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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘MD-Singer Song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3727 Post No. : 14668

ये किसने गीत छेड़ा॰ ॰ ॰

There is always a freshness – a freshness as fresh as the cool early morning breeze. Pick up any film, and you will find this freshness wash all over you, as the music and the songs of that film play. Be it “Nadiya Kinaare Heraaye Aayi Kangna”, or “Naina Diwaane, Ik Nahin Maanen”, or “Thandi Hawaayen, Lehra Ke Aayen”, or “Ye Raat Ye Chandani Phir Kahaan”, or “Phaili Huyin Hain Sapnon Ki Baahen”, or “O Nigaahen Mastaana”, or “Mehfil Mein Aaye Wo Aaj Dheere Se”, or “Khoya Khoya Chaand”, or “Dil Ka Bhanwar Kare Pukaar”, or “Haule-Haule Jiya Dole”, or “O Mere Bairaagi Bhanwra”, or “Megha Chhaaye Aadhi Raat”, or “Sun Ree Pawan, Pawan Purvaiya”, or “Sandhyaa Jo Aaye Mann Ud Jaaye”. . . the list seems to be endless.

Other authors have written about this; this and the daily routine of his morning walk – creating the rhythm with snapping of his fingers, and humming the melody softly in his breaths. That is where most of his masterpieces have come from – plucked out of the cool and fresh morning breeze during his morning walks. One can almost feel as if he saw the peacock when he contemplated on “Mann Mor Hua Matwaala. . .”. And one can feel the whiff of cold breeze in “Thandi Hawa Ka Shor Hai. . .” as the stanza lines of “Chupke Se Miley Pyaase Pyaase. . .”. Maybe it was an encounter with a dreamy eyed young lady that brought to life “Yaad Aa Gayin Wo Nasheeli Nigaahen. . .”. Or that the “Khoya Khoya Chaand. . .” melody came about on a day when the moon was still visible in the early morning gray skies. Conjectures all, but surely, the music came with the early morning breeze.

One also wonders where the eternity of melancholy came to him – “Pyaar Ne Kitne Sapne Dekhe. . .”, “Dukhi Mann Mere. . .”, “Bharam Teri Wafaaon Ka. . .”, “Badi Sooni Sooni Hai. . .”, “Jaane Wo Kaise Log The. . .”, “Jaayen To Jaayen Kahaan. . .”, “Saathi Na Koi Manzil. . .”, “1 . .”, “Tum Mujhse Door Chale Jaana Na. . .” – and many more. Maybe so, that these compositions simply cannot be believed to exist outside of Sachin Da’s regime.

Celebrating the anniversary of his birth today (1st October), I present this completely forgotten and unknown piece of music that is a very short song that plays when the credits of the film ‘Tere Mere Sapne’ (1971) are rolling on the screen. Practically all the songs that Sachin Da has sung for the screen, have all been accounted for on our blog. But not this one.

The unmistakable folk flavor, that is Sachin Da’s favourite genre, is present predominantly in this music piece. As the prelude of this music plays on, one is struck by how the maestro has melded the music with the sounds of machinery and the hammering sound of the miner’s picks and axes. Really remarkable.

ये किसने गीत छेड़ा
दिल मेरा नाचे थिरक थिरक॰ ॰ ॰

ये किसने गीत छेड़ा

 

Song – Phulwa Mangaao Zara Angna Sajaao Gori (Tere Mere Sapne) (1971) Singer – SD Burman, Lyrics – Neeraj, MD – SD  Burman

Lyrics

hey ey..ey..ey
phulwa mangaao zara angna sajaao gori
bichhde balam ghar aayenge

ye ey..ey..ey
jiyaha ye doley jaise neem ki hi pori
bichhde balam ghar aayenge
bichhde balam ghar aayenge

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

हे ए॰॰ए॰॰ए
फुलवा मंगाओ ज़रा अंगना सजाओ गोरी
बिछड़े बलम घर आएंगे

ये ए॰॰ए॰॰ए
जियाहा ये डोले जैसे नीम की ही पोरी
बिछड़े बलम घर आएंगे
बिछड़े बलम घर आएंगे

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3724 Post No. : 14661 Movie Count :

4007

 Today we remember the great son this soil Sardar Bhagat Singh (28th September 1907 – 23rd March 1931), on his birth anniversary.

We remember him for his bravery, courage, determination and supreme sacrifice made for a cause of the people, the people of this country.

He laid down his life at a young age of only 23 years, 5 months, and 25 days. He could have surrendered to the British and chosen a leisurely life enjoying the benefits and luxuries showered by the Britishers on him, had he requested to forgive him as proposed by them. However instead of choosing ‘the life of slavery’ he chose to dedicate his life for the ‘noblest cause – the freedom of his Motherland’ from the Britishers.

He will remain the inspiration for many as long as humanity exists and people read about him and realize what Bhagat Singh was and how great was he to have done so much in one single life of only 23 years.

I have earlier presented my thoughts while presenting the songs ‘Pagdi Sambhaal Jatta’ and ‘Vekho Loko Khidan To Pehlon’. Whatever will be written about him to remember him and his thoughts, is very less in comparison to the legacy he has left for us. And I am sure as the coming generations read about him will find his thoughts still relevant in terms of what his dreams of ‘true freedom’ for India was and what we have achieved after getting our ‘freedom’ – and they will find that yes, we have still miles to go to build this nation in the pursuit of those dreams.

As I have mentioned earlier in my posts the year 2002 was a special year as in that year there were as many as three movies released on the life of Bhagat Singh.

  • 23rd March 1931 Shaheed
  • The Legend Of Bhagat Singh
  • Shaheed-E-Azam

While “23rd March 1931 Shaheed” and “The Legend Of Bhagat Singh” were released on the same date the other movie “Shaheed-E-Azam” was delayed and was released at a later date.

I will not go into which one amongst them was better than the other. The important thing is that they were made on the life of Bhagat Singh and to make people aware of his true story (may be with a little or more filmy touch).

Today I present a song from the Rajkumar Santoshi directed ‘The Legend of Bhagat Singh-2002’. This movie was produced by Kumar Taurani and Ramesh Taurani (of TIPS). It had the star cast of Ajay Devgan, Sushant Singh, D. Santosh, Akhilendra Mihsra, Raj Babbar, Farida Jalal, Amrita Rao, Mukesh Tiwari, Surendra Rajan, Saurabh Dubey, Kenny Desai, Sitaram Panchal, Bhaskar Chatterjee, Sunil Grover and others.

The screenplay was written by Rajkumar Santoshi, Piyush Mishra and Anjum Rajabali. It was edited by VN Mayekar. Songs for this movie were penned by Sameer and music was composed by AR Rehman.

All songs of this movie composed by AR Rehman are very very good and I liked them as they fill us with patriotic fervour and with a poignant touch, yet making us thoughtful on the life and times of the martyrs and their feelings for their motherland.

Today’s song is in two parts and is sung by AR Rehman and Sukhwinder Singh.

Let us listen to this wonderful song now …

Desh Mere Desh Mere Meri Jaan Hai Tu …

 

Video (Partial)

Audio (Full)

Audio (Part II)

Song – Desh Mere Desh Mere Meri Jaan Hai Tu (The Legend of Bhagat Singh) (2002) Singer – Sukhwinder Singh, AR Rehman, Lyrics – Sameer, MD – AR Rehman

Lyrics

des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

mitaane se..ae nahin mit’te
daraane se..ae ae nahin darte
watan ke naam pe..ae
ae ae ae ae ae ae
watan ke naam pe..ae
ham sar kataane se nahin darte
mitaane se nahin mit’te..ae
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

hazaaron khwaab roshan hain
sulagati si nigaahon mein
sulagati si nigaahon mein
qafan ham baandh ke nikle hain aazaadi ki raahon mein
ae ae ae ae
kafan ham baandh ke nikle hain aazaadi ki raahon mein
nishaane pe ae jo rehte hain
nishaane se..ae..ae
nahin darte
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

hamaari ek manzil hai
hamaara ek naara hai
dharam se zaat se jyaada
hamen ye mulq pyaara hai
ae ae ae ae ae
dharam se zaat se jyaada
hamen ye mulq pyaara hai
ham is pe zindagi apni
lutaane se..ae nahin darte
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

mitaane se..ae nahin mit’te
daraane se..ae nahin darte
watan ke naam pe..ae..ae
ae ae ae ae ae ae
watan ke naam pe..ae
ham sar kataane se nahin darte
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

———————————-
(Part II)
———————————-
dil se ae niklegi na mar kar bhi
watan ki ulfat
meri mitti se bhi khushboo e watan aayegi

des mere des mere meri jaan hain tu
des mere des mere meri jaan hain tu
des mere des mere meri shaan hai tu u

sunaayi thi jo bachpan mein
wahi lori suna de maa..aa
sunaayi thi jo bachpan mein
wahi lori suna de maa
tu apni god mein ab chain se
mujhko sula de maa..aa..aa..aa
tere charnon mein sab kuchh hum
lutaane se..ae nahin darte

des mere ae..ae
des mere ae..ae

des mere des mere meri jaan hain tu
des mere des mere meri jaan hain tu
des mere des mere meri shaan hain tu

des mere des mere meri shaan hain tu

des mere
des mere..ae..ae
des mere

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

मिटाने से॰॰ए नहीं मिटते
डराने से॰॰ए॰॰ए नहीं डरते
वतन के नाम पे॰॰ए
ए ए ए ए ए ए
वतन के नाम पे ए
हम सर कटाने से नहीं डरते
मिटाने से॰॰ए नहीं मिटते॰॰ए
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

हज़ारों ख्वाब रोशन हैं
सुलगती सी निगाहों में
सुलगती सी निगाहों में
कफन हम बाँध कर निकले हैं आज़ादी कि राहों में
ए ए ए ए
कफन हम बाँध कर निकले हैं आज़ादी कि राहों में
निशाने पे॰॰ए जो रहते हैं
निशाने से॰॰ए॰॰ए
नहीं डरते
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

हमारी एक मंजिल है
हमारा एक नारा है
धरम से ज़ात से ज्यादा
हमें ये मुल्क प्यारा है
ए ए ए ए ए ए
धरम से ज़ात से ज्यादा
हमें ये मुल्क प्यारा है
हम इस पे ज़िन्दगी अपनी
लुटाने से॰॰ए नहीं डरते

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

मिटाने से॰॰ए नहीं मिटते
डराने से॰॰ए॰॰ए नहीं डरते
वतन के नाम पे॰॰ए
ए ए ए ए ए ए
वतन के नाम पे॰॰ए
हम सर कटाने से नहीं डरते

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

(भाग दो)

दिल से॰॰ए निकलेगी न मर कर भी
वतन कि उल्फत
मेरी मिटटी से भी खुशबू ए वतन आएगी

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी शान है तू॰॰उ

सुनाई थी जो बचपन में
वही लोरी सुना दे माँ॰॰आ
सुनाई थी जो बचपन में
वही लोरी सुना दे माँ॰॰आ
तू अपनी गोद में अब चैन से
मुझको सुला दे माँ॰॰आ॰॰आ॰॰आ
तेरे चरणों में सब कुछ हम
लुटाने से॰॰ए नहीं डरते

देस मेरे॰॰ए॰॰ए
देस मेरे॰॰ए॰॰ए

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी शान है तू
देस मेरे देस मेरे मेरी शान है तू

देस मेरे
देस मेरे॰॰ए॰॰ए
देस मेरे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3716 Post No. : 14648 Movie Count :

4002

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 22
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ठ’ – ठहर ज़रा ओ जानेमन, ना हाथ लगाना जानेमन ॰ ॰ ॰

– – – –

फिर तेरी याद नए गीत सुनाने आई

Yes, it is a story of every day – a song plays and memories come by. Or sometimes, memories passing thru remind of a song that is so very dear to the heart. That is all that remains now – memories and songs playing hide and seek in the dimly lit bylanes of the mind.

– – – –

The next song in this series comes from the 1976 film ‘Ladki Bholi Bhaali’. And incidentally this film is also making its debut on the blog today. That makes it three in a row today – 🙂 🙂 .

The film was directed by Ashok Roy for Mahesh Chitra, Bombay. The star cast listed for the film is Asha Sachdev, Gautam Sarin, Junior Mehmood, Ramesh Dev, Tarun Ghosh, Anita Guha, Ranveer Raj, Ram Mohan, Lalita Chatterjee, Rupali, Darshan, Krishan Duggal, Baldev Trehan, Manik Dutt, Master Devanand, Heena Kausar, Rakesh Pandey, Snehlata, Bharat Bhushan, and Dheeraj etc.

The film has music by Usha Khanna. Geet Kosh lists four songs for this film, three of which are from the pen of Hasrat Jaipuri. All those three songs are solos in the voice of Asha Bhosle. The fourth song, which is the song presented today, is a duet in the voice of Rafi Sb and Usha Khanna herself. And it is written by Saawan Kumar Tak.

Saawan Kumar has had a good partnership with Usha Khanna. Usha ji has given music to 11 films which have either been directed by Saawan Kumar, or he has written lyrics for them. They were married, but the matrimonial relationship did not last for long. Together they have created such popular hits like “Barkha Rani, Zara Jam Ke Barso“, “Wo Jidhar Dekh Rahe Hain, Sab Udhar Dekh Rahe Hain” (both from ‘Sabak’, 1973) “Teri Galiyon Mein Na Rakhenge Kadam. . .“, (‘Hawas’, 1974), “Sar e Mehfil Mera Imaan Beimaan Ho Gaya” (‘Ab Kya Hoga’, 1977), “Shaayad Meri Shaadi Ka Khyaal. . .“, “Zindagi Pyaar Ka Geet Hai” (both from ‘Souten’, 1983). (I am surprised that this last mentioned song is still waiting to come on board.)

Coming to today’s song, it is picturized on Rakesh Pandey and Asha Sachdev Snehlata, with Gautam Sarin also present in the scene and also lip-syncing some lines. I have not yet seen the film, and so the situation is not clear to me. I request other friends and readers who may have seen this film, to add some background information about the situation in this song.

Song – Thehar Zara O Jaan e mann  (Ladki Bholi Bhaali) (1976) Singer – Mohammed Rafi, Usha Khanna, Lyrics – Saawan Kumar Tak, MD – Usha Khanna

Lyrics

thehar zara o jaan e mann
na haath lagaana jaan e mann
thehar zara o jaan e mann
na haath lagaana jaan e mann

arre ja teri to
re re re re ja teri to
chalne waali yahaan teri chaal nahin re haan

thehar zara o jaan e mann
na haath lagaana jaan e mann
arre thehar zara o jaan e mann
na haath lagaana jaan e mann

ghabra gai kyon
sharma gai kyon
ghabra gai kyon kyon
sharma gai kyon kyon
darti hoon
sansaar se
is chori chori
waale pyaar se
chal khisak teri to
arre re re khisak teri to
galne waali yahaan teri daal nahin re haan
thehar zara o jaan e mann
na haath lagaana jaan e mann
thehar zara o jaan e mann
na haath lagaana jaan e mann

chal ped ke peechhe
mere peechhe peechhe
chal ped ke pichhe
mere pichhe pichhe
bairi mujhko
na sataa
teri neeyat ka
hai pata
chal uff teri to
arre re re uff teri to
ye chhori patne waali hai nahin re haan
thehar zara o jaan e mann
na haath lagaana jaan e mann
thehar zara o jaan e mann
ja ja na haath lagaana jaan e mann

arre jaa teri to
arre re re jaa teri to
chalne waali yahaan teri chaal nahin re haan
thehar zara o jaan e mann
na haath lagaana jaan e mann
aaaaan thehar zara o jaan e mann
ja ja na haath lagaana jaan e mann

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन

अरे जा तेरी तो
रे रे रे रे जा तेरी तो
चलने वाली यहाँ तेरी चाल नहीं रे हाँ

ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
अरे ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन

घबरा गई क्यों
शर्मा गई क्यों
घबरा गई क्यों
शर्मा गई क्यों
डरती हूँ
संसार रे
इस चोरी चोरी
वाले प्यार से
चल खिसक तेरी तो
अरे रे रे खिसक तेरी तो
गलने वाली यहाँ तेरी दाल नहीं रे हाँ
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन

चल पेड़ के पीछे
मेरे पीछे पीछे
चल पेड़ के पिछ्छे
मेरे पिछ्छे पिछ्छे
बैरी मुझको
ना सता
तेरी नीयत का
है पता
चल उफ़्फ़ तेरी तो
अरे रे रे उफ़्फ़ तेरी तो
ये छोरी पटने वाली है नहीं रे हाँ
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन

अरे जा तेरी तो
अरे रे रे जा तेरी तो
चलने वाली यहाँ तेरी चाल नहीं रे हाँ
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
आं॰॰॰ ठहर ज़रा ओ जानेमन
जा जा ना हाथ लगाना जानेमन


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3677 Post No. : 14568

ASAD 10th Anniversary Celebrations – 20
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And now, continuing the saga of the 10th anniversary celebrations. 🙂

First off, thanks to Mahesh ji for announcement that “The last batsman is in”. Quite true, and well, almost. One reason (of the many excuses that I am going to converse about today 🙂 ), is that, quite truly, I was waiting for at least one more contribution to land in, before I announce the closure of celebrations. But as the events transpired, I realized that waiting for that article would probably be like waiting for Mr. Godot.

I refer to Ben Kayti, who has promised me that she will be sending in a write up, but then – well, days have just been following one after the other. In an earlier communication she mentioned that she was little down in health, and that she has a doctor’s appointment. And then – silence. One day, two days – messages on WhatsApp, emails, phone calls, voice mail remained unanswered. When no response came, I had no option but to press the panic button. I tried to contact three other people in the family. And finally, her daughter-in-law responded to my SOS. The family is out to a vacation – Glacier National Park in Montana, where no connectivity is available. The vacationers also include the other two members of the family who I was attempting to get in touch. So it was a relief to know that all was well, and also somewhat vexing that there was a communication gap that created some worries. I will return to this and tie up the loose end left here, and continue with the mainstream of celebration.

‘19’ seems to be a lucky number for me. Quite a few significant things in my life are connected with this number. And thus, not surprisingly, I get connected with this blog that celebrates its birthday on 19th July. And then, more, I was not planning it to be so – my (previous) post comes at 19th in the series. Ah yes, as Atul ji has mentioned often, there is a hand of providence with what goes on with this blog. And let me add one more very interesting ‘19’ phenomena. As per the statistics that the WordPress maintains, the date which has had the highest number of visitors on this blog (10,630) is also a 19 – 19th October, 2011.

On 14th January this year, the visitor’s ticker on our blog home page turned into an 8 digit number for the first time. We clocked in 10 millionth visitor that evening (IST) – and it translates to 1 crore, in domestic terminology. As I write to complete this article, the ticker has already gone past 10 million 6 hundred thousand, clocking in on average ~ 3,000 visitors per day in this year so far. I would like to give it a name today – this presence that ASAD makes on the worldwide web – it is the “ASAD Phenomena“. Nowhere else probably (once again, as far as I am aware) is there any such endeavour that combines the interests and the determination of such a like-minded team with such dedication, to sustain such a significant level of interest in the central theme of this blog. All I can say is – there are music lovers in this world, and then there are ‘music lovers’ in this world.

Looking back at my association, the date was 1st October 2010 when I clicked on the subscribe button for getting the RSS feed and became a regular reader-member of this blog. And guess, what is the first song feed that arrived into my mailbox next day (on 2nd October) – “Ham to tere dil ke bangley mein aanaa maangtaa”. Now that I read this song title, I wonder whether it was a message intended for me from Atul ji, or was it supposed to be from me to Atul ji. 😀 😀  Whichever way, I think it just worked out very famously. 🙂

My first step into lyrics contribution was published on 1st Feb, 2011 and it is the famous Suraiya song from ‘Bilwamangal’ (1954) – “Parwaanon Se Preet Seekh Len”. And then it just went on from there. The first post written by me appeared on 18th Feb, 2011, a song from the film ‘Gul e Bakaavali’ (1963) “Ye Kehdo Tumhe Hamse Kyaa Chaahiye”. Missed the 19th by just a day, although there is a post on the 19th Feb also, my second one. And then it just went on from there.

कुछ लगता नहीं के सात साल गुज़र गए। Seriously, it seems just like last week or last month. In that very year (2011), in the subsequent months, we had a spectacular event on the blog, something of the type that has not yet been repeated. An event that truly marks this blog to be a Phenomena. Starting on 28th June, 2011, the blog saw an unbroken series of articles on the great KL Saigal Sb, that lasted all the way up to 18th Sep, 2011. The last song of this unbroken series, posted on 18th Sep is “Baalam To Pe Sabar Padey” from the film ‘Parwaana’ (1947). I quote a brief paragraph from that write up here,

With this post, I have now published 61 posts on Saigal Saab’s songs. In one of the interim emails, Atul ji wrote to me that every day morning, he eagerly opens his mailbox to look for an email from me. And the eagerness and urgency was no less on my side. Some of the ghazals took anywhere from 3 to 6 hours to complete the write up, with the translations and commentary to my satisfaction. There have been nights when I have sent the write ups to Atul ji at 2 am, 3 am and even past 4 am. There have been occasions that (after having fallen asleep on my laptop) I got to complete the write up later in the morning; you can identify these days by noting the delay in posting the Saigal Saab song for the day.

What a heady time it was. That endeavour was really worth it. We enjoyed it immensely, and it came to a monumental conclusion of documenting and posting each and every one of the available Hindi / Urdu recordings made by the great singer. And truly, nothing comparable to that has again been attempted on the blog so far.

One more reason that I quote this above paragraph from the earlier write up. Something of this relates to the song in this post. I will return to it again, shortly. But yes, I am talking about the relentless tempo with which this blog continues to progress. The support and participative contributions from the entire team are without doubt the bulwark that provides the strength to the arms and shoulders of what this blog is. But then the definitive power of this entire effort is the unflagging dedication and persistence of the leadership from Atul ji, which is truly the backbone of this effort.  It is an accomplishment sans pareil anywhere in the annals of the history of blogging on the internet related to Hindi Film Music.

So, beyond September of 2011, although now done with all the available songs of Saigal Saab, the journey and the saga still continued. Century milestones came with their regularity, then the 5,000th song – “Hamen To Loot Liyaa Mil Ke Husn Waalon Ne” (dated 13th Nov, 2011), more centuries of artists and other interesting statistical achievements. Then on to the 10,000th song – “Phul Rahin Belariyaan Dolen” (dated 20th July,2014), an extraordinary song published first time anywhere on the net, a song of 1931 vintage posted; and the unprecedented organized effort wherein all regular members of the group contributed a post that contains an introduction of another member. And a memorable long afternoon spent by almost the entire group connected on email, as we all waited for the post to appear on the blog.

On and on, tirelessly, doggedly – getting to honky-tonk posts at the nos. 11111, 12345, 12357 . . .

Then we came to the post no. 13182 – “Aag Lagi Shola Uttha Shamma Pe Parwaana Gira”, on 22nd April last year. It was the mostest of the most momentous celebrations, the 10,000th post by dear Atul ji. It was a surprise for Atul ji; he was under the impression that his 10,000th milestone was already past. But that was not the case. The entire group got together and gave him a standing ovation that verily resounded across the internet.

The next big whopper for our blog came on 14th Jan earlier this year, and its celebration was covered in post no. 13921 “Bhalaai Duniya Ki Jo Subh O Shaam Karte Hain” – the visitor ticker on the blog had turned from nine million, nine hundred ninety nine thousand, nine hundred ninety nine to ten million, sometimes in the late evening of 14th Jan (IST). In desi parlance, we would say  निन्यावे लाख, निन्यावे हज़ार, नौ सौ निन्यावे से हम एक करोड़ पर पहुंचे। Once again, this was a major, major occasion for the blog, and the echoes reverberated once again around the globe – literally. 🙂

And now, greetings (balated) for the date of completing 10 years since this blog’s creation by Atul ji. The date is 19th July (and I am late, of course, as usual – I have a reputation to protect and uphold, you know 😀 ). As per the Wikipedia articles, celebrations calendars and other related details available online, the tenth anniversary is represented by tin or aluminum. The color of this anniversary is blue and / or silver. And the gift of this 10th celebration is diamonds. Whooo. . .

Note that 10 is another interesting number on our blog recently – 10,000th post on blog, 10,000th post by Atul ji, 10 millionth visitor on the blog, and now the 10th anniversary of the blog itself; the last three events listed happening within the period of past 16 months. You simply just cannot cease to keep celebrating on this blog. And the wonder of wonders is that we also continue to trace and share absolutely wonderful celebration songs to go along with the event. The patterns that we conjured up for the post nos. 11111, 12345 and 12357 are quite an interesting phenomena in as of themselves, with the ”hand of providence” playing its fair share in making them happen. 🙂 For those who may not be familiar with these stories, I suggest they should view these posts – they are really very interesting tales of happenstance and coincidence. 🙂  Just click on the post numbers in the sentence above.

So, connecting back to where we started off. Finally last night (IST), the much awaited call from Ben Kayti and Jagdish Bhai materialized. It was a great relief to hear their voices, and to be assured that all is well. The planned vacation had gone on very well, and quite “frigidly”, given that the vacation spot chosen was the Glacier National Park in Montana (USA). After returning from there earlier this week, they also had some guests visiting and so Khyati Ben was completely busy with family affairs. She has once again promised that she will write a post this coming week now. I decided not to wait any further and put up the 20th post in this series today. If and when her post comes along, it will be now at an auspicious ‘पायदान’ of 21. 🙂

Amongst others in the list of my ‘reasons’ (excuses) is of course that I was also in travel during some of this intervening period. In fact most of the early posts in the 10th anniversary series were actually posted while I was on the move. Getting back home, I almost immediately got busy with celebrations for Guru Purnima at my Guru ji’s place. There, the celebrations last for 5 / 6 days, starting from the Guru Purnima day and continuing till the ‘पंचमी’ in the month of ‘सावन’. So that occupied me for almost a whole week within which I was not able to accomplish much as far as the blog activities are concerned.

Another thing was the song selection. Till almost the last hours of posting my previous article – “Dil Chaahta Hai” – I had no idea what would be the songs I am going to write about. The first song I finally zeroed in was this one. Going by a set of very good celebration songs posted by other friends in the group, I was thinking – most of these songs are of recent origin. How about searching for a similar celebration cum group dance song from the earlier decades? After sifting through many possibilities, I picked up this song from the film ‘Tarang’ of 1952. First of, this song has four singers – Rafi Sb, Geeta Dutt, Shamshad Begum and Chitragupt himself. Secondly, the song (no video available) gives a feeling of a gypsy camp by the banks of a river, where a group dance cum song is being performed.

So actually, this song was originally planned to be the earlier post. But then, in random process, I bumped into the “Dil Chaahta Hai” song, and with some contemplative considerations, my planned post got converted into two posts. And good that it did. If I would have combined both these posts with one song – well. . . 🙂

So here is a fabulous celebration song which promises that the proceedings are going to last all night, and that all are invited. And the best part, this song starts with mentioning the word ‘सावन’.

So let me now take just a couple of more minutes to link in ‘सावन’ (saawan) with this celebration. You are going to love this. After having posted all the posts received from the group, and with Atul ji’s post also in place, I started to get individual messages from members of this group, asking me about the delay as to why my post was not coming in. And me, I was without an answer; what to tell – that I have not yet identified the song even? Well, as part of this set of messages, I get this fond message from Atul ji himself on 26th or maybe 27th July, wherein he prodded me to publish my post on the 28th. Reason, he explained, was that 28th July this year is the start of the month of ‘सावन’. And back, in 2008, when this blog got initiated, the date 19th July was also the start of of the month of ‘सावन’. I was really wonderstruck. I had never made this wonderful connect before. Wow, this blog is born in the month of ‘सावन’ – ‘सावन – मन भावन’, and not just the month, on the first of the month. Now this is really auspicious. I can go on now connecting many more things, along with this connect. . .  but maybe not. Goodness, there are hundreds of songs in Hindi films that have the word ‘सावन’ in the mukhda. So I will move on by saying that this blog is blessed – for it is born in this auspicious month, showering sprinkles of delightful music in drizzles of melodious songs, one after the other. Oh sure, yes, this blog is a ‘सावन’ born. 🙂 Without any doubts. I am glad Atul ji highlighted this point to me, and that now we know what songs to post in the future, when the blog’s birthday comes along. 🙂

Coming back to this film and this song. I got the set of songs of this film from my collector friend. This film has some very wondrous songs, ten in all, eight of which are penned by IC Kapoor, and one each by DN Madhok and Ram Murti. This song is written by Ram Murti. The music composition is by Chitragupt, who has also lent his voice to two of the songs in this film, including this one. The blog already carries 5 songs from this film, and I promise you, the best of the songs are still to come. Just like this song today. It is such a joie de vivre expression of gaiety and celebration. The tempo is so sweet and so infective, that you will be swaying with the beat. When I heard this song for the first time, well, quite a while back now, I was simply bowled over by it. And even now, having heard it so often, whenever I play it again, I simply am not able to get over it.

नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ॰ ॰ ॰

Just listen to this song, and I assure you that at the end of the play, you will feel so un-satiated that you will be playing it again and again.

In some ways, this song also expresses my connect with the blog. Earlier in this article, I had mentioned a quote from the earlier posted last article in the KL Saigal series. So that is the connect here. Practically all my work for this blog happens in the dead of the night and in the wee hours of the morning. This is also mentioned in the quoted paragraph above. Even beyond the Saigal Sb series, my mode of working on the tasks related to this blog has not changed. All the posts that you see getting on to the blog at 7 am and 9 am – all these posts have been worked on and completed the previous night at times like 2 am and 3 am. 🙂

A very happy 10th birthday to ASAD; a ton of congratulations to Atul ji, and all the dear friends and co-passengers on this musical bandwagon. The saga continues. . .

नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ॰ ॰ ॰

 

Song – Nadiya Kinaare Mora Dera, Mashaal Jaley Saari Ratiyaan (Tarang) (1952) Singer – Mohammed Rafi, Geeta Dutt, Shamshad Begum, Chitragupt, Lyrics – Ram Murti, MD – Chitragupt
Chorus

Lyrics

saawan barse
kaari re badariya
phaagun rang ki phuhaar
ho oo
nainan mein mora
baanka re saanwariya

mann mein saanwariya ka pyaar. . .

. . . mashaal jaley saari ratiyaan
hoye nadiya kinaare mora dera
ho oo
nadiya kinaare mora dera
mashaal jaley saari ratiyaan
saari ratiyaan ho saari ratiyaan
saari ratiyaan
hoye nadiya kinaare mora dera
nadiya kinaare mora dera
mashaal jaley saari ratiyaan
ho oo main bhi karunga kabhi phera
main bhi karunga kabhi phera
mashaal jaley saari ratiyaan
hoye
nadiya kinaare mora dera
haa. . .
nadiya kinaare mora dera
mashaal jaley saari ratiyaan

jaise ganga mein lehre lehariya
waise lehre gori tori chunariya
ae ji dekho kahin neha lagaa ke
bhool jaiyo na mori dagariya
oo oo dil mein hai tera basera
dil mein hai tera basera
mashaal jaley saari ratiyaan
hoye
nadiya kinaare mora dera
haa hhaaa
nadiya kinaare mora dera
mashaal jaley saari ratiyaan

chanda se mil mil ke
khele ratiyaan
ho khele ratiyaan
chanda se mil mil ke
khele ratiyaan
bagiya mein khele bahaar
daar galey bainyaan
sajan sang khelun
balam sang khelun
daar galey bainyaan
sajan sang khelun
main albeli naar
ho oo kabhun na hovey savera
kabhun na hovey savera
mashaal jaley saari ratiyaan
hoye
nadiya kinaare mora dera
arre waah waah
nadiya kinaare mora dera
mashaal jaley saari ratiyaan
oye
nadiya kinaare mora dera
ha..an
nadiya kinaare mora dera
mashaal jaley saari ratiyaan

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Hindi script lyrics (Provided by Sudhir)
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सावन बरसे
कारी रे बदरिया
फागुन रस की फुहार
हो ओ
नैनन में मोरा
बांका रे साँवरिया
मन में साँवरिया का प्यार॰ ॰ ॰

॰ ॰ ॰ मशाल जले सारी रतियाँ
होय नदिया किनारे मोरा डेरा
हो ओ
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ
सारी रतियाँ हो सारी रतियाँ
सारी रतियाँ
होय नदिया किनारे मोरा डेरा
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ
हो ओ मैं भी करूंगा कभी फेरा
मैं भी करूंगा कभी फेरा
मशाल जले सारी रतियाँ
होय
नदिया किनारे मोरा डेरा
हा॰ ॰ ॰
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ

जैसे गंगा में लहरे लहरिया
वैसे लहरे गोरी तोरी चुनरिया
ए जी देखो कहीं नेहा लगा के
भूल जइयो ना मोरी डगरिया
ओ ओ दिल में है तेरा बसेरा
दिल में है तेरा बसेरा
मशाल जले सारी रतियाँ
नदिया किनारे मोरा डेरा
हा ह्हा
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ

चंदा से मिलके
खेले रतियाँ
हो खेले रतियाँ
चंदा से मिलके
खेले रतियाँ
बगिया में खेले बहार
डा गले बइन्या
सजन संग खेलूँ
बलम संग खेलूँ
डा गले बइन्या
सजन संग खेलूँ
मैं अलबेली नार
हो ओ कबहूँ ना होवे सवेरा
कबहूँ ना होवे सवेरा
मशाल जले सारी रतियाँ
होय
नदिया किनारे मोरा डेरा
अरे वाह वाह
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ
ओय
नदिया किनारे मोरा डेरा
हाँ॰ ॰ ॰
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3647 Post No. : 14481

ASAD 10th Anniversary Celebrations – 3
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A journey of a thousand miles begins with a single step.
– Lao Tzu

main akela hi chala tha janib e manzil magar
log saath aate gaye aur karwaan banta gaya
– Majhrooh Sultanpuri

On 19 July 2008, a single step was taken by our Atul ji, the day on which the first song was posted on the blog. It was followed by yet another Roshan number the next day and the journey continues to this date and beyond, much akin to the above sh’er by Majhrooh Saab.

Looking back at the last decade, there is a deep sense of excitement and contention amongst all readers and especially the important contributors. However what is equally true is that the responsibilities and the hope of tracing and introducing obscure songs has only increased. This hope itself is the proof of the immense popularity that the blog enjoys all over the world.  I am sure the blog has become a one-stop destination for all readers in search for old Hindi songs and the correct and reliable information that it serves and continues to provide. About 4000 movies and nearly 15,000 songs covered, the blog has a visitors hits number of more than 10.5 million. Mind-blogging numbers indeed and one can only feel proud of being a part of this great musical extravaganza.

Since it is a special occasion of a decade of the blog’s existence, I suppose, I am at liberty to write a few words about my association with it.

Old Hindi Film songs were a common feature in my house, especially with SLBC and its special program ‘purani filmon ka sangeet’, which is played to this day and to which I am addicted to this day (ask our whatsapp group 🙂 ). With the advent of internet facility, the hobby of listening and gathering information naturally started dominating the searches. And, for people with music interest this blog was a no-escape and also a welcome addiction.

In the initial days, I just tried to absorb and admire the contents. It was not long that the longing to be a part of the blog started to grow. A few comments and corrections here and there started. Seeing that a lot of songs known to self were yet to be represented, I toyed with the idea of sending the lyrics. I ended up sending lyrics for 3-4 songs, but the greed to get more involved did not stop.

It was then that I starting writing posts. After a few posts and with the ideas and plots for writing posts difficult to come by, I started a mini-series on Mukesh and his composers. There is a small contribution of self in this series with 14 posts and 04 posts in another series titled Mukesh and his co-singers. Apart from the posts on Mukesh, I feel proud to have written about Rafi saab, Talat saab and Lata Mangeshkar. There are individual posts on Shamshad Begum, Uma Devi, etc. I have also written about Ghulam Mohammed and Shankar Jaikishan whose compositions, I enjoy immensely.

Of the 30 odd posts, “Sab Thhaath Pada Reh Jaavegaa” has had a great influence on me and especially the verses.

jo paaya hai wo baant ke kha
kangaal na kar kangaal na ho o
jo sab ka haal kiya toone
ek roz wo tera haal na ho o

is haath se de us haath se le
ho jaave sukhi ye jag saara

There was time when some songs of Mukesh were not to my liking. This view is particularly for a few songs at the fag end of his career wherein you find him singing all types of songs without the Midas touch of late 1940’s and 1950’s. Not having understood the lyrics properly, I had counted the above song also in that category. However, while writing the post and especially after Sudhir ji’s English translation, the song seems to be nothing short of philosophy of life that one must follow.

And then, “Lo Mil Gayi Degree Pyaar Ki” had its own story before it was put up as a post. A virtual Kishore Kumar solo was converted into a Mukesh post just because he had two words in the song. It was the last song of Mukesh-Roshan to be introduced to the blog and there was no way, I could lose the opportunity. Many eminent personalities were contacted who held different views on how Mukesh could fit in as he was not part of the movie etc.

Lastly, “Gokul Nagri Jaana” remains the oldest song sung by Mukesh on the blog. I have special memories of writing this post, as I was aware that I had touched upon a gold mine of 06 special songs of his career. Two of them remain untraced to date, but then there have been many surprises on this blog and I am sure all six will be accounted for.

The past year has been hectic for me from job and work point of view. However, with this post, I have barely managed to avoid the guilt of not having contributed for an entire year. I expect saner time allotment for this hobby again.

Coming back to the blog, I consider the following to be a few unique and unparalleled aspects about it.

  • Accuracy and authenticity of the contents
  • Complete and correct lyrics
  • Responsible, authoritative and sound contributors
  • The classification and arrangement of songs under various heads
  • Easy accessibility of information on Hindi songs
  • Common platform for like-minded Hindi songs enthusiasts
  • Due recognition and importance accorded to various artists
  • Accurate statistics of songs and artists contribution.

There could more important USP’s of the blog; however, the following two aspects are also quite important.

  • Opportunity for contributors to pen their thoughts on the blog
  • A unique friendship circle amongst the regulars

I think every reader and especially the contributors can never thank Atul ji and Sudhir ji enough, to acknowledge and appreciate the opportunity given to us to pen down our thoughts and represent songs on the blog. This is a very selfless and noble deed of Atul ji. Like-minded people met online on this blog and started a very special and unique circle, with quite a few sessions, visits etc. A whatsapp group is also formed with a few of the regulars and is more active than the blog itself now. 🙂

For me personally, the opportunity to interact with Mr. Harish Raghuwanshi ji was a great personal fulfilment. He has always helped me with my lists in the posts and also with information which would have been nearly impossible to trace elsewhere. Similarly, being in touch with eminent film historians and authors and knowledgeable personalities such as Shri Arun Kumarji, Harmandir Singh ji and many others has added new dimensions to our lives. In a fast moving world with technological advances, catching up with matters of yesteryears is so soothing and heart fulfilling. When we talk of ‘good old days’, here is a platform that binds us together.

Coming back to the series on Mukesh, a sort of regret that will always remain with me is not having a post on the collaboration of Mukesh with composer Anil Biswas. People fond of Hindi music need no explanation to elaborate the influence of Anil Da and stepping stone in Mukesh’s singing career with reference to “Dil Jaltaa Hai To Jalne De”Of the 22 odd songs that Mukesh sang for Anil Da, all have been covered on the blog. Not to give a sense of false hope, I would like to clarify that the song that I am presenting here today has nothing to do with Mukesh.

Instead, I would like to write on Anil Biswas.

What can one write about the ‘Bhishm Pitamah’ of Hindi film music that has not been written earlier. A pioneer of playback singing in India and the composer who gave the initial breaks to singers like Parul Ghosh, Meena Kapoor, Mukesh, Talat Mahmood, Sudha Malhotra etc. He is credited with coaching Lata Mangeshkar with breath control techniques during recording of songs. Begum Akhtar’s timeless classics in the film ‘Roti’ (1942) were scored by him. Mukesh, Talat Mahmood, Suraiya et al have sung several of their classic songs under his composition. Lata having sung under various composers has a lot of numbers under his composition too and these songs will always remain on a higher plane. The fame achieved by the songs in ‘Kismet’ (1943) will be discussed and mentioned for a very long time.

There is enough material on the net on Anil Biswas, his life in Mumbai and Delhi, the many pioneering aspects of his compositions, how the mighty composers of later-years were his assistants earlier etc. And then there is also a detailed wikipage dedicated to him. However, I would like to draw the attention of readers to AK ji’s blog songsofyore.com.

Seventh of July, last week was the birth anniversary of Anil Da. Four years back, 2014 was his centenary year and the AK ji’s blog has a wide range of tributes and had dedicated an entire year on Anil Biswas starting with his daughter’s introductory post which one can find here. The eighth and last post on this special series can be found here.

The last post referred above also contains in its first paragraph links to the other six posts on Anil Biswas posted in his centenary year. I think die-hard fans of Anil Da can look no further than these posts to enjoy the complete range of his compositions for various artists and well himself.

Yes, he did sing for himself and I present here one such song composed and also sung by him.

I have no words to express my happiness in writing this post and introducing the song composed as well as sung by Anil Biswas to the blog. The immense gratitude to Atul ji and Sudhir ji for giving me yet another opportunity to write goes without saying.

This solo song is from the film ‘Ek Hi Raasta’ (1939). Only one of the potential twelve songs in the film has been posted on the blog so far and this is only the second song from the film to be posted.

To conclude the post, I once again congratulate Atul ji and Sudhir ji on this stupendous achievement of one decade of existence of the blog. There is a long way to go and many more milestones to be achieved. As we complete one decade of existence and march into the second, then to silver jubilee and beyond, the journey itself has become the destination for Atulites.

Long live the music of vintage and golden era, long live the passion of Atulites and long live the longevity of the blog. 🙂


Song – Bhai Hum Pardesi Log Hamen Kaun Jaane  (Ek Hi Raasta) (1939) Singer – Anil Biswas, Lyrics – Pt Indra Chandra, MD – Anil Biswas

Lyrics

bhai hum pardesi log
hamen kaun jaane
o bhai hum pardesi log
hamen kaun jaane
na koi apna na koi apni..ee..ee
sabhi paraaye log
na koi apna na koi apni
sabhi paraye log
hamen kaun pehchane re  
bhai hum pardesi log
hamen kaun pehchane re
bhai hum pardesi log  
hamen kaun jaane
 
khud hi rijhaaen khud man jaaen
chaahe ramaaye jog
khud hi rijhaaen khud man jaaen
chaahe ramaaye jog
chaahe bane diwaane re bhai
chaahe bane diwaane re bhai
hum pardesi log  
hamen kaun jaane
 
sab se milte phir bhi akele..ey..ey
sab se milte phir bhi akele..ey..ey
apne dil ka rog  
apne dil ka rog
koi kya jaane re bhai
koi kya jaane re  
bhai hum pardesi log  
hamen kaun jaane
o bhai hum pardesi log
hamen kaun jaane  
na koi apna na koi apni
sabhi paraaye log
na koi apna na koi apni
sabhi paraaye log
hamen kaun pehchane re
bhai hum pardesi log
hamen kaun pehchaane re
bhai hum pardesi log
hamen kaun jaane
o bhai hum pardesi lo..o..ogg

————————————–
Devnagri script lyrics (Provided by Sudhir)
—————————————

भई हम परदेसी लोग
हमें कौन जाने
ओ भई हम परदेसी लोग
हमें कौन जाने
ना कोई अपना ना कोई अपनी॰॰ई॰॰ई
सभी पराये लोग
ना कोई अपना ना कोई अपनी
सभी पराये लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन जाने

खुद ही रिझाएँ खुद मन जाएँ
चाहे रमाएं जोग
खुद ही रिझाएँ खुद मन जाएँ
चाहे रमाएं जोग
चाहे बने दीवाने रे भाई
चाहे बने दीवाने रे भाई
हम परदेसी लोग
हमें कौन जाने

सबसे मिलते फिर भी अकेले॰॰ए॰॰ए
सबसे मिलते फिर भी अकेले॰॰ए॰॰ए
अपने दिल का रोग
अपने दिल का रोग
कोई क्या जाने रे भाई
कोई क्या जाने रे
भई हम परदेसी लोग
हमें कौन जाने
ओ भई हम परदेसी लोग
हमें कौन जाने
ना कोई अपना ना कोई अपनी
सभी पराये लोग
ना कोई अपना ना कोई अपनी
सभी पराये लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन जाने
ओ भई हम परदेसी लो॰॰ओ॰॰ओग


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3630 Post No. : 14456

Today’s song is from film ‘Kunwara Baap’ (1942).

Hindi film industry is a funny place. Great stories of the world fail when made into films and some ‘made to order’ stories become so successful films that the subsequent film makers copy the films, with slight alterations. Sometimes identical titles have nothing in common and sometimes remakes are made with different titles – not matching the original one in any way.

There was a film ‘Kunwaara Baap’ in 1974 also, made by the comedian Mehmood. There was absolutely no similarity in the story of these films. Mehmood’s film was essentially based on Polio Protection, while the 1942 film was a total comedy. In this case only the title is same, everything else is different. There is interesting information on ‘Kunwara Baap’ of 1942.

‘Bachelor Mother’ (1939) was a popular Hollywood film directed by Garson Kanim, with Ginger Rogers and David Niven in the lead. It was a story of a single girl, who finds an abandoned child and raises it. She is stamped as unwed mother and many hilarious situations are created with her lover.

This film was copied by Kishore Sahu, who produced and directed it under the banner of Acharya Art Prodns. He was the hero and the heroine was Pratima Dasgupta. The film was ‘Kunwara Baap’ (1942). The theme was reversed here and the rich bachelor boy finds a child left in his car. Not finding its parents he decides to keep the child, which causes misunderstandings with his lady friend etc.

The noted Hindi novelist Amritlal Nagar (famous for his novels – ‘Boond aur Sagar’ and ‘Shatranj ke Mohre’ etc.) wrote the dialogues and lyrics of this film. He also acted in the film. Nagar had earlier written for films ‘Sangam’ (1941) and ‘Kisi Se Na Kehna’ (1942). Later he also wrote for ‘Raja’ (1943).

This film became very popular. Later on many films in many languages were made on this theme. Even Hollywood made a remake called ‘Bundle of Joy’ in 1956 with Debbie Reynolds and Eddie Murphy in the lead.

In Madras the AVM supremo saw these two films and decided to make a Tamil film ‘Vazhkai’, on this story. He got his cast ready except the heroine. He wanted a fresh face, preferably a debutante. Anyway, a young Telugu actress Pandhari Bai was selected, but it was found that she could not speak Tamil fluently.  MV Raman, AVM’s Director suggested a name of a young dancer Vijayantimala, who was the daughter of actress Vasundhara Devi and MD Ramaswami. She was called and a contract for 3 years was signed .

When ‘Vazhkai’ was being made, AVM supremo saw the Hindi film ‘Khidki’ (1942) with C Ramchandra’s music. This he liked so much that as many as 3 songs from ‘Khidki’ were copied and used in ‘Vazhkai’ by the MD – Sudarshanam. ‘Vazhkai’ was released in 1949 and it was a super duper hit. AVM made a Telugu remake – Jeevitham (1950). This too was a hit.  Then AVM decided it was time to invade the Hindi films and a film called ‘Bahaar’ was made in 1951 with Vijayantimala and Karan Dewan. Karan Dewan was considered a lucky star in those days. This film also became a hit. ‘Bahar’ also had a  similar story as ‘Kunwara Baap’.

The cast of this film was Kishore Sahu, Pratima Dasgupta, Anjali Devi, Master Dhulia, Moni Chatterjee, Nana Palshikar etc. The film was made by Acharya Art Productions, owned by NR Acharya (ex Bombay Talkies). The film was directed by Kishore Sahu. The music was composed by Ramchandra Pal, for the lyrics by Amritlal Nagar, Balam, Satyakam and Sharma. However, in HFGK, none of the songs of the film are specifically credited to any one lyricist.

The story, dialogues, screenplay and some lyrics were by Amritlal Nagar (17-8-1916 to 23-2-1990). He was an extraordinary person. He handled almost every department of literature – except perhaps poetry and autobiography. Short stories, novels, dramas, travelogues etc. were written by him. During 1940 to 1947 he was associated with the film industry. He wrote stories, screenplays, dialogues of as many as 20 films in Bombay, Kolhapur and Madras. He dubbed MS Subbulaxmi’s Tamil film ‘Meerabai’ (1947) into Hindi. He also worked to translate Russian films like ‘Zoya’ and ‘Bukhara’ into Hindi. He won innumerable awards, including Padma Bhushan and Sahitya Academy award. He was one of the very rare Hindi literature stalwarts to work in film industry for such a sustained period.

Music Director Ramchandra Pal, born in 1909 was actually a medical Doctor, who entered this profession in various capacities. As an actor he did 3 films – ‘Manmohan’ (1936), ‘Deccan Queen’ (1936) and ‘Aazad’ (1940). He produced and directed a film ‘Raj Nandini’ (1962), made under his own banner – Pal Films. However, this film was never released.

He started his music career with  Tamil films, ‘Bilwamangal’ (1932) and ‘Sarangdhara’ (1935). He shifted to Calcutta and gave music to Bangla films, ‘Rajani’ (1936) and ‘Indira’ (1936). His first Hindi film was ‘Prem Sagar’ (1939), a film made in south by a Bombay film company. This he confirmed in the interview given to Harmandir ji (LB-69).

He was connected as MD with Bombay Talkies films ‘Kangan’ (1939), ‘Punarmilan’ (1940), ‘Bandhan’ (1940), ‘Aazad’ (1940) and ‘Naya Sansar’ (1941). His last film as MD was ‘Raj Nandini’ of 1962. In all he gave music to 20 films. He also sang 15 songs in 7 films. Incidentally, today’s song was his last song as a singer. After 1942 he left singing and after 62 he left film industry and started his private medical clinic in Shivaji Park, Dadar, Bombay. He practiced till his death.

The name Anjali Devi, which appears in the cast is not of the famous south actress Anjali Devi (8-12-1927 to 13-1-2014), who acted in films like ‘Ek Tha Raja’ (1951) (dubbed film), ‘Shuk Rambha’ (1953), ‘Ladki’ (1953), ‘Devta’ (1956), ‘Suvarn Sundari’ (1957) etc. This Anjali Devi of the 40s was different. As usual, I find that the filmography of south Anjali Devi includes films done by Anjali Devi of the 40s. This is what I call Same Name Confusion.

Miss Anjali Devi’s real name was Durgesh Kumari. She was born at Benaras in 1926 in a respectable Brahmin family. Her education was not much but she was fluent in Hindi, Urdu, English and Sanskrit. At the age of 14 years, she came to Bombay, to fulfil her desire of becoming an actress. She joined Ranjit Films and worked in film ‘Pardesi’ (1940). The film was released in 1941. She was credited as Durgesh in this film. She was called to Bombay Talkies to work in film ‘Punarmilan’ (1940), directed by Najam Naqvi. When a section of artistes, led by S Mukherjee, left Bombay Talkies to start Filmistan in 42, one of the BT directors NR Acharya also left and started his own company Acharya Art Productions. Anjali Devi also left to join Acharya. She acted in 3 films of Acharya, ‘Kunwara Baap’, ‘Uljhan’ (1942) and ‘Aage Kadam’ (1943). She later on acted in ‘Paristan’ (1944), and ‘Parivartan’ (1949). She then got married to NR Acharya and settled as a housewife.

Film’s heroine was the dashing Pratima Dasgupta.  She was an actress, producer and a director. She was born on 5-9-1921 into a wealthy family of Bhavnagar. Though many sources mention name of the place of Bhavnagar, which is in Gujarat, I doubt it very much. There are no mentions or references that she was in anyway connected to Gujarat in her lifetime. I believe she was born in Bhanagar – a town just 31 kms. from Calcutta city. This unknown Bhanagar must have become well known Bhavnagar. Her family was related to Ravindranath Tagore. So, after the initial education in England, she came to Shantiniketan and completed her studies. She was a favourite and a favoured student throughout.

Looking at her acting skills,it was Tagore himself who recommended her to act in the Bangla film ‘Gora’ (1938), based on his own novel. Her role of Latika – daughter of Paresh Babu in the film – who falls in love with Bijoy and marries him – was liked by Tagore. She did one more film ‘Na Honewali Baat’ (1938) in Hindi,followed by the Hindi version of ‘Rukmini’ in 1939. After doing 4 Bangla films, she did the Trilingual film (Bangla, Hindi and English)- ‘Raj Nartaki’ (1941). This was made by Wadia Movietone in Bombay and was directed by Modhu Bose, husband of the heroine Sadhona Bose – the international dancer. During her Bombay visit, she got married to an aspiring actor Madsrurul Haq, son of a rich Zamindar Ehsanul Haq of Jallundhar. Madsrurul Haq’s younger sister, Begum Para was a sizzling actress of the 1940s and 1950s

Her other Hindi films were ‘Kunwaara Baap’ (1942), ‘Raja’ (1943) and ‘Shararat’ (1944), all directed by Kishore Sahu. She also did ‘Namaste’ in 1943. After this she turned to direction and did her first film ‘Chhamiya’ in 1945, with Begum Para and David as a Lead pair. She repeated this team again in ‘Pagle’ (1950) also. However her second film ‘Jharna’ (1948) was banned by Morarji Desai, the then Chief Minister of Bombay Province, on the plea that the film had explicit sexual scenes in it. No wonder, as her sister in law – the sizzling Begum Para, had given some uninhibited scenes in this film. This film was a financial disaster for Pratima and she decided to quit films.

In all, Pratima Dasgupta did 10 Hindi films and 8 Bangla films.

Out of the 9 songs of film Kunwara Baap, I have heard 6 songs. Some of them are quite interesting like “Chai Piyogi Rani” and “O Meri Rani, Meri Rani ”, but I felt we must have at least one song of Ramchandra Pal on our blog. This is the only song listed for the film, for which HFGK mentions the singer’s name . Other songs are without names of singers or lyricists. The song’s tune is not very catchy or lilting but the song has a historical value.

The singer and the film both make a debut on the blog.

 

[Author’s Note: Credits – Khalid Hasan from TFT, Pakistan; Isak Mujawar; A.I. Film directory; HFGK; MuVyz; LB-69; Harish Raghuwanshi ji; Wikipedia; and my notes.]

 


Song – Kaahe Paap Se Paap Chhipaaye (Kunwaara Baap) (1942) Singer – Ramchandra Pal, Lyrics – [Unattributed], Music – Ramchandra Pal

Lyrics (Provided by Sudhir)

kaahe. . .
kaahe. . .

paap se paap chhipaaye
re paapi mann..nn
paap se paap chhipaaye
re paapi mann..nn
paap se paap chhipaaye

bigdi baat banaane ko tu
bigdi baat banaane ko tu
hari se aankh churaaye
bigdi baat banaane ko tu
hari se aankh churaaye
karni karta ?? ?? ??
phir paachhe pachhtaaye
re paapi mann..nn
paap se paap chhipaaye

phool ki ?? hovey phir bhi
phool ki ?? hovey phir bhi
bhog doosra paaye
ye kaisa nayay jagat ka
ye kaisa nayay jagat ka
ye kaisa nayay
re paapi mann..nn
paap se paap chhipaaye
paap se paap chhipaaye

paap se paap chhipaa..aaye. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

काहे॰ ॰ ॰
काहे॰ ॰ ॰

पाप से पाप छिपाए
रे पापी मन
पाप से पाप छिपाए
रे पापी मन
पाप से पाप छिपाए

बिगड़ी बात बनाने को तू
बिगड़ी बात बनाने को तू
हरी से आँख चुराये
बिगड़ी बात बनाने को तू
हरी से आँख चुराये
करनी करता ?? ?? ??
फिर पाछे पछताए
रे पापी मन॰॰न्न
पाप से पाप छिपाए

फूल की ?? होवे फिर भी
फूल की ?? होवे फिर भी
भोग दूसरा पाये
ये कैसा न्याय जगत का
ये कैसा न्याय जगत का
ये कैसा न्याय
रे पापी मन॰॰न्न
पाप से पाप छिपाए
पाप से पाप छिपाए

पाप से पाप छिपा॰॰आए॰ ॰ ॰


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3604 Post No. : 14384

Today is the fifteenth remembrance day for Anil Biswas, one of the pioneering music directors of film industry in India. He passed away on 31st May in New Delhi, in the year 2003. With his active years in the film industry (from 1935 to 1965) behind him, he had moved to Delhi by mid 1960s. Thereafter, he worked with the All India Radio in New Delhi, and was also associated with JNU (Jawaharlal Nehru University).

As I am checking his filmography and the list of songs, as per the Geet Kosh, I come across a very interesting statistic. As per Geet Kosh, during his active years in the film industry from 1935 to 1965, he composed music for 82 films, of which three are unreleased films with songs available. The total of songs in these films comes to around 715.

Then I counted his body of work in the first six years of his career in films, i.e. from 1935 to 1940. Amazing to find out that in these first six years he has composed music for 25 films, logging in approximately 220 songs. This works out to be a tad over 30%, both in terms of number of films and total no. of songs composed. So in the first six years of his career (which is 20% of his career), he had already accomplished 30% of all the work that he would do for Hindi films. And now to the sad part of these numbers. Of these 220 songs, more than half i.e. 137 were not even released on gramophone records (as per Geet Kosh listings). Of the remaining shortlisted songs, just about 80 to 85 songs are available in public domain. This last number is as per my knowledge of available songs within the known circle of collectors – this number could be more.

A large part of this work from those six earliest years remains unknown and unheard – a sad commentary on the state of affairs of archiving and preservation efforts in the industry.

In remembrance of this doyen of music directors, I present this rare song today, which has an important distinction. As per the Geet Kosh listings, this most likely the earliest song that he has sung, under his own music direction, that is available. The Geet Kosh lists one earlier solo credited to him as a singer, for the film ‘Dharam Ki Devi’ of 1935, which was probably never released on gramophone record. This song from the 1936 film ‘Piya Ki Jogan’ apparently is his earliest recorded song that is available in public domain. It is a duet in which the accompanying voice is of Sardar Akhtar.

The film ‘Piya Ki Jogan’ was produced under the banner of Golden Eagle Movietone, which, very interestingly, is listed as being based in Sindh. The region of Sindh could mean Karachi, but I am not sure about it. The film was directed by Heeren Bose. The cast of actors is listed as Sardar Akhtar, Pramod Chandra, Krishna Kumari, Merwan Irani, D Manik, Ashalata, Vasu HK, Sheila, Agha Jaan, Bannerjee, Niranjan Singh, Mehar Banu, and Anil Biswas himself. Now this throws up interesting question whether Anil Da is singing for himself on screen. The year is 1936, and the playback mechanism is just beginning to get a foothold in the industry. He could be singing for himself, since he is listed as an actor. Or he could be singing for someone else – being the last name in the listing generally implies a role with less importance. Once again, I cannot be sure.

Another interesting tidbit here. The cast of actors also contains the name Ashalata. This could well be the first film that they worked on together. I request other knowledgeable readers and friends to please comment on this observation.

The lyricist credits are listed as Munshi Zahiruddin, Niranjan Singh, and Meerabai (one of the songs in the film is a bhajan credited to her). The uploader of this song on YT, Shri Shalin Bhatt, identifies Munshi Zahiruddin as the writer of this song.

The song itself does not have too many wordy lines. There are passages of laughter and pauses. The song appears to be an exchange between a lady and a gentleman, having some good time together. I request other knowledgeable readers and friends to kindly add more information about this film and this song, if available.

With this rare and uniquely important song, the blog pays its homage to Anil Da, on this anniversary of his passing away.

[Auth Note: Some translations,
“sahn e baag” = open space, compound containing a garden
“abr e bahaar” = clouds of spring; or clouds of good season
“baadaah e khvaar” = one who drinks liquor]

[Ed Note: The song is uploaded on YT by Shalin Bhatt ji.]

Song – Saaqi Ho, Sahn e Baag Ho  (Piya Ki Jogan) (1936) Singer – Anil Biswas, Sardar Akhtar, Lyrics – Munshi Zahiruddin, MD – Anil Biswas

Lyrics

haa haa haa haa
haa haa haa haa
he he he

saaqi ho
sahn e baag ho
abr e bahaar ho
saaqi ho
sahn e baag ho
abr e bahaar ho
oo ho

pehlu mein tum hamaare
ae sanam
baadah e khvaar
saaqi ho
sahn e baag ho
abr e bahaar ho
saaqi ho
sahn e baag ho
abr e bahaar ho
oo ho

haa haa haa
haa haa haa

bas
itna hi
. . .
aur kuchh
. . .
ab suno

saawan ka ho mahina
din ho jalaa hua
saawan ka ho mahina
din ho jalaa hua
nanhi nanhi boondon ki barsi phuaar ho
nanhi nanhi boondon ki barsi phuaar ho

haa haa haa
haa haa haa
haa haa haa
haa haa haa
haa haa haa
haa haa haa

jhoola padaa hua ho
kisi shah e mahal mein

jhoola padaa hua ho
kisi shah e mahal mein

ik din(?) se khush gul koi gaata malhaar ho
ik din(?) se khush gul koi gaata malhaar ho

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हा हा हा हा
हा हा हा हा
हे हे हे

साक़ी हो
सहन ए बाग हो
अब्र ए बहार हो
साक़ी हो
सहन ए बाग हो
अब्र ए बहार हो
ओ हो

पहलू में तुम हमारे
ए सनम
बाद ए खार हो
साक़ी हो
सहन ए बाग हो
अब्र ए बहार हो
साक़ी हो
सहन ए बाग हो
अब्र ए बहार हो
ओ हो

हा हा हा हा
हा हा हा हा

बस
इतना ही
॰ ॰ ॰
और कुछ
॰ ॰ ॰
अब सुनो

सावन का हो महिना
दिन हो जला हुआ
सावन का हो महिना
दिन हो जला हुआ
नन्ही नन्ही बूंदों की बरसी फुहार हो
नन्ही नन्ही बूंदों की बरसी फुहार हो

हा हा हा हा
हा हा हा हा
हा हा हा हा
हा हा हा हा
हा हा हा हा
हा हा हा हा

झूला पड़ा हुआ हो
किसी शाह ए महल में

झूला पड़ा हुआ हो
किसी शाह ए महल में

इक दिन(?) से खुश गुल कोई गाता मल्हार हो
इक दिन(?) से खुश गुल कोई गाता मल्हार हो


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, May 24, 2017 is the Remembrance Day of Bulo C Rani,  the music director and the singer who left this day 24 years ago under unfortunate circumstances. A contemporary of music directors like Anil Biswas, Ghulam Haider, Naushad, C Ramchandra and Khemchand  Prakash, it is a sad commentary on Hindi film industry that Bulo C Rani could not attain the stature of these music directors. And this is despite the fact that he was associated with the Hindi film industry for over 2 decades and had churned out some immortal compositions.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (15th January), the nation honors the Army man, the soldier and the fighter who gives up and sacrifices a lot in his life, even himself, for the sake of protecting other fellow human beings. We celebrate the 68th Army Day today.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 10
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Wishing Usha Khanna on her 74th birth anniversary, a celebration full of all things good and happy.

For some reason, Usha Khanna never received the recognition and fame that she so rightfully deserves. She is not the first, but definitely is the most successful and talented of a handful of female composers in the Hindi film industry. Born on 7th October 1941, she composed music for her first film at a very young age of 17 with ‘Dil Deke Dekho’ 1959. This was also after more than one year of a sort of apprenticeship and convincing the world that composing was an easy task for her.
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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14741

Number of movies covered in the blog

Movies with all their songs covered =1150
Total Number of movies covered =4028

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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