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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mukesh


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Janam Janam Ke Saathi”(1965) was directed by Nand Kishore for M B Brothers, Bombay. The movie had Kamini Kaushal, Premnath, Lalita Pawar, Mubarak, Sheila Kashmiri, Durga Khote, Umakant, Maruti, Yakoob etc in it.

This by now forgotten movie had eight songs in it. Details of only four of these songs are avilable in HFGK. The songs of this movie are rare songs.

Here is the first song from “Janam Janam Ke Saathi”(1965) to appear in the blog. The song is sung by Suman Kalyanpur and Mukesh. D N Madhok is the lyricist. Music is composed by Gyan Dutt.

The song may be obscure, but what a lovely and magical song it is.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

Gyan Dutt, who made his debut as a music director as far back as in 1937 with “Toofaani Toli” composed some 600 songs in 59 movies. This movie
“Janam Janam Ke Saathi”(1965) was Gyan Dutt’s last movie as a music director. I have a feeling that this movie could well be on the last few movies of D N Madhok (as a lyricist) as well.

Gyan Dutt bowed out of HFM scene with this beautiful composition in his last movie. Enjoy this forgotten gem !

With this song, “Janam Janam Ke Saathi”(1965) makes its debut in the blog.


Song-De de de de mera dil (Janam Janam Ke Saathi)(1965) Singers-Suman Kalyanpur, Mukesh, Lyrics-D N Madhok, MD-Gyan Dutt

Lyrics

de de de de mera dil
phir hamse mil na mil saajanwaa
de de de de mera dil
phir hamse mil na mil saajanwaa

chhoti chhoti baat pe naa
rooth rooth jaya karo

ham jo bulaayen to chale aaya karo
chhoti chhoti baat pe naa
rooth rooth jaaya karo

ham jo bulaayen to chale aaya karo
paapi pet jo na ho na jaaun chhod tujhko
bolo bolo ri sajaniya karoon main kya

de de de de mera dil

o o
din khoye khoye
raat roye roye
teri kasam kate meri
tere pyaar ka sabr pade jo na ho
saans saans mein yaad teri
yaad teri

in jhoothi jhoothi baaton se
bane na kuchh mera
maine teri kasam
sach sach kaha

de de de de mera dil

o chanda gagan ke waasi
mujhe aasraa tera
o chanda gagan ke waasi
mujhe aasraa tera
paani ke relon se khelen
nisdin saajan mera aa
palchhin saajan mera
chali piya ji ki naav
chali piya ji ki naav
chanda saath saath jaao
mere man mein bharam sa uthhne laga
chali piya ji ki naav

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Several years ago, I read a tale that made my blood boil. It was about a 96 year old lady, whose palatial house was snatched away forcibly from her by greedy land grabbers and she was forced to stay in the servant quarters of her own prime property. She was no ordinary lady either. she was the first female IAS officer of India.

When media got wind of this fact, the people who had usurped her property hurriedly brought her back to the mansion to “prove” to the media that she was very much the “owner” of her property.

Law abiding people earn some amount for their living and then try to live within them. Then there are some ambitious people who work hard and improve their earning and rise in economic status. They still live within their earning.

Then there are people who do not have the capability to earn more from honest means but they would still want to get rich. The easiest way to get rich for them is to befriend a rich person and rob him/ her of her property once he/she gets weak due to age/ retirement/ sickness etc. That is what happened with Isha Basant Joshi.

This happens not only with individuals but can happen with organisations too. Take the current case of BCCI vis a vis ICC and other cricket boards.

BCCI (board of control for cricket in India), which was one of the junior partner of ICC before the liberalisation of Indian economy , is now the biggest contributor of revenue to ICC. One of the major sources of earning for ICC is by organising international tournament. Selling TV broadcast rights for these tournaments is the major source of earning for ICC.

TV broadcast company buys right to organise these tournaments hoping to earn good amount by selling ad space during telecast time. India, because of its vast population (a few times bigger than all other cricket playing and watching nations combined), is easily the biggest chunk of target audience for companies that want to buy ad space during the telecast of matches of these tournaments. It is estimated that TV broadcasters earn 70 % of their entire ad revenue for Indian TV audience.

And this Indian TV audience eagerly watches these matches because Indian team participates in these tournaments and more often than not still survives in the tournament there till the final few matches in the tournaments.

One can say that TV company bids for these telecast rights mainly because they have the assurance that this vast Indian cricket viewing public would watch the tournament matches and will bring them the bulk of their ad revenue.

Now suppose India decides not to participate in the tornament. Then what ! The TV broadcast right owner becomes jittery because they know that their revenue from that tournament would reduce drastically. Indian TV audiences would lose interest in watching cricket matches if Indian team is not participating in that tournament.

Put in simple terms, Indian cricket watching public contributes about 70 % of the entire revenue that ICC gets from TV rights. So if ICC were an organisation and its constituent bodies as its employees then BCCI is the employee that helps earn the highest percentage of revenue for its employee.

ICC then shares a part of this money received from the broadcaster among its constituent boards.

In the original “big three ” arrangement in 2014, BCCI, ECB and CA got higher share of the revenue while other board members got lower amount. The figures were based on what the respective board helped earn to the ICC, mainly through the TV rights.

Now, in the recent ICC meet in april 2017, BCCI were dealt an unexpected blow. The big three model was dismantled. Other two members of big three did not lose any amount, and the remaining boards got more money, while BCCI’s share was drastically reduced. From $ 440 millions in the 8 years cycle, their share was reduced drastically to $ 287 millions. Every one else profited at the cost of BCCI so others happily voted in favour of the proposal, with BCCI being the only one voting against it. In effect, everyone ganged up and robbed the one member that helped bring the maximum revenue to ICC.

When it comes to ICC sharing its ad revenue, one would expect the teams to share them in more or less in the same proportion in which they contribute in generating it. But no, not at all. Boards that do not contributeeven 1 % of total ad revenue want to get 4 % each from ICC. All these non performing boards ganged up together and voted to enhance their revenue and voted to reduce BCCI’s share. Boards that do not contribute even 1 % will get 4 %, whereas BCCI that helps contribute 70 % and which was assured of 22 % revenue just three years ago, had now been voted down 8-1 to receive just 11 %. In others words, eight boards ganged up to vote themselvs higher amount than what they were getting three years ago, while they voted down BCCI’s share to half. They also preached that it was BCCI’s reponsibility to help globalisation of cricket so the hefty $ 280 millions share of BCCI has been chopped off. But none of these boards themselves are prepared to take a cut of even one penny to help globalise cricket. So in effect, they are behaving like the land grabbers who want to rob a rich land owner of his property and make him their slave who would them be required to work hard so that these parasites could live off his labour. It is like that hapless lady whose estate was usurped by crooks.

It is like East India company. Not just England, even the likes of Zimbabwe, West Indies and Bangladesh become India’s rulers and start to live off India the way Brish Empire did for two centuries. India got free from them, and Britain ceased to be the most influential nation in the world.

How do we know which country’s market brings how much ad revenue to the TV rights holder (and therrefore to ICC) ? ICC should have commissioned a firm to carry out this study the way most countries commission some firms to carry out these studies. But then ICC are the last organisation that can be expected of operating in a transparant manner in a matter dealing with money.

I have thought of a way to assess the relative size of ad revenue accruing to the TV broadcaster. One can take the amount of advertisement money that the advertisers of a country spend in one year. I have taken the annual figures of ad spend of the four test playing south Asian countries, viz India, Pakistan, Bangladesh and Sri Lanka. Since all four countries are similar in culture, cricket craze etc, I havbe assumed that a good portion of this ad spend goes to the coffers of the cricket broadcaster.

star sports are the cricket broadcaster of ICC for 18 ICC tournaments from 2015 to 2023. They have won this right for an amount of $ 2000 million. So they are required to pay ICC an amount of $ 2000 millions during this 8 year period. This amount will then be distributed among the test playing board members and associates.

ICC and other nine boards ganged up to rob a big chunk of money that BCCI was helping bring to ICC. We now know who is getting how much, but ICC is silent about how much each board is bringing to the table, so that one can find out whether there is any correlation between their pay and their contribution in ICC’s earning through them.

Since ICC would not do it, I have tried to find about the approximate amount of ad money that various cricket playing nations would bring to star sports for Champions trophy 2017.

First I have found out how much ad money the advertisers of various cricket playing countries of Indian sub continent as well as West Indies and Zimbabwe are spending this year.

Following are the figures:

Ad spend per year Remarks
India $ 9515 millions
Pakistan $ 630 millions
Bangladesh $ 200 millions
Sri Lanka $ 300 millions
West Indies $ 200 millions
Zimbabwe $ 0 (insignificantly small) No figures exist

I have excluded other countries because I feel that they are more or less getting what they deserve.

So, the relative market share of these countries as far as advertisers are concerned is

Percentage of ad share by countries Remarks
India 87 %
Pakistan 6 %
Sri Lanka 3 %
Bangladesh 2 %
West Indies 2 %
Zimbabwe 0%

Note: The above figures are what I gleaned from various sources online. Figures are indicative and there may be some inaccuracies, though the overall picture is unlikely to change much despite any corrections that may get noticed/ get pointed out.
I have excluded the figures of other boards that I feel are getting what they contribute.

Let us assume that all these markets are cricket crazy markets and a good portion of their ad spend this year will go to pay star network, during their TV coverage of Chmapions Trophy.

Let us assume that an uniform portion of total ad spend of the year will be spent by advertisers during champions Trophy in all these countries. Let us assume it to be 10 % of total ad spend for the year.

So, following is what Star network will get from these countries

Countrywise expected Ad revenue to broadcaster Remarks
India $ 951 millions
Pakistan $ 63 millions
Bangladesh $ 20 millions
Sri Lanka $ 30 millions
West Indies $ 20 millions
Zimbabwe $ Nothing
Total $ 1084 millions

Star TV is required to give $ 2000 millions to ICC in eight years (2015 to 2017). They will earn half of that amount in this champions trophy itself, if only BCCI could be persuaded to sent its team. If BCCI backs out, Star sports will earn an ad revenue of less than $ 150 millions and at this rate it will never be able to see any profit. Mind you, Star have already staged one tournament, T20 world cup in 2016 after it earned the broadcast rights and it has already made a hefty profit because BCCI participated in that tournament. With BCCI participation in this tournament, Star would have already earned the amount of $ 2000 millions that it was supposed to have paid to ICC. These are still six years left and lots of more tournaments left where BCCI participation would have seen star network rolling in mind boggling profits.

So now, we know why Star network is worried at the prospects of BCCI contemplating to back out. All the looters (ICC and the other non BCCI boards) are now worried and are trying all the tricks in their books. Star network made some ex cricketers to speak in favour of BCCI participation. Most of these ex cricketers are employed as expert commentators with star as most of us are well aware. So they are serving their masters and indirectly serving the cause of the gang of looters rather than the cause of BCCI and Indian cricket fans who are their real paymasters. Gavaskar and Shashtri did not speak in that voice and so their opinions were very conveniently blacked out.

Then there are some “responsible” people who are talking about Indian cricketers missing out and Indian cricket dying out. They are either talking out of ignorance or they are in the employs of anti BCCI parties to utter such inanities. BCCI are well within their rights to back out. Clause 6.4 of Members Participation Agreement (MPA), a legally binding document between the ICC and its member boards gives BCCI this right.

If CoA is asking BCCI not to back out and participate, then it means that CoA are not aware of Clause 6.4 of Members Participation Agreement (MPA), which speaks very poorly of their knowledge of the subject on which they are administrating.

They are also not aware that BCCI is only backing out of ICC tournaments. It does not mean that they are walking out of ICC. They will continue to play bilateral series as before which include tests, ODIs and T20s. They will continue to organise IPLs as well. So, the people saying that all these will be in jeoparty need to first understand the subject before giving their opinion on the topic.

In other words, BCCI is only taking recourse to a remedy that its agreement with BCCI allows them to have.

Those who are telling us that BCCI will be a loser and that ICC should expel them, or that BCCI will find itself expelled are talking out of ignorance as pointed out earlier.

In this case, it is not BCCI but ICC that is on sticky grounds. It is ICC’s credibility and existence that is at stake. BCCI is helping them earn bulk of $ 2000 millions that they are to get from TV broadcaster. In addition BCCI is helping earn Star network many times more by participating in these tournaments. Such a valuable partner must be treated with respect and dignity. Here we find that ICC has ganged up with other boards to deprive BCCI of the money that BCCI is allowing ICC and other board members to gain.

It would be better for BCCI to organise international tournaments on its own without involving ICC. such precedents are there. the 1985 WCC tournament, where Ravi Shashti became Champions of Champion was one such example. Even at present, BCCI is dealing with star sports directly in organising TV coverage of domestic tournaments. BCCI is also organising TV coverage of IPL without involving ICC, and the profits of IPL are in billions. So, BCCI backing out of this ICC is not the end of the road for BCCI. Rather it is the end of the road for ICC. Even if ICC finally agrees to give BCCI a higher share that will still be a big deal less than what BCCI deserves. And the humiliating manner in which BCCI has been treated by ICC and other board members is something that most Indian cricket fans will never be able to forget and forgive.

I am as much a stake holder in Indian cricket as BCCI, CoA and others. I have been following Indian cricket from 1974 and I feel that it is high time BCCI asserts its right the way other assertive organisations in other parts of the world do. BCCI should form a rival organisation to ICC and invite other boards to join them. If some boards (there will be none) decide to stick with ICC, let them do that. ICC should cease to exist in near future. As Indians, let us learn to be assertive and ruthless in dealing with people who harm us and who seek to humiliate us. In this case, it is ICC. Let us finish ICC off once and for all.

I have not been able to concentrate on blogging for the last few days because of this matter. I hope to get this lead out of my chest by writing on this topic that I have been feeling very strongly about.

I, as well as many cricket loving Indians are feeling the way our forefathers felt when they were slaves of foreigners. Foreigners would loot us of our resources and get rich at our cost, whereas we would be subjected to humiliation, indignity, famine, death etc. That is what happened to Indians during British Rule. This is what also happened in Goa which remained under Potruguese rule till 1960s !

Here is a song from “Johar Mehmood in Goa”(1965) which expresses my strong feeling on the subject of BCCI and Indian cricket lovers suffering indignities at the hands of foreigners out to subjugate us. This song is sung by Mukesh and Usha Khanna. Qamar Jalalbadi is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised on I S Johar and Sonia Sahni (I guess).

With this song, “Johar Mehmood in Goa”(1965) joins the list of movies that have all their songs covered in the blog.


Song-Sikandar bhi aaye kalandar bhi aaye (Johar Mehmood in Goa)(1965) Singers-Mukesh, Usha Khanna, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Mukesh + Usha Khanna

Lyrics

Sikandar bhi aaye
Kalandar bhi aaye
na koi raha hai
na koi rahegaaa

na koi raha hai
na koi rahega
na koi raha hai
na koi raha hai
na koi rahega
na koi raha hai
hai tere jaane ki baari bidesi
hai tere jaane ki
hai tere jaane ki baari bidesi
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
hai tere jaane ki baari bidesi
hai tere jaane ki
hai tere jaane ki baari bidesi
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai

Sikandar ko Porus ki taaqat ne roka aa
Ghauri ko Prithvi ki himmat ne toka aa
jab khooni Naadar ne chhedi ladaai ee
ho o o
o o o o
jab khooni Naadar ne chhedi ladaai
to Dilli ki galiyon se aavaaz aayi ee
laga le tu kitna bhi zor ai sitamgar
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

Prataap ne jaan de di watan pe ae
Shivaaji ne bhagva udaaya gagan pe ae
mardon ne khaayi aazaadi ki kasmen aen
ho o o
o o o
mardon ne khaayi aazaadi ki kasmein
adaa auraton ne ki jauhar ki rasmen
kafan baandh kar raani Jhaansi pukaari
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

Siraaj aur Tipu
Zafar aur Nana aa
thha har ek inmein qaumi deevaana
yahaan le ke aaye bagaavat ki aandhi ee
Tilak, Nehru, Aazaad, Netaaji, Gaandhi ee
Bhagat Singh ki raakh ne ye pukaara
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

Halaaku raha hai na Hitler raha hai ae
Musolini kaa naa vo lashkar raha hai ae
nahin jab raha rus kaa Tzaar baaki ee
ho o o o
nahin jab raha roos kaa Tzaar baaki
to kaise rahega Saalaazaar baaki ee
Goa ka har bachcha bachcha pukaara
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

kal ko agar aaye Chaao yaa Maao o
laga denge ham zindgaani kaa daanv
hamaara hai Kashmir
NEFA hamaara aa
o o o
o o o
hamaara hai Kashmir
NEFA hamaara
kabhi jhuk sakega na jhanda hamaara aa
zara desh ke dushmanon se ye keh do
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai
hai tere jaane ki baari bidesi
hai tere jaane ki
hai tere jaane ki baari bidesi
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

सिकंदर भी आए
कलंदर भी आए
ना कोई रहा है
न कोई रहेगा

ना कोई रहा है
न कोई रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है
है तेरे जाने की बारी बिदेसी
है तेरे जाने की
है तेरे जाने की बारी बिदेसी
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
है तेरे जाने की बारी बिदेसी
है तेरे जाने की
है तेरे जाने की बारी बिदेसी
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है

सिकंदर को पोरस की ताक़त ने रोका॰॰आ
गौरी को पृथ्वी की हिम्मत ने टोका॰॰आ
जब खूनी नादर ने छेड़ी लड़ाई
हो ओ ओ
ओ ओ ओ ओ
जब खूनी नादर ने छेड़ी लड़ाई
तो दिल्ली की गलियों से आवाज़ आई
लगा ले तू कितना भी ज़ोर ए सितमगर
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है

परताप ने जान दे दी वतन पे॰॰ए
शिवाजी ने भगवा उड़ाया गगन पे॰॰ए
मर्दों ने खाईं आज़ादी की कसमें
हो ओ ओ
ओ ओ ओ ओ
मर्दों ने खाईं आज़ादी की कसमें
अदा औरतों ने की जौहर की रस्में
कफन बांध कर रानी झांसी पुकारी
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है

सिराज और टीपू
जफर और नाना
था हर एक इन में क़ौमी दीवाना
यहाँ ले के आए बग़ावत की आँधी॰॰ई
तिलक नेहरू आज़ाद नेताजी गांधी॰॰ई
भगत सिंह की राख़ ने ये पुकारा
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है

हलाकू रहा है ना हिटलर रहा है
मसोलीनी ना वो लश्कर रहा है
नहीं जब रहा रूस का ज़ार बाकी
हो ओ ओ
ओ ओ ओ ओ
नहीं जब रहा रूस का ज़ार बाकी
तो कैसे रहेगा सलाज़ार बाकी
गोआ का हर बच्चा बच्चा पुकारा
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है

कल को अगर आए चाओ या माओ
लगा देंगे हम ज़िंदगानी का दाव
हमारा है कश्मीर नेफ़ा हमारा
हो ओ ओ
ओ ओ ओ ओ
हमारा है कश्मीर नेफ़ा हमारा
कभी झुक सकेगा ना झण्डा हमारा
ज़रा देश के दुश्मनों से ये कह दो
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है

ना कोई रहा है
न कोई रहेगा
ना कोई रहा है
है तेरे जाने की बारी बिदेसी
है तेरे जाने की
है तेरे जाने की बारी बिदेसी
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 8
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Mukesh and His Co-Singers – 3
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The thought had crossed my mind a few months back. To calculate the sum of all the posts of contributors and subtract it from the grand total which would have given the obvious number. A number big enough to just admire, thank and congratulate with high gratitude. Thankfully, the pen and paper (and well a calculator) did not meet and so we had Sudhir ji planning his modus-operandi.

Else who knows, I would have written a common mail to both which I usually do and spoiled all the fun.

I got to know of Sudhir ji’s plans which he told me in person when I met him for a short visit to his house. Now wait. Isn’t our meeting a celebration to write a post? Yes indeed, but that shall wait for another day.

This post is for Atul ji. To thank him for this wonderful platform that has brought so many like-minded people together. As I write this statement, I have the proof of this togetherness and oneness even when we may not have met each other. When I met Sudhir ji for the first time it was as if we knew each other for decades. The talks directly shifted to songs and we were both in our comfort zone.

I have been fond of old Hindi songs of 40’s and 50’s for a long time. Before the internet era, it was collection of articles, audio cassettes etc. With the advent of internet, all of us were exposed to a wide range of information. This blog was not exactly the first of its kind that I came across. I had downloaded many mp3 songs from different sites. They are in hundreds. However further search and surfing inevitably led me to this blog and there has been no looking back. I first started interacting by making comments, corrections etc. Then there was an urge to send lyrics and finally to qualify as a post contributor. The final step did take me quite a while. My first write-up was not up to the mark as it was some absurd story. I later realised that writing on artists anniversaries and special articles related to the song make more sense. Sudhir ji’s series on Mukesh opened a whole lot of possibilities and thus, I started two series of Mukesh which I hope to continue as long as his songs are available to be posted.

This blog will, in all probability, remain the only reliable source of correct info of HFM songs in such huge numbers and of almost all artists. I am very much certain of it. We have some of the best contributors with very vast knowledge and experience of this hobby. After reading their posts, we imagine ourselves in the midst of our favourite artists. Such is the effect of this blog on our lives.

Among the many selfless deeds of Atul ji, is the fact that contributor’s names are prominently displayed and acknowledged on his blog. That we can write so freely and put our thoughts on the blog is really a wonderful experience. I have sent quite a few posts at the eleventh hour. I am even embarrassed to write that a couple of posts were sent without the lyrics etc. But his large heartedness ensures that the post is complete in all respects. I can’t imagine doing even 1% of what he does day in and day out.

For this post, I have taken the liberty of introducing a new film on the blog. It’s a 1973 released film called ‘Aangan’. Here are the details of the film.

The present song is the ONLY duet featuring Sulakshana Pandit with Mukesh. Sonik-Omi are the composers and the lyrics are by Omkar Verma.  Mukesh Geetkosh attributes the lyrics to Indeewar, but then as always, I sought the help of Shri Harish Raghuvanshi ji, who himself revealed the correction.

I wrote a mail at 8:15 pm to him seeking his help in confirming the uniqueness of the duet and in some two hours we had exchanged quite a few mails regarding the song, lyric writer etc. His passion for correct information and continuous help till the doubts are cleared is something to be admired. I will always remain hugely indebted to him.

On behalf of Shri Harish Raghuvanshi ji and myself, I once again congratulate and thank Atul ji for attaining this monumental 10k feat and making us come closer to so many friends with a common wavelength.

One last thing before I close the post. What is the message that we want to convey to Atul ji as far as our support, help and gratitude for this hobby is concerned? Well listen to the first few lines of the song. And agree with me.


Song – Jab Talak Aasmaan Pe Sitaare Rahenge (Aangan) (1973) Singer – Mukesh, Sulakashna Pandit, Lyrics – Omkar Verma, MD – Sonik Omi
Mukesh + Sulakshana Pandit

Lyrics

jab talak aasmaan pe sitaare rahenge
jab talak aasmaan pe sitaare rahenge
hum tumhaare
hum tumhaare liye hain
hum tumhaare rahenge
jee hum tumhaare liye hain
hum tumhaare rahenge 
jaan se bhi hamein aap pyaare rahenge
jaan se bhi hamein aap pyaare rahenge 
hum tumhaare
hum tumhaare liye hain
hum tumaaree rahenge 
jee hum tumhaare liye hain
hum tumaaree rahenge 
jee hum tumhaare liye hain

chanda hai tu main chakori
ho saath apna puraana
ooo baahon mein aa jaa tu gori
ho main hoon tera deewaana  
dil machal gaya
kya jaadoo chal gaya
ab kunwaare na aramaan hamaare rahenge 
ab kunwaare na aramaan hamaare rahenge 
hum tumhaare
hum tumhaare liye hain
hum tumhaare rahenge 
jee hum tumhaare liye hain

mehka hai tujhse hi gulshan 
ho tu hai kaliyon ki rani
tu jo kahe to luṭa doon
ho tujhpe main zindagani
kya nikhaar hai
haseen bahaar hai
hamase mehke sadaa yeh nazaare rahenge 
hamase mehke sadaa yeh nazaare rahenge 
hum tumaare
hum tumhaare liye hain
hum tumhaare rahenge 
jee hum tumhaare liye hain
hum tumhaare rahenge 

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जब तलक आसमान पे सितारे रहेंगे
जब तलक आसमान पे सितारे रहेंगे
हम तुम्हारे
हम तुम्हारे लिए हैं
हम तुम्हारे रहेंगे
जी हम तुम्हारे लिए हैं
हम तुम्हारे रहेंगे
जान से भी हमें आप प्यारे रहेंगे
जान से भी हमें आप प्यारे रहेंगे
हम तुम्हारे
हम तुम्हारे लिए हैं
हम तुम्हारे रहेंगे
जी हम तुम्हारे लिए हैं
हम तुम्हारे रहेंगे
जी हम तुम्हारे लिए हैं
हम तुम्हारे रहेंगे

चंदा है तू मैं चकोरी
हो साथ अपना पुराना
ओ बाहों में आ जा तू गोरी
हो मैं हूँ तेरा दीवाना
दिल मचल गया
क्या जादू चल गया
अब कुँवारे ना अरमान हमारे रहेंगे
अब कुँवारे ना अरमान हमारे रहेंगे
हम तुम्हारे
हम तुम्हारे लिए हैं
हम तुम्हारे रहेंगे
जी हम तुम्हारे लिए हैं
हम तुम्हारे रहेंगे

महका है तुझसे ही गुलशन
हो तू है कलियों की रानी
तू जो कहे तो लूटा दूँ
तुझपे मैं ज़िंदगानी
क्या निखार है
हसीं बहार है
हमसे महके सदा ये नज़ारे रहेंगे
हमसे महके सदा ये नज़ारे रहेंगे
हम तुम्हारे
हम तुम्हारे लिए हैं
हम तुम्हारे रहेंगे
जी हम तुम्हारे लिए हैं
हम तुम्हारे रहेंगे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Madaari”(1959) was produced by Ratan Kumar and directed by Babubhai Mistry for Ratan Pictures, Bombay. This movie had Ranjan, Chitra, Manhar Desai, Sundar, Kavita, Sheila Vaz, Kanchan, Jayshree Gadkar, Dalpat, Pal Sharma, Uma Dutt, Raj Adeeb, Shree Bhagwan, Sinha, R S Dubey, Murari, Vasantrao Pahalwan, Korega, Julian, Yadav, Vitthal, Indira Bansal, Nilu, Geeta, Paro, Rehana etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In Hindi movies, we have had titles like “Maa Baap”, in 1944, 1960 and 1979. Then there was one film maker who decided to be “different” and he came out with a title called “Mummy Daddy”. 🙂
Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 13
——————————–

What is common to Anil Biswas, C Ramchandra, Hemant Kumar, Usha Khanna etc ? Well, apart from being successful composers, they were also good playback singers. There are many other names in this category such as SD Burman, Chitragupt, and Ravi etc.
Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his co-singers – 2
—————————————-
Talat Mahmood and Mukesh remained the best of friends till the latter departed for another world in August 1976. It gives me immense pleasure to present this second post in the series Mukesh and his co-singers featuring another of my all-time favourite singer.
Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Welcome to all readers to the 126th century on the blog. Yes, we now have 12,600 songs on board with this post.

It’s now customary to have a special post or a song on such occasions. The last one saw a bundle of century celebrations in a single post. This time however it will be different in the sense that the highlight will be on the song itself and its historic importance rather than other aspects.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Patthar Se Takkar”(1980) was produced and directed by Gulab Mehta under the supervision of Aspi for Film Dhaaraa’s. The movie had Sanjeev Kumar, Neeta Mehta, Urmila Bhatt, Bhagwan Daada, Birbal, Anju Gupta, Minoo Irani, Farida Jalal, Jeevan, Satyen Kappu, Javed Khan, Leela Mishra, Mac Mohan, Pran, Randhir, Amrish Puri, Shivraj, Kanchan Mattu, Usha, Jerry Raja, Sayed, Sheikh, Shheroo, Jerry Junior, Raj Verma, Kamal Thakur, Krishen Thakur, S.Mauji, Shiraj etc in it.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, the 11th of October, is the birthday of Amitabh Bachchan, superstar, legend, colossus, role model, vagaira, vagaira, vagaira.

Just to clarify, the vagairas here are not meant to demean Mr. Bachchan in any way. Rather, they are meant to stress the fact that there are so many facets to his personality that I stopped trying to list them, after just a few. So no offence of any sort meant.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13300 song posts by now.

This blog is active and online for over 3200 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13351

Number of movies covered in the blog

Movies with all their songs covered =1012
Total Number of movies covered =3703

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Blog Start date: 19 july 2008 Active for 3000 days.
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