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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Krishn Bhajan’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3827 Post No. : 14832 Movie Count :

4056

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—
# Bhoole-Bisre Geet # 78 # Singer – Mahendra Kapoor #
—————————————————————————-

Today 9th January is the birth anniversary of Singer Mahendra Kapoor (9 January 1934 – 27 September 2008). Had he been alive today he would have been eighty-five years old.

On today’s occasion here is a song from the 1972 movie ‘Maalik’ sung by Mahendra Kapoor and composed by Kalyanji -Anandji. Lyrics are by Rajinder Krishan.

I have vague memories of watching this film on ‘Doordarshan’ and do not remember it now. In my childhood I had been hearing this song ‘Kanhaiyya Kanhaiyya Tujhe Aana Padega’ on loud speakers during the ‘Janmashtami’ festival. This song was very popular in those years. And after watching this movie ‘Maalik’ on ‘Doordarshan’ around 1983-1985, I came to know it was from this movie. However today on the occasion of birth anniversary of Singer Mahendra Kapoor, I am presenting herewith another Krishna song from the same film.

‘Maalik’ was directed by A Bhim Singh for Bharat Movies, Madras. It was produced by Vasu Menon. It had Sharmila Tagore, Rajesh Khanna, Deven Verma, Sonia Sahni, Bipin Gupta, Shivraj, Umesh Sharma, NS Bedi, Prem Kumar, Kabir Kumar, Baby Pinki and Ashok Kumar (in a special appearance). Story for this movie was written by Balamurugan. Dialogues of this movie were written by Rajinder Krishan (who also wrote the lyrics for all songs in this movie). Editing of this movie was done by A Paul Doraisingam. NS Bedi was also the dialogue director of this movie. This movie was passed by the Censor Board on 26.10.1972.

Rajesh Khanna played a different role in this movie from what was expected from him then and that too when he was on the peak of his career. May be because of that the movie didn’t fare well at the box-office, and may be because people might not have like to watch Rajesh Khanna in this type of role.

Our group of friends then who were the fans of Rajesh Khanna, did not like this movie much when we watched it on ‘Doordarshan’ then in 1983-85. And I remember next day we had discussed this movie and Kaka’s role in it at length. (But that is the matter for another article on Rajesh Khanna series. 🙂

The brief about this movie ‘Maalik-1972’ as given on IMDB is as below;

Rajesh and Savitri are in love, and soon they get married. They soon realize that they have a number of differences, the main one being that while Rajesh is a devout Hindu and worships Lord Krishna, Savitri does not believe in God. This leads to a number of arguments, yet both continue on with their married life. Soon a child is born to them. Unfortunately, the child is born without hands and legs. Both are anguished by this, and decide to placate God by visiting various places of worship all over India, little knowing that the truth lies elsewhere.

This movie has total thirteen songs as listed in HFGK Vol-V (1971-1980). Out of these thirteen songs, the singer’s name has not been mentioned for one song. Out of the remaining twelve songs we have one solo sung by Kishore Kumar, one solo by Lata Mangeshkar, three solo songs sung by Mahendra Kapoor and seven duets of Mahendra Kapoor with Lata Mangeshkar. That way, including the multiple version songs we have Mahendra Kapoor’s voice in as many as ten songs in this movie.

There was one movie made with the same title as ‘Maalik’ in ‘1958’. Five songs from this 1958 movie are already posted on our blog.

Today ‘Maalik’ of 1972 makes its debut on the blog. Here is this first song from this movie appearing here which is sung by Mahendra Kapoor and chorus.

Let us now listen to the today’s song in the voice of Mahendra Kapoor and chorus.

Radhe Krishna bol mukh se
tero kya laage re mol

Song – Radhe Krishna Bol Mukh Se (Maalik) (1972) Singer – Mahendra Kapoor, Lyrics – Rajendra Krishna, MD – Kalyanji Anandji

Lyrics

aaaa aa aa aa
radhe krishna bol mukh se ae
radhe krishna
bol mukh se
radhe krishna bol
tero 
kya laage re mol
tero
kya laage re mol
tero
kya laage re mol
ho ho o o o
radhe krishna bol mukh se
radhe krishna bol tero
kya laage re mol
tero
kya laage re mol

(western dance music)

pee le shyam naam ka pyaala
aa aa aa aa
pee le shyam naam ka pyaala
aur ho ja saancha matwaala
aur ho ja saancha matwaala
girdhar ke rang mein rang ja
re rang ja
tero
kya laage re mol
tero
kya laage re mol
tero
kya laage re mol

(western dance music)

natwar se preet lagaa le
ae ae ae ae
natwar se preet lagaa le
chhavi sundar man mein basaa le ae
chhavi sundar man mein basaa le
bansi ki dhun mein kho ja re kho ja        
tero
kya laage re mol
tero
kya laage re mol
ho ho o o
radhe krishna bol mukh se
radhe krishna bol mukh se
radhe krishna bol
mukh se re
radhe krishna bol

(western dance music)

radhe krishna bol
radhe krishna bol
radhe krishna bol
radhe krishna bol

(western dance music)

radhe krishna bol
radhe krishna bol

(western dance music)

radhe krishna bol
radhe krishna bol
radhe krishna bol
radhe krishna bol

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

आ आ आ आ
राधे कृष्ण बोल मुख से ए
राधे कृष्ण
बोल मुख से
राधे कृष्ण बोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
हो ओ ओ ओ
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल

(पाश्चात्य संगीत)

पी ले श्याम नाम का प्याला
आ आ आ आ
पी ले श्याम नाम का प्याला
और हो जा सांचा मतवाला
और हो जा सांचा मतवाला
गिरधर के रंग में रंग जा
रे रंग जा
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
 
(पाश्चात्य संगीत)

नटवर से प्रीत लगा ले
ए ए ए ए
नटवर से प्रीत लगा ले
छवि सुन्दर मन में बसा ले ए
छवि सुन्दर मन में बसा ले
बंसी कि धुन में खो जा रे खो जा
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
हो हो ओ ओ
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल
मुख से रे
राधे कृष्ण बोल

(पाश्चात्य संगीत)

राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल

(पाश्चात्य संगीत)

राधे कृष्ण बोल
राधे कृष्ण बोल

(पाश्चात्य संगीत)

राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3822 Post No. : 14823

‘PANCHAM-RAFI’ Jodi’s Variety Songs – 4
– – – – – – – – – – – – – – – – – – – – –

Today 4th January is the twenty fifth ‘Remembrance Day’ (27th June’1939- 04th January’1994) of the ‘versatile genius’ RD Burman or our beloved Pancham Da. One cannot believe that it is twenty five years now since Pancham Da left us. His songs are a daily routine for me and maybe many like me, and so it never appears that he is not there. He is always there with us – the music lovers.

I wish to send an article with other song composed by Pancham for this occasion, however could not finish that article hence I for today’s occasion I am sharing herewith one of my already pending article under the series ‘Pancham-Rafi Jodi’s variety songs. We already have the following songs earlier in this series posted on the blog;

Jaag devta naag devta

Raqqaasa mare naam

Maine kab chaaha ke doolha banoonga

So coming back after a long gap in this series, today we have song composed by RD Burman from the movie ‘Takkar’ (1980). Today’s song of ‘Pancham – Rafi Jodi Songs’ is a melodious devotional song.

‘Takkar’ is a Padmalaya Films Production. produced by GA Sheshagiri Rao and directed by K Bapaiyaa. The movie had Sanjeev Kumar, Zeenat Aman, Jeetendra, Jayaprada, Vinod Mehra (double role), Bindiya Goswami, Ranjeet, Mac Mohan, Ashok Kumar, Kamini Kaushal, Sujit Kumar, Jeevan, Mukri, Asrani, Shivaraj, Leela Chitnis, Komila Virk, Jalal Agha, Mohan Choti, Master Bittoo, A. Abdul Hameed, Mac Mohan, Umesh Sharma, Swaraj Gupta, Anand Mohan, Umesh Khanna, K N Reddy, Pawan Babu, Asha Sachdev, Prema Narayan etc. in it.

As per HFGK this movie was passed by Censor Board on 07.04.1980. It had total seven songs in it wherein Asha Bhonsle, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, and Mohd Rafi gave their voices to the songs in this movie. Lyrics for this movie were written by Anand Bakshi and Music was composed by R.D. Burman.

I do not remember to have heard this song till this post. Also from the list of other songs of this movie they don’t seem familiar to me. Though I am aware that there was this movie in those days, but have not watched it then and even till date. This is the second song from this film to appear on the blog.

Here is the brief about this film that Atul ji mentioned while posting the first song from this film (on 09.09.2013) – Moorty Ganesh Ki Andar Daulat Desh Ki.

In today’s song Sanjeev Kumar and Zeenat Aman are lip syncing in Mohd Rafi and Asha Bhonsle’s voice respectively on the screen. Ashok Kumar, Kamini Kaushal, Jeevan, Bindiya Goswami and others are seen in the song.

From the video of the song one can assume that Zeenat Aman looks for her ‘Shyam’ in Sanjeev Kumar and Ashok Kumar seems to find the spiritual one, few seem to be interested in Kanhaiyya’s moorty itself and Sanjeev Kumar preparing to take on the evils or he too wants to get this ‘moorty’. Only those who have watched this movie can help us.

But the song is a nice hummable one. As mentioned above lyrics of this song are by Anand Bakshi and it is composed by RD Burman.

Let us now enjoy this interesting song.

Song – Maakhan Chor Nandkishore Manmohan Ghanshyam Re (Takkar) (1980) Singer – Mohammed Rafi, Asha Bhonsle, Lyrics – Anand Bakshi, MD – RD Burman
Mohammed Rafi + Asha Bhonsle

Lyrics

maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

arey maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

devki maa ne janam diya aur
maiyya yashoda ne paala aa aa aa
devki maa ne janam diya aur
maiyya yashoda ne paala aa
tu gokul ka gwaala
bindraban ka bansari waala aa

ho aaj teri bansi phir baaji
mere mann ke dhaam re
kitne tere roop re
kitne tere naam re

ho maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa aa
kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa
baal awasthaa mein hi tune
khela khel ye saara

tera bachpan
tera jeewan
jaise ek sangraam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re ae
kitne tere naam re ae

tu ne sabka chain churaaya
o chitchor kanhaiyya aa aa aa
tu ne sabka chain churaaya
o chitchor kanhaiyya
o o o
o jaane kab ghar aaye dekhe
raah yashoda maiyya
arey vyaakul radha dhoondhe shyam
na aaya ho gayi shaam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re ae …


———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

अरे माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ आ आ
देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ
तू गोकुल का ग्वाला
बिंद्राबन का बंसरी वाला आ

हो आज तेरी बंसी फिर बाजी
मेरे मन के धाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

हो माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ आ
काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ
बाल अवस्था में ही तुने
खेला खेल ये सारा

तेरा बचपन
तेरा जीवन
जैसे एक संग्राम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए

तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या आ आ आ
तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या
ओ ओ ओ
जाने कब घर आये देखे
राह यशोदा मैय्या
अरे व्याकुल राधा ढूंढें श्याम
न आया हो गयी शाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे


ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए …


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3692 Post No. : 14603

Mukesh and his Composers – 16
—————————————–

Today 27 August, we remember Mukesh on his remembrance day.

My last post on his birthday (22 July) was about his collaboration with Bappi Lahiri. We remain with the Lahiri family in this post too as we discuss the songs sung by Mukesh for Bappi Da’s father Aparesh Lahiri.

There are probably more songs sung by Aparesh Lahiri than the films that he composed music for.

Not much information is available on the net and I request knowledgeable readers to write more on his composing career. From the little information, I could gather in connection with this post, I came across a Bengali film named Subhash Chandra (1966). Needless to say it is based on the life and times of one of the most adored and respected freedom fighters of India, Subhash Chandra Bose.

The film in Bengali language seems to have been quite popular from what I could understand. Mukesh who has sung about a dozen Bengali songs has one song in this 1966 particular film too. The same film was made in Hindi and seems to have disappeared without much popularity. In the Hindi version too, Mukesh has sung the same song with the same tune as the Bengali version.
[Ed Note: As per the Geet Kosh, the Hindi version of this film was released in 1978.]

This is the solitary song sung by Mukesh for Aparesh Lahiri and hence there will be no table in this post. 🙂

Evidently, there has not been much research by me in this post and I apologize for the same. However the details were sketchy and since it was the only sung by Mukesh for the said composer, I did not dig much into the career of Aparesh Lahiri.

Much of these details were provided to me by Shri Harish Raghuwanshi and I am thankful to him.

Before I conclude the post, I would like to repeat what a few noted and eminent personalities have said about Mukesh.

Salil Chowdhury: Each word from his lips was a pearl. No one could sing the way Mukesh did, with the right diction, inflexion and intonation. His vocal timbre was out of this world.

Raj Kapoor: I am just a body, Mukesh is my soul.

Anil Biswas: I have lost my son. (on Mukesh’s passing away)

Needless to say, the above quotes speak volumes about Mukesh; the man with the golden voice, playback singer par excellence and the noble soul.

The voice of Mukesh will forever continue to resonate in the world of music.


Song – Yahaan Radha Kund Hai Shyam Kund Hai (Subhash Chandra) (1978) Singer – Mukesh, Lyrics – Saraswati Kumar Deepak, MD – Aparesh Lahiri

Lyrics

jai radheshya..aa..aam
ra..aa.aadheshya..aa..aam
jai radheshya..aa..aam

yahaan radha kund hai
shyam kund hai
aur hai goverdhan
madhur
madhur bansi baaje
yahi to vrindavan
o babu yahi to vrindavan

bansi baar baar boley
radha radha radha
radha..aa..aa
radha..aa..aa..aa..aa
bansi baar baar boley
radha radha radha
radha naam bansi ne suron mein hai bandha
tabhi to kanhaiya baney
raadhika raman
madhur madhur bansi baaje
yahi to vrindavan
o babu yahi to vrindavan

jagat ke dukh ki kaanha suney baani
usi baani ko sun ke bani radha rani
huye radhika ke prem se. . .
pooran. . .  mohan
madhur madhur bansi baaje
yahi to vrindavan
o babu yahi to vrindavan

yahan radha kund hai
shyam kund hai
aur hai goverdhan

jai radheshya..aa..aam. . .
ra..aa.aadheshya..aa..aam
jai radheshya..aa..aam. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जय राधे श्या॰॰आम
रा॰॰आ॰॰आधे श्या॰॰आ॰॰आम
जय राधे श्या॰॰आम

यहाँ राधा कुंड है
श्याम कुंड है
और है गोवेर्धन
मधुर
मधुर बंसी बाजे
यही तो वृन्दावन
ओ बाबू यही तो वृन्दावन

बंसी बार बार बोले
राधा राधा राधा
राधा॰॰आ॰॰आ
राधा॰॰आ॰॰आ॰॰आ॰॰आ
बंसी बार बार बोले
राधा राधा राधा
राधा नाम बंसी ने सुरों में है बांधा
तभी तो कन्हैया बने
राधिका रमण
मधुर मधुर बंसी बाजे
यही तो वृन्दावन
ओ बाबू यही तो वृन्दावन

जगत के दुख की सुने कान्हा बानी
उसी बानी को सुन के बनी राधा रानी
हुये राधिका के प्रेम से॰॰॰
पूरन॰॰॰ मोहन
मधुर मधुर बंसी बाजे
यही तो वृन्दावन
ओ बाबू यही तो वृन्दावन

यहाँ राधा कुंड है
श्याम कुंड है
और है गोवेर्धन

जय राधे श्या॰॰आम
रा॰॰आ॰॰आधे श्या॰॰आ॰॰आम
जय राधे श्या॰॰आम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3690 Post No. : 14598

“Bandhan” (1956) was produced by D K Sarkar and directed by Hem Chandar for Sarkar Productions, Calcutta. This “social” movie had had Pradeep Kumar, Meena Kumari, Motilal, Achla Sachdev,Shashi Kala, David, Kammo, Nana Palsikar, Natwar,Minu, Bhupendra Kapoor, Leela Mishra, Sheikh, Sarita devi, Shivji Bhai, Pt Tuli, Ranu Mukherji, Asit Sen, Jahar Ganguly etc in it.

The movie had seven songs in it. One song has been coverd long ago (in 2011).

After the passage of seven years, here is the second song from “Bandhan” (1956) to appear in the blog. This song is sung by Lata and it is picturised on Meena Kumari. Rajinder Krishan is the lyricist. Music is composed by Hemant Kumar.


Mere devta mujhko dena sahaara (Bandhan)(1956) Singer-Lata, Lyrics-Rajinder Krishan, MD-Hemant Kumar

Lyrics

mere devta mujhko dena sahaara
kahin chhoot jaaye na ye daaman tumhaara
mere devta mujhko dena sahaara
kahin chhoot jaaye na ye daaman tumhaara
mere devta

tere raaste se hataati hai duniya
tere raaste se hataati hai duniya
ishaaro se mujhko bulaati hai duniya
na dekhoon main duniya ka jhoothha ishaara
kahin chhoot jaaye na ye daaman tumhaara
mere devta mujhko dena sahaara
kahin chhoot jaaye na ye daaman tumhaara
mere devta

siwa tere dil mein samaaye na koi
siwa tere dil mein samaaye na koi
lagan ka ye deepak bujhaaye na koi
tumhi meri naiyya ho
tumhi ho kinaara
kahin chhoot jaaye na ye daaman tumhaara
mere devta mujhko dena sahaara
kahin chhoot jaaye na ye daaman tumhaara
mere devta


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3642 Post No. : 14468

A recent anniversary that I had been preparing for – and missed on account of some travel engagements – is the remembrance day for the exceptional poet and lyricist – Bharat Vyas. He passed away in 1982, on 5th July.

The mention of this name brings to mind names of films such as ‘Chandralekha’ (1948), ‘Rim Jhim’ and ‘Saawan Aaya Re’ (both 1949), ‘Janamashtami’ and ‘Hamaara Ghar’ (both 1950), ‘Parineeta’ (1953), ‘Do Aankhen Baraah Haath’ and ‘Amar Singh Rathod’ (both 1957), also ‘Janam Janam Ke Phere’ from 1957, ‘Samraat Chandragupt’ (1958), ‘Bedard Zamaana Kya Jaane’ and ‘Goonj Uthi Shehnaai’ (1959), ‘Navrang’ and ‘Raani Roopmati’ (again 1959), ‘Angulimaal’, ‘Veer Durgadas’ and ‘Saaranga’ (all 1960), ‘Jai Chittod’ and ‘Pyaar Ki Pyaas’ (1961), ‘Kan Kan Mein Bhagwan’ (1963), ‘Boond Jo Ban Gayi Moti’ (1967) – and many more films with many a memorable song.

A career that lasted well over four decades, starting in the early 1940s. with about 1200 songs from more than 130 films. And a majority of these films, say around 70%, is an exclusive list of religious and historical films that forms a very impressive read. So yes, his specialization seems to be poetry on religious themes. Even a (then) modern dance based love story – the film ‘Cha Cha Cha’ from 1964; when the producer needed a couple of songs of traditional nature, Bharat Vyas is the poet who was called upon for this task.

I am presenting this surprisingly very fun song from a nondescript children’s film ‘Phool Aur Kaliyaan’ from (1960). When I landed at this song and started listening, it seemed to be some sort of a normal bhajan beginning, being sung by a group of young children. The earnestness and sincerity writ upon their faces as they start the singing, is very engaging. And the mind prepares itself for some wonderful bhajan to follow. But just after the introductory lines are done with, the song transforms into a hilarious entreaty to the Almighty, wherein the children are praying for a very specific boon from Him.

As the song continues, the play of emotions continues to transform from one antaraa to the next, adding more and more hilarity with every passing line. The earnestness on the faces of these children, their expressions of entreaties, and their actions to the words in the song, adds to the humor. And the listener realizes that the children are dead serious with their pleadings to the Lord. In the entire process, the children use all forms of inducement – literally following the traditional method of “साम, दाम, दंड, भेद” which is inducement by praising, by promises of alluring gifts, by threats, and by logic.

The picturization of this song is excellently imaginative. I am just continuously laughing whenever I start listening to this song. The चाचा (uncle) of the children is a tailor. The song is being performed in his work place. The children pick up miscellaneous things from around them and contrive some very peculiar instruments to create the orchestra for the music. The expressions and the fervour of their delivery has been handled extremely well by the director, and of course by the kids themselves.

As the songs gets to its closing lines, the fervour and the intensity of expressions starts to increase. Suddenly come to mind certain other bhajans, in which the picturization shows a similar amplification of fervour and music, and by experience we know – a miracle is about to happen; the statue of God will shed a flower, or a tear. Or an unconscious, near dead person will start breathing and mumbling.

The film ‘Phool Aur Kaliyan’ comes from the banner of Rajkamal Kala Mandir of Bombay, which has been the flagship banner of V Shantaram after his separation from Prabhat Studios in 1942. The film is directed by Ram Gabaale. Geet Kosh lists four songs for this film, all from the pen of Bharat Vyas. The music composition is by Pt Shivram. The singing voice is that of Charusheela, the daughter of V Shantaram from his first wife Vimalabai.

So watch and listen to this oh so engaging song, and I promise you will be smirking and laughing all the way through, to the last when the miracle occurs. Needless to say, I am verily bowled over by this song. And if any listener disagrees and is not fully satisfied, I am ready to return their money. 🙂 🙂

 

Song – Jai Jai Krishn Murari, Jai Jai Krishn Murari  (Phool Aur Kaliyan) (1960) Singer – Charusheela Shantaram, Lyrics – Bharat Vyas, MD – Pt Shivram
Chorus

Lyrics

jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
khel kood mein kho gai dekho
hum se gend hamaari
jai jai krishna murari
jai jai krishna murari
khel kood mein kho gai dekho
hum se gend hamaari
jai jai krishna murari
jai jai krishna murari

gol gol is gend ke jaise laddu khilwaayen
laddu laddu laddu
ke gol gol laddu
ke laddu khilwaayen
gol gol is gend ke jaise laddu khilwaayen
gend miley jo humko
gend miley jo humko din bhar tere gun gaayen
jai jai krishna murari
jai jai krishna murari
khel kood mein kho gai dekho
hum se gend hamaari
jai jai krishna murari
jai jai krishna murari

dhruv ji aur prehlad se
hum bhi baalak hain saare
dhruv ji aur prehlad se
hum bhi baalak hain saare
ik to rakshak tum ho
ik to rakshak tum ho
ik hain chacha bechaare
ik to rakshak tum ho
ik hain chacha bechaare
jai jai krishna murari
jai jai krishna murari
khel kood mein kho gai dekho
hum se gend hamaari
jai jai krishna murari
jai jai krishna murari

ik din gend tumhaari bhi
gir gai thi jamuna jal mein
naag naath ke kaise laaye
apni gend ko pal mein
ik din gend tumhaari bhi
gir gai thi jamuna jal mein
naag naath ke kaise laaye
apni gend ko pal mein
hum bhi sharan tumhaari aaye
hamri baat banaa do
dhoondh dhaandh ke kahin se bhagwan
gend hamaari la do
gend hamaari la do
gend hamaari la do

jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
jai jai krishna murari

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
खेल कूद में खो गई देखो
हमसे गेंद हमारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
खेल कूद में खो गई देखो
हमसे गेंद हमारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी

गोल गोल इस गेंद के जैसे लड्डू खिलवाएँ
लड्डू लड्डू लड्डू
के गोल गोल लड्डू
के लड्डू खिलवाएँ
गोल गोल इस गेंद के जैसे लड्डू खिलवाएँ
गेंद मिले जो हमको
गेंद मिले जो हमको
दिन भर तेरे गुण गाएँ
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
खेल कूद में खो गई देखो
हमसे गेंद हमारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी

ध्रुव जी और प्रहलद से हम भी हैं बालक सारे
ध्रुव जी और प्रहलद से हम भी हैं बालक सारे
इक तो रक्षक तुम हो
इक तो रक्षक तुम हो
इक हैं चाचा बेचारे
इक तो रक्षक तुम हो
इक हैं चाचा बेचारे
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
खेल कूद में खो गई देखो
हमसे गेंद हमारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी

इक दिन गेंद तुम्हारी भी
गिर गई थी जमुना जल में
नाग नाथ के कैसे लाये
अपनी गेंद को पल में
इक दिन गेंद तुम्हारी भी
गिर गई थी जमुना जल में
नाग नाथ के कैसे लाये
अपनी गेंद को पल में
हम भी शरण तुम्हारी आए
हमरी बात बना दो
ढूंढ ढांढ के कहीं से भगवन्
गेंद हमारी ला दो
गेंद हमारी ला दो
गेंद हमारी ला दो

जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3621 Post No. : 14430

“Raajraani Meera”(1956) was directed by G P Pawar for Chitra Bharati Production, Bombay. The movie had Roopmala, Mahipal, Lalita Pawar, Sulochana, Sapru, Prem Adeeb etc in it.

The movie had eight songs in it. One song has been covered in the past.

Here is the second song from this movie. This song is sung by Lata. B D Mishra is the lyricist. Music is composed by S N Tripathi.

Only the audio of this song is available. The song was clearly picturised on the character playing Meera. Going by the cast, it could be Roopmala. I request our knowledgeable readers to throw light on this matter.


Song-Karoongi karoongi main to hari se preet karoongi(Rajrani Meera)(1956) Singer-Lata, Lyrics-B D Mishra, MD-S N Tripathi

Lyrics

hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm
hmm hmm

karoongi
karoongi main to hari se preet karoongi
karoongi
karoongi main to hari se preet karoongi
hari charnan ki naiyya se bhav saagar paar karoongi
karoongi
karoongi main to hari se preet karoongi

jamuna tat pe bansi bajaaye
jamuna tat pe bansi bajaaye
gopin ko nit naach nachaaye
jamuna tat pe bansi bajaaye
gopin ko nit naach nachaaye
wahi baansuri waala kaanha
wahi baansuri waala kaanha
mero naath kahaaye ae ae
karoongi
karoongi main to hari se preet karoongi

lok laaj ka tod ke bandhan
ho gayi re main to prem deewaani
lok laaj ka tod ke bandhan
ho gayi re main to prem deewaani
meera ke sab kunj bihaari
meera aa
meera ke sab kunj bihaari
girdhar ??
karoongi
karoongi main to hari se preet karoongi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3617 Post No. : 14419

“Kitna Badal Gaya Insaan”(1957) was directed by I S Johar for Modern Theatre, Bombay. The movie had Ajit, Nalini Jaywant, I S Johar, Kamaljeet, Uday Laxmi, Shanti, Harbans Lal, Saroja, Anil Dutta etc in it.

“Kitna Badal Gaya Insaan”(1957) had eleven songs in it. One song has been covered in the past.

Here is the second song from the movie to appear in the blog. This song is sung by Lata. S H Bihari is the lyricist. Music is composed by Hemant Kumar.

The song picturisation shows Nalini Jaiwant remonstating with the Almighty- with Lord Krishna to be precise. The picturisation also shows some men listening to the bhajan from outside though they seem to possess far less devotion towards the Almighty than Nalini Jaiwant. 😉


Song-Har baat hai bigdi huyi bhagwaan bana do(Kitna Badal Gaya Insaan)(1957) Singer-Lata, Lyrics-S H Bihari, MD-Hemant Kumar

Lyrics

har baat hai bigdi hui
bhagwaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasaan bana do
har baat hai bigdi hui bhagwaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasaan bana do

main kya karoon
main kya karoon taqdeer mere saath nahin hai
par tumse na ho aisi koi baat nahin hai
main kya karoon
taqdeer mere saath nahin hai
par tumse na ho aisi koi baat nahin hai
roothhi hui kismat ko meharbaan bana do
vinti hai ye
mushqil meri aasan bana do
aasaan bana do
har baat hai bigdi hui bhagwaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasan bana do

bhagwaan ho
bhagwaan ho sansaar mein sunte ho sabhi ki
do chaar ghadi mujhko bhi mil jaaye khushi ki
bhagwaan ho
sansaar mein sunte ho sabhi ki
do chaar ghadi mujhko bhi mil jaaye khushi ki
kuchh mere liye jeene ka saamaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasaan bana do
har baat hai bigdi hui bhagwaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasaan bana do


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3537 Post No. : 14207

An interesting observation regarding the Yippeee process for the film that is getting Yippeee’d today. Regular readers would have noticed a pattern in the manner that the films are getting Yippeee’d these days. Generally, in the case of films with just two or three songs remaining to be posted, the last two (or last three) songs kind of appear at a very rapid pace, almost on a daily basis, one right on top of the other. With such films, the penultimate one (or two) songs appear in quick succession followed by the final song of the film, on the next day.

Not in the case of the film being Yippeee’d today. On examining the list of songs of this film as they appear in the table below, the penultimate song of this film came on board on 12th Jan, 2018. And its Yippeee song today appears after a gap of almost two and a half months. And the reason for this delay – it is yours truly, of course. 🙂

When the penultimate song got posted on 12th Jan earlier this year, I immediately sent a note to Atul ji, requesting for doing the Yippeee honors for this film. The reason is that I wanted to bring on board the video of the song. Apparently the earlier posted songs of the film ‘Bus Conductor’, from 1959, were in video form, as one can make out from the write-ups of the first three songs of this film posted. These first three songs came on board on 2009, 2014 and 2016, and they were earlier available in video form. Now, these songs are no longer available, and the YT account of the erstwhile uploader has been blocked due to “multiple copyright infringements”. So the video clips of these songs are no longer available online. (Once again, the caveat – as far as I can search it online 🙂 ).

I have been able to acquire the video of this film through one of my good friends. I do not wish to say that we are the only ones having a this video film. Quite possibly, the video version is also in the hands of other friends, known or unknown. So anyway, I wanted to upload the video of this song for this post today. But as I was checking the previous posts for this film, I realized what had happened, Then I decided not to post the video clip of the song on YT. And the link that I am using in this post for now, is the audio upload of this song by Sa Re Ga Ma.
[Ed Note: The video clip of the song is now added on Vimeo, as suggested by Atul ji. The link is added below.]

And so, with this song, today we add the 1959 film ‘Bus Conductor’ to the list of films having all their songs showcased on our blog.

The film is a production from the banner of Sharda Films, Bombay, produced by Ashok Bhambri. It is a social drama, directed by Dwarka Khosla. The cast of actors, as listed in the Geet Kosh, reads like – Shyama, Premnath, Amarnath, Maruti, Satish Batra, Sujata, Umesh Sharma, Ramlal, Khairati, Narbada Shankar, Ameer Bano, Sadhna, Surya Kumari, Helen, Kanchanmala, Sheela Vaz and Cuckoo. An interesting aside here. Maruti, whose name appears in the list actors, plays the role of a dance teacher in the film. He is the friend of the hero, played by Premnath. As I was watching the credits of the film, I discovered that the story of this film is written by Maruti himself.

The film has six songs. All the songs are written by Noor Devasi. And the music has been composed by the duo of Bipin-Babul. The five songs of this film posted earlier, are listed below.

Dil Se Main Mujh Se Dil Takra Gaya Bus Conductor 1491 23-Jun-09
Zindagi Mein Rang Bhara Hai Pyaar Ka Bus Conductor 10550 29-Nov-14
Man Mein Tere Kyaa Hai Bataa De Gori Bus Conductor 12625 27-Nov-16
Daanv Chalne Ko Hai Bus Conductor 13613 26-Sep-17
Paas Hamaare Aaiye Bus Conductor 13909 12-Jan-18

Today’s song is in the voice of Asha Bhosle, and in the film it is presented as a dream sequence. Shyama is sleeping, and she sees a dream in which she is singing this song, as she plays the sitar, and that she is also dancing to this song. The sequence is filmed as alternating shots that show Shyama playing the sitar and singing, and also dancing simultaneously. Surely possible in a dream sequence only.

As I was checking out the earlier posts, I came across the query from Atul ji himself, as to what is the ‘Bus Conductor’ connection in the film. So I checked out the video. The role of the bus conductor in the film is played by Premnath, who is otherwise a rich person, belonging to an affluent family. The reason that he goes underground and becomes a bus conductor, is explained in the beginning of the film.

Premnath belongs to a very rich family of landlords. He is an aspiring writer, albeit an unsuccessful one. He writes short stories, and sends them for publication to different magazines. His stories are always getting rejected. And so he makes a decision that he will leave his home and its luxuries, and live like a common person, search for a job, and work to earn a living – all this for a learning experience of life, so that he is able to genuinely write about life and people, and make his stories more convincing.

There is an emotionally charged scene in the beginning of the film, in which we see him receive some more rejections in mail, and we see an outburst in which he tells his bhabhi (wife of elder brother) that he is leaving home, and will return only when he has achieved success as a writer. He declares that he forgoes all the comforts and luxuries of his rich-person life, will go out into the world to fend for himself, get a firsthand experience of a common man’s life, and write about it. With this loud and emotionally charged declaration, he departs from his home to start a new life incognito. I must add that the performance by Premnath in this scene, did not sound very convincing to me.

So he leaves his luxuries and finds a job as a bus conductor. The rest of the film is about his interactions with people. He makes friends with Maruti, who lives in a chawl and dreams about being a choreographer in films. He meets Shyama who is also from a rich family, but is forced to ride a bus one day when her car breaks down. She forgets her bag on the bus, giving an opportunity to the make-believe bus conductor to play the honest good Samaritan and take the bag to her home. Which of course leads to more things, as expected.

He also witnesses a murder, as one passenger alighting from his bus is pushed under the wheels of the bus itself – he tries to chase the culprit but is unable to apprehend him. The person behind the murder is connected with Shyama’s family, and story gets into the expected filmy complexities.

Of course, all is well in the end, as the rich girl gets a rich husband to be, the murder is solved and the culprit apprehended – rather killed as he runs on to a railway track as he is being chased by the hero and the police. If the writer wrote a new story and it got published; I must have missed that sequence in the quick review that I did of this film. And the rich-boy-masqerading-as-a-poor-boy returns home to his luxuries with his lady love.

On the whole, it is quite an un-convincing plot, with equally un-convincing performances. And as is always the case, it is the songs that draw us.

But nonetheless, one more film to be Yippeee’d on our blog.

 

Song – Radha Ki Paayal, Kanhaiya Ki Murli  (Bus Conductor) (1959) Singer – Asha Bhosle, Lyrics -Noor Devasi, MD – Bipin Babul

Lyrics

radha ki paayal
kanhaiya ki murli
radha ki paayal
kanhaiya ki murli
sapnon mein sun li maine
sapnon mein sun li
sapnon mein sun li
radha ki paayal
kanhaiya ki murli
radha ki paayal

bholi radha aise naache
bholi radha aise naache
jaise naache mor
jaise naache mor
paayal ki jhankaar mein goontha
saanwla maakhan chor
main bhi apni sudh kho baithi
main bhi apni sudh kho baithi
raat se ho gayi bhor
raat se ho gayi bhor
radha ki paayal
kanhaiya ki murli
radha ki paayal
kanhaiya ki murli
sapnon mein sun li maine
sapnon mein sun li
radha ki paayal
kanhaiya ki murli
radha ki paayal

bhor ki dulhan poochhe mujh se
bhor ki dulhan poochhe mujh se
akhiyaan bhaari bhaari kyon
akhiyaan bhaari bhaari kyon
sakhiyaan chutki le ke boli
sakhiyaan chutki le ke boli
jaagi ratiyaan saari kyon
jaagi ratiyaan saari kyon
krishn deewaani kya batlaaye
krishn deewaani kya batlaaye
jeevan apna haari kyon
jeevan apna haari kyon
radha ki paayal
kanhaiya ki murli
radha ki paayal
kanhaiya ki murli
sapnon mein sun li maine
sapnon mein sun li
radha ki paayal
kanhaiya ki murli
radha ki paayal
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
राधा की पायल
कन्हैया की मुरली
राधा की पायल
कन्हैया की मुरली
सपनों में सुन ली मैंने
सपनों में सुन ली
सपनों में सुन ली
राधा की पायल
कन्हैया की मुरली
राधा की पायल

भोली राधा ऐसे नाचे
भोली राधा ऐसे नाचे
जैसे नाचे मोर
जैसे नाचे मोर
पायल की झंकार में गूँथा
सांवला माखन चोर
मैं भी अपनी सुध खो बैठी
मैं भी अपनी सुध खो बैठी
रात से हो गई भोर
रात से हो गई भोर
राधा की पायल
कन्हैया की मुरली
राधा की पायल
कन्हैया की मुरली
सपनों में सुन ली मैंने
सपनों में सुन ली
सपनों में सुन ली
राधा की पायल
कन्हैया की मुरली
राधा की पायल

भोर की दुल्हन पूछे मुझसे
भोर की दुल्हन पूछे मुझसे
अखियाँ भारी भारी क्यों
अखियाँ भारी भारी क्यों
सखियाँ चुटकी ले के बोलीं
सखियाँ चुटकी ले के बोलीं
जागी रतियाँ सारी क्यों’
जागी रतियाँ सारी क्यों’
कृष्ण दीवानी क्या बतलाए
कृष्ण दीवानी क्या बतलाए
जीवन अपना हारी क्यों
जीवन अपना हारी क्यों

राधा की पायल
कन्हैया की मुरली
सपनों में सुन ली मैंने
सपनों में सुन ली
सपनों में सुन ली
राधा की पायल
कन्हैया की मुरली
राधा की पायल


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3511 Post No. : 14104

“Intezar” (1973) was produced by Mohan Sehgal and direced by Mohan Singh Kavia for De Luxe Films, Bombay. The movie had Rinku Jaiswal, Baldev Khosa, Padmini Kapila, Vishal, I S Johar, Mohan Choti, Lata Arora, Chandrima Bhaduri, Manhar Desai, Bhushan Tiwari, Kamlakar Date, Bhanumati, Kamal deep, Leela Mishra, Rakesh Pandey (special appearance), Master Rafiq, Baby Reshma, Baby Mumtaz, Narmada Shankar, Radheshyam etc in it.

The movie had five songs in it. Three of these songs have been covered in the past. Here is the fourth song from “Intezar” (1973) to appear in the blog.

The song is sung by Lata. Verma Malik is the lyricist. Music is composed by Chitragupta.

The song is picturised as a Krishn bhajan on Rinku Jaiswal. The picturisation also shows shady looking I S Johar and others. I S Johar is apparently playing a dhongi baba in the picturisation. I have not seen the movie so I am not sure what is going on in the picturisation. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Mora laage naahin chit(Intezar)(1973) Singer-Lata, Lyrics-Verma Malik, MD-Chitragupta

Lyrics(Provided by Avinash Scrapwala)

mora lage naahin chit
mora lage naahin chit
dhoondhoon it ut tum kit
nit nit loon main tera naam
pal pal chhin chhin
pal pal chhin chhin kahoon krishn krishn
kisi din to milan hoga shyaam
mora laage naahin chit dhoondhoon it ut tum kit
nit nit loon main tera naam

panghat pe kabhi ulat diya thha ghoonghat
natkhat yaad karo wahi jamuna ka tat
panghat pe kabhi ulat diya thha ghoonghat
natkhat yaad karo wahi jamuna ka tat
mohe chhedo jhat jhat
maine kaha hat hat
mohe chhedo jhat jhat maine kaha hat hat
jhatpat main to gayi thhi aanchal mein simat
tose laage more nain
tose laage more nain
karoon bain saari rain
chhin gayo mora chain aaraam
mora lage naahin chit dhoondhoon it ut tum kit
nit nit loon main tera naam

poochhi dagar dagar gayi nagar nagar
tori mili na khabar mohe chhaliya re
poochhi dagar dagar gayi nagar nagar
tori mili na khabar mohe chhaliya re
mori yahi hai umang rahoon tore ang sang
rang tore mein hi rang du saanwariya re
harjaai man meet
harjai man meet
kaisi preet ki hai reet
preet reet se main bhai badnaam
mora lage naahin chit dhoondhoon it ut tum kit
nit nit loon main tera naam


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3499 Post No. : 14059

“Jyoti”(1969) was produced by A Devdas and directed by Dulal Guha for Chitra Mitra productions. The movie had Sanjeev Kumar, Nivedita, Aruna Irani, Abhi Bhattacharya, Tarun Bose, Moppet Soorja aka Sarika, Lalita Kumari, Jagdeep, Gopal Saigal, Pardesi, Shekhar Purohit etc in it.

The movie had five songs in it. Four of these songs have been covered in the past. Here are the details of the four songs that have been covered in the past :-

Song Title

Post No.

Post Date

Soch ke ye gagan jhoome abhi chaand nikal aayegaa 1799 24-Aug-09
Sun munne mere aa maine tujhe 11440 1-Oct-15
Pag mein ghunghroo chhanke 13099 1-Apr-17
Aankh meri galti se lad gayi 14021 6-Feb-18

Here is the fifth and final song from “Jyoti” (1969) to appear in the blog. The song is sung by Lata and Usha Mangeshkar. Anand Bakshi is the lyricist. Music is composed by S D Burman.

The song is picturised as a Lord Krishn bhajan song on Nivedita and her kid. Her kid is shown growing up as the bhajan progresses and by the time the last stanza appears, the kid grows up to become baby Sarika who(she plays the son, I think) joins Nivedita in singing the last stanza of the bhajan. Sanjeev Kumar, not quite as god fearing as his adarsh bhartiya naari wife, is seen tearing his hair apart at all this bhajan singing. 🙂

With this song, “Jyoti” (1969) joins the list of movies that have all their songs covered in the blog.


Song-Mere Shyaam mere Nandlaala (Jyoti)(1970) Singers-Lata, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-S D Burman
Both

Lyrics

Hey Krishn Kkarunasindhu
deenbandhu jagatpati
Gopesh Gopikakant
Radhakant
namastute

mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala
ho o sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala

jeewan apna hai kya giridhaari
praan hamaare tere pujaari
jeewan apna hai kya giridhaari
praan hamaare tere pujaari
saans ki dori tere naam ki maala
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala

vrindaavan ki kunj galiyan mein
aaj bhi madhuban ki kaliyan mein
vrindaavan ki kunj galiyan mein
aaj bhi madhuban ki kaliyan mein
dhoondhhti hogi tujhe koi brijbaala
mere shyaam
mere nandlaala
ho o sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala

chaahe na maane saari nagariya
maine suni hai teri baansuriya
chaahe na maane saari nagariya
maine suni hai teri baansuriya

main kaise maanoon nahin
ho o o o
main kaise maanoon nahin baansuriwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14800 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14884

Number of movies covered in the blog

Movies with all their songs covered =1162
Total Number of movies covered =4071

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Blog Start date: 19 july 2008

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