Posts Tagged ‘1969’
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4981 | Post No. : | 16864 |
Today 8th March, 2022 is the 101st birth anniversary of poet-lyricist Sahir Ludhianvi (08.03.1921 – 25.10.1980).
As per statistics available he has written around 717 to 730 songs in Hindi Films. On our blog we have so far covered 704 songs penned by Sahir Ludhianvi. Around six to eight songs from the remaining songs seems to be difficult to find or they may not be available at all. Following is the details of movies and the number of songs from these movies yet to be posted on the blog.
| Sl. No. as per Sahir’s Filmography | Movie Name | Year | Music Director | Remaining Songs |
| 1 | Aazadi Ki Raah Pe | 1948 | GD Kapoor | 3 |
| 7 | Laal Kunwar | 1952 | SD Burman | 3 |
| 53 | Dilli Ka Daada | 1962 | N Dutta | 1 |
| 58 | Gumraah | 1963 | Ravi | 1 |
| 78 | Nanha Farishta | 1969 | Kalyanji-Anandji | 1 |
| 85 | Bhaai Ho To Aisa | 1972 | Sonik Omi | 3 |
| 101 | Jaagriti | 1977 | Laxmikant-Pyarelal | 2 |
| 104 | Hum Tere Aashiq Hain | 1979 | Ravindra Jain | 4 |
| 106 | Chambal Ki Qasam | 1979 | Khayyam | 2 |
| 107 | Chehre Pe Chehra | 1980 | N Dutta | 4 |
| 115 | Chingaari | 1989 | Ravi | 3 |
| TOTAL | 27 |
Today I present here a song from the movie ‘Nanha Farishta’ (1969). ‘Nanha Farishta’ was directed by T Prakash Rao for Vijaya International, Madras. It was produced by B Nagi Reddi and Chakrapani. This movie was presented by B Nagi Reddi.
The star cast of the movie lists Pran, Ajit, Anwar Hussain, Padmini, Balraj Sahni and Baby Rani, supported by Suresh, Mukri, Raj Mehra, Sundar, Maruti, Prem Kumar and Johnny Walker.
Story of this movie was written by Thuraiyoor K Moorthy, and dialogues were written by Inder Raj Anand. Editing of this movie was done by BS Glaad.
This movie had four songs written by Sahir Ludhianvi and music composed by Kalyanji-Anandji.
The playback singers for this movie are Lata Mangeshkar, Mohd Rafi, Asha Bhonsle, Kishore Kumar, Manna Dey, Mahendra Kapoor and Manhar. [Author’s Note: The titles of the movie also mentioned the name of S Balbir in the list of playback singers, however HFGK has not mentioned Balbir’s name for any song of this movie.]
HFGK mentions the following four songs from this movie.
| Song | Posted On |
| O Natkhat Nanhi Laadli Tujhe Dekhen | 26.12.2020 |
| Chandaa Kaahe Ka Tera Maama | 08.03.2021 |
| O Re O, Sharaabi Tujhme Ek Kharaabi | Being discussed today |
| Bachche Mein Hai Bhagwaan | 14.11.2014 |
Kalyanji-Anandji have worked with Sahir Ludhianvi in two movies, as per following details.
| Movie | Year | MD | Songs by Sahir (in blog) |
Songs by Sahir (per HFGK) |
Songs by Sahir (per – The People’s Poet) |
| Nanha Farishta | 1969 | Kalyanji-Anandji | 3 | 4 | 4 |
| Shankar Shambhu | 1976 | Kalyanji-Anandji | 5 | 5 | 5 |
From the above table we can see that only one song from the movide ‘Nanha Farishta’ which is also the last song of ‘Sahir – KA’ association remains to be posted on the blog. This is also the final song from this movie to be posted on the blog.
This song is sung by Asha Bhonsle and on-screen Padmini is lip-syncing for Asha Bhonsle’s voice. Also seen in the picturization of the song are Pran, Ajit, and Anwar Hussain.
The song happens when the three criminals Pran, Ajit and Anwar Hussain got drunk and request Gauri (Padmini) to sing a song for them. Gauri is the caretaker of the little girl Baby (Baby Rani) whom the three have abducted after killing her father. Later the three criminals develop a soft corner for the baby girl and kidnapped her caretaker Gauri as well when the little girl fall sick.
Gauri has a plan for the criminals and that is why she readily agrees to sing and dance for the drunken criminals. But that is not to be disclosed here and that is something we have to leave intact for those who are interested in watching this movie. I have also not watched this movie and the above storyline in short is from what I got to read on internet.
With this post, the film ‘Nanha Farishta’ (1969) now joins the list of Yippeee’d movies on the blog.
Let us listen to the today’s song now.
Song – O Re O Sharaabi Tujh Mein Ek Kharaabi (Nanha Farishta) (1969) Singer – Asha Bhosle, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Male Voice
Lyrics
o o sharaabi
tujh mein ek kharaabi
kya
huhh huhh huhh huhh
o re o sharaabi
tujh mein ek kharaabi
o re o o sharaabi
tujh mein ek kharaabi
seekha na kisi se tune pyaar karna
tujhe aa main pyaar sikha doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi
rura rara rura rara ae ae ae
ta rura rara rura rara ae ae ae
kaanch jaise badan mein
surkh sona bharaa hai
surkh sona bharaa hai
jaam se lab hataa le ae
jaam mein kya dharaa hai
jaam mein kya dharaa hai
aise na bujhegi kabhi pyaas dil ki
arey aa main pyaas bujha doon
aa main pyaar sikha doon
o o o o sharaabi
tujh mein ek kharaabi
honthh kyun kaanpte hain ae ae ae
saans kyun phoolti hai
saans kyun phoolti hai
paanv kyun dolte hain ae ae
zulf kyon jhoolti hai
zulf kyon jhoolti hai
tu jo meri aankhon ki zubaan samjhe tujhe
saare bhed bataa doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi
rura rara rura rara ae ae ae
ta rura rara rura rara ae ae ae
ho sakey to samajh le ae ae ae
raat kya keh rahi hai
raat kya keh rahi hai
ye dhadkti khaamoshi ee ee
baat kya keh rahi hai
baat kya keh rahi hai
thoda sa ishaara ho to
pal bhar mein abhi
laakhon rang lutaa doon
aa main pyaar sikha doon
o o o o sharaabi
tujh mein ek kharaabi
seekha na kisi se tu ne pyaar karna
tujhe aa main pyaar sikha doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi
huhh huhh huhh
bahot achchhe
very good very good
once more
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Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ओ ओ शराबी
तुझमें एक खराबी
क्या
हुःह हुःह हुःह हुःह
ओ रे ओ शराबी
तुझ में एक खराबी
ओ रे ओ शराबी
तुझ में एक खराबी
सीखा ना किसी से तूने प्यार करना
तुझे आ मैं प्यार सीखा दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी
रुरा रुरा रुरा रुरा ए ए ए
ता रुरा रुरा रुरा रुरा ए ए ए
काँच जैसे बदन में
सुर्ख सोना भरा है
सुर्ख सोना भरा है
जाम लब से हटा ले
जाम में क्या धरा है
जाम में क्या धरा है
ऐसे ना बुझेगी कभी प्यास दिल की
अरे आ मैं प्यास बुझा दूँ
आ मैं प्यार सीखा दूँ
ओ ओ ओ ओ शराबी
तुझ में एक खराबी
होंठ क्यों काँपते हैं
सांस क्यों फूलती है
सांस क्यों फूलती है
पाँव क्यों डोलते हैं
जुल्फ क्यों झूलती है
जुल्फ क्यों झूलती है
तू जो मेरी आँखों की ज़ुबान समझे तुझे
सारे भेद बता दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी
रुरा रुरा रुरा रुरा ए ए ए
ता रुरा रुरा रुरा रुरा ए ए ए
हो सके तो समझ ले
रात क्या कह रही है
रात क्या कह रही है
ये धड़कती खामोशी
बात क्या कह रही है
बात क्या कह रही है
थोड़ा सा इशारा हो तो
पल भर में अभी
लाखों रंग लुटा दूँ
आ मैं प्यार सीखा दूँ
ओ ओ ओ ओ शराबी
तुझ में एक खराबी
सीखा ना किसी से तूने प्यार करना
तुझे आ मैं प्यार सीखा दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी
हुःह हुःह हुःह
बहुत अच्छे
वेरी गुड वेरी गुड
वांस मोर
Apni maa ki kismat par
Posted on: February 6, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4951 | Post No. : | 16815 |
Today 6th February’2022 is the one hundred and seventh birth anniversary of Kavi Pradeep(6 February 1915 – 11 December 1998).
On this occasion, as a tribute to him, here is a song from the movie ‘Sambandh-1969’.
“Sambandh-1969” was directed by Ajay Biswas for ‘S.M.F. Syndicate Productions, Bombay’. It had Deb Mukherji, Anjana, Pradeep Kumar, Anita Dutt, Sulochana, Vijaya Chaudhary, Achala Sachdev, Abhi Bhattacharya, Nana Palsikar, Ulhas, Leela Mishra, Rani, Janaki Das, Manik Dutt, Sajjan and others.
This movie was based on Bangla Novel ‘Pratham Prem’ by Achintya Kumar Sengupta.
This movie had twelve songs written by Kavi Pradeep and composed to music by O.P. Nayyar.
Here is the list of all songs from this movie.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Chal akelaa, chal akelaa, chal akelaa aa, tera mela peechhe chhoota raahi | Mukesh | 20.07.2009 |
| 02 | Andhere mein jo baithhe hain | Mahendra Kapoor | 11.03.2011 |
| 03 | Akeli hoon main piyaa aa | Asha Bhonsle | 23.07.2011 |
| 04 | Apni maa ki qismat par mere bete tu mat ro | Asha Bhonsle | Being discussed today |
| 05 | Yah khushi leke main kya karoon | Mahendra Kapoor | |
| 06 | Dard ke gaaon se niklo | Asha Bhonsle | |
| 07 | Jo diya thha tumne ek din, mujhe phir wo pyaar de do | Mahendra Kapoor, Hemant Kumar | 01.10.2011 |
| 08 | Hey jagat pitaa parmaatmaa | Asha Bhonsle, Hemant Kumar | (19.07.2019 ( |
| 09 | Tum ko to karodon saal huye batlaao gagan gambhir | Asha Bhonsle | (19.07.2019 |
| 10 | Main to kaanton mein rah loongi | Asha Bhonsle | Being discussed today |
| 11 | Ab to shamshaan ki maati hi meri maata hai | Mahendra Kapoor | 09.01.2022 |
| 12 | Ab to is desh ki maati hi teri maata hai | Hemant Kumar | 19.07.2009 |
Today’s song is sung by Asha Bhonsle. The song appears twice in the movie– once in the childhood of the hero of the movie (i.e., Deb Mukherji). His mother (Solochana) sings it when she is about to leave him with Abhi Bhattacharya and Achala Sachdev . The second time the song appears is when she has died and her son lights her funeral pyre.
Also seen in the picturisation of this song are Sulochana Latkar, Abhi Bhattacharya, Achala Sachdev, Deb Mukherji and others.
Lyrics for today’s song were sent by Prakashchandra.
(Lyrics for both the versions are same however videos are different as the song gets played on two different occasions in the movie. The second version does not have the ‘mukhda’ but ‘antaras’ are same).
Let us listen to the today’s song now and pay our tributes to Kavi Pradeep.
Part I (Video)
Part I (Audio)
Part II (Video)
Song-Apni maa ki kismat par mere bete tu mat ro (Sambandh)(1969) Singer-Asha Bhonsle, Lyrics-Kavi Pradeep, MD-O P Nayyar
Lyrics (Provided by Prakashchandra)
——————-
Part I
——————-
apni maa ki qismat par
mere bete tu mat ro o
apni maa ki qismat par
mere bete tu mat ro o
main to kaanton mein jee loongi
jaa aa tu phoolon par so o
apni maa ki qismat par
mere bete tu mat ro o
main to kaanton mein jee loongi
jaa aa tu phoolon par so o
apni maa ki qismat par
tu hi mere din ka sooraj
tu hi meri raat ka chandaa
tu hi mere din ka sooraj
tu hi meri raat ka chandaa
ek din to degaa tu hi
mere ant samay mein kandhaa
mera dekh ke ujdaa jeevan
tu aaj dukhi mat ho o
main to kaanton mein jee loongi
jaa aa tu phoolon par so o
apni maa ki qismat par
hansne ke ye din hain tere
rone se teraa kya naataa
hansne ke ye din hain tere
rone se teraa kya naataa
rone ke liye to beta
janani hai jagat mein maataa
mere laal ye aansoo de de
apni dukhiyaa maa ko o
main to kaanton mein jee loongi
jaa aa tu phoolon par so
apni maa ki qismat par
mere bête tu mat ro
main to kaanton mein jee loongi
jaa aa tu phoolon par so
apni maa ki qismat par
————————-
Part-II
————————
tu hi mere din ka sooraj
tu hi meri raat ka chanda
ek din to degaa tu hi
mere ant samay mein kandhaa
mera dekh ke ujdaa jeevan
tu aaj dukhi mat ho o
main to kaanton mein ae rah loongi
jaa tu phoolon par so
apni maa ki qismat par
hansne ke ye din hain tere
rone se teraa kya naataa
rone ke liye to beta
janani hai jagat mein maataa
mere laal ye aansoo de dey
apni dukhiyaa maa ko o
main to kaanton mein reh loongi
jaa tu phoolon par so
apni maa ki qismat par
mere bête tu mat ro o o
main to kaanton mein aen reh loongi
jaa aa aa tu phoolon par so o
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4923 | Post No. : | 16755 |
Today’s song is from the 1969 movie ‘Sambandh’. I was aware of this ‘title’ since my childhood and I mainly associated this movie with its song ‘Chal Akelaa Chal Akelaa Chal Akelaa, Tera Mela Peechhe Chhoota Raahi Chal Akelaa’. I have a big nostalgia of this song, and whenever I listen to it the song takes me to a different world altogether. This song brings back many memories of childhood for me.
Somehow, I didn’t get to watch this movie for many years, and later on when I started my music collection (1986-1988), I got to listen to another song from this movie i.e., ‘Andhere Mein Jo Baithhe Hain, Nazar Un Par Bhi Kuchh Daalo’ which I got in a compilation ‘Hits of Mahendra Kapoor’.
Then I came across one more song from this movie, this time sung by Hemant Kumar – ‘Apni Maata Ke Dulaare Bachche’ I like them all. And since the songs were penned by Kavi Pradeep my attraction towards this movie only increased further.
Secondly the music for this movie was composed by OP Nayyar Saab. And none of the songs composed by him for this movie sound like his characteristic music. That created a mystical ‘aura’ about this movie around me and that is still there (even I watched it once now I want to watch it more).
Then I became aware of one more song from this movie which was sung by Asha Bhonsle ‘Akeli Hoon Main Piya Aa’…
Years passed, and I carried the memory of the above songs. When I become associated with this blog, I was still interested to know about this movie and its songs. But it was only recently when for the ‘blog ten-year challenge’ our dear Prakash ji sent all the remaining songs from this movie that were still to be posted.
He sent us remaining four songs. Before that one more song ‘Tum Ko To Karodon Saal Huye Batlaao Gagan Gambhir’ got posted on the blog. Around the same time, I was browsing the HFGK Vol-IV (1961-1970) for the movies of 1969. Obviously, this movie ‘Sambandh’ features in that list too.
Finally I decided to watch this movie online. I liked the movie very much, but the print available online is not of a good quality both for the picture and the sound. Also, some parts and songs seemed to be edited from the available version of this movie.
Coming to today’s song from this movie, I can write something about it now as I have watched this movie. The song happens when Deb Mukherjee has lost his mother Sulochana. Deb had to perform his mother’s last rites without his father. He is aware that Pradeep Kumar is his father. But Pradeep Kumar is not aware that Deb Mukherji is his own son. Grief stricken Deb Mukherjee sings this song on the stage where Pradeep Kumar is also present. As Deb Mukherjee could not control his emotions while performing this song and stops singing, Pradeep Kumar who was listening in the spectator’s gallery come to the stage and sings a song consoling Deb Mukherjee. This second song is the song ‘Apni Maata Ke Dulaare Bachche’, or ‘Ab To Is Desh Ki Maati Hi Teri Maata Hai’.
The first song (or the first part) is the song we are going to listen to today. It is sung by Mahendra Kapoor.
Today also happens to be the eighty-eighth birth anniversary of Mahendra Kapoor (09.01.1934 – 27.09.2008), so this song also serves as a tribute to him.
Also seen in the picturisation of this song are Abhi Bhattacharya, Achala Sachdev, Nana Palsikar, Anjana Mumtaz, Vijaya Choudhury, Milon Mukerji, Sulochana Latkar, Ulhas and others.
Lyrics for today’s song were sent by Prakashchandra.
Let’s take a look on the list of songs of this movie and their status on the blog, as given below. We will further discuss about the movie in the concluding posts for the songs of this movie. For now I am skipping those details.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Chal akelaa, chal akelaa, chal akelaa aa, tera mela peechhe chhoota raahi | Mukesh | 20.07.2009 |
| 02 | Andhere mein jo baithhe hain | Mahendra Kapoor | 11.03.2011 |
| 03 | Akeli hoon main piyaa aa | Asha Bhonsle | 23.07.2011 |
| 04 | Apni maa ki qismat par mere bete tu mat ro | Asha Bhonsle | |
| 05 | Yah khushi leke main kya karoon | Mahendra Kapoor | |
| 06 | Dard ke gaaon se niklo | Asha Bhonsle | |
| 07 | Jo diya thha tumne ek din, mujhe phir wo pyaar de do/a> | Mahendra Kapoor, Hemant Kumar | 01.10.2011 |
| 08 | Hey jagat pitaa parmaatmaa | Asha Bhonsle, Hemant Kumar | (19.07.2019 ( |
| 09 | Tum ko to karodon saal huye batlaao gagan gambhir | Asha Bhonsle | (19.07.2019/td> |
| 10 | Main to kaanton mein rah loongi | Asha Bhonsle | |
| 11 | Ab to shamshaan ki maati hi meri maata hai | Mahendra Kapoor | |
| 12 | Ab to is desh ki maati hi teri maata hai | Hemant Kumar | 19.07.2009 |
Let us listen to today’s song now…
Video
Audio
Song-Ab to shamshaan ki maati hi meri maata hai (Sambandh)(1969) Singer-Mahendra Kapoor, Lyrcs-Kavi Pradeep, MD-O P Nayyar
Lyrics (Provided by Prakashchandra)
mere paas hai aur naa kuchh logon
bas aankh mein aansoo laayaa hoon
main pitaa ke binaa apni maataa ki
chitaa jalaa kar aayaa hoon
jwaalaa se ghiri ee
jab meri maa
bhagwaan ke ghar ko o o jaati thhi
tab tadap tadap aatmaa uski
betaa betaa chillaati thhi
beta aa beta aa aa chillaati thhi
kisi se ab mera rishtaa na koyi naataa hai ae ae aen ae
kisi se ab mera rishtaa na koyi naataa hai
ab to shamshaan ki maati hi meri maataa hai
kisi se ab mera rishtaa na koyi naataa hai
ab to shamshaan ki maati hi meri maataa hai/em>
sun`ne waalon suno kahaani meri
ho gayee khatm zindgaani meri
dhool marghat ki leke haathon mein
ab to baithaa hoon main anaathon mein
dhool marghat ki leke haathon mein aen
ab to baithhaa hoon main anaathon mein
haaye maataa ko main bachaa na sakaa
apne baapoo se main milaa na sakaa
haaye maataa ko main bachaa na sakaa
apne baapoo se main milaa na sakaa
uski arthhi bhi woh uthhaa na sakey ae
uski arthhi bhi woh uthhaa na sakey ae
chaar aansoon bhi woh bahaa na sakey
samay ne kyaa ye din dikhaayaa mujhe
kaisi manzil pe waqt laayaa mujhe
ek taraf hain mere anjaan pitaa aa
ek taraf jal gayi maataa ki chitaa
ek taraf hain mere anjaan pitaa aa
ek taraf jal gayi maataa ki chitaa
achcha hotaa jo main bhi mar jaataa
is dukhi zindagi se tar jaataa
achchhaa hotaa jo main bhi mar jaataa
is dukhi zindagi se tar jaataa
meri maa chal dee
aur main zindaa hoon oon
meri maa chal dee
aur main zindaa hoon oon
main isi baat pe sharmindaa hoon
ae meri maut bulaa ley mujhko
aaj baahon mein uthhaa ley mujhko
aei meri maut bulaa ley mujhko
aaj baahon mein uthhaa ley mujhko
Ye dil sadaa dhadka kiyaa
Posted on: September 17, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4809 | Post No. : | 16577 |
We have Ganpati Festival being celebrated all over. It brings back lot of memories for peoples like me. Especially the memories of the entertainment programs organized over the ten days of this festival. And secondly it’s the ‘prasada’ especially the ‘modaks’ 😊
Those were the years when I was growing. But the excitement and the thrill remain the same even today and savoring the varieties of modaks has only been more interesting and more joyful every year as it comes.
We were staying at Paras (District-Akola, Maharashtra) then. I was born in 1968 and we stayed there up to 1984. Thus, I spent my growing years to ‘mid-teens’ there in a colony for the employees of electricity board for the thermal power plant there.
Every year the Ganpati Festival would be celebrated for all, and it was called ‘Sarwajanik Ganesh Utsav’. A committee of selected members from the employees would be in charge for all the programs to be held during this festival.
The main attractions or the most awaited programs were screening of a movie, orchestras and plays. People were more interested in these as compared to other programs.
Normally the festival always started with ‘sthaapna’ and ‘bhajans’. The following days were spread over containing two orchestra programs, two plays, one movie, one mimicry show, one ‘katha-kathan (story telling)/pravachan/ or ‘one-act-plays.
One day would be specifically reserved for ‘cultural program’ wherein artists from the employees and their families used to perform their acts (song, dance, singing, folk song/dance etc. etc.).
And the last day would be ‘Shri Satyanarayan Katha and Prasad distribution’.
In this episode I am sharing the memories of the ‘naatak’ or ‘Marathi plays.
There were two (amateur) groups in our colony who normally staged Marathi plays.
My parents were part of one group. And both acted in many plays then. (Even I used to participate and act in plays for children then).
There must be many plays which I may have watched and took part in the rehearsals with my parents. I remember to accompany my parents in the rehearsals of the ‘plays’. During the process I would get the complete script embedded in my mind and many times I would help the participant if they forgot their dialogues.
(Later I was also promoted as a ‘prompter’ behind the ‘curtains’ as my voice was suitable for this activity then). (I think I have shared the same in one my posts or in the comments on the blog).
Some of the plays that I vividly remember are ‘taroon turk mhaataare ark’, ‘Rajkaaran gela chulit’, ‘raaygadaala jenvha jaag yete’, ‘thank you mr glad’, ‘ashroonchi jhaali phoole’, ‘sunbai ghar tujhach aahe’ etc.
***
In the ‘mode’ of the festival and the above memories playing in mind when I was browsing our blog couple of days back, I came across the movie ‘Aansoo Ban Gaye Phool’. To my surprise this movie so far had got only two songs posted on the blog and yet to be ‘Yippeeee’ed’.
The name of this movie reminded me the famous Marathi play ‘Ashroonchi Jhaali Phoole’ on which this movie was based. I am sure I must have watched the play first and the movie much later when it was on a TV channel.
I do not remember now but it is also possible that I may have watched this movie with elders in the family. Because as a grown-up boy when once I heard its’ song ‘jaane kaisa hai mera deewaana’, in my uncle’s collection of songs, I found it a little familiar to me.
After this I got this song it in my collection in 1999-2000 in an Asha Bhonsle-Kishore Kumar compilation. That time I was staying at Bareilly.
Well, the story of this movie ‘Aansoo Ban Gaye Phool-1969’ was written by eminent Marathi Playwright and writer Vasant Shankar Kanetkar. He was awarded the ‘Filmfare award for Best Story’ for this movie.
I had always had a great admiration for him ever since I had watched the play ‘Raaygadaaalaa Jenvha Jaag Yete’ and reading his writings in our school text books.
Vasant Kanetkar was born on 20th March’1922 at a small village Rahimatpur, in Satara District. He was second among the four siblings his parents have. His father Shankar Keshav Kanetkar was a famous Marathi poet, and he wrote by the pen name of ‘Girish’.
Vasant Kanetkar spent his earlier life in Pune, and he graduated from the Ferguson College Pune in Arts and later done his post-graduation (M.A.) from Sangli. During his higher studies he got the guidance from V.S. Khandekar and Kannada litterateur V.K. Gokak whose writings influenced him the most. He also had the influence of Shakespeare’s writings on him.
He joined the H.P.T. Arts college of Gokhale Education Society in Nashik and later went to become a professor and life member of this institute. He took on to writing short stories and novels during his services, and his first play ‘vedyanche ghar unhaat’ (Madman have his home in Sun/heat) came in 1957.
His play ‘raaygadaala jenvha jaag yete’ (When Raaygadaa awakens) brought him more fame and admiration and went on to become a milestone play in the history of Marathi Plays.
The Sangeet Naatak Academy awarded this play as the ‘Best Indian Play’ in 1964.
‘Ashroonchi Jhali Phoole’ was the next to bring him more fame and it was a commercially successful play too.
His ‘plays’ give a new life to Marathi theatre in terms of creativity and commercial success.
In his writing career of over fifty-four years, he penned down forty-two plays, four novels, many short stories along with writing for films, writing screen plays for TV etc etc.
He presided over the ‘Marathi Sahitya Sammelan in 1988’. He was felicitated with the ‘Maharashtra Gaurav Puraskar’ in 1990 and was honored with Padma Shri in 1992 for his accomplishments in writing. His writings have been translated into many languages.
He passed away on 30th January ‘2001.
I am reproducing here the plot of this play ‘Ashroonchi Jhaali Phooley’ (Tears have become Flowers) as given on the ‘wiki-page’ of this play.
The movie ‘Aansoo Ban Gaye Phool is based on this story.
The play depicts the turns in fortunes in the lives of the two main protagonists, Vidyanand, a professor of mathematics, and his young protégé Lalya.
Professor Vidyanand is a morally upright, brilliant professor of mathematics in a college in a town in Maharashtra. He comes across an intransigent student, Lalyaa, and succeeds in reforming him. Lalya graduates from college and enters the Indian Police Service as a cadet. Meanwhile, his college is taken over by a local politician, Dharmappa, who also has strong criminal links. Dharmappa wants to exploit the college for commercial gain. When Vidyanand resists, Dharmappa subverts Vidyanand’s own colleagues to implicate him falsely under embezzlement charges.Vidyanand is removed from his position and is thrown in jail. In jail, he undergoes a transformation, and comes out as a hardened criminal, bent on enacting revenge against those who falsely implicated him. He teams up with his childhood friend turned con-man, Shambhu Mahadev, and puts in motion a plan to defraud the politician who has ruined his life.
In the meantime, Lalya, who is now a senior police officer, is assigned to apprehend Vidyanand. Lalya, oblivious to Vidyanand’s transformation, embarks on this mission. Eventually, Vidyanand achieves his revenge, but in the process finds he has lost his moral center and compromised the very values he has stood for. In the end, Vidyanand is apprehended by his protégé, but finds redemption in the fact that his life as a teacher caused his protégé Lalya to reform himself.
“Aansoo Ban Gaye Phool-1969” was directed by Satyen Bose for ‘Anoop Kumar Productions’. It was produced by S.M. Sagar and Anoop Kumar. It had Ashok Kumar, Deb Mukherjee, Alka, Nirupa Roy, Raj Mehra, Anoop Kumar, Rakesh, with Helen and Pran. They were supported by Kumud Tripathi, Manik Dutt, Kumari Uma, Mughni Abbasi, Shekhar Purohit, Janki Das, Tarun Ghosh, Bazid Khan, Radhey Shyam, Gautam Mukherjee, Pardesi, Uma Dutt, Madhup Sharma, Prakash Misra, Behari, M.A. Latif, Vinod Sharma, Lalit Kapoor, Genius, Ramlal, Amrit Rana, Nadir, Deepak, Aziz Siddiqui, and Habib.
As mentioned above story of this movie was written by Vasant S. Kanetkar.
Screenplay of this movie was written by Nabendu Ghosh, and dialogues were written by Govind Moonis.
Editing of this movie was done by Wamanrao (which I guess is Wamanrao Bhonsle of the duo Waman Bhonsle-Guru Dutt Shirali).
This movie had five songs in it. Lyrics for four songs were written by Taj Bhopali and Govind Moonis penned one song.
Kishore Kumar and Asha Bhonsle lent their voices to songs of this movie.
Music for this movie was composed by Laxmikant-Pyarelal.
Following is the list of songs in this movie.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Election mein maalik ke ladke khade hain | Kishore Kumar, chorus | |
| 02 | Jaane kaisa hai mera deewaana | Asha Bhonsle, Kishore Kumar | 08.05.2009 |
| 03* | Ye dil sadaa aa dhadkaa kiya | Kishore Kumar | |
| 04 | O o suno to jaani o o meri kahaani | Asha Bhonsle | |
| 05 | Meharbaan mehboob dilbar jaan-e-man | Asha Bhonsle | 16.05.2009 |
(* Note – Song number 03 mentioned above does not feature in HFGK Vol-IV (1961-1970) in the list of songs of this movie. I have not come across any corrigendum or addendum regarding this. However, this song is very much there in the movie that is available online. I am not aware if this was added to the movie after its release?
So, the total number of songs of this movie are five and it needs to be corrected on the blog. This is also a song that does not find mention in HFGK.)
Today’s song is the third song of this movie to be posted on the blog. The earlier two songs of this movie posted on the blog were posted in the month of May’2009. That means the third song of this movie is coming after long gap of 4507 days (including 16.09.2021).
Today’s beautiful romantic song is sung by Kishore Kumar. We have Debu Mukherjee lip-syncing it on screen for Alka.
Let us now enjoy today’s song …
Video
Audio
Song-Ye dil sadaa dhadkaa kiya (Aansoo Ban Gaye Phool)(1969) Singer-Kishore Kumar, Lyrics-Taj Bhopali, MD-Laxmikant Pyarelal
Lyrics
ye dil sadaa aa
dhadkaa kiya aa
jis ke liye
wo raat aa gayi ee
ye dil sadaa aa
dhadkaa kiya aa
jis ke liye
wo raat aa gayi ee
jo lab kahen
jo lab sunen
lab par mere
wo baat aa gayi
ee ee
ye dil sadaa aa
aa paas to
aa
chhoo loon zaraa
aa
aa paas to
aa
chhoo loon zaraa
ye lat teri
ye mukhdaa tera
ho o o o o
kitni haseen
hai ye ghataa
ye chaandni
jo haath aa gayi
ee ee
ye dil sadaa aa
mujhse milin
jo
nazren teri
haan
mujhse milin
jo
nazren teri
rangeen labon pe
kheli hansi
ho o o o o
aisaa lagaa aa
dil mein mere
taaron saji
baraat aa gayi
ee ee
ye dil sadaa aa
sapne saje
hain
palkon taley ae
haan
sapne saje
hain
palkon taley
saanson mein hain
sau
deepak jaley
ho o o o o
kehnaa hai kya
is raat ka
tujhko liye
jo saath aa gayi
ee ee
ye dil sadaa aa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4730 | Post No. : | 16450 |
Hullo Atuldom
“Ek Shrimaan Ek Shrimati” (1969) was produced by Surinder Kapoor and directed by Bhappie Sonie with songs written by Rajinder Krishan and composed by Kalyanji Anandji. It had a cast of Babita, Shashi Kapoor, Om Prakash, Rajendranath, Prem Chopra, Kamini Kaushal, Helen Hari Shivdasani etc.
The story was a straight forward one of a rich girl (Babita) falling in love with Prem Chopra who is after her wealth (as usual). Pritam (Shashi Kapoor) falls in love with this girl and tries to woo her away from her chosen person and has the approval of her rich uncle (Om Prakash) and is eventually successful. Then there is a minor twist regarding the birth mother foster mother etc. That is the synopsis. The movie had 7 songs of which the blog has 6 as under:-
| Song | Date of posting |
|---|---|
| Chaandni raat mein yoon dil ko jalaake to na jaa | 8 July 2009 |
| Pyaar to ik din honaa thhaa | 1 May 2010 |
| Kuchh kahen to khafa chup rahen to khafa | 17 Aug 2010 |
| Aaye baithhe khaaye piye khiske | 21 August 2010 |
| Hey hey hello hello | 5 September 2013 |
| Jeewan pathh par pyaar ne chhedi madhur madhur sargam (full of statistics and marked a milestone) | 30 November 2020 |
We are visiting the movie again today to mark the 93rd birth anniversary of Kalyanji Virji Shah. There is enough material on the blog giving life history of the music legend so let us get directly on to the song.
Audio
Video
Song-Raaja tohe nainon se madira pilaaye doon (Ek Shrimaan Ek Shrimati)(1970) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Chorus
Lyrics(Provided by Prakashchandra)
ho o ho o ho o ho o ho o ho o
ho o ho o ho o ho o ho ho o
hey ae ae
hoye
raaja tohe
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon
tu preet ka khiladi
magar hai anaadi
aaja daanv main sikhaay doon oon oon hoye
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon
aaaa
hoye hoye
oooo
hoye hoye hoye
aaaaa
hoye hoye hoye
oooo
hoye hoye
oooo o o aa aa aa aa
oooo o o aa aa aa
chandaniya ki chhainyya mein
galbahiyaan daar ke
handaniya ki chhainyya mein
galbahiyaan daar ke
main rang dhang sainyyan
dikha doon tohe pyaar ke
main rang dhang sainyyan
dikha doon tohe pyaar ke
pyaar ke pyaar ke haaan
raaja tohe
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon
ye jangal mein mangal
manaane ki raatein
ye jangal mein mangal
manaane ki raatein
najar se najariya milaane ki raatein
najar se najariya milaane ki raatein
ki raatein
ki raatein
ho
raaja tohe
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon
aaaa
ho ho
oooo
ho ho
aaaaa
hoye hoye hoye
oooo
hoye hoye
o o o o o o aa aa aa
o o o o o o aa aa aa
o preet mori tora jiyarva na jaane
o preet mori tora jiyarva na jaane
agan more man ki piyarava na jaane
agan more man ki piyarava na jaane
na jaane na jaane ho
raaja tohe
raaja tohe nainon se madira pilaay doon
raaja tohe nainon se madira pilaay doon
tu preet ka khilaadi
magar hai anaadi
aaja daanv main sikha doon oon oon
haay
raaja tohe nainon se madira pilaay doon
raaja tohe nainon se madira pilaay doon
aaaa
hoye hoye
oooo
hoy hoy
o o o o
hoye hoye hoye
aaaaa
ho ho
oooo
hoy hoy hoy
aaaa
hoye hoye hoye
Banne Re Teri Akhiyaan Surmedaani
Posted on: May 30, 2021
- In: Devnagri script lyrics by Sudhir | Folk song | Guest posts | Lyrics contributed by readers | Post by Sudhir | Song not figuring in HFGK | Song not mentioned in Hindi Film Geet Kosh | Songs of 1960s (1961 to 1970) | Songs of 1969 | Wedding reception song | Wedding song | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4699 | Post No. : | 16393 | Movie Count : |
4456 |
Missing Films of 1960s – 117
– – – – – – – – – – – – – – –
A surprise discovery if ever there was one. And I have missed it all these years, having see this film long back.
‘Saara Akaash’ from 1969 – it has always been represented and listed as a songless film. This impression is so much ingrained into the system and it never came to mind to consider otherwise. So it was a great surprise to come across this clip from the film on YouTube. And suddenly the memories of this film had to be modified.
‘Sara Aakash’ (‘The Whole Sky’) is a film based on the novel of the same name, written by Rajendra Yadav. This was Yadav’s debut novel. The film marks the debut of Basu Chatterjee as director, and was also the first film of cinematographer KK Mahajan. The film has background score by Salil Chaudhry.
The film is regarded as one of those which pioneered the New Wave cinema in India, along with ‘Uski Roti’ and ‘Bhuvan Shome’ which were also released the same year.
The star cast of the film includes Rakesh Pandey, Madhu Chakravarty, Nandita Thakur, AK Hangal, Dina Pathak, Mani Kaul, Shaily Shailendra, Jalaal Agha, Tarla Mehta, Aarti Boley and Om Prakash Gautam amongst others. Renowned film maker Mani Kaul appeared in this film, in what is considered as his only substantial screen appearance.
Set in the contemporary mid 1960s milieu of a traditional middle class joint family in Agra, the film deals with internal conflicts of a newlywed couple, both of whom find themselves unprepared for domestic life. Agra-based collegian, Samar Thakur (Rakesh Pandey), lives in a joint family consisting of his father (AK Hangal), mother (Dina Pathak), brother Amar (Mani Kaul) and his wife (Tarla Mehta); as well as a married sister, Munni, estranged from her husband. Samar is is prevailed upon by the family to marry Prabha (Madhu Chakravarty), a matriculate, much to his chagrin as this interferes with his future plans. The marriage does take place, and he soon finds that they are incompatible. The matters come to a head and Prabha leaves her matrimonial home to return to her parent’s home. She returns after four months. Family tensions continue, but then also we see a bonding emerge between the two, moving towards a healthy understanding.
KK Mahjan received the 1969 National Award for B&W cinematography, and Basu Chatterji received the Filmfare award for best screenplay.
The discovery of this background song in the film changes the status of this film, and it now becomes the 117th episode in the series on Missing Films of 1960s.
The song itself is a piece of traditional music of North India, and is played at wedding time. The words of this song indicate that the ladies on the girl’s side are singing this song, addressing the groom and tell him things about the members of his family, in a good spirited banter.
There is another version of this traditional song – it has been used in the film ‘Dushmani’ (1995). In this version, the song is presented as a praise for the bride, as she gets ready for the wedding ceremony and is being adorned with fine dress and jewellery. The song is available on YouTube as “Banno Teri Ankhiyaan Surmedaani“. On screen this song is performed by Neena Gupta.
A couple of interesting trivia.
The film ‘Saara Akaash’ was shot in the residential house of Rajendra Yadav. On a visit, when Basu Chatterji saw the house, his response was that this is the perfect setting for the film.
Dina Pathak appears in both films – in ‘Saara Akaash’ as the mother of the protagonist. In ‘Dushmani’ she appears at the grandmother of the bride Manisha Koirala.
With this post we have brought on board the 117th film in this series.
Song – Banne Re Teri Akhiyaan Surmedaani (Saara Akaash) (1969) Singer – [Unattributed], Lyrics – Traditional, MD – Salil Chaudhary
Lyrics
banne re teri ankhiyaan surmedaani
banne re tere baba laakh hajaari
banne re tere baba laakh hajaari
banne tere taau ka ohda bhaari
banne re teri <??> laal gulaabi
banne re teri taai nakhrewaali
banne re teri ankhiyaan surmedaani
banne re teri ankhiyaan surmedaani
banne re tere chaacha laakh hajaari
banne re tere chaacha laakh hajaari
banne re tere phoopha ka ohda bhaari
banne re teri <??> laal gulaabi
banne re teri bua nakhrewaali
banne re tere baba ka ohda bhaari
banne re teri mausi laakh hajaari
…
…
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
बन्ने रे तेरी अँखियाँ सुरमेदानी
बन्ने रे तेरे बाबा लाख हजारी
बन्ने रे तेरे बाबा लाख हजारी
बन्ने रे तेरे ताऊ का ओहदा भारी
बन्ने रे तेरी <??> लाल गुलाबी
बन्ने रे तेरी ताई नखरेवाली
बन्ने रे तेरी अँखियाँ सुरमेदानी
बन्ने रे तेरी अँखियाँ सुरमेदानी
बन्ने रे तेरे चाचा लाख हजारी
बन्ने रे तेरे चाचा लाख हजारी
बन्ने रे तेरे फूफा का ओहदा भारी
बन्ने रे तेरी <??> लाल गुलाबी
बन्ने रे तेरी बुआ नखरेवाली
बन्ने रे तेरे बाबा का ओहदा भारी
बन्ने रे तेरी मौसी लाखों तारे
॰॰॰
॰॰॰
Chanda Kaahe Ka Tera Maama
Posted on: March 8, 2021
- In: "appeasement" song | "chaand" song | Children's song | Chorus song | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Manhar Udhas songs | Manna Dey songs | Post by Sudhir | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4616 | Post No. : | 16256 |
A celebration of 100 years of Sahir Ludhianvi – his 700th song being posted on our blog.
A hundred years today. Being celebrated by the 700th post on our blog.
Sahir Ludhianvi – the “. . . Pal Do Pal Ka Shaayar. . .“, who would be actually “. . . Har Ik Pal Ka Shaayar. . .“, being relevant for all times, and responsive to all the pitfalls and tragedies of the human experience. But then also, never to be discounted for romanticism a la “Ye Raat Ye Chaandni Phir Kahaan. . .” and “Yoon To Hamne Laakh Haseen Dekhe Hain“, or even as “Phir Na Keeje Meri Gustaakh Nigaahi Ka Gila“, or the upbeat strings of “Mere Labon Pe Dekho Aaj Bhi Taraane Hain. . .“, or even the most in depth portrayal of the bhakti (devotion) sentiment, as in “Aan Milo Aan Milo Shyaam Saanwre“, and “Tum Bansi Ho Main Taan, Ham Tum Do Nahin” and even more intense in “Aaj Sajan Mohey Ang Laga Lo. . .“.
Yes, it is the poet who is Har Ik Pal Ka Shaayar, touching all the facets of experiences of life, from the time when a child is pining for the moon as a toy, and all the way to the derelict conclusion of the human life as in “Lo Apna Jahaan Duniyawaalo, Hum Is Duniya Ko Chhod Chale“.
Sahir Sb seemed to have an affinity for the phrase ‘pal do pal’. We hear these words in ‘Railway Platform’ (1957) –
Pal Do Pal Ka Saath Hamaara, Pal Do Pal Ki Yaari
Aaj Ruke To Kal Karni Hai Chalne Ki Tayaari
Basti Basti Parvat Parvat. . .
Repeated in ‘Mehmaan’ (1974)
. . .
Pal Do Pal Dhoom Machha Ley
Yoon Mar Mat Mar Mat Yaaraa
In ‘Zameer’ (1975), he would write
Zindagi Hansne Gaane Ke Liye Hai Pal
Do Pal. . .
Then again in ‘Burning Train’ (1980), reminding us of the shades of ‘Railway Platform’
Pal Do Pal Ka Saath Hamaara
Pal Do Pal Ke Yaaraane Hain. . .
And yes, ‘Kabhi Kabhi’ (1976) of course,
Main Pal Do Pal Ka Shaayar Hoon
Pal Do Pal Meri Kahaani Hai
Pal Do Pal Meri Hasti Hai
Pal Do Pal Meri Jawaani Hai
In ‘Pyaasa’ of 1957, he had posed three very profound questions in the lines of poetry he wrote for that film. At a personal level, the query was “Jaane Wo Kaise Log The Jin Ke Pyaar Ko Pyaar Mila“. On the plane of social strife and stigma he had asked “Jinhen Naaz Hai Hind Par Wo Kahaan Hain“. And then, the ultimate question of life that he has posed is “Ye Duniya Agar Mil Bhi Jaaye To Kya Hai“. The film gains its depths, attempting to interpret and address these questions. And more than sixty years later, these questions continue to haunt the discerning mind. Timeless queries, one would say, but still, crystallized for once in words by Sahir.
There is this one incisive insight that the poet possesses, or maybe the other way round, this incisive insight possesses the poet. Each verse, each song that he has penned in his lifetime, goes well beyond the simple words that he wrote. His words, his lines offer you, nay they force you to take a pause and think – what profundity, in just this simple arrangement of 8, 10 or 15 words. And the thought will stay in the mind for much much longer that what it took to simply read the words for once.
This life, ‘zindagi’ – the incisive insight brings out so many facets that the poet examined it. In 1954, he penned the following for ‘Taxi Driver’
Ae Meri Zindagi
Aaj Raat Jhoom Le, Aasmaan Ko Choom Le
Kis Ko Pata Hai Kal Aaye Ke Na Aaye. . .
For ‘Munim Ji’in 1955, he wrote
Ek Taraf Haseen Jalwe Hain
Ik Taraf Jawaani
Zindagi Hai Zinda. . .
In 1958, his words for ‘Light House’ are
Tang Aa Chuke Hain Kashmakash-e-Zindagi Se Hum
Thukra Na Den Jahaan Ko Kahin Be-dilee Se Hum
With 1960 came ‘Barsaat Ki Raat’ and the promising words are
Zindagi Bhar Nahin Bhoolegi Wo Barsaat Ki Raat. . .
1962, and it is ‘Hum Dono’, with the lines
Main Zindagi Ka Sath Nibhata Chala Gaya. . .
With ‘Aaj Aur Kal’, 1963, ‘Zindagi’ was a most depressing thought.
Maut Kitni Bhi Sangdil Ho Magar
Zindagi Se To Meharbaan Hogi
‘Chandi Ki Deewaar’ and 1964, another depressing sentiment
Kahin Qaraar Na Ho Aur Kahin Khushi Na Miley
Hamaare Baad Kisi Ko Ye Zindagi Na Mile
And then, a refreshing thought in 1965, with these lines in ‘Shagoon’,
Ham Hain Maayoos Magar Itne Bhi Maayoos Nahin
Ek Na Ek Din To Yah Ashqon Ki Ladi Tootegi
Ek Na Ek Din To Chhatenge Ye Ghamon Ke Baadal
Ek Na Ek Din To Ujaale Ki Kiran Phootegi
Zindagi Zulm Sahi Zabr Sahi Gham Hi Sahi
On to 1969, and the life is a happenstance – film is ‘Aadmi Aur Insaan’,
Zindagi Ittefaaq Hai
Kal Bhi Ittefaaq Thi Aaj Bhi Ittefaaq Hai
And in the same film, we have the sobering sentiment as,
Zindagi Ki Raah Mein Khushi Ke Phool Bhi
Zindagi Ki Raah Mein Ghamon Ki Dhool Bhi
Zindagi Kabhi Yaqeen Kabhi Gumaan Hai
Har Qadam Pe Teraa-Meraa Imtahaan Hai
Zindagi Ke Rang Kai Re Saathi Re. . .
Come 1975, and it is ‘Ek Mahal Ho Sapnon Ka’; the refrain once again is downbeat as in
Dekha Hai Zindagi Ko Kuchh Itna Qareeb Se
Chehre Tamaam Lagne Lage Hain Ajeeb Se
But then it is ‘Zameer’ in the same year that bounces back to say,
Zindagi Hansne Gaane Ke Liye Hai Pal Do Pal
Ise Khona Nahin Kho Ke Rona Nahin
Plus a more sobering thought, from the same film,
Tum Bhi Chalo Hum Bhi Chalen
Chalti Rahe Zindagi
Naa Zameen Manzil Naa Aasmaan
Zindagi Hai Zindagi
With ‘Kaala Pathar’ in 1979 came the motorcycling song that infused the bubbling spirit of freedom and hope.
Jaate Huye Qadmon Se
Aate Huye Qadmon Se
Bhari Rahegi Raahguzar
Jo Ham Gaye To Kuchh Nahin
Ik Raastaa Hai Zindagi
Jo Tham Gaye To Kuchh Nahin
Ye Qadam Kisi Muqaam Pe
Jo Jam Gaye To Kuchh Nahin
Coming to the song being presented today. It is a wonder that I thought of, as I listened to this song today after a very long time. Yes, a child pining for getting the moon to play with. And with the ‘बाल हठ’ (a child’s obduracy), it is an overwhelming experience to be able to convince the child and talk it out of its impossible wish. As I listened, I am reminded of the story from the Ramayan – the passage where Ram, as a toddler, one day gets into His mind that he wants the moon to play with. No amount of coaxing and appeasing and promises by the parents and others can talk Him out of His insistence. And the accompanying wailing and waving of arms is making Kaushalya and Dashrath very worried and uncomfortable. Rajguru, Vashishth ji is summoned for help. He arrives and says, well, if the child is wanting the moon, give Him the moon. The parents are confused, and ask Vashishth ji, as to how to make that happen.
Rajguru asks for a large dish (‘परात’) with raised edges. The dish is placed in front of the child, and is filled with water. Instantly, the likeness of the moon is reflected in the water in the dish. So Vashishth ji beckons the child and points to the reflection and says, here is the moon, now play. So the toddler Ram, seeing that the moon is now so close, puts His hands in water, but swish and splash as He may, He is not able to hold in hand, the reflection that can be seen with the eyes. But the splashing play pleases Him, and the wailing is forgotten.
Sahir Sb is addressing the same situation in this song, likely that the child is insisting on visiting ‘Chanda Mama’. And as is the rule in Hindi films – well, you have a song to for a three-minute-disposition-of-a-difficult-situation. The lines in the song are actually trying to reason with the child, based on some simple logic statements, that aim at convincing the child that they (the three bad men in the film) are much better suited to be ‘Mamma’ to the child than the distant moon.
So there is arguments like, hads ‘Chanda Mama’ ever visited you? Has ‘Chanda Mama’ ever invited you to his place. He just sits in the sky and creates a fake uproar. Where as we (the three bad men in the film) are with you every day. We play with you, we take care of you and bring you toys. And so, as is wont in Hindi films, all it takes is three minutes of music and song to change the mind of any individual in any situation. Start the song, and you can time the mind conversion almost exactly to 3 minutes (maybe plus a few more seconds).
The video of this song is not available, but it most certainly is picturized on Geeta (role played by Baby Rani) who plays the upset little child, wanting the moon, and the three bad men – Govind, Joseph and Nazir (roles played by Pran, Ajit and Anwar Hussain respectively). The singing voice for the three bad men are back played by Manna Dey, Mahendra Kapoor and Manhar. The singing voice is not identified for a few lines at the end of the song, which are apparently lip synced by the child.
The film is ‘Nanha Farishta’ from 1969. A film by T Prakash Rao, is a touching tale of three criminals whose lives are transformed by the love a small child girl they have kidnapped. The star cast of this film includes Pran, Ajit, Anwar Hussain, Baby Rani, Padmini, Pandharibai, Balraj Sahni, Johnny Walker, Suresh, Mukri, Raj Mehra, Sunder, Maruti, and Prem Kumar.
The film has four songs, all penned by Sahir Sb. The music is composed by Kalyanji Anandji. Two of the four songs are already showcased on our blog. This is the third song to find its place here, as the centenary celebration of this gifted poet. And we also add the celebration of adding the 700th song by Sahir Sb to our blog.
A very refreshingly joyful song – yes, Sahir Sb had the versatility to pen such gems also.
Listen and enjoy.
Song – Chanda Kaahe Ka Tera Maama (Nanha Farishta) (1969) Singer – Manna Dey, Mahendra Kapoor, Manhar, Unidentified Child Voice, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Manna Dey + Mahendra Kapoor + Manhar
Lyrics
arre chanda kaahe ka tera mamma
mamma
chanda kaahe ka tera mamma
naabhe ke naama na jaama
jaama
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
na tujh se milne dharti pe aaye
na tujh ko apni nagri dikhaaye
hum ko to chanda bilkul na bhaaye
bilkul na bhaaye
hamen bilkul na bhaaye
amber pe baitha chaahat jataaye
jhootha machaaye humgaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
hum tujh ko nit nit godi khelaayen
arre nehla dhula ke powder lagaayen
haathi dilaayen ghoda dilaayen
haathi dilaayen munni ghoda dilaayen
naach aur ga ke kartab dikhaayen
tak dhin tak dhin sa re ga ma. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
tu hai chaheti tu hai dulaari
mariam hamaari seeta hamaari
dil tujh pe sadqe
jaan tujh pe waari
donon jahaan se tu hum ko hai pyaari
hum ne tera haath thaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre tum ho mere mammaa
chanda kaahe ka tera mamma
chanda nahin hai mera mamma
mamma
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
————————————————————
Hindi Script Lyrics (Provided by Sudhir)
————————————————————
अरे चंदा काहे का तेरा मामा
मामा
चंदा काहे का तेरा मामा
नाभे के नामा ना जामा
जामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
ना तुझसे मिलने धरती पे आए
ना तुझको अपनी नागरी दिखाये
हमको तो चंदा बिलकुल ना भाए
बिलकुल ना भाए
हमें बिलकुल ना भाए
अंबर पे बैठा चाहत जताए
झूठा मचाये हंगामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
हम तुझको नित नित गोदी खिलाएँ
अरे नहला धुला के पाउडर लगाएँ
हाथी दिलाएँ घोड़ा दिलाएँ
हाथी दिलाएँ मुन्नी घोड़ा दिलाएँ
नाच और गा के करतब दिखाएँ
तक धिन तक धिन सा रे गा मा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
तू है चहेती तू है दुलारी
मरियम हमारी सीता हमारी
दिल तुझपे सदक़े
जां तुझपे वारी
दोनों जहां से तू हमको है प्यारी
हमने तेरा हाथ थामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे तुम हो मेरे मामा
चंदा काहे का तेरा मामा
चंदा नहीं है मेरा मामा
मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
- In: Artist century song in blog | Asha Bhonsle songs | Century songs for the blog | Duet | Feelings of heart | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 1 Comment
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Blog Day : |
4616 | Post No. : | 16255 |
“Paisa Ya Pyaar”(1969) was directed by Jawar N Sitaraman for Gemini Productions, Madras. The movie had Ashok Kumar, Mala Sinha, Biswajeet, Tanuja, Shashikala, Jagirdar, Aseem Kumar, Abhimanyu Sharma, Gopal Krishnan, Sharad Kumar, Lalita Kumari, Praveen Pal, Sarita Devi etc in it.
This movie had five songs in it. Four songs have been covered so far. Here are the details:-
| Blog post number | Song | Date posted |
|---|---|---|
| 7185 | Mil ley mil ley mil ley | 1 December 2012 |
| 8756 | Mewa ghareebon ka tere mere naseebon ka | 2 September 2013 |
| 15269 | Insaanon ne paise ke liye aapas ka pyaar mitaa daala | 25 October 2019 |
| 16242 | Jaane kyun baar baar baar mera dil | 2 March 2021 |
The movie had lyrics by Sahir Ludhianvi and music by Ravi. Today(8 march 2021) is Sahir Ludhianvi’s birth anniversary and Ravi’s ninth remembrance day. On this occasion, here is the fifth and final song from “Paisa Ya Pyaar”(1969) to appear in the blog.
Only the audio seems to be available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Avinash Scrapala.
ith this song, all the songs of “Paisa Ya Pyaar”(1969) have been covered and the movie thus gets YIPPEED in the blog.
With this song, Ravi unnoticeably reaches 500 songs mark in the blog as a music director.
Audio
Song-Tu bhi number ek hai pyaare main bhi number ek (Paisa Ya Pyaar)(1969) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Sahir Ludhianvi, MD-Ravi
Both
Lyrics(Provided by Avinash Scrapwala)
tu bhi number ek hai pyaare
main bhi number ek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
aley ae
poore syndicate ke
hamne diye hain ghutne tek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
dharti maa
aakaash pitaa
aur ham sab beti bete ae
phir kyun ek footpath pe soye
ek mahlon mein lete ae
dharti maa
aakaash pitaa
aur ham sab beti bete ae
phir kyun ek footpath pe soye
ek mahlon mein lete
ab sab ek banenge
jaise
ham tum ho gaye ek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
poore syndicate ke
hamne diye hain ghutne tek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
la la la laa la laa aa
la la la laa la laa
ho ho ho ho ho
ahaa haa haa haa
jinki moti tondey khaa gayin
duniya bhar ki rakme ae
samjhe thhe wo chor ke
ham hai un logon ke haq mein
arey jinki moti tondey khaa gayin
duniya bhar ki rakme ae
samjhe thhe wo chor ke
ham hain un logon ke haq mein
hamne aisi suyee chubhoyi
kar diyaa tond mein chhed
tu bhi number ek hai pyaare
main bhi number ek
he he he he he he he
aley
poore syndicate ke
hamne diye hain ghutne tek
arey
tu bhi number ek hai pyaare
main bhi number ek
jinki sochen boodhhi
aklen andhi
shaklen bhaddi
kehte thhe ham jisko chaahen
de den desh ki gaddi ee
jinki sochen boodhhi
aklen andhi
shaklen bhaddi
kehte thhe ham jisko chaahen
de den desh ki gaddi
nayi nasl se takkar le li
kar baithhe mistake
aley
mistake
aley ae
tu bhi number ek hai pyaare
main bhi number ek
poore syndicate ke
hamne diye hain ghutne tek
arey
tu bhi number ek hai pyaare
main bhi number ek
thheek nishaane par yoon maaraa
hamne apnaa golaa aa
poonchh dabaakar bhaag gayaa
maidaan se munh hi kaalaa
thheek nishaane par yoon maaraa
hamne apnaa golaa aa
poonchh dabaakar bhaag gayaa
maidaan se munh hi kaalaa
haath se haath miley ab
yaani hand se hand ho shake
siyaawar ramchandra ki jai
ale
pawansut hanuman ki jai
?
aley ae
tu bhi number ek hai pyaare
main bhi number ek
poore syndicate ke
hamne diye hain ghutne tek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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