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Duniya daulat ki ghulaam

Posted by: Atul on: January 26, 2024

In: "Nautanki" dance | "Paisa" related songs | "Street Singing" song | "roadside tamaasha" song | Dance song | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Shamshad Begam solo | Shamshad Begam songs | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5670

Post No. :

18176

Today’s song is from the comedy film titled ‘Chalis baba Ek Chor’ (1954).

Obviously, the famous and popular story from the Arabian Nights – Alibaba aur Chalis Chor, has been used here for a parody of the film title. The film was produced by K Arts, a banner owned by the producer Kamini Kaushal (real name Uma Kashyap). Being the producer, she had the right to be the heroine of the film too ! The hero of the film was a misfit – Balraj Sahni. Undoubtedly, he was an excellent actor, but his personality, looks and his role history made him unfit for the comedy or romantic films. Some actors create an image with their early films and it sticks with them. After sometime, the audience finds it difficult to accept them in the roles diagonally opposite to their established image.

Imagine how you would like to see Kanhaiyalal in the role of a college principal or a multimillionaire ! That is the reason, the young romantic hero like Ashok Kumar was a laughing stock when he acted as the Mughal emperor Humayun. In one of the scenes of the film ‘Humayun’ (1945), he was shown walking with full war-gear. He walked so awkwardly and looked so funny, that in every show, the audience used to laugh loudly for that scene ! Even in the role of Satyavan, in the film ‘Savitri’ (1937) he was looking so awkward.

The other actors in the film were Smriti Biswas, Om Prakash, David, Jagdeep and others. The film was directed by PL Santoshi, who also wrote all the 12 songs of the film. The music was by the stalwart of the 50’s and the 60’s, SD Burman, assisted by the skilful N Dutta.

The story and the screenplay was done by PL Santoshi and IS Johar together. If you remember, the story and dialogues for the immensely popular and successful film ‘Ek Thi Ladki’ (1949) was written by the young IS Johar and that also happened to be the first film in which IS Johar had to act in a small role, on the insistence of the film financier ! So, in a way, that film became a milestone in the careers of IS Johar and Meena Shorey (she was known by the pseudonym of ‘The Lara Lappa Girl’, throughout her career).

The story of this film,in short, was…..

Asha’s (Kamini Kaushal) father dies leaving her a taxi and custody of 40 orphans to care for. She drives taxi as a boy. One day Raj Kumar (Balraj Sahani) a simpleton and rich young man sits in her taxi. They become friends. Asha saves Rajkumar from Vikram (Jeevan), who wants RK to marry his vagabond sister Rohini (Smriti Bishwas). When RK comes to know that Asha is a girl, they fall in love and want to get married when Vikram kidnaps a boy Munna, from Asha’s house with a condition that RK marry his sister.

The film details how the problem is solved and Asha and Raj Kumar get united.

Balraj Sahni was one of the best actors in Hindi films, in my opinion. Few years back, when I first wrote about Balraj Sahni, I had said that Balraj Sahni was a different type of person than all other film actors. It is surprising how he came into the film line, in the first place. Basically he was a very sensitive writer and stage actor, but having once entered the film world, he continued for the sake of earning a livelihood, making a lot of compromises on his journey of life. I still stand by what I had said. It is worthwhile to even repeat it.

In the days when not many educated people came into films, Balraj – a double MA in English and Hindi, joined the films. In the conventional way he was not a handsome person, but his superior acting prowess compensated for this. In an industry,which is a ‘show business’, he was never counted among the top grade stars, though critics and learned viewers always found him excellent. You can never imagine a Raj Kapoor or a Dev Anand in a film like ‘Seema’ (1955) or ‘Kabuliwala’, (1961) nor can a Dilip Kumar fit into ‘Do Bigha Zameen’ (1953). For such roles Balraj was matchless. After the film ‘Do Bigha Zameen’, he and Nirupa Roy became India’s most loved, poor and uneducated, good natured and simple couple for many subsequent films. Together, they acted in 20 films.

Due to this, Balraj never got any romantic or glamorous roles. However, to earn his daily bread satisfactorily, he compromised and worked in several B grade movies, like ‘Black Cat’ (1959), opposite a non actress Minu Mumtaz !

Yudhishthir Sahni aka Balraj Sahni was born in Rawalpindi, Punjab, British India (now in Pakistan) on 1st May, 1913 in a Punjabi family. After completing his Bachelor of Arts (Hindi), and post graduation in Masters of Arts (English Literature), both from Punjab University; he got married to Dayamanti. It was in the late 1930s that both husband and wife moved to Bengal to join Rabindra Nath Tagore’s Visva Bharati University in Shantiniketan as English and Hindi teachers. It was about the same time that in 1936 Balraj wrote his first compilation of Hindi fiction called ‘Shahzadon Ka Drink’. It was also in Bengal that Balraj and Damayanti’s son, Parikshit was born. In 1938, Sahni went to work with Mahatma Gandhi for a year and the very next year went to England to join the British Broadcasting Network’s Hindi service as a radio announcer. In 1943, he returned to India.

It was in 1944 that Sahni moved to Bombay and joined the Indian People’s Theatre Association (IPTA), a group with which he also started his acting career, albeit through plays. In the same year, he bagged a role in the film ‘Insaaf’, which marked the beginning of his acting career in the Hindi film industry. ‘Dharti ke Lal’ and ‘Door Chalein’ were his next releases in the same year. In 1947, after doing the heroine’s role in the film ‘Gudiya’ (1947), Damayanti expired. Two years later, Balraj married his first cousin Santosh Chandhok and they had 2 children. It was, however, the film ‘Do Bigha Zameen that established his strengths as an actor. The movie was directed by Bimal Roy and came out in 1953; it also won the international prize at the Cannes Film Festival. The film is now considered a classic.

In the years that followed, he played many leading roles in commercial films opposite actresses like Nargis, Meena Kumari, Vyjayanthimala, and Nutan in films ‘Lajwanti’ (1958), ‘Ghar Sansar’ (1958), ‘Satta Bazar’ (1959), ‘Kathputli’ (1957), and ‘Sone Ki Chidiya’ (1958) respectively. These films further established his position as a versatile actor. In the 1961, film ‘Kabuliwala’, written by Tagore, went on to become another of his classics. To prepare for the role, Balraj lived with kabuliwalas in a Bombay suburb for a period of time. His character roles with strong performances in films like ‘Haqeeqat’ (1964), ‘Waqt’ (1965), ‘Do Raaste’ (1969), ‘Ek Phool Do Mali’ (1969), ‘Talash’ (1969) and ‘Mere Humsafar’ (1970) further left an indelible mark in the film fraternity and fans alike. The legendary song “Ae Meri Zohra Jabeen” from the film ‘Waqt’, picturized on Balraj Sahni and Achala Sachdev is still etched deep in peoples’ memories and is loved by the current generation as well. Together Achala and Sahni acted in 3 films.

Along with successfully proving his acting prowess, he also displayed exceptional directing skills through the film ‘Lal Batti’ (1957), where passengers are forced to spend a night together at the railway platform at the time of India’s independence. Balraj co-directed this movie along with Krishan Chopra. His performance in the film ‘Garm Hava’ (1973) is considered to be the best, till date. Sadly, this was his last film before his death.

Sahni’s writing career began with ‘Shahzaadon Ka Drink’ that came out in 1936. This was his first compilation of Hindi fiction. He went on to become an esteemed writer in the Punjabi literature. He wrote ‘Mera Pakistani Safar’ shortly after his visit to Pakistan in 1960. After a tour to the Soviet Union in 1969, he wrote ‘Mera Rusi Safarnama’. This book also earned him the Soviet Land Nehru Award. He also wrote his autobiography called ‘Meri Filmy Atmakatha’. Sahni even penned the screenplay for the 1951 released film ‘Baazi’, starring Dev Anand and directed by Guru Dutt. Apart from this, he wrote a number of poems, short stories, and contributed to the Punjabi magazine ‘Preetlari’.

Going through depression for some time after his young daughter Shabnam’s untimely death, Balraj Sahni passed away on 13th April, 1973 at the age of 59 following a cardiac arrest. He is survived by his son Parikshit, who is also an actor in the Hindi film industry.

Balraj Sahni received the Padma Shri Award in 1969. Balraj Sahni earned the Soviet Land Nehru Award for his book ‘Mera Rusi Safarnama’ in 1969. Balraj Sahni starrer movie ‘Do Bigha Zameen’ won the international prize at the Cannes Film Festival in 1953. Balraj Sahni joined the BBC-London’s Hindi service as a radio announcer from 1939-43. ‘Punjabi Kala Kender’, founded in 1973 at Mumbai by Balraj Sahni, gives away the annual Balraj Sahni Award. ‘All India Artists’ Association’ also gives away the annual ‘Balraj Sahni Award’.

The other day, I was reading the autobiography of Balraj Sahni. His style of narration is very good. He does not miss even the smallest details. The part of his life when he entered the Hindi films is extremely readable.

When he was with BBC, London, he was deputed to attend a seminar in Poona, India. He came to India with his wife Damayanti and they stayed with a friend – Appasaheb Pant, the scion and Yuvraj of Aundh – a princely state in British India, in Maharashtra. Appasaheb later became India’s High Commissioner to Britain, post Independence. One evening they all went to see a film ‘Manoos'(Aadmi) (1939) of Prabhat, directed by V Shantaram. After seeing the film, he was terribly impressed with Shantaram’s direction and was all praise for him.

When Balraj left the BBC and returned to India, he was again in Poona. This time he went to see Shantaram, with prior appointment. When he reached the gate, a person was waiting for him. He was taken to the reception room. That man left. In the room there was one more person with a black cap which was very common for Maharashtrians those days. Balraj thought he too was another visitor like him. After a few minutes, that man asked in excellent English if he was Balraj Sahni. Balraj was astonished and nodded affirmatively. That man got up and said, ‘I am Shantaram. Nice to see you’. Later Shantaram took him around the studio etc.

Balraj returned to Bombay absolutely mesmerized with Shantaram. While in Bombay they were loitering, when they suddenly met Chetan Anand – his old friend. They were very happy to see each other. Chetan took them to his four bedroom spacious flat in Pali Hill, Bandra. They stayed with him for a few days. Balraj had decided to work in films and was negotiating for his role in film ‘Insaaf’, while Chetan was busy in his ‘Neecha Nagar’ (1946). One evening they went to see the film ‘Shakuntala’ (1943), made by Shantaram. After seeing the film Balraj was very much upset and started criticising Shantaram that his standard has gone down, compared to ‘Aadmi’ (1939).

Chetan Anand smiled and said, “Shantaram has made a film for Box office.” Balraj did not understand. Chetan Anand explained, “One can not go on making art films alone. To run the studio, you need money. Shantaram being a good businessman, he makes such films which earn him money. With this money he can make more meaningful films. For example after ‘Shakuntala’, Shantaram made ‘Parbat Pe Apna Dera’ (1944) and then his memorable film ‘Dr. Kotnis Ki Amar Kahani’ (1946). This is how the maths of cinema works”.

There are many such incidents described in his Autobiography which is highly readable, not only for his story but also for glimpse into the film scenario of the 40s and 50s. I can not go on,due to constraints of the length of this article. Maybe some other time I will tell you more from his book.

Balraj has done 101 films. His first film was ‘Insaaf’ (1946) and the last film to be released well after his death was ‘Amaanat’ (1977).

Today’s song is sung by Shamshad Begum along with chorus. Its lyrics are quite humorous. Enjoy….

Editor’s note:-With this song, all the twelve songs of ‘Chaalis Baba Ek Chor’ (1954), including two sets of two part songs, get covered in the movie. The movie ‘Chaalis Baba Ek Chor’ (1954) becomes the first movie to get YIPPEEE’D in the blog in the year 2024.

Song-Duniya daulat ki ghulaam (Chaalis Baba Ek Chor)(1954) Singer-Shamshad Begam, Lyrics-P L Santoshi, MD-S D Burman
Female Voice
Male Voice
Chorus

Lyrics

arre kaal kare so aaj kare
aaj kare so o o ab
pal mein parlay hoyego o o
bahuri karego kab

is par bolo to zara

salaam sabko salaam

haan

bhaiyya jee salaam
darji jee salaam
dhobee jee salaam
bhaiyya jee salaam
devi jee salaam
salaam
salaam
ye duniya daulat kee ghulaam
dekhe jiskee jeb mein daam
jhuk ke kare salaam
usko jhuk ke kare salaam
usko jhuk ke kare salaam

dekh ye daulat ka jaadoo oo
kya se kya hai ho gayaa aa
kya ho gayaa
ajee mil gaya hai wo gadhaa
jo ghaat se thhaa kho gaya

is per bolo to zara

dhobi jee salaam

jiyo

ye duniya daulat ki ghulaam
dekhe jiskee jeb mein daam
jhuk ke kare salaam
usko jhuk ke kare salaam
usko jhuk ke kare salaam

is ghar ke liye kisi kee
main ehsaanmand thhi ee ee
ab nahin
ab bhi hoon
lekin

haan aan aan aan aan
is ghar ke liye kisi kee
main ehsaanmand thhi ee ee
lekin
khandhar bata rahe hain
imaarat buland thhi
khandhar bata rahe hain
imaarat buland thhi
aahe bhai imaarat buland thhi
aejee bhai imaarat buland thhi
khandhar bata rahe hain
imaarat buland thhi

khandhar bata rahe hain
imaarat buland thhi
khandhar bata rahe hain
imaarat buland thhi

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

अर्रे
काल करे सो आज कर
आज करे सो॰॰ओ अब
पल में परलय होएगो॰॰ओ
बहुरि करेगो कब

इस पर बोलो तो ज़रा

सलाम
सबको सलाम

हाँ

भैया जी सलाम
दर्जी जी सलाम
धोबी जी सलाम
भैया जी सलाम
देवी जी सलाम
सलाम
सलाम
ये दुनिया दौलत की ग़ुलाम
देखे जिसकी जेब में दाम
झुक के करे सलाम
उसको झुक के करे सलाम
उसको झुक के करे सलाम

देख ये दौलत का जादू॰॰ऊ
क्या से क्या हो गया॰॰आ
क्या हो गया
अजी मिल गया है वो गधा
जो घाट से था खो गया

इस पर बोलो तो ज़रा

धोबी जी सलाम

जियो

ये दुनिया दौलत की ग़ुलाम
देखे जिसकी जेब में दाम
झुक के करे सलाम
उसको झुक के करे सलाम
उसको झुक के करे सलाम

इस घर के लिए मैं किसी की
मैं एहसानमन्द थी॰॰ई
अब नहीं
अब भी हूँ
लेकिन

हाँ आं आं आं
इस घर के लिए मैं किसी की
मैं एहसानमन्द थी॰॰ई
लेकिन
खंडहर बता रहे हैं
इमारत बुलन्द थी
खंडहर बता रहे हैं
इमारत बुलन्द थी
खंडहर बता रहे हैं
इमारत बुलन्द थी
आहे भई इमारत बुलन्द थी
ए जी भई इमारत बुलन्द थी
खंडहर बता रहे हैं
इमारत बुलन्द थी

खंडहर बता रहे हैं
इमारत बुलन्द थी
खंडहर बता रहे हैं
इमारत बुलन्द थी

Tags: 1954, Chaalis Baba Ek Chor, P L santoshi, S D Burman, Shamshad Begam

Choree choree aa jaa tu meree galee aa jaa

Posted by: Atul on: November 23, 2023

This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5606

Post No. :

18083

“Bhai Bahan”(1969) was directed by A Bhimsingh for Vikram Productions, Bombay. The movie, a typical south Indian style family drama, had Ashok Kumar, Sunil Dutt, Nutan, Pran, Padmini, Sulochana, Helen, Diwakar, Mukri, Bhalla, Shivraj, V Puranik, Babbanlal etc in it.

“Bhai Bahan”(1969) had seven songs in it. Two songs have been covered in the past.

Here is the third song from the movie to appear in the blog. This song is sung by Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised as a roadside tamasha dance song on Jayshree T, as a good sized crowd, arranged in a circle, are seen watching the dance performance. This song must be one of the first dance songs picturised on Jayshree T, after her cabarat dance performance in “Chanda Aur Bijli”(1969), where her performance caught the eyes of film makers.

The song is picturised as a roadside tamasha dance song on Padmini Ramchandran. Mukri and Bhalla are also seen in the picturisation. I thank your regulars Mr Manohar Lal Dave and Prakashchandra for the corrections and other details.

Song-Chori chori aa jaa tu meri gali aa jaa (Bhai Bahan)(1969) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

chori chori aaja
tu meri gali aaja
ye dil hai
ye jaan hai
sajan ke liye ae
chori chori aaja
tu meri gali aaja
ye dil hai
ye jaan hai
sajan ke liye
ha ha ha
haa haa haa haa haa
chori chori aaja
tu meri gali aaja
ye dil hai
ye jaan hai
sajan ke liye ae ae

aaja re aaja
ye paayal pukaare
geeton ke tujhko milenge sahaare
palkon ki chhaanv mein
aa morey sajna
palkon ki chhaanv mein
aa morey sajna
ab to samajh le nazar se ishaare

o chori chori aaja
tu meri gali aaja
ye dil hai
ye jaan hai
sajan ke liye
la la la
laralaralaaralaa
chori chori aaja
tu meri gali aaja
ye dil hai
ye jaan hai
sajan ke liye

duniya ka dar hai
na logon ka dar hai
jag se niraali hamaari dagar hai
mauji hain man ke
na bandi kisi ke
mauji hain man ke
na bandi kisi ke
jeevan hamaara safar hi safar hai
ho chori chori aaja
tu meri gali aaja
ye dil hai
ye jaan hai
sajan ke liye
lalala
laralaralaralaa
chori chori aaja
tu meri gali aaja
ye dil hai
ye jaan hai
sajan ke liye

mausam salona ye ghadiyaan suhaani
roke ruki hai naa chanchal jawaani
hum besahaaron ki manzil naa koi
hum besahaaron ki manzil naa koi
kitni mazedaar apni kahaani

ho chori chori aaja
tu meri gali aaja
ye dil hai
ye jaan hai
sajan ke liye
hahaha
laralaralaralalaa
chori chori aaja
tu meri gali aaja
ye dil hai
ye jaan hai
sajan ke liye ae

Tags: 1969, Asha Bhonsle, Bhai Bahan, Bhalla, Hasrat Jaipuri, Mukri, Padmini Ramchandran, Shankar Jaikishan

Hum Se Kiya Hai Sab Ne Dikhaawa Koi Hamaara Yaar Nahin

Posted by: skapur01 on: July 21, 2023

This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5481

Post No. :

17911

= = = = = = = = = = =

The Voice of Mukesh #74
– – – – – – – – – – – – –

Today we are treading the centenary celebration for this great singer, Mukesh. The effort has been to post one or two of his songs everyday this week. As discussed earlier, there still are quite a good number of his song, both film and non-film, that are still awaiting to come on board, so we have a fair sampling to choose from.

I present another of his lesser heard and less familiar songs from the film ‘Priya’ from 1970. This is a period when I am sure this group of listeners must have been very familiar already with the then current crop of songs, as most of us were avid radio listeners. I remember this film, not having seen it, but through the songs that were played on the radio. And I remember two songs specifically from this film that had become very popular at one time. Both the songs are tuned in the genre of rock music, given that it was the most popular flavor with the youngsters who liked to listen both Hindi and Western music. So it is not a big surprise that only these two songs have so far made it to the showcase on our blog. The songs are “Na Sun Sun Sun Bura”, and “She Is Very Pretty. . . Pretty Pretty Priya”.

The film has a total of seven songs listed in the Geet Kosh, two of which form the two part pair for the same song, which is the song being presented today. The words of these seven songs have been written by two lyricists – Indiwar and Qamar Jalaalabaadi. Interestingly, Qamar Sb has written both the rock type songs mentioned above. And Indiwar has penned the remaining songs. Music is by Kalyanji Anand ji.

This song appears at the film in two places. The first part is presented as fun song being enjoyed by a motley group of friends sitting under tree, as Sanjeev Kumar is playing the harmonium and another actor that I cannot identify, is giving him company with comments of encouragement and improvement suggestions. Another one friend is playing the dholak and is somewhat besura. The second part is being performed visibly at a kotha. The setting is that of a mujra, however the singing part is not done by the nautch girl, but by a slightly drunk Sanjeev Kumar. Hmm. . . that is an interesting setting.

In both the parts, it is Mukesh’s voice giving playback to Sanjeev Kumar. Additionally, in the first part, there is one more voice that is giving playback to the friend who is punctuating the singing by Sanjeev Kumar with comments and suggestions.This voice is identified as that of Anand ji – yes, the one half of the music director duo Kalyanji Anand ji.

There is one more very interesting feature of the first part. In that, still images of Tanuja very briefly appear and disappear as the song progresses. The expressions and gestures are almost as if she is present at the performance and is giving her response and reactions to the singing as it progresses. In the second part, I am not able to place the name to the actress who is performing the role of the nautch girl. In the list of actors, there a two names that could be possibly this lady – Padma Rani and Sadhna Patel. I request readers with keener insight to please help identify this actress.

So, here is one more pensive and soulful song in the voice of Mukesh – characteristics that make each of his renditions so unique, and so appealing.

Part I

Part II

Song – Hum Se Kiya Hai Sab Ne Dikhaawa Koi Hamaara Yaar Nahin (Priya) (1970) Singer – Mukesh, Anand ji, Lyrics – Indeewar, MD -Kalyanji Anandji
Unidentified Female Voice
Chorus

Lyrics

Part I

hum se kiya hai
sab ne dikhaawa

hum se kiya hai
sab ne dikhaawa
ustad aur sad, aur sad zara

sad
lijiye janaab

arye hum se kiya hai
sab ne dikhaawa
ustad, waah
koi hamaara yaar nahin
ya hamen pyaar na karna aaya
ya duniya mein pyaar nahin
(waah waah waah)
pyaar nahin

aagey kya ustad

arey hum to the
taiyyar pyaar ki
chakki mein pis jaane ko
arey waah ustad
kamaal kiya
hum to the taiyaar pyaar ki
chakki mein pis jaane ko
(waah waah)
arey samajh ke kankar
yaar ne phenka
kya
hamen thokaren khaane ko
roomaalon ke
haa haa haa haa
aa haa
wo jo bheje the, wo roomaal
haan haan
arey roomaalon ke
badle paaya
aanchal ka ik taar nahin
ya hamen pyaar na karna aaya
ya duniya mein pyaar nahee..een
pyaar nahee..een
pyaar nahee..een
hum se kiya hai
sab ne dikhaawa

waah waah waah waah
jawaab nahin
jawaab nahin

Part II

hum se kiya hai
sab ne dikhaawa
koi hamaara yaar nahin
hum se kiya hai
sab ne dikhaawa
koi hamaara yaar nahin
ya hamen pyaar na karna aaya
ya duniya mein pyaar nahin
pyaar nahin
hum se kiya hai
sab ne dikhaawa

pal pal rang badalte dekhe
insaani tasveeron ke
mila na hriday parakhne waala
miley paarakhi heeron ke
koi bhi aanchal nahin hai kinaara
baanh koi patwaar nahin
ya hamen pyaar na karna aaya
ya duniya mein pyaar nahin
pyaar nahin
hum se kiya hai
sab ne dikhaawa

laa laa laa laaa laaaa
laa laa laa laaa laaaa

kaliyaan sunti hain shehnai
bhanwaron ke armaanon ki
saari chaman mein baat na poochhe
koi bhi parwaanon ki
phoolon pe kya adhikaar hamaara
kaanton ke bhi haqdaar nahin
ya hamen pyaar na karna aaya
ya duniya mein pyaar nahin
pyaar nahin
hum se kiya hai
sab ne dikhaawa

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————

भाग I

हम से किया है
सबने दिखावा

हम से किया है
सबने दिखावा
उस्ताद और सैड, और सैड
सैड
लीजिये जनाब
अरे हम से किया है
सबने दिखावा
उस्ताद वाह
कोई हमारा यार नहीं
या हमें प्यार ना करना आया
या दुनिया में प्यार नहीं
(वाह वाह वाह)
प्यार नहीं

आगे क्या उस्ताद

अरे हम तो थे
तैयार प्यार की
चक्की में पिस जाने को
अरे वाह उस्ताद
कमाल किया
हम तो थेतैयार प्यार की
चक्की में पिस जाने को
(वाह वाह)
अरे समझ के कंकर
यार ने फेंका
क्या
हमें ठोकरें खाने को
रूमालों के
हा हा हा हा
आ हा
वो जो भेजे थे, वो रूमाल
हाँ हाँ
अरे रूमालों के
बदले पाया
आँचल का इक तार नहीं
या हमें प्यार ना करना आया
या दुनिया में प्यार नहीं॰॰ईं॰॰ईं
प्यार नहीं॰॰ईं॰॰ईं
प्यार नहीं॰॰ईं॰॰ईं
हमसे किया है
सबने दिखावा

वाह वाह वाह वाह
जवाब नहीं
जवाब नहीं

भाग II

हमसे किया है
सबने दिखावा
कोई हमारा यार नहीं
हमसे किया है
सबने दिखावा
कोई हमारा यार नहीं
या हमें प्यार ना करना आया
या दुनिया में प्यार नहीं
हमसे किया है
सबने दिखावा

पल पल रंग बदलते देखे
इंसानी तसवीरों के
मिला ना हृदय परखने वाला
मिले पारखी हीरों के
कोई भी आँचल नहीं है किनारा
बांह कोई पतवार नहीं

ला ला ला ला लाss
ला ला ला ला लाss

कलियाँ सुनती हैं शहनाई
भँवरों के अरमानों की
सारे चमन में बात ना पूछे
कोई भी परवानों की
फूलों पे क्या अधिकार हमारा
काँटों के भी हक़दार नहीं
या हमें प्यार ना करना आया
या दुनिया में प्यार नहीं
प्यार नहीं
हम से किया है
सबने दिखावा

Tags: 1970s, Anand ji, Indeewar, Kayanji Anandji, Mukesh, Priya, Sanjeev Kumar

Kamaal mori bindiyaa kamaal mora jhhumkaa

Posted by: Atul on: February 23, 2023

This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5333

Post No. :

17489

“Waqt Ki Deewaar”(1981) was produced by T C Dewan and directed by Ravi Tandon for Modern Pictures, Bombay. The movie had Sanjeev Kumar, Jeetendra, Neetu Singh, Sulakshna Pandit, Amjad Khan, Pran, Kader Khan, Satyen Kappoo,Paintal, Deven Varma, Poornima, Preeti Ganguly, Rajan Haksar, Sunder, Ram Ssethi, Prem Bedi, Shivraj, Bhushan Tiwari, Master Vikas, Master Rajeev Tandon, Shaka,Roshni etc. The movie also had special appearances by Nazneen, Rajendra nath, Jayshree T and Neilu Arora.

“Waqt Ki Deewaar”(1981) had five songs in it. Three songs have been covered so far.

Here is the fourth song from the movie to appear in the song. The song is sung by Asha Bhonsle. Anjaan is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a tamaasha performance song on Neetu Singh. she is shown keeping the audience busy while master Raju, her accomplice picks the pockets of the audience. Jeetendra is also seen among the audience.

Lyrics of the song and other details are sent to me by Prakashchandra.

audio link:

video link:

Song-Kamaal mori bindiyaa kamaal mora jhumka (Waqt Ki Deewaar)(1981) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

khel tamaashey waalee ee
arrey aayee rey aayee..ee aayee..ee

oo ooo
kamaal moree bindiyaa
kamaal moraa jhumkaa
kamaal moree bindiyaa aa
kamaal moraa jhumkaa
bajaayike chaloon bichchuaa
lagaayike chaloon thhumkaa
kamaal moree bindiyaa
kamaal moraa jhumkaa
bajaayike chaloon bichchuaa
lagaayike chaloon thhumkaa
kamaal moree bindiyaa aa
kamaal moraa jhumkaa
kamaal moree bindiyaa
ho o

na karoon koyee ghulaami
na doon kisee ko salaami
haath na aaoon kisee ke
to log karein badnaami
badey gulfaam miley ae
subah aur shaam yahaan
sabhee ko mujhse koyee
kaam yahaan
kaam yahaan aan aan
huzoor main hoon tohfaa
bahaar ke mausma kaa
kamaal moree bindiyaa (aayye aey ae haayye aey aey ae ae)
kamaal moraa jhumkaa
kamaal moree bindiyaa hoyye ae ae

ek deewaaney ne poochhaa
kya teri ho gayee shaadi..ee
tu jo kanwaaree hai aa aa jaa
banke meri shehzaadee
mere sarkaar suno
soney chaandee ke liye
yahaan jo bech dey dil
main woh naheen
main woh naheen..een
muaaf karo raajaa
fareb na do hamkaa
kamaal moree bindiyaa (whistling sound)
kamaal moraa jhumkaa
kamaal moree bindiyaa
hayye aey ae

mere honthhon kee hansee
meree aankhon kaa nashaa
mere aanchal kee hawaa aa
meree zulfon kee ghataa
kisee ko maar gayee
kisee ko taar gayee
meraa dil ek magar
mere dildaar kayee ee
hhaan
koyee dey chhallaa
koyee angoothhee ee
waadaa bhi ye jhoothaa
nishaanee bhee ye jhoothee
ghunghroo bajaatee
main to jahaan jaaoon
ungli pe saarey
zamaaney ko nachaaoon
ilaaj karoon main to
har dil ke har ik gham kaa
kamaal moree bindiyaa (haayye aey ae ae haayye aey ae ae)
kamaal moraa jhumkaa
kamaal moree bindiyaa
kamaal moraa jhumkaa
bajaayike chaloon bichchuaa
lagaayike chaloon thhumkaa
kamaal moree bindiyaa
kamaal moraa jhumkaa
kamaal moree bindiyaa
hoyye aey ae ae

Tags: 1981, Anjaan, Asha Bhonsle, Jeetendra, Laxmikant Pyarelal, Neetu Singh, Waqt Ki Deewaar

Jaadoogarni Cheen ki khaala Alladin ki

Posted by: Atul on: January 19, 2023

Blog Day :

5298

Post No. :

17350

Today’s song is from the film “Hum bhi kuchh kam nahin” -1958.

The film, as per its story belongs to a Costume and imaginary genre, but HFGK mentions it as a ” Social ” film. I wonder why ? The cast of the film consisted of Ameeta, Ranjan, Sumitra, P. Kailash, Kanu Roy, Majnu, Ram Avtar, Manju and others. The 7 songs of this film were written by Anand Bakshi, Rahil Gorakhpuri, Kaif Irfani and Sharki Bhopali. The lyricist Rahil Gorakhpuri wrote 30 songs in 12 films from Sun to le haseena-58 to Aaja Sanam-75. In addition, as Anwar in the pair Javed-Anwar, he wrote songs in 8 films. Javed in this pair was Manohar Lal Khanna – father of Composer Usha Khanna. The Music Director for today’s film was S.D.Batish. The film was directed by Raman Desai.

Now, this name Raman Desai is a strong case of ” Same Name Confusion”, because there was another Hindi film Director Raman Desai operating during the same period. Their fathers’ names were different but never mentioned anywhere. Sometimes Raman Desai of today’s film was mentioned as Raman Lal Desai in the film credits-like this film. With this small clue, I found out information about these two film directors to differentiate them from each others. Here we go….
RAMAN (Lalbhai) DESAI

Ramanlal Lalbhai Desai was born on 6-9-1915 at Ahmedabad ( some sources indicate different year and place). His father was a Station master in the BBCI Railway ( Bombay-Baroda and Central India Railway). He was educated in Bombay and he studied up to Inter-Arts. He soon left his studies to work as an assistant cameraman and assistant Director, in Paramount Pictures for Thief of Baghdad-34. In 1935 he shifted to Ganesh Movietone but came back to Paramount. He was assistant director in Fairy of the flute-36, Guru Ghantal-37 ,Black ghost-37, Burqawali-36, Aladdin-33, Vagabond lover-38, Madhur bansari-39 etc. He co-directed films like Patriot-37, Darpan-41 and Mere Saajan-41, in Rex Pictures. He was a good editor and a musician.

He became a full fledged Director with Daughter of the jungle-42, Mohabbat ki jeet-43, Circus girl-43, Bhagata Bhoot-43, Rangila Dost-44, Aadhar-45, Qismat ka Dhani-46, Jadui putali-46, Tiger man-47, Naqli Heera-48, Dhanwale-48, Dilwale-48, Roshni-49,Sangeeta-50, Aab e Hayaat-55, Hum bhi kuch kam nahin -58, Minister-59 and Jalim tera jawab nahin-60. He turned to Gujarati films and directed Sole saaj singar-77 and Kul deepak-78.
He was working as a Production supervisor for the film Nastik-54 (credited).

(Thanks to Shri. Harish Raghuwanshi ji for some info used here along with my notes).

RAMAN (Bhimbhai) DESAI

Raman B Desai was born in Bilimora, Gujarat, on 28-4-1918. At the age of 20 years, he joined Wadia Movietone as an assistant Director. He assisted Director Chaturbhuj Doshi for quite some time.

He became an independent Director with Pehli Pehchan in 1947. Then came Narad Muni-49, Raja Harishchandra-52, Hari Darshan-53, Naag Panchami-53, Chakradhari-54, Rajyogi Bharthari-54, Navaratri-55, Waman Avatar-55, Ram Navami-56, Naag Mani-57, Chandi Pooja-57, Grihalaxmi-59 (he also produced it) and Amar jyoti-1965. He also directed 6 Gujarati films. Due to his expertise in religious films, he was known as ” King of Mythological Films”.

Raman B Desai expired on 22-12-1997. ( He should not be mistaken for another director Raman Lal Desai, who operated in the same period and directed films like Aab-e-Hayaat-55 and Sangeeta-50 etc).

The name KANU ROY in today’s film cast is another instance of ” Same name confusion “. There was a composer (and an actor also) by the name Kanu Roy who gave music in a few films. Most people and many internet sites, including IMDB, consider these two different persons as one and claim films for acting and music together, as if he was an actor and a composer – a Two In One person !

In Hindi films this happened routinely, but in the early era of Talkie films. Master Krishna rao, Vinayak rao Patwardhan, Master Mohammed, Badriprashad, Vithaldas Panchotiya etc can be quoted as actor/composers. Lately, only the name of Kishore Kumar comes to mind in this category, off hand. Let us see who these two Kanu Roys were…

Kanu Roy (the Actor) was in reality a name for Nalini Ranjan Roy, born at Jabalpore. He was very fond of acting and so landed at Bombay Talkies,a company started by 2 Benagalese- Himanshu Roy and Devika Rani. Those days many people from Bengal used to come to Bombay Talkies, but only the capable ones like Amiya Chakravarty, Shashadhar Mukherjee or Ashok Kumar etc could make their careers here. Kanu Roy started his acting career with the film Basant-1942. His name Nalini was sounding like a Girl’s name in Bombay ( there were already a dozen Nalinis working in films those days), so it was changed and he opted for Kanu, his pet name in the house. Thus Kanu Roy came into films. Due to his good looks, he even became a lead actor in a few films. Nazrana-46 (UR) was one such film where he was working opposite Kamini Kaushal. Kanu Roy worked in 46 films from 42 to 83 ( kisi se naa kehna). Kanu Roy also left Bombay Talkies along with S.Mukherjee and others and joined Filmistan. He was in many Filmistan films like, Mahal, Munim ji, Nastik, Naagin, Jagriti etc. He acted in a Bangla film ‘Samar’too in 1950.

The other Kanu Roy (MD) was an extremely talented music composer of Bengali and Hindi cinema during 1960s and 1970s.. An unsung hero of Indian cinema, despite giving some wonderful songs to Geeta Dutt and Manna Dey, he got very little opportunities in Hindi cinema. He composed songs for Basu Battacharya’s introspective trilogy on marital discord in an urban setting, ‘Anubhav’, ‘Avishkar’ and ‘Griha Pravesh’ in the 1970s, and best remembered for giving the last but finest songs to Geeta Dutt – Meri Jaan Mujhe Jaan Na Kaho, Koi Chupke Se Aake and Mera Dil Jo Mera Hota. Ironically she died 6 months after she made a comeback to playback singing for the last time.

Kanu Roy hailed from West Bengal. He was born on 9th December 1912, in a poor family in the outskirts of Kolkata. During his early days he worked as a welder at Howrah Bridge, engaged in repairing work of the bridge. He worked as an assistant to Salil Chowdhury during his early days. As a full-fledged music composer, Basu Battacharya introduced him to Hindi cinema through Uski Kahani in 1966. He gave some of the finest songs to Geeta Dutt such as three songs of Anubhav (her last and final recordings), Aaj Ki Kali Ghata of Uski Kahani etc. He also composed music for Shyamla, which was recensored as Woh phir na aayee in 1981. ‘Geeton Ki Duniya Mein Sargam’ and ‘Khali Pyala Dhundla Darpan’ of Sparsh, ‘Hasne Ki Chaah’ of Aavishkar and ‘Boliye Surilee Boliyan’ of Grihapravesh are memorable songs of Kanu Roy. He gave music to only 8 films, namely Uski kahani-66, Anubhav-71, Avishkar-74, umhara kallu-75, Mayuri-75, Shyamala-79, Griha Pravesh-79 and Sparsh-1980.

He passed away on December 20, 1981, aged 69. . A less-known but extremely talented music director, very little data is available about him on net, In his colleague Gulzar’s words he was a simple person with a humming song always on his lips, and that he never quarreled or mingled with others. Some people and sites describe him as Geeta Dutt’s brother, but he was not her brother. Her brother was Mukul Roy.

HUM BHI KUCHH KAM NAHEEN-1958 was a typical B grade film specially made for the front benchers. As these types of films go, it had a story of king, vazir, a rebel, a princess, a joker, stunt fight, few good songs and lot of big animals like,Horses,Elephants tigers etc.

The hero was Ranjan(Ramnarayan Venkatramana Sarma, born in Madras in 1918 and died in USA in 1983) whose name spelt lot of Sword fighting(in real life too Ranjan was an expert Sword fighter).His name guaranteed lot of fighting,stunts and duet songs around trees.In this film also all this was present.
The story, s/play and dialogues were by Ramprakash Ashk.The music was by S.D.Batish who started his singing career in 1944 and Composer career in 1948 with Chupke chupke.Then came Balma, Patjhad, Khush Raho, Bahu beti, betaab, Amar kirtan, Rooprekha, Haar jeet, Toofan, Deewar, Ek arman mera, Saajish, Tipu sultan, Jalim tera jawab nahin, etc. He gave music as Nirmal Kumar in Lal Nishan and Nakhrewali also.

Batish who shifted to UK in 1964,moved to Santacruz,California-USA,in 1970 till he died there in 2006.(He used to say,’ I shifted from Santacruz,Bombay to Santacruz USA’).

Usman(Ranjan) and Mamubhai(Majnu) were fast friends.Usman was a young manwho did nothing, Mamu was King’s employee.Yar Khan(P.Kailash) the evil and crook Vazir of the king was waiting for a chance to usurp the throne.He kidnapped Zubeida(Manju),sister of Usman and took her to his palace where she commits a suicide.Now Usman wants his revenge.

Princess Zarina(Ameeta) is returning from her hunting trip.She is attacked by Yarkhan’s goons,but Usman saves her.They dutifully fall in love and she promises to help him.When the y reach the palace Usman is attacked by Yar khan’s soldiers but is saved by Zarina.There is Salma(Sumitra) court dancer,who also loves Usman and promises her help.

Finally Yar khan, croockedly captures both Usman and the King and blackmails Zarina to marry him or else……
Salma,Mamubhai and other loyalists rescue Usman.There is a terrific Sword fighting(obviously to use Ranjan’s skills) in which Yar khan is killed by Usman.The king returns with a bandbaja and Usman gets the job of Vazir and princess Zarina as his salary.

Today’s song is sung by Rafi and Asha Bhosle and obviously is a Road Show song. Enjoy….

Song-Jaadoogarni Cheen ki khaala Alladin ki (Ham Bhi Kuchh Kam Nahin)(1958) Singers-Rafi, Asha Bhonsle, Lyrics-Kaif Irfani, MD-S D Batish
Chorus

Lyrics

hey ae ae
tadak tadak tak tikdaak tikdam saasha
aaya qalandar dekh tamaasha
tod ke patthar kar doon bataasha
rakh doon jalaakar kabr se laashaan
aaya qalandar dekh tamaasha
tamaasha
tamaasha
dekh tamaasha

chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
hey
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa

hey hey
waah waah waah waah
jaadoogarni cheen ki
khaala Alladin ki
jaadoogarni cheen ki
khaala Alladin ki
abba mera jaapani qalandar
amma filistine ki
jaadoogarni cheen ki
khaala Alladin ki eeee

mere jaadoo ki chakri
kar de duniya ko chakram
saari safaai haath ki hai
yaani ghaple ka ghaplam
dekh na pahle kartab logon
phir naqdi ka naqdon
main na maanoon
main na maanoon
kuchh karke dikha
hey hey
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa

dekh ??
laga ke chashma
baat nahin yaqeen ki
waah waah waah waah
jaadoogarni cheen ki
khaala Alladin ki
jaadoogarni cheen ki
khaala Alladin ki

haath mein rakhhoon
kha ke tambaaku
munh se nikaaloon chaakoo
dekh ke jisko kaan pakad le
chor lutere daakoo
vaar karoon to dum ko dabaa kar
bhaage Khan Halaaku
main na maanoon
main na maanoon
kuchh karke dikha
hey hey
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
dekh ke ??
laga ke chashma
baat nahin yaqeen ki
waah waah waah waah
jaadoogarni cheen ki
khaala Alladin ki
jaadoogarni cheen ki
khaala Alladin ki

ae beta jamoora

ek baar mein gat kar jaaoon
kar ke aag ko paani
bina piye daaru ??
ho jaaun mastaani
phir dekh bechaaram jaani mera
naach Balochistani
main na maanoon
main na maanoon
kuchh karke dikha
hey hey
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
dekh ke ??
laga ke chashma
baat nahin yaqeen ki
waah waah
waah waah waah waah waah
jaadoogarni cheen ki
khaala Alladin ki
jaadoogarni cheen ki

Tags: 1958, Asha Bhonsle, Ham Bhi Kuchh Kam Nahin, Kaif Irfani, Rafi, S D Batish

Pataakhaa phuljhadi na main hoon baabu jhonpdi ka bomb

Posted by: Atul on: December 5, 2022

Blog Day :

5253

Post No. :

17256

“Swaami Dada”(1982) was produced and directed by Dev Anand for Navketan Films, Bombay. The movie had Dev Anand in title role. The movie also had Mithun Chakraborty, Padmini Kolhapure, Rati Agnihotri, Naseeruddin Shah, Shakti Kapoor, Kulbhushan kharbanda etc. The movie introduced Cristine o` Neil.

It also had A.K.Hangal,Bharat Kapoor, Sushma Seth, Bina, Mona Behl, Urmila Bhatt, Tom Alter, Raj Kaul, Roshan Taneja, Nilima, Naaz, Sudhir Dalvi, Mohan Sherry, Col.Raj Bharti, Master Rajoo, Sudhi etc. The movie introduced Jackie Shroff.

They were supported by Madhup Sharma, Ravinder, Prem Sagar, Piloo Wadia, Rattan Gaurang, Bhushan Tiwari, Pardesi, R.S.Chopra, Malvinder, Radhey Shyam and Child artistes Bittu,Ravi Valecha, Vikas, Ritwick, Baby Khushboo, Sundeep, Bunty and Baby Shweta Sood.

“Swaami Dada”(1982) had seven songs in it. Two songs have been covered so far.

Here is the third song from the movie to appear in the blog. The song is sung by Asha Bhonsle. anjaan is the lyricist. Music is composed by R D Burman.

The song is picturised as a roadside tamasha song on Padmini Kolhapure. Dev Anand, Baby Khushboo and Master Raju Shreshtha are also visible in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.
Rajesh

Audio link

video link

song-Pataakhaa phuljhadi na main hoon baabu jhonpdi ka bomb (Swaami Dada)(1982) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-R D Burman

Lyrics(Provided by Prakashchandra)

(whistling sound)

pataakhaa phuljhadi naa
haan aaan
pataakhaa phuljhadi naa
main hoon baabu jhonpdi ka bomb aa
patakhaa phuljhadi naa
main hoon baabu jhopdi ka bomb..mmm
ho o o
khuli sadkon pe palee
khilee sholon mein kalee
khuli sadkon pe palee
khilee sholon mein kalee
kisee se na kam..mmm
patakhaa phuljhadi na
main hoon babu jhonpdi ka bomb
patakhaa phuljhadi na
main hoon babu jhonpdi ka bomb

dekho arrey dekho o
haan aaan
dekho dekho o naa

jahaan bal khaati chalee
taraaney gaati chalee
khushee ke rang udey ae
huyi gulzaar galee
bhaley kangaal hoon main
yahaan khushhaal hoon main
mujhe woh roop milaaa aaa
ke maalaamaal hoon main aen
main aawaaraa galiyon ki raanee hoon
ho o o
koyi mehlon mein palee
yaa ho jannat ki paree
khilee sholon mein kalee
kisee se na kam..mmm
patakhaa phuljhadi na
main hoon babu jhonpdi ka bomb
patakhaa phuljhadi na
main hoon babu jhonpdi ka bomb

arrey dil phenk
dil na phenk
paisa phenk
tamaashaa dekh
(laughing sound)
duanni
bas duanni
chawannee
bas chawannee
atthannee
bas atthaanee
arrey waahh

mujhe na note dikhaa
mujhe na paas bulaa
kahin jal jaaye na tu..ooo
mujhe na haath lagaa
naa naa naa naa naa naa
aake baahon mein teri
pyaar se jhoom loon main
tu koyee prince naheen een
tera munh choom loon main
aisi chaalon se main begaanee hoon
ho o ho
buron ke liye buree
bhalon ke liye bhalee
khilee sholon mein kalee
kisee se na kam…mmmm
patakhaa phuljhadi na
main hoon babu jhopdi ka bomb
patakhaa phuljhadi na
main hoon babu jhopdi ka bomb

oyye hoyye
hhayye hoyye

oyye oyye
hoyye hoyye

dekho to daadaa lagey
dil ka shehzaadaa lage
tujhse to meraa koyee eee
pehle ka waadaa lagey
yahaan koyi aisaa naheen
haan tere jaisaa naheen
aaye sapnon mein mere ae
kaheen tu woh to naheen
aisey dilwaalon ki deewaanee hoon
ho o o
milegee kaheen kabhee
mere sapnon ki galee
khilee sholon mein kalee
kisee se na kam..mmmm
patakhaa phuljhadi na
main hoon baabu jhonpdi ka bomb
patakhaa phuljhadi na
main hoon baabu jhonpdi ka bomb

Tags: 1982, Anjaan, Asha Bhonsle, Baby Khushboo, Dev Anand, Master Raju Shreshtha, Padmini Kolhapure, R D Burman, Swaami Dada

Hum do mast malang pilaayen bhar bhar thhande jaam

Posted by: Atul on: March 15, 2022

This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4988

Post No. :

16879

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # # A tribute to lyricist Verma Malik#
————————————

Today 15^th March’2022 is the thirteenth Remembrance anniversary of lyricist Verma Malik (13 April 1925 – 15 March 2009).

As a tribute to him here is a song from the ‘1972’ movie ‘Be-imaan’. All songs for this movie were written by Verma Malik.

For today’s presentation I was looking for a song specially from the seventies and the year ‘1972’, as we are already celebrating ‘fifty’ years of the year ‘1972’.

‘Be-imaan’ had all the songs penned by Verma Malik and had also brought him his second ‘Filmfare’ award too.

Secondly, other than its songs the movie was also the most ‘controversial’ movie of that year because of the way it was adjusted the winner of best movie award at the filmfare awards function at the expense of other more desrving movies.

“Beimaan-1972” was directed by Sohan Lal Kanwar for his home productions ‘Filmnagar, Bombay’.

It had Manoj Kumar, Rakhi, Nazeema, Snehlata, Prem Chopra, Prem Nath, Pran, Murad, Sulochana, Raj Mehra, Brahm Bharadwaj, Gulshan Bawra, Rajpal, Sahbeena, Dulari, Sudarshan Sethi, Aarti, Vishal Dutt, O.P. Kohli, Tun Tun, V. Gopal, Rajrani, Sheikh, Ravi Thakur, Kamaldeep, Lata Bose, Kedar Sehgal, Deepak, Sikander Lamba, Parvez, Ayyub, Shankar, Ramesh, Khodu Baba, Mustafa, Uma, Neeta, and others.

(HFGK Vol-V (1971-981) mentions 05.06.1972 as the date of certification by Censor Board of this movie. However, the version of this movie available on internet mentions 28.11.1972 as the certification date by Censor Board.)

“Beimaan” had seven songs written by Vermal Malik and composed to music by Shankar-Jaikishan.
Following is the list of songs of this movie as given in HFGK Vol-V (1971-1980).

SNo	Song Title	Singer/s	Posted On
01	Na izzat ki chinta…jai bolo beimaan ki	Mukesh, chorus	07.02.2013
02	Ye raakhi bandhan hai aisa	Lata, Mukesh	24.08.2010
03	Neela neela kurta, chudidar pajama	Mahendra Kapoor, Asha Bhonsle, Chorus
04	Chali saj ke hai dil ko mila ke	Sharda, Asha Bhonsle, chorus
05	Dekho ji raat ko zulam ho gaya	Asha Bhonsle	23.09.2016
06	Bam ragad… ham do mast malang pilaayen bhar bhar thhande jaam	Kishore Kumar, Mahendra Kapoor	Being discussed today
07	Kitni kism ki beimaani… jai bolo beimaan ki	Mukesh	07.02.2013

The title song of this movie ‘Jai bolo beimaan ki’ stood sixth in the annual ‘Binaca Geetmala’ list of 1972. Other than this the ‘raakhi’ song of the movie was also a very popular song.

I had a big nostalgia of the songs of this movie because one of my uncles had brought the Record Player and he had a LP record of this movie songs. When I started my own music collection, I had a big attraction for the songs of this movie and the other Manoj Kumar movie ‘Pehchaan-1970’. Audio cassettes were generally available for ‘Pehchaan-Beimaan’ songs in one cassette.

I think the songs of ‘Pehchaan-1970’ were also very popular and heard frequently on ‘Radio’ then. My Uncles used to remind me of the ‘ye gangaram ki samajh’ song every time during a family ‘get-together’. They said that they used to tease me with this song when I was a child and was ‘quite’ a healthy child 😊 (I don’t know why I used to be annoyed then on people calling me ‘Gangaram’ 😊)

Coming back to today’s song from ‘Beimaan-1972’, the picturisation shows Pran and Manoj Kumar lip-sync the song in the voices of Kishore Kumar and Mahendra Kapoor respectively.

The situation and context of the song is anybody’s guess.

Other than Manoj Kumar and Pran, the picturisation shows one actress whom I am unable to identif. Many other artists are visible in the picturisation of this song.

Let us now listen to today’s entertaining song and pay our tributes to lyricist Verma Malik.

This song also reminds me another song of Manoj Kumar-Pran ‘jodi’ in the similar situations in the movie ‘Dus Numberi’ and the song is ‘na tum ho yaar aalu naa ham hai yaar gobhi’ .

Video

Audio

Song-Hum do mast malang pilaayen bhar bhar thhande jaam (Beimaan)(1972) Singers-Mahendra Kapoor, Kishore Kumar, Lyrics-Verma Malik, MD-Shankar Jaikishan

Lyrics

bruurr
bruurr
bruurr
bruurr
bruurr
bruurr

bam ragad ragad ragad
bam bam bam
bam ragad ragad ragad
bam bam bam
bam bam bam bam aa ….

ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam
ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam

o bhaiyya
le le chhotaa aa
o ho o laala
de de ghotaa aa
hey he o khaalaa aa
pee le lota
ae o khaala ji
arey ho ja motaa
ae aa haa aa

sheeshe ki doli mein leti
dekho ye baadaam ki beti
thhandi aur meethhi hai aisi
gangaa jamuna ke jal jaisi

kya baat kahi ee

bahu saas ko agar pilaaye
saas kabhi naa garmi khaaye
mil ke piye devar Bhabhi
ghar mein ho naa kabhi kharaabi
arey waah bhaiyya
waah aa

ik pyaale se
wajan badhegaa
poore chhah sau graam
dus paise mein pee ke jaana
kaabul ke baadaam

ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam

o bhaiyya
le le sotaa aa
ae ho o laala
de de ghotaa aa
arey o laalaa
pee le lota
oye khaala
arey ho ja motaa
ae aa haa aa

bammak
bam bambak
bam bambak
ho bam bammak
ho bam bammak
ho bam bammak oo

hema malini aur Sharmila
pee ke kaam kare furteelaa
saira bano raakhi Rekha
sabne isko pee kar dekha aa

oye qurbaan jaawaan

ragde raj Kapoor Rajinder
rajesh Khanna aur dharmender
chhaane mohd rafi Mahendar
piye dev anand jeetender
arey waah bhaiyya
waah bhai
Rustom e hind banaa darasingh
Pee pee iske jaam
dus paise mein pee ke jaana
kaabul ke baadaam
ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam

o bhaiyya
le le chhotaa aa
oye oye o laala
de de ghotaa aa
oye laala idhar aa re

arey pee le lota
arey le le lota pee le
arey ho ja motaa
ae aa haa aa

hurr

kidhar gayi bhai
hoye hoye
khabar nahin bhai

kidhar gayi bhai
khabar nahin bhai

haa aa

hey aankhen moti
patli naak
lambi gardan
laal frock
kabse tujhko rahe pukaar
khol de khidki
de deedaar

de ke jalwaa
maar ishaaraa
khatm ho jaaye
jhagdaa saaraa
samajh le ab tu pakdi gayi hai
aaja kaamini kahaan chhupi re ae
kahaan gayi kaamini ee
teri gali mein aaj hamen
koyi aur nahin hai kaam

dus paise mein pee ke jaana
kaabul ke baadaam
ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam

o bhaiyya ji
le le chhotaa aa
oye oye o laalaji
de de ghotaa aa
oye oye khaala

arey laala akele
arey pee le lota
arey ho ja motaa
ae aa haa aa

bam bammak
bam bammak
ho bam bammak
ho bam bammak
ho bam bammak oo
bam bammak
bam bammak
bam bammak
bam bammak
bam bammak
bam bammak
bam bam bam oo k

Tags: 1972, Beimaan, Kishore Kumar, Mahendra Kapoor, Manoj Kumar, Pran, Shankar Jaikishan, Verma Malik

Goron ki na kaalon ki duniya hai dilwaalon ki

Posted by: Atul on: December 29, 2020

This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4547

Post No. :

16125

Rajesh Khanna – Birth Anniversary on 29/12/2020
—————————————————————-

Rajesh Khanna, the first superstar of hindi films, was born as Jatin Khanna on 29/12/1942 at Amritsar, Punjab. He is said to have had 17 solo hits from 1969 to 1971. This might be the only thing where Rajesh Khanna is ahead of superstar of the millennium, Amitabh Bachchan. He holds the record of 48 Platinum Jubilee hits and 26 Golden jubilee hits plus 22 silver jubilee hits. Certainly overtook the Silver Jubilee star Rajendra Kumar in a big way, who had 25 silver Jubilees in his time.

Not, really having lived through the era of ‘Rajesh Khanna phenomena’, makes the experience that much less effective, but I have read a lot about it in urdu film magazine “Shama”. I can also vouch for his versatility as actor, who was comfortable in any type of character. Even through the superstardom, the quality of real story based meaningful films was maintained. With his performance in films like Anand, Safar, Khamoshi, Bawarchi, Mere Jeewan saathi, Amar Prem, Aradhana, Bahaaron ke Sapne, Namak Haram etc. he proved his mettle as an versatile actor.

As a tribute on his 78^th birth anniversary, I am presenting a song from ‘Disco Dancer’ 1982, where Rajesh Khanna had a special appearance. There are quite a few special appearances and guest appearances in his filmography, which shows he did remember the benefactors in his life and did return the favours if he could. He did many number of films with Hrishikesh Mukherjee, Manmohan Desai, J. Om Prakash and Shakti Samant.

The song is a multiple version song, composed by Bappi Lahiri and written by Anjaan. Suresh Wadkar is giving playback to Rajesh Khanna and Usha Mangeshkar is singing for a child artist playing the young Mithun Chakravorty. This happy version is a ‘road side tamasha’ category song as Rajesh Khanna and the child perform in the streets. The child artist could be Baby Pinky. The sad version is a climax situation song in the auditorium, where again Rajesh Khanna is trying to coax a grown up disco star Mithun Chakravorty to start singing. This is a solo version of Suresh Wadkar.

A Trivia about this film:
Rajesh Khanna agreed to make a small appearance in this film without charging a fee. He did so to return a favour he owed to the film’s producer, director B. Subhash. It was Subhash who had recommended Rajesh Khanna to the producers of “Thodi si Bewafaii” (1980) when they were considering Sanjeev Kumar for the film’s lead role. The success of “Thodi si Bewafaii” helped stabilise Khanna’s career at a time when his films were bombing one after the other.

These two songs from this film are so far posted in the blog:

Song	Date of posting
Krishna dharti pe aa jaa tu	12 April 2014
I am a Disco dancer	16 June 2018

A last memory about Rajesh Khanna is a poetry loving character who is seen carrying around and reading a small book of Urdu poetry in this song of ‘Anand’. The book could be Sahir Ludhianvi’s “Parchhaiyaan”, but I am not sure.

It is a great tribute to the love of the language if a Bengali set up film shows a book in urdu script. The Bengali itself being a rich language, literature wise and status wise. It could have been Rajesh Khanna’s own choice.

Audio – Version 1 (Happy)

Video – Version 1 (Happy)

Audio – Version 2 (Sad)

Video – Version 2 (Sad)

Video – Version 3 (Short version)

Song-Goron ki na kaalon ki ye duniya hai dilwaalon ki (Disco Dancer)(1982) Singers-Suresh Wadkar, Usha Mangeshkar, Lyrics-Anjaan, MD-Bappi Lahiri
Both

Lyrics (Provided by Avinash Scrapwala)

———————–
Happy version :
———————–
Goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki ee
haan goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee ee
ho oo
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

gali gali mein
geet hamaare
goonje subha-o-shaam
ham geeton ke saudaagar hain
yahi hamaare kaam
arre gali gali mein
geet hamaare
goonjen subha-o-shaam
ham geeton ke saudaagar hain
yahi hamaare kaam
na sonaa
na chaandi ee
geeton se ham ko pyaar aar
na sonaa
na chaandi ee
geeton se ham ko pyaa aar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

haan jeena hai din chaar yehaan
khush ho ke jee le yaar
karna hai kuchh agar tujhe
jee bhar ke kar le pyaar
arrey jeena hai din chaar yehaan
khush ho ke jee le yaar
karna hai kuchh agar tujhe
jee bhar ke kar le pyaar
kya teraa
kya meraa
bhulaa de ae
mere yaa aar
kya teraa
kya meraa
bhulaa de ae
mere yaa aar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki ee
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

—————————
Sad version :
—————————
kya tera
kya merabhula de mere yaaar

gaao beta gaao

goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

na sonaa
na chaandi ee
geeton se ham ko pyaa aar
na sonaa
na chaandi ee
geeton se ham ko pyaar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

—————————
Short version :
—————————
kya hai oonche sheesh mahal
kya daulat kya jaageer
dil ki daulat paas hai jin ke woh hai bade ameer
kya hai oonche sheesh mahal
kya daulat kya jaageer
dil ki daulat paas hai jin ke woh hai bade ameer
jo tera dil bole woh kar le ae mere yaar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

Tags: 1982, Anjaan, Bappi Lahiri, Disco Dancer, Rajesh Khanna, Suresh Wadkar, Usha Mangeshkar

O kahaan le ke dil chale mere sainyya manchale

Posted by: Atul on: November 25, 2020

Blog Day :

4513

Post No. :

16065

“Ek Phool Ek Bhool”(1968) was directed by Kidar Kapoor. This “social drama” had Dev Kumar, Zeb Rehman, Jayanti, Sudhir, Madan Puri, KN Singh, Helen, Dulari, Sunder etc in it.

The movie had five songs in it. Two songs from the movie have been covered in the blog. Both songs were covered in 2012 and after that there has been no activity for songs of this movie in the blog,

After the passage of eight years, here is another song from “Ek Phool Ek Bhool”(1968) to appear in the blog. This song is sung by Asha Bhonsle. Indeewar is the lyricist. Music is composed by Usha Khanna.

The song is picturised as a roadside tamasha song where a lady performs a dance song, assisted by a few colleagues accompanying her on musical instruments like dholak etc. A group of bystanders dutyfully gather around the performers in a circle. The most well known song of this genre is the “Zanjeer” (1973) song- Deewaane hain deewaanon ko na ghar chaahiye .

I am unable to identify the lady performing the dance while the lead pair look on as part of the audience. I can identify Birbal as the dholakiya. I request our knowledgeable readers to help identify the other artists seen in the picturisation.

Audio

Video

Song-O kahaan leke dil chale (Ek Phool Ek Bhool)(1968) Singer-Asha Bhonsle, Lyrics-Indeewar, MD-Usha Khanna

Lyrics

o kahaan leke dil chale mere sainya manchale
o kahaan leke dil chale mere sainya manchale
kaahe ko itni doori
laga bhi lo gale
o kahaan leke dil chale mere sainya manchale
o kahaan leke dil chale mere sainya manchale

rok lenge tumhen nainon ke teer se
nainon ke teer se
baandh lenge ji zulfon ki zanjeer se
ae ji zanjeer se
na tum ja sakoge door na rahenge faasle
na tum ja sakoge door na rahenge faasle
kaahe ko itni doori
laga bhi lo gale
o kahaan leke dil chale mere saiya manchale

aaj tak tumne mujhse kinaara kiya
haan kinaara kiya
phir bhi dekho tumhen maine pa hi liya
haan jee pa hi liya
sooni sooni raahon mein diye pyaar ke jale
o sooni sooni raahon mein diye pyaar ke jale
kaahe ko itni doori
laga bhi lo gale
o kahaan leke dil chale mere sainya manchale

roothhi ye chutkiyon mein mana lenge hum
haan mana lenge hum
aur apna tumhe phir bana lenge hum
haan bana lenge hum
sachche kar lenge sapne
jo sapne aankhon mein paley
sachche kar lenge sapne
jo sapne aankhon mein paley
kaahe ko itni doori laga bhi lo gale
o kahaan leke dil chale
mere sainya manchale
o kahaan leke dil chale
mere sainya manchale

Tags: 1968, Asha Bhonsle, Ek Phool Ek Bhool, Indeewar, Usha Khanna

Toone maar ke pyaar ki bomb

Posted by: Atul on: September 29, 2020

Blog Day :

4456

Post No. :

15933

Mohammed Rafi: The incomparable (II) – Song No. 19

29/09/2020 – 88^th birth anniversary of Mehmood
—————————————————————
Mehmood Ali (29 September 1932 – 23 July 2004), popularly known simply as Mehmood, was an Indian actor, writer, singer, director and producer best known for playing comic roles in Hindi films. Today we are celebrating his 88^th birth anniversary. Only other person I can think of with so many talents is Kishore Kumar. Even that I am not sure if, Kishore Kumar ever wrote any film stories though he is credited as a song writer, I think.

A veteran of 300 films, he can be called India’s national comedian, some may differ. But to differ is everyone’s not so basic right. The premise for calling him the national comedian are many, one of them could be this fact that he has 25 filmfare nominations. That amounts to at least one nomination every year from 1954 onwards. It is not so straight forward. As per information given on Wikipedia, the award for Best performance in a comic role started only in 1967. So Mehmood was nominated for Best supporting actor 6 times between 1954 and 1966. Rest of the nineteen nominations could be in continuation up to 1985. By late 70’s Mehmood significance as a comedien or a need for a comedien in films had diminished. From late 70’s the comic character as well as a Vamp/dancer character were diminishing, as the heroes and heroine’s usurped them. For a while there, a thought struck that, if they could they would have done away with playback singers too, if they could. Than playback singers also would have been out of the work force as well with the defunct comic actor and dancer/vamp starlets. Fanciful thoughts these.

If the ‘Best performance in a comic role’ is initiated as late as 1967, many like Agha, Bhagwan and Johnny Walker missed out on them. In the 90’s we did see, some heroes nominated for “Best performance in a Negative role”, “ Best performance in a comic role” etc.

Back to Mehmood who started his career as a child artist, in “Qismat” 1943. He produced a number of films, story of some of them like ‘Ek baap chhe bête”,’Bhoot Bangla” “Safed ghoda kaala sawaar” & “ Janta Hawaldar”. So this was a talented and multi-faceted personalty. Many memorable character and comedy with a twist of tragedy roles assessed by Mehmood are too many to list. The youngest brother of ‘Beti-Bete”, the international faqeer in ‘Aankhen”, the kabaadiwala son in law in ‘Neel Kamal”, to the madrasi music teacher in “Padosan”, to the recalcitrant son to Om Prakash who has a passion for filmmaking in “Pyaar kiye jaa”, and the kaala, dilwala in “Gumnaam”. The difference from other comic actors and Mehmood is the versatility of his talents, and he was usually accompanied by a love interest in the films. There was a parallel story going on with these comic actors, side by side with the main story. Even in the not so run of the mill films, this was a regular thing. And songs to sing is a foregone conclusion, romantic or comic.

After a few lack luster recent post, I have made some special efforts here in this posts, to make some observations of my own. It may be the 50’s Rafi song, which brings this out of me. I had begun to feel jaded and incinerated, with so many 80’s and 90’s , even 70’s songs I have written the posts for recently.

It feels good to go back to the 50’s. The song in question is from “Mr. Qartoon MA”(1958). Rafi Sahab is singing here for both Mehmood and Johnny Walker. Johny Walker and Mehmood are disguised as sadhu’s and singing this song on the street, in front of their love interest’s hostel or house. The song is special for being a comic song, roadside tamasha song, sadhu’s song, disguise song etc etc. The music director for this film O. P. Nayyar and surprisingly lyricist is Hasrat Jaipuri, on his rare picnic outside the Shankar-Jaikshan. Not that anyone is complaining, if it gives us songs like ‘Tere Ghar Ke saamne” when Hasrat Jaipuri ventured out of the foursome fold.

I have had the fortune of posting a few O. P. Nayyar songs in the distant past, but before this post cannot recall any songs written by Hasrat Jaipuri, for which I have written a post. Also the posts for Shankar-Jaikishan songs, are rare ones for me.

The audio and film version are slightly different in this song. Audio is shorter than the film version and a line in the mukhda which is repeated is changed as “ab hari om”.

These four songs from this film are already posted in the blog:

Chanda chaley jhoom ke baadarwa ko choom ke
Dil tera deewaana o mastaani bulbul
Main main main main cartoon Multiple part song
Mera dil ghabraaye meri aankh sharmaaye

This is song no. 19 in series of Mohammed Rafi: The incomparable (II), also a tribute for Mehmood. I don’t want to repeat my earlier requests for having a separate category tag for ‘Mehmood” song. I see that there is one such tag for Johny walker song. The is a need for ‘Agha song” also for that matter. Many all-time classic songs are sung onscreen by these comic actors.

Full video :

Shorter audio :

Song-Toone maar ke pyaar ka bomb (Mr Qartoon MA)(1958) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-O P Nayyar
Chorus

Lyrics

Aa
aaaaaaa
masjid dekhi
mandir dekhe
dekhe girjaa saare ea
pyar na mujh ko kahin milaa to
aaya tere dwaare

tu ne maar ke pyaar ki bomb
o mere dil ko kar diya mom
kar karle om
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
o mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom

aa
aa
aa
aa
ha ho
aa
arey dhan dhana dhan
kar de dil ka ? ?an

main aaya ban kar jogi
teri preet ka hoon main rogi
arey main aaya ban kar jogi
teri preet ka hoon main rogi
hain roop ki pyaasi ankhiyaan
bolo kab darshan dogi
hain roop ki pyaasi ankhiyaan
bolo kab darshan dogi
o main ne chhod di apni qaum
arey sun kar pyaar ki bomb
chal karle hom
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom

aa
ha
hee haa
??
aa
haa

main pheroon teri maalaa
tu ne aisa jaadoo daalaa
o main pheroon teri maalaa
tu ne aisa jaadoo daalaa
kuchh aur na tujh se maangoon
le bhar de pyaar se pyaalaa
kuchh aur na tujh se maangoon
le bhar de pyaar se pyaalaa
o tera sar hai meraa home
o zara sun le itni bomb
chal karle hom
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom

aa
haa
aah
aah
aah
aah

main duniyaa taj kar aaya
par chain kahin na paaya
arey main duniyaa taj kar aaya
par chain kahin na paaya
teraa naam sunaa to devi
England se paidal aaya
O teraa naam sunaa to devi
England se paidal aaya
O main to ghoom ke aaya Rome
O tere pyaar ki sun kar dhoom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
o mere dil ko kar diyaa mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom

uyi maa
bachaao
aa aa aa
o bhagwaan
sune na koi shaitaan

Tags: 1958, Hasrat Jaipuri, Johny Walker, Mehmood, Mr Qartoon, Mr Qartoon MA, O P Nayyar, Rafi

Older Entries

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘"roadside tamaasha" song’ Category

Choree choree aa jaa tu meree galee aa jaa

Hum Se Kiya Hai Sab Ne Dikhaawa Koi Hamaara Yaar Nahin

Kamaal mori bindiyaa kamaal mora jhhumkaa

Jaadoogarni Cheen ki khaala Alladin ki

Pataakhaa phuljhadi na main hoon baabu jhonpdi ka bomb

Hum do mast malang pilaayen bhar bhar thhande jaam

Goron ki na kaalon ki duniya hai dilwaalon ki

O kahaan le ke dil chale mere sainyya manchale

Toone maar ke pyaar ki bomb

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Archive for the ‘"roadside tamaasha" song’ Category

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What is this blog all about

Important Announcement

Total number of songs posts discussed

Number of movies covered in the blog

Search

Total visits so far

Top Posts

Subscribe to the blog

Bookmark

Recent comments

Meta

Category of songs

Current Visitors

Historical dates

networked blogs

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Tag cloud