Archive for the ‘Drunkard song’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4509 | Post No. : | 16052 |
Today’s song is from an obscure film Ranee-43, which was a Bi-lingual film made by Calcutta’s Barua Productions.
The film was directed by P C Barua and the music was by Kamal Dasgupta. Barring a few big movies, the Hindi-Bangla bilingual films did not become as successful as their Bangla versions. I feel the reasons were mainly two. One was that the cast of such films consisted of most names, with which the Hindi audience was not familiar. The second point was the style of acting and the dialogue delivery of the Bangla actors was deemed strange in Hindi belt. The Hindi used in films made in Bengal was too pure to be of the liking of people who were used to Hindustani language. The audience preferred ” pyar or muhabbat ” to ” prem “, for example.
The cast of the film Ranee-43 was Jahar Ganguli, Kalavati, P C Barua, Jamuna, Patience Cooper, Bikram Kapoor etc. The music of film Ranee-43 was not popular. The year 1943 was an year when lots of films provided melodious music. There were films like Aabroo, Ishara, Kanoon, Kismat, Nadaan, Nai Kahani, Najma, Namaste, Naukar, Panghat, Poonji, Prithvi Vallabh, Ram Rajya, Sanjog, Shakuntala, Tansen, Taqdeer etc. etc. Films of popular singers like Saigal and Noorjehan were on everone’s lips. In this situation, films like Ranee with music below par could not make any impact.
There were a number of films made by Bangla artistes, like Wapas, Shri Ramanuj, Ranee, Manchali, Kashinath, and Hospital. The exodus of artistes from New Theatres had started from 1940 onwards and many came to Bombay. Whatever the reason, New Theatres had lost its sheen, which it had enjoyed till now, It was sad to see a Lion in a dilapidated and helpless situation.
P C Barus and Jamuna, the husband-wife pair, were in the lead in this film. While Jamuna still looked like a Heroine, Barua did not look suitable for the ” young and Handsome” hero’s part. Reviewing the film in his magazine, Baburao Patel cme down heavily on this misfit hero and the declining skill of the director Barua. The story of the film was about Ranee- a young and good looking girl in a village, who becomes a victim of false rumours about her character. She leaves the village, giving an impression that she has done suicide. She works as a Maid in another village with a Zamindar. The zamindar’s young and handsome brother falls in love, but she does not show inclination. He starts drinking. She leaves the house. The hero drinks and falls ill, Ranee enters as a Nurse and looks after him. The zamindar comes to know who she is and that all the rumours were false. The hero recovers completely and both get married.
Before joining The New Theatres, Barua was running his own film making outfit for a studio and a company. After leaving NT, he restarted it. Actually he wanted initially to merge his company with NT, but Sircar refused and offered him a paid job, which he had accepted.
Director P.C. aka Pramathesh Barua was born on 24-10-1903. A well educated and foreign trained prince from a Royal family came into the films only by chance. He established his own studio and made films. Impressed by his style and work, B.N.Sircar of New Theatres offered him a job in his company. Barua joined and made such films in New Theatres that the studio became famous all over India. His greatest contribution was his first film here, ” Devdas”-34 in Bangla. he did the main role and brought in a comparatively new actress Jamuna for the role of Parvati aka Paro. With the fantastic success of the Bangla version, Barua made its Hindi version in 1936, with K L Saigal as the Hero. This was mor successful than the Bangla version and became an iconic film for ever as a reference point. Then an Assamese version was also made in 1937.
With a very eventful, successful and satisfying stint in New Theatres, Barua developed serious differences with the owner-B.N.Sircar, who was known to be a disciplinarian who held the Institution ( of NT) in place. New Theatres, in the 30s , was full of Titans having larger than life images and it was inevitable that there would be clashes amongst the artistes and the owner. Like true Bengalis, they all had king size Egos and over estimated self respects.
The first crack came in 1933 when Nitin Bose and Debaki Bose clashed, resulting in Debaki Bose’s temporary exit. In the line was Barua, who had a grudge that he was not given as many films as his peers Nitin Bose and Hemchander Chunder got . The rift between Barua and Sircar was obviously born out of deep differences, because after Barua left, B N Sircar had said ” He was a remarkably innovative director who seemed to improve after every film. As an actor, he forged a style that was distinctively his own uniquely. But as a Man…..well,I would rather not discuss it ”.
However, it was known to both of them and all others connected with NT, that both these Giants had tremendous love and respect for each other. In 1951, when Barua lay dying on his bed, he instructed that his body be taken past the house of B N Sircar, where he was lying sick on bed. When Barua’s funeral convoy reached Sircar’s house, the ailing Sircar hobbled painfully to the window of his elegant Elgin Road Residence, as the prince of Players paused beneath the window for a while and then proceeded. It was a poignant moment- an act symbolic of a reference point established a long time ago in a business which was notorious for callous and impermanent relationships !
After Barua Nitin Bose left, then Kanan Bala and a few more. Only Pankaj Mullick, though hurt by NT’s neglect, stuck till the end. P.C.Barua died on 29-11-1951. He acted in 8 Hindi films( Manzil-36, Mukti-37, Adhikar-38, Jawab-42, Ranee-43, Subah Shaam-44, Amiree-45 and Pehchan-46). He directed 14 films and sang 1 song in the film Jawab-42.
Barua’s wife Jamuna Was an excellent actress. Pity that she did only 13 films in Hindi. Jamuna ( 10-10-1919 to 24-11-2005) was the fourth of the six daughters of Puran Gupta, a resident of a village near Agra, India. Each of the sisters was named after an Indian river like Ganga, Jamuna, Bhagirathi etc. As destiny would have it, Jamuna came to reside in Calcutta, a leading film producing city in India. Originally from Gauripur of Assam’s Goalpara district (undivided), Jamuna was married to the legendary actor director Pramathesh Barua, or P.C. Barua, who died in 1951. She began her acting career in her husband’s famous production Devdas in 1936 and was the film’s lead character Parvati or Paro. She went on to make a number of memorable movies in Assamese, Bengali and Hindi, notably Amiri, Mukti, Adhikar and Sesh Uttar. She stopped acting after Barua died.
Jamuna made her film debut in the 1930s and played a small role in Mohabbat Ki Kasauti (1934), Hindi version of Rooplekha (Bengali), directed by P.C. Barua. A romance started although Barua, hailing from the native Indian state of Gauripur, Assam, was already twice married. As the actress, who was to play Parbati in Barua’s next venture Devdas (1935) reported inability to attend the studio on the very first day of shooting, Jamuna was called from Barua’s residence (she was living with him by then) and was asked to get down to work straight away without any preparation whatsoever. Thus she came to be the first Parbati of Indian talkies- Miss Light had played the role in the silent version of the enormously popular Sarat Chandra novel. Aishwarya Rai happens to be the last so far and Devdas has been made and remade a number of times. Jamuna played the same role in the Hindi version also and was accepted in this very first proper exposure as an actress in her own right.
She continued to act in Barua’s films like Grihadaha (1936), Maya (1936), Adhikar (1939), Uttarayan (1941), Shesh Uttar (1942), Chander Kalanka (1944) and the respective Hindi versions of each film. Barua had left the prestigious New Theatres in 1940 and was directing as well as producing his films. Thereafter she acted in a number of Barua directed Hindi movies like Amiree, Pehchan and Iran Ki Ek Raat. These films however did not add to the prestige of either Barua or Jamuna. Jamuna also acted outside Barua direction in three Bengali films Debar (1943) and Nilanguriya (1943) where she proved herself without Barua’s influence. Her last film Malancha (1953) was also outside Barua’s direction. She also starred in its Hindi version Phulwari (1953).
Barua’s death in 1951 when he was only 48 changed Jamuna’s life altogether. She had three sons by Barua, Deb Kumar, Rajat and Prasun. They were all minors at the time and the Gauripur estate refused to take any of their responsibilities. She had to wage a legal battle with the powerful and influential royal family to get her and her children’s dues and recognition. Time settled the matters and she was allowed ownership of the house with its vast adjoining land and also an allowance. Jamuna spent the rest of her life after Barua as a housewife, busy in bringing up her minor sons. She had to complete the unfinished film Malancha of course but bid adieu to the film industry soon after. Later in her life she did attend a number of functions to celebrate the centennial year of husband P.C. Barua and received felicitations on behalf of the Government of India and the state Government of Assam as the first Parbati of Indian talkies.
Her last days were not very comfortable and she was bedridden for more than six months prior to her death. She is survived by her three sons and their families and a host of relatives. According to her family members, she had been ill for some time, and the cause of death was illness related to old age. She died at her residence in South Kolkata. She had acted in 13 Hindi films. Her last film was Phulwari-51.
Today’s song is the third song from this film to be posted here. The names of singers of all songs are not given in the HFGK. The film was released on 4-6-1943 at Super cinema, Bombay, where it ran for only 2 weeks.
Song-Piyo ji khoob piyo main pilaun pyaar se (Ranee)(1943) Singer-Unknown female voice, Lyricist- Pt. Madhur, MD- Kamal Dasgupta
Lyrics
Piyo jee
khoob piyo
main pilaaun pyaar se ae
main pilaaun pyaar se
Piyo jee
khoob piyo
main pilaaun pyaar se ae
main pilaaun pyaar se
dil tera howe
maikhaana
saaqi ban jaaye
paimaana
bano jee
mast bano ye
jawaani ki kahaani
bano ji
mast bano ye
jawaani ki kahaani
Piyo jee
khoob piyo
main pilaaun pyaar se ae
main pilaaun pyaar se
peene kaa hi hai naam zindagi
aur aankh aankh se karti hai bandagi
dilon ke ??
nahin inkaar se
dilon ke ??
nahin inkaar se
Piyo jee
khoob piyo
main pilaaun pyaar se ae
main pilaaun pyaar se
honthhon ko hai ye jaam choomte
dil ke hain saare armaan jhoomte
mazaa peene ka peene ka
mazaa peene ka
boojh lo
aa aa aa aa
ishq ke beemaar se
Piyo jee
khoob piyo
main pilaaun pyaar se ae
main pilaaun pyaar se
Ham to pee ke chale
Posted on: October 6, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4463 | Post No. : | 15944 |
“Albeli”(1955) was produced and directed by Devendra Goel for Fils and Television, Bombay. The movie had Geeta Bali, Pradeep Kumar, Johny Walker,Randheer, Rama Sharma, Brij, Ranjana Shukla, Tuntun, Om Prakash, Yogendra, Robin Kumar, Raje Kapoor, Meena, Gareeb Kumar, Kaiser Usmani, Ranjeet etc, with guest appearances by Shankar A Palav, Jankidas and Madan Puri.
The movie had seven songs in it. Five songs have been covered in the past.
Here is the sixth song from “Albeli”(1955) to appear in the blog. The song is sung by Hemant Kumar. Raviis the lyricist as well as music director.
Hemant Kumar is normally associated with serious songs in our imagination. But here he gets to sing a “bewda” song, much like songs viz Zindagi khwaab hai (Jaagte Raho), Mujhko yaaron maaf karna main nashe mein hoon (Main Nashe Mein Hoon) and main nashe mein hoon (Do Gunde).
This song, sung by Hemant Kumar is older than the abovementioned songs.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this rare song.
Song-Ham to pee ke chale (Albeli)(1955) Singer-Hemant Kumar, Lyrics-Ravi, MD-Ravi
ham to
pee ke chale
ab to apni bala se ae duniya jale
ham to
pee ke chale
ab to apni bala se ae duniya jale ae
ye jaane mohabbat to mile na mile ae
ham to
hmm
pee ke chale
ab to apni bala se ae duniya jale
tamanna nahin koi
aarzoo nahin koi
nahin koi gham
chaahe jiye ya mare koi
yahi hai ki bas thhodi kal phir mile ae ae
ham to
hmm
pee ke chale
ab to apni bala se ae duniya jale ae
ye jaane mohabbat to mile na mile ae
ham to
hmm
pee ke chale
ye maana zamaane ke qaabil nahin hoon main
nashe mein to hoon lekin gaafil nahin hoon main
to phir hamse duniya kyun bach ke chale ae
ham to
hmm
pee ke chale
hai saaqi nahin koi
hai mehfil nahin koi
ajab ye safar
jiski manzil nahin koi
chala hoon jidhar ye kadam le chale ae ae
ham to
hmm
pee ke chale
ab to apni bala se ae duniya jale ae
ye jaane mohabbat phir mile na mile ae ae
ham to
- In: Devnagri script lyrics by Sudhir | Drunkard song | Guest posts | Jaishree T Dance Songs | Post by Sudhir | Seduction song | Snippet Song | Song used in more than one film | Songs of 1980s (1981 to 1990) | Songs of 1984 | Songs reused again in subsequent movies | Usha Mangeshkar solo | Usha Mangeshkar songs | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4446 | Post No. : | 15897 |
Songs Repeated in Hindi Films – 23
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OK, so introducing another popular song that got very quickly reused in a subsequent film. This raunchy item number surprised everyone when it came out for the first time. The film is ‘Inkaar’ from 1977. It was cops and robbers story – B-grade cinema but it was done very professionally, giving some true insight into the normal working of the police force.
This song, which is performed by Helen in the film, became very popular in its time. And the wonder part of this song was / is the voice that has rendered it. The voice is of Usha Mangeshkar. One does not hear her voice in item numbers. Maybe part of a twin dance duet singing. But not an out and out item song. Somehow the selection of his voice for the setting clicked absolutely well. The setting of the song in the original film is a roadside tavern – a desi daaru ka adda. A counter for selling liquor and some chairs and tables for the clients to enjoy their glass that cheers. The dancer, Helen, is very much in the native Maharashtrian attire, wearing the dhoti in the typical lavangi style. The scenario, the persona – the singing voice suited everything to a T.
Fast forward to 1984. The film is ‘Andar Baahar’. This is another cops and robbers tale. Jackie Shroff is a police inspector who has lost his senior partner (role played by Parikshit Sahni) to the bullets of criminals. He vows revenge, and for that he takes permission to pull out a jailed criminal (role played by Anil Kapoor), and enrolls him as his partner, because he can identify the gangster boss. Anil Kapoor, who is a hardened criminal otherwise, has a difficult time adjusting to a role on the other side of the law. So within the very first one or two days, taking advantage of his newly given freedom, he disappears from Jackie Shroff’s home. Jackie is worried, on many counts, and sets out to search for him. Following his instincts he goes to the city red light area and his hunch is proved correct. Anil Kapoor is in a binge of drink and dance with a dancing girl of the area, role played by Jaishree T. And the song that is used in this scene is the iconic Usha Mangeshkar number, repeated from the film ‘Inkaar’.
The reuse is a direct replay without re-recording. The song duration is shorter because only one stanza of the song is utilized. Once again, being a repeat song, this does not appear in the Geet Kosh listings for the latter film. I have retained the credits for the song, from the original film – Majrooh Sultanpuri and Rajesh Roshan. Incidentally the music director for the latter film is RD Burman.
So another popular song reused in a later film. I accidentally ran into this song, as I was searching for another video clip to complete another post. The song “Hum Ko To Yaari Se Matlab Hai” from film ‘Andar Baahar’ has a sad version that was not getting located. I played thru the film in fast forward mode. It was a short clip but I was able to locate it. In the process, the bonus was the discovery of this repeat song that would have otherwise not been located, as it is not listed. A good chance discovery.
Song – Tu..u..u Mungdaa, Mungdaa Main Gud Ki Dhali (Andar Baahar) (1984) Singer – Usha Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – Rajesh Roshan
Lyrics
tu..u..u
mungdaa mungdaa
main gud ki dali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
tu..u..u
mungdaa ha mungdaa
main gud ki dali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
aapas ki chaal dekhe so lut jaaye
aapas ki chaal dekhe so lut jaaye
tu jis pe naina daal haathon se pyaala satak jaaye
tu jis pe naina daal haathon se pyaala satak jaaye
aashiq apna
mungdaa mungdaa mungdaa
main gud ki dali
kaisa mulga hai re sharmila
tujhse to mulgi bhali
kaisa mulga hai re sharmila
tujhse to mulgi bhali
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Hindi script lyrics (Provided by Sudhir)
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तू॰॰ऊ॰॰ऊ
मूंगड़ा मूंगड़ा
मैं गुड़ की डली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
तू॰॰ऊ॰॰ऊ
मूंगड़ा मूंगड़ा
मैं गुड़ की डली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
आपस की चाल
देखे तो लुट जाये
आपस की चाल
देखे तो लुट जाये
तू जिस पे नैना डाल
हाथों से प्याला सटक जाये
तू जिस पे नैना डाल
हाथों से प्याला सटक जाये
आशिक अपना मूंगड़ा
मूंगड़ा मूंगड़ा
मैं गुड़ की डली
कैसा मुल्गा है रे शर्मिला
तुझसे तो मुल्गी भली
कैसा मुल्गा है रे शर्मिला
तुझसे तो मुल्गी भली
- In: "Aankh" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Drunkard song | Duet | expression of love | Feelings of heart | Female drunkard song | Free Spirit Song | fun timepass song | Guest posts | Light hearted song | Lyrics contributed by readers | Party song | Post by Sudhir | Shamshad Begam Asha Bhonsle duet | Shamshad Begam songs | Song used in more than one film | Songs of 2010s (2011 to 2020) | Songs of 2011 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4354 | Post No. : | 15673 | Movie Count : |
4317 |
Songs Repeated in Hindi Films – 20
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It is like cherry picking a hit parade – the repeat songs are almost always the popular hit songs that have made a serious mark on the collective memory of the audiences and lovers of Hindi films and film songs. And this song is no exception. Rather this song has been so popular – with its catchy lyrics and a very hummable melody – that one hears this song being used in many different avatars outside of the film frame – remixes, revival melodies, even background music for recorded dance performances. One can find such samples online on YT.
This iconic song, originally from the 1968 film – ‘Kismat’, has been reused in the 2011 film ‘Tanu Weds Manu’. Whereas the original song was a disguise cum diversion song, in a situation where the lead pair is trying to get away from a group of bad-men, in the newer film, this song is being used as a wooing-cum-proposal-making song. The occasion is a wedding of a friend of the leading lady. Tanuja (Kangana Ranaut) aka Tanu is trying to muster up courage to proposition Manu, who appears to be too shy and unprepared to take a step towards a relationship. Using the wedding scenario as an excuse, Tanu gets drunk (or appears to get drunk). The situation develops and reaches this song in a couple of minutes, and in the guise of this song, Tanu finally gets to speak her heart out to Manu,
kismat bana de meri
duniya basa de meri
kar le sagaai meri jaan
Please note that in this re-use, the original song has been presented as it is, the only one change is that two stanzas have been used instead of 3. So what we hear in this song are the original voices of Asha Bhosle and Shamshad Begum, the mukhda and antara lines suitably edited to present a shorter version.
The info about this reuse has been shared with me by Anekant ji. He has been a regular contributor and there is still a few more songs in my pending list for this series, that have been suggested by him.
The original song from the film ‘Kismat’ came on to this blog on 9th February, 2009. It can be accessed here – “Kajra Mohabbat Wala, Akhiyon Mein Aisa Daala“.
Check out this resue, and witness an energetic on screen performance by Kangana, who, under the supposed influence of alcohol, is desirous of presenting a Kanpuria dance for the occasion. And enjoy.
Song – Kajra Mohabbat Wala Akhiyon Mein Aisa Daala (Tanu Weds Manu) (2011) Singer – Asha Bhosle, Shamshad Begum, Lyrics – SH Bihari, MD – OP Nayyar
Lyrics
kajra mohabbat waala
akhiyon me aisa daala
kajre ne le li meri jaan
haay re main tere qurbaan
duniya hai mere peeche
lekin main tere peeche
apna bana le meri jaan
haay re main tere qurbaan
kajra mohabbat waala
akhiyon me aisa daala
kajre ne le li meri jaan
haay re main tere qurbaan
aayi ho kahaan se gori
aankhon me pyaar le ke
aayi ho kahaan se gori
aankhon me pyaar le ke
chadhti jawaani ki ye pehli bahaar leke
dilli shahar ka saara
meena bazaar leke
dilli shahar ka saara
meena bazaar leke
jhumka bareli wala
kaano me aisa daala
jhumke ne le li meri jaan
hay re main tere qurbaan
duniya hai mere peeche
lekin main tere peeche
apna bana le meri jaan
haay re main tere qurbaan
motor na bangla maangoon
jhumka na haar maangoon
motor na bangla maangoon
jhumka na haar maangoon
dil ko jalaane waale dil ka qaraar maangoon
sainya bedardi mere
thoda sa pyaar maangoon
sainya bedardi mere
thoda sa pyaar maangoon
kismat bana de meri
duniya basa de meri
kar le sagaai meri jaan
haay re main tere qurbaan
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
कजरा मोहब्बत वाला
अखियों में ऐसा डाला
कजरे ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
दुनिया है मेरे पीछे
लेकिन मैं तेरे पीछे
अपना बना ले मेरी जान
हाय रे मैं तेरे क़ुर्बान
कजरा मोहब्बत वाला
अखियों में ऐसा डाला
कजरे ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
आई हो कहाँ से गोरी
आँखों में प्यार ले के
आई हो कहाँ से गोरी
आँखों में प्यार ले के
चढ़ती जवानी की ये
पहली बहार ले के
दिल्ली शहर का सारा
मीना बाज़ार ले के
दिल्ली शहर का सारा
मीना बाज़ार ले के
झुमका बरेली वाला
कानों में ऐसा डाला
झुमके ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
दुनिया है मेरे पीछे
लेकिन मैं तेरे पीछे
अपना बना ले मेरी जान
हाय रे मैं तेरे क़ुर्बान
मोटर ना बंगला माँगूँ
झुमका ना हार माँगूँ
मोटर ना बंगला माँगूँ
झुमका ना हार माँगूँ
दिल को जलाने वाले दिल का क़रार माँगूँ
सैंया बेदर्दी मेरे
थोड़ा सा प्यार माँगूँ
सैंया बेदर्दी मेरे
थोड़ा सा प्यार माँगूँ
किस्मत बना दे मेरी
दुनिया बसा दे मेरी
कर लै सगाई मेरी जान
हाय रे मैं तेरे क़ुर्बान
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4301 | Post No. : | 15564 |
“Jheel Ke Us Paar”(1973) was produced and directed by Bhappie Sonie forBhappie Sonie Productions, Bombay. This movie was based on a Gulshan Nanda novel of the same name. It had Dharmendra, Mumtaz, Prem Chopra, Junior Mehmood, Ranjeet, Fariyaal, Veena, Anwar Hussain, Ifthikar, Urmila Bhatt, Sujata, Polson, Baby Cheeku, Madan Kenny, Rajan Kapoor, Altamash Ghaznavi, Yogita Bali with guest appearance by Jagdish Raj and special appearance by Pran.
The movie had Six songs in it. Three songs have been covered in the past.
Here is the fourth song from “Jheel Ke Us Paar”(1973) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by R D Burman.
The song is picturised on Mumtaz and Anwar Hussain. I have not watched the movie so I cannot say for sue if Mumtaz plays a blind girl or he pretends to be one in this song. I request our knowledgeable readers to help throw light on the picturisation of this song.
Song-Do ghoont mujhe bhi pilaa de sharaabi (Jheel Ke Us Paar)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
ho, do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
baalama re ae ae ae
zaalimaa aa
arrey arrey arrey arrey
aag paani mein lagaa de zara si
dekh phir hota hai kya
ho
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
gaaungi re
naachungi re
tere liye aaj se main
aaye sharam
lekin balam
mar jaaungi laaj se main aen
gaaungi re
naachungi re
tere liye aaj se main
aaye sharam
lekin balam
mar jaungi laaj se main
baalama re ae ae
zaalimaa
arrey arrey arrey arrey
laaj ka ye ghoonghat uthhaa de sharaabi
dekh phir hota hai kya
ho
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
kis kaam kaa ye jaam hai
ismein mazaa wo nahin hai
bhar ke bhi ye khaali sa hai
ismein nashaa wo nahin hai ae
kis kaam kaa ye jaam hai
ismein mazaa wo nahin hai
bhar ke bhi ye khaali sa hai
ismein nashaa wo nahin hai
saakiyaa re a
e ae saathhiyaa,
arrey arrey, arrey arrey
pyaar thhoda is mein milaa de sharaabi
dekh phir hota hai kya
ho, do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
is khel kaa
is mel ka
aaye mazaa khaak aise
tadpe jiyaa
aise mera
bulbul koyee qaid jaise qe
is khel kaa, is mel ka
aaye mazaa khaak aise
tadpe jiyaa
aise mera
bulbul koyee qaid jaise
soniya ve ae ae
raanjhiya
are are are are
ek baar, ek baar, pahra hata de sharaabi
dekh phir hota hai kya
ho
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
baalama re ae ae
zaalimaa
arrey arrey arrey arrey
aag paani mein lagaa de zara si
dekh phir hota hai kya
ho, do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
hmm hmm hmm
hmm hmm hmm
hmm hmm hmm
Ye to mumkin hi nahin hai
Posted on: February 27, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4241 | Post No. : | 15457 | Movie Count : |
4258 |
“Jai Jwaala”(1972) also known as “Pooja Aur Paayal”(1972) was a movie produced under the banner of K D Films Bombay. The movie had Sujit Kumar, Sonali, Madhumati, Ram Mohan, Kammo, Chandrashekhar, B M Vyas, Shahid Bijnori, Dinesh Hingoo, Kumud Tripathi, Rukhsana, Ratna, Bhupendra Kumar, Hanifa, Tikkoo, Baby Saeeda, Nirupama, Rehman etc, with special appearances by Sunil Dutt, Sanjeev Kumar, Jaya Bhaduri, Madan Puri, Lata Bose, Gopi Krishan and Johny Walker.
The movie had six songs in it.
Here is the first song from “Jai Jwaala”(1972) to appear in the blog. This song is sung by Rafi. Naqsh Llayalpuri is the lyricist. Music is composed by Kamalkant.
The song is picturised as a drunkard song on Sujit Kumar and a mujra dancing Madhumati.
With this song, “Jai Jwaala”(1972) makes its debut in the blog.
Song-Ye to mumkin hi nahin hai (Jai Jwaala)(1972) aka (Pooja Aur Paayal) (1972) Singer-Rafi, Lyrics-Naqsh Llayalpuri, MD-Kamalkant
Lyrics
ye to mumkin hi nahin hai
ki bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye amaanat hai teri
tu jo kahe dil apna
ye amaanat hai teri
tu jo kahe dil apna
aaj kadmon pe tere
jhoom ke rakh jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
aaj ki raat meri jaan ye
tamanna hai meri
aaj ki raat meri jaan ye
tamanna hai meri
ban ke masti teri
aankhon se chhalak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ki mahak
main
ke
main
ki mahak jaaun main
ki mahak jaaun main
Haan Gunaah Kiya Hai Huzoor Maine
Posted on: July 3, 2019
- In: Devnagri script lyrics by Sudhir | Drunkard song | Guest posts | Lyrics contributed by readers | Mukesh solo | Mukesh songs | Post by Sudhir | Song used in more than one film | Songs of 1970s (1971 to 1980) | Songs of 1973 | Songs reused again in subsequent movies | Street singing | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4002 | Post No. : | 15104 |
Songs Repeated in Hindi Films – 5
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Coming into the 5th episode of the repeat song series. Here is an example of a straight and simple reuse, as is. The film is ‘Raja Kaka’ from 1973. And the famous drunkard song by Mukesh – from the 1960 film ‘Dil Bhi Tera Hum Bhi Tere’, has been re-used in this film, without any changes or re-recording. As we listen to this picturization, it is clearly the original song that is simply being replayed in this film.
The song was performed by Balraj Sahni on screen in the earlier film. In this one, actor Roopesh Kumar takes on the role of a drunkard and attempts his own version of histrionics for the same verses. ‘Raja Kaka’ is a film about the relationship between rich industrialist and labour class. During the 1970s, the trade union movement was pretty strong in India, and we have many films in that era that have tackled this subject. In the film, Kiran Kumar and Roopesh Kumar are two very close friends. Both are street smart don type good samaritans, and they are trying to do good for the poor labour community in their area. Kiran Kumar is more suave and Roopesh Kumar is more rustic. As is evident from the video clip, Roopesh Kumar is of the type to get drunk, climb atop a stationary bus, and sing out this song.
Some interesting background into the reuse of this song. Firstly, the music director duo of the two films is the same – Kalyanji Anandji. And with some checking, I can say that possibly the producer of these two films is also the same. As per the Geet Kosh, the production banner for ‘Dil Bhi Tera Hum Bhi Tere’ from 1960 is Kanwar Kala Mandir and the name of the producer is listed as Bihari Masand. For the latter film from 13 years later, the production banner name is given as TM Bihari (Producers), and no specific name given in the producer column. The name of the producer of the former film and the name of the production banner of the latter film kind of map together, raising the possibility that the two films had the same producers. So having the same music director and the same producer – that is the easiest route to re-use of songs.
This video clip is incomplete. Only one stanza is covered. When viewing the complete film, it seems as if edit cuts or other splicing has reduced the length of the pircturised song, and the song seems to have an abrupt beginning and an abrupt end. I tried checking this in different versions available, but the situation seems to be the same. I have not been able to lay hands on a VHS tape of this film – checking that source may provide some definite information about the duration of the re-used song.
Mukesh’s voice – as always – is a pleasure to listen to. Check out the original song a here – “Haan Gunaah Kiya Hai Huzoor Maine”. When that one was posted, we had the discussion in comments about the correct words of the mukhda of this song. The manner in which it has been rendered, the first two words at times sound like “Haan Bura. . .”, and sometimes they sound like “Haan Gunaah. . .”. That little discussion on the rendition still persists. The readers may make up their minds as they listen to the song.
An iconic Mukesh song, reused in a later film. It sure does help to have the same music director and the same producer. 😉
Song – Haan Gunaah Kiya Hai Huzoor Maine (Raja Kaka) (1973) Singer – Mukesh, Lyrics – KL Pardesi, MD – Kalyanji Anandji
Lyrics
haan gunaah kiya hai huzoor maine
haan gunaah kiya hai huzoor maine
haan
thhodi si
pee hai
zuroor maine
haan gunaah kiya hai huzoor maine
haan
thhodi si
pee hai
zuroor maine
haan gunaah kiya hai huzoor maine
samajhti hai duniya sharaabi mujhe
samajhti hai duniya sharaabi mujhe
yeh kehti hai khaana kharaabi mujhe
yeh pehla kiya hai qusoor maine33
haan gunaah kiya hai huzoor maine
haan
thhodi si
pee hai
zuroor maine
haan gunaah kiya hai huzoor maine
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हाँ गुनाह किया है हुज़ूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
हाँ
थोड़ी सी
पी है
ज़ुरूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
हाँ
थोड़ी सी
पी है
ज़ुरूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
समझती है दुनिया शराबी मुझे
समझती है दुनिया शराबी मुझे
ये कहती है ख़ाना-खराबी मुझे
ये पहला किया है क़ुसूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
हाँ
थोड़ी सी
पी है
ज़ुरूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
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