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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kishore Kumar-Asha Bhonsle duet’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3898 Post No. : 14944 Movie Count :

4083

India is a country of festivals. India is also a country of colours. So, it follows naturally that there should be a festival of colours as well in India. Indeed that is the case and that festival is called Holi.

Today (21 march 2019) is Holi, the festival of colour. Holi is the most favourite festival as far as Hindi aand other Indian language movies are concerned. This festival offers all the opportunities that Hindi movie makers so look forward to, viz to slip in a song and dance situation.

Hindi movie makers want a situation where both genders should be seen dancing together, teasing each other, taking liberties with each other, and yet the other party not objecting- this festival offers all these opportunities, possibilities and more. No wonder Hindi (and Indian) movie makers have utilised Holi festival opportunities to the full and continue to do so. Even new Hindi movies, who are otherwise known for forgettable songs in them continue to come up with Holi songs that manage to be longer lasting that other songs of the movie. Take the example of the Holi song that Sudhir Jee posted first thing in the morning. It is a song from 2013. I was not aware of this song and even Sudhir Jee became aware of the song only a while back, but what a song it is! Here is a song from this century where lyrics is the star just like how it used to be in the Golden era of HFM.

This is the eleventh Holi for this blog. Since this festival is the MFF (most favourite festival) of Hindi movies so one can be certain to have a steady supply of Holi festival songs to cover in the blog, even though we have already covered most well known Holi songs including timeless Holi songs.

As many as 57 Holi songs have been covered in the blog so far on 10 previous occasions, which works out to a whopping average of nearly six holi festival songs each year (5.7 per holi day, to be precise)! It is a higher average than the daily post average of the blog (3.8 songs per day) at the moment.

Different festivals remain topical for different duration of time. If we do not post a writeup within this time then the post loses its relevance. In case of Holi, it is the first half of the day mostly when people are mostly in festive mood, though it spills over to the afternoon as well. Same is the case for Republic day and Independence day as well, where Indians feel at their most patriotic during the first half of the day !

It is already afternoon, and I should have been prompt like Sudhir Jee, who scheduled his Holi festival song for posting early in the morning , after dong all the writeup earlier. I, on the other hand find myself behaving like a student who is trying hard to study his text books after the time is all but over. 🙂

I have Prakashchandra for my rescue though. He has sent so many Holi festival songs that they will easily last me a few more Holi festivals.

If Sudhir Jee chose a Holi song from 21st century, I have chosen a Holi festival song from 1981, when the Golden Era of HFM had just ended and baton was being exchanged between Golden era artists and non golden era artists so to say.

“Aapas Ki Baat”(1981) was produced by Salim Akhtar and directed by Harmesh Malhotra for Citizen pictures, Bombay. The movie had Raj Babbar, Poonam Dhillon,Shakti Kapoor, Bharat Kapoor, Huma Khan, Narendranath, Asrani,Dina Pathak, Purnima,Abhi Bhattacharya, Kalpana Iyer, Madhu Malhotra, Bhushan Tiwari,Janaki Dass,Ajay, Sunder, Azad Irani, Rammurti Chatrurvedi, Sunder Taneja, Dolly, Khushboo,Moolchand, Kirti,Goga Kapoor etc in it.

The movie had five songs in it.

This Holi song from “Aapas Ki Baat”(1981) is the first song from the movie to get covered in the blog. This song is sung by the Golden Era singers viz Kishore Kumar and Asha Bhonsle with chorus. Lyrics are by Anjaan. Music is composed by Anu Malik.

The song is picturised on Raj Babbar and Kalpana Iyer with lots of other dancers. Asrani, Moolchand, Bhooshan Tiwari etc are prominently visible alongwith others.

Lyrics of this song were sent to me by Prakashchandra, who as is his wont, specially mentioned that the audio is a bit longer than the video version. Incidentally the video of this song has ended up becoming rare to find.

With this song, “Aapas Ki Baat”(1981) makes its debut in the blog.

I take this opportunity to wish everyone a happy and safe Holi.

Audio

Video

Song-Rang ude rangon mein dil dooba (Aapas Ki Baat)(1981) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anjaan, MD-Anu Malik
Male Chorus
Female chorus
All chorus
Kishore Kumar + Chorus

Lyrics(Provided by Prakashchandra)

ho ho
ho ho
ho ho
ho ho
ho ho
ho ho

(aa aa aa aa)
ho ho
ho ho
ho ho

aa aa aa aa
ho ho
ho ho
ho ho

aa aa aa aa
ho ho
ho ho
ho ho

aa aa aa aa

hoyye ae ae ae

rang ude rangon mein dil doobaa
rangilaa dil dhoondhe mehboobaa
hey
rang ude rangon mein dil doobaa
rangeelaa dil dhoondhe mehboobaa

hey hey he he
ae hey hey ae ae ae hmm…hmmm..hmmmm
laaa laalala
lala laa aa aa
lalalala
hoyye

udaake gori gulaabi ghunghtaa tu
milaake nazar lagaa de thumkaa tu
udaa ke gori gulaabi ghunghtaa tu
milaake nazar lagaa de thumkaa tu
chehre pe zulfein bikhraa ke
patli kamar yoon lachkaa ke
zaraa hans ke ae
zaraa hans ke bijli chamkaa tu
udaa ke gori gulaabi ghunghtaa tu
milaa ke nazar lagaa de thumkaa tu oo
rang ude rangon mein dil doobaa
arrey rangeelaa dil dhoonde mehboobaa hoyye
rang ude rangon mein dil doobaa
hey rangeelaa dil dhoondhe mehboobaa

ho ho ho
ho ho ho
ho ho ho
ho ho ho

ho o o
na naa na na na na na na na na naaaaaaa
ghunghtaa uthhaa toh machal jaaogey

haayye
lachke kamar toh phisal jaaoge
haayye
o
ghunghtaa uthhaa toh machal jaaogey

hoyye
lachke kamar toh phisal jaaogey
nashe mein aaj ho tum (hic)
bade naadaan ho tum(hic)
nashe mein aaj ho tum
bade naadaan ho tum
takraanaa hamse sambhal ke
mere roop ke nashe mein
nashe mein
nashe mein bhatkaa tu
meri zulf mein deewaane attkaa tu

chehre pe zulfein bikhraa ke
patli kamar yoon lachkaa ke
zaraa hans ke bijli chamkaa tu…oo
rang ude rangon mein dil doobaa
arrey rangeelaa dil dhoondhe mehboobaa ( hoyye)
ha ha ha
rang ude rangon mein dil doobaa
hey rangilaa dil dhoondhe mehboobaa..aa

hey ae hum aaj hadd se guzar jaayenge
jee naa sakenge toh mar jaayenge
hum aaj hadd se guzar jaayenge (hoyye)
jee naa sakenge toh mar jaayenge ae
kissi pe jo na mare
arrey woh khaakh jiye
kissi pe jo na mare
arrey woh khaakh jiye
jeenaa hai sholon mein jal ke ae
tujhe kya pataa kaisse
kaisse
kaisse behkaa tu
haseen aag mein kaisse dehkaa tu

aanchal gulaabi lehraa ke
patli kamar yoon lachkaa ke
zaraa hans ke bijliyaan chamkaa tu
udaa ke gori gulaabi ghunghtaa tu
milaa ke nazar lagaa de thumkaa tu..oooo
rang ude rangon mein dil doobaa
arrey rangilaa dil dhoonde mehboobaa ha ha ha(hoyye)
rang ude rangon mein dil doobaa
hoyye rangilaa dil dhoonde mehboobaa

oyye dil doobaa
arrey meri mehboobaa
hoyye hoyye hoyye hoyye
arrey dil doobaa
ae meri mehboobaa
brrrrrr…rrrrrrrr
hoo hoo
hoo hoo
hoo hoo

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3872 Post No. : 14891

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 8
————————————————

When our dear Atul ji recently started an ‘innovative’ initiative under the ‘ten-year challenge’ or ‘Blog ten-year challenge’ I had mentioned it in my comments on the ‘first song’ in this series that, I would try to share lyrics if not articles as possible in this series. I had also mentioned that I could see a few opportunities for me in the coming days of this month. That was because I was browsing the posts of February’2009 on my own.

Today I have this opportunity to share a ‘song post’ under this series. And since its from ‘seventies’ I am happy to share it here.

Ten years back, on this day i.e. on 23rd February 2009, we had songs from the movies ‘Rajkumar-1964’, ‘Milan-1967’, ‘Chor Machaaye Shor-1974’, ‘Call Girl-1974’, ‘Badi Bahan-1949’, and ‘Dushman-1939’ posted on the blog. All the moves mentioned above, except ‘Call Girl-1974’ have already had all their songs posted on the blog and in turn achieved ‘Yippeeee’ ed status on the blog. 🙂

So, we have ‘Call Girl-1974’ remaining to be covered for all songs on the blog. And so far, only one song of this movie has been posted on the blog. And, I think that the one song posted was the only well-known song from the movie or we can say that the movie is identified with this one song only i.e. ‘ulfat me zamaane ki har rasm ko thukraao’ sung by Kishore Kumar.

However, when I was going through the songs available from this movie and song list of this movie in HFGK-Vol-V, I found that the above song is actually a ‘multiple version song’ sung by Kishore Kumar and Lata Mangeshkar. So, I am also sharing the Lata Version for this song separately and requesting Atul ji to kindly update it in the post please. This song was posted on 23rd February 2009 and there was only comment on it on the same day by Greta Memsaab. The second comment was by Mr. Chandrakant H Shah on 08th Dec’2016 and he had mentioned about this song being a multiple version song. However somehow this has been remained to be updated.

I too remember this song ‘ulfat me zamaane ki har rasm ko thukraao’ as a Kishore Kumar song only and I think the version was not that much popular then. I had not watched this movie until now, so can’t say much about that. Except I vaguely remember to have heard this Kishore Kumar song on radio frequently and thereafter its memory was revived when I had started collecting cassettes in 1985-86. In 1987-88 after the death of Kishore Kumar HMV has released an album titled ‘A tribute to the Legend’ (it was a four-cassette set) and this song was included in this album.

As per HFGK listing of songs of this movie the Lata Mangeshkar version appears first (at number 3 in the movie) and the Kishore Kumar version appears later (at number five in the movie).

‘Call Girl-1974’ was directed by Vijay Kapoor for Mukesh Movies, Bombay. It was produced by Mukesh Khanna.

It had Zahira, Vikram, Iftekhar, Urmila Bhatt, Shekhar Purohit, Minoo Mehtab, Reddi, Mansaram, Satyajeet, Shefali, Jankidas and Kuljeet.
Heena Kausar make a special appearance in this movie.

Jalal Agha and Nazneen, Krishan Dhawan and Paintal have friendly appearances in this movie. Story of this movie was by Mukesh Movies Story Department. Editing of this movie was done by B.S. Glaad. Screenplay and dialogues of this movie were written by K. A. Abbas.

This movie had total seven songs including one multiple version song and one cabaret dance music. All the songs in this movie were written by Naqsh Lyallpuri and music was composed by Sapan-Jagmohan. Asha Bhonsle, Kishore Kumar, Lata Mangeshkar and Ranu Mukherjee who gave their voices to the songs in this movie had one solo song each, and there was one duet sung by Asha Bhonsle and Kishore Kumar and one by Kishore Kumar and Ranu Mukherjee.

This movie was passed by Censor Board on 28.05.1974 with restricted viewing certificate (A).

Since I have not watched this movie, I can’t say much about it or the songs from this movie. I would request knowledgeable readers to throw more light on this movie and its songs.

Let us now enjoy the today’s song which is sung by Asha Bhonsle and Kishore Kumar and picturized on Vikram and Zahira.

The song is a nice one though it must not be popular or heard that much as the other song from this movie.

Video

Audio

Song-Ham hain jahaan wo pyaar ki mehki dagar hai (Call Girl)(1974) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Sapan Jagmohhan
Both

Lyrics

laa laa la laa
laa laa la laa
laa laa la laa aa
laa laa la laa
laa laa la laa
laa laa la laa aa
la la laa laa la laa aa
la la laa laa la laa aa
la la laa laa la laa aa

la la laa
ham hai jahaan wo pyaar ki
mehki dagar hai
saathi mere ye to bataa
jaana kidhar hai
ghataaon ke taley
achchha
jahaan tu le chaley
haan haan
jidhar tu le chaley
ghataaon ke taley
jahaan tu le chaley
jidhar tu le chaley ae

bolo tumhe ae
kya naam doon
arey laa laa la laa aa
dil ye kahe meri
pehli hansi ho tum
jis pe loota gulshan mera
aisi kali ho tum
bolo tumhe ae
kya naam doon

laa laa la laa aa
pyaar ki dharti pe
phaila gagan ho tum
jispe khiley sapne mere
aisa chaman ho tum

muskuraate milenge ae
jahaan bhi milenge ham

ham hai jahaan wo pyaar ki
mehki dagar hai
laa la la laa aa aa
saathi mere ye to bataa
jaana kidhar hai
ghataaon ke taley
aha haa
jahaan tu le chaley
he he
jidhar tu le chaley
ghataaon ke taley
jahaan tu le chaley
jidhar tu le chaley ae

haan aa
dil ki kahen
dil ki sunen ae
haan dil ki sunen ae
aa do ghadi baithhe
aisi jagah jaa ke
hamko jahaan koi nazar
dekhe na pehchaane
aisi jagah paayen kahaan
arey paaye kahaan
dekhta hai saagar
lehren hamen jaanen
jaaye jahaan pichchhaa kare
jhonke ye deewaane ae

ek pal bhi meri jaan
yahaan naa rukenge ham

ham hai jahaan wo pyaar ki
mehki dagar hai
laa laa la la laa aa
saathi mere ye to bataa
jaana kidhar hai
ghataaon ke taley
haan haan
jahaan tu le chaley
o ho ho
jidhar tu le chaley
ghataaon ke taley

he he
jahaan tu le chaley
ho ho
jidhar tu le chaley
laa la la laa
ghataaon ke taley
he he
jahaan tu le chaley
o ho ho
jidhar tu le chaley

——————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————————
ला ला ल ला
ला ला ल ला
ला ला ल ला आ
ला ला ल ला
ला ला ल ला
ला ला ल ला आ
ल ल ला ला ल ला आ
ल ल ला ला ल ला आ
ल ल ला ला ल ला आ

ल ल ला
हम है जहां वो प्यार की
महकी डगर है
साथी मेरे ये तो बता
जाना किधर है
घटाओं के तले
अच्छा
जहां तू ले चले
हाँ हाँ
जिधर तू ले चले
घटाओं के तले
जहां तू ले चले
जिधर तू ले चले

बोलो तुम्हे ए
क्या नाम दूं
अरे ला ला ल ला आ
दिल ये कहे मेरी
पहली हंसी हो तुम
जिसपे लूटा गुलशन मेरा
ऐसी कली हो तुम
बोलो तुम्हे ए
क्या नाम दूं

ला ला ल ला आ
प्यार की धरती पे
फैला गगन हो तुम
जिसपे खिले सपने मेरे
ऐसा चमन हो तुम

मुस्कुराते मिलेंगे ए
जहां भी मिलेंगे हम

हम है जहां वो प्यार की
महकी डगर है
ला ल ल ला आ आ
साथी मेरे ये तो बता
जाना किधर है
घटाओं के तले
अहा हां
जहां तू ले चले
हे हे
जिधर तू ले चले
घटाओं के तले
जहां तू ले चले
जिधर तू ले चले

हाँ आ दिल की कहे
दिल की सुने ए
हाँ दिल की सुने ए
आ दो घडी बैठे
ऐसी जगह जा के
हमको जहां कोई नज़र
देखे न पहचाने
ऐसी जगह पाए कहाँ
अरे पाए कहाँ
देखता है सागर
लहरें हमें जाने
जाए जहां पीछा करे
झोंके ये दीवाने ए

एक पल भी मेरी जान
यहाँ ना रुकेंगे हम

हम है जहां वो प्यार की
महकी डगर है
ला ला ल ल ला आ
साथी मेरे ये तो बता
जाना किधर है
घटाओं के तले
हाँ
जहां तू ले चले
ओ हो हो
जिधर तू ले चले
घटाओं के तले

हे हे
जहां तू ले चले
हो हो
जिधर तू ले चले
ला ल ल ला
घटाओं के तले
हे हे
जहां तू ले चले
ओ हो हो
जिधर तू ले चले


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3856 Post No. : 14869

———————————————
Blog ten year challenge (2009-2019)- Song number 4
———————————————

“Parvarish”(1977) was directed by Manmohan Desai for A G Films, Bombay. This movie had Shammi Kpoor, Amitabh Bachchan, Vinod Khanna, Nitu Singh, Shabana Azmi, Kadar Khan, Amjad Khan, Dev Kumar, Indrani Mukherji, Hina Kausar, Master Ratan, Master Tito, Chand Usmani, Sheikh, Bhushan Tiwari, Viju Khote, Tom Alter, Yusuf, Meena, Baby Shalu, Moolchand etc in it.

This movie has six songs in it. Three of these songs have been covered in the past. This movie made its debut in the blog on 7 february 2009, viz on this day ten years ago. The song was Aji thahro zara thahro.. Jaate ho jaane jaana.

So this movie provided me an opportunity to discuss another song from the movie after exactly ten years. This song is sung by Asha Bhonsle and Kishore Kumar. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.

This song is picturised on Nitu Singh and Amitabh Bachchan. I vaguely recall that our two heroes Amitabh Bachchan and Vinod Khanna play cops and the two heroines Neetu Singh and Shabana Azmi play small time crooks. This being a Hindi movie that too a Manmohan Desai movie, such twains are bound to meet and fall in love after initial chhed chhad etc.

I did not watch any movies from 1972 and 1977 and this movie, like many great movies of my formative years fell in this period. I watched this movie much later in 1980s during summer vacations. Watching the movie nearly one decade later in second or third run of the movie was not th same as it would have been if the movie was released in 1977.

This song, nevetheless is a good song to listen to, and it was a popular song of its time.

So, here is a song from a movie released in 1977 which watched by me in 1984, whose first song was covered in the blog on 7 february 2009 and whose fourth song is being covered in the blog on 7 february 2019. How time seems to have flown as hypersonic speed !


Song-Aaiye shauq se kahiye(Parvarish)(1977) Singers- Asha Bhonsle, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal

Lyrics

hmm mm mm
hmm hmm
hmm mm mm
aaiye
shauq se kahiye
hmm
aaiye
shauq se kahiye
kahiye na
hai koi kaam
aji kaam vaam mein kya rakha hai
ham to hain aapke ghulaam
aaiye
baithiye kahiye
kya hai ji aapka naam

aji naam vaam mein kya rakha hai
ham to hain aapke ghulaam
aaiye
shauq se kahiye

by god
aapka to andaaz hai bada pysara
by god
aapka to andaaz hai bada pyaara
kamre mein aap kya aaye
naqsha badal gaya saara

main bhi yahi sochti
miley na miley mauqa phir ye dobaara
ek do ghadi miley to sabki khidamat karte jaaiye
to aaiye
bathiye kahiye
kya hai ji aapka naam

aji naam vaam mein kya rakha hai
ham to hain aapke ghulaam
aaiye
shauq se kahiye

koi dekho aa rahaa hai
thahro udhar nazar kar lo
koi dekho aa rahaa hai
thahro udhar nazar kar lo
ham apna munh idhar kar len
tum apna munh udhar kar lo
chhup nahin sakoge dear
sundar mukhda tum chaahe jidhar kar lo
time aapne ghalat chuna hai
koshish mat farmaaiye

to phir aaiye
shauq se kahiye
kahiye na
hai koi kaam
aji kaam vaam ko goli maaro
ham to hain aapke ghulaam
to aaiye
baithiye kahiye
kya hai ji aapka naam

aji naam vaam mein kya rakha hai
ham to hain aapke ghulaam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3851 Post No. : 14863

———————————————
Blog ten year challenge (2009-2019)- Song number 1
———————————————

We all have heard of 10 year challenge. In this people post their photos from 2009 as well as 2019 side by side to show how they have aged or how they have not aged.

This ten year challenge can have many variations. One is for Indian cricketers. It is interesting to see how Virat Kohli , Dhoni, and Jadeja looked ten years ago. They were all grown ups at least even if baby faced, but what about Prithvi Shaw. He is just nineteen years old in 2019, and he was just nine years old in 2009 !

There is even twenty year challenge, where one can find photos and videos of celebrities from 1999. I saw a picture of Mitali Raj from 1999 and also one of today.

I also saw a video on youtube where today’s famous cricketers like Tendulkar, Ganguly,, Dravid etc were shown when they were very young.

That video had an interview of Dravid as well. He looked so young those days, but just as unassuming as he is today. The interviewer asked him what he would like to be after his playing days. Dravid said that he would like to be a coach, adding that he had no idea whether he had the credentials for that. Today, twenty years later, as coach of Indian U-19 and A team, one can say that he has been a superb and well respected coach for the new generation of Indian cricketers.

This blog was started in 2008, so we are already a more than ten year old blog. So it is possible for us to have our own ten year blog challenge, where we can post songs from movies whose songs were posted in the blog ten years ago, on the same day.

So, I am starting this ten year blog challenge today on 2 February 2019. When I look back on 2 february 2009, I find that six songs were discussed that day. Songs from “Ek Phool Do Maali” (1969), “Do Dishaayen”(1982), “Barsaat”(1949), “Asli Naqli”(1962), “Ghar Ghar Ki Kahaani”(1970) and “Sharaabi”(1984) were covered on that day. Out of these six movies, “Asli Naqli”(1962), “Barsaat”(1949) and “Ek Phool Do Maali” (1969) havev already been YIPPEED. That leaves us three movies whose songs are still remaining to be covered.

I knew even without checking that “Sharaabi”(1984) was not YIPPEED and that it had some superb songs in it. So this movie was an ideal movie to kickstart the ten year blog challenge.

“Sharaabi”(1984), which came exactly twenty years after “Sharaabi”(1964) had songs that have become classics, just as the songs of “Sharaabi”(1964) were already classics by 1984.

“Sharaabi”(1984) was produced by Satyendra Pal and directed by Prakash Mehra. The movie had Amitabh Bachchan, Jaya Prada, Om Prakash, Ranjeet, Pran, Satyen Kappu, Deepak Parashar, Smita Patil, Bharat Bhushan, C S Dube, A K Hangal, Dinesh Hingoo, Viju Khote, Mukri, Suresh Oberoi, Sudhir, Mayur, Gurbachan, Asha Lata, Chandrashekhar, Jankidas, Pinchoo Kapoor, Ram Sethi, Rajan Haksar, Sunder etc in it.

The movie had six songs in it. Three songs from the movie have been covered in the blog. The first song was covered on this date ten years ago. Other two songs were covered in october 2012.

Here is the fourth song from “Sharaabi”(1984) to appear in the blog. The song is sung by Kishore Kumar and Asha Bhonsle. Anjaan is the lyricist. Music is composed by Bappi Lahiri.

Bappi Lahiri is considered one of the major reasons for the demise of the golden era of HFM. But he showed that he also had the ability to produced classy compositions. He created lots of masterpieces with Kishore Kumar that are remembered to this day. In a way, “Sharaabi”(1984) was sort of like a continuation of “Namakhalaal” (1982) because both these movies had more or less same personnel. The music team of the two movies was entirely same.

Anjaan, who is considered a willing comrade in arms of Bappi Lahiri in degrading the quality of HFM, shows here that he could come up with great lyrics if opportunity presented itself. While noting down the lyrics of the song, I came to realise that the lyrics of this song should be considered the foundation of the song on which the magnificent edifice of this song was built by the music director and the singers. In fact, the lyrics of this song DID win the Filmfare best lyrics award.

The song is picturised superbly as can be expected in a movie directed by Prakash Mehra. The movie is a very long song, over eight minutes long. For the first four minutes, it is a missing the beloved song, and after that the song undergoes a change of mood and the beloved appears on the scene and the melancholic mood gives way the a mood of joy and festivity. serene playing of violin gives way to joyous playing of guitar.

The song is picturised on Amitabh Bachchan and Jayaprada, with almost the entire starcast in attendance. Going by the picturisation, this song appears to be the last scene of the movie as well, wuith the leading duo procceeding to walk into the proverbial sunset as the song ends and Om Prakash wipes off tears of joys from his eyes.

Our regulars are requested to contribute to this “Ten Year Blog Challenge.” That should make it a great series.


Song-Intaha ho gayi intezaar ki (Sharaabi)(1984) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anjaan, MD-Bappi Lahiri
Both
Chorus

Lyrics

lalalaau
lalalaau
lalalalalalaa
lalalalalalaa
lalalalalalaa
hmm hmm hmm

intaha ho gayi intazaar ki
ha
aayi na kuchh khabar mere yaar ki
ye hamen hai yaqeen
bewafa vo nahin
phir vajah kya hui intazaar ki
intaha ho gayi intazaar ki
aayi na kuchh khabar mere yaar ki
ye hamen hai yaqeen
bewafa vo nahinphir
phir vajah kya hui intazaar ki

hmmm
baat jo hai usmein
baat vo yahaan kahin nahin kisi mein
haay
vo hai meri
bas hai meri
shor hai yahi gali gali mein
saath saath vo hai mere gham mein
mere dil ki har khushi mein
aah
zindagi me vo nahi to kuchh nahi hai meri zindagi mein
bujh na jaaye ye shama aitabaar ki
intaha ho gayi intazaar ki
haay
aayi na kuchh khabar mere yaar ki
ye hamen hai yaqeen
bewafa vo nahin
phir vajah kya hui intazaar ki

o o mere sajna
lo o main aa gayi

o o o mere sajna
lo o main aa gayi

o logo ne jo diye honge bade bade nazarane
layi hoon main tere liye dil mera
dil yahi maange dua
ham kabhi hon na juda
dil mera hai mera rahe dil tera
ye meri zindagi
hai teri
ye meri zindagi
hai teri
tu mera sapna
main tujhe pa gayi
o mere sajna
lo main aa gayi

gham ke andhere dhale
bujhte sitaare jale
dekha tujhe to dilon mein jaan aayi
honthon pe taraane jage
aramaan divaane jage
baahon mein aake tu aise sharmaayi
chha gai phir wahi bekhudi
chha gai phir wahi bekhudi
laa
laalalaa
laa
lalalalala

laalalala (hmm)
laa
lalalala
laa
lalalalala
laa
lalalalala
lalalalala
laa
lalalalala
lalalalala
lalaala
lalala
lalala
lalaala
lalala
lalala


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3828 Post No. : 14833

Today’s song is from film Hum kisi se kam nahin-77, made under the banner of Nasir Hussain films.

This is the 3rd consecutive song from the 70s that I am discussing. Do not wonder whether I have shifted sides- from writing on films of 30s and 40s to the 70s. Possibly, for the time being, this is the last one from this period. Actually, I have nothing against the musical or film aspect of the period 70s and beyond. It is only that, mostly they are not of my likings. Of course, I have always said that , ” Everything that was made before 70s was not all good, as much as everything made after 70s was not bad either.”

Good or bad depends upon the personal perceptions, because these are opinions. If you measure them on a scale- like say-durability, then it is measurable and no one can deny the durability quotient of old songs vis-a- vis songs after 70s. A lot can be said on this issue, but not today and not here. Anyway, to each his own !

Why do people like a movie ? If the correct answer was known to anybody, he would be a Trillionnaire in no time ! However, when this question is asked to a common man on the street, the answers one would get would be 1. Story is good. 2. Acting is good. 3. Music is good. 4. I like this Hero/Heroine and many such explanations. My observation is that Music and Songs is one major reason for a movie to be popular and successful. There are many examples like Albela-51, Baiju Bawra-52, Anarkali-53, almost all films of Saigal, most Noorjehan and Suraiya films and most films made by Producer, Director and Writer Nasir Hussain.

Nasir Hussain probably had received from God, the formula for successful films-for a short term use. Out of his 13 films, first 10 were hit films- primarily due to Romance and excellent music. It is said that being a script and story writer himself he used one story for all his films-with some variations, of course- and the time he changed the story his films became a flop. Shammi kapoor, whose sinking career took up turn because of the Nasir Hussain film ” Tumsa nahin dekha”-57, had once said, ” we have heard stories of Marwadis coming here with just one Lota and building empires. Here was a man who used one story for his films for 30 years and succeeded !”

Mohammed Nasir Hussain Khan aka Nasir Hussain was born on 2-2-1931 ( wiki says it is 16-11-1926) in Bhopal.His family was related to Maulana Abul Kalam Azaad. While studying in Lucknow University, he wrote several dramas for A.I.R., Lucknow. He even got First prize for 2 consecutive years in the University writing competition .( one of these stories were used to make film ‘ Baharon ke Sapne’). In 1948, he came to Bombay and joined Filmistan.

His first story was for film Shabnam-49, jointly with Qamar Jalalabadi. Independently he wrote story/screenplay/dialogues for Shabistan-51, Anarkali-53, Shart-54, Munimji-55 and Paying Guest-57. Then he wrote Tumsa Nahin Dekha and insisted to direct the film himself. Tolaram Jalan, the owner of Filmistan was not ready to give it to a New director, but when NH threatened to quit, he relented unwillingly but cut the film’s budget. Nasir took Shammi Kapoor ( who had given 9 flops in a row) and new comer Ameeta and made the low budget film Tumsa Nahin Dekha-57.

When Tolaram Jalan saw the film, he was not happy at all,but the film celebrated Jubilees in 30 cities in India. Nasir Hussain got Rs. 10000/- for the story and his salary for 8 months, Rs.8000/- a total of Rs 18000 for this successful film ! When his mentor Shashdhar Mukherjee left Filmistan, to start his own ‘ Filmalaya Studios’, Nasir also left. For this new company. he made Dil Deke Dekho- 59, introducing Asha parekh as New Heroine. The film was a Hit , but he got only Rs. 25000- . Nasir decided that only his own company can give him more money.

With just Rs. 10,000/- in pocket he established his own Nasir Hussain Films Ltd. and made ‘ Jab pyar kisise hota hai-61. Another Hit. Then he made Phir wohi dil laya hoon-63, Teesri manzil-66. Baharon ke sapne-67, Pyar ka Mausam-69, Carvan-71, Yadon ki baraat-73 and Hum kisise kam nahin-77.

For film Teesri manzil-66, the film started with Dev Anand as the Hero. After 2 reels’ shooting, Dev had some differences and he left the film. Shammi Kapoor was roped in. The film was directed by Vijay Anand and for the first time R D Burman was taken for providing Music. Later on Nasir Hussain, Majrooh Sultanpuri and RD Burman collaborated for another 5 films.R D Burman continued till 1985, doing in all 9 films for Nasir Hussain.

After his films in 1981,84 and 85 flopped serially, Nasir Hussain stopped direction and wrote screen play and dialogues for Qayamat se Qayamat taq-88 and Jo Jeeta Wohi Sikandar-92. His nephew Amir Khan was launched in these films. Nasir Hussain died on 13-3-2002 after a Heart attack.

Actors Asha Parekh, Rajendra Nath , Sidhu, Malika and Krishan Mehta owe their career to Nasir Hussain. Shammi Kapoor ,a struggling actor was given a new identity by him & thanks to him, Shammi Kapoor reached at the pinnacle of popularity. Even Amita became a hit property overnight by the success of Tum Sa Nahin Dekha,

While he encouraged new comers, he did not forget the veteran actors ,who had passed their prime . Late B M Vyas ,who was getting roles only in period/religious/Arabian Night movies was chosen by Nasir Hussain for an important role in main stream movie Tum Sa Nahin Dekha. Old timer Wasti ,who regaled the audiences with his natural acting in Sanjog , Rattan, Pugree made in forties and many Punjabi & Hindi movies later on , was passing through a bad phase . Nasir honored him by offering the roles of substance in Dil Deke Dekho,Jab Pyar Kisi Se Hota Hai & Phir Wohi Dil Laya Hoon. He rekindled the fond memories of the forties ,when he signed actors of proven caliber like Rajinder Singh, Mubarak, Kanu Roy, Raj Mehra ,Mumtaz Ali , Surendra Nath & many more . Here I’ll specifically mention the name of Nasir Khan & Bharat Bhushan ,who were passing through the most difficult phase of their lives . The benign film maker Nasir took them in his movies Yaadon Ki Baraat & Pyar Ka Mausam respectively ,just to assure them that they have not been forgotten and the industry recognizes their contribution . It is my strong belief that it was the blessings of those grateful old timer actors ,which made Nasir Hussain so prosperous and successful.

Nasir Hussain had that typical story formula in most of his films of “overhearing” ! In Tumsa Nahi Dekha, Pran overhears about Shammi Kapoor arriving & after stealing Shammi Kapoor’s recommendation letter, introduces himself as Shankar (Shammi Kapoor) . In Dil Deke Dekho, JPKSHH & Pyar Ka Mausam, the heroes concerned, overhear the heroine speaking about a comedian’s arriving (mostly as a marriage candidate) & after packing the comedian back,the hero banks on the name of the comedian. In Teesri Manzil, Shammi Kapoor overhears Asha Parekh speak, that she has come there to take revenge on himself (Rocky) and implies to Asha & her friends that he is different person named Anil Kumar Sona .
Even though with this common formula in most of his films , all his movies did well at the theatre on the basis of good songs & music !

There was a letter from a reader, in Filmfare, which stated thus, ” It is not at all important to pay attention to that so-called Hindi movie critic group who always referred and called Nasir Hussain as man of the movie with Escapism themes all the time to make his movie at box office hit. Working men need to have some kind of entertainment after spending hours and hours in heaps of works and concerned chores. Naturally there grows the tendency to escape from daily reality by engaging in daydreaming, fantasy….and there comes Nasir Hussain with this magical stick plus his established style of screenplay writing and later directing evergreen chocolate hero viz. Dev Anand…rebellious Shammi Kapoor…smiling Joy Mukherjee….charming Shashi Kapoor….handsome Jeetendra….and there was all time beautiful dancing lady ever present in her gorgeous smile…Asha Parekh who worked with these heroes with her fresh enthusiasm. What else an ordinary cine goer wish to have while spending his money for a ticket at window ? Apart from main hero and heroine there were devoted character actors playing various parts . ”

The Hero of the film Hum kisise kam nahin-77 was Rishi Kapoor, born on 4-9-1952. His first entry through Mera Naam Joker-70 fetched him a Film fare award. His debut as a Hero in Bobby-73 also brought him an award from filmfare. He is one actor who is popular even after he retired from films-not fully though. A film The Body-2019, was just released last week, directed by Jitu Joseph.His son Ranbir Kapoor is carrying the Kapoor mantle very ably.

Rishi Kapoor aka Chintoo has some different records on his name. He is the only actor having had 45 different heroines with whom he was cast. He also worked with 20 New entrant Heroines in their Debut films. He was Hero to seniors like Shabana Azmi, Rekha, Rakhee and Hema ( she was launched by his father), then with Madhuri, Shridevi, Tina Munim and Raveena Tandon. He worked with Simi Garewal in film Karz-1980, after his first film Mera Naam Joker-70. Some of his New heroines were Dimple, Kajal Kiran, Bhavna Bhatt, Ashwini Bhave, Radhika, Farah, Vinita, Zeba, Divya, Naseem, Rukhsaar etc etc. He acted in 162 films and also directed 1 film-Aa ab laut chale-99. He lent his voice in 7 songs in 6 films.

Today’s song is a copy of the famous Abba song ” Mama Mia”. So be it, seeing the youthful Rishi and Kajal Kiran singing and dancing is a real treat, in this video. Enjoy….
( For this article I have used information from Yadon ki Baraat by S Kanekar, The Hindu, wiki, MuVyz, HFGK, article by M N Sardana ji in woh din yaad karo and my notes)


Song- Mil gaya hum ko saathi mil gaya (Ham Kisi Se Kam Nahin)(1977) Singers- Asha Bhonsle, Kishore Kumar, Lyrics- Majrooh Sultanpuri, MD- R D Burman
Chorus

Lyrics

mil gaya
hum ko saathi mil gaya
hum se gar koi jal gaya
wu wu
jalne de
wu wu
jalne de
chal gaya
pyaar ka jaadu chal gaya
hum se gar koi jal gaya
wu wu
jalne de
wu wu
jalne de

tere liye
zamaana tere liye
aur tu mere liye
tere liye
zamaana tere liye
aur tu mere liye

mil gaya
humko saathi mil gaya
hum se gar koi jal gaya

wu wu
jalne de
wu wu
jalne de

tere liye
zamaana tere liye
aur tu mere liye

tere liye
zamaana tere liye
aur tu mere liye

haa

ae haa

hey

ae haa

haa

turuturututu
ha
turuturututu
ha
turuturututu
ha
turuturututu

wow beauty


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3715 Post No. : 14644

In 1989, a new actor made his debut as a hero and that movie had a song of fond hope- papa kehte hain bada naam karega. That movie became a hit and the debutant actor, Aamir Khan really made his father proud. With passage of time, Aamir Khan has grown from strength to strength and he has in fact made his papa proud beyond his wildesh imagination.

That proud father was Tahir Hussain (19 September 1938 – 2 February 2010) whose 80th birth anniversary falls today. Tahir Hussain was a leading movie maker of his time and he was the younger brother of legendary Nasir Hussain.

Both brothers made movies that provided wholesale entertainment to the moviegoers. Extremely popular music used to be the hallmark of these movies. Just recall some of the movies that Tahir Hussain produced- “Caravan”(1971), “Anamika”(1973), “Madhosh”(1974), “Zakhmee”(1975), “Hum Hain Raahi Pyaar Ke”(1993) etc.

He was also a director, writer, actor etc in some of his, or his brother’s movies.

On tis occasion, here is a song from “Madhosh”(1974), this movie, a relatively lesser known movie, had Mahendra Sandhu, Reena Roy, Jay Shree T, Rakesh Roshan, Johny Walker, Helen, Ravindra Kapoor, Aamir Khan (then a child actor), Dilip Dhawan, Faisal Khan, Kiran Kumar etc in it.

The movie had five songs in it. Two of these songs have been covered.

This song, the third from the movie to appear in the blog is a duet. It is sung by Asha Bhonsle and Kishore Kumar. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

The song is picturised on Reena Roy and Mahendra Sandhu. The audio quality in the picturised value is poor and fails to do justice to the song. So I have provided the audio link which preserves the outstanding quality of this song, which is an archtypical R D Burman composition of those days. It is songs like this that used to rule the airwaves in India those days !

Audio

Song-Kasam khaao tum ek baar(Madhosh)(1974) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

kasam khaao tum ek baar
mere yaar
mere dildaar
chale to na jaaoge tum baabu
kahin le ke mera pyaar
he ae
he he he he he he
kasam khata hai mera pyar mere yaar mere dildaar
aayega deewaana le ke doli sanam kal hi tere dwaar

aa haa aa ha
aa ha aa ha aaha
kasam khao tum ek baar

paagal kaho mujhe ke deewaani kaho
lalala
ab to teri huyi balam jo ho so ho
lalala
meri bala se koi rahe ya na rahe

lalalala
aa aa
magar meri nazar mein tu basi rahe
lalalalaaa
he ae
he he he he he he

basa kar mera sansaar
mere yaar
mere dildaar
chale to na jaaoge tum baabu
kahin le ke mera pyaar
he ae
he he he he he he
kasam khaata hai mera pyaar

rang se tere chhunri meri rangi rahe
lalala
maathe meri bindiya teri lagi rahe
lalala
chanda sooraj ko to mudke na dekhoon main

lalala
agar meri baahon mein tu saji rahe
lalalaaa
he ae
he he he he he he

saja kar mera sansaar
mere yaar mere dildaar
chale to na jaoge tum baabu
kahin tum le ke mera pyaar
he ae
he he he he he he
kasam khaata hai mera pyaar

lala
mere yaar
lalala
mere dildaar
lalalala
aayega deewaana le ke doli sanam kal hi tere dwaar
aa haa
aa aa
aa haa
aa aa
he he


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3701 Post No. : 14623

Hullo to all in Atuldom

The song with this post is the perfect candidate for the “how did I forget to post this song earlier?” category.

As of today (at the time of writing this) the blog is 3699 days young and 14618 posts strong. And we still keep finding songs popular during their time and afterwards too and say with surprise – Yeh gaana baaki hai? But then in the ocean of Bollywood songs & movies there are close to 1000 movies released each year with an average of about 4-5 songs in each of them. And in the 105-year history of Indian movies (all languages put together) Bollywood might account for just about 105000 and at the average of 4-5 songs per film we are seeing an ocean of 52500 songs only. All figures are approximate, not accurate at all. Given the kind of selection we have at our disposal there are bound to be songs which we would have previously thought that it is already present on the blog. So as has been said in many posts before this we are still at the bottom of the barrel that we need to fill or our bucket is still in the top rung of an ever-overflowing bottomless- well. So that should explain why this song is making its appearance only now! 🙂

Now, this movie (‘Khel Khel Mein’) had five songs, all fairly popular at that time and two or three of them still rule the air waves across TV and Radio but surprise (seems to be no end to surprises as far as songs of this movie are concerned) I couldn’t find even one out of the five on that years’ Binaca Geetmala list. This was the era when whatever RD Burman composed went straight into the heart and mind of the listener. Whatever Kishore Kumar sang was lapped up by the audience. And young and upcoming actors and strugglers and established stars yearned for this combo to create songs for their movies.

One such actor was Rishi Kapoor. He had made a debut into movies in the year 1970 as an adolescent in love with his teacher in ‘Mera Naam Joker’; not to forget the brief walk in the rain, that he undertook in the company of his older siblings in his father’s ‘Shri 420’ in 1955, when he must have been about 2 years old. His first role as an adult was in the 1973 hit – ‘Bobby’. In that movie where Laxmikant Pyarelal scored music, Shailendra Singh was his playback voice. But subsequent films saw Laxmi-Pyare mostly use Mohd. Rafi for Rishi Kapoor and RD Burman favouring Kishore Kumar. And this association of Kishore Kumar or Mohd Rafi for Rishi went on till the two singers passed away but by then Chintu, as Rishi is addressed fondly, had made a place for himself on the Bollywood firmament.

Now coming to todays’ song, its from a movie which has a story attached to it in my personal life which I have related in a post to another song from this movie – “Hamne Tumko Dekha, Tumne Hum Ko Dekha“. The movie had a thriller or mystery or whodunit kind of story. It featured a set of college students who love to play pranks on unsuspecting people. They play such a prank on a stingy, wealthy jeweller (Jankidas) by sending him a typewritten ransom note. They find from the newspapers the next day that the wealthy Seth has been murdered and they could be the prime suspects as the police find the ransom note on the dead man.  Then the all-fun-n-frolic movie turns into a thriller where one of their fellow students and prankster – Rakesh Roshan – is also murdered followed by his girl friend and bar dancer Aruna Irani. As a child I found the movie gripping and find it cute even now. The movie was directed by Ravi Tandon, Gulshan Bawra was the lyricist and RD Burman the composer. The playback singers for this song are Kishore Kumar and Asha Bhonsle pictured on a drunk couple – Neetu Singh and Rishi Kapoor.

So, with this song I would like to wish the cutely handsome Rishi Kapoor a very Happy Birthday (4th September). He is only 66 this year and still has looks that make any girl miss a heartbeat. Saw him recently in the company of another of my favourite actor – Amitabh Bachchan- in ‘102 Not Out’ (2018) and fell in love with this actor all over again. Must admit here that I have a weakness for any movie featuring these two together and ‘102 Not Out’ is no exception.

Happy Birthday Chintu ji 😊

Song – Khullam Khulla Pyaar Karenge Hum Dono (Khel Khel Mein) (1975) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Gulshan Baawra, MD – RD Burman
Asha Bhosle + Kishore Kumar
RD Burman

Lyrics

arre dekh rahe hain
to dekhne do
jal bhi rahe hain
arre to jal ne do
khuli sadak hai baba
to ya hua bhai
haa to ho jaaye
ho jaaye

khullam khulla pyar karenge hum dono
khullam khulla pyar karenge hum dono
iss duniya se nahi darenge hum dono
aaa pyar hum karte hai chori nahi
mil gaye dil jora jori nahi
ham wo karenge jo dil kahe
hamko zamaane se kya
koo koo
khullam khulla pyar karenge hum dono
is duniya se nahi darenge hum dono
aaa pyar hum karte hai chori nahi
mil gaye dil jora jori nahi
ham wo karenge jo dil kahe
hamko zamaane se kya
khullam khulla pyar karenge hum dono
iss duniya se nahi darenge hum dono

ae
dekh wo
ishq chhup chhup ke farma rahe hai
hai
kya mazaa
dil hi dil me to ghabra rahe hai
ae
dekh wo 
ishq chup chup ke farma rahe hai
hai
kya mazaa
dil hi dil me to ghabra rahe hai
lagta hai dono padosi hai wo
rishta hi aisa hai jaane bhi do
hum wo karenge dil jo kahe
hamko zamaane se kya
khullam khulla pyar karenge hum dono
is duniya se nahi darenge hum dono

he
sun zara
yeh bhi jodi hai kaisi niraali
hai
saath kya
peeche lala chale aage laali
ae
sun zara
ye bhi jodi hai kaisi niraali
hai saath kya
peeche lala chale aage laali
dono me shaayad banti na ho
apni tarah in mein chhanti na ho
hum wo karenge dil jo kahe
hamko zamaane se kya
arre dhat
khullam khulla pyar karenge hum dono
iss duniya se nahi darenge hum dono

ae
bolo na
pyar ka hai ye dushman zamaana
arrey sun
haan bata
sabko milta nahi ye khazaana
ae
bolo na
pyar ka hai ye dushman zamaana
arrey sun
haan bata
sabko milta nahi ye khazaana
jinko aji ye khazaana mile
dekh dekh unko ye duniya jale
hum wo karenge dil jo kahe
hamko zamaane se kya
huu. . .
khullam khulla pyar karenge hum dono
iss duniya se nahi darenge hum dono
pyar hum karte hai chori nahi
mil gaye dil jora jori nahi
ham wo karenge jo dil kahe
hamko zamaane se kya
khullam khulla pyar karenge hum dono
is duniya se nahi darenge hum dono

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

अरे देख रहे हैं
तो देखने दो
जल भी रहे हैं
तो जलने दो
खुली सड़क है बाबा
तो क्या हुआ पह्ई
हाँ तो हो जाये
हो जाये

खुल्लम खुल्ला प्यार करेंगे हम दोनों’
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
आ॰॰ प्यार हम करते हैं चोरी नहीं
मिल गए दिल जोरा जोरी नहीं
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
कू कू
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
आ॰॰ प्यार हम करते हैं चोरी नहीं
मिल गए दिल जोरा जोरी नहीं
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों


देख वो
इश्क़ छुप छुप के फर्मा रहे हैं
है
क्या मज़ा
दिल ही दिल में तो घबरा रहे हैं

देख वो
इश्क़ छुप छुप के फर्मा रहे हैं
है
क्या मज़ा
दिल ही दिल में तो घबरा रहे हैं
लगता है दोनों पड़ोसी हैं वो
रिश्ता ही ऐसा है जाने भी दो
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों

हे
सुन ज़रा
यह भी जोड़ी है कैसी निराली
है
साथ क्या
पीछे लाला चले आगे लाली
हे
सुन ज़रा
यह भी जोड़ी है कैसी निराली
है
साथ क्या
पीछे लाला चले आगे लाली
दोनों में शायद बनती ना हो
अपनी तरह इन में छनती ना हो
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
अर्रे धत्त
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों


बोलो ना
प्यार का है दुश्मन ज़माना
अरे सुन
हाँ बता
सबको मिलता नहीं ये खज़ाना

बोलो ना
प्यार का है दुश्मन ज़माना
अरे सुन
हाँ बता
सबको मिलता नहीं ये खज़ाना
जिनको अजी ये खज़ाना मिले
देख देख उनको ये दुनिया जले
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
हू
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों
प्यार हम करते हैं चोरी नहीं
मिल गए दिल जोरा जोरी नहीं
हम वो करेंगे दिल जो कहे
हमको जमाने से क्या
खुल्लम खुल्ला प्यार करेंगे हम दोनों’
इस दुनिया से नहीं डरेंगे हम दोनों


This article is written by Aparna HM, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is just past midnight (IST) in India. Time to wish, a very happy and progressive 10th Anniversary to our Blog. What a wonderful thought this post carries – an everlasting love for music.

Blog Day : 3653 Post No. : 14507

ASAD 10th Anniversary Celebrations – 13
———————————————————————

“Love is so short, forgetting is so long” – ah, this quote by Pablo Neruda! How true it is!! So simple yet so profound. . .  Don’t we all agree? Love, that feeling which each and every living being experiences for sure in its lifetime. Each one of us would have definitely celebrated it many times in our lives.

And this feeling is celebrated in this song too. Naqsh Lyallpuri, the lyricist puts it down so very simply. The pain of love is sweet and lovable. Its beautiful and it is the sustenance of two hearts that are in love. Love is serene and at the same time exciting. Lovers meet every day but that is inadequate, the longing to meet again remains. Hunger for the loved feeling, however much it is satisfied by these meetings, it remains. It is a feeling, a feeling forever. This is how the lyricist expresses the feeling in this song. His choice of words is simple, the lines are short but very effective in conveying the sentiment. Khayyaam, one of my favourite music composers has composed a distinctive kind of tune. The singing of Asha and Kishore is adorable.

Coming back to Pablo Neruda (12 Jul, 1904 – 23 Sep, 1973), the poet I alluded to in the beginning. He is a very well-known poet from Chile, winner of the Nobel Prize for Literature in 1971. He was also a diplomat and politician. This is a rare combination I feel, a poet and a politician!! Very unique. He is known for love poems. I found these lines by him fascinating.

He who does not travel, who does not read,
who does not listen to music,
who does not find grace in himself,
she who does not find grace in herself,
dies slowly.

Anybody that agrees with the quote? Yes, we do. At least, the majority of us. For few it is “Love is for lifetime etc.”. For people who don’t fall into either category, they should do this – “Miley Na Phool To Kaanton Se Dosti Kar Lee“.

Ah, this is the first song posted by our indefatigable Atul ji. From then to now, it is has been a decade. I am yet to find a person who is as consistent as Atul ji. His very able co-travellers, Sudhir ji and Arun ji are no less consistent. All these three are tireless wayfarers of the musical journey that is our blog. Arun ji is in fact the Bhishm Pitamah of Hindi Films. How can I forget the others? I cannot, they all contribute regularly. Each of them is unique in their own ways.  Unlike me who makes a guest appearance now and then!! Well, I was prodded by Sudhir ji into writing this. I feel grateful to him that he has not forgotten a nacheez like me. I am thankful to Raja ji for allowing to write on a song which he intended to write on. And to Avinash ji for providing the lyrics and all meta-data associated with song. And to Pradeep for being an inspiration. There I go accusing him again! Thank you all 😊

I am sure that the journey will continue until the end of our days on this beautiful Earth. Let us contradict Neruda now. Love for music is so long and cannot be forgotten. Neruda, are you listening? I am being a little cheeky 😉

Here is wishing the blog a long and musically fulfilled life!!

 


Song – Pyaar Ka Dard Hai Meetha Meetha Pyaara Pyaara (Dard) (1981) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Naqsh Lyallpuri, MD – Khayyaam
Asha Bhosle + Kishore Kumar

Lyrics

pyaar kaa dard hai
pyaar kaa aa dard hai
meethaa meethaa
pyaaraa pyaaraa
meethaa meethaaaa
pyaaraa pyaaraa
ye haseen dard hi
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

thodaa thodaa chain bhi hai
thodi thodi bekaraari
thodaa thodaa aa chain bhi hai,
thodi thodi ee bekaraari
aur bhi ho pyaar jawaaan
aarzoo hai ye hamaari
aur bhi ho o pyaar jawaaan
aarzoo hai ae ye hamaari

ye milan ho dobaaraa aa

pyaar kaa dard hai
meethaa meethaa
pyaaraa pyaaraa
meethaa meethaa aa
pyaaraa pyaaraa
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

mujhe milaa pyaar teraa
tujhe meri chaah mili
mujhe milaa aa pyaar teraa
tujhe meri ee chaah mili
naye naye sapnon ki
hamein nayee raah mili
naye naye ae sapnon ki
hamein nayee ee raah mili

ek armaan hamaaraa aa
 
pyaar kaa dard hai
meethaa meethaa
pyaaraa pyaaraa
meethaa meethaa aa
pyaaraa pyaaraa
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

roz hamein mil ke bhi
milne ki aas rahey
roz hamein ae mil ke bhi
milne ki ee aas rahey
roz mitey pyaas koyee
aur koyee pyaas rahe
roz mitey ae pyaas koyee
aur koyee ee pyaas rahe

dil diwaaanaa pukaaraa aa

pyaar kaa dard hai
meethaa meethaa
pyaara pyaara
haan meethaa aa meethaa
pyaara pyaara
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

pyaar kaa dard hai
meethaa meethaa
pyaara pyaara
haan meethaa aa meethaa
pyaara pyaara
ye haseen dard hi
do dilon kaa hai sahaaraa
do dilon kaa aa hai sahaaraa

———————————————————-
Hindi script lyrics (Provided by Aavinash Scrapwala)
———————————————————-

प्यार का दर्द है
प्यार का आ दर्द है
मीठा मीठा
प्यारा प्यारा
मीठा मीठा॰॰आ
प्यारा प्यारा

ये हसीं दर्द ही
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का आ है सहारा

थोडा थोडा
चैन भी है
थोड़ीथोड़ी बेकरारी
थोडा थोडा॰॰आ चैन भी है
थोड़ी थोड़ी॰॰ई बेकरारी
और भी हो प्यार जवाँ
आरज़ू है ये हमारी
और भी हो ओ प्यार जवाँ
आरज़ू है ए ये हमारी

ये मिलन हो दुबारा॰॰आ

प्यार का दर्द है
प्यार का दर्द है
मीठा मीठा॰॰आ
प्यारा प्यारा
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का॰॰आ है सहारा

मुझे मिला प्यार तेरा
तुझे मेरी चाह मिली
मुझे मिला॰॰आ प्यार तेरा
तुझे मेरी॰॰ई चाह मिली
नये नये सपनों कि
हमें नयी राह मिली
नये नये॰॰ए सपनों कि
हमें नयी॰॰ई राह मिली

एक अरमान हमारा॰॰आ

प्यार का दर्द है
प्यार का दर्द है
मीठा मीठा
प्याराप्यारा
मीठामीठा आ
प्यारा प्यारा
ये हसीं दर्द ही
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का है सहारा

रोज़ हमें मिलके भी
मिलने कि आस रहे
रोज़ हमें॰॰ए मिलके भी
मिलने कि॰॰ई आस रहे
रोज़ मिटे प्यास कोई
और कोई प्यास रहे
रोज़ मिटे॰॰ए प्यास कोई
और कोई॰॰ई प्यास रहे
दिल दीवाना पुकारा॰॰आ

प्यार का दर्द है
मीठा मीठा
प्यारा प्यारा
हाँ मीठा मीठा॰॰आ
प्यारा प्यारा
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का है सहारा

प्यार का दर्द है
मीठा मीठा
प्यारा प्यारा
ये हसीं दर्द ही
ये हसीं दर्द ही
दो दिलों का है सहारा
दो दिलों का है सहारा


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3652 Post No. : 14505

Today is the death anniversary of one of India’s biggest superstars, Rajesh Khanna, affectionately referred to as Kaka. He passed away on the 18th of July 2012. I remember being shocked to hear of his death – and even wrote an emotional post on my blog on the occasion. Although I did know that he had been suffering from cancer, the news hit me hard. Today, it is already 6 years since his death. How time flies!

Maybe it’s a reflection of the person he was, but it seems to me that any conversation about Kaka invariably goes beyond his films, and delves into his personal life and relationships. His, admittedly none too positive, image seems to take over – at the cost of discussion about his films. This is unfortunate – but, to some extent, Kaka probably brought this on himself.

We all know he let success go to his head – and paid a heavy price for it. Like I’ve said before, maybe that was one of his roles here on this earth. To NOT be a role model, to be someone that can be held up as an example by parents to children of how NOT to let success get to your head. Anyway, later in life, Kaka did admit to the mistakes he’d made – and, on this Remembrance Day, I think I’d like to not talk about his mistakes. I’ve discussed them at length in previous posts – I don’t want to repeat myself.

Today, as I remember him, all I want to do is to thank him for the performances he gave me when I was just a young boy, growing up in the late 60s / early 70s. I’m going to pause just a bit here to remember those performances.

There were many – his filmography of that period and his success rate would put any other actor in the shade. Not even the big 3 (Dilip, Raj Kapoor and Dev Anand) who came before him could deliver that many hits in that short a time frame. Or the biggie who followed right after. But personally I couldn’t care less about the box-office success of those films. I was just a young boy – what did I know about the box-office? All I knew was, there was this “hero” on screen who, through his smile, or tilt of the head, or “guru” kurta, or dialogue delivery had me mesmerized in film after film, singing one blissful song after another (at that time I didn’t know about playback).

I didn’t always understand the storyline, or even all the dialogues, but everytime he would be romancing  the heroine, whether it was Sharmila or Mumtaz or Tanuja or Hema or another, it felt like all was just perfect with the world. It wasn’t as if other heroes didn’t have romantic scenes with the heroines, but somehow it seemed different in Kaka films. Later, when I thought about this, I felt it was possibly because romance was usually intrinsic to Kaka films. It formed part of the main plot itself. Whereas for others, it was an important element no doubt, but the storyline often had a crime-related plot – like smuggling.  Note that wherever romance IS the plot, the film seems very Kaka-like. For example, ‘Aa Gale Lag Ja’ (1973) could very well have been a Kaka film, though it had Shashi Kapoor in the main lead.

Of course, it was not always a happy ending. Kaka would often die in the film, breaking my heart.  This only made the film a bigger hit, so storylines were devised accordingly.

I thoroughly enjoyed those films – have fond memories of ‘Aradhana’, ‘Aan Milo Sajna’, ‘Kati Patang’, ‘Dushman’, ‘Apna Desh’, ‘Haathi Mere Saathi’, ‘Mere Jeevan Saathi’, and so many others. Whether it was “Mere Sapnon Ki Rani”, “Yahaan Wahaan Saare”, “Ye Shaam Mastaani”, “Waada Tera Waada”, “Rona Kabhi Nahin Rona”, “Dilbar Jaani”, “O Mere Dil Ke Chain” or any of his numerous hits of the time, I knew them all by heart – all stanzas. We’d often sing these songs amongst friends.

At that time I had no idea about Kaka beyond his screen presence. Ignorance was truly bliss.

Then things began changing.

Suddenly he didn’t seem to have the same magic anymore. I tend to associate this with his “long hair” phase but, to be fair to him, that was just the fashion of the time. Hamming seemed to have set in – even the films seemed to lack that romantic feel about them. The last couple of movies I remember of that era that I saw, and could accept, were ‘Aap Ki Kasam’ (1974) and ‘Prem Kahaani’ (1975).

Mehbooba (1976) was probably the first big shock for me. It was highly hyped at the time – what with the two biggest names, Kaka and Hema, as the lead actors. Not to mention RD Burman’s music. I remember the film being a big flop. Later I read that the decline started even earlier but for me, at that age, Mehbooba was the marker.

That was a terrible period for him. Flop after flop. I clearly remember ‘Bundalbaaz’, ‘Chalta Purza’, ‘Aashiq Hoon Baharon Ka’, even BR Chopra’s ‘Karm’ (another much-awaited film) – all failed. But there were more.

Oh, one thing. I said I didn’t know about box-office but there was one indicator for me. I used to travel by school bus to school, 30 km away. En-route there was a film theatre. From the bus, we could see which film was running. That gave us a pretty good idea of hit or flop. I remember ‘Yaadon Ki Baaraat’ running for many weeks, whereas ‘Bundalbaaz’ and ‘Chalta Purza’ just came and went.

After watching ‘Aashiq Hoon Baharon Ka’, I really couldn’t take it anymore. What had happened to my “Ye Shaam Mastaani” Rajesh Khanna? How had he morphed into this “I am in love, you are in love, he is in love, she is in love” Rajesh Khanna? I stopped seeing his movies. I couldn’t bear to.

Later, in the mid-80s, I did watch a few – but only because they were on Doordarshan. ‘Thodisi Bewafai’ (1980), ‘Avtaar’ (1983) and ‘Aakhir Kyon’ (1985). I quite liked them. But only these.

For the next 25 years, I stayed away from Kaka films that I had not watched. Sure, I watched the old ones to relive their magic. But none of his post-1977 films. Only a few years ago, I mustered the courage to watch this category. I think it had to do with his death. Maybe I felt I was doing him grave injustice by avoiding these films. After all, he must have worked just as hard in them, as in his early films. So why not at least give them a shot? For Kaka’s sake.

I started with the more successful ones – at least those with popular songs. Like ‘Agar Tum Na Hote’ (1983), ‘Kudrat’ (1981), ‘Rajput’ (1982). I kept my expectations very low. I quite liked all these films. And I was quite impressed by Kaka too. I don’t recall seeing much of the hamming  that I had dreaded. Sure they were very different from his early 1970s films – but that’s to be expected.

Recently I got into the mood again – and did a Kaka binge. I watched ‘Amrit’ (1986), ‘Dhanwaan’ (1981), ‘Dard’ (1981), ‘Aanchal’ (1980), ‘Janta Hawaldar’ (1979) and ‘Amar Deep’ (1979), all within the last month. As usual, keeping expectations low. I liked some more than the others, of course. But what I realized is each of their story lines is very different from the rest. That also made me realize that Kaka’s movies often had that – different story lines. This, at a time in the late 70s or in the 80s, when usually you had formulaic dhishum-dhishum films, either as multi-starrers, or hero taking revenge on the villain.

I now plan to watch more Kaka films of the period. Even if they’re not good, that’s ok. I keep my expectations low – and I’m watching them for Kaka. His looks aren’t what they were in the early 1970s – but that only seems to make him all the more real for me. And, worst case, the film will probably have a reasonable story line.

Moving on to today’s song.

Now having watched all these Kaka films recently, and most of them not being much represented on the blog, I was somewhat spoilt for choice today. I could have picked at least half a dozen Kaka songs from these films alone – and I do plan to write up more from these films. But for today, I’ve chosen “Paise Ka Kaajal” from ‘Aanchal’ (1980).

Firstly, this song comes in the category of “ye gaana IS film mein hai?” for me. I’d heard it all those years ago but didn’t know which film it was from. Secondly, ‘Aanchal’ is not represented yet on the blog, so it makes its debut today. Thirdly, it is a song & dance – and I quite like song & dance. 🙂 What I particularly liked about this one, apart from the song itself, is Kaka’s style. Not that he was a great dancer, but his style here reminded me of the Kaka of the early 1970s, when he’d dance similarly opposite heroines of the time. 🙂

The film stars Kaka, Rekha, Raakhee, Amol Palekar and Prem Chopra. It’s a village-based story, where Kaka and Amol Palekar are brothers, with Raakhee married to Amol Palekar. Since Kaka is her husband’s younger brother, Raakhee treats him with great affection. Kaka too has highest regard for his bhabhi. Prem Chopra, who has a score to settle with Amol Palekar, plays mischief, creating misunderstanding in his mind about the relationship between Raakhee and Kaka. Also, doing the same to Rekha, who is in love with Kaka.

To be honest, the film picks up only in the second half – the first half is rather slow. But maybe it is a build-up to show the relationships between the characters. I was rather keen for the film to get on with the plot. 🙂

In any case, do listen to this fairly catchy tune composed by RD Burman.  Lyrics are by Majrooh Sultanpuri. The song is sung by Kishore Kumar and Asha Bhosle. As usual, the lyrics have been provided to me by Avinash ji. He is always very helpful in this respect, sending me lyrics for any post I plan to write.

Not only this, he is a huge Kaka fan – a much bigger fan than I am. Avinash ji did tell me that he might not be able to write a post for Kaka on this occasion. So this is our joint tribute to Kaka, as we remember him fondly today.

Kaka, hope you are at peace, wherever you are. And thanks for all the memories.

Video

Audio

Song – Paise Ka Kaajal Daike Na Lo Hamri Jaan (Aanchal) (1980) Singer – Kishore Kumar, Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – RD Burman
Chorus

Lyrics (Provided by Avinash Scrapwala)

paise ka kaajal
daike na lo hamri jaan
paise ka kaajal
daike na lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa

o o o o
nainaa hai chanchal
kaise na maarenge baan
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hain jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa

mele mein bhi ham akele hain
tum hamre sang aao naa
sang aao naa
are phir jaate jaate ye chhalla
nishaani mein de jaao naa
are de jaao naa
aa ha
chhalla mera naa mehanga pade
loot jaaoge khade hi khade
ho
bachaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

o o o o o o o o o o o
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hai jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa aa

jeewan se jaaoge sainyyaan
jo hamse nazar mil gayee
nazar mil gayee
ho kitni dafaa hamre kaaran
yahin pe chhuri chal gayee
chhuri chal gayee
are hum dilwaale bhi dikhlayenge
dekh lena tumko le jaayenge
bachaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa
o o o o
paise ka kaajal
daike naa lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa

main jo is aanchal ko chhodun to
jag me rahaa kya mera
rahaa kya mera
are duniya ko maalum kya hai
jo tumse hai naata mera
hai naata mera
sab hai jhootha taraana tera
harjaaee kya hai thikaana tera
sikhaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 
o o o o o o o o o o o
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hai jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa

paise ka kaajal
daike na lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa

dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa 

———————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————————————

पैसे का काजल
दैके ना लो हमरी जान
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ
ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ

मेले में भी हम अकेले है
तुम हमरे संग आओ ना
संग आओ ना
अरे फिर जाते जाते ये छल्ला
निशानी में दे जाओ ना
अरे दे जाओ ना
आ हा
छल्ला मेरा ना महंगा पड़े
लूट जाओगे खड़े ही खड़े
हो
बचाए तुम्हे राम

धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना

ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ आ

जीवन से जाओगे सैंय्या
जो हमसे नज़र मिल गयी

नज़र मिल गयी
हो कितनी दफा हमरे कारण
यही पे छुरी चल गयी

छुरी चल गयी
अरे हम दिलवाले भी दिखलायेंगे
देख लेना तुम्हे जायेंगे
बचाए तुम्हरे राम
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी

ओ ओ ओ
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ

मैं जो इस आँचल को छोडूं तो
जग में रहा क्या मेरा
रहा क्या मेरा
अरे दुनिया को मालुम क्या है
जो तुमसे है नाता मेरा
है नाता मेरा
सब है झूठा तराना तेरा
हरजाई क्या है ठिकाना तेरा
सिखाये तुम्हे राम

धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना

ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण

हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ

पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना

धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3651 Post No. : 14498

“Raahgeer”(1969) was directed by Tarun Majumdar for Geetanjali-Chitradeep, Calcutta. The movie had Vishwajeet, Sandya Roy, Shashikala, Padma, Nirupa Roy, basant Chaudhary, Kanhaiyalal, Anwar Hussain, Pahadi Sanyal, Ifthikar, Prasenjit, Asit Sen, Chaman Puri, Savita Chatterji, Ram Avtar, Rasheed Khan, C S Dubey etc in it.

The movie had ten songs in it, and the songs were suprize packages. Four of these songs have been covered in the past.

Here is the fifth song from “Raahgeer”(1969) to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Gulzar is the lyricist. Music is composed by Hemant Kumar.

Just listen to this rare song. You will agree with me that this movie contains lots of surprise packages and this song is one of them.


Song-Baabu ghabraate hain (Raahgeer)(1969) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Gulzar, MD-Hemant Kumar

Lyrics

babu ghabraate hain
babu ghabrate hain
chori chori aankhon se
chori chori aankhon se teer chalaate hain
beebi sach kehti ho
beebi sach kehti ho
chonch to hai baahar
aur ande mein rehti ho
beebi sach kahti ho

chhaila mere rangeele
dikhne mein bhole se
chakhne mein zahreele
dikhne mein gudiya ho
bholi bhaali samjhe thhe
mirchi ki pudiya ho

chale thhe gulaab lene dekho phulwaadi se
chale thhe gulaab lene dekho phulwaadi se
kaanton se ulajh baithe babu ye anaadi se
ah
pada nahin paala abhi aapka khilaadi se
tinke nikaalo beebi choron ki daadhi se
choron se rishta hai
choron se uljho jaake
banda farishta hai

umm hmm
fariste aapse hote hain aaj hi jaana
fariste aapse hote hain aaj hi jaana
zameen pe kaise huaa kahiye aapka aana
khuda ne aapko apna salaam bheja hai
mizaaj poochhne
aa haan mijaaj poochhne ko ye ghulaam bheja hai

waah
suna hai aapke rishte se chanda maama hain
khuda ke paas wahaan aapka nishaama hai
he he
kamaal karte hain
har baat boojh lete hain
biraadari ko
biraadari ko badi zaldi soongh lete hain

ye gamchha baandh ke kya haandi saaf karte hain
ham aapson ki tabeeyat ko saaf karte hain
ja tumhaare jaise bade majnu maare phirte hain
ki laila laila gali mein pukaar phirten hain

tumhi ko laila banaaya hai to jawaab nahin
kahin khuda ki tabeeyat bhi to kharaab nahi
bater jaisi do aankhen laga ke bhej diya
ya seedha kabr se waapas uthha ke bhej diya
jahaan mein aap jaisi aur koi cheez nahin
tameez seekho agar baat ki tameez nahin
tameez seekho agar baat ki tameez nahin
tameez seekho agar baat ki tameez nahin
tameez seekho agar baat ki tameez nahin


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14900 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14949

Number of movies covered in the blog

Movies with all their songs covered =1164
Total Number of movies covered =4085

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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