Archive for the ‘Songs of 1972’ Category
Man na morey sata ye to bata
Posted on: February 27, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4241 | Post No. : | 15458 |
“Anokha Milan”(1972) was directed by Jagannath Chatterji for Wazirani movies, Bombay. The movie had Dilip Kumar, Dharmendra, Pronoti Bhattacharya, Abhi Bhattacharya, Bikas Roy, Dilip Roy, Padma Devi, Asha Devi, Maya Roy, renuka Roy, Sheela Pal, Vidhya Rao, Swapna Bhattacharya, Keshto Mukherjee etc in it,
The movie had two songs in it. One song has been covered in the past.
So, only one more song is left to be covered from this movie. Here is this second and final song from “Anokha Milan”(1972). It is sung by Sabita Chaudhary. Hanif-Jackie are the lyricist. Music is composed by Salil Chaudhary.
The song is picrturised on Pronoti Bhattacharya.
With this song, all the songs of “Anokha Milan”(1972) are covered and the movie joins the list of movies that are YIPPEED in the blog.
Song-Man na morey sata ye to bata (Anokha Milan)(1972) Singer-Sabita Chaudhary, Lyrics-Haneef Jackie, MD-Salil Chaudhary
Lyrics
man na more sata
ye to mohe bata
piya gaye kahaan
koi jaane na ho
koi boojhe na
ho man na more sata
ye to mohe bata
piya gaye kahaan
koi jaane na ho
koi boojhe na
ho man na more sata
kar gaye jaate jaate haaye wo baaten bahaane
matwaali rut rangeeli jawaan hui aaja re
kar gaye jaate jaate haaye wo baaten bahaane
matwaali rut rangeeli jawaan hui aaja re
jawaani kaise badhe rulaaye jalaaye
koi jaane na ho
koi boojhe na
ho man na more sata
ye to mohe bata
piya gaye kahaan
koi jaane na ho
koi boojhe na
ho man na more sata
pihu pihu kare paapi
haaye re man ka papeeha
dheere dheere aaye megha
baalam hamen bhaawe na
pihu pihu kare paapi
haaye re man ka papeeha
dheere dheere aaye megha
baalam hamen bhaawe na
jiyara hulak uthhe
ab to aan milo na
koi jaane na ho
koi boojhe na
ho man na more sata
ye to mohe bata
piya gaye kahaan
koi jaane na ho
koi boojhe na
ho man na more sata aa
Ye to mumkin hi nahin hai
Posted on: February 27, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4241 | Post No. : | 15457 | Movie Count : |
4258 |
“Jai Jwaala”(1972) also known as “Pooja Aur Paayal”(1972) was a movie produced under the banner of K D Films Bombay. The movie had Sujit Kumar, Sonali, Madhumati, Ram Mohan, Kammo, Chandrashekhar, B M Vyas, Shahid Bijnori, Dinesh Hingoo, Kumud Tripathi, Rukhsana, Ratna, Bhupendra Kumar, Hanifa, Tikkoo, Baby Saeeda, Nirupama, Rehman etc, with special appearances by Sunil Dutt, Sanjeev Kumar, Jaya Bhaduri, Madan Puri, Lata Bose, Gopi Krishan and Johny Walker.
The movie had six songs in it.
Here is the first song from “Jai Jwaala”(1972) to appear in the blog. This song is sung by Rafi. Naqsh Llayalpuri is the lyricist. Music is composed by Kamalkant.
The song is picturised as a drunkard song on Sujit Kumar and a mujra dancing Madhumati.
With this song, “Jai Jwaala”(1972) makes its debut in the blog.
Song-Ye to mumkin hi nahin hai (Jai Jwaala)(1972) aka (Pooja Aur Paayal) (1972) Singer-Rafi, Lyrics-Naqsh Llayalpuri, MD-Kamalkant
Lyrics
ye to mumkin hi nahin hai
ki bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye amaanat hai teri
tu jo kahe dil apna
ye amaanat hai teri
tu jo kahe dil apna
aaj kadmon pe tere
jhoom ke rakh jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
aaj ki raat meri jaan ye
tamanna hai meri
aaj ki raat meri jaan ye
tamanna hai meri
ban ke masti teri
aankhon se chhalak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ki mahak
main
ke
main
ki mahak jaaun main
ki mahak jaaun main
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4218 | Post No. : | 15420 | Movie Count : |
4248 |
‘Anokha Milan’ (1972) is a dubbed Hindi version of Bangla film, ‘Paari’ (1966). Produced by Pranoti Bhattacharya (nee Ghosh, wife of Abhi Bhattacharya) under the banner of New India Pictures, Calcutta, the filmias directed by Jagannath Chatterjee. The main star cast includes Dharmendra, Pranoti Ghosh, Abhi Bhattacharya, Bikash Roy, Dilip Roy, Satya Banerjee, Padma Devi, Renuka Roy etc. Dilip Kumar had a guest role of a Warden of Andaman Jail. The film is based on a story written by the famous Bengali writer, Jarasandha (real name: Charu Chandra Chakraborty). Pranoti Ghosh is not new to the Hindi films. Earlier, she had worked in Hindi films like ‘Phulwaari’ (1951), ‘Parichay’ (1954), ‘Jagriti’ (1954), ‘Love Marriage’ (1959) and ‘Sautela Bhai’ (1962).
‘Paari’ (1966, Bangla film) is the only film in which Dharmendra got opportunity to work with his childhood idol, Dilip Kumar even though he had only one or two scenes with his idol. However, Dharmendra could not get a full-fledged Hindi film to work with Dilip Kumar. He felt that some ‘jinx’ came on the way and he could not fulfil his dream of working with Dilip Kumar in a Hindi film. The ‘jinxed’ examples are set out below:
Dharmendra was to work in ‘Aadmi’ (1968) with Dilip Kumar but his role ultimately went to Manoj Kumar. In 1979, his dream of working with Dilip Kumar almost became a reality when Nasir Hussain selected Dharmendra and Rishi Kapoor in the role of sons of Dilip Kumar in ‘Zabardust’. However, after a few days of shooting, the film was shelved reportedly due to creative differences between the director and Dilip Kumar about the storyline. Later, Nasir Hussain made the film afresh in 1985 with Sanjeev Kumar, Sunny Deol and Rajiv Kapoor with some changes in the story. BR Chopra selected Dharmendra to play the role of Chandragupta in ‘Chanakya’ (1980s) in which Dilip Kumar had a role of Chanakya. However, the film got shelved due to financial problems faced by the producer. When Dilip Kumar got chance to act and direct ‘Kalinga’ (UR – 1990s), Dharmendra tried his best to get a role for himself but Dilip Kumar told him that he could not be fitted in any worthwhile role in the film.
(These are taken mostly from interviews Dharmendra gave to film journalists at various times).
The chance which Dharmendra got to work with Dilip Kumar in the Bangla film ‘Paari’ (1966) was like a ‘consolation prize’ for him having done only a couple of scenes with Dilip Kumar in the film towards the end. The story of the film which was dubbed in Hindi with a new title as ‘Anokha Milan’ (1972) is as under:
The story is set in the pre-independence period in a rural setting in Bengal. The film starts with a Jail Warden asking Tara Sen (Pranoti Ghosh), a prisoner as to why she has requested to be transferred to Andaman Jail. From here onwards, the story is unfolded in a flash-back mode until her sea journey to Andaman Jail.
Tara is the only daughter of a landlord in a village. She is fond of walking in the midst of nature in the village along with her childhood friend Ghanshyam (Dharmendra) who is looked after by the landlord. Because both of them indulge in some sort of mischiefs in the village, Ghanshyam’s gaurdian sends him to the city for schooling. After few years, Ghanshyam returns to the village as he failed in matriculation examination. He is employed by the landlord. Tara and Ghanshyam like each other but due to societal constraints, they refrain from expressing their love for each other to culminate into a marriage. After all, Tara is the daughter of a wealthy landlord and Ghanshyam is a poor commoner who works for landlord.
Tara’s parents are looking for a suitable boy for her marriage. In the meanwhile, she falls prey to the lust of the village Daroga, Badal Gupta (Abhi Bhattacharya) who is a drunkard and a womaniser. Tara’s parents try their best to take care of her by arranging her marriage with a suitable boy. However, the scandal comes to the notice of the father of the groom, a landlord who humiliate Tara and her father in derogatory words. Ghanshyam gets angry that his employer and Tara are getting insulted. He starts dispersing groom’s side supporters by wielding his lathi which accidentally kills the groom’s father. Ghanshyam is arrested on murder charge. Tara’s father is also under threat of arrest as an accomplice.
With scandal looming on her head coupled with police case, Tara decides to marry Daroga, Badal Gupta provided he drops the charges against her father and Ghanshyam which he agrees. They get married. Tara tries her best to make her husband to mend ways and give up his vices but fails. One day, Tara comes to know that her husband is going to spoil the life of an innocent girl who happens to be her friend. She confronts him. In fits of anger, she stabs her husband resulting in the life-threatening injuries to him. Tara is arrested as she has admitted the crime.
While in hospital, Daroga requests his wife Tara to change her statement to police to say that he accidentally fell on a sharp instrument so that she is saved from the jail and more importantly to preserve his self-respect as he has never been defeated in his life, that too from a woman. Tara refuses to change her statement to the police. Badal dies of stab injuries. Tara is jailed for the murder of her husband.
In the meanwhile, Tara comes to know that the court has awarded Ghanshyam the imprisonment for life and he is jailed in Andaman. She remembers the sacrifice made by Ghanshyam to save her honour and wishes to be with him as he has no one to support in Andaman. She pleads with the Jail Warden to transfer her to Andaman Jail which is granted. The Warden of Andaman Jail (Dilip Kumar) is not prepared to accept her in the Andaman jail as she cannot stay with Ghanshyam as a prisoner who is on parole. The reason is that as per the Jail Manual, only the husband and wife prisoners can stay together not necessarily in prison but in the outskirts of the prison as well.
In the meantime, Warden has gone through their files and suggest to both of them to get married so that they can stay together in Andaman. Both Tara and Ghanshyam are not ready to get married to each other due to their conventional upbringing. The Warden shows his helplessness and orders her repatriation to her original prison. The next day, Tara runs away from the jail. The jail police forces fail to locate her. Ghanshyam is also on lookout for her but returns unsuccessful. The film ends with Ghanshayam returning to his room disappointed only to find Tara sitting in a corner of his room in a semi conscious state. Ghanshyam brings her to consciousness and for the first time they embrace each other.
The highlight of the film is the presence of Dilip Kumar in a special appearance in the role of the Warden of Andaman Jail. His presence suddenly galvanises the film for about the last 15 minutes. His fluency in dialogue delivery with voice control – both in Hindi (Bengali in Bangla version) and English is worth watching. The video of Dilip Kumar’s 15 minutes’ role in the film as a Warden is here for those interested in watching his performance.
‘Anokha Milan’ (1972) has three songs one of which is a Bangla pre-marriage folk song. I am presenting the first song from the film to appear on the Blog. The song is ‘Bandhu Re, Ye mann dole bole kya re koi jaane’ sung by Manna Dey. The song is set to music by Salil Chowdhury on the words of Haneef-Jackie whose names I heard for the first time. I have also listened to the equivalent song in the Bangla version of the film ‘Paari’ (1966) which is written and set to music by Salil Chowdhury. The same tune has been used for the Hindi version song which I feel, is more or less the translation of the Bangla version. Haneef-Jackie seems to be the pseudo names.
A small part of the song under discussion is also used as a background song on the day of the marriage of Tara (Pranoti Ghosh) with Badal Gupta (Abhi Bhattacharya). I like the prelude music of the song with a beautiful combination of musical instruments especially Flute, Sitar and Guitar which is partly available in the video clip but fully available on the audio clip. It is interesting to note that Manna Dey sings second stanza of the song with somewhat Bengali pronunciation.
With this song, ‘Anokha Milan’ (1972) makes its debut in the Blog.
Video Clip:
Audio Clip:
Song-Bandhu re ye man doley boley kyaa re (Anokha Milan)(1972) Singer-Manna Dey, Lyrics-Haneef Jackie, MD-Salil Chaudhary
Lyrics
bandhu re. . .ae
ye mann doley boley kya re koi jaane
jal bhara megh ye
dil ke pyaasa
je mann sune
ye mann wohi re gaaye
bandhu re. . .ae hey
ye man dole bole kya re koi jaane
jal bhara megh ye
dil ke pyaasa
je mann sune
ye mann wahi re gaye
bandhu re. . .ae. . .ae
ban harini…eeeeee
ban harini tumhar lochan dekhe na
ban morni chalan tumhaar dekhi na
ban harini tumhar lochan dekhe na
ban morni chalan tumhaar dekhi na
jo ye lochan tore dekhe aaj wo bhoole na
bandhu re. . .ae
ye man dole bole kya re koi jaane
jal bhara megh ye
dil ke pyaasa
ye mann sune
ye mann wahi re gaye
bandhu re. . .ho. . .ho
ichhamati re. . .ae. . .ae
ichhamati nadi tum kya kya ho bolo na
donon re dole dole aao re dolo na aa
ichhamati nadi tum kya chaaho bolo na
donon re dole dole aao re dolo na
bolo chaahe doob ke maroon tumhaare taley
bandhu re. . .ae hey
ye man dole bole kya re koi jaane
jal bhara megh ye
dil ke pyaasa
ye mann sune
ye mann wahi re gaye
bandhu re. . .ae. . .ae
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
बंधु रे॰॰ए
ये मन डोले बोले क्या रे कोई जाने
जल भरा मेघ ये
दिल के प्यासा
जे मन सुने
ये मन वही रे गाये
बंधु रे॰॰ए हे
ये मन डोले बोले क्या रे कोई जाने
जल भरा मेघ ये
दिल के प्यासा
जे मन सुने
ये मन वही रे गाये
बंधु रे॰॰ए॰॰ए
बन हरिणी॰॰ई
बन हरिणी तुम्हार लोचन देखे ना
बन मोरनी चलन तुम्हार देखि ना
बन हरिणी तुम्हार लोचन देखे ना
बन मोरनी चलन तुम्हार देखि ना
जो ये लोचन टोरे देखे आज वो भूले ना
बंधु रे॰॰ए
ये मन डोले बोले क्या रे कोई जाने
जल भरा मेघ ये
दिल के प्यासा
जे मन सुने
ये मन वही रे गाये
बंधु रे॰॰ए हो हो
इच्छामती रे॰॰ए॰॰ए
इच्छामती नदी तुम क्या क्या हो बोलो ना
दोनों रे डोले डोले आओ रे डोलो ना॰॰आ
इच्छामती नदी तुम क्या क्या हो बोलो ना
दोनों रे डोले डोले आओ रे डोलो ना॰॰आ
बोलो चाहे डूब के मरूँ तुम्हारे तले
बंधु रे॰॰ए हे
ये मन डोले बोले क्या रे कोई जाने
जल भरा मेघ ये
दिल के प्यासा
जे मन सुने
ये मन वही रे गाये
बंधु रे॰॰ए॰॰ए
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4210 | Post No. : | 15408 |
Recently “Baazigar”(1972) was introduced in the blog. But this introduction was rather different. The song that was used to introduce the movie was actually a song from an earlier movie and this song plays in “”Baazigar”(1972) only as a “recording” song. I thought that the music directors of the two movies must be common. But I was wrong. When I checked up, I found that the music team of “Baazigar”(1972) was entirely different from the music team of the songsong discussed.
“Baazigar”(1972) was directed by Thakur Karunesh for Mukul enterprises, Bombay. The movie had Vijaylalita, Roopesh Kumar, Bindu, Kamal Kapoor, Sanjana, Indrani Mukherjee, Jairaj, Dhumal, Birbal, Dinesh Hingoo, Rndhir, Ifthikhar, Samson, Chacha, Suraj Prakash, Kirti Kumar, Surinder Kohli, Master Vijay, Joker (horse), Johny (dog) etc in it.
The movie had four songs in it according to HFGK and all these songs were female solos. All of them are sung by Asha Bhonsle. The song discussed in the blog did not find mention in HFGK.
Here is a song that is actually created for “Baazigar”(1972). This song, like all four songs of the movie, is sung by Asha Bhonsle. Naqsh Llayalpuri is the lyricist. Music is composed by Sapan Jagmohan.
The song is picturised as a seduction song on Bindu who is seen performing her thumkas for the benefit of Kamal Kapoor.
Song-Meri jhoom ke naachi jawaani (Baazigar)(1972) Singer-Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Sapan Jagmohan
Lyrics
meri jhoom ke naachi jawaani
to ghunghroo toot gaye
meri jhoom ke naachi jawaani
to ghunghru toot gaye
maine ae ae chhedi jo dil ki kahaani
to ghunghru toot gaye
meri jhoom ke naachi jawaani
to ghunghru toot gaye
ho ke deewaana
keh raha hai dil
hosh mein rehna
aaj hai mushqil
ho ke deewaana
keh raha hai dil
hosh mein rehna
aaj hai mushqil
aai ee ee rang pe raat suhaani
to ghunghru toot gaye
meri jhoom ke naachi jawaani
to ghunghru toot gaye
sochta kya hai
maine lahra ke
tera daaman
choom liya hai
sochta kya hai
maine lahra ke
tera daaman
choom liya hai
peehli ee ee baar hui naadaani
to ghunghru toot gaye
meri jhoom ke naachi jawaani
to ghunghru toot gaye
bana li manzil
teri baahon mein
chhod ke duniya
do raahon mein
bana li manzil
teri baahon mein
chhod ke duniya
do raahon mein
maine ae ae
pyaar mein ki manmaani
to ghunghru toot gaye
meri jhoom ke naachi jawaani
to ghunghru toot gaye
maine ae ae
chhedi jo dil ki kahaani
to ghunghru toot gaye
meri jhoom ke naachi jawaani
to ghunghru toot gaye
- In: "picnic" song | "Gramophone" song | Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata song | Lyrics contributed by readers | One song used in more than one movie | One song used in two movies | playful song | Post by Sudhir | Rafi songs | Rafi-Lata duet | Song used in more than one film | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4206 | Post No. : | 15399 | Movie Count : |
4244 |
Songs Repeated in Hindi Films – 16
– – – – – – – – – – – – – – – – – –
Aah yes, this one too. This iconic and popular song from the 1969 film ‘Jeene Ki Raah’, reappeared in a shorter version in the 1972 film ‘Baazigar’. Albeit the use of this song is somewhat casual, and does not seem to fulfill any purpose, symbolic or otherwise. Seems like a time filler, as one goes through the initial part of the film.
The original from the film ‘Jeene Ki Raah’ is a quite a well picturized song, with the reality of the situation moving into a surreal dream where the real village people performing the song are replaced by the hero and heroine, in heroine’s mind. All the songs of this film became very popular, and did contribute significantly to the rising graph of Jeetendra as a hero.
Fast forward three years later. The film ‘Baazigar’ in 1972, was a potential launch vehicle for Roopesh Kumar (cousin brother of actress Mumtaz), as a hero. He had made his debut in 1965, in supporting roles, both as a comic villain and in character riles. This was the first, and likely the only film in which he appears in the role of a hero.
Roopesh’s real name was Abbas Farashahi. He was born in Bombay on 16th Jan, 1946 (okay, just a week back was his birth anniversary, would have been 74). His father, Ali Asgar Farashahi had a very good restaurant and bakery business. However, being involved in dramatics in school and college, he was more interested to make a career in films. With some support from his cousin sister Mumtaz, he started working in small supporting roles. His first appearance is in the film ‘Tarzan and King Kong’ in 1965.
He appeared in over 120 films from 1965 through 1995. The list of his films do make an impressive reading. Here is a partial list of his films from the period till 1980 – ‘Sapno Ka Saudagar’ (1968), ‘Aadmi aur Insaan’ (1969), ‘Jeene Ki Raah’ (1969), ‘Sharafat’ (1970), ‘Jeevan Mrityu’ (1970), ‘Kal Aaj Aur Kal’ (1971), ‘Andaaz’ (1971), ‘Raampur Ka Lakshman’ (1972), ‘Seeta Aur Geeta’ (1972), ‘Prabhat’ (1973), ‘Loafer’ (1973), ‘Insaaniyat’ (1974), ‘Zinda Dil’ (1975), ‘Nagin’ (1976), ‘Karm’ (1977), ‘Dildaar’ (1977), ‘Chacha Bhatija’ (1977), ‘Amar Deep’ (1979), ‘Jaani Dushman’ (1979), ‘The Great Gambler’ (1979), ‘Lok Parlok’ (1979), ‘Hum Paanch’ (1980) etc.
Hmm. . . interesting to note that he also appeared in ‘Jeene Ki Raah’, the original film for the song being presented today.
He also produced and directed two films – ‘Hai Meri Jaan’ (1991) and ‘Meri Aan’ (1993).
Roopesh Kumar passed away quite unexpectedly, at a young age of 49. He was attending the Filmfare awards program of 1995. He suffered a severe heart attack while at the program, and passed away on way to the hospital.
The song presented today is picturized as a game being played at a picnic. This is a picnic with a difference. The only participants are the leading lady, Vijaylalitha and her pet animals – a horse named Chetak and a dog named Tommy. These are the screen names of these pets. Their real names, as per the credits are Joker and Johny respectively. The song is being played on a gramophone, and the game – well you can view it in the accompanying video. The song seems to have been edited, as it appears to end abruptly after playing one full stanza and getting into the start of the second stanza.
Ah yes, this 1972 film makes its debut on our blog today.
Overall, a very casual re-use in my opinion.
Song – Aa Mere Humjoli Aa, Khelen Aankh Micholi Aa (Baazigar) (1972) Singers – Lata Mangeshkar, Mohammed Rafi, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Chorus
Lyrics
ho o o ho o
ho o o ho o
[dialogue]
ho o o ho o
ho o o ho o
aa mere hamjoli aa
khele aankh micholi aa
galiyon me chaubaaron me
baaghon me bahaaron me
ho
main dhoondhoo tu chup ja
main aaun
na na
main aaun
na na na
aaun
na
main aaun
aa ja
peepal ke oopar jaa baitha
chup se mera saathi
dhak se lekin dhadak gaya dil
gir gayi haath se laathi
o pakdaa gaya
main aaun
na na
main aaun
na na na
aaun
na
main aaun
aa jaa
————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————
हो ओ ओ हो ओ
हो ओ ओ हो ओ
[संवाद]
हो ओ ओ हो ओ
हो ओ ओ हो ओ
आ मेरे हमजोली आ
खेलें आँख मिचोली आ
गलियों में चौबारों में
बागों में बहारों में
हो
ओ मैं ढूंढू तू छुप जा
आ मेरे हमजोली आ
खेलें आँख मिचोली आ
गलियों में चौबारों में
बागों में बहारों में
हो
ओ मैं ढूंढू तू छुप जा
मैं आऊँ
ना ना
मैं आऊँ
ना ना ना
आऊँ
ना
मैं आऊँ
आ जा
पीपल के ऊपर जा बैठा
चुप से मेरा साथी
धक से लेकिन धड़क गया दिल
गिर गई हाथ से लाठी
ओ पकड़ा गया
मैं आऊँ
ना ना
मैं आऊँ
ना ना ना
आऊँ
ना
मैं आऊँ
आ जा
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4178 | Post No. : | 15354 |
Yesterday (25 december 2019) was the birth centenary of Naushad (25 december 1919- 5 May 2006). The special occasion called for a post but my internet connection let me down and that day ended up becoming a dot day- the third such day in the year.
According to my calculations Naushad had composed music for 601 songs in 64 Hindi movies.
61 out of these 64 movies are represented in the blog. The first four movies where Naushad was the music director are “Prem Nagar”(1940), “Darshan”(1941), “Maala”(1941) and “Nayi Duniya” (1942). All available songs of these movies are covered in the blog but still some songs (unavailale as of now) are not posted so these movies are unYIPPEED. After that, each and every Naushad movie beginning from “Sharda”(1942) till “Ganwaar”(1970) are already YIPPEED in the blog ! Moreover, two more movies viz “Aaina”(1974) and “Dharam Kaanta”(1982) are also YIPPEED.
The only Naushad movies (apart from the four movies of 1940s), whose songs are not fully covered in the blog are “Paakeeza”(1971), “Taangewaala”(1972), “My Friend”(1974), “Sunahra Sansaar”(1975), “Chambal Ki Raani”(1979), “Love and God”(1986), “Aawaaz De kahaan Hai”(1990), “Teri Paayal Mere Geet”(1993), “Guddu”(1995) and “Taj Mahal”(2005).
Overall 535 out of 601 Naushad compositions are already showcased in the blog.
On this occasion, here is a song from “Taangewaala”(1972). This song is sung by Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by Naushad.
The song is picturised as a Tanga song, with Rajendra Kumar playing the Taangewaala and driving the taanga holding a small child his arms. It is very risky, according to present day safety standards. Rajendra Kumar would get fined heavily and his tonga driver licence cancelled by traffic police if he was to operate in present day India. 🙂
This song is an appropriate song for the occasion because Rafi too had his birth anniversary on 24 december, one day prior to Naushad’s birth anniversary.
Song-Thhap thhup thhip ki taal pe mera ghoda chaal dikhaaye(Taangewaala)(1972) Singer-Rafi, Lyrics-Majrooh Sultanpuri, MD-Naushad
Lyrics
Thhap thhup thhip ki taal pe mera ghoda chaal dikhaaye
lipat lipat ke taange ke sang raah guzarti jaaye
Thhap thhup thhip ki taal pe mera ghoda chaal dikhaaye
lipat lipat ke taange ke sang raah guzarti jaaye
daada daan
daadaa daan
daada daan
daadaa daan
chhail chhabeela ghhoda hai
chaal chale hai saajan ki
chhail chhabeela ghhoda hai
chaal chale hai saajan ki
peechhe peechhe taanga hai
doli jaise dulhan ki
peechhe peechhe taanga hai
doli jaise dulhan ki
zaalim yoon lehraaye ke jaise
koi sharaabi jaaye ae ae
Thhap thhup thhip ki taal pe mera ghoda chaal dikhaaye
lipat lipat ke taange ke sang raah guzarti jaaye
kaaka jee
o maamaa jee
ho zara bach ke
ho zara hatt ke
mandir koi jaata hai
masjid se koi aata hai
mandir koi jaata hai
masjid se koi aata hai
ye dilwaala sabko hi
manzil tak pahunchaata hai
ho ye dilwaala sabko hi
manzil tak pahunchaata hai
taanga mera pyaar bhara dil
jo chaahe aa jaaye
Thhap thhup thhip ki taal pe mera ghoda chaal dikhaaye
lipat lipat ke taange ke sang raah guzarti jaaye
hurr
ho ho
Ab ham bhi banenge dulhaa
Posted on: July 31, 2019
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4030 | Post No. : | 15148 |
31st July – a day when Hindi Film Music lovers, world over, remember the legendary, Mohd. Rafi who left us this day in 1980. Its 39 years- hard to believe. Seems too recent, when the newspapers carried the news. Those were times when there was no flash news, breaking news or someone getting the news and forwarding on WhatsApp etc. At the most there used to be the evening edition of newspapers like Mid-day, Afternoon Despatch & Courier, and if I remember right there was a newspaper called Evening News and I don’t remember if the news broke out in the evening papers or the early morning papers. What I do remember is that it was monsoon and as is usual for the time of the year, there were rains in Mumbai and the roads of Bandra, where Rafi Saab lived and through which his funeral procession was going to pass, were flooded with his fans. The footage of the procession was recorded by Films Division of India and shown in the pre-movie news reels throughout India. Those were different times altogether and my intention is not to make anyone glum.
So, snapping out of the mood and getting on. Without fear of being labelled a ‘stuck record’ I will make it very clear (and I am sure I have done it a number of times) I am not partial to any singer be it Kishore Kumar or Rafi Saab or Mukesh or Manna Dey or Mahendra Kapoor. Specially in the era when they were ruling the airwaves with their “hai preet jahaan ki reet sada”; “zindagi kaisi hai paheli haayre”; “main pal do pal ka shaayar hoon”; “kya hua tera vaada”; or “bachchna ae haseenon lo main aa gaya” and all the other thousands of songs that these singers have sung between them. I used to be as much in love with “abhi toh haat mein jaam hai toba kitna kaam hai” as with “nadiya se dariya, dariya se sagar, sagar se gehra jaam”. I used to sing along with “chal mere bhai tere haat jod ta hoon” and “karam kiye jaa phal ki ichcha mat kar ae insaan”. And my love for the songs by these singers was not limited to the songs of the 70s but I enjoyed “deewana mastana hua dil” alongwith ‘hum hain raahi pyar ke humse kuch na boliye” and “kisiki muskurahaton pe ho nisaar” etc. etc. etc… I am sure I have proved the point that I was not a partial to any singer and was more concerned about the songs. One reason for this could be that I didn’t know the difference of one from the other till much later in life. I might have started finding differences when we got news of the sad demise of Mukesh when he was on tour in the USA and the papers listed out his popular songs.
Whenever I sit to write about the singers mentioned above, I find that all their most popular songs are already posted. So is the case with songs of Mohd. Rafi. The stats page of our blog gives the possible number of Rafi songs as 4845 of which we have posted 2960 giving us 1885 songs to choose from. And I suppose these are numbers of his Bollywood songs and doesn’t include his recordings in other Indian or international languages song like Sinhalese, Arabic, Farsi, Dutch, Creole etc. I tried to find statistics of his number of songs with his contemporary singers and found that he had maximum duets with Asha Bhonsle, Manna Dey and Lata Mangeshkar (in that order) – and I always used to think that the Lata- Rafi combo would have had more songs. How wrong we can be!!!!
This time too I had zeroed in on two popular (in their time) songs to go with this post. And then I saw a link on facebook in one of the music lovers’ group, to a song by Sudhir Phadke that was sung by Mohd. Rafi and from a rather recent movie- if 1972 can be called recent. The name “Daraar” written as “darar” in some places didn’t ring a bell in my head. I tried the usual reference sources at my disposal- Wikipedia and imdb. I got very sketchy information. The movie was a January 1972 release. It was directed by Ved Rahi and Mahendra Dehlvi and Kulwant Jani were the lyricist. The starcast had the not so famous Baldev Khosa, Lata Arora, Radharani, Birbal etc. Such a non-descript movie had a lively song. It was sung by Jaywant Kulkarni and Mohd. Rafi. How I wish there was a video to see who was lip syncing this.
here is the song.
Song-Ab ham bhi banenge dulha (Daraar)(1972) Singers-Rafi, Jaywant Kulkarni, Lyrics-Kulwant Jaani, MD-Sudhir Phadke
Chorus
Lyrics
o ho
o ho
hadipa
hadipa
ab hum bhi banenge dulha
apna bhi jalega choolha
ab hum bhi banenge dulha
apna bhi jalega choolha
te bhaabhi zara nach ke dikha aa aa
haaye haaye
te bhaabhi zara nach ke dikha
ni bhaabhi zara nach ke dikha
hoye hoye hoye hoye
aaj kismat ki maina
aaho
mere kaanon mein boli
oho
mere ghar bhi aayegi
oho
ek bulbul ki doli
jiski soorat ko ab tak haan
dil ke sheeshe mein dekha hai
jiske sundar mukhde ko haan
maine sapnon mein chooma hai
gulaabon ki wo daali
saru se kad waali
wahi toh mere ghar mein aayegi ee ee
haaye haaye haaye
bhaabhi zara nach ke dikha
ni bhaabhi zara nach ke dikha
hoye
usey doli se uthha ke
saji sej pe bithha ke
thoda ghunghta hata ke
ho gora ang ang dekhoonga haay haay
mujhe saath leke jaana
tera yaar hoon puraana
tera hansna hansaana
ho main bhi sang sang dekhoonga hoye hooye
dekhkar uska jalwa haan
mar na jaaye tu gash khaa ke
toot jaate hain taare haan
uski nazron se takraa ke
wo jiski jawaani chenab ki rawaani
wahi to mere ghar mein aayegi ee ee ee
hoye hoye
te bhaabhi zara nach ke dikha
Bairi chhod de mera raastaa
Posted on: July 13, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4012 | Post No. : | 15119 |
“Baabul Ki Galiyaan”(1972) was directed by Satya Dev Narang for Narang Films Combines, Bombay. This “social” movie had Hema Malini, Sanjay Khan, Sonia Sahni, Jagdeep, Shatrughan Sinha, David, Asit Sen, Manmohan Krishna, Bipin Gupta, Jayshree T, Savita, Brahmchaari, Kuljeet, Chandrima Bhaduri, Satyen Kappu, Tuntun, Hiralal, S N Bannerji, Bharm Bhardwaj, C S Dubey, Johny Whisky, Dilip Dutt, Birbal, Majnu, Abhimanyu Sharma, Pal Sharma, Tiwari, Ramesh Kumar etc in it.
The movie had five songs in it. One song (the most popular song from the movie) has already been covered in the past.
Here is the second song from the movie to appear in the blog. This song appears 3904 days after the first song appeared in the blog on 3 november 2008.
The song is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by Ravi.
The song is picturised as a nagin dance song on Hema Malini. So Mushfiqur Rahim, the Bangladeshi wicketkeeper batsman has another Naagin dance song for his reference and necessary action. 🙂
The picturisation shows a snake charmer playing been and making a snake to sway (what people mistakenly believe to be snake dance), with Sanjay Khan looking on. I thought that the sapera is Bhagwan, but the star cast does not mention his name. I request our knowledgeable readers to help identify him.
Song-Bairi chhod de mera raasta (Baabul Ki Galiyaan)(1972) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Ravi
Lyrics
bairi chhod de mera raasta
tujhe baali umar ka vaasta
ab jaane de
ab jaane de
bairi chhod de mera raasta
tujhe baali umar ka vaasta
ab jaane de
ab jaane de
thhar thhar kaanpe naazuk tan mora
it ut doley bebas mann mora
thhar thhar kaape naazuk tan mora
it ut doley bebas mann mora
main to chali thhi pi ki nagariya
rok li toone kaahe dagariya
jaane de
ab jaane de
bairi chhod de mera raasta
tujhe baali umar ka vaasta
ab jaane de
ab jaane de
bedardi kyun peechhe pada hai mere
laaj ke maare painyaan padoon main tere
bedardi kyun peechhe pada hai mere
laaj ke maare painyaan padoon main tere
der bhayi to sang saheli
daal na den koi jhhoothi paheli
ab jaane de
ab jaane de
bairi chhod de mera raasta
tujhe baali umar ka vaasta
ab jaane de
ab jaane de
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3985 | Post No. : | 15074 |
Saw “Bees Saal Pehle” which released on 6th June 1972, viz a few days back aaj se “saintees saal pehle”.
It starts off as any horror movie of those times. We have Vinod Mehra driving a vehicle (highly polluting by the standards set in the modern days) through a ghat road in perfect weather, rather late in the evening. His vehicle stalls when he stops it to see what or who has jumped over the cliff, doesn’t find a thing but now he has to look for help to restart his journey.
He sees a bungalow close by-predictably- and it is almost dark by the time he gets there. He knocks and the door opens by itself (was reminded of Mehmood from “Pyar Kiye Jaa”). He walks in with a “Koi hai? Arre koi hai?” (anybody there?). And an old man (Iftikhar) materializes and offers him a room for the night in the cob-web infested house.
Surprisingly the room has a clean patch. And as is the norm since time immemorial (my first experience was in the Ashok Kumar- Madhubala starrer “Mahal”) Vinod Mehra hears a lady scream and then sob and then sing plaintively. Sure enough, Vinod runs out of the room seeking the old man and asks for an explanation.
Then the movie goes into “Bees Saal Pehle” there was a Choudhury (Abhi Bhattacharya) in a city nearby, whose only heir (Ritesh) was in love with a sweet girl (Farida Jalal) of the area but had to marry another damsel (Anupama) to relieve her of her distress. By the time the movie got to this point in the story it had given us a party song, a romantic song, a line of a bhootiya (haunting) song and a “questioning the god” song.
Essentially the movie had eight songs with one of them appearing twice in the movie. The singers used were Lata Mangeshkar, Ranu, Asha Bhonsle, Kishore Kumar and Hemant Kumar as playback singers. S.H.Bihari was the lyricist and Hemant Kumar was the producer (Geetanjali Pictures) and music composer. Movie was directed by Probir Roy. The title card said that Ritesh (Hemant Kumar’s son) was introduced in this movie and I was surprised to see Hrishikesh Mukherjee’s name in the star cast. I didn’t get to the part where Hrishida makes a screen appearance as by then I had found my song to go with this post.
Going by the time of release of this movie, today’s song could well be one of the last songs that Hemant Kumar sang for Hindi movies. His journey started in 1935 with recording a song for All India Radio, Bengali non-film songs happened in 1937 and first film song was for “Nimai Sanyas” in Bengali in 1941. His first Hindi film came in the form of “Anand Math” of Filmistan in 1952. He had a 50-year long career dedicated to music- he was a Rabindra Sangeet exponent. I am sure we have had Hemantda’s detailed biography in a few posts of this blog.
We remember Hemant Kumar Mukherjee, of the wonderful voice, with a song sung and composed by him in the later part of his career, today on his 99th birth anniversary.
Song-Poochhe to kaun poochhe ye baat aasmaan se(Bees Saal Pehle)(1972) Singer-Hemant Kumar, Lyrics-S H Bihari, MD-Hemant Kumar
Lyrics
poochhe toh kaun poochhe
yeh baat aasmaan se
yeh kaisi dushmani thhi
bijli ko aashiyaan se
poochhe to kaun poochhe
barbaadiyon ko apni
aabaadiyaan samajh le ae
barbaadiyon ko apni
aabaadiyaan samajh le ae
aisa junoon laaye
har aadmi kahaan se
poochhe toh kaun poochhe
yeh baat aasmaan se
yeh kaisi dushmani thhi ee
bijli ko aashiyaan se
poochhe toh kaun poochhe
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