Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Get together” song’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4495 Post No. : 16026

Hullo Atuldom

“Saagar” (1985) had a cast of Dimple Kapadia, Rishi Kapoor, Kamal Hasaan, Saeed Jaffery, Nadira, Sharat Saxena, Shafi Inaamdar, Satish Kaushik, Lilliput and Madhur Jaffery. It was directed by Ramesh Sippy and was produced by G P Sippy’s ‘Sippy Films’. It was a vehicle for Dimple’s comeback into Bollywood after her sabbatical brought on by marriage and family life. She was making a comeback after a gap of about 11 years. Her heroes were also her age group so they made an eye-pleasing team.

“Saagar” was a simple love story of a rich boy falling in love with a ‘not-so-well off girl’ who helps her father run a tavern in a fishing village . She has a childhood friend (Kamal) who loves her but cannot get himself to profess it. Into this village the rich boy (Rishi) walks in, befriends Raja (Kamal) and falls in love with Mona (Dimple). There is also friendship between the three, almost reminiscent of Raj Kapoor’s “Sangam”. We have Ravi’s (Rishi) grandmother playing the spoke in the cartwheel of the lovers. We also have one friend sacrificing his love for the happiness of the other two.

All-in-all nothing spectacular just that the movie was entertaining and we had the lead actors giving good performances. The songs were written by Javed Akhtar, and RD Burman was the composer. He had Kishore Kumar (who won a Filmfare award for “Saagar kinaare”), Lata Mangeshkar, S P Balasubramaniam, Asha Bhonsle and Shailendra Singh singing the songs in the movie.

I am writing this post to wish the superstar of South Indian cinema on his 66th birthday. He has been in the industry from a young age. He began as a child-actor and I have written a brief about him in this post of mine four years ago. So let us get directly to the song and marvel at this actor’s ability to emote with his eyes.

The song is sung by SPB and is a party song which is a celebration of the characters birthday. It has Nadira and Lilliput who are aware of Raja’s feelings and Saeed Jaffery and others who are oblivious. The song also begins with RD’s trademark of making music with unusual instruments; here he has used a comb.

Wishing Kamalhassan all health and happiness today on his 66th birthday.


Song-Sach mere yaar hai (Saagar)(1985) Singer-S P Balasubrahmaniam, Lyrics-Jawed Akhtar, MD-R D Burman
Chorus

Lyrics

sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere

jis haathh mein ik haathh hai
us haathh ki ee kya baat hai
kyaa faasle ae kya manzilen
ik humsafar gar saath hai
jiski kismat koi yoon sanwaar de
wohi dildaar hai ae
yaar mere
ho o yaar mere

sunte thhe hum ae zindagi
gham aur khushi ka mel hai
hum ko magar aaya nazar
ye zindagi wo khel hai
koi sab jeete
sab koi haar de
hahaha
apni to haar hai
yaar mere
haan yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
haan yaar mere
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4485 Post No. : 16004 Movie Count :

4383

———————————————-
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 108 # Tribute to Lyricist – Anjaan #
——————————————————————————–

Today 28th Oct’2020 is the ninetieth birth anniversary (born on 28.10.1930 in Varanasi) of Lalji Pandey better known to us by his pen-name ‘Anjaan’.

As per our blog statistics he has written over 1300 songs during his career in Hindi movies. Most of his works were in collaborations with composers Kalyanji–Anandji, Laxmikant-Pyarelal, R. D. Burman and Bappi Lahiri.

He passed away at the age of sixty-six on 3rd of Septemeber’1997 in Mumbai.

On his ‘birth anniversary’ I was looking for a song from a new movie where he had penned all the songs.

I am taking the readers to the decade of seventies. Today we will listen to an enjoyable song from that decade. This song was frequently heard on radio those days. It was perhahs the only known song from the movie.

I have not watched this movie so I am in no position to discuss much about it.

The movie is “Jwaalaamukhi”(1980). So it is another same name movie getting introduced in the blog.

“Jwaalaamukhi-1980” was directed by Prakash Mehra for Baboo Mehra Productions, Bombay. It had Waheeda Rehman, Shatrughan Sinha, Reena Roy, Vinod Mehra, Shabana Azmi, Bindu, Kader Khan, Shreeram Lagoo, Pran, Ram Sethi, Bhola, Yunus Parvez, Shivraj, Asha Chandra, Mumtaz Begam, Goga, Kirti, Uttam Sodi, Jugnu and others.

Amjad Khan, Aruna Irani and Raj Babbar had ‘special appearance’ in the movie.

The movie was passed by Censor Board on 17.12.1980.

I do not remember how this movie had fared at the box office so I would request knowledgeable readers to throw more light on the movie and its songs.

The movie had five songs including a music track as mentioned in HFGK and listed below (our new practice now onwards while introducing a movie 😊)

All the songs were written by Anjaan and music was composed by Kalyanji-Anandji.

None of the songs from this movie made it to the ‘annual list of Binaca Geetmala’ of 1981 (as the movie was released in December’1980).
When I thought that the today’s song should be more popular as I liked it listening then too and could have made to the list or ‘shadow list’ of the ‘binaca geetmala’ (or songs that could not make it to the finals as compiled by Anil Bhargava), to my surprise it was not. However, one other song from this movie “Paan, beedi, cigarette, tambaaku, na sharaab, ham ko nasha hai muhabbat ka janaab’ sung by Kishore Kumar made it to this ‘shadow’ list.

List of songs in this movie as appearing in HFGK (1971-1980) Vol-V.

Song Title Singer
1) Hum tere bina bhi nahin jee sakte … Kishore Kumar, Mahendra Kapoor, Asha Bhonsle, Hemlata
2) Hmm hmm tujhe sab pyaar karte hai…ye chehre pe chehraa Kishore Kumar
3) Kabhi tumne kisi ko phaansaa … Asha Bhonsle, Kishore Kumar
4) Hmm welcome …. hamko to nashaa muhabbat ka hai janaab Kishore Kumar, Shatrughan Sinha
5) Music –

let us now enjoy this wonderful and highly hummable song. It is picturized on Shabana Azmi, Shatrughan Sinha, Vinod Mehra and Reena Roy who are performing on the song while many others are seen in the picturization of this song.

Lyrics of this song were sent by Prakashchandra.

Audio

Video

Song-Tere bina bhi nahin jee sakte (Jwaalamukhi)(1980) Singers-Asha Bhosle, Kishore Kumar, Mahendra Kapoor, Hemlata, Lyrics-Anjaan, MD-Kalyanji Anandji
(Kishore Kumar + Mahendra Kapoor)

Lyrics(Provided by Prakashchandra)

(dialogues not included)

hum
tere bina bhi nahin jee sakte ae ae aur
tere bina bhi nahin jee sakte
hum tere bina bhi nahin ji sakte ae ae aur
tere bina bhi nahin jee sakte
arrey hona kisi ek ka hai
ye hamko pataa hai
magar kya karen
dil se
majboor hain hum
tere bina bhi nahin jee sakte ae ae
aur tere bina bhi nahin jee sakte aur
tere bina bhi nahin jee ee sakte

kyaa ye raaz hai
kaisaa andaaz hai
main tera nishaana hoon
woh tera deewaana
deewaanon ka anjaam kyaa hogaa

kyaa ye pyaar hai
kaisa iqraar hai
waadaa hai kisi se
iraada hai kisi ka
to phir dil ka
kya faislaa aa hogaa aa

arrey jaise nadiya ke do kinaare
waise tum to do yaar
tum donon do aankhein hamko
donon se hain pyaar
ham tere bina bhi nahin jee sakte ae ae ae
aur tere bina bhi nahin jee sakte
arrey hona kisi ek ka hai
ye hamko pataa hai
magar kya karen
dil se
hunh majboor hain hum
tere bina bhi nahin jee sakte ae ae ae aur
tere bina bhi nahin jee sakte aur
tere bina bhi nahin jee ee sakte

satyug ki reet woh
kalyug mein naa chaley
paanch pandaavon ki thhi
ek patraani
ye tab thha
magar ab nahin hogaa

satyug ki reet kyun
kalyug mein naa chalein
unkaa dil bhi dil thha
hamaara dil bhi dil hai
jo tab thha
woh ab kyun nahin…ee hoga
arrey yug badley to
duniya badley
badley har dastoor

o badley har dastoor
badalna hamein nahin manzoor
hum tere bina bhi nahin jee sakte ae ae
aur tere bina bhi nahin jee sakte
arrey hona kisi ek ka hai
ye hamko pataa hai
magar kya karen
dil se
majboor hain aen hum
tere bina bhi nahin jee sakte ae ae ae
aur tere bina bhi nahin jee sakte ae aur
tere bina bhi nahin jee ee sakte

kya khayaal hai
wallahha kamaal hai
zameenein bant jaayein
jaageerein bant jaayein
dilon ka batwaara nahin hotaa
ye dil bhi khoob hai
kaise mehboob hain
aisa huaa na hoga
ik dil se pyaar do do kaa
duniyaa ko gawaaraa nahin hotaa

arrey dil ka aanaa dil ka jaanaa
kahaan hain apne haath
kaun kahaan kis ka ho jaaye
ye qismat ki baat

tum mere binaa bhi nahin jee sakte ae ae
aur
mere binaa bhi nahin jee sakte

arrey honaa kisi ek ka hai ye inn ko pataa hai
magar kya karen ae

dil se majboor hain aen hum
tere bina bhi nahin jee sakte ae ae ae aur
tere bina bhi nahin jee ee sakte aur
tere bina bhi nahin jee ee…ee sakte


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4474 Post No. : 15976

“Aakhir Kyon”(1985) was produced and directed by J Omprakash. Now I realise why this movie title starts with the letter “A”. 🙂

The movie had Rajesh Khanna, Smita Patil, Rakesh Roshan, Tina Munim, Asrani, Sujit Kumar, Shubha Khote, Beena Bannerjee etc in it.

THe movie was a archtypical South Indian “social” movie. Peevesie’s mom, while discussing one earlier song from the movie had provided this summary of the story of the movie

That movie had a very topical theme of a wife (Smita Patil) being abandoned by her whimsical husband (Rakesh Roshan) for another girl (Tina Munim). The story goes on to show Smita becoming a TV anchor (she was one prior to coming into movies) and then graduating to a Novelist. Then it turns out that when her husband’s business falls in bad times he approaches her; requests her to write for him; so that he can get their daughter (whom had forcibly kept with himself at the time of separation) married decently. That is the gist of the movie. We also had a partly bald Rajesh Khanna playing a TV (DoorDarshan) cameraman who admires Smita for her rebounding power and is a support to her throughout.

This movie came at a time when DD was the only channel available and people used to have one TV in their drawing rooms. And whole families used to sit and watch whatever was dished out to them. Otherwise I cannot imagine an entire family sitting and watching this kind of a musical show on TV these days. Also those were the days when people used to quote Rani Jhansi in all their speeches. Also Indira Gandhi and Margaret Thatcher were sources of inspiration.

The movie had five songs in it. Four songs have been covered so far, with the movie making its debut in the blog in 2008, the first year for the blog !
Here are the details of the song covered in the blog :-

Blog post number Song Date posted
422 Dushman na kare dost ne wo kaam kiya hai 21 December 2008
5603 Saat rang mein khel rahi hai 8 March 2012
9544 Komal hai kamzor nahin tu 8 March 2014
15696 Ek andhera laakh sitaare 2 July 2020

We can see from the table that second and third song from the movie were discussed on 8th march (2012 and 2014) on the occasion of Women’s day. It shows that the movie had some sort of “Women’s empowerment” message in the movie.

Today (17 october 2020) happens to be the birthday anniversary of Smita Patil (17 October 1955- 13 December 1986). On this occasion, here is the fifth and final song from “Aakhir Kyon”(1985) to appear in the blog.

This song is sung by Lata. Indeewar is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised as a get together song where Smita Patil lip syncs this semi classocal song while others, including Tina Munim, Rakesh Roshan and others look on. Tina Munim also uses this opportunity to fantasise about Rakesh Roshan.

Lyrics of this song were sent to me by Avinash Scrapwala.

With this song, all the five songs of “Aakhir Kyon”(1985) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog. This movie took nearly 12 years (3753 days to be precise) to get YIPPEED.

This song is the 3600th song of Lata Mangeshkar as a playback singer in the blog.

Video

Audio

Song-Shaam huyi chadhh aayi re badariya (Aakhir Kyon)(1985) Singer-Lata, Lyrics-Indeewar, MD-Rajesh Roshan

Lyrics (Provided by Avinash Scrapwala)

Aa aa aa aa aa
aa aa aa
Hoon hoon hoon
Hoon hoon

Shaam Huyee
Chadh Aayee Re Badariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa
Abahoon Naa Aaye
More Shyaama Sanwaariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa

Abahoon Naa Aaye
More Shyaama Sanwaariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa

O o o
Aa aa aa

Anchhuye Honth Mere
Khoye Khoye Nain Mere
Goonjatey Hai Praanon Mein
Madhur Madhur Bol Tere
Mere Saath Bain Kare ae Ho o
Mere Saath Bain Kare
Moree Atariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa

Solah Baras Beete
Gin Gein Ratiyaan
Pee Se Milan Chalee
Sang Kee Sakhiyaan
Ab to Le Lo Piyaa aa Ho o
Ab to Le Lo Piyaa
Aake khabariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa

Paa ni saa re
Ni saa re
Ni saa re
Ni dha paa
Aa aa aa
Aa aa aa
Shaam Huyee
Chadh Aayee Re Badariyaa
Abahoon Naa Aaye
More Shyaama Sanwaariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa
Shaam Huyee
Chadh Aayee Re Badariyaa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4467 Post No. : 15958

Hullo Atuldom

Today’s date(10 cctober 2020) is rather unique. Fellow ASAD follower Satyajitji, from down-under, pointed it out. 10102020- “never before, never again” was the reaction to that from another regular follower of the blog. Of course it is a “unique arrangement of the numbers that form the date which is appreciated by our brain”. A true statement by our in-house encyclopaedia.

Today’s post is a rather difficult one too. Never before have I faced such a dilemma. It is a case of too many options. I sifted through a whole lot of songs before I made a choice.

The song features a heroine who was not so great-looking when she made her debut in 1970. She was extremely ordinary. Very gawky. She has said in many of her interviews that she was very uncomfortable wearing all those funny, awkward dresses and costumes. She was not happy doing the dance steps she was made to perform. She was cast opposite heroes old enough to be her father- she was hardly 13 or 14 when she made her debut. She didn’t have an elder to guide her in choosing films like her contemporary Hema Malini who had her mother with her at every stage in her career.

Her first film was not in Hindi though; it was in Telugu as a child actress- not one but two- one as a 4-year old in 1958 and next in 1966 when she was 12. Her next film was in Kannada with Dr. Rajkumar as the male lead in 1969.

But she accepted all that came her way. She has survived in an industry where fortunes change every Friday. She learnt the art of perfect make-up first. Then followed it up with some strict regimen and went from gawky to gorgeous. She was already good at emoting and dancing she just polished them up and learnt from her job and gave it all she had. For some of her heroes she was a lucky mascot and sure route to success whenever their career hit a few flops. And Jeetendra has said this in so many words once. And she doesn’t tire of admitting that if given a second chance she will love to walk the same path again.

I need not specify that I am talking of Bhanurekha Ganesan who is popular as Rekha- the sweet heart of a whole generation of moviegoers. There was a time when Hema Malini was my personal favourite as also the favourite of a few of my classmates. Then I saw “Khoobsurat” 1980 (I don’t tire of telling this) following it up with “Agreement” “Jal Mahal” and the best of the times-“Umrao Jaan”. “Umrao Jaan” was the best in terms of acting, direction, songs and small wonder that she was awarded the National Award for the best Actress for that year. I had seen a few of Rekha’s movies prior to “Khoobsurat” too but most of those movies had her playing the typical film heroine where she just had to look an eye-candy flutter her eyelashes, sing a song too and scream her way through. But she was earnest in all of those too.

She was cast in many two-heroine movies like “Nagin” (this had more than two heroines), “Muqaddar Ka Sikandar”, “Ram Balram” etc. She was heroine to actors of the 60s- Raj Kumar, Sunil Dutt, Rajendra Kumar, Dharmendra, Shashi Kapoor, Feroz Khan, Biswajeet, Deb Mukherjee, Sanjeev Kumar (I am sure I am missing a few) and actors who made their debut in the later years of the 60s- Rajesh Khanna, Jeetendra, Sanjay Khan etc. She has also paired with Navin Nischol (hero in her debut film), Anil Dhawan, Randhir Kapoor, Rakesh Roshan, Amitabh Bachchan, Shatrughan Sinha, even Rishi Kapoor and Mithun Chakravarty. Some actors who were her fans as youngsters also got to be her hero- Anil Kapoor (another ageless wonder who has done two with her), Akshay Kumar for example. But Rekha herself did movies with Dilip Kumar and Dev Anand (whose fan she was) rather late in their careers. She was Shashi Kapoor’s Vasantsena in “Utsav” and Rakesh Roshan’s avenging angel in “Khoon Bhari Maang”.

Sorry I can go on and on and people will say a fan is at work here. But I cannot get enough of her and when I chanced upon this video of Hema Malini’s 70th birthday I was supremely pleased as it gave me both my favourites in one video. Such a lot of camaraderie between the two beauties, difficult to choose who is more beautiful

Getting to today’s song, it is from a movie which was directed by Manmohan Desai. As per the tradition of Manmohan Desai movies we have Randhir Kapoor and Shatrughan Sinha as brothers who get separated as children. Both like the same girl but the girl likes the simpleton from the village who has respect for even a night-club dancer. I shall not give the story of the movie will just give the name of the movie- Rampur Ka Laxman.

Wishing our ageless diva a very happy birthday with this song which shows her in one of those costumes that I spoke of earlier. It doesn’t compliment her and that hairdo was the standard which all heroines sported back then. Plus not to miss the kilos of makeup that she had on. If my memory is correct this was a song at the birthday party of the character played by Rekha and we have Sulochana (who was the mother of the heroes playing Rekha’s nanny), Roopesh Kumar, Raj Mehra, and a smart young looking Ranjeet (who is waiting in the wings for spoiling the party).

Audio

Video

Song-Arre pyaar ka samay kam hai jahaan (Rampur Ka Laxman)(1972) Singers-Kishore Kumar, Lata, Rafi, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

arre pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyon mere yaar
maine bhi aaj
kya baat kahi de taali
arre pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali

jo bhi kare pyaar
main uska yaar
ghalat mujhe na samajhna
main to yahaan
aaya hoon milan ke liye
main subah shaam sabka ghulaam
itna magar yaad rakhna
bura hoon main
bas dushman ke liye
ulfat ke jo pyaase ho tum
chaahat ka hoon mai nbhi sawaali
pyaar ka samay kam hai jahaan
ladte hain log kaise waha
kyon mere yar maine bhi aaj
kya baat kahi de taali

abhi ye sama hai meharbaan
jhoom ke jeele deewaane
kaisi ee haaye mastaani raat hai ae
zindagi ka lele maza
phir kya ho kaun jaane
bhaai mere ae
kuchh na tere haath hai
do char pal lehraake chal
hai zindagi kab rukne waali
pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali

khel hansi aadat meri
chup rehna main na jaanoon
maine yahi ab tak jaana nahin
tum bhi mere
tum bhi mere
sabko apna hi maanoon
par ye dil sabka deewaana nahin
aur jispe hai deewaana dil
uski ada sabse niraali
pyaar ka samya kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4455 Post No. : 15925

“Man Pasand” (1980 – censored on 26-6-1980 and released on 11-7-1980) was among the first few movies whose music cassette was purchased by my father along with “Yaarana” when they hit the market. And since then I am a huge fan of their songs. I Know almost all of them by heart.
This was a movie produced by Amit Khanna and directed by Basu Chatterji. Rajesh Roshan was the music director and Amit Khanna himself wrote the lyrics. The movie itself was inspired by the famous stage play by George Bernard Shaw – ‘Pygmalion’ (first published in 1913), and also on the hugely popular iconic film ‘My Fair Lady’ (1964 – Rex Harrison and Audrey Hepburn). The movie stars Dev Anand, Tina Munim, Girish Karnad, Simple Kapadia, Leela Mishra, Jalal Agha (appears as a guest in the song with this post), Piloo Wadia and Mehmood.

The movie has Dev Anand and Girish Karnad playing best friends, bachelors and musicologists. They encounter a loud and foul-mouthed vendor of ‘datun’ {neem branches} in the late-night local trains of Mumbai. Then and there, Dev (Pratap) throws a challenge that he can transform the unpolished girl into a graceful and talented singer and Karnad (Kashinath) picks up the bet and agrees to marry the girl if Pratap is successful.”

The above is from the last post that I wrote for this movie, in 2018 to celebrate Dev Anand’s 95th birthday.

We revisit the movie today. It has songs in the voice of another legend. When this movie was being made i.e. at the time of recording the songs of this movie, our Nightingale or Saraswathi- incarnate (as she is addressed by her ardent fans) must have been in her late 40s or just turned 50. She had been in the industry for nearly 37-38 years having stepped into the film world at the young age of 13, with the sole aim of supporting her family after the untimely death of her father. There was a time when she was rejected by Sashadhar Mukherjee for having a “thin-voice”. But it is that same “thin-voice” which was used in later years for songs that were filmed as early morning songs- “jaago mohan pyaare jaago” (Jaagte Raho); “jyoti kalash chalke” (Bhabhi Ki Choodiyan); “Satyam Shivam Sundaram” & “Bhor bhaye panghat pe” (Satyam Shivam Sundaram); and the bhajan which Saira Banu lip syncs in the morning hours in “Shaagird” – ‘Kanha kanha aan padi main tere dwar’. These are only a sample of what India’s Nightingale -Lata Mangeshkar – has given us over a career span of about 66-67 years. From the discography available on various websites it looks like she has stopped singing film songs sometime in 2010- that is why I have said that the career span is about 66/67 years. Of course, there was a time when she used to sing for actresses who were 50 years younger to her; then she switched to singing one or at the most two songs per movie after 2001 but has kept her date with recording songs by bringing out non-film albums and bhajans etc. I read somewhere that after a 14-year hiatus she recorded a song for some movie called “Dunno Y—Na Jaane Kyun” (2010).

She is a recipient of various awards including the Dadasaheb Phalke award in 1989, the Padma Bhushan (1969), Padma Vibhushan (1999) and finally the Bharat Ratna in 2001. She definitely is India’s Ratna (Gem), don’t know if we will have another like her ever!!!!

Coming back to the song for this post. This is the song by which Pratap (Dev Anand) introduces a fully trained & graceful Kamli (Tina) to upper class, high-society, party-going friends of his. He showcases her as an accomplishment of his scientific method of music coaching. The song which is composed by Rajesh Roshan as a semi classical number was picturised on a young Tina Munim and gives us a sample of what the ‘Koyal Kanthi’ Lata Mangeshkar is all about. Why I say sample is because this is a very short song. There are other songs where she has sung full classical and semi classical for close to ten minutes or even more. Here I remember another song where, in a Dev Anand movie, S D Burman has given Lata Didi (as the film industry addresses her) an 8½ minute song which has various ragas incorporated in it (any guesses which song I am referring to).

“Man Pasand” has had a rather slow journey on the blog. The movie has 8 songs of which the first one in Mohd. Rafi’s voice was posted in March of 2009. The previous song posted was in 2018 on the occasion of Dev Anand’s birth anniversary.

Here is the penultimate song the post for which began a day before Devsaab’s birth anniversary in 2019.

I can write a lot more about the song and the near-parallel careers of Devsaab and Latadidi in the film industry. But I choose to halt here.
Wishing our dear Lata Mangeshkar, a very Happy 91st birthday. Salute to her on her long innings in the industry.

Audio

Video

Song-Suman Sudha Rajni chanda aaj adhik kyun bhaaye (Manpasand)(1980) Singer-Lata, Lyrics-Amit Khanna, MD-Rajesh Roshan

Lyrics

suman sudha
rajni chanda
aaj adhik kyun bhaaye
suman sudha
rajni chanda
aaj adhik kyun bhaaye
suman sudha

prem singhaashan piya biraaje
pankha jhaloon main haule
mohit mugdh unhin ko taakoon
ban mayur mann dole
suman sudha rajni chanda
aaj adhik kyun bhaaye
suman sudha
rajni chanda
aaj adhik kyun bhaaye
suman sudha

ooo aaaaa mmmmm aaaaa

pratibimb meri aashaon ka
tum santosh ho mera
aalingan sundar sapnon ka
khushiyon ka kosh ho mera

suman sudha rajni chanda
aaj adhik kyun bhaaye
suman sudha
rajni chanda
aaj adhik kyun bhaaye


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4439 Post No. : 15881

Remembrance day of Jaikishan :
———————————–
Today i.e. 12th September, 2020 is 49th death anniversary of Jaikishan, a half of Shankar-Jaikishan.

I have just now read the detailed Wikipedia Page of Shankar-Jaikishan, so will reproduce some para’s which are worthy of mention in terms of Jaikishan’s death anniversary.

“Shankar Jaikishan enjoyed an unrivalled position in the Hindi film industry. During their heyday and even toward the later part of their career, they were the highest paid music directors in the industry. Barring stray exceptions, they were paid more than the leading actors and the promotional material of their films would give them more prominence than anyone else.”

“What can I say… my musical partner in life has gone, what is left of me to say anything more, I had never thought that at such an early age he would leave us all and go; Anyway his good qualities of maintaining goodwill, giving love and receiving love were innate in him and I too don’t have them in me. He used to regularly remind me of my innate quality of being in a boisterous mood all the time and always abrasive with some one or the other and so on and so forthwith…….”
(Shankar on Jaikishan’s death in an interview with AmeenSayani.)

The page also has this to say about Shankar Jaikishan, vis-à-vis different singers :

“Shankar Jaikishan combo worked above all of with Mohd Rafi and secondly Mukesh, and produced numbers of hits and unmatchable gems. Mohd Rafi was their favourite singer despite having good reputation with other playback singers of its time.”

I read somewhere else, that the mukhda of the song “Ye mera prempatra padh kar” from ‘Sangam’ was actually taken from the letter written by Jaikishan to his than fiancée “Priya”. So this could be the instance where Jaikishan unwittingly revealed that he is the composer of the block-buster song. This caused a rift between the two as Jaikishan broke the unwritten agreement between them, of not revealing which of them is the creator of any particular song. Here, Rafi Sahab is said to have intervened and solved the issue between Shankar and Jaikishan, and also later on between Lata Mangeshkar and Shankar in the mid 70’s.

But there is no doubt of the truth here when it is said that “Shankar-Jaikishan, along with other artists, composed “everlasting” and “immortal melodies” in the 1950s, 1960s, and early 1970s.[2] Their best work was noted for being “raga-based and having both lilt and sonority”.

All hindi film music fans agree that they changed the face of hindi film music with “Barsaat” and the success of the film and its music played a big role in this change.

The music I think was versatile and inspiring to new music directors. Theirs was a first of its kind duo, as far as I know who combined their talents and acumen with two lyrcists and made a fearsome foursome. They can also be called fabulous and formidable. They had to be, to be on top of the game for two decades. Shankar-Jaikishan can also be credited for starting the trend of version songs, one male and one female version. Contemporaries and seniors like Naushad and S.D.Burman rarely did it. Naushad in “Mere Mehboob” and S. D. Burman in “Sharmilee” and “Tere Ghar Ke saamne”. But in the later instance, it was both male solos.

I am actually trying to wrap up the long running series on Mohammad Rafi songs, so trying not to look for a Rafi Sahab song for posting on this occasion. But as luck would have it, I found this popular song from ‘Pyaar hi Pyaar’(1969). Moreover this song has a stamp of Shankar-Jaikishan signature style in the orchestration of the music. This is an Asha-Rafi duet, with the fast pace and beat. This is the manifestation of Asha Bhonsle making inroads in the Shankar Jaikishan cap, which started with “Teesri Kasam”. Shankar-Jaikishan were known for Lata only music scores through 50’s and not just for R.K. films. I think the exceptions to this were very rare and few, where Asha, Geeta Dutt or Shamshad Begum got to sing Shankar Jaikishan compositions. Suman Kalyanpur was one such alternative which Shankar Jaikishan tried, in mid- 60’s for duets with Rafi sahab.

I have also tried to find if Shankar Jaikishan ever re-used their own tune to compose songs, but could not find any such songs. Their music was a huge commercial success, so no one else could try and copy their songs.

The song I am presenting in a party song, where Vijayanthi Mala is trying to make Dharmendra jealous, flaunting a dance partner. There are other popular Rafi solos in the film, but this would be the most popular, with the title song of the film ’dekha hai teri aankhon mein pyar hi pyar beshumaar’.


Song-Tu mera main teri duniya jaley to jaley (Pyaar Hi Pyaar)(1969) Singers-Asha Bhonsle, Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaiskishan

Lyrics

Tu mera
main teri
duniya jale to jalay
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
dil teraa
jaan teri
duniya jalay to jalay

jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
rut jawaan
pyaar bhari
ha duniyaa jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe hi
apni qasam
arey waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe
apni qasam
tu meri
ha jal pari
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay

roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baanhon ke sahaare hain
tere hi liye
roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baahon ke sahaare hain
tere hi liye
main tujhi par mari
ha duniya jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ho duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4435 Post No. : 15871

Hullo Atuldom

We are into the last four months of the year. Just got the first positive message “Sab theek raha toh iss baar 31 December ko nayaa saal aane ki nahi, purana saal jaane ki party karenge”. (Wish I could write this in Devnagari) I am sure I need not translate this.

Just as I was sitting to write this our Peevesie messaged that “Josef-Born in Grace”, a movie that was her first independent assignment as costume designer, has won an award at the Madrid International Film Festival for Best Set Design at the awards function on Sunday evening (6th September). Incidentally that movie also got her, her life-partner and is from her in-law’s production house.
In a celebratory mood I asked her for her farmaish of an Asha Bhonsle song and today’s song is her choice. She has a love for that movie, its songs and the dress/costume (in particular) that Amisha Patel wore in the song. She reminds me that as a tiny-little girl she had also worn a similar Pink Skirt and White Top.

This movie is 20 years old. It made its debut on the blog in 2014 with the song ek-pal-ka-jeena-phir-to-hai-jaana. That was a post to wish the hero of the movie. Today’s song is to wish our evergreen Ashatai (as Asha Bhonsle is addressed by one and all).

Ashatai celebrates her 87th birthday today. She was the third born to Pandit Deenanath Mangeshkar and his wife Shevanti, Lata Mangeshkar being the oldest. I read somewhere recently that her older sister Meena Khadikar shares her birthdate (would love if someone can confirm this). Usha Mangeshkar and Hridaynath Mangeshkar are the other siblings, part of this musical clan. Their children and grandchildren are also into music and carrying the family tradition forward.

Followers of the blog are aware that she began singing in films when she was hardly 10 years old with a Marathi song in 1943. Her first Hindi song came in 1948 when she sang under Hansraj Behl’s music direction. She has had a long innings since then and initially she used to get songs that were filmed on the second lead or vamps etc. I don’t think that there is any need to write about how she sang more songs than many other artists in the ‘50s though for B and C grade movies. She had to work so that her family could be taken care of. She worked her way up the rungs of the industry and became the favourite of the masses and classes. If the masses loved her “piya tu ab toh aaja” the connoisseurs and classes loved her for her “in aankhjon ki masti ke” and ‘dil cheez kya hai aap meri jaan lijiye”. People have loved her “aage bhi jaane na tu” and “mera kuch saaman tumhaare paas pada hai”.

Today’s song is a party song. It is on board a yacht and is part of the Christmas eve celebrations. Amisha Patel has just found that she likes Hrithik Roshan who is as yet unaware of his feelings. She sings and dances to try and make him envious and displays her fondness for her childhood friend Rajesh Tandon. Payal Malhotra or Kamya Punjabi (not sure) is the girl who is trying to get Hrithik’s attentions. This song is written by Saawan Kumar and is the only Asha Bhonsle song in the movie all the other songs are sung by Alka Yagnik. Rajesh Roshan is the music director.

Here is wishing our darling Ashatai a very Happy Birthday


Song-Jaaneman jaaneman palat teri nazar (Kaho Na Pyaar Hai)(2000) Singer-Asha Bhonsle, Lyrics-Sawan Kumar, MD-Rajesh Roshan

Lyrics

Ku ku ku ku
Ku ku ku ku ku
Ku ku ku ku
Ku ku ku
Aaaa aaaaaa aaaaa
Aaaaaa aaaa
Aaaa aaaaaa aaaaa
Aaaaaa aaaa

jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar

jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
mila le dil se dil,
pyaar se pyaar kar
udhar toh raat hai
saveraa hai idhar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman jaaaa….neman

teri jawaani ke sadke
jaane jaaneman
ham bhi haseen kam nahin
jaane jaaneman
arre teri jawaani ke sadke
jaane jaaneman
ham bhi haseen kam nahin
jaane jaaneman
teri judaai ka gham hai
(ooooo)
varna koi gham nahin (oooooo)
bahut chaalaak hai
ban raha bekhabar
pyaar ke jaadu ka
ho raha hai asar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman
jaaneman
jaaneman
jaaneman

heyo heyo heyo heyo he he yo
heyo heyo heyo heyo he he yo

tere liye hi bani hoon
jaane jaaneman
main sab me shaamil nahin
jaane jaaneman
ho o tere liye hi bani hoon
jaane jaaneman
main sab mein shaamil nahin
jaane jaaneman
dil se zara poochh apne
(oooooo)
kya main tera dil nahin een een (ooooo)
naya hain silsila
naya hai ye safar
nayi hai manzilein
magar hai ek dagar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
mila le dil se dil,
pyaar se pyaar kar
udhar toh raat hai
saveraa hai ae ae idhar
jaaneman jaaneman
palat teri nazar
yahaan hai dil tera
dekhta hai kidhar
jaaneman jaaaa….neman
jaane jaaneman
jaaneman
jaane jaaneman
jaaneman
jaaaaa neman
jaaaaaa neman


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4400 Post No. : 15781 Movie Count :

4347

Remembering Kishore Kumar on his 91st Birth Anniversary :

teri gali main aata sanam
naghma wafa ka gaata sanam
tujhse suna na jaata sanam
phir aa jidhar aaya hoon magar
ye kehne main deewaana
khatm bas aaj ye wehshat hogi
aaj rusva teri galiyon mein muhabbat hogi
mere mehboob

Abhas Kumar Ganguly (born 4 August 1929 – 13 October 1987), became the famed Kishore Kumar of Hindi film world. Being a Bengali but born and brought up in hindi heartland and settling down to work in Bombay film industry to follow the footsteps of big brother, must have helped form a cosmopolitan outlook in his attitudes. I have just read the Wikipedia page on Kishore Kumar and found it enlightening in many ways. Some of the eccentric behavior described in the page, are funny and not so funny at the same time.

Reading the detailed page has confirmed many of my conceptions about Kishore Kumar. Chief among them being the fact that S. D. Burman, had a great role to play in shaping him as a super playback singer. For a long time through 50’s and 60’s it is apparent that he only ever gave playback for Dev Anand. He was making films, acting as hero and character roles, singing for himself, composing songs for his own films etc. etc. 50’s and 60’s were the most productive decades for Dev Anand, but he was singing songs on screen with the total range of singers, Rafi, Kishore, Hemant Kumar, Talat Mehmood and even Mukesh. If Manna De also sang for Dev Anand during this time, I don’t know off hand. Even in Navketan films, the songs were divided among Rafi and Kishore, a few were by Hemant Kumar too early on. So it is understandable that 70’s and early 80’s is Kishore Kumar’s most productive period, after he was convinced by RDB to seriously concentrate on playback singing. Even than he was reportedly choosy about the actors for whom he sang.

Kishore Kumar also has a distinction of being the singing star and having enjoyed playback by Rafi Sahab. Only other singer to have this distinction is G. M. Durrani.

Some of the sad melancholy songs of Kishore Kumar are my favourite sad songs which I have listed in another post. The above quoted song “mere Mehboobqayamathogi” is one such song, the lyrics of which were written in a book of songs I used to keep in my childhood.

I had short listed the solo from “Sanam Teri Qasam” – Sheeshe ke gharon mein dekho to patthar dil wale baste hain”, but I found that song a bit depressing. So I shifted to another happy sounding song.

I am presenting this peppy, feel good song from the film “Bezubaan”(1982). It’s a party song, where Shashi Kapoor is singing in praise of his wife Reena Roy and counting his blessings. It is a solo song by Kishore Kumar, witten by Ravindra Rawal and composers are Raam-Laxman. The entire cast of the film is present in this gathering. The party is moving from indoors to outdoors and indoors again while Shashi Kapoor is so shaky and imbalanced with happiness keeps falling down and dropping things 🙂 🙂 . The details of the film are available on imdb site. The songs were quite good in this film especially the song “harek jeewan hai ek kahaani par ye sachchayi sab ne na jaani”, story- telling solo by Lata Mangeshkar.

Audio :

Video :

Song-Tere jaisa koi khoobsoorat nahin (Bezubaan)(1982) Singer-Kishore Kumar, Lyrics-Ravindra Rawal, MD-Raam-Laxman

Lyrics(As per audio)

Tere jaisa koyi khoobsoorat nahin
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin
Ye mera chhota sa jahaan
Aisa swarg hai kahaan
mera chhota sa jahaan
Aisa swarg hai kahaan
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin

Sooraj chaand taare gagan ke
Jaise raushni dene chamke
Yoon hi teri bindiya ke dam se
Meri duniya din raat damke
Sooraj chaand taare gagan ke
Jaise roshni dene chamke
Yunhi teri bindiya ke dam se
Meri duniya din raat damke
Tere hansne se achcha mahurat nahin
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin

Main bhi aaj yeh maanta hoon
Kal tak jo yeh duniyaa thhi kehti
Jag mein har safal aadmi ke
Peechhe ek aurat hai rehti
Main bhi aaj yeh maanta hoon
Kal tak jo yeh duniyaa thhi kehti
Jag mein har safal aadmi ke
Peechhe ek aurat hai rehti
Munh chhupaane ki koyi zaroorat nahin
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin

Kitna mujhe tujhpe yaqeen hai
Hamdam tujhe kehna hai mushkil
Itna tujhe kehta hoon bas main
Tujh bin zinda rehna hai mushkil
Kitna mujhe tujh pe yaqeen hai
Hamdam tujhe kehna hai mushkil
Itna tujhe kehta hoon bas main
Tujh bin zinda rehna hai mushkil
Nainon mein bin tere koyi moorat nahin
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin
Ye mera chhota sa jahaan
Aisa swarg hai kahaan
mera chhota sa jahaan
Aisa swarg hai kahaan
Tere jaisa koyi khoobsoorat nahin
Mere jaisa koyi khushqismat nahin


This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4374 Post No. : 15714

Hullo Atuldom

“Waqt Ki Deewaar” is a 1981 release. It had Neetu Singh, Sulakshana Pandit, Jeetendra, Pran, Kadar Khan, Amjad Khan, Satyen Kappu, Paintal, Preeti Ganguly etc.

There was one other important actor in the cast. An actor who didn’t have a ‘set image’ in Bollywood. He could fit into any role he signed up for. He has played father, father-in-law, boyfriend, etc to Jaya (Bachchan) Bhadhuri. We are talking of Sanjeev Kumar here. Born Harihar Jethalal Jhariwala in 1938, he made his debut in 1960 with a small role in “Hum Hindustani”. His first film as a protagonist was “Nishaan” which came in 1965. On the road to becoming an actor-star who could be banked upon to play any character that he was given, we have seen him play Dilip Kumar’s brother in the 1968 released “Sanghursh” and friend to Shammi Kapoor in “Sachchaai” (1969).

He was the preferred actor for all producers and directors of South Indian film industry when they had remake plans of films that were successful in Tamil, Telugu, Kannada etc. So we saw him in “Khilona” which was made from Tamil and he played the role that Sivaji Ganesan played in the original. He has apprised roles played by NT Rama Rao (Telugu) in “Takkar” “Shrimaan Shrimati”, Dr. Rajkumar (Kannada) in “Shaandaar” etc. Who can forget “Naya Din Nayi Raat” which had him play 9 different characters. He was given lead roles by South Indian film makers even as we saw him play father to Amitabh and Shashi Kapoor or supporting roles in “Zabardast”, “Silsila”, “Hero”, “Sawaal” etc.
We were regaled to wonderful comedy by this versatile actor in “Angoor”, “Pati Patni Aur Woh”, “Hero”, “Biwi O Biwi”, “Seeta Aur Geeta” etc. At the same time he was there in Satyajit Ray’s “Shatranj Ke Khiladi” playing a chess-obsessed citizen of Lucknow.

He has been romantically paired with most of the heroines in the movies of those times- be it Moushumi, Sharmila, Hema Malini, Rakhee, Rekha, Nutan, Mala Sinha, Tanuja and even Waheeda Rehman. We have seen him in two-hero movies too like with Shashi Kapoor in Mukti, Jeetendera in Khilona, Waqt Ki Deewar, Dharti Kahe Pukar ke, Faraar with Amitabh Bachchan, Bereham with Shatrughan Sinha.

Let us enjoy this two-hero song and think of this super actor and see him smile and charm the audience. The song is sung by Kishore Kumar and Mohd. Rafi. It is written by Anjaan and Laxmi -Pyare are the music composers. We have Jayshree T and Sulakshna Pandit adding to the glamour quotient and Amjad Khan plotting his next move.


Audio (Full)

Song-Ae yaar teri yaari hamen jaan se hai pyaari (Waqt Ki Deewaar)(1981) Singers-Kishore Kumar, Rafi, Lyrics-Anjaan, MD-Laxmikant Pyarelal
Both

Lyrics(Based on audio link)

ae yaar teri yaari
humein jaan se hai pyaari
ae yaar teri yaari
humein jaan se hai pyaari
teri yaari pe
teri yaari pe jaan luta denge
luta denge
luta denge
tere saath hai marna jeena
jahaan tera girega paseena aa
tere saath hai marna jeena
jahaan tera girega paseena
hum paseene pe
hum paseene pe khoon bahaa denge
bahaa denge
bahaa denge

ae yaar teri yaari
humein jaan se hai pyaari ee
ae yaar teri yaari

yoon raah mein chalte chalte
koi yaar nahin ban jaataa
yoon raah mein chalte chalte ae
koi yaar nahin ban jaataa

lagta hai ke tera mera
lagta hai ke tera mera
koi pichhle janam ka hai naata
woh yaar hai jo dukh baante
teri raahon se chunke kaante
woh yaar hai jo dukh baante
teri raahon se chunke kaante
tere kadmon pe
tere kadmon pe phool bichhaa denge,
bichhaa denge
bichhaa denge

ae yaar teri yaari
humein jaan se hai pyaari
ae yaar teri yaari

hum saath hon jis mehfil mein
hum par dil haare duniya
hum saath hon jis mehfil mein,
hum par dil haare duniya
teri meri yaari ko
teri meri yaari ko,
hai rasste nihaare duniya

duniya toh kisi din chhoote,
yaari marke na toote
duniya toh kisi din chhoote,
yaari marke na toote
ye zamaane ko
ye zamaane ko ek din bataa denge,
batadenge, batadenge
ae yaar teri yaari
humein jaan se hai pyaari
ae yaar teri yaari

moorat hai sachhaai ki tu,
baaki saara jag hai dhokha
moorat hai sachhaai ki tu
baaki saara jag hai dhokha

tujhpe hai bharosa jitna
tujhpe hai bharosa jitna
utna na khuda pe hoga
teri oar jo aankh uthhaaye
tujhse jo kahin takraaye
teri oar jo aankh uthaaye
tujhse jo kahin takraaye
saari duniya mein
saari duniya mein aag laga denge
laga denge
laga denge
ae yaar teri yaari
humein jaan se hai pyaari
ae yaar teri yaari
hamen jaan se hai pyaari
teri yaari pe
teri yaari pe jaan luta denge,
luta denge
luta denge
ae yaar teri yaari


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4351 Post No. : 15665 Movie Count :

4315

Hullo Atuldom

Today 16th June is the 68th birthday of Gourang Chakraborty. He was born as the eldest son to Basantakumar Chakraborty and Santimoyee Chakraborty in East Bengal (modern day Bangladesh). He is an entrepreneur, social worker, television presenter, actor, producer, former Rajya Sabha member who has sung one song in his career that began in 1976 with the art film which was directed by Mrinal Sen’s National Award winning “Mrigayaa”.

Post “Mrigayaa” he was seen in a guest appearance in Raj Tilak directed Sanjeev Kumar -Shashi Kapoor- Vidya Sinha- Bindiya Goswami starrer “Mukti” (I saw it in his filmography, have seen the movie a few times but don’t remember seeing him there, I must have blinked at that instant).

1978 saw him in 2 Bengali and 3 Hindi films one of which was a small blink and miss role “Phool Khile Hain Gulshan Gulshan”. Of the three Hindi movies “Hamara Sansaar” and “Mera Rakshak” were remakes of South Indian movies.

1979 had him as Gunmaster G9 in Ravikant Nagaich directed “Surakshaa”; a special appearance in “Tere Pyar Mein”; a guest appearance in Rajesh Khanna starrer “Amardeep” as Rajesh Khanna’s sister’s boyfriend; a regular Basu Chatterjee hero in “Prem Vivah” alongside Utpal Dutt, Asha Parekh and Bindiya Goswami. Plus there was “Bhayanak” and Rajshri productions “Tarana”.

“Surakshaa” and “Tarana” gave him some good songs to dance to, and also these two movies are still remembered for their songs.
These days we see him on TV in the role of maha-judge on dance reality shows. And also he plays roles suited to his age in most movies like Mani Ratnam’s “Guru”; Rohit Shetty’s “Golmaal 3”; Anil Sharma’s “Veer”; Vinay Sapru- Radhika Rao directed “Lucky: No time for love” etc. The roles he has been getting are varied where he is able show off his comic side and still dance and do fisticuffs.

For today’s occasion I have a whole list of songs to choose from. Songs from movies that I have seen and loved. I have settled for a song that I heard for the first time in 1987. I even had the cassette of this movie in my collection and seen the movie at the time of its release.

This song has been on my personal waiting list for a few years now. It is from the 1987 B. Subhash produced and directed “Dance Dance”. Smita Patil, Mithun (Gourang) Chakraborty, Mandakini, Shakti Kapoor formed the primary cast with Amrish Puri and Om Shivpuri playing supporting cast. It was the story of the brother sister team of Smita and Mithun who are separated from their parents as children, grow up to be singers who are part of a troupe which performs at events and restaurants. There is the usual twist of the sister falling in love and marrying a guy who later turns bad, ditches her and also is the cause of her death. The movie comes to a close with the brother avenging his parents as well as the sister’s death.

Bappi Lahiri was the music director for this movie which was part of a series of dance based films that B Subhash made post the successful “Disco Dancer”. Anjaan was the lyrics in-charge for all these movies. Today for this birthday song we shall have a party where Shakti Kapoor and Mithun sing to an audience of oldies. It is rather sweet to see the spirit of the folks in the audience when they take to the floor with Mithun and Shakti. And we have Smita Patil among the audience egging everybody to enjoy themselves. Let us also enjoy ourselves wishing this disco dancer- break dancer – Mithunda a very Happy Birthday.


Song-Everybody dance with pa pa pa (Dance Dance)(1987) Singer-Vijay Benedict, Lyrics-Anjaan, MD-Bappi Lahiri
Chorus
Vijay Benedict + Chorus

Lyrics

tu tu tu tu tu tu turu ru ru
tu tu tu tu tu tu turu ru ru
tu tu tu tu tu tu turu ru ru
tu tu tu tu tu tu turu ru ru

coo coo coo coo wow

everybody dance with pa pa pa
everybody dance with ma ma
everybody dance with ma ma ma
everybody dance with pa pa
gaa ke dhoom machaa ke
saari raat jagaa ke
yaaron shor machaa ke
kuku kuku kuku kuku kuku
one two three four
hum saare masti ke chor
one two three four
hum saare masti ke chor

everybody dance with pa pa pa
everybody dance with ma ma
everybody dance with pa pa pa
everybody dance with ma ma

aaye hum hain aaye
aaye bin bulaaye
aaye hum hain aaye
aaye bin bulaaye
mastiyaan lutaa ke
sab ka dil churaa ke
sabke hosh udaa ke
jaayenge nachaa ke
arre haan
kuku kuku kuku kuku
one two three four
hum saare masti ke chor
one two three four
hum saare masti ke chor

everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama

aao papa
saath mein naachen
come on mama
naacho na
please
lala lala laa laa
lala lala laa laa
lala lala laa laa
lala lala laa laa
lala lala laa laa
lala lala laa laa

wow
super
great!
aah

you can’t do breakdance?
ok tequila

tequila
hahahahahaaha

arre mauka hai khushi ka
rang jame masti ka
mauka hai khushi ka
arre rang jame masti ka
aao mil ke naachen
naachen jhoomen gaayen
milke dhoom machaayen
masti mein kho jaayen
arre haan
kuku kuku kuku kuku kuku
one two three four
hum saare masti ke chor
one two three four
hum saare masti ke chor

everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama

gaa ke dhoom machaa ke
saari raat jagaa ke
yaaron shor machaa ke
kuku kuku kuku kuku kuku
one two three four
hum saare masti ke chor
one two three four
hum saare masti ke chor
one two three four

come on everybody ya
everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama
everybody dance with pa pa pa
everybody dance with mama


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has more than 16100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16174

Number of movies covered in the blog

Movies with all their songs covered =1246
Total Number of movies covered =4402

Total visits so far

  • 14,133,938 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,927 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: