Archive for the ‘“Bindiya” song’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5333 | Post No. : | 17489 |
“Waqt Ki Deewaar”(1981) was produced by T C Dewan and directed by Ravi Tandon for Modern Pictures, Bombay. The movie had Sanjeev Kumar, Jeetendra, Neetu Singh, Sulakshna Pandit, Amjad Khan, Pran, Kader Khan, Satyen Kappoo,Paintal, Deven Varma, Poornima, Preeti Ganguly, Rajan Haksar, Sunder, Ram Ssethi, Prem Bedi, Shivraj, Bhushan Tiwari, Master Vikas, Master Rajeev Tandon, Shaka,Roshni etc. The movie also had special appearances by Nazneen, Rajendra nath, Jayshree T and Neilu Arora.
“Waqt Ki Deewaar”(1981) had five songs in it. Three songs have been covered so far.
Here is the fourth song from the movie to appear in the song. The song is sung by Asha Bhonsle. Anjaan is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a tamaasha performance song on Neetu Singh. she is shown keeping the audience busy while master Raju, her accomplice picks the pockets of the audience. Jeetendra is also seen among the audience.
Lyrics of the song and other details are sent to me by Prakashchandra.
audio link:
video link:
Song-Kamaal mori bindiyaa kamaal mora jhumka (Waqt Ki Deewaar)(1981) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
khel tamaashey waalee ee
arrey aayee rey aayee..ee aayee..ee
oo ooo
kamaal moree bindiyaa
kamaal moraa jhumkaa
kamaal moree bindiyaa aa
kamaal moraa jhumkaa
bajaayike chaloon bichchuaa
lagaayike chaloon thhumkaa
kamaal moree bindiyaa
kamaal moraa jhumkaa
bajaayike chaloon bichchuaa
lagaayike chaloon thhumkaa
kamaal moree bindiyaa aa
kamaal moraa jhumkaa
kamaal moree bindiyaa
ho o
na karoon koyee ghulaami
na doon kisee ko salaami
haath na aaoon kisee ke
to log karein badnaami
badey gulfaam miley ae
subah aur shaam yahaan
sabhee ko mujhse koyee
kaam yahaan
kaam yahaan aan aan
huzoor main hoon tohfaa
bahaar ke mausma kaa
kamaal moree bindiyaa (aayye aey ae haayye aey aey ae ae)
kamaal moraa jhumkaa
kamaal moree bindiyaa hoyye ae ae
ek deewaaney ne poochhaa
kya teri ho gayee shaadi..ee
tu jo kanwaaree hai aa aa jaa
banke meri shehzaadee
mere sarkaar suno
soney chaandee ke liye
yahaan jo bech dey dil
main woh naheen
main woh naheen..een
muaaf karo raajaa
fareb na do hamkaa
kamaal moree bindiyaa (whistling sound)
kamaal moraa jhumkaa
kamaal moree bindiyaa
hayye aey ae
mere honthhon kee hansee
meree aankhon kaa nashaa
mere aanchal kee hawaa aa
meree zulfon kee ghataa
kisee ko maar gayee
kisee ko taar gayee
meraa dil ek magar
mere dildaar kayee ee
hhaan
koyee dey chhallaa
koyee angoothhee ee
waadaa bhi ye jhoothaa
nishaanee bhee ye jhoothee
ghunghroo bajaatee
main to jahaan jaaoon
ungli pe saarey
zamaaney ko nachaaoon
ilaaj karoon main to
har dil ke har ik gham kaa
kamaal moree bindiyaa (haayye aey ae ae haayye aey ae ae)
kamaal moraa jhumkaa
kamaal moree bindiyaa
kamaal moraa jhumkaa
bajaayike chaloon bichchuaa
lagaayike chaloon thhumkaa
kamaal moree bindiyaa
kamaal moraa jhumkaa
kamaal moree bindiyaa
hoyye aey ae ae
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5333 | Post No. : | 17486 | Movie Count : |
4705 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Missing movies of 1973-16)
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With this post we add one more movie from the year ‘1973’ on the blog which was so far missing from the blog.
This movie is ‘Bindiyaa Aur Bandook-1973’. It seems to be one of the lesser known movies of its time to me.
‘Bindiyaa Aur Bandook’ was directed by Shibu Mitra for ‘Apollo International.’ It was produced by Joginder Singh (Shelly) the actor (hope I am correct).
It has Kiran Kumar, Asha Sachdev, Laxmi Chhaya, Raza Murad, and Joginder. They were supported by Rajan Haksar, Randhir, Ram Mohan, Kundan, V. Gopal, Keshto Mukherjee, Tun Tun, Kirti Behl, Uma Dhawan, Moolchand, Purshottam, Anwari, Matti, Shatrujeet, Mahendra, Balwant, Gian Singh, D.S. Rana, Kishan, Bijendra, Yogesh Chhabra, Paintal, Raju, Meher Singh, Inder, Nishan Singh, Sultan Nazir, Behari, Master Devjeet and Ibrahim.
Bharat Bhushan, Som Dutt and Helen had a guest appearance in this movie.
Story of this movie was written by Prem Arora and dialogues of this were written by Rahi Masoom Raza. Shibu Mitra the director of this movie also wrote the screenplay of this movie. Editing of this movie was done by P.S. Wagle.
This movie was passed by Censor Board on 04.06.1973.
‘Bindiyaa Aur Bandook’ has four songs all written by Gulshan Bawra. All the songs are solo songs sung by Asha Bhonsle only.
Music for this movie was composed by Sonik-Omi.
Here are the details of songs in this movie has (mentioned on this movie page in HFGK Vol-V (1971-1980) which normally is in the order of their appearance in the movie).
| SNo | Song Title |
|---|---|
| 01 | Bindiyaa lagaaungi … ban ke dulhaniyaa main pi ke ghar jaaungi |
| 02 | Ek aane ka ek jo bechoon kelaa |
| 03 | Najariyaa jhukaa ke maroongi |
| 04 | Chhori lut gayi re tere liye sajnaa |
Today we present the first song from this movie which is sung by Asha Bhonsle. Asha Sachdev performing on the song. This song expresses the thoughts of a ‘girl who is expecting to get married soon’ 🙂 and ‘meeting her would be husband first time’ …
When I listened to this song I found it a very nice song and it sounded a little familiar. It is sung by Asha Bhonsle in a very mesmerizing voice and sounds different.
This song grows upon the listener if it listened to a few times.
Let us now listen to this song and welcome ‘Bindiya Aur Bandook-1973’ on the blog…
Partial video
Audio
Song-Bindiya lagaaungi maang sajaaungi (Bindiya aur Bandook)(1973) Singer-Asha Bhonsle, Lyrics-Gulshan Baawra, MD-Sonik Omi
Lyrics
hmm hmm hmm hmm hmm
hmm hmm hmm mmm
laa laa laa laa laa laa aa
bindiyaa lagaaungi ee
maang sajaaungi
bindiyaa lagaaungi ee
maang sajaaungi
ban ke dulhaniyaa
main pi ke ghar jaaungi ee ee
bindiyaa lagaaungi ee
maang sajaaungi
bindiyaa lagaaungi ee
maang sajaaungi
ban ke dulhaniyaa
main pi ke ghar jaaungi ee ee
bindiyaa lagaaungi ee
maang sajaaungi
jab kholenge ae
haan
ghunghtaa mera
haan
dekhoongi unko
neechi nazar se ae
aur wo kahenge
haaye tadpaa naa
lo ji kahoongi
kaam sabr se
sajnaa aa aa aa
naa aa
naa aa
naa aa
bindiyaa lagaaungi ee
maang sajaaungi
bindiyaa lagaaungi ee
maang sajaaungi
ban ke dulhaniyaa
main pi ke ghar jaaungi ee ee
bindiyaa lagaaungi ee
maang sajaaungi
phir baahon mein
haan
bhar ke mujhko
ho o
poochhenge kya hai
marzi gori ee ee
dil chaahega
phir bhi kahoongi
thheek nahin ye
joraa jori
sajnaa aa aa
naa aa
naa aa
naa aa
bindiyaa lagaaungi ee
maang sajaaungi
bindiyaa lagaaungi ee
maang sajaaungi
ban ke dulhaniyaa
main pi ke ghar jaaungi ee ee
bindiyaa lagaaungi ee
maang sajaaungi
bindiyaa lagaaungi ee
maang sajaaungi
Bindiya tarsey kajraa barsey
Posted on: April 22, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4661 | Post No. : | 16330 |
‘Phir Wohi Raat-1980’ was directed by Danny Dengzongpa for ‘Prithvi Pictures, Bombay’. It was produced by N.N. Sippy. It had Rajesh Khanna, Kim (new discovery), Shashikala, A.K. Hangal, Suresh Oberoi, Lalita Pawar, Tamanna, Aruna Irani, Danny Dengzongpa, Om Shivpuri, Shobha Khote, Jagdeep, Mukri, Bhagwan, Mohan Choti, Birbal, Madhu Malhotra, Shashi Kiran, Manmauji, Prakash, Lalita Kumari, Brahm Bharadwaj, Ranjeet Sood, Jugnu, Chand Usmani, Moolchand, Gopal Saigal, Miss Sapna, Master Ashish, Master Vikas, Master Chirag and others.
Story and screenplay of this movie were written by Dhruv Chhaterji. Dialogues of this movie were written by Dr. Balkrishna Mauj.
Editing of this movie was done by Waman Bhonsle and Gurudutt Shirali.
This movie was passed by Censor Board on 06.08.1980 with restricted viewing (only for Adults) certificate.
This movie had six songs, all written by Majrooh Sultanpuri and composed to music by R.D. Burman.
So far, five songs from this movie have been posted on the blog.
Let us have a look on the plot of the story (taken from ‘Wikipedia’ but edited for this article) and appearance of the songs in this movie;
Asha (Kim) lives in a hostel and is troubled by the nightmares of her deceased aunt. The hostel warden (Lalita Pawar) and her friend Shobha (Aruna Irani) take her to a psychiatrist Dr Vijay (Rajesh Khanna). Doctor finds nothing wrong with her and advises her to get away from old memories. Parents of other girls from the hostel complains the administration about Asha’s behaviour and she was told to vacate the place. Asha decides to go to her ancestral home. Dr Vijay and Shobha accompanies her.
“Asha ye duniya bhi ek university ki tarah hai, Asha insaan ko waqt ki tarah hona chaahiye, waqt jo pichhe mud kar kabhi nahin dekhta. Asha sachcha insaan wahi hai jo jeena jantaa hai.”
That is how Dr Vijay (Rajesh Khanna) tries to motivate Asha (Kim). Shobha, Asha’s friend also tries to motivate her.
Here we have the first song of this movie which is ‘dekho idhar dekho, aye mere hamsafar, jeewan ke safar mein peechhe mud ke kya dekhna’ (posted on the blog on 12.02.2021) …Asha’s ancestral home is a huge manor and is taken care of by Vishwanath (A.K. Hangal) and his daughter Gauri (Tamanna). As the three of them relax after the travel and go to sleep the second song of the movie takes place here in the background and all of them wake up to see who is singing on the Piano in the same room of Asha’s deceased Aunt who is no more …
After this another incident the next morning we have Asha and Vijay going for horse riding in the picturesque location of hills and river around. Asha hides herself and as Vijay looks for … Aasha … Asha aa … Aasha aa … we have this lovely song ‘sang mere nikley thhe saajan, haar baithhe thodi hi door chal ke’ (posted on the blog on 26.02.2013).
Dr Vijay and Asha develop a bond and after a few days’ Dr Vijay goes back to city for some work. Same night Asha sees a scary looking woman walking in the corridors. The woman keeps haunting her every night and Asha’s condition worsens.
Aasha asks Vishwanath to immediately call back Dr Vijay.
Dr. Vijay is on his journey to Aasha’s place … his car has some problem and stops on the road. One gentleman is passing by in his car who knows everything about Vijay but do not tells Vijay about him. He helps to get re-start Vijay’s car and left. When Dr. Vijay reach Aasha’s place he meets the same person here who Shobha introduces as Ashok (Danny Dengzongpa) as her cousin.
As Aasha’s condition worsens Dr Vijay and Ashok takes her to a senior specialist Doctor Desai (O Shivpuri) … Aasha’s birthday is coming and
Dr Vijay and Ashok plan a big party on the occasion of Asha’s birthday. Ashok calls his wife who lives abroad to join them. On this occasion happens this fourth song in the movie which Dr Vijay sings … ‘chhalkaao jhoom ke paimaanaa khushi ka’ (posted on the blog on 11.03.2013)Ashok’s wife arrives, when Asha is cutting her birthday cake. Asha gets shocked to see her as she is the same woman who is haunting her from last many days in the house. She gets panicked and stabs Ashok’s wife, who succumbs to her injuries and dies on the spot. Police inspector Sharma (Suresh Oberoi), who is a guest of the party arrests Asha on the charge of murder. The court suspends the hearing as Asha’s condition is not stable and she is not suitable to go through the legal process.
Dr Vijay treats Asha and tries to get the answer why Asha killed Ashok’s wife. He tells Asha that Ashok’s wife arrives in India on the same day and there is no possibility that Asha saw her before her birthday in that house. But Asha is adamant that it was Ashok’s wife who was haunting her.On the other side Ashok wants to get rid of Shobha who helped him in this plan, by paying her huge sum, but Shobha declines all and tells Ashok that she has done everything because she loves him too much. Understanding the situation Ashok tries to pretend that he was just joking and he too loves Shobha.
Here we have Shobha celebrating and singing ‘phir wohi raat aayi jaan e jaan’ (posted on the blog on 20.05.2013) …Gauri also gets killed after a few days. Shobha starts watching another woman walking around the house.
In between we have a comic relief by Jagdeep, his wife Shobha Khote and his many children.
Here the sixth and final song of this movie ‘aa gaye yaaron jeene ke din’ (posted on the blog on 29.03.2021) happens where Jagdeep and his friends Mohan Choti, Bhagwan, Mukri, Birbal, Gopal Saigal, Manmauji, Machchhar are enjoying and celebrating party.
Dr Vijay investigates further with the help of Inspector Sharma (Suresh Oberoi) and solve the mystery at the end exposing a web of lies and greed.
Today’s song (the second song in this movie) is the theme song of this movie and gets played in the background many times.
Today’s song is sung by Lata Mangeshkar and composed by R.D. Burman.
Let us now enjoy today’s song and say ‘Yippeeee’ for this movie as all the songs of this movie get covered on the blog …
Video (shorter)
Audio (Longer)
Song-Bindiya tarsey kajra barsey(Phir Wahi Raat)(1980) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
O o o
O o o
Aa aa aa aa
Aa aa aa
Bindiyaa tarsey
Kajraa barse
Aaye naa saajnaa
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Bindiyaa tarsey
Kajraa barse
Aaye naa saajnaa
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Main pyaasi piyaa aawan ki
Koyal si bin saawan ki
Ho main pyaasi piyaa aawan ki
Koyal si bin saawan ki
Bhatkoon re ae saathi bina
naa naa naa
Bindiyaa tarsey
Kajaraa barse
Aaye naa saajna
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Yaad karoon jab sooratiya
Aur jale bheegi ankhiyaan
Ho yaad karoon jab sooratiya
Aur jale bheegi ankhiyaan
Kuchh mohe soojhe naa naa
Aa aa
Bindiyaa tarsey
Kajraa barse
Aaye naa saajna
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Aa aa
Dhoond thhaki sab dwaar gali
Raat yoon hi phir beet chali
Ho dhoond thhaki sab dwaar gali
Raat yoon hi phir beet chali
Aaye piyaa aajhoon na
Naa naa
Bindiyaa tarsey
Kajraa barase
Aaye na saajna
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Bindiyaa tarsey
Kajraa barse
Aaye naa saajna
Dhal gayi rainaa
Bujh gayi baati
Main khadi aangnaa
Main khadi aangnaa
Main khadi aangnaa
Main khadi aangnaa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4140 | Post No. : | 15302 |
Today (18 november 2019) is thr 118th birth anniversary of V Shantaram (18 november 1901- 30 october 1990).
When one looks at the career of V Shantaram, one can only be amazed. He made his debut as an actor in 1921 in a silent movie “Surekha Haran”(1921). His last movie was as a director in “Jhanjhaar”(1987).
After acting in a few silent moves, he turned director with “Netaji Palkar.”
He acted, produced and directed many movies, including some movies that are considered landmark movies in the annals of Indian cinema.
“Ayodhyache Raja”(1932), directed by him under “Prabhat Films” was the first Marathi talkie. It was also made in Hindi as “Ayodhya Ka Raja”(1932). “Maaya Machhindra”(1932) also came in the same year. “Amar Jyoti”(1936), “Aadmi”(1939) and “Padosi”(1941) were some well known Prabhat talkies films directed by him.
He then left Prabhat and formed Rajkamal Kala Mandir. More than twenty movies were produced by Rajkamal. “Dr Kotnis Ki Amar Kahaani”(1946), “Jhanak Jhanak Paayal Baaje”(1955), “Do Aankhen Baarah Haath”(1957), “Navrang”(1959), “Stree”(1961), “Sehra”(1963), “Geet Gaaya Pattharon Ne”(1964) etc were some of his memorable movies under this banner.
On the occasion of his birth anniversary, here is a song from “Jal Bin Machhli Nrity Bin Bijli”(1971). This movie was produced and directed by V Shantaram. The movie had Abhijeet(Introducing),Sandhya, Dina Gandhi aka Dina Pathak, Raja Paranjape, Vatsala Deshmukh, Iftekhar, Birbal, Vasant Parekh, Ravindra, Paresh Nanda, Nanda, Basant and new artists Minal, Praveen Kumar, child star Sushant Ray.
The song is sung by Lata. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is preceded by several minutes of dance. And what a dance performance ! A few days ago, I had discussed a “snake” dance which I thought was one of a kind. Here is another one of a kind dance. It is picturised as a “snake-peacock-Eagle” dance. The dance director Praveen Kumar has done a great job choreographing this dance. Incidentally, the term choreography was not known those days.
The dance is picturised on Sandhya and Minal. Abhijeet and Raja Paranjpe are also visible in the picturisation.
Lyrics of this song were sent to me by Prakashchandra.
The song (including the dance) is nearly ten minutes long. And every second of this long song is worth watching.
Audio
Song-Kajra lagaa ke re bindiya saja ke(Jal Bin Machhli Nritya Bin Bijli)(1971) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
kajra lagaa ke
re bindiya sajaa ke
ho aayi main to aayi re aayi
mohe laayi milan dhun piya ki
ho kajra lagaa ke
re bindiya sajaa ke
ho aayi main to aayi re aayi
mohe laayi milan dhun piya ki
?? ki madhur taan
ho aayi main to aayi re aayi
mohe laayi milan dhun piya ki
ho kajra lagaa ke re
re bindiya sajaa ke
ho aayi main to aayi re aayi
mohe laayi milan dhun piya ki
ae tum na bologe
yoon na bolo na bolo na bolo na bolo
hum sang na, sang na,
hum sang na dologe
hum sang na dolo na dolo na dolo na dologe
main
bhi
boloongi nahin
tum sang
doloongi nahin
karoon par main kya
bas mein nahin jiya
ho aayi mai to aayi re aayi
mohe laayi milan dhun piya ki
ho kajra lagaa ke
re bindiya sajaa ke
ho aayi main to aayi re aayi
mohe layi milan dhun piya ki
lo main hi haari re
ye lo main hi haari re
haari re haari re
bhayi tum pe
tum pe,
bhayi tum pe waari re
sainyya tum pe waari re
vari re vari re
aye ji ab to bol do
maan jaao
ankhiyaan khol do
balam jago re ae
garva laago more
ho aayi main to aayi re aayi
mohe laayi milan dhun piya ki
ho kajra lagaa ke
re bindiya sajaa ke
ho aayi main to aayi re aayi
mohe laayi milan dhun piya ki
ho aayi main to aayi re aayi
mohe laayi milan dhun piya ki
ho main to aayi re aayi
tumhe laayi milan dhun n n
piya ki
piya ki
- In: "Bindiya" song | "just married" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Laxmi Shankar Solo Songs | Laxmi Shankar Songs | Lyrics contributed by readers | Post by Bharat Upadhyay | Songs of 1970s (1971 to 1980) | Songs of 1971 | Wedding song | Yearwise breakup of songs
- 2 Comments
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Genius of Jaidev – 43
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‘Do Boond Paani’ (1971) was produced by Naya Sansar, and directed by Khwaja Ahmad Abbas. The subject matter of this social film is the problem of water scarcity in Rajashan. The star cast consists of Simi Grewal, Jalal Agha, Kiran Kumar, Madhuchanda, Prakash Thapa, Sajjan, Rasheed Khan, Pichoo Kapur, Amrit Oberoi, Ghanshyam, Hoor Banu, Asha, Mona, Anamika, Yunus Parwez, Tanya, Ravikant, Mehboob, Shankar, Bishan Khanna, Bhagwan Sinha, Hanuman, Ramzan, Maruti, Mohammad etc.
Read more on this topic…
Sooraj utra bindiya mein
Posted on: August 13, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Sauda” (1974) was produced by C S Oberoi and directed by Sudesh Issar for Oberoi Universal. The movie had Vinod Khanna, Yogita Bali, Ranjeet, Purnima, Janki Dass, C.S.Dubey, Uma Dutt, Mukri, Madan Puri etc in it.
Read more on this topic…
“Do Dulhe” (1955) was an United F Art production movie. It was directed by K J Mahadevan. The movie had Sajjan, Shyama, Agha, Lalita Pawar, Vanjana, David Abraham, Agha, Achla Sachdev, Kanhaiyalal, B. M. Vyas, Ishwarlal etc in it.
Read more on this topic…
“Sagina” (1974) was produced by Tapan Sinha and directed by J K Kapur for Rupa-Sree International productions. The movie had Dilip Kumar, Saira Banu, Aprna Sen, Om Prakash, Anil Chatterji, Swaroop Dutt, Chinmoy Roy,Rajni Gupta,Kalyan Chatterji,Banu Bannerji, Qadar Khan, T.A.Liddle, Modi Cohen,Abe Cohen,Alok Choudhary,Panna Kapur, Rasoraj Chakravorthy,Nani Ganguly, Satu Majumdar,Ajit Bengali,Chandu, Pardesi, Shyam Kumar, Shantimoy Chatterji, Mustafa, Sayed, Naqi, Azia, Putan, K N Singh etc in it.
Read more on this topic…
Aay haay teri bindiya re
Posted on: December 4, 2012
- In: "Bindiya" song | Amitabh Bachchan songs | Amitabh Bachchan songs by Rafi | Artist century song in blog | Century songs for the blog | Duet | expression of love | Feelings of heart | Guest posts | Lata song | Lyrics by nahm | Lyrics contributed by readers | Post by Raja | Rafi songs | Rafi-Lata duet | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 29 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is perhaps the inability of our times to distinguish between the “good” and the “great”, the “noteworthy” and the “legendary”, the “impressive” and the “brilliant”, that leads us to use the latter of the two adjectives in each case in far greater measure, and for far more modest achievements than would have been approved of by an earlier generation. Or maybe it is just our laziness, or our tendency to exaggerate, that leads us to our use (or abuse) of the English language in this manner.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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