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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1980’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to Atuldom

‘Saajan Mere Main Saajan Ki’ is a movie released in 1980. It was directed by Hiren Nag and produced by Ramraj Nahata. It had a star cast of Ashok Kumar, Raj Babbar, Raj Kiran, Rameshwari, Kaajal Kiran, Shashikala, Dina Pathak, Madan Puri etc. Songs were written and composed by Ravindra Jain. I have never seen the movie and so I have no idea what it was all about.

But one song from that movie has stayed in my memory. The playback for that song is by Manna Dey with Dilraj Kaur. What has stuck with me since I saw it on Doordarshan’s Chaayageet/Chitrahaar is the sight of Ashok Kumar and Shashikala living it up at a disco.

That was the period when Ashok Kumar used play a lovable old man who doesn’t mind enjoying himself occasionally with wine, women etc. All these would many-a-times be just to irritate a younger character or bring a wayward youngster to toe his line. But all his roles were very cute. Very often his partner would be the other lovable old man Pran, in addition he used to team up with Utpal Dutt, AK Hangal, and sometimes his team mate would be any actress with whom he has paired romantically in his younger days. Like in today’s song he is merrily dancing with Shashikala who herself was a dancing star in her younger days. Before this the two had appeared in ‘Khubsoorat’ as Sasur and Bahu. And yes, that film also is from 1980. 🙂 In this film, we see  Shashikala do a kathak piece as Dada Moni plays the tabla. I also remember Shashikala with Ashok Kumar in BR Chopra’s ‘Gumraah’ (1963) too.

I am sure many of the regular followers of this blog will remember that today is Dada Moni’s birth anniversary. He would have been 106. Let us remember him with this lively party song.

Song – Hi Honey. . . Hi Hi Honey (Saajan Mere Main Saajan Ki) (1980) Singer – Manna Dey, Dilraj Kaur, Lyrics – Ravindra Jain, MD – Ravindra Jain
Manna Dey + Dilraj Kaur
Male Chorus
Female Chorus
All Chorus

Lyrics

disco disco disco
disco disco disco
lets go on the dance floor
disco disco disco
disco

hi honey
hi hi honey
hi honey
hi hi honey
sweety sweety aisi beauty
humne dekhi na suni
sweety sweety aisi beauty
humne dekhi na suni

how funny
how how funny
o how funny
o how funny
jhoothi jhoothi naughty naughty
baaten tumse hi suni
jhoothi jhoothi naughty naughty
baaten tumse hi suni
hi honey
hi hi honey
hi hi honey
hi hi honey

lallall lall lalla
la la la la la la lala
lallall lall lalla
la la la la la la lala
lallall lall lalla

la la lal lal lalla
la la lal lal lalla
laaa laaa

ye to aap ka husn-e-nazar hai
ooo hooo
warna kya hain hum humko khabar hai
oo oo
kaun kahta hai dhalti umar hai
hooo oooo
har adaa me bala ka asar hai
baahon me baahen dono daalo
behak rahi hum sambhalo
o baahon me baahen dono daalo
behak rahi hum sambhalo
oooooo
hi honey
hi hi honey
hi hi honey
hi hi honey
tere mere jaisi jodi banegi aur na bani
jhoothi jhoothi naughty naughty
baaten tumse hi suni
hi honey
hi hi honey
hi hi honey
hi hi honey

dada moni
dada moni
its not so funny
not so funny
aish karogi miss malini
laila majnu
shirin farhad
in sabke sath zamana humen bhi karega yaad
haan jannat nasheen
unki roohen
hum se zinda dilon ko deti hain aashirvaad
preet ke rog me padke
dhak dhak dhak dil dhadke
preet ke rog me padke
dhak dhak dhak dil dhadke
hi honey
hi hi honey
hi hi honey
hi hi honey
jitni fine old wine
utna hi old honey
sweety sweety aisi beauty
humne dekhi na suni
hi honey
hi hi honey
hi hi honey
hi hi honey
hi honey
hi hi honey
hi hi honey
hi hi honey
hi honey
hi hi honey
hi hi honey
hi hi honey

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

डिस्को डिस्को डिस्को
डिस्को डिस्को डिस्को
लेट्स गो ऑन द डांस फ्लोर
डिस्को डिस्को डिस्को
डिस्को

हाए हनी
हाए हाए हनी
हाए हनी
हाए हाए हनी
स्वीटी स्वीटी ऐसी ब्यूटी
हम ने देखि ना सुनी
स्वीटी स्वीटी ऐसी ब्यूटी
हम ने देखि ना सुनी

हाओ फन्नी
हाओ हाओ फन्नी
ओ हाओ फन्नी
ओ हाओ फन्नी
झूठी झूठी नौटी नौटी
बातें तुमसे ही सुनी
हाए हनी
हाए हाए हनी
हाए हनी
हाए हाए हनी

लल्लल्ल लल्ल लल्ला
ला ला ला ला ला ला लाला
लल्लल्ल लल्ल लल्ला
ला ला ला ला ला ला लाला
लल्लल्ल लल्ल लल्ला

ला ला लल लल लल्ला
ला ला लल लल लल्ला
ला ला

ये तो आपका हुस्न ए नज़र है
ऊ हू
वरना क्या हैं हम हमको खबर है
ऊ ऊ
कौन कहता है ढलती उमर है
हू हू
हर अदा में बला का असर है
बाहों में बाहें दोनों डालो
बहक रहीं हूँ संभालो
बाहों में बाहें दोनों डालो
बहक रहीं हूँ संभालो
ओ ओ
हाए हनी
हाए हाए हनी
हाए हनी
हाए हाए हनी
तेरे मेरे जैसी जोड़ी बनेगी ना बनी
झूठी झूठी नौटी नौटी
बातें तुमसे ही सुनी
हाए हनी
हाए हाए हनी
हाए हनी
हाए हाए हनी

दादा मोनी
दादा मोनी

इट्स नौट सो फन्नी
नौट सो फन्नी
ऐश करोगी मिस मालिनी
लैला मजनूँ
शीरी फरहाद
इन सबके साथ ज़माना हमें भी करेगा याद
हाँ जन्नत नशीं उनकी रूहें
हमसे ज़िंदादिलों को देती हैं आशीर्वाद
प्रीत के रोग में पड़ के
धक धक धक दिल धड़के
प्रीत के रोग में पड़ के
धक धक धक दिल धड़के
हाए हनी
हाए हाए हनी
हाए हनी
हाए हाए हनी
जितनी फ़ाइन ओल्ड वाइन
उतना ही स्वीट हनी
स्वीटी स्वीटी ऐसी ब्यूटी
हम ने देखि ना सुनी
हाए हनी
हाए हाए हनी
हाए हनी
हाए हाए हनी
हाए हनी
हाए हाए हनी
हाए हनी
हाए हाए हनी
हाए हनी

हाए हाए हनी
हाए हनी
हाए हाए हनी

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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Today’s post is under instructions from my husband- Peevesie’s Dad. Oh yes, he is a silent-satulite (a term coined by team Atulites when referring to spouses of Atulites, the term has no geographical or scientific connotation and will be found only in Atulite-lingo 🙂 ). He had asked me to write a post after we returned from a pilgrimage of Sabarimala, which is the abode of Swami Ayyappa. And as far as possible I fulfil every farmaish/ request of his (actually the children, Peevesie more than her brother, rag the two of us for going out of our way to fulfil each other’s requests- there have been no demands between the two of us only requests).

A recent program that I attended at Chowdiah Memorial with Asha Bhonsle as the attraction is a case in point – we were scheduled to go to Kerala on that date to drop my dear mom-in-law at our native village and my husband (sweetly) asked me to go ahead and book tickets for the show and he himself went with his mom. So, when he indulges me how can I not do what he says? 🙂 These last two months I had been looking for a song that would accompany the post but never found any song or bhajan dedicated to Ayyappa in a Hindi song album- filmy or non-filmy. Even looking up dubbed movies drew a blank. Whatever the internet had to offer were songs in the south Indian languages. But now I think I have found a way out.

The pilgrimage to Sabarimala is neither easy nor tough; what it needs is commitment on the part of the devotee. It can be undertaken by all men and females below the age of 10 and above the age of 50. There are a few legends to explain why this restriction is in place for the ladies. But the main reason, for ladies of age group 10-50 not being allowed is biological and instead of arguing against it; which some sections of the equality for females brigade has undertaken, my personal view is we should respect it. If some rule has been in place for an activity we follow it. If there is a dress code to a party we adhere to it. I have seen people follow the rule of covering their heads at gurudwaras and mosques (am not sure if churches have this rule, but have seen some sections of Kerala Christians cover their heads). If rules can be followed at these places then why not at Hindu places of worship. (I hope that my thoughts are not construed to be against equality for the female gender, they are just my way of looking at things)

The Sabarimala temple is open for a few days (of the Malayalam calendar) every month and from November 15th to January 20th (I think). Devotees who plan to undertake the trip normally live a satvik life for a period of 40 days. They abstain from wine and women, the stricter followers make their own food, visit an Ayyappa temple twice a day, walk bare foot and also don’t shave. Then just before leaving for the trip they have a ritual wherein they gather the main things needed for the pilgrimage in a bag which is carried on their heads till they reach the temple. The bag typically contains two or three coconuts, one of which is filled with ghee for the abhishek of the deity. Plus, pooja items like camphor, agarbatti, pan-supari, beaten rice etc.

The temple itself is in the Periyar Tiger Reserve of western ghats in Kerala’s Pathanamthitta District. One can go up to the Pampa river (which is at the base of the path leading up to the temple) by road, from where it is a climb of about 5 kms of which the initial 2 km or so is very steep. Of course, there are a few palkhis available to carry up those who find the climb difficult. But when one sees the passion in those climbing alongside us it spurs us to try and do the distance without palki assistance. That is what happened with me. I felt a sense of tiredness after the initial half an hour; then I saw who were the people around me. There was a small boy taking his almost 80-year-old grandparents with him. Then there was a man with a twisted ankle making his way uphill and that made me feel I should complete the route. And there is the chant of Swamiye Sharanam Ayyappa (we take refuge in you ayyappa) reverberating about the route, enough to egg you on. A seasoned devotee (like my husband who has gone close to 25 times) may do the path in about two or two and half hours depending on the weather; and I took about two hours and forty minutes in spite of the initial panting and nausea due to the height. But I must admit that then it had felt like a never-ending walk.

Now any person undertaking the pilgrimage for the first time is called a “Kanni Ayyappan” and our group had two of us. And then last month around Onam time when the temple was open my sister’s family- her husband and two nine-year-old sons- also went to the temple. The twins were the life of the group along with a few other kids. About 10-15 years back my aged parents-in-law and parents had undertaken the trip. So, what I am trying to say is age and health should not stop a determined soul from making the trip and there are experienced Ayyappas (that is the term with which the male devotees address each other) to guide those who want to make the trip and believe me it was a great experience enough to make me feel I should redo it.

Reading the above description may have sent images of the trek to Kedarnath, Yamunotri or Vaishno Devi to the reader. Even I recalled my Kedarnath, Yamunotri trip as I was chanting Swamiye Sharanam Ayyappa and singing all the Ayyappa songs I knew to myself during the walk. And in my mind, I visualised my dearest mom-in-law undertaking the Vaishno Devi pilgrimage about 10 years back. Hats off to her spirit! I hope I am half as energetic when I reach her age.

Now that I have mentioned vaishno devi I looked for a song that will show the journey to the temple in the Himalayas in Kashmir. And I found that there is a song in the 1980 released J. Om Prakash movie which shows Rameshwari and Jeetendra going to Vaishno Devi as “Mannat” fulfilment of his mother Sulochana. (wonder why she didn’t accompany them 🙂 ) it shows them trudging up to the temple along with other devotees much like what I experienced. But the difference is the distance which my mom-in-law says is close to 14 kms. The song is from the pen of Anand Bakshi and Laxmi- Pyare are the music directors. Narendra Chanchal and Mohd. Rafi are the playback.
I think this is a good song to start Navaratri with. Bolo Jai Mata Ki!

Editor’ note:- This is the sixth and final song from “Asha”(1980) to appear in the blog. with this song, “Asha”(1980) joins the list of movies that have all their songs covered in the blog.


Song-Toone mujhe bulaaya shera waaliye (Asha)(1980) Singers-Narendra Chanchal, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Rafi + Chanchal

Lyrics

saanchi jyoto waali maata
maata
teri jay-jay-kaar
jay-jay-kaar
jay-jay-kaar
jay-jay-kaar

toone mujhe bulaaya shera waaliye ae
main aaya
main aaya shera vaaliye

toone mujhe bulaaya shera vaaliye
main aaya,
main aaya shera vaaliye

o jyota vaaliye
pahaada vaaliye
o mehra vaaliye ae
toone mujhe bulaaya shera vaaliye
main aaya,
main aaya shera vaaliye

o o
toone mujhe bulaaya shera vaaliye
main aaya
main aaya shera vaaliye

saara jag hai ik banjaara
saara jag hai ik banjaara
sabki manzil tera dwaara
oonche parvat lamba rasta
oonche parvat lamba rasta
par main rah na paaya shera vaaliye
toone mujhe bulaaya shera vaaliye
ho o
main aaya,
main aaya shera vaaliye
toone mujhe bulaaya shera vaaliye

soone man mein jal gayi baati
tere pathh mein mil gaye saathi
munh kholoon kya tujhse maangoon
munh kholoon kya tujhse maangoon
bin maange sab paaya
shera vaaliye ae

toone mujhe bulaaya shera vaaliye
o o o
main aaya
main aaya shera vaaliye

toone mujhe bulaaya shera vaaliye

kaun hai raaja
kaun bhikhaari
kaun hai raaja
kaun bhikhaari
ek baraabar tere saare pujaari
toone sabko darshan de ke
toone sabko darshan de ke
apne gale lagaaya shera vaaliye
toone mujhe bulaaya shera vaaliye
o jota vaaliye
pahaada vaaliye
o mehra vaaliye ae
toone mujhe bulaaya shera vaaliye
main aaya
main aaya shera vaaliye

o prem se bolo
jay maata di
o saare bolo
jay maata di
o aate bolo
jay maata di
o jaate bolo
jay maata di
o kasht nivaare
jay maata di
o paar utaare
jay maata di
devi maan bholi
jay maata di
bhar de jholi
jay maata di
o jode dar par
jay maata di
maa deke darshan
jay maata di
o jay maata di
jay maata di
jay ay ay maata di
jay maata di

jai bhavaani ki jai
pahaada vaali ki jay,
vaishno raani ki jay
ambe raani ki jay
pahada waali ki jai


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulwaasis

So, we are on that date of the year when we write a special post for a very special person. We have two posts by kids of the 70s who grew up listening to the works of this special person. For once I waited to see what these two are going to say before I pen my own thoughts. This is because I have come to realise that the three of us love the same things about this person- his multi talents- singing (first and foremost), comedy (acting), direction, music direction and he has also written a few songs. We are his fans and he was said to be a huge fan of K.L. Saigal. His aim was to sing like Saigal.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In India, we are often required to attend get togethers (formal/ officials as well as informal/ unofficial etc). Singing of a few film songs is almost always a part of these gatherings, which are sung by enthusiastic singers and their performances are followed by polite clappings.

The songs that are sung on these gatherings are mostly from the golden era originally sung by legends. I often think of that era when these legends were still around me. I would often imagine a gathering where songs were sung not by the enthusiastic singers but by the singers who originally sang these songs. Just imagine participating in a programme where Rafi songs are being sung live by none other than Rafi himself !
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jaidev Ki Non-Filmi Suraavali – 01
—————————————————-

Thanks to the help of Researchist Sadanandbhai and few more quotes from here and there, this is going to be quite different to my usual writing of short preface to the presentation of the song.

In my series ‘Genius of Jaidev’, I have presented about 60 filmy songs of Jaidevji, which were not covered on our musical Blog. I am unable to locate few more film songs of Jaidev ji, which are obscure, as I am a poor RESEARCHER. (In spite of the fact that I worked for 40 years in a RESEARCH Institute.)
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Imtihaan”(1974) was directed by Madan Sinha for New Arts Pictures, Bombay. This movie had Tanuja, Vinod Khanna, Bindu, Ranjeet (special appearance), Abhi Bhattacharya, Asit Sen, Sapru, Murad, C S Dubey, Abhijit Sen, Shashtri, Amrit Patel, Sunayna Santosh, Uday Arora, Neel Oberoy, Sonika Khanna, Dewal Verma, Naveen Pandya, Vijay Kumar, Bhanwar Shrivastava, Ibrahim, Seema, Madhu, Jugnu, Durga, Ravi Kanwar, Sunil Rege, Ibrahim Khan, Geeta Shah, Shankar Bhake, Nasir, Farooque, Chanda, Kamal etc in it.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

hullo to all atulwaasis

Last song! Last song! Last Song!

No this is the first song that runs with the movie’s title cards. It is a stage show that introduces the central character Monty played by Chintu alias Rishi Kapoor. He is a singer cum dancer cum guitarist with a large fan following. He has many successful shows to his credit but is forbidden from doing private shows.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saanjh Ki Bela”(1980) was produced by Jagdish Kumar and directed by Madhusudan for J K’s Bombay. The movie had Joy Mukherjee, Nutan, Rehman, Bindu, Laxmi Chhaya, Rancha Sarang, Satyen Kappu, Sapru, Bipin Gupta, I S Johar, Raj Mehra, Pratima Devi, Satish Arora, Iftekhar, Ratna, Birbal, Jankidas, Vimla, Uma Khosla, Geetanjali, Sharmaji, Goyel, Suraj Kumar, Supariwala, Lav Kush, Suparna Biswas etc in it.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It’s been a while since my last post here.  And to be absolutely honest, I haven’t even been active on the blog recently.

This is for a variety of reasons, none of which is, thankfully, any cause of worry. I go into this shell from time to time. I hope Atul, and my other friends here, know me long enough now to not mind my absence. It is nothing to do with the blog or with them, it is just me and my bizarre-ness. Anyway, it doesn’t matter – what matters is that I’m back here today.

But why today? What’s so special about today? Well, today is special, not just for one, but for two reasons. Firstly, the 8th of March is celebrated worldwide as International Women’s Day. Secondly, it also happens to be the birthday of Sahir Ludhianvi, one of our most celebrated poets and lyricists.  And most people who know me on this blog know what a special place Sahir has in my heart.  I have often posted his songs here, especially on his birth and death anniversaries. I feel that’s the least I can do for him.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

hullo Atulwaasis

Welcome to the 97th birthday party of Gubbaare Waale Baba. He was a master of carrying any disguise, get-up or make up. Can one forget the red-wigged Sher Khan? Or Malang chacha. Or Raka. or Gajendra Singh or Halaaku. He had his own style of blowing smoke rings which first appeared in Bari-Behan (1949). He was sinister to the extent that people would not name their new borns – Pran. His name always appeared in the movie credits as “And Pran”.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13600 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13654

Number of movies covered in the blog

Movies with all their songs covered =1024
Total Number of movies covered =3736

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