during that time. One of those developments was that Jaikishan died in 1970 and that way the Shankar Jaikishan jodi was physically separated. Moreover, “Mera Naam Joker” (1970) flopped and after that Raj Kapoor made up his mind to overhaul his musical team making a clen break from his tried and trusted musical team of the past two decades.

Shankar continued to compose music under the name of Shankar Jaikishan. But the time passed, assignments from top banners gradually dried up and Shankar ended up composing music for lesser banners. His songs from mid 1970s onwards were not quite as popular as the music of his heydays.

Nevertheless, Shankar composed some memorable songs even in his second innings as a solo music director, even if they are not as well-known as the music of his earlier decades.

Today’s movie is one such movie whose songs are quite nice and were popular I think (since I have not watched this movie) and other notable movies to mention I think is ‘Sanyaasi-1975’ whose songs were heard everywhere on radio and loudspeakers. Songs of ‘Resham Ki Dori-1974’ were also nice songs if we consider them as composed by Shankar solely.

In the previous month while paying our tributes to Jaikishan on his Remembrance Day I had mentioned about the year 1971 and had wrote that; -“Shankar Jaikishan ruled the music charts in 1971 with their ‘Zindagi ek safar hai suhaana’ ranking top of the annual ‘Binaca Geetmala’ list. ”

In 1971 Shankar Jaikishan composed music for as many as seventeen movies out of 115 released movies that year. Moreover there was an un-released movie as well viz. ‘Bombay Talkie-1971’ making it a total of eighteen movies for the year for Shankar Jaikishan.

That was for 1971. Let us now have a look on the number of movies in which the name of Shankar-Jaikishan appeared as Music Director from 1972 to till 1977.
(we will again have a look on their filmography from 1978 to 1986 in future posts).

S.No. Year No of Movies No of Movies ‘Released’ in the Year
01 1972 08 131
02 1973 07 137
03 1974 07 132
04 1975 05 118
05 1976 Nil 105
06 1977 02 134
Total 29 movies

S.No. Movie Passed by Censor Board on Lyricist/s
1972
01 Aanbaan 15.04.1972 Hasrat Jaipuri, Gulshan Bawra
02 Aankh Michouli 26.04.1972 Rajinder Krishan
03 Aankhon Aankhon Mein 05.04.1972 Hasrat Jaipuri, Verma Malik
04 Bandagi 17.05.1972 Rajinder Krishan
05 Beimaan 05.06.1972 Verma Malik
06 Dil Daulat Duniya 12.06.1972 Hasrat Jaipuri, Neeraj, Shaily Shailendra, Verma Malik
07 Jungle Mein Mangal 27.12.1972 Hasrat Jaipuri+Neeraj
08 Rivaaj 19.08.1972 Kaifi Azmi, Indeevar, S.H. Bihari, Neeraj, Anjaan, Hasrat Jaipuri
1973
01 Aaj Ki Taazaa Khabar 30.07.1973 Hasrat Jaipuri
02 Archanaa 01.10.1973 Hasrat Jaipuri, Indeevar, Neeraj
03 Chori Chori 04.12.1973 Gulshan Bawra
04 Daaman Aur Aag 08.01.1973 Hasrat Jaipuri
05 Door Naheen Manzil * 03.10.1973 Anjaan, Indeevar
06 Nainaa 10.09.1973 Hasrat Jaipuri, Indeevar, Kaifi Azmi
07 Pyaar Ka Rishtaa 30.01.1973 Shakeel Badayuni, Indeevar
1974
01 Chhote Sarkaar 14.08.1974 Rajinder Krishan
02 Insaaniyat 16.05.1974 Hasrat Jaipuri, Indeevar
03 International Crook 19.07.1974 Aziz Kashmiri
04 Meraa Vachan Geetaa Ki Qasam 23.07.1974 Hasrat Jaipuri
5 Resham Ki Dori 12.08.1974 Neeraj, Hasrat Jaipuri, Indeevar
06 Taarzan Meraa Saathi* 24.12.1974
07 Vachan 23.05.1974 Hasrat Jaipuri, Kiran Kalyani, Shaily Shailendra
1975
01 Do Jhooth 10.06.1975 Verma Malik, M.G. Hashmat, Vishweshwar Sharma, Vithalbhai Patel
02 Love In Bombay 31.01.1975 Majrooh Sultanpuri, Kishore Kumar+Anand Dutta
03 Neelima 16.09.1975 Majrooh Sultanpuri, Anjum Jaipuri
04 Saazish 03.02.1975 Hasrat Jaipuri
05 Sanyaasi 09.10.1975 Indeevar, Hasrat Jaipuri, Verma Malik, M.G. Hashmat, Vishweshwar Sharma, Vithalbhai Patel
1976
Nil
1977
01 Dhoop Chhaaon 23.03.1977 Kaifi Azmi, Vithalbhai Patel, Vishweshwar Sharma, Virendra Mishra
02 Duniyaadaari 22.10.1977 M.G. Hashmat, Vishweshwar Sharma, Prabha Thakur, Vithalbhai Patel

Coming back to today’s movie now ‘Duniyaadaari-1977’, it was directed by Ram Kelkar for ‘Filmnagar, Bombay’. Ram Kelkar was also the writer of this movie. It was produced by Sohanlal Kanwar. Smt Vijayalaxmi was the co-producer of this movie.

It had Nutan, Vinod Mehra, Parikshit Sahni, Bindiya Goswami, Ranjeet, Asrani, Aruna Irani and Om Prakash, with Shashikala, Kanhaiyalal, Dr Shreeram Lagoo, Helen, Sulochana, Jayshree T., Meena T., and supported by Kuljit, Birbal, Bihari, Tun Tun, S.N. Tripathi, Chandrashekhar, Karan Deewan, Bharat Bhushan, Rajan Haksar, Asha Potdar, C.S. Dubey, Sheikh, Lamba, Kamal Deep and others. Vijay Arora, Radha Saluja, Raj Mehra and Rama Vij make special appearance in this movie. Editing of this movie was done by Nand Kumar,

This movie had six songs written by M.G. Hashmat (two songs), Vishweshwar Sharma (two songs), and Prabha Thakur and Vithhalbhai Patel wrote one song each.

Lata Mangeshkar, Mohd Rafi, Asha Bhonsle, Kishore Kumar, Usha Mangeshkar, Amit Kumar and Shobha Gurtu (and Anwar, Khan Saheb and Naseem Chopda as mentioned in HFGK, not mentioned in the titles of the movie)

Music is composed by Shankar-Jaikishan.

This movie was passed by Censor Board on 22.10.1977.

Let us now enjoy today’s song … On screen Asrani and Aruna Irani are performing and lip syncing the song in the voices of Amit Kumar and Asha Bhonsle respectively.

The song was embedded deep in my subconscious memory and I had forgotten about it. It was only during last year when I was in Kenya that at some instance I broke into humming (singing could also be the correct word? 😊 ). After that I looked for its details and got to know that it is from this movie ‘Duniyaadaari-1977’.

Let us now enjoy this song and pay our tributes to the genius music director Shankar today. I hope you will enjoy today’s song …

I would also request knowledgeable readers to throw more light on this movie and its songs.

(Note: – for those interested to watch this movie, it is slated for premier on ‘YouTube’ on 31.10.2020)

Audio (Full song)

Video (Partial)

Song-Teen baje bola thha baj gaye chaar (Duniyaadaari)(1977) Amit Kumar, Asha Bhonsle, Lyrics-M G Hashmat, MD-Shankar Jaikishan
Both
Asrani
Aruna Irani

Lyrics

Priyaa aa

hey arey arey arey ha ..
Priyaa
arey ye kya kar rahe ho
wo main nahin hoon

hya … oh
to Priyaa kyun nahin aayi

mujhe kya maaloom
usne to kahaa thha ke main teen baje aaungi

ho teen baje bola thha
baj gaye chaar
aur kitni der tak
karoon intezaar
arrey teen baje bola thha
baj gaye chaar
aur kitni der tak
karoon intezaar
ghadiyaan intezaar ki
guzaar ke dikhaaunga
aaj mil jaaye to
udaa ke le jaaunga
teen baje bola thha
baj gaye chaar
aur kitni der tak
karoge intezaar
hey ae
teen baje bola thha
baj gaye chaar
aur kitni der tak
karoge intezaar
lagtaa hai phans gayi
aaj nahin aayegi
duniyaa se daregi to
pyaar kya nibhaayegi

hey ae teen baje bolaa thha
baj gaye chaar

chaar paanch chhe kya
saat bajenge
din dhalegaa yahin
raat hogi ee ee

arey apnaa to bistar
yahin pe lagegaa
jab talak naa
mulaaqaat hogi ee
haan aan aan
pyaar ke raaste mein
subah tak
khadi duniyaa ki deewaar hogi

duniyaa ki deewaar ko
tod ke dikhaaungaa
aaj mil jaaye to
udaa ke le jaaunga
teen baje bola thha
baj gaye chaar
aur kitni der tak
karoge intezaar
badi natkhat hai wo
nakhre dikhaayengi
pyaar jitnaa karoge
wo utnaa tadpaayegi

hey hey
teen baje bola thha
baj gaye chaar

haan aa
ye lo uski chitthi ee

chitthi mein likha hai
raat mein aana
aur andhere mein seetie
ee bajaanaa aa
dil ke mandir mein ghanti
bajegi
ghar se niklegi kar ke
bahaanaa aa
aa lekin guru hai gharwaale
unki nazron se khud ko bachaana

aa
arey guruon ka mahaaguru
ban ke dikhaaunga
aaj mil jaaye to
udaa ke le jaaunga
hee oo
teen baje bola thha
baj gaye chaar
aur kitni der tak
karoge intezaar
lagtaa hai phans gayi
aaj nahin aayegi
duniyaa se daregi to
pyaar kya nibhaayegi

arey teen baje bola thha
baj gaye chaar
nahin aayegi to kya karoge
uski chaukhat pe jaake maroonga
naa naa naa naa
tum maroge to
mera kya hogaa

hee hee
o pirchhi gaana aa ??
hee hee
pirchhi gaanaa aa ??

sunke aawaaz meri
dhadkan ki
teri aankhon mein aaya
kyun paani ee ee ee
pyaar maine
chhupaana to chaahaa
aansoo kah gaye
dil ki kahaani ee ee
aakhri saans tak
tere saath main
ab guzaarungi ye zindagaani

arey ban gayi baat
ab baaraat leke aaungaa
aaj mil gayi hai
udaa ke le jaaunga
aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4386 Post No. : 15744 Movie Count :

4340

Today 21st July’2020 is the ninetieth birth anniversary of lyricist Anand Bakshi (born on 21 July 1930, he passed away on 30th March 2002). As a tribute to him here is a song written by him from the 1982 movie ‘Insaan’.

“Insaan-1982” was directed by Narinder Bedi for ‘Mukesh Movies Pvt Ltd’. Narinder Bedi also wrote the screenplay of this movie.

This movie was produced by Ved Khanna. It had Jeetendra, Vinod Khanna, Reena Roy and Amjad Khan. They were supported by Shyama, Late Karan Diwan, Narendra Nath, Sudhir, Kishore Jariwala, Asit Sen, Roopesh Kumar, Viju Khote, Pannu Balouch, Dev Kishan, Jayshree T., Meena Roy, Dulari, Birbal, Amrit Pal, G.S. Aassie, Dhanalal, Misrilal, Narbada Shankar, Sharma, Thakurdas T., Moolchand. Aruna Irani made a special appearance in this movie and the movie introduced Master Sameer.

Story of this movie was written by Veena Bedi. Dialogues of this movie were written by Rajinder Singh Bedi. Scenario writer of this movie was Satish Bhatnagar.

Editing of this movie was done by Waman Bhonsle and Gurudutt Shirali. Dev Kishan was the dialogue director of this movie. Robin Bhatt was the chief assistant director and Dilip Kotalgi was the chief assistant editor of this movie.

This movie had total six songs including one multiple version song (which is being presented today). All the songs were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.
Background music for this movie was given by Sapan-Jagmohan.

Mohd. Rafi, Kishore Kumar, Asha Bhonsle, Shailendra Singh and Amit Kumar had given their voices to the songs in this movie. This movie was passed by Censor Board on 15.05.1982.

Today’s song is sung Kishore Kumar and second version or rather the sad version is sung by Amit Kumar. I had not watched this movie so can’t say much about the movie and its box office performance. However, I became aware of this song in 1987-89 when I bought a audio cassette of Amit Kumar ‘hits’ by HMV. But only the sad version of this song was there in this cassette. Later when I started contributing lyrics to this blog in 2012-2013, I came across the Kishore Kumar version or a happy version of this song. I like this song very much as it comes from my favorite category of ‘motivational-philosophical songs’ 😊

The meaningful lyrics are by Anand Bakshi. The happy version is picturized on Jeetendra with Master Sameer also seen in the picturization of this song. I am not aware of the picturization of the sad version of this song.

With this song ‘Insaan-1982’ makes its debut on the blog. And that also serves the ‘mission’ of bringing ‘movies with same titles’ on the blog. So far, we have ‘Insaan-1944’ and ‘Insaan-1952’ already introduced on the blog.

Your sincerely also had a part in sharing the song from ‘Insaan-1952’ three years back on the blog. As per HFGK one more movie with same title was released in ‘2005’ too.

If we have look on the annual list of ‘Binaca Geetmala’ of the year 1982 we can see as many as five songs from Anand Bakshi and Laxmikant-Pyarelal making it to the annual list then. The movies were ‘Ek Hi Bhool-1981’, ‘Fifty-Fifty-1981’(2 songs), ‘Raaste Pyaar Ke-1982’(2 songs), ‘Desh Premee-1982’, ‘Apnaa Banaa Lo-1982’, however the top six songs were by other lyricist and on the ‘top of the list’ was Majrooh Sultanpuri’s ‘angrezi mein kehti hain ke’ from ‘Khuddaar-1982’.

Let us now enjoy the beautiful lyrics of Anand Bakshi and the composition of Laxmikant-Pyarelal.

Happy version
Audio

Video

Sad version
Audio

Song-Koi na jab tera saathi ho (Insaan)(1982) Singer-Kishore Kumar/Amit Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

————————-
Happy version
————————-

aa aa aa …

koyi naa jab tera saathi ho
toh chal mere man tu akelaa
ho ho ho
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa
kya hain bharosaa kab tak rahegaa
ye zindagi ka melaa aa
koyi naa jab teraa saathi ho
toh chal mere man tu akelaa
ho ho ho
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa

apni dagar par chal jhoomkar r
kaahe ka gham hain
kaahe ka darr
apni dagar par
chal jhoomkar
kaahe ka gham hain
kaahe ka darr r
raahein badi albeli hain
raahi hain tu albelaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa

kya hain judaai ee
kya mel hain ae
kya hain judaai ee
kya mel hain ae
bas dhoop chhaaon ka aa khel hain
jeena usika jeena hain ae
jo zindagi se khelaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa

aa aa aa
aa
aa aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa …

bas saath le ke apne karam
jag se akele jaayenge ham
bas saath le ke apne karam
jag se akele jaayenge ham
jeewan hain kya
bas aaya gayaa aa
paani ka jaise relaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa
kya hain bharosaa kab tak rahegaa
ye zindagi ka melaa aa
koyi naa jab teraa saathi ho
toh chal mere man tu akelaa aa

———————————–
Sad version
———————————–

aa aa
aa aa
aa aa aa aa
aa
aa aa
aa aa
aa aa
aa aa aa aa
aa
aa aa
aa aa
aa aa
aa

bas saath le ke apne karam
jag se akele jaayenge ham
bas saath le ke apne karam
jag se akele jaayenge ham
jeewan hain kya
bas aaya gayaa
paani ka jaise relaa aa
koyi naa jab tera saathi ho
toh chal mere man to akelaa aa
kya hain bharosa kab tak rahegaa
ye zindagi ka aa melaa
koyi naa jab tera saathi ho
toh chal mere man to akelaa aa

aa aa aa
aa aa aa aa
aa aa aa
aa
aa aa aa
aa aa aa aa
aa aa aa
aa
aa aa aa
aa aa aa aa
aa aa aa
aa

——————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————-
भाग-१ (हर्ष)

आ आ आ …

कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला
हो हो हो
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का मेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला
हो हो हो
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
अपनी डगर पर चल झूमकर…र
काहे का ग़म है
काहे का डर
अपनी डगर पर
चल झूमकर
काहे का ग़म है
काहे का डर…र
राहें बड़ी अलबेली हैं
राही हैं तू अलबेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं जुदाई ई
क्या मेल हैं ए
क्या हैं जुदाई ई
क्या मेल हैं ए
बस धुप छाँव का आ खेल हैं
जीना उसीका जीना है ए
जो ज़िन्दगी से खेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ

आ आ आ …

आ आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ …

बस साथ ले के अपने करम
जग से अकेले जायेंगे हम

बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
जीवन हैं क्या
बस आया गया आ
पानी का जैसे रेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का मेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ

————————
भाग-२ (शोक)
————————
आ आ
आ आ
आ आ आ आ

आ आ
आ आ
आ आ
आ आ आ आ

आ आ
आ आ
आ आ
आ …

बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
जीवन हैं क्या
बस आया गया आ
पानी का जैसे रेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का आ मेला
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ

आ आ आ
आ आ आ आ
आ आ आ

आ आ आ
आ आ आ आ
आ आ आ

आ आ आ
आ आ आ आ
आ आ आ
आ …


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