Archive for the ‘Mahendra Kapoor Suman Kalyanpur’ Category
Le maar haathh pe haathh
Posted on: January 23, 2023
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5302 | Post No. : | 17372 | Movie Count : |
4678 |
Today’s song is from the film Choron ki Baraat-1960. This is a very rare song from a film, which is making its Debut on the Blog with this song. There was another film having the same title ,in 1980 also. 26 film titles started with the word Chor…, from 1931 to 2012.
produced by Charanjeet, under the banner of K Pictures, Bombay, the film was directed by Pradeep nayyar and the Music Director was Manohar (Arora), whose assistants for this film were Sonik-Omi, who themselves became a reasonably successful MD pair with the film ” Dil ne phir yaad kiya”-1966. The cast of the film was Amarnath (Bharadwaj), Nazi, Shaikh, Nemo, Shakeela Bano Bhopali, Gulab, Jeevankala, Ram Mohan and many others.
Film Choron ki barat-60 was a story about a hidden treasure and different people who are after getting it and how they try to outsmart others. It is a strange coincidence that in this film, there are artistes who, in their real life, were fit to be in a Choron ki baraat. What I mean to say is that, one Lyricist and one singer from this film cheated the film industry, the audience and the common people by hiding certain facts. Not only these two, but some other famous actors, actresses, singers etc, have hidden their career matters from others – mind you, not inadvertently but intentionally ! I am providing details of some such cases here for your information.
There were 5 Lyricists for 6 songs of this film. One of them was “Gulzar Deenvi”, who was known as ‘ Gulzar’ – the famous poet, director , singer and actor in later days. One of the singers of this film was Mahendra Kapoor. These two are the culprits, who tried to hide and cheat everyone in not admitting honestly how they entered the filmline. Now read this –
Gulzar’s first song was not from Bandini – 63, as is always claimed by him, in every interview. He has written lyrics in films Choron ki Baraat-60, Diler Haseena-60 and Shriman Satyawadi-60. He wrote these songs as Gulzar Deenvi. But he also wrote lyrics in the film Kabuliwala-61 and Prempatra-62 in the name of Gulzar. Even then he claims Bandini-63 as his first film- which is wrong. There is enough proof that Gulzar Deenvi and Gulzar is the same person.
Born January 9, 1934, in Amritsar, Mahendra Kapoor spent the majority of his childhood in Mumbai, where he claimed top honors in the All-India Murphy-Metro Singing competition – 57, for Newcomers. His victory captured the attention of filmmaker Raja Nawathe, who used him in 1958’s Sohni Mahiwal. This also caused a controversy, because the contest was for new comers and Mahendra Kapoor had already sung songs in several films like Madmast-53, Madhur milan-55 Lalkar-56 and Heer-56 and also his first solo song in film Diwali ki raat-56. Later on he gave some lame excuse that he had not got any payment for that song etc etc.
Mala Sinha came from Calcutta to make a career in Bombay films. In Calcutta she worked in a Bilingual film ‘Chitrangadha-54’ in Bangla and Hindi. In 54 again,she did her first film in Bombay, Badshah-54, then came Hamlet-54, Riyasat-55 and Ekadashi-55. In all her interviews, Mala Sinha always quoted “Rangeen Raten”-56 with Shammi Kapoor as her first film in Bombay. She was ashamed of revealing that in film Riyasat-55, her Hero was Mahipal and in film Ekadashi the Hero was Trilok Kapoor. She always hid this fact. There are many Heroines who want to hide their struggling days. For example,in film “Professor”-62 Shammi Kapoor’s Heroine was Kalpana. Though touted as her first film,her first film was Pyar ki Jeet-62, opposite Mahipal- a fact which Kalpana always hid from everyone.
Similarly, A grade Heroine Meena Kumari also had done several Mythological and costume films before Baiju Bawra took her high up and above other Heroines. Filmslike Veer Ghatotkach-49, Shri Ganesh Mahima-50, Laxmi Narayan-51, Hanuman Paataal vijay-51 and Alladin aur Jadui Chirag-52 had Mahipal as her Hero. In her later years,she always hid her earlier film Heroes. Even comedian Johnny Walker,who is supposed to have made a beginning with Baazi-51, had earlier worked in “The last message or Aakhri paigham”-49. A C grade film. However this fact is not told by anyone.
Not only actors,but even singers do this. They hesitate to say that they first sang for C grade films. Take the case of Sudha Malhotra, who used to declare Arzoo-50 as her first film, under Anil Biswas,but she never told that earlier she had sung 3 songs in film Aakhri paigham-49, under the baton of Abid Hussein Khan, a less known composer.
It is very unfortunate that once the artiste becomes famous, he tends to forget his humble beginning with a less known film or a composer. This is because they are ashamed of it. Shri Girdharilal Vishwakarma ji,famous collector and a film Historian,rues that they do so. He feels the blame also goes to people who take their interview,because the interview taker does not do proper homework. Many times they do not know anything and simply listen to whatever is told by the artiste.
One of the names in the cast of this film is NEMO. Hardly any reader would remember this name, but he was a major actor in the Hindi films of New Theatres, Calcutta and some films of Raj Kapoor in Bombay. Incidentally, the film Choron ki Baraat-1960 was his last film in which he had acted, though in a small role. The film was released just 10 days after Nemo died in Bombay. Here is his Bio-data….
Mirza Muhammad Begg was born on 27th december 1903 at Calcutta. He passed his Senior Cambridge. One day he, along with some friends, visited New Theatres to see a film shooting. Mirza Muhammad Begg merely wanted to watch the shooting of ‘Yahoodi Ki Larki’ (1933) but, as luck would have it, his visit to the New Theatres studio in Calcutta led to a small role in the same film. The part was that of a Roman king and little did Begg know back then that he’d soon be turning to Latin to fish out a lasting identity.
A year later, he was invited by New Theatres’ founder B.N. Sircar to work as the production manager of ‘Karwan-e-Hayat’ (1935) and another chance role beckoned. A female actor who was supposed to play an old witch in the film failed to turn up for the shooting and Begg volunteered for the part. The make-up department stepped up to the challenge and Begg, unrecognisable in the get-up, did the job (and always considered it his best effort). What happened next is even more interesting. Once the film was ready, the makers felt apprehensive about revealing to the public that a man had played the witch’s role. Begg came up with a solution – a gender-ambiguous screen name for himself. And in a delightfully wacky move, he picked a name that means ‘nobody/nothing’ in Latin – ‘Nemo’.
The name stuck on and this was the beginning of Nemo’s steadfast association with New Theatres – one that resulted in a string of features like ‘Karodpati’, ‘Dushman’, ‘Doctor’ and ‘Zindagi’. He was Vidushak, the royal jester, in ‘Vidyapati’, a rigid but caring father in ‘Jawani Ki Reet’ and the devoted caretaker Dharamdas in P.C. Barua’s ‘Devdas’. These diverse characters earned him appreciation from audiences and critics alike. Further, the story of the Saigal hit ‘The President’ (1937) was based on his idea and he was duly credited for the same. Alongside his work in films, he also edited and published ‘Akkas’ – a very popular Urdu (and later, Urdu-English bilingual) film magazine in those days. Its surviving copies now serve as an important archive of the early talkies. His last film with New Theatres was Kashinath. When Calcutta was bombed by Japan in late 1942, Nemo migrated with his family to his ancestral hometown, Lucknow. He later went over to Bombay for a short while to work in Mazhar Khan’s ‘Pehli Nazar’ (1945), and then returned to Lucknow to settle into a life far removed from the studio lights.
In the middle of it all lies an extraordinary fact – at the time he entered the movies, M.M. Begg was a national billiards champion! He won the inaugural Indian Open Billiards Championship in 1931 and never left the game thereon, despite a busy and flourishing film career. He won the trophy again in 1937, and between the 2 wins, he was the runner-up thrice. Not to mention, he represented the country at international tournaments and also headed various administrative organisations related to the game. His contributions towards establishing and popularising billiards and snooker in India are widely mentioned, and always in glowing terms. He was also obsessed with Racing.
It was nearly a decade after ‘Pehli Nazar’ that Raj Kapoor managed to pull Nemo out of his sabbatical for 2 memorable final acts in ‘Shree 420’ and ‘Jagte Raho’. In both, Nemo played similar roles of manipulative, corrupt seths who hide their sinister designs behind a facade of respectability. If he was jittery about facing the camera after a long gap, it doesn’t show (unless Seth Sonachand’s trembling chin is not a mannerism ). He was particularly effective in ‘Shree 420’, where he puts on the most evil smile possible and hisses to Raj Kapoor, “Aap se mulaqaat ho gayi, is mein fayda hi fayda hai.” He also did 3 more films- Raja Vikram-57 and Nag Champa-58 and Choron ki Baraat-60.
Nemo worked for 19 films of New Theatres and 6 others, totalling 25 films in all. His Filmography – Yahudi ki ladki-33, Karwaan E Hayat-35, Devdas-35, Karodpati-36, Manzil-36, Vidyapati-37, Anath Ashram-37, President-37, Dushman-38, Dharati Mata-38, Abhagin-38, Jawani ki reet-39, Badi Didi-39, Zindagi-40, Haar Jeet-40, Doctor-40, Aandhi-40, Lagan-41, Saugandh-42, Paheli Nazar-45, Shri 420-55, Jaagte Raho-56, Raja Vikram-57, Nag Champa-58 and Choron ki Barat-1960
It is believed that he died in Bombay on 18-8-1960. Cinema, publishing, sports – Mirza Muhammad Begg distinguished himself in everything he touched. And chose to call himself NEMO – a nobody. ( based on information from Filmdom-1946, HFGK, muVyz and an article by Yasir Abbasi ji, with thanks.)
Today’s song is a duet sung by Suman Kalyanpur and Mahendra Kapoor.
Song-Le maar haath pe haath (Choron Ki Baaraat)(1960) Singers-Mahendra Kapoor, Suman Kalyanpur, Lyrics-Naqsh Llayalpuri, MD-Manohar Arora
Female chorus
Male chorus
Lyrics
Le maar haath pe haath
goriye kar le pakki baat
faislaa ho jaaye
jaa jaa
faisla ho jaaye
arre pade zor ke saath
jo tere munh per ulta haathh
faisla ho jaaye
Allah jee
faisla ho jaaye
balle balle heeriye
oy balle balle Raanjhna
Dil ka sauda dil se kar ke
dekh zara mutiyaare
hoy dil ka sauda dil se kar ke
dekh zara mutiyaare
hoy dekh zara mutiyaare
jaa jaa re jaa tu
aur kisi ko dena aise laare
ho aise laare
tu kehna mera maan
ke hoga tera ye ehsaan
faisla ho jaaye
abhi
faisla ho jaaye
le maar haathh pe haathh
ha a a
kaathh ke ulloo itna keh de
kya hai tera iraada
kaathh ke ulloo itna keh de
kya hai tera iraada
hoy kya hai tera iraada
arre laakh buri hai soorat
lekin dil ka hoon shehzaada
main hoon shehzaada
arre kya hai tera zor
agar main abhi machaa doon shor
faisla ho jaaye
haaye Billo
faisla ho jaaye
arre pade zor ke saath
balle balle heeriye
o balle balle Ranjhna
bhola bhaala mukhdaa
us per gusse ki ye laali
hoy bhola bhaala mukhdaa
us per gusse ki ye laali
hoy gusse ki ye laali
arre chhod chhod chunri ka palla
warna doongi gaali
ho doongi gaali
yoon nakhron se na maar
tu karle deewaane se pyaar
faisla ho jaaye
jaa jaa
faisla ho jaaye
le maar haathh pe haath
ha ha
mera peechha chhod ke
apna kar le koi thhikaana
mera peechha chhod ke
apna kar le koi thhikaana
hoy kar le koi thhikaana
arre saaya ban kar saath rahega
tera ye deewaana
ho ye deewaana
hatt yoon na mujhko ghoor
teri nazron se ho jaadoo
faisla ho jaaye
haaye guddo
faisla ho jaaye
Wo bade khushnaseeb hote hain
Posted on: November 12, 2020
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4500 | Post No. : | 16036 | Movie Count : |
4385 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 111 # Debutant movie-Saazish-1975
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Today’s song is from the 1975 movie ‘Saazish’.
This movie is making its debut on our blog. It is part of one of my ‘projects’ of bringing ‘movies with same title’ on the blog. We already have a movie with this title released in ‘1959’ represented on the blog. (Incidentally this movie was also launched on the blog with a lyrics contribution sent by me then 😊) (isme meri koi saazish nahin thhi 😊)
There are were two more movies with the same title ‘Saazish’ made in 1988 & 1998, not yet represented in the blog.
‘Saazish-1975’ was directed by Kalidas for ‘Maya Movietone, Bombay’. Kalidas was also the producer of this movie. It had Saira Banu, Dharmendra, Dev Kumar, Rajendra Nath, Madan Puri, Jagdish Raj, Murad, Gayjee, David, Helen etc. Iftekhar and Paintal make special appearance in this movie.
Story of this movie was written by Ranjan Bose. And screenplay and dialogues were written by Ramesh Pant. Editing of this movie was done by Waman Bhonsle and Guru Dutt Shirali.
This movie was passed by Censor Board on 03.02.1975.
‘Saazish-1975’ has five songs written by Hasrat Jaipuri and composed by Shankar-Jaikishan.
Here are the details of the songs of this movie in order of their appearance (which should be according to the appearing of these songs in the movie) HFGK Vol-V 1971-1980.
| Song | Singer/s |
|---|---|
| Na taaj chaahiye na takht chaahiye, tera pyaar chaahiye har waqt chaahiye | Asha Bhonsle |
| Wo bade khushnaseeb hote hain aap jiske kareeb hote hain | Mahendra Kapoor, Suman Kalyanpur |
| Haay phir zaraa zaraa koi teer sa chubha, dil to huaa fidaa | Sharda |
| Tujhe hamne chaaha apna samajh kar | Mahendra Kapoor, Saira Banu |
| How sweet dada ji | Asha Bhonsle, Ranu Mukherjee |
As I mentioned above, this movie was in my ‘wish-list’ for the ‘project’ of introducing ‘movies with same titles’ on the blog. However, somehow, I had forgotten about this movie due to my attention to other posts. Our dear Prakash ji had also recently sent two songs from this movie for different occasions. But I am leaving them for future posts, because I was looking for a Suman Kalyanpur song composed by Shankar-Jaikishan (for obvious reasons -😊- regulars on the blog and those interested in statistics can guess it easily 😊).
So, today I am presenting a song from this movie sung by Mahendra Kapoor and Suman Kalyanpur.
This song is picturized on Dharmendra and Saira Banu (at foreign locations I guess) where Dharmendra is lip syncing in Mahendra Kapoor’s voice and Saira Banu is lip syncing in the voice of Suman Kalyanpur (obviously 😊).
I have not watched this movie and would like to request knowledgeable readers to throw more light on this movie, its details and its song please.
With the today’s song ‘Saazish-1975’ makes its debut on the blog … (😊 ye zaroor meri saazish ka hissaa hai 😊)
let us now enjoy today’s song from “Saazish”(1975)…
Video
Audio
Song-Wo bade khushnaseeb hote hain (Saazish)(1975) Singers-Suman Kalyanpur, Mahendra Kapoor, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Both
Lyrics
wo bade khushnaseeb hote hain
wo bade khushnaseeb hote hain
aap jiske kareeb hote hain aen
aap jiske kareeb hote hain aen
aap jiske habeeb hote hain
aap jiske habeeb hote hain
hoye
hoye
hoye
log uske rakeeb hote hain ae
log uske rakeeb hote hain aen aen
wo bade khushnaseeb hote hain
hamne dil deke tumko paaya hai ae
hamne dil deke tumko paaya hai
apne apne naseeb hote hain
o o o o
apne apne naseeb hote hain
wo bade khushnaseeb hote hain
haay
haay
haay
aap jiske kareeb hote hain ae
aap jiske kareeb hote hain aen aen
wo bade khushnaseeb hote hain
dil hamaara tumhi se takraayaa aa aa
dil hamaara tumhi se takraayaa aa
haadse kyaa ajeeb hote hain
haaye ae ae
haadse kyaa ajeeb hote hain
wo bade khushnaseeb hote hain
aap jiske kareeb hote hain ae ae
aap jiske kareeb hote hain aen aen
wo bade khushnaseeb hote hain
aise andaaz se mitaate hain aen aen
aise andaaz se mitaate hain aen
husn waale ajeeb hote hain ae
haaye ae ae
husn waale ajeeb hote hain
wo bade khushnaseeb hote hain
wo bade khushnaseeb hote hain
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4147 | Post No. : | 15313 |
“Zingaaro” (1963) was directed by Chandrakant for Jai Films, Bombay. The movie had Jairaj, Zabeen, Tiwari, Bela Bose, Lakshmi Chhaaya, Aruna Irani, Maruti, Mridula, Baburao Pehalwan, Babu Raje, Radheyshyam, Moolchand, Gani Pehalwan, Julian etc.
The film has six songs. One song has been covered in the past.
Here is the second song from “Zingaaro” (1963) to appear in the blog. The song is sung by Mahendra Kapoor, Suman Kalyanpur and chorus. Prem Dhawan is the lyricist. Music is composed by S N Tripathi.
Only the audio of the song is available. From the sounds of it, the song is a qawwaali. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Arre adaa se muskura dena…aap se humko mohabbat ho gayi (Zingaaro)(1963) Singers-Mahendra Kapoor, Suman Kalyanpur, Lyrics-Prem Dhawan, MD-S N Tripathi
Male chorus
Female chorus
Lyrics
are adaa se muskura dena
aur haseen sar jhuka lena aa aa
haseenon ko bhi kitna sahal hai
bijli gira dena
ae ji aap se haaye
aap se humko mohabbat ho gayi
ho gayi
ae ji aap se humko mohabbat ho gayi
ho gayi
aur hashr se pehle kayaamat ho gayi
ho gayi
aur hashr se pehle kayaamat ho gayi
ho gayi
ishq ka mat naam lo ae meharbaan aan
ishq ka
aji ishq ka mat naam lo ae meharbaan aan
kya karoge
hoye hoye
kya karoge
jo museebat ho gayi
ho gayi
aji aap se humko mohabbat ho gayi
ho gayi
aa aa aa aa aa aa aa
are ishq mein peechhe haten jo
hum vo deewaane nahin
aji kyun nahin ji, kyun nahin
nahin hum vo deewaane nahin
jalne se jo khauf khaaye
hum vo parwaane nahin
aji kyun nahin ji kyun nahin
nahin hum vo parwaane nahin
jo garajte hain baraste hi nahin
aayega na aap par humko yaqeen
jala do haaye
jala do haddiyaan meri
jala do o
uda do
uda do
dhajjiyaan meri uda do
khata-e-ishq ki aisi saza do
meri hasti hi duniya se mita do
mita do
mita do
mita do
o o o
chhodiye hum aazmaaish kar chuke
kar chuke ji kar chuke
hum aazmaaish kar chuke
aapki sachchi wafa pe mar chuke
mar chuke ji mar chuke
sachchi wafa pe mar chuke
aa aa aa aa
humko bhi haaye
humko bhi thhodi si chahat ho gayi
ho gayi
humko bhi thhodi si chahat ho gayi
ho gayi
aapse humko mohabbat ho gayi ee ee
aapse humko mohabbat
haay
mohabbat
hoye
mohabbat ho gayi ee ee
hashr se pehle kayamat ho gayi ee ee
hashar se pehle kayaamat
haay
kayamat
haay
kayamat ho gayi
ee ee
ho gayi ho gayi
ho gayi
ho gayi
ho gayi
ho gayi
ho gayi
- In: "Growing up" song | Coming of Age Song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Happy song | joie de vivre | Lyrics contributed by readers | Mahendra Kapoor songs | Mahendra Kapoor Suman Kalyanpur | playful song | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1963 | Suman Kalyanpur songs | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 27
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Gosh, returning to this series after almost eight months.
Atul ji tells us about his resolution to post at least one song per day that brings on board a new film, onto our blog. When I revisited this series to revive it, I suddenly realized that this series, just by the fact of what it is, is actually a series of songs that would serve the purpose of bringing new films on to the blog – which is one of the resolutions of Atul ji.
Read more on this topic…
Rut hai jawaan tum ho kahaan
Posted on: April 7, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Lady Robinhood”(1959), not to be confused with “Lady Robinhood”(1946), was produced by Pannalal and directed by B J Patel for Rekha Chitr, Bombay. The movie had Mehru, Nilofer, Rajan Kapoor, Samar Rai, Miraajkar, Tuntun, Shakila Bano Bhopali, Nazir Kashmiri, Moolchand, Abdul Sattar, Balbir, Ram Raseela, Shri Bhagwan, Nandini, Shiela etc in it.
Read more on this topic…
Tere pyaar ka main deewaana
Posted on: January 21, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bombay Race Course”(1965) was directed by Kedar Kapoor for PR Films, Bombay. The movie had Nalini Jaywant, Ajeet, K N Singh, Murad, Johnny Walker, Meenu Mumtaz etc in it.
Read more on this topic…
- In: 10k song milestone celebration posts | Duet | Dupatta song | expression of love | Feelings of heart | Introduction of blog contributors | Lyrics by Nitin Shah | Lyrics contributed by readers | Mahendra Kapoor songs | Mahendra Kapoor Suman Kalyanpur | Rare song | Songs of 1950s (1951 to 1960) | Songs of 1959 | Suman Kalyanpur songs | Yearwise breakup of songs
- 18 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Atul Song-A-Day 10K Song Milestone Celebrations – 14
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We in this blog have more than twenty contributors. They are all diehard music enthusiasts. It is easy to assume that they eat music, drink music and live music. But in reality they are multifaceted personalities who have specialised in some other field. Music is a passion for them and they manage to find considerable time for this inspite of their preoccupation in their field of specialisation.
Read more on this topic…
“Blackmailer” (1959) is one of the more obscure movies of all time, it would seem. The only information that I am able to gather about this movie is that it was a Firdaus Films production and that it had Amar Nath, Shanta Kumari and Habib.
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Another unheard film, that I got familiar with as I started to track a song that I came across after ages. Having heard it on the radio many years ago, I found it again few days ago on YouTube.
Read more on this topic…
Wo dekho dekh rahaa thhaa papeehaa
Posted on: March 10, 2011
“Fariyaad” (1964) is by now a forgotten movie. This movie had Ashok Sharma, Zeb Rehman,Nazima, Tuntun, Achla Sachdev etc. The movie was different from the usual mainstream Hindi movies and it fared badly at the box office.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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