Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shakeel Badayuni


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A few days ago, on Shakeel Badayuni’s birth anniversary, Atul wrote a post paying tribute to him. In that post, Atul did a thorough analysis of how this blog has covered Shakeel saab. He analysed it by composer and further, by film. It made for very interesting reading.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The saga starts in 1947. It is the runaway hit “Afsaana Likh Rahi Hoon Dil e Beqraar Ka” (film ‘Dard’). Not many artists can lay claim to such a meteoric debut. And also, not many can pride themselves with unbroken partnerships and associations with other artists, that have lasted for an entire lifetime.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Big places like Delhi or Bombay (now Mumbai) are well known places and everyone knows them. People who live elsewhere, especially in small places want to visit these places.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There have been quite a few Ghulam Mohammed compositions posted on the blog in the last few days. Any additions of such great but under-rated composers is always a cause of pleasure. I say un-rated because apart from his most remembered Mirza Ghalib (1954) and a rather un-finished Pakeezah(1971), Ghulam Mohammed’s immense talent remains largely unappreciated. It’s another matter that he himself was also to be blamed for remaining behind the curtains of Naushad’s much celebrated successes. It’s no surprise that not much information is available on him. There are not even many photographs of the great composer. However I did find this blog with a very fair and detailed description of his life and works. The importance of his talent can be measured with this line from the same article about his Pakeezah compositions.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sometimes, things can’t get more rare than this. As we look for rare combination of artists, and especially singers, we come across combinations where two artists have worked together in a song, once or maybe twice in the entire history of Indian cinema. This song today, is one such song. It is a duet, rather I should correct myself, it is a trio of singers. There are two female voices, and one male voice. The male voice is not identified, even in the Geet Kosh listings. The female voices are Shamshad Begum and Hamida Bano. And the year is 1948.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

एक आवाज़॰॰॰
अब सो गई है
तन्हाइओं में
सिर्फ याद बाकी है

याद बाकी है
उस आवाज़ की
जो दीप के संग जली
जल जल के मरी
कुछ कह ना सकी
और कुछ कहा
तो बस यही
कोई सुने या ना सुने
हम हाल ए दिल सुनाएँगे
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

For a soft and lovely and romantic expression, it probably does not get better than this delightful ghazal. The words, the music, and the rendition – all have come together to craft this wonderful expression of bashful love. Love, that wants to say many things, but remains un-speaking, when presented with the opportunity. The anxiety and hesitations tie the tongue, and the moments pass by without a word being said. Shakeel Sb has so beautifully painted the words around this emotion. Each couplet is a priceless gem. I am bowled over with how the words are knitted together.

hasraten aarzooen umangen
jaane kis raah par jaa rahi theen
un ko dekha to manzil samajh kar
ruk gaya karvaan un ke aage

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naazneen” (1951) was directed by N K Ziri (?) for All India Pictures. The movie had Nasir Khan, Madhubala, Pratima Devi, Cuckoo, Jayant, Agha, Chanchal, Ram Avtaar, Om Prakash etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dil Ki Basti”(1947) was directed by Wahid Qureshi for Aaina Pictures. The movie had Masood, Nigar Sultana, Amar, Urmila, Lalita Pawar, Tiwari etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chor Baazaar”(1954) was produced and directed by P N Arora for All India Pictures, Bombay. The movie had Sumitra Devi, Shammi Kapoor, Chitra, Kammo, Amar, Wazir Mohammad Khan, Shameem, Ram Avtar, Cuckoo, S M Abbas, Parasram, Munshi Munaqqa, Jagdish Kanwal, Sheetal, Om Prakash etc with Wasti, Randhir and Shashikala as guest artists.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 12400 song posts by now.

Total number of songs posts discussed

12405

Number of movies covered in the blog

Movies with all their songs covered =814 Total Number of movies covered =3477

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