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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Geeta Dutt solo’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3910 Post No. : 14968

“Bahu Beti”(1952) was directed by C L Dheer for Badoda Theatre Limited Bombay. This “social” movie had Geeta Bali, Amarnath, Jaswant, Vijaylaxmi, Rashid, Leela Mishra, S Nazeer, Nazirabai etc in it.

This movie had seven songs in it. Six songs were penned by Kaifi Azmi and one by Vishwamita Adil. Two song from the movie has been covered in the past.

Here is the fourth song from “Bahu Beti”(1952) to appear in the blog. This song is sung by Geeta Dutt. Kaifi Azmi is the lyricist. Music is composed by S D Batish.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the pictturisation of this rare song.


Song-Khata ho kisi ki kisi ko saza do(Bahu Beti)(1952) Singer-Geeta Dutt, Lyrics-Kaifi Azmi, MD-S D Batish

Lyrics

dil jala yaaden jalin
ek ik tamanna jal gayi
aag ghar mein kya lagi
duniya aa aa ki duniya jal gayi

haaye
khata ho kisi ki
kisi ko saza do
khata ho kisi ki
kisi ko saza do
ye insaaf kaisa hai
itna bata do
khata ho kisi ki

bahaaron ke mausam mein rona pada hai
zara mujhko rona tadapna sikha do
khata ho kisi ki

bahut yaad aayega beeta zamaana
mera kya mujhe tum bhula do bhula do
khata ho kisi ki

basaai thhi kitni muraadon ki duniya
muraadon ki duniya
agar chaahte ho mitaana mita do
khata ho kisi ki

bade qeemti hain mohabbat ke aansu
mohabbat ke aansu
koi jaa ke un par
ye moti luta do
khata ho kisi ki
kisi ko saza do
ye insaaf kaisa hai
itna bata do
khata ho kisi ki

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3905 Post No. : 14961

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Blog 10-Year Challenge (2009-19) – Song No. 23
————————————————

On 28th March of 2009, six songs had made their appearance on the blog. The songs and the films represented are listed below.

 

Man Darpan Hai Dushman 1939
Mitti Se Khelte Ho Patita 1953
Sach Kahta Hoon Bahut Haseen Ho Jaali Note 1960
Chanda Re Mori Patiyaan Le Jaa Banjaarin 1960
Baalamwa Bolo Na Bolo Na Picnic 1966
Yoon Na Sharmaa Phailaade Apni Gori Gori Baanhen Parwaana 1971

 

Of these six films, ‘Dushman’ (1939), ‘Patita’ (1953), ‘Jaali Note’ (1960), ‘Picnic’ (1966) and ‘Parwaana’ (1971) have been yippeee’d by now. The 1960 film ‘Banjaarin’ remains. This film has eight songs in all. Three songs have been showcased here. Today, we bring on the fourth song, on the 10th anniversary of this film’s debut here.

‘Banjaarin’ is produced by Ratan, under the banner of Ratan Pictures, Bombay. The film is a costume drama, directed by Jaswant Jhaveri.  The list of actors reads like Kanchan Kamini, Manhar Desai, Lalita Kumari, Sundar, Indira Bansal, Dalpat, Pal Sharma, Neelu, Shri Bhagwan, Bela, TN Sinha, Saroj, Murari, Paro, Prayag, Rehana, Paulson, Geeta, Chetan Kumar, Malika, Sheela R, CH Singh, Shekhar Purohit, Shriram, and S Chaddha.

The eight songs of this film are all penned by Pt Madhur. The music is by Pardesi – a lesser known artist whose name appears as music director for maybe 4 or 5 films only. The singing voice in this song is Geeta Dutt.

The video clip of this song is available. The clip is somewhat dim, and hence much details or even identification of artists on screen is not very feasible. The song is overlapped with a lot of other action in the film. The song itself seems to be a club dance song, or maybe a villain’s den song. There are a number of artists, but I am able to recognize only Sunder. I am not able to identify the main dancer in this song. Is that Sheela Ramani? I am not sure. I would request our more knowledgeable readers to please help with identification of artists.

The song is constructed well. I am hearing it for the first time today. It sure has an interesting rhythm and beat to it, and it has been rendered by Geeta Dutt with the customary zest. Listen and enjoy.

[PS: I have not been able to decipher two words in the first stanza. I request other folks to please help insert the correct words.]

Song – Qismat Ke Khel Tu Khel Khilaadi  (Banjaarin) (1960) Singer – Geeta Dutt, Lyrics – Pandit Madhur, MD – Pardesi

Lyrics

qismat ke khel tu khel khilaadi
qismat ke khel tu khel khilaadi
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi
qismat ke khel tu khel khilaadi

zindagi ki karwaten kaanton pe liye ja
aaya hai duniya mein to kuchh naam kiye ja
zindagi ki karwaten kaanton pe liye ja
aaya hai duniya mein to kuchh naam kiye ja
daanv badha josh mein
rehna magar hosh mein
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi

jeet kabhi haar baney
haar kabhi jeet
daanv laga zindagi ka khel ki ye reet
daanv badha josh mein
rehna magar hosh mein
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi

tu kisi se kam nahin majboor nahin hai
aur din bhi kaamyaabi ke ab door nahin hain
tu kisi se kam nahin majboor nahin hai
aur din bhi kaamyaabi ke ab door nahin hain
daanv badha josh mein
rehna magar hosh mein
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi
qismat ke khel tu khel khilaadi

daanv badha josh mein
rehna magar hosh mein
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi
qismat ke khel tu khel khilaadi

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

किस्मत के खेल तू खेल खिलाड़ी
किस्मत के खेल तू खेल खिलाड़ी
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी
किस्मत के खेल तू खेल खिलाड़ी

जिंदगी की करवटें काँटों पे लिए जा
आया है दुनिया में तो कुछ नाम किए जा
जिंदगी की करवटें काँटों पे लिए जा
आया है दुनिया में तो कुछ नाम किए जा
दांव बढ़ा जोश में
रहना मगर होश में
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी

जीत कभी हार बने
हार कभी जीत
दांव लगा ज़िंदगी का खेल की ये रीत
दांव बढ़ा जोश में
रहना मगर होश में
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी

तू किसी से कम नहीं मजबूर नहीं है
और दिन भी कामयाबी के अब दूर नहीं हैं
तू किसी से कम नहीं मजबूर नहीं है
और दिन भी कामयाबी के अब दूर नहीं हैं
दांव बढ़ा जोश में
रहना मगर होश में
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी
किस्मत के खेल तू खेल खिलाड़ी

दांव बढ़ा जोश में
रहना मगर होश में
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी
किस्मत के खेल तू खेल खिलाड़ी


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3877 Post No. : 14899

“Razia Sultana”(1961) was directed by Devendra Goyal for Movie India, Bombay. This historical movie had Nirupa Roy (in title role), Jairaj, Kamran, M Kumar, N A Ansari, Agha, Sadhana Chaudhary, Leela Mishra, Rajan Kapoor, S M Sagar, Narad Muni, Madhumati, Jeewan Kala, Meena, Maqbool etc in it.

The movie had seven songs in it. Three of these songs have been covered in the past.

Here is the fourth song from “Razia Sultaana”(1961) to appear in the blog.

This song is sung by Geeta Dutt and chorus. Kaifi Azmi is the lyricist. Music is composed by Pt Lachchiram.

The song is picturised as a “sahelis teasing a lady” genre of song, where the teased lady is Nirupa Roy. She may have played the Empress in this movie, but in Hindi movies, even an empress is not exempted from being teased by her sahelis. 🙂

This song was lying in the drafts pages of the blog for several years and this song finally gets published today.

I am not able to identify the lady lip syncing the song. I request our knowledgeable readers to help identify her.


Chali jaati chhabeeliya matakti(Razia Sultana)(1961) Singer-Geeta Dutt, Lyrics-Kaifi Azmi, MD-Pt Lachchiram
Chorus

Lyrics

ho o o o o
o o o o o
ho o o o o
ho o o o o o
o o o

chali jaati chhabiliya matakti
hoy
o o o o o
o o o o

ho chali jaati
chali jaati chhabiliya matakti
wo to daaman ko apne jhatakti
chali jaati chhabiliya matakti

bhesh badal ke gori nikli nakhre kare hazaar
bhesh badal ke gori nikli
nakhre kare hazaar

ghaat mein baitha
arre ghaat mein baitha
mast shikaari
kar gaya dil par waar
najar ka teer khaaye
hoy
koi peeda chhupaaye
kahin tan man ganwaaye hoy

phire ban ban hirniya hiraniya bhatakti
chali jaati
hoy chali jaati chhabiliya matakti
wo to daaman ko apne jhatakti

chupke chupke chanchal armaan dil mein le angdaayi
chupke chupke chanchal armaan
dil mein le angdaayi

dheeme dheeme
are dheeme dheeme man mein
jaise bajti ho shahnaayi
lage panghat pe mele
hoy
hawa baalon se khele
hawa baahon mein lele
hoy

kaho kyun na jawaani machalti atakti chali jaati
ho chali jaati chhabiliya matakti
wo to daaman ko apne jhatakti
chali jaati chhabiliya matakti


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3831 Post No. : 14838

Today, January 13th 2019 is the 92nd birth anniversary of one of the prominent Hindi film producers-directors who debuted in early 1950s as a director. In the 1960s, he mostly produced and directed romantic and musical films. In the 1970s and thereafter, he produced and directed films with emotional contents. He is Shakti Samanta, a self-made man after struggling for almost a decade to get a firm foothold in Hindi film industry. He had made immense contributions to Hindi film industry.

Shakti Samanta (13/01/1926 – 09/04/2009) was born in Burdwan (now Bardhaman in West Bengal). His father was an engineer who died in an accident while Shakti Samanta was a child. So, he was sent to his uncle’s place in Dehradun where he did the schooling. After completion of his intermediate, he came back to Calcutta (Kolkata) and completed his graduation in 1944.

Shakti Samanta went back to his uncle’s place to help him in his business. During his school days, he had become a fan of films produced by New Theatres and Bombay Talkies for their emotional and romantic contents respectively. So he had a fascination for becoming an singer-actor in Hindi films. Obviously, he spent more time in acting in local drama theatres than in the business work for which he was reprimanded by his uncle. Sometime in early 1947, he decided to leave his uncle’s house for Bombay (Mumbai) to pursue his wish to become a singer-actor. He took a job of a teacher in a Urdu school in Dapoli, about 200 kms from Mumbai to sustain himself while he scouted for acting roles in Mumbai.

Since it was a Muslim-run school, every Friday, Shakti Samanta would visit Mumbai to take a round of studios and return to Dapoli by late evening. There were many Bengalis in the Bombay Talkies which enabled him at least to gain entry into Bombay Talkies studio. Eventually, he got a free-lance job without pay but with free food at the canteen of the Bombay Talkies. Since he was proficient in Hindi and Urdu in addition to Bengali, he got work of translating the scripts written in Bengali into Hindi for director, Phani Majumdar for which he was paid.

One day, he met S D Burman who was composing music for ‘Do Bhai’ (1947), to get a playback singing work. S D Burman told him that though his voice was good, it was not good enough for the playback singing. So he advised Shakti Samanta to look for work in some other departments though he offered to take him for chorus singing. With this, it was the end of his dream of becoming a singer but the acting bug in him remained.

It was Ashok Kumar who told him to forget about becoming an actor and instead concentrate on film direction. In Bombay Talkies, he became the First Assistant to Director, Phani Majumdar. At that time, Guru Dutt was the First Assistant to Director, Gyan Mukherjee. When Phani Majumdar had no assignment, Shakti Samanta used to work as Second Assistant to Gyan Mukherjee. On the other hand, when Gyan Mukherjee had no assignments, Guru Dutt used to work as Second Assistant to Phani Majumdar. So in 1947, Guru Dutt and Shakti Samanta were familiar with each other. While Guru Dutt could get his first directorial assignment for ‘Baazi’ (1951), it was a long wait for Shakti Samanta to make a debut as a director in 1955.

Post-partition, after the initial hiccups due to migration of film artists and technicians, Shakti Samanta got some assignments like assistant to the director Satish Nigam in ‘Sunhere Din’ (1948) and to Phani Majumdar in ‘Tamasha’ (1952) and ‘Dhobi Doctor’ (1954). He wrote script and dialogues for Bombay Talkies ‘Baadbaan’ (1954).

Shakti Samanta’s debut film as a director was ‘Bahu’ (1955) which he got by a sheer luck. The film was produced by Bikram Pahwa which was to be directed by the writer, Vijendra Gaud. However, he had already signed his first directorial venture, ‘Kasturi’ (1954) and Shakti Samanta was his Assistant Director for this film. Vijendra Gurd was under contract not to take up direction in any other film until ‘Kasturi’ 1954) was released. Shakti Samanta got the opportunity to direct his debut film ‘Bahu’ (1955) as director. The film did not do well on the box office.

During the making of the ‘Bahu’ (1955), Shakti Samanta was signed to direct A. A. Nadiadwala’s film ‘Inspector’ (1956) in which his mentor, Ashok Kumar was paired with Geeta Bali. The film became a hit and with this film, Shakti Samanta was tagged as a successful director for the crime thrillers. After directing ‘Hill Station’ 1957 and ‘Sheroo’ (1957), Shakri Samanta floated his own banner, Shakti Films in 1957.

The first film under his banner, Shakti Films was ‘Howrah Bridge’ (1958) in which his mentor, Ashok Kumar was paired with Madhubala. The film was also a crime thriller and became hugely successful in terms of box office. This gave him enough money to produce and direct a film in the genre of social drama, ‘Insaan Jaag Utha’ (1959). The film did the average business despite some excellent song compositions by S D Burman.

Shakti Samanta directed next two successful thrillers, ‘Jalli Notes’ (1960) and ‘Singapore’ 1960) for other producers. His association with Shammi Kapoor and Jaikishan of Shankar-Jaikishan started with the film ‘Singapore’ (1960) and thereafter they became close friends. The trios were known as Shammi, Shakki and Jackie.

With ‘Naughty Boy’ (1962), Shakti Samanta entered into his first romantic comedy genre with Kishore Kumar and Madhubala in the lead roles. When about 10 reels of film were shot, Madhubala fell ill. She was taken to London for treatment. Since there was some uncertainty in her resuming shooting, Shakti Samanta replaced her with Kalpana. All shots of Madhubala were reshot with Kalpana. The film took a long time to complete as Kishore Kumar also got busy with taking care of Madhubala. To make the matter worst, S D Burman, the film’s music director, also fell ill. As a result, except for one song, rest of the songs of the film were recorded by R D Burman and Jaidev.

The delay in the completion of the film put Shakti Samanta in financial difficulties. He approached his good friend, Shammi Kapoor for finance who advised him to produce a new film in which he would act and partly finance the film. So ‘China Town’ (1962) was conceived. The film was released in August 1962 and became a box office hit. With money flowing in from the success of ‘China Town’ (1962), Shakti Samanta completed ‘Naughty Boy’ (1962) and got released in November 1962. The film failed at the box office.

After the debacle of ‘Naughty Boy’ (1962), Shakti Samanta seems to have shifted the focus on producing and directing the genre of romantic and musical films. He had with him now Shammi Kapoor and Jaikishan to support such a genre of films. The film ‘Kashmir Ki Kali’ (1964) was conceptualized with his two friends in mind. He had roped in a new comer, Sharmila Tagore whose parents were the family friend of Shakti Samanta, to act opposite Shammi Kapoor. It was a foregone conclusion that Shankar-Jaikishan would be the music director.

When O P Nayyar came to know about the new film, he requested Shakti Samanta to at least listen to his tunes before deciding on the music director. He also invited Shammi Kapoor for a musical sitting. Both were so much impressed with some 40 odds tunes O P Nayyar churned out, that both Shakti Samanta and Shammi Kapoor decided to take O P Nayyar as music director for ‘Kashmir Ki Kali’ (1964) and selected 12 tunes out of which 9 tunes were used in the film and remaining 3 tunes were used in ‘Saawan KI Ghata’ (1966). The film was a blockbuster on the box office chart.

Shakti Samanta had lined up 3 films with Shammi Kapoor and Jaikishan combination. The first film, ‘Evening In Paris’ (1967) was a high budget film which were partly shot abroad. The film became successful at the box office. The second film ‘Pagla Kahin Ka’ (1970) was directed by Shakti Samanta for Ajit Chakravarty. The film was an average success. The third film, ‘Jaane Anjaane’ (1971) was in the planning stage when Shakti Samanta felt that Shammi Kapoor needed to reduce his weight before he started shooting for the film. He gave Shammi Kapoor six months’ time to reduce his weight. In the interregnum, Shakti Samanta decided to produce and direct a low budget social film ‘Aradhana’ (1969) which was his favourite genre inspired from the films of New Theatre. The saga of making of ‘Aradhana’ (1969) is interesting one.

Sometime in early 1960s, Sachin Bhowmik, the story, screen-play and dialogue writer had read out the story of Aradhana to Shakti Samanta. While he liked the story very much, he did not venture to make a film on the story as he felt that it would be difficult to get the lead actors to the roles envisaged in the story. This was also the views of Hrishikesh Mukherjee when Sachin Bhowmik had read out the story to him also. Since Shakti Samanta had now time to make a low budget film, he recalled the story of Aradhana and decided to make a low budget film.

Sharmila Tagore who was introduced in Hindi films by Shakti Samanta and Rajesh Khanna who was the discovery of United Producers-Filmfare Talent Contest (1965) in which Shakti Samanta was one of the judges, were taken for the lead roles. Sharmila Tagore was apprehensive of doing the mother’s role in her early filmy career. Rajesh Khanna had felt that his role had considerably lesser length than that of Sharmila Tagore whose presence in the film was from first to last frames. Shakti Samanta had to do a hard work to convince both the actors to remove their apprehensions as the roles were challenging from the acting point of view.

Since the story of the film was akin to the Bengali type of stories with emotional contents, Shakti Samanta was keen on S D Burman to take up the music direction of the film. However, here also he had to convince S D Burman to take up the music direction for the film. S D Burman rued that Shakti Samanta had so far engaged him as a music director only for his low budget films.

Just a day before ‘Aradhana’ (1969) was to start shooting, Surinder Kapoor, the producer of ‘Ek Shriman Ek Shrimati’ (1969) starring Shashi Kapoor and Babita invited Shakti Samanta to see rushes of the final climax of his film. He was shocked to see that the climax was the same as that was written for Aradhana. This was possible because both films were written by Sachin Bhowmick. The next day, Shakti Samanta had made up his mind to scrap Aradhana and asked Gulshan Nanda to work on his story, ‘Kati Patang’. But Gulshan Nanda along with another writer, Madhusudan Kalelkar convinced him that instead of scrapping the film, let there be some changes the second half of the story. Both of them reworked the second half of Aradhana in the next few hours and saved the film being scrapped.

When everything was set to start the shooting ‘Aradhana’, film distributors were not happy with casting the lead roles. They were of the view that the audience would not accept Sharmila Tagare in the role of mother who had so far done the glamorous roles. They also felt risky to give a new comer Rajesh Khanna the double role in the film. Again, Shakti Samanta was required to convince them that the lead actors would justify their roles.

‘Aradhana’ (1969) was completed in less than 6 months and was released sometime in October 1969. I had watched this film during the first week of its release as tickets were easily available. However, the box office collections of the film picked up from the second week onward mainly through words of mouth publicity. The film became the top grosser among the Hindi films released in 1969. The box office success of this film and later of ‘Bandhan’ (1969) and ‘Do Raaste’ (1970) made Rajesh Khanna a super star. In a print media interview, Shakti Samanta had acknowledged that from the gramophone record sales of ‘Aradhana’ only, he produced next five films. The records were dubbed and released in 5 languages, and were hits in every language.

With the success of ‘Aradhana’, Shakti Samanta ventured into producing more of social genre of films like ‘Kati Patang’ (1971), ‘Amar Prem’ (1972), ‘Anuraag’ (1972) which were also successful at the box office. However, after mid-1970, except for ‘Great Gambler’ (1979), Shakti Samanta could not get as much success at the box office as he got for his films in early 1970s. Just to balance the box office earnings, Shakti Samanta started producing bilingual films which were made in Hindi as well as in Bengali. He produced and directed the first bilingual film, ‘Amanush’ (1975) followed by ‘Anand Asharam’ (1979), ‘Barsaat Ki Ek Raat’ (1981), ‘Aar Paar’ (1985) etc.

In the 1990s, Shakti Samanta’s films could not match with the changing taste of the film audience. ‘Geetanjali’ (1993) was his last film as a director which failed at he box office. During this period, he had also become busy with his role as Chairman of the Film Censor Board for 7 years (1991-98) and as a Chairman of Satyajit Ray Film and Television Institute, Kolkata for 2 years. Hence, some of the films produced under the banner of Shakti Films were directed by his son, Ashim Samanta.

During his 5 decades of long filmy career, Shakti Samanta directed 37 films and produced 43 films under his banner, Shakti Films. He also co-produced and directed an Indo-Bangla Desh Bengali film in 1984 which became a super hit. He set up Aradhana Sound Service, the digital audio post-production facilities films. He received Filmfare Award for ‘Aradhana’ (1969), ‘Anuraag’ (1972) and ‘Amaanush’ (1975) under ‘Best Films’ category.

Shakti Samanta breathed his last on April 9, 2009 after a brief illness due to stroke.

For the occasion, I have selected a song from one of the films from Shakti Samanta’s struggling years to establish himself in the Hindi film industry. The song is ‘ye maara wo maara koi jeeta koi haara’ from ‘Hill Station’ (1957). The song is sung by Geeta Dutt on the lyrics of S H Bihari which is set to music by Hemant Kumar. From the lyrics and the tone of the song, it appears to be a club song probably picturised on Sheila Vaz.

——————————————————————————————————————-
Note: The information on Shakti Samanta with some associated anecdotes have been sourced from many interviews he gave both to the print media as well as to the electronic media, mostly during the 1990s. Some information has also been sourced from the interview Ashim Samanta gave for a FM Radio Channel in 2016.


Song-Ye maara wo maara (Hill Station)(1957) Singer-Geeta Dutt, Lyrics-S H Bihari, MD-Hemant Kumar

Lyrics

ye maara
wo maara

ye maara
wo maara
koi jeeta aur koi haara
haar jeet kaa khel ye dekho
kitna hai pyaara
ye maara

teri zindagi mein
aise mauke suhaane naa aayenge
teri zindagi mein
aise mauke suhaane naa aayenge
tere yahi patte
tera bigda muqaddar banaayenge
yahi chamkega teri naseeb ka taara
haar jeet ka khel ye dekho
kitna hai pyaara
o maara
ye maara wo maara
koi jeeta aur koi haara
haar jeet ka khel ye dekho
kitna hai pyaara
ye maara

dekh o matwaale
aaj se apna daaman bachaaye jaa
dekh o matwaale
aaj se apna daaman bachaaye jaa
sun ae bhole bhaale
kabhi kismat se dhokha bhi khaaye jaa
rona hansna to jeevan ka khel hai saara
haar jeet ka khel ye dekho
kitna hai pyaara
ho maara
ye maara wo maara
koi jeeta aur koi haara
haar jeet ka khel ye dekho
kitna hai pyaara
ho maara
ye maara
wo maara
koi jeeta aur koi haara
haar jeet ka khel ye dekho
kitna hai pyaara
ye maara


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3771 Post No. : 14746

“Anjna”(1948) was directed by Sam Popat for Alka Pictures, Bombay. The movie had Bharat Bhushan, Shalini, Neelam, Baazid,D. C. Dutt, S. K. Prem, Uma Dutt, Ratan Gaurang, Bismilla, Rosie vairale etc in it.
etc in it.

The movie had eight songs in it. One song is covered in the past.

Here is the second song from “Anjna”(1948). This song is sung by Geeta Dutt. Lyrics are penned by Vishwamitra Adil. Music is composed by D C Dutt.

Only the audio of this song is available. I request our knowledgeable readers to throw light on this movie as well as on the picturisation of this song.


Song-Dil ke geet gaayenge (Anjna)(1948) Singer-Geeta Dutt, Lyrics-Vishwamitra Adil, MD-D C Dutt

Lyrics

dil ke geet gaayenge
mil ke geet gaayenge
aaja dil milaayenge
mil ke geet gaayenge
dil ke geet gaayenge

preet lagaai hai jab tune
aaja preet nibhaayen baalma
aaja preet nibhaayen
preet lagai hai jab toone
aaja preet nibhaye balma
aaja preet nibhaayen
tu veena ban geet banu main
dono ghul mil jaye
o bedardi aaja
aaja dil milayenge
mil ke geet gaayenge
dil ke geet gaayenge

tera jeewan mera jeewan main teri tu mera
tera jeewan mera jeewan main teri tu mera
do din ka hai mela phir to uth jaayega dera
bedardi aaja
aaja dil milaayenge
milke geet gaayenge
dil ke geet gaayenge

jhilmil chamke aas ke tare
virah rain daraye
balma virah rain daraaye
jhilmil chamke aas ke taare
virah rain daraaye
baalma virah rain daraaye
yaad teri ek zehree naagin ban kar dasti jaaye
haaye re haaye bedardi aaja
aaja dil milaayenge
milke geet gaayenge
dil ke geet gaayenge

laane par majboor hoon main
tu jaane par majboor
laane par majboor hoon main
tu jaane par majboor
main to tujhse door nahin hoon
tu kyun mujhse door
bedardi aaja aaja dil milaayenge
milke geet gaayenge
dil ke geet gaayenge


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3749 Post No. : 14713

“Jai Hanuman” (1948) was directed by R Thakur for Ranjit Film Company, Bombay. The movie had S. N. Tripathi, Ram Kumar, Pesi Patel, P. Kailash, Nirupa Roy, K. Purohit, Babu Nene, Rajrani, Tarabai, Kamalakant, Inamdar etc in it.

The movie had twelve songs in it. One song has been covered in the past.

Here is the second song from “Jai Hanuman” (1948) to appear in the blog. This song is sung by Geeta Dutt. Pt Indra Chandra is the lyricist. Music is composed by Bulo C Rani.

Only the audio of this Ram bhajan is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Mohe raam naam dhun laagi (Jai Hanuman)(1948) Singer-Geeta Dutt, Lyrics-Pt Indra Chandra, MD-Bulo C Rani

Lyrics

mohe raam naam dhun laagi
mohe raam naam dhun laagi
jug jug ki preet jaagi preet jaagi
jug jug ki preet jaagi preet jaagi
mohe raam naam dhun laagi
mohe raam naam dhun laagi

ae re sheetal pavan thahar ja
ae re sheetal pavan thahar ja
mand mand ?? ram naam ka ka
mand mand ?? raam naam ka
goonj goonj kar sakal jagat ko
goonj goonj kar sakal jagat ko
kar de raam anuraagi
mohe raam naam dhun laagi
mohe raam naam dhun laagi
jug jug ki preet jaagi preet jaagi
jug jug ki preet jaagi preet jaagi
mohe raam naam dhun laagi
mohe raam naam dhun laagi

raam base more man praanan mein
ram base more man praanan mein
raam jyot jagi nainan mein
raam jyot jagi nainan mein
raam raam mein raam rame hain
rom rom mein ram rame hain
raam ki maaya laagi
mohe raam naam dhun laagi
mohe raam naam dhun laagi
jug jug ki preet jaagi preet jaagi
jug jug ki preet jaagi preet jaagi
mohe raam naam dhun laagi
mohe raam naam dhun laagi


Blog Day : 3709 Post No. : 14635

“Sipahsaalaar”(1956) was produced by F C Mehra and directed by Mohammad Hussain for Eagle Films, Bombay. The movie had Shammi Kapoor, Nadira, Shyam Kumar, Randheer, Kamal Mehra, S Nazeer, Samson, Kumkum, Helen, Cuckkoo, Jagdeesh Kamal, Amrit Rana, Rafiq, Ravikant, Kamal Mohan, Rajan Kapoor, Nazeer Kashmiri, Uma Dutt, Balaram, Sattar, Dhondhu, Habeeb etc in it.

The movie had six songs in it according to HFGK. But it seems that the sixth song (whose record number in not known) has the same lyrics and singers as fifth song, so these songs can be considered as one and the same. So effectively the movie had five songs in it. Three of these songs have been covered in the past.

Here is the fourth song from “Sipahsaalaar”(1956) to appear in the blog. This song is sung by Geeta Dutt. Farooque Kaiser is the lyricist. Muusic is composed by Iqbal.

Only the audio of this song is available. The song sounds like a dance song. Going by the sounds of it, this song could have been picturised on Cuckkoo, Kumkum or Helen. I request our kowledgeable readers to throw light on the picturisation of this lilting dance song.


Song-Aji o jee tumhen dekh jiya lahraaye (Sipahsalaar)(1956) Singer-Geeta Dutt, Lyrics-Farooque Kaiser, MD-Iqbal

Lyrics

aji oh ji

aji oh ji
tumhen dekh jiya lahraaye
zara apni nazar kabhi kar lo udhar
mera ang ang sharmaaye
aji oh ji
tumhen dekh jiya lahraaye
zara apni nazar kabhi kar lo udhar
mera ang ang sharmaaye
aji oh ji

tujhe meri kasam zara sun to balam
tujhe meri kasam zara sun to balam
tera pyaar kare mere dil pe sitam
mere dil pe sitam
mujhe roz roz tadpaaye
aji oh ji
tumhe dekh jiya lahraaye
zara apni nazar kabhi kar lo udhar
mera ang ang sharmaaye
aji oh ji

chup chaap rahoon
kuchh bhi na kahoon
chup chaap raoon
kuchh bhi na kahoon
tera dard piya kab tak main sahoon
kab tak mai sahoon
ye bhed aaj khul jaaye

aji oh ji
tumhe dekh jiya lahraaye
zara apni nazar kabhi kar lo udhar
mera ang ang sharmaaye
aji oh ji

main gaaun yahaan
tum jhoomo wahaan
main gaaun yahaan
tum jhoomo wahaan
wo baat karo bekaar jahaan
ki saare jahaan
ki saare jahaan
hamen dekh dekh jal jaaye
aji oh ji
tumhe dekh jiya lahraaye
zara apni najar kabhi kar lo udhar
mera ang ang sharmaaye
aji oh ji
tumhen dekh jiya lahraaye
zara apni nazar kabhi kar lo udhar
mera ang ang sharmaaye
aji oh ji


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3694 Post No. : 14609

“Mamta”(1952) was produced by R B Haldia and J L Sharma and directed by Gunjal for Sishaat Films, Bombay. The movie had Sumitra Devi, Ulhas, Mirza Musharraf, Rajan Haksar, Kamal Mehra, Chitralekha, Bhagwandas, Ramesh, Rajni, Shantabai, Sadiq, Kaabil amritsari, Baby Salma, Master Raja, G P Srivastava, Sheila, paro etc in it.

The movie had eight songs in it that were penned for four lyricists.

Four songs have been covered in the past.

Here is the fifth song from “Mamta”(1952) to appear in the blog. This song is sung by Geeta Dutt. Verma Malik is the lyricist. Music is composed by Sonik.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this rare song.


Teri kaali kaali ankhiyaan kanhaiyya (Mamta)(1952) Singer-Geeta Dutt, Lyrics-Verma Malik, MD-Sonik

Lyrics

teri kaali kaali ankhiyaan kanhaiya
teri kaali kaali ankhiyaan kanhaiya
main dil mein basa loon
main dil mein basa loon
teri gori gori bainya ho kanhaiya
teri gori gori bainya ho kanhaiya
main seene se laga loon
main seene se laga loon

o
o o o
teri nanhi nanhi palkon mein preet hai
ho preet hai
o
o o o
man meet ke sangeet ka tu geet hai
ho geet hai
mere nanhe munne pappu saanwariya
mere nanhe munne pappu saanwariya
main jhulna jhula loon
main jhulna jhula loon
teri kaali kaali ankhiya kanhaiya
teri kaali kaali ankhiya kanhaiya
main dil mein basa loon
main dil mein basa loon

o
o o o
chhidi pyaar mein hai bheeni bheeni raagini
meethi raagini
o
o o o
tu hai chaand aur main hoon rat chaandni
raat chaandni
tujhe laage na kisi ki najariya
tujhe laage na kisi ki najariya
aanchal mein chhupa loon
aanchal mein chhupa loon
teri kali kali ankhiyaan kanhaiya
teri kali kali ankhiyaan kanhaiya
main dil mein basa loon
main dil mein basa loon


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3677 Post No. : 14567

“Raaj Mukut” (1950) was directed by N Vakil for Mohan Pictures. The movie had Nimmi, Jairaj, Veena, Ramsingh, Sapru, Tabassum, R. Sinha etc in it.

The movie had eleven songs in it. Three of these songs have been covered in the blog.

Here is the fourth song from “Raaj Mukut” (1950) to appear in the blog. The song is sung by Geeta Dutt (then Geeta Roy). Bharat Vyas is the lyricist. Music is composed by Pt Govindram.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Meri lagi kisi se preet duniya kya jaane (Raj Mukut)(1950) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Pt Govind Ram

Lyrics

meri lagi kisi se preet
duniya kya jaane
ho kya jaane
ho meri lagi kisi se preet
duniya kya jaane
ho kya jaane
mujhe mil gaya man ka meet
mujhe mil gaya man ka meet
duniya kya jaane
ho kya jaane
ho kya jaane
meri lagi kisi se preet
duniya kya jaane
ho kya jaane

nainon ki baazi lagi
chale teer talwaar haan
nainon ki baazi lagi
chale teer talwaar
jeet gaya koi mujhe
aur gayi main haar
jeet gaya koi mujhe
aur gayi main haar
hai ajab preet ki reet
duniya kya jaane
ho kya jaane
meri lagi kisi se preet
duniya kya jaane
ho kya jaane

mere dil pe ho gaya
sainya ji ka raaj
mere dil pe ho gaya
sainya ji ka raaj
main unki raani banoon
wo mere sartaaj
main unki raani banoon
wo mere sartaaj
dil liya kisi ne jeet
duniya kya jaane
ho kya jaane
ho meri lagi kisi se preet
duniya kya jaane
ho kya jaane

aaj hai bagiya mein khile rang barange phool
aaj hai bagiya mein khile rang barange phool
daal ke jhoola prem ka
koi raha hai jhool
dal ke jhoola prem ka
koi raha hai jhool
man gaaye madhur sangeet
duniya kya jaane
ho kya jaane
man gaaye madhur sangeet
duniya kya jaane
ho kya jaane
mujhe mil gaya man ka meet
mujhe mil gaya man ka meet
duniya kya jaane
ho kya jaane
ho kya jaane
meri lagi kisi se preet
duniya kya jaane
ho kya jaane


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3666 Post No. : 14539

“Yahudi Ki Ladki”(1957) was produced and directed by S D Narang for New Oriental Pictures, Bombay. This movie had was Madhubala, Pradeep Kumar, Gajanan Jagirdar, Heeralal, Suder, Narang, Smriti Biswas, Amar, Krishnakant, Krishn Kumari, Dhanraj, Amrit Rana, Kamla Mukherji, Helen, Sheila Vaz, Meena, Tuntun, Ranjana Kumari, Premlata, Z Hussain, H A Rahi, Ramlal, H Prakash, M Harun, Dabboo, Babboo, Prithviraj, Baby Rajratan, Salma etc. The film also had a pair of Egyptian dancers in it namely Lyas and Lyan.

The movie had eight songs in it. Two songs have been covered in the past. Here is the third song from “Yahudi Ki Ladki”(1957) to appear in the blog. The song is sung by Geeta Dutt. S H Bihari is the lyricist. Music is composed by Hemant Kumar.

Only the audio of the song is available. It appears to be a dance song. I request our knowledgeable readers to throw light on the picturisation of the song.

I have not bee able to get a few words (sound like gibberish words to me). I request our readers with keener ears to tell us what words they could be.


Song-Duniya se dil lagaa ke (Yahudi Ki Ladki)(1957) Singer-Geeta Dutt, Lyrics-S H Bihari, MD-Hemant Kumar

Lyrics

dammaara
dammaara
???
???
dammaara
dammaara
???
???

duniya se dil lagaa ke
humse aankhen milaa ke
pal bhar tu muskuraa ke jhoom le
ae ae ae ae
duniya se dil lagaa ke
humse aankhen milaa ke
pal bhar tu muskuraa ke jhoom le
ae ae ae ae

mehfil mein aaj koi aaya aa aa
aankhon mein jhoomti bahaar hai laaya
mehfil mein aaj koi aaya aa aa
aankhon mein jhoomti bahaar hai laaya
samjho usi ka hai zamaana
aa aa
duniya se jisne hai pyaar badhaaya
hamko apna banaa ke
duniya ka gham bhulaa ke
pal bhar tu muskuraa ke jhoom le
ae ae ae ae
duniya se dil lagake
humse aankhe milake
pal bhar tu muskuraa ke jhoom le
ae ae ae ae

dammaara
dammaara
???
???
dammaara
dammaara
???
???

mushqil hai toone ye na jaana aa aa
tere liye hai mere dil ka khazaana
mushqil hai toone ye na jaana aa aa
tere liye hai mere dil ka khazaana
naghmaa hai teri zindagi ka aa aa
honthon pe aaj mere pyaar ka taraana
dil ki duniya basaa ke
soye armaan jagaa ke
pal bhar tu muskurake jhoom le
ae ae ae
duniya se dil lagaa ke
humse aankhe milake
pal bhar tu muskuraa ke jhoom le
dammaara
dammaara
???
???
dammaara
dammaara
???
???


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15000 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15003

Number of movies covered in the blog

Movies with all their songs covered =1167
Total Number of movies covered =4106

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