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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1971’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4014 Post No. : 15121

“Tulsi Vivaah”(1971) was was directed by Chandrakant for Tulsi Films, Bombay. The movie had Dara Singh, Jayshree Gadkar, Randhawa, Geetanjali, Abhi Bhattacharya, Aazaad, Anita Guha, Rajan Haksar etc in it.

This religious movie had fourteen songs in it. Two songs from the movie have been covered in the past.

Here is the third song from “Tulsi Vivaah”(1971) to appear in the blog. this song is sung by Mahendra Kapoor and chorus. Kavi Pradeep is the lyricist. Music is composed by C Ramchandra.

The song is picrurised as a melancholic background song as Jayshree Gadkar (playing Tulsi) is shown suffering throughout the picturisation.


Song-Chalti phirti dukh ki kahaani teri bhi kya zindagaani (Tulsi Vivaah)(1971) Singer-Mahendra Kapoor, Lyrics-Pradeep, MD-C Ramchandra
Chorus

Lyrics

chalti phirti dukh ki kahaani
teri bhi kya zindgaani
o o chalti phirti dukh ki kahaani
teri bhi kya zindgaani
o o
dukh ki chita par jalti jawaani
teri bhi kya hai kahaani
aa aa aa aa
aa aa
aa aa aa aa
aa aa aa
aa aa aa

sir par tapasya ki bindiya lagaa kar
balidaan aankhon mein bhar ke
dharti ke upar preetam ki khaatir
jeeti hai tu mar mar ke
o o
kurbaani ki zinda nishaani
teri bhi kya hai kahaani
o o
chalti phirti dukh ki kahaani
teri bhi kya zindgani
aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa

haathon mein tere samarpan ke kangna
haathon mein tere samarpan ke kangna
pairon mein tyaag ki paayal
phir bhi o devi kya teri kismat
jeewan hai tera ghaayal
o o aansu mein doobi ghar ki raani
teri bhi kya hai kahaani
o o
chalti phirti dukh ki kahaani(aa aa aa aa)
teri bhi kya zindgaani (aa aa aa aa)
teri bhi kya zindgani(aa aa aa aa)
teri bhi kya zindagaani(aa aa aa aa)

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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4013 Post No. : 15120 Movie Count :

4153

“Ek Naari Ek Brahmchaari”(1971) was directed by K P atma for Jyoti Navshakti Combines, Bombay. This “social” movie had Jeetendra, Mumtaz, Sohrab Modi, Durga Khote, Jagdeep, Aruna Irani, Mukri, Mohan Choti, Brahmchaari, B B Bhalla, Polson, Birbal, Harinath Thakur, Vishnu Malhotra, Renu etc, with guest appearances by eshto Mukherji and Krishn Dhawan and special appearances by Shatrughan Sinha and Malka.

The movie had five songs in it.

Here is the first song from “Ek Naari Ek Brahmchaari”(1971) to appear in the blog. The song is sung by Kishore Kumar. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised on Jeetendra and Mumtaz.

With this song, “Ek Naari Ek Brahmchaari”(1971) makes its debut in the blog.


Song-Ye pyaar to milan hai (Ek Naari Ek Brahmchaari)(1971) Singer-Kishore Kumar, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics (Sent by Prakashchandra)

ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyar to milan hai

dekho na aise mujhko
kyun dil jala rahi ho
mauka hai pyaar ka ye
kyon door ja rahi ho
dekho na aise mujhko
kyon dil jala rahi ho
mauka hai pyaar ka ye
kyon door ja rahi ho
ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyaar to milan hai

koi janam ho gori
tujhko rahoonga pake
dharti ho ya gagan ho
tujhse miloonga aake
koi janam ho gori tujhko rahoonga pake
dharti ho ya gagan ho
tujhse miloonga aake
ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyaar to milan hai
hai ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4011 Post No. : 15118

“Ummeed”(1971), though described as a 1971 release in HFGK, appears to be a movie of early 1960s, which for some reasons was released late. This movie was directed by Nitin Bose for Rajan Films, Bombay. The movie had Ashok Kumar, Nanda, Joy Mukherji, Leela Naidu, Tarun Bose, Leela Mishra, Chandrima Bhaduri, Hazara Singh, Parashram, Husaain, Ravikant, Nazeer Kashmiri, Ramesh, Laxmi Chhaya, Jeewankala, Madhumati, Jankidas, Sabita Chatterji, Tunyun, Agha etc in it.

The movie had seven songs in it. Five songs have already been covered.

Today is the birth anniversary of Bimal Roy (12 july 1909- 8 january 1966). Bimal Roy directed some memorable movies like such as Do Bigha Zamin, Parineeta, Biraj Bahu, Madhumati, Sujata, Parakh, Bandini etc. All these movies are already YIPPEED in the blog.

Bimal Roy was also associated with some other movies in different capacities. For instance, he had edited “Ummeed”.

As a tribute to the famous Bimal Roy, here is a song from “Ummeed”(1971). The song is sung by Asha Bhonsle. Shakeel Badayuni is the lyricist. Music is composed by Ravi.

The song is picturised as a seduction song on Madhumati, with Tarun Bose playing the seductee.


Song-Thhodi si aur pee le (Ummeed)(1971) Singer-Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Ravi

Lyrics

thhodi si aur pee le
o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah khair wallah
haaye
thhodi si or pee le
o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah
khair sallah haaye
thodi si aur pee le

kismat ne aaj teri mehfil sajaai hai
fasle bahar tere kadmon mein aayi hai
kismat ne aaj teri mehfil sajaai hai
fasle bahaar tere kadmom mein aayi hai
milti hai kisko aisi rang rangeeli raat wallah
thhodi si aur pee le
o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah khair sallah haay haay
thhodi si aur pee le

shola hai tere aage
shabnam ko bhool ja
aaj apne hosh kho de
har gham ko bhool ja
saaqi se le le tu ik jaam badhaa ke haath wallaah
thhodi si aur pee le
o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah khair sallah
thhodi si aur pee le

har shai pe aaj teri daulat ka raaz ho
kal kya ho kaun jaane
jo kuchh ho aaj ho
har shai pe aaj teri daulat ka raaz ho
kal kya ho kaun jaane
jo kuchh ho aaj ho
jeene ka maja lele maan le meri baat tu wallah
haay
thhodi si or pee le o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah khair sallah
haay
thodi si aur pee le


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4000 Post No. : 15099

———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 36
——————————————————————————————

Welcome all to this ‘pehli taarikh’ of July’2019. We look back to this day ‘ten years back’ in the blog. 01st July’2009 started in the blog with the song from ‘Khota Paisa-1958’, it was followed by a song from ‘Sanjog-1961’, third song of the day was from the 1959 movie ‘Chacha Zindabad’, next song was from the movie ‘Chhailaa Babu-1967’. Fifth song of that day came from 1970 – Man Ki Aankhen. The day was finally rounded off with a song from ‘Preet Ki Dori-1971’.

Today on 1 july 2019, we are starting our day in the blog with a song from the 1971 movie ‘Preet Ki Dori’ which made its debut in the blog on ths day ten years ago.

I am aware of the name of this movie because of HFGK Vol-V and our blog, otherwise I was totally in the dark about this movie. I had neither watched the movie nor heard any of the songs of this movie befoore preparing this post.

The song of ‘Preet Ki Dori-1971’ posted in the blog ten years ago is the only song from this movie covered so far inthe blog. Today’s song, second song from the movie is being posted after a full cycle of ten years 😊

Let us see the “Yippeeee” status for all the other movies whose songs were covered on 01.07.2009;

‘Khotaa Paisaa-1958’ – Not Yippeeee’d (04 of 07 songs posted)
‘Sanjog-1961’ – All Songs Covered
‘Chacha Zindabad-1959’- All Songs Covered
‘Chhailaa Babu-1967’ – All Songs Covered
‘Man Ki Aakhen-1970’-All Songs Covered
‘Preet Ki Dori-1971’ – Only 01 song posted

When I checked for the songs in this movie ‘Preet Ki Dori’, and went through the only song posted on the blog, I found that apart from the male version of this song ‘Milaa jo pyaar to ham pyaar ke qaabil na rahe’ which was discussed in the blog, this song also has a female version (which is also a ‘happy version’). However, on checking the HFGK Vol V I found that it does not mention this song in two versions, and the female version is treated as a different song. I request our editors and other knowledgeable readers to throw light on the same. My guess is that the tune is totally different and couple of words are different in the happy version and that could be the reason for this song being treated as s separate song in HFGK. If this Lata song is considered as second version of the first song posted, then with today’s song sung by Lata, all Lata Mangeshkar songs from this movie will be covered.

‘Preet Ki Dori-1971’ was directed by Satish Kumar for ‘K.S. Pictures, Bombay’. It was produced by Suraj Prakash Seth and presented by Krishna Kumari.

It had Tanuja, Ajay Sahni (Parishit Sahni), Bindu, Nazeer Hussain, Jeevan, Lalita Pawar, Asit Sen, Roopesh Kumar, Mohan Choti, Tuntun, Kumud, Mishrilal, Nikita, Maruti, Randhir, Santosh Kumar, Pal Sharma, Rajnath, Radheyshyam, Soni, Nazeer Kashmiri, Maqbool, Abu Bakar, Dalpat Kaka, Ajeet, N.Reddi, Paul Sharma and a parrot ‘Mitthoo’.

Story, Dialogues and Screenplay of this movie was written by R. Priya Darshi. Editing of this movie was done by Kamlakar.

This movie had total five songs written by Indeewar. Music for this movie was composed by Kalyanji-Anandji.

Asha Bhonsle, Kishore Kumar and Lata Mangeshkar have given their voices to the songs in this movie. All songs are solo songs where Asha Bhonsle and Lata Mangeshkar have two solos each and one solo song was by Kishore Kumar.

This movie was passed by the Censor Board on 25.09.1971.

Today’s song is sung by Lata Mangeshkar and it is lip synced by Tanuja on screen. Parikshit Sahni is also seen in the picturization of this lovely song as the lady sings for her beloved but hiding from him.

None of the songs of this movie seems to be popular, however they are nice songs to watch and listen.

While covering the first song from the movie, Atul ji had mentioned that the movie had flopped at the box office and that resulted in its songs not getting exposure and popularity with movie lovers.

Let us now enjoy today’s song. This movie is available online for watching. Nevertheless I request our knowledgeable readers, who may have watched this movie during its time to throw light on this movie.


Song-Preet ki dori sainyya tujh sang baandhi (Preet Ki Dori)(1971) Singer-Lata, Lyrics-Indeewar, MD-Kalyanji Anandji

Lyrics

preet ki dori ee ee ee
preet ki dori sainyya
tujh sang baandhi
tujh sang baandhi

preet ki dori ee ee ee
preet ki dori sainyya
tujh sang baandhi
tujh sang baandhi
ab kya barkhaa aa aa aa
ab kya aandhi
tujh sang baandhi dori
tujh sang baandhi
saat janam ka saath hai saajan
o o ho ho o
saat janam ka saath hai saajan
ye do din ki baat nahin hai
saans ke rehte toot sake jo
saans ke rehte toot sake jo
aisaa apna saath nahin hai
preet ki dori ee ee ee
preet ki dori sainyya
tujh sang baandhi
tujh sang baandhi

kangan to hai tan ka bandhan
ho o ho o o
kangan to hai tan ka bandhan
man ka bandhan preet ki dori
tod naa paayenge jagwaale
tod naa paayenge jagwaale
chor naa kar paayenge chori
preet ki dori ee ee ee
preet ki dori sainyya
tujh sang baandhi
tujh sang baandhi
ab kya barkhaa aa aa aa
ab kya aandhi
tujh sang baandhi dori
tujh sang baandhi

—————————————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————
प्रीत की डोरी ई ई ई
प्रीत की डोरी सैंय्या
तुझ संग बांधी
तुझ संग बांधी

प्रीत की डोरी ई ई ई
प्रीत की डोरी सैंय्या
तुझ संग बांधी
तुझ संग बांधी
अब क्या बरखा आ आ आ
अब क्या आंधी
तुझ संग बांधी डोरी
तुझ संग बांधी
सात जनम का साथ है साजन
ओ ओ हो हो ओ
सात जनम का साथ है साजन
ये दो दिन की बात नहीं है
सांस के रहते टूट सके जो
सांस के रहते टूट सके जो
ऐसा अपना साथ नहीं है
प्रीत की डोरी ई ई ई
प्रीत की डोरी सैंय्या
तुझ संग बांधी
तुझ संग बांधी

कंगन तो है तन का बंधन
हो ओ हो ओ ओ
कंगन तो है तन का बंधन
मन का बंधन प्रीत की डोरी
तोड़ ना पायेंगे जगवाले
तोड़ ना पायेंगे जगवाले
चोर ना कर पायेंगे चोरी
प्रीत की डोरी ई ई ई
प्रीत की डोरी सैंय्या
तुझ संग बांधी
तुझ संग बांधी
अब क्या बरखा आ आ आ
अब क्या आंधी
तुझ संग बांधी डोरी
तुझ संग बांधी


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3963 Post No. : 15044

Songs Repeated in Hindi Films – 1
– – – – – – – – – – – – – – – – – –

Reading the title of the post, you must be wondering – “ये क्या हो रहा है?” (“What is this going on?”). This song – who says this song is not yet posted. Goodness, this film is yippeee’d long back. So why are we re-posting this song? Sudhir seems to have taken up certain vice (or vices) with unlikeable after effects. 😀 😀

Well, no and yes. No – I have not taken up any such vices 🙂 that may impair my abilities to make decisions about posting songs. And yes – this song, from film ‘Madhumati’ of 1958, is already posted here on our blog. The film ‘Madhumati’ made its debut here on 1st May, 2009. The eleven songs of this film made their appearances over the subsequent four plus years, and film was yippeee’d on 4th Jul, 2013. This song originally appeared on 3rd May, 2009. ‘Madhumati’ is a done deal.

Of course your question still remains – “ये क्या हो रहा है?”. The answer to that follows.

I will try to make the long story short. Beginning of this month, Bakshi ji and I were in Bombay, to attend the annual two day seminar titled ‘Cine Music Beyond Entertainment’, which is arranged by our friend Shri Kushal Gopalka, every year. In one of the post session discussions, I came to know about a very interesting anecdote. The session was on the life and work of music director Vasant Desai.

The anecdote is about the 1971 film ‘Guddi’. The Geet Kosh lists three songs for this film,

The first two songs are penned by Gulzar. The third is a traditional bhajan, written by Meerabai, one of the greatest saints of the Bhakti Movement in India, which originated in India in the eighth century AD. Meerabai, who belonged to the royal family of Mewar (in Rajasthan) spent her time here on this sub continent, in the fifteenth century AD. Music for these three songs is composed by Vasant Desai. All three songs are in the voice of Vani Jairam. When the film released in theaters, it had only these three songs in it.

Now, one of the supervisory activities that the producer and distributor staff undertake, especially in the first one or two weeks of the film exhibition, is that they go to select cinema halls where the film is being shown. They will be present in the hall as the film is being shown, and they will also mingle with the crowd during intermission and at the end of the film. The objective is to pick up and gather live feedback about the film from the audience. It helps them to make some choices and educated decisions about the future exhibition plans.

One thing that happened during this exercise was that the team gathered feedback that sounded negative. One part was the use of only one playback voice, and that too a very fresh debut. Plus the overall summary of live audience feedback sounded disheartening and negative. Immediate discussions happened involving Hrishikesh Mukherji, the producers (Rupam Chitra) and the distributors. One recommendation that came out of these discussions was to somehow modify the mix of songs in the film. It was felt that the bhajan song (of Meerabai) should go. What should replace it? How to create a new song for the film at a short notice? Please note that this description of events is for the very first one or two days after the release of the film.

One of the recommendations from the distributors was to include another song, preferably by Lata Mangeshkar. After quick discussions, it was decided to re-use the song of ‘Madhumati’. I really wonder how fast the decision and action taken process worked. Approvals were sought and taken – Bimal Roy’s estate, Salil Chowdhury et al. The team was reassembled, and the song was picturised. Apparently, the Meera bhajan was in the same setting in the film. At the party, Jaya Bhaduri is performing the Bhajan by Meerabai – “Hari Bin Kaise Jiyun Ri” – an expression of her waiting for Samit to come to the party. This song from ‘Madhumati’ fitted the emotional-expression criteria to the T.

The song was picturzed, it was edited into the film, replacing the bhajan, the censor certificate for revision to the film was applied for and taken. Multiple copies of the revised reel of the film was quickly processed and produced on emergency basis, and distributed to the theatres for immediate change to the film being shown. How fast this whole process worked – one may gauge the speed and success of this whole exercise from the fact that the revision appeared in the theatres before the first week of exhibition was complete, i.e. within the first 5 or 6 days only.

Now, interestingly, Vasant Desai was away from Bombay at that time. Important point to note is that this whole decision making and replacement process happened without the involvement of Vasant Desai, the music director.

Possibly many of our learned friends in this musical bandwagon may already be aware of this. I was not, so this was a startling discovery for me. I must add hurriedly that yes, I have seen this films, possibly more than once, but somehow I do not carry any memory of this song being present in this film.

The booklets of the film do not contain this song. And hence, the Geet Kosh also does not list this song. This song does not appear on the EPs/LPs of this film. This song has no other status in relation to this film, except that yes, it is included in the film. The credits at the beginning of the film remain unchanged. Vani Jairam is the only playback voice, and Vasant Desai is the sole music director. And so, the video of this song is the only evidence that this song is present in the film.

A very, very interesting episode. For me, it brought into very sharp focus, an idea that songs from earlier films are at times, re-used in later films. Before this discussion happened in Bombay, I was aware of one or two such instances. They were just interesting trivia in the mind. After this discussion highlighted this activity so sharply, an idea started to form in my mind. I started to search for more such instances. I searched through my own memory, I researched the remarks and footnotes in the Geet Kosh, and I discussed this with friends and collectors in our group and in my circle, trying to gather more information about such re-use of songs. And when I am able to gather a sizeable list, the thought came to the mind – this is a new series to discuss this very interesting facet of the Hindi film music.

As I am gathering information about such instances, I also became aware af the various modes of re-use. Yes, the re-use happens not only just ‘as is’, but there even are further variations on how this re-use may occur. As we proceed with the series, I will be highlighting and discussing these different re-use ‘styles’. It does make for a very interesting discussion.

And so, here is the first offering of this series. The song from ‘Madhumati’ of 1958 is re-used – as is, ditto, no change – 13 years later in ‘Guddi’ of 1971. Ah, I must correct myself. One change does happen. The original song in ‘Madhumati’ has three stanzas. The re-use version in ‘Guddi’ has only two stanzas. The first stanza of the ‘Madhumati’ version is left out.

This is the very first re-use ‘style’ – the song has been directly used and copied as is. No alterations, no additions, no other changes. Just get approvals, and simply insert the earlier song, as it fits into the storyline. This is the simplest form of re-use. I will be presenting more such instances moving forward.

So view this associated video clip, and listen to the original recording of this song, now being lip synced by Jaya Bhaduri. The scenario is so utterly different. The original setting in ‘Madhumati’ is mountains, forests, river and waterfall. The entire natural surroundings seem to be participating in the earlier picturization of the song. In this later ‘Guddi’ incarnation, this is just a song being sung at a party. The performer, very naturally, is just standing still, as the audience simply watches and waits for the song as it progresses. Absolutely minimal activity and movement in this scene.

Besides Jaya, we can also see Sumita Sanyal, Utpal Dutt and Vijay Sharma in the clip, as family members watching the impromptu performance. Samit Bhanj, for whose benefit and in whose wait, this song is being performed, is seen arriving at the party, just as the song gets started, and he thoughtfully waits just outside the entrance to the room, listening to the song being performed. Amongst the guests at the party, there are many familiar faces – of junior artists that are part of such scenes in films. But their names remain obscure.

Before I close this write-up, another very interesting aside. The film ‘Guddi’ has already been yippeee’d on our blog, as of 20th March, 2013. That is, as per the Geet Kosh list of songs. But now, we have one more additional song from this film. A repeat, but nonetheless another song that is part of this film, performed by the actor(s) in this film. Another cateogry called for – ‘yippeee+‘ – finding more songs in a film that are officially listed for the film. 😀 😀 I am sure there are more than one such instances earlier also, when songs for certain films have been posted that do not appear in the official list of songs.

So. . . starting this interesting journey of repeat songs in Hindi films. I hope this thread will interest you.

Song – Aaja Re Pardesi Main To Kab Se Khadi Is Paar  (Guddi) (1971) Singers – Lata Mangeshkar, Lyrics – Shailendra, MD – Salil Chaudhry

Lyrics

aa jaa re. . . ae ae ae
pardesi

main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . ae ae ae
pardesi
main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . .  pardesi

tum sang janam janam ke phere
bhool gaye kyun saajan mere
tum sang janam janam ke phere
bhool gaye kyun saajan mere
tadpat hoon main saanjh sawere oo oo
aa jaa re main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . ae ae ae
pardesi

main nadiya phir bhi main pyaasi
bhed ye gehra baat zara si
main nadiya phir bhi main pyaasi
bhed ye gehra baat zara si
bin tere har saans udaasi oo oo
aa jaa re main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . ae ae ae
pardesi

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आ जा रे॰ ॰ ॰ ए ए ए
परदेसी

मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी
मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी

तुम संग जनम जनम के फेरे
भूल गए क्यों साजन मेरे
तुम संग जनम जनम के फेरे
भूल गए क्यों साजन मेरे
तड़पत हूँ मैं साँझ सवेरे ओ ओ
आ जा रे मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी

मैं नदिया फिर भी मैं प्यासी
भेद ये गहरा बात ज़रा सी
मैं नदिया फिर भी मैं प्यासी
भेद ये गहरा बात ज़रा सी
बिन तेरे हर सांस उदासी
आ जा रे मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3955 Post No. : 15031

“Balidaan”(1971) was produced by Arun Verma and directed by Ravi Tandon. This movie had Manoj Kumar, Saira Banu, Dev Kumar, Anwar Hussan, Bindu, Manmohan etc in it.

This obscure movie had six songs in it. One song from the movie has been covered in the blog. That one song was discussed nine years ago, viz on 22 august 2010 by Raja.

I was not aware of the movie, but it turned out that Ava, our knowldegeable regular was not only aware of the movie, she also pointed out that Ravi Tandon (father of Raveena Tandon) made his debut as a director with this movie.

Now, nine years later, here is the second song from “Balidaan”(1971) to appear in the blog. This song is a dance song which is sung by Asha Bhonsle, with a few lines by Mahendra Kapoor. I am unable to tell who is the female dancer lip syncing in Asha Bhonsle’s voice. She vaguely resembles Bindu, but I cannot be sure. I request our knowledgeable readers to help identify her. Manoj Kumar lip syncs in Mahendra Kapoor’s voice in the picturisation of this dance song. There are many others in the picturisation. I can identify Manmohan among them.

Verma Malik is the lyricist. Music is composed by Shankar Jaikishan.

I am unable to get a couple of worrds right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Haay haay re daiyya muyi main to kyun jawaan hui(Balidaan)(1971) Singers-Asha Bhonsle, Mahendra Kapoor, Lyrics-Verma Malik, MD-Shankar Jaikishan

haaye haaye
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
mangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui

pukaarte hain mujhko ab jawaan chhokre
kahte hain aao paas mere jaan chhokre
arre har shareef nazar beimaan ho gayi
jawaan hoke main to pareshaan ho gayi
ho deewane chanda haaye deewaane chanda
arre thhaam meri bainya mera aur nahin koi
haaye re daiyya moyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
haaye
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui

koi meri kalaai mein kangana fansa gaya
ungli mein pyar se koi chhalla chadha gaya
koi to meri baahon se aake lipat gaya
zulfon ko chhed chhed ke jhumka palat gaya
oye ?? dena haay
?? dena
main tere gale lag lag baar baar royi
haaye re daiyya muyi main to kyun jawaan hui
haye re daiyya muyi main to kyun jawaan hui
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui

masti se bhari teri ye naadaan jawaani
sab jaante huye bhi ye anjaan jawaani
duniya ki nigaahon mein ye toofaan jawaani
ye teri zindagi ka imtihaan jawaani
o jawaan gori haaye
o jawaan gori
ari aaj tere sab kal tera nahin koi

haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haay
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3923 Post No. : 14989

= = = = = = = = = = = = = = = = = = = = = = = =

Atul Song-A-Day 15K Song Milestone Celebrations – 2
– – – – – – – – – – – – – – – – – – – – – – – – – – – –

Welcome all to this special occasion where we are now celebrating Fifteen thousand song-posts on the blog!!!  My heartiest congratulations to Atul ji, Sudhir ji and our respected senior and other team members on the blog and to all of our readers and well-wishers of this blog.

Well, my ‘love story’ (‘Prem Kahaani’, pehle ‘affair’ likhnewaala tha, phir ‘relationship’, phir thhik karke ‘love story’ likha  🙂 ) with this blog started around 2009 and it was because of Sahir Saab’s song ‘Dil Karta O Yaara Dildaara Mera Dil Karta’ (which I was looking because it was in my memory and nostalgic for me). So, thanks are very much due to Sahir Saab and I thank him for that. (I am sure he is accepting it there 🙂 )

My first comment was also on a song penned by Sahir Saab ‘Kashti Ka Khamosh Safar Hai’ – that was in 2009. Still, it took me three years more to become a contributor on this blog which happened in 2012.

How much I loved this blog and how HFM was my hobby earlier and became a passion later, and how HFM and this blog became an important part of my life thereafter, has been mentioned by me in few of my other posts on the blog. So, I will not go into more details on that. Rather I would like to write what I have not said earlier.

I came into writing when I was studying into eighth standard and my first article was published from a district newspaper from Akola then. It was an article about Chetan Chauhan when he was dropped from the playing side of India in test cricket. After that few more articles, all on cricket, were published in the same newspaper that time. Simultaneously after that I was approaching tenth standard and the board examinations, but still cricket was always on top in my mind. I did send few articles to the popular magazines in circulation then, but they were returned with some suggestions to me and that gave me a learning on how to plan and arrange the articles.

However, everything changed after I passed out matriculation and joined vocational subjects in eleventh instead of the subjects I liked most i.e. ‘Arts’. I have mentioned that journey on the blog in this article here. And during these two years I was more on movies and cricket and so as expected I failed in the examination. After that I joined a construction company and start working there and continued to working after that.

Now between all these years i.e. 1985 to 2009 I was working and continuing with my hobby of collecting cassettes, watching movies, listening music. And that was the biggest recreation and motivation for me during all those years. It so happened in 2009 that my close friends working in the same company with me in Kachchh but in different units/departments, push me to take up writing and that is how I started my blog and after that my younger daughter who used to write regularly became a part of that blog.

So finally the circle came to round and life brought me back to my passion of writing after a gap of almost twenty-seven years. And when I came into contact with this blog and started sending my contribution for lyrics earlier in 2012 I thought to give a try for writing articles and my first article appeared on the blog in 2013.

When I became a lyric contributor to the blog, that was my ‘new birth’ and at that point, life started again for me with new purpose, new energy, inspiration and motivation. And all these factors – purpose, energy, inspiration, motivation, celebration, and nostalgia keep growing further as my journey with the blog has been continued and still going …

Many childhood memories of watching movies, of songs from movies of yesteryears, keep surfacing and it was like one memory triggering other memory and bringing close to its related vague memories of those beautiful years. I started getting connected to many incidences which were lying dormant in my memory or which I had forgotten. And, I must say that since coming into the contact with the blog and specially after having HFGK Vol-V (1971-1980) when I started sharing song posts of songs with the seventies, I had been transformed to that era only when my age was growing between eight to fifteen years.

In my circles whenever someone asks my age, I always used to tell them that ‘I am only seventeen years old and do not to grow more than that’. But the blog has reduced my age between eight-fifteen and I keep shuffling in that ‘age-era’ only i.e. if I considered up to 1983. And if I considered up to 1980 then my age is twelve years only.

I think I have also mentioned this earlier that finding this blog and being a part of this was a feeling like ‘this was the destination of my life’ and ‘all these years of life I was alive for this purpose only’. Always feeling fortunate and blessed to be a part of this journey and a member of this team …

Meeting some of the team members and seniors in the group during the ‘gang-outs’ has given many unforgettable memories and those are the most cherished moments of my life. And it is going to continue in future too 🙂 . The joy from discussions during such meetings and sharing of thoughts also cannot be expressed in words. And most importantly during such meetings I also got a chance to meet many respected and dedicated ‘like-minded peoples’ who in their own capacity are not less than a ‘encyclopaedia’ about yesteryears Hindi films and Hindi film music.

Thanking again to Atul ji and all other members and this wonderful blog. . . I am trying to express my feelings in the following ‘poem’;

उन यादों को, उन किस्सों को,
उस कहानी को,
शायद इसी दिन के लिए संभाला था
मन गुंजन करता ये भंवर
शायद इसी पल के लिए बेताब था

 दिल का ये भंवर
नादान ही तो था
कुंज कुंज करता गुंजन
भीतर भीतर बेचैन था
मिले जो आप तो ये चहकने लगा
सुरीली यादें बिखेरने लगा
बचपन फिर से मुस्काया
जवानी ने जैसे ली अंगडाई
एक कहानी को मंजिल मिली
कुछ यादों को भूली हुयी तारीख मिली
कुछ किस्सों को एक पड़ाव मिला
तन्हाई को एक महफ़िल मिली
साथी नए नए मिले
सुरीले सफ़र का कारवां मिला

 

And let us now enjoy the song with a vintage Kishore voice from the 1971 movie ‘Kal Aaj Aur Kal’. (Yes, the year of this movie is to be corrected as ‘1971’ on the blog and for the two posts already posted on the blog. Though in the second post one tag ‘songs of’ is correct i.e. ‘songs of 1971’)

‘Kal Aaj Aur Kal’ was directed by Randhir Kapoor for R.K. Films, Bombay. This was Randhir Kapoor’s first movie too and he was introduced or launched in style with also given direction of this movie. It was produced by Raj Kapoor.

It had Prithviraj Kapoor, Raj Kapoor, Babita, Narendranath, Roopesh Kumar, Achala Sachdev, David, Tiwari, Iftekhar, Abhi Bhattacharya, Vishwa Mehra, Sarita, Aarti, Asha Chandra, Shri Ram Shastri, Mansaram, Sumita Khurana, Pardesi, Uma Dutt, Rashid Khan, Mandhir Siyal, Prakash Mishra, Ranveer Raj, Ghanshyam Rohida and others.

Story, Screenplay and Dialogues of this movie were written by Virendra Sinha. Editing of this movie was done by S.R. Kabre. It was passed by Censor Board on 11.11.1971.

This movie has six songs penned by three lyricists – Hasrat Jaipuri (two songs), Neeraj (three songs) and Shaily Shailendra (one song). Music for this movie is composed by Shankar-Jaikishan. Asha Bhonsle, Kishore Kumar, Manna Dey, Mukesh, and Sharda had given their voices to the songs in this movie.

I think I have watched some part of this movie or may be the whole movie on TV or somewhere else, but I do not remember it now except I remember vaguely about its storyline. Knowledgeable readers may kindly throw more light on this movie and its songs please.

Two songs from this movie have already been posted on the blog earlier. And the today’s song is the third song of this movie being presented on the blog on the special occasion of ‘Blog’s 15k Songs Festival’ 😊

Today is also the 97th birth anniversary of songwriter Hasrat Jaipuri.


Song – Bhanwre Ki Gunjan Hai Mera Dil (Kal Aaj Aur Kal) (1971) Singer – Kishore Kumar, Lyrics – Hasrat Jaipuri, MD – Shankar Jaikishan
Chorus

Lyrics

bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
main aaya hoon duniya mein tere liye
mere dil mein jhoomein teri aarzoo
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

tere liye
hmm hmm hmm
aa ha haa
hmm hmm hmm
tere liye
hmm hmm hmm
hmm hmm hmm

gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
tu itna samajh le
mere humsafar
tere pyaar se mera sansaar hai
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

hmm hmm hmm
he he he ae
hmm hmm hmm
ho ho ho ho

tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo
hmm hmm hmm
tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapvaala)
———————————————————-

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

मुझे कब से थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मुझे कबसे थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मैं आया हूँ दुनिया में
तेरे लिए
मेरे दिल में झूमें
तेरी आरज़ू 
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

तेरे लिए
हम्म हम्म हम्म
आ हा हा
हम्म हम्म हम्म
तेरे लिए
हम्म हम्म हम्म
हम्म हम्म हम्म

गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
तू इतना समझ ले
मेरे हमसफ़र
तेरे प्यार से मेरा संसार है

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

हम्म हम्म हम्म
हे हे हे ए
हम्म हम्म हम्म
हो हो हो हो

टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म

टुडू डू डू डू डू ऊ ऊ ऊ
हम्म हम्म हम्म
टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म
टुडू डू डू डू डू ऊ ऊ ऊ

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3889 Post No. : 14921

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 15
————————————————

12th March, ten years ago. Six songs posted, and six films represented that day.  The films are ‘President’ (1937), ‘Paarasmani’ (1963), ‘Mera Gaaon Mera Desh’ (1971), ‘Elaan’ (1971), ‘Anjaana’ (1969), and ‘Mehboob Ki Mehndi’ (1971). On that day, the 1971 film ‘Elaan’ made its debut on our blog with the song “Aap Ki Rai Mere Baare Mein”.

Of the six films appearing that day, four have already been yippeee’d.  Given the set of popular and familiar songs, the films ‘Paarasmani’, ‘Mera Gaon Mera Desh’, ‘Mehboob Ki Mehndi’ and ‘Anjaana’ have all their songs posted. ‘President’ – the 1937 film featuring KL Saigal and Kanan Devi, still has some songs pending. However today, I pick up the other pending film from that date – ‘Elaan’ of 1971.

The film has 5 songs listed in the Geet Kosh. Music is by Shankar Jaikishan.  Two of the songs are already showcased here. The interesting thing about this film is that out of the five songs, one is a solo by Lata ji, one is a solo by Asha ji, and the remaining three feature Sharda as the singer. Two of these three are solos, and one is a duet with Rafi Sb.  This choice of singers underscores the then prevailing rumors about Shankar’s fancy for Sharda, and Jaikishan’s displeasure about this state of affairs.

The duet song, and the song by Lata ji are already posted. Today I bring on board the song by Asha Bhosle. Lyrics for this song are written by Farooque Kaiser. The song is presented as a cabaret dance by Rekha. The setting seems to be the villain’s den. The audience for this performance are Vinod Mehra, sporting a French beard in an effort to disguise his identity, Madan Puri playing the role of the gangster boss, and Jankidas as a senior lieutenant of the boss. A few more junior henchmen are spread out around the room.

The provocative cabaret is presented by Rekha. Back then in 1971, this was just her third film that she was appearing in. Her first film ‘Anjaana Safar’, made ready for release in 1969, ran into some problems with the Censors, and its actual release was delayed by a decade. It was released in 1979 with a change in title – ‘Do Shikaari’. Rekha played the leading lady opposite to Biswajit. Then in 1970 came the film ‘Saawan Bhadon’, opposite to Navin Nischol, which is considered as her debut film. And them in 1971, she appears in this film opposite to Vinod Mehra.

The performance, the dress up – all is very enticing and provocative. Rekha appears to be attempting to emulate Helen as she attempts to entice Vinod Mehra, who is apparently a target of something sinister. The gangster boss is seen adding some drug to the drink for Vinod Mehra. And at the end of the song, we see Vinod falling down unconscious.

The song itself is less familiar, however not unheard. Enjoy the song, and Rekha’s performance – every inch a temptress.

Song – Aaj Tumhaare Kaan Mein Keh Doon Mere Dil Mein Kya Hai  (Elaan) (1971) Singer – Asha Bhosle, Lyrics – Farooque Kaiser, MD – Shankar Jaikishan

Lyrics

aaj tumhaare kaan mein keh doon
mere dil mein kya hai

aaj tumhaare kaan mein keh doon
mere dil mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
ulajh gaye na
aaj tumhaare kaan mein keh doon
mere dil mein kya hai
samajh gaye na
na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
ulajh gaye na

kaise sajan ho
khud mein magan ho
dhadke mera mann
ab to milan ho
kaise sajan ho
khud mein magan ho
dhadke mera mann
ab to milan ho
jaan sakey na mere dilbar
is paayal mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
oy hoye hoye hoye
ulajh gaye na

kaun bhala hai
kaun bura hai
aankhon pe teri parda pada hai
kaun bhala hai
kaun bura hai
aankhon pe teri parda pada hai
hanste hanste maar jo daale
us qaatil mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
na
ulajh gaye na

aaj tumhaare kaan mein keh doon
mere dil mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
ulajh gaye na

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है

आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है
समझ गए ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
उलझ गए ना
आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है
समझ गए ना
ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
उलझ गए ना

कैसे सजन हो
खुद में मगन हो
धड़के मेरा मन
अब तो मिलन हो
कैसे सजन हो
खुद में मगन हो
धड़के मेरा मन
अब तो मिलन हो
जान सके ना मेरे दिलबर
इस पायल में क्या है
समझ गए ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
ओय होय होय होय
उलझ गए ना

कौन भला है
कौन बुरा है
आँखों पे तेरी परदा पड़ा है
कौन भला है
कौन बुरा है
आँखों पे तेरी परदा पड़ा है
हँसते हँसते मार जो डाले
उस क़ातिल में क्या है

आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है
समझ गए ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
उलझ गए ना


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3825 Post No. : 14829

Wonder pe Thunder !

Today’s song is from film ‘Hare Rama Hare Krishna’ (1971). When I found that this very popular and famous song of the early 70s was yet to be covered in the blog, my first reaction was to disbelieve it. I was almost sure that there was some mistake. I scanned the entire ‘H’ alphabet film list, bur could not see this song under any heading. Then I checked the year wise and MD wise lists – with same result. I was wondering how this song has escaped from the keen eyes of our contributors, who are specialists in the songs of the 70s ! At the end of it, I even checked with Atul ji, who confirmed that the song, indeed, was yet to be covered by us. This was a bonanza for me.

This is one of the songs of RD Burman, which I liked very much. Comparatively, he was one of the new composers in those times – in my opinion – though he had already done about 40 films before ‘Hare Rama Hare Krishna’ (HRHK). In last few years I had liked few songs from his earlier films like ‘Parichay’ (1972), ‘Seeta aur Geeta’ (1972), ‘Caravan’ (1971), ‘Kati Patang’ (1970) and ‘Teesri Manzil’ (1966). However, he suffered in my hands, due to my biased view of film songs of the period of 70s and beyond and except few more songs of RD Burman, I never liked his music, which in general I felt, was too loud and mostly copied from other sources (see several U-Tube videos on this issue, as a proof). However, I concede that he was a worthy son of a worthy composer compared to some other composer-son composers and that his music was much better than theirs and that he lasted for a longer period, cut short only by his sudden death in 1994, at the age of 55 years.

Today’s song is sung by Asha Bhosle and chorus and its video shows that it was sung on screen by a Hippie Girl (Zeenat Aman) amidst a smoking Hippie crowd. Somewhere in the year 1966, I had visited Goa (Panaji) to participate in a conference. During my visit, we had 2 free days and we roamed around the beautiful beaches of Goa. Goa had been liberated from the Portuguese about 6 years back and the Indian tourists did not have enough time yet to spoil the beaches and cities of Goa. So we could really enjoy our trip. During our beach visits we saw many Hippie groups, behaving in a ‘who cares’ attitude on the beaches. No wonder, many of my colleagues took their photographs to show in their respective private circles. That was a time when the Hippie culture had spread around the world.

Hippie (also spelled hippy) people were members of a counter cultural movement during the 1960s and 1970s, that rejected the mores of mainstream American life. The movement originated on college campuses in the United States, and also spread to other countries. Hippies felt alienated from middle-class society, which they saw as dominated by materialism and repression, and they developed their own distinctive lifestyle. They favoured long hair and casual, often unconventional, attire, sometimes in ‘psychedelic’ colours.

Many males grew beards, and both men and women wore sandals and beads. Long flowing granny dresses were popular with women, and rimless granny glasses with both men and women. Hippies commonly took up communal or cooperative living arrangements, and they often adopted vegetarian diets based on unprocessed foods and practiced holistic medicine. Hippies tended to be dropouts from society, foregoing regular jobs and careers, although some developed small businesses that catered to other hippies.

Hippies advocated non-violence and love, a popular phrase being “Make love, not war,” for which they were sometimes called ‘flower children’. They promoted openness and tolerance as alternatives to the restrictions and regimentation they saw in the middle-class society. Hippies often practiced open sexual relationships and lived in various types of family groups. They commonly sought spiritual guidance from sources outside the Judeo-Christian tradition, particularly Buddhism and other Eastern religions. Hippies promoted the recreational use of hallucinogenic drugs, particularly marijuana and LSD (lysergic acid diethylamide), in so-called head trips, justifying the practice as a way of expanding consciousness.

By the mid-1970s the movement had waned, and by the 1980s hippies had given way to a new generation of young people who were intent on making careers for themselves in business and who came to be known as yuppies (young urban professionals). Nonetheless, hippies continued to have an influence on the wider culture, seen, for example, in more relaxed attitudes toward sex, in the new concern for the environment, and in a widespread lessening of formality.

Film HRHK was Dev Anand’s idea. Initially, he wanted Zahida to become its Heroine. She, however rejected the offer when she learnt that in the film, she would be Dev’s sister – Jasbir. Dev Anand also wanted SD Burman to do the music. When Dada heard the original story, in which Zeenat falls in love with Dev, not knowing that he was her brother, Dada flatly refused the film and also advised Dev to change the story, as Indian public would be averse to an incest story. Eventually RD Burman was selected as MD.

Similarly, this song – “Dum Maaro Dum” was originally to be a duet of Usha Uthup and Lata Mangeshkar. Possibly Asha Bhosle, who was on the verge of leaving OPN and joining RD Burman (who had applied for a divorce with Rita –  his wife) scuttled the plan and the song came to Asha as a solo and another duet with usha Uthup. RD burman then changed the whole tune of the song, using Asha’s skill of singing in higher pitches.

All songs of this film became popular, especially “Phoolon Ka Taaron Ka Sabka Kehna Hai” and “Dum Maaro Dum” were heard everywhere. The lyrics of the song “Dum Maaro Dum” were very apt to indicate and describe the philosophy and frustration of the younger generation in that period –

duniya ne hum ko diya kya
duniya se hum ne liya kya
hum sab ki parvah karen kyun
sabne hamara kiya kya

All this clearly indicated what was eating the minds of young people.

Fortunately, 70s was the period when the Hippie culture was on decline worldwide. As such, this type of philosophy and such cult did not fit into the Indian mind set in any case. Therefore, this culture did not grow much here and had a natural end – like everywhere else in the world.

Two interesting anecdotes about this film. One, Dev Anand in his autobiography -“Romancing With Life “, published in 2007, had confessed that during this film, he had fallen in love with Zeenat. He was to make a confession to her, when he learnt that she had gone very close to Raj Kapoor. In one party, he also saw Raj kapoor hugging Zeenat and she was responding to him. Dev was disillusioned. He knew that Zeenat was keen to work in RK’s film ‘Satyam Shivam Sundaram’, and that all this was due to that only. He simply removed her thought from his mind.

Second is about the Burmans. In the program ‘Phool Khile Hain Gulshan Gulshan’, Pancham narrated that – “Papa used to go for morning walk everyday in Juhu. People recognised him and would say, look, SD Burman is going. One day he came back very excited. He told me, today people recognised me and said, Look RD Burman’s father is going. Papa was proud of me that my music in HRHK was famous and popular.”

Nandu Chawathe- a leading fiddler and violinist was associated with Pancham in those days. This person – Nandu Chawathe, was a guest in one of our get togethers of Atulites in Mumbai, thanks to one of our members Nitin ji Shah. He had played some songs on his violin in that meeting,  Chawathe says that Dev Anand was very much upset, when Asha replaced Lata and Pancham took time to compose the new tune for Asha Bhosle. The final product, however, pleased Dev Anand.

The story of the film, as given in wiki, is –

In the background of the rise of the International Hare Krishna movement in the 1970s, is a Montreal-based family of the Jaiswals, consisting of mom, dad, son, Prashant, and daughter, Jasbir. Due to differences, Mr and Mrs Jaiswal separate, leaving Jasbir with dad, and Prashant with his mom. Eventually Prashant and his mom travel to India, leaving father and daughter behind in Montreal. Mr. Jaiswal remarries, and brings his new wife to live in his home. Jasbir is told by her nanny that her mother & brother are dead. Back in India Prashant is sent to a boarding school and his father makes sure that none of Prashant’s letters reach Jasbir, so that it would be easy on her part to get over emotional trauma. Jasbir is upset with her inconsiderate step-mother and ignorant father who is deeply immersed in his business.

Years later, Prashant has grown up to be a pilot. He has received a letter from his dad that Jasbir, who had rebelled and left home, is now located in Kathmandu, Nepal, with a group of hippies. Prashant decides to find his sister and hopefully get her back to the family. When Prashant lands in Kathmandu he does not find Jasbir, but instead finds Janice, who is indeed his sister with a new name. Janice has no recollection of her childhood, and is always in the company of hippies spending most of her time consuming alcohol & drugs with them.

Janice lives with the hippies in the property rented out by local landlord Drona. Drona’s real business is stealing ancient artifacts from Kathmandu and selling it to foreign nationals. Michael, one of the hippies, is the one who does all the dirty work for him. Janice’s boyfriend Deepak misunderstands that Prashant is trying to woo Janice, hence they exchange a few blows every time they meet. Meanwhile, Drona has an eye on Shanti, a local salesgirl working in one of the shops owned by him. Shanti has feelings for Prashant which creates one more enemy for him. Later Prashant and Shanti elope and get married. At the same time a precious idol is stolen from local temple by Michael, which he hides in Janice’s house. Prashant secretly observes all this. Drona tries to frame Shanti for theft by secretly planting another stolen artifact in her house. Later he spreads the word that since the day Prashant has arrived idols are being stolen and he is stalking local girls.

The police commissioner is a friend of Prashant’s father, and has already received a letter stating the purpose of Prashant’s visit to Kathmandu. He suspects that Drona is trying to frame Prashant because he has married Shanti. He gets a search warrant for the entire property of Drona and recovers a diary which has contact details of his friends abroad who help him sell the stolen artifacts. The police also recover the stolen artifact from Shanti’s home, squarely blaming Prashant for it. Shanti is deeply hurt by this and looks around for Prashant. Prashant meanwhile is with Janice, trying to convince her that he is her brother, who she had been told dead long back. Michael overhears the conversation & conspires to put the blame on the brother-sister duo. Taking advantage of the situation Drona and Michael instigate the locals against Prashant by framing him for the theft and duping Shanti under pretext of marriage. The hippies and the locals are now ready to bash Prashant the moment they come across him.

When Prashant again tries to meet Janice, the hippies give him a solid thrashing. The police commissioner intervenes and Prashant is saved. At the same time the true face of Drona is uncovered and he meets his end trying to run away from police. Janice sees that both her parents have arrived to meet her and realizes that Prashant is indeed her brother. Janice is deeply hurt that her parents had to see her in this state. She runs away from them and commits suicide. In her suicide note she tells Prashant how deeply she loved him and she never intended him to find her in this state and suicide was the only way out for her.

‘Hare Rama Hare Krishna’ (released on 9-12-1971) was a Landmark film for Navketan – a film production company, which could boast of a world record (yet unbeaten) that the company was run for 62 years by the same person who established it in 1949 ! The cult song “Dum Maaro Dum” became so popular that no function was complete without this song for the next 10 years! Enjoy this song here today…..

[Author’s Note: The article uses information from books ‘Gaata Rahe Mera Dil’ and ‘Music Beyond Boundaries’, Wiki, The Hindu and my notes].

Video (Partial)

Audio (Complete)

Song – Dum Maro Dum, Mit Jaayen Gham  (Hare Rama Hare Krishna) (1971) Singer – Asha Bhosle, Lyrics – Anand Bakshi, Music – RD Burman
Female Chorus
Male Chorus

Lyrics (Provided by Sudhir)

hush..shh..shh..shh

dum maaro dum..mm..mmaaaa
mit jaaye gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

dum maaro dum..mm..mmaaaa
mit jaaye gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

pa..aa pa ra pa pa tu tu tu
aa..aa ee..ee
ta raa ta raa ta raa ta raa raa..aa

duniya ne hum ko diya kya
duniya se hum ne liya kya
hum sab ki parvah karen kyon
sab ne hamaara kiya kya
duniya ne hum ko diya kya
duniya se hum ne liya kya
hum sab ki parvah karen kyon
sab ne hamaara kiya kya

aaaa aaaa aaaa aaaa

dum maaro dum..mm..mmaaaa
mit jaayen gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

hush..shh..shh..shh

dum maaro dum..mm..mmaaaa
mit jaaye gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

chaahe jiyenge marenge
hum na kisi se darenge
hum ko na roke zamaana
jo chaahenge hum karenge

aaaa aaaa aaaa aaaa

dum maaro dum..mm..mmaaaa
mit jaayen gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
हश॰॰शश॰॰शश॰॰शश

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम

पा॰॰आ प र पा पा तु तु तु
आ॰॰आ ई॰॰ई
त रा त रा त रा त रा रा॰॰आ

दुनिया ने हमको दिया क्या
दुनिया से हमने लिया क्या
हम सबकी परवाह करें क्यों
सब ने हमारा किया क्या

आ॰॰ आ॰॰ आ॰॰ आ॰॰

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम

हश॰॰शश॰॰शश॰॰शश

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम

चाहे जिएंगे मरेंगे
हम ना किसी से डरेंगे
हमको ना रोके ज़माना
जो चाहेंगे हम करेंगे

आ॰॰ आ॰॰ आ॰॰ आ॰॰

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3736 Post No. : 14682

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 73 # Aaayo aayo Navratri tyohaar #
———————————————————————-

Season’s greetings and best wishes to all for the Navratri Festival starting today (10 october 2018)!!!

I have mentioned in a few of my earlier write-ups that festivals too bring back many memories and they in turn bring back memories of songs which we have heard years before… in my case ‘years before’ generally means ‘in my childhood days or in those years when I was growing’ 🙂

Today’s song is one such song which normally comes to my mind during celebration of the ‘Navratri festival’ every year. I was under impression that this song must have been posted on the blog earlier, however much to my surprise, this song is mot yet covered till now. And that gives me this opportunity to share this song today on the blog.

I vaguely remember that in our colony where we were staying then (for me after my birth in 1968 to 1984 when I was in eleventh standard :)) during Navratri Festival or Durga Pooja Festival the Durga Pooja Idol would be worshipped in the Colony Club or special ‘pandals’ arranged near the ‘Club Building’ and the ‘Stage’ (meant for the various programs held during the festival). However, unlike the ‘Ganpati Festival’ during which various ‘cultural programs’ would be held, during ‘Navratri’ it was mostly the staging of ‘Ramleela’ for nine/ten days.

I do not have any more special memories except a few songs that were played on the loud speakers and the “Ramleela” which I vaguely remember. Ttoday’s song is one such song that was frequently played on loud speakers during this festival and had been lying dormant in my memories since then.

The song that I am going to present today is from the ‘1971’ movie ‘Johar Mehmood in Hong Kong’.
Going by the date of passing of this movie by the Censor Board I was almost three years old then, when the movie was released. Johar whenever he combined with Mehmood in movies and Mehmood specially for his movies were always a point of discussion among the elders in the family. I remember watching ‘Johar Mehmood in Goa’ and ‘Johar Mehmood in Hong Kong’ with my Uncles. I do not remember if I also watched ‘Johar Mehmood in Kashmir’. These movies had good songs or good entertaining songs, so the songs were also not easily forgettable given their performances on these songs.

“Johar Mehmood in Hongkong” (1971) was produced by Madan Chopra and K.Z. Sheth. It was directed by S.A. Akbar.

It was M.O. Bawazir’s presentation for Mahesh Ashish.

The movie had I.S. Johar, Mehmood, Sonia Sahni, Aruna Irani, Tiwari, Kamal Kapoor, Tuntun, Manorama, Madhumati, Haroon, and Pran. Agha, Mukri, Jr. Mehmood, Polson, Shaikh, B.B. Bhalla, Raj Kishore, Khairati, Murad appear as Guest Artistes in this movie.

This movie was written by I.S. Johar who also wrote the screenplay and dialogues for this movie. Vithal Bankar was the editor for this movie.

Music for this movie was composed by Kalyanji Anandji who were assisted by Babla and where Parte was the arranger and Frank Fernand the Conductor.
There were Six songs in this movie penned by Qamar Jalalabadi (four songs) and two songs are jointly credited to Qamar Jalalabadi and Indeevar (as per HFGK).

Asha Bhonsle, Mohd Rafi, Mukesh, Shamshad Begam, Manna Dey and Usha Timothi gave their voices to the songs in this movie.
As per HFGK Lakshmi Shankar, Usha Khanna and Usha Mangeshkar’s voice has been in one song each, however their names are not mentioned in the titles of this movie (available on YT).

This movie was passed by Censor Board on 04.01.1971.

So far two songs from this movie have been posted on the blog. Today’s song is the third song from this movie to appear on the blog.

Today’s song happens during the ‘Navratri Celebrations’ which all ‘Hindustanis’ living in Hong Kong celebrate every year and send the ‘Garba matka’ to India. Our heroes Mahesh and Ramesh (readers can easily guess who is Mahesh and who is Ramesh) who successfully flee away from jail with other accomplices after giving ‘Jamal ghota’ to Kamal Kapoor, Pran & Co and reach Murad (who is head of the Indian Embassy in the movie I guess) with the ‘secret formula’. Murad advices them that the formula can be easily sent to India in this ‘matka’.

‘Ambe maiyya’ ab hamaari aur hamaare desh ki raksha tere haath hai, desh ke drohi e pujaariyon ko Bharat bhejne se pehle hi khatm kar dena chahte hai, magar Ambe maiyya agar Ramesh aur Mahesh khatm ho jaayen to tu apni chhah bhujaaon se chhah Ramesh aur Mahesh paida kar ke desh ke drohiyon ko chakkar mein daal dena.
Jai Ho …

That is what Ramesh praises to Ambe Maa before the song …

And that is why we have this patriotic garba and seeking the blessings of the goddess to save the mother land and our country …

The movie ends with this song on a happy note where the enemies die their own death and our heroes board the flight for India dancing and enjoying with the ‘secret formula’ in the ‘Garba Pot’.

From today the auspicious festival starts all over India.In Gujarat especially the excitement and preparations for the festival had already begun much earlier when I was there. The ‘garba and dandia’ bhajans and songs had already started playing on in shops, restaurants and public places where the celebrations were to be held.

I had wiitnessed all that during my brief two weeks stay in Gujarat. I have returned back to my work place as per planning and had to travel on Sunday and reaching my destination on this Monday evening >:)I am missing all that excitement a lot now 🙂

Today’s song is sung by Mohd Rafi and Mukesh. And since it involved Singer Mukesh I thought I should consult our Mahesh ji if I can do write-up with this song and he immediately responded that I can ‘go ahead’, thanks to Mahesh ji.

I also take this opportunity to wishing all a very ‘Happy Navratri Festival’ and may it be peaceful and enjoying for all and may the Goddess blessed us all with her blessings and gives us energy to do good for all and fight the evil within and around us …

Let us now enjoy this song composed by Kalyanji Anandji and sung by Mohd Rafi and Mukesh …

Video

Audio

Song-Hey aayo aayo navraatri tyohaar (Johar Mehmood in Hongkong)(1971) Singers-Rafi, Mukesh, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Chorus

Lyrics

Hey Mai ee ee ee ee ee ee ee ee
Hey jab jab bheer padi bhaktan par
Hey toone suni ee pukaar
Ae Mai ee ee ee ee ee ee ee ee
Jiski rakshaa tu karey
Usey kya maarey sansaar

Usey kya maarey sansaar
hey ae aayo aayo navraatri tyohaar
He re aayo aayo navraatri tyohaar
Ho Ambe maiyyaa
teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

Hey ae kar de kar de ae
kar de kar de ae
Bhakton ka bedaa paar
Hey ae kar de kar de
Bhakton ka bedaa paar
Ho Ambe maiyyaa

teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

Ham to baalak tere maata
Aur tu jeewan daata hai
Aur tu jeewan daata hai
Koyi usko chhoo nahin paata
Teri sharan jo aata hai

Teri sharan jo aata hai
Hey ae ae ae
Aayi sinh pe sawaar teri shakti apaar
Tujhe Ambey Jagdambe jag saara jaane re
Ho jag saara jaane re
Aaj apna
Aaj apna
Dikhaa de chamatkaar

Ho o aaj apnaa dikha de chamatkaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Kar de kar de
Bhakton ka bedaa paar
Ho kar de kar de
Bhakton ka bedaa paar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

Vipadaa mein hai desh hamaara
Tu hi bachaane waali hai
Tu hi bachaane waali hai
Aanchal mein ye deep chhupaa le
Aandhi aane waali hai

Aandhi aane waali hai
Hey ae ae ae
bairi pichhe pade
Hamen ghere khade
Tujhe Ambey Jagdambe jag saaraa jaane re
Ho jag saara jaane re
Deshdrohi ka
Deshdrohi ka
Kar de bantaa dhaar
Ho o Deshdrohi ka
Kar de bantaa dhaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Kar de kar de
Bhakton ka bedaa paar
Ho kar de kar de
Bhakton ka bedaa paar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

Chaaron khaane chit hai dushman
Usne hamko maan liyaa aa
Usne hamko maan liyaa
Naacho gaao mauj manaao
Maiyya ne kalyaan kiya

Maiyya ne kalyaan kiya
Hey ae ae ae
Aisi devi ne aaj raakhi bhakton ki laaj
Tujhe Ambey Jagdambe jag saaraa jaane re ae
Ho o jag saara jaane re
Nahin bhulenge
Ho nahin bhoolenge tera upkaar

Ho o nahin bhoolenge tera upkaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Aayo aayo navraatri tyohaar
Ho o aayo aayo navraatri tyohaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

————————————————————-
Devnagri Script lyrics(Provided by Avinash Scrapwala)
————————————————————-

हे मई ई ई ई ई ई ई ई ई
हे जब जब भीर पड़ी भक्तन पर
हे तूने सुनी ई पुकार

ए मई ई ई ई ई ई ई ई ई
जिसकी रक्षा तू करे
उसे क्या मारे संसार

उसे क्या मारे संसार

हे ए आयो आयो नवरात्रि त्यौहार
हे रे आयो आयो नवरात्रि त्यौहार
हो अम्बे मैय्या
तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार

हे ए कर दे कर दे ए
कर दे कर दे ए
भक्तों का बेड़ा पार
कर दे कर दे ए
हे ए भक्तों का बेड़ा पार
हो अम्बे मैय्या

तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार

हम तो बालक तेरे माता
और तू जीवन दाता है
और तू जीवन दाता है
कोई उसको छू नहीं पाता
तेरी शरण जो आता है

तेरी शरण जो आता है
हे ए ए
आई सिंह पे सवार तेरी शक्ति अपार
तुझे अम्बे जगदम्बे जग सारा जाने रे
हो जग सारा जाने रे
आज अपना
आज अपना
दिखा दे चमत्कार

हो ओ आज अपना दिखा दे चमत्कार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
कर दे कर दे ए
भक्तों का बेड़ा पार
हो कर दे कर दे
भक्तों का बेड़ा पार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार

विपदा में है देश हमारा
तू ही बचाने वाली है
तू ही बचाने वाली है
आँचल में ये दीप छुपा ले
आंधी आने वाली है

आंधी आने वाली है
हे ए बैरी पीछे पड़े
हमें घेरे खड़े
तुझे अम्बे जगदम्बे जग सारा जाने रे
हो जग सारा जाने रे
देशद्रोही का
देशद्रोही का
कर दे बंटा धार
हो ओ देशद्रोही का
कर दे बंटा धार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
कर दे कर दे
भक्तों का बेड़ा पार
हो कर दे कर दे
भक्तों का बेड़ा पार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार

चारों खाने चित है दुश्मन
उसने हमको मान लिया आ
उसने हमको मान लिया
नाचो गाओ मौज मनाओ
मैय्या ने कल्याण किया

मैय्या ने कल्याण किया
हे ए ए ए
ऐसी देवी ने आज राखी भक्तों कि लाज
तुझे अम्बे जगदम्बे जग सारा जाने रे ए
हो ओ जग सारा जाने रे
हो नहीं भूलेंगे तेरा उपकार
हो ओ नहीं भूलेंगे तेरा उपकार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
आयो आयो नवरात्रि त्यौहार
हो ओ आयो आयो नवरात्रि त्यौहार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15120

Number of movies covered in the blog

Movies with all their songs covered =1172
Total Number of movies covered =4153

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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