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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1940s (1941 to 1950)’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Putli”(1950) was produced and directed by Wali Sahab for Punjab Film Corporation, Bombay. The movie had Mumtaz Shanti ,Pran, Yaqoob, Husn Banu, Srinath, Majnu, Prem Dhawan, Ramesh Thakur , Sheela Naik etc in it.

The movie had eleven songs in it. One song from the movie has been covered in the past.

Today (23 november 2017) is the 87th birth anniversary of Geeta Dutt (23 november 1930 – 20 july 1972). On this occasion, here is a song from “Putli”(1950). HFGK is silent about the singer of this song, but listening to this song, one can clearly identify the voice as that of a young Geeta Roy as she was then known. The song is picturised on Mumtaz Shanti. Wali Sahab is the lyricist.

The movie had two music directors, viz Ghulam Haider and Aziz Hindi. This song was apparently the only song in the movie that was composed by Ghulam Haider as I gather from a comment on YT. I hope the commenter is correct about this fact.

The audio version, though clearer, is shorter in length. The video is longer but the audio quality is not all that great. One cannot have the best of both worlds in this case, I hope. Nevertheless, the fact that this rare song is available in audio as well as video form is something for us to rejoice about.

The picturisation shows a sapera playing a ben infront of a Nagin who then gets transformed to a lady (Mumtaz Shanti) who then sings this song. So we have “Naagin” like situations in Hindi movies even in pre “Naagin””(1954) days. 🙂

So, on the occasion of Geeta Dutt’s birth anniversary, here is this rare song from “Putli”(1950) as a tribute to her.

Audio

Video

Song-Teri lagan tadpaaye (Putli)(1950) Singer-Geeta Dutt, Lyrics-Wali Sahab, MD-Ghulam Haider

Lyrics

teri lagan
teri lagan tadpaaye
ho o
teri lagan tadpaaye
chain nahin aaye
jiya bal khaaye
ho o
teri lagan tadpaaye
chain nahin aaye
jiya bal khaaye
ho o teri lagan

mere saanson ke raag
meri aahon ki aag
ho meri
ho meri
ho meri aahon ki aag
mere saanson ke raag
meri aahon ki aag
piya thandak pahunchaaye sajan
tan man jalaaye sajan
tan man jalaaye
teri lagan tadpaaye
ho o
teri lagan tadpaaye
chain nahin aaye
jiya bal khaaye
ho o
teri lagan

teri pyaari pyaari pree ee eet
teri pyaari pyaari preet
meri haar teri jeet
meri haar teri jeet
piya ik din hansaaye sajan
ik din rulaaye sajan
ik din rulaye
teri lagan tadpaaye
ho o
teri lagan tadpaye
chain nahin aaye
jiya bal khaaye
ho o teri lagan

phoolon ki godi mein bhanwron ka jhoomna
aa aa aa
phoolon ki godi mein bhanwron ka jhoomna
deepak ki jyoti patangon ka choomna
aa aa aa
deepak ki jyoti patangon ka choomna
piya jeena sikhaaye sajan
marna sikhaaye
teri kasam
teri lagan tadpaaye
ho o
teri lagan tadpaaye
chain nahin aaye

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Parinde”(1945) was produced and directed by Acharya Atre for Atre Pictures, Bombay. The movie had Surendra, Vanmala, Dixit, Babu rao Pendharkar, Sitara, Sunalini Devi, Balwant Parchure, D R Gokhale, Chandabai, Lallu, Vasant sawkar, Jairam Desai etc in it.

The movie had eight songs in it. Two songs from this movie have been covered in the past.

Here is the third song from “Parinde”(1945) to appear in the blog. This song is sung by Surendra and Parul Ghosh (credited as Shrimati Ghosh in the credits). Rammurty Chaturvedi is the lyricist. Music is composed by Pt Govindram.

The song is picturised on Suendra and Vanmala.

Video


Audio

Song-Oopar ho chaand taara neeche jahaan saara(Parinde)(1945) Singers-Surendra, Parul Ghosh, Lyrics-Rammurty Chaturvedi, MD-Pt Govindram
Both

Lyrics

oopar ho chaand taara
neeche jahaan saara
upar ho chaand taara
neeche jahaan saara
beech mein hum tum pyaar karenge
haan
beech mein hum tum pyaar karenge
pyaar karenge
hum vihaar karenge
pyaar karenge
hum vihaar karenge

hum tum mil kar pyaar karenge
haan
hum tum mil kar pyaar karenge

ek oar dolye parindon ki toli
ek oar taare khelen aankh michauli
ek oar doley parindon ki toli
ek oar taare khelen aankh michauli
kirnon ka hum tum singaar karenge
kirnon ka hum tum singaar karenge
upar ho chaand taara neeche jahaan saara
upar ho chaand taara niche jahaan sara
beech mein hum tum pyaar karenge
haan
beech mein hum tum pyaar karenge

udte udte unche unche jaayenge hum dono
udte udte, unche unche jaayenge hum dono
sota hua suraj jagaayenge hum dono
sota hua suraj jagaayenge hum dono

jag mein savera bataayenge
gaayenge
jag me savera jagaayenge
gayenge
meethe suron se hum gulzaar karenge
haan
meethe suron se hum gulzaar karenge
gulzaar karenge
ham vihaar karenge
gulzaar karenge
ham vihaar karenge
jag mein ham tum pyaar karengen
haan
jag mein ham tum pyaar karenge

udte udte sajan kahin baadal jo chhaayen
udte udte sajan kahin baadal jo chhaayen

manzil humaari hamen nazar na aaye
manzil humaari hamen nazar na aaye
phir
phir
haathon mein haath liye himmat ka saath liye
haatho me hath liye himmat ka sath liye
manzil ko apni hum paar karenge
haan manzil ko apni hum paar karenge
paar karenge hum vihaar karenge
paar karenge hum vihaar karenge
jag mein hum tum pyaar karenge
haan jag mein hum tum pyaar karenge


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Baabuji”(1950) was directed by Bhagwan for Udai Productions, Bombay. This stunt movie had Bhagwan, Leela Gupte, Baburao, Usha Shukla, Vasant Rao, Azeem, Jaani, Mirajkar, Zafar, Vitthalrao, Dhondu, Anmanta, Swami etc in it.

The movie had nine songs in it. One song from the movie has been covered in the past.

Here is the second song from “Baabuji”(1950) to appear in the blog. This song is sung by Sulochana Kadam. Ehsan Rizvi is the lyricist. Music is composed by P Ramakant.

Lyrics of this song were sent to me by Avinash Scrapwala some four years ago and even I had planned to post it at that time as song number 8526. For some reason it did not materialise at that time. Now it finally appears as song post number 13756 in the blog. The blog has added more that 5000 songs in the interim period. 🙂

Sulochana Kadam had sung as many as eight songs out of ten in the movie. So it appears that she had sung for the leading lady which going by the cast was Leela Gupte. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Jo bigad gayi wo kismat hoon (Baabuji)(1950) Singer-Sulochana Kadam, Lyrics-Ehsan Rizvi, MD-P Ramakant

Lyrics(Provided by Avinash Scrapwala)

Jo bigad gayi wo kismat hoon
jo bigad gayi wo kismat hoon
jo ujad gayi wo duniya hoon oon
jo bigad gayi wo kismat hoon

main khili kali ki soorat mein
main khili kali ki soorat mein
ab kisi ke dil ka kaanta hoon
jo bigad gayi wo kismat hoon
jo ujad gayi wo duniya hoon oon
jo bigad gayi wo kismat hoon

thhi hansi unhin ke hansne ki
thhi hansi unhin ke hansne ki
sab khushi thhi dil ke milne ki
wo bichhad gaye to marti hoon
wo bichhad gaye to marti hoon
wo miley to mar kar zindaa hoon
jo bigad gayi wo kismat hoon
jo ujad gayi wo duniya hoon oon
jo bigad gayi wo kismat hoon

dil lagaa ke dhokha khaaya hai
dil lagaa ke dhokha khaaya hai ae
gham uthhaake hansnaa padtaa hai
gham uthhaake hansnaa padtaa hai
jis diye ki lau par jalna hai
jis diye ki lau par jalna hai
Us diye ki main parwaana hoon
jo bigad gayi wo kismat hoon


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paraayi Aag”(1948) was directed by Najam Naqvi for Great India Pictures. The movie had Munawwar Sultana, Ulhas, Mumtaz (Madhubala), Sheri, A Shah, W M Khan, Jilloo Bai etc in it.

Mr Sadanand Kamath, our inhouse researcher on old movies had researched this movie and he had read its story in “FilmIndia” magazine october 1948 issue where review of this movie was carried out. He summarises the story as- “The story of the film revolves around the mistaken identities of the two prospective brides and bridegrooms. This leads to first, the comical situations and later, to some melodrama before misunderstandings are sorted out. ”

The movie had eight songs in it. Five of them have been covered in the past.

Here is the sixth song from “Paraayi Aag”(1948) to appear in the blog. This song is sung by Zohrabai Ambalewaali. Tanveer Naqvi is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Kis’se kahen ki kaun hamaare chale gaye (Paraayi Aag)(1948) Singer-Zohrabai Ambalewaali, Lyrics-Tanveer Naqvi, MD-Ghulam Mohammad

Lyrics

kis’se kahen ki
kaun hamaare ae ae
chale gaye
ham jee rahe thhe
jinke sahaare ae ae
chale gaye

unke baghair apni
unke baghair apni
khabar bhi na mil saki
khabar bhi na mil saki
hum bekhudi mein
khud ko pukaare ae ae
chale gaye
hum jee rahe thhe
jinke sahaare ae ae
chale gaye

wo khwaab wo sukoon wo
wo khwaab wo sukoon
wo tabassum wo walwale
tabassum wo walwale
aaye thhe saath
saath tumhaare ae ae
chale gaye
hum jee rahe thhe
jinke sahaare ae ae
chale gaye

dil mein koi ummeed
koi aarzoo nahin
koi aarzoo nahin
armaan hamaare
saath tumhaare ae ae
chale gaye
kis’se kahen ki
kaun hamaare ae ae
chale gaye


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

After an enforced hiatus of over a month, I am back again with yet another song from the yore.

During this period, I acutely realised how much this Blog, its people, Hindi old films and songs had become a part of my life and I missed all this. When I was younger and ran after my career, the same feeling used to be there. Now of course, there are deadlines,commitments,accountability and work satisfaction, but of different kind. Equally important, nevertheless. I was overwhelmed with the good wishes and prayers for me from friends during this period. God is Great and everything fitted in place finally and I am once again ready to pour my heart here in discussing songs, people and films. Thanks to all.

Today’s song is from a film called Gopinath-48. This film is known to many, only for the original song and tune, used by Raj Kapoor in his film ‘Satyam Shivam Sundaram ‘-78 in the song “Yashomati maiyya se poochhe Nandlala, Radha kyun gori, main kyun kaala “.

But there is much more to this film than only this song.

The film belongs to the Bengali tradition of melodramas. The main Heroine Tripti Mitra has given a remarkable performance. In shifting the tragedy from Devdas type male anxiety for a woman’s condition, the film chronicles how women get caught in the traditional environment. Mahesh Kaul, who wrote the story, screen play and dialogues, besides directing it, picked a delicate subject and handled it skilfully. He also acted in this film in the role of a movie director.

This was Raj Kapoor’s first major appearance on screen, before he became a legend later on. He excelled as an actor here. The film ends with an unusual scene.

When the film was released, it was hailed by critics as a work of art, much ahead of its time. It was creditable for Mahesh Kaul to have made this film, when the Indian Cinema was yet to become an adult. No wonder, the Government of India has preserved a print of Gopinath-48 in its National Film Archives for posterity. The acting of Raj Kapoor confirmed, his greatness would have matched any actor in the world, only if he had not wasted his talent in imitating Chaplin. This is my personal opinion.

There were two Heroines. One was Tripti Mitra, a big name in Bangla films and stage movement. She acted in only 3 Hindi movies. Gopinath-48, Dharati ke Lal-46 and Munna-54. Munna was a sequel to Dharati Ke Lal- both films directed by K.A.Abbas.

Smt. TRIPTI MITRA, née Tripti Bhaduri (Born 25 October 1925 – Died 24 May 1989), popular Indian Actress of Bengali Theatre and Films. She was the wife of Sombhu Mitra, noted Theatre & Film Director, with whom she co-founded pioneering theatre group Bohurupee in 1948. She has acted in films like Jukti Takko Aar Gappo and Dharti Ke Lal.

She was awarded Padma Shri and the Sangeet Natak Akademi Award, the highest Indian recognition given to practicing artists, given by Sangeet Natak Akademi, India’s National Academy for Music, Dance and Drama.

Tripti Mitra was born in Dinajpur (British India) on 25 October 1925. Her father was Ashutosh Bhaduri and mother was Shailabala Debi. In Dinajpur Minor School she studied up to class six, then she came to Kolkata and got admission in Pyaricharan School. After passing Higher Secondary Examination from that school, she got admission in Ashutosh College. But she could not complete her studies since she got a job. She married Sombhu Mitra in December, 1945. She has a daughter Shaoli Mitra, who is also an actress and director.

Tripti Mitra had been acting in theatre since her teens. She first acted in her cousin Bijon Bhattacharya’s play Agun (Fire) in 1943. After watching her stage performance in noted IPTA play, Nabanna (Harvest) based on Bengal famine of 1943, director Khwaja Ahmad Abbas took her to Bombay to act in Gana Natya Sangha’s film Dharti Ke Lal in 1943, partly based on the play. Her first Bengali film was Pathik in 1953, the film was directed by Debaki Kumar Basu. She also acted in Ritwik Ghatak’s last film, Jukti Takko Aar Gappo (1974).

In 1948, Shombhu and Tripti Mitra founded their own theatre group named Bohurupee. She acted in innumerable plays mostly along with her husband Sombhu Mitra,a colossus in the field of theatre, to become one of the most legendary beings of Bengali theatre, most famous for her role as Nandini, the protagonist of Rabindranath Tagore’s Rakta Karabi. She also acted in Jago Hua Savera, a 1959 Urdu movie produced in Dhaka, East Pakistan (now Bangladesh), based on a Manik Bandopadhya’s classic novel Padma Nadir Majhi. Tripti Mitra died on 24 May 1989.

The second Heroine was Latika. In the year 2014, I got in touch with Ms. Sindy Bell, daughter of Latika and a resident of London, U.K. Sindy was kind enough to provide me a brief note on her Biography. Latika had acted only in 13 films from 1944 to 1948.

” Latika was born 13th October, 1924 in Darjeeling. Her Tibetan name was Hungu-Lamou. Her mother was Tibetan. Her father was an Australian who adopted Buddhism, living in India as a race horse trainer for the Maharajas. He died when Latika was still very young leaving her with a newly born brother. As a child, Latika was sent to the Kalimpong girl’s orphanage also called ‘The Homes’ for her education by her mother and new step-father until she was 16. Her mother had four more children, her half-brothers and sisters.

The Homes (one for girls, one for boys) were founded by a Scottish missionary, so as a child, Latika was christened Agnes and this is the name she uses in England. Her mother was Buddhist, her step-father, an Anglo-Indian by the name of Webber, was a Protestant but Buddhism was the prevalent faith among her surrounding family of aunties and uncles in Darjeeling.

Latika’s step-father was an engineer who built bridges and due to his work, when she was a teenager, they moved to Mumbai. It was there that Latika made friends with a neighbour who was a kathak dancer and actress. She was invited to visit the Minerva film studios and was there spotted by the director Sohrab Modi and offered the opportunity to act. This was where she was given the stage name Latika, which she is still called by friends and family in India to this day.

In those days, all the scripts were in Urdu which she read beautifully and also learnt kathak dancing. I’m sure you already know the 12 films Latika acted in from the mid 1940’s to early 1950’s, in particular the film Gopinath with Raj Kapoor (1948), where she played the ‘femme fatale’ and her lovely dance sequence in Jugnu (1947).

Latika had always had a respect and interest in holy writings. It was during this period that she met a Jehovah’s Witness who was able to explain the bible, not as a church book, but as holy writings, it’s answers to the ‘big’ questions we all ask and it’s promised blessings. It satisfied all of Latika’s questions about life, so she became a Jehovah’s Witness.

It was while as an actress she met and eventually became friends with Gope at the studios. To this day, Latika says he was the kindest, most compassionate man she ever met. They married and, at Gope’s request, Latika retired from the film industry.

Latika did introduce Gope to the bible. He would read by himself (or as my mother would say, ‘exclaim in delight!’), passages from it, early mornings on the verandah before work. She said he was particularly taken with the accounts of Jesus and how tenderly he treated people. To her surprise, of his own volition, he too become a Jehovah’s Witness.

Gope had a large house in Juhu which also came to house all Latika’s family. When we saw it, it had became a hotel but I’m not sure what has happened to it now.

Before Gope’s death, they had two sons, Gope Jr, and Lalith. When Gope suddenly and unexpectedly died, when the boys were three and five, mum decided to join her siblings who had earlier migrated to the UK. I came from her second marriage.

Latika is still alive and very well and living in the UK. She is in her 90th year, still beautiful. My niece’s second name is Latika and Gope Jr’s two sons bear the (second) name of Gope also. Latika has a big family with grand-children and great grand-children, all from Gope’s lineage. ”

On 25-9-2012, I had written this review of Gopinath-48, in this Blog–

GOPINATH-1948 was a Shanti lok Chitra film.It was produced and Directed by Mahesh Kaul, who not only wrote its story,screenplay and dialogues,but also acted in it.

The music was by Ninu Muzumdar and lyrics by Ram murthy Chaturvedi.There were 9 songs in the film, including 2 Bhajans of Meerabai and Surdas each.

The cast was Raj Kapoor,Tripti Mitra,Latika,Randhir,Anwari Bai, Sachin Ghosh etc.

This was a story of Gopi (Tripti Mitra), who is an orphan in the house of Mohan (Raj Kapoor). She is abandoned by her only brother. Gopi loves Mohan, but Mohan loves Neela Devi, an actress (Latika).

Gopi is frustrated and is mad,when Mohan returns to her after getting fed up and disillusioned by Neela Devi.

I saw this movie in its IInd run in early 1950s, but I had my notes on this movie.

Although some critics had actually lauded Raj Kapoor’s performance in this film, I felt that Tripti had outclassed RK in this film.

There are in all 9 songs in the film. Today’s song is only the second song to be discussed here. All songs,videos and the film are available on YT. This song is sung by Shamshad Begum and chorus. This dance song is very melodious, with a lilting tune. You will enjoy it….


Song-Baali umar piyaa mor mor mor (Gopinath)(1948) Singer-Shamshad Begam, Lyrics-Rammurty Chaturvedi, MD-Ninu Majumdar
Chorus

Lyrics

baali umar piyaa mor mor mor
jiyaraa naa maane
haay jiyaraa naa maane
o o o
baali umar piyaa mor mor mor
jiyaraa naa maane

haay jiyaraa naa maane
o o o

jabse dekhaa hai tumhen aen aen aen
bas kho gaye hain ham kahin
naa tasalli hai
naa ji ko chain hai ae
ek dam kahin
chhaayi ghataa ghanghor ghor ghor
jiyaraa naa maane

haay jiyaraa naa maane
o o o
baali umar piyaa mor mor mor
jiyaraa naa maane

haay jiyaraa naa maane
o o o

par nahin
ud kar tumhaare paas jo aa jaayen ham
aa jaayen ham
aa jaayen ham

dil samajhtaa hi nahin
kyun kar ise samjhaayen ham
samjhaayen ham
samjhaayen ham

chhoot jaaye gham ke haathon se
jo nikle dam kahin
khaaq aisi zindagi par
tum kahin aur ham kahin
pi pi papihaa kare shor shor shor
jiyaraa naa maane

haay jiyaraa naa maane
o o o
baali umar piyaa mor mor mor
jiyaraa naa maane
haay jiyaraa naa maane

o o o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mehndi”(1947) was directed by Sibtain Fazli for Fazli Films, Bombay. The movie had Nargis, Begam Para, Murad, Ghori, Jillobai, Jaani babu, Protima Devi, Chacha Premi, Anwari, Zaki, Baby Shyama etc in it.

There were eight songs in this obscure movie. Here is the sixthth song from “Mehndi”(1947) to appear in the blog. HFGK is silent about the identity of the singers. Uploader of this song has mentioned that this song is sung by Zeenat Begam and Munannawar Sultana (singer).

Sagar Nizami is the lyricist. Music is composed by Ghulam Haider.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Maali ki nigaahon ne tumhen dekh liya jee (Mehndi)(1947) Singers-Munawwar Sultana, Zeenat Begam, Lyrics-Saghar Nizami, MD-Ghulam Haider

Lyrics

dekh liya ho o
dekh liya jee
maali ki nigaahon ne tumhen dekh liya
haan tumhen dekh liya jee
maali ki nigaahon ne tumhen dekh liya
haan tumhen dekh liya jee

ho o o
maasoom kali thhi
ho o o
maasoom kali thhi
khushboo mein pali thhi
khushboo mein pali thhi
phoolon mein chhupi thhi
phoolon mein chhupi thhi
tumhen dekh liya
ho o o
dekh liya jee
maali ki nigaahon ne tumhen dekh liya
haan tumhen dekh liya jee

maali ho mubaarak
maali ho mubaarak
saathi ho mubaarak
saathi ho mubaarak
mehndi ho mubaarak
mehndi ho mubaarak
sakhiyon ko magar toone
haay sakhi haay
sakhiyon ko magar toone
haay sakhi haay
bahut ranj diya
haan bahut ranj diya jee
bahut ranj diya
haan bahut ranj diya jee
tumhen dekh liya
ho o o
dekh liya jee
maali ki nigaahon ne tumhen dekh liya
haan tumhen dekh liya jee

tum bhi to khilogi
maali se milogi
tum bhi to khilogi
maali se milo
apne maali se milogi
ho maali se milogi
kahin bhool na jaana
kahin bhool na jaana
hamko sakhi
bhool na jaana
kahin bhool na jaana
hamko sakhi
bhool na jaana
gulshan ki yahi reet hai
kya iska gila jee
gulshan ki yahi reet hai
kya iska gila jee
tumhen dekh liya
ho o o
dekh liya jee
maali ki nigaahon ne tumhen dekh liya
haan tumhen dekh liya jee
maali ki nigaahon ne tumhen dekh liya
haan tumhen dekh liya jee


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Manmaani” (1947) was directed by Sarvottam Badami for I A Productions, Bombay. The movie had Jairaj, Ragini, E. Billimoria, Sabita Devi, Nazir Hussain, Amar etc. in it.

Two song from the movie has been discussed in the past. Here is the third song from “Manmaani”(1947) to appear in the blog. This song is sung by Kalyani Das. Lyricist is not known. Music is composed by Kamal Dasgupta.

Only the audio of the song is available. Seeing that Kalyani’s voice figured in eight out of ten songs in the movie, it is easy to guess that she had given playback for the leading lady of the movie. Going by the story of the movie as given in the writeup of the first song, it appears that the song may have been picturised on Raagini. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-O taara ko chaand banaane waale (Manmaani)(1947) Singer-Kalyani Das, MD-Kamal Dasgupta

Lyrics

aa aa aa
aa aa aa
aa aa aa
aa aa aa

O taara ko chaand banaane waale
is chaand ko kaun sambhaale
O taara ko chaand banaane waale
is chaand ko kaun sambhaale
baadal aayenge ae ae ae
baadal aayenge
ban ban kar matwaale
is chaand ko kaun sambhaale
aa aa aa
aa aa aa
aa aa aa
aa aa aa

bhole pardesi baar baar tu aana
teri hansiyon mein mera chhupa zamaana
bhole pardesi baar baar tu aana
teri hansiyon mein mera chhupa zamaana
tu dil ko apne ae ae ae
tu dil ko apne
dil ke paas bulaa le
bulaa le
is chaand ko kaun sambhaale
aa aa aa
aa aa aa
aa aa aa
aa aa aa

din mein khushiyaan
raaton mein masti aayee ee ee ee
din mein khushiyaan
raaton mein masti aayee ee ee ee
ek navi chhabi
banti hai har angdaayi ee ee
ek navi chhabi
banti hai har angdaayi ee ee
zulfon ke chhaanv mein ae ae ae
zulfon ke chhaanv mein
apne nain sulaa le
sulaa le
is chaand ko kaun sambhaale
aa aa aa
aa aa aa
aa aa aa
aa aa aa
O taara ko chaand banaane waale
is chaand ko kaun sambhaale


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Surajmukhi”(1950) was directed by O P Datta for Madhuban Pictures, Bombay. The movie had Shyam, Rehana, Gope, Yashodara Katju, Randhir, Durga Khote, Hafeez Khan, Cuckoo etc in it.

The movie had ten songs in it that were penned by three lyricists but names of individual lyricists are not known for ten of these songs.

One song from the movie has been covered in the past.

Here is the second song from “Surajmukhi”(1950) to appear in the blog. This song is sung by Geeta Dutt. Lyricist is not known. Music is composed by Husnlal Bhagatram.

Geeta Dutt’s voice appears in seven out of the ten songs of the movie. That makes me think that she had given playback for the leading lady, viz Rehana, in the movie. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Saajan tumne chhoda hamko (Surajmukhi)(1950) Singer-Geeta Dutt, MD-Husnlal Bhagatram

Lyrics

saajan tumne chhoda humko
saajan tumne chhoda humko
hamne duniya chhod di ee
hamne duniya chhod di
dil maange marne ki dua
dil maange marne ki dua
jeene ki tamanna chhod di
haaye tamanna chhod di

tumne meri duniya chhodi
pyaar ki dor ko tod diya aa
tumne meri duniya chhodi
pyaar ki dor ko tod diya aa
pyaar ki dor ko tod diya
humne pyaar ki dor na todi
humne pyaar ki dor na todi
saari duniya chhod di
saari duniya chhod di
saajan tumne chhoda humko
hamne duniya chhod di
hamne duniya chhod di

maine to apni naiya ka
tujhe khiwaiyya samjha thha
maine to apni naiya ka
tujhe khiwaiyya samjha thha
tujhe khiwaiyya samjha thha
kyun gham ke toofaan mein toone
kyun gham ke toofan mein toone
meri naiya chhod di
haaye naiya chhod di
saajan tumne chhoda humko
saajan tumne chhoda humko
hamne duniya chhod di
hamne duniya chhod di


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Birhan”(1948) was directed by Kailash Bhandari for National Film Producers, Bombay. The movie had Roopa, Pran, Begam Parveen, Gul Zamaan, Ram Lal, Zaheer, Nafees Begam, Krishna Rane, Cuckkoo etc in it.

The movie had twelve songs in it that were penned by two lyricists vz. Bekal and Sarshar Sailaani but the distribution of songs among the two is not known.

Two songs from the movie has been covered in the past.

Here is the third song from “Birhan”(1948) to appear in the blog. This song is sung by Dilshad Begam. Lyricist is not known, as mentioned above. Music is composed by Pt Lachchiram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-jawaani pukaare jawaani pukaare..aaja aaja chaand hamaare (Birhan)(1946) Singer-Dilshad Begam, MD-Pt Lachchiram

Lyrics

jawaani pukaare
jawaani pukaare
jawaani pukaare
jawaani pukaare
jeewan ke saathi jawaani pukaare
jeewan ke saathi jawaani pukaare
aaja aaja chaand hamaare
haaye
o o o
aaja aaja chaand hamaare

aankhen milaayin thhin
dil bhi milaa len
aankhen milaayin thhin
dil bhi milaa len
itna bata jaa
bichhad jaane waale
itna bata jaa
bichhad jaane waale
jeewan bitaaun main kiske sahaare
ae ae ae
jeewan bitaaun main kiske sahaare
ae ae ae
aaja aaja chaand hamaare
haaye
o o o
aaja aaja chaand hamaare

kaise kahoon
kaise dil ko sambhaaloon
kaise kahoon
kaise dil ko sambhaaloon
tera naam dar ke na munh se nikaaloon
tera naam dar ke na munh se nikaaloon
duniya na pad jaaye peechhe hamaare ae ae
duniya na pad jaaye peechhe hamaare ae ae
aaja aaja chaand hamaare
haaye
o o o
aaja aaja chaand hamaare

teri yaad mein roye teri bhikaaran
mere devta
main hoon teri pujaaran
tujhe chhod kar jaaun kiske dwaare
ae ae ae
tujhe chhod kar jaaun kiske dwaare
ae ae ae
aaja aaja chaand hamaare
haaye
o o o
aajaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zabaan”(1943) was produced and directed by Jayant Desai for Jayant Desai productions, Bombay. This “social” movie had Ishwar lal, Kaushalya, Mubarak, Diit, Vatsala Kumthekar, Bhagwandas, Kantilal etc in it.

The movie had twelve songs in it. All of them were actor-singer songs, viz the songs were sung by the actors themselves.

Two of these songs have been covered in the past.

Here is the third song from “Zabaan”(1943) to appear in the blog. The song is sung by Ishwar Lal. One can notice that his voice is similar to C Ramchandra’s singing voice.

Mahrul Qadri is the lyricist. Music is composed by C Ramchandra.

Only the audio of this rare song is available. The song was picturised on Ishwarlal himself who was the lead actor of the movie.


Song-Bigdi huyi kismat ko ik roz banaana hai (Zabaan)(1943) Singer-Ishwar lal, Lyrics-Mahir Ul Qadri, MD-C Ramchandra

Lyrics

Bigdi huyi kismat ko
haan aan aan
Bigdi huyi kismat ko
ik roz banaana hai
Bigdi huyi kismat ko
ik roz banaana hai
ab main nahin jaaunga
ab main nahin jaaunga
khud unko hi aana hai

haan aan aan
duniya meri haalat par
haan aan
duniya meri haalat par
hansti hai to hansne do o o o
mujhko to mohabbat mein
mujhko to mohabbat mein
kuchh kar ke dikhaana hai
mujhko to mohabbat mein
kuchh kar ke dikhaana hai

haan aan aan
wo husn pe gar apne ae
magroor hain
hone do o o o o
wo husn pe gar apne ae
magroor hain
hone do o o o o
ab ishq ki baari hai
haan aan
ab ishq ki baari hai
aur mera zamaana hai
ab ishq ki baari hai
aur mera zamaana hai
ab main nahin jaaunga
ab main nahin jaaunga
khud unko hi aana hai


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13700 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13759

Number of movies covered in the blog

Movies with all their songs covered =1031
Total Number of movies covered =3761

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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