Posts Tagged ‘1969’
Chanda Kaahe Ka Tera Maama
Posted on: March 8, 2021
- In: "appeasement" song | "chaand" song | Children's song | Chorus song | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Manhar Udhas songs | Manna Dey songs | Post by Sudhir | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4616 | Post No. : | 16256 |
A celebration of 100 years of Sahir Ludhianvi – his 700th song being posted on our blog.
A hundred years today. Being celebrated by the 700th post on our blog.
Sahir Ludhianvi – the “. . . Pal Do Pal Ka Shaayar. . .“, who would be actually “. . . Har Ik Pal Ka Shaayar. . .“, being relevant for all times, and responsive to all the pitfalls and tragedies of the human experience. But then also, never to be discounted for romanticism a la “Ye Raat Ye Chaandni Phir Kahaan. . .” and “Yoon To Hamne Laakh Haseen Dekhe Hain“, or even as “Phir Na Keeje Meri Gustaakh Nigaahi Ka Gila“, or the upbeat strings of “Mere Labon Pe Dekho Aaj Bhi Taraane Hain. . .“, or even the most in depth portrayal of the bhakti (devotion) sentiment, as in “Aan Milo Aan Milo Shyaam Saanwre“, and “Tum Bansi Ho Main Taan, Ham Tum Do Nahin” and even more intense in “Aaj Sajan Mohey Ang Laga Lo. . .“.
Yes, it is the poet who is Har Ik Pal Ka Shaayar, touching all the facets of experiences of life, from the time when a child is pining for the moon as a toy, and all the way to the derelict conclusion of the human life as in “Lo Apna Jahaan Duniyawaalo, Hum Is Duniya Ko Chhod Chale“.
Sahir Sb seemed to have an affinity for the phrase ‘pal do pal’. We hear these words in ‘Railway Platform’ (1957) –
Pal Do Pal Ka Saath Hamaara, Pal Do Pal Ki Yaari
Aaj Ruke To Kal Karni Hai Chalne Ki Tayaari
Basti Basti Parvat Parvat. . .
Repeated in ‘Mehmaan’ (1974)
. . .
Pal Do Pal Dhoom Machha Ley
Yoon Mar Mat Mar Mat Yaaraa
In ‘Zameer’ (1975), he would write
Zindagi Hansne Gaane Ke Liye Hai Pal
Do Pal. . .
Then again in ‘Burning Train’ (1980), reminding us of the shades of ‘Railway Platform’
Pal Do Pal Ka Saath Hamaara
Pal Do Pal Ke Yaaraane Hain. . .
And yes, ‘Kabhi Kabhi’ (1976) of course,
Main Pal Do Pal Ka Shaayar Hoon
Pal Do Pal Meri Kahaani Hai
Pal Do Pal Meri Hasti Hai
Pal Do Pal Meri Jawaani Hai
In ‘Pyaasa’ of 1957, he had posed three very profound questions in the lines of poetry he wrote for that film. At a personal level, the query was “Jaane Wo Kaise Log The Jin Ke Pyaar Ko Pyaar Mila“. On the plane of social strife and stigma he had asked “Jinhen Naaz Hai Hind Par Wo Kahaan Hain“. And then, the ultimate question of life that he has posed is “Ye Duniya Agar Mil Bhi Jaaye To Kya Hai“. The film gains its depths, attempting to interpret and address these questions. And more than sixty years later, these questions continue to haunt the discerning mind. Timeless queries, one would say, but still, crystallized for once in words by Sahir.
There is this one incisive insight that the poet possesses, or maybe the other way round, this incisive insight possesses the poet. Each verse, each song that he has penned in his lifetime, goes well beyond the simple words that he wrote. His words, his lines offer you, nay they force you to take a pause and think – what profundity, in just this simple arrangement of 8, 10 or 15 words. And the thought will stay in the mind for much much longer that what it took to simply read the words for once.
This life, ‘zindagi’ – the incisive insight brings out so many facets that the poet examined it. In 1954, he penned the following for ‘Taxi Driver’
Ae Meri Zindagi
Aaj Raat Jhoom Le, Aasmaan Ko Choom Le
Kis Ko Pata Hai Kal Aaye Ke Na Aaye. . .
For ‘Munim Ji’in 1955, he wrote
Ek Taraf Haseen Jalwe Hain
Ik Taraf Jawaani
Zindagi Hai Zinda. . .
In 1958, his words for ‘Light House’ are
Tang Aa Chuke Hain Kashmakash-e-Zindagi Se Hum
Thukra Na Den Jahaan Ko Kahin Be-dilee Se Hum
With 1960 came ‘Barsaat Ki Raat’ and the promising words are
Zindagi Bhar Nahin Bhoolegi Wo Barsaat Ki Raat. . .
1962, and it is ‘Hum Dono’, with the lines
Main Zindagi Ka Sath Nibhata Chala Gaya. . .
With ‘Aaj Aur Kal’, 1963, ‘Zindagi’ was a most depressing thought.
Maut Kitni Bhi Sangdil Ho Magar
Zindagi Se To Meharbaan Hogi
‘Chandi Ki Deewaar’ and 1964, another depressing sentiment
Kahin Qaraar Na Ho Aur Kahin Khushi Na Miley
Hamaare Baad Kisi Ko Ye Zindagi Na Mile
And then, a refreshing thought in 1965, with these lines in ‘Shagoon’,
Ham Hain Maayoos Magar Itne Bhi Maayoos Nahin
Ek Na Ek Din To Yah Ashqon Ki Ladi Tootegi
Ek Na Ek Din To Chhatenge Ye Ghamon Ke Baadal
Ek Na Ek Din To Ujaale Ki Kiran Phootegi
Zindagi Zulm Sahi Zabr Sahi Gham Hi Sahi
On to 1969, and the life is a happenstance – film is ‘Aadmi Aur Insaan’,
Zindagi Ittefaaq Hai
Kal Bhi Ittefaaq Thi Aaj Bhi Ittefaaq Hai
And in the same film, we have the sobering sentiment as,
Zindagi Ki Raah Mein Khushi Ke Phool Bhi
Zindagi Ki Raah Mein Ghamon Ki Dhool Bhi
Zindagi Kabhi Yaqeen Kabhi Gumaan Hai
Har Qadam Pe Teraa-Meraa Imtahaan Hai
Zindagi Ke Rang Kai Re Saathi Re. . .
Come 1975, and it is ‘Ek Mahal Ho Sapnon Ka’; the refrain once again is downbeat as in
Dekha Hai Zindagi Ko Kuchh Itna Qareeb Se
Chehre Tamaam Lagne Lage Hain Ajeeb Se
But then it is ‘Zameer’ in the same year that bounces back to say,
Zindagi Hansne Gaane Ke Liye Hai Pal Do Pal
Ise Khona Nahin Kho Ke Rona Nahin
Plus a more sobering thought, from the same film,
Tum Bhi Chalo Hum Bhi Chalen
Chalti Rahe Zindagi
Naa Zameen Manzil Naa Aasmaan
Zindagi Hai Zindagi
With ‘Kaala Pathar’ in 1979 came the motorcycling song that infused the bubbling spirit of freedom and hope.
Jaate Huye Qadmon Se
Aate Huye Qadmon Se
Bhari Rahegi Raahguzar
Jo Ham Gaye To Kuchh Nahin
Ik Raastaa Hai Zindagi
Jo Tham Gaye To Kuchh Nahin
Ye Qadam Kisi Muqaam Pe
Jo Jam Gaye To Kuchh Nahin
Coming to the song being presented today. It is a wonder that I thought of, as I listened to this song today after a very long time. Yes, a child pining for getting the moon to play with. And with the ‘बाल हठ’ (a child’s obduracy), it is an overwhelming experience to be able to convince the child and talk it out of its impossible wish. As I listened, I am reminded of the story from the Ramayan – the passage where Ram, as a toddler, one day gets into His mind that he wants the moon to play with. No amount of coaxing and appeasing and promises by the parents and others can talk Him out of His insistence. And the accompanying wailing and waving of arms is making Kaushalya and Dashrath very worried and uncomfortable. Rajguru, Vashishth ji is summoned for help. He arrives and says, well, if the child is wanting the moon, give Him the moon. The parents are confused, and ask Vashishth ji, as to how to make that happen.
Rajguru asks for a large dish (‘परात’) with raised edges. The dish is placed in front of the child, and is filled with water. Instantly, the likeness of the moon is reflected in the water in the dish. So Vashishth ji beckons the child and points to the reflection and says, here is the moon, now play. So the toddler Ram, seeing that the moon is now so close, puts His hands in water, but swish and splash as He may, He is not able to hold in hand, the reflection that can be seen with the eyes. But the splashing play pleases Him, and the wailing is forgotten.
Sahir Sb is addressing the same situation in this song, likely that the child is insisting on visiting ‘Chanda Mama’. And as is the rule in Hindi films – well, you have a song to for a three-minute-disposition-of-a-difficult-situation. The lines in the song are actually trying to reason with the child, based on some simple logic statements, that aim at convincing the child that they (the three bad men in the film) are much better suited to be ‘Mamma’ to the child than the distant moon.
So there is arguments like, hads ‘Chanda Mama’ ever visited you? Has ‘Chanda Mama’ ever invited you to his place. He just sits in the sky and creates a fake uproar. Where as we (the three bad men in the film) are with you every day. We play with you, we take care of you and bring you toys. And so, as is wont in Hindi films, all it takes is three minutes of music and song to change the mind of any individual in any situation. Start the song, and you can time the mind conversion almost exactly to 3 minutes (maybe plus a few more seconds).
The video of this song is not available, but it most certainly is picturized on Geeta (role played by Baby Rani) who plays the upset little child, wanting the moon, and the three bad men – Govind, Joseph and Nazir (roles played by Pran, Ajit and Anwar Hussain respectively). The singing voice for the three bad men are back played by Manna Dey, Mahendra Kapoor and Manhar. The singing voice is not identified for a few lines at the end of the song, which are apparently lip synced by the child.
The film is ‘Nanha Farishta’ from 1969. A film by T Prakash Rao, is a touching tale of three criminals whose lives are transformed by the love a small child girl they have kidnapped. The star cast of this film includes Pran, Ajit, Anwar Hussain, Baby Rani, Padmini, Pandharibai, Balraj Sahni, Johnny Walker, Suresh, Mukri, Raj Mehra, Sunder, Maruti, and Prem Kumar.
The film has four songs, all penned by Sahir Sb. The music is composed by Kalyanji Anandji. Two of the four songs are already showcased on our blog. This is the third song to find its place here, as the centenary celebration of this gifted poet. And we also add the celebration of adding the 700th song by Sahir Sb to our blog.
A very refreshingly joyful song – yes, Sahir Sb had the versatility to pen such gems also.
Listen and enjoy.
Song – Chanda Kaahe Ka Tera Maama (Nanha Farishta) (1969) Singer – Manna Dey, Mahendra Kapoor, Manhar, Unidentified Child Voice, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Manna Dey + Mahendra Kapoor + Manhar
Lyrics
arre chanda kaahe ka tera mamma
mamma
chanda kaahe ka tera mamma
naabhe ke naama na jaama
jaama
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
na tujh se milne dharti pe aaye
na tujh ko apni nagri dikhaaye
hum ko to chanda bilkul na bhaaye
bilkul na bhaaye
hamen bilkul na bhaaye
amber pe baitha chaahat jataaye
jhootha machaaye humgaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
hum tujh ko nit nit godi khelaayen
arre nehla dhula ke powder lagaayen
haathi dilaayen ghoda dilaayen
haathi dilaayen munni ghoda dilaayen
naach aur ga ke kartab dikhaayen
tak dhin tak dhin sa re ga ma. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
tu hai chaheti tu hai dulaari
mariam hamaari seeta hamaari
dil tujh pe sadqe
jaan tujh pe waari
donon jahaan se tu hum ko hai pyaari
hum ne tera haath thaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre tum ho mere mammaa
chanda kaahe ka tera mamma
chanda nahin hai mera mamma
mamma
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
————————————————————
Hindi Script Lyrics (Provided by Sudhir)
————————————————————
अरे चंदा काहे का तेरा मामा
मामा
चंदा काहे का तेरा मामा
नाभे के नामा ना जामा
जामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
ना तुझसे मिलने धरती पे आए
ना तुझको अपनी नागरी दिखाये
हमको तो चंदा बिलकुल ना भाए
बिलकुल ना भाए
हमें बिलकुल ना भाए
अंबर पे बैठा चाहत जताए
झूठा मचाये हंगामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
हम तुझको नित नित गोदी खिलाएँ
अरे नहला धुला के पाउडर लगाएँ
हाथी दिलाएँ घोड़ा दिलाएँ
हाथी दिलाएँ मुन्नी घोड़ा दिलाएँ
नाच और गा के करतब दिखाएँ
तक धिन तक धिन सा रे गा मा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
तू है चहेती तू है दुलारी
मरियम हमारी सीता हमारी
दिल तुझपे सदक़े
जां तुझपे वारी
दोनों जहां से तू हमको है प्यारी
हमने तेरा हाथ थामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे तुम हो मेरे मामा
चंदा काहे का तेरा मामा
चंदा नहीं है मेरा मामा
मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
- In: Artist century song in blog | Asha Bhonsle songs | Century songs for the blog | Duet | Feelings of heart | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 1 Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4616 | Post No. : | 16255 |
“Paisa Ya Pyaar”(1969) was directed by Jawar N Sitaraman for Gemini Productions, Madras. The movie had Ashok Kumar, Mala Sinha, Biswajeet, Tanuja, Shashikala, Jagirdar, Aseem Kumar, Abhimanyu Sharma, Gopal Krishnan, Sharad Kumar, Lalita Kumari, Praveen Pal, Sarita Devi etc in it.
This movie had five songs in it. Four songs have been covered so far. Here are the details:-
| Blog post number | Song | Date posted |
|---|---|---|
| 7185 | Mil ley mil ley mil ley | 1 December 2012 |
| 8756 | Mewa ghareebon ka tere mere naseebon ka | 2 September 2013 |
| 15269 | Insaanon ne paise ke liye aapas ka pyaar mitaa daala | 25 October 2019 |
| 16242 | Jaane kyun baar baar baar mera dil | 2 March 2021 |
The movie had lyrics by Sahir Ludhianvi and music by Ravi. Today(8 march 2021) is Sahir Ludhianvi’s birth anniversary and Ravi’s ninth remembrance day. On this occasion, here is the fifth and final song from “Paisa Ya Pyaar”(1969) to appear in the blog.
Only the audio seems to be available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Avinash Scrapala.
ith this song, all the songs of “Paisa Ya Pyaar”(1969) have been covered and the movie thus gets YIPPEED in the blog.
With this song, Ravi unnoticeably reaches 500 songs mark in the blog as a music director.
Audio
Song-Tu bhi number ek hai pyaare main bhi number ek (Paisa Ya Pyaar)(1969) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Sahir Ludhianvi, MD-Ravi
Both
Lyrics(Provided by Avinash Scrapwala)
tu bhi number ek hai pyaare
main bhi number ek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
aley ae
poore syndicate ke
hamne diye hain ghutne tek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
dharti maa
aakaash pitaa
aur ham sab beti bete ae
phir kyun ek footpath pe soye
ek mahlon mein lete ae
dharti maa
aakaash pitaa
aur ham sab beti bete ae
phir kyun ek footpath pe soye
ek mahlon mein lete
ab sab ek banenge
jaise
ham tum ho gaye ek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
poore syndicate ke
hamne diye hain ghutne tek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
la la la laa la laa aa
la la la laa la laa
ho ho ho ho ho
ahaa haa haa haa
jinki moti tondey khaa gayin
duniya bhar ki rakme ae
samjhe thhe wo chor ke
ham hai un logon ke haq mein
arey jinki moti tondey khaa gayin
duniya bhar ki rakme ae
samjhe thhe wo chor ke
ham hain un logon ke haq mein
hamne aisi suyee chubhoyi
kar diyaa tond mein chhed
tu bhi number ek hai pyaare
main bhi number ek
he he he he he he he
aley
poore syndicate ke
hamne diye hain ghutne tek
arey
tu bhi number ek hai pyaare
main bhi number ek
jinki sochen boodhhi
aklen andhi
shaklen bhaddi
kehte thhe ham jisko chaahen
de den desh ki gaddi ee
jinki sochen boodhhi
aklen andhi
shaklen bhaddi
kehte thhe ham jisko chaahen
de den desh ki gaddi
nayi nasl se takkar le li
kar baithhe mistake
aley
mistake
aley ae
tu bhi number ek hai pyaare
main bhi number ek
poore syndicate ke
hamne diye hain ghutne tek
arey
tu bhi number ek hai pyaare
main bhi number ek
thheek nishaane par yoon maaraa
hamne apnaa golaa aa
poonchh dabaakar bhaag gayaa
maidaan se munh hi kaalaa
thheek nishaane par yoon maaraa
hamne apnaa golaa aa
poonchh dabaakar bhaag gayaa
maidaan se munh hi kaalaa
haath se haath miley ab
yaani hand se hand ho shake
siyaawar ramchandra ki jai
ale
pawansut hanuman ki jai
?
aley ae
tu bhi number ek hai pyaare
main bhi number ek
poore syndicate ke
hamne diye hain ghutne tek
aley ae
tu bhi number ek hai pyaare
main bhi number ek
Jaane kyun baar baar baar mera dil
Posted on: March 2, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4610 | Post No. : | 16242 |
Sahir Ludhianvi & His Music Directors-9 – (more than ‘ten-movies collaboration’)
In my earlier post in this series, I had mentioned that after the ‘seven-movie’ collaborations we have only three collaborations left and that they are ‘more than ten-movie collaborations’ with music directors N. Datta, S.D. Burman and Ravi.
So, out of total 717 songs written by Sahir Ludhianvi as per the total of HFGK 48% songs i.e., 347 songs are with music directors other than the above three music directors.
We have covered one of these ‘three-big’ collaborations i.e., Sahir-N. Datta collaboration in the earlier post. They collaborated for seventeen (17) movies including one un-released movie i.e., ‘Picnic-1960’. And the total number of songs from this collaboration are 108 (as per HFGK).
If we include the post before this the total number of songs now on the blog for Sahir- N Datta collaboration is 104.
Now we move to the next big collaboration which as per the total number of movies is with S.D. Burman, and Sahir and S.D. Burman collaborated for ‘eighteen’ (18) movies creating 134 songs. If we add the ‘verses’ from ‘Pyaasa-1957’ and two snippets (from ‘House no.44-1955’ and ‘Funtoosh-1956’ (as given in the book ‘The People’s Poet’ by Akshay Manwani) the total comes to 140. Well, we have 135 songs already posted on the blog for this collaboration.
I am not giving the details of movies of ‘Sahir-S.D. Burman collaboration’ in today’s post. I am leaving it to be covered in another post which will be coming on a very special occasion.
However, we can have a look of the summary of Sahir-S.D. Burman collaboration which is as given below;
| S.no. | MD | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|
| 01 | S.D. BURMAN | 135 | 134 | 140 |
Today we are move to the next ‘one of the three great collaborations’ which is Sahir and music director Ravi.
But here we will take a pause, and listen to one of the songs of this association from the oldest pending movie ‘not yippeeee’ed’ on the blog which is ‘Paisa Ya Pyaar-1969’. (I am taking this liberty to cover one more song in this series 😊)
‘Paisa Ya Pyaar-1969’ was directed by Jawar N Sitaraman for ‘Gemini Productions, Madras’. It had Ashok Kumar, Mala Sinha, Biswajeet, Tanuja, Shashikala, Jagirdar, Aseem Kumar, Abhimanyu Sharma, Gopal Krishnan, Sharad Kumar, Lalita Kumari, Praveen Pal, Sarita Devi and others.
This movie had five songs written by Sahir Ludhianvi and composed to music by Ravi.
So far, three songs of this movie have been posted on the blog. Today we listen to the fourth song of this movie which is sung by Asha Bhonsle and performed on screen by Mala Sinha.
I have not watched this movie ‘Paisa Ya Pyaar’, but when I listened to the today’s song it looks like a familiar song but not much heard or frequently played song.
And the composition by Ravi also appears to be a ‘Shankar-Jaikishan’ style composition.
That is what I think 😊
let us now listen to the today’s song …
Song-Jaane kyun baar baar baar mera dil (Paisa Ya Pyaar)(1969) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravi
Lyrics
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jis’se milte nahin
bilkul hi khayaalaat tere
kyun pareshaan hai uske liye
jazbaat tere
jab bhi wo mujhse milaa
usne sataaya mujhe
mujhko buraa to lagaa
phir bhi wo bhaayaa mujhe ae
jab bhi wo mujhse milaa
usne sataaya mujhe
mujhko buraa to lagaa
phir bhi wo bhaayaa mujhe
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jo tere husn ki tauheen kare
us’se naa mil
jo kisi doosri sajdhaj pe mare
us’se naa mil
mujhko to jo bhi dekhe
raahon mein aahen bhare
main kyun kisi pe maroon
mujh pe zamaana marey
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
ho sake to koyi
sangeen sazaa de usko
tere qaabil nahin wo
dil se bhulaa de usko
usko bhulaaun kaise
itnaa bataa do mujhe
uska iraadaa kya hai
kuchh to bataa do mujhe
usko bhulaaun kaise
itnaa bataa do mujhe
uska iraadaa kya hai
kuchh to bataa do mujhe
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4561 | Post No. : | 16158 |
“Tamanna”(1969) was directed by K P Atma for K S Pictures, Bombay. This “social” movie had Mala Sinha, Biswajeet, Shashikala, Agha, Nazima, Deven Verma, Nazeer Hussain, Sulochana, Sajjan, Achla Sachdev, Asit Sen, Krishn Dhaan, Rasheed Khan, Narbada Shankar, Kesri, Khairaati, Vimal Raj, Moolchand, Radheshyam, Sayyad, Md Ibrahim, Fatima, Santosh etc in it.
The movie had five songs in it. To of these songs have been covered in the past.
Here is the third song from “Tamanna”(1969) to appear in the blog. This song is sung by Asha Bhonsle, Rafi and chorus. Anand Bakshi is the lyricist. The O P Nayyarish Punjabi dance music is composed by Kalyanji Anandji.
The song is picturised as a dance song on Mala Sinha, Biswajeet and others. It is a song that deserved to be better knon, but it ended up as an obscure song from an qually obscure movie.
Unnoticeably, ith this song, Kalyanji Anandji complete their 600th song in the blog as music directors.
Song-O soniya matwaaliya main jaan gayi dilwaaliyaa(Tamanna)(1969) Singers-Asha Bhonsle, Rafi, Lyrics-Anand Bakshi, MD-Kalyanji Anandji
Female chorus
Male chorus
Lyrics
hoy
ho o o
o o o o
o o o
o soniya matwaaliya
main jaan gayi dilwaaliya
o soniya matwaaliya
main jaan gayi dilwaaliya
akela
akela mohe jaan ke tu raste mein chhedega
akela mohe jaan ke tu raste mein chhedega
o soniya matwaaliya
main jaan gayi dilwaaliya
akela
akela mohe jaan ke tu raste mein chhedega
akela mohe jaan ke tu rashte mein chhedega
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
tere saath main o panhaaran teri saari sakhiyaan
tere saath main o panharan teri sari sakhiya
main kaise chhedoonga tujhko
dekhen sabki ankhiyaan
dekhen sabki ankhiyaan ankhiyaan
dekhen sabki ankhiyaan
thhodi der mein paniya bhar ke chal dengi sab sakhiyaan
reh jaaungi jab main akeli
tab hongi ye batiyaan
tab hongi ye batiyaan batiyaan
tab hongi ye batiyaan
tab hongi ye batiyaan batiyaan
tab hongi ye batiyaan(aa aa aa aa aa aa aa)
o peele kurte waliya
main jaan gayi dilwaliya
akela
haay haay
akela mohe jaan ke tu raste mein chhedega
akela mohe jaan ke tu rashte me chhedega
o o o o o
o o o o o
main pardesi
is panghat pe
pyaas bujhaaaane aaya
main pardeshi is panghat pe pyaas bujhaane aaya
pyaas bujhaayi na toone
ulta ilzaam lagaaya
ulta ilzaam lagaaya
ulta ilzaam lagaaya
jab bhi koi pyasa pardesi
panghat pe aaya
lut gayi mar gayi koi gujariya
man ka chain ganwaaya
man ka chain ganwaaya ganwaaya
man ka chain ganwaaya
hoy hoy
man ka chain ganwaya ganwaya
man ka chain ganwaya
o o o o
o bhole mukhde waliya
main jaan gayi dilwaliya akela
akela mohe jaanke
tu rashte mein chhedega
akela mohe jaan ke
tu raste mein chhedega
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
na te aaj baisakhi da mela
kudiya na aaj holi
na te aaj baisakhi da mela
kudiya na aaj holi
phir main kaise kheloonga
tere sang aankh michauli
tere sang aankh michauli
tere sang aankh michauli
ab kya aayegi baisakhi
kya aayegi holi
tab tak to tu le jaayega
sajna meri doli ho
sajna meri doli doli
sajna meri doli
hoy hoy
sajna meri doli doli
sajna meri doli
(aa aa aa aa aa aa)
o neeli pagdi waliya
main jaan gayi dilwaliya
akela
aah ri paaniye
akela mohe jaanke tu rashte mein chhedega
akela mohe jaanke tu raste mein chhedega
o soniya matwaliya
main jaan gayi dilwaliya
akela aa
akela mohe jaanke tu rashte mein chhedega
akela mohe jaanke tu raste mein chhedega
hurr
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4544 | Post No. : | 16118 |
Sahir Ludhianvi & His Music Directors-3 – (two-movie collaboration only)
Welcome all to today’s post, the third in this series. Today we look into a ‘two-movie collaboration’ between Sahir and his music directors.
Here is the list where Sahir had worked with the music directors in two movies each;
| S.no | Name of the Movie | Year | Music Director | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|---|
| 1 | Doraaha | 1952 | Anil Biswas | 1 | 1 | 1 |
| 2 | Chaar Dil Chaar Raahein | 1959 | Anil Biswas | 7 | 7 | 6 |
| 3 | Hum Hindustani | 1960 | Usha Khanna | 1 | 1 | 1 |
| 4 | Vaasna | 1968 | Chitragupta | 6 | 6 | 6 |
| 5 | Nanha Farishta | 1969 | Kalyanji-Anandji | 1 | 4 | 4 |
| 6 | Sansaar | 1971 | Chitragupta | 7 | 7 | 7 |
| 7 | 36 Ghante | 1974 | Sapan Chakravarty | 4 | 4 | 4 |
| 8 | Zameer | 1975 | Sapan Chakravarty | 7 | 7 | 8 |
| 9 | Shankar Shambhu | 1976 | Kalyanji-Anandji | 5 | 5 | 5 |
| 10 | Hum Tere Aashiq Hain | 1979 | Ravindra Jain | 1 | 6 | 6 |
| 11 | Insaaf Ka Taraazu | 1980 | Ravindra Jain | 4 | 4 | 4 |
| 12 | Lakshmi | 1982 | Usha Khanna | 2 | 2 | 2 | TOTAL | 46 | 54 | 54 |
Out of the twelve movies listed above we have already covered the songs of ten movies and only two movies viz. ‘Nanha Farishta-1969’ and ‘Ham Tere Aashiq Hain-1979’ are remaining where only one song from each of these movies is posted.
We go to the older movie first which is ‘Nanha Farishta-1969’. One song from this movie was posted on the blog on 14.11.2014.
‘Nanha Farishta-1969’ was directed by T. Prakash Rao for ‘Vijaya International, Madras’. It was produced by B. Nagi Reddi and Chakrapani. This movie was presented by B Nagi Reddi.
It had Pran, Ajit, Anwar Hussain, Padmini, Balraj Sahni and Baby Rani, who were supported by Suresh, Mukry, Raj Mehra, Sundar, Maruti, Prem Kumar and Johny Walker.
Story of this movie was written by Thuraiyoor K. Moorthy and dialogues were written by Inder Raj Anand. Editing of this movie was done by B.S. Glaad.
This movie had four songs which were written by Sahir Ludhianvi and music was composed by Kalyanji-Anandji.
The playback singers for this movie are Lata Mangeshkar, Mohd Rafi, Asha Bhonsle, Kishore Kumar, Manna Dey, Mahendra Kapoor and Manhar (the titles of the movie also mentioned the name of Balbir in the list of playback singers, however HFGK has not mentioned Balbir’s name for any song of this movie)
HFGK mentions the following four songs from this movie;
| Song | Posted On |
|---|---|
| O natkhat nanhi laadli tujhe dekhe | Being posted today |
| Chandaa kaahe ka tera maama | |
| O re o, sharaabi tujhme ek kharaabi | |
| Bachche mein hai bhagwaan | 14.11.2014 |
Let us now enjoy today’s song sung by Lata Mangeshkar.
Music is composed by Kalyanji-Anandji and as mentioned above lyrics are by Sahir Ludhianvi.
Padmini is seen lip-syncing in Lata Mangeshkar’s voice. Baby Rani, Pran, Ajit, Anwar Hussain and Balraj Sahni (in sad version) are also seen in the picturisation.
Audio
Video Part I (Happy version)
Video Part II (Sad version)
Song-O natkhat nanhi laadli tujhe dekhe tera mama (Nanha Farishta)(1969) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Kalyanji Anandji
Lyrics
Part I-Happy version
————————————–
O o o o
O o o o o o
O o
O natkhat nanhi laadli
Tujhe dekhe
Tera maama
chandaa maama
O natkhat nanhi laadli
Tujhe dekhe
Tera maama
chandaa maama
Ab jhatpat kehna maan ri
Tujhe dekhe
Tera maama
chandaa maama
Har raat ko chandaa aaye ae
Har raat ko chandaa aaye
Aur doodh malaai laaye ae
Chaandi ki thhaali mein
Sone ki pyaali mein
Tu khaaye
chandaa muskaaye
O natkhat
O natkhat nanhi laadli tujhe dekhe
Tera maama
chandaa maama
o o o o o
Tu gudiya pyaari pyaari ee
Tu gudiya pyaari pyaari
Maama ki raaj dulaari ee
Chun-chun ke taaron ko
Bun-bun ke haaron ko
Tera maama tujhko pehnaaye
O natkhat
O natkhat nanhi laadli tujhe dekhe
Tera maama
chandaa maama
Yoon tera mukhdaa damke ae
Yun tera mukhdaa damke
Jyun nabh par chandaa chamke
Wo ambar ka moti hai
Tu dharti ki jyoti hai
Teri jyoti jug jug lehraaye
O natkhat
O natkhat nanhi laadli tujhe dekhe
Tera maama
chandaa maama
O o o o
Hmm hmm hmm hmm hmm
Hmm hmm hmm
hmm hmm hmm
——————————-
PART – II (sad)
——————————-
O natkhat nanhi laadli
Tujhe dekhe
Tera maama
chandaa maama
O gudiya pyaari pyaari
Maama ki raaj dulaari
Tera maama nabh ka moti
Aur tu dharti ki jyoti
Teri jyoti jug jug lehraaye
O natkhat nanhi laadli tujhe dekhe
Tera maama….
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4518 | Post No. : | 16075 |
Some regulars of the blog are more keen eyed than most people and they keep looking for important events taking place in the blog. One important event happened in the blog yesterday. I became aware of it mainly because some regulars pointed it out in our whatsapp group.
On this day in the afternoon, the blog silently registered its 14 millionth visitor. The blog began 12 years ago on 19 july 2008 and it took the blog 4517 days to reach this magic figure on 29 november 2020.
Here is a summary of all the million visitors that have taken place in the blog so far :-
| Visitor number | Date achieved | Blog day number | Days taken for the million hits | Remarks |
|---|---|---|---|---|
| 1 million | 25 October 2010 | 829 | 829 | Slowest one million @ 1206 visitors per day |
| 2 millions | 7 November 2011 | 1207 | 378 | @2645 visitors per day |
| 3 millions | 7 April 2012 | 1359 | 152 | Fastest one million @ 6579 visitors per day |
| 4 millions | 10 December 2012 | 1606 | 247 | @ 4049 visitors per day |
| 5 millions | 29 October 2013 | 1929 | 323 | @3096 visitors per day |
| 6 millions | 12 October 2014 | 2277 | 348 | @2873 visitors per day |
| 7 millions | 4 July 2015 | 2542 | 265 | @ 3773 visitors per day |
| 8 millions | 20 April 2016 | 2833 | 291 | @ 3436 visitors per day |
| 9 millions | 24 February 2017 | 3143 | 310 | @ 3226 visitors per day |
| 10 millions | 14 January 2018 | 3467 | 324 | @ 3086 visitors per day |
| 11 millions | 22 November 2018 | 3779 | 312 | @ 3205 visitors per day |
| 12 millions | 4 July 2019 | 4003 | 224 | @ 4464 visitors per day |
| 13 millions | 8 February 2020 | 4222 | 219 | @ 4566 visitors per day |
| 14 millions | 29 November 2020 | 4517 | 295 | @ 3390 visitors per day |
Overall rate of visitors till now is 3099 visitors per day.
The above table shows that the blog, despite dealing in a non populist topic in a non TRP seeking manner, still draws a regular stream of visitors. It certainly serves as a source of encouragement for us.
I remember that the blog used to have visitors in trickles (in double figures in a day) during its early days. It was on 16 august 2008 that the blog touched three figures in a day for the first time. It was on 23 january 2009 (189th day of the blog) when more than one thousand visitors visited the blog for the first time. 5 August 2009 saw more than 2000 visitors for the first time in a day. The blog has even seen over ten thousand visits in a day. Here are the details:-
| Date | Number of visitors | Blog day | Remarks |
|---|---|---|---|
| 19 July 2008 | 4 | 1 | Only four visitors on the first day. Only occasion of single digit visitors in a day |
| 20 July 2008 | 12 | 2 | First time the blog reached double figure of visitors on the second day of the blog |
| 16 August 2008 | 253 | 29 | First time the blog reached three figures of visitors in a day |
| 23 January 2009 | 1145 | 189 | First time the blog reached four figures of visitors in a day |
| 29 August 2009 | 2071 | 407 | First time the blog reached 2000 visitors in a day |
| 15 July 2011 | 3060 | 1092 | First time the blog reached 3000 visitors in a day |
| 4 October 2011 | 4137 | 1173 | First time the blog reached 4000 visitors in a day |
| 7 October 2011 | 5379 | 1176 | First time the blog reached 5000 visitors in a day |
| 9 October 2011 | 6082 | 1178 | First time the blog reached 6000 visitors in a day |
| 10 October 2011 | 7561 | 1179 | First time the blog reached 7000 visitors in a day |
| 12 October 2011 | 9824 | 1181 | First time the blog reached 8000 visitors in a day |
| 12 October 2011 | 9824 | 1181 | First time the blog reached 9000 visitors in a day |
| 19 October 2011 | 10630 | 1188 | First and only time the blog reached 10000 visitors in a day |
It took the blog more than 1000 days before it could get 3000 plus visitors in a day. But then all of a sudden, the blog touched heights of 4000 plus, 5000 plus, 6000 plus, 7000 plus, 8000 plus , 9000 plus and 10000 plus visits in a day in the month of October 2011, all within 15 days !
All these figures are interesting figures and they have been achieved without making any conscious attempts. In fact, we are not even aware how and why these visitors find us. All we know from wordpress stats is that the blog gets hits from all around the globe. Indiais the major country where this blog gets viewed the most and USA comes second. Other major countries from where this blog gets viewed are UK, Pakistan, Malaysia, Canada, UAE, Mauritius, Australia, Sri Lanka, Singapore, South Africa etc.
All we can conclude from the above is that Hindi movie music, especially those created decades ago, enjoy good following all around the world among music lovers of Indian origin and sometimes even among non Indian origin persons. People who are looking for difficult to find songs are likely to find their way into the blog. Some of them, after stumbling upon the blog may decide to bookmark the blog for further reference.
It gives us encouragement to find that we are visited even by people who are themselves associated with HFM and they sometimes post messages in the blog or contact us as well.
The figures about visitors to the blog are in a way a reflection on the fact that the work being done in the blog for old HF songs is being noticed and appreciated. And this is just the reward that we, like most normal human beings seek. Such appreciation is just the tonic that keeps us motivated and make us do this work regularly without taking any breaks.
On this occasion, here is a song from “Ek Shrimaan Ek Shrimati”(1969). This song is sung by Rafi and Lata. Rajinder Krishan is the lyricist. Music is composed by Kalyanji Anandji.
Only the audio of the song is available as of now. This movie was produced by Surinder Kapoor and directed by Bhappi Sanie for Amar Chhaya Productions. The movie had Shashi Kapoor, Babita, Kamini Kaushal, Om Prakash, Helen, Rajendra Nath, Laxmi Chhaya, Mumtaz Begum, Mohan Choti, Dhumal, Hari Shivdasani, Sudhir, Sulochana Latkar, Sujata, Snehlata, Jagadish Kamal, Maqbool, Devi Chand, Baba Benjamin, Shobha, Madan Kenny etc in it. So, my guess is that thd song was picturised on Shashi Kapoor and Babita. I request our knowledgeable readers to throw light on the picturisation of the song.
Audio
Song-Jeewan pathh par pyaar ne chhedi madhur madhur sargam(Ek Shrimaan Ek Shrimati)(1969) Singers-Rafi, Lata, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Both
Lyrics
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
aa aa aa aa
bhool chale hain saari duniya
preet ki dhun mein hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
mehke huye nazaare kehte hain aao pyaare ae
kab se saja rahe hain
hum raaste tumhaare
hum raaste tumhaare
der se aayi in raahon mein
paayal ki chham chham m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
ab apna aashiyaana
phoolon ke darmiyaan hai
ab ye zameen hai apni
apna hi aasmaan hai
apna hi aasmaan hai
duniya bhar mein aaj basa den
pyaar ki khusboo hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
soyi hui tamanna
angdaayi le rahi hai
ab to milan ki manzil
aawaaz de rahi hai
aawaaz de rahi hai
dekh zamaane saathh chale hain
saathh chalenge hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
bhool chale hain saari duniya
preet ki dhun mein hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
madhur madhur sargam
madhur madhur sargam
hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm hmm
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4439 | Post No. : | 15881 |
Remembrance day of Jaikishan :
———————————–
Today i.e. 12th September, 2020 is 49th death anniversary of Jaikishan, a half of Shankar-Jaikishan.
I have just now read the detailed Wikipedia Page of Shankar-Jaikishan, so will reproduce some para’s which are worthy of mention in terms of Jaikishan’s death anniversary.
“Shankar Jaikishan enjoyed an unrivalled position in the Hindi film industry. During their heyday and even toward the later part of their career, they were the highest paid music directors in the industry. Barring stray exceptions, they were paid more than the leading actors and the promotional material of their films would give them more prominence than anyone else.”
“What can I say… my musical partner in life has gone, what is left of me to say anything more, I had never thought that at such an early age he would leave us all and go; Anyway his good qualities of maintaining goodwill, giving love and receiving love were innate in him and I too don’t have them in me. He used to regularly remind me of my innate quality of being in a boisterous mood all the time and always abrasive with some one or the other and so on and so forthwith…….”
(Shankar on Jaikishan’s death in an interview with AmeenSayani.)
The page also has this to say about Shankar Jaikishan, vis-à-vis different singers :
“Shankar Jaikishan combo worked above all of with Mohd Rafi and secondly Mukesh, and produced numbers of hits and unmatchable gems. Mohd Rafi was their favourite singer despite having good reputation with other playback singers of its time.”
I read somewhere else, that the mukhda of the song “Ye mera prempatra padh kar” from ‘Sangam’ was actually taken from the letter written by Jaikishan to his than fiancée “Priya”. So this could be the instance where Jaikishan unwittingly revealed that he is the composer of the block-buster song. This caused a rift between the two as Jaikishan broke the unwritten agreement between them, of not revealing which of them is the creator of any particular song. Here, Rafi Sahab is said to have intervened and solved the issue between Shankar and Jaikishan, and also later on between Lata Mangeshkar and Shankar in the mid 70’s.
But there is no doubt of the truth here when it is said that “Shankar-Jaikishan, along with other artists, composed “everlasting” and “immortal melodies” in the 1950s, 1960s, and early 1970s.[2] Their best work was noted for being “raga-based and having both lilt and sonority”.
All hindi film music fans agree that they changed the face of hindi film music with “Barsaat” and the success of the film and its music played a big role in this change.
The music I think was versatile and inspiring to new music directors. Theirs was a first of its kind duo, as far as I know who combined their talents and acumen with two lyrcists and made a fearsome foursome. They can also be called fabulous and formidable. They had to be, to be on top of the game for two decades. Shankar-Jaikishan can also be credited for starting the trend of version songs, one male and one female version. Contemporaries and seniors like Naushad and S.D.Burman rarely did it. Naushad in “Mere Mehboob” and S. D. Burman in “Sharmilee” and “Tere Ghar Ke saamne”. But in the later instance, it was both male solos.
I am actually trying to wrap up the long running series on Mohammad Rafi songs, so trying not to look for a Rafi Sahab song for posting on this occasion. But as luck would have it, I found this popular song from ‘Pyaar hi Pyaar’(1969). Moreover this song has a stamp of Shankar-Jaikishan signature style in the orchestration of the music. This is an Asha-Rafi duet, with the fast pace and beat. This is the manifestation of Asha Bhonsle making inroads in the Shankar Jaikishan cap, which started with “Teesri Kasam”. Shankar-Jaikishan were known for Lata only music scores through 50’s and not just for R.K. films. I think the exceptions to this were very rare and few, where Asha, Geeta Dutt or Shamshad Begum got to sing Shankar Jaikishan compositions. Suman Kalyanpur was one such alternative which Shankar Jaikishan tried, in mid- 60’s for duets with Rafi sahab.
I have also tried to find if Shankar Jaikishan ever re-used their own tune to compose songs, but could not find any such songs. Their music was a huge commercial success, so no one else could try and copy their songs.
The song I am presenting in a party song, where Vijayanthi Mala is trying to make Dharmendra jealous, flaunting a dance partner. There are other popular Rafi solos in the film, but this would be the most popular, with the title song of the film ’dekha hai teri aankhon mein pyar hi pyar beshumaar’.
Song-Tu mera main teri duniya jaley to jaley (Pyaar Hi Pyaar)(1969) Singers-Asha Bhonsle, Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaiskishan
Lyrics
Tu mera
main teri
duniya jale to jalay
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
dil teraa
jaan teri
duniya jalay to jalay
jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
rut jawaan
pyaar bhari
ha duniyaa jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe hi
apni qasam
arey waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe
apni qasam
tu meri
ha jal pari
duniya jalay to jalay
aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baanhon ke sahaare hain
tere hi liye
roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baahon ke sahaare hain
tere hi liye
main tujhi par mari
ha duniya jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
aahaaaahaa
tu mera
o main teri
ho duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
Saamne mere paani bharte
Posted on: September 4, 2020
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4431 | Post No. : | 15864 |
Remembrance day of Mukri :
Mukri also spelled as Muqri was an Indian film actor, who worked as a comedian in Hindi films. Born as Muhammad Umar Mukri in Alibagh, in Kokani Muslim Family, he started his film career with the film Pratima along with noted film actor Dilip Kumar in 1945. Born of 5th January 1922, he left for heavenly abode on 4th September’2000 at the age of 72 years.
Mukri was seen in many films in character roles and comic role. One movie which comes to mind in ‘Ram aur Shyam”. Here also he featured with Dilip Kumar as his friend.
Today is the 20th death anniversary, so as a tribute, I have found a wonderful comic song picturized on Mukri and Mehmood. The film is ‘Madhavi’(1969), with Laxmikant –Pyarelal and Anand Bakshi as music director and lyricist. The movie had very good songs, I hear. This is the only Rafi song picturized on Mukri which remained to be posted, going by the information is Rafi sahab’s excel sheet. I expect, Mukri may not be as prolific as Mehmood, Johhny Walker or Agha. So there are most likely fewer songs where he actually sings. In this song Manna De is giving playback for Mehmood and Rafi Sahab is singing for Mukri. Now, in the absence of song video, how can I be certain of this ? I have searched on youtube, though the movie “Madhavi” is available, video of only one song is there. All other songs, only audio is available, including the song being posted. Actually, on closer inspection, there are voices of both Mehmood and Mukri are there is the song along with the singers. This is a comic song in real terms, maybe a rip-off on “Padosan” songs.
It was my husband who confirmed the playback for Mehmood and Mukri. As I was noting the lyrics this evening, he asked from where I had found this song from ‘Madhavi”. This is not a known song for me, but may husband knows the songs of this film very well.
The name did ring a bell that I had contributed the lyrics of Lata solo of the two songs posted :
parda hata de mukhda dikha de
saanjh sawere adharon pe mere
My husband also helpfully given the story outline of this costume drama film of Kings, Princes and Princesses. Sanjay Khan is a prince and Deepa, in title role of Madhavi, is a princess. Mehmood and Mukri are all part of the Sanjay Khan’s entourage. This songs is performed on stage. Pran is the Senapati of Sanjay Khan, and he has this dialogue as his ‘takiya kalaam” :
“Shaadi karungaa to sirf madhavi se, warna maut se !”
Video
Audio
Song-Saamne mere paani bharte… na karoon band tere chhand tingu (Madhavi)(1969) Singers-Manna Dey, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
Aa eeeeee
ae eeeeeee
aaaaaaaa aaaa
ae……
saamne mere paani bharte
baden baden kaviraaj
arey ik chhota sa machhar aayaa aaa
mujh se ladne aaj
hee hee hee heeee
hamm mmm
he he he he he
machhar boltaa hai
khatmal ke bachhe
(Laughter)
na karun band tere chhand
thingu
hey thingu
to mera naam nahin
na karoon
na karoon band tere chhand
thingu
hey thingu
to mera naam nahin
hey………
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
kavita
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
yaad karaa dungaa main nani ee ee
nani ee
yaad karaa dungaa main nani
(coughing sound)
paani
jis ki bhains ussi ki laatthi
jis ka ghoda ussi ki kaatthi
naach na jaane
da da triga da
naach na jaane
aangan tedha
tu to hai Mathura ka peeda aa
gaaliyaan denaa
baat hai gandi ee
ye kavita hai
ya tuk bandi
hey ea ea ea
hey ea ea ea
hey ea ea ea
hey ea ea ea
na doon main
na doon main
tod tere jod tthingu
hey tthingu
to meraa naam nahin
kavita
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
“>ek to dhelaa
uss pe khotaa
ek to chhotaa
uss pe motaa
main lekhak sansaar chalaaun un
chalaaun
meeaunw
main lekhak sansaar chalaaun
main sainik talwaar chalaaun
aa jaa
arey aa jaa
nahi
aa jaa
jaa jaa
arey aa jaa aa jaa
sainki lekhak se na ladnaa
wah wah wah wah
phir se padhnaa
sainik lekhak se na ladnaa
maaroongaa
aage na badhnaa
bol gagan pe kitne taare
aaj ginoongaa raat ko pyaare
yeh gori mujh pe hai marti
lekin mujh se pyaar hai karti
oye oye oye oye oye oye oye
oyo oyo oyo oyo oyo oyo
peyn peyn teyn teny peyn peyn
peyn peyn teyn teny peyn peyn
…… ………
……. ………
chup
tu maali
tere haathh mein khurpee
bol
bol bol
chup kyun ho gayaa
tu maali
ter haath mein khurpee
khurpee
mmmmm
mmm
tu teli
tu teli
tere sar pe kolhu
nai
nai
nai
nai
nai
nai
qaafiyaa nahi milaa
arey qafiyaa nahi milaa to kya huaa
wazan se to maregaa aa
(Laughter)
Mera naam sholaa na ban itna bholaa
Posted on: June 18, 2020
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Blog Day: |
4353 | Post No. : | 15668 |
“Toofaan”(1969) was produced by S J Rajdeo and directed by Radhakant for Sargam Chitra, Bombay. This movie had Dara Singh, Anita, N.A.Ansari, Helen, adhumati, Bipin Gupta, Azad, Shabana, Sabeena, Johny Whisky, Rajan Kapoor, Jeevankala, Ratnamala, Aravind Pandya, Uma Datt, Dilip Dutt, Shri Bhagwan, Uma Khosla, Raja Bhai, Chandrakant, Master Dillu, Baby Shamshad, Ram Rasila, Dalpat Bhai, Yaseen, Badshah, Maulana, Maqbool etc in it.
“Toofaan”(1969) had five songs in it. Three of these songs have been covered in the past.
Today (18 june 2020) is the remembrance day of music director Daan Singh. (1927- 18 june 2011). He did not get too many opportiunities in HFM, but he created immortal songs in the few movies that he got. For instance, “My Love”(1970) had sucj=h timeless classics as Wo tere pyaar ka gham and Zikr hota hai jab qayamat ka .
His unreleased movie “Bhool Na Jaana” had such timeless classics as Gham e dil kisase kahoon , Mere humnasheen mere humnawaan and Pukaaro mujhe naam lekar pukaaro .
What a pity that “Toofaan”(1969) and “My Love” (1970) were the only released movie of Daan Singh during his heydays. Much later, he got to compose music in “Bawander”(2000), but true to his wretched luck, here also the songs were not picturised and they are available only in audio form.
As a tribute to Daan Singh, here is an all female duet from “Toofaan”(1969). This song is sung by Asha Bhonsle and Usha Mangeshkar. Akhtar Romani is the lyricist. Music is composed by Daan Singh.
Only the audio of the song is available. The video of the movie and the song do not appear to be available online as of now. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of this song were sent to me by Prakashchandra.
Song-Mera naam sholaa na ban itna bholaa (Toofaan)(1969) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Akhtar Romani, MD-Daan Singh
Lyrics(Provided by Prakashchandra)
mera naam sholaa
na bann itna bholaa
ke mujhse jo khelaa
woh jal jaayega
mujhse jo khelaa
woh jal jaayegaa
jal jaayega
mera naam shabnam
main phoolon ki humdum
ke mujhse jo khelaa
woh khil jaayegaa
ke mujhse jo khelaa
woh khil jaayegaa
khil jaayegaa
mera naam sholaa
muskuraake jidhar
dekh loon ik nazar
bijliyaan gir paden
aag bhadkey udhar
muskuraake jidhar
dekh loon ek nazar
bijliyaan gir paden
aag bhadkey udhar
muskuraake jidhar
dekh loon ek nazar
zindagi jhoom uthhey
phool hans den udhar
zindagi jhoom uthhey
phool hans den udhar
hho mera naam sholaa
na bann itna bholaa
ke mujhse jo khelaa
woh jal jaayega
mera naam sholaa
meri zulfein sadaa
choomkar ye ghata
aissey behke sanam
jaissey gehra nashaa..aaa
meri zulfein sadaa
choomkar ye ghata
aissey behke sanam
jaissey gehra nashaa
mere zulfein sadaa
choomkar ye hawaa
aissey mehke sanam
jaissey baad-e-sabaa
aissey mehke sanam
jaissey baadh-e-sabaah
mera naam shabnam
main phoolon ki humdum
ke mujhse jo khelaa
woh khil jaayega
mera naam shabnam
mere aanchal taley
shaam jab jab dhaley
husn ke naam se
saari mehfil sajey ae
mere aanchal taley
shaam jab jab dhaley
husn ke naam se
saari mehfil sajey
mere aanchal taley
shaam jab jab dhaley
ishq ke naam se
ek shamma jaley
ishq ke naam se
ek shamma jaley
o mera naam sholaa
na bann itna bholaa
ke mujhse jo khelaa
woh jal jaayega
mujhse jo khelaa
woh jal jaayegaa
jal jaayega
mera naam shabnam
main phoolon ki humdum
ke mujhse jo khelaa
woh khil jaayegaa
mujhse jo khelaa
woh khil jaayegaa
khil jaayegaa
mera naam shabnam
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