Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Get together” song’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4455 Post No. : 15925

“Man Pasand” (1980 – censored on 26-6-1980 and released on 11-7-1980) was among the first few movies whose music cassette was purchased by my father along with “Yaarana” when they hit the market. And since then I am a huge fan of their songs. I Know almost all of them by heart.
This was a movie produced by Amit Khanna and directed by Basu Chatterji. Rajesh Roshan was the music director and Amit Khanna himself wrote the lyrics. The movie itself was inspired by the famous stage play by George Bernard Shaw – ‘Pygmalion’ (first published in 1913), and also on the hugely popular iconic film ‘My Fair Lady’ (1964 – Rex Harrison and Audrey Hepburn). The movie stars Dev Anand, Tina Munim, Girish Karnad, Simple Kapadia, Leela Mishra, Jalal Agha (appears as a guest in the song with this post), Piloo Wadia and Mehmood.

The movie has Dev Anand and Girish Karnad playing best friends, bachelors and musicologists. They encounter a loud and foul-mouthed vendor of ‘datun’ {neem branches} in the late-night local trains of Mumbai. Then and there, Dev (Pratap) throws a challenge that he can transform the unpolished girl into a graceful and talented singer and Karnad (Kashinath) picks up the bet and agrees to marry the girl if Pratap is successful.”

The above is from the last post that I wrote for this movie, in 2018 to celebrate Dev Anand’s 95th birthday.

We revisit the movie today. It has songs in the voice of another legend. When this movie was being made i.e. at the time of recording the songs of this movie, our Nightingale or Saraswathi- incarnate (as she is addressed by her ardent fans) must have been in her late 40s or just turned 50. She had been in the industry for nearly 37-38 years having stepped into the film world at the young age of 13, with the sole aim of supporting her family after the untimely death of her father. There was a time when she was rejected by Sashadhar Mukherjee for having a “thin-voice”. But it is that same “thin-voice” which was used in later years for songs that were filmed as early morning songs- “jaago mohan pyaare jaago” (Jaagte Raho); “jyoti kalash chalke” (Bhabhi Ki Choodiyan); “Satyam Shivam Sundaram” & “Bhor bhaye panghat pe” (Satyam Shivam Sundaram); and the bhajan which Saira Banu lip syncs in the morning hours in “Shaagird” – ‘Kanha kanha aan padi main tere dwar’. These are only a sample of what India’s Nightingale -Lata Mangeshkar – has given us over a career span of about 66-67 years. From the discography available on various websites it looks like she has stopped singing film songs sometime in 2010- that is why I have said that the career span is about 66/67 years. Of course, there was a time when she used to sing for actresses who were 50 years younger to her; then she switched to singing one or at the most two songs per movie after 2001 but has kept her date with recording songs by bringing out non-film albums and bhajans etc. I read somewhere that after a 14-year hiatus she recorded a song for some movie called “Dunno Y—Na Jaane Kyun” (2010).

She is a recipient of various awards including the Dadasaheb Phalke award in 1989, the Padma Bhushan (1969), Padma Vibhushan (1999) and finally the Bharat Ratna in 2001. She definitely is India’s Ratna (Gem), don’t know if we will have another like her ever!!!!

Coming back to the song for this post. This is the song by which Pratap (Dev Anand) introduces a fully trained & graceful Kamli (Tina) to upper class, high-society, party-going friends of his. He showcases her as an accomplishment of his scientific method of music coaching. The song which is composed by Rajesh Roshan as a semi classical number was picturised on a young Tina Munim and gives us a sample of what the ‘Koyal Kanthi’ Lata Mangeshkar is all about. Why I say sample is because this is a very short song. There are other songs where she has sung full classical and semi classical for close to ten minutes or even more. Here I remember another song where, in a Dev Anand movie, S D Burman has given Lata Didi (as the film industry addresses her) an 8½ minute song which has various ragas incorporated in it (any guesses which song I am referring to).

“Man Pasand” has had a rather slow journey on the blog. The movie has 8 songs of which the first one in Mohd. Rafi’s voice was posted in March of 2009. The previous song posted was in 2018 on the occasion of Dev Anand’s birth anniversary.

Here is the penultimate song the post for which began a day before Devsaab’s birth anniversary in 2019.

I can write a lot more about the song and the near-parallel careers of Devsaab and Latadidi in the film industry. But I choose to halt here.
Wishing our dear Lata Mangeshkar, a very Happy 91st birthday. Salute to her on her long innings in the industry.

Audio

Video

Song-Suman Sudha Rajni chanda aaj adhik kyun bhaaye (Manpasand)(1980) Singer-Lata, Lyrics-Amit Khanna, MD-Rajesh Roshan

Lyrics

suman sudha
rajni chanda
aaj adhik kyun bhaaye
suman sudha
rajni chanda
aaj adhik kyun bhaaye
suman sudha

prem singhaashan piya biraaje
pankha jhaloon main haule
mohit mugdh unhin ko taakoon
ban mayur mann dole
suman sudha rajni chanda
aaj adhik kyun bhaaye
suman sudha
rajni chanda
aaj adhik kyun bhaaye
suman sudha

ooo aaaaa mmmmm aaaaa

pratibimb meri aashaon ka
tum santosh ho mera
aalingan sundar sapnon ka
khushiyon ka kosh ho mera

suman sudha rajni chanda
aaj adhik kyun bhaaye
suman sudha
rajni chanda
aaj adhik kyun bhaaye


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4439 Post No. : 15881

Remembrance day of Jaikishan :
———————————–
Today i.e. 12th September, 2020 is 49th death anniversary of Jaikishan, a half of Shankar-Jaikishan.

I have just now read the detailed Wikipedia Page of Shankar-Jaikishan, so will reproduce some para’s which are worthy of mention in terms of Jaikishan’s death anniversary.

“Shankar Jaikishan enjoyed an unrivalled position in the Hindi film industry. During their heyday and even toward the later part of their career, they were the highest paid music directors in the industry. Barring stray exceptions, they were paid more than the leading actors and the promotional material of their films would give them more prominence than anyone else.”

“What can I say… my musical partner in life has gone, what is left of me to say anything more, I had never thought that at such an early age he would leave us all and go; Anyway his good qualities of maintaining goodwill, giving love and receiving love were innate in him and I too don’t have them in me. He used to regularly remind me of my innate quality of being in a boisterous mood all the time and always abrasive with some one or the other and so on and so forthwith…….”
(Shankar on Jaikishan’s death in an interview with AmeenSayani.)

The page also has this to say about Shankar Jaikishan, vis-à-vis different singers :

“Shankar Jaikishan combo worked above all of with Mohd Rafi and secondly Mukesh, and produced numbers of hits and unmatchable gems. Mohd Rafi was their favourite singer despite having good reputation with other playback singers of its time.”

I read somewhere else, that the mukhda of the song “Ye mera prempatra padh kar” from ‘Sangam’ was actually taken from the letter written by Jaikishan to his than fiancée “Priya”. So this could be the instance where Jaikishan unwittingly revealed that he is the composer of the block-buster song. This caused a rift between the two as Jaikishan broke the unwritten agreement between them, of not revealing which of them is the creator of any particular song. Here, Rafi Sahab is said to have intervened and solved the issue between Shankar and Jaikishan, and also later on between Lata Mangeshkar and Shankar in the mid 70’s.

But there is no doubt of the truth here when it is said that “Shankar-Jaikishan, along with other artists, composed “everlasting” and “immortal melodies” in the 1950s, 1960s, and early 1970s.[2] Their best work was noted for being “raga-based and having both lilt and sonority”.

All hindi film music fans agree that they changed the face of hindi film music with “Barsaat” and the success of the film and its music played a big role in this change.

The music I think was versatile and inspiring to new music directors. Theirs was a first of its kind duo, as far as I know who combined their talents and acumen with two lyrcists and made a fearsome foursome. They can also be called fabulous and formidable. They had to be, to be on top of the game for two decades. Shankar-Jaikishan can also be credited for starting the trend of version songs, one male and one female version. Contemporaries and seniors like Naushad and S.D.Burman rarely did it. Naushad in “Mere Mehboob” and S. D. Burman in “Sharmilee” and “Tere Ghar Ke saamne”. But in the later instance, it was both male solos.

I am actually trying to wrap up the long running series on Mohammad Rafi songs, so trying not to look for a Rafi Sahab song for posting on this occasion. But as luck would have it, I found this popular song from ‘Pyaar hi Pyaar’(1969). Moreover this song has a stamp of Shankar-Jaikishan signature style in the orchestration of the music. This is an Asha-Rafi duet, with the fast pace and beat. This is the manifestation of Asha Bhonsle making inroads in the Shankar Jaikishan cap, which started with “Teesri Kasam”. Shankar-Jaikishan were known for Lata only music scores through 50’s and not just for R.K. films. I think the exceptions to this were very rare and few, where Asha, Geeta Dutt or Shamshad Begum got to sing Shankar Jaikishan compositions. Suman Kalyanpur was one such alternative which Shankar Jaikishan tried, in mid- 60’s for duets with Rafi sahab.

I have also tried to find if Shankar Jaikishan ever re-used their own tune to compose songs, but could not find any such songs. Their music was a huge commercial success, so no one else could try and copy their songs.

The song I am presenting in a party song, where Vijayanthi Mala is trying to make Dharmendra jealous, flaunting a dance partner. There are other popular Rafi solos in the film, but this would be the most popular, with the title song of the film ’dekha hai teri aankhon mein pyar hi pyar beshumaar’.


Song-Tu mera main teri duniya jaley to jaley (Pyaar Hi Pyaar)(1969) Singers-Asha Bhonsle, Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaiskishan

Lyrics

Tu mera
main teri
duniya jale to jalay
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
dil teraa
jaan teri
duniya jalay to jalay

jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
rut jawaan
pyaar bhari
ha duniyaa jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe hi
apni qasam
arey waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe
apni qasam
tu meri
ha jal pari
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay

roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baanhon ke sahaare hain
tere hi liye
roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baahon ke sahaare hain
tere hi liye
main tujhi par mari
ha duniya jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ho duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4435 Post No. : 15871

Hullo Atuldom

We are into the last four months of the year. Just got the first positive message “Sab theek raha toh iss baar 31 December ko nayaa saal aane ki nahi, purana saal jaane ki party karenge”. (Wish I could write this in Devnagari) I am sure I need not translate this.

Just as I was sitting to write this our Peevesie messaged that “Josef-Born in Grace”, a movie that was her first independent assignment as costume designer, has won an award at the Madrid International Film Festival for Best Set Design at the awards function on Sunday evening (6th September). Incidentally that movie also got her, her life-partner and is from her in-law’s production house.
In a celebratory mood I asked her for her farmaish of an Asha Bhonsle song and today’s song is her choice. She has a love for that movie, its songs and the dress/costume (in particular) that Amisha Patel wore in the song. She reminds me that as a tiny-little girl she had also worn a similar Pink Skirt and White Top.

This movie is 20 years old. It made its debut on the blog in 2014 with the song ek-pal-ka-jeena-phir-to-hai-jaana. That was a post to wish the hero of the movie. Today’s song is to wish our evergreen Ashatai (as Asha Bhonsle is addressed by one and all).

Ashatai celebrates her 87th birthday today. She was the third born to Pandit Deenanath Mangeshkar and his wife Shevanti, Lata Mangeshkar being the oldest. I read somewhere recently that her older sister Meena Khadikar shares her birthdate (would love if someone can confirm this). Usha Mangeshkar and Hridaynath Mangeshkar are the other siblings, part of this musical clan. Their children and grandchildren are also into music and carrying the family tradition forward.

Followers of the blog are aware that she began singing in films when she was hardly 10 years old with a Marathi song in 1943. Her first Hindi song came in 1948 when she sang under Hansraj Behl’s music direction. She has had a long innings since then and initially she used to get songs that were filmed on the second lead or vamps etc. I don’t think that there is any need to write about how she sang more songs than many other artists in the ‘50s though for B and C grade movies. She had to work so that her family could be taken care of. She worked her way up the rungs of the industry and became the favourite of the masses and classes. If the masses loved her “piya tu ab toh aaja” the connoisseurs and classes loved her for her “in aankhjon ki masti ke” and ‘dil cheez kya hai aap meri jaan lijiye”. People have loved her “aage bhi jaane na tu” and “mera kuch saaman tumhaare paas pada hai”.

Today’s song is a party song. It is on board a yacht and is part of the Christmas eve celebrations. Amisha Patel has just found that she likes Hrithik Roshan who is as yet unaware of his feelings. She sings and dances to try and make him envious and displays her fondness for her childhood friend Rajesh Tandon. Payal Malhotra or Kamya Punjabi (not sure) is the girl who is trying to get Hrithik’s attentions. This song is written by Saawan Kumar and is the only Asha Bhonsle song in the movie all the other songs are sung by Alka Yagnik. Rajesh Roshan is the music director.

Here is wishing our darling Ashatai a very Happy Birthday


Song-Jaaneman jaaneman palat teri nazar (Kaho Na Pyaar Hai)(2000) Singer-Asha Bhonsle, Lyrics-Sawan Kumar, MD-Rajesh Roshan

Lyrics

Ku ku ku ku
Ku ku ku ku ku
Ku ku ku ku
Ku ku ku
Aaaa aaaaaa aaaaa
Aaaaaa aaaa
Aaaa aaaaaa aaaaa
Aaaaaa aaaa

jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar

jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
mila le dil se dil,
pyaar se pyaar kar
udhar toh raat hai
saveraa hai idhar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman jaaaa….neman

teri jawaani ke sadke
jaane jaaneman
ham bhi haseen kam nahin
jaane jaaneman
arre teri jawaani ke sadke
jaane jaaneman
ham bhi haseen kam nahin
jaane jaaneman
teri judaai ka gham hai
(ooooo)
varna koi gham nahin (oooooo)
bahut chaalaak hai
ban raha bekhabar
pyaar ke jaadu ka
ho raha hai asar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman
jaaneman
jaaneman
jaaneman

heyo heyo heyo heyo he he yo
heyo heyo heyo heyo he he yo

tere liye hi bani hoon
jaane jaaneman
main sab me shaamil nahin
jaane jaaneman
ho o tere liye hi bani hoon
jaane jaaneman
main sab mein shaamil nahin
jaane jaaneman
dil se zara poochh apne
(oooooo)
kya main tera dil nahin een een (ooooo)
naya hain silsila
naya hai ye safar
nayi hai manzilein
magar hai ek dagar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
mila le dil se dil,
pyaar se pyaar kar
udhar toh raat hai
saveraa hai ae ae idhar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman jaaaa….neman
jaane jaaneman
jaaneman
jaane jaaneman
jaaneman
jaaaaa neman
jaaaaaa neman


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4400 Post No. : 15781 Movie Count :

4347

Remembering Kishore Kumar on his 91st Birth Anniversary :

teri gali main aata sanam
naghma wafa ka gaata sanam
tujhse suna na jaata sanam
phir aa jidhar aaya hoon magar
ye kehne main deewaana
khatm bas aaj ye wehshat hogi
aaj rusva teri galiyon mein muhabbat hogi
mere mehboob

Abhas Kumar Ganguly (born 4 August 1929 – 13 October 1987), became the famed Kishore Kumar of Hindi film world. Being a Bengali but born and brought up in hindi heartland and settling down to work in Bombay film industry to follow the footsteps of big brother, must have helped form a cosmopolitan outlook in his attitudes. I have just read the Wikipedia page on Kishore Kumar and found it enlightening in many ways. Some of the eccentric behavior described in the page, are funny and not so funny at the same time.

Reading the detailed page has confirmed many of my conceptions about Kishore Kumar. Chief among them being the fact that S. D. Burman, had a great role to play in shaping him as a super playback singer. For a long time through 50’s and 60’s it is apparent that he only ever gave playback for Dev Anand. He was making films, acting as hero and character roles, singing for himself, composing songs for his own films etc. etc. 50’s and 60’s were the most productive decades for Dev Anand, but he was singing songs on screen with the total range of singers, Rafi, Kishore, Hemant Kumar, Talat Mehmood and even Mukesh. If Manna De also sang for Dev Anand during this time, I don’t know off hand. Even in Navketan films, the songs were divided among Rafi and Kishore, a few were by Hemant Kumar too early on. So it is understandable that 70’s and early 80’s is Kishore Kumar’s most productive period, after he was convinced by RDB to seriously concentrate on playback singing. Even than he was reportedly choosy about the actors for whom he sang.

Kishore Kumar also has a distinction of being the singing star and having enjoyed playback by Rafi Sahab. Only other singer to have this distinction is G. M. Durrani.

Some of the sad melancholy songs of Kishore Kumar are my favourite sad songs which I have listed in another post. The above quoted song “mere Mehboobqayamathogi” is one such song, the lyrics of which were written in a book of songs I used to keep in my childhood.

I had short listed the solo from “Sanam Teri Qasam” – Sheeshe ke gharon mein dekho to patthar dil wale baste hain”, but I found that song a bit depressing. So I shifted to another happy sounding song.

I am presenting this peppy, feel good song from the film “Bezubaan”(1982). It’s a party song, where Shashi Kapoor is singing in praise of his wife Reena Roy and counting his blessings. It is a solo song by Kishore Kumar, witten by Ravindra Rawal and composers are Raam-Laxman. The entire cast of the film is present in this gathering. The party is moving from indoors to outdoors and indoors again while Shashi Kapoor is so shaky and imbalanced with happiness keeps falling down and dropping things 🙂 🙂 . The details of the film are available on imdb site. The songs were quite good in this film especially the song “harek jeewan hai ek kahaani par ye sachchayi sab ne na jaani”, story- telling solo by Lata Mangeshkar.

Audio :

Video :

Song-Tere jaisa koi khoobsoorat nahin (Bezubaan)(1982) Singer-Kishore Kumar, Lyrics-Ravindra Rawal, MD-Raam-Laxman

Lyrics(As per audio)

Tere jaisa koyi khoobsoorat nahin
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin
Ye mera chhota sa jahaan
Aisa swarg hai kahaan
mera chhota sa jahaan
Aisa swarg hai kahaan
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin

Sooraj chaand taare gagan ke
Jaise raushni dene chamke
Yoon hi teri bindiya ke dam se
Meri duniya din raat damke
Sooraj chaand taare gagan ke
Jaise roshni dene chamke
Yunhi teri bindiya ke dam se
Meri duniya din raat damke
Tere hansne se achcha mahurat nahin
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin

Main bhi aaj yeh maanta hoon
Kal tak jo yeh duniyaa thhi kehti
Jag mein har safal aadmi ke
Peechhe ek aurat hai rehti
Main bhi aaj yeh maanta hoon
Kal tak jo yeh duniyaa thhi kehti
Jag mein har safal aadmi ke
Peechhe ek aurat hai rehti
Munh chhupaane ki koyi zaroorat nahin
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin

Kitna mujhe tujhpe yaqeen hai
Hamdam tujhe kehna hai mushkil
Itna tujhe kehta hoon bas main
Tujh bin zinda rehna hai mushkil
Kitna mujhe tujh pe yaqeen hai
Hamdam tujhe kehna hai mushkil
Itna tujhe kehta hoon bas main
Tujh bin zinda rehna hai mushkil
Nainon mein bin tere koyi moorat nahin
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin
Ye mera chhota sa jahaan
Aisa swarg hai kahaan
mera chhota sa jahaan
Aisa swarg hai kahaan
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin


This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4374 Post No. : 15714

Hullo Atuldom

“Waqt Ki Deewaar” is a 1981 release. It had Neetu Singh, Sulakshana Pandit, Jeetendra, Pran, Kadar Khan, Amjad Khan, Satyen Kappu, Paintal, Preeti Ganguly etc.

There was one other important actor in the cast. An actor who didn’t have a ‘set image’ in Bollywood. He could fit into any role he signed up for. He has played father, father-in-law, boyfriend, etc to Jaya (Bachchan) Bhadhuri. We are talking of Sanjeev Kumar here. Born Harihar Jethalal Jhariwala in 1938, he made his debut in 1960 with a small role in “Hum Hindustani”. His first film as a protagonist was “Nishaan” which came in 1965. On the road to becoming an actor-star who could be banked upon to play any character that he was given, we have seen him play Dilip Kumar’s brother in the 1968 released “Sanghursh” and friend to Shammi Kapoor in “Sachchaai” (1969).

He was the preferred actor for all producers and directors of South Indian film industry when they had remake plans of films that were successful in Tamil, Telugu, Kannada etc. So we saw him in “Khilona” which was made from Tamil and he played the role that Sivaji Ganesan played in the original. He has apprised roles played by NT Rama Rao (Telugu) in “Takkar” “Shrimaan Shrimati”, Dr. Rajkumar (Kannada) in “Shaandaar” etc. Who can forget “Naya Din Nayi Raat” which had him play 9 different characters. He was given lead roles by South Indian film makers even as we saw him play father to Amitabh and Shashi Kapoor or supporting roles in “Zabardast”, “Silsila”, “Hero”, “Sawaal” etc.
We were regaled to wonderful comedy by this versatile actor in “Angoor”, “Pati Patni Aur Woh”, “Hero”, “Biwi O Biwi”, “Seeta Aur Geeta” etc. At the same time he was there in Satyajit Ray’s “Shatranj Ke Khiladi” playing a chess-obsessed citizen of Lucknow.

He has been romantically paired with most of the heroines in the movies of those times- be it Moushumi, Sharmila, Hema Malini, Rakhee, Rekha, Nutan, Mala Sinha, Tanuja and even Waheeda Rehman. We have seen him in two-hero movies too like with Shashi Kapoor in Mukti, Jeetendera in Khilona, Waqt Ki Deewar, Dharti Kahe Pukar ke, Faraar with Amitabh Bachchan, Bereham with Shatrughan Sinha.

Let us enjoy this two-hero song and think of this super actor and see him smile and charm the audience. The song is sung by Kishore Kumar and Mohd. Rafi. It is written by Anjaan and Laxmi -Pyare are the music composers. We have Jayshree T and Sulakshna Pandit adding to the glamour quotient and Amjad Khan plotting his next move.


Audio (Full)

Song-Ae yaar teri yaari hamen jaan se hai pyaari (Waqt Ki Deewaar)(1981) Singers-Kishore Kumar, Rafi, Lyrics-Anjaan, MD-Laxmikant Pyarelal
Both

Lyrics(Based on audio link)

ae yaar teri yaari
humein jaan se hai pyaari
ae yaar teri yaari
humein jaan se hai pyaari
teri yaari pe
teri yaari pe jaan luta denge
luta denge
luta denge
tere saath hai marna jeena
jahaan tera girega paseena aa
tere saath hai marna jeena
jahaan tera girega paseena
hum paseene pe
hum paseene pe khoon bahaa denge
bahaa denge
bahaa denge

ae yaar teri yaari
humein jaan se hai pyaari ee
ae yaar teri yaari

yoon raah mein chalte chalte
koi yaar nahin ban jaataa
yoon raah mein chalte chalte ae
koi yaar nahin ban jaataa

lagta hai ke tera mera
lagta hai ke tera mera
koi pichhle janam ka hai naata
woh yaar hai jo dukh baante
teri raahon se chunke kaante
woh yaar hai jo dukh baante
teri raahon se chunke kaante
tere kadmon pe
tere kadmon pe phool bichhaa denge,
bichhaa denge
bichhaa denge

ae yaar teri yaari
humein jaan se hai pyaari
ae yaar teri yaari

hum saath hon jis mehfil mein
hum par dil haare duniya
hum saath hon jis mehfil mein,
hum par dil haare duniya
teri meri yaari ko
teri meri yaari ko,
hai rasste nihaare duniya

duniya toh kisi din chhoote,
yaari marke na toote
duniya toh kisi din chhoote,
yaari marke na toote
ye zamaane ko
ye zamaane ko ek din bataa denge,
batadenge, batadenge
ae yaar teri yaari
humein jaan se hai pyaari
ae yaar teri yaari

moorat hai sachhaai ki tu,
baaki saara jag hai dhokha
moorat hai sachhaai ki tu
baaki saara jag hai dhokha

tujhpe hai bharosa jitna
tujhpe hai bharosa jitna
utna na khuda pe hoga
teri oar jo aankh uthhaaye
tujhse jo kahin takraaye
teri oar jo aankh uthaaye
tujhse jo kahin takraaye
saari duniya mein
saari duniya mein aag laga denge
laga denge
laga denge
ae yaar teri yaari
humein jaan se hai pyaari
ae yaar teri yaari
hamen jaan se hai pyaari
teri yaari pe
teri yaari pe jaan luta denge,
luta denge
luta denge
ae yaar teri yaari


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4351 Post No. : 15665 Movie Count :

4315

Hullo Atuldom

Today 16th June is the 68th birthday of Gourang Chakraborty. He was born as the eldest son to Basantakumar Chakraborty and Santimoyee Chakraborty in East Bengal (modern day Bangladesh). He is an entrepreneur, social worker, television presenter, actor, producer, former Rajya Sabha member who has sung one song in his career that began in 1976 with the art film which was directed by Mrinal Sen’s National Award winning “Mrigayaa”.

Post “Mrigayaa” he was seen in a guest appearance in Raj Tilak directed Sanjeev Kumar -Shashi Kapoor- Vidya Sinha- Bindiya Goswami starrer “Mukti” (I saw it in his filmography, have seen the movie a few times but don’t remember seeing him there, I must have blinked at that instant).

1978 saw him in 2 Bengali and 3 Hindi films one of which was a small blink and miss role “Phool Khile Hain Gulshan Gulshan”. Of the three Hindi movies “Hamara Sansaar” and “Mera Rakshak” were remakes of South Indian movies.

1979 had him as Gunmaster G9 in Ravikant Nagaich directed “Surakshaa”; a special appearance in “Tere Pyar Mein”; a guest appearance in Rajesh Khanna starrer “Amardeep” as Rajesh Khanna’s sister’s boyfriend; a regular Basu Chatterjee hero in “Prem Vivah” alongside Utpal Dutt, Asha Parekh and Bindiya Goswami. Plus there was “Bhayanak” and Rajshri productions “Tarana”.

“Surakshaa” and “Tarana” gave him some good songs to dance to, and also these two movies are still remembered for their songs.
These days we see him on TV in the role of maha-judge on dance reality shows. And also he plays roles suited to his age in most movies like Mani Ratnam’s “Guru”; Rohit Shetty’s “Golmaal 3”; Anil Sharma’s “Veer”; Vinay Sapru- Radhika Rao directed “Lucky: No time for love” etc. The roles he has been getting are varied where he is able show off his comic side and still dance and do fisticuffs.

For today’s occasion I have a whole list of songs to choose from. Songs from movies that I have seen and loved. I have settled for a song that I heard for the first time in 1987. I even had the cassette of this movie in my collection and seen the movie at the time of its release.

This song has been on my personal waiting list for a few years now. It is from the 1987 B. Subhash produced and directed “Dance Dance”. Smita Patil, Mithun (Gourang) Chakraborty, Mandakini, Shakti Kapoor formed the primary cast with Amrish Puri and Om Shivpuri playing supporting cast. It was the story of the brother sister team of Smita and Mithun who are separated from their parents as children, grow up to be singers who are part of a troupe which performs at events and restaurants. There is the usual twist of the sister falling in love and marrying a guy who later turns bad, ditches her and also is the cause of her death. The movie comes to a close with the brother avenging his parents as well as the sister’s death.

Bappi Lahiri was the music director for this movie which was part of a series of dance based films that B Subhash made post the successful “Disco Dancer”. Anjaan was the lyrics in-charge for all these movies. Today for this birthday song we shall have a party where Shakti Kapoor and Mithun sing to an audience of oldies. It is rather sweet to see the spirit of the folks in the audience when they take to the floor with Mithun and Shakti. And we have Smita Patil among the audience egging everybody to enjoy themselves. Let us also enjoy ourselves wishing this disco dancer- break dancer – Mithunda a very Happy Birthday.


Song-Everybody dance with pa pa pa (Dance Dance)(1987) Singer-Vijay Benedict, Lyrics-Anjaan, MD-Bappi Lahiri
Chorus
Vijay Benedict + Chorus

Lyrics

tu tu tu tu tu tu turu ru ru
tu tu tu tu tu tu turu ru ru
tu tu tu tu tu tu turu ru ru
tu tu tu tu tu tu turu ru ru

coo coo coo coo wow

everybody dance with pa pa pa
everybody dance with ma ma
everybody dance with ma ma ma
everybody dance with pa pa
gaa ke dhoom machaa ke
saari raat jagaa ke
yaaron shor machaa ke
kuku kuku kuku kuku kuku
one two three four
hum saare masti ke chor
one two three four
hum saare masti ke chor

everybody dance with pa pa pa
everybody dance with ma ma
everybody dance with pa pa pa
everybody dance with ma ma

aaye hum hain aaye
aaye bin bulaaye
aaye hum hain aaye
aaye bin bulaaye
mastiyaan lutaa ke
sab ka dil churaa ke
sabke hosh udaa ke
jaayenge nachaa ke
arre haan
kuku kuku kuku kuku
one two three four
hum saare masti ke chor
one two three four
hum saare masti ke chor

everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama

aao papa
saath mein naachen
come on mama
naacho na
please
lala lala laa laa
lala lala laa laa
lala lala laa laa
lala lala laa laa
lala lala laa laa
lala lala laa laa

wow
super
great!
aah

you can’t do breakdance?
ok tequila

tequila
hahahahahaaha

arre mauka hai khushi ka
rang jame masti ka
mauka hai khushi ka
arre rang jame masti ka
aao mil ke naachen
naachen jhoomen gaayen
milke dhoom machaayen
masti mein kho jaayen
arre haan
kuku kuku kuku kuku kuku
one two three four
hum saare masti ke chor
one two three four
hum saare masti ke chor

everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama

gaa ke dhoom machaa ke
saari raat jagaa ke
yaaron shor machaa ke
kuku kuku kuku kuku kuku
one two three four
hum saare masti ke chor
one two three four
hum saare masti ke chor
one two three four

come on everybody ya
everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4347 Post No. : 15658

“Kaajal”(1965) was a movie that I knew little about when I was growing up. I watched this movie in 1978 when my went to college and my movie watching spree began with a vengeance. Those days, I only liked “new” movies and songs and scoffed at “old” movies and songs. But I had heard about old movies, so I would go and watch them when no “new” movie was there for me to watch. The old movies tended to run to empty house and so buying tickets for these movies was not a problem. I wondered if a day will come in future when one would be able to watch “new” movies with the same ease, without needing to queue up and black marketeers having a field day. Believe it or not, today we are actually in that situation where one can buy tickets of even brand new movies without needing to form a queue in the movie hall.

I watched “Kaajal”(1965) in a movie hall called Ratan Talkies. I knew that it was an old movie but still I mustered up enough tolerance within me and went to watch the movie. I was a few minutes late and the movie had already started. When I found that the movie had Raj Kumar (tragedy Kumar) and Meena Kumari (tragedy queen), I wondered if I had made a mistake and I would have to spend a misery filled three hours in the hall. But as soon as the songs of the movie began, I as well as others exclaimed-“arre ye gaana is film ka hai !”. Songs kept coming one after another, with the same collective response from the movie watchers.

Seeing that I had become a regular movie watcher only in that year, I had a lot of catching up to do. I was not aware about many of the actors that were there in the movie. Today, when I look back at the starcast of “Kaajal”(1965), I realise that it was full of big name actors. But when I was watching the movie at that time, I could identify only Raj Kumar, Meena Kumari and Dharmendra, aand that was all !

The movie had eleven songs in it. As many as ten songs have been covered in the past.

Here are the details of the songs already covered in the blog:-

S N Song Song number in blog Date of posting
1 Tora man darpan kahlaaye 818 27-Feb-2009
2 Choo lene do naazuk hothon ko 828 2-Mar-2009
3 Ye zulf agar khulkar bikhar jaaye to achchaa 1479 21-Jun-2009
4 Mere bhaiyya mere chandaa mere anmol ratan 2837 24-Aug-2010
5 Aapke paas jo aayegaa pighal jaayegaa 3588 2-Mar-2011
6 Samjhi thhi ye ghar mera hai 7685 15-Mar-2013
7 Agar mujhe na milin tum (Kaajal) 8717 17-Sep-2013
8 Mehfil mein teri yoon hi rahe 9367 28-Jan-2014
9 Muddat ki tamannaaon ka sila 15429 27-Feb-2019
10 Zara si aur pila do bhang 15617 22-May-2020

I came to know thanks to some whatsapp messages that today (12 june) is the birthday of Padmini (12 june 1932-24 September 2006). When I watched “Kaajal”(1965) in the movie hall. I had no clue about her. I did not even know that the actress seen in a few songs in the movie was Padmini.

On the occasion of Padmini’s birth anniversary, here is the eleventh and final song from “Kaajal”(1965) to appear in the blog. This song is sung by Asha Bhonsle. Sahir Ludhianvi is the lyricist. Music is composed by Ravi.

The song is picturised as an archtypical get together song in a palatial home where people gather and politely watch a lady singing (while holding a sitar) and another lady dancing. In this song, Meena Kumari lip syncs while Padmini dances. Look at the people watching the performance. During those days, I did not even recognise Durga Khote !

“Kaajal”(1965) was a movie that was worth watching for its songs. Today, I would go to the extent of saying that only the songs of the movie must be watched. The story is too melodramatic for me. 🙂

Many decades later (after I began this blog), I came to know that Padmini had two more sisters and they too were dancing stars like her, and that together they were known as Travancore sisters.

Lyrics of this song were sent to me by Avinash Scrapwala.

With this song, songs of “Kaajal”(1965) are now fully represented in the blog and this movie joins the list of movies that are YIPPEED in the blog.


Song-Chham chham ghunghroo boley re (Kaajal)(1965) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravi

Lyrics

chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley ae

baat chaley to aanchal dhalke
pag pag roop gagariya chhalke
baat chaley to aanchal dhalke
pag pag roop gagariya chhalke
Kanchan kaaya jhilmil jhalke
Kanchan kaaya jhilmil jhalke
khaaye kamaria hichkole
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley ae

Ma ga ma ga sa aa
Sa ni dha ma
Ni sa ni dha
Ni sa ni dha sa
Ga ma ga sa
Ma pa ga ma sa ni dha sa
?
Ga ma ga sa ga ma dha ni sa
Ga ma ga sa ga ma dha ni sa
Ga ma ga sa ga ma dha ni sa

Pal pal badhti jaaye uljhan
Paar karey kaise ghar aangan
Pal pal badhti jaaye uljhan
Paar karey kaise ghar aangan
Jaan ki dushman ban gayi jhaanjhan
Jaan ki dushman ban gayi jhaanjhan
Bhed jiyarwa ke khole ae
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley ae

aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa aa°°°°°°

Pi bin aise tadpe gori
Bin chanda jis tarah chakori
Pi bin aise tadpe gori
Bin chanda jis tarah chakori
Jaayegi milne chori chori
Jaayegi milne chori chori
Saas nanadiya jab so le
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley
Radha laaj ki maari it ut doley
dekho chham chham ghunghroo boley ae
dekho chham chham ghunghroo boley ae

———————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————–

छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले ए
बाट चले तो आँचल ढलके
पग पग रूप गगरिया छलके
बाट चले तो आँचल ढलके
पग पग रूप गगरिया छलके
कंचन काया झिलमिल झलके
कंचन काया झिलमिल झलके
खाए कमरिया हिचकोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले ए

म ग म ग सा आ
सा नि ध म
नि सा नि ध सा
ग म ग सा
म प ग म सा नि ध सा
?
?
ग म ग सा ग म ध नि सा
ग म ग सा ग म ध नि सा
ग म ग सा ग म ध नि सा

पल पल बढती जाए उलझन
पार करे कैसे घर आँगन
पल पल बढती जाए उलझन
पार करे कैसे घर आँगन
जान की दुश्मन बन गयी झाँझन
जान की दुश्मन बन गयी झाँझन
भेद जियरवा के खोले ए
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले ए

आ आ आ आ आ आ
आ आ आ आ आ आ
आ आ आ
आ आ आ
आ आ आ आ आ आ°°°°°°

पि बिन ऐसे तडपे गोरी
बिन चंदा जिस तरह चकोरी
पि बिन ऐसे तडपे गोरी
बिन चंदा जिस तरह चकोरी
जायेगी मिलने चोरी चोरी
जायेगी मिलने चोरी चोरी
सास ननदिया जब सो ले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले
राधा लाज की मारी इत उत डोले
देखो छम छम घुंघरू बोले ए
देखो छम छम घुंघरू बोले ए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4346 Post No. : 15654

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 36
—————————————————————————

This day ten years ago (viz 11 june 2010) saw as many as five songs being covered. Discussing as many as five songs in a day was quite rare those day. This feat was achieved only four times in previous seven months !

Following five ssongs were overed on 11 june 2010:-

SongMovie title-YearRemarksJeena kyaa aji pyaar binaaDhan Daulat – 198001 song posted (of 5)Gayaa bachpan jo aayi jawaaniAankhon Aankhon Mein – 1972All songs coveredMere man ke diyeParakh-1960All songs coveredMagar ae haseenaa e bekhabar Dholak-1951All songs coveredHam aankh michauli khelenge Khandaan-1942All songs covered

It is interesting to note that four films (out of five) covered that day are already YIPPEED. “Dhan Daulat”(1980) was on the other end of the spectrum. No other song from this movie has been discussed in last ten years !

Song Posted On
Jeena kyaa aji pyaar binaa 11.06.2010

“Dhan Daulat”(1980) was produced by Vinod Shah and directed by Harish Shah for Shilpkaar, Bombay. The movie had Rishi Kapoor, Neetu Singh, Mala Sinha, Pran, Premnath, Prem Chopra, Sujeet Kumar, Rajendra Kumar, Kader Khan, Agha, Vikas Anand, Brahm Bhardwaj, Preeti Ganguli, Avtar Gill, Azad aka Azad Irani, Daljit Kaur, Yusuf Khan, Kirti Kumar, Manmauji, Amarnath Mukherjee, Pardesi, Madan Puri, Jagdish Raj, Ranvir Raj, Sajjan, Master Sandeep, Amol Sen Aka Amal Sen, Asit Sen aka Asit Kumar Sen, Master Raju Shrestha, Shyamlal, Shyam, Birbal etc in it.

The movie had five songs in it and only one song has been covered so far (as already mentioned above).

As “Blog Ten Year Challenge”, here is the second song from “Dhan Daulat”(1980) to appear in the blog. the song is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. music is composed by R D Burman.

The song is picturised as a party song where a reluctant Neetu Singh is coerced to sing this song by Rishi Kapoor, with Prem Chopra egging her on. Sujeet Kumar, Azad irani etc are also present in this party.

The lyrics of this song were sent by Prakashchandra, whereas the devnagri script lyrics are by Avinash Scrapwala.

The audio version contains the fuull song, whereas the video only contains one stanza.

Audio

Video (Partial)

Song-Shikwa koi tumse na hai tumpe koi zor (Dhan Daulat)(1980) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics( Provided by Prakashchandra) (based on audio link)

shikwa
koi tumse
naa hai tumpe
koi zor
tumko apna
samjhein ham
tum nikley
koyi aur
tum nikley
koyi aur
shikwa
koi tumse
naa hai tumpe
koi zor
tumko apna
samjhein ham
tum nikley
koyi aur
tum nikley
koyi aur

laaye thhe aankhon mein
ham bhi kya kya sapne
chhota sa aangan sajegaa
pyaar se apne
laaye thhe aankhon mein
ham bhi kya kya sapne
chhota sa aangan sajegaa
pyaar se apne
lekin
zindagi ka
nahin sapne jaisa tod
tumko apna samjhein ham
tum nikley
koi aur
tum nikley
koi aur

kehte hain raahi ko
loote hai andhiyaara
lekin loota raushni mein
pyaar hamaaraa
kehte hain raahi ko
loote hai andhiyaara
lekin loota roshni mein
pyaar hamaaraa
sunn lo
sunn sako to
rote armaanon kaa shor
tumko apna
samjhein ham
tum nikley
koi aur
tum nikley
koi aur
shikwa
koi tumse
na hai tumpe ae
koi zor
tumko apna
samjhein ham
tum nikley
koi aur
tum nikley
koi aur

ho o tum nikley
ko aur

————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————–
शिकवा
कोई तुमसे
ना है तुमपे
कोई ज़ोर
तुमको अपना
समझें हम
तुम निकले
कोई और
तुम निकले
कोई और
शिकवा
कोई तुमसे
ना है तुमपे
कोई ज़ोर
तुमको अपना
समझें हम
तुम निकले
कोई और
तुम निकले
कोई और

लाये थे आँखों में
हम भी क्या क्या सपने
छोटा सा आँगन सजेगा
प्यार से अपने
लाये थे आँखों में
हम भी क्या क्या सपने
छोटा सा आँगन सजेगा
प्यार से अपने
लेकिन
ज़िन्दगी का
नहीं सपने जैसा तोड़
तुमको अपना समझें हम
तुम निकले
कोई और
तुम निकले
कोई और

कहते हैं राही को
लूटे है अंधियारा
लेकिन लुटा रौशनी में
प्यार हमारा
कहते हैं राही को
लूटे है अंधियारा
लेकिन लुटा रौशनी में
प्यार हमारा
सुन लो
सुन सको तो
रोते अरमानों का शोर
तुमको अपना समझें हम
तुम निकले
कोई और
तुम निकले
कोई और
शिकवा
कोई तुमसे
ना है तुमपे
कोई ज़ोर
तुमको अपना
समझें हम
तुम निकले
कोई और
तुम निकले
कोई और

हो ओ तुम निकले
कोई और …


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4281 Post No. : 15525 Movie Count :

4280

Hullo Atuldom

April 7th, 2020. Day 14 of the holidays that whole of India is experiencing. I don’t know about others but I am having my husband’s company, reading every single WhatsApp message and their accompanying videos and seeing many movies- some of which for the “nth” time; language no-bar.

Seeing repeats of movies has its advantage. We see things that make up the background, notice the expressions of chorus dancers, look at the supports that the actors have when they do activities that they aren’t comfortable with. For example, I was seeing Amitabh starrer “Yaarana” a few days back. There is a scene where Amitabh and Amjad Khan are shown to be indulging in Hang-gliding. Now I have been seeing this movie since 1979 and have lost count of the number of times I have seen it. This time I saw that in the hang-gliding scene there is some kind of metal support that is inserted into the outfits of the actors. Now I would like to know that is that kind of safety measure available for all aficionados of hang-gliding or that was something special for the shoot.

Another habit I have acquired of late is seeing movies in all the languages it is made in -Hindi, Tamil, Malayalam or Telugu. And there is no paucity of such movies. I had seen a 1979 Tamil movie “Nallathoru Kudumbam” (roughly translating to “Wonderful Family”) with Shivaji Ganesan and Vanisri in the lead. They played a couple whose married life is rocked by the wife suspecting her husband’s loyalty due to his colourful past. It was a remake of the 1977 Telugu film “Aalu Magalu” (Wife and Husband) which had Vanisri with Nageshwara Rao. When I saw the Tamil movie on Satellite TV a few years back I had mentally thought that the songs from its Hindi version should be here on the blog.

Here is the opportunity for “Judaai” (1980) to make its entrance into the blog. Jeetendra is turning a year older- 78 to be exact. He has had a long innings in the movies starting with playing the heroine Sandhya’s body double in Shantaram’s ‘Sehra’ in 1963.

To my knowledge he was last seen in Farha Khan’s ‘Om Shanti Om’ in 2007. He has had Mumtaz, Rajashree, Leena Chandavarkar, Hema Malini, Moushumi Chatterjee, Rekha, Reena Roy as his heroines in the late 60s and 70s. 80s saw him successfully pairing up with Sridevi and Jaya Prada. Along the way he has occasionally paired with Sharmila Tagore, Mala SInha, Zeenat Aman, Parveen Babi, Shabana Azmi, and Bindiya Goswami too.

Jeetendra and Rekha acted in 31 films and were romantically paired in 26 of which 15 were hits beginning with ‘EK Bechara” in 1972. “Judaai” was also a Rekha- Jeetendra movie. Sachin and Arun Govil played their sons with Shoma Anand and Tamanna playing the daughters-in-law.

Today’s is a party song where we have a middle-aged Dr. Shashikant (Jeetu) out-dancing Lily (Aruna Irani) after she has defeated the youngsters Sachin and Arun Govil. This was a guest appearance of Aruna Irani who was seen with Jeetu in ‘Farz’ and ‘Caravan’. The song is sung by Asha Bhonsle and Kishore Kumar with Anand Bakshi as the writer and Laxmikant Pyarelal as the music directors. This song was inspired from either The Beatles, Boney M or ABBA

Video (Longer but poor quality)

Video (shorter but good quality)

Audio

Song-Saamne aa dekhe zamaana saara (Judaai)(1980) Singers-Asha Bhonsle, Kishore Kumar, Lyrics- Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

—————————-
Dialogues
—————————–
Hey
come on

how about you
young man

hahahahahaha
ho ho ho ho ho

hai koi
jo mere muqaabil aaye

dekh kya rahe ho
jawaab do
haan

Yes
I am here

o o
tum naachoge
ye umar
aur ye jigar

puraane chaawalon ka dam tumne abhi dekha nahin

yeah yeah come on
buck up
—————————-
Song begins
—————————
saamne aa
dekhe zamaana saara
saamne aa
dekhe zamaana saara
saamne aa
maine pukaara tujhe
maine lalkaara tujhe ae
saamne aa
dekhe zamaana saara
saamne aa
hey
saamne aa
dekhe zamaana saara
saamne aa
maine pukaara tujhe
maine lalkaara tujhe
zara sambhal tu

hey hey
sambhal ke chal tu
hey hey
zara sambhal tu
hey hey
sambhal ke chal tu
whoo le woo
puraani yaad aa gayi

hey
jawaani yaad aa gayi
hey
puraani yaad aa gayi
hey
jawaani yaad aa gayi
hey
saamne aa
dekhe zamaana saara
saamne aa

kitne haseenon ka garoor
toda hai
haan haan toda hai
kitne haseenon ka garoor
toda hai maine jawaani mein

woh din gaye
woh mausam gaye
haan woh din gaye
woh mausam gaye
rakkha hai kya iss kahaani mein
ye baat hai
haan haan ye baat hai
ye baat hai
haan haan ye baat hai
toh zara sambhal tu
hey sambhal ke chal tu
zara sambhal tu
sambhal ke chal tu
whoo le woo
u u u u u u
puraani yaad aa gayi
jawaani yaad aa gayi
puraani yaad aa gayi
jawaani yaad aa gayi
saamne aa
dekhe zamaana saara
saamne aa

Chhote Miyan toh chhote Miyaan
arre bade Miyaan kya kehna aa aa
Chhote Miyaan toh chhote Miyaan
ho bade Miyaan kya kehna
Ab bhi kisi se main kam nahin
isi dhokhe mein tu mat rehna

Yeh baat hai
Haan haan yeh baat hai
Yeh baat hai
Haan ji yeh baat hai
Zara sambhal tu
Sambhal ke chal tu
Zara sambhal tu
Sambhal ke chal tu

Whoo le wooo
puraani yaad aa gayi
jawaani yaad aa gayi
puraani yaad aa gayi
jawaani yaad aa gayi
saamne aa
dekhe zamaana saara
saamne aa

dekha meri lay toot gayi gayi gayi
dekha meri lay toot gayi gayi gayi
toone mujhe kyun chheda hai
aata nahin jin ko naachnaa
aata nahin jin ko naachnaa
kehte hain aangan tedha hai
aata nahin jin ko naachnaa
kehte hain aangan tedha hai

whoo le wooo
whoo le wooo
whoo le wooo

hahaha


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4226 Post No. : 15433

I was aware that today is the birth anniversary of Pran, but I was not aware that today is his 100th birth anniversary !

It was on this day 100 years ago that Pran (12 February 1920 – 12 July 2013) was born.

Pran was born in Lahore and he made his debut in films in Lahore in early 1940s. There, he soon graduated to lead roles. In “Khaandaan”(1942), he had acted opposite Noorjehaan. . After partition, he came to Bombay where he was a nobody and so he had to start from scratch there.

It was in Bombay that Pran began to get the roles of a villain and it waas in these roles that he made his mark. He started his stint in Bombay with “Ziddi”(1948). He played villains but no two roles of his were same. In every movie he brought something new to his acting. And his acting was so convincing that ordinary movie goers dreaded and dipised his roles. Very few people in India named their sons as Pran. That is the kind of impression he had created in the minds of movie goers. 🙂

In 1960s, his dark roles gradually started to become less dark, with doses of kindness and comedy in them and a time came when he became a character artist, beginning from “Upkaar”(1967). The distributors of “Upkaar”(1967) were very nervous, unsure how this new role of Pran would be received by the moviegoers who were so used to see him as a dreaded villain. Fortunately, the movie was a big hit and Praan’s role as Malang Chaacha was loved by moviegoers.

Pran had got to sing very few songs on screen as a villain, but he started to get songs as a character artist. And this process started with “Upkaar”(1967) itself. The song Kasme waade pyaar wafa turned out to be a much loved song, much to the relief of Kalkyanji Anandji, who were dreading that their composition would flop because it was to be picturised on Pran !

Subsequently, Pran has figured in quite a few songs in Hindi movies. And these songs became surprise hits. For instance, “Zanjeer”(1973) song Yaari hai imaan mera yaar meri zindagi became the most popular song of the year in Binaca geetmala ! “Kasauti”(1974) song, Ham bolega to bologe ki bolta hai was my favourite song durings its time. Same was the case with the song Daru ki bottle me sahab paani bharta hai from “Majboor”(1974).

On the occasion of the 100th birth anniversary of Pran, here is a song from “Zindaadil”(1975). The song is sung by Lata, Shailendra Singh and Mahendra Kapoor. Verma Malik is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a get together song. It is lip synced by Rishi Kapoor, Zaahira, Neetu singh and Pran.

Lyrics of this song were sent to me by Avinash Scrapwala. Incidentally, he too shares his birthday with Pran. So we take this opportunity to wish him a happy birthday and many happy returns of the day. Today also happens to be the wedding aniversary of our regular Nitin Shah. We wish him and his better half on this occasion.

Quite a lively and appropriate song for the occasion it is.

Video
(video)
Audio

Song-Shaam suhaani aayi khushiyaan ban ke pahli baar (Zindaa Dil)(1975) Singers-Lata, Mahendra Kapoor, Shailendra Singh, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Lata Mangeshkar+ Shailendra Singh

Lyrics (Provided by Avinash Scrapwala)

Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
To lekar thumkaa naachoon
Aaj main tan ke pehli baar
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar

Pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Raat aayi hai kismatwaali
Jalaao deewaali
Milaa hai qaraar
Milaa hai sansaar
Is man ki paawan dharti se
Phoot padaa hai pyaar
Phoot padaa hai pyaar

Pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Khaata jaa peetaa jaa
Bhar paimaana tu
Hey hey
Khaata jaa peetaa jaa
Bhar paimaana tu
Ho ho
Apnaa rang jamaata jaa
Ho deewaana tu
Hey hey
Masti mein lehraata jaa
Ban mastaana tu
Apnaa aaj banaataa jaa
Ye zamaana tu
Mere jeewan ke gulshan mein
Aayi nayee bahaar
Aayi nayee bahaar

Pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Main to ambar ki baahon mein jhooloon
Sitaaron ko chhoo loon
Kiran ban ke
Sapan ban ke
Aaj mere seene mein dhadkan
Meethhee kare pukaar
Meethhee kare pukaar
Pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar

——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————-

आ आ आ आ आ
आ आ आ आ आ

शाम सुहानी आई
खुशियाँ बन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार

पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
रात आयी है किस्मतवाली
जलाओ दीवाली
मिला है करार
मिला है संसार
इस मन की पावन धरती से
फूट पडा है प्यार
फूट पडा है प्यार

पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

खाता जा पीता जा
भर पैमाना तू
हे हे
खाता जा पीता जा
भर पैमाना तू
हो हो
अपना रंग जमाता जा
हो दीवाना तू
हे हे
मस्ती में लहराता जा
बन मस्ताना तू
अपना आज बनाता जा
ये ज़माना तू
मेरे जीवन के गुलशन में
आयी नयी बहार
आयी नयी बहार

पहली बार
एक फौजी का बेटा
चला है तन के पहली बार
एक फौजी का बेटा
चला है तन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार

देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
मैं तो अम्बर कि बाहों में झूलूँ
सितारों को छू लूं
किरण बन के
सपन बन के
आज मेरे सीने में धड़कन
मीठी करे पुकार
मीठी करे पुकार
पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15935

Number of movies covered in the blog

Movies with all their songs covered =1224
Total Number of movies covered =4365

Total visits so far

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Active for more than 4000 days.

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