Archive for the ‘“Fantasy” song’ Category
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5691 | Post No. : | 18209 |
Hullo Atuldom
6th February 2022 followers of Indian music, across the genres of Bhav-geet, Film Sangeet, Bhajans and any other that we can think of, lost the most accomplished, sought after, loved (& any other add-ons that we know of) singer. She went by the name Lata Mangeshkar fondly addressed as Lata Didi by the multitude of her followers. She was the go-to voice (a modern day term for first choice) of all music composers for their debut films – remember ‘ghar aaja ghir aayi’ RD Burman, ‘Parasmani’ & its songs which was the first released film of Laxmi- Pyare. Even Madan Mohan is said to have approached Lata Mangeshkar to sing for his debut film ‘Aankhen’ but could get her into the recording room only for his next ‘ Adaa’ which released in 1951.
“Patita” (1980) was a movie that had music by Bappi Lahiri. He had Lata Mangeshkar sing some melodious songs which are in the “not so easily recalled” category. Songs like ‘baithe baithe aaj aayi mere mann mein’; “sunte sunte yeh meri kahaani” which were filmed on a very young Shoma Anand. The other actors in the film were Mithun Chakravarty, Raj Kiran, Vikram, Seema Deo, Ramesh Deo, Madan Puri, Sulochana etc. The movie was directed by I. V. Sasi who remade it from his own Malayalam film & Mukul Roy was the producer. Anand Bakshi was the lyricist for the film. The film had 5 songs of which 3 were Lata Mangeshkar solos & 2 Kishore Kumar solos. One Of Kishore Kumar solos is already on the blog with a post by Avinashji on 4 August 2018:-
Dil dhhak dhhak karne laga
Here is the next song today to wish the bright eyed, sweet looking Shoma Anand on turning 65 today. She made her debut in 1976 with Pramod Chakravarty’s “Barood” where Rishi Kapoor was her costar. She was a regular in many movies of the 70s, 80s, & 90s; though her run as lead actress was limited she was seen very often as the scheming sister-in-law, daughter-in-law etc. in family-dramas. She was most appreciated for playing BINA MATHUR in Ekta Kapoor’s (first television production) HUM PAANCH; a full-on comedy show.
The song with this post is a song which speaks about the aspirations of a young girl. I recall seeing this film on TV a few years back but cannot recall when the song happens, after she comes in contact with which of the heroes. From the video it looks like Raj Kiran is the trigger for the song but Vikram is also seen keeping an eye on the singer.
Thanking Bappida (whose death anniversary was yesterday) for giving us this Lata Mangeshkar melody.
Song-Baithhe baithhe aaj aayee mere man mein(Patita)(1980) Singer-Lata, Lyrics-Anand Bakshi, MD-Bappi Lahiri
Lyrics
baithhe baithhe aaj aayi mere man mein
ban jaaun main ghata
ud jaaun gagan mein
o baithhe baithhe aaj aayi mere man mein
ban jaaun main ghata
ud jaaun gagan mein
ud jaaun gagan mein aen aen aen
baithhe baithhe aaj aayi mere man mein
ban jaaun main ghata
ud jaaun gagan mein
ud jaaun gagan mein
ud jaaun gagan mein
ud jaaun gagan mein
ud jaaun gagan mein
kabhi kheloon main phoolon se
kabhi saawan ke jhoolon se
kabhi kheloon main phoolon se ae
kabhi saawan ke jhoolon se
daali daali pe main lahraaun oon
baithhe baithhe aaj aayi mere man mein
ban jaaun main hawa
kho jaaun chaman mein
kho jaaun chaman mein aen aen
ud jaaun gagan mein
ud jaaun gagan mein
ye jo subah naweli hai ae
raina ki saheli hai
ye jo subah naweli hai ae
raina ki saheli hai
donon hans ke gale mil rahe hain aen
baithhe baithhe aaj aayi mere man mein
ban jaaun main ?? is madhur milan mein
is madhur milan mein aen aen
ud jaaun gagan mein
ud jaaun gagan mein
phool saare nahin khilte ae
chaand sabko nahin milte
phool saare nahin khilte ae
chaand sabko nahin milte
dhoondhhoon main kahaan phir ujaala aa
baithhe baithhe aaj aayi mere man mein
ban jaaun main diya
jal jaaun agan mein
jal jaaun agan mein aen aen
ud jaaun gagan mein
ud jaaun gagan mein
ud jaaun gagan mein
ud jaaun gagan mein
Kuchh mere dil ne kahaa
Posted on: February 13, 2024
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5688 | Post No. : | 18205 | Movie Count : |
4887 |
In this article, I have taken up for discussion, ‘Tere Mere Sapne’ (1996) which was the first Hindi film produced by Amitabh Bachchan Corporation Limited (ABCL) after it commenced operations sometime in 1994. Before I discuss the film, it is necessary to dwell upon as to why Amitabh Bachchan felt setting up a film production and distribution company, how the Company fared and how the Company went into near bankruptcy. I think, ABCL is one of the appropriate case studies for the students of business management to understand what went wrong with ABCL and how Amitabh Bachchan turned the corner from near bankruptcy to the star of the millennium.
ABCL was set up by Amitabh Bachchan as a private limited company with a view to bringing a corporate culture in film production and distribution which hitherto was mostly confined to the individuals or sole proprietorship firms. The Company commenced business in 1994 and was professionally managed under a CEO and other senior professionals recruited from the market. It produced TV Serial, ‘Dekh Bhai Dekh’ (1993-94). ‘Tere Mere Sapne’ (1996) was ABCL’s first Hindi film produced with a small budget which was a semi hit. It also earned profit in the distribution of the film, ‘Bombay’ (1995). During the course of its business operations, the Company diversified into event management, talent management and TV marketing.
During the first year of its operations, the Company made a net profit of Rs.15 crore on a paid-up capital of around Rs. 60 crore which was a good beginning. Buoyed by the first year of the encouraging result, ABCL ventured into high budget films in line with the Company’s aspirations to become a big player in the film making and the distribution. To achieve this, it required huge cash-flows to finance the new film projects. During this period, ABCL also got rights to host Miss World Pageant, 1996 for the first time in India. Banks were ready to lend money to the ABCL against the personal guarantee of its major owner, Amitabh Bachchan whose brand value was high.
With loans from a consortium of banks, ABCL produced films in quick succession such as ‘Mrityudaata’ (1997), ‘Saat Rang Ke Sapne’ (1998), ‘Major Saab’ (1998) and ‘Aks’ (2001). In addition, it produced regional films, ‘Yuvathurki’ (1996, Malayalam) and ‘Ullaasam’ (1998, Tamil). Some of Hindi films were the ‘come back’ projects for Amitabh Bachchan. Barring ‘Major Saab’ (1998) which was a ‘semi hit’, all other films flopped at the box office, putting a strain on the cash-flows of the Company. While the Miss World Pageant was successfully completed, at the end, ABCL was reported to have incurred financial losses in hosting the event.
Within less than 5 years of its operations, ABCL was in a financial mess. By the end of 1999, its net worth was wiped out with a debt of Rs.90 crores. In an interview given by Amitabh Bachchan sometime in 2013, which appeared in many newspapers and magazines including India Today, he had said that at one time, ABCL’s debt was around 90 crores. Almost all the debt were raised against his personal guarantee. He had no wherewithal to repay. Creditors were lining up in his house, some threatening, some abusive and some even with court order for auctioning of his then residence, ‘Prateesksha’. It was at that time, ABCL approached BIFR to be listed as a sick company in order to get immunity from creditors for some time.
It was a temporary relief. Amitabh Bachchan needed to find a solution to the repayment of debt. At the spur of the moment, he walked down from his house to the residence of Yash Chopra and requested him to take him in his film. ‘Mohabbatein’ (2000) which was at the time in the planning stage. Yash Chopra obliged, and the film became a superhit upon its release. For Amitabh Bachchan, it was more of a moral strength which facilitated gaining his brand value. This success of the film also paved the way for offer from Star TV to host quiz-based reality show, ‘Kaun Banega Crorepati’ (2000) for 85 episodes for which he got Rs.15 crore. The stardom which he had almost lost on the big screen got it back through small screen. Amitabh Bachchan repaid ABCL’s debt with interest to all his creditors with the success of ‘Kaun Banega Crorepati’, the advertising and endorsement fees and with the success of his subsequent films.
ABCL was restructured and renamed as Amitabh Bachchan Corporation. ABC has been in the business of producing films such as ‘Virruddh’ (2005), ‘Paa’ (2009), ’Shamitabh’ (2015), ‘Sarkaar 3’ (2017), ‘Goomar’ (2023) etc. It has also produced a few regional language films. ABC had learnt a lesson that the film production and distribution is a high-risk business. So, it is better to produce and distribute the films by joining hands with one or two more film producing and distribution companies with financial strength. Hence, almost all the films produced by ABC after 2005 were jointly with other film producing companies.
In the hindsight, one can say that Amitabh Bachchan was quite ahead of time in bringing the corporate culture in the film production and distributions business. Today, he must be a satisfied person to note that what he did for bringing corporate culture to film productions and distribution business in 1996 has now been operationalised to a large extent. Most of the major film producers and distributors, such as Dharma Productions Pvt Ltd (Karan Johar), Red Chillies Entertainment Pvt Ltd (Shah Rukh Khan), Yash Raj Films (Aditya Chopra), Viacom 18 Studios, RSVP Movies, (formerly UTV Motion Pictures, Ronnie Screwvala), Amir Khan Productions Pvt Ltd, Cape of Good Films (Akshay Kumar), Ajay Devgan Films, Salman Khan Films, Ashutosh Gowariker Productions Private Ltd, Reliance Entertainment etc are corporate entities.
Coming back to the film, ‘Tere Mere Sapne’ (1996), the debutant, Joy Augustine directed the film. The cast included the newcomers, Arshad Warsi, Chandrachur Singh, Priya Gill and Simran with Pran, Sulabha Arya, Bal Dhuri, Suresh Mathur, Manoj Pahwa. K D Chandran, A K Hangal etc. The story of the film seems to have been inspired from the novel ‘The Prince and the Pauper’ by Mark Twain (1882).
The story of the film is as under:
The film starts with Amitabh Bachchan narrating the background of the plot. Two boys are born on the same day – Rahul Mehta (Chandrachur Singh) born in a wealthy family settled in England and Balu (Arshad Warsi) born in a middle class South Indian brahmin family in Mumbai. Rahul’s parents had died when he was young. He has been brought up by his industrialist grandfather, Sambhunath Mehta (Pran). Balu on the other hand has been brought up in a brahmin family culture but he does not seem to have adopted that culture. Because of this, his father (K D Chandran) has been in logger head with him though his mother (Sulabha Arya) always defends him against his father.
The story is fast forwarded to 21 years later. Rahul wants to make a visit to India to see his parents’ grave (his mother was a Hindu, and his father was a Christian). But his grandfather is against it as he is afraid that he may also fall in love and get lost like his parents. After much cajoling by his manager, Ram Singh (Bal Dhuri) who will accompany Rahul during his visit to India, Rahul is allowed to travel to India. At the Mumbai airport, Rahul ditches Ram Singh and take a taxi driven by Balu.
During their taxi drive, Balu speaks bad thing about the rich boy who has come to India who has been born on the same day as he was but poor. Rahul reveals himself as the same rich boy and Balu is ashamed of what he said earlier. But both Balu and Rahul become friends. In his plans, Rahul has already decided not to go back to England as he is fed up with his rich but lonely life. To carry out his plan, Rahul offers Balu to exchange their places in the society. So, Rahul becomes a taxi driver and Balu becomes a rich Rahul. Rahul sends Balu to his Manager who has a tough time to groom Balu to behave like a rich Rahul.
With the exchange taking places, Rahul goes to Balu’s place and stays near their house. Here he falls in love with Parvati (Priya Gill) who is the sister of Balu. On the other hand, Balu in the role of Rahul attends a meeting of Mehta Industries, called by Mathur (S P Malhotra) who is in-charge of the company which is facing some labour troubles due to mismanagement. Balu falls in love with Mathur’s daughter, Pooja (Simran).
During a meeting with the management of the Mehta Group of Industries, the union leader (A K Hangal) discusses with Balu, acting as Rahul, the problems faced by the labourers because of the lock-out of the factory. Balu agrees to reopen the factory and decides to distribute a part of the profit among the labourers.
When Parvati’s father learns of the love affairs of Rahul with his daughter, he fumes as Rahul is not a Brahmin. Somehow, Balu manages the situation by telling Rahul to become a brahmin. On the other side, Sambhunath feels that all is not well in Mumbai with Rahul. He visits India to take the stock of the situation in his factory. With company’s control likely to go out of Mathur’s hand, he engages a gangster to kidnap Sambhunath to sign the papers handing over the factory to them. In time, Balu in the role of Rahul comes and tells Mathur that he is Rahul, and he would sign whatever papers, knowing well that he is not Rahul. Someone informs the real Rahul that his grandfather has been kidnapped by Mathur. Rahul and Balu join hands to successfully repulse Mathur’s plan and get Rahul’s grandfather freed. The film ends with Rahul and Balu marrying Parvati and Pooja, respectively.
‘Tere Mere Sapne’ (1996) had six songs written by Anand Bakshi and set to music by Viju Shah. I am presenting the first song from the film, ‘kuchh mere dil ne kahaa’ to appear on the Blog. The song is rendered by Hariharan and Sadhana Sargam. It is a love song when Rahul (Chandrachud Singh), a neighbour of Parvati (Priya Gill) falls in love with each other. The song is picturised on them as their imaginations.
The highlight of this song is that it has a mix of Carnatic music probably, in keeping with the fact that Parvati is a South Indian girl. The use of violin in orchestrations as well as in the visuals gives an interesting fusion of Hindi and South Indian films songs. The song picturisation is also interesting with some scenes having shot against the sunlight.
Video Clip:
Audio Clip:
Song-Kuchh mere dil ne kahaa (Tere Mere Sapne)(1996) Singers-Hariharan, Sadhana Sargam, Lyrics-Anand Bakshi, MD-Viju Shah
Both
Lyrics
hmm hmm hmm hmm
hmm hmm hmm
he ae ae ae ae ae
kuchh mere dil ne kahaa
kuchh tere dil ne kahaa..aa
kuchh mere dil ne kahaa
kuchh tere dil ne kahaa
ab hum kyaa kahen kyaa sunen
jab dil baaten karne lagen
ab hum kyaa kahen kyaa sunen
jab dil baaten karne lagen
aa aa aa aa aaaa
aa aa aa aa aaa
aa aa aa aa aaa
aa aa aa aa aaaaa
aa aa aa aa aaa
o ye dil bezubaan thhaa
aaj isko zubaan mil gayi
o o o meri zindagi ko
ek haseen daastaan mil gayi
jeene kaa marne kaa
jeene kaa marne kaa
aayegaa ab mazaa…aa
kuchh mere dil ne kahaa
kuchh tere dil ne kahaa..aa
kuchh mere dil ne kahaa
kuchh tere dil ne kahaa
ab hum kyaa kahen kyaa sunen
jab dil baaten karne lagen
ab hum kyaa kahen kyaa sunen
jab dil baaten karne lagen
ae ae ae ae ae
aa aa aa aa aa
ha aa aa aa aa
ha aa aa aa aa
ho tujhse mil ke jaanaa
kitni tanha thhi main tere bin
ho o o pal pal kaisi halchal
zindagi mein hai ab raat din
main kahoon aur kyaa
main kahoon aur kyaa
bas tera shukriyaa.. aa
kuchh mere dil ne kahaa
kuchh tere dil ne kahaa aa
kuchh mere dil ne kahaa
kuchh tere dil ne kahaa
ab hum kyaa kahen kyaa sunen
jab dil baaten karne lagen
o o o ab hum kyaa kahen kyaa sunen
jab dil baaten karne lagen
Dil kya chaahe kaise boloon
Posted on: July 18, 2023
- In: "Fantasy" song | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Flashback song | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | Post by Avinash Scrapwala | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1980s (1981 to 1990) | Songs of 1985 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5478 | Post No. : | 17902 | Movie Count : |
4786 |
Rajesh Khanna – The Phenomenon – 12
– – – – – – – – – – – – – – – – – – – –- – –
Today 18th July 2023 is the ‘eleventh remembrance’ anniversary of Rajesh Khanna.
He was born on 29th December’1942 and he passed away on 18th July’2012.
Much has already been written about him in the media (print & digital) and on this blog and much has been known to movie-goers and general public too.
So I am not going to repeat it here again.
In the Indian Film Industry the Rajesh Khanna era started with ‘Aradhana’ in ‘1969’. Peoples like me, who were born in the end-sixties or early seventies and after that, were too young to witness that ‘mass hysteria’ that people with first hand experience are never tired of telling us.
Even in the reality shows nowadays on TV, guest celebrities who were co-stars of Rajesh Khanna always mention it that ‘irrespective of the controversies surrounding him and the negative aspects being talked about him he was a ‘great actor’ and nobody in the film industry have got the ‘love and affection’ from people like Rajesh Khanna got .
In this episode we are going to have a look at Rajesh Khanna movies from the year ‘1985’.
The year ‘1985’ saw as many as nine Kaka movies released during it. The list of these nine movies is as given below.
| SNo | Movie Title | Director | Passed by Censor Board | Co-artistes |
|---|---|---|---|---|
| 1 | Aakhir Kyon? | J. Om Prakash | 28.08.1985 | Smita Patil, Rakesh Roshan, Tina Munim |
| 2 | Aawaaraa Baap | Sohanlal Kanwar | 19.11.1985 | Rajan Sippy, Meenakshi Sheshadri, Madhuri Dixit |
| 3 | Alag Alag | Shakti Samanta | 20.09.1985 | Shashi Kapoor, Tina Munim |
| 4 | Bewafaai | R. Thyagarajan | 01.07.1985 | Rajinikant, Tina Munim, Padmini Kolhapure, Meenakshi Sheshadri |
| 5 | Insaaf Main Karoongaa | Shibu Mitra | 10.05.1985 | Tina Munim, Padmini Kolhapure, Shakti Kapoor |
| 6 | Masterji | K. Raghvendra Rao, B.A. | 22.08.1985 | Sridevi, Kader Khan, Anita Raj |
| 7 | Oonche Log | Brij | 06.05.1985 | Danny Denzongpa, Prem Chopra, Salma Agha, Preeti Sapru |
| 8 | Zamaana | Ramesh Talwaar | 06.04.1985 | Rishi Kapoor, Ranjeeta, Poonam Dhillon, Om Puri |
| 9 | Baayen Haathh Kaa Khel | Vijay Kaul | Unreleased | Tina Munim, Pran, Waheeda Rehman, Danny Denzongpa |
| 10 | Babu (1983) | A.C. Trilokchander | 04.10.1985 (In theatres) | Hema Malini, Mala Sinha, Rati Agnihotri |
Out of the ten movies mentioned above one movie ‘Baayen Haathh Kaa Khel’ was not released and it remains an unreleased movie till date.
The movie ‘Baabu’ was passed by Censor Board in ‘1983’ but it was released in theatres in ‘1985’.
During 1983 to 1985 I was staying in Akola with my grand-parents for my 11th-12th studying there in vocational junior college. However as I have mentioned earlier I was more on ‘cricket’ and ‘movies’ than into my studies and finally I failed in the exams (as expected by me 🙂 ).
I remember I had watched ‘Zamaana’ at Akola before moving to Parli-Vaijnath as my 11th-12th was completed (or finished 🙂 ). Overall it was an ‘average movie’ if I am correct.
After reaching at Parli-Vaijnath I had joined a company for job and was working there. However, there was a cricket tournament at Akola and so my friends called me back there and I went to participate in this tournament.
During this time I had watched ‘Masterji’ there at Akola and I remember how disappointed I was, as I do not like the movie at all.
Then I watched ‘Oonche Log-1985’ at Parli-Vaijnath which had good music by R.D. Burman and everything was good in the movie except Salma Agha so this movie of Kaka was another flop movie.
The company I was working with at Parli-Vaijnath had their head quarter at Nagpur. Once I was sent for some work at Head Office at Vijay Nagar (near Sadar) Nagpur. After finishing the official work I took time to watch ‘Aakhir Kyon?’ at ‘Panchsheel’ theatre at Nagpur. I remember I liked this movie and Kaka’s role in it very much.
Out of the remaining movies from the list now, I remember I watched ‘Alag Alag’ and ‘Baabu’ at Parli Vaijnath either in theatres or in video parlors. The reviews of ‘Baabu’ were very good and the movie had a good collection too in its first week. But it didn’t keep it further.
I do not get to watch the remaining movies further.
If we take a look at the list of ‘highest grossing movies’ of ‘1985’ on IMDB it mentions the following Rajesh Khanna movies as ‘Hits’ in this list.
| 1) | Hum Dono (of 1984) | (rank 4) |
| 2) | Bewafaai | (5) |
| 3) | Baabu | (9) |
| 4) | Masterji | (12) |
| 5) | Insaaf Main Karoongaa | (13) |
| 6) | Zamaana | (15) |
| 7) | Durgaa (of 1984) | (18) |
| 8) | Aakhir Kyon? | (20) |
| 9) | Alag Alag | (33) |
(There are 47 movies in IMDB’s list as highest grossing movies of ‘1985’ out of which the first 31 are considered as ‘super-hits’ (?) and the rest 16 as ‘average’ movies’. I hope this analysis must be supported by factual figures (?) The topper of this list is ‘Ram Teri Gangaa Maili’ about which nobody should have doubts of-course.)
Today I am presenting a song from the movie ‘Oonche Log-1985’.
‘Oonche Log-1985’ was directed by Brij for ‘Dynamo Enterprises, Bombay’.
It was produced by Sayeeda Sadanah, R.K. Kapoor, and R. P. Sharma.
It had Rajesh Khanna, Salma Agha, Prem Chopra, Preeti Sapru, Deven Verma, and Danny Denzongpa, Pradeep Kumar, Pinchoo Kapoor with Raza Murad in special appearance.
Story and screenplay of this movie was written by Surhid Kar. Dialogues of this movie were written by Ved Rahi.
Editing of this film was done by Waman Rao (I guess he is from the famous duo of Waman Rao Bhonsle-Guru Dutt Shirali).
‘Oonche Log-1985’ was passed by Censor Board on 06.05.1985.
This movie has five songs written by Anjaan and composed to music by R.D. Burman.
Kishore Kumar and Salma Agha had given playback to the songs in this movie.
The songs of this movie are very good if not great. Out of the five songs Kishore Kumar and Salma Agha have sung three solo and one solo song respectively. And one song is a duet song sung by Kishore Kumar and Salma Agha.
Here is the brief about the story of this movie…
Rai Bahadur (Pinchoo Kapoor) is big businessman and Jagdev Singh (Rajesh Khanna) is his son. Jagdev Singh gets married to a girl (I am unable to identify the actress) who has saved his life, against his Father’s wish who wants him to marry him with his friend’s daughter. Jagdev Singh leaves his father’s home with his wife and they are expecting a child.
Raju (who grows up as Rajesh Khanna later) and his mother met an accident by a car of Thakur Vikram Singh (Pradeep Kumar). In this accident Raju loses his mother while his father had already passed away earlier.
Thakur Vikram Singh brings Raju to his home to stay with them. However Vikram Singh’s son Maan (Danny Denzongpa as a grown up Maan) hates Raju while Vikram Singh’s daughter Poonam (Salma Agha as grown up Poonam) likes Raju.
Thakur Vikram Singh sends Maan to boarding school since he do not approves his habits and style of living.Thakur Vikram Singh has a brother Thakur Pratap Singh who is a womanizer and spends money on alcohol and racing too. He is eyeing on his brother’s property and gets him smothered. Raju watches this which Pratap Singh is unaware of.
After Thakur Vikram Singh’s death Raju’s life becomes more miserable. Pratap Singh calls Maan back to home and throws Raju in the stable where a good soul Khan (Raza Murad) has a soft corner for Raju and treats him kindly always.
Raju grows up on bad treatment and constant beating by Maan for reason one another but doesn’t want to leave the place because of Poonam. Many times Poonam helps him and Raju also saves Poonam on several occasions too (like during horse riding, snake biting etc).
Raju and Poonam love each other which Maan gets noticed and beats Raju black and blue.
To save Raju from Maan, Poonam tells Raju that she didn’t love him. Raju decides to leave but in between Pratap’s men caught Raju on the way to get him killed.
They tie Raju with ropes to horses and dragged him to the hills and thinking him dead throws him for the vultures.However Rai Bahadur and his accomplice Mubarak Ali (Deven Verma) with their gunmen and driver, who are on hunting around that location, save Raju.
Rai Bahadur is more than happy to meet his grandson which Raju also gets to know when Rai Bahadur shows him photographs of his father.Now Raju becomes Rai Bahadur Rajiv Singh and on the other side Maan Singh is losing financially day by day due to wine, women, horse-racing and an embezzling uncle.
Rai Bahadur Rajiv now plans for his revenge with Maan so he sends a profitable business offer to Maan through Mubarak Ali and Maan starts losing more in shares on the advice of Mubarak Ali. There is a suspicion when Maan and Pratap meets Rai Bahadur Rajiv Singh or Raju however Raju never gives them a chance and keep them suspecting and he also starts flirting with Sonia (Preeti Sapru who is fiancé of Maan Singh). (That is also to hurt Poonam more)
Finally when Raju is telling Pratap about the secret of him which he is a witness to, Maan secretly listens to their conversation and the reality of Pratap is dawned upon him. Maan plans to take revenge of his father’s killing by Pratap and took Pratap near the valley and on the gun-point he gets Pratap Singh thrown in in the ‘valley of death’.
Raju returns everything to Maan and forgives Maan for his all cruelties on him, because his father’s kindness who had given him a shelter in his childhood after he lost his mother.
While Raju leaves the ‘haveli’ Maan asks his sister Poonam to go with Raju who is her true love.
***
Now one dialogues from the movie by Rajesh Khanna which I like most …
(This is when Sonia (Preeti Sapru) asks Raju (Kaka) why he is suffering (like a ‘ghulaam’) and questions him why he does not leave and lefts this place…)
“Shaakh kaanton ko sirf isliye bardaasht karti hai memsaab, ke us par kaanton ke saath saath phool bhi khilte hain.
Main bhi usi shaakh ki tarah hoon jo pyaar ke phool ki khaatir zulm aur nafrat ke kaante bhi bardaasht kar rahaa hoon”
***
Today’s song happens when Raju is feeding horses in the stable 🙂 and starts reminiscing about his childhood days with Poonam.
We have Rajesh Khanna (in Kishore Kumar’s voice) and also Salma Agha in the picturisation of this lovely song.
***
Now we will have a look on the Kaka movies released in ‘1975’ (ten years back of 1985) that is around forty-eight years back from now, we have the following movies of Rajesh Khanna released in the year ‘1975’.
| SNo | Movie Title | Director | Passed by | Co-artistes |
|---|---|---|---|---|
| 01 | Aakraman | J. Omprakash | 14.05.1975 | Ashok Kumar, Sanjeev Kumar, Rekha, Rakesh Roshan |
| 02 | Prem Kahaani | Raj Khosla | 07.02.1975 | Shashi Kapoor, Mumtaz |
***
Today’s song is the first song from the movie ‘Oonche Log-1985’ in the movie and on this blog too. This movie makes its debut on the blog today and joins the movie with the same title which was released in the year ‘1965’.
Let us enjoy the today’s song now and pay our tributes to Rajesh Khanna on his ‘remembrance day’ today…
Video
Audio
Song-Dil kya chaahe kaise boloon (Oonche Log)(1985) Singer-Kishore Kumar, Lyrics-Anjaan, MD-R D Burman
Lyrics
dil kya aa chaahe ae
kaise ae boloon oon
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
chhod ke tera dar yahaan
kahaan jaaun
dil ki bebasi
kaise tujhko samjhaaun
chhod ke tera dar yahaan
kahaan jaaun
dil ki bebasi
kaise tujhko samjhaaun
arey tujhko naa dekhoon to
chain kahin naa aaye
tujhko naa dekhoon to
chain kahin naa aaye
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
maange dil duaa jiski
wo khushi tu hai ae
main to jism hoon
meri zindagi tu hai ae
maange dil duaa jiski
wo khushi tu hai ae
main to jism hoon
meri zindagi tu hai ae
arey tu mujhse
bichhde to
saans meri thham jaaye ae
tu mujhse
bichhde to
saans meri thham jaaye ae
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon oon
dil kya aa chaahe ae
kaise ae boloon oon
tujhko kya pataa
tere ishq mein kya hai ae
kya junoon hai ye kya nashaa
kya mazaa hai ae
tujhko kya pataa
tere ishq mein kya hai ae
kya junoon hai ye kya nashaa
kya mazaa hai
haay tu dekhe
hanske to
dard dawaa ban jaaye ae
tu dekhe
hanske to
dard dawaa ban jaaye
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye ae
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
hmm hmm hmm hmm …
————————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
————————————-
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
छोड़ के तेरा दर यहाँ
कहाँ जाऊँ
दिल की बेबसी
कैसे तुझको समझाऊँ
छोड़ के तेरा दर यहाँ
कहाँ जाऊँ
दिल की बेबसी
कैसे तुझको समझाऊँ
अरे तुझको ना देखूँ तो
चैन कहीं ना आए
तुझको ना देखूँ तो
चैन कहीं ना आए
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
मांगे दिल दुआ
जिसकी
वो खुशी तू है ए
मैं तो जिस्म हूँ
मेरी ज़िंदगी तू है ए
मांगे दिल दुआ
जिसकी
वो खुशी तू है ए
मैं तो जिस्म हूँ
मेरी ज़िंदगी तू है ए
अरे तू मुझसे
बिछड़े तो
साँस मेरी थम जाए ए
तू मुझसे
बिछड़े तो
साँस मेरी थम जाए ए
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
तुझको क्या पता
तेरे इश्क़ में क्या हैं ए
क्या जुनून है ये
क्या नशा
क्या मज़ा है ए
तुझको क्या पता
तेरे इश्क़ में क्या हैं ए
क्या जुनून है ये
क्या नशा
क्या मज़ा है ए
हाय तू देखें
हँसके तो
दर्द दवा बन जाए ए
तू देखें
हँसके तो
दर्द दवा बन जाए ए
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
ह्म्म ह्म्म ह्म्म ह्म्म ह्म्म ….
Prem ki hai kya sun paribhaashaa
Posted on: May 24, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5423 | Post No. : | 17789 | Movie Count : |
4760 |
#the Decade of Eighties – 1981 – 1990 #
————————————————————————
(Birthday – Music Composer-Rajesh Roshan)
Today 24th May is the sixty-eighth birthday of music director-lyricist Rajesh Roshan(born on 24.05.1955). He is one of my favorite all time composer.
I had earlier written about him in a couple of my earlier posts on the blog. So I am not going to repeat all that here again. One thing I definitely write again is that Rajesh Roshan’s songs are part of the ‘big nostalgia’ of my growing years and may be many people like me are fond of him and
his compositions .
Today on the occasion of his birthday I am presenting a song from the movie “Hamaari Bahu Alkaa-1982”.
It was directed by Basu Chatterjee for ‘Anuradha Films. Shyam Sundar Seksariya was the producer of this movie.
Basu Chatterjee also wrote the screenplay and dialogues of this movie. Story of this movie was written by Manoj Basu.
Editing of this movie was done by V.N. Mayekar.
The cast of this movie included Rakesh Roshan, Bindiya Goswami, Asrani, Prema Narayan, Utpal Dutt, Sudha Shivpuri, Master Raju, Ranjeet Sood, Manik Dutt, Aroop Ganguly, Lakshami, R.S. Chopra, Viju Khote Meghdoot, Manmauji, Pappu, Soni, Dev Sharma, Meena, Satya Bannerjee, Pratap, Jayshree T., Meena T., and others.
This movie was passed by Censor Board on 12.01.1982.
I remember to have watched this movie at Akola, but I have forgotten about it by now. One thing that I still remember is that I liked this movie very much. It is movies like this one that I love to watch.
“Hamaari Bahu Alkaa-1982” has five songs. Three were written by Yogesh and two by Amit Khanna.
Music for this movie was composed by Rajesh Roshan.
Lata Mangeshkar, Kishore Kumar, Usha Mangeshkar, Amit Kumar, Shailendra Singh, Alka Yagnik and Peenaz Masani had given their voices to the songs in this movie.
Here is the list of songs in this movie:-
| SNo | Song Title | Lyricist | Singer/s |
|---|---|---|---|
| 01 | Soona soona soona ghar hota hai ek naari binaa | Yogesh | Lata Mangeshkar, chorus |
| 02 | Prem ki hai kya sun paribhaashaa | Amit Khanna | Kishore Kumar |
| 03 | Ham tum rahenge akele wahaan | Amit Khanna | Amit Kumar, Alka Yagnik |
| 04 | Ghar mein khul ke ham nahin mil sakte | Yogesh | Usha Mangeshkar, Amit Kumar, Shailendra Singh, Peenaz Masani |
| 05 | Pakka jaamun todo nahin | Yogesh | Alka Yagnik, Peenaz Masani |
In my earlier post with the song of ‘Ratnadeep-1979’ I had mentioned about Basu Chatterjee – the director of this movie – having a great ‘ear’ for music. He mostly had Rajesh Roshan as music director in his movies. They have given some of the timeless classics and unforgettable songs in Hindi Film History.
They worked together in the following eight movies:-
| SNo | Title of the movie | Passed by Censor Board | Lyricist/s | Music Director |
|---|---|---|---|---|
| 01 | Swaami | 17.05.1977 | Amit Khanna | Rajesh Roshan |
| 02 | Khattaa Meethhaa | 30.12.1977 | Gulzar | Rajesh Roshan |
| 03 | Priyatamaa | 20.09.1977 | Anjaan | Rajesh Roshan |
| 04 | Dillagi | 18.07.1978 | Yogesh | Rajesh Roshan |
| 05 | Baaton Baaton Mein | 31.03.1979 | Amit Khanna, Yogesh | Rajesh Roshan |
| 06 | Manpasand | 26.06.1980 | Amit Khanna | Rajesh Roshan |
| 07 | Hamaari Bahu Alkaa | 12.01.1982 | Yogesh, Amit Khanna | Rajesh Roshan |
| 08 | Prateeksha | 07.04.2006 | Yogesh | Rajesh Roshan |
(I hope I have compiled the above table correctly. Readers can point out mistakes and suggest additions if any).
Today I am presenting another ‘signature composition’ of Rajesh Roshan from themovie ‘Hamaari Bahu Alkaa-1982’. I like this song very much. It is sung by Kishore Kumar. I was longing to share this song since long on the blog.
On screen the song starts in background first and then we can see Rakesh Roshan lip-syncing the song.
Lyrics are by Amit Khanna and music is composed by Rajesh Roshan.
Enjoy this wonderful song …
Situation of the song 🙂
Our hero (Rakesh Roshan) has got married but he is still studying. So his father (Utpal Dutt) wants him to spend focus more on ‘studies’ instead of spending more time with the ‘bahu’. As usual ‘jab ghar mein nayi bahu aati hai to bete ko kaun poochhtaa hai, waise hi yahaan bhi sab log din-bhar ‘bahu’ ke peechhe pade rehte hain, aur wo thhak kar raat ko jaldi so jaati hai. So our ‘newly married’ hero cannot spend ‘quality time’ with his wife (Bindiya Goswami).
His classmate (Asrani) suggests him to bunk the classes in day time and to go home, as at that time neither his father nor his younger brother would be at home so nobody should disturb the couple during that time…
The ‘hero’ is attending a class in the ‘class room’. He laeves the class room, and then he begins to dream of this song . 🙂
With this song, the movie “Hamaari Bahu Alkaa-1982” makes its debut on the blog…
Video
Audio
Song-Prem ki hai kya sun paribhaashaa (Hamaari Bahu Alka)(1982) Singer-Kishore Kumar, Lyrics-Amit Khanna, MD-Rajesh Roshan
Lyrics
prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
arey prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
darpan banaa
ye man meraa
jismein teraa aa
roop sajaa
chaaron dishaaon mein teri
ab chhaane lagi
muskaati chhavi ee
darpan banaa
ye man meraa
jisme teraa
roop sajaa
chaaron dishaaon mein teri
ab chhaane lagi
muskaati chhavi ee
arey prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
madhur milan ki
aayi ritu
itni madhur
jaise madhu
sooraj khiley ae
badraa mein yoon
ghoonghat mein ho
jaise vadhu oo
madhur milan ki
aayi ritu
itni madhur
jaisi madhu
sooraj khiley ae
badraa mein yoon
ghoonghat mein ho
jaise vadhu oo
prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
ae prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
Ghar Jaanam, Ghar Jaanam
Posted on: June 5, 2022
- In: "Fantasy" song | Children's song | Fun lyrics song | fun timepass song | Guest posts | Kavitha Krishnamurthy Songs | Post by Avinash Scrapwala | Shailendra Singh songs | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1991 | Suresh Wadkar songs | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5070 | Post No. : | 16991 |
In one of my earlier articles here, I had mentioned that the month of June is one of my most favorite months. There are several important days in this month and different anniversaries of our close ones too (including me 🙂 ).
Today 5th June is one such important day. It is the ‘World Environment Day’ today.
Here again I will repeat what I have mentioned in my post for the short song “Ye Hanste Huye Phool, Ye Mehka Hua Gulshan” from film ‘Pyaasa’ (1957) written for ‘Environment Day – 2017’ and posted on the blog on 08.06.2017 (instead of 05.06.2017).
I am approaching today’s post in a different manner. Instead of going into the details of the environmental agencies, their history and purpose, the significant environmental issues being faced by humanity on this planet, etc. I am thinking of our Hindi films and their music. The nature is so intimately connected herein. We cannot imagine our Hindi Film Music without ‘connecting with nature.
Well, for today I would like to make a little correction in the above lines. That year 2017 the theme of the ‘WED (World Environment Day) was ‘Connecting with Nature’ and I had tried to connect the same with the songs, lyrics and music of our Hindi movies.
This year ‘2022’ the theme of the ‘WED’ is “Only One Earth – Living Sustainably in Harmony with Nature”. So I would like to add here that I am thinking of those Hindi Films which carried a ‘message’ related to environment and our planet ‘the earth’. And since this is the blog of songs we need a song to connect this celebration today.
The movie of today ‘Aasmaan Se Gira’ (1991) has a message for all of us in its climax. Today’s song, though doesn’t exactly match the theme of today, it connects to the ‘philosophy of life’ and alerts us that ultimately our destination is ‘one’ and we have leave everything here. So let us leave everything in a good shape, better prospects, and in compassion to the humanity and nature. Leave the ‘shad-ripus’ (kaam, krodh, lobh, moh, mad, matsar) to attain ‘moksh’. I have listened and watch this song several times and it is an enlightening song woven in comical situation in the movie. The movie also needs to be watched even though it’s a movie for children.
In today’s post I am not going into the details of this movie which I had mentioned in my earlier article with other song of this movie earlier on the blog – “Ghar Jaana Hai Mujhe, Ghar Jaana Hai“. A brief about this movie is given below.
A young prince is being trained for a time when he will grow up to become king. The lonely boy is frustrated at being kept secluded while being taught the art of statesmanship by great scholars. One day while frustrated he is crying for help ‘a strange little man’ arrives in his room.
This ‘little man’ is from another planet. His name is Trishanku. Trishanku was travelling to attend the wedding of his friend, but since the ‘rays of sorrow’ from the little prince caught him on the way he lands there to help the little prince.
The prince and Trishanku exchange views about their own worlds. Trishankhu is homesick and wishes to return back to his planet. He has his three friends from his planet who had earlier lost their way after coming to earth and then stayed back on the planet earth thereafter. Each one of the three knows the ‘part of the mantra’ that will allow Trishanku to go back to his home planet.
The two-escape trying to find ways for Trishankhu to go back. On their journey they develop a deep bonding and it is hard for Trishankhu to let go.
When Trishanku meets each of his three friends, each one gives him one part of the mantra which is presented in the form of a song and that is our song for today. It is picturised in three parts on Anil Kapoor, Sheeba, Sridevi, and Anupam Kher. The forth part of the song is picturised on Trishanku i.e. Raghuveer Yadav who is singing it at the ‘Jantar Mantar’ from where he is supposed to find his way to his planet after singing the ‘mantras’. In all the four parts of the song the little prince i.e. Master Abhishek is present in the picturisation of this song.
Finally Trishanku lands on his planet and he enters the ‘darbaar’ of his master (God of Outer Planet) i.e. ‘Baadshaah-e-Kahkashaan’ played by Amjad Khan. And, there we have the following conversation between ‘Baadshaah-e-Kahkashaan’ and Trishanku, where the master has a message for all on this ‘Planet – The Earth’.
Trishanku – takai t takai t takai t … main aa gaya ‘baadshaah-e-kahkashaan’,
andar aane ki ijaazat hai?Baadshaah – aao … der lagaa di tumne, chuk gaye shaadi, yaad karte rahe sab
Trishanku – main kya karta, ve tinon itni door door thhe ek yahaan, doosra
wahaan , teesra jaane kahaan, badi mushqil huyiBaadshaah – kya dekha tinon ne, pataa nahin … nahin laute… manaa kiya maine,
nahin maane
moorkh
bewaqoof
prithvi ke log
nahin samajhte
itni achchhi prithvi achaanak nahin bani… mehnat lagi.. koshish..
tum to thhe… yaad hain?Trishanku – haan yaad hain
Baadshaah – barbaad kar diya prithvi ko… tahas nahas… jung golaa barood
hathiyaar ladaayi … ped tod todkar nangaa kar diya prithvi ko
paani mein zehar … hawaa mein zehar …
mutthibhar log, hukumat karte karodon par
anaaj hain, bhookhe rehte hain laakhon… anaaj bechkar hathiyaar
kharidte hain
moorkh! moorkh!! moorkh!!!Trishanku theek kehte hain …lekin sabhi wahaan aise nahin hai …ek bachchaa hai
kautuk …main uski madad karna chaahtaa hoonBaadshaah nahin, nahin, nahin, hamaara kaanoon hai, rishta mat banana
prithvi ke logon ke saath… madad mat karna un murkhon ki
koshish ki thhi pehle kabhi, gayi bekaar… bhool jaao…bhool jaao oTrishanku – theek hai prithviwaale dusht hain, lobhi hain, moorkh hain …ek doosre ka khoon choosnewaale hain, ek jhande ke pichhe aapas mein lad mar jaate hain, anaaj bechkar hathiyaar kharidte hain, lekin sabhi aise nahin hain..kautuk jaise log bhi hai wahaan, usne yahaan aane mein meri madad ki … main bhi uski madad karna chaahta haoon…
(After this Trishanku tells Baadshaah how good and friendly Kautuk is and what consequences he may be facing after being alone now.)
Kautuk wants to play , wants to fly kite, wants to eat mango.. but Maasheela is such a cruel queen who has prohibited everything for Kautuk and he cannot even go out of his palace… saying this Trishanku breaks into tears and Baadshaah surprisingly asks him what is flowing from his eyes and why. Trishanku explains him that this is the ‘gift’ he got from the ‘people of prithvi’.
Baadshaah orders to bring Maasheela to his darbaar. And when Maasheela (Kalpana Aiyer) threatens Baadshaah of his life, the Baadshaah wants to kill her but Kautuk intervene and request Baadshaah to forgive her and he begs him for her life.
Trishanku – dekha kitne zulm kiye hain is aurat ne is par, phir bhi ye uske praanon ki bheekh maang rahaa hai…ise kehte hain kshamaa, prem, kautuk jaise aur bhi log hain prithvi par, jab tak aise log hain hamen prithvi se naa-umeed nahin hona chahiye
(Maasheela hugs kautuk and is emotional. She asks kautuk to forgive her misdeeds. She showers her love on kautuk.)
This incident brings tears to the Baadshaah and he forgives all and with the following message…
jaao kautuk jaao… jab tak tum jaise log prithvi par rahenge …prithvi rahegi
jaao aur apne duniya ke logon ko samjhaa do…
aapsi prem khatm ho jaayega kuchh nahin bachega sab kuchh khatm ho jaayegaaKautuk returns to prithvi after taking a promise from Trishanku to visit him on his birthday every year.
This heart-warming film by popular TV and film director Pankaj Parashar stars a galaxy of Bollywood stars in guest appearances including Sridevi, Amjad Khan, Anil Kapoor and Anupam Kher.
Before we enjoy today’s entertaining song I just wish that may there be many such movies and may such songs which I can present for occasions like today. We need to have more movies to bring the awareness on issues of environment and pollution.
Yesterday, it was there in the news that people are throwing dead animals into canals… Many must have seen the dumping sites where every day garbage heap is dumped and which are slowly turning into big mountains …
And last but not the least … keep watching children’s movies in between … not necessary that all children’s movies are for children only. People can learn a lot from them.
Also I would like to request the film-makers that ‘meaningful movies’ on the issues around us can be made for adult audiences too and they should not limit this for the children only.
It is good to see that in recent years there have been movies coming on ‘environmental issues’ too. We will keep presenting songs from such movies in the future on the blog.
Song – Ghar Jaanam, Ghar Jaanam (Aasmaan Se Gira) (1991) Singer – Shailendra Singh, Suresh Wadkar, Kavita Krishnamurthy, Raghuveer Yadav, Master Abhishek, Lyrics – Kamlesh Pandey, MD – Louis Banks
Lyrics
Part 1
Shailendra Singh, Suresh Wadkar, Both
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar
lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar
tum sar sar sar
tum tum sar sar
sar sar tum tum
tumsar tumsar
sarvas tyaagam
ghar jaanam
sarvas tyaagam
ghar jaanam
lobh, krodh, mad
maaya
matsar
sarvas tyaagam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
——————————————————————–
Part 2
Suresh Wadkar, Kavita Krishnamurthy, Both
saans baansuri
sari sari dha dhadkan
dha dha dhina dha
saans baansuri
sari sari dha dhadkan
dha dha dhin dha
dha
tirkit dhoom tirkit dhoom dha dha
tirkit dhoom tirkit dhoom dha dha
[classical notations not deciphered]
dha tir dha tir dha dha
taa tir taa tir dha dha
dha tir kit dha dha
taa tir kit dha dha
dha tir dha tir dha dha dha
dha tir dha tir dha dha dha
dha tir dha tir dha dha dha
tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam
tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam …
——————————————————————
Part 3
Anupam Kher, Suresh Wadkar, Chorus
Anupam Kher + Suresh Wadkar
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
hmm hmm hmm
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya
dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya
chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa
chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa
tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam
tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam
hi hi hi hi
chaadar maili
chalo utaaram
ghar jaanam
chaadar maili
chalo utaaram
ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
dhobi aaya
kapde laaya
maya utaaram
ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
————————————————————————
Part 4
Suresh Wadkar, Chorus
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
aa aa aa aa
aa aa aa aa
lobh, krodh, mad
maaya
matsar
sarvas tyaagam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
aa aa aa aa
aa aa aa aa
saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam
om ghar jaanam
prithvi tyaagam
dhobi aaya
kapde laaya
mail utaaram
ghar jaanam
om ghar jaanam
prithvi tyaagam
om ghar jaanam
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4832 | Post No. : | 16613 | Movie Count : |
4524 |
Hullo Atuldom
10th October is the birth date of the ageless Bollywood Diva Bhanurekha Ganesan.
I don’t remember which was my first post on the blog on her birthday, but over the last few years I have been trying to write out a song and present her with an actor who was not one of her regular heroes; meaning someone except Amitabh Bachchan, Dharmendra, Jeeetendra, Rajesh Khanna, Vinod Mehra etc. Today’s song is also one such song.
This song is from the 2000 release “Bulandi” which was directed by T. Rama Rao. It had a cast of Rajnikanth (special appearance), Anil Kapoor, Harish (from South Indian films), and Rekha, Raveena Tandon, Aruna Irani along with Shakti Kapoor, Ranjeet, Kulbhushan Kharbanda, Paresh Rawal, Sadashiv Amrapurkar in supporting cast. Songs of the movie were penned by Anand Bakshi and tuned by Viju Shah. The playback singers used were Udit Narayan, Kavita Krishnamurthy, Kumar Sanu, Anuradha Paudwal, Jaspinder Narula, Sukhwinder Singh, Abhijeet and Alka Yagnik -in short all the popular singers of the 90s.
The movie was the tale of a family of Zamindars which is headed by Rajnikanth who has a sister -Aruna Irani and three sons Anil Kapoor (double role plays two brothers) and Harish Kumar. Rekha plays the zamindar’s elder daughter-in-law who is the bhabhi-maa to her devars. And here I would like to mention that the two Anil Kapoors are not twins. Today’s song happens at the girl’s family meeting the boy’s family ritual and the older Anil Kapoor is the groom-to be. Aruna Irani the would-be atyaa (paternal aunt) starts the song as cue to the coy Bride-to-be who then begins singing and also fantasizing about her hubsand married life etc
There have been many instances when big a star/ actor accepts a role in a film because the main actor/ character is being enacted by a senior star/actor of whom the junior is a fan. Like for example, Amitabh Bachchan played Dilip Kumar’s son in Ramesh Sippy’s “Shakti”. Similarly Rekha played miniscule role in one of Dev Anand’s final movie, “Censor” and also one of Manoj Kumar’s last directorial.
Anil Kapoor did a second rung character in this film as he was sharing screen space with a senior (workwise)-Rekha. And the dance that accompanies sees Rekha and Anil Kapoor matching each other decently well. It is only recently I found out that there is just two year age gap between these two actors but one began working in 1966 (age 12) when the other might have been in school and not even given a thought to what career to pursue. That must be one of the reason why the viewer may feel that Anil Kapoor was acting with a much senior actress, she was a senior only because she was already in the entertainment business for 14 years before Anil made his debut.
The singers for this song are Kavitha Krishnamurthy and Udit Narayan.
Happy birthday to Rekha. May we keep seeing her on the silver screen.
Audio
Video
Song-Teri ankhiyon mein jeena hamen marna (Bulandi)(2000) Singers-Kavita Krishnamurthy, Udit Narayan, Lyrics-Anand Bakshi, MD-Viju Shah
Both
Lyrics
aa aa aa aaaa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aaaa
aa aa aa
chhedo naa mujhko chhedo
aise naa mujhko dekho
jo dekhna hai kuch tumko hai
to phir mere dil ko dekho
hum pyaar ke hain raahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
dekho dekho dekho
aise mujhko naa chhedo
kya kahega yeh zamaana
ban jaayega fasaana
badi hogi badnaami
hamen hogi pareshaani
hum pyaar ke hain raahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
hoga milna hamara mushkil/em>
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuch karna
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
vaadon ka hai aaj mausam
hum koi vaada karen
arre yeh jaan bhi tumko de di
ab kya zyaada karen
tera naam liya
tujhe yaad kiya
sab kuchh main bhool gayi
o teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa a
o teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
o teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
maange agar tu sitaare
main tod laaoon sanam
ho karne hain kya yeh sitaare
tu chaand se kya hai kam
haaye deewaana hua mastaana hua
dil aise jhoom gaya
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
dekho dekho dekho
aise mujhko naa chhedo
kya kahega yeh zamaana
ban jaayega fasaana
badi hogi badnaami
hamen hogi pareshaani
hum pyaar ke hain rahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamara mushkil
hoga milna hamara mushkil
hoga milna hamara mushkil
Aisa ho to kaisa ho
Posted on: October 13, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4470 | Post No. : | 15966 | Movie Count : |
4374 |
Hullo Atuldom
This post sees the 20th November 1981 released “Gehra Zakhm” (as written in the titles of the movie) making its debut on the blog.
It is possible that the success of “Dada” (1979) prompted the casting of Amjad Khan in a pivotal role in this, since in that period he was known more for his negative characters. Vinod Mehra was the hero -just as in “Dada”. Ranjeeta Kaur, Kadar Khan, Sheetal, Jagdeep, Satyen kappu, Om Shivpuri etc formed the rest of the cast. Master Mayur played the young Vinod Mehra and Master Titoo played Amjad Khan’s childhood. Master Ravi plays the child who is rescued by Amjad Khan from Kadar Khan’s goonda and restored to his mother with some heavy duty dialogues to the effect that “maa se badhkar koi cheez nahi”. Jagdeep is Vinod Mehra’s (Vijay) friend who keeps urging the educated unemployed Vijay to live honestly and stop coming up with get-rich schemes.
Just before I started writing this post I had a look at the movie until the point of this song. It has Kishore Kumar and Sapan Chakraborty singing for Vijay and Jimmy (Jagdeep) as they go about on a cycle along the streets of Bombay by night. They are hoping that their fortunes change and they are able to enjoy the luxuries of life. Leena Das is the dancer in the last stanza.
This movie had two lyricists- Vithalbhai Patel and Nida Fazli- penning five songs that were set to tune by Rahul Dev Burman. Asha Bhonsle, Mohd Rafi, Bhupinder, Anand Kumar (have seen his name against a few songs, but no info on him), Amit Kumar, Suresh Wadkar and Udit Narayan were the other singers in the movie.
I chanced upon this song when I googled for songs of Kishore Kumar which were not by regular lyricists meaning Anand Bakshi, Rajinder Krishan, Majrooh etc. Not that I don’t like their work, it is just that we feel that KK has not sung any other writer’s work. I also have been trying to present songs which KK has sung for actors other that Dev Anand, Rajesh Khanna and Amitabh.
As we all know one of Vinod Mehra’s earliest songs “geet gata hoon main” had Kishore Kumar giving playback. That had the distinction of being composed by Shankar Jaikishan and written by Dev Kohli and stood at number 18 in that year’s Binaca Geetmala.
To start of with he was a reluctant actor. His debut was as playback for Dev Anand. He had a solo and his first ever duet with Lata Mangeshkar in that movie after which Lata – Kishore duets have been a norm for all leading pairs. And we have 206 of those duets on our blog. We have many duets of Kishore Kumar on the blog where he has sung with Mukesh, Mohd Rafi, R D Burman, S Balbir, Amit Kumar, Mahendra Kapoor and Shailendra Singh. Today we have a song with a new partner.
The first decade saw him singing one or two songs per movie; the maximum 7 songs he sang was for “Jaalsaaz” in 1959 and 8 songs for “Suhana Geet” also in 1959. But people say that his best period was post “Aradhana” in 1969 but we cannot close our eyes to “Jewel Thief”, “Guide”, “Half Ticket”, “Manmauji”, “Jhumroo”, “Rangoli” and all the other movies for which he has lent his voice.
Yes, post 1969 he has been used for actors as varied as Sunil Dutt, Dharmendra, Jeetendra, even Pran and his own brother Ashok Kumar. Kishore Kumar’s voice has been used successfully for all heroes of the ’70s through the ’80s till death snatched him away from us 33 years ago.
Remembering this excellent actor, singer, producer, director, music director and artist on his anniversary.
Video
Audio
Song-Aisa ho to kaisa ho (Gehra Zakhm)(1981) Singers-Kishore Kumar, Sapan Chakravarty, Nida Fazli, MD-R D Burman
Both
Chorus
Lyrics
aisa ho toh kaisa ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
ru ru ru ru ru ru
ru ru ru ru ru ru
cheheron ki chaandni hai
zulfon ki badliyan hain
rangeen mehfilon mein
jismon ki bijliyan hain
cheheron ki chaandni hai
zulfon ki badliyan hain
rangeen mehfilon mein
jismon ki bijliyan hai
jaisa
jaisa
jaisa
jaisa
jaisa
jaisa
jaisa chaahe waisa ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
masti chhalak rahi hai
armaan machal rahe hain
paani se bheege bheege
sholay nikal rahe hain
masti chhalak rahi hai
armaan machal rahe hain
paani se bheege bheege
sholay nikal rahe hain
yehi
yehi
yehi
yehi
yehi
yehi
yehi khel hamesha ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
baa adab baa mulaiza hoshiar
alampanah ki sawaari aa rahi hai
duniya se jaake keh do
achchi hai woh jahaan hai
milane ki abb kisi se
fursat hamein kahaan hai
duniya se jaake keh do
achchi hai woh jahaan hai
milne ki abb kisi se
fursat hamein kahaan hai
aaye
aaye
aaye
aaye
aaye
aaye
aaye phir jo aana ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
aisa ho to kaisa ho aisa ho to kaisa ho
aisa ho to kaisa ho aisa ho to kaisa ho
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3857 | Post No. : | 14870 |
———————————————
Blog ten year challenge (2009-2019)- Song number 5
———————————————
Today is 8 february 2019. When I looked back at the movies whose songs were covered in the blog ten years ago on 8 february 2009, I found that seven songs from seven different movies were covered on that day. Six of these movies have been YIPPEED by now. The only movie, which still has a few songs left to be covered in the blog is “Gomti Ke Kinaatre”(1972).
“Gomti Ke Kinaare”(1972) was directed by Sawan Kumar for Mercury Productions, Bombay. This “social” movie had Meena Kumari, Mumtaz, Sameer, Rehman, Agha, Helen, Paintal, Asit Sen, Shyama, Chandrima Bhaduri, Tuntun, Daisy Irani, Master Alankar, Randheer, Sultan Mazhar, Manorama, Rajan Haksar, Nasreen, Lalita Kumari, Madhu, Aarti, Kamal, I S Johar etc in it, with special appearances by Jalal Agha and Mukri.
The movie had five songs in it. Three of these songs have been covered in the past.
This song is sung by Manna Dey and Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.
The so0ng is picturised on Agha and Helen. It appears to be a fantasy song where Agha has a Jin of Alladin Chirag. The Jin, on the wishes of Agha makes Helen appear to perform a dance. That is my understanding of the picturisation of this song. I request our knowledgeable readers to tell us what is happening in this song.
The movie hade its debut in the blog on this day in 2009 when I was based at Jabalpur. Next song was posted in 2011 when I was based at Nagpur, and the third song was posted in 2017 when I was based at Izatnagar, Bareilly. Now I am covering the fourth song from the movie while I am based at another new place.
The movie has another song left in it. Have no fear. Now that I am aware that only one song is left in this movie, I will cover the song without waiting to get transferred to another place. 🙂
Audio
Video
Song-Arre lag gaya re lag gaya (Gomti Ke Kinaare)(1972) Singers-Manna Dey, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
arre lag gaya re lag gaya
pot pot pot pot pot pot pot pot
pot pot
pot pot
jackpot
jackpot
tarse jisko dil
mere haath lag gaya
pyaar ki race mein
jackpot lag gaya
saare jahaan se kaho o o
dilbar kahin ka bhi ho o o
mahboob mera hai wo
saare jahaan se kaho o o o o
dilbar kahin ka bhi ho
mahboob mera hai wo
tarse jisko dil
mere haath lag gaya
pyaar ki race mein
jackpot lag gaya
ha
ho o o
o o o o
main hoon tumhaare hi dil mein
u u u u
main hoon tumhaari nazar mein
u u u u
chaahe rahoon main kahi bhi ee
har roop mein hoon tumhari
har rang mein hoon tumhaari ee
ya jaaneman ya habibi
tarse jisko dil
lalalala
mere haath lag gaya
lalalalala
pyaar ki race mein
jackpot lag gaya
chalna mera koi dekhe
lalalala
doloon jo angdaayi leke
lalalala
naache ye saara zamaana aa aa
chhalkaaun main dil ke pyaale
jo ik nazar mujh pe daale ae
kar doon main usko deewaana
tarse jisko dil
taratatata
mere haath lag gaya
taratatata
pyaar ki race mein
jackpot lag gaya
ha aa aa
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3649 | Post No. : | 14489 |
Long long ago, K L Saigal sahab had sung about a bungalow. “Ek Bangla Baney Nyaara“. In that song Saigal sahab fantasized about living in a bungalow with his family.
Four four decades, no other hindi song coveting a Bungalow came about. It was in 1977 that another Bungalow song came about. This time it is a lady who fantasises about living in a bungalow. Unlike Saigal sahab, she is not willing to share it with her kunba though. She wants to share it only with her balma who must be anaadi enough to agree to share his bungalow and gaadi with her. 🙂
This song is from “Aap Ki Khaatir”(1977). This movie was directed by Shudhendu Roy for Indu Pictures, Bombay. This social movie had Vinod Khanna, Rekha, Nadira, Helen, Kuljeet Singh Macmohan, Tuntun, Tarun Ghosh, Piloo Wadia, Subrat Mahapatra, Birbal, V Gopal, Mamaji, Dhanna lal, Manmauji, Madhup Sharma with guest appearances by Asrani, Sonia Sahni, Om Shivpuri, Merad and Janki Das.
This song has six songs in it. One song “Bambai Se Aaya Mera Dost ” became a suprise hit and drowned out the other songs from the movie. That one song is the only song from the movie to appear in the blog.
Here is this second song from ‘Aap Ki Khaatir’ (1977) to appear in the blog. This song is sung by Lata with humming by Bappi Lahiri. Shailly Shailendra is the lyricist. Music is composed by Bappi Lahiri. The song is picturised on Rekha and Vinod Khanna.
Audio
Video
Song-Pyaara ek bangla ho bangle mein gaadi ho (Aap Ki Khaatir)(1977) Singers-Lata, Bappi Lahiri, Lyrics-Shaily Shailendra, MD-Bappi Lahiri
Lyrics
pyaara ek banagla ho
bangle mein gaadi ho
gadi mein mere sang
hmm
balma anaadi ho
pyaara ek bangla ho
bangle mein gaadi ho
gadi mein mere sang balma anaadi ho ho
duniya phir hum se jalegi
jhuk ke humen bhi salaam karegi ee ee
hmm
pyaara ek bangla ho
bangle mein gaadi ho
gaadi mein mere sang balma anaadi ho ho ho
saare jahaan ki khushiyaan
sainya pe ae vaar doongi
jo de sake na koi
itna aa pyaar doongi
naukaron ke hote khaana khud banaaun
chay bhi apne haathon se pilaaun oon oon oon oon
hmm
pyaara ek banagla ho
bangle mein gaadi ho
gadi mein mere sang balma anaadi ho ho ho
hey
ho
hey ae ho o
hey ae
ho
hey ae ho
garmi ke din jo hon to
kashmir chale jaayen
o o o o
garmi ke din jo hon to
kashmir chale jaayen
rangeen waadiyon mein
ja ke ae kho jaayen
jharnon ki tarah hum jhoome naache gaayen
aur phulo ke sang mein hum bhi muskurayen
aen aen aen
hmm
pyaara ek banagla ho
bangle mein gaadi ho
gadi me mere sang balma anaadi ho ho ho
lalalalaala
hmm hmm hhm hmm hm
lalalalaala
hmm hmm hhm hmmm hmm
he he
ho ho
hahaha
he he
ho ho
lalalalala
barish ka ho jo mausam chhaata aa laal le loon
chhaata bhi uddh jo jaaye paani mein kheloon
bijuri chamke main darr jaaun
saiyaa ji ki baaho mein main chhup jaaun
oon oon oon oon
hmm
pyaara ek banagla ho
bangle me gaadi ho
gaadi mein mere sang balma anaadi ho ho
duniya phir hum se jalegi
jhuk ke humen bhi salaam karegi ee ee
hmm
pyaara ek banagla ho
bangle me gaadi ho
gadi mein mere sang balma anaadi ho
lalalalalala
lalalalalala
lalalalala
lalalalalala
hmm hmm hmm hmm hmm
ho ho ho ho ho
hmm hmm hm hmm
hmm hm hm hmm
lalalalala
aahahahahah
hmm hmm hmm
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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