Posts Tagged ‘Shakeel Badayuni’
Bailan ki jodiyaa
Posted on: July 10, 2021
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4740 | Post No. : | 16467 |
Dilip Kumar – The Legend (1922-2021)
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Since last two days I have been watching the various videos on whatsapp and on the net and also read some articles on the net. I have tried to see and absorb as much of the information I could about the events after, when the thespian is no more. After all is said and done, I have tried various tacks on how to approach this tribute to the method actor, who some call the “Marlon Brando” of India, without the ferociousness. But I find a ferocious, peasant turned dacoit in ‘Ganga Jamuna’ and a fractioned rebel prince Salim who is equally ferocious in protecting his Anarkali. The work on the silver screen was a very important part of the personality, but by no means it was the whole personality.
The best of Dilip Kumar, the actor and star was over, well before I grew up. But the admiration for his qualities as a screen performer and as a person conscious of his social responsibilities, was an inculcation process in my conscious mind. It has not happened overnight. These are small snippets of information, fed to my mind and stored away. Many incidents and events heard and read about long ago are surfacing in the memory. The trigger is the passing away of Dilip Kumar on 07/07/2021.
I was preparing the posts thinking of some old songs which have not been posted in the blog yet, preferably a song sung by Rafi sahab, writing a para here about this, and there about that, in yahoo mail, in gmail, on my office desktop and my laptop. This is not the way I prefer to do a post, but it was happening like this in this instance, as I was not able to assimilate the thoughts and lacked the drive to concentrate on the topic, maybe.
Then, I had divine help in the shape of a TV news show. I am pretty impressed with the contents of the particular show aired on 07/07/2021, with the byline – An era ends with Dilip Kumar’s death. It is very much close to my own feelings on this occasion, so I am reproducing some parts of the text of the show in hindi – trying to do verbatim translation is beyond me at the moment.
“Apni gair haazri mein iss se adhik haazir koyi kya ho sakta hai ke aap unhen alvidaa kehte waqt iss tarah se yaad kiye jaa rahe hain, jaise woh laut kar aaye hon. Yeh desh jo har waqt hindu-musalmaan ke beech nafrat ki deewar par chal raha hotaa hai, uss desh mein aisa ek hi shakhs thha jo Dilip Kumar bhi thha aur Yusuf Khan bhi. 1947 ke vibhajan rekha ko wo jis aasaani se paat diya karte thhe, bahot kam logon mein waisi quwwat hoti hai. Unn ka ek makaan phoolon ke shehar peshawar mein aaj tak hai. Unn ka ek makaan paison ke shehar Mumbai mein bhi hai. Aaj hindustan ne jitna khoya hai, utna pakistan ne bhi khoyaa hai.
Pichhle saal sitamber mein jab pakistan ke patrakaar Shiraz Hasan ne apne twitter handle par Dilip Kumar ke puraane makaan ki tasveer sajhaa ki, tab Dilip Kumar ne apne twitter handle se jawaab diya ke Peshawar mein sabhi se guzaarish hai ke mere pushtaini makaan ki tasveeren den. Phir to tasveeron aur videon ka taantaa hi lag gayaa. Peshawar ke ‘Qissa-Khwaani’ bazaar mein unn ka makaan hai. Dilip Kumar ne apni aatma katha mein likkha hai ki aaj bhi wahan ki khushbu, rang aur mausamon ki yaaden taazi hain. Kanpwa dene wali sardiyaan yaad hain. Unhen yaad hai Wahabbat Khan ki masjid huaa karti thhi. Iss bazaar ka naam qissa khwaani bazaar iss liye bhi padaa ke yehan vyapari apne qisse sunaate thhe aur doosron ka qissa sunte thhe. Kise pataa thha ke unn tamaan anaam qisson ke beech itna bada qissa niklegaa jis ka naam Yusuf Khan se badal kar Dilip Kumar kar diya jaayegaa. Do naamon ko ek saathh jeena aur khabron se bhari iss duniyaa mein tthag ki jagah behadd imaandar aur shaaleen shakhs ke roop mein dekhaa jaanaa, yeh bhi apne aap mein ek qissa hai, jis ka bazaar aaj unn ke jaane ke baad sajaa hai.
Apni aatma khathha mein unhon ne likkha hai ke bazaar mein aag lagi thhi jis waqt unn ki paidaaish hui thhi.
“Dilip Kumar – The substance and the shadow” aap ko unn tamaam chaukhaton tak le jaati hai, ye dikhaane ke liye ke ek kalaakar apne wajood se alag ho kar ek bada kalaakar nahi bantaa hai.
Waise unn ki aatma katthaa ke shuruaat se le kar akhir ke panno par, ghar ki dadi, ammi, phuphi aur didi ke qisse bhare pade hain. Maaon aur behnon ke beech ek kumar bada ho raha thha, pata chalta hai ke khaandaani aadmi thhe.
Saira Bano se unn ki shadi 1966 mein hui. Woh apne aap mein uss waqt ki mash-hoor aur maqbool kalaakar thhin. Unn ki aakhri saans tak unn ke saath saaye ki tarah khadi rahin. Ham aur aap ek tarah se Dilip Kumar ko celebrate kar rahe hain. Unn ke hone aur na-hone ko unn ke abhinay ki katranon ko nikaal kar tukde tukde mein jiye jaa rahe hain.
Lekin Saira Bano ke liye Dilip Kumar ek video clip bhar nahin thhe. Unn ke dukh ki dahleez tak koyi nahi pahunch saktaa.
Ham ne baat peshawar ke makaan se shuru ki thhi. Bambai ke Anjuman Islam school mein padhne lagte hain Dilip Kumar. Vibhajan se pehle aa gaye thhe. Lekin school ki chhuttiyon mein unn ka Peshawar aana jaana raha, angrezi ki kavitaayen sunaane aur unn ki daad lene ke liye.1930 ke dashak ke baare mein Dilip Kumar ne likkha hai ke yehaan tab hindu chai, muslim chai, hindu paani, muslim paani milaa karta thha.
Dilip Kumar apne bachpan ko kandhe par rakh kar chalte thhe. Ek qissa hai ke jab akhbaaron mein chhapa ke bombay mein tram band hone waali hai, to unhen dard huaa 31/03/1964 ko hazaaron logon ne dadar aur parel ke beech chali uss aakhri tram ko bidaai di. Dilip Kumar likhte hain ke agar wo Dilip Kumar naam ka star na hote aur Yusuf Khan hi rehte to uss akhri tram mein zarur safar karte. Hazaaron logon ne antim tram ko vidaayi di thhi. Unn ki yaadon mein jitna peshawar thha utnaa hi bombay thaa. Koyi abhinetaa apne shehar ko unn daftaron se yaad karta hai, koyi Dilip kumar hai jo apne uss ki mohallon bason aur pedon se yaad karta hai. Yahin par unn ka makaan hain, yahin unn ko Juhu qabrastaan mein suprud-e-khaak kiya gayaa. Badi sankhya mein aam log iss shaandaar abhineta ko vidaayi dene aaye. Unhen maaloon hai yehan Dilip sahab dafan ho rahe hain. Unn ka ek makaan, jism ka har ek qatra hindustaan mein hai, lekin ek makaan peshawar mein bhi hai jis ke baahar unn ki yaad mein ek poster lagaaya gaya hai.
Ye bheed tab hai jab zamaane se unn ki koyi film nahi aayi hai, dashkon se nahi aayi. 1952 mein unn ki film “Aan’ release huyi, super hit huyi jo uss waqt ki sab se adhik kamaayi karne waali film bani. 1947 mein wo vibhajan rekha kheenchi gayi jis ke baad log udhar se idhar, aur idhar se udhar hogaye. Dilip kumar par pakistan ki oar se jaasoosi karne ke aarop lage, Deepa Mehta ki film ‘Fire’ ka samrthan karne par bhi bahot aalochna hui. In sab ke baad bhi unhen na koyi udhar dhakel paaya na idhar dhakel paaya.
Is interview mein aap inhen bolte suniye. Saamne koyi script nahi hai lekin aap parde ke Dilip Kumar aur asli jeewan ke Dilip Kumar mein farq nahi kar sakte. Patrkar Sunil Sethi ne NDTV ke liye Dilip Kumar ka interview kiya thha. Puraana interview hai. Angrezi mein iss interview ko aap bhasha, aur usse baratne ke lehje ke liye bhi suniye. Unhenn bolte huey sunne se bhi lagta hai ham ne jin i’laaqon ko, rawaayaton aur lafzon ko baant diya hai. Dilip Kumar jab bolte thhe to woh saara kuchh ek aisi zameen se aaya lagtaa thha, jis ka batwaara kabhi huaa hi nahi. Unn ka bolna uss i’laaqe ka ek mukammal chehra thha, jise aap bharatiya up-mahadweep kehte hain.
“nishaan-e-imtiyaaz’ ko le kar huey vivaad ke waqt, unhon ne ye kahaa thha ke 65 saal hindustaan mein rehne ke baad mujhe apni wafadaari saabit karni pad rahi hai.
Unn ka ghar iss waqt ghamon se bhara huaa hai. Unn ki adaakari ham sab ke hisse mein maujood hai. Dilip Kumar ne cinema mein abhinay ko adhyay mein badal diya, iss liye unhen method actor kahan jaata hai. Mughal-e-azam jaisi film mein Salim ke kirdaar ko baadshahat dene waale Dilip Kumar kam samay mein dekhna ya unn ke baare mein samjhana bahot mushkil kaam hai.”
The show goes on to talk about Dilip Kumar’s philanthropic acts. I had meant to write a bit on this facet of his personality, as I found that the Wikipedia page on him is not mentioning this part of his life. The show than goes in detail about how his biography was written and published, and what were his specifications about writing about his personal life and relations with other female stars with whom he was linked romantically.
I would like to read the book and see what he writes about his equation with Madhu Bala and what went wrong with his second marriage to Asma Rehman.
I have read the letter hand written by Dilip Kumar in urdu, to the editor of ‘Shama’ which is part of a book. The beauty of the handwriting and the dignity in the sentences, conveying his outrage, subtle yet firm, that he will not tolerate any such inferences towards his personal matters, is to be read to be believed. I have not read that much of Urdu over the years, as I could have, but the conviction about the ‘shaaistagi’ of the language, written and spoken is never in doubt. The letter vindicates my convictions about urdu, and reassured me that Urdu is a deserving heritage ofvast populations across the world. I am still talking about Dilip Kumar’s cultured, educated, wise and dignified persona.
One dialogue from Mughal-e-azam :
“ye zakhm nahi phool hain Durjan. Aur phoolon ka murjhaana bahaar ki ruswaayi hai.
Suno,
ye qaatil hi nahi dildaar bhi hai,
yeh shaakh-e-gul bhi hai talwaar bhi hai”
Yes. In classic Urdu, sentences do begin with ‘aur’.
Going back to Dilip Kumar’s acts of charity and his commitment to social causes, I know it for a fact that he was a partner in many such deeds and was a patron and supporter of educational institutes, orphanages etc. Dr.Is-haq Jamkhanawala (https://en.wikipedia.org/wiki/Ishaq_Jamkhanawala) from Belgaum was a close friend of Dilip Kumar. These two friends had been involved in many charity projects, which can be verified. In fact Dilip Kumar visited Belgaum in early 80’s accompanied by Saira Bano for inaugration of an educational institute. I have a photographe where Dr. Is-haq Jamkhanawala also can be seen alongwith another illuminous person, a doctor from Belgaum. (Photo attached).
Saahir Ludhianvi says in his inimitable way that:
duniyā ne tajrabāt o havādis kī shakl meñ
jo kuchh mujhe diyā hai vo lauTā rahā huuñ maiñ
His stature and standing in the film industry as well as the country ensured that he is a blessed and deserving of the honour of State funeral given to him. A real ‘badaa aadmi’ in the way he was blessed with the affections and respect in this world. And bigger the stature and the power bestowed in this world, the bigger is the test of the character. The toughness of the test is directly in proportion to the worldly blessings. By all accounts he seems to have fared well in this test, as far as we can see, rest all is with Allah(swt), who is the best of judges.
Lata Mangeshkar says this in her tribute:
“Yusuf bhai has gone leaving his younger sister behind. His death seems like the end of an era. I am unable to comprehend anything, I’m extremely sad, speechless, he gave me many memories and left. Yusuf bhai has been unwell for the last many years. He couldn’t recognise anyone, at such time, Saira bhabhi left everything and took care of him day and night. She had no other life. I bow down to such a woman and I pray for Yusuf bhai’s soul to rest in peace,”
What is a better celebration of this legendary actor, multi-lingual and multi-dimensional personality, than a song from the magnum opus “Ganga Jamna’ which he produced, wrote and said to have ghost directed? I am presenting two song snippets from this film.
Shakeel Badayuni-Rafi-Naushad is the team, whose association with Dilip Kumar is again a stuff of legends. Some enthusiasts can write a thesis on this topic. There is a female voice in the longer snippet, which sounds like Rajkumari Dubey, but I cant be sure. I am positive that it is not Lata Mangeshkar and sound different from Shamshad Begum.
My own favourite song from “Ganga Jamuna” is:
Nain lad jayi hain
to manwaa maa kasak hoibe kari
prem ka chhutiye patakha to dhamak
hoibe kari
The film and songs are definitely worth revisiting and so is the thespian, Gulfaam, the originial angry young man, and so much more.
Snippet I
Snippet II
Song-Bailan ki jodiyaa/ aaj bhaya re gori (Ganga Jamuna)(1961) Singer-Rafi, Lyrics-Shakeel Badayuni, MD-Naushad
Lyrics
snippet I
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Bailan ki jodiyaan
Jaane man ki sab batiyaan re ae
Oh ho ho ooo
Ooo oooo ooooo
Hrrr rrrrrr haa
Bailan ki jodiyaan
Jaane man ki sab batiyaan re ae
Dara ri da da daa ra raa
Lahaa lo laa Laha la lo laao
Snippet II
Di ra dee re ea ea
gori ee
Aaj bhaya re gori
Hamra gawanwaa
Ganga se jamna ka
hoyibe milanwaa
aa aa
neele gaganwaa ki chhaaon
oo ooo
chal chal ri goriyaa
pi ki nagariyaa aa
o chal chal ri goriyaa
pi ki nagariyaa aa
o nadiyaa kinaare moraa gaaon
ho oo nadiyaa kinaare moraa gaaon
o chal chal ri goriyaa
pi ki nagariyaa aa
Main naaheen boloon sajnaa jaa
Posted on: May 21, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4690 | Post No. : | 16374 |
“Maalik”(1958) was produced by Naushad and directed by S M Yusuf for Sunny Art Productions, Bombay. This movie had Suraiyya,Talat Mahmood, Lalita Pawar,Jeevan, Kumar, Paro, Roopmala, Malika, Shalini, Akbar, Kaisar Bai, Radha Kishen, Mukri, Badriprasad, Jagdeep, Prakash, Shahji, Baby Shashi, Master Azaad,Ismayil,Tuntun, Jaago,Maqbool, Siddique, Wasi, Nawab, M Y Shaikh etc in it.
The movie had eight songs in it. Six songs have been covered in the past.
Here is the seventh song from “Maalik”(1958) to appear in the blog. The song is sung by Shamshad Begam and Bande Hasan. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.
Only the audio of the song is available. I request our knowleadgeable readers to throw light on the picturisation of the song.
Lyrics of this sing ere sent to me by Prakashchandra.
Song-Main naaheen boloon sajnaa jaa (Maalik)(1958) Singers-Shamshad Begam, Bande Hasan, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus
Lyrics(Provided by Prakashchandra)
teer nazron ke chalaaye
dard dil mein bhar diyaa
mere chhotey se jiyaa ko o
tooney ghaayal
kar r r diyaa
aaa aaa aaa aaa
sajnaa jaa
main naaheen boloon
sajnaa jaa
main naaheen boloon
sajnaa jaa
jeevan bhar na maaf karoongi
teri ye khataa
kyon
jeevan bhar na maaf karoongi ee
teri ye khataa
naaheen boloon sajnaa jaa
main naaheen boloon sajnaa jaa
aaa aaa aaa aaa aaa
meri jaan tum kaho to o o o o o o
chheer kar dil apna dikhlaa aa dein
haan aaan aaan aan
haan aaan aaan aan
agar tum hamse maango
chaand taarey
tod kar laa dein
hhaan aaa aaan aaaan aan aaaan
apni badaayee
apney munh se ae
dilwaaley kab karte hain aen
aeijee dilwaaley kab karte hain
pyaar hai jin kaa sachcha woh to
pyaar hai jin kaa sachcha woh to
chupke hi chupkey ae
marte hain aen aen
aeijee chupke hi chupkey marte hain
aeijee marte hain
koyi na jaaney main pehchaanoon
tere dil mein kyaa
kyaaa
koyi na jaaney main pehchaanoon
tere ae dil mein kyaa
naaheen bolooon sajnaa jaaa
aankh se jaadoo karne waaley
dil mein samaanaa mushqil hai
aeijee dil mein samaanaa mushqil hai
preet lagaanaa aasaan hai
preet lagaanaa aasaan hai
aur preet nibhaanaa mushqil hai ae
aeijee preet nibhaanaa mushqil hai
aeijee mushqil hai
main sab jaanoon dhang tihaarey
baatein na banaa
haayye
main sab jaanoon dhang tihaarey aey ae
baatein naa banaa
naaheen boloon sajnaa jaa
main naaheen boloon sajnaa jaaa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4541 | Post No. : | 16111 |
“Kundan”(1955) was produced and directed by Sohrab Modi for Minerva Movietone, Bombay. The movie had Sohrab Modi, Nimmi, Ulhas, Sunil Dutt, Pran, Om Prakash, Baby Naaz, Manorama, Roopmala, Murad, Jeevan, Sadat Ali, Kumkum etc in it.
The movie was based on Victor Hugo’s novel “Les Miserables” which was adapted for this Hindi movie by Pt Sudarshan.
The movie had ten songs in it. Seven songs have been covered in the past.
Here is the eighth song from “Kundan”(1955) to appear in the blog. The song is sung by Manna Dey. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.
The song is picturised as a background song as Sohrab Modi is shown going far away from the home of Murad (as far as I can tell from the picturisation). I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Na kar paap duniya mein naadaan ban ke (Kundan)(1955) Singer-Manna Dey, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Lyrics
hosh mein aa
o moorkh bande ae ae
upar hai bhagwaan aan
sab karmon ka wo hai bhedi ee ee
le usko pehchaan aan
na kar paap duniya mein naadaan ban ke
na kar paap duniya mein naadaan ban ke
dikha de zamaane ko insaan ban ke
dikha de zamaane ko insaan ban ke
insaan ban ke
na kar paap duniya mein naadaan ban ke
zara uthh ke jeevan ka naksha badal de ae
zara uthh ke jeevan ka naksha badal de
hai manzil ki hasrat to rasta badal de ae
to rasta badal de ae
to rasta badal de ae
chala chal bhalaayi ka toofaan ban ke
chala chal bhlaayi ka toofaan ban ke
toofan banke
na kar paap duniya mein naadaan ban ke
na kar paap duniya mein naadaan ban ke
tu kab tak bhala aa aa aa
tu kab tak bhala haath malta rahega
ye kismat ka chakkar to chalta rahega
ye kismat ka chakkar to chalta rahega
mita de gareebi ko balwaan ban ke
balwaan ban ke
na kar paap duniya mein naadaan ban ke
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4487 | Post No. : | 16009 |
Here is the 13th and final song from LailaMajnu (1953). Out of the 14 songs listed at myswar.com and also with the posted songs list in the blog, 12 are posted. As mentioned in the penultimate post here , the extra song added in the list was ultimately used in the another Shammi Kapoor film ‘Chor Bazar (1954)’, with Sardar Malik’s music is posted here .
This is a prayer in a madrasa picturised on Master Jagdeep.
Madrasa or “Madrasah” is the oldest form of organized education institutions. One gathers all sort of general knowledge or information as one flits from interesting topics and not very interesting or boring issues. We keep growing, with the informal knowledge and gaining of wisdom, throughout our lives. And this is the way it should be, or the human intelligence would stagnate and die out. Nowadays, we are in danger of information overload, as there are too many sources, from which we can gather information on any topic or issue. I had a vague notion that “Madrasa” is one of the oldest form of organized system of imparting education, I read or heard somewhere. Then I looked up in Google to find out if my notion is correct. And I searched for “Maktab”, and as it happened, Google did confirm it to me in a very roundabout way, from maktab to kuttab to finally madrasah. I am beginning to dread finding answers on google, as the obvious answer it gives is misleading. One has to dig deeper in the results to come at a truthful conclusion.
I also found a pdf file of a research paper titled “Maktabs and Madrasas in India: A Look at Statistics based on 8th All India School Education Survey” at researchgate.net. The following para giving brief history is reproduced below:
“The first educational institution in the Muslim world was the mosque built at Medina early in the seventh century by the Prophet Muhammad and his Companions. From then on, mosques were used for teaching purposes, especially for the teaching of law and theology, but as society developed, study circles were held not only in the mosques but also in the palaces, in the streets and even in the market-places. The study circles also grew in number and quality during this period, forming the nuclei of what were to become the madrasas, colleges intended for adults who had already received their primary education in private schools or mosques. In the tenth century the madrasas emerged as an independent institution distinct from the mosque, although madrasas – at least in the early days – were set up either for a single jurist or to teach the tenets of a particular legal school. Thus was born a new kind of educational institution, destined in future to become a center of religious and secular learning in the Islamic world and a place where the representatives of the official class were educated in the spirit of Muslim orthodoxy.
The history of Madrasa education in India starts since the arrival of Muslims in India and it began in the 10th century with the establishment of Maktabs and Madrasas in the towns of Sind, Dabel, Mansura, Multan by the Arab traders and settlers (Haque, 2013).”
Considering, that education and knowledge is power, the imparting of power to the people, and starting young in observing, absorbing and gaining this power is a tradition in Islam, is a sobering thought. The very first “Wahee”(Divine revelation) that was revealed to the Prophet Mohammed (PBUH) began with the word “Iqraa”, meaning “read”, as in read, repeat, study and gain knowledge.
And to think that we all have arrived in this era of faster traffic of information, programming and coding and moving to artificial intelligence, through the foundation laid by the Prophet and his companions, of an education system, 1400 years ago. A lot has gone by and happened, and lessons have been learnt in these 1400 years.
May Allah Almighty give us and our future generations, the taufeeq, the discipline, talent and the spirit to gain, impart and constantly improve the education and knowledge, as these words in the prayer:
yaa rabb hamen ta’aleem ki
taufeeq ‘ataa kar
rakkhen tere farmaan ko
seene se lagaa kar
Wikipedia say this in one of the pages:
Literacy
In medieval times, the Caliphate experienced a growth in literacy, having the highest literacy rate of the Middle Ages, comparable to classical Athens’ literacy in antiquity.[7] The emergence of the Maktab and Madrasah institutions played a fundamental role in the relatively high literacy rates of the medieval Islamic world.[8]
I am yet to look up the antiquity age in classical Athens, to see if it is a concurrent period, later or earlier period, of what is given above as medieval times. 🙂
This is what it means dissemination of information available on the internet.
Let us move on to the song being posted and Jagdeep, who is in the middle of it all. We see a very young Jagdeep, singing this prayer with other students, as the ustad is looking on. Shamshad Begum is the singer of this prayer written by Shakeel Badayuni and composed by Ghulam Mohammed. Jagdeep was born 29th March, 1939, so he was 14 years old in 1953. He expired a few months ago on 20th July, 2020, another casualty possibly of these pandemic times. As per the filmography, he has worked in 391 films as an actor, starting as a child artist in 1950, up to 2017. This could be a record as a 67 year long career. Those who started before him in the industry have long since hung up their boots. Innumerable memorable characters played by him are part of the histology of hindi films and also the some sweet and some funny and some romantic songs filmed on Jagdeep are already posted in the blog. Some songs may be remaining to be posted, the current one being one of them.
Here is a memorable stanza of this famous background song pictured on Jagdeep in the film Bhaabhi(1957) :
khatam hue din us daali ke
jis par teraa baseraa thaa
aaj yahaan aur kal ho wahaan
ye jogi waalaa phera thaa
ye teri jaageer nahin thi
chaar ghadi ka dera tha
sadaa raha hai is duniyaa mein
kiskaa aab-o-daanaa
chal ud jaa re panchhi
ke ab ye des hua begaanaa
Song-Ye jaan ye imaan bas Allah ke liye hai (Laila Majnu)(1953) Singer-Shamshad Begam, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus
Lyrics
Yeh jaan ye imaan
bas Allah keliyehai
yeh jaan ye imaan
bas Allah keliye hai
Allah ke liye hai
mere maula ke liye hai
Allah ke liye hai
mere maula ke liye hai
yeh jaan ye imaan
bas Allah ke liye hai
maalik tu hi
khaaliq tu hi
ma’abood khudaaya
maalik tu hi
khaaliq tu hi
ma’abood khudaaya
mitti ko sharaf de ke hamen
tu ne banaaya
hamen tu ne banaaya
oonchaa hai farishton se bhi
insaan ka paayaa
oonchaa hai farishton se bhi
insaan ka paayaa
insaan ki hasti
teri duniyaa ke liye hai
Allah ke liye hai
mere maula ke liye hai
yeh jaan ye imaan
bas Allah keliyehai
yeh jaan ye imaan
bas Allah ke liye hai
yaa rabb hamen ta’aleem ki
taufeeq ‘ataa kar
yaa rabb hamen ta’aleem ki
taufeeq ‘ataa kar
rakkhen tere farmaan ko
seene se lagaa kar
seene se lagaa kar
bandon ko na tu
daaman-e-rehmat se judaakar
bandon ko na tu
daaman-e-rehmat se judaa kar
jo saans hai bas teri
tamanna ke liye hai
Allah ke liye hai
mere maula ke liye hai
yeh jaan ye imaan
bas Allah ke liye hai
yeh jaan ye imaan
bas Allah ke liye hai
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4478 | Post No. : | 15986 |
21/10/2020 – 89th Birth anniversary of Shammi Kapoor
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I have in possession for almost a year now, a book titled “Rafinaama” by Isaak Mujawar. One day I just impulsively looked up the book availability on Amazon, and found that only two copies were available. I just ordered it without thinking anything. When the book arrived, then I realized that it was in Marathi. Even for self-proclaimed “kitaabi keeda” like me, sitting down reading it has proven a challenge. Which, I am yet to seriously take up.
Two days ago, I suddenly occurred to me, I am having these books and I should make use of the articles there for writing the various posts. The first book I encountered, for sheer visibility and the size of it, is “eh un dinon ki baat hai” – Urdu Memoirs of Cinema Legends (selected and translated by Yasir Abbasi). So for two days, I have been going through that book.
Since this Shammi Kapoor post is due to be written, I had finalized the song and lyrics are also ready. But the book does not contain anything about Shammi Kapoor and his career. I found “Rafinaama” next, in the drawer that I have kept for such treasures 🙂 never to be seen and touched by anyone.
And lo and behold, I have selected a Rafi song from the film Laila Majnu(1953) for posting on the 89th birth anniversary of Shammi Kapoor and Rafinaama starts with the chapter titiled “Shammi, Rishicha majnucha aawaaj” meaning “majnu’s voice for Shammi and Rishi”.
I am giving a brief roundup of the chapter here :
“Films on Laila Majnu title have been made in hindi film industry in 1922, 1931(2 Movies), 1945, 1953 and 1976. The “Laila Majnu” of 1922 was silent movie and the rest were talkies. Two more movies on the same characters story was differently titled, first “Daastaan-e-Laila Majnu” in 1973 and “Love and God” in 1986. Rafi Sahab’s songs were there in all these movies since 1945. In the 1945 version Rafi sahab has sung two songs but none were actually on Majnu’s character.”
The above chapter in the book says that Rafi’s voice was Majnu’s voice in 1953 film, which is incorrect. Among the 4 songs which Rafi Sahab sang for this three are already posted in the blog. In “Bhar de jholi Allah naam” Rafi sahab’s has sung in 3-4 different voices for different characters, but when Shammi Kapoor comes in line and sings, it’s Talat Mehmood’s voice for him. In the song “Aankhon mein hai tu”, Shammi Kapoor in watching the qawwali being performed, he is not singing at all. Third posted is “Mil gayaa taqdeer se chashmaa yehaan”is a solo Rafi song played in the background during the titles.
The songs posted are listed below:
| Song | Date posted | Remarks |
|---|---|---|
| Ae sanam ye zindagi aayi hai lekar khushi | 18 December 2010 | |
| Aasmaan waale teri duniyaa se jee ghabraa gayaa | 28 May 2011 | |
| Chal diyaa kaarwaan lut gaye ham yahaan | 7 June 2011 | |
| Aankhon mein hai tu | 3 July 2011 | |
| Yaad teri zindagi ka saaz ban kar reh gayi | 23 July 2011 | |
| Bahaaron ki duniya pukaare tu aa jaa | 9 April 2012 | MD-Sardar Malik |
| Ya ilaahi ho mubaarak tujhko ye tera jahaan | 10 april 2012 | |
| Dekh lee ae ishq teri | 24 May 2012 | MD-Sardar Malik |
| Bhar de jholi Allah naam | 14 February 2013 | |
| Mere sarkaar tere ishq ki duniya ko salaam | 25 March 2013 | |
| Mil gaya taqdeer se chashmaa yahaan | 6 March 2017 |
The fourth Rafi song from this film is the song of the current post. It is a very short and rapid solo which is played in the background as Laila and Majnu, Shammi Kapoor and Nutan, both die lying in the desert and the sand covers them gradually. This must be the end of the film. So the film is starting and ending with a Rafi song background song. Composer is Ghulam Mohammad and lyrics are by Shakeel Badayuni.
This is 12th song to be posted from this film. One more song which is listed/included in the list of this films’ songs is actually not from this film, but this song posted here from another Shammi Kapoor film Chor Bazar (1954), with Sardar Malik’s music. So that means this movie has 13 songs and only one song remains to Yippee this movie. Remaining song is also a special one with Shamshad Begum giving playback to Master Jadeep. (I will try and get this post shortly).
There are a few more chapters dealing with Shammi Kapoori majnu type songs style which were sung by Rafi sahab, and subsequent Shammi Kapoor clones who tried to adopt the same style. The author is of the opinion that the Shammi style of songs which became famous as “yahoo” style did not originate with Junglee and Shankar-Jaikishan, rather the origin can be found in the songs of film “Tum sa nahin dekha” by O. P. Nayyar.
Shammi Kapoor started his film career with 6 films in 1953. He was the son of Prithvi Raj Kapoor and brother of Raj Kapoor, who was well on his way to be a stalwart film maker by then. But Shammi Kapoor must have set out to make his career on his own, there was no official launching by R. K. Films. His filmography lists 146 films from 1953 – 2011. Rockstar 2011 being the last film in which he acted. Up to Andaz 1971, I counted 56 movies of his which include many memorable musical extravaganzas with Rafi sahab’s playback under Shankar-Jaikishan, O.P. Nayyar and R. D. Burman. Early 50’s when he started as a hero, I can see, that the favoured voice for the hero was not Rafi. Rafi was the voice of everyone else in the some films but not the hero. But Naushad Sahab had used Rafi for all songs on Dilip Kumar in ‘Aan” & “Deedar” and for Bharat Bhushan in “Baiju Bawra”. Or it is possible some of them felt insecure, that Rafi’s singing could over shadow them in popularity. Truly, his phenomenal singing was capable was running away with the credits for all the success of film and its music. Naushad was too big before even “Baiju Bawra”, so could maybe whither the onslaught. Other big personalities who were not so big in early 50’s could have felt insecure. We should be glad that, this type of misapprehensions, if existing, were unable to keep Rafi sahab down for long. If a star shines too bright then its neighbors can be forgiven for being apprehensive.
By any account there must be around 180 songs which Rafi sahab sang for Shammi Kapoor, beginning with “Shama Parwaana” with this unforgettable song. This is a definite Rafi-Shammi song with the definite nuances of “Majnu”’and traces of “wehshat zada ishq”, as the curtain behind which Surraiya is listening to the song, is burnt. Such is the effect of Rafi sahab and Shammi Kapoor’s singing. In this film, seen on TV long ago, Rafi sahab has 5 songs including 3 duets with Suraiyya. There is no other male singer here, so all songs sung by Shammi Kapoor were by Rafi sahab.
Song-Milne ki hasrat mein betaabi ke saath (Laila Majnu)(1953) Singer-Mohammed Rafi, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Lyrics
Milne ki hasrat mein
betaabi ke saathh
reh gaye phailaa ke haay
donon haathh
phool do din hans ke
jee behlaa gaye
aur ye gunche ae
bin khile murjhaa gaye
aaye thehre aur guzre
qaafile
phir na aise
chaahne waale mile ae
maut se kyun
ishq sharmindaa rahe
qais o laila
mar ke bhi zindaa rahe
qais o laila
mar ke bhi zindaa rahe
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4440 | Post No. : | 15885 |
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Blog 10-Year Challenge (2010-2020) – Song No. 78
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This day ten years ago viz 13 september 2010 saw six songs getting covered. The fist post appeared at 6:06 AM whereas the sixth and final post of the day appeared at 17:37 AM. Six songs posted within 91 minutes. That is called making short work of the daily blog target ! 🙂
Here are the details of the six songs discussed on 9 september 2010:-
| Blog Post number | Song | Movie Year of release | Remarks |
|---|---|---|---|
| 2957 | Man letaa hai angdaayi | Anmol Ghadi 1946 | YIPPEED |
| 2958 | Haay re insaan ki majbooriyaan | Ghoonghat 1960 | 7 songs covered out of 10 |
| 2959 | Jhanan jhanjhanaa ke apni paayal | Aashiq 1962 | YIPPEED |
| 2960 | Chale jaanaa zaraa thahro Multiple version song | Around the world 1967 | YIPPEED |
| 2961 | Ba hosho hawaas mein deewaanaa | Night in London 1967 | YIPPEED |
| 2962 | One two three baby yaa yaa yaa | Kismat 1968 | YIPPEED |
As can be seen from the above table, five movies out of six whose songs were covered ten years ago have since been YIPPEED. “Anmol Ghadi”(1946) and “Kismat”(1968) got YIPPEED ten years back on this day viz on 13 september 2010 !
So, that leaves us with “Ghoonghat”(1960) as the sole movie eligible for today’s blog Ten year challenge.
As many as seven songs of “Ghoonghat”(1960) have been covered so far. Here are the details:-
| Song | Posted On |
|---|---|
| Laage naa moraa jiyaa | 13.05.2009 |
| Mori chham chham baaje paayaliyaa | 14.05.2009 |
| Kyaa kyaa nazaaren dikhaatin hai ankhiyaan | 06.09.2009 |
| Do nain milye do phool khiley | 08.09.2010 |
| Haay re insaan ki majbooriyaan | 13.09.2010 |
| Ye zindagi ka mausam aur ye samaa suhaanaa | 24.03.2012 |
| Meri pat raakho Giridhaari | 8.09.2020 |
Here is the eighth song from Ghoonghat”(1960) to appear in the blog. This song is a stage dance performance song. It is sung by Asha Bhonsle and it is picturised on Helen and others. No, it is not a cabarat song, rather it is a proper desi dance performance, where Helen lip syncs in not just Hindi but also in Tamil, Bangla and Punjabi, accompanied by the appropriate regional dances as well.
The picturisation shows Helen and others on stage. Dancing legend Gopi Krishna also joins during the Tamil part of the song.
The audience seated in the front row include Pradeep Kumar, Bina Rai, Minu Mumtaz etc.
Shakeel Badayuni is the lyricist. Music is composed by Ravi.
Lyrics of the song were sent to me by Prakashchandra, who has done a gallant job in attempting to note down the lyrics of all the languages. I request our knowledgeable readers to help suggest corrections in the lyrics wherever applicable.
video link (Full)
audio link part 1
audio link part 2nd
Song-Dil na kahin lagaana zaalim hai ye zamaana (Ghoonghat)(1960) Singer-Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Ravi
Lyrics(Provided by Prakashchandra)
dil na kahin lagaana
zaalim hai ye zamanaa
dil na kahin lagaana
zaalim hai ye zamanaa
pyaar koi jo kare duniya kare haa…aa aa aaye
dil na kahin lagaana
zaalim hai ye zamaanaa
pyar koi jo kare duniya kare
haayye
dil na kahin lagaanaa
zaalim hai ye zamaanaa..aaa
raste mein ik din mila mujhe ik dilwaala
raste mein ik din mila mujhe ik dilwaala
kehne laga woh teri ankhiyon ka main hoon matwaala
main ne na jaana
mujhe dekhe hai zamaanaa
main to masti mein gaane lagi
yeroo putti puwwaayye inne chinanney
mmm….tongammillam perumme inne chinanney
yeroo putti puwwaayye inne chinanney
mmm….tungammillam perumme inne chinanney
yeroo putti puwwaayye inne chinanney (haaan…aaan…aaan…aaannn )
mmm….tungammillam perumme inne chinanney( aaan…aaan…aaan…aaannn )
duniya daraane lagi
baatein banaane lagi
bhaagi rey main to apni jaan bachaa..aaaye/bachaa
dil na kahin lagaana
zaalim hai ye zamaana
pyar koi jo kare duniya kare
haa..aayye
dil na kahin lagaanaa
zaalim hai ye zamanaa
raste mein ek din mila mujhe baanka ik chhailaa
raste mein ek din mila mujhe baanka ik chhailaa
kehne lagaa woh tere saamne to chandaa bhi hai maila
main ne na jaana mujhe dekhe hai zamanaa
main to masti mein gaane lagi
tumee jey aamaar
o go tumee jey aamaar
kaane kaane shudho
ek baar bolo
tumi jey aamaar aar
tumi jey aamaar (shotti go oo ooo o o o)
o go tumi jey amaar (oo oooo oooo ooo)
tumi jey amaar(oo oooo oooo ooo)
o go tumi jey amaar (oo oooo oooo ooo)
duniya daraane lagi
baatein banaane lagi
bhaagi rey main to apni jaan bachaa.. aa aaye
dil na kahin lagaana
zaalim hai ye zamaanaa
pyar koi jo kare duniya kare
haayye haayye ae
dil na kahin lagaanaa
zaalim hai ye zamaanaa
raste mein ik din mila mujhe ik albela
raste mein ik din mila mujhe ik albela
kehne lagaa o beli tere bina dil hai akela
maine na jaanaa mujhe dekhe hai zamaana
main to masti mein gaane lagi
heyye
hadippa hadippa adippaa
balley balley balley balley balley balley ae
oyye kuwen wakirey waaliyaan
main kehniyaan
kar chhatri di chhaaon mein chhaa vikhaawe bainiyaan aan
oyye kunwen wakirey waaliyaan
main kehniyaan
kar chhatri di chhaaon mein chhaa vikhaawe bainiyaan aan
oyye kunwe wakirey waaliyaan aan aan aan
ho o o o hoo o o o ho o oo o o o o
oyye kunwen wakire waaliyaan sunnnn kikraaawein
kikra laayeen bahaar mele mitraa den aen aen aen
oyye kunwen wakire waaliyaan ?? kikraaawein
kikra laayi bahaar mele mitraawein aen aen
oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye
balley balley balley balley balley balley ae ae
oyye oyye oyye oyye
oooooooooo
hadippa hadippa hadippa hadippa hadippa
balley balley balley balley ae ae
o o o o o o o o oo
balley balley
oyye oyye oyye oo oooooo
Main baaje waala baawaa
Posted on: July 30, 2020
- In: "Johny Walker" song | "roadside tamaasha" song | Blog ten year challenge (2010-2020) | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4395 | Post No. : | 15763 |
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Blog 10-Year Challenge (2010-2020) – Song No. 45
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Continuing with the ‘Blog Ten-Year Challenge’, we have two movies eligible for the challenge today (30th July 2020). In other words, songs of these two movies were represented on the blog ten years back on this day and these two movies have not been Yippeeee’ed on the blog. 😊
These two movies are ‘Gunaahon Ka Devtaa-1967’ and ‘Mulzim-1963’.
The following six songs were represented on the blog on 30.07.2010;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Jeewan hai ik sapnaa madhur suhaanaa sapnaa | Honeymoon-1973 | All songs covered |
| Chehre se zaraa aanchal jab aapne sarkaayaa | Ek Baar Muskuraa Do -1972 | All songs covered |
| Meri taqdeer … Ram kare kahin nainaa na uljhen | Gunaahon Ka Devtaa-1967 | Five songs posted |
| Sun le pukaar aayi aaj tere dwaar … | Phool Aur Patthar-1966 | All songs covered |
| Kaafir nazar takraayi dil ki huyi ruswaayi | Aadhi Raat Ke Baad-1965 | All songs covered |
| Deewaana kahke aaj mujhe phir pukaariye | Mulzim-1963 | Four songs posted |
We had already enjoyed a lovely song from ‘Gunaahon Kaa Devtaa-1967’on 22.07.2020 under ‘blog ten-year challenge’ of that day. Today we are going to enjoy a song from the ‘1963’ movie ‘Mulzim’.
‘Mulzim-1963’ was directed by N.A. Ansari for ‘Bundelkhand Films, Bombay’. It had Pradeep Kumar, Shakila, N.A. Ansari, Johny Walker, Neelofar, Nasrin, Champak, Helen, Mumtaz Begam, Uma Dutt, Sagar, Ratan Gaurang, Bihari, Haroon, H. Shukla and others.
This movie had total seven songs in it written by Shakeel Badayuni. Music was composed by Ravi.
So far, the following four songs from “Mulzim-1963” have been posted on the blog;
| Song | Posted On |
|---|---|
| Aate hi jawaani ka mausam | 06.05.2010 |
| Deewaana kahke aaj mujhe phir pukaariye | 30.07.2010 |
| Sang sang rahenge tumhaare jee huzoor | 12.11.2011 |
| Kunwaa paas tu phir bhi pyaasaa | 06.05.2020 |
Out of the above songs of this movie I am familiar with only the song Deewaana kahke aaj mujhe phir pukaariye. I need to go through other songs which seems to be interesting and enjoyable.
Today’s song is sung by Mohd Rafi and it is lip synced on screen by Johny Walker. Also seen in the picturization of the song are N.A. Ansari, Shakila, Pradeep Kumar, Ratan Gaurang and others.
Lyrics of this songs were by Prakashchandra.
We also pay our tributes to Johny Walker whose Remembrance Day was yesterday 29th July (11 November 1926 – 29 July 2003).
Let us now enjoy today’s song where Rafi Saab in his inimitable ‘Johny Walkerish’ style is singing and Johny Walker is performing on it …
Audio
Video
Song-Main baaje waala baawaa (Mulzim)(1963) Singer-Rafi, Lyrics-Shakeel Badayuni, MD-Ravi
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Lyrics(Provided by Prakashchandra)
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main baaje walaa baawaa
naa bhoot naa koi chhalaawaa
usi kaa bedaa paar lagey
jo sune meri sargam
o bam chik bam bam bam
o bam chik bam bam bam
main baaje walaa baawaa
naa bhoot naa koi chhalaawaa
usi kaa bedaa paar lagey
jo sune meri sargam
o bam chik bam bam bam bam bam
o bam chik bam bam bam bam bam
haath naa dekhoon
baat naa poochhoon
haal dilon ka jaanoon
haath naa dekhoon
baat naa poochhoon
haal dilon ka jaanoon
tu mujhko ko naa jaane re moorakh
main tujhko pehchaanoon
naa paagal naa deewaana
main raagi hoon mastaana
ek taan mein khushi jagaa doon
ek taan mein gham
o bam chik bam bam bam
o bam chik bam bam bam
main baaje walaa baawaa
naa bhoot naa koi chhalaawaa
usi kaa bedaa paar lagey
jo sune meri sargam
o bam chik bam bam bam bam bam
o bam chik bam bam bam bam bam
bababam bam
bababam bam
bababam bam
bam bam bam bam bam bam bam sssss
main sanyasi tujhko koyi chaal naa
chalne doongaa
main sanyasi tujhko koyi chaal naa
chalne doongaa
sun le beta aaj main teri
daal naa galne doonga
tu jee le chaahe mar le
gusse mein kuchh bhi kar le
jidhar jaayegaa saath rahoongaa
tere main har dam
o bam chik bam bam bam
o bam chik bam bam bam
main baaje walaa baawaa
naa bhoot naa koi chhalaawaa
usi kaa bedaa paar lagey
jo sune meri sargam
o bam chik bam bam bam bam bam
o bam chik bam bam bam bam bam
teri nazrein bataa rahi hain neeyat hai
teri khoti ee
teri nazrein bataa rahi hain neeyat hai
teri khoti
laut jaa warna bhasm karoongaa
gaa kar raag jhinjhoti
kar legaa tujh pe kaaboo
mera saat suron ka jaadoo
ang ang mein taal hai mere
qadam qadam pe sam
o bamm chik bamm bamm bamm bamm bamm
o bamm chik bamm bamm bamm
main baaje walaa baawaa
naa bhoot naa koi chhalaawaa
usi kaa bedaa paar lagey
jo sune meri sargam
o bamm chik bamm bamm bamm bamm bamm bamm bamm
bamm bamm bamm
aa bamm aa bamm aa bamm
aa bamm aa bamm aa bamm
aa bamm aa bamm aa bamm
brr hha burrrrrrrrr
brr hha burrrrrrrrr
brr hha burrrrrrrrr
Kunwa paas tu phir bhi pyaasa
Posted on: May 6, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4310 | Post No. : | 15586 |
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Blog 10-Year Challenge (2010-2020) – Song No. 26
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“Mulzim”(1963) was produced and directed by N A Ansari for Bundelkhand Films, Bombay. The movie had Pradeep Kumar, Shakila, N A Ansari,Johnny Walker, Neelofar, Nasreen, Champak, Helen, Mumtaz Begum, Uma Dutt, Sagar, Ratan Gaurang, Khurshid, Murray, Raj Kumar, Sarang Kumar, Master Anwar, H.Shukla, Kailash,Bakshi, Bihari, Robert, Shafi, Haroon, Devi Chaand, S K Chand etc in it.
The movie had seven songs in it. Three songs have been covered in the past.
The movie made its debut on this day ten years ago, viz on 6 may 2010.
Here are the details of the songs from this movie that have been covered so far:-
| Song | Posted On |
|---|---|
| Aate hi jawaani ka mausam (Mulzim) | 06-May-2010 |
| Deewaana kahke aaj mujhe phir pukaariye (Mulzim) | 30-July-2010 |
| Sang sang rahenge tumhaare jee huzoor (Mulzim) | 12-Nov-2011 |
Three songs were covered in the blog on this day ten years ago. Movies that the other two songs were from have been YIPPEED by now. So, “Mulzim”(1963) is the only movie that is eligible for blog ten year challenge today.
Here is thew fourth song from “Mulzim”(1963) to appear in the blog. The song is sung by Rafi. Shakeel Badayuni is the lyricist. Music is composed by Ravi.
The song is picturised in a temple, where Pradeep Kumar finds Shakila alongwith Mumtaz Begam.
Lyrics of this song were sent to me by Prakashchandra.
audio link:
video link:
Song-Kunwaa paas tu phir bhi pyaasa (Mulzim)(1963) Singer-Rafi, Lyrics-Shakeel Badayuni, MD-Ravi
Lyrics (Provided by Prakashchandra)
iss chaukhat se
koi na khaali jaata hai insaan
mann ki aankhein khol ke moorakh
apnon ko pehchaan
kunwaa paas tu phir bhi pyaasaa
kunwaa paas tu phir bhi pyaasaa
manzil ko bhi rasta samjhe
hai ye ajab tamaashaa aa
kunwaa paas tu phir bhi pyaasaa
band thi jab tak teri aankhein
inn mein tha ujiyaaraa..aa
aankhon ne jab jyothi paayi
chhaayaa hai andhiyaaraa
hai ye teri bhool
kahe tu
aashaa ko bhi niraashaa aa
kunwaa paas tu phir bhi pyaasaa
kunwaa paas tu phir bhi pyaasaa
soch zaraa o moorakh bande
itnaa kya ghabraanaa aaa
dhoondh le mann ka chain yahin par
yahi hai tera thikaanaa
yahaan bhi tooti aas to jag mein
degaa kaun dilaasaa
kunwaa paas tu phir bhi pyaasaa
kunwaa paas tu phir bhi pyaasaa
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