Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Title song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5423 Post No. : 17788

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Blog 10-Year Challenge (2013-2023) – Song No.123
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On this date ten years ago (24 May 2013),seven songs from seven digfferent movies was covered in the blog. Here are the details:-

Post No Song Title Name of the movie Remarks
8120 Ajeeb hai zindagi ki manzil Aakaash(1953) 6 songs covered out of 7 by now
8121 Beemaar e muhabbat ka itna sa fasaana hai Teesri Gali (1958) 4 songs covered out of 6 by now
8122 Sainyya haay haay haay tere gaaon mein Opera House (1961) 6 songs covered out of 7 by now
8123 Chale aana sanam uthhaaye kadam Dekha Pyaar Tumhaara(1963) 2 songs covered out of 6 by now
8124 Umr to pyaar karne ki aayi Zindagi(1976) Movie YIPPEED in the blog by now
8125 Chhodo ye nigaahon ka ishaara Inkaar(1977) Movie YIPPEED in the blog by now
8126 Kaanton se chhedte hain mere jigar ke chhaale Qeemat(1946) Movie YIPPEED in the blog by now

We observe that three movies (out of seven) whose songs were covered in the blog on this date ten years ago (on 24 May 2013) have since been YIPPEED in the blog. That leaves us with four unYIPPEED movies that are eligible for Blog Ten Year Challenge today (24 May 2023). Out of these four unYIPPEED movies, two movies have only one song left to be covered but that last song could not be located, so these two movies cannot be taken up under BTYC. That leaves us with juste eligible for BTYC and whose remaining songs are available.

“Dekha Pyaar Tumhaara”(1963) was produced by Tahirbhai Akbarali Khety and directed by K Parvez for Mamta movies, Bombay. The movie had Naaz, Subi Raj, Achla(Sachdev), Helen, Madan Puri, Sadhna Chowdhry, Sham Kumar, Lotan, Baby Ismat, Bhagwan etc.

“Dekha Pyaar Tumhaara”(1963) had six songs in it. Two songs have been covered so far.

Here is the third song from the movie to appear in the blog. The song is sung by Suman Kalyanpur. Majrooh sultanpuri is the lyricist. Raj Ratan Raj (actual name Abdul Majeed Sheikh) is the music director.

Only audio of the song is vailable. It is the title song of the song. So it may have been lip synced by the leading lady of the movie, who appears to be Naaz. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.

audio link:

Song-Ae jee ho o dekha pyaar tumhaara (Dekha Pyaar Tumhaara) (1963) Singer- Suman Kalyanpur, Lyrics-Majrooh Sultanpuri, MD-Raj Ratan

Lyrics(Provided by Prakashchandra)

ae jee ho o ho o o
dekhaa pyaar tumhaaraa aaaa
aei jee ho o ho o o
dekhaa pyaar tumhaaraa aaaa
na jaao meraa dil royegaa bichaaraa
na jaao meraa dil royegaa bichaaraa
aei jee ho o ho o o
dekhaa pyaar tumhaaraa aaaa

aa aaa aaa aaaaa aa
mudke bas ek baar to dekho o o
mudke bas ek baar to dekho
baat lambi naheen hai suno to o
baat lambi naheen hai suno to
nazar hee milaa lo jee dobaaraa
aei jee ho o ho o o ho o
dekhaa pyaar tumhaaraa aaaa
na jaao
meraa dil royegaa bichaaraa
na jaao
meraa dil royegaa bichaaraa
aei jee ho o ho o o ho o
dekhaa pyaar tumhaaraa aaaa

aa aaa aaa aaaaa aaaa aaa
jo meree suntey ae naheen tum bhee
jo meree suntey ae naheen tum bhee
baithh jaayen na chhup hoke hum bhee eee
baithh jaayen na chhup hoke hum bhee
tum hee ko kahegaa jahaan saaraa
ae jee ho o ho o o
dekhaa pyaar tumhaaraa aaaa
na jaao
meraa dil royegaa bichaaraa aa
na jaao
meraa dil royegaa bichaaraa aa
aei jee ho o ho o o ho o
dekhaa pyaar tumhaaraa aaaa
aei jee ho o ho o o
dekhaa pyaar tumhaaraa aaaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5419 Post No. : 17774

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Blog 10-Year Challenge (2013-2023) – Song No.117
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On this date ten years ago (20 May 2013), eight songs from eight different movies were covered in the blog. Here are the details:-

Post No Song Title Name of the movie Remarks
8101 Ghazab ka hai din socho zara Qayamat Se Qayamat Tak (1988) 3 songs covered out of 6 by now
8102 Main reh gayi ankhiyaan malti re Roomaal (1949) 6 songs covered out of 10 by now
8103 Pyaar mera majboor pardesi sainyyaan Madaari (1959) Movie YIPPEED in the blog by now
8104 O paise tu Bhagwaan nahin Main Shaadi Karne Chalaa (1962) 6 songs covered out of 9 by now
8105 Din jaa rahe hain ke raaton ke saaye Doosri Sita (1974) Movie YIPPEED in the blog by now
8106 Phir wahi raat aayi jaan e jaan Phir Wohi Raat (1980) Movie YIPPEED in the blog by now
8107 Lukka chhuppi bahut huyi saamne aaja na Rang De Basanti(2006) 2 songs covered out of 10 by now
8108 Muhabbat hai kya cheez hamko bataao Prem Rog (1982) 5 songs covered out of 6 by now

We observe that three movies (out of eight) whose songs were covered in the blog on this date ten years ago (on 20 May 2013) have since been YIPPEED. That laeves us with five unYIPPEED movies that are eligible for Blog Ten Year Challenge today (20 may 2023).

“Main Shaadi Karne Chala”(1962) is one of BTYC eligible movies today.

“Main Shaadi Karne Chala”(1962) was produced by J B H Wadia and directed by Roop K Shorey for Wadia Movietone, Bombay. This movie had I.S.Johar,Sayeeda Khan,Rajendra nath,Feroze Khan, Praveen Choudhary, Tabassum, Malika, Mumtaz, Badri Prasad, Durga Khotey, Manju,Prem Chopra, Vivek etc in it.

The movie had nine songs in it. Six songs have been covered in the blog by now.

Here is the seventh song from the movie. This song is sung by Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by Chitragupta.

From the lyrics, we can see that this song is the title song of the movie. Only audio of the song is avilable. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.

audio link:

Song-Koi bura kahey ya kahey bhala main shaadi karne chala (Main Shaadi Karne Chala)(1962) Singer-Rafi, Lyrics-Majrooh Sultanpuri, MD-Chitragupta

Lyrics(Provided by Prakashchandra)

koyi bura kahey
ya kahey bhala
main shaadi karne chalaa
arrey main shaadi karne chalaa
o koyi bura kahey ya kahey bhala
main shaadi karne chalaa
aahaa haa haa
main shaadi karne chalaa

sansaar mein tanhaa tanhaa
beethegi umariyaa kaisey ae
sansaar mein tanhaa tanhaa
beethegi umariyaa kaisey
jeevan ki ye lambi gaadi
chalti nahin ik pahiye se
ek saathi lekar manzil par
aabaadi karne chalaa
arrey main shaadi karne chalaa
o koyi bura kahey ya kahey bhala
main shaadi karne chalaa
arrey main shaadi karne chalaa

duniyaa mein kunwaarey ko to
miltaa nahin dhoondhey ghar bhi
jodi jo kahin mil jaaye
phir fauj bhi hai lashkar bhi

sapnon ke rang mahal ki ik shehzaadi karne chala
arrey main shaadi karne chalaa
koyi bura kahey ya kahey bhala
main shaadi karne chalaa
arrey main shaadi karne chalaa

naachegi khushi aangan mein
dulhan jo chalegi chham se
naachegi khushi aangan mein
dulhan jo chalegi chham se
taqdeer teri jaagegi
tarkeeb samajh ley hamse
tu raazi ho to aa pyaarey
main kaazi karne chalaa
arrey he main shaadi karne chalaa
koyi bura kahey ya kahey bhala
main shaadi karne chalaa
aahhaa hhaa ha main shaadi karne chalaa


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5386 Post No. : 17665

Today’s song is from a stunt film Gogola-1966.

The date was 28-8-2017. I received an EMail from an unknown person, as follows….

Kelly Robinson

Hi—

I’ve been told that you are an expert in Hindi cinema. I’m writing a book on lost horror films, and one of my chapters is on the film Gogola, which seems to be lost.

It is very difficult to find information on this film in English, so I was hoping you might be able to tell me about it. Any information at all is helpful. I’m also curious to know if it was the first Hindi film with a giant monster. Do you know if there were other similar films that preceded it?

Thank you very much for your help. I will be certain to credit you in the book with any information you can provide.

Kelly Robinson

I was surprised. First of all, I tried to find out who this person was. From the internet I learnt that Kelly Robinson was an Award winning film writer and researcher from the USA. He was associated with various Magazines as author, Radio, TV and Hollywood etc. To answer him I gathered all the information I had with me about this film and then wrote to him….

” Dear kelly Robinson,
Thanks for your email. Whoever told you that I am an expert in Hindi films, has probably exaggerated. I am only a practicing student of old Hindi films and its music…etc etc “

Then I gave him all the information about the film and about the people associated with it along with its story. He promptly replied and thanked me. That was the end of Gogola for me.

Recently I came across a song from this film on YouTube and all these memories came back to my mind. I decided to write a post on this song mainly because of its Mukhada “Nacho, Nacho, Nacho “. This is the same as the song from the film ” RRR”, posted on this Blog by our Gajendra Khanna ji on 3rd April 2023. It is a coincidence that in the same month 2 songs having the same Mukhada are discussed within a 15 days’ gap !

GOGOLA(1966) was a Indradhanush films production directed by Balwant Dave.The music was given by a duo of Roy-Frank.

Mr.T. M. Rai was also the producer of this movie.Frank had earlier given music to one more film Chor Darwaza-1965. Frank has been an assistant of well known music director Kalyan ji -Anand ji.This duo of Rai-Frank worked in only one movie.

Although Azad worked in this movie,it was not one of those Raja-Rani-Vazir movies,but a different type of B grade movie.Probably it was inspired by KING KONG or Godzilla and such similar Republic Serial movies coming from Hollywood in the late 50s and early 60s.

Asha(Tabassum),Kumar(Azad) and friends are terrified seeing a gigantic Sea Monster coming out of the sea,known as GOGOLA, while picnicking on a Bombay beach.They run away to police who do not believe them.

Asha’s father (Nayampally) is a scientist who is indebted to Lachhoo(Habib), due to loans taken to discover medicine for Heart attack. Asha is a club dancer and Lachhoo is after her, hence Kumar and Lachhoo become enemies.
Gogola comes to town, kills people and breaks buildings and other structures in Bombay, thereby flooding it. Asha’s father develops a poison for Gogola and Kumar goes to the bottom of the sea to inject it to Gogola. Lachhoo tries to kill him in the sea, but Kumar injects Gogola.

Before dying,Gogola obliges Kumar by killing Lachhoo.

Kumar gets a reward from the Police and Asha from her father.

There are many interesting points related to this film. The first one is the M.D. duo of Roy-Frank. This was a one off duo of MDs because soon after the film flopped, they separated. Frank Fernando was a long time assistant to Kalyan ji – Anand ji. Roy was none other than Mukund Rai Trivedi, from a town in M.P. His family was in Mining business and were very rich. Mukund Rai was keen on film music. He not only produced this film, but found Frank from the industry, paired up with him-as Roy- as a Music Director. After this film, however, Mukund Rai bid Good-Bye to films and returned to his family business of mining, making millions. Later on, it seems, he also became a Congress M.P. from M.P.

Secondly, today’s song is sung as a duet by Minu Purushottam and Sabita Banerjee Chaudhary. Sabita Banerjee was born in Lahore on 18-7-1938,but she grew up in Delhi. Her father was Dy. general manager of Reserve Bank of India. Her mother encouraged her to learn singing. Soon she became so expert in singing, that she won “Miss Golden Voice ” award in a Bombay contest in 1952. She also won the “Saigal memorial trophy ” in 1953 in another contest. No wonder the Film composers were attracted towards her and the offers started coming her way. The very next year composer Nashad gave her a break in his film “Darwaza”-54.

Actor Ashim Kumar introduced her to composer Salil Chaudhari. She did many songs for him. They soon fell in love and married each other. She became Sabita Chaudhari. She sang 66 songs in 42 Hindi films. However she sang in more Bangla films. Her first song was in the film Darwaza-1954 and she sang her last song in film Mera Damaad-1995. Some of her Hindi films were-Honeymoon-60,Usne kaha tha-60,Sapne suhane-61,Aankh ka nasha-Yahudi ki beti-56, Madhumati,Suhag-58, Kavi kalidas-59,masoom-60, kabuliwala-61, Chor darwaza-65, Gogola-66 etc etc. She was living in Kolkata as a retired person. She died on 29-6-2017.

There were so many Sabitas in Hindi films. However, barring the early era star Sabita Devi and today’s Sabita Banerjee, the remaining 2 Sabita Chatterjees had caused a minor ripple as Same name Confusion. I said, “a ripple” because one Sabita Chatterjee from Bengal came to Bombay and acted only in one film ” Pariwar-1956′. She went back to Bengal and never acted in any Hindi films again. The other Sabita Chatterjee acted in 40 Hindi films and also sang 4 songs in 2 films- Rifle Girl-1958 and London Express-1968. That was the end of SNC, but film Pariwar-56 is always included in the Bombaywali Sabita Chatterjee, wrongly as an effect of SNC !.

Thirdly, an early era film star acted in this film and his name was Nayampalli. Most readers today may not know anything about him. S.B. Nayampally (or Nayampalli) was working at the firm of Killick, Nixon and Company when he was discovered by film director P.Y. Altekar at a gym where Nayampally regularly exercised. Altekar felt that Nayampally very much resembled the famous French boxer Georges Carpenter and would be perfect for the stunt films that had become popular at the time. At Director Altekar’s urging, Nayampally joined Imperial Studios and was quickly cast in his first film, Wedding Night(1929), opposite the popular actress Jilloo.

When he arrived at Imperial to begin his first day of filming he was amused to find that the building now used for the studio had formerly housed the school he attended as a child.“Wedding Night was a stunt film of the Robin Hood type,” Nayampally explained in a 1964 interview. “It had a little more of a plot to it than many films of the same class. My next film, Hell’s Paradise (1929), I remember for three reasons. One, it was based on a real-life episode involving an Indian prince and a foreign girl, described as an adventuress. Two, Mama Warerekar, the noted writer, did the story. Three, the film had a kissing scene, probably the first ever in an Indian film.”

Nayampalli was cast in Imperial’s Noorjehan (1931), which was initially to be a silent picture, but because of the success of their film Alam Ara (1931), which was India’s first talkie, the studio decided to make Noorjehan partly with sound. Nayampally was not originally cast in Noorjehan, but a chance meeting with the film’s director, Ezra Mir, got him the role of Prince Salim in the film.Nayampally then played Karna in Imperial’s next sound film, the mythological Draupadi (1931), but the actor considered his best mythological role to be that of the wily Shakuni in Mahatma Vidur (1943), a part that was appreciated by critics and the public, alike.

As sound films came in, silent actors were being discarded in favor of those with stage backgrounds and could not sing, so Nayampalli joined the Grant Anderson Theatrical Company which specialized in Shakespearean plays. After gaining some experience he tried to rejoin films, but without much luck. His previous roles had been leads, so he decided if he wanted to work regularly, maybe he should take a different approach and he offered himself up for character parts.His break came in the role of a hunchback in love with the heroine in Ezra Mir’s Zarina which starred Jal Merchant and Zubeida. The dentures he wore for the role were created specially by a dentist named Jimmy Gheista who had trained abroad with the dentist who had made similar dentures for Lon Chaney.

Nayampally had learned early on how to apply make-up for his roles and, in fact, he became so good at it he eventually came to specialize in horror make-up, which earned him the nickname “The Indian Lon Chaney.” Indeed, Chaney, Erich von Stroheim, Emil Jannings, and John Barrymore were the actors that Nayampally most tried to emulate. Boris Karloff was another of his role models. He was able to put his make-up expertise to good use for the film Sair-e-Paristan (1934), where he was a vampire-like devil, and in Zingaro(1935), in which he played a monster created by a mad scientist, and then as a the hairy “missing link” in Zambo (1937) and its sequel Zambo Ka Beta (1938). For Kalkoot (1935) he created a make-up to resemble the wrinkled effect that Karloff had used in The Mummy(1932).

Nayampally continued working in films throughout the 1940s and 50s, particularly in mythologicals and costume pictures including Raj Nartaki (1941), Nagad Narayan (1943), Vishwas 1943), Taramati(1945), Urvashi (1946), Jhansi-Ki-Rani (1953), Durgesh Nandini (1956), Basant Bahar (1956) and Shiv Parvati (1962) His last credited film appearance was in 1970’s Priya.

After his career in films ended, he started making Documentaries. He made about 35 documentaries. He won the ‘ Silver Dolphin’ award for his documentary in the International Film Festival at Tehran in 1970.

He died on 7-5-1994, in Mumbai.

Thus, Gogola-1966 was a very interesting film for me. Let us now enjoy this duet song having the same famous Mukhada of ” Nacho Nacho Nacho” ( like ” Natu, Natu, Natu”). I find some similarity in the tunes of these 2 songs. Experts amongst our readers can judge better !

Editor’s note:- The tune of this song is inspired from the famous music score “Tequila” by the US rock band Champs. The musical score has only one word lyrics in it, namely the word “Tequila”. This word gets replaced by the word “Gogola” in the Hindi movie song under discussion.
This score “tequila” won the grammy award for the best Rhythm and blues performance during the very first annual grammy awards function held on 5 may 1959 !.


Song- Naacho naacho naacho naacho Gogola (Gogola)(1966) Singers- Minoo Purushottam, Sabita Chaudhary, Lyricist- Balkavi Bairagi, MD- Roy-Frank

Lyrics

naacho naacho naacho naacho gogola
dilwaalon jhoomo gaao gogola
naacho naacho naacho naacho gogola
dilwaalon jhoomo gaao gogola

gogola

patli kamar lachkaaye jaa
le ke angdaai balkhaaye ja
patli kamar lachakaaye ja
le ke angdaai balkhaaye ja
naache ja gaaye ja
ritu hai suhaani gaao gogola
naacho naacho naacho naacho gogola
dilwaalon jhoomo gaao gogola
naacho naacho naacho naacho gogola
dilwaalon jhoomo gaao gogola

abhi hai bahaar zara jhoom le
miley jo bhi kaliyaan use choom le
abhi hai bahaar zara jhoom le
miley jo bhi kaliyaan use choom le
kya pata kal subah rahe na jawaani gaao gogola
naacho naacho naacho naacho gogola
dilwaalon jhoomo gaao gogola
naacho naacho naacho naacho gogola
dilwaalon jhoomo gaao gogola

sukh ho ya dukh muskaaye ja
nakhre jawaani ke uthhaaye ja
sukh ho ya dukh muskaaye ja
nakhre jawani ke uthhaaye ja
muskura dilruba
yahi hai kahaani gaao gogola
naacho naacho naacho naacho gogola
dilwaalon jhoomo gaao gogola
naacho naacho naacho naacho gogola
dilwaalon jhoomo gaao gogola


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5385 Post No. : 17663 Movie Count :

4743

‘Apna Apna Aasmaan’ (TV Serial, 1992) was telecast on Doordarshan’s National Channel from December 1992. The main cast of the TV Serial included Girish Karnad, Beena, Shreeram Lagoo, Viplav Malhotra, Lalit Parimoo, Parveen Pandey, Dinesh Khanna, Hemant Mishra, Nandlal Sharma, Usha Suhail, Priya Wadhwa, Rekha Babbal, B Sushma, Kishori Ballal etc. The 13-episode serial was based on a Telugu novel, ‘Kausalya’ by Polapragada Satyanarayana Murthy, with some more characters added in the screenplay to make it a family drama. The TV Serial was produced and directed by Kailash Tuli.

The serial is based on a true story of a freedom fighter from Andhra Pradesh who participated in ‘Quit India’ movement and was jailed. His participation in freedom movement and his imprisonment affected his family and created a crack in his married life. The gist of the story of the ‘Apna Apna Aasmaan’ (1992) is as under:

Venkatramaiah (Girish Karnad) is travelling in a train to Vijayawada where he meets one of his acquaintances who was his cellmate in jail during the Quit India movement. Both of them exchanges pleasantries during which Venkatramaiah tells him that he is staying in his village with his late elder brother’s family and looking after them. He also tells him that his wife Kausalya (Beena) and his son are staying separately in her late father’s house. From here, the story goes ‘on’ and ‘off’ in flashback mode.

On the advice of his stepmother, Venkatramaiah marries Kausalya, the daughter of a wealthy lawyer. Immediately, after the marriage, Venkatramaiah has to leave the house to join some agitation which is resented by Kausalya. However, reluctantly, she allows him to join the agitation. This becomes his routine and sometime, he goes to jail also. It is only when Venkatramaiah is to join one more agitation when Kausalya is pregnant, she threatens him that if he leaves to join the agitation, she will leave the house forever. Venkatramaiah joins agitation and serves 3 years in jail. Kausalya goes to her father’s house never to return.

Venkatramaiah is released from jail. His pride comes in the way of meeting Kausalya and goes to his elder brother’s house where he starts living. The elder brother tries his best to bring the rapprochement between his younger brother and his wife but in vain as both are adamant. After some years, Kausalya’s father dies leaving his wealth and land to her which she starts managing. Venkatramaiah’s elder brother and his wife die in a boat accident leaving his family of two sons and two daughters to be looked after by him. He manages with the money he earns from tilling his elder brother’s small landholding.

Kausalya brings up her son, Tilak with good education. She put him in a medical college in Kakinada where he stays in a hostel. Venkatramaiah takes care of the education of his nephews and nieces and get them married. However, in the house, there is tension as excessive rains destroyed the crops making the family out of money which his nephews are in need for further education. One day, the built up tensions in his nephews and the widowed niece comes out, blaming Venkatramaiah for imposing his dictates on them as they are not allowed to do things as per their wishes. Venkatramaiah agrees with them and decides to shift himself to a different village where he had 5 acres of land given to him by the government as a freedom-fighter.

While walking on the road aimlessly, Venkatramaiah gets hit by a bike-rider, Tilak, a medical student (who is his own son and neither of them had seen each other since his birth). Tilak takes Venkatramaiah to his hostel room. He gives him some money to enable him to reach his village. In his elder brother’s family, the younger nephew, Anand (Lalit Parimoo) gets police inspector’s job which enable him to send his younger sister, Janaki to higher studies in Kakinada college where she stays in the hostel. In an inter-collegiate elocution competition, Tilak meets Janaki and they become good friends. Their friendship is not liked by Anand. He gets Tilak arrested on a false charge.

When Venkatramaiah comes to know about his arrest through a newspaper, he comes to Kakinada and exposes the false charge which forces Inspector Anand to withdraw the charge. Tilak is set free and return to his mother’s place to tell the story of his arrest and his subsequent release due to the help from Venkatramaiah. He takes his mother to Venkatramaiah’s house where they get united as they feel that for the betterment of their son, Tilak, they will rather give up their rigid stands towards each other.

I had heard the title song of the TV serial, ‘Apna Apna Aasmaan’ (1992) few years back but I do not recall that I had watched TV Serial. Now that I have watched all the 13 episodes of the TV Serial, thanks to the Doordarshan who uploaded the digital version, I am in a position to understand the underlying theme in the title song.

I present the title song ‘zindagi mein har kisi kaa apna apna aasmaan’ from the TV Serial, ‘Apna Apna Aasmaan’ (1992). The song is rendered by Jagjit Singh and is written and composed by Satish Bhatia who retired as the Chief Producer (Light Music) at All India Radio (AIR), Delhi in 1987. Satish Bhatia (1929-2005) was the music director for Hindi films, ‘Maaldaar’ (1951) and ‘Boond Jo Ban Gayi Moti’ (1967). He has also composed the patriotic song, ‘ham honge kamyaab ek din’ and a mega project, the musical ‘Ramcharitmanas’ which was broadcasted on AIR with more than 400 episodes. Many prominent singers including Lata Mangeshkar had rendered songs in ‘Ramcharitmanas’. He has composed hundreds of choral songs for AIR.

There is a trivia on the recording of the title song under discussion which I feel I should share with the readers because it highlights the importance of the ‘riyaaz’ for the singer. It also shows Jagjit Singh’s high regard for Satish Bhatia as a music director. He traveled from Mumbai to Delhi to record the song. Normally, it would have been other way round for Jagjit Singh.Satish Bhatia was entrusted with composing the title song for Doordarshan’s TV serial, ‘Apna Apna Aasmaan’ (1992). Jagjit Singh, the singer flew from Mumbai to Delhi by early morning flight and reached the recording studio at Daryaganj in Old Delhi. He was to rehearse the song with Satish Bhatia and record the song. For Jagjit Singh, the rehearsal and recording would not have taken much time. But he had missed his daily riyaaz that day due to an early morning flight. So, he sat in the studio with a harmonium and began his riyaaz which took about 3 hours. He was offered lunch which he said he would take after recording. After rehearsal and a couple of retakes, the title song was ready by early evening after which Jagjit Singh had lunch. He returned to Mumbai by the late evening flight. [Source: Ajay Mankotia, nephew of Satish Bhatia, in an article on Jagjit Singh in ‘DailyO’ dated 10/10/2020].

In the serial, the mukhda with first antara appears at the start of each episode. However, each of the three antaras of the song appears randomly at the end of each episode. I have collated the three antaras in one video clip to watch the song seamlessly.

Video Clip:


Audio Clip:

Song-Zindagi mein har kisi ka apna apna aasmaan (Apna Apna Aasmaan)(TV serial)(1992) Singer-Jagjit Singh, Lyrics-Satish Bhatia, MD-Satish Bhatia
Chorus

Lyrics

aaa aaa aaa aaa aaa
zindagi mein har kisi kaa
apna apna aasmaan
har koi apne junoon ki
kah raha hai daastaan

zindagi ki talkhiyaan aur
har taraf naakaamiyaan
dil ko ghaayal kar gayin
aur badh gayin bechainiyaan
bechainiyaan
zakhm-e-dil to bhar gaye ae
na mit sakey unke nishaan
apna apna aasmaan

kyun kabhi nazdeekiyaan aur
kyun kabhi ye dooriyaan
kyun kabhi aanchal mehakta
kyun kabhi chingaariyaan
chingaariyaan
ye paheli sab ki hai
aaa aaa aaa
ye paheli sab ki hai ae
wo dharti ho yaa aasmaan
apna apna aasmaan

pyaar ki parchhaayiyaan
yaa apni hai naadaaniyaan
dil kabhi aabaad hai
yaa chhaa gayin barbaadiyaan
barbaadiyaan
zindagi kya hai haqeeqat
yaa hai khwaabon kaa jahaan
har koi apne junoon ki
kah raha hai daastaan
apna apna aasmaan
apna apna aasmaan
apna apna aasmaan


This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5371 Post No. : 17615 Movie Count :

4735

While browsing the songs posted for various years on the Atul’s Song A Day website, I realised that the current year 2023 is still to make it’s debut on the blog and decided to make a post from the movie which is being reported as the biggest hit of the year so far – Pathaan.

Pathaan is a 2023 Indian Hindi-language action thriller film directed by Siddharth Anand and written by Shridhar Raghavan and Abbas Tyrewala, from a story by Anand.

This is the fourth movie in the YRF (Yash Raj Films’) Spy Universe. YRF Spy Universe is an Indian shared universe centered on a series of spy action-thriller films, which feature various fictional RAW agents. It is produced and distributed by Yash Raj Films. The franchise is commercially successful by having grossed ₹2,422 crore on a combined budget of ₹635 crore, thus becoming the second highest-grossing Indian franchise. The shared universe, initially started out as a single movie series, later was established by crossing over common plot elements, settings, cast, and characters.

The first film Ek Tha Tiger (2012) and its sequel Tiger Zinda Hai (2017) centre on a fictional R&AW agent played by Salman Khan. War (2019) tells the story of a RAW agent played by Hrithik Roshan who goes rogue. Before making War, producer Aditya Chopra and director Siddharth Anand came up with the idea of merging these films and creating a shared universe by crossing over the characters who all belong to the RAW. However, War was still made as a standalone film without directly connecting to the first two Tiger films—supporting the idea of creating a proper foundation for the War characters before a proper crossover. The fifth movie of the series, Tiger 3 starring Salman Khan and Katrina Kaif is scheduled to release on 10 November 2023, coinciding with Diwali.

Pathaan (2023) starring Shah Rukh Khan as the titular character and a RAW agent, directed by Anand, is the first film to have characters appearing from both the Tiger franchise and War. It is the fourth film in the SPY Universe and the first YRF film to have a crossover.

Pathaan which released on 25th January 2023, on the eve of the Indian Republic Day is reportedly breaking all sorts of box office records. Some reports claim that it has already crossed 1040 crores of revenue worldwide. The day the movie released, I happened to be on Bengaluru’s M.G. Road for some window shopping. I saw that the Fame Symphony cinema had a huge crowd in front of it thanks to the release of this film. This was quite an anticipated movie for the audience since Shah Rukh Khan was appearing in a film after 4 years (Zero had last released on 21st December 2018). There was a huge publicity campaign for the movie’s release which had got even more accentuated due to a controversy over Deepika Padukone’s orange bikini featured in the video and lyrics of the film’s hit song ‘Besharam Rang’. Before, I share my views on the movie let me share the movie’s plot below:-

In 2019, the Indian Government revokes Article 370, which grants special status for Jammu and Kashmir. The news impacts a cancer-ridden Pakistani army general, Qadir, who decides to exact vengeance against India. He signs a contract with Jim, who leads “Outfit X”, a private terrorist organization. Meanwhile, Pathaan, a former RAW agent, and his senior officer Nandini Grewal open a unit dubbed the “Joint Operations and Covert Research” (JOCR) unit, to recruit former RAW agents who were forced to retire due to past trauma or injury, but want to serve the country.

With RAW joint secretary, Colonel Sunil Luthra’s acceptance, Pathaan and his team head to Dubai to stop Outfit X’s plans of attacking the President of India at a scientific conference. However, they realize that their actual plan was to kidnap two scientists, Dr. Farooqui and Dr. Sahani instead and the information they received about the imminent attack on the President was a ruse to mislead them. Jim attacks the scientists’ convoy and Pathaan tries to stop him. A fight ensues, where Jim manages to escape with Dr. Sahani. At the debrief back at the agency, Luthra reveals that Jim was a former RAW agent and Kabir Dhaliwal’s partner, who was awarded with the Vir Puraskar for his bravery after the agency could not find his body when Somalian terrorists killed his wife and unborn child in a negotiation gone-wrong. He had apparently faked his death in order to seek vengeance against the agency and country for not saving his family.
Meanwhile, Pathaan learns about the codeword dubbed “Raktbeej” and also that the dead people in Dubai were ex-agents and their money was transferred from the account of Rubina “Rubai” Mohsin, a Pakistani doctor in Spain. He travels to Spain and is captured by Jim’s men, where he also learns that Rubai is an ex-ISI agent. When Jim leaves his hideout, Rubai attacks Jim’s men and escapes with Pathaan. Rubai reveals that Raktbeej is in Moscow, where they travel to steal it before Jim does. However, Rubai betrays Pathaan and has him captured by the police. It is revealed that Jim used Rubai to make Pathaan steal the Raktbeej for himself. Pathaan is captured and taken to prison by train, but is saved by Avinash “Tiger” Singh Rathore.

Three years later, Pathaan travels to Africa and captures Jim’s henchman Raafe. He meets Nandini and reveals about Jim purchasing two saber missiles, while Nandini reveals Rubai’s location in Paris. Pathaan meets Rubai, who reveals that the Raktbeej is a mutated smallpox virus, which was forcibly developed by a captive Dr. Sahani under Jim’s orders. She also expresses guilt about betraying Pathaan without knowing that her country would plan such an heinous attack. They travel to Jim’s lab in Siberia and manage to recover one orb containing the virus with great difficulty, while Jim escapes with the other orb. Luthra and Nandini reach Jim’s lab to take the orb back to the Indian Institute of Contagious Diseases (IICD), in India in order to develop a vaccine. Luthra also has Rubai arrested for having questionable loyalties.

At the IICD in India, Dr. Farooqui demonstrates the orb to Nandini. Jim calls them and reveals that the orb has already spread the virus in the facility. The infected scientists, along with Nandini die in the facility by shooting themselves, to curb the spread of the virus. Later, the facility is destroyed in a controlled blast. Jim provides an ultimatum to evacuate Indian soldiers out of Kashmir within 24 hours. Pathaan interrogates Raafe about the location of the missile, and learns that the missile is situated in Afghanistan. After rescuing Rubai, they lure Jim’s associates into a trap, and attack Jim’s base. Qadir is killed by Rubai before activating the missile containing the virus. Pathaan chases after Jim with a jetpack and they both crash land into a cabin.

Meanwhile, Rubai deactivates the missile, but finds that Raktbeej is not in the missile, but instead in a passenger-bound airplane, which is about to land in Delhi. She informs Pathaan, who finds that Jim has the detonator. Luthra calls the air traffic control to prevent the plane from landing in Delhi. In the cabin, Pathaan and Jim fight brutally, resulting in the cabin begin sliding off a cliff. Despite getting stabbed by Jim, Pathaan steals the detonator, deactivates Raktbeej and throws Jim out of the cabin as the foundation is about to break. While Jim holds onto a plank, Pathaan takes away his Vir Puraskar, deeming him unworthy of it. He stomps and breaks the plank Jim was holding onto, resulting in him falling to his apparent death. Afterwards, Pathaan is reinstated into RAW and made as the head of JOCR, while Nandini is posthumously awarded with the Vir Puraskar for her bravery.
In a mid-credits scene, Pathaan and Tiger are seen pondering about retiring and suggesting young agents who can replace them, but eventually decide to keep fighting the threats themselves.

So that was the movie’s ‘plot’. From the reviews of colleagues I gathered that the movie is a total masala film and moviegoers are going to see Shah Rukh’s latest outing on the big screen after a long time. I got mixed reviews about the movie from colleagues and due to my busy schedule at the time could not manage to walk it in the cinemas. Finally, I was able to manage to watch it on 22nd March on Amazon Prime when it released there as it happened to be a holiday.

Now, why was it a holiday may be a surprise to some people in some parts of India but it is a very normal annual occurrence for us here in Bengaluru. Let me take the opportunity to talk a bit about the ‘holiday’ here, on occasion of ‘Ugadi’. This day is very important as per our Sanatana Dharma. This is the day our Vikram Samwat calendar starts. King Vikramaditya is recorded to have started this calendar in 57 B.C to commemorate his victory over the Sakas. His kingdom had many important Geographers like Varamihir and it was based on their calculations that the calendar was made. The calendar or ‘panchaang’ had been calculated as per precise time calculations in those days. As per their calculations, the moon travels through the twelve Raashis (constellations) in 354 days. Thus, the moon travels each constellation in 29days, on the basis of which the calendar year was divided into twelve months. It was for the first time in the world that a year was divided into twelve months. In the calculation, the year is counted on basis of the sun’s movement while the months are calculated as per the movement of the moon. This same principle was also adopted by the Greeks, Arabs and the British later. It is also interesting to note that in comparison to the western calendars, here the names of the months of the calendars is quite scientific. While the western calendars are named according to the names of kings, queens or Gods/Goddesses, our Hindu Navsanvatsar technique names the months according to the Nakshatras the moon is in at the time of the Poornima (full moon). For example, if it is in Chitra, it is called Chaitra, in Vishakha it is Vaishakh, In Shravan it is Shraavan and when in Phalguni it is Phalgun. Thus our calendar’s months are not only scientific but they also consider the natural changes in the solar system. Due to the speed of the Sun and moon, every year, a difference of ten days occurs due to which they also catered for an ‘Adhimaas’. The original British (Gregorian) calendar had only ten months and due to which every year the time of Christmas used tochange. Due to such discrepancies, European countries had taken inspiration from the provision of 12 months in our calendar.

This new year day falls in the Chaitra month and there is a lot of significance of it. Some people may be surprised and ask that why does the ‘new year’ start fifteen days into the Chaitra month. The western calendars normally start on the new year after all, isn’t it? Like the calendar, there is a rational explanation for this too in our Sanatan philosophy. The belief is that during the Krishna Paksh due to the decline in the moon for 15 days the sky starts to become dark. Our Sanatan Dharma is based on moving from darkness to light (the principal that the Brihadaranyaka Upanishad mentions as Tamaso Ma Jyotirgamaya -which incidentally was my school’s motto too- which means From darkness, lead me to light). Due to this reason, in Chaitra after 15 days in Shukla Paksh due to increase in size of the moon, the brightness of light also increases and on the Pratipada tithi we celebrate the Hindu New Year.

This day marks the beginning of the Chaitra Navratras which are considered very auspicious. Chaitra Navratri is the first of four navratris of the year and being the first is very important. During these navratris in Punjab and other areas where the Shakti philosophy is followed, the nine forms of the Goddess Shakti, Durga, Shailputri, Brahmcharini, Chandraghanta, Kushmanda, Skand Mata, Katyayini, Kaal Raatri, Maha Gauri and Siddhi Daatri are prayed to by the Devotees (Bhakts). According to traditional kathas, Devi Durga had descended from the heavens to visit her paternal home (Maayka) and spend time with her devotees on this day. People undertake fasts on each day praying to the specific form of the goddess for the day and finally it ends the Chaitra Navmi (Also celebrated Ram Navmi or Vasant Navratri). Kanjak or Kanya Poojan, also called as Kumari Pujan, is a significant ritual related to the Hindu festival of Navratri done on the Ashtami in which little girls, preferably nine girls (called as Kanya – Kanjak in Punjabi) are worshiped in the nine form of goddess Durga. Many people think there are only two navratris in the year, one this Chaitra Navratri and the other before Dussehra but there are actually four navratris as per our ancient practices with the other two being ‘gupt’ or secret Navratris. The second Navratri and the first gupt Navratri is the Aashaadh Navratri celebrated during the Krishna Paksh of the Aashaadh month (which occurs around June-July) during which the Goddess is made happy by tantra sadhna. The third Navratri is the Sharadiya Navratri which is celebrated during the Shukla Paksh of the Sharad month (which occurs around September-October) till the Navmi which is considered the beginning of the winter season and the nine forms of Goddess Durga are prayed to during the nine days. The fourth and final Navratri of the year is the Magh Navratri (second Gupt Navratri) which is celebrated during the Shukla Paksh of the Paush Maas (December-January) during which prayers for secret Siddhis are done.

Here in Karnataka and Andhra-Telangana we celebrate the new year by the name Yugadi or Ugadi is derived from the Sanskrit words yuga (age) and ādi (beginning): “the beginning of a new age”. Yugadi or Ugadi falls on “Chaitra Shudhdha Paadyami” or the first day of the bright half of the Indian month of Chaitra. The Telugu, Kannada, Kodava and the Tulu diaspora in Andhra Pradesh, Telangana, Karnataka and Tamil Nadu celebrate the festival with great fanfare; gatherings of the extended family and a sumptuous feast are ‘de rigueur’. The day begins early with ritual showers, rubbing the body with perfumed oil, followed by prayers.
Ugadi Pacchadi is a symbolic dish prepared by Hindu people on this festival.

Preparations for the festival begin a week ahead. Houses are given a thorough clean. People buy new clothes, including dhoti, and buy new items for the festival, decorate the entrance of their houses with fresh mango leaves. Mango leaves and coconuts are considered auspicious in the Hindu tradition, and they are used on Ugadi. People also clean the front of their house with water and cow dung paste, then draw colorful floral designs. People offer prayers in temples. The celebration of Ugadi is marked by religious zeal and social merriment. According to Vasudha Narayanan, a professor of Religion at the University of Florida:

The pacchadi festive dish symbolically reminds the people that the following year – as all of life – will consist of not just sweet experiences, but a combination of sweet, sour, salty, and bitter episodes. Just as the different substances are bound together, one is reminded that no event or episode is wholly good or bad. Even in the midst of bitter experiences, there are sweet moments. One is also reminded that the experience of taste is transitory and ephemeral; so too, is life, and one has to learn to put pain and pleasure in proper temporal perspective.

Special dishes are prepared for the occasion. In Karnataka, foods such as Holige or Obattu, and mango pickles are made. In addition, a speciality of yugadi in Karnataka is to create “bEvu-bella” a mixture of neem and jaggery. This symbolizes life’s own experiences with a little bit of bitternes and a hint of sweetness. In Andhra Pradesh, foods such as pulihora, bobbatlu (Bhakshalu/ polelu/ oligale), New Year Burelu and Pachadi, and preparations made with raw mango go well with the occasion. Of these, pachadi (or Ugadi pacchadi) is the most notable, and consists of a chutney-like dish which combines ingredients to give all six flavours of food (ṣaḍruculu) : sweet (tīpi), sour (pulupu), salty (uppu), spicy (kāraṁ), bitter (cēdu) and astringent (vagaru). This festive Hindu food is made from tamarind paste (sour), neem flowers (bitter), brown sugar or sweet jaggery (sweet), table salt (salt), green chilli (spicy) and raw mango (astringent). It is a symbolic reminder of complex phases of life one should reasonably expect in the new year.

Maharashtran Hindus refer to the festival, observed on the same day, as Gudi Padwa. The Sindhis celebrate the same day as Cheti Chand, which is the beginning of their calendar year as well as the Jayanti of Bhagwan Jhoole Lal. Manipuris also celebrate their New Year as Sajibu Nongma Panba on the same day.

The Hindus of Bali in Indonesia also celebrate their new year on the same day as Nyepi. Ugadi is one of the five Hindu national public holidays in Mauritius.
As per our scriptures, there are other significances of this day too. It is said that it was on the day of the Chaitra Pratipada that Brahma ji had created the universe. Thus, Satyuga had started on this day and it was the first day of the Kaal Chakra. Bhagwan Ram had killed Bali on this same day and it thus marked an important milestone towards his endeavour to bring back Sita ji from Lanka. It was also the day on which Yudhishthir had become the King. (Thus it is an important day both in the Ramayana and the Mahabharata). Finally, the Arya Samaj had also been established on this day.

After all these asides, I come back to how I had a holiday on 22nd March on occasion of Ugadi which also happened to be the day Pathaan was released on OTT platform Amazon Prime. After a solid lunch with some excellent puranpoli (sweet and savoury variants), I along with a close family decided to finally catch the movie. I have already talked about the plot above. The story line as such is fairly limited and I feel in terms of story depth and screen play there was a lot that could have been done (wish someone like Neelesh Mishra from Ek Tha Tiger could have been there to firm it up). The film keeps you seated but it is not a very pleasant experience. An ISI agent who helps India, A Raw Agent against India, Really?? Lots of elements remind you of the Mission Impossible series as well as Matrix and probably other Hollywood movies too. Shah Rukh and Deepika Padukone make their presence felt as does Salman Khan in this guest appearance as Tiger. However, for me, it is John Abraham as the villain Jim and Dimple Kapadia who plays Nandini Jaiswal as head of JOCR (not Joker but Joint Operations and Covert Research. We, the audience are the jokers!) who stand out in the acting department for me. They both played their roles very well and give an emotional depth to the movie. Without these two, I probably wouldn’t have sat through the whole movie. The animation standard could have been better (never mind the inspirations from the Hollywood movies I already mentioned) and leaves one missing the finesse one is used to in Hollywood blockbusters. Pathaan’s real name is not revealed (unlike Tiger’s whom we know as Avinash Singh Rathore though we do get the back story as to how he got the name due to an act of ‘bravery’ in an Afghan village) as is the quality storyline which one would have expected. Over all, I would say that if you have nothing else to do and like these actors, Go ahead and watch it. To say that it would be worth multiple watches is too much of a stretch. It is a one time watch masala film. SRK isn’t just a word! It’s an emotion for millions of fans across the world and will be loved by his die hard fans. For the rest, It doesn’t have that redeeming quality which defines timeless movies. Never mind the huge box office (if true).

I would now like to leave you with the lyrics of the title song, Jhoome Jo Pathaan. It is a nice dance number which is being loved by the kids (just the other day saw cricketer Irfan Pathan’s cute son dance to it with his father on Twitter) and is set in posh locales with good choreography. Worth seeing definitely as evident from the 402 Million views the song has already got on Youtube.

The hummable lyrics are by Kumaar who is a popular lyricist from Punjab known for his danceable songs and the music is by the Vishal-Shekhar duo. In some post in the future, I will discuss a bit about their careers. The composer duo are joined by Arijit Singh (flavour of the season or is it decade?) and Sukriti Kakkar in the singing department. I am sure this song will be playing in discos and all over for a while.

Here is the link to the video:-

Song Credits:
Music: Vishal and Sheykhar
Lyrics: Kumaar Singers: Arijit Singh, Sukriti Kakar, Vishal and Sheykhar
Director of Choreography: Bosco-Caesar
Recording At: YRF Studios (Abhishek Khandelwal, Chinmay Mestry, Dileep Nair)
Mixed By: Abhishek Khandelwal (YRF Studios), Dileep Nair (Assistant Mixing Engineer – YRF Studios)
Mastered By: Gethin John (Hafod Mastering, Wales UK)
Additional Music Credits:
Song Editor: Adele Pereira
Song Arranged By: Meghdeep Bose
Guitar: Meghdeep Bose

Video

Audio

Song-Jhoome jo pathan meri jaan (Pathan)(2023) Singers-Arijit Singh, Sukriti Kakar, Vishal, Sheykhar, Lyrics-Kumaar, MD-Vishal-Sheykhar

Lyrics

Tumne Mohabbat Karni Hai
Humne Mohabbat Ki Hai
Iss Dil Ke Alawa Kisi Se Bhi
Na Humne Ijaazat Li Hai

Hunar Hai Yeh Bhi Ishq Ka
Kisi Kisi Ko Aata Hai
Jaan Luta Ke Dushman Ki
Humne Hifaazat Ki Hai

Baat Karte Hain Hazaron
Hazaaron
Hai Tajurba Humein Yaaron
Haan Yaaron
Baat Karte Hain Hazaron
Hai Tajurba Humein Yaaron
Aisi Hai Ada
Bandh Loon Hawa
Mujhpe Woh Khuda
Dil Se Dua Barsaye
Jhoome Jo Pathaan Meri Jaan
Mehfil Hi Lut Jaaye
Dede Jo Zubaan Meri Jaan
Uspe Mar Mit Jaaye
Jhoome Jo Pathan Meri Jaan
Mehfil Hi Lut Jaaye
Dede Jo Zubaan Meri Jaan
Uspe Mar Mit Jaaye

Muqabla Kaise
Hum Karte Hain Yaar
Abki Baar Tareeka Hum Batayenge
Tareeka Hum Batayenge
Kaise Dushman Pe
Hum Marte Hain Yaar
Abki Baar Tareeka Hum Batayenge
Tarika Hum Batayenge
Yaar Karde Jo Ishaara
Ishaara
Dil Main De Doon Dobara
Dobara
Yaar Karde Jo Ishaara
Dil Main De Doon Dobara
Pyar Ka Nasha
Aisa Hai Chadha
Hoke Yoon Fida
Dushman Gale Lag Jaaye

Jhoome Jo Pathaan Meri Jaan
Mehfil Hi Lut Jaaye
Dede Jo Zubaan Meri Jaan
Uspe Mar Mit Jaaye

Jhoome Jo Pathan Meri Jaan
Mehfil Hi Lut Jaaye
Dede Jo Zubaan Meri Jaan
Uspe Mar Mit Jaaye

———————
Devnagri script Lyrics (Provided by Gajendra Khanna)
———————
तुमने मोहब्बत करनी है
हमने मोहब्बत की है
इस दिल के अलावा किसी से भी
न हमने इजाज़त ली है

हुनर है ये भी इश्क का
किसी किसी को आता है
जान लुटा के दुश्मन की
हमने हिफाज़त की है

बात करते हैं हज़ारों
हज़ारों
है तजुर्बा हमें यारों
हाँ यारों
बात करते हैं हज़ारों
है तजुर्बा हमें यारों
ऐसी है अदा
बाँध लूँ हवा
मुझपे वो खुदा
दिल से दुआ बरसाए
झूमे जो पठान मेरी जान
महफिल ही लुट जाए
दे दे जो ज़ुबान मेरी जान
उसपे मर मिट जाए

झूमे जो पठान मेरी जान
महफिल ही लुट जाए
दे दे जो ज़ुबान मेरी जान
उसपे मर मिट जाए

मुक़ाबला कैसे
हम करते हैं यार
अब की बार तरीका हम बताएँगे
तरीका हम बताएंगे
कैसे दुश्मन पे
हम मरते हैं यार
अब की बार तरीका हम बताएँगे
तरीका हम बताएँगे
यार कर दे जो इशारा
इशारा
दिल मैं दे दूँ दोबारा
दोबारा
यार कर दे जो इशारा
दिल मैं दे दूँ दोबारा
प्यार का नशा
ऐसा है चढ़ा
हो के यूँ फिदा
दुश्मन गले लग जाए

झूमे जो पठान मेरी जान
महफिल ही लुट जाए
दे दे जो ज़ुबान मेरी जान
उस पे मर मिट जाए

झूमे जो पठान मेरी जान
महफिल ही लुट जाए
दे दे जो ज़ुबान मेरी जान
उसपे मर मिट जाए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5371 Post No. : 17612

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Blog 10-Year Challenge (2013-2023) – Song No.56
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On this date ten years ago (2 April 2013), eight songs were covered in the blog. Seven of them were from seven different movie while one song was a non film song. Here are the details:-

Post No Song Title Name of the movie Remarks
7801 Kis paapi sang uljhhin ankhiyaan Suhaag Raat (1948) Movie YIPPEED by now
7802 Aayi milan ki bahaar re Naiyya (1947) 3 songs covered out of 6 by now
7803 Jab pyaar kiya to marna kyun Raaz(1967) movie YIPPEED by now
7804 Aankh milaaye na muskuraaye na Milan Ki Raat (1967) 2 songs covered out of 5 by now
7805 Raaj Kapoor ki neeli aankhen Maa Aur Mamta (1970) 4 songs covered out of 6 by now
7806 Tere sang jeena tere sang marna Naach Uthhe Sansaar(1976) 2 songs covered out of 6 by now
7807 Phir shaam se dooba jaaye dil mera Suman Kalyanpur NFS(1981)
7808 Dhoop ke makaan sa ye Break Ke Baad (2010) One song covered out of 6 by now

We observe that two movies (out of 7) whose songs were covered on this date ten years ago (on 2 april 2013) have since been YIPPEED. That leaves us with five unYIPPEED movies that re eligible for Blog Ten Year Challenge today (2 april 2023).

One of the unYIPPEED movies has been taken up under BTYC earlier in the day.

Chronoologically the second oldest unYIPPEED movie of that date was “Milan Ki Raat”(1967). This movie was produced by Makin,Pratima(Protima),Yusuf & Prakash and directed by R Bhattacharya for Musical movies, Bombay. The movie had Sharmila Tagore, Sanjay, Prakash Thapa, Helen, Johnny Walker, Abhi Bhattacharya, Laxmi Chhaya, Jeevan Kala, Chand Usmani, S.K.Prem, Jankidas, Amar, Rirkoo, Moni Chatterji, Jerry, Mirza Musharraf, Master Ranu, Vijay Kumar, Shyama, Sulochana(Latkar), Shahid Bijnori, Paul Sharma, Ranoo, Rajan Kapoor etc in it.

“Milan Ki Raat”(1967) had five songs in it. Two songs have been covered so far.

Here is the third song from the movie. It is sung by Mukesh. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a poignant background song with sombre looking Sharmila Tagore visible, whereas Sanjay Khan is seen trying to pacify a disconsolate master Ranu. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

Lyrics of the song were sent to me by Prakashchandra.

Editor’s Note:
[Updated 06 Apr, 2023]
Dear Mahesh ji pointed out with reference to the Mukesh Geet Kosh, that the film version and the 78 rpm version of this song are entirely different. However, the 78 rpm version song is not yet available anywhere online. His observation led me to track down the 78 rpm version of this song from my hard disk, and upload it on YT. The lyrics section below has also been updated with the lyrics of the 78 rpm version.
Thanks Mahesh ji, for your alert tracking.

Audio

Video

Audio (from 78 rpm – two extra stanzas)

Song-Gham ki badli chhaayee judaayee leke aayee milan ki raat (Milan Ki Raat)(1967) Singer-Mukesh, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics (Provided by Prakashchandra)

gham ki badli chhaai
judaai leke aayi
milan ki raat
gham ki badli chhaai
judaai leke aayi milan ki raat
o mere raama rey teri duhaai
judaai leke aayi milan ki raat
gham ki badli chhaai
judaai leke aayi milan ki raat

bichchdaa ek maa se dulaara
bichchdaa ek maa se dulaara
doobaa in aankhon ka taara
tootaa is man ka sahaara
man ka sahaara
hamre aangan mein bhes judaai
badal kar aayi eee
milan kee raat
gham ki badli chhaai
judaayi leke aayi milan ki raat

dukh ne saarey ae sukh loote
dukh ne saarey sukh lootey ae
sach nikley ae saarey jhoothhey ae
sapnon ke ae ae mandir tootey
mandir tootey
roothey raadha se krishn kanhaai
ke baanh chhudaai
milan ki raat

gham ki badli chhaai
judaai leke aayi milan kee raat
o mere raamaa re teri duhaai
judaai leke aayi
milan ki raat
gham ki badli chhaai
judaai leke aayi milan ki raat
milan ki raat
milan ki raat
milan ki raat

Lyrics (78 rpm version) (Provided by Sudhir)

gham ki badli chhaayi
judaai leke aayi
milan ki raat

gham ki badli chhaayi
judaai leke aayi milan kee raat
o mere raama rey teri duhaai
judaai leke aayi milan ki raat
gham ki badli chhaayi
judaai leke aayi milan ki raat

is raat ki reet nahin ye
is raat ki reet nahin ye
is rut ka geet nahin ye
dushman hai meet nahin ye
chali roti hui re puvaai
baji na shehnai
milan ki raat
gham ki badli chhaayee
judaayee leke aayee milan kee raat

yun bichhde hum saajan se
yun bichhde hum saajan se
jaise rimjhim saawan se
koi poochhe toot mann se
toot mann se
mann tadpa najar bhar aayi
yun hum ne bitaai
milan ki raat

gham ki badli chhaayee
judaayee leke aayee milan kee raat
o mere raamaa rey teree duhaayee

judaayee leke aayee milan ki raat
gham ki badli chhaayee
judaayee leke aayee milan ki raat

 

Hindi Lyrics (Provided by Sudhir)

ग़म की बदली छाई
जुदाई लेके आई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
ओ मेरे रामा रे तेरी दुहाई
जुदाई लेके आई मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात

बिछड़ा एक माँ से दुलारा
बिछड़ा एक माँ से दुलारा
डूबा इन आँखों का तारा
टूटा इस मन का सहारा
मन का सहारा
हमरे आँगन में भेस जुदाई
बादल कर आई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात

दुख ने सारे सुख लूटे
दुख ने सारे सुख लूटे
सच निकले सारे झूठे
सपनों के मंदिर टूटे
मंदिर टूटे
रूठे राधा से कृष्ण कन्हाई
के बाँह छुड़ाई
मिलन की रात

ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
ओ मेरे रामा रे तेरी दुहाई
जुदाई लेके आई मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
मिलन की रात
मिलन की रात
मिलन की रात

Hindi Lyrics (78 rpm version)

ग़म की बदली छाई
जुदाई लेके आई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
ओ मेरे रामा रे तेरी दुहाई
जुदाई लेके आई मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात

इस रात की रीत नहीं ये
इस रात की रीत नहीं ये
इस रुत का गीत नहीं ये
दुश्मन है ये मीत नहीं ये
चली रोती हुई पुरवाई
बाजी ना शहनाई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात

यूं बिछड़े हम साजन से
यूं बिछड़े हम साजन से
जैसे रिमझिम सावन से
कोई पूछे टूटे मन से
टूटे मन से
मन तड़पा नजर भर आई
यूं हमने बिताई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात

ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
ओ मेरे रामा रे तेरी दुहाई
जुदाई लेके आई मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5371 Post No. : 17611

———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No.55
————————————————————————————–

On this date ten years ago (viz. on 2 April 2013), eight songs were covered in the blog. Seven of them were from seven different movie while one song was a non film song. Here are the details:-

Post No Song Title Name of the movie Remarks
7801 Kis paapi sang uljhhin ankhiyaan Suhaag Raat (1948) Movie YIPPEED by now
7802 Aayi milan ki bahaar re Naiyya (1947) 3 songs covered out of 6 by now
7803 Jab pyaar kiya to marna kyun Raaz(1967) movie YIPPEED by now
7804 Aankh milaaye na muskuraaye na Milan Ki Raat (1967) 2 songs covered out of 5 by now
7805 Raaj Kapoor ki neeli aankhen Maa Aur Mamta (1970) 4 songs covered out of 6 by now
7806 Tere sang jeena tere sang marna Naach Uthhe Sansaar(1976) 2 songs covered out of 6 by now
7807 Phir shaam se dooba jaaye dil mera Suman Kalyanpur NFS(1981)
7808 Dhoop ke makaan sa ye Break Ke Baad (2010) One song covered out of 6 by now

We observe that two movies (out of 7) whose songs were covered on this date ten years ago (on 2 april 2013) have since been YIPPEED. That leaves us with five unYIPPEED movies that re eligible for Blog Ten Year Challenge today (2 april 2023).

The oldest of these unYIPPEED movies is “Naiyya”(1947).

“Naiyya”(1947) was directed by Aslam Noori for Mohan Pictures, Bombay. The movie had Mazhar Khan, Munawwar Sultana, Ashraf Khan, Anwar, Shehzadi, Suman, Balakram, Siraj etc in it.

The movie had six songs in it. Three songs have been covered so far.

Here is the fourth song from “Naiyya”(1947) to appear in the blog. The song is sung by Master Ramesh. HFGK is silent about the lyricist of the song. Music is composed by anil Biswas.

Only audio of the song are available. I request our Knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.


Song-Naiyya jeewan ki doley (Naiyya)(1947) Singer-Master Ramesh, MD-Anil Biswas

Lyrics(Provided by Prakashchandra)

naiyyaa aaaa aaaaa aaa aa aaa
naiyyaa jeewan kee doley ae ae
hauley hauley ae ae hauley ae ae ae
naiyyaa jeewan kee doley ae ae
hauley ae hauley ae ae hauley ae ae

?? jal boley ae ae
jal bole ae ae
ae ae aey ae ae
hauley ae hauley ae ae hauley ae
naiyyaa jeewan kee doley ae ae
hauley hauley ae ae hauley ae

kahaan hai manzil..ll
kahaan kinaaraa aaa aaa
aaa aaa
naiyyaa liye jaa rahee hai dhaaraa
kahaan hai manzil
kahaan kinaaraa aaa aaa
aaa aaa
naiyyaa liye jaa rahee hai ae dhaaraa
pag pag aaye jhikoley
pag pag aaye jhikoley ae ae
hauley hauley ae hauley ae
naiyyaa aaaa aa aaa
aa aaa aaa aaaa
naiyyaa jeevan kee doley ae ae
hauley hauley ae hauley ae

lehron mein hai niraashaa aaa aaa
niraashaa aaa aa aaa
lehron mein hai niraashaa nikhree
sooraj kee kiranein hain bikhree
sooraj kee kiranein hain bikhree
ushaa baal hain kholey aey ae aey
ushaa baal hain kholey aey ae aey
hauley hauley ae ae hauley ae
naiyyaa jeevan kee doley ae ae
hauley hauley ae ae hauley ae ae
naiyyaa aaaa aaa aaa aaaa
aaa aaa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5368 Post No. : 17605

Hullo Atuldom

Anand Bakshi …. a poet & lyricist who was nominated for the Filmfare Best Lyricist award 40 times that resulted in 4 wins. Poetry writing was a hobby for him in his younger days which became an occasional activity after he joined the Indian Navy due to paucity of time. He came to Bombay to try his luck at writing songs and singing for films. He got his first break in a Bhagwan Dada starrer in 1958; from then he kept getting to write songs every year.

Anand Bakshi was the go-to lyricist for Rajesh Khanna starrers beginning with “Aradhana” in 1969 following it up with a bagful of (mostly) hit films like ‘Aan Milo Sajna’, ‘Roti’, ‘Raja Rani’, ‘Aashiq Hoon Baharon Ka’, ‘Chhailla babu’, ‘Anurodh’, ‘Aakraman’ and all those movies which I have not mentioned but die-hard Rajesh Khanna- Anand Bakshi fans will know, for sure!

His wish to try singing got fulfilled when he sang for ‘Mom Ki Gudiya’ in 1972. The other films for which he sang were ‘Sholay’ (1975), ‘Charas’ (1976), ‘Balika Badhu’ (1976), ‘Mahachor’ (1976); and the blog has all the songs Anand Bakshi ever sang in Hindi Films. His career began with Nisaar Bazmi compositions for ‘Bhala Aadmi’ (1958) and the last movie with songs written by him came in 2008 which had music by Ismail Darbar – ‘Mehbooba’. Interesting trivia to note is that there were two “Mehbooba”/s in his career – the 1976 MR Productions ‘Mehbooba’ (another Rajesh Khanna film) being the more easily remembered one.
“Bhala Aadmi” (1958) had 10 songs of which 5 were written by Anand Bakshi (the blog has two of these). “Mehbooba” (2008) had 10 songs and it is yet to come on the blog.

As I write this, I recall an anecdote that Pyarelal Sharma of the Laxmi-Pyare duo, loves to relate. It seems they were having sittings for finalizing the songs of ‘Aan Milo Sajna’ and Bakshi Saab (as Pyarelalji addresses him) was unable to come up with words for a tune. Giving up (for the time being) Bakshi saab stood up and said -‘achha to hum chalte hain’; to which Laxmikant asked- ‘phir kab miloge?’ Pat came the reply- ‘jab tum kahoge’. And that was the start to the evergreen song of ‘Aan Milo Sajna’. Pyarelalji further said that Bakshi saab instantly sat down and completed the song. I have seen a video on a news channel’s Sunday entertainment program- ‘Total Recall’ where music composers who had worked with Bakshisaab have related how well meaning songs, bhajans etc which the common man could also sing along & relate to were written by the lyricist, rather easily. His relatable songs may have been the reason for his long career and popularity.

I am (as usual) spoilt for choice for a song to go with this post. I could settle for a popular song from a Rajesh Khanna film, or look up if songs from “Bhala Aadmi” are available – uploaded for use here or bring up a song from any movie that has a few of its songs on the blog. Or finally, bring up a new movie hitherto unrepresented on the blog. I think we should have a song from a movie which has a few of its songs on the blog. But choosing a song in this criteria is also not easy because even that is a long list.

Finally, the song that I have chosen is from the 1976 released “Mahachor”. It had music by R D Burman. Kishore Kumar, Lata Mangeshkar, Asha Bhonsle & Anand Bakshi were the payback singers used. The following songs from the film are there on the blog

Song Date of post in the blog
Main tumse pyaar karti hoon 29 December 2011
Meethhi meethhi ankhiyon se man bhar de 18 July 2016
Hindu hoon main na musalmaan hoon 30 March 2021
Sun Banto baat meri 19 July 2022

Today’s will be the penultimate song from a film that had Rajesh Khanna, Neetu Singh, Prem Chopra, Kamini Kaushal, Aruna Irani, Anwar Hussain, Manmohan, Krishan Dhawan, Manorama in its cast. This was a film from the time when stories featuring kings, queens, princes, princesses, (corrupt) dewans, senapatis etc. were still being made. The prince or the princess will be separated from the royal family and the film will then wind its way through trying to locate the missing heir with the dewans & senapatis trying their best to use the situation to their benefit. I can give a long list of films with this storyline in films post 1975. These costume dramas had a charm of their own and actors readily agreed to don sequinned gowns, gladiator-style leather suits, funny looking Jodhpurs etc.
We are having this song by the deadly foursome (all of who have left us their legacy) Anand Bakshi, R D Burman, Kishore Kumar and Rajesh Khanna today to remember the lyricist who left us this date 22 years ago.

Video

Audio (longer)

Song-Mera naam yaaron mahaachor hai (Mahachor)(1976) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics(Based on audio link)

he ho ha
bure kaamon ka duniya mein
bura anjaam hota hai
magar kuchh bhi kaho
ye bad se buraa
badmaan hota hai

kehte hain
mera naam
mahaa chor hai

mera naam yaaron mahaachor hai
mera naam yaaron mahaachor hai
mahaachor lekin koi aur hai
mahaachor lekin koi aur hai
haan
mera naam yaaron mahachor hai ae
mera naam yaaron mahachor hai
samjhe

usey koi jaa kar pakadta nahin
kabhi hathhkadi mein jakadta nahin
nazar tez qaanoon ki hai magar
bahut door hai jail se uska ghar
kabhi saamne bhi jo aata hai wo
ishaaron pe sabko nachaata hai wo
usi ke to haathhon mein har dor hai
usi ke to haathhon mein har dor hai
dor hai dor hai dor hai
mera naam yaaron mahachor hai ae
mera naam yaaron mahachor hai
samjhe naa

mera naam to sirf thhaane mein hai
mera naam to sirf thhaane mein hai
magar uski shohrat zamaane mein hai
usey yoon to sab jaante hain janaab
magar uske chehre pe hai ek naqaab
nahin koi ustaad aisa bahut
magar paas uske hai paisa bahut
to paise mein saahab bada zor hai
to paise mein saahab bada zor hai
zor hai hai zor hai hai zor hai
mera naam yaaron mahachor hai ae
mera naam yaaron mahachor hai

haan aan aan aan
hey ae ae ae
o o oy

main galiyon ka raaja wo mehlon ka king
main chaandi ka challa wo sone ki ring
kahoon kya usey har khata maaf hai ae
main andar wo baahar ye insaaf hai
main karta hoon chori ke main hoon gareeb
usey kya padi wo to hai khushnaseeb
suno baat ye kaabil e gaur hai
suno baat ye kaabil e gaur hai
gaur hai gaur hai gaur hai
mera naam yaaron mahachor hai ae
mera naam yaaron mahachor hai
mahaachor lekin koi aur hai
haan
mahaachor lekin koi aur hai
mera naam yaaron mahachor hai ae
mera naam yaaron mahachor hai ae ae


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5364 Post No. : 17592 Movie Count :

4729

#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Debutante Movie-Bhagwaan Samaaye Sansaar Mein-1976)
——————————————-——————————

Today we get introduced to the ‘1976’ movie ‘Bhagwaan Samaaye Sansaar Mein’.

It was directed by Satish Kumar for ‘Jayshree Enterprises’. Babubhai N. Shah was the producer of this movie.

The cast of this movie included Kanan Kaushal, Ashish Kumar, Bharat Bhushan, Abhi Bhattacharya, Jeevan, B.M. Vyas, Satyadeep, Mohan Choti, Jayshree T., Lalita Kumari, Radheshyam, Chand Usmani, Anant Marathe, Tuntun, Sundar, Bhagwan Sinha, Moolchand, Ratna, Master Alankar, Baby Nilofar, Baby Rehana and others.

Story, screenplay and dialogues of this movie were written by Pt. R. Priyadarshi. Editing of this movie was done by Kamlakar.

‘Bhagwaan Samaaye Sansaar Mein-1976’ was passed by Censor Board on 12.11.1976.

This movie has six songs –all written by B.D. Mishra. Music for this movie was composed by Anil-Arun.
Mukesh, Mahendra Kapoor, Asha Bhonsle, Anuradha and Usha Mangeshkar had given their voices to the songs in this movie.

Here is the list of songs in this movie:-

SNo Song Title Singer/s
01 Bhagwaan samaaye sansaar mein Mukesh, Anuradha Paudwal
02 Jay jay Lakshmi maataa, tu sun le meri pukaar Anuradha Paudwal
03 Aur bairaagi ban anuraagi, main hoon niraali Asha Bhonsle
04 Meri laaj rahe nandlala Mahendra Kapoor, chorus
05 Aaj baba aayenge, ham paawan ho jaayenge Usha Mangeshkar
06 Paap na hone de dharti pe ye tera apmaan hai… dekh le aa ke apnaa jahaan Mahendra Kapoor, Anuradha Paudwal

Today we present the first song from this movie on the blog. This song is the title song as well as the ‘theme song’ of this movie which emphasizes the presence of God in everything that exists in this ‘mortal world’.

The first part of this song is played in the back ground when the titles of this movie are rolling on the screen.

This song is sung by Mukesh and Anuradha Paudwal. In the second part of this song we can see Jeevan (as Narad muni and disguising as Sadhu later) and Master Alankar lip-syncing this song in the voices of Mukesh and Anuradha Paudwal respectively. In this part the first stanza of the first part is repeated and added with another stanza. In the video we can also see other artistes and some child artistes too.

Picturisation of the third part shows Ashish Kumar lip-syncing in Mukesh’s voice and we can see many others listening to him.

The fourth part of this song is a sad version where we can see Kanan Kaushal and Ashish Kumar helping sick people and getting tired and exhausted in the end. This part is played in the background. We can also see other artist in the video of this song.

I guess that this movie was inspired by the success of ‘Jai Santoshi Maa-1975’ and the lead pair of this movie was repeated here too. HFGK (Vol-V) also mentions that this movie was earlier titled as ‘Kan Kan Mein Bhagwan’ as the records of songs of this movie were released by the this title.

Let us now listen to the today’s song of this movie and welcome ‘Bhagwaan Samaaye Sansaar Mein-1976’ on the blog …

Lyricist for the song is B.D. Mishra and music is composed by Anil-Arun.

Audio (Part !, 2, 4)

Video (Part 1)

Video (Part 2)

Video (Part 3)

Video (Part 4)

Song-Chaahe dekho jal mein chaahe dekho thhal mein (Bhagwaan Samaaye Sansaar Mein)(1976) Singers-Mukesh, Anuradha Paudwal, Lyrics-B D Mishra, MD-Anil Arun
Both

————————–
Part 1
————————–

ramayan se
aur geeta se
miltaa hai ye gyaan

dekh lo man ke ae
nain khol ke ae
kan kan mein bhagwaan,/em>

chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye sansaar mein
wo hi sab ke man mein
wo hi kan kan mein
jahaan chaaho unko
pukaar lo o
bhagwaan samaaye sansaar mein ae

chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye sansaar mein

ban ke ann wo
dharti se upjey
sab ki bhookh mitaaye
ae ae ae
phool bagiyaa ban
wo hi mahke
phal aur phool lutaaye ae
har mausam hai
vesh(?0 usikaa
jo bhi aaye jaaye ae

paani ke ye jharne
parvaton ko gehne
usne hi diye hain
uphaar mein ae
bhagwaan samaaye
sansaar mein
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein

————————-
Part 2
————————-


wo apni hi
ichchhaa se hai
saaraa jagat rachaataa
aa aa aa
rang birange
pardon se hai
jag ka manch sajaataa aa
apne an-gin roop banaa kar
abhinay karne aataa

muskaaye wo sukh mein
murjhaaye wo dukh mein
doob jaaye ansuan ki
dhaar mein ae
bhagwaan samaaye
sansaar mein

—————————-
(Part-3, video, Singer- Mukesh)
———————————
ramayan se
aur geeta se
miltaa hai ye gyaan
dekh lo man ke ae
nain khol ke ae
kan kan mein bhagwaan

chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein

mathura puri mein ae
shri hari janme ae
jinki devki maiyyaa aa aa
yashoda ke aangan mein
wo khele ae
ban ke krishn kanhaiyya aa
bansi bajaaye
sab ko rijhaaye
ban mein charaaye gaiyyaa aa
raas leelaa jisne
kee hai saare brij mein
jhoome jag ye
uske hi pyaar mein ae
bhagwaan samaaye
sansaar mein
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein

——————————–
(Part-4, video, (sad))
——————————–
har praani mein
parmeshwar ko
jisne sadaa nihaaraa aa aa
deen dukhi ki
sewaa karnaa
lagtaa usko pyaaraa aa
,/em>

asahaayon ko o
beemaaron ko
detaa wo hi sahaaraa

chintaa usko apni
hoti hai na kabhi bhi
lagaa rahe jo
sabke upkaar mein
bhagwaan samaaye
sansaar mein
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein



This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5353 Post No. : 17554

———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No. 47
————————————————————————————–

On this date ten years back viz on 15 March 2013, eight songs from eight different movies were covered in the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
7681 Man baat na meri maane Rangeen Kahaani (1947) 2 songs covered out of 9 by now
7682 Mera tan naache mera man naache Badalti Duniya (1943) 2 songs covered out of 11 by now
7683 Us dil ki bhala taskeen ho kya Anand Bhawan (1953) Movie YIPPEED by now
7684 Agar teri duniya mein ye gham rahenge Sheroo(1957) 6 songs covered out of 7 by now
7685 Samjhi thhi ye ghar mera hai Kaajal (1965) Movie YIPPEED by now
7686 Maine dekha thha sapnon mein ek chandrhaar Gaban (1966) Movie YIPPEED by now
7687 Dupatte ki girah mein baandh leejiye Apne huye paraaye(1964) Movie YIPPEED by now
7688 Sabse bada naadaan wohi hai Pehchaan(1970) Movie YIPPEED by now

We observe that five movies (out of 8) whose songs were covered on this date ten years ago (on 15 march 2013) have since been YIPPEED in the blog. That leaves us with three movies that are still unYIPPEED and are therefore eligible for Blog Ten Year Challenge today.

“Badalti Duniya”(1943) is one movie that had made its debut ten years ago (on 15 march 2013).

“Badalti Duniya”(1943) was directed by Mohan Sinha for Murari Pictures, Bombay. The movie had Mumtaz Shanti, Trilok Kapoor, K.C.Dey, Rajkumari Shukla, Badri Prasad, Vaskar, Shahazadi etc in it.

The movie had 11 songs in it. Two songs have been covered in the blog so far. Here is the third song from the movie to appear in the blog. This song is sung by K C Dey. Mohan Sinha is the lyricist. Music is composed by K C Dey.

Only audio of the song is available. Seeing that K C Dey appeared in the movie, it is clear that this song was picturised on him as a fakir/ beggar song.

Lyrics of the song were sent to me by Prakashchandra.


Song-Is badalti duniya mein tu raah Khuda ki chal (Badalti Duniya)(1943) Singer-K C Dey, Lyrics-Mohan Sinha, MD-K C Dey

Lyrics(Provided by Prakashchandra)

is badaltee duniyaa mein tu
raah Khuda ki chal…ll rey bandey
raah Khuda ki chal…ll
is badalti duniyaa mein tu..oo
raah Khudaa ki chal…ll rey bandey
raah Khudaa ki chal…ll
zulm chhod dey kapat chhod dey
zulam chhod dey kapat chhod dey
tod akad aur chal..ll rey bandey
raah khudaa kee chal
is badaltee duniyaa mein tu..oo
raah Khudaa ki chal…ll rey bandey
raah Khudaa ki chal…ll
is badaltee duniyaa mein tu..oo
raah Khudaa ki chal…ll

shaitaan tujhe behkaataa hai
tu jaataa kyon hai machal..ll
shaitaan tujhe behkaathaa hai
tu jaataa kyon hai machhal..ll..ll
har cheez yahaan ki badal rahee hai ae ae
har cheez yahaan ki badal rahee hai ae ae
har ghadee har pal rey bande
raah khudaa kee chal
is badaltee duniyaa mein tu..oo
raah Khudaa ki chal…ll rey bandey
raah Khudaa ki chal…ll
is badaltee duniyaa mein tu..oo
raah Khudaa ki chal…ll

do din kaa ye daulat khaanaa
do din kaa hai maal khazaanaa
do din kaa ye daulat khaanaa
do din kaa hai maal khazaanaa aa aa aa
hukumat paa kar bhool na jaana aa aaa aaa
hukumat paa kar bhool na jaanaa
?? na rahegi kal rey bande
raah Khudaa kee chal..ll
Is badalti duniyaa mein tu
raah Khudaa ki chal…ll rey bandey
raah Khudaa ki chal…ll
is badaltee duniyaa mein tu..oo
raah Khudaa ki chal…ll rey bandey
raah Khudaa ki chal…ll


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17800 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2023) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17808

Number of movies covered in the blog

Movies with all their songs covered =1365
Total Number of movies covered=4740

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