Archive for the ‘Abhijeet song’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5682 | Post No. : | 18197 |
‘Haasil’ (2003) was produced under the banner of Karma Networks Productions and was directed by Tigmanshu Dhulia who also wrote the story, screenplay and dialogues. The cast included Jimmy Shergill, Hrishita Bhatt in the lead roles supported by Irfaan Khan, Ashutosh Rana, Rajpal Yadav. Varun Bundela, Sharat Saxena, Sudhir Pandey, Raj Zutshi, Tinu Anand, Brijendra Kala, Navani Parihar, Atmaram Bhende etc. The film is a political thriller which starts with students’ politics with a link to the national politics.
This was Tigmanshu Dhulia’s first film as a director and his first collaboration with Irfaan Khan in a film after which they worked together in some more films such as, ‘Charas’ (2004), ‘Paan Singh Tomar’ (2012), ‘Sahab Biwi Aur Gangster’ (2011), ‘Sahab Biwi Aur Gangster Returns’ (2013). On the basis of some of the films I have watched, Tigmanshu Dhulia’s treatment of the story in terms of presentation is quite different from the mainstream Bollywood films. At the same time, his films cannot be called the ‘middle of the road’ or ‘parallel’ cinemas. Most of his films are action/crime thrillers.
Prayagraj born Tigmanshu Dhulia’s family belong to Pauri in Uttarakhand and have no connection with films except that his father, K C Dhulia who was a judge in Allahabad High Court was fond of watching both Hindi and English films. Sometimes, the young Tigmanshu would accompany his father in film theatres who would explains to him the nuances of the films’ stories. His mother was a Professor of Sanskrit in Allahabad University. His schooling was done in Prayagraj and later in Dehradun.
Tigmanshu Dhulia is the youngest among three brothers. His eldest brother, Sudhanshu Dhulia is currently a judge in the Supreme Court while the elder brother, Himanshu Dhulia was a Captain in Indian Navy.
During his college years, Tigmanshu Dhulia started participating in the college dramas as an actor. He was also a member of the college’s music band in which he used to play guitar. After completing his B.A. in English and Economics from Allahabad University in 1986, he took admission for post-graduation in National School of Drama, New Delhi. During his last year in NSD, Delhi, Tigmanshu’s childhood girlfriend, Tulika ran away from her home to get married to him when her parents were arranging marriage with someone else. They got married in 1989 at an Arya Samaj temple followed by a court marriage. Tulika Dhulia now works as Costume designer mostly for her husband’s films.
After completion of his post-graduation from NSD, Tigmanshu Dhulia shifted to Mumbai with his wife sometime in 1990 and stayed with his elder brother, Himanshu Dhulia who was that time attached to INS Hamla. So, his basic requirements of food and shelter were taken care of. But he was still unemployed.
In those days, BI was starting a new private TV channel for broadcasting TV programmes through cables. So, Tigmanshu Dhulia got an offer to produce and direct a TV serial for it. ‘Hum Bambai Nahi Jaayenge’ (1993) was his first TV serial for BI TV, directed by him. However, the series could not be telecast as BI TV had some problems with the cable operators. So, the series remained unreleased. However, his work as a writer-director was appreciated which got him the work as a casting director for ‘Bandit Queen’ (1994). He had also done a few cameo roles in some films. Thereafter, he started assisting director, Pradip Krishen in ‘Electric Moon’ (1992) and Ketan Mehta in ‘Sardar’ (1993). For the next 10 years or so, he directed many TV serials which included ‘Naya Daur’ (1995),’Rajdhani’ (1999) and ‘Best Sellers’ (1999) under which six short stories were presented. During this period, he also wrote dialogues for ‘Dil Se’ (1998).
By the turn of the century, Tigmanshu Dhulia had already written a script for ‘Haasil’ (2003) but he was not getting a producer/financier. The climax in the film was planned with the crowd of Kumbh Mela in Allahabad (Prayagraj). When only 4 days were left to the close of the Kumbh Mela, one of his friends hurriedly arranged some money to enable him to shoot the climax scenes in the midst of Kumbh Mela. After watching the rushes of the climax scenes, a producer agreed to finance the film. The film was critically acclaimed. He started getting a number of films to direct. However, most of the films he signed did not materialised. So, what he got was only the signing amount. With this experience, Tigmanshu Dhulia decided to direct the films at his initiative with the willing producers/financiers.
‘Charas’ (2004) was Tigmanshu’s next released film which, despite critically acclaimed, failed at the box office. Probably, he took a sabbatical from film making and concentrated of a couple of TV serials. He returned to directing ‘Shaagird’ (2011) which was again critically acclaimed but failed at the box office. With ‘Sahab Biwi Aur Gangster’ (2011) and ‘Paan Singh Tomar’ (2012), Tigmanshu Dhulia turned the tide with box office success. The latter film won him the National Film Awards for the Best Feature Film. Tigmanshu Dhulia has so far directed 14 films and a few Web Series. [Note: The early life of Tigmanshu Dhulia is mainly based on his TV interview with Neelesh Misra under his TV Series, ‘The Slow Interview’].
The story of ‘Haasil’ (2003) is as under:
The opening scene of the film sets the tone to the power of the students’ leader when he enters the hall with his cronies to take his seat in the midst of the Vice Chancellor’s speech. He has to abruptly stop his speech for some time when the students are hailing their leader. Of the many factions of the students’ politics, there are two main factions – one led by Daya Shankar Pandey (Ashutosh Rana) and the second by Ranvijay Singh (Irfaan Khan). There are violent clashes that take place between the rival gangs just before the election of the President of the Students Union.
There is another track running parallel to the students’ politics in the film – Annirudh Sharma (Jimmy Shergill) and Niharika Singh (Hrishita Bhatt). Both are college students from descent families, away from the college politics and are also theatre artists. They are in love with each other.
One day, Annirudh saves Ranvijay Singh from the goons of the rival gang and becomes friendly with him. He slowly drifts towards students’ politics under Ranvijay Singh. His family members and Niharika advise Annirudh to keep away from Ranvijay Singh. But he is swayed by the power of Ranvijay Singh without realising that he is getting into a trap set by Ranvijay Singh who secretly loves Niharika. He helps Ranvijay Singh to get votes from students to become the President of Students’ Union by eliminating his main rivals.
One day, Annirudh commits a crime on the instigation by Ranvijay Singh. To save Annirudh from the police, Ranvijay arranges his escape to Mumbai where he has to look after himself. In the meanwhile, Niharika’s father arranges her marriage with someone else. Annirudh returns to Allahabad, and he is shocked to learn that it is Ranvijay Singh who is Niharika’s prospective groom. He feels a great betrayal by Ranvijay Singh whom he has considered as his elder brother. Now, Ranvijay’s marriage with Niharika is fixed in a matter of days. Annirudh and Niharika escape to a unknown place in the city.
Ranvijay Singh comes to know that Annirudh and Niharika have been kept in a safe house by Chief Minister (CM), Kabanlal Tiwari (Sudhir Pandey) to prevent Niharika’s marriage with Ranvijay Singh. He blackmails CM with a tape recording of his conversations which can result in the fall of his government and the end of his political career if the tape is released to public. CM succumbs to blackmail and instructs his staff to release Annirudh and Niharika the next day in the Kumbh Mela with a revolver to Annirudh for his safety.
Ranvijay comes at the Kumbh Mela with his gang with the intention of kidnapping Niharika. Annirudh confronts him and in a fit of rage, he kills Ranvijay Singh with his revolver. At that very moment, some plainclothes policemen come and showers bullets on Ranvijay Singh who is already dead. They remove from his pocket, the recorded tape and take Annirudh and Niharika to the CM who is waiting in his official car. He tells Annirudh that there is no need for him to surrender to the police as in the official record, Ranvijay Singh has been killed in encounter with police. The film ends with Annirudh and Niharika walking away from the Kumbh Mela.
The film is fast-faced, and the action shots look realistic without much of extravagances. Dialogues are crisps and well delivered by the concerned actors. All the main actors have performed their bests. After watching Irfaan Khan’s performance in the film, I think, this film was a turning point in his acting career worthy of a National Film Award for the best actor. Unfortunately, the producer did not submit the film to the panel for the consideration of the National Film Awards. Despite critical acclaims, the film was a ‘disaster’ at the box office front as per Box Office India report.
The film had 7 songs written by Israr Ansari (3), Kausar Pandey (2), Devmani Pandey (1) and Satyaprakash (1) which were set to music by Jatin-Lalit. One song has been covered on the Blog. I am presenting the 2nd song, ‘aankhen bhi hoti hai dil ki zubaan’ from the film which is rendered by Abhijeet on the words of Israr Ansari. This is the first song in the film in the background of the budding love affairs of Annirudh (Jimmy Shergill) with Niharika (Hrishita Bhatt). It is a background song in which Annirudh recalls his various meetings with Niharika.
The song starts with the prelude of a short piano recital which reminds me of the piano prelude of the song, ‘pehla nasha pehla khumaar’ from ‘Jo Jeeta Wohi Sikandar’ (1992). In the second and the last interludes, saxophone and guitar, respectively are mainly used.
Video Clip:
Audio Clip:
Song-Aankhen bhi hoti hain dil ki zubaan (Haasil)(2003) Singer-Abhijeet, Lyrics-Israr Ansari, MD-Jatin Lalit
Lyrics (based on audio clip):
aankhen bhi…. hoti hain dil ki zubaan
aankhen bhi…. hoti hain dil ki zubaan
bin boley kar deti hain
haalat ye pal mein bayaan
aankhen bhi… hoti hain dil ki zubaan
bin boley kar deti hain
haalat ye pal mein bayaan
aankhen bhi… hoti hain dil ki zubaan
khaamoshi bhi to pyaar mein
rakhti bahut hi asar hai
kab ishq ho jaaye yahaan
dil ko kahaan ye khabar hai
do dil ke ye silsile
chup sake hai kahaan
aankhen bhi… hoti hain dil ki zubaan
aankhen bhi… hoti hain dil ki zubaan
hey ae ae
he he he
haa aa aa aa aaa
hmm neend aaye na
jab aankhon mein
badhne lage bekaraari
shabnam ko bhi chhoone se jab
mehsoos ho chingaari
to aisa kyun lagtaa hai
ek hai zameen aasmaan
aankhen bhi… hoti hain dil ki zubaan
aankhen bhi…ee hoti hain dil ki zubaan
bin boley kar deti hain
haalat ye pal mein bayaan..aan aan
bin boley kar deti hain
haalat ye pal mein bayaa……an
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5585 | Post No. : | 18059 |
Hullo Atuldom
The roots of the Carnival in Goa date back to the introduction of Roman Catholic traditions during the Portuguese conquest of Goa, & is being celebrated since the XVIII century. After the end of Portuguese rule, the Brazilian version of the festival was imposed by Timoteo Fernandes in 1965, a Goan musician who modeled it after the famed Rio Carnival. This was done to attract more tourism. Today, the urban parade includes floats from local villages, commercial entities, and cultural groups. It is still organised in a very traditional manner, including staging of streetside local plays, in the coastal taluka of Salcete.
The Carnival usually starts off on Fat Saturday (known as Sabado Gordo) and concludes on Fat Tuesday (known as Shrove Tuesday), just before Ash Wednesday and the first day of the Catholic season of Lent. In Panjim, the capital of Goa, the festival is complemented by Grape Escapade, a local wine festival, and a dance at Samba Square in the centrally-located Garden of Garcia da Orta.
According to local tradition, during Carnival Goa is taken over by King Momo, usually a local resident who presides over the festival during the four-day span. King Momo traditionally proclaims the Konkani message Kha, piye aani majja kar (English: “Eat, drink and make merry”).
I am sure that the readers will have more information regarding this festival of Goa, & I expect our very own Sadanand Kamathji to enlighten us further.
Any idea why this sudden interest towards the Goan Carnival ? Well today’s song shows the parade that accompanies the Carnival.
The song was composed by Anu Malik (DOB 02/11/1960) & sung by Abhijeet Bhattacharya, Hema Sardesai & Jolly Mukherjee. Nitin Raikwar was the lyricist. We can see Puneet Vashisht (who mouths the opening lines of the song), Ali Asgar, Priya Gill (makes her entry dressed in Egyptian costume), Sushant Singh, Vivek Vaswani etc. dancing merrily alongside Aishwarya Rai. The song is shot outside the church in Panaji which has featured in numerous films. (I tried visiting it on my last trip to Goa, but it was closed for renovation).
The song happens at the beginning of the climax. Shahrukh Khan gets to know the truth about his father, mother etc. from Nadira.
During the course of looking up material for this post I discovered that Puneet Vashisht & Harsh Vashisht (who played a blink and miss role in ‘Baghban’) are the children of character actor Brahmachari whose birth name was Murari Lal. (I feel our in-house encyclopedia will be able to give us more on Brahmachari).
We are having this lively song to have a party like feeling as it is our Sudhirji’s birthday. Wishing you a very very very happy birthday Sudhirji. May you find time to revive all the series that you had begun.
We also wish Shahrukh Khan & Anu Malik on their birthday today. Plus Belated wishes to the Miss World 1994 Aishwarya Rai who turned 50 on 1st November.
Song-Zinda hain hum to tere hi love se(Josh)(2000) Singers-Abhijeet Bhattacharya, Hema Sardesai, Jolly Mukherjee, Lyrics-Nitin Raikwar, MD-Anu Malik
Lyrics
aah aah u aah
aah aah u aah
aah aah u aah
aah aah u aah
aah aah u aah
aah aah u aah
tere re re raa re ree
ree rar raa re raa raa re
aah
aah aah u aah
aah aah u aah
zinda hain ham to
tere hi love se
nahin to mar jaata
darling ham kab se
dil na todo
munh na modo
o maria
haan
o maria
zinda hain ham to
tere hi love se
nahin to mar jaata
darling ham kab se
dil na todo
munh na modo
o maria
haan
o maria
itna maska nakko maaro hamen
aisi baaton se dar lagta hamen
tum pyaar kaise bolo karega
darta hai kyun maria
aila saala hampe marta hai ye
lagta hai love hamko karta hai ye
kyu na karega
ham to kahega
tumsa nahin maria
zinda hain ham to
tere hi love se
nahin to mar jaata
darling ham kab se
dil na todo
munh na modo
o maria
haan
o maria
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
o saheba tum bhulaana nahin
dil mein aake door jaana nahin
dil jo liya hai
dil bhi diya hai
bevafa ham nahin
ho dil jo darega
ham kuchh kar jaayega
lagta hai ham to mar jaayega
tumse mohabbat hamko hai kitna
kaise kahen maria
aah aah u aah
aah aah u aah
aah aah u aah
aah aah u aah
aah aah u aah
re re re re re re re re re re
yeah
aah aah u aah
aah aah u aah
o maria
o maria
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5220 | Post No. : | 17212 |
Hullo Atuldom
This is a multi-birthday post.
First and foremost we shall be wishing our Sudhirji- The Dillwala Dilliwala; Atulji’s trusted lieutenant on his birthday. He has been a huge help to Atulji and that has ensured that the blog has had no dot days since 25th December 2019. Let us all wish this Atulite with lots of fun and music.
“Main Hoon Na” (2004) was a Farah Khan directed film which was produced by Gauri Khan’s ‘Red Chillies Entertainment’ & Ratan Jain’s ‘Venus Records and Tapes’. Shahrukh Khan, Sushmita Sen, Zayed Khan, Amrita Rao, Bindu, Boman Irani, Satish Shah, Kirron Kher and Suniel Shetty were the main cast with Naseeruddin Shah and Kabir Bedi in special and guest appearances respectively. The songs were penned by Javed Akhtar and composed by Anu Malik. Shreya Ghoshal, Sonu Nigam, Abhijeet, KK, Vasundhara Das, Alka Yagnik, Sunidhi Chauhan and the Sabri brothers- Hashim & Aftab are the playback singers used in the movie.
With this song SRK (Shahrukh Khan) is shown trying to mingle among the young college crowd. He is shown as the odd man out or a student who is trying to restart his studies which he had to give up owing to family responsibilities etc. The younger crowd initially don’t want to associate with him but eventually they become a clique and then the story proceeds towards a climax where the students are held hostage, SRK with the help of his army forces helps rescue the young brigade, bring/ eliminate Suniel Shetty & group etc. before the happy ending. That means the movie was an all-out masala film.
The song is in the voices of Shreya Ghoshal and Sonu Nigam. There is a sad version too in Abhijeet’s voice.
2nd November also happens to be SRK and Anu Malik’s birthday. Here is wishing them all the best for the future and hoping that they continue go entertain us.
This words of this song may have been what Sudhirji told Atulji when he started sharing the responsibility of keeping the blog from having DOT days. 🙂
Duet version (Sonu Nigam and Shreya Ghoshal)
Solo version video (Partial)(Abhijeet)
Solo version Audio (full)(Abhijeet)
Song-Kiska hai ye tumko intezaar main hoon naa (Main Hoon Na)(2004) Singers-Sonu Nigam, Shreya Ghoshal/ Abhijeet, Lyrics-Javed Akhtar, MD-Anu Malik
Lyrics
Duet version (Sonu Nigam, Shreya Ghoshal)
————————–
hmm
kiska hai ye tumko intzaar
main hoon na aa aa
dekh lo idhar to ek baar
main hoon na aa aa
kiska hai ye tumko intzaar
main hoon na aa aa
dekh lo idhar to ek baar
main hoonn na aa aa
khaamosh kyun ho jo bhi kehna hai kaho
dil chaahe jitna pyaar utna maang lo
ho o
tumko milega utna pyaar
main hoon na aa aa
kiska hai ye tumko intzaar
main hoon na aa aa
dekh lo idhar to ek baar
main hoon na aa aa
kabhi jo tum socho
ke tum ye dekho
arre kitna mujhko tumse pyaar hai ae ae ae
to chup mat rehna
ye mujhse kehna
are koi kya aisa bhi yaar hai
dil hi nahin de
jaan bhi de jo tumhen
dil hi nahin de
jaan bhi de jo tumhen
ho o
to main kahoonga sarkaar
main hoon na aa
kiska hai ye tumko intzaar
main hoon na
dekh lo idhar to ek baar
main hoon na
khamosh kyun ho jo bhi kehna hai kaho
dil chaahe jitna pyaar utna maang lo o
ho o
tumko milega utna pyaar
main hoon na
kiska hai ye tumko intzaar
main hoon na
dekh lo idhar to ek baar
main hoon na
kehne ki ho dil mein koi baat
mujhse kaho
koi pal ho din ho yaa ho raat
mujhse kaho
koi mushkil koi pareshaani aaye
tumhen lage kuchh theek nahin haalaat
mujhse kaho
koi ho tamanna yaa ho koi aarzoo
koi ho tamanna yaa ho koi aarzoo
ho o
rehna kabhi na beqaraar
main hoon na
kiska hai ye tumko intzaar
main hoon na
dekh lo idhar to ek baar
main hoon na
khaamosh kyun ho jo bhi kehna hai kaho
dil chaahe jitna pyaar utna maang lo
ho o
tumko milega utna pyaar
main hoon na aa aa
kiska hai ye tumko intzaar
main hoon na aa aa
dekh lo idhar to ek baar
main hoon na aa
——————————–
Solo sad version (Abhijeet)
——————————–
khoya hai paake jisne pyaar main hoon na
bechain main hoon bekaraar main hoon na
koi toh ho aisa jisko apna keh sakoon
koi toh ho aisa jiske dil mein reh sakoon
ho o
koi toh kehta ek bar main hoon na aa aa
khoya hai paake jisne pyar mai hoon na
bechain mai hoon bekarar main hoon na
jo bandhan toote
jo apne roothhe
paas aa jaaye phir se dooriyaan
yeh kyun hota hai
ke dil rota hai
bebas ho jaati hai yeh zabaan
apne toh saare iss kinaare reh gaye
apne toh saare iss kinaare reh gaye
ho o
tanha chala jo uss paar
main hoon na aa aa
khoya hai paa ke jisne pyaar
main hoon na
bechain main hoon bekarar
main hoon na
jahaan bhi main jaaun
jahaan bhi main dekhoon
saare chehre begaane se hain
kabhi koi tha jo mera hi tha
yeh kisse abb afsaane se hain aen
kal zindagi ne khel khele thhe naye
kuchh log jeete jeet ke sab le gaye
ho o
hisse mein aaya jiske har
main hoon na aa aa
khoya hai paake jisne pyaar main hoon na
bechain main hoon bekarar main hoon na
Jiyara dhak dhak dhak dhak boley
Posted on: October 26, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5213 | Post No. : | 17201 | Movie Count : |
4628 |
Hullo Atuldom
At the outset a Happy Deepawali to all the followers of this blog. Today is Bali Pratipada and the holiday fervour/ fever continues. There are still some friends & relatives to be wished, gifts & sweets to be exchanged. Then there will be Bhai Dooj or Bhau Beej (as it is called in Western India) on the 27th. That will be the last of celebrations (I think) for the Diwali holidays.
We have celebrations in our Atuldom too today. We have an Atulite turning a year older. Additionally, another Atulite’s baby is growing a year older.
Here is wishing the first follower of AtulSongaDay.me a very Happy Birthday. Hope he has a enjoyable musical day & year ahead. Hope he gets back to being active here on the blog. Really miss his posts which are full of his love for Mohd. Rafi, Kishore Kumar, Rajesh Khanna, Amitabh Bachchan, Sahir, and everyone connected with Indian Film Music.
Also wishing the Baby of our friend from Atuldom on her birthday. All the best for her future may she achieve all that she has set her sights on. Hope she shares her father’s love for music.
Today also happens to be the birthday of the first friend in my life, the first playmate of my life. The person who loves singing, dancing & cycling and has a larger reservoir of songs (as compared to me) and is my preferred teammate when there are antakshari games in our family circles; people say we make a formidable team.
“Salaakhen” (1998) was a movie produced by Rajiv Tolani & Guddu Dhanoa. It was directed by Guddu Dhanoa, had music by Dilip Sen- Sameer Sen with Sameer as the lyricist. Abhijeet, Alka Yagnik, Anuradha Paudwal, Chitra, Hema Sardesai, Kumar Sanu, Lalit Sen, Shweta Shetty, Udit Narayan, Vinod Rathod were the playback singers used. The star cast had Raveena Tandon, Sunny Deol (who turned 65 on 19th), Anupam Kher, Deven Verma, Amrish Puri, Mohan Joshi etc. and Manisha Koirala for just a dance interlude i.e. an item number.
It was the story of a young man (Sunny Deol) who is out to take revenge on a corrupt , influential bigshot (Amrish Puri) who is the reason behind his father (Anuam Kher’s) suicide. The upright school teacher father is witness to the bigshot’s son molesting a girl and is hassled by the cops when, first, he goes to report it and then when he goes to testify in the courts. All this harassment confuses him no-end and he takes his own life. The rest of the movie goes along expected lines of any Sunny Deol movie of those times “Dacait”, “Ghayal” etc. can be examples of such movies. Of course there is Raveena Tandon too in the movie in one of her ‘arm-candy’ roles.
Today is Raveena’s 50th birthday. Here is wishing her health & happiness and success in all her endeavours with this song featuring her and Sunny Deol. The song is in the voices of Shweta Shetty and Abhijeet. Ganesh Acharya and Chinni Prakash were the choreographers used in the movie and I have a feeling that this song was choreographed by Ganesh Acharya. Shweta Shetty (a cousin of Shilpa Shetty) was a popular Indie-Pop singer in the 90s (I don’t know if she cuts albums in these times); she is the voice for Raveena Tandon.
Happy Birthday to our fellow Atulite Rajaji and daughter of another Atulite. All the best to the two of them.
Audio (Longer)
Video
Song-Jiyara dhak dhak dhak dhak boley (Salaakhen)(1998) Singers-Shweta Shetty, Abhijeet, Lyrics-Sameer, MD-Dilip Sen Samir Sen
Female chorus
Male chorus
Lyrics(Based on Audio version)
o dhak dhak
o dhak dhak
o dhak dhak
o dhak dhak
o sainya maan le dil ki baat
jiyara dhak dhak dhak dhak boley
o sainya maan le dil ki baat
jiyara dhak dhak dhak dhak boley
tu jo pakde mera haath
jiyara dhak dhak dhak dhak boley
jiyara dhak dhak dhak dhak boley
masti chhaaye hauley hauley
main jo sochoon teri baat
jiyara dhak dhak dhak dhak boley
main jo aaun tere paas
jiyara dhak dhak dhak dhak boley
jiyara dhak dhak dhak dhak boley
masti chhaaye hauley hauley
sainya maan le dil ki baat
jiyara dhak dhak dhak dhak boley
main jo sochoon teri baat
jiyara dhak dhak dhak dhak boley
aa aa aa
yaahee yaahee yaahee aa
yaa haa haa haa
yaa haa haa haa
ho ho ho
ho ho ho
ho ho ho ho
ho ho ho
ho ho ho
ho ho ho
toone apne deewaane par aisa jaadu daala
hosh ganva ke masti mein jhoome tera matwaala
ho toone apne deewaane par aisa jaadu daala
hosh ganva ke masti mein jhoome tera matwaala
maine bhi to apne aap ko athrah saal sambhaala
dekha jo tujhko to de diya is joban ka pyaala
paa ke pyaar bhari saugaat
jiyara dhak dhak dhak dhak boley
o sainya maan le dil ki baat
jiyara dhak dhak dhak dhak boley
main jo aankhen band karoon
mere sapnon mein tu aaye
sapnon mein aake mujhko kaise kaise tadpaaye haaye
ho main jo aankhen band karoon
mere sapnon mein tu aaye
sapnon mein aake mujhko kaise kaise tadpaaye
jeene na degi mujhko meri jaan teri angdaayi
ab to sahi na jaaye mujhse ek pal ki judaayi
karwat badloon re saari raat
jiyara dhak dhak dhak dhak boley
main jo sochoon teri baat
jiyara dhak dhak dhak dhak boley
jiyara dhak dhak dhak dhak boley
masti chhaaye hauley hauley
main jo sochoon teri baat
jiyara dhak dhak dhak dhak boley
aaja ho gayi aadhi raat
jiyara dhak dhak dhak dhak boley
haa
haa
haa
haa
haa
haa
haa
haa
Akkad bakkad timbaktu
Posted on: February 12, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4957 | Post No. : | 16826 | Movie Count : |
4579 |
Hullo Atuldom
The title-cards of movies that he was present in always billed him as “And Pran”.
His was the character needed to bring out the hero in Raj-Dilip-Dev, Dharam-Rajendra-Sunil. Shammi Kapoor fooled him in “Kashmir Ki Kali”, “Bluffmaster” etc’ Kishore Kumar made him run after him in “Half Ticket”. He was unhappily-married to the girl Manoj Kumar loved in “Do Badan”.
He was a strict-rich-unbending father to Rishi Kapoor in “Bobby”. A friend to Ashok Kumar in reel and real life, they came together on-screen for the first time in “Afsana” (1951). {I hope this is correct!!! In-house encyclopediaji and other knowledgeable Atulites need to confirm this}.
He was seen along side Ashok Kumar in close to 27 movies till 1987 when Ashok Kumar played Pran’s (Thakur Satyaprakash) trusted driver, Man-Friday etc. in the Prayag Raj directed “Hifazat”. (Hope I am right here, have seen this film a long time back on television).
His association with Manoj Kumar has material for a post on its own, but I feel like mentioning that it was Manoj Kumar who thought that Pransaab (as the industry addressed him) will be able to do justice to the character of Malangbaba in “Upkaar”. The last time Pransaab acted in a Manoj Kumar was “Jai Hind” in 1999.
Additionally Pransaab was instrumental in making characters of Amitabh Bachchan, Jeetendra and various other actors of the 70s and 80s standout in numerous films.
It is very difficult to write a post about this lovable artiste, without touching on the extra touch, that he added to all his characters so that no-two villains looked same or had similar traits. He looked menacing blowing smoke-rings holding his pipe/cigar/cigarette in different styles. The mustache of Raka in ‘Jis desh mein Ganga behte hain” was different from the one he sported in “Ram aur Shyam”. If Helen experimented with her outfits for her dance numbers, Pransaab was known to play around his hair styles. I am sure that the readers will feel that I am a huge fan of this actor who was awarded the “Villain of the Millenium” by Stardust in 2000, the Padma Bhushan by the Government of India in 2001 and the Dadasaheb Phalke award in 2013.
Yes, I loved to see this actor in action. I found him adorable. There is a whole list of songs filmed on this actor and the following are the ones I loved him most in.
| Song | Movie (Year) | Date posted | Singer | |
|---|---|---|---|---|
| Daaru ki bottle mein saahab paani bharta hai | Majboor (1974) | 14 Nov 2008 | Kishore Kumar | |
| Aake seekhi lagi | Half Ticket (1962) | 8 Feb 2009 | Kishore Kumar, Pran | |
| Kasme waade pyaar wafa waahe hain waadon ka kya | Upkaar (1967) | 1 March 2009 | Manna Dey | |
| Dil ki umangen hain jawaan | Munimjee(194) | 27 April 2009 | Hemant Kumar, Geeta Dutt, Pran | |
| Raaz ki baat keh doon to jaane mehfi mein phir kya ho | Dharma (1973) | 21 May 2009 | Asha Bhonsle, Rafi | |
| Do bechaare bina sahaare | Victoria number 203 (1971) | 10 March 2011 | Mahendra Kapoor, Kishore Kumar | |
| Yaari hai imaan mera yaar meri zindagi | Zanjeer (1973) | 12 February 2012 | Manna Dey | |
| Mujhse nazren milaane ki jurrat na kar | Maan Gaye Ustaad (1981) | 26 November 2012 | Rafi, Manna Dey | |
| Mera ek sawaal hai sawaal ka jawaab do | Maan Gaye Ustaad (1981) | 12 February 2018 | Rafi, Chandrani Mukherjee, Dilraj Kaur | |
| Aji sunte ho | Raja Aur Rana (1983) | 12 February 2019 | Mahesh Kumar, Kishore Kumar | |
| Shaam suhaani aayi khushiyaan banke pehli baar | Zinda Dil (1975) | 12 February 2020 | Lata, Shailendra Singh, Mahendra Kapoor |
The list is not complete, there are more songs where either he is simply standing and smiling benevolently or menacingly (depending on the era of the song). I remember a song from the 90s where he is seen partying on his wedding anniversary with Asha Parekh. Everytime I see this song I think of Pran and Asha Parekh from all those movies of the 60s when he played the spoke in her love-life with the hero of those films:- “Jab Pyaar kisise hota hai”, “Love In Tokyo”, “Do Badan”, and the list is long here too. What more does one expect when a person has a career starting from 1940 and going on till 2007.
Thinking of this actor today on his 102nd birth anniversary with the party song that I mentioned in the previous paragraph. The movie is the 1993 release “Bhagyawan” which had Govinda play the son of Asha Parekh & Pran, with Juhi Chawla, Ranjeet, Aruna Irani, Kirti Kumar (Govinda’s real-life brother), Johnny Lever etc forming the rest of the cast. The movie was a typical family drama. It had songs written by Sameer, M G Hashmat, and Hasrat Jaipuri. Today’s song is sung by Abhijeet. Anand Milind were the music directors of this film.
I take this as the party to celebrate two other occasions- birthday of one Atulite and wedding anniversary of another Atulite (sirf hint hi kaafi hai).
Wishing all the best to both the Atulites.
Song-Akkad bakkad timbaktu (Bhaagyawaan)(1993) Singer-Abhijeet, Lyrics-M G Hashmat, MD-Anand Milind
Pran
Unknown male voice
Chorus
All
Lyrics
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
aapne mujhko pyaar diya
maine tay kiya
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
bhool nahin paaunga
main aapke ehsaan ko
meethhi meethhi pyaari pyaari
mamta ki zubaan ko
bhool nahin paaunga
main aapke ehsaan ko
meethhi meethhi pyaari pyaari
mamta ki zubaan ko
thhandi thhandi raaton mein jab neend nahin aati thhi
loriyaan suna ke apne aanchal sulaati thhi
zindagi ke raste mein
raushani dikhaati thhi
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
arre baba
pare baba
papappa
pare baba
arre baba
pare baba
papappa
pare baba
ye maine kuchh nahin kiya beta
ye to sab upar waale ka qasoor hai
jhoothh mat boliye jee
aapka qasoor hai
aaj ke zamaane mein kya
pyaar ka dastoor hai
jhoothh mat boliye jee
aapka qasoor hai
aaj ke zamaane mein kya
pyaar ka dastoor hai
jaane kaise dukhde sah ke
bachche paale jaate hain
bade ho ke badon se wo door kyun ho jaate hain
good bye mummy bye bye papa
kah ke chale jaate hain
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
aapne mujhko pyaar diya
maine tay kiya
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
akkad bakkad
timbak tu
you love me and
I love you/font>
akkad bakkad
timbak tu
you love me and
I love you
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
Ek se baney do do se baney teen
Posted on: December 31, 2021
- In: Abhijeet song | Car Repair Garage Song | Car song | Guest posts | Introduction song | movie opening song | Post by Peevesie's mom | S P Balasubramanyam songs | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1993 | Udit Narayan Song | Yearwise breakup of songs
- Leave a Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4914 | Post No. : | 16735 | Movie Count : |
4555 |
Hullo Atuldom
Time for a yearly roundup!!!! 2021 coming to a close. 2022 just a sunrise away. Hope we have different experiences in 2022, experiences that make us glad and bring a smile to our lips which stays the whole year.
I am sure Atulji or Sudhirji or one of the other blog-contributors, who have the patience to go through the statistics etc., will give us a table of how many new movies debuted on the blog in 2021, and other related info about which date saw how many posts etc. But the best that happened this year, IMO, is the series that Atulji undertook to enlist all the movies, music directors etc that Lata Mangeshkar was associated with in her looonnngg career.
On the way out of 2021 here is a song from the 1993 release “Shatranj”. A movie that I saw at the time of its release on cable TV, before the Satellite TV Tsunami hit us. It was produced by Arun S. Thakur, directed by Aziz Sejawal, had music by Anand Milind, and Sameer was the lyricist. S P Balasubramaniam, Abhijeet, Udit Narayan, Jolly Mukherjee, Kumar Sanu, Sudesh Bhonsle, Jayshree (popular as Bombay Jayshri in classical music circles), Poornima, Sadhana Sargam (i.e. all the good singers of the 90s) were used in the movie.
Kadar Khan was the dialogue writer of the movie which begins like “Chalti ka Naam Gaadi” (CKNG) which means we have three brothers -bachelors- who are reared by the eldest brother Dharamraj (Kadar Khan), the other two brothers being Dino and Dinky (Jackie and Mithun). The eldest brother has a problem with the female gender of the populace (like Ashok Kumar in CKNG), the other two don’t have any such issues and Renu & Radha (Divya Bharaati and Juhi Chawla) are their girl friends. Then there is a female called Rosie (Jamuna who appeared in a few films in the 80s and 90s, not much is known about her) who is shown to like the elder brother Dharamraj since childhood (Sarfaraz Khan, Kadar Khan’s own son played the younger Dharamraj). The reason for Dharamraj’s problem with females is shown as his step-mother who was nasty to him and his brothers as children.
The story has the necessary villain in the character of Prajapati (Kiran Kumar) the manager to the brothers’ father’s (Vikas Anand) business and also his killer. He is cheating the brothers’s step-mother and step-brother (Shakti Kapoor) and using their business as a front for his illegal activities (what else). The brothers have some misunderstandings with Dharamraj when Renu & Radha enter their lives, which get resolved; then the hard-feelings towards the step-family also is sorted out and the cause of all the problems in their lives (Prajapati) is brought to his logical end. And then “The End”.
Oh I forgot to mention a few more tributes that the movie paid to CKNG. CKNG had ‘Mohan Garage’ here the brothers have ‘Dharam Garage’. There was a ‘car’ in CKNG even this movie had a ‘car’ important to the story. CKNG begins with a song on the pet car, this one too begins with a song on the car. Additionally the brothers have a pet Monkey/ Chimpanzee. So let us have the movie debuting on the blog with the film-opening song that shows us the bonding between the brothers. This song is in the voices of SPB, Abhijeet and Udit Narayan.
There used to be a show called ‘Superhit Muqabla’ on Doordarshan Metro of those years (28 years back) which was on the lines of the legendary Binaca Geetmala. The show used to retire songs from the list of popular songs, which were complied based on vinyl records and cassette sales & and viewership of the show as such, after a 25 week run to make place for newer songs, very much like Binaca Geetmala. And songs of “Shatranj” (1993) were on this show for many weeks.
With this song we also say thank you to the entertainer Kadar Khan who left us today, in 2018, in Canada, where he was staying with his sons following his retirement from Bollywood. His last release was ‘Hogaya Dimaagh ka Dahi” in 2015 October (after a gap of seven years when ‘Mehbooba’ and ‘Deshdrohi’ released). He was a recipient of three Filmfare awards viz:
Best Dialogue for “Meri Awaz Suno” in 1982.
Best Comedian for “Baap Numbri Beta Dus Numbri” in 1991.
Best Dialogue (again) for “Angaar” in 1993.
He was conferred the Padma Shri, posthumously in 2019 by the Government of India.
He was 81 when he passed away.
Video
Audio
Song-Ek se bane do do se bane teen (Shatranj)(1993) Singers-S P Balasubrahmaniam, Abhijeet, Udit Narayan, Lyrics-Sameer, MD-Anand Milind
Lyrics
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
arre humsa koi hoga nahin
Londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
koi ye jaane na
isko pehchaane na
apni mehbooba hai yeh
hum jo bulaate hain
yeh daudi aati hai
hum jo bulaate hain
yeh daudi aati hai
jeevan ki raahon mein
khushiyan lutaati hai
aisi yahaan gaadi kahaan
sabse hai ye behtareen
chham chham
chham chham
chham chham
kaali saadi waali (chham chham)
ladki bholi bhali (chham chham)
aise na bal kha ke chal (chham chham)
gori gori baahen (chham chham)
qaatil teri adaayein (chham chham)
dil mera jaayen machal
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
uthhte hain sote hain
hanste hain rote hain
rehte hain hum saath saath
sapne sajaate hain
masti lutaate hain
chaahe ho din chaahe raat
hum ek dooje ka
daaman na chhodenge
mar jaayenge lekin rishta na todenge
hum jo miley
toh hai wahi
tasveer aisi haseen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
hey humsa koi hoga nahin
londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum zidhar se guzrein
woh safar ho rangeen
Roshni se bhare bhare
Posted on: November 2, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4855 | Post No. : | 16645 | Movie Count : |
4535 |
Hullo Atuldom
Recently, last five years to be exact, November 2nd has been added to the dates for which I feel compelled to write a post. These were the posts from the last Five years
| Dates | Song |
|---|---|
| 2 November 2016 | Dil aashna hai jigar aashna hai |
| 2 November 2017 | Taak dhin dhin taak dhin dhin dhin |
| 2 November 2018 | Jaata hai tu kahaan |
| 2 November 2019 | Aashiq hoon main qaatil bhi hoon |
| 2 November 2020 | Katthai aankhon waali ek ladki |
November 2nd became an important date in the calendar for Atuldom when we discovered that a very dear Atulite has his birthday on this date. He used to be a very active member of Atuldom. But has been missing from action since the last four months- his last post on the blog was on July 19, 2021. He has contributed 1407 posts to the blog (the highest by a guest poster on ASAD), enriched 137 posts by contributing lyrics for them, plus he has added Devnagari lyrics to 1414 posts. Most importantly all his posts have lyrics in both Devnagari and the Roman script. He is a treasure house of information and has connections to collectors of music and vinyl records of music from all eras and is competent in locating rare gems when requested by followers of the blog.
Of course his journey on the blog began like all other followers (correct me if I am wrong Sudhirji) landing on Atulsongaday in search of some song, liking the premise of the blog and staying glued to it forever. He went a step further when he became Atulji’s aide and shared the task of posting songs on the blog, which actually helped on days when Atulji was busy with earthly responsibilities.
Here is wishing our very own Dilldaar Dilliwala “Many More Happy returns of the day”.
For this post I propose that we have a song from the 26th October 2001 released, Santosh Sivan directed and Gauri Khan/ Juhi Chawla produced ‘Asoka’. It had a starcast headed by Kareena Kapoor, Shah Rukh Khan, Danny, Ajith Kumar (the southern star), Gerson Da Cunha (Adman, Stage & media personality), Umesh Mehra (the producer/ director of films like ‘Guru’, ‘Ashanthi’, ‘Mujrim’ etc.) along with Subhashini Ali, Hrishita Bhatt, Rahul Dev etc. The music was composed by Anu Malik; Gulzar and Anand Bakshi are credited as lyricists (must be the only time these two featured as lyricists in the same film). The vocals of Alka Yagnik, Abhijeet, Sunidhi Chauhan, Shaan, K.S. Chitra, Hema Sardesai can be heard in the songs.
Here is a melodious song from the movie which is filmed on another Dilliwala -SRK who also has his birthday today with Anu Malik the music composer also celebrating his birthday. This post which celebrates three birthdays is sung by a person whose birthday was on 30th October- Abhijeet. The female voice is of Alka Yagnik.
Wish you a very Happy Birthday Sudhirji with this song penned by Gulzar.
Audio (Longer)
Video
Song-Roshni se bhare bhare (Asoka)(2001) Singers-Abhijeet, Alka Yagnik, Lyrics-Gulzar, MD-Anu Malik
Chorus
Lyrics
roshni se ae bhare bhare
bhare bhare ae naina tere
chhoo ke bolen
na chhoona mujhe
chhoo ke bolen
na chhoona mujhe
aa aa aa
sapnon se ae bhare bhare
bhare bhare ae naina tere
aa aa aa aa
aa aa aa aa
dhoondha hai dhoondha hai tujhe
aakaash upar taley
shaayad kisi badri mein
lipti hui tu miley
o o o
dhoondha hai dhoondha hai tujhe
aakaash upar taley
shaayad kisi nadiya pe
chalta hua tu miley
roshni se ae bhare bhare
bhare bhare ae naina tere
chhoo ke bolen
na chhoona mujhe
chhoo ke bolen
na chhoona mujhe
aa aa aa aa
aa aa aa aa
maine samay rok ke
tera pata poochha hai
neeli nadi se keh ke
saagar taley dhoondha hai
o o o
lehron pe chalte huve
paani ke phan chhoote hain
jaise tere ye haath hon
mera ye tan chhoote hain
roshni se ae bhare bhare
bhare bhare ae naina tere
chhoo ke bolen
na chhoona mujhe
Nasha hai o mujhe bhi tumhaara
Posted on: June 14, 2021
- In: Abhijeet song | Duet | expression of love | Feelings of heart | Lata song | Lata-Abhijeet duet | Lyrics by Prakashchandra | Lyrics contributed by readers | Series of articles | Songs of 1980s (1981 to 1990) | Songs of 1984 | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
- 4 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4714 | Post No. : | 16420 | Movie Count : |
4461 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXVIII: Year 1984
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1984.
In 1984, 162 Hindi movies containing 806 songs were released. Lata Mangeshkar got to sing in 39 of these movies and she sang 70 songs in these movies. So Lata Mangeshkar’s voice was heard in 24 % of the movies released in 1984. Her voice was heard in 8.7 % of the songs appearing in the movies of 1984. So her domininance in HF playback singing was gradually coming down.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1984 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aanand Aur Aanand | R D Burman | 0 | 1 | 0 | 1 | 0 | 0 | Anjaan |
| 2 | Ab Aayega Mazaa | Anand Milind | 1 | 1 | 1 | 0 | 0 | 0 | Sameer |
| 3 | All Rounder | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
| 4 | Baazi | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
| 5 | Bad Aur Badnaam | Laxmikant Pyarelal | 0 | 4 | 2 | 2 | 0 | 0 | Anand Bakshi |
| 6 | Bhaavna | Bappi Lahiri | 0 | 1 | 1 | 0 | 0 | 0 | Kaifi Azmi |
| 7 | Do Dilon Ki Daastaan | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Anjaan |
| 8 | Duniya | R D Burman | 0 | 2 | 1 | 1 | 0 | 0 | Javed Akhtar |
| 9 | Durga | Sonik Omi | 0 | 1 | 0 | 1 | 0 | 0 | Verma Malik |
| 10 | Ek Nai Paheli | Laxmikant Pyarelal | 0 | 2 | 1 | 0 | 1 | 0 | Anand Bakshi |
| 11 | Haisiyat | Bappi Lahiri | 0 | 1 | 0 | 1 | 0 | 0 | Anjaan |
| 12 | Ham Hain Laajawaab | R D Burman | 0 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 13 | Intehaa | Rajesh Roshan | 0 | 1 | 1 | 0 | 0 | 0 | Indeevar |
| 14 | Jaagir | R D Burman | 0 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
| 15 | Jaag Utha Insaan | Rajesh Roshan | 1 | 1 | 1 | 0 | 0 | 0 | Indeevar |
| 16 | Jawaani | R D Burman | 0 | 2 | 1 | 1 | 0 | 0 | Gulshan Baawra |
| 17 | Jeene Nahin Doonga | Laxmikant Pyarelal | 0 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 18 | Jhoothha Sach | R D Burman | 1 | 1 | 0 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 19 | Kaamyaab | Bappi Lahiri | 0 | 1 | 0 | 1 | 0 | 0 | Indeevar |
| 20 | Kabhi Ajnabi Thhe | Vijay Singh | 1 | 5 | 1 | 4 | 0 | 0 | Dev Kohli(3 ) Raveendra Peepat (2) |
| 21 | Lailaa | Usha Khanna | 0 | 4 | 2 | 2 | 0 | 0 | Saawan Kumar |
| 22 | Lorie | Khayyam | 0 | 2 | 2 | 0 | 0 | 0 | Bashar Nawaaz |
| 23 | Maati Maange Khoon | R D Burman | 0 | 4 | 4 | 0 | 0 | 0 | Anand Bakshi |
| 24 | Mahananda | Manas Mukherjee | 0 | 1 | 1 | 0 | 0 | 0 | Yogesh |
| 25 | Mashaal | Hridaynath Mangeshkar | 1 | 3 | 1 | 1 | 0 | 1 | Javed Akhtar |
| 26 | Paapi Pet Ka Sawaal Hai | Shankar Jaikishan | 0 | 1 | 0 | 1 | 0 | 0 | Vishweshwar Sharma |
| 27 | Phaansi Ke Baad | Anu Malik | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 28 | Pyaar Jhukta Nahin | Laxmikant Pyarelal | 0 | 4 | 0 | 4 | 0 | 0 | S H Bihari |
| 29 | Qaidi | Bappi Lahiri | 0/td> | 1 | 0 | 1 | 0 | 0 | Indeevar |
| 30 | Raam Ki Ganga | Hridaynath Mangeshkar | 0 | 2 | 1 | 0 | 1 | 0 | M G Hashmat (1) Pt Narendra Sharma (1) |
| 31 | Sharaara | Laxmikant Pyarelal | 0 | 2 | 2 | 0 | 0 | 0 | Anand Bakshi |
| 32 | Sunny | R D Burman | 2 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 33 | Tarang | Vanraj Bhatia | 0 | 1 | 1 | 0 | 0 | 0 | Raghuveer Sahai |
| 34 | Tohfa | Bappi Lahiri | 1 | 1 | 0 | 1 | 0 | 0 | Indeevar |
| 35 | Ultaa Seedha | Rajesh Roshan | 0 | 1 | 0 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 36 | Utsav | Laxmikant Pyarelal | 1 | 2 | 0 | 0 | 2 | 0 | Vasant Dev |
| 37 | Yeh Kaisa Farz | Ram Laxman | 0 | 1 | 1 | 0 | 0 | 0 | Indeevar |
| 38 | Zakhmee Sher | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Santosh Anand |
| 39 | Zameen Aasmaan | R D Burman | 1 | 3 | 2 | 1 | 0 | 0 | Anjaan |
| Total | 39 movies | 15 MDs | 10 | 70 | 32 | 33 | 4 | 1 | 21 lyricists |
Lata Mangeshkar worked with 15 music directors and 21 lyricists in these 39 movies released in 1984. Laxmikant Pyarelal were the most prolific music directors with Lata, with 610 songs in HFM with Lata Mangeshkar by the end of 1984. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. Kalyanji Anandji were third with 301 songs. R D Burman with 294 songs was ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179), Roshan (144), Naushad (140), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108) and Vasant Desai (104). Together these fifteen music directors composed 3400 songs out of 4725 songs that Lata Mangeshkar had sung in Hindi movies till end of 1984. Anand Bakshi with 610 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (554), Majrooh Sultanpuri (401), Shailendra (361), Hasrat Jaipuri (297), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (124). These ten lyricists had penned 3091 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar collaborated with music directors Anand Milind, Vanraj Bhatia and Vijay Singh for the first time in movies of this year. She also worked with Lyricists Bashar Nawaaz, Dev Kohli, Raaghuveer Sahai and Ravindra Peepat for the first time in movies released this year.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1984 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 136 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 170 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 141 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 93 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 90 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 106 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 97 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 46 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 39 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 27 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 26 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 10 | 70 | 32 | 33 | 4 | 1 | |
| Total upto 1984 | 1654 movies | 3642 | 4725 | 3144 | 1273 | 203 | 105 |
It can be seen from the table of 1984 that Lata Mangeshkar sang 70 songs in 39 movies released in 1984.
10 songs sung by Lata Mangeshkar in movies of 1984 have been covered in the blog. That leaves us with 60 songs from movies of 1984 that are yet to be covered.
All Lata Mangeshkar songs from 4 movies of 1984 are already covered in the blog. So 60 Lata Mangeshkar songs from 35 movies of 1984 are still available to be discussed.
Alphabetically “Aanand Aur Aanand”(1984) is the first movie that offers us a Lata Mangeshkar song to cover in the blog.
“Aanand Aur Aanand”(1984) was produced and directed by Dev Anand for Navketan to launch the career of his son Suneil Anand. The movie had Suneil Anand and Natasha Sinha in lead roles. The movie also had Dev Anand, Rakhee Gulzar, Smita Patil, Raj Babbar,Biswajeet, Rakesh Bedi, Birbal, Sudhir, Gautam Sareen, Zubeda, Beena, Ghanshyam, Pardesi, R.S.Chopra, Mahajan, Narinder Mehta, Rahul Sharma, Ashok Sharma, Davinder, Ravindar Arora, C.A.Bhapaiah etc in it.
The movie had six songs in it. One of them was a duet song containing Lata Mangeshkar’s voice. This song was sung by Lata Mangeshkar and Abhijeet. This was the debut playback song for Abhijeet in Hindi movies.
Here is that Lata Mangeshkar song from “Aanand Aur Aanand”(1984). The song is penned by Anjaan. Music is composed by R D Burman.
The song is picturised on Suneil Anand and Natasha Sinha. Suneil Anand is seen trying to ape the mannerisms of his famous father Dev Anand but failing miserably.
The movie also has a one line version of the song picturised on Suneil Anand, but that does not qualify to be called a song. HFGK does not mention this one line song in the list of songs.
Lyrics of the song and other details were sent to me by Prakashchandra.
With this song, “Aanand Aur Aanand”(1984) makes its debut in the blog.
audio link:
video link:
Song-Nasha hai mujhe bhi tumhaara (Aanand aur Aanand)(1984) Singer-Lata, Abhijeet, Lyrics-Anjaan, MD-R D Burman
Both
Lyrics (Provided by Prakashchandra)
nashaa aa hai
ho mujhey bhi
tumhaaraa
nashaa aa hai
ho mujhey bhi
tumhaaraa
mujhey nashaa tera tujhe nasha meraa
nashey mein dil mera haaraa
nashaa aa aa aa hai
ho mujhey bhi
tumhaara
mujhey nashaa tera tujhe nasha mera
nashey mein dil main to haaraa
nashaa aa aa hai
ho mujhey bhi
tumhaaraa
tumhaaraa
main jo kaheen een
gir jaaoon raahon mein aen
badhke tujhey aey ae
thhaam loon baahon mein aen
chheen ley jo o o
tujhse koyee mujhko o
duniyaa mein aen aen
jeeney na doon uss ko o o
tu..oo yaadon mein
tu..oo khwaabon mein
tu..oo jaan se hai pyaaraa
nashaa aa aa aa hai
ho o mujhey bhi
tumhaaraa
tumhaaraa
tu jo kabhee ee ee
paas na ho merey ae
ho lagtaa naheen dil kaheen bin tere
hey aey ae hey
tu jo miley aey ae ae
sab kuchch paa jaaoon
arrey ye dil chaahey ae
tujh mein samaa jaaoon
inn baahon ne
inn zulfon ne
inn aankhon ne maaraa
nashaa aa aaa aa hai
ho mujhey bhi
tumhaaraa
tumhaaraa
aaj chalee ee
kitni tez hawaa aa
ye to hai kyaa aa dil mein jo shor uthhaa
ye toofaan aur ho tez zaraa aa aa
dil yoon miley aey ae
milke na phir ho judaa aa
mar jaayein to phir milney ko
aaye hum dobaaraa
nashaa aa aa aa hai
ho mujhey bhi
tumhaaraa
mujhe nashaa tera tujhe nashaa meraa
nashey mein dil meraa haaraa
nashaa aa aa aa hai
ho mujhey bhi
tumhaaraa
tumhaaraa
tumhaaraa
tumhaaraa
De Taali, De De De De Taali
Posted on: June 20, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4355 | Post No. : | 15675 | Movie Count : |
4318 |
Hullo Atuldom
In one of his recent posts our Avinash ji has suggested that there should be a category of posts – ‘Post inspired by fellow Atulite’ or ‘Post inspired by Atulite WA group chat’. I would like to borrow a phrase from Sudhir ji ‘thank you for the nudge’ and direct it towards Avinash ji. If not for Avinash ji I would have written this post a month later. Don’t know how I mixed up dates. And there have been posts wherein Atul ji has credited me with being good at remembering dates. It is not so Atul ji, calendars also need reminders.
I am 100% sure that the followers of this blog and non-followers too will be aware of a movie that released in the 70s. 1975 to be exact. It went by the name ‘Sholay’. It was a multi-star-cast movie that ran for years in a single cinema hall in Mumbai. This blog has already covered each and every song possible from that movie with detailed posts accompanying them. I am sure, the readers are wondering, why I am revisiting the movie then? Well ‘Sholay’ is something like an ‘Amar Akbar Anthony’ (1977) or any other formula movie. ‘AAA’ had a lost-and-found formula which was repeated in many movies after it. ‘AAA’ itself was a copy of numerous movies preceding it with the lost-and-found theme. It can be safely said that Indian movies thrive as much on the stories of the Ramayan and Mahabharata as they do on the lost-and-found theme.
So, where does ‘Sholay’ fit, in the scheme of things? Well, the ‘Thakur-Dacoit-Hired help’ formula has been repeated in a few movies too. Personally I have seen three movies on that story-line, there may be more. Two of them had a female for Thakur. That is, someone out to avenge the injustice meted out to her assisted by guys – ladies were SUPPOSED to be naajuk, bebas, etc. and a widow to add masala to the story. I am sure a woman of the new millennium will protest at the description of bebas, naajuk – even I will protest. There were Basanti and Radha as love interests in ‘Sholay’ – all the remakes also had ladies to distract the Veeru and Jai of the remakes.
Yesterday I saw ‘Army’ which had released on 28th June 1996 i.e. exactly 8 days short of 24 years ago. It was directed by Raam Shetty, produced by Nitin Manmohan and Mukul Anand and had music by Anand Milind. This is one of the ‘Sholay’ remakes that I spoke of in the previous paragraph. It has Sridevi playing a pregnant widow out to avenge her husband’s death for which she takes the help of five prisoners who are on the death-row. I hope the ‘Sholay’-connect has been explained. Explaining further- there it is two prisoners, here it is five. There the prisoners escape hoodwinking the ‘Angrezon ke zaamane ka Jailor‘; here Sridevi helps the prisoners get out of prison using sleep-inducing sweets. In ‘Sholay’; the thakur’s house was on a hillock overlooking the village, even that was replicated in ‘Army’. The prisoner’s are holed up in a secluded house that overlooks the area adjoining the palace of Sridevi’s tormentor. This was then the background of the movie from which I am presenting a song to our today’s birthday boy.
Coming back to the thoughts expressed in the opening paragraph, I asked Avinash ji if he was aware of the favourites of our today’s birthday boy. Favourite actor, singer, music director etc. Both of us thought hard and found that we don’t know much about his favourites but he knows all of us fairly well. What I do know, he has a ‘more than’ good knowledge about cricket and movies. He loves his pets and they are the family that live with him as his wife is working in a different town and daughter is a student elsewhere. Of late I have discovered that he has a love for the progresses that the country has made in the various sectors post the ’98 Pokharan tests. He is proud to be employed in the biggest service provider of the nation.
In addition to all that he has a unique sense of humor, which surfaces often on the blog in his posts and is given the title “Atulism” by our very own Rajaji.
Its is the birthday of the brain behind this blog, our Ranchiwala Gaanewala (Sudhir ji’s title for him). Wish you a very Happy Birthday Atul ji from your Army of contributors. We wish you all the best with lots of fun and music.
Today’s song is a lively song where the prisoners are having a party-like song and dance before escaping from the prison. It is sung by Alka Yagnik, Abhijeet and Vinod rathod. The two male singers are playback for Ravi Kishan. Ronit Roy, Sudesh Berry, Mohnish Behl and Harish who feed the jailor Kiran Kumar a laddo during the song and the favour is returned by the jailor. So when the song ends the rest of Sridevi’s Army have to bodily carry him out of the prison. It was an entertaining movie but becomes too violent towards the end. Whatever gory violence was snipped out of ‘Sholay’ found itself here.
Once again wishing our leader Atul ji a very Happy Birthday
Song – De Taali, De De De De Taali (Army) (1996) Singer – Alka Yagnik, Abhijeet, Vinod Rathod, Lyrics – Sameer, MD – Anand Milind
Chorus
Lyrics
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharabaa yahaan nahin
khoon kharaba yahaan nahin
kehne wale jail kahein
par yahaan badi khush haali
de taali de de de de taali
de taali de de de de taali
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharaba yahan nahin
khoon kharaba yahan nahin
kehne wale jail kahein
par yahan badi khush haali
de taali de de de de taali
de taali de de de de taali
aaaa aaaa aaaa
hansi udaaye yaar hamaari
baat koi na maane
hum kaise andar aayein hain
koi bhi na jaane
baahar jeena hai to yaaro paisa chaahiye
khaana peena hai to yaaro paisa chaahiye
naukri maangoon to sarkaar paisa maange
khaali ghoomoon to dost yaar paisa maange
taxi chalaoon hawaldaar paisa maange
ghar jo jaoon to parivaar paisa maange
kisi bank mein mera koi khata nahin
koi fokat mein khaana khilaata nahin
apna to yeh kehna hai
humko andar rehna hai
apna toh yeh kehna hai
humko andar rehna hai
yahan toh apni zindagi hai tension se khaali
de taali de de de de taali
de taali de de de de taali
hae haa ho
hae haa ho
bina degree ke kaam yahaan sab ko mile
kaam karte hi daam yahaan sab ko mile
yahaan time se roti sab ko mile
dal chaawal boti sab ko mile
bina bhaade ke kholi sab ko mile
arre yaar humjoli sab ko mile
haan haa haa haaa
hoo hoo oo
aaj ka din bhi achha din hai
sundar bada muhoorat hai
tum jaise logon ki pyaare
baahar bahut zaroorat hai
baahar jao
jaa ke duniya walon ko samjhao
subah shaam marne waalon ko tum jeena sikhlaao
jo bhi baahar jayega woh jeevan bhar pachhtayega
jo bhi baahar jaayega
woh jeevan bhar pachhtayega
baahar jaake milegi humko nafrat gurbat gaali
de taali de de de de taali
de taali de de de de taali
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharaba yahaan nahin
khoon kharaba yahaan nahin
kehne wale jail kahein
par yahaan badi khush haali
de taali de de de de taali
de taali de de de de taali
hae haa ho
hae haa ho
hae haa ho
hae haa ho
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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