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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shakeel Badayuni


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3686 Post No. : 14593

It is felt that changes take place slowly, especially in a country like India. Nevertheless, one cannot imagine how much India has changed in the last half a century or so. Actions that were considered acts of bravery and machismo those days are today wrong, undesirable, unhealthy, unsafe and even illegal. For instance, tiger hunters were considered saviors of humanity in India and they were respected by every one. Books written by hunters were taught in schools and colleges. Likewise felling trees and clearing space was considered a work of development and progress which was an act of nation building.

Today, killing tigers and other wild animals is illegal in India. In fact, movies showing animals must carry a disclaimer that no animals were harmed while picturising them. As for trees, entire Rail industry ran on wooden sleepers made out of trees felled on mass scale. In fact, olden steam locomotives in many countries (including India) used wood (and not coal) as fuel. Today, felling a single tree is considered a bigger crime in India than killing human beings.

Smoking was considered a macho male act. Today smoking itself is considered an unhealthy act that destoys one’s lungs and lead to cancer. Heroes are no longer shows smoking in movies unlike in the past and there too the statutory warning is required to be carried out.

In olden days, studying was good and playing was bad.

“padhoge likhoge banoge nawaab
kheloge koodoge hoge kharaab”

It was a very popular saying in India for many decades. Today of course no one believes in it. Sports have become professional and top sportsmen (often school dropouts) in lucrative sports earn such high incomes that majority of studious people can only dream about.

Likewise, government policies that were considered great those days have ended up becoming discredited. India followed socialism for the first four decades after its independence. By late 1990, this policy led to the counttry becoming virtually bankrupt and that policy has been discarded by now.

“Maalik” (1958) was directed by S M Yousuf for Sunny Art Production. The movie had Talat Mehmood, Suraiyya, Lalita Pawar, Roopmala, Jeevan, Mukri, Radhakrishen, Kumar , Jagdeep etc in it.The movie had eight songs in it. Four songs have been covered in the past. The last song from the movie was covered in 2014.

The song under question was planned by me to be discussed in 2014 itself and I had decided to make it post number 9929, to be posted in june 2014. Somehow this song did not materialise then. Now, more than four years later, here is this song from “Maalik”(1958). It is fair to say that the messages contained in the song would be considered by and large irrelevant today. 🙂

The song is sung by Asha Bhonsle and chorus. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of this song is available. My guess is that this song is sung by a school teacher to her pupils who enthusiastically sing along in approval. 🙂

I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Padhoge likhoge banoge nawaab (Maalik)(1958) Singer-Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Asha Bhonsle + Chorus
Chorus

Lyrics

padhoge likhoge
banoge nawaab tum
banoge nawaab
jo kheloge koodoge
hoge kharaab tum
hoge kharaab
padhoge likhoge
banoge nawaab tum
banoge nawab
jo kheloge koodoge
hoge kharab tum
hoge kharab

jo bachche kabhi likhte padhte nahin
wo izzat ki seedhi pe chadhte nahin
jo bache kabhi likhte padhte nahi
wo ijjat ki sidi pe chadhte nahin

yahi din hain padhne ke padh lo kitaab
yahi din hai padhne ke padh lo kitab
padhoge likhoge banoge nawab tum banoge nawaab
jo kheloge koodoge hoge kharab tum
hoge kharaab

buraai ke raste se bach kar chalo
buraai ke raste se bach kar chalo
kabhi jhooth bolo na chori karo
kabhi jhooth bolo na chori karo
agar mar bhi jaao na peena sharab nahin peena sharab
agar mar bhi jaao na peena sharab
padhoge likhoge banoge nawab tum banoge nawaab
jo kheloge kudoge hoge kharab tum
hoge kharaab

jawaan hoke bharat mein Nehru bano
jawaan hoke bharat mein Nehru bano
tum inte bade ho ke Bapu bano
tum inte bade ho ke Bapu bano
jawaan hoke bharat mein Nehru bano
tum inte bade ho ke Bapu bano

na ho duniya bhar mein tumhaara jawaab
na ho duniya bhar mein tumhaara jawaab
padhoge likhoge banoge nawab tum
banoge nawaab
jo kheloge kudoge hoge kharaab tum
hoge kharaab

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3610 Post No. : 14399

“Paak Daaman”(1957) was directed by S M Yusuf for Wadia Brothers, Bombay. This Muslim social movie had Chitra, Sudesh Kumar, Kumar, Krishna Kumari, Renu Makad, Adeeb, Moti Sagar, Mirza Musharraf, Sheikh, Baalam, Wazir Mohammad Khan, Praveen Paul, Indu, Kesarbai, Meena, Shree Bhagwan, H Prakash, Bande Hasan Qawwaal, Sardar Mansoor, Merunnissa, Mumtaz, Maqbool, M K Hasan, Mitthu Miyaan, Korega, Roopmala, Julien, Onkar, Jago etc in it.

The movie had eleven songs in it. Two songs from the movie have been covered in the past.

Here is the third song from “Paak Daaman”(1957) to appear in the blog. The song is sung by Rafi, Shamshad Begam and chorus. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of the song is available. It is clear that this song is a qawwali between the two genders which tends to be an entertaining musical nok-jhonk between the two genders.

I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Parda uthhaao saamne aao munh na chhupaao haar ke(Paak Daaman)(1957) Singers-Rafi, Shamshad Begam, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Male chorus
Female chorus

Lyrics

parda uthaao saamne aao
munh na chhupaao haar ke
parda uthhaao saamne aao
munh na chhupaao haar ke

jaao ji jaao
hosh mein aao
geet na gaao pyaar ke

jaao ji jaao
hosh mein aao
geet na gaao pyaar ke

parda uthhaao saamne aao
munh na chhupaao haar ke

ishq bhikhaari husn hai daata
maangne waale jaayen kahaan
ishq bhikhaari husn hai daata
maangne waale jaayen kahaan
ho maangne waale jaayen kahaan

aur kisi ke dar par maango
mil na sakegi bheekh yahaan

aur kisi ke dar par maango
mil na sakengi bheekh yahaan

raahe khuda ik jalwa dikha do
allah hi dega maula hi dega
raahe khuda ik jalwa dikha do
bhookhe hain deedaar ke
bhookhe hain deedaar ke
parda uthhaao saamne aao
munh na chhupaao haar ke

jaao ji jaao
hosh mein aao
geet na gaao pyaar ke

ho o o o o
door hato ji rasta naapo
yoon na hamen badnaam karo

yoon na hamen badnaam karo
yaa dil le lo
yaa dil de do
koi to aakhir kaam karo
koi to aakhir kaam karo
ham na sunenge koi fasaana
honge na poore khwaab tumhaare

honge na poore khwaab tumhaare
ham na sunenge koi fasaana
rah jaao dil maar ke
rah jaao dil maar ke

jaao ji jaao
hosh mein aao
geet na gaao pyaar ke

parda uthhaao saamne aao
munh na chhupao haar ke

oyi qurbaana

dil mein kisi ke dard basa ke
aankh churaana thheek nahin
ho aankh churaana thheek nahin
rahne do is raag ko dil mein
sabko sunaana thheek nahin
sabko sunaana thheek nahin

jo bhi kahoge maan hi lenge
jaane wafa o jaane tamanna
jo bhi kahoge maan hi lenge
bande hain sarkaar ke
bande hain sarkaar ke

parda uthhaao
saamne aao
munh na chhupaao haar ke
parda uthhaao saamne aao
munh na chhupaao haar ke


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3565 Post No. : 14294

Missing Films of 1960s – 65
– – – – – – – – – – – – – – –

Back to hunting in the 1960s once again. ‘Mr Murder’ from 1969 is as rare and obscure as one can think of. This very sweet melody is already published on YouTube, only partially though. I am uploading the more complete version today.

The film ‘Mr Murder’ is produced under the banner of Bundelkhand Films, Bombay and is directed by NA Ansari. The main star cast is listed as Naqi Jahan, Krishan Mehta, Ansari, Chand Usmani, and Rajan Kapoor.

The five songs in this film have been composed by the music director duo of Sonik Omi. Sonik Omi had made their debut as a team three years earlier in 1966, with the musically successful ‘Dulhan Ek Raat Ki’  ‘Dil Ne Phir Yaad Kiya’ (1966). After that, this film in 1969 is just their fifth outing. The names of Shakeel Badayuni and Qamar Jalaalabaadi are listed as songwriters for this film. This song is written by Shakeel Sb.

The singing voice is that of Asha Bhosle. A very sweet song that should not have become as unknown as it has become. Listen and enjoy.

[Ed Note: Sonik Omi’s first film is ‘Dil Ne Phir Yaad Kiya’ and not ‘Dulhan Ek Raat Ki’. The correction has been made in the article. Thanks to Satyajit ji for catching the error.]

Song – Hum To Dil Jaan Dono Hi Kho Baithe  (Mr Murder) (1969) Singer – Asha Bhosle, Lyrics – Shakeel Badayuni, MD – Sonik Omi

Lyrics

hum to dil jaan donon hi kho baithe
hum to dil jaan donon hi kho baithe
tujh se aankh kya mili
ke tere ho baithe
hum to dil jaan donon hi kho baithe
hum to dil jaan donon hi kho baithe

ye baharon ka mausam
ye thandi hawa
tujh se pehle mazaa in mein
kuchh bhi na tha
ye baharon ka mausam
ye thandi hawa
tujh se pehle mazaa in mein
kuchh bhi na tha
aaj har cheez mein
ik naya rang hai
pyaar ka dhang hai
tu mere sang hai
hum to dil jaan donon hi kho baithe
hum to dil jaan donon hi kho baithe
tujh se aankh kya mili
ke tere ho baithe
hum to dil jaan donon hi kho baithe
hum to dil jaan donon hi kho baithe

tum mujhe is tarah
mere dilbar miley
jaise ik pyaase panchhi ko saagar miley
tum mujhe is tarah
mere dilbar miley
jaise ik pyaase panchhi ko saagar miley
tum ko paaya to
dil ko khushi mil gayi
zindagi mil gayi
bekhudi mil gayi
hum to dil jaan donon hi kho baithe
hum to dil jaan donon hi kho baithe
tujh se aankh kya mili
ke tere ho baithe
hum to dil jaan donon hi kho baithe

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हम तो दिल जान दोनों ही खो बैठे
हम तो दिल जान दोनों ही खो बैठे
तुझसे आँख क्या मिली
के तेरे हो बैठे
हम तो दिल जान दोनों ही खो बैठे
हम तो दिल जान दोनों ही खो बैठे

ये बहारों का मौसम
ये ठंडी हवा
तुझसे पहले मज़ा इन में
कुछ भी ना था
ये बहारों का मौसम
ये ठंडी हवा
तुझसे पहले मज़ा इन में
कुछ भी ना था
आज हर चीज़ में
इक नया रंग है
प्यार का ढंग है
तू मेरे संग है
हम तो दिल जान दोनों ही खो बैठे
हम तो दिल जान दोनों ही खो बैठे
तुझसे आँख क्या मिली
के तेरे हो बैठे
हम तो दिल जान दोनों ही खो बैठे
हम तो दिल जान दोनों ही खो बैठे

तुम मुझे इस तरह
मेरे दिलबर मिले
जैसे इक प्यासे पंछी को सागर मिले
तुम मुझे इस तरह
मेरे दिलबर मिले
जैसे इक प्यासे पंछी को सागर मिले
तुम को पाया तो
दिल को खुशी मिल गई
ज़िंदगी मिल गई
बेखुदी मिल गई
हम तो दिल जान दोनों ही खो बैठे
हम तो दिल जान दोनों ही खो बैठे
तुझसे आँख क्या मिली
के तेरे हो बैठे
हम तो दिल जान दोनों ही खो बैठे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3524 Post No. : 14154

“Ajeeb Ladki” (1952) was directed by Mohammad Ehsan for Tajmahal Pictures, Bombay. The movie had Rehman, Naseem Bano, Cuckoo, Shashikala, Agha, Jayant, Shyam Kumar, Shakuntala, Samson, Kathana, Bakshi, A K Sagar, Munshi Munaqqa etc in it.

“Ajeeb Ladki”(1952) had ten songs in it. As many as nine songs from the movie have been covered in the past.

Here are the songs from “Ajeeb Ladki”(1952) that are showcased in the blog till now:-

Song Title

Post No.

Post Date

Chhodo chhodo ji piyaa mera todo na jiyaa 4210 16-Jul-11
Main banoongi film star 4276 26-Jul-11
Ek bewafa ko dil ka sahaara samajh liyaa 6595 6-Sep-12
O cycle waale baabu 9109 7-Dec-13
Mera haal e dil kaun pehchaanta hai 12526 5-Nov-16
Do dil ki zindagi mein ik baar muskuraa lo 13862 3-Jan-18
Dikhla ke jhalak bas ek nazar 14138 8-Mar-18
Chupchaap chala jaa door na ho magroor o chanda pyaare 14143 9-Mar-18
Suno na logon raag puraana 14148 11-Mar-18

Here is the tenth and final song from “Ajeeb Ladki”(1952) to appear in the blog. This song is sung by G M Durrani, Shamshad Begma and chorus. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song. The song appears to be picturised on a character playing a kaabuliwaala and a lady from Mumbai, as the lyrics of the song suggests. It could be a stage performance song.

With this interesting song, “Ajeeb Ladki”(1952) joins the list of movies that have all their songs covered in the blog.


Song-Laala rukh laala rukh wai loye sha (Ajeeb Ladki)(1952) Singers-G M Durrani, Shamshad Begam, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
all chorus
male chorus

Lyrics

Laala rukh laala rukh wai loye sha
dacha makh dachamakh wai loye sha
Laala rukh laala rukh wai loye sha
dacha makh dachamakh wai loye sha

jaaneman jaanaaneman
jaaneman jaanaaneman
jaaneman jaanaaneman
jaaneman jaanaaneman

dil amaara tumpe aa gaya
o tum hamko bha gaya
tumko akhrot khilaayega wai
tumko angoor khilaayega o

o o o o o
o o o o o
main bambai ki mausambi
tu kaabul ka anaar
meri paanch ghaz ki saadi
teri sau ghaz ki shalwaar
nibhega kaise phir ye pyaar

jaaneman jaanaaneman
jaaneman jaanaaneman
tum jo nibhaayega to nibh jaayegaa
khonche maza aayegaa aa
Laala rukh laala rukh wai loye sha
dacha makh dachamakh wai loye sha

jaane dil qurbaan aan
??
jaane dil qurbaan
amko tumse pyaar hai
dil beqaraar hai
tumko kishmish khilaayega wai
tumko sharbat pilaayega oy
o o o o o
o o o o o
sood pe rupaiyya dete
o laala pakhtooni
meri laaj tu rakh le
teri aamdani ho dooni
nigaahen pher na o baatooni

jaaneman jaanaaneman
jaaneman jaanaaneman
chhodo baaba am na tumse dil lagaayega
o apna paisa khaayegaa
Laala rukh laala rukh wai loye sha
dacha makh dachamakh wai loye sha

oy oy oy
oy oy oy
????
oy


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3523 Post No. : 14148

“Ajeeb Ladki” (1952) was directed by Mohammad Ehsan for Tajmahal Pictures, Bombay. The movie had Rehman, Naseem Bano, Cuckoo, Shashikala, Agha, Jayant, Shyam Kumar, Shakuntala, Samson, Kathana, Bakshi, A K Sagar, Munshi Munaqqa etc in it.

The movie had ten songs in it. Eight songs from the movie have been covered in the past.

Here is the ninth song from “Ajeeb Ladki” (1952) to appear in the blog. The song is sung by Rafi and chorus. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

This song is an inspirational song where the protagonist hopes to change the world with his new found enthusiasm. Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Suno na logon raag puraana (Ajeeb Ladki)(1952) Singer-Rafi, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad

Lyrics

suno na logon raag puraana
chhed do mil kar naya taraana
duniya waalon ki hamen taqdeer badalna hai
suno na logon raag puraana
chhed do mil kar naya taraana
duniya waalon ki hamen taqdeer badalna hai
hamen taqdeer badalna hai

din ka sooraj
raat ke taare ae ae
sab hain saath hamaare
din ka sooraj
raat ke taare ae ae
sab hain saath hamaare ae ae
soye jaga do
bhaag laga kar
sachhaayi ke naare
sachhaayi ke naare
jhooth ke is andher nagar se hamko nikalna hai
duniya waalon ki hamen taqdeer badalna hai
hamen taqdeer badalna hai
suno na logo raag puraana
chhed do mil kar naya taraana
duniya waalon ki humen taqdeer badalna hai
suno na logon raag puraana
chhed do mil kar naya taraana
duniya waalon ki humen taqdeer badalna hai
humen taqdeer badalna hai
humen taqdeer badalna hai
humen taqdeer badalna hai
humen taqdeer badalna hai
suno na logon raag puraana
chhed do mil kar naya taraana
duniya waalon ki humen taqdeer badalna hai
humen taqdeer badalna hai

poorab pashchim aag lagi hai
jalta hai jag saara aa aa
poorab pashchim aag lagi
jalta hai jag saara
aao zara is gham se dila den
duniya ko chhutkaara
duniya ko chhutkaara
pyaar ke shamma leke andheri raat mein chalna hai ae
duniya waalon ki hamen taqdeer badalna hai
hamen taqdeer badalna hai
suno na logon raag puraana
chhed do mil kar naya taraana
duniya waalon ki hamen taqdeer badalna hai
suno na logon raag puraana
chhed do mil kar naya taraana
duniya waalon ki hamen taqdeer badalna hai
hamen taqdeer badalna hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3521 Post No. : 14143

“Ajeeb Ladki” (1952) was directed by Mohammad Ehsan for Tajmahal Pictures, Bombay. The movie had Rehman, Naseem Bano, Cuckoo, Shashikala, Agha, Jayant, Shyam Kumar, Shakuntala, Samson, Kathana, Bakshi, A K Sagar, Munshi Munaqqa etc in it.

The movie had ten songs in it. Seven songs from the movie have been covered in the past.

Here is the seventh song from “Ajeeb Ladki” (1952) to appear in the blog. The song is sung by Shamshad Begam and chorus. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of the song is available. Seeing that Shamshad Begam’s voice appears in six out of ten songs of the movie, my guess is that she sang for the leading lady viz Naseem Bano. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Chupchaap chala ja door na ho magroor o chanda pyaare (Ajeeb Ladki)(1952) Singer-Shamshad Begam, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus

Lyrics

chupchaap chala ja door
na ho magroor
o chanda pyaare
o chanda pyaare
o o o
mere saajan ko jab dekhega
mar jaayega sharam ke maare
chanda pyaare
o chanda pyaare

ho o o
tujhe husn pe apne naaz hai
ho naaz hai
to hua kare main kya karoon
main kya karoon
tujhe husn pe apne naaz hai
to hua kare main kya karoon
meri duniya se tu door hai
zara neeche aa to jawaab doon
o jawaab doon
tere mukhde par hai daag laga
bedaag hai sainyya hamaare
o chanda pyaare
o o o
mere saajan ko jab dekhega
mar jaayega sharam ke maare
chanda pyaare
o chanda pyaare

o o o
tujhe kasam hai apne shikaar ki
o shikaar ki
mere piya ka roop bhi dekh le
o dekh le
tujhe kasam hai apne shikaar ki
mere piya ka roop bhi dekh le
barsaane waale chaandni
zara thhandi dhoop bhi dekh le
o dekh le
mere dil mein pyaar ki aag lagi
yoon door se kar na ishaare
o chanda pyaare
o o o
mere saajan ko jab dekhega
mar jaayega sharam ke maare
chaanda pyaare
o chanda pyaare


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3520 Post No. : 14138

“Ajeeb Ladki” (1952) was a Tajmahal Pictures Production. It was directed by Mohammad Ehsan. The movie had Rehman, Naseem Bano, Cuckoo, Shashikala, Agha, Jayant, Shyam Kumar, etc in it.

The movie had ten songs in it. Six songs from the movie have been covered in the past.

Here is he seventh song from “Ajeeb Ladki” (1952) to appear in the blog. The song is sung by Shamshad Begam. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Dikhla ke jhalak bas ek nazar (Ajeeb Ladki)(1952) Singer-Shamshad Begam, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad

Lyrics

dikhla ke jhalak bas ek nazar
chale gaye balma jaane kidhar
haaye dil hai mera hairaan
o o
dil hai mera hairaan
dikhla ke jhalak bas ek nazar
chale gaye balma jaane kidhar
haaye dil hai mera hairaan
o o
dil hai mera hairan

saawan aaye baat huyi na aa aa
ho o o
saawan aaye baat huyi na
kho gaye saajan milke
aas bandhi aur toot gayi
lo ho gaye tukde dil ke
nikle na armaan
ho o o
dil hai mera hairaan
dikhla ke jhalak bas ek nazar
chale gaye balma jaane kidhar
haaye dil hai mera hairan
ho o o
dil hai mera hairaan

soyi khushi aur jaag uthha gham
ho o o o o o
soyi khushi aur jaag utha gham
ghutne laga dil apna
aankh ne jaise dekh liya ho
koi adhuoora sapna
mushqil mein hai jaan
ho o o
dil hai mera hairaan
dikhla ke jhalak bas ek nazar
chale gaye balma jane kidhar
haaye dil hai mera hairaan
ho o o
dil hai mera hairaan


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3484 Post No. : 13995

Today (31 january 2018) is the last day of the first month on the year 2018. The new year began just 31 days ago. It already appears to most people that first january 2018 was long long ago. 🙂 Most people have already given up on their new year resolutions by now, assuming that they actually made such resolutions in the first place.

I am far more disciplined and determined as far as sticking to my resolutions are concerned. My two new year resolutions for the blog were –
(a) to post one “debutant”” movie song every day.
(b) to post one YIPPEE movie song every day.

We have so far managed to stick to our resolutions.

Our regulars have been a great help in the cause of introducing “debutant” movies to the blog as some of the articles contributed by them are the first song of movies. There are still a couple of thousand movies that are not yet covered in the blog so introducing “debutant” songs on a regular basis is a resolution that one can stick to without much problem.

The “YIPPEE” resolution is rather more challenging. It basically means covering ALL the songs of a movie. While it is possible to get a few songs for many movies, getting ALL the songs of a movie is a tough challenge. There may be some movies where all songs are easily available, but most movies turn out to be such where one or two songs are quite rare and are unavailable online. Locating these elusive songs becomes a challenge – and a time consuming challenge at that. The fact that we now a days post only about three or four songs a day, and not six or seven as was the case in the past, can be partially explained by the fact that we give considerable thought to YIPPIABLE movies these days, which was not the case in the past.

I have a list of movies that have just one or two songs left in them. So at any given day, I have several movies to pick from for YIPPYing. This choice sometimes comes to our rescue. For instance, it turns out that not one but two movies with suitable final song that we thought were YIPPiable on 26 January turned out to contain another song in them. Still, I was able to post another appropriate song from another movie that turned out to be the YIPPEE movie of that day. I in fact had one more movie as YIPPEE backup for republic day. 🙂

While posting YIPPEE movies daily, we cannot neglect those movies that have three or four songs left in them. We need to regularly cover these songs so that we have more number of movies with just one song left so that we can have a steady supply of YIPPiable movies.

The final song of some of these YIPPIable movies are so great that I am tempted to hold them back. The song under question is one such song. This song is from “Gauhar” (1953).

“Gauhar” (1953) was directed by F H Hasan for All Indian Pictures production, Bombay. The movie had Bina Rai, Rehman, Agha, Vijaylaxmi, Chaman Puri, Charlie, Cuckoo etc in it.

This movie had six songs in it. Five of these songs have been covered in the blog in the past. This sixth and final song is a rare song, and one that sounds like an archtypical puraani film ka song. I have liked this song so much that I toyed with the idea of this song being utilised as a century song, and even as a thousandth song for the blog. But finally I have decided that we cannot hold on to our YIPPIable songs just like that. Sooner or later we have to cover these songs.

So finally, I am letting go of this superb song from “Gauhar” (1953). This song is sung by Shamshad Begum and Sudha Malhotra. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song,”Gauhar” (1953) joins the list of movies that have all their songs covered in the blog.


song-Sainyya tore painyya padoon aa jaa re (Gauhar)(1953) Singers-Shamshad Begam, Sudha Malhotra , Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus

Lyrics

sainyya tore painyya padoon
aa jaa re
more man ki agan ko bujha jaa re
ho o o o
o o o
ho o o o
o o o

o o o
o o o
o o o
aayi rut albeli
naache bela aur chameli
ee ee ee
aayi rut albeli
naache bela aur chameli
ee ee
tujh bin kaise rahoon main akeli
tujh bin kaise rahoon main akeli
dekh dekh mori pyaasi ankhiyaan
o dekh dekh mori pyaasi ankhiyaan
taane maaren sakhiyaan

mohe ab to daras dikhla jaa re
mohe ab to daras dikhla jaa re
sainyya tore paiyya padoon
aa jaa re
more man ki agan ko bujha jaa re
ho o o o
o o o
o o o
o o o

o o o o
o o o
chanchal geet sunaayen sakhiyaan
mehfil mein sharmaaun
oon oon oon
chanchal geet sunaayen sakhiyaan
mehfil mein sharmaaun
oon
gaa kar apna main bhed chhupaaoon
gaa kar apna main bhed chhupaaoon
prem raag sun sun ke tora
o prem raag sun sun ke tora
naache hai man mora

tu bhi sajna milan dhun gaa jaa re
tu bhi sajna milan dhun gaa jaa re
sainyya tore painyya padoon
aa jaa re ae
sainyya tore painyya padoon
aa jaa re
more man ki agan ko bujha jaa re
more man ki agan ko bujha jaa re
ho o o o
o o o
o o o
o o o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3456 Post No. : 13862

Today is 3 january 2018 and we are into the early days of 2018. This is that time of the year when most people feel extremely resolutionary (not to be confused with revolutionary). One regular of our blog commented in our whatsapp group that it is not safe to go on morning walk in these early days of the year as the streets would be full of this highly resolutionary early morning walkers. It is however expected that things would be back to normal after the first week. 🙂

Unlike many who keep away till midnight on new year eve, I went to bed early and when I woke up on first january 2018, it was 5:45. It was late by my standards, but I realised that there was no electricity. The state Electricity Board was letting people in my locality down for the second morning in a week. Previous morning was a sunday, but this first day of the year was a working day.

As is my wont, I took Chhote, an extremely enthusiastic early morning walker with me. When I came out, I noticed that it was extremely dark and foggy weather outside. It was nearly 6 AM, but I was unable to see much ahead in the pitch dark. Undeterred, we began our walk groping my way out in dark from memory. It was a cold ang gloomy new year morning and it was unlikely that the early morning sun would be visible. No soul, whether any humans or even street dogs or tree monkeys could be seen. Resolute new year morning walkers are conspicuous by their absence. In any case, I have realised by now that most people staying in this locality (supposedly the top people in the organisation) are not noted for any great determination as far as early morning walking is concerned. They all wait for fair weather before deciding to come out and such fair weather is rarely available in these days. In other words, I failed to come across any new year resolutionaries on my morning walk on the first day of the year.

By the time I brought Chhote back, the visibility had improved and then I took Bhole with me on his morning walk. For us, it was just another day of morning walk, where I felt a bit let down because I started my morning walk some half an hour later than planned.

After I came back with Bhole, the next phase of my morning activity takes place in the kitchen. As soon as I go towards the kitchen, I am greeted by the persistent meowing of Pixie, a black cat, who was a tiny kitten a few months ago but now she has grown into a huge fat cat, weighing some 5 KG. This is the time when I prepare the meal of the dogs. I have become a good dog chef by now. Even the cat expects me to feed her every time she sees me. I have kept two tiny pots in the courtyard where Pixie roams around after coming out from a small abandoned room opening to the courtyard that she has occupied. I pour milk on one of her pots but she is more interested in the other stuff in my other hand that is her version of kurkure. I would throw a piece away at a distance. She would grab that piece and would come near me. It has become a ritual with her that she would bring that piece back and then eat the first piece standing near me. When I throw the next piece, she goes near the peace and eats it there. That gives me the opportunity to go back to the kitchen. After every piece, she demands for the next piece. This continues as long as I am in the kitchen.

After putting Bhhole-Chhote’s cooker on the oven, I went towards my room and switch the computer on. It is then that I had my first look at the blog, some two hours after I am done with my pets. Unlike in the previous days, when I would start preparing for the first post, I had already ensured posting of two songs after midnight, even when I was asleep.

As mentioned earlier, there was no electricity. I was managing my light and computer requirements through inverter. But geiser cannot work on inverter. In other words, there was no hot water for taking bath. It is the first day of the year, and even if it was not, one had to take bath. I reminded myself that I used to take cold water bath in winters in my younger days including during my stay at Jabalpur. So I had done it in the past and I could do it again. So I willed myself and took cold water bath. 🙂 One always feels nice after taking bath. The fact that you did something that very few people would even dare to do also made me feel good about my mental strength. It is all in the mind, I keep reminding myself as well as others. 🙂

Then I went to office. Today was the first day of the week as well, so it was a day of meeting for us. It was a new year day and people were in a mood to greet each other rather than work. Still we managed to get our work done reasonably well. Most people did not seem too much into new years resolutions though. So I was alone in feeling quite enthusiastic about the new year.

In other news, I was following the Ranji Trophy final between Delhi and Vidarbha quite keenly. I was supporting Vidarbha, the underdogs, as I had lived in Nagpur for two years in the past. I was quite pleased when I found Vidarbha rout Delhi by nine wickets to become Ranji trophy champions on the first day of year 2018.

As for the blog, we covered four songs on the first day of the year and also on the second day. The regulars have got active and they are contributing a good number of writeups. This has ensured that we are meeting our resolutions of posting “debutant” movie songs and YIPPEE movie songs everyday. Let us see how long this resolution holds for us.

Starting from second day of the year, we have started to provide blog day number as well as post number with every writeup. This was a new year resolution by Sudhir Ji. 🙂

Incidentally, Sudhir Jee reminds me that today (3 january 2018) is the 3456th day for the blog and that is a “honky tonk” number for the blog. 🙂

What did we do on the other four digit honky tonk days for the blog ? 1234th day fell on 4 december 2011. Dev Anand had passed away the previous day so that day was the day of tribute to Dev Anand in the blog. Three out of six songs posted that day were about Dev Anand. 2345th day fell on 19 december 2014. Three songs were covered on that day including a new song of 1991 discussed by the seniormost contributor of the blog in his raagmala series. 🙂

So we see that these honky tonk numbers have fallen around december-january. And I notice that I was based in three different places in three different states when the blog achieved these “honky tonk” number days.

The song under discussion is neither a debutant movie song nor a YIPPEE song. It is an in between song, so to say. Unless we cover songs from movies that have several songs left, we cannot take them towards their YIPPEEhood. This song from “Ajeeb Ladki” (1952) is the sixth (out of ten songs) from the movie to appear in the blog. This song is sung by Rafi, Shamshad Begam and G M Durrani. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Do din ki zindagi mein ik baar muskura lo(Ajeeb Ladki)(1952) Singers-Rafi, Shamshad Begam, GM Durrani, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus

Lyrics

do din ki zindagi mein
do din ki zindagi mein
ik baar muskura lo
ik baar muskura lo
parde mein tum hansi ke ae ae ae
parde mein tum hansi ke
dil ki lagi chhupaa lo o
ik baar muskura lo
ik baar muskura lo

dil ki nazar se dekho
duniya mein kya nahin hai ae
ulfat ki zindagi bhi
sab kuchh yahin kahin hai
nikla khushi ka sooraj
andaaz aap daalo
ik baar muskura lo
ik baar muskura lo

o o o
o o o
o o o
aankhon se hum na dekhin ee ee ee
dushwaar dil ki raahen
manzil bhi dekh lete
hoti agar nigaahen
dil maanta nahin hai
dil ko zara sambhaalo o
ik baar muskura lo
ik baar muskura lo

haishe
do din ka zindagi mein
o do din ka zindagi mein
qurbaan
yak baar muskuraa lo
ko che yak baar muskuraa lo
wai am bhi aaj gaaoon
yak daa
wai am bhi aaj gaaoon
wai tum bhi aaj gaa lo
loshe
yak baar muskuraa lo
yak baar muskuraa lo
yak baar muskuraa lo
yak baar muskuraa lo
ek baar muskuraao amaare waaste baaba

fasl e bahaar aayi
wai
dil se dil miley hain
wai
(hoye)
wai
(hoye)
wai
wai..ee..ee
fasl e bahaar aayi
wai
dil se dil miley hain 
wai
wai
wai
wai
loche
jeene mein ab mazaa hai
kaane ka ab mazaa hai
ye shasta daam pista
akhruza aaj kha lo
wai chilgoza aaj kha lo
qurbaan
yak baar muskuraa lo
yak baar muskuraa lo
yak baar muskuraa lo
yak baar muskuraa lo


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is a very special day for all HFM lovers. It is the birth anniversary of one of the most beloved of artistes, and one of the greatest and most respected. I am, of course, talking about the one and only Rafi Saab.

Had he been alive today, he would have completed 93 years. But as fate would have it, he left us in 1980 itself, when he was barely 55. One does not have control over these matters – one can only have fond memories of the person concerned, and enjoy the rich legacy that he or she has left behind.

And WHAT A LEGACY Rafisaab has left behind!

There’s not a single day that his songs are not aired on the Indian radio channels. And I am not talking about just the odd song – we are talking about the chance that every programme (not deliberately exclusionary) that has songs up to 1980 having at least one Rafisaab song. He was just so prolific and his songs just so popular.

There’s also not a single day that I do not sing (to myself only, of course 🙂 ) a Rafisaab song. I sing a lot sub-consciously, it is second nature to me (although it might be an irritant to others). And often the song is a Rafi Saab song. It could be a sad song or a happy song, a bhajan or a qawwali, one of his early songs (like “Yahaan Badla Wafaa Ka. . .”) or one of his 1970s songs (like “Main Tere Dar Pe Aaya Hoon”- one of my favourites from his later years).  But whatever it is, a Rafi Saab song always seems to be on my lips.

Just like Rafisaab is always in my heart.

Which is why I am writing this hurried tribute to him on this occasion. It is hurried because I am already late on this and am writing this post on the day, instead of at least a day earlier, allowing Atul or Sudhirji some time to process it. I hope they are still able to post it on Rafi Saab’s anniversary. If not, a day later is ok too.

It is also hurried because I have suddenly a lot of family-related demands on my time. This has been the situation for more than a month now – there has been a wedding in the family, a lot of work to be done for it, a whole lot of visitors/family arriving to attend, some illnesses in the family, Christmas time (always busier than usual because of family visiting anyway), etc. Due to all this, I have been very limited in my social activities of late. I’ve hardly visited the blog (a lot of catching up to do!), hardly been on other social media either. Family has taken precedence over everything else.

In spite of all this, I was hoping to be able to come up with a Rafi Saab post in time. Whether I miss other occasions or not, I almost always try to write a post, however short, on Rafi Saab’s birth and death anniversaries. But even that has not happened. One big reason is that I’m going to bed very early nowadays. I sleep by 10.30 pm or so – earlier I would sleep after midnight! That extra hour or two in the night would be peaceful – it would give me time for social media, writing and catching up on posts. During the daytime, there’s little chance of being able to concentrate on anything, with lots of people around. 🙂

But I digress – this post isn’t about me, it’s about Rafi Saab. So back on topic. (I still haven’t lost the habit of digressing, have I? 🙂 ). So here I am – with this hurried post. It might not be 2000 words long (do I hear a sigh of relief?), but it is a tribute to Rafi Saab straight from the heart.

After all, Rafi Saab’s songs went straight to the heart, didn’t they? He sang every song, sad or happy, with such love and dedication that you could sense he gave it his best. Not all songs were successful commercially (and that’s natural when you’ve sung so many thousands) but you could rarely fault Rafi Saab for this. And his dedication was the same, whether he was singing for a big composer or a small composer. In that respect, Rafi Saab was a true professional, who did full justice to his art. In fact, Rafisaab worshipped it. It was his humility that always made him refer to his divine voice as a gift from above. He used to point upwards whenever someone complimented him on a song.

I’ve written often enough about how I became a Rafi Saab fan in an era when he was considered to be “down and out” – an era when Kishore Kumar reigned. The early 70s. I am a huge fan of Kishore Kumar too – there’s no contradiction here at all. When you truly love music, you just soak in all the great music that is out there, and be thankful for it.  At least I, for one, don’t like to pit one artiste against another. Once I became a Rafi Saab fan, I listened to his songs more intently – and realized how pure his voice is. Truly divine.

The other thing that makes Rafisaab very special for me is the PERSON he was. It is very easy for a person successful in his field to let this success get to his head. There are many examples of this. But to remain level-headed, and not just that, but also to be humble and big-hearted enough to help others to achieve success too, is a rare quality.

Rafi Saab is highly respected, not just in the industry, but by millions outside it, for this quality. Stories abound of how big-hearted he was. Even at the height of his success, he would sing for absolutely new composers – that too for a token amount. There are many such stories about him. His humility, no airs, always there to help anyone in need. He was far more than “just another great artist” in the industry.

How can you then NOT respect such a person, or hold him in special regard? So for me, Rafisaab is a very very very special person. As many say in interviews about him “Rafi Saab Khuda ke bande the”. God does not seem to make them like him anymore.

So, the 24th of December 1924, when he was born will always be a special day for me. And every year, the 24th of December is a date we should all remember and celebrate. Christmas is a day later, but for us HFM lovers, celebrations start a day earlier.

Now onto the song for today.

Despite time constraints, I spent a lot of time looking for a suitable Rafi Saab song last evening. I found a wonderful short and sweet, song which I was all set to post – but then realized it has already been posted. (A song from the film ‘Saaranga’ (1960) – I left a comment on the song on the blog). Anyway, during the search process, I happened to hear this song for the first time yesterday. I quite liked it – it’s a cheerful, positive song, and fit for a celebration.

The song is from the film ‘Wanted’ of 1961. I haven’t seen the film, but since it is directed by NA Ansari, it’s probably a fun film, worth watching. 🙂 . This song is picturised on Vijay Kumar (brother of Johnny Walker) and Saeeda Khan. (I remember Vijay Kumar from ‘Kaun Apna Kaun Paraya’ (1963), opposite Waheeda Rehman, lip-synching to the lovely “Zara Sun Haseena e Naazneen”.) I think I recognize Bela Bose amongst the other dancers. The lyricist-composer duo is Shakeel Badayuni and Ravi. It is a pleasant song that I took an instant liking to. I hope you like it too.


Song – Aayi Zindagi Ki Raat Chhodo Kal Pe Kal Ki Baat (Wanted) (1961) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Shakeel Badayuni, MD – Ravi
Male Chorus
Female Chorus
All Chorus

Lyrics

aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke

kadam kadam pe shokhiyaan
nazar nazar hijaab hai
nayi nayi umang hai
naya naya shabaab hai
hoo oo oo oo oo
kadam kadam pe shokhiyaan
nazar nazar hijaab hai
nayi nayi umang hai
naya naya shabaab hai
aaj husn ishq ka hai kya haseen saath
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke

aayi zindagi ki raat
(aaa aaa aaa aaa aaa)
chhodo kal pe kal ki baat
(aaa aaa aaa aaa aaa)

naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)
ho naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)

aayi zindagi ki raat
(aaa aaa aaa aaa aaa)

chhodo kal pe kal ki baat
(aaa aaa aaa aaa aaa)

naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)

ho naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)

ha ha ha ha ha ha ha ha ha
ho ho ho ho ho ho ho ho ho

adaa adaa mein mastiyaan
tarang ang ang mein
range hue hain dil sabhi
mohabbaton ke rang mein
aa aa aa aa aa
adaa adaa mein mastiyaan
tarang ang ang mein
range hue hain dil sabhi
mohabbaton ke rang mein
bekhudi ke haath mein hai zindagi ka haath
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke

aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के

कदम कदम पे शोखियाँ
नज़र नज़र हिजाब है
नई नई उमंग है
नया नया शबाब है
हो ओ ओ ओ ओ
कदम कदम पे शोखियाँ
नज़र नज़र हिजाब है
नई नई उमंग है
नया नया शबाब है
आज हुस्न इश्क़ है क्या हसीन साथ
नाचो झूम झूम के
हो नाचो झूम झूम के

आई ज़िंदगी की रात
(आ आ आ आ आ)
छोड़ो कल पे कल की बात
(आ आ आ आ आ)
नाचो झूम झूम के
(आ आ आ आ आ)
हो नाचो झूम झूम के
(आ आ आ आ आ)

आई ज़िंदगी की रात
(आ आ आ आ आ)
छोड़ो कल पे कल की बात
(आ आ आ आ आ)
नाचो झूम झूम के
(आ आ आ आ आ)
हो नाचो झूम झूम के
(आ आ आ आ आ)

अदा अदा में मस्तियाँ
तरंग अंग अंग में
रंगे हुए हैं दिल सभी
मोहब्बतों के रंग में
आ आ आ आ आ
अदा अदा में मस्तियाँ
तरंग अंग अंग में
रंगे हुए हैं दिल सभी
मोहब्बतों के रंग में
बेखुदी के हाथ में है ज़िंदगी का हाथ
नाचो झूम झूम के
हो नाचो झूम झूम के

आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14741

Number of movies covered in the blog

Movies with all their songs covered =1150
Total Number of movies covered =4028

Total visits so far

  • 10,982,963 hits

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Category of songs

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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