Archive for April 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4669 | Post No. : | 16345 |
Hullo Atuldom
At the outset let me admit that I was reminded of today’s song a few days back when I was writing the post for Moushumi Chatterjee’s birthday.
Today’s song is from the 1980 released Raj Khosla directed Moushumi Chatterjee- Rishi Kapoor starrer “Do Premee”. It had a cast of Om Prakash, I S Johar, Deven Verma, Col. Kapoor (also went by the name Raj Bharati), Geeta Bahl, Aruna Irani, Roopesh Kumar etc.
The movie was a standard love story where the young couple are children of fathers who are not friends. Retd. Col. Bhagwant Singh (Om Prakash) goes to the extent of getting Payal (Moushumi) engaged to Roopesh Kumar but of course the couple elope and reach Mumbai. They take up jobs as driver and maid in a rich girl’s household (of course both are not aware that they are employed by the same person). This rich girl (Geeta Bahl) looks after her family business and also visits a guru (played by Raj Bharati). He has a huge ashram and is shown to perform miracles like walking on water etc. The guru also has a secret attached to his ashram and Deven Verma (a cop in plain-clothes) is out to crack the mystery. Meanwhile the fathers reconcile their differences and come looking for their children and save them from the captivity of the guru in the climax for a All-is-well ending.
The movie had six songs of which the blog has two both of which were posted in 2018.
Mausam pe jaaani hai (a very popular song of the movie)
and
Ladki waalon ki taraf se ladke aalon ko mubaarak ho
The songs were written by Anand Bakshi, composed by Laxmikant Pyarelal, sung by Anuradha Paudwal, Lata Mangeshkar, Asha Bhonsle, Kishore Kumar, Manna Dey and Mohd. Rafi.
Today we are having a duet by Mohd Rafi and Anuradha Paudwal. It shows the young couple being playful with each other. The song was decently popular in its time.
Today we are thinking of Chintu on his first anniversary. Unbelievable that it is an year. He was a person who was on his way to recovery from cancer and had gone to Delhi for a shoot when the Pandemic hit the country. He returned to Mumbai when the lock-down was announced. We saw him on news channels when the country did the candle lighting and clapping (thali bajaoing) for the Pandemic warriors. Must say that he looked a pale shadow of his former self but the child-like enthusiasm and his charming smile was there for all to see.
Chintu (Rishi Kapoor) was rather active on social media and didn’t dither from stating his mind. In the last decade or so he was seen in a variety of roles:- an underworld don in “D-Day”, a grand old 90-year man in “Kapoor & Sons”; even a 75-year-old son to a 100 year-old Amitabh Bachchan in “102 not out”. A lot more would have come for us -his fans- but for the exit which came a year ago on this date. It was a sad day for many of his colleagues, fans and most of all his near and dear ones.
I am waiting to see what happened to that last movie that he was shooting in New Delhi before the Pandemic.
Missing this actor who acted from the age of two and half years to 63.
Audio
Video
Song-Paayaliyaa chhanki ke na chhanki chhanki (Do Premi)(1980) Singers-Rafi, Anuradha Paudwal, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
paayaliya chhanki ke na
chhanki chhanki
bijuriya chamki ke na
chamki chamki
payaliya chhanki ke na
chhanki chhanki
bijuriya chamki ke na
chamki chamki
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
payaliya chanki ke na
chhanki chhanki
bijuriya chamki ke na
chamki chamki
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
payaliya chhanki ke na
kaanch ki choodi si tu toot jaati hai
kaanch ki choodi si tu toot jaati hai
shaam ki raadha banke roothh jaati hai
gagariya chhalki ke na
chhalki chhalki
chunariya dhalki ke na
dhhalki dhhalki
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
payaliya chhanki ke na
chhanki chhanki
achha
aaj toh maani
aaj toh maani
phir na maanoongi batiyaan ho o
aaj toh maani
phir na maanoongi batiyaan
jaagoge tadpoge saari saari ratiyaan
najariya atki ke na
atki atki
dagariya bhatki ke na
bhatki bhatki
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
payaliya chanki ke na
udti patang hai tu
maana o gori
udti patang hai tu
maana o gori
par mere haathon mein hai teri dori
baawariya samjhi ke na
samjhi samjhi
badariya barsi ke na
barsi barsi
kamariya lachki ke na
lachki lachki
magar phir mat kariyo jo kiya kiya
kiya kiya
o piya
o piya
sun liya
Zindagi zindaadili ka naam hai
Posted on: April 30, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4669 | Post No. : | 16344 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 136 # A tribute to lyricist Verma Malik & Rishi Kapoor#
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Today 30th April’2021 is the first ‘Remembrance Day’ of actor Rishi Kapoor. He was born 04th September 1952 and passed away on 30th April 2020 at the age of sixty-seven only.
When I was a growing child in the seventies Rishi Kapoor was a rising star and had started his film career with the 1973 movie ‘Bobby’. I must be five years old then. And as I have mentioned in one of my earlier articles, I had not watched this movie. Maybe I have watched few songs of this movie on TV. Then there were movies like ‘Rafoo Chakkar’, ‘Badalte Rishtey’, ‘Raajaa’, ‘Amar Akbar Anthony’, ‘Ham Kisise Kam Nahin’, ‘Jhoothha Kahin Ka’, ‘Aap Ke Deewaane’ etc, then ‘Naseeb’’ ‘Ye Waadaa Rahaa’, ‘Karz’, ‘Zamaane Ko Dikhaanaa Hai’ and others which are a part of nostalgia of my growing years. I am not going to list all of them here. But I would like to mention few of his movies which I watched as a grown-up boy, ‘Saagar’, ‘Chaandni’, ‘Bol Radha Bol’, ‘Deewaanaa’, ‘Heena’ etc which I watched during my stay at Kota (Rajasthan).
In the recent years I watched his ‘102 not out’ on TV after his death.
As I mentioned above his movies are part of my growing years and will always be remembered whenever Hindi movies of the seventies-eighties’ are discussed.
He was very active in his personal life too and he spoke his mind on many issues on social media like twitter.
He was smiling even on the day he was hospitalized as we have seen in a video in circulation in media after his hospitalization or just before the night that he left us.
He lived his life to the fullest and his smiling face can never be forgotten.
For today’s occasion I am presenting a song which is a background song from the movie ‘Zindaa Dil-1975’. If we see the types of roles Rishi Kapoor played on screen and his personal life, he was always a ‘Zindaa Dil’ person.
Let us have a look on the list of movies released in ‘1975’ having actor Rishi Kapoor acted in them.
| S. No | Name of the movie | Actress | Passed by Censor Board |
|---|---|---|---|
| 01 | Khel Khel Mein | Neetu Singh | 13.05.1975 |
| 02 | Raajaa | Sulakshana Pandit | 17.11.1975 |
| 03 | Rafoo Chakkar | Neetu Singh | 02.01.1975 |
| 04 | Zindaa Dil | Neetu Singh | 15.10.1975 |
(I sincerely hope that I have not missed any movie in above list)
Today’s song is written by lyricist Verma Malik. We remember him too and pay our homage to him. His ninety-sixth birth anniversary passed on 13th April’2021.
He was born on 13th April 1925 and left this world on 15 March 2009.
Today’s wonderful song also serves as our tribute to him.
Coming back to the today’s movie ‘Zindaa Dil-1975’, it was directed by Sikander Khanna for ‘S.B. Films International, Bombay’.
It had Rishi Kapoor, Neetu Singh, Zahira, Pran, I.S. Johar, Roopesh Kumar, Rajesh Lahar, Pinchoo Kapoor, Raj Mehra, C.S. Dubey, Krishan Dhawan, Padma Chauhan, Rajrani, Uma Khosla, Master Shailesh, Master Rocky, Baby Fatima, Meenakshi, Goga, Dham Mota, Ghanshyam, Manohar Azad, and K.D. Shorey, Raja Duggal and Sikander Khanna in special appearance.
This was passed by Censor Board on 15.10.1975.
This movie had five songs penned by Verma Malik and composed by Laxmikant-Pyarelal.
So far, two songs from this movie have been posted on the blog.
Today’s song is the third song from this movie to be posted on the blog. It is sung by Mohd Rafi. I guess that this song appears in the movie in parts. HFGK Vol-V mentions this song as one song only. Video for all the parts of this song seems to be un-available.
In the year ‘1975’ Verma Malik wrote lyrics for the following movies.
| S. No | Name of the movie | Music Director |
|---|---|---|
| 01 | Aandolan | Jaidev |
| 02 | Apne Dushman | Kalyanji-Anandji |
| 03 | Chori Mera Kaam | Kalyanji-Anandji |
| 04 | Do Jhooth | Shankar-Jaikishan |
| 05 | Monto | Kalyanji-Anandji |
| 06 | Raftaar | Sonik-Omi |
| 07 | Sanyaasi | Shankar-Jaikishan |
| 08 | Zindaa Dil | Laxmikant-Pyarelal |
| 09 | Zorro | Kalyanji-Anandji |
From the songs penned by him in the above movies, only one song made it to the final of Binaca geetmala 1975. It was a song from ‘Sanyaasi-1975’ and it was was at number thirty-two. However, the top two songs of the ‘annual list of Binaca Geetmala’ 1975 were written by Verma Malik. They were from the ‘1974’ movie ‘Roti Kapda Aur Makaan’.
Let us now listen to today’s song (a philosophical song) and pay our tributes to lyricist Verma Malik and actor Rishi Kapoor…
Today’s song, which I guess is played in parts in the movie, are available in audio in several versions. I have selected a version that contains all stanzas .
Audio (containing all stanzas)
Video
Song-Zindagi zindaadili ka naam hai (Zinda Dil)(1975)Singer-Rafi, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Chorus
Lyrics
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Aa aa aa
Aa aa aa
aa aaaa aa
Hanskar har mushkil apnaa
Duniyaa kaa yahi asool
Khilkar jab tak kali hanse naa
Tab tak bane naa phool
Hanste chehre ke sab saathi
Rone ko saath naa koyee
Hansne waalaa bane sitaaraa
Roye to paanv ki dhool
Kyun ke
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Aa aa aa
Aa aa aa
aa aa aa
aa aa aa
Ik din maut aayegi sabko
Aaj nahin to kal hai
Kisi ki khaatir mar jaana
Ye baat badi mushkil hai
Sadiyon tak wo rahegaa amar
Jo auron pe huaa nichhaawar
Mar kar bhi zindaa rahtaa hai
Wo hi to zindaa dil hai
Kyun ke
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Aa aa aa
Aa aa aa
Pee jaa aankh ke aansu inko
Palkon pe naa tol
Tapak pade jo dharti pe to
Jayegi dharti dol
Jis jeewan mein dukh naa aaye
Wo jeewan bhi kyaa hai
Kabhi nahin Zindaa dil hotey
Gham se daanwaadol
Kyun ke
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Phoolon se bhi chaand hai sundar
Chaand se sundar preet
Preet se sundar man apnaa
Man se sundar man ki jeet
Man ki jeet jalaa ke tu kar de
Raushan yaar kaa ghar
Preet mein jeena
Preet mein marnaa
Yahi hai prem ki reet
Kyun ke
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Aa aa aa aa aa
Aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
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(as per video link)
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Pee jaa aankh ke aansu inko
Palkon pe naa tol
Tapak pade jo dharti pe to
Jayegi dharti dol
Jis jeewan mein dukh naa aaye
Wo jeewan bhi kyaa hai
Kabhi nahin Zindaa dil hotey
Gam se daawaan dol
Kyon ke
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Phoolon se bhi chaand hai sundar
Chaand se sundar preet
Preet se sundar man apnaa
Man se sundar man ki jeet
Man ki jeet jalaake tu kar de
Roshan yaar kaa ghar
Preet mein jeena
Preet mein marnaa
Yahi hai prem ki reet
Kyon ke
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Zindagi zindaa dili kaa naam hai
Aa aa aa aa aa
Aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
Aajaa aajaa nahin abhi nahin
Posted on: April 29, 2021
- In: Asha Bhonsle songs | Dance song | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4668 | Post No. : | 16342 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 135 # Asha Bhonsle-Kishore Kumar duets#
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Today 29th April is ‘international dance day’!!!
If we go by the dictionary meaning of dance, it is ‘a series of steps and movements which you do to music’ and so the dancing is ‘the action of moving to music’.
Many of us like to dance but are too shy to break into a dance in public or even among friends (people like me). People like me will not dance if requested specifically but will dance without any insistence sometimes…. man mutaabiq ‘maahaul’ hona chaahiye bas, man aur sharir donon hi naachne lagte hain 😊
People may differ on what exactly ‘correct dance’ is. I think ‘dance’ is a state of mind. It is spontaneous when you like some music or want to express one’s joy sometimes. It may even be a process of swaying your body- sometimes to the accompaniment of humming or singing.
Classical dance or dance art form and traditional dance are ‘respected’ dance forms and are not part of this discussion today. That is a separate domain, and I am not an authority to speak on that.
Today I present this song, which according to me is a super dance number in its own way where Mehmood and Aruna Irani are performing on the song and also dancing.
I have mentioned it in my earlier posts that I like Mehmood’s dancing. Watching him dance often causes me to do a jig or two myself. 😊
Let us move to today’s movie now. The movie is ‘Man Mandir-1971’.
I associate this movie mainly with its song ‘jaadugar tere nainaa’. Other songs of this movie are also nice songs but they are lesser heard ones. Today’s song is one of them. I was not aware of this song till I checked for the remaining song from this movie ‘Man Mandir-1971’. I remember to have heard this song in the past but I had forgotten which movie it was from.
“Man Mandir-1971” was produced by Sudesh Kumar and directed by Chanakya for Vijayshree Pictures, Bombay. The movie had Waheeda Rehman, Sanjeev Kumar, Sudesh Kumar, David, Sunder, Randhir, Onkar, Jagadishraj, Aruna Irani, Manorama, Indumati, Kumudini Shanker, Helen, Ravikant, Mansaram, Mac Mohan, Paul Sharma, Parsuram, Som Haksar, Nayampally, Krishan Kumar, Farooq Jaipuri, Jagdish Sharma, Baby Kalpana, Master Chikoo, Mehmood etc in it.
The movie introduced Rakesh Roshan and Kanchan.
The movie had six songs in it. Five songs have been covered in the past.
| SNo | Song Title | Posted On |
|---|---|---|
| 01 | Ae meri aankhon ke pehle sapne (multiple version song) | 02.07.2009 |
| 02 | Jaadugar tere nainaa, dil jaayegaa back ke kahaan | 30.07.2009 |
| 03 | Ho munna jaayegaa baazaar | 10.03.2011 |
| 04 | Tum abhi kamsin ho tum abhi naadaan ho | 10.03.2021 |
Today’s song is the sixth and final song from “Man Mandir -1971” to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Rajinder Krishan is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised on Mehmood and Aruna Irani.
Let us now enjoy today’s song and say ‘Yippeeee’ to ‘Man Mandir-1971’.
Video
Audio
Song-Aaja aajaa nahin abhi nahin (Man Mandir)(1971) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
aa aa
unhoon
aajaa
nahin
abhi nahin
abhi nahin ee
aa aa
unhoon
aajaa aajaa
nahin
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
aa haa
aajaa aajaa
aa haa
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
tu zaalim tarsaati jaa
tadpenge
tadpaati jaa
nadi kinaare
kab tak pyaasaa
khadaa rahoon
samjhaati jaa
o zaalim tarsaati jaa
tadpenge
tadpaati jaa
nadi kinaare
kab tak pyaasaa
khadaa rahoon
samjhaati jaa
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
aahaa
aajaa aajaa
an hunh
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
ankhiyon ko takraane do
dil aaye to aane do
sabar ka daaman
chhoote naa
pyaar javaan ho jaane do
ankhiyon ko takraane do
dil aaye to aane do
sabar ka daaman
chhoote naa
pyaar javaan ho jaane do
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
aa hmm
aajaa aajaa
nahin ee
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
soch samajh kar pyaar karen
kyon jhoothhaa iqraar karen
dil se ho dil ka yaaraanaa
honthhon se inkaar karen
soch samajh kar pyaar karen
kyon jhoothhaa iqraar karen
dil se ho dil ka yaaraanaa
honthhon se inkaar karen
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
un hoon
aajaa aajaa
nahin ee
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
un hoon
o aajaa aajaa
nahin ee
aa aa
aa haan
aajaa aajaa
nahin ee
aa aa
aa haa
aajaa aajaa
aa haan
aa aa
un hon
aajaa aajaa
un hoon
aa aa
hmm hmm
aajaa aajaa
un hoon
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4668 | Post No. : | 16341 |
Today’s song is from the film ‘Kaun Pardesi’-1947. As per HFGK this film was a ‘ Social Film’, but the makers of this film gave a different description of their film. In one of the posters of this film, it is announced that this film was ” A Stunt cum Magic and Music cum Dance Social film”. Possibly this was an ” all inclusive” film and what remained was to include ‘ Mythological’ and ‘ Historical’ words in its description !
Filmmakers try every trick in their bag to make their films successful, but alas ! No one has got the formula for a film to become successful. There are films which give tremendous satisfaction to the filmmaker, but these films fail at the Box office. An example is, when C Ramchandra and Lata made the film Jhanjhar-53, CR put all his skill into the composing of its music and he was very happy with it. At that time, he was working with Filmistan for the film Anarkali-53. Irked by the extra attention CR was giving to his own film Jhanjhar, Filmistan had even served a legal notice to CR for alleged neglect for Anarkali music. The result ? Anarkali music became a Hit and Jhanjhar music failed !
There is an opposite case to prove that no one knows how and where Luck will show up. Producer Sitaram Rohera was already in heavy debts and could not spend much on his film ‘ Jai Santoshi Maa”-75. He employed Director and Composer who were available for modest fees and opted for second and third level artistes for the film. The result ? The film was a tremendous success and it grossed 5 Crores for an investment of only a few lakhs. Can you imagine, it gave a fight to a film like ” Sholey” in 1975 !
Well,well,well ! Nothing of this sort happened and the film Kaun Pardesi remained a failed film. Take a look at the people who worked for this film. The director was J U Trivedi, who was an assistant Cinematographer earlier. This was his first film as a director. After this film, Trivedi directed one more film – jasoos-47, with the same fate. Then he ended his directorship. The Lyricist was Muztar Behzadi who wrote only 9 songs in 3 films, namey Kaun Pardesi-47, 7 songs, Soorat-47, 1 song and Flying Man-47, 1 song. His name disappeared after this. Possibly he migrated to Pakistan. Similarly, the composer was Ali Hussain Muradabadi who gave music to only 2 more films…Panihari-46 and O janewale-48. In all he composed 22 songs in these 3 films.
The cast of the film was essentially like any other stunt or costume film. The Hero was Yashwant Dave, Heroine was Khurshid Jr.( elder sister of Meena kumari), Mumtaz Begum (who was Dave’s Heroine in his first silent film Diler Daku-1931), Samson, Rampyari, Flora etc etc. It was not uncommon during the days of early cinema for people to hang around studios and filming locations in the hopes of being discovered. One such intrepid soul was Yeshwant Dave (or Yashwant Dave), who was at Kohinoor Studios observing a picture being made by producer J.B.H. Wadia. The handsome and athletic Yeshwant cornered Wadia, insisting that he would make a fine hero for an action film.
Wadia agreed to test Yeshwant by having him jump from the roof of one set piece to another. He did so successfully, and J.B.H. decided to cast him in a film that he was to direct for Young United Players, the 1931 silent THUNDERBOLT (aka DILER DAKU) featuring Mumtaz as the heroine.
Yashwant was again directed by Wadia in TOOFAN MAIL (1932) and there after became a sought after action star appearing in the stunt films of other directors like Aspi, Dhirubhai Desai, Nari Ghadiali, Chunilal Parekh, and Harshadrai Mehta. Some of his films include BHARAT VEER (1932), JADUI JUNG (1934), BOMBSHELL (1935), VASANTBENGALI (1937), FLYING RANEE (1939), MAGIC CITY (1940), TORPEDO (1941), ROYAL MAIL (1946), and KAUN PARDESI (1947).
Growing out of the stunt hero persona, he turned to character parts and made infrequent onscreen appearances throughout the 1950s, including in SHEIKH CHILLI and MAKKHEE CHOOS both released in 1956 and starring comedian Bhagwan. What became of Yeshwant Dave afterwards is anybody’s guess, as the once popular action star faded into obscurity and, sadly, is barely remembered today.
The case of Khurshid Jr. is pathetic. Khurshid Jr. – the film Heroine – was the eldest daughter of Master Ali Baksh, Music Director and Iqbal Begum, film artiste and one time a famous and popular stage artist of Madon, Alfred and other Drama companies in the Eastern India. The family actually belonged to Sargodha in Punjab, but Khurshid was born in Bombay on 10-4-1930. Being born in a filmi family, the atmosphere was very conducive for Khurshid to join films.
After getting school education upto 12 years of age, she entered films. Her first film was Zameen-43 as a side Heroine. Then came Minerva’s Dr. Kumar-44 and Naghma E Sehra-45 – in which she was the Heroine of Master Vithal. Due to her good acting skill, there was no shortage of film offers. She had to add Jr. to her name , as there was a more famous actress singer Khurshid Bano, already in the film line, in the same period.
Khurshid’s younger sisters Baby Meena (later Meena kumari) and Baby Madhuri Later actress Madhu- Mehmood’s wife) were also working in films. Khurshid Jr. married her handsome co-star Altaf. who did few films as a Hero but then shifted to side roles soon. After Partition, the couple considered shifting to Pakistan, but decided to stay here as her both sisters were here and doing better.
As long as Meena kumari was alive, they were comfortable, but after her demise, they became helpless and went down financially. They had to live in smaller tenement and roles also dwindled. Khurshid Jr. acted in 65 films. Her last film was Oh Bewafa-80. Altaf acted in just 21 films from Sipahi-41 to Pakiza-71. Even Khurshid had also acted in it.
Today’s song is sung by A R Oza. Amritlal R. Oza was a Nagar Bramhin from Gujarat. He joined Ranjit when Khemchand Prakash, Gyan Dutt and Bulo C Rani were paid musicians there. His first song came in Pujari-46.
He was very friendly with Bulo C Rai and Hansraj Behl. He sang maximum songs for them only. At the same time he sang in Gujarati films and he became very famous and popular there.
Some Hindi films in which he sang are, Lakhon mein ek-47, Nanad Bhojai-48, Bichhade Balam-49( he sang with Meenakumari also), Bhool Bhulaiyan-49, Nili-50 etc. He sang 39 songs in 23 Hindi films,but sang much and many more in Gujarati. After retirement he settled in Ahmedabad, where he died on 13-5-1985.
This is the second song from “Kaun pardesi”(1947) to appear in the blog.
Song –Tere shabaab husn ki taaseer dekh kar (Kaun Pardesi)(1947) Singer – A R Oza, Lyricist – Mujtar Behzadi, MD – Ali Hussain Moradabadi
Lyrics
Tere shabaab husn ki taaseer dekh kar
tere shabaab husn ki taaseer dekh kar
tasveer ban gaya hoon main tasveer dekh kar
tasveer ban gaya hoon main tasveer dekh kar
tere shabaab husn ki taaseer dekh kar
jee chaahta hai rukh ki tamhaare balaayen loon
jee chaahta hai rukh ki tamhaare balaayen loon
dil keh raha hai zulf ki zanjeer khench kar
dil keh raha hai zulf ki zanjeer khench kar
tere shabaab husn ki taaseer dekh kar
ab gaur kar raha hoon ke ae ae ae ae
ab gaur kar raha hoon ke dil mujhse khil gaya
dil mujhse khil gaya aa
ab gaur kar raha hoon ke dil mujhse khil gaya
dil mujhse khil gaya aa
hairaan hoon tere husn ki taaseer dekh kar
hairaan hoon tere husn ki taaseer dekh kar
tere shabaab husn ki taaseer dekh kar
kadmon mein aake tere guzaaroon main zindagi ee
kadmon mein aake tere guzaaroon main zindagi ee
be ?? ho gaya teri tasveer dekh kar
be ?? ho gaya teri tasveer dekh kar
tere shabaab husn ki taaseer dekh kar
tere shabaab husn ki taaseer dekh kar
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4666 | Post No. : | 16340 |
Today’s song is from the 1993 movie – ‘Ham Hain Raahi Pyaar Ke’. Music for this movie was composed by Nadeem-Sharvan.
Shravan Rathod of this music duo team passed away recently on 22nd April’2021 (13.11.1954 – 22.04.2021), and as a tribute to him we remember this movie and its songs on the blog.
This movie had six songs composed by Nadeem-Shravan. Five songs have been posted on the blog earlier.
The name of music director duo Nadeem-Shravan will always be remembered for composing some of the scintillating music of the nineties for HFM.
Music of the movie ‘Aashiqui-1990/91’ had created a sensation among HFM fans. It was followed by movies like ‘Saajan-1991’, ‘Sadak-1991’, ‘Deewaanaa-1992’, ‘Dil Hai Ke Maanta Nahin-1992’, ‘Ham Hain Raahi Pyaar Ke-1993’, ‘Raja Hindustani-1996’,‘Pardes-1997’, ‘Dil Ka Rishta-2003’ and others where this duo composed the music.
I am not a big fan of their music, but I cannot say that I do not their music totally. I like some of their compositions from the movies mentioned above.
However very soon music director Nadeem of the duo had to leave the industry and later made a comeback (giving music virtually, I think).
I had watched some of the movies mentioned above during my stay at Kota (Rajasthan).
‘Ham Hain Raahi Pyaar Ke-1993’ is one such movie which I watched then. I remember I liked this movie very much and I watched it twice or thrice. I also liked the songs of this movie very much.
‘Ham Hain Raahi Pyaar Ke-1993’ was directed by Mahesh Bhatt for ‘Tahir Hussain Enterprises’ & T.V. Films Pvt Ltd. It was produced by Tahir Hussain.
It had Amir Khan, Juhi Chawala, Dilip Tahil, Navneet Nishan, K.D. Chandran, Veeru Krishnan, Tiku Talsania, Mushtaq Khan, Javed Khan, Baby Ashrafa, Sharokh Bharucha, Master Kunal Khemu and others.
Story, screenplay, and dialogues for this movie were written by Robin Bhatt. (Amir Khan is also credited in writing screenplay with Robin Bhatt?).
Editing of this movie was done by Sanjay Sankla.
This movie had six songs written by Sameer and composed by Nadeem-Shravan.
Here are the details of songs of this movie and their date of posting on the blog;
| S.No. | Song Title | Posted On |
|---|---|---|
| 01 | Bambai se gayi Poona Poona se gayi Dilli | 10.09.2015 |
| 02 | Yoonhi kat jaayega safar saath chalne se | 04.10.2016 |
| 03 | Ghoonghat ki aad se dilbar ka | 13.11.2017 |
| 04 | Mujhse mohabbat ka izhaar karta | 13.11.2019 |
| 05 | Chikni surat tu kahaan thha ab talak ye bataa | 20.09.2020 |
| 06 | Wo meri neend mera chain mujhe lautaa do | Final song being posted today |
As we can see from the above table five songs of this movie have already been posted on the blog.
Today’s song is the sixth and final song from this movie ‘Ham Hain Raahi Pyaar Ke-1993’. It is sung by Sadhana Sargam. Sameer is the lyricist and music is composed by Nadeem-Shravan.
With today’s song all songs of this movie ‘Ham Hain Raahi Pyaar Ke-1993’ have been posted on the blog and the movie stands ‘Yippeeee’ed 😊
Let us listen to today’s song now ….
Audio
Video
Song-Wo meri neend mera chain mujhe lautaa do (Ham Hain Raahi Pyaar Ke)(1993) Singer-Sadhana Sargam, Lyrics-Sameer, MD-Nadeem Shravan
Lyrics
wo meri neend mera chain
mujhe lautaa do o
wo meri neend mera chain
mujhe lautaa do
wo mera pyaar mera dard
mujhe lautaa do
neend jitni bhi maine khoyi hai
chain jitnaa bhi maine khoya hai
wo meri neend mera chain
mujhe lautaa do
wo mera pyaar mera dard
mujhe lautaa do o
ek maasoom dil hai aur
sitam hain kitne ae
ek maasoom dil hai aur
sitam hain kitne
is muhabbat ke siwa
aur bhi gham hain kitne ae
is muhabbat ke siwa
aur bhi gham hain kitne ae
mere ishq ka imtehaan yoon naa lo
tumhen hai qasam meri jaan yoon naa lo
khwaab jitney bhi maine dekhe hain
yaad jitnaa kiya hai maine tujhe
wo mere khwaab
meri yaad mujhe lautaa do
wo meri neend mera chain
mujhe lautaa do
wo mera pyaar mera dard
mujhe lautaa do o
ye meri bhool thhi
jo maine tujhe pyaar kiya
ye meri bhool thhi
jo maine tujhe pyaar kiya
na milne waali mohabbat ka
intezaar kiya
na milne waali mohabbat ka
intezaar kiya
ye kya rang laayi hai meri wafaa
mili hai mujhe kisliye ye sazaa
teri chaahat ki pyaas thhi mujhko
isko paane ki thhi ummeed mujhe
wo meri pyaas wo ummeed
mujhe lautaa do
wo meri neend mera chain
mujhe lautaa do
neend jitni bhi maine khoyi hai
chain jitnaa bhi maine khoya hai
wo meri neend mera chain
mujhe lautaa do
wo mera pyaar mera dard
mujhe lautaa do o
wo mere khwaab
meri yaad mujhe lautaa do
wo meri pyaas wo ummeed
mujhe lautaa do o
Sone ka chabootra uspe naache mor
Posted on: April 27, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4665 | Post No. : | 16339 | Movie Count : |
4438 |
Hullo Atuldom
My last post on the blog mentioned that Moushumi Chatterjee had co-starred Vinod Khanna in a few movies. Today’s song is from one such movie.
“Hatyara” (The Murderer- 1977) was a movie which was directed by Surendra Mohan and produced by Sunil Sharma and J.R. Shah. Its cast consisted of Vinod Khanna (in a double role), Priyadarshini, Moushumi Chatterjee, Rakesh Roshan, as the romantic couples and Pran, Nirupa Roy, Raj Mehra, Chand Usmani as the elders, Kanhaiyalal, Manmohan, Dev Kumar were the spoilsports of the story. The cast also has Abhi Bhattacharya, Shahu Modak (in a blink and miss appearance), Gulshan Bawra and Rajesh Khanna in a special appearance. Pradeep Kumar, Mehmood and Laxmi Chhaya in guest appearances.
Pran and Predeep Kumar played bandits, who accidentally kill a man leaving his wife and son destitute. This sets Daulat Singh (Pran) thinking that it is easy to kill but difficult to rectify the “PAAP”. He surrenders and reforms. He returns from jail to a family of grownup children who are in love and he is only too glad to get the kids married. The hitch or stumbling block for him (Daulat Singh) is his past has caught up with him in the form of Inspector Prakash (Rakesh Roshan) whose mother (Nirupa Roy) recognizes the bandit and refuses to get her son married to a bandit’s daughter. The rest of the story is run-of-the-mill where the families go through the twists and turns that are scripted into the story before the movie ends with the bandit’s grandson being awarded a bravery medal as he (a cop) was instrumental in capturing dacoits.
The titles of the movie says that Asha Bhonsle, Lata Mangeshkar, Mohd Rafi, Kishore Kumar, Mehmood, Johnny jr. and Shahid Bijnori are the playback singers used for songs written by Visweswar Sharma, Vithalbhai Patel and Shahid Bijnori. Kalyanji Anandji were the music directors assisted by Anil Mohile, Frank and Babla.
27th April is the fourth remembrance day of the very handsome, smart, good looking (his fans can choose the adjective they like) Vinod Khanna. He was a moderately good dancer, emoted well, had a good physique; may not have been like the 6-pack sporting modern youngsters but still well built. He also produced a few movies :- the 1974 release “Farebi” (various sites are calling this movie ‘The Cheat’) was produced by Pramod Khanna so we can say it was Vinld Khanna’s own production and “Himalay Putra” to launch his son Akshaye Khanna in 1997. I don’t know if today’s movie “Hatyara” was his production but the movie opens by paying homage to Smt. Kamladevi Khanna and we know that Vinod Khanna’s mother’s name was Kamla. He began his career playing a small role in Manoj Kumar’s ‘Purab Aur Paschim’; Shammi Kapoor starrer ‘Jaane Anjaane’; villain in Rajesh Khanna’s ‘Aan Milo Sajna’; there were many such movies. He was appreciated in ‘Mere Apne’, ‘Achanak’, ‘Inkaar’, etc. He made a good pair with Amitabh in ‘Amar Akbar Anthony’, ‘Parvarish’, ‘Khoon Pasina’, ‘Her Pheri’, etc. We saw him share screen space with Dharmendra in “Mera Gaon Mera Desh’, ‘The Burning Train’, ‘Rajput’, and many others. Similarly he was there with Shatrughan Sinha, Jeetendra, Rishi Kapoor, etc and all the actresses of the 70s and 80s have acted with him- that list is long too.
Today’s song shows him dancing with Moushumi Chatterjee at his and his sister Priyadarshini’s engagement. We have the elders of the village as audience. Towards the end of the song Nirupa Roy makes her entrance and I suppose that is where the story of the movie takes a turn. This song is sung by Kishore Kumar and Lata Mangeshkar and written by Vitthalbhai Patel.
Audio
Video
Song-Sone ka chabootra uspe naache mor (Hatyaara)(1977) Singers-Lata, Kishore Kumar, Lyrics-Vitthalbhai Patel, MD-Kalyanji Anandji
Female chorus
Male chorus
Lata + Kishore Kumar
Lyrics
sone ka chabootra uspe naache mor
sone ka chabootra uspe naache mor
main bhi kyun na naachoon re re pi sang
bandhi preet ki dor
jab bandhi preet ki dor
sone ka chabootra uspe naache mor
arre chaandi ki paayaliya tori
kahe machaave shor
chaandi ki paayaliya gori
kahe machaave shor
itna kyun itraaye gori
kaun tera chitchor
arre kaun tera chitchor
sone ka chabootra uspe naache mor
ooo
kaisa chor kahaan ki chori
kaisa chor kahaan ki chori
baandhi us’se jeewan dori
tod ke sab se naata re naata
tod ke sab se naata
arre dubli patli saanwal gori
peecha chhod kripa ho tori
main toh maara jaata re jaata
main to maara jaata
tu nirmohi tu harjaayee
tu kapti tu chor
sone ka chabootra uspe naache mor
sone ka chabootra uspe naache mor
hooo
joban zor umariya baali
joban zor umariya baali
upar se deti hai gaali
bitte bhar ki chhori re chhori
bitte bhar ki chhori
tu toh laage chor lafanga
panghat pe karta hai danga
khoti neeyat tori re tori
khoti neeyat tori
phir tu apna byaah racha le
main laaunga aur
chaandi ki paayaliya gori kaahe machaave shor
sone ka chabootra uspe naache mor
dekho dulha chala hai shaadi karne ko
o dekho dulha chala hai shaadi karne ko
meri sautaniya pe hai chala marne ko
haan chala marne ko
dekho mujhsa karega na koi karega pyar
yaad karoge mujhe baar baar
yaad karoge mujhe baar baar
waise main bhi toh
waise main bhi toh
karta hoon tujhko pyaar
lekin kab tak karoonga tera intezaar
lekin kab tak karoonga tera intezaar
chalo tu bhi na jeeta aur main bhi na haari
donon ban jaayen prem pujaari
donon ban jaayen prem pujaari
arre tere mere pyaar ka hoga
gali gali mein shor
tere mere pyaar ka hoga
gali gali mein shor
sone ka chabootra uspe naache mor
arre hum donon kyun na naachen
jab bandhi preet ki dor
jab bandhi preet ki dor
sone ka chabootra uspe naache mor
sone ka chabootra uspe naache mor
Duniya ka dastoor niraalaa
Posted on: April 27, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4665 | Post No. : | 16338 | Movie Count : |
4437 |
Today’s song is from a ‘C’ grade stunt film “Toofani Takkar”-1947. 1947 was an year which had produced a record breaking number of films – 181 films. This record stood for 57 years,i.e. from 1931 to 1988, when 185 films were made and the 1947 record was broken.
1947 was an year which saw India’s Partition. It devastated India and its many industries. Millions migrated from India and millions came from both East and the West. This had also shaken the film industry. While hundreds of artistes fled to Pakistan, their vacancies were almost immediately filled up by the waiting second line of artistes – some who came back from Pakistan and from those who had waited in the wings,so to say, for opportunities. So, Indian film industry was not a loser to a great extent, but it was Pakistan, who had to build their own film industry, with the help of those who were trained in India. I can not say that till today Pakistan could do it satisfactorily. The main reason was Pakistan never had prepared a second line of artistes to take over, once the India returned artistes retired or died.
In 1947, the number of films was large in quantity, but qualitatively, majority films were completed hurriedly as artistes had to leave India. India’s best singer actor K L Saigal had died in the beginning of the year. That was a great blow. Exit of Nurjehan and Khursheed was another blow. However, on this front, India had enough talents to replace them. So, despite the unprecedented disturbances, the film industry could balance itself quickly and even in 1947, many landmark movies were made.
It was in 1947 that Lata entered the field of Playback singing with ” Aap ki sewa mein”. Naushad introduced Uma Devi through his film ‘Dard’. C Ramchandra gave musical hits like Shehnai and Saajan. S D Burman, Shyamsunder, Khemchand prakash, Vasant Desai and Husnlal-Bhagatram gave musical films. In 1947, surprisingly, Stunt/Action films were made above their normal average number. Film Toofani Takkar was also one such Stunt film.
This film was made by A M Khan Productions. The film was directed by A M Khan himself. Now, this Khan was a person with many qualities. He was an actor, a lyricist and a director. In his 30 years’ career he had acted in 2 films – Dil-46 and Bigde dil-49. He wrote 24 songs in 3 films – Cyclewali-38, Ran Sangream-39 and Bahana-42. A M Khan directed 37 films. His first film was Woh kaun-1935 and his last film was Jadui Anguthi-1965. When I went through his Filmography as a Director, I found that he directed mostly Stunt, Action and Costume films only.
Some of his films had interesting Titles….Cycle Wali-38, Chabuk wali-39, Motor wali-42, Khanjar wali-43 and to top it all, he also directed Police wali-49 ! Titles of his films had words like Lutari, Lutaran, Bala, Sundari, Lady, Tilasmi, Jadui, and Toofani. These are typically indicative of their genre-Stunt. A M Khan was also a Stunt specialist. In those days, some directors specialised in such films. Like for example, Nari Ghadiyali, Aspy irani, Ramniklal Shah,Master Bhagwan, Harischandra rao and Chandra rao kadam etc.
Apart from Khan’s Filmography, no other information about him is available. Similarly, the film’s music Director was Sardar Vir Singh. This gentleman had just one more film to his name as a MD – Flying Express-1949. No further information about him also. This is all normal, because the stunt,action films’ budget is very important and to economise, Director and MD was chosen on their price, perhaps. The audience never came to such films to see histrionics or listen to lilting music. Their interest used to be in fights and daring action scenes in the films.
Similarly, the lyricists – Kaiser Sawai and Kaiser Jafri too were unknown. In the 30’s and the 40’s, the lyricists were paid very poorly. In the 30’s the rate was 10 to 30 rupees per song. In the 40’s it increased to50 to 100 in case of well known lyricists like Kavi pradeep or Majrooh etc. The cast fo the film consisted of the usual action film artistes, about whom hardly any information was available.
Surprisingly, some songs in this film were sung by Amirbai karnataki – who was an A grade singer that time. Today’s song is also sung by her. I like her songs. In fact one of her songs in the film “Parbat pe apna dera”-44…Pareshan hoon ki kyun meri pareshani….is my all time favourite song. There is an interesting anecdote of Amirbai’s life, which I remember. Here it is….
Actor of the 40’s decade A.Himalayawala (Afzuluddin Himalayawala) was an outspoken and straightforward person, fond of hunting, football and travelling by car. He toured all of India twice in his car. In 1943, he married actress singer Amirbai Karnataki. After marriage he banned her from acting in films. Within 2-3 years, on this and other issues, they could not get along. He used to hit her and take all her money. At last, it was rumoured that he gave her talaaq after taking 2 lakh rupees and her car. Even after this he was stalking her. She stayed with her elder sister Ahilya Bai. Then one day, she was kidnapped by Himalaywala, from the recording room. She was kept locked in a room and beaten daily. She somehow managed to inform this to her sister.
Ahilyabai then got in touch with her acquaintance Mr Rasiklal Vyas and his brother Chhailabhai Vyas – one of the best criminal lawyers of Bombay. With their political and social connections, they forced the police to register an FIR, which was refused due to Himalaywala’s bribe. Meanwhile Himalaywala was alerted by his cronies. Within a few hours Amirbai was escorted back to her sister’s place, by Himalaywala. All this episode is described in full details in the book ‘Aap Ki Parchhaiyaan’, by Rajnikumar Pandya ji. Amirbai later married Gujarati Journalist Badri Kaanchwala.
Himalaywala was not famous in India. After Partition, he went to Pakistan. There he became a very famous and successful actor and won awards too.
Today’s song is sung by Amirbai Karnataki. This rare song was given to me by my friend Abhay Jain of the USA. It was uploaded, as usual, by Sadanand Kamath ji, for me. With this song, film Toofani Takkar-47 makes its Debut on the Blog.
Song-Duniya ka dastoor niraala maara jaaye chaahnewaala (Toofaani Takkar)(1947) Singer-Amirbai Karnataki, Lyrics-Kaiser Jafri, MD-Sardar Vir Singh
Lyrics
Duniya ka dastoor niraala
Duniya ka dastoor niraala
maara jaaye chaahnewaala
Duniya ka dastoor niraala
Duniya ka dastoor niraala
bhoolnewaala bhoolaa na jaaye
bhoolnewaala bhoolaa na jaaye
tod ke dil ko dil mein samaaye
tod ke dil ko dil mein samaaye
haathh chhudaa kar haathh na aaye
dil thha(?) chhota bholaa bhaala
Duniya ka dastoor niraala
aapbeeti (?) hai qurbaani
aapbeeti (?) hai qurbaani
khoon kiya hai apna paani
khoon kiya hai apna paani
kahiye kyon thhi ye hairaani
kaanta dil ka kisne nikaalaa
Duniya ka dastoor niraala
himmat itni mujhko ataa ho
himmat itni mujhko ataa ho
udhar zafa ho idhar wafaa ho
udhar zafa ho idhar wafaa ho
khush rehne yaa roothhne waala
Duniya ka dastoor niraala
Duniya ka dastoor
Arre dheere dheere aankh ladi
Posted on: April 26, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4664 | Post No. : | 16337 | Movie Count : |
4436 |
Hullo Atuldom
Who is a dainty person?
Dainty is an adjective. If you describe a movement, person, or object as dainty, you mean that they are small, delicate, and pretty.
There is this actress from my growing up years who was very Dainty. Petite is another word that could be used to describe her. Not only was she loved by the audiences she was also a favourite of all her co-stars. Sanjeev Kumar would treat her like a child (as admitted by this actress in an interview) possibly an after effect of their first movie together where he played her father. Even though after that they went on to co-star in many movies and enacting a whole gamut of relations. Rishi Kapoor and Mithun were friends of hers and she has co-starred opposite Vinod Khanna in her younger days and also played mother roles to his sons in movies of the new millennium. She has paired opposite Amitabh Bachchan in 2 films in the ’70s and was seen in a brief role in a Bachchan starrer in 2015. She was often heroine to Jeetendra, Rajesh Khanna, Vinod Mehra, Shashi Kapoor and was also comfortable sharing her heroes and screen space with actresses of her time be it Rekha, Shabana, even Sridevi. She has said that Dharmendra, who was her father-in-law’s (Hemant Kumar) friend, used to be very protective. Who wouldn’t be considering how dainty or petite or small she looked in comparison to half her heroes.
When I think back, I find that I remember many of her songs and used to like all of them. “Sun ri pawan, pawan purvaiyya”; “neend churaaye, chain churaaye”; “chhatri na khol udd jaayegi”; “tera saath hai toh mujhe kya kami hai”; “megha re megha re mat pardes jaa re”; “zindagi ek naatak hai”- all of them and some more, are on my list of personal favourites.
Oh I didn’t say who I was speaking of. Indira Chattopadhaya is our birthday girl today. She is called Moushumi Chatterjee in the film industry. She has been entertaining audiences since her debut in Bengali films in 1967. Her Hindi debut happened in 1972 with “Anuraag” where she played a blind girl opposite Vinod Mehra. She was awarded a Lifetime Achievement Award by Filmfare in 2015.
“Itni Si Baat” ( 1981) was a movie directed by Madhu M. (possibly the only Hindi movie by him) and produced by K. Raghavan (not heard this name too). Kalyanji- Anandji were the music directors with Viju Shah, Babla, Anil Mohile as assistants; and Anjaan was the lyricist. Asha Bhonsle, Alka Yagnik, Hemlatha, Amit Kumar and Kishore Kumar are the playback singers (as per the titles of the movie) It had Sanjeev Kumar- Moushumi Chatterjee heading a cast of Tamanna, Arun Govil, Urmila Bhatt, Asit Sen, Roopesh Kumar, Kanan Kaushal, Baby Geetha, Master Gautam, Aashoo, Kesho Rana, Pardesi etc. Madan Puri and Om Prakash were in guest appearances.
I have seen this movie a few times on television and like its story. It is basically a story about a couple who are leading a harmonious monetarily comfortable life till they become parents. Then the wife starts feeling that things will ease up if she too takes up a job but the husband feels that is unnecessary. Also he has a feeling that she can help by being a little thrifty around the house and that would be help enough. To prove their points the couple switch duties and the wife finds a job and the husband starts looking after the house. They agree to experiment on this for a short period. What follows is chaos for the husband at home and wife at work and some hilarious moments. The movie comes to a close with the two realizing जिसका काम उसी को साजे और करे तो बुद्धु / डंडा/ ठेंगा बाजे’ “jiska kaam usiko saajhe, aur kare toh buddhu/ danda/ thenga baaje” (roughly translating to “every person is an expert in his own field”). Of course I don’t recall what happened to their monetary issue. 🙂
Today’s song happens at the beginning of the movie when Raja (Sanjeev Kumar) and Asha (Moushumi) have just expressed their love to each other. The song sung by Kishore Kumar and Anuradha Paudwal, runs through titles of the movie showing courtship, marriage and start of the family.
Here is wishing our cute Moushumi a very Happy birthday.
Audio
Video
Song-Arre dheere dheere aankh ladi (Itni Si Baat)(1981) Singers-Kishore Kumar, Anuradha Paudwal, Lyrics-Anjaan, MD-Kalyanji Anandji
Both
Lyrics
Arre dheere dheere
dheere dheere aankh ladi
baaton mein baat badhi
dheere dheere aankh ladi
baaton mein baat badhi
hone lagi
arre hone lagi mulaqaat
idhar udhar ghadi ghadi
darde jigar
darde jigar aisa badha
dil pe nasha aisa chada
phir na pucho kya ho gaya aa
yeh ho gaya dekho yeh ho gaya,
yeh ho gaya dekho yeh ho gaya
la la laa la la laa
la la laa la la laa
la la laa la la laa
aisa jadoo chala pyar ka
har taraf tu hai tu
dil yeh kehne laga
har taraf tu hai tu
dil yeh kehne laga
phoolon mein
taaron mein
phoolon mein taaron mein
saari bahaaron mein
tuhi tu tuhi tu dikhne laga
mujhe tuhi tu tuhi tu dikhne laga
arre do dil hue aise fida
do dil huye aise fida
jee na sake hoke juda
phir na poochho kya ho gaya
ho oo saath jab se hai tera mila
saari duniya yeh kitni haseen ho gayi
saari duniya yeh kitni haseen ho gayi
ek dooje mein hum kho gaye
kaise sapnon mein yeh zindagi kho gaye
kaise sapnon mein yeh zindagi kho gayi
mann se yeh mann
tan se yeh tan
mann se yeh mann
tan se yeh tan
aise mile aise mile
aise mile aise mile
phir na poochho kya ho gaya
yeh ho gaya dekho yeh ho gaya
yeh ho gaya dekho yeh ho gaya
arre dheere dheere
dheere dheere pyaar badha
aur badha aur badha
do se hum teen huye
phir bhi ghar soona laga
daur kai aur chale
pyaase dil aur mile
phir na poochho kya ho gaya
haan
yeh ho gaya dekho yeh ho gaya
yeh ho gaya dekho yeh ho gaya
Ye raat ek si hoti hai
Posted on: April 26, 2021
- In: Feelings of heart | Kishore Kumar solo | Kishore Kumar songs | Lata solo | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | movie opening song | Multiple version song | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1977 | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
- 2 Comments
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4665 | Post No. : | 16336 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXI: Year 1977
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1977.
In 1977, 134 Hindi movies containing 695 songs were released. Lata Mangeshkar got to sing in 50 of these movies and she sang 96 songs in these movies. So Lata Mangeshkar’s voice was heard in 37 % of the movies released in 1977. Her voice was heard in 13.8 % of the songs appearing in the movies of 1977.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1977 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aadha Din Aadhi Raat | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 2 | Aafat | Nitin Mangesh | 0 | 2 | 2 | 0 | 0 | 0 | Maya Govind |
| 3 | Aalaap | Jaidev | 2 | 2 | 1 | 0 | 1 | 0 | Dr Rahi Masoom Raza |
| 4 | Aanand Ashram | Shyamal Mitra | 0 | 1 | 1 | 0 | 0 | 0 | Indeevar |
| 5 | Aap Ki Khaatir | Bappi Lahiri | 1 | 3 | 2 | 1 | 0 | 0 | Shailly Shailendra |
| 6 | Aashiq Hoon Bahaaron Ka | Laxmikant Pyarelal | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 7 | Amar Akbar Anthony | Laxmikant Pyarelal | 1 | 1 | 0 | 0 | 0 | 1 | Anand Bakshi |
| 8 | Apnaapan | Laxmikant Pyarelal | 2 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi |
| 9 | Chaacha Bhateeja | Laxmikant Pyarelal | 0 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 10 | Chaani | Hridaynath Mangeshkar | 0 | 2 | 2 | 0 | 0 | 0 | Bharat Vyas |
| 11 | Chala Muraari Hero Ban’ne | R D Burman | 0 | 2 | 2 | 0 | 0 | 0 | Yogesh |
| 12 | Chalta Purza | R D Burman | 1 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 13 | Chhaila Baabu | Laxmikant Pyarelal | 2 | 2 | 2 | 0 | 0 | 0 | Anand Bakshi |
| 14 | Dharam Veer | Laxmikant Pyarelal | 1 | 2 | 0 | 1 | 1 | 0 | Anand Bakshi |
| 15 | Dhoop Chhaaon | Shankar Jaikishan | 0 | 1 | 1 | 0 | 0 | 0 | Vitthal Bhai Patel |
| 16 | Doosra Aadmi | Rajesh Roshan | 2 | 4 | 0 | 3 | 0 | 1 | Majrooh Sultanpuri |
| 17 | Dream Girl | Laxmikant Pyarelal | 1 | 3 | 3 | 0 | 0 | 0 | Anand Bakshi |
| 18 | Duniyaadaari | Shankar Jaikishan | 2 | 4 | 1 | 2 | 1 | 0 | Vishveshwar Sharma (2) Prabha Thakur(1) Vitthal Bhai Patel (1) |
| 19 | Ek Hi Raasta | Rajesh Roshan | 0 | 1 | 1 | 0 | 0 | 0 | Verma Malik |
| 20 | Farishta Ya Qaatil | Kalyanji Anandji | 1 | 1 | 0 | 1 | 0 | 0 | Anjaan |
| 21 | Hatyaara | Kalyanji Anandji | 0 | 1 | 0 | 1 | 0 | 0 | Vitthal Bhai Patel |
| 22 | Heera Aur Patthar | Kalyanji Anandji | 0 | 3 | 3 | 0 | 0 | 0 | Anjaan (2) Maya Govind (1) |
| 23 | Imaan Dharam | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 24 | Jai Vijay | Rajesh Roshan | 1 | 3 | 2 | 0 | 1 | 0 | Majrooh Sultanpuri |
| 25 | Kaali Raat | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 26 | Kalaabaaz | Kalyanji Anandji | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 27 | Khatta Meethha | Rajesh Roshan | 1 | 3 | 1 | 2 | 0 | 0 | Gulzar |
| 28 | Khel Khilaadi Ka | Kalyanji Anandji | 3 | 5 | 0 | 4 | 1 | 0 | Rajinder Krishan |
| 29 | Khoon Paseena | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Anjaan |
| 30 | Kinaaraa | R D Burman | 3 | 3 | 1 | 2 | 0 | 0 | Gulzar |
| 31 | Mama Bhanja | Rajesh Roshan | 0 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 32 | Mamta | Shyamal Mitra | 1 | 1 | 1 | 0 | 0 | 0 | Yogesh |
| 33 | Meri Dosti Tera Pyaar | Mahesh Naresh | 0 | 1 | 1 | 0 | 0 | 0 | Prakash Pankaj |
| 34 | Mukti | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 35 | Niyaaz aur Namaaz | Shamji Ghanshamji | 0 | 1 | 1 | 0 | 0 | 0 | Anjum Jaipuri |
| 36 | Paapi | Bappi Lahiri | 1 | 4 | 4 | 0 | 0 | 0 | Kulwant Jaani (3) Naqsh Llayalpuri (1) |
| 37 | Palkon Ki Chhaaon Mein | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Gulzar |
| 38 | Parvarish | Laxmikant Pyarelal | 1 | 2 | 0 | 0 | 2 | 0 | Majrooh Sultanpuri |
| 39 | Phir Janam Lenge Ham | Bappi Lahiri | 1 | 2 | 1 | 1 | 0 | 0 | Gauhar Kanpuri |
| 40 | Praayaschit | Laxmikant Pyarelal | 1 | 4 | 4 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 41 | Pratima Aur Paayal | Bappi Lahiri | 0 | 1 | 1 | 0 | 0 | 0 | Indeevar |
| 42 | Priyatma | Rajesh Roshan | 1 | 1 | 1 | 0 | 0 | 0 | Anjaan |
| 43 | Qasam Khoon Ki | Kalyanji Anandji | 0 | 2 | 2 | 0 | 0 | 0 | Verma Malik(1) Anjaan (1) |
| 44 | Sahib Bahadur | Madan Mohan | 1 | 1 | 1 | 0 | 0 | 0 | Rajinder Krishan |
| 45 | Shankar Hussain | Khayyam | 3 | 3 | 3 | 0 | 0 | 0 | Meer Anees (1) Kaif Bhopali (1) Jaan Nisaar Akhtar (1) |
| 46 | Swaami | Rajesh Roshan | 1 | 1 | 1 | 0 | 0 | 0 | Amit Khanna |
| 47 | Taxi Taxie | Hemant Bhonsle | 1 | 1 | 0 | 0 | 1 | 0 | Majrooh Sultanpuri |
| 48 | Thief of Baghdad | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 49 | Tinku | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 50 | Yahi Hai Zindagi | Rajesh Roshan | 2 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| Total | 50 movies | 15 MDs | 44 | 96 | 59 | 27 | 8 | 2 | 24 lyricists |
Lata Mangeshkar worked with 15 music directors and 24 lyricists in these 50 movies released in 1977. This year, Laxmikant Pyarelal became the most prolific music directors with Lata. They had composed 464 songs in HFM with Lata Mangeshkar by the end of 1977. Shankar Jaikishan with 448 songs in the voice of Lata Mangeshkar were relegated to the second position. Kalyanji Anandji with 275 songs overtook C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (238), Madan Mohan (193), S D Burman (179), R D Burman (179), Roshan (144), Naushad (136), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Vasant Desai (104) and Salil Chaudhary (104). Together these fifteen music directors composed 3093 songs out of 4185 songs that Lata Mangeshkar had sung in Hindi movies till end of 1977. The top nine lyricists till end of 1977 for Lata Mangeshkar were Rajinder Krishan (551),Anand Bakshi (446), Shailendra (361), Majrooh Sultanpuri (349), Hasrat Jaipuri (295), Prem Dhawan (201), Bharat Vyas (191), Shakeel Badayuni (189), and Sahir Ludhianvi (141). These nine lyricists had penned 2724 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar collaborated with music directors Hemant Bhonsle, Mahesh Naresh and Shyamal Mitra for the first time in movies of this year. Lyricists Dr Rahi Masoom Raza, Meer Anees, Prabha Thakur, Prakash-Pankaj and Kulwant Jani and Shailly Shailendra got to collaborate with Lata Mangeshkar for the first time in movies released this year.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1977 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 129 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 102 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 188 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 139 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 125 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 118 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 103 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 122 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 83 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 104 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 92 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 83 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 77 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 86 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 105 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 96 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 92 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 69 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 60 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 57 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 44 | 96 | 59 | 27 | 8 | 2 | |
| Total upto 1977 | 1360 movies | 3379 | 4185 | 2868 | 1062 | 191 | 82 |
It can be seen from the table of 1977 that Lata Mangeshkar sang 96 songs in 50 movies released in 1977.
44 songs sung by Lata Mangeshkar in movies of 1977 have been covered in the blog. That leaves us with 52 songs from movies of 1977 that are yet to be covered.
All Lata Mangeshkar songs from 17 movies of 1977 are already covered in the blog. So 52 Lata Mangeshkar songs from 33 movies of 1977 are still available to be discussed.
Alphabetically “Aadha Din Aadhi Raat”(1977) is the first movie of 1977 that offers us Lata Mangeshkar songs.
“Aadha Din Aadhi Raat”(1977) was produced by P Mallikharjun Rao and directed by Dhoondhi for Bharti International, Madras. The movie had Asha Parekh, Vinod Khanna, Shabana Azmi, Prem Chopra, Om Shivpuri, Jalal Agha, Jayashree T,Prem Bedi, T P Jain, Surendranath, Kirti Kumar, Pratima devi, Anju Gupta, Vishu Raje, Master Rommy , Master Shiraj, Shobha Herman, Harinder Kapoor, Deepak Pandit, Agha Mansuri, Makhrani, Rajesh, Surendra Chadah, Farida, Rosmin, Duraiya, Nilofer, Tersa Narona, Sitara, Palli tc in it. Ranjeet and Keshto Mukherjee had made friendly appearances in the movie.
The movie had six songs in it. Two songs have been covered in the past.
The movie had one Lata Mangeshkar solo song in it. That song had a Kishore Kumar solo version too.
Here is the Lata Mangeshkar solo song from “Aadha Din Aadhi Raat”(1977) along with the Kishore Kumar version as well. The song is penned by Anand Bakshi. Music is composed by Laxmikant Pyarelal.
The female version is lip synced by Asha Parekh, with Master Rommy and Master Shiraj also seen in the picturisation. This song takes place toards the beginning of the movie, ith credits appearing on the screen
The male version takes place after the young actor grows up to become Vinod Khanna ho then lip syncs the Kishore Kumar version of the song.
Lyrics of this song were sent to me by Prakashchandra.
Audio (Lata version)
Video (Lata version)-partial
Audio (Kishore Kumar version)
Video (Kishore Kumar version)-Partial
Song-Ye raat ek si hoti hai (Aadha Din Aadhi Raat)(1977) Singer-Lata/ Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
—————————–
Lata Mangeshkar Audio version
—————————–
ye raat ek see ee hoti hai ae
ye raat ek see ee hoti hai
koyi jaagta hai ae
koyi sota hai
aisaa hi ee hota hai
har baat ek see ee hoti hai
har baat ek see ee hoti hai
koyi hanstaa hai ae ae
koyi rotaa hai ae
aisaa hi ee hota hai
ye raat ek see ee hoti hai
tu roothhey bhaiyyaa
mujhko ye baat pasand naheen
dukh sukh ka baadal chhaaney se
koyi sambandh naheen
tu roothhey bhaiyyaa
mujhko ye baat pasand naheen
dukh sukh ka baadal chhaaney se
koyi sambandh naheen
koyee ee sambandh naheen
barsaat ek see ee hoti hai
barsaat ek see ee hoti hai
koyi bheegta hai
koyi jaltaa hai
aisaa hi ee hota hai
ye raat ek see ee hoti hai ae
aaa..aaa…aaa…
aaaa…aaa…aaa…aaaa
aaa..aaa…aaa
dil pe chhot lagey
to dil mein dard hotha hai ae
ye ae dard jo
hanske sehtaa hai woh
mard hota hai ae ae
dil pe chhot lagey
to dil mein dard hota hai ae
ye ae dard jo
hanske sehtaa hai woh
mard hota hai ae
woh mard hota hai ae
ye ghaat ek see ee hoti hai ae
ye ghaat ek see ee hoti hai ae
koyi jeeta hai ae
koyi martaa hai ae
aisaa hi ee hota hai
ye raat ek see ee hoti hai
ye raat ek see ee hoti hai
—————————-
Kishore Kumar Audio version
—————————–
ye raat ek see ee hoti hai ae
ye raat ek see ee hoti hai
koyi jaagta hai ae
koyi sotaa hai
aisaa hi ee hota hai
har baat ek see ee hoti hai
har baat ek see ee hoti hai
koyi hanstaa hai
koyi rotaa hai ae
aisaa hi ee hota hai
ye raat ek see ee hoti hai
dil pe chhot lagey to
dil mein dard hota hai ae
ye ae dard jo hanske sehta hai woh
mard hota hai ae ae
dil pe chhot lagey to
dil mein dard hota hai ae
ye ae dard jo
hanske sehtaa hai woh
mard hota hai ae ae
woh mard hota hai ae
ye ghaat ek see ee hoti hai ae
ye ghaat ek see ee hoti hai ae
koyi jeeta hai ae
koyi martaa hai ae
aisaa hi ee hota hai
ye raat ek see ee hoti hai
khilkar murjhaane ko hi
saarey phool khilte hain aen
milkar hi bichhdney ko
sab log milte hain aen
khilkar murjhaane ko hi
saarey phool khilte hain aen
milkar hi bichchdney ko
sab log milte hain
sab log milte hain aen
mulaaqaat ek see ee hoti hai
mulaqaat ek see ee hoti hai
koyi miltaa hai
koyi khotaa hai ae
aisaa hi ee hota hai
ye raat ek see ee hoti hai
har baat ek see ee
(sobbing sound)
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