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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘NFS’ Category


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jaidev Ki Non-Filmi Suraavali – 04
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Chhaya Ganguly is an ardent disciple of Madhurani, guru to so many other contemporary ghazal singers.

As mentioned earlier, Jaidev ji was so much impressed by Chhaya Ganguly’s voice and its tonal quality, much different from the prevalent style of most of the contemporary singers. He decided to make a devotional album suited to Chhaaya’s voice. The album ‘Bhakti Sudha’ was published by SaReGaMa (originally HMV, and then RPG) in 1983. It contains eight melodious devotional songs. Today’s post is the second Bhajan from this album to be introduced here on our marvellous musical blog. This Bhajan is written by blind poet Surdas-ji.

This Bhajan is set in the typical Boul music from Bengal. This one is one of the most popular bhajans of Surdas. I have not been able to hear two three words in the last stanza. Please will someone help me?

Chhaya Ganguly’s renderings charged with emotions, divine abandon and melody do full justice to the rich contents of the original verses. Her haunting and sensitive style lingers in the mind long after the last note has faded away.

 


Song – Nath Mohe Ab Ki Ber Ubaaro (Chhaaya Ganguly NFS) (1981) Singer – Chhaaya Ganguly, Lyrics – Soordas, MD – Jaidev

Lyrics

naath mohe..e..e
naath mohe..e..e mohe..e..e
naath mohe
ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
naath mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
 
tum naathan ke naath swami
daata naam tihaaro
daata naam tihaaro
tum naathan ke naath swami
dataa naam tihaaro
dataa naam tihaaro
karam-heen janam ko andho
karam-heen. . .
karam-heen janam ko andho
mo te kaun nakaaro
nakaaro
mo te kaun nakaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro

teen lok ke tum prati-paalak
teen lok ke tum prati-paalak
main hun daas tihaaro
teen lok ke tum prati-paalak
main hun daas tihaaro
taari jaati kujaati shyam tum
taari. . .
taari jaati kujaati shyam tum
mo par kirpa dhaaro
dhaaro
mo par kirpa dhaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
 
shudra patit tum taare ramaapati
shudra patit tum taare ramaapati
ab naa karo jiya gaaro
shudra patit tum taare ramaapati
ab naa karo jiya gaaro
soordas saacho tab maane
soordas
daata. . .
soordas saacho tab maane
jo h’ve mam nistaaro
nistaaro
jo h’ve mam nistaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

नाथ मोहे॰॰ए॰॰ए
नाथ मोहे॰॰ए॰॰ए मोहे॰॰ए॰॰ए
नाथ मोहे
अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
नाथ मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

तुम नाथन के नाथ स्वामी
दाता नाम तिहारो
दाता नाम तिहारो
तुम नाथन के नाथ स्वामी
दाता नाम तिहारो
दाता नाम तिहारो
करमहीन जनम को अन्धो
करमहीन॰॰॰
करमहीन जनम को अन्धो
मो ते कौन नकारो
नकारो
मो ते कौन नकारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

तीन लोक के तुम प्रति-पालक
तीन लोक के तुम प्रति-पालक
मैं हूँ दस तिहारो
तीन लोक के तुम प्रति-पालक
मैं हूँ दस तिहारो
तारी जाती कुजाति श्याम तुम
तारी॰॰॰
तारी जाती कुजाति श्याम तुम
मो पर किरपा धारो
धारो
मो पर किरपा धारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

शूद्र पतित तुम तारे रमापति
शूद्र पतित तुम तारे रमापति
अब ना करो जियो गारो
शूद्र पतित तुम तारे रमापति
अब ना करो जियो गारो
सूरदास साँचो तब माने
सूरदास
दाता॰॰॰
सूरदास साँचो तब माने
जो ह्वै मम् निस्तारो
निस्तारो
जो ह्वै मम् निस्तारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jaidev Ki Non-Filmi Suraavali – 03
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When I look, with wide eyes, at my ‘Khjaana’ of Jaidev-ji’s Non-Film songs, I am confused about how to do my presentation of this series to our esteemed audience.  Should I take one artist serially or various artists at random? After an hour or so, of that internal fight, when I played one bhajan by Chhaaya Ganguly, it was easy to decide to present all HER songs serially.  Now with that internal fight over and with a clearer mind, I will write about this bhajan.

Jaidev ji was very much impressed by her voice and it’s tonal quality, much different from the prevalent style of most of the contemporary singers. He decided to make a devotional album suited to Chhaaya’s voice. The album ‘Bhakti Sudha’ was published by SaReGaMa (originally HMV, and then RPG) in 1981. It contains eight melodious devotional songs. Today’s post is the first bhajan from this album to be introduced here on our marvellous musical blog. This bhajan is written by Narayan Swami.

In 1978, Chhaaya Ganguly won the National Award for the ‘Best Playback Singer Female’ for her rendition of the song “Aap Ki Yaad Aati Rahi” under the music composition of Jaidev in Muzzafar Ali’s debut movie ‘Gaman’ (1978).

About the initiation of her singing career, in her own words:

A job of an executive with All India Radio and DoorDarshan for more than 36 years, kept me busy and music took a backseat until I met ghazal singer Madhurani at composer Jaidev’s house and decided to learn from her. Learning from Madhu ji changed my life.  She gave me a nazar, to appreciate good music and to be humble.

After the success of ‘Gaman’, SaReGaMa released three collections of her songs as LPs and she sang title songs for a plethora of shows on Doordarshan, including the one for ‘Bharat Ek Khoj’.  Her unfathomable quest for learning is still goading her on. She is now learning from Ustad Iqbal Ahmad Khan, the khalifa of Dilli gharana. She continues in her quest for perfection in music with strict adherence to tradition, style, purity and form.

With this long introductory write-up, unlike my usual write-ups, I request the listeners to hear this bhajan, repeatedly, to let it grow in the mind, till you may agree with me that it is really, an ‘out of the world’  type music.


Song – Bedardi Tohe Dard Na Aave (Chhaaya Ganguly NFS) (1981) Singer – Chhaaya Ganguly, Lyrics – Narayan Swami, MD – Jaidev

Lyrics

bedardi. . .
tohe. . .
dard na aave
dard na aave

bedardi tohe dard na aave
dard na aave

bedardi tohe dard na aave
dard na aave

chitwan mein chit bas kar mero
chitwan mein chit bas kar mero
ab kaahe ko aankh churaave
bedardi ab kaahe ko aankh churaave
bedardi ab kaahe ko aankh churaave
dard na aave
bedardi tohe dard na aave

dard na aave
 
kab saun padi prabhu dwaar pe tere
kab saun padi . . dwaar pe tere
bin dekhe jiyara ghabaraaye
jiyara ghabaraaye
kab saun padi prabhu
kab saun padi

kab saun padi prabhu dwaar pr tere
bin dekhe jiyara ghabaraaye
naraayan mehboob sanware
naraayan mehboob saanware
naraayan mehboob saanware
ghaayal kare phir gail bataawe
phir gail bataawe
phir gail bataawe

tohe dard na aave
dard na aave

bedardi tohe dard na aave
dard na aave

chitwan mein chit bas kar mero
chitwan mein chit bas kar mero

ab kaahe ko aankh churaave
bedardi ab kaahe ko aankh churaave
bedardi ab kaahe ko aankh churaave
dard na aave
bedardi tohe dard na aave
dard na aave. . .
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

बेदर्दी॰॰॰
तोहे॰॰॰
दर्द ना आवे
दर्द ना आवे
बेदर्दी तोहे दर्द ना आवे
दर्द ना आवे
बेदर्दी तोहे दर्द ना आवे
दर्द ना आवे

चितवन में चित बस कर मेरो
चितवन में चित बस कर मेरो
अब काहे को आँख चुरावे
बेदर्दी अब काहे को आँख चुरावे
बेदर्दी अब काहे को आँख चुरावे
दर्द ना आवे
बेदर्दी तोहे दर्द ना आवे
दर्द ना आवे

कब सौं पड़ी प्रभु द्वार पे तेरे
कब सौं पड़ी ॰ ॰ द्वार पे तेरे
बिन देखे जियरा घबराये
जियरा घबराये
कब सौं पड़ी प्रभु
कब सौं पड़ी
कब सौं पड़ी प्रभु द्वार पे तेरे
बिन देखे जियरा घबराये
नारायण महबूब सांवरे
नारायण महबूब सांवरे
नारायण महबूब सांवरे
घायल करे फिर गैल बतावे
फिर गैल बतावे
फिर गैल बतावे
तोहे दर्द ना आवे
दर्द ना आवे
बेदर्दी तोहे दर्द ना आवे
दर्द ना आवे

चितवन में चित बस कर मेरो
चितवन में चित बस कर मेरो
अब काहे को आँख चुरावे
बेदर्दी अब काहे को आँख चुरावे
बेदर्दी अब काहे को आँख चुरावे
दर्द ना आवे
बेदर्दी तोहे दर्द ना आवे
दर्द ना आवे


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jaidev Ki Non-Filmi Suraavali – 02
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I missed the birth anniversary of my dear Jaidev ji (3rd Aug), by not presenting a tribute to him. I also regretfully observed that same day on our blog, under to flood of songs of ‘KK’ by his fans, NO Atulite remembered Jaidev ji.

Shame on me. I was a professional video editor for half my life, and still, I could not make a video from the audio I had, for whatever excuses I can find. Thanks are due to dear Sadanand Bhai, who was kind enough to promptly prepare this video on my request.

Looking at the list of NFS covered on our blog, I realised that there is a huge collection of Jaidev-ji’s non film songs in my khazaana, waiting to be shared and admired. In this new series ‘Jaidev ki Non-Filmi Suraavali’ this is the second presentation.

Neelam Sahani was from Delhi and a regular artist performing at ‘Akashvani’. She had the music training from Pt. Mahendra Sarin of AIR Jaipur. She learnt classical and light classical music from Ustad Gaffar Khan of Delhi Gharana. She was also trained by Ustad Iqbal Ahmed Khan of Delhi Gharana who was also with AIR Delhi as a music composer. Whenever she was in Mumbai she recorded numerous songs for Jaidev ji in Hindi, Punjabi and Gujarati languages. Her sweet voice is very much appreciated by the lovers of good music.

Jaidev ji groomed her and under his baton she sang many songs in different languages.  He also introduced her to films like ‘Ram Nagari’ and ‘Jeene Ke Liye’.

Anil Biswas used her voice for the famous serial ’Hum Log’ and ‘Ameer Khusrow’. She was independent MD for tele-film ‘Gumraah’.

She lost her husband Mr Luthra, due to cancer, and soon succumbed to the same decease and breathed her last on April 27, 2010.

(In my writing about Neelam Sahani, I thankfully acknowledge the help of singers Chhaya Ganguli and Meetali Mukherjee, who provided me some of the above mentioned details.)

————————————————-
Tranlsation (Provided by Sudhir)
————————————————-

sham thi tum the, maine chhedi ghazal
jal uthhe muskuraahaton ke kanwal

In the proximate moments of evening
With you by my side
(The feelings within expressed themselves)
I sang these verses (for you)
And your lotus lips
Bloomed with smiles

ae hawaao khilaaye hain kisne
aasmaanon pe mehr o maah ke kanwal

O wandering winds of the skies
Tell me
Who has planted in heavens
These lotuses of the Sun and the Moon
[Notes: mehr = the Sun
maah = the Moon]

ab sahaara nahin raha koi
zindagi se kaho kuchh ab to sambhal

None remains anymore
To bear me, to hold me up
(On these uneven roads of life)
Someone tell this wayward life
To be more wary and cautious

dard e manzil jo dil mein uth’ata hai
bas usi dard ke saahare chal

(Traversing these passages of life)
The ache that throngs in the heart
Of the longings for the destinations we seek
Let that ache be the sole purpose
The sole impetus for the journey


Song – Shaam Thi Tum The Maine Chhedi Ghazal (Neelam Sahani NFS) (1981) Singer– Neelam Sahani, Lyrics– Firaaq Ghorakhpuri, MD – Jaidev

Lyrics

sham thi tum the
maine chhedi ghazal
sham thi tum the
maine chhedi ghazal
jal uthhe. . .
jal uthhe muskuraahaton ke kanwal
sham thi tum the
maine chhedi ghazal
sham thi tum the. . .

ae hawaao khilaaye hain kisne
ae hawaao khilaaye hain kisne
aasmaanon pe. . .
aasmaanon pe mehr o maah ke kanwal
aasmaanon pe mehr o maah ke kanwal
aasmaanon pe mehr o maah ke kanwal
sham thi tum the
maine chhedi ghazal
sham thi tum the
 
ab sahaara nahin raha koi
ab sahaara nahin raha koi
ab sahaara nahin raha koi
zindagi se. . .
zindagi se kaho kuchh ab to sambhal
zindagi se kaho kuchh ab to sambhal
sham thi tum the
maine chhedi ghazal
sham thi tum the
 
dard e manzil jo dil mein uth’ata hai
dard e manzil jo dil mein uth’ata hai
dard e manzil jo dil mein uth’ata hai
bas usi. . .
bas usi dard ke saahare chal
bas usi dard ke sahaare chal
sham thi tum the
maine chhedi ghazal
sham thi tum the
maine chhedi ghazal
jal uthhe. . .
jal uthhe muskuraahaton ke kanwal
sham thi tum the
maine chhedi ghazal
sham thi tum the
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

शाम थी तुम थे
मैंने छेड़ी ग़ज़ल
शाम थी तुम थे
मैंने छेड़ी ग़ज़ल
जल उठे॰ ॰ ॰
जल उठे मुस्कुराहटों के कंवल
शाम थी तुम थे
मैंने छेड़ी ग़ज़ल
शाम थी तुम थे॰ ॰ ॰
शाम थी तुम थे॰ ॰ ॰

ए हवाओ खिलाये हैं किसने
ए हवाओ खिलाये हैं किसने
आसमानों पे॰ ॰ ॰
आसमानों पे मेह्र ओ माह के कंवल
आसमानों पे मेह्र ओ माह के कंवल
आसमानों पे मेह्र ओ माह के कंवल
शाम थी तुम थे
मैंने छेड़ी ग़ज़ल
शाम थी तुम थे॰ ॰ ॰

अब सहारा नहीं रहा कोई
अब सहारा नहीं रहा कोई
अब सहारा नहीं रहा कोई
ज़िंदगी से॰ ॰ ॰
ज़िंदगी से कहो कुछ अब तो संभल
ज़िंदगी से कहो कुछ अब तो संभल
शाम थी तुम थे
मैंने छेड़ी ग़ज़ल
शाम थी तुम थे॰ ॰ ॰

दर्द ए मंज़िल जो दिल में उठता है
दर्द ए मंज़िल जो दिल में उठता है
दर्द ए मंज़िल जो दिल में उठता है
बस उसी॰ ॰ ॰
बस उसी दर्द के  सहारे चल
बस उसी दर्द के  सहारे चल
शाम थी तुम थे
मैंने छेड़ी ग़ज़ल
शाम थी तुम थे
मैंने छेड़ी ग़ज़ल
जल उठे॰ ॰ ॰
जल उठे मुस्कुराहटों के कंवल
शाम थी तुम थे
मैंने छेड़ी ग़ज़ल
शाम थी तुम थे॰ ॰ ॰


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jaidev Ki Non-Filmi Suraavali – 01
—————————————————-

Thanks to the help of Researchist Sadanandbhai and few more quotes from here and there, this is going to be quite different to my usual writing of short preface to the presentation of the song.

In my series ‘Genius of Jaidev’, I have presented about 60 filmy songs of Jaidevji, which were not covered on our musical Blog. I am unable to locate few more film songs of Jaidev ji, which are obscure, as I am a poor RESEARCHER. (In spite of the fact that I worked for 40 years in a RESEARCH Institute.)

Anyway, looking at the list of NFS covered on our blog, I realised that there is a huge collection of Jaidev ji’s non film songs in my khajana, waiting to be shared and admired.

Someone, at our ‘Sargam’ program had commented and I had noted it down. He commented that “If Gods up there have to choose a music director for their heavenly pleasure no one could beat Jaidev ji for the spot, with so much experience of creating heavenly tunes here on earth.”

Jaidev has given opportunities to many lesser known singers.Today I have selected Seema Anil Sehgal, a singer-composer from Jammu and Kashmir who is an eminent ghazal singer and an AIR artiste. She is also a recipient of the Jnanpith Award.

Jaishankar Prasad (30 January 1890 – 15 November 1937), one of the most famous figures in modern Hindi literature as well as Hindi theatre. In her glowing tribute to Jai Shankar Prasad, the poet-critic Mahadevi Verma says: “Whenever I remember our great poet Prasad, a particular image comes to my mind. A fir tree stands on the slope of the Himalaya, straight and tall as the proud mountain peaks themselves. Its lofty head braves the assaults of the snow, the rain, and the blazing heat of the sun. Violent storms shake its spreading branches, while a thin stream of water plays hide-and-seek amongst its root. Even under the heaviest snowfall, the fiercest heat, and the torrential rain, the fir tree holds its head high. Even in the midst of the worst thunderstorm and blizzards, it remains steady and unflinching.”

This compliment from a younger contemporary of Prasad summarizes the literary genius of one of the leading lights of “chhaayavaad” (छायावाद) movement in Hindi literature. It recognizes Prasad’s place amongst his peers as well as his relevance to the modern thought. As an author of a classic epic of the human psyche, his magnum opus ‘Kamayani’, Prasad had acquired early eminence. But later his multifaceted personality burgeoned in his contribution to diverse fields of literature in spite of countless storms of personal tragedies, and national social and political upheavals.

Brought up in the affluent family of a tobacco merchant, Prasad was a man of personal charm and of romantic disposition. By temperament a reformer and humanitarian, through his devotion to literature he became a lyric poet, a dramatist, a story writer, and essayist. Thus Prasad emerged as a literary genius. It would be no exaggeration if we rank him with such literary stalwarts as Kalidas, Tulsidas, Shakespeare, Dante, and Goethe in view of his vision and aesthetic consciousness.

With this geet, I also introduce this wonderful young singer and musician, Seema Sehgal. Her musical creations and renditions of Urdu poetry and ghazals of the masters, are treat to listen. I would urge you to know more about this wonderful singer – there is a blog dedicated to her at “Seema Sehgal Sings“.

This particular song, the very famous poem of Kavi Jaishankar Prasad, was sung by her under the baton of our Jaidev, in one of the episodes of ‘Aarohi’, a musical program consisting mostly of geets and ghazals, which used to be telecast by the Mumbai Kendra of Doordarshan.

Legendary thespian Padma Bhushan Dilip Kumar said in one of her program: “. . . a reason to celebrate that there are young and enthusiastic singers of your class and calibre. . . Your creations foster conditions in which music can breathe. . .”.

Dadasahib Phalke Award winner Padma Vibhushan Naushad Ali said: “May God grant me an opportunity wherein I could utilize your mellifluous voice in my songs. . .”.

Renowned Tabla Maestro Padma Bhushan Alla Rakha blessed her with the words: “O nightingale from Jammu and Kashmir! May the fragrance of your melodious and soulful voice spread to all corners of the world. . .”.

I welcome you to listen to this wonderful poetic rendition. This geet should be heard in the night on a good sound system to appreciate its depth and intensity.


Song – Beeti Vibhaavari Jaag Ri (Seema Sehgal NFS) (1980) Singer– Seema Sehgal, Lyrics– Jaishankar Prasad, MD – Jaidev

Lyrics

beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
ambar panghat mein dubo rahi
ambar panghat mein dubo rahi
tara-ghat usha naagari
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
 
khag-kul kul-kul sa bol raha
kislaya ka anchal dol raha
khag-kul kul-kul sa bol raha
kislaya ka anchal dol raha
lo yah latika bhi bhar laayee
lo yah latika ….
lo yah latika bhi bhar laayee
madhu mukul naval ras-gaagari
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
 
adharon mein raag amand piye
adharon mein raag amand piye
alakon mein malayaj band kiye
adharon mein raag amand piye
alakon mein malayaj band kiye
tu ab tak soyee hai aali
tu ab tak …
tu ab tak soyee hai aali
aankhon mein bhare vihaag ri
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
ambar panghat mein dubo rahi
ambar panghat mein dubo rahi
tara-ghat usha naagari
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
beeti vibhaavari jaag ri
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–
बीती विभावरी जाग री
बीती विभावरी जाग री
बीती विभावरी जाग री
बीती विभावरी जाग री
अंबर पनघट में डुबो रही
अंबर पनघट में डुबो रही
तारा घाट उषा नागरी
बीती विभावरी जाग री
बीती विभावरी जाग री
बीती विभावरी जाग री

खग-कुल कुल कुल सा बोल रहा
किसलय का अंचल डोल रहा
खग-कुल कुल कुल सा बोल रहा
किसलय का अंचल डोल रहा
लो यह लतिका भी भर लाई
लो यह लतिका॰॰॰
लो यह लतिका भी भर लाई
मधु मुकुल नवल रस गागरी
बीती विभावरी जाग री
बीती विभावरी जाग री
बीती विभावरी जाग री

अधरों में राग अमंद पिये
अधरों में राग अमंद पिये
अलकों में मयलज बंद किए
अधरों में राग अमंद पिये
अलकों में मयलज बंद किए
तू अब तक सोई है आली
तू अब तक॰॰॰
तू अब तक सोई है आली
आँखों में भरे विहाग री
बीती विभावरी जाग री
बीती विभावरी जाग री
बीती विभावरी जाग री
अंबर पनघट में डुबो रही
अंबर पनघट में डुबो रही
तारा घाट उषा नागरी
बीती विभावरी जाग री
बीती विभावरी जाग री
बीती विभावरी जाग री


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is a special day for Atulites and each one of us on our Whatsapp Group knows that it is Blog’s 9th anniversary. The Blog’s anniversary is the mother of all other celebrations connected with it. Otherwise how would it be possible to celebrate century songs, artists’ centuries, artists’ birth anniversaries, the remembrance days, other special occasions etc without the existence of the Blog?
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 26
—————————

As repeatedly mentioned earlier, those were the days when under ‘Super Cassettes Industries Limited’ banner, Gulshan Kumar had released a number of Devotional and Gazal cassettes under T-Series, to the utter joy of real good taste music lovers.  He had many singers as well as many MDs under contract and had made a bank of songs suitable for various situations and had used them in films, whenever needed.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 25
—————————

As repeatedly mentioned earlier, those were the days when under ‘Super Cassettes Industries Limited’ banner, Gulshan Kumar had released a number of Devotional and Gazal cassettes under T-Series, to the utter joy of real good taste music lovers.  He had many singers as well as many MDs under contract and had made a bank of songs suitable for various situations and had used them in films, whenever needed.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 24
—————————
Those were the days of Super Cassettes Industries Limited and Gulshan Kumar had released a number of Devotional and Gazal cassettes under T-Series, to the utter joy of real good taste music lovers. He had many singers as well as many MDs under contract and had made a bank of songs suitable for various situations and had used them in films, whenever needed.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 23
————————————-
Produced by Gulshan Kumar under ‘T Series’ by Super Cassettes Industries Limited,
an album ‘He Govind He Gopal’ with Suman Kalyanpur’s sureele devotional offerings. The album had ten gems out of which six have already been discussed, in this musical Blog. This is the seventh one. Still three more bhajans left, before Hari Ichchha permitting, I complete the list.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 22
————————-
Produced by Gulshan Kumar under ‘T Series’ by Super Cassettes Industries Limited,
an album ‘He Govind He Gopal’ with Suman Kalyanpur’s sureele devotional offerings. The album had ten gems out of which five have already been discussed, in this musical Blog. This is the sixth one, so with this, more than half of that Album will be covered, still four more before Hari Ichchha permitting, I complete the list.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13500 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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