Archive for the ‘Shama Parwana song’ Category
Deepak ke sang jalta patang
Posted on: May 29, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5428 | Post No. : | 17806 |
#the Decade of Fifties –1951 – 1960 #
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In this post I once again present a Geeta Dutt song, this time from the movie “Shri Ganesh Janma-1951”. I do not remember to have listened to this song earlier. Regulars on the blog are aware that I am a big Geeta Dutt fan. Whenever I get an opportunity to present a song sung by her I grab the opportunity with both hands and share that song here on the blog.
“Shri Ganesh Janma-1951” was a mythological movie directed by Jayant Desai. This movie was passed by Censor Board on 23.04.1951.
The cast of this movie included Nirupa Roy, Trilok Kapoor, Jeevan, Ulhas, Vasantrao Pahalwan, A. Shah, Shalini, Praveen Kumar, Master Dhuliya, Revashankar, Jugnu, Neerja, Neeru, Indira Mumtaz, Tiwari, Devchand More, Chhagan, Heera Singh, Nagotkar and others.
This movie has twelve songs all written by Bharat Vyas. Music for this movie was composed jointly by Khemchand Prakash and Manna Dey as mentioned in HFGK Vol-III (1951-1960).
Here is a brief about the songs of this movie that our respected Shri Arunkumar ji had mentioned in one of his posts while discussing earlier songs from this movie on the blog.
The film’s music was composed by Khemchand Prakash and Manna Dey together. There were 12 songs, but HFGK does not give individual credits for each song. Out of these 12 songs, not even a single song was sung by Lata Mangeshkar. In those days Lata usually avoided singing in Mythological films of B and C grades. Reason was, probably because the Producers of such films could not afford her price or maybe she was too busy with her assignments with more famous composers and bigger Banners. Such films were left for the second line singers like Asha, Geeta, Sulochana kadam, Sudha Malhotra and others of their ilk. A point to be noted, however, is that though a major singer of those times, Shamshad Begum never had qualms about singing in such films!
Following is the details of the two songs of this movie posted earlier on the blog.
| S.No | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Shiv Shankar Daya Karo | Geeta Dutt | 14.02.2015 |
| 02 | Naiyya paar lagaane waale | Geeta Dutt, Manna Dey | 21.08.2017 |
Today’s song is only the third song from this movie to be presented on the blog.
As mentioned above today’s song is sung by Geeta Dutt and lyrics are by Bharat Vyas.
Music is composed by Khemchand Prakash-Manna Dey.
(However, on the blog the credit for the music composer of the both the earlier songs posted is given to Manna Dey only, which I am not aware why?).
Today’s song is a nice song to listen to and is a ‘missing the beloved’ or ‘falling in love’ category songs.
Only the audio of this song is available.
Let us now enjoy the song …
Audio
Song-Deepak ke sang jaltaa patang (Shri Ganesh Janm)(1951) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Khemchand Prakash-Manna Dey
Lyrics
o o o
o o o
ho ho ho
o o o o o o o o o
deepak ke sang
jaltaa patang
tere binaa piyaa moraa
jaley ang ang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang
tere liye ae
ban ban phiroon
tu hai kahaan aan
tu hai kahaan
tere liye ae
ban ban phiroon
tu hai kahaan aan
tu hai kahaan
saathi teri
pyaasi khadi
saathi teri ee
pyaasi khadi
aajaa aajaa bujhaa
mere man ki umang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang
dheere dheere
din dhhaltaa hai re ae
tere binaa jee
jaltaa hai re
dheere dheere
din dhhaltaa hai re ae
tere binaa jee
jaltaa hai re
chhup chhup ke tu
tadpaa na yoon
chhup chhup ke tu
tadpaa na yoon
haaye kaise anokhe
tere ye dhhang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang re ae
deepak ke sang
jaltaa patang
tere binaa piyaa moraa
jaley ang ang
Parwaane teri shamma jal uthhi
Posted on: July 26, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4025 | Post No. : | 15138 |
“Aawaara Baadal”(1964) was directed by Kedar Kapoor for Amarjyot, Bombay. This stunt movie had Ajit, Raagini, Jagdeesh Sethi, Dhumal, Helen, Indira Billi, Tiwari, Leela Mishra, Niranjan Sharma, Mridula, Ifthikhar, Keshav, Indira Bansal, Tuntun, Aasi, R Tiwari, Raj Kumar, Anand, Zarina, Asha, Pushpa, Prem, Sheroo, Pt Iqbal, Romani, Nepali Sinh, Ajay Kumar, Nagar Sharma, P H Joshi, Prakash Arora, Kripla, Bakshi, Master Sandeep, Master Farooque, Baby Shobha, Sujata etc in it.
The movie had six songs in it. One song had been covered in the past.
Here is the second song from the movie to appear in the blog. This song is sung by Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by Usha Khanna.
The song is picturised as a raj darbaar dance song on Raagini.
I request our knowledgeable readers to help identify the actors seen in the picturisation of the song.
Audio
Video
Song-Parwaane teri shamma jal uthhi (Aawaara Baadal)(1964) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Usha Khanna
Lyrics
aa aa
aaaa aa aa aa
aaa aaa aaa
parwaane ae ae
teri shamma jal uthhi
parwaane ae ae
teri shamma jal uthhi
raat hai kaatil
sun lo gaafil
aahkri hai ghadi
parwaane e
ae teri shamma jal uthhi
raahi o dilwaale
guzra hai matwaale
kyun meri raahon se
tujhko jalaaungi main
bijli giraaungi main
apni nigaahon se
raahi o dilwaale
guzra hai matwaale
kyun meri raahon se
tujhko jalaaungi main
bijli giraaungi main
apni nigaahon se
deewaane ae ae
teri saza hai yahi
raat hai kaatil
sun o gaafil
aakhri hai ghadi
parwaane ae ae
teri shamma jal uthhi
samjha na dil tera
uljha hai dil tera
meri adaaon mein
dhokhe nigaahon ke hain
rang wafaaon ke hain
meri jafaaon mein
samjha na dil tera
uljha hai dil tera
meri adaaon mein
dhokhe nigaahon ke hain
rang wafaaon ke hain
meri jafaaon mein
pahchaane ae ae
to main wahi hoon wahi
raat hai kaatil
sun o gaafil
aakhri hai ghadi
parwaane ae ae
teri shamma jal uthhi
shab ki syaahi bole
mai ki suraahi bole
apni khabar rakhna
jaadu sitaaron ka hai
mauka ishaaron ka hai
mujhpe nazar rakhna
shab ki syaahi bole
mai ki suraahi bole
apni khabar rakhna
jaadu sitaaron ka hai
mauka ishaaron ka hai
mujhpe nazar rakhna
afsaane ae ae
dil ke nazar kah gayi
raat hai kaatil
sun o gaafil
aakhri hai ghadi
parwaane ae ae
teri shamma jal uthhi
- In: Aspirations of Love | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lover's tête-à-tête | Post by Sudhir | Rafi duets अ से ह तक | Rafi songs | Rafi Suman Kalyanpur duet | Series of articles | Shama Parwana song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Suman Kalyanpur songs | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3838 | Post No. : | 14848 |
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 32
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
‘श’ – शम्मा पे परवाना जलने से डरता नहीं ॰ ॰ ॰
– – – –
फिर तेरी याद नए गीत सुनाने आई. . .
Yes, everyday. It seems there is a new song that you have sung for us, once again. Remembering you, everyday.
– – – –
Well, if the film name is ‘Shola Jo Bhadke’, it would not be a coincidence that this film is by Bhagwan Dada. Today’s song in this series is from this 1961 film.
The phenomenal success of the film ‘Albela’ (1951) and its songs, prompted Bhagwan Dada to try and replicate that success many times over the next few years. But sadly none of the spin offs really came any close to repeating the success of the original. As I try to trace the career path of Bhagwan Dada as a producer, after the film ‘Albela’ in 1951, he went on to produce and direct the following,
- ‘Jhamela’ in 1953, with Geeta Bali in female lead and music by C Ramchandra
- ‘Rengeela’, also in 1953, with Poornima in female lead and music by Jamaal Sen
- ‘Halla Gulla’ in 1954; Shakila and Sajjan are the lead pair and Bhagwan is playing second lead; music by Nisar
- ‘Pyaara Dushman’ in 1955; Jairaj and Nadira are the lead pair and Bhagwan is playing second lead; music by Nisar
- ‘Bhaagam Bhaag’ in 1956; Kishore Kumar and Shashikala are the lead pair and Bhagwan is playing second lead; music by OP Nayyar
- ‘Kar Bhala’, also in 1956; interestingly this film is also listed as a stunt film; Shashikala and Nasir Khan are the lead pair; music is by Chic Choclate
- And then, ‘Shola Jo Bhadke’ in 1961; Suresh and Radhika are the lead pair and music is by Nisar.
Starting with ‘Albela’ and up to ‘Shola Jo Bhadke’, all films listed above are produced and directed by Bhagwan Dada. After ‘Shola Jo Bhadke’, we do not find any more films being produced and directed by him. The magic of ‘Albela’, sadly could never be recreated.
I must make a note that Bhagwan Dada had directed his first film way back in 1938 (as a co-director for ‘Bahadur Kisan’), and turned a producer in 1942. He set up Jagruti Pictures as his production company, and produced and directed many stunt films. In 1947, he also set up his own Jagruti Studio. ‘Albela’ was the mega moment of his career. But after that, it was downhill all the way. ‘Shola Jo Bhadke’ was, in a manner of speaking, a last attempt.
The star cast of ‘Shola Jo Bhadke’ is listed as Suresh, Radhika, Anwar, Bhagwan, Poornima, Suryakant, Pratima Devi, Kesri, Prem Sagar, Shyam Lal, Vishwas, Baburao, Ram Bharose, Cukkoo and Helen. Geet Kosh lists seven songs for this film. Names of three songwriters are listed – Shyam Hindi, Saba Afghani and Tavish Mehmood. However, songwriter names are not assigned to individual songs, except one. Songwriter name for this song is not attributed. The person who has uploaded this song on YT has indicated the name as Tavish Mehmood.
Music for all the songs is by Nisar, a name that is same as Nisar Bazmi. The singing voices in this song are of Rafi Sb and Suman Kalyanpur.
Song – Shamma Pe Parwaana Jalne Se Darta Nahin (Shola Jo Bhadke) (1961) Singer – Mohammed Rafi, Suman Kalyanpur, Lyrics – [Unattributed], MD – Nisar Bazmi
Mohammed Rafi + Suman Kalyanpur
Lyrics
shamma pe parwaana jalne se darta nahin
shamma pe parwaana jalne se darta nahin
jaan chali jaaye magar bachke guzarta nahin
shamma pe parwaana jalne se darta nahin
yun to garajte hain sabhi kaun barasta hai
kaun barasta hai
baaten banaane ka yahaan bas yahi rasta hai
bas yahi rasta hai
ho oo oo oo oo
marne ka kehte hain magar. . .
marne ka kehte hain magar
koi bhi marta nahin
shamma pe parwaana jalne se darta nahin
jaan mein toofaan ko kahaan laate hain dilwaale
laate hain dilwaale
khelte maujon se guzar jaate hain dilwaale
jaate hain dilwaale
ho oo oo oo oo
darr ke jo ruk jaaye kabhi. . .
darr ke jo ruk jaaye kabhi
paar utarta nahin
shamma pe parwaana jalne se darta nahin
aaj se hum tere huye chaahe koi roke
chaahe koi roke
hum ne jo chaaha tha wohi baat rahi ho ke
baat rahi ho ke
ho oo oo oo oo
dil se agar dil na miley. . .
dil se agar dil na miley
pyaar sanwarta nahin
shamma pe parwaana jalne se darta nahin
shamma pe parwaana jalne se darta nahin
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Hindi Script Lyrics (Provided by Sudhir)
———————————————————
शम्मा पे परवाना जलने से डरता नहीं
शम्मा पे परवाना जलने से डरता नहीं
जान चली जाये मगर बचके गुजरता नहीं
शम्मा पे परवाना जलने से डरता नहीं
यूं तो गरजते हैं सभी कौन बरसता है
कौन बरसता है
बातें बनाने का यहाँ बस यही रस्ता है
बस यही रस्ता है
हो ओ ओ ओ ओ
मरने का कहते हैं मगर॰ ॰ ॰
मरने का कहते हैं मगर
कोई भी मरता नहीं
शम्मा पे परवाना जलने से डरता नहीं
जान में तूफाँ को कहाँ लाते हैं दिलवाले
लाते हैं दिलवाले
खेलते मौजों से गुज़र जाते हैं दिलवाले
जाते हैं दिलवाले
हो ओ ओ ओ ओ
डर के जो रुक जाये कभी॰ ॰ ॰
डर के जो रुक जाये कभी
पार उतरता नहीं
शम्मा पे परवाना जलने से डरता नहीं
आज से हम तेरे हुये चाहे कोई रोके
चाहे कोई रोके
हमने जो चाहा था वही बात रही हो के
बात रही हो के
हो ओ ओ ओ ओ
दिल से अगर दिल ना मिले॰ ॰ ॰
दिल से अगर दिल ना मिले
प्यार सँवरता नहीं
शम्मा पे परवाना जलने से डरता नहीं
शम्मा पे परवाना जलने से डरता नहीं
Tu shama baney main parwaana
Posted on: August 18, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3683 | Post No. : | 14582 |
“Kalaakaar”(1942) was directed by Karim for Durga pictures, Bombay. This “social” movie had Jal Merchant, Maya Devi, M Sultana, Fakeer Mohammad, Abdul, Anant, Ali, Rani Bala, Sayyad Ahmad, Fazlu, Nazeera etc in it.
This by now obscure movie had nine songs in it and they are all obscure songs.
Here is the first song from “Kalaakaar”(1942) to appear in the blog. This song is sung by Faqir Mohammad and Rehmat Bai. Karim is the lyricist. Music is composed by Bashir Dehalwi.
Only the audio of the song is available. Since Faqir Mohammad appears in the cast, so it is clear that he sang for himself, but one cannot be sure which female artist lip synced the song on screen in the voice of Rahmat Bai.
I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
With this song, “Kalaakaar”(1942) makes its debut in the blog.
Song-Tu shama bane main parwaana (Kalaakaar)(1942) Singers-Faqir Mohammad, Rehmat Bai, Lyrics-Karim, MD-Bashir Dehalwi
Lyrics
Tu shama baney main parwaana
tu shama baney main parwaana
shama baney main parwaana
tu shama bane
main husn banoon tu deewaana
main husn banoon tu deewaana
main parwaana
Tu shama baney
main mast banaaun
sudh bisraaun
apna roop dikhaaun
main mast banaaun
sudh bisraaun
apna roop dikhaaun
main tan man kho kar
besudh ho kar
tan man kho kar
besudh ho kar
do naina ban jaaun
do naina ban jaaun
main bijli ban kar chamkoon
main taara ban kar dekhoon
main bijli ban kar chamkoon
main taara ban kar dekhoon
dil ko kar ke najraana aa aa aa
main parwaana
tu shama baney main
main jag mein
main jag mein bhor suhaani ban kar
ujiyaala phailaaun
main jag mein
main jag mein bhor suhaani ban kar
ujiyaala phailaaun
main shabnam ka moti ban kar
nainon se neer bahaaun
main shabnam ka moti ban kar
nainon se neer bahaaun
main tez badhaaun
dhoop lage kumhlaaun
rahe na mera fasaana aa aa aa
main parwaana
tu shama baney
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3500 | Post No. : | 14064 |
3500 – a good number to be. It is divisible by 7. Gives us 500.
Lets take a stock of the major numbers.
We complete 3500 days – unbroken sequence (almost 😉 ).
500 weeks.
14,000+ songs.
And, for the ticker watchers, we are just going to touch 10,100,000 visits to this blog.
In terms of artist stats, some very interesting total numbers,
486 – Music Directors + 109 posts with [*Unattributed] MD status
659 – Lyricists + 402 posts with [*Unattributed] Lyricist status
870 – Singers + 93 posts with unidentified singer names
Keeping out the unattributed and the unidentified, we are managing a whopping total of 2015 unique artists
I have written this phrase before. Our blog is history in the making – history of Hindi film music – one song at a time.
In terms if format, in terms of depth of content, in terms of dealing earnestly and critically with the subject matter, this blog is unique and without any peers. We are close to completing 10 years. Even now, we periodically get to see reader’s comments that tell about recently having discovered this hallowed destination on the internet, and what a fantastic treasure they have encountered. In fact, we have one such comment that came in today, just about four and a half hours ago. Paraphrasing from the text of this comment, a new reader Jayant Raleraskar writes that “. . . that’s a Great contribution indeed. In fact I am a new visitor to Atulsong. Of course I am enjoying and getting nice information as well.” Today, 3500 days after its inception, we still continue to get new readers who are impressed enough to leave such a heartening and an encouraging comment.
And the march continues. Ah yes, it is the next coming month also; but I refer to the dogged insistent forward journey that has been in progress for 3500 days today. The pun is on the word March. By the way, are you familiar with the best pun on ‘March’. It is a tiny two liner
“Can February March?
No, but April May.”
😀 😀 😀
Great journey so far. A grand motley crew of loving friends assembled on the bandwagon. And on towards the horizon – many a thousand more stations still to be covered on this beat. Maybe someone may ask us some day – why we do it? Brings to mind a similar incident from the mountaineering past. George Mallory, the famed young British climber who was part of the first three (unsuccessful) expeditions to conquer Mt Everest, in the 1920s. Mallory is famously quoted as having replied to the question “Why did you want to climb Mount Everest?” with the retort “Because it’s there”, which has been called “the most famous three words ever in mountaineering”.
Well, I think our answer may not be limited to these three words. The answer by us would be – “Because it is there, and we love it”. 🙂 🙂
And on this journey, we continue to discover, almost on a daily basis, something new and surprising about the Hindi film music.
Take today’s song for example. Yesterday when Atul ji and I exchanged emails about today being the 3500th daily anniversary of this endeavor, I thought about it, and then started searching for a song with the word ‘hazaar’ in it. After checking out a few examples, I settled on this song for this post today.
ek shama hai mehfil mein
parwaane hazaaron hain
or if I may take some poetic latitude here, I would like to surmise as
ek asad hai internet mein
padhne waale hazaaron hain
And the other reason I picked this song – aah well, I am sure some of you may have already guessed. Going thru the lyrics of this Geeta Dutt beauty from 1952, folks will find a suspicious shadow falling on to another iconic song from three decades later. Yes, I refer to the famous song from ‘Umrao Jaan’ (1981) –
in aankhon ki masti ke
mastaane hazaaron hain
In fact, not just mastaane, but also deewaane and maikhaane. Just take away the music and map the lyrics. I think we may have hit upon the original song that ‘inspired’ the famous hit song of ‘Umrao Jaan’.
The 1952 film ‘Baghdad’ is produced by JB Lulla, under the banner of Falcon Films, Bombay and is directed by Nanabhai Bhatt. The star cast is listed as Ranjan, Bharti, Yashodhara Katju, Anwar, Veera, Kamal, Samson, S Nazeer, Kanta, Nagpal, Anant Prabhu, Bhupen Kapoor, Habib, Sabu (Tattoo), and Bhagwan. The eight songs of this film are penned by Raja Mehdi Ali Khan, and the music is by Bulo C Rani.
Congratulations once again to all – milestones galore. Happy 3500th to all.
Song – Ek Shama Hai Mehfil Mein Parwaane Hazaaron Hain (Baghdad) (1952) Singer – Geeta Roy, Lyrics – Raja Mehdi Ali Khan, MD – Bulo C Rani
Lyrics
ek shama hai mehfil mein
parwaane hazaaron hain
parwaane hazaaron hain
wo naina hoon main jiske
wo naina hoon main jiske
deewaane hazaaron hain
ek shama
ek shama
har aankh mein ghar mera
har aankh mein ghar mera
har dil ko talab meri
har dil ko talab meri
har dil ko talab meri
but ek hoon main lekin
but ek hoon main lekin
butkhaane hazaaron hain
butkhaane hazaaron hain
ek shama
ek shama
paimaane mohabbat ke
uth jhoom
uth jhoom jhoom ke pee le
pee le
pee le
in masti bhari aankhon mein
in masti bhari aankhon mein
maikhaane hazaaron hain
maikhaane hazaaron hain
ek shama
ek shama
ek shama hai mehfil mein
parwaane hazaaron hain
parwaane hazaaron hain
ek shama
ek shama
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
एक शमा है महफिल में
परवाने हजारों हैं
परवाने हजारों हैं
वो नैना हूँ मैं जिसके
वो नैना हूँ मैं जिसके
दीवाने हजारों हैं
एक शमा
एक शमा
हर आँख में घर मेरा
हर आँख में घर मेरा
हर दिल को तलब मेरी
हर दिल को तलब मेरी
हर दिल को तलब मेरी
बुत एक हूँ मैं लेकिन
बुत एक हूँ मैं लेकिन
बुतखाने हजारों हैं
बुतखाने हजारों हैं
एक शमा
एक शमा
पैमाने मोहब्बत के
उठ झूम
उठ झूम झूम के पी ले
पी ले
पी ले
इन मस्ती भरी आँखों में
इन मस्ती भरी आँखों में
मैखाने हजारों हैं
मैखाने हजारों हैं
एक शमा
एक शमा
एक शमा है महफिल में
परवाने हजारों हैं
परवाने हजारों हैं
एक शमा
एक शमा
- In: "Shama Parwaana" song | Atul ji's 10K Song Milestone Celebration Posts | Devnagri script lyrics by Sudhir | Feelings of heart | Lover's Complaint | Lyrics contributed by readers | Poignant Song | Regulars meet at Lucknow | Shama Parwana song | Shamshad Begam solo | Shamshad Begam songs | Songs of 1950s (1951 to 1960) | Songs of 1957 | Vagaries Of Love | Yearwise breakup of songs
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This article is written by our dear Atul ji. You must be wondering, why this change in presentation style today. Well, this post is a very, very, very special occasion, or rather a momentous occasion, for our blog and for Atul ji. It is appropriate that this introduction and announcement be made on his behalf.
THIS IS ATUL JI’s 10,000th POST ON THIS BLOG.
This is a milestone, in comparison to which all our earlier milestones and celebrations pale in significance. A single-handed dedicated effort relentlessly in progress for the past almost nine years. I am sure it will take some time for all of us, for the significance and eminence of this event to sink in.
More special posts by the members of our bandwagon are in planning, starting tomorrow. So please keep connected and be a witness to this remarkable celebration.
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
As regulars are aware, I am based at Izatnagar, Bareilly at present which happens to be located between Delhi and Lucknow. In fact, this place is equidistant from both these cities. This fact had been commented upon by several regulars. Our Lucknow based regular namely Mr Avadh Lal even commented that I needed to visit Lucknow and meet the Lucknow based music lovers.
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Shamma Bujhne Ko Chali
Posted on: April 16, 2017
- In: "Broken heart" song | "Sacrificing in love" song | "weepy" song | Background song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Melancholic song | Post by Sudhir | Rafi solo | Rafi songs | sad song | Shama Parwana song | Songs of 1960s (1961 to 1970) | Songs of 1964 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 35
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‘श’
“शम्मा बुझने को चली”
Of the many colors of Rafi Sb’s voice, probably the most touching, and the most impressive is his interpretation of the emotions of sadness. Maybe, it be so that the “. . . sweetest songs are the ones that tell of the saddest thoughts” (from the poetry of Percy Shelley, that inspired the iconic song of ‘Patita’ (1953) – “Hain Sab Se Madhur Wo Geet Jinhen Hum Dard Ke Sur Mein Gaate Hain”). And maybe, that the genuineness and honesty of expressions that go together with the unfeigned and substantive voice of Rafi Sb, it simply makes us feel the true depth of this ‘sweetness’ – a sweetness that touches a very familiar, a very dear chord within.
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Kahin bin aag jaley na parwaana
Posted on: August 16, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Baaghi” (1953) was produced by Ayub Khan and directed by Anant Thakur for Time Films. This movie had Ranjan, Naseem Bano, Shammi, Mukri, Anwar Hussein, B. M. Vyas, Pran, S Nazeer etc in it.
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“Gunsundari” (1948), by now a forgotten movie, was an Ajit pictures production. It was directed by Ratibhai Punatkar. The movie had Saraswati, Manhar Desai, Nirupa Roy, Dulari, Chhagan, Romeo, Babu Raje, Jal Writer etc in it.
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“Niraalaa” (1950) was a movie in which two newcomers named Madhubala and Dev Anand played the lead roles. I am sure this movie was a box office success. The movie has been forgotten with time, but its songs are unforgettable.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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