Archive for the ‘Group Dance’ Category
Chale jaise hawaayen sanan sanan
Posted on: January 9, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4923 | Post No. : | 16756 | Movie Count : |
4559 |
Hullo Atuldom
This post is courtesy my youngest sister. We were on this telephonic chat and she was asking me about my new hobby/addiction and how it is coming by. In the conversation she mentioned about the how she appreciated Dilip Kumar in the song”Nain Lad Jaihe To Manwaa Maa Kasak Hoibe Kari” – his dancing to be more exact. She spoke about how the dance was almost continuous like a single shot song. And my reply to her was that the song from “Jewel Thief”Hothon Mein Aisi Baat Main Dabaa Ke Chali Aayi” is an ideal example of a song in a single-shot and how Vyjayanthimala has danced and cameras were strategically placed to catch every movement and moment. To this my sister replied that being a trained classical dancer it would not have been so difficult for Vyjayanthimala but see Dilip Kumar dance in ‘Ganga Jamna’.
Now the Dilip Kumar dance I have been seeing from time immemorial and it is one of the songs on my personal favorites list. But after speaking to my sister, I saw the song again just before I started this post. Even if it is not a single shot-song, the choreography makes it seem so. There is a flow in the movements and actions from one frame to the other and the end result is one amazing continuous dance-song.
What the morning conversation did was it reminded me of another song that is nearly like the Dilip Kumar song viz. the choreography makes it feel that the artists have danced seamlessly, without any cuts between shots. This is the handiwork of Farah Khan. It is from the 2004 released ‘Main Hoon Na’ that is produced by Gauri Khan (Red Chillies Entertainment) and Ratan Jain (Venus Records and Tapes) and directed by Farah khan. It has a small star cast consisting of Naseeruddin Shah (special appearance), Kabir Bedi (special appearance), Suniel Shetty (in a negative role), Satish Shah, Kiron Kher, Boman Irani (forgetful principal), and Sushmita Sen, Amrita Rao, Sharukh Khan and Zayed Khan. Plus there are Rakhi Sawant, Tabu and Sajid Khan (Farah’s brother) in blink and miss roles.
The songs are written by Javed Akhtar and Anu Malik is the music director. It was nominated for a few awards in that year and won the Filmfare Award for best music. Shreya Ghoshal, Sonu Nigam, Abhijeet, KK, Vasundhara Das, Alka Yagnik, Sunidhi Chauhan and the Sabri Brothers – Hashim and Aftab, are the voices that have sung in this film. Even Anu Malik sang a song in the film. Today’s song is in the voices of KK and Vasundhara Das.
We shall have this song today to wish Farah Khan on turning a year older. She had made her debut in films as dance director in 1992 with ‘Jo Jeeta Wahi Sikandar’ with the brilliantly picturised “Pehla Nasha Pehla Khumar” which had Aamir Khan prancing on the slopes of the Nilgiris in Ooty. She has since choreographed dance routines for about a 100 songs in 80 movies. She turned director with ‘Main Hoon Na’ and producer with ‘Joker’ (in 2012) which was directed by her husband Shirish Kunder. She has been in front of the camera in films right from 1995 as a person among the crowd etc. and she had a formal full length role in ‘Shirin Farhad Ki Toh Nikal Padi’ (2012) where she was romantic lead pair with Boman Irani and her aunt Daisy Irani played her to-be mother-in-law. Of course she has made it a practice to get her whole crew in front of the camera, along with the end-titles, in all the films that she has directed.
A very Happy Birthday to this multi-talented personality who comes from a family of artists who have been in Bollywood since the late ’50s – her maternal aunts are Honey and Daisy Irani, her father Kamran Khan was a stuntman-turned-filmmaker, Javed Akhtar is her maternal aunt’s ex-husband, so that makes Farhan Akhtar and Zoya Akhtar (filmmakers) her cousins.
Song- Chale jaise hawaayen sanan sanan(Main Hoon Na)(2004) Singers-Vasundhara Das, KK,Lyrics-Javed Akhtar, MD-Anu Malik
Male chorus
Female chorus
Vasundhara Rao + K K
Lyrics
lalalalalala
lalalalalala
lalalalaa
lalalalalala
lalalalalala
lalalalaa
whats up?
o o o o
o o o o
o o o o
o o o o
o o o o
o o o o
chale jaise hawaayen sanan sanan
ude jaise parinde gagan gagan
jaayen titliyaan jaise chaman chaman
yoonhi ghoomoon main bhi magan magan
he he he he
hehe wo o o o
he he o ho
aa haa aa aa aa
main deewaani dil ki raani gham se anjaani
kab darti hoon wo karti hoon jo hai thhaani
chale jaise hawaayen sanan sanan
ude jaise parinde gagan gagan
chhuk chhuk chhuk chhuk dum
chhuk chhuk chhuk chhuk dum
chhuk dum chhuk dum dum
chhuk dum dum
whats up?
say what?
koi roke koi aaye
jitna bhi mujh ko samjhaaye
main naa sunungi kabhi
apni hi dhun mein rahti hoon
main pagli hoon mai ziddi hoon
kahte hain ye to sabhi
koi nahin jaana
ke armaan kyaa hai mera aa aa
chale jaise hawaayen sanan sanan
ude jaise parinde gagan gagan
jaayen titliyaan jaise chaman chaman
yoonhi ghoomoon main bhi magan magan
he he
he he
he he
o o o
he he
o ho
aa ha
aa aa aa aa
main deewaani dil ki raani gham se anjaani
kab darti hoon vo karti hoon jo hai thhaani
chale jaise hawaayen sanan sanan
uden jaise parinde gagan gagan
[Dialogues]
nananana
nananan
nananana
nananan
nananan
aayen haseenaayen to aayen
mujh ko dikhaane apni adaayen
main bhi kuchh kam nahin
yeah
aankhon mein aankhen jo daaloon
dil main churaa loon hosh chura loon
koi ho kitna haseen
mera
ho gayaa wo
jo ik baar mujh se mila aa aa aa
chale jaise hawaayen sanan sanan
uden jaise parinde gagan gagan
jaayen bhanwre jaise chaman chaman
yoonhi ghoomoon main bhi magan magan
he he
he he
he he
o o o o
he he
o ho
aa haa
aa aa aaa
main deewaana main anjaana gham se begaana
hoon aawaara lekin pyaara
sab ne maana
chale jaise hawaayen sanan sanan
uden jaise paride gagan gagan
jaayen bhanwre jaise chaman chaman/font>
yoonhi ghoomoon main bhi magan magan
chale jaise hawaayen sanan sanan
ude jaise parinde
gagan gagan
- In: "beach" song | "Fisherman" song | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Avinash Scrapwala | Group Dance | Guest posts | Inspirational song | Kishore Kumar songs | Lyrics contributed by readers | Post by Avinash Scrapwala | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Shailendra Singh songs | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1982 | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day: |
4912 | Post No. : | 16732 |
Rajesh Khanna – The Phenomenon – 9
– – – – – – – – – – – – – – – – – – – –- – –
Today 29th December’2021 is the seventy-nineth birth anniversary (29 December 1942 – 18 July 2012) of Rajesh Khanna, born as Jatin Khanna.
On this occasion we pay our tributes to him and listen a song from one of his movies.
In this ninth episode of ‘Rajesh Khanna- The Phenomenon’ we look at Rajesh Khanna movies in the year 1982. In the year 1982 the following six movies of Rajesh Khanna were released (including ‘Disco Dancer’* where he had a friendly appearance).
| S No | Movie Title | Director | Passed by Censor Board |
| 01 | Ashaanti | Umesh Mehra | 01.05.1982 |
| 02 | Dharam Kaantaa | Sultan Ahmed | 28.07.1982 |
| 03 | Disco Dancer* | B. Subhash | 10.12.1982 |
| 04 | Jaanwar | Ali Raza | 20.12.1982 |
| 05 | Raajput | Vijay Anand | 08.04.1982 |
| 06 | Suraag** | Dr Jagmohan Mundra | 01.01.1982 |
(*Friendly Appearance, **Guest Appearance)
In the previous post in this series ‘Rajesh Khanna – The Phenomenon – 8’ we had discussed how Rajesh Khanna in the late seventies switched on to different roles exploring and introspecting himself and taking a new challenge for his ‘second innings’.
In the late seventies and early eighties, he has a string of successful movies viz. ‘Amardeep’ (1979), ’Thodi Si Bewafaai’ (1980), and critically acclaimed movies like ‘Red Rose) (1980), ‘Phir Wohi Raat’ (1980), and ‘Bandish’ (1980).
In 1981 he tasted more success with movies like ‘Dard’, ‘Dhanwan’, ‘Dil e Naadan’, ‘Qudrat’ and ‘Fifty-Fifty’.
‘Qudrat’ (1981) was a multi-starrer movie and had good success at the box-office. That saw Kaka putting more efforts to change his image and considering films in the ‘multi-starrer’ and ‘action’ genres, which he thought earlier was not his ‘cup of tea’. It can also be said that these two ‘genres’, where he was not doing films, were partly responsible for the failure of his earlier movies on the box-office.
In 1982 we had Kaka’s films like ‘Raaput’, ‘Ashaanti’, ‘Dharam Kaanta’ which were multi-starrer as well as action movies. He further continued doing such ‘multi-starrer-masaala’ films like ‘Paapi Pet Ka Sawaal Hai’, ‘Dharm Aur Qaanoon’, ‘Maqsad’, ‘Bewafaai’, ‘Awaam’, ‘Vijay’, etc. coming in the next few years.
Today’s song is from one of the above movies and that movie is ‘Ashaanti’. This song also beautifully catches the ‘spirit of team efforts’ instead of a ‘one-man-show’ and advocates ‘helping each other’ to get success.
‘Ashaanti’ is directed by Umesh Mehra for Eagle Films, Bombay, and is produced by Parvesh C. Mehra.
The movie has Rajesh Khanna, Zeenat Aman, Parveen Babi, Shabana Azmi, Mithun Chakravarty, Kanwaljeet, Amrish Puri, Jeevan, Narendra Nath, Monty, Mac Mohan, Kishore Kapoor, Yusuf Khan, Ram Sethi, Nadira, Satyen Kappu, Bob Christo, Mohan Choti, Avtar Gill, Ajay Agrawal, Amir Jambra, Yusuf, Ganesh, and others. Prem Kishan and Ramesh Deo makes a special appearance in this movie.
This movie was passed by Censor Board on 01.05.1982.
This movie has five songs composed by RD Burman. Lyrics for all the five songs are penned by Anand Bakshi. Following is the list of songs this movie had.
| S.No. | Song Title | Singer/s | Posted On |
| 01. | Ru ru ru ru … Dil diya hai maine dil diya hai | Asha Bhonsle, Amit Kumar | |
| 02 | Main hoon sharaabi, nahin ji nahin | Shailendra Singh | |
| 03 | Naa tujhse naa mujhse oye naa mujhse naa tujhse, hamse hai yah duniya |
Asha Bhonsle, Kishore Kumar, Shailendra Singh | |
| 04 | Suniye main jis shahar mein jaati hoon… laungi mirchi main Kolhapurchi |
Lata Mangeshkar, Asha Bhonsle, | 19.11.2017 |
| 05 | Shakti de ma … o pag pag thokar khaaun chal naa paaun … | Chandrashekhar Gadgil, chorus | 29.12.2012 |
That was all around forty years back now. And if we go back further ten years to the year 1972. That is around fifty years back from now, we have the following movies of Rajesh Khanna released in that year.
(Rajesh Khanna movies – 1972)
| S No | Movie Title | Director | Passed by Censor Board |
| 01 | Anuraag** | Shakti Samanta | 22.11.1972 |
| 02 | Apnaa Desh | Jambu | 28.03.1972 |
| 03 | Bawarchi | Hrishikesh Mukherjee | 30.06.1972 |
| 04 | Dil Daulat Duniya | Prem Narayan Arora | 12.06.1972 |
| 05 | Joroo Ka Ghulaam | A Bhim Singh | 07.09.1972 |
| 06 | Maalik | A Bhim Singh | 26.10.1972 |
| 07 | Mere Jeewan Saathi | Ravi Nagaich | 19.09.1972 |
| 08 | Shaahzaadaa | K. Shankar | 05.09.1972 |
(*Guest appearance, ** Friendly/Special Appearance)
We can see all the above movies had great music too as usual for Kaka movies.
Coming back to the today’s song it is from the movie 1982 movie ‘Ashaanti’. As mentioned above Lyrics for all the songs are written by Anand Bakshi and music is composed by RD Burman.
In today’s song Rajesh Khanna is lip-syncing for the voice of Kishore Kumar, Mithun Chakravarty for Shailendra Singh, Kanwaljeet for Kishore Kumar and Zeenat Aman, Parveen Babi and Shabana Azmi are lip-syncing for the voice of Asha Bhonsle.
We can see many others in the picturisation of this song.
Let us now enjoy this foot-tapping song now …
Video
Audio
Song – Na Tujh Se Na Mujh Se, Na Mujh Se Na Tujh Se (Ashaanti) (1982) Singer -Kishore Kumar, Asha Bhosle, Shailendra Singh, Lyrics – Anand Bakshi, MD – RD Burman
Kishore Kumar + Asha Bhosle
Shailendra Singh + Asha Bhosle
Chorus
Lyrics
naa tujh se
naa mujh se
oye naa mujh se
naa tujh se
hamse hai ye duniya aa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
arey main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho ho o saathiyaa
tera sahaaraa ban jaaun main
mera shaaraa tu ban jaa
tera sahaaraa ban jaaun main
mera shaaraa tu ban jaa
main nadiya ki dharaa banoon
mera kinaaraa tu ban ja
dhadke tera dil
to dhadke mera jiya
o saathiyaa
ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa
ho o mere binaa ye kis kaam ki
hoye hoye
iske bina main kis kaam ka
arey mere binaa ye kis kaam ki
hoye hoye
iske bina main kis kaam ka
meri ya botal ki baat hai
aashiq hai tu kiske naam ka
dil aadhaa aadhaa donon ko hamne diya
o saathiyaa
ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho o o saathiyaa aa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
arey main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa
do haathon se ye taali baje
la la laa
mehfil akele se naa saje
la la la laa
do haathon se ye taali baje
mehfil akele se naa saje
sab ho magar jo ik tu naa ho
tere binaa ye ji na lagey
baati na ho jo kaise jaley ye diyaa
ho o o o saathiyaa
o ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya kya kya kya
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o o saathiyaa aa
o saathiyaa aa
——————————————————————————–
Hindi script lyrics (Provided by Avinash Scrapwala)
——————————————————————————–
ना तुझ से
ना मुझ से
ओये ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
अरे मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो हो ओ साथिया
तेरा सहारा बन जाऊं मैं
मेरा सहारा तू बन जा
तेरा सहारा बन जाऊं मैं
मेरा सहारा तू बन जा
मैं नदिया कि धरा बनूं
मेरा किनारा तू बन जा
धडके तेरा दिल
तो धडके मेरा जिया
ओ साथिया
हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
अरे मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ साथिया
हो ओ मेरे बिना ये किस काम कि
होए होए
इसके बिना में किस काम का
अरे मेरे बिना ये किस काम कि
होए होए
इसके बिना मैं किस काम का
मेरी या बोतल कि बात है
आशिक है तू किसके नाम का
दिल आधा आधा दोनों को हमने दिया
ओ साथिया
हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो हो ओ साथिया
दो हाथों से ये ताली बजे
ल ल ला
महफ़िल अकेले से ना सजे
ल ल ल ला
दो हाथों से ये ताली बजे
महफ़िल अकेले से ना सजे
सब हो मगर जो इक तू ना हो
तेरे बिना ये जी ना लगे
बाती न हो जो कैसे जले ये दिया
हो ओ ओ ओ साथिया
ओ हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या क्या क्या क्या
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
ओ साथिया आ
ओ साथिया आ आ
Saamne mere paani bharte
Posted on: September 4, 2020
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4431 | Post No. : | 15864 |
Remembrance day of Mukri :
Mukri also spelled as Muqri was an Indian film actor, who worked as a comedian in Hindi films. Born as Muhammad Umar Mukri in Alibagh, in Kokani Muslim Family, he started his film career with the film Pratima along with noted film actor Dilip Kumar in 1945. Born of 5th January 1922, he left for heavenly abode on 4th September’2000 at the age of 72 years.
Mukri was seen in many films in character roles and comic role. One movie which comes to mind in ‘Ram aur Shyam”. Here also he featured with Dilip Kumar as his friend.
Today is the 20th death anniversary, so as a tribute, I have found a wonderful comic song picturized on Mukri and Mehmood. The film is ‘Madhavi’(1969), with Laxmikant –Pyarelal and Anand Bakshi as music director and lyricist. The movie had very good songs, I hear. This is the only Rafi song picturized on Mukri which remained to be posted, going by the information is Rafi sahab’s excel sheet. I expect, Mukri may not be as prolific as Mehmood, Johhny Walker or Agha. So there are most likely fewer songs where he actually sings. In this song Manna De is giving playback for Mehmood and Rafi Sahab is singing for Mukri. Now, in the absence of song video, how can I be certain of this ? I have searched on youtube, though the movie “Madhavi” is available, video of only one song is there. All other songs, only audio is available, including the song being posted. Actually, on closer inspection, there are voices of both Mehmood and Mukri are there is the song along with the singers. This is a comic song in real terms, maybe a rip-off on “Padosan” songs.
It was my husband who confirmed the playback for Mehmood and Mukri. As I was noting the lyrics this evening, he asked from where I had found this song from ‘Madhavi”. This is not a known song for me, but may husband knows the songs of this film very well.
The name did ring a bell that I had contributed the lyrics of Lata solo of the two songs posted :
parda hata de mukhda dikha de
saanjh sawere adharon pe mere
My husband also helpfully given the story outline of this costume drama film of Kings, Princes and Princesses. Sanjay Khan is a prince and Deepa, in title role of Madhavi, is a princess. Mehmood and Mukri are all part of the Sanjay Khan’s entourage. This songs is performed on stage. Pran is the Senapati of Sanjay Khan, and he has this dialogue as his ‘takiya kalaam” :
“Shaadi karungaa to sirf madhavi se, warna maut se !”
Video
Audio
Song-Saamne mere paani bharte… na karoon band tere chhand tingu (Madhavi)(1969) Singers-Manna Dey, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
Aa eeeeee
ae eeeeeee
aaaaaaaa aaaa
ae……
saamne mere paani bharte
baden baden kaviraaj
arey ik chhota sa machhar aayaa aaa
mujh se ladne aaj
hee hee hee heeee
hamm mmm
he he he he he
machhar boltaa hai
khatmal ke bachhe
(Laughter)
na karun band tere chhand
thingu
hey thingu
to mera naam nahin
na karoon
na karoon band tere chhand
thingu
hey thingu
to mera naam nahin
hey………
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
kavita
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
yaad karaa dungaa main nani ee ee
nani ee
yaad karaa dungaa main nani
(coughing sound)
paani
jis ki bhains ussi ki laatthi
jis ka ghoda ussi ki kaatthi
naach na jaane
da da triga da
naach na jaane
aangan tedha
tu to hai Mathura ka peeda aa
gaaliyaan denaa
baat hai gandi ee
ye kavita hai
ya tuk bandi
hey ea ea ea
hey ea ea ea
hey ea ea ea
hey ea ea ea
na doon main
na doon main
tod tere jod tthingu
hey tthingu
to meraa naam nahin
kavita
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
“>ek to dhelaa
uss pe khotaa
ek to chhotaa
uss pe motaa
main lekhak sansaar chalaaun un
chalaaun
meeaunw
main lekhak sansaar chalaaun
main sainik talwaar chalaaun
aa jaa
arey aa jaa
nahi
aa jaa
jaa jaa
arey aa jaa aa jaa
sainki lekhak se na ladnaa
wah wah wah wah
phir se padhnaa
sainik lekhak se na ladnaa
maaroongaa
aage na badhnaa
bol gagan pe kitne taare
aaj ginoongaa raat ko pyaare
yeh gori mujh pe hai marti
lekin mujh se pyaar hai karti
oye oye oye oye oye oye oye
oyo oyo oyo oyo oyo oyo
peyn peyn teyn teny peyn peyn
peyn peyn teyn teny peyn peyn
…… ………
……. ………
chup
tu maali
tere haathh mein khurpee
bol
bol bol
chup kyun ho gayaa
tu maali
ter haath mein khurpee
khurpee
mmmmm
mmm
tu teli
tu teli
tere sar pe kolhu
nai
nai
nai
nai
nai
nai
qaafiyaa nahi milaa
arey qafiyaa nahi milaa to kya huaa
wazan se to maregaa aa
(Laughter)
Chal Hand Utha Ke Nachchen
Posted on: July 8, 2020
- In: Body part song | Daler Mehndi Songs | Dance song | Devnagri script lyrics by Sudhir | Group Dance | Guest posts | Haath song | Lyrics contributed by readers | Mika Singh Songs | Post by Peevesie's mom | Song sung by three or more singers | Songs of 2010s (2011 to 2020) | Songs of 2013 | Sunidhi Chauhan Songs | Yearwise breakup of songs
- Leave a Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4373 | Post No. : | 15712 | Movie Count : |
4331 |
Hullo Atuldom
I don’t remember when was the last birthday post that I wrote for the sweet, chulbuli, very bright, charming and ever smiling Neetu Singh who made her debut in Bollywood as Baby Sonia in the double role of twin sisters, in ‘Do Kaliyan’ (1968).
But my thoughts and appreciation about her are there in the post for the song “Phoolon Ki Duniya Se Taaron Ki Duniya Mein“.
In there I had mentioned that she had appeared in 2013 in a movie called ‘Besharam’ which was directed by Abhinav Kashyap. She played a constable of the Delhi Police going by the name ‘Bulbul Chautala’ who is shown assisting Inspector ‘Chulbul Chautala’ (Rishi Kapoor) in tracking down a car thief Babli (Ranbir Kapoor). I saw this movie recently and realized that I still adore this pyari jodi who had been a craze till Neetu Singh got married and settled to look after her family.
Today’s song plays with the end credits of the movie and is sung by Mika Singh, Daler Mehndi and Sunidhi Chauhan where we have the young couple Rishi and Neetu dancing along with Ranbir and Pallavi Sharda. The song is written by Kumaar which is the mononym for Rakesh Kumar- a lyricist who has been active in Bollywood for a few years now. The music director is Lalit Pandit who used to form a team with his brother Jatin Pandit and gave us some chart-buster songs in movies like ‘Yes Boss’ (1997), ‘DDLJ’ (1995) etc.
The song has the evergreen pair shaking a leg to the beats of a very modern song which is neither a bhangra nor a disco. I must admit that it must have taken lots of guts to take to the dance floor after a gap of thirty years. The last movie where she had danced had come in 1983 ‘Ganga Meri Maa’ which if my guess is right would have been one that released long after it was completed.
Wishing this sweet charming and smiling on her 62nd birthday though I feel she may not celebrate this year. But I think we can still wish her health and happiness.
Audio
Video
Song – Chal Hand Utha Ke Nachchen (Besharam) (2013) Singer – Mika Singh, Daler Mehndi, Sunidhi Chauhan, Lyrics – Kumaar, MD – Lalit Pandit
Lyrics
nau baj gaye
hum saj gaye
do peg lagey angrei
ho nau baj gaye
hum saj gaye
do peg lagey angreji
jo chadh gayi
to addh gayi
yeh cheez badi hai creji
aaja thumkon ki.. limit badha le
hain jeb mein jitne.. note udaa de
hum dheet hain jitne
sweet hain utne
to bachche
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
tu hoga
bada hero
par hum bhi nahi kachche
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
ab rukne ka time nahin hai
khul ke nachna crime nahin hai
mike pakad ke aaj macha de halla halla
ho o ab rukne ka time nahin hai
khul ke nachna crime nahi hai
mike pakad ke aaj machha de halla halla
dil vil apne phenk huye hain
rahu-ketu theek huye hain
pakad ke finger tu pehna de chhalla chhalla
nainon se zara tu
neat pila de
phir badan soniye
beat hila de
hum desi jitne dude bhi utne hain sachche
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
tu hoga
bada hero
par hum bhi nahi kachche
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
chal back hila ke
nachchen
chal taang utha ke
nachchen
chal aag laga ke
nachchen
chal feet badha ke
nachchen
chal pila pila ke
nachchen
chal hila hila ke
nachchen
oye fikr chhod ke sharam faad ke nachchen
chal hand uthaa ke nachchen
chal band bajaa ke nachchen
chal hand uthaa ke nachchen
chal hand uthaa ke nachchen
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
नौ बज गये
हम साज गये
दो पैग लगे अँग्रेजी
हो नौ बज गये
हम साज गये
दो पैग लगे अँग्रेजी
जो चढ़ गई
तो अढ़ गई
ये चीज़ बड़ी है क्रेजी
आजा ठुमकों की॰॰ लिमिट बढ़ा दे
हैं जेब मैं जीतने॰॰ नोट उड़ा दे
हम ढीठ हैं जीतने
स्वीट हैं उतने
तो बच्चे
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
तू होगा
बड़ा हीरो
पर हम भी नहीं कच्चे
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
अब रुकने का टाइम नहीं है
खुल के नचना क्राइम नहीं है
माइक पकड़ के आज मचा दे हल्ला हल्ला
हो ओ अब रुकने का टाइम नहीं है
खुल के नचना क्राइम नहीं है
माइक पकड़ के आज मचा दे हल्ला हल्ला
दिल विल अपने फेंक हुये हैं
राहू केतू ठीक हुये हैं
पकड़ के फिंगर तू पहना दे छल्ला छल्ला
नैनों से ज़रा तू
नीट पिला दे
फिर बदन सोनिए
बीट हिला दे
हम देसी जीतने ड्यूड भी उतने हैं सच्चे
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
तू होगा
बड़ा हीरो
पर हम भी नहीं कच्चे
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
चल बैक हिला के
नच्चें
चल टांग उठा के
नच्चें
चल आग लगा के
नच्चें
चल फीट बढ़ा के
नच्चें
चल पिला पिला के
नच्चें
चल हिला हिला के
नच्चें
ओय फिकर छोड़ के शरम फाड़ के नच्चें
चल हैंड उठा के नच्चें
चल बैंड बजा के नच्चें
चल हैंड उठा के नच्चें
चल हैंड उठा के नच्चें
De Taali, De De De De Taali
Posted on: June 20, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4355 | Post No. : | 15675 | Movie Count : |
4318 |
Hullo Atuldom
In one of his recent posts our Avinash ji has suggested that there should be a category of posts – ‘Post inspired by fellow Atulite’ or ‘Post inspired by Atulite WA group chat’. I would like to borrow a phrase from Sudhir ji ‘thank you for the nudge’ and direct it towards Avinash ji. If not for Avinash ji I would have written this post a month later. Don’t know how I mixed up dates. And there have been posts wherein Atul ji has credited me with being good at remembering dates. It is not so Atul ji, calendars also need reminders.
I am 100% sure that the followers of this blog and non-followers too will be aware of a movie that released in the 70s. 1975 to be exact. It went by the name ‘Sholay’. It was a multi-star-cast movie that ran for years in a single cinema hall in Mumbai. This blog has already covered each and every song possible from that movie with detailed posts accompanying them. I am sure, the readers are wondering, why I am revisiting the movie then? Well ‘Sholay’ is something like an ‘Amar Akbar Anthony’ (1977) or any other formula movie. ‘AAA’ had a lost-and-found formula which was repeated in many movies after it. ‘AAA’ itself was a copy of numerous movies preceding it with the lost-and-found theme. It can be safely said that Indian movies thrive as much on the stories of the Ramayan and Mahabharata as they do on the lost-and-found theme.
So, where does ‘Sholay’ fit, in the scheme of things? Well, the ‘Thakur-Dacoit-Hired help’ formula has been repeated in a few movies too. Personally I have seen three movies on that story-line, there may be more. Two of them had a female for Thakur. That is, someone out to avenge the injustice meted out to her assisted by guys – ladies were SUPPOSED to be naajuk, bebas, etc. and a widow to add masala to the story. I am sure a woman of the new millennium will protest at the description of bebas, naajuk – even I will protest. There were Basanti and Radha as love interests in ‘Sholay’ – all the remakes also had ladies to distract the Veeru and Jai of the remakes.
Yesterday I saw ‘Army’ which had released on 28th June 1996 i.e. exactly 8 days short of 24 years ago. It was directed by Raam Shetty, produced by Nitin Manmohan and Mukul Anand and had music by Anand Milind. This is one of the ‘Sholay’ remakes that I spoke of in the previous paragraph. It has Sridevi playing a pregnant widow out to avenge her husband’s death for which she takes the help of five prisoners who are on the death-row. I hope the ‘Sholay’-connect has been explained. Explaining further- there it is two prisoners, here it is five. There the prisoners escape hoodwinking the ‘Angrezon ke zaamane ka Jailor‘; here Sridevi helps the prisoners get out of prison using sleep-inducing sweets. In ‘Sholay’; the thakur’s house was on a hillock overlooking the village, even that was replicated in ‘Army’. The prisoner’s are holed up in a secluded house that overlooks the area adjoining the palace of Sridevi’s tormentor. This was then the background of the movie from which I am presenting a song to our today’s birthday boy.
Coming back to the thoughts expressed in the opening paragraph, I asked Avinash ji if he was aware of the favourites of our today’s birthday boy. Favourite actor, singer, music director etc. Both of us thought hard and found that we don’t know much about his favourites but he knows all of us fairly well. What I do know, he has a ‘more than’ good knowledge about cricket and movies. He loves his pets and they are the family that live with him as his wife is working in a different town and daughter is a student elsewhere. Of late I have discovered that he has a love for the progresses that the country has made in the various sectors post the ’98 Pokharan tests. He is proud to be employed in the biggest service provider of the nation.
In addition to all that he has a unique sense of humor, which surfaces often on the blog in his posts and is given the title “Atulism” by our very own Rajaji.
Its is the birthday of the brain behind this blog, our Ranchiwala Gaanewala (Sudhir ji’s title for him). Wish you a very Happy Birthday Atul ji from your Army of contributors. We wish you all the best with lots of fun and music.
Today’s song is a lively song where the prisoners are having a party-like song and dance before escaping from the prison. It is sung by Alka Yagnik, Abhijeet and Vinod rathod. The two male singers are playback for Ravi Kishan. Ronit Roy, Sudesh Berry, Mohnish Behl and Harish who feed the jailor Kiran Kumar a laddo during the song and the favour is returned by the jailor. So when the song ends the rest of Sridevi’s Army have to bodily carry him out of the prison. It was an entertaining movie but becomes too violent towards the end. Whatever gory violence was snipped out of ‘Sholay’ found itself here.
Once again wishing our leader Atul ji a very Happy Birthday
Song – De Taali, De De De De Taali (Army) (1996) Singer – Alka Yagnik, Abhijeet, Vinod Rathod, Lyrics – Sameer, MD – Anand Milind
Chorus
Lyrics
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharabaa yahaan nahin
khoon kharaba yahaan nahin
kehne wale jail kahein
par yahaan badi khush haali
de taali de de de de taali
de taali de de de de taali
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharaba yahan nahin
khoon kharaba yahan nahin
kehne wale jail kahein
par yahan badi khush haali
de taali de de de de taali
de taali de de de de taali
aaaa aaaa aaaa
hansi udaaye yaar hamaari
baat koi na maane
hum kaise andar aayein hain
koi bhi na jaane
baahar jeena hai to yaaro paisa chaahiye
khaana peena hai to yaaro paisa chaahiye
naukri maangoon to sarkaar paisa maange
khaali ghoomoon to dost yaar paisa maange
taxi chalaoon hawaldaar paisa maange
ghar jo jaoon to parivaar paisa maange
kisi bank mein mera koi khata nahin
koi fokat mein khaana khilaata nahin
apna to yeh kehna hai
humko andar rehna hai
apna toh yeh kehna hai
humko andar rehna hai
yahan toh apni zindagi hai tension se khaali
de taali de de de de taali
de taali de de de de taali
hae haa ho
hae haa ho
bina degree ke kaam yahaan sab ko mile
kaam karte hi daam yahaan sab ko mile
yahaan time se roti sab ko mile
dal chaawal boti sab ko mile
bina bhaade ke kholi sab ko mile
arre yaar humjoli sab ko mile
haan haa haa haaa
hoo hoo oo
aaj ka din bhi achha din hai
sundar bada muhoorat hai
tum jaise logon ki pyaare
baahar bahut zaroorat hai
baahar jao
jaa ke duniya walon ko samjhao
subah shaam marne waalon ko tum jeena sikhlaao
jo bhi baahar jayega woh jeevan bhar pachhtayega
jo bhi baahar jaayega
woh jeevan bhar pachhtayega
baahar jaake milegi humko nafrat gurbat gaali
de taali de de de de taali
de taali de de de de taali
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharaba yahaan nahin
khoon kharaba yahaan nahin
kehne wale jail kahein
par yahaan badi khush haali
de taali de de de de taali
de taali de de de de taali
hae haa ho
hae haa ho
hae haa ho
hae haa ho
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3991 | Post No. : | 15084 | Movie Count : |
4138 |
Has anyone seen today’s google doodle?!!!!
It is dedicated to our dear Mogambo a.k.a Durgaprasad Bharadwaj a.k.a Chaudhry Baldev Singh a.k.a Thakur Durjan Singh a.k.a Balwant Rai a.k.a Kishorilal a.k.a Amrish Puri. He would have been 87 today.
Feels like they have appreciated some one close to our family. The doodle shows him in the look he sported for DDLJ – ‘Dilwaale Dulhaniya Le Jayenge’ (1995) as Chaudhry Baldev Singh. That movie is remembered as much for the last scene where the Chaudhry tells his daughter,
“jaa beta jaa. Apni Raj ke paas jaa. Jaa Simran, jee le apni zindagi jaa beta jaa”
The last scene can be seen on YT at https://www.youtube.com/watch?v=eAaL5HZC5YI. The movie is remembered for this last scene, as much for all the romance and romantic songs that it had.
Can anyone forget his character ‘Dong’ in the movie ‘Tehalka’ (1992) where he kept repeating “Dong kabhi wrong nahi hota” much on the lines of “Mogambo khush hua” from ‘Mr. India’ (1987). Here I must admit that I haven’t seen ‘Tehalka’ but if I am not wrong, ‘Dong’ and his song “Shom Shom Shom Shomo sha sha” is the only thing in public memory from that movie.
There have been similar movies where this much-loved character actor, with a very distinct voice, was the only saving grace. He has played an almost equal number of benevolent characters as in the 1999 release ‘Gair’ as he has played his malevolent characters. He has tried his hand at singing (the above-mentioned song of ‘Tehalka’ was in his voice) and shaking a leg too and looked as if he enjoyed dancing.
Today’s song shows him in his dancing element. It is from the 1998 Rajkumar Santoshi produced and directed ‘China Gate’. It has music by Anu Malik with Sameer as the lyricist. The song shows him dancing in the company of the folk dancer played by Urmila Matondkar, KD Chandran, Tinnu Anand, Viju Khote, Jagdeep, Anjaan Shrivastav, Sameer Soni, and Harish Patel.
Remembering Amrish Puri in this very lively avataar
Audio
Video
Song – Chhamma Chhamma Baaje Re Meri Painjaniya (China Gate) (1998) Singer – Alka Yagnik, Vinod Rathor, Shankar Mahadevan, Lyrics – Sameer, MD – Anu Malik
Female Chorus
Male Chorus
Lyrics
dekha dekhi dil mera jud gaya re
leke pardesi dil ud gaya re
dekha dekhi dil mera jud gaya re
leke pardesi dil ud gaya re
chhamma chhamma (alka yagnik)
ae chhamma chhamma
chhamma chhamma baaje re meri painjaniyaan
re chhamma chhamma baaje re meri painjaniyaan
tere paas aaun
teri saanson mein samaoon raja
tere paas aaun
teri saanson mein samaoon
teri neendein chura loon
chhamma chhamma
he chhamma chhamma
chhamma chhamma baaje re teri painjaniyaan
tere paas aaun
teri saanson mein samaoon raja
tere paas aaun
teri saanson mein samaoon
teri neendein chura loon
chhamma chhamma
hey chhamma chhamma
dekha dekhi dil mera jud gaya re
chhak chhaka chhak chhak chhaka
leke pardesi dil ud gaya re
chhak chhaka chhak chhak chhaka
oy oy oy.
ooooo oooo
oohhooo oohhoo
oohhooo oohhoo
oohhooo oohhoo
oohhooo oohhoo
ye mera lehenga
bada hai mehenga
isse na haath laga
dila doon bangla
dila doon gaadi
deewani saath to aa
dila doon bangla
dila doon gaadi
deewani saath toh aa
meri baali hai umar
mujhe lagta hai darr
meri baali hai umar
mujhe lagta hai darr
na kar beimaani
chhamma chhamma baaje re teri painjaniyaan
chhamma chhamma
ae chhamma chhamma
dekha dekhi dil mera jud gaya re
chhak chhaka chhak chhak chhaka
leke pardesi dil ud gaya re
chhak chhaka chhak chhak chhaka
chhak chhaka chhak chhak chhaka
chhak chhaka chhak chhak chhaka
hila doon up
hila doon mp
jo maaroon main thumka
tere thumke pe
haaroon main patna
main haaroon kalkatta
tere thumke pe
haaroon main patna
main haaroon kalkatta
meri patli kamar
meri tirchi nazar
meri patli kamar
meri tirchi nazar
meri chadthi jawaani
chhamma chhamma
ae chhamma chhamma
chhamma chhamma
ae chhamma chhamma
tere paas aaun
teri saanson mein samaoon raja
tere paas aaun
teri saanson mein samaoon raja
teri neendein chura loon
chhamma chhamma baaje re teri paijariya
dekha dekhi dil mera jud gaya re
chhak chhaka chhak chhak chhaka
leke pardesi dil ud gaya re
chhak chhaka chhak chhak chhaka
chhamma chhamma
ae chhamma chhamma
chhamma chhamma
ae chhamma chhamma
teri neendein chura loon
chhamma chhamma
dekha dekhi dil mera jud gaya re
oo oy chhamma chhamma
ae chhamma chhamma aa aaa
- In: Alka Yagnik Song | Devnagri script lyrics by nahm | Feelings of heart | Group Dance | Guest posts | Inspirational song | Lyrics contributed by readers | Post by nahm | Song sung by three or more singers | Songs of 2000s (2001 to 2010) | Songs of 2001 | Songs of Encouragement | Sukhwinder Singh Song | Udit Narayan Song | Yearwise breakup of songs
- Leave a Comment
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3989 | Post No. : | 15081 |
Mitwa – 1
sun mere bandhu re…..
sun mere mitwaa….
sun mere saathhi re….
The Poet i.e. Majrooh further says:
hotaa tu peepal,
main hoti amar lataa teri
hotaa tu peepal,
main hoti amar lataa teri
tere galey maalaa ban ke,
padi muskaati re
sun mere saathi re
sun mere bandhu re,
sun mere mitwaa
sun mere saathi re
The reference to peepal tree in the song is taking me to another memory of a long time ago. The movie ‘Naseem’ seen a long time ago on TV. I have looked up the info on this film on imdb (https://www.imdb.com/title/tt0241753/?ref_=nv_sr_1?ref_=nv_sr_1).
It’s a movie alternately named ‘The Morning Breeze’. Kaifi Azmi played the grandfather of the central pratogoist Naseem in the film and there is a dialogue uttered by him , which goes : “Hamaare ghar ke aangan mein ek bahut puraana peepal ka ped thha.”
This in turn is reminds of my own paternal grandfather, who was a staunch Gandhian and a Satyagrahi. One of the lakhs of foot soldiers whose names do not appear in the list of those who fought for the independence of India. He was participant in the Swadeshi movement and the Quit India Movement, in the tiny village in Belgaum District. It is said the police came to the village looking for him, but his mother hid him in the sacks of food grains and thus he escaped arrest. His name is ‘Meeran Saheb’ in the traditional way, people were named in that by gone era. He was an avid reader of newspapers and lived in his own world, if he could help it. Lived an idealistic and minimalistic life in the era of idealism with resources, available only to the extent of one’s needs for survival. Wore only white Khadi Kurta-eezar with Gandhi topi, till the day he died. It was his daily attire, be it someone’s wedding or Eid or whatever celebration or occasion. New clothes a must for Eid, normally he made do with 2-3 sets of clothes. His life’s priorities were simple, news on radio and newspapers of Urdu, Marathi and Kannada. My ‘Dada’ was not the only one to wear khadi as an uniform, there were others, his peers mostly who wore only white Khadi .
Another thing, I am more like my grandfather than anybody else. It has been a decade or two, since anyone has called me “Meeran Saheb”, (the whole family and relatives on my mothers side used to call me that) but the memory is more pleasant now than it felt at that time 🙂 .
We are living in the times which are also good in some ways and bad in some ways. There has never been a utopian era. It exists in dreams and books of the visionaries. There may be rare examples of near perfect society with peace, justice and prosperity existing in recorded history. So we make the best of what we have and survive with our self-respect intact, the head held high and the values of humanity held close to the heart. And what of hope? Hope is always there and dreams are never in short supply. One needs to keep faith and prayer on the lips for the Providence, who provides for one and all.
Ah…… here is the concept of providence. Providence is the source of all that the creation needs and gets. I did say in the comments of a post “Karta Hai Ek Raavi Ye Dilsooz e Bayaan“, that I will try and explain the concept of ‘Ni’amat’ and ‘Barakah’.
Niamat for me is the belief system of Islam, i.e. Imaan, higher level of Imaan is Taqwa. It is the belief in Allah (SWT – Subhanahu Wa Ta-A’la meaning All Praises For Him), his Prophets (PBUT – Peace Be Upon Them), his revelations and the day of Judgement i.e. Aakhirah. It is a niamat that we have the ability to see, to hear and to speak. The ability to breath and live. The elements of nature like air, water and food which are life’s substance. ‘Niamat‘ is also the word of Allah – his revelations in the form of aayats of the Quraan), sent down as guidance and warning. Also that Allah (SWT) has promised to preserve his revelations i.e. the Quraan for mankind till the end of time.
‘Barakah‘ or ‘Barkat’ is that Allah (SWT) keeps providing for us these life substances, provides for all the universe, even for the smallest / minutest life forms to the giant creatures. He keeps forgiving us and accepting our prayers. Listens to them and grants our wishes whatever is best for us. For he knows what is best for us, we do not know. He is the one who gave us the wisdom to be ‘saabir‘ (Patient) and ‘shaakir’ (thankful). ‘Barakah‘ is again that the Almighty has given us pious parents and spouse and granted us children, with joy and contentment in life. It is simple that if we learn to be ‘saabir and shaakir’ we will be content with our lot and life will be full of joy. ‘Barkah’ is also increase of health, wealth and happiness. It’s a blessing from the Almighty that we have the ability to understand all this and life’s philosophy. It is also the ability to give and to share. The maturity to understand and accept that whatever worldly wealth, name, fame we have is given by the Almighty Allah and it is not ours, but we are the custodians. He gives it in our custody so that we share the bountiful of worldly goods, this includes knowledge, among fellow beings. It’s like a distribution chain.
Charity, I believe is nothing but the justification of our being blessed with health and wealth, in fact all ‘niamat‘ and ‘barakat‘. Some are blessed more and others are blessed less (with health, wealth etc. in material terms). For both the types of people the blessings bestowed by God Almighty are a test, no less. How they treat these blessings, how they react, and how they relate all this to the Almighty. How thankful and grateful they are for these blessings.
From him, Allah (swt) we came and to him we shall return. We take with us only our deeds. Here we come to good deeds and bad deeds. What is to be remembered here again our deeds are what we do, how we treat our fellow beings in the world and how we behave in the world and what we cause as a result of our conduct, speech and behavior and deeds and how charitable or otherwise, we are. Essentially how much caring and sharing, we exercise in our life amount to our deeds here. Mostly we might see there is the system of use and abuse going on around us. We are part of the same system and involved in the same type of deeds. But there is a thread of light all around us which shows the path of good, right and peace and justice. If we go forward looking for good than we will find only goodness.
It’s a ‘Niamat‘ and ‘Barakah‘ that we have a belief in the ‘Day of Judgment’ too, all things considered. Day of Judgement is when all our good deeds and bad deeds will be considered, and Allah (SWT) will grant us ‘Heaven / Paradise’ or “Hell Fire”. If humanity has this belief that we are answerable for all our deeds to a superior power, than this will stop it from committing all crimes and bad deeds, from smallest of bad deeds, like hurting someone with bad words, even.
See ! He is giving us, guidance, showing us the way of a pious, clean, spiritual and just life, promising to preserve this book for us till the end of time, promising us rewards for the good deeds that we are able to amass, because of his naimat and barakah, in the hereafter. So , which of the blessings, gifts and favours given by our Lord and Master, are we going to deny ?
May Allah (SWT) grant us with the Baraakah for believing in the essential goodness of human nature.
This song from “Lagaan’ is a special one. The song’s title is ‘Mitwa’, and every time I am looking for a celebratory song, this keeps coming to memory. It is all about hope and spirit to win and overcome the difficulties in life, with strength and aplomb. Javed Akhtar is the lyricist and AR Rehman is composer. It is a group song which became a speciality of AR Rehman. The singing voices are Alka Yagnik, Udit Narayan, Sukhwinder Singh and Srinivas. This is one of my favourite songs by Udit Narayan, for the rally that he sang in the mukhdaa. There should be a category of ‘mitwaa‘ songs too, as there are many classic songs in the Golden era. I have one more ‘mitwa‘ song in my sights for writing a post. If I can find one more inspiring song in the category, will try to make a trilogy of posts on ‘Mitwaa”.
Meanwhile, the holy month of ‘Ramadhan’ has ended, with ‘Eid-ul-fitr’ also come and gone, I take this opportunity to wish everyone Eid Mubarak, belatedly. May Allah (SWT) grant your wishes and answer your prayers.
Audio
Video
Song – O Mitwa, Sun Mitwa, Tujh Ko Kya Darr Hai Re (Lagaan) (2001) Singer – Sukhwinder Singh, Udit Narayan, AlkaYagnik, Srinivas, Lyrics – Javed Akhtar, MD – AR Rehman
Udit-Srinivas
Udit-Alka
Udit-Alka-Srinivas
All
Lyrics
har sant kahe
saadhu kahe
sach aur saahas hai jiske mann mein
ant mein jeet usee ki rahe
aa jaa re aa jaa re
aa jaa re aa jaa re
bhale kitne lambe hon raste ho
thake na tera ye tan ho
aa jaa re aa jaa re
sun le pukaare dagariya
rahe na ye raste taraste ho
tu aajaa re
iss dharti ka hai raja tu
yeh baat jaan le tu
kathinaai se takra ja tu
nahin haar maan le tu
oo mitwa
sun mitwa
tujh ko kya darr hai re
ye dharti apni hai
apnaa ambar hai re
oo mitwa
sun mitwaaaa
tujh ko kya darr hai re
ye dharti apni hai
apna ambar hai re
tu aa jaa re ea ea
sun lo re mitwaaaaa aa aaa
jo hai tumre mann mein
wohi hamre mann mein
jo sapna hai tumra
sapna wohi hamra hai ea ea
jeewan mein
haan
chale ham liyee
aasa ke diye nainan mein
diye hamri aasaaon ke
kabhi bujh na paayen
kabhi aandhiyaan jo aa ke
in ko bujhaayen
oo mitwa
sun mitwa
tujh ko kya darr hai re
ye dharti apni hai
apna ambar hai re
oo mitwa
sun mitwa
tujh ko kya darr hai re
dharti apni hai
apna ambar hai re
tu aa jaa re eaea
taanaa tana na
taanaanananana
taanaa tana na
taanaa nananana
taanaa tana na
taanaa nana nana
aa jaa re
taanaa tana na
taanaanananana
taanaa tana na
taanaanananana
taanaa tana na
taanaa nana nana
aa jaa re
sun lo re mitwa..aa..aa
purva bhi gaayegi
masti bhi chhaayegi
mil ke pukaaro to
phoolon wali jo rut hai..ea..ea
aayegi
haan
sukh bhare din
dukh ke bin
laayegi
hum-tum sajaayen aao
rangon ke mele
rehte ho bolo kaahe
tum yun akele..ea
e mitwa
sun mitwa
tujh ko kya darr hai re
ye dharti apni hai
apna ambar hai re
oo mitwa
sun mitwa
tujh ko kya darr hai re
ye dharti apni hai
apna ambar hai re
tu aa jaa re..ea
har sant kahe
saadhu kahe
sach aur saahas hai jis ke mann mein
ant mein jeet usee ki rahe
oo mitwa
sun mitwa
tujh ko kya darr hai re
ye dharti apni hai
apna ambar hai re
oo mitwa
sun mitwa
tujh ko kya darr hai re
ye dharti apni hai
apna ambar hai re
oo mitwa
sun mitwa
tujh ko kya darr hai re
ye dharti apni hai
apna ambar hai re
oo mitwa
sun mitwa
tujh ko kya darr hai re
ye dharti apni hai
apnaa ambar hai re
tu aa jaa re ea ea
tu aa jaa re ea ea
tu aa jaa re ea ea
tu aa jaa re ea ea
———————————————————-
Hindi script lyrics (Provided by Nahm)
———————————————————-
हर संत कहे
साधु कहे
सच और साहस है जिस के मन में
अंत में जीत उसी की रहे ।
आजा रे आजा रे
आजा रे आजा रे
भले कितने लम्बे हों रस्ते हो …
थके न तेरा ये तन हो …
आजा रे आजा रे
सुन ले पुकारे डगरिया
रहे न यह रस्ते तरसते हो
तू आ जा रे
इस धरती का है राजा तू
ये बात जान ले तू
कठिनाईसे टकरा जा तू
नहीं हार मान ले तू
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
तू आ जा रे ए ए ए ए
सुन लो रे मितवाआ आ आ
जो है तुमरे मन में
वो ही हमरे मन में
जो सपना है तुमरा
सपना वही हमरा है ए ए
जीवन में
हाँ
चले हम लिए
आशा के दिये नैनन में
दिये हमरी आशाओं के
कभी बुझ न पाएँ
कभी आंधियान जो आ के
इन को बुझाएँ
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
तू आ जा रे ए
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
तू आ जा रे ए ए ए ए
ताना तान न
तानान न न न
ताना तान न
तानान न न न
ताना तान न
तानान न न न
आ जा रे
ताना तान न
तानान न न न
ताना तान न
तानान न न न
ताना तान न
तानान न न न
आ जा रे
सुन लो रे मितवाआ आ आ
पुरवा भी गाएगी
मस्ती भी छाएगी
मिल के पुकारो तो
फूलों वाली जो रूत है ए ए
आएगी
हाँ
सुख भरे दिन
दुख के बिन
लाएगी
हम तुम सजाएँ आओ
रंगों के मेले
रहते हो बोलो काहे
तुम यूं अकेले ए
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
तू आ जा रे ए
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
तू आ जा रे ए ए ए ए
हर संत कहे
साधु कहे
सच और साहस है जिस के मन में
अंत में जीत उसी की रहे ।
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
ओ मितवा सुन मितवा
तुझ को क्या डर है रे
ये धरती अपनी है
अपना अंबर है रे
तू आ जा रे ए ए ए ए
तू आ जा रे ए ए ए ए
तू आ जा रे ए ए ए ए
तू आ जा रे ए ए ए ए
Where’s The Party Tonight
Posted on: June 20, 2019
- In: "Disco" song | Club song | Dance song | DJ song | Free Spirit Song | Group Dance | Guest posts | Loy Mendosa Songs | Party song | playful song | Post by Peevesie's mom | Shaan Songs | Shanker Mahadevan Songs | Song sung by three or more singers | Songs of 2000s (2001 to 2010) | Songs of 2006 | Vasundhara Das Song | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3989 | Post No. : | 15078 | Movie Count : |
4136 |
I hope to bring in a party mood with today’s post. We are celebrating something very important. We are wishing our leader good health, good times, good infrastructure in the form of uninterrupted power supply and good broadband facilities. We are also wishing that he never loses interest in adding new posts and finds for us hitherto unheard songs from rare movies and gives us rare combinations in terms of music directors, singers, actors etc. And I promise on behalf of fellow followers of the blog that we will not stop following the blog, keep sending new farmaishes (requests), and the regulars will also help you keep track of upcoming milestones, birthdays anniversaries etc.
I am sure I have the support of all Atulites in what I have promised our dear Atulji. So, let us all wish him a very Happy Birthday. May you relentlessly keep the blog moving. 🙂
The party song with this post is from Dharma Prorductions’ 2006 release ‘Kabhi Alvida Naa Kehna’ which was directed by Karan Johar and starred his friend and favourite Shahrukh Khan with Rani Mukherjee, Preity Zinta, Kiron Kher, Amitabh Bachchan, Abhishek Bachchan with guest appearances by Arjun Rampal, Kajol and a few others. The movie had Shankar-Ehsaan- Loy for music directors and Javed Akhtar as the lyricist. Today’s song is in the voices of Shankar Mahadevan, Loy Mendonsa, Vasundhara Das and Shaan.
Happy Birthday Atulji!!! Lets party tonight.
Audio
Video
Song – Where’s The Party Tonight (Kabhi Alvida Na Kehna) (2006) Singer – Shankar Mahadevan, Loy Mendonsa, Vasundhara Das, Shaan, Lyrics – Javed Akhtar, MD – Shankar-Ehsaan-Loy
Shankar Mahadevan + Vasundhara Das
Female Chorus
Male Chorus
All Together
Lyrics
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite
dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite
dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night
pyare pyare lamhe
lamhe lamhe
pyari pyari baatein
baatein baatein
sapno ke din hain
din hain din hain
sapno ki raatein
raatein raatein
ho gunje hai dil ke tarane
bajne hai geet suhane
behke hai sare deewane
toh nach le nach le whole night
where’s the party tonight
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight
dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite
oooo sajna aa
oooo sajna aa
tere bina main nahi
ooooooo
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight
jo meri manzil tha,
paagal jispe dil tha
ha wo mujhe mil gaya
phool jo mehka tha,
jispe dil behka tha
baahon mein woh khil gaya
meheki hai pyar ki raahein,
beheki hai saari nigahein
phaili hai khwabon ki baahein
toh nachle nachle whole night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight
nach
nach all nite
get it right
nach
nach all nite
get it right
meri ye kahani
jiski hoon deewani
woh hai deewana mera
jo hai dil ki rani
usko bhi zabani
yaad hai fasana mera
ho puri hui koi kahani
mil gayi dil ki nishani
jhoom uthi ye zindagaani
toh nachle nachle all night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
aaaa aaaaa
aaa aaaaaa
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments