Archive for the ‘Title song’ Category
Din pyaar ke aayenge sajaniyaa
Posted on: January 1, 2021
- In: Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Avinash Scrapwala | Rail song | Songs of 1980s (1981 to 1990) | Songs of 1986 | Theme song | Title song | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4550 | Post No. : | 16135 |
The journey continues … with many miles to go …
‘जिस तरह सुबह के बाद शाम ढलती है, रात होती है, फिर सुबह आती है. आज का डूबा हुआ सूरज कल फिर नयी किरणें लेकर आता है, एक नयी भोर का सन्देश, नया उत्साह और नयी उमंग के साथ. उसी तरह आज जो रेल-गाडी रात को गुज़रती है वो सुबह फिर किसी स्टेशन पर आती है – सवेरे वाली गाडी बन कर’, नए जोश और नए उत्साह के साथ …
And here it arrives … our musical bandwagon …Wishing you all a very ‘Happy New Year-2021’!!!
Let us all be safe, healthy, peaceful and enjoying music wherever we are!!!
We start our journey with this lovely song which is saying ‘din pyaar ke aayenge’ and though here the expressions are of a lover for her love, the message we wish to convey is for all of us or rather for all on this globe – the mankind, the humanity, the nature, the environment, and for our ecological existence. Let the love blossoms and we all enjoy our stay here and do good for others as possible.
Trains have been part of our movies since long and there are many song sequences and scenes picturised on the trains or having trains at the back drop. It will be interesting to study those movies and how effectively trains/railways have been used in various movies. I had started to note down some movie names and looking for this subject landed me on this article here.
It was only during the ‘pandemic’ that this ‘lifeline of the nation’ was stopped, and passenger services had to be discontinued. It never happened earlier in the history of this nation not even during the ‘war’ period.
But now gradually things are coming back to normal and I wish that the ‘normal’ is restored soon in the months to come.
Let us hope that this ‘lifeline of the Nation’ is back to full swing again.
I have always loved the ‘train journeys’ since my childhood and even now I feel it very nostalgic to visit railway stations and travel by train. I wonder, if I still have these feelings that I am excited to see the trains, how the peoples who are staying in the hills and still have not travelled by train or not seen them would feel if they get this opportunity.
Let us also contribute to the safety our ‘lifeline’ and care for its assets. Let us protect it and discourage those who try to damage this national property.
Let us now enjoy this wonderful song composed by Pancham Da who have given us some gems of trains songs viz. ‘zindagi ke safar mein guzar jaate hai jo makaam’ and others. Lyrics are by Majrooh Sultanpuri and today’s song is sung by Lata Mangeshkar.
This is from the ‘1986’ movie ‘Sawere Waali Gaadi’ … ‘din pyaar ke aayenge sajaniyaa’
Video
Audio
Song-Din pyaar ke aayenge sajaniya (Sawere waali Gaadi)(1986) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa
Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye sawere waali gaadi se
Mere dildaar ka aa
Padi kankari aankhon se nikal jaayegi
Ho o
Padi kankari aankhon se nikal jaayegi
Ye maili chunariya meri
Badal jaayegi
Dekho mandlaaye kaise ban ki Titliyaan
Jaise main hoon phulwaa bahaar ka
Ho o o o
Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa
Teri raah mein o saajan
Teri dhun mein choor
Ho o o
Teri raah mein o saajan
Teri dhun mein choor
Khuli dhoop mein ithlaati
phiri door door
Mil ke sunaaungi
kaise hans hans ke
Jhelaa maine dukh intezaar ka aa
Ho o o
Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa
Suno ae hawaa koyi mera
Bulaaye mujhe ae
Ho o
Suno ae hawaa koyi mera
Bulaaye mujhe ae
Ye rut aur ye hariyaali
na bhaaye mujhe ae
Bas rahaa ab to hamaari ankhiyan mein
Sapnaa balamwa ke dwaar ka
Ho o o o
Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa
—————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————–
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ
पड़ी कंकरी आँखों से निकल जायेगी
हो ओ
पड़ी कंकरी आँखों से निकल जायेगी
ये मैली चुनरिया मेरी
बदल जायेगी
देखो मंडलाए कैसे बन की तितलियाँ
जैसे मैं हूँ फुलवा बहार का
हो ओ ओ
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ
तेरी राह में ओ साजन
तेरी धुन में चूर
हो ओ
तेरी राह में ओ साजन
तेरी धुन में चूर
खुली धूप में इठलाती फिरी दूर दूर
मिल के सुनाउंगी
कैसे हंस हंस के
झेला मैंने दुःख इंतज़ार का आ
हो ओ ओ ओ
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ
सुनो अय हवा कोई मेरा
बुलाये मुझे ए
हो ओ
सुनो अय हवा कोई मेरा
बुलाये मुझे ए
ये रुत और ये हरियाली न भाये मुझे ए
बस रहा अब तो हमारी अंखियन में
सपना बलमवा के द्वार का
हो ओ ओ ओ
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ
Bambai raat ki baahon mein
Posted on: December 15, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4533 | Post No. : | 16099 |
———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 99
———————————————————————————–
This day ten years ago (viz 15 December 2010) was a wednesday, viz middle of the week. I was based at Nagpur. After initial struggle early in the year for settling down, I began to post songs at an average of 5 songs a day from
July 2010 onwards. Then there was a temporary slowdown in November 2010. I picked up pace again in december 2010. I notice that I had covered as many as seven songs on 15 december 2010. This was one of the seven occasions in the month when I posted as many as seven articles in a day. The first post appeared at 7:13 AM and the seventh at 9:27 AM. That is the kind of productivity I was capable of ten years ago. ! 🙂
Here is the list of the songs covered that day:-
| Blog post number | Song | Movie | Year | Remarks |
|---|---|---|---|---|
| 3346 | Balam mohe chhedo naa | Daasi | 1944 | 6 songs covered out of 11 |
| 3347 | Gaaye jaa geet milan ke tu apni lagan ke | Melaa | 1948 | YIPPEED by now |
| 3348 | Dharak dharak tere bin mera jiyaraa | Singaar | 1949 | YIPPEED by now |
| 3349 | dil ki duniyaa ujad gayi | Shair | 1949 | YIPPEED by now |
| 3350 | Taaraa toote duniyaa dekhe | Malhaar | 1951 | YIPPEED by now |
| 3351 | O chaand jahaan wo jaayen | Shaarda | 1957 | YIPPEED by now |
| 3352 | Jalti huyi jawaaniyaan | Bambai Raat Ki Baahon Mein | 1967 | One song out of 5 covered |
One can notice that five out of 7 movies whose songs were covered ten years ago have since been YIPPEED.
“Bambai Raat Ki Baahon Mein”(1967) is one movie that made its debut ten years ago and that is the only song from that movie to appear in the blog so far. This movie was written,produced and directed by Khwaja Ahmad Abbas. The movie had Surekha (as Asha), Madhavi (as Rosy), David (as Barrister Rameshchar), Irshad Panjathan, Prakash,Yunus Parvez,Madhukar, Hangal,Samir Kumar, Kuljit Singh, Ravikant, Bhagwan Sinha, Qamar Amrohi, Pardesi, Bhola, Jagadish Kumar, Ghanshyam Rohera, Moti Bina, Sunil Kaushik, Surendra Kaushik, Nazir Kashmiri, Chandulal, Verinder Raj Anand,and Athar Siraj. The movie introduced Persis Khambata as Lily, Vimal Ahuja as Amar and Jalal Agha as Johnny.
The movie had five songs in it.
Here is the second song from “Bambai Raat Ki Baahon Mein”(1967) to appear in the blog. The song, the title song of the movie, is sung by Asha Bhonsle. Chorus and an unknown nmale voice is also there in the song. The song is picturised as a stage performance song on Persis Khambhata, Jalal Agha and others. Hasan Kamal is the lyricist. Music is composed by J P Kaushik.
Lyrics of this song were sent to me by Prakashchandra.
video link:
Audio link:
Song-Bambai raat ki baahon mein (Bambai Raat Ki Baahon Mein)(1967) Singer-Asha Bhonsle, Lyrics-Hasan Kamal, MD-J P Kaushik
Male chorus
Female chorus
All chorus
Unknown male voice
Lyrics(Provided by Prakashchandra)
hey aye aey ae aye aye ae ae ae
Bambai raat ki baahon mein
kahey nigaahon nigaahon mein
kyun khoyaa hai tu aahon mein
aa ja
aa jaa aa aa aa
aa ja pyar ki raahon mein
hey ae ae ae ae
aye ae aye ae aye ae
Bambai raat ki baahon mein aen
aaa aaa aaa aaa aaa aa
kahey nigaahon nigaaon mein aen
aaa aaa aaa aaa aaa
kyun khoyaa hai tu aahon mein
aa ja (aaa aaa aaa aaa)
aa jaa aa aa aa (aaa aaa aaa aaa)
aa ja pyar ki raahon mein (aaa aaa aaa aaa)
aaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa aaa
aaa aaa aaa
khaaa
pee
aur maze udaa
eat drink and be merry
khaaa
pee
aur maze udaa
kyun sabke fikron mein ghultaa hai ae ae ae
gaa
jhoom
mastiyaan lutaa
kyun gham ke sholon mein jalta hai
kal ki chinta kyon kartha hai
tu kyon dartha hai
naahaque marta hai
duniya ke dukh bhool ja
hey ae ae ae
hey ae ae ae ae ae
Bambai raat ki baahon mein
aaa aaa aaa aaa aaa
kahey nigaahon nigaahon mein
aaahaaa aaa aaa aaa aaa
kyun khoyaa hai tu aahon mein
aa ja (aaa aaa aaa aaa)
aa jaa aaa aaa aaa aaa (aa aa aaa aaa aaa aa)
aa jaa pyaar ki raahon mein (aaa aaa aaa aaa)
hey ae ae ae ae hey Bombay ae ae
hey hhey hey hey ae Bombay ae
hey hey hey ae Bombay ae (mm mm mm)
hey ae hey hey ae Bombay (mm mm mm)
aaa aa aaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa aaa
aaa aaa aaa aaa aaa aaa
hey ae hey ae ae Bombay ae
hey ae hey ae ae Bombay ae (hmm hmmmm)
hey ae ae ae hey Bombay (hmmm hmmmm)
hey ae ae ae Bombay ae (hmmm hmmmm)
raat muskuraati hai
what a sweet smile
raat muskuraati hai
jeene ka aa raaz bataati hai ae
jab chaahey to
thhoda jhuk ja
daam lagey to o o
khud bhi bik jaa
bik jaa bik jaa bik jaa aa
gairon se gar dil miltaa hai
gairon ko apnaa
apnon ko tu bhool jaa
hey ae ae ae
hey ae ae ae ae
Bambai raat ki baahon mein
aaa aaa aaa aaa aaa
kahey nigaahon nigaahon mein
aaahaaa aaa aaa aaa aaa
kyun khoyaa hai tu aahon mein
aa ja..aa (aaa aaa)
aa jaa aaa aaa aaa aaa aaa(aa aa aaa aaa aa aa)
aa jaa aaj ki raahon mein aen (aaa aaa aaa aaa)
aa jaa aaj ki raahon mein aen
aa jaa aaj ki raahon mein aen
Alakh niranjan alakh niranjan
Posted on: October 14, 2020
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4471 | Post No. : | 15970 |
Today’s song is from the film Alakh Niranjan-1950. This film is based on a story from Nath – Puran. In India, the Nath Sampraday (Sect) is spread over the whole country. In every place it has its local name and own folk lores. Now, what is this Nath Sampraday ? Few years ago, in one of posts, i had given all detailed information about it. To refresh your memory and for the benefit of new readers, here is a short note again on Nath Sampraday.
In the Hindu Sanaatan traditions the worship of Lord Shiva is called Shaivism and the worshippers and followers of Lord Shiva are called Shaivs. Nath Sampradaay is a sub tradition within Shaivism. The followers of this tradition consider Adinath or Lord Shiva as their first Lord. The word Nath implies Master. In this tradition, there is a lineage of nine Gurus or Teachers. The form of sadhna practiced by the followers of this tradition is called Hath Yog (हठ योग).
The first Guru in this lineage is Matsyendra Nath, who is better known as Machhindra Nath. The traditional history recounts that Matsyendra was born under an inauspicious star. This warranted his parents to throw the baby into the ocean. In the ocean the baby was swallowed by a large fish, and he lived and grew up inside the belly of the fish, for many years. The fish swam to the bottom of the ocean where Lord Shiva was imparting the secrets of yoga to Mata Parvati. Matsyendra overheard this discourse and learnt the secrets of yoga. He began to practice this yog sadhana inside the fish’s belly. After twelve years he finally emerged as an enlightened Siddha.
There is a list of Nine Nath Gurus, who are called Navnath. The first Nath Guru is Machhindra. The complete list is as follows
| Machhindranath | ||||
| Gorakhnath | ||||
| Jalandhar Nath | ||||
| Kanif Nath (Kanhoba) | ||||
| Gahini Nath | ||||
| Raja Bhartrihari Nath (Bharthari) | ||||
| Revan Sidha Nath | ||||
| Charpati Nath | ||||
| Naag Nath |
| Chheen le azadi | (1947) |
| Duniyan ek sarai | (1947) |
| Lakhon mein ek | (1947) |
| Pehli pehchan | (1947) |
| Piya ghar aja | (1947) Acting only |
| Neel kamal | (1947) Acting only |
| Bichhde balam | (1948) |
| Jai hanuman | (1948) |
| Mitti ke khilone | (1948) |
| Pardesi mehman | (1948) |
| Bhool bhulaiyan | (1949) |
| Alakh niranjan | (1950) |
( courtesy- Dr.Surjit Singh ji’s site, with thanks.)
The story of the film shows how Raja Gopichand changes his mindset about the Nath Sampraday, to which his mother also belongs, how he renounces his Throne and how he joins as a Gosavi of the Nath Sampradaya.
Song- Alakh Niranjan Alakh niranjan (Alakh Niranjan)(1950) Singer- Mohd. Farooqi, Lyricist- Manohar Khanna, MD- Premnath
Chorus)
Lyrics
alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
jai satguru jai dukh bhanjan (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan )
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)
o o o o o(alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan
alakh niranjan)
o sansaari har ko jap le (alakh niranjan alakh niranjan)
saari uski maaya hai (alakh niranjan alakh niranjan)
o sansaaari har ko jap le(alakh niranjan alakh niranjan)
saari uski maaya hai(alakh niranjan alakh niranjan)
wo tera hai tu jan ??ka (alakh niranjan alakh niranjan)
jisne tujhey banaaya hai(alakh niranjan alakh niranjan)
tod de saare jhoothe bandhan (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan )
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan
o o o o o o o o(alakh niranjan alakh niranjan)
o o o o o o o o(alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)
tujhmein mujhmein yahaan wahaan (alakh niranjan alakh niranjan)
ghat ghat mein hai wo basa hua(alakh niranjan alakh niranjan)
tujhmein mujhmein yahaan wahaan(alakh niranjan alakh niranjan)
ghat ghat mein hai wo basa hua(alakh niranjan alakh niranjan)
antar ke pat khol ke moorkh apne man mein jhaank zara (alakh niranjan alakh niranjan)
sukh ka sthaan hai ye tera man (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)
alakh niranjan alakh niranjan (alakh niranjan alakh niranjan)
alakh niranjan
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4469 | Post No. : | 15965 |
12/10/2020 – 82nd birth anniversary of Nida Fazli
———————————————————————
Aadmi ki talaash
———————————–
abhi mara nahin zindaa hai aadmi shaayad
yahin kahin use dhoondho yahin kahin hogaa
badan ki andhi guphaa mein chhupa hua hogaa
badha ke haathh
har ek raushni ko gul kar do
hawaayen tez hain jhande lapet kar rakh do
jo ho sake to unn aankhon pe pattiyan kas do
na koyi paaon ki aahat
na saanson ki awaaz
daraa huaa hai woh
kuchh aur bhi na dar jaaye
badan ki andhhi guphaa se na kuchh kar jaaye
yahin kahin use dhoondho
wo aaj sadiyon baad
udaas udaas hai
khaamosh hai
akelaa hai
na jaane kab koyi pasli phadak utthe us ki
yahin kahin use dhoondho yahin kahin hogaa
barh anaho to use phir libaas pehnaa do
andheri aankhon mein sooraj ki aag dehkaa do
bahut badi hai yeh basti kahin bhi dafnaa do
abhi maraa nahin
zinda hai aadmi shaayad
—- NidaFazli —–
Duniya jise kehte hainjaadu kaa Khilona hai
Mil jaaye to mitti hai kho jaaye to sona hai
Nida Fazli , full name Muqtida Hasan Nida Fazli (12 October 1938 to 8 February 2016) is referring to the mesmerising charm of all things worldly and the fickle mindedness of the self, which keeps hankering after the things not gained, which may or may not be within reach.
The name ‘Nida’ means “to call”. In easy urdu /hindi it would mean “pukaar”. I had considered this name for my daughter. But I was dissuaded from this name, due to the meaning being so ambiguous. Because a call could be happy and good as the “Azaan”, or it could also be a call for attention is bad times or when one is in difficulty or desperation i.e. pukaar.
Here a song from the 1981 film “Aahistaa aahistaa” as part of for ‘dheere dheere songs’ series, written by Nida Fazli. This is a melodious composition by Khayyam. I am including ‘aahistaa aahistaa” in this series as it essentially means the same as ‘dheere dheere”.
Three songs from this movie have been covered in the blog so far :-
| Song | Date posted |
|---|---|
| Kabhi kisi ko muqqammal jahaan nahin miltaa | 31 july 2010 |
| Maana teri nazar mein | 9 July 2012 |
| Jab koi khwaab chamakta hai haqeeqat ban ke | 31 july 2020 |
Padmini Kolhapure and Kunal Kapoor are singing this song on screen. This was a complicated story, I think based on a novel, with Shammi Kapoor and Nanda being the older generation and host of other actors in the cast.
Here is a duet by Asha Bhonsle and Anwar, as a tribute to Poet Nida Fazli on his birth anniversary.
Audio :
Video :
Song-Nazar se phool chunti hai nazar aahista aahistaa (Aahistaa aahistaa) (1981) Singers-Anwar, Asha Bhonsle, Lyrics-Nida Fazli, MD-Khayyam
Both
Lyrics
Nazar se phool chunti hai nazar
nazar se phool chunti hai nazar
aahistaa ahistaa
aahistaa aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahista aahistaa
duaayen de rahe hain ped
mausam jogiyaa saa hai
tumhaara saathh hai jab se
har ek manzar nayaa sa hai
duaayen de rahe hain ped
mausam jogiyaa saa hai
tumhaara saathh hai jab se
har ek manzar nayaa sa hai
haseen lagne lagi har reh-guzar
haseen lagne lagi har reh-guzar
aahistaa aahistaa
aahistaa aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahistaa aahistaa
bahot achche ho tum
bahot achcheho tum
phir bhi hamen tum se
hayaa kyun hai
tumhi bolo hamaare
darmiyaan ye
faasla kyun hai
bahot achcheho tum
phir bhi hamen tum se
hayaa kyun hai
tumhi bolo hamaare
darmiyaan ye faasla kyun hai
mazaa jab hai ke
tay ho ye safar
mazaa jab hai ke
tay ho ye safar
aahista aahistaa
aahista aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahista aahistaa
hamesha se akelepan mein koi
muskuraata hai
ye rishtaa pyaar ka hai
aasmaan se ban ke aataa hai
hamesha se akelepan mein koi
muskuraata hai
ye rishtaa pyaar ka hai
aasmaan se ban ke aataa hai
magar hoti hai dil ko ye khabar
magar hoti hai dil ko ye khabar
aahista aahistaa
aahista aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahista aahistaa
nazar se phool chunti hai nazar
nazar se phool chunti hai nazar
aahista aahistaa
aahista aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahistaa ahistaa
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4467 | Post No. : | 15957 |
10/10/2020 – 66th birthday of Rekha
——————————————————-
Today it is the birthday of Rekha, full name Bhanurekha Ganeshan. Some do refer to her as indian “Greta Garbo” for being elusive. However in this era of snooping social media and swooping television media, if someone of her status and lifetime experiences, wants to be a recluse, thumbs up to her. In her time she has been called “Jane Fonda” of India as well for her efforts to resurrect herself as the style icon of the industry. She is remembered for her many memorable characters enacted on the screen.
Back in the 80’s, we the impressionable teenagers, used to hang on to her photos and interviews in magazines. The new generation hasn’t heard of magazines, and google will probably say ‘bullets’, the ones needed to put in the guns, so they can fire. I know about my children, they haven’t experienced the passion and craze for magazines like we did, be it film, sports, politics or finance. I can report that I have spent my hard earned money on all the categories, fortnightly, monthly and weekly.
Yes, back to Rekha and magazine covers. I recall her on one such cover holding the black lady in her hand. Now that I checked, she has 4 filmfare awards of best actress for Khoobsurat & Khoon Bhari Maang, supporting actress in Khilaadiyon ke Khilaadi and last Life time achievement award in 2003. The “K” factor seems to have worked well for her. She used to appear in all the Filmfare award functions as the style icon, often wearing the hyderabadi “Khada dupatta” in its different avatars.
This is the Wikipedia pageWikipedia page on Rekha for more information about her. As per imdb site she has worked in 190 films between 1966 & 2018, having started as a child artist.
The song I have chosen to post today is ‘Raaste pyar ke” 1982, where she was a part of a love triangle with Shabana Azmi and Jeetendra. The gist of the story is Shabana and Rekha are best friends and they both fall in love with Jeetendra. Rekha decides to sacrifice her love for her friend, but then Shabana also finds out about the sacrificial intentions of Rekha and takes measures so that she falls sick and dies in the end, I am not sure. The measure is not a suicide attempt, but eating a lot of ‘green challis”. Jeetenda has not much say in these proceedings.
One song from the film is already posted.
The song under discussion is a nice solo by Lata Mangeshkar, also the title song. The team of Laxmikant-Pyarelal and Anand Bakshi do a job in this situational song.
Audio :
Video :
Song-Tedhe medhe oonche neeche lambe lambe raaste pyaar ke (Raaste Pyaar Ke)(1982) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
Mit gayeen hazaaron jawaaniyan
mit gayeen hazaaron jawaniyan
deni padi jinhen qurbaniyan
jinhe qurbaniyan
yaad aati hain unn ki kahaaniyan
kahaaniyan
zindagi ne jinhe
chhoda maar ke
maar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke ae
raaste pyaar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke
raaste pyaar ke
kya pataa kaun kab kahaan
baitth jaaye thhak haar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke
raaste pyaar ke
zakhmon ke nishaan silte nahin
silte nahin
zakhmon ke nishaan silte nahin
yaadon ke chaman khilte nahin
bichhde to phir kahin milte nahin
do panchhi kabhi ik daar ke ae
ik daar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke
raaste pyaar ke
faisla ye hamen manzoor hai
faisla ye hamen manzoor hai
faasla ye hamen manzoor hai
apni manzil bahot hi door hai
bahot hi door hai
ruk gaye ham kisi ko pukaar ke ae
pukaar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke ae
raaste pyaar ke
iss muhobbat ke qaabil ham nahin
iss muhobbat ke qaabil ham nahin
ham nahin
ham ko apnaa zara bhi gham nahin
koyi khush ho khushi yeh kam nahin
ham chale raat gham ki guzaar ke
guzaar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke
raaste pyaar ke
kya pataa kaun kab kahaan
baithh jaaye thak haar ke
thhak haar ke ae
thhak haar ke
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day: |
4452 | Post No. : | 15916 |
23 rd September was Tanuja’s 77th Birthday and 25th September, 2020 is the 81st birth Anniversary of Feroze Khan. Incidentally, these two have acted opposite each other in at least one film, i.e. Ek Paheli (1971). These are three songs already posted in the blog from this film :
Aansoo ki ek boond hoon main
kaahe karta hai tu itna shor…tera mera ik rasta
Mera tumhaaera saath to sadiyon ka saath hai
I have seen a few songs yesterday while deciding which one to post, they are mostly in the same genre of songs where the heroine Tanuja is singing in some ruined fort like locality with a cemetery inside the ruins. I found one more song of similar setting, where the face of lady singing the song is not shown, so I could not be sure that it is Tanuja. In the song that I have selected, the smiling Tanuja is very much visible and in her customary stylish self with high heels and a small handbag dangling from one hand. The formal attire with the party dress also is not suitable for the location where she is singing the song and leading a curious Feroze khan inside the cavernous ruins of the fort, in broad daylight. She is looking like no “bhoot’, so no bhoot or rooh in this song. SumanKalyanpure is the singer of this song composed by UshaKhanna. Asad Bhopali is the lyricist.
I can find a lot of similarities between these two actors of yesteryears. Both were stylish and good looking. While Tanuja came from a film family and must have been surrounded by the family connections in the film industry, Feroz Khan was an outsider. They both had siblings in the film industry, but I think Tanuja’s sister Nutan was estranged from her family. From the filmography it is seen that most of Feroze Khan’s films are with Mumtaz. They must have a good personal equation also, much like common people do, which results in their children marrying each other. I have read somewhere these two, Mumtaz and Feroz Khan became great friends during their struggling days and Amitabh Bachchan was also a part of this friendly circle, also a struggler.
There are a lot of bad and worst things being said, heard, written and repeated about the film industry and its so called ‘movers and shakers’, in recent times. It is a known fact that all that glitters is not gold. There are always dark and murkier things below the surface. And those who choose to be part of it are going in the murky waters with their eyes open. There are hardly any secrets in this world anymore, let alone the film industry. We as outsiders can only be this much detached and away from the ugliness, and try to maintain the façade of art and culture, and hide our knowledge and apprehension behind beautiful music, or what else we find good and appreciable.
In the 50’s and 60’s decades, there were people going in the industry to make a living or decent living. Some were maybe so impoverished that, there was hardly a choice to make, between flesh trade or do hard labour in the film studio as extra artist. And there are always ambitious people ready to give all and compromise all for either easy money or name and fame, or to be rid of financial ruin caused by their family members. Too much money or too little, it is a factor. Nepotism exists here too as it does everywhere else, in any form.
This is what MeenaKumari means when she says :
Aabl apaa koyi iss dasht mein aaya hogaa
Warna aandhi mein diya kisne jalaaya hogaa
Or when she says this :
Jalti bujhti si roshni ke pare
Simta simta sa ek makaan tanhaa
This was an insider view, saying things through poetry, what cannot be said for fear of losing its charm, glitter and shine.
The two actors Feroze Khan and Tanuja have spent their lives in the industry, been right in the thick of things. We can certainly say a few good things about these two, that they were talented and their successes were due to their talent and hard work.
Song-Main ek paheli hoon barson se akeli hoon (Ek Paheli)(1971) Singer-Suman Kalyanpur, Lyrics-Asad Bhopali, MD-Usha Khanna
Lyrics
Main ek paheli hoon
barson se akeli hoon
mujhe jaan’ne walaaa koyi nahin
pehchanne waalaa koyi nahin
main ek paheli hoon
barson se akeli hoon
mere paas aa
mere meharbaan
na de door hi se
sadaa mujhe ae
main hoon ik charaagh
bujhaa huaa
tu jalaa sakey to
jalaa mujhe
tu jalaa sakey to
jalaa mujhe
main ek paheli hoon
barson se akeli hoon
barson se akeli hoon
meri kab se hai
yahi aarzoo
ke mujhe galey se
lagaaye tu
tere dil ka dard
mitaaun main
mere dil ki pyaas
bujhaaye tu
mere dil ki pyaas
bujhaaye tu
main ek paheli hoon
barson se akeli hoon
tujhe kya khabar
ke tere liye
main na jaane kab se
udaas hoon
meraa pyaar dekh ke
har ghadi
tere saathh hoon
tere paas hoon
tere saathh hoon
tere paas hoon
main ek paheli hoon
barson se akeli hoon
mujhe jaan’ne waalaa koyi nahin
pehchaan’ne waalaa koyi nahin
main ek paheli hoon
barson se akeli hoon
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4449 | Post No. : | 15907 |
64th Birthday of Ranjeeta Kaur – 22.09.2020
———————————————————
I wish life could be just a song for the road just like this song on a motorcycle. A song heard in childhood, mainly on radio. In 1980 we had a T.V. at home, but that was only aired in the evening. The radio could be heard during the day also, but they were on air for specific hours only, be it “vividh bharati” or “All india Radio”, of which urdu service was the one for film songs. All these years the lyrics of the song complete with the first stanza have stayed in the memory. After the advent of youtube, I may have looked up this song too alongwith many other old songs.
I have seen quite a few films of Ranjeeta while she was active in the 80’s, as I and my mother used to like her innocent, homely looks. Many of these films were B grade low-budget films like ‘Qismat”, “Tarana” and ‘Khwaab” to name a few. She was paired with Mithun Chakrovorty in these films. I was under the impression that “Ankhiyon ke jharoke se”(1978) was a debut film for her, whereas she had appeared in the hit film “Laila Majnu” in 1976, opposite Rishi Kapoor. Both these are notable films of her career. But there after she appeared in few A grade films in bit roles like ‘‘Rajput”, “Satte Pe Satta” and “Krodhi”. Films like “Ham se Badhkar kaun”, “Aap to aise na the”, “Ustadi Ustad se” and “Tarana” are all seen and forgotten films.
As Ranjeeta Kaur turns 64 today, I am presenting this happy romantic song where she is singing this duet on motorcycle and the beach. The name of the film is “Khwaab”(1980) and singers are Hemlata and Yasudas. The lyricist and music director is Ravindra Jain.
Two songs from the film are posted.
Tu hi wo haseen hai
Ek aas liye vishwaas liye
“Khwaab” is one of its kind title as I could find no other film with the title as ‘Khwab” or ‘Khwaab”. The word means dream, and this year 2020 is turning out like a bad dream. I am sure all of us have had this feeling that we are asleep and embroiled in a bad dream, and hope fervently that we will wake up soon and this whole tragic crisis will disappear. Hope that it will dissolve like a bad dream, is soon forgotten.
Let us go to the song, which I would have categorized as a “in the family way songs” seeing the words of first stanza, but this one is not such a song. I have a few songs for this category in mind. Let us see when I get around to those songs. They are mostly 80’s/90’s songs, so this can be a precursor to that series.
This song starts with the urdu alphabet ‘khai’ making it one of rare songs for ‘antakshari” 🙂 . Only other song I can remember is “khwaab ho tum ya koyi haqeeqat kaun ho tum batlaao……..”. Not that most people bother with the fine distinction between the ‘kh’ of “khilauna” and ‘kh’ of ‘Khwaab’. I can wish all I want for a way of distinguishing it in the English script, with a dot or some such thing. Rekhta.com has adopted an entirely different way of spelling the urdu /hindi words in English script, which is rather complicated even for someone like me. Urdu is a language with fewest dictionary words. Sometimes the same word is used for different meanings in different situation. One example is the word “taarikh” which means “date” and history, but not inclusive. Then there is the confusion with ‘q’ and ‘k’.
Common words where K is correct are :
Mushkil – difficulty
Ashk – tear (aansoo)
Rashk – envy
Shak – doubt
Kalaam – spoken word or talk
Shikwa – grievance
Shikayat – complaint
Shaukat – power or dignity
Q is appropriate here :
Qalam – pen
Ishq – love
Raqs – dance
Qalb – heart
Sadaqah – charity (sort of)
Beqaraar – restless, disturbed
Shauq – deep interest, zeal
Qataar – line, queue or array
Iqraar – acceptance or agree, promise
And there is added complication of words where ‘Q’ is compulsorily written as ‘que’ as it is done in ‘Ishque’ or ‘aashiqui’ or some names such as siddique and taarique. I have not gotten to two different alphabet with different sounds for whom the alphabet ‘t’ is used. The ‘t’ of ‘taara’ is different from the ‘t’ of ‘totaa’. There is confusion galore for the untutored. So we let it be, the ‘no pain no gain’ school of thought be brushed under the carpet 🙂 .
Now that I have heard the song two three times, I have realized that it remained in the memory because of its very sweet and melodious sound. It is memorable for the lyrics as well as tune and the singing of both Hemlata and Yasudas.
Song-Ham khwaab ko badal denge haqeeqat mein (Khwaab)(1980) Singers-Yesudas, Hemlata, Lyrics-Ravindra Jain, MD-Ravindra Jain
Both
Lyrics
khwaab ko
badal denge
haqeeqat mein
ham khwaab ko
badal denge
haqeeqat mein
mil ke rahenge donon
armaanon ki jannat mein
ham apne khwaab ko
badal denge ae
haqeeqat mein
ham khwaab ko
badal denge ae
haqeeqat mein
chhotaa sa ek ghar hogaa
haan chhotaa sa ek ghar hogaa
aur ghar mein honge
saanwle salone
hanste bolte khilaune
ham do hamaare do
nahin nahin
mere do tumhaare do
kat jaayegaa ye jeewan
unhi ki hifaajat mein
ham apne khwaab ko
badal denge
haqeeqat mein
ham khwaab ko
badal denge
haqeeqat mein
kabhi kabhi
beete dinon par
jaayegi jab nazar
oo ooo
sochenge kitne haseen thhe
woh shaam woh sehar
oo ooo
sochenge kitne haseen thhe
woh shaam woh sehar
nit aayengi bahaaren
nit khilenge phool suhaane
oo hoo ooo
nit aayengi bahaaren
nit khilenge phool suhaane
yoonhi rahenge zamaanon tak
khushiyon ke zamaane
aa haa haa
aa haa haa
ham tum judaa na honge
ab to kisi soorat mein
ham apne khwaab ko
badal denge
haqeeqat mein
ham khwaab ko
badal denge
haqeeqat mein
Bookmark
Current Visitors
Stumble
visitors whereabouts
blogadda
blogcatalog
Recent comments