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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 2000s (2001 to 2010)’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3989 Post No. : 15078 Movie Count :

4135

I hope to bring in a party mood with today’s post. We are celebrating something very important. We are wishing our leader good health, good times, good infrastructure in the form of uninterrupted power supply and good broadband facilities. We are also wishing that he never loses interest in adding new posts and finds for us hitherto unheard songs from rare movies and gives us rare combinations in terms of music directors, singers, actors etc. And I promise on behalf of fellow followers of the blog that we will not stop following the blog, keep sending new farmaishes (requests), and the regulars will also help you keep track of upcoming milestones, birthdays anniversaries etc.

I am sure I have the support of all Atulites in what I have promised our dear Atulji. So, let us all wish him a very Happy Birthday. May you relentlessly keep the blog moving. 🙂

The party song with this post is from Dharma Prorductions’ 2006 release ‘Kabhi Alvida Naa Kehna’ which was directed by Karan Johar and starred his friend and favourite Shahrukh Khan with Rani Mukherjee, Preity Zinta, Kiron Kher, Amitabh Bachchan, Abhishek Bachchan with guest appearances by Arjun Rampal, Kajol and a few others. The movie had Shankar-Ehsaan- Loy for music directors and Javed Akhtar as the lyricist. Today’s song is in the voices of Shankar Mahadevan, Loy Mendonsa, Vasundhara Das and Shaan.

Happy Birthday Atulji!!! Lets party tonight.

 

Song – Where’s The Party Tonight  (Kabhi Alvida Na Kehna) (2006) Singer – Shankar Mahadevan, Loy Mendonsa, Vasundhara Das, Shaan, Lyrics – Javed Akhtar, MD – Shankar-Ehsaan-Loy
Shankar Mahadevan + Vasundhara Das
Female Chorus
Male Chorus
All Together

Lyrics

nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night

nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night

pyare pyare lamhe
lamhe lamhe
pyari pyari baatein
baatein baatein
sapno ke din hain
din hain din hain
sapno ki raatein
raatein raatein
ho gunje hai dil ke tarane
bajne hai geet suhane
behke hai sare deewane
toh nach le nach le whole night

where’s the party tonight
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight

dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

oooo sajna aa
oooo sajna aa
tere bina main nahi
ooooooo

i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight

jo meri manzil tha,
paagal jispe dil tha
ha wo mujhe mil gaya
phool jo mehka tha,
jispe dil behka tha
baahon mein woh khil gaya
meheki hai pyar ki raahein,
beheki hai saari nigahein
phaili hai khwabon ki baahein
toh nachle nachle whole night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight

nach
nach all nite
get it right
nach
nach all nite
get it right

meri ye kahani
jiski hoon deewani
woh hai deewana mera
jo hai dil ki rani
usko bhi zabani
yaad hai fasana mera
ho puri hui koi kahani 
mil gayi dil ki nishani
jhoom uthi ye zindagaani
toh nachle nachle all night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
aaaa aaaaa

aaa aaaaaa

i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight

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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3968 Post No. : 15051 Movie Count :

4129

Hullo Atulwaasis

Today’s song is for all those who relish old songs. I am sure they will like it more because it is in black ‘n’ white. Now the majority of the blog’s followers will say – “oh, a song from the 40s,50s or 60s”. Next, I will say it is sung by Shekhar Ravijani AND Sneha Pant. I am sure the reaction to this would be “WHO?!!”. Finally, I will say that its written by Vishal Dadlani and music directors are Vishal (Dadlani) and Shekhar (Ravijani) and is from a movie released in 2006.

Now I have everyone’s attention, I think?

Let us first wish our dear Shri Paresh Rawal a very happy birthday. He turns 65 today. I am not sure when was the first time I saw him on screen but he has been an entertainer since 1984 in films and prior to that I am sure he must have done some theatre as he is an alumnus of the NM College in Mumbai which has an active drama group and has given the industry many a talented actors. Going by his filmography available online I seem to be following him from his first commercial movie “Arjun” which had him play villain along with Prem Chopra & Anupam Kher.

I seem to have seen most of the movies he was present in in the 80s and 90s (either in a movie hall or on television, but I have definitely seen “Naam”, “Samundar”, “Mirch Masala”, “Dacait”, “Marte Dam Tak”, etc. So many memories with each movie. He was main villain in “Roop Ki Rani Choron Ka Raja”, “King Uncle”, “Daud”; “Daud: and “King Uncle” adding a touch of comedy to his villainy and this mixture of comic- villainy was the mainstay of “Andaz Apna Apna”. He turned to full time comedy for the Priyadarshan directed 2000 release “Hera Pheri” along with Macho-men Akshay Kumar and Suneil Shetty. He won the Filmfare Best Comedian Award for playing Baburao Ganpatrao Apte. Since then we have seen him play various character roles which are not only villain or comedian or serious just give him a role and he will fit in. Recently I saw a 1993 movie on TV- “Sardar” – through the movie I forgot I was seeing Paresh Rawal playing the role. It felt as if India’s Iron Man himself was there on screen; no wonder the movie got him international acclaim.

I must confess that being a huge fan of his I can go on and on. So I am moving on to the song of the post. 2006 saw Paresh play Baburao all over again in the sequel to “Hera Pheri” -’’Phir Hera Pheri”. We also saw him in “Malamaal Weekly”, “36 China Town”, “Chup Chup Ke”, “Jaan Hoga Kya”, “Golmaal Fun Unlimited”, “Yun Hota toh Kya Hota”, “Bhagamk Bhaag”, “Familywala”.

“Golmaal Fun Unlimited” directed by Rohit Shetty saw Paresh play a blind man who is waiting for his grandson’s arrival from America along with his blind wife Sushmita Mukherjee. The gang of four naughty leading men end up landing in his home and then the laughter the movie generates just increases. Th movie was a surprise success at the box-office. Today’s song happens as the blind man relates how he fell in love with Mangala (Sushmita Mukherjee) and how he was shy to admit it. The song was picturised as a mixture of colour and black-n-white and was very cute visually with Sushmita trying to be coy like the heroines of the 60s and please don’t miss the lamb she is holding with Paresh Rawal trying to be Dev Anand, Dilip Kumar etc. 😉

So that then explains the opening to this post. Hope the followers of the blog like the song as much as I do.


Song-Kyun aage peechhe dolte ho bhanwron ki tarah (Golmaal Fun Unlimited)(2006) Singers-Sneha Pant, Shekhar, Lyrics-Vishal Dadlani, MD-Vishal Shekhar
Chorus

Lyrics

kyun aage peechhe dolte ho bhanwaron ki tarah
kyun dekhte ho mujhko yoon besabron ki tarah
kyun aage peechhe dolte ho bhanwaron ki tarah
kyun dekhte ho mujhko yoon besabron ki tarah
kya mere deewaane ho,
nahin nahin
kya koyi parwaane ho,
nahin nahin
kya mere deewaane ho
kya koyi parwaane ho
kaam kya hai mujhse
itna keh do ji zara
bol de pyaar hai
khamosh kyun hai khada
hum agar hote toh
bol diya hota

kyun aage peechhe dolte ho bhanwaron ki tarah
kyun dekhte ho mujhko yoon besabron ki tarah

khidki pe meri kyun rakhte ho ankhiyaan
karte ho kyun tum
meri hi batiyaan
karte ho kyun tum
meri hi batiyaan
khidki pe meri kyun rakhte ho ankhiyaan
karte ho kyun tum meri hi batiyaan
mere liye aate ho
nahin toh
geet gungunaate ho
na na
mere liye aate ho
geet gungunaate ho
baat kya hai dil mein tumhaare tumko hi pata
chhod de ye sharam
tu pas usko bula
ham agar hote toh
bula liya hota

kyun aage peechhe dolte ho bhanwron ki tarah
kyun dekhte ho mujhko yoon besabron ki tarah

haathon mein kyun hai ye sone ka kangnaa
tumko pehnaake le jaoonga anganaa
sajani banaoge,
haan ji haan ji haan
jaan bhi lutaoge,
arey haan ji haan ji haan
sajni banaaoge
jaan bhi lutaaoge
aaj ham kahte hain tumse pyaar ho gaya
haath yeh thamkar
kahaan pe tu hai chala
apna bhi shukriya
kar diya hota

hum aage peechhe dolte hai bhanwaron ki tarah
hum dekhte hain tumko yoon besabron ki tarah

kya mere deewane,
arey haan ji haan ji haan
kya koyi parwaane,
arey haan ji haan ji haan ji haan
kya mere deewaane ho,
kya mere parwaane ho
aaj ham kahte hain
tumse pyar ho gaya


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3967 Post No. : 15049

dheeme dheeme gaaun
hmmm
dheere dheere gaaun
haule haule gaaun
tere liye piyaa………..

How sweet is Kavita Krishnamurthy sounding, never has she been sweeter than she is here. This has to be the best of Kavita and the best of A. R. Rehman too. I have been listening to this song since last few days and been enamoured by it. So much so that I have looked up the 2006 survey conducted by Outlook magazine to see if this song finds a place in it.

Usually I compliment a song by calling it a gem of a song. But for this one, I will be specific and call it a ‘diamond’ of a song. There is a street called ‘Khade Bazaar’ in Belgaum and we as children would loosely translate it to ‘Standing street’. Come to think of it, it must mean ‘Diamond market’ because ‘khada’ means stone in Marathi. ‘Khade’ is a word used for diamonds too.

When A. R. Rehman first arrived in the hindi film industry with ‘Roja” (1992), his type of music was a total revelation to the industry. The listeners jaded from the trash dished out in the name of music by MD’s in the 80’s were pleasantly surprised in the early part of 90’s. Melody was making a comeback and songs began to add to the appeal of films. The duo’s like Nadeem-Shravan, Anand-Milind and Jatin-Lalit were all contributed to this revival and had a lion’s share in the popular chartbusters of the 90’s. Some of these new generation MD’s were capable of rehashing two/three older songs and creating a new melody. But they created melodious songs, just not very original. A. R. Rehman was the only one creating original compositions and experimenting with instruments. All of them, between them managed to take the hindi film songs appeal to international audiences in to the next millenia too, the malady of plagiarism, notwithstanding. Some more plagiarism from the likes of Anu Malik, Pritam, etc add a bit more creativity from the southern music director like Ilyaraja and M M Kreem(atleast they sounded original to me), indian film music was a huge business internationally.

To add to the appeal of this music and to add to the commercial success among the subcontinent diaspora in UK and North America, the inclusion of fresh voices from across the border became an acceptable norm.

Coming back to Roja and A. R. Rehman. A. R. Rehman has started composing jingles of advertisements as a youngster. The songs of Roja were all masterpieces and it looked like he won’t be able to surpass it. But surpass he did with scores for films like Lagaan, Bombay, Guru, Taal, Delhi 6 to name a few. He is one of the achiever of modern day india in the creative field with an Oscar too and unsurpassed international recognition for his music.

The song presented is from the film ‘Zubeida’ written by Khalid Mehmood and directed by Shyam Benegal. One of the trio of films he made based on stories connected with his own real life. The central protagonist Zubieda played superbly by Karishma Kapoor is the daughter of a big filmmaker, but she is denied a film career. This is a period film situated in post partition period. She ends up with a broken marriage with a Pakistani and a son. She meets a price from ‘Rajasthan’ who plays polo matches in Mumbai, and the rest is history. There are a few goods reviews of the film on imdb site.

There was a surprise in store for me as I tried to find the song links of this film. I found one song audio link, with the cover of CD , which said Farrokh Rattonsey’s “Zubieda’. Again I go into flashback to 1990-91 when I had worked in the offices of the Rattonsey’s cleaving company at Santacruz (W) for a few months. They had film production company named Yelahanka Productions, and made two films that I remember, i.e. Khuddar and Kaash. They are old money of Mumbai, had businesses varying from Diamond cleaving to horse breeding. Their horses have made a name nationally and internationally from what I had gathered while working in their office, and have seen the news in later years too. They also used to publish india’s only/first magazine about race horses and breeding, named “Indian Thorough bred”. It used to be an annual or bi-annual issue. The office of ITB was situated in the same building as the cleaving company office.

Yes … and this diamond of a song. Music score for this film is among A. R Rehman’s best, but this particular number with the trademark longish mukhda and antara’s and amazing rendition by Kavita Krishnamurthy makes in the best song of the decade. Karishma Kapoor is singing this song as ‘Zubieda’ soon after marrying her price charming Manoj Bajpai. Really Karishma is more charming of the couple, with her 50’s style understated sophistication and looking far too innocent. The camera angles are not trying to make her look beautiful and just succeeding in making her look a young, bruised and innocent deer. The deer who is impoverish for love, happy and dances elegantly like a peacock.

Zubeida’s fear and insecurities are all expressed in the song. The subtlety in expressions is the hallmark, which makes this song stand apart from other songs of this genre. Kavita Krishnamurthy’s slight variations while repeating the mukhda each time and the gradual changes in rhythm are appealing to the finer senses. It is almost five and half minute long with only two stanzas. Something special which makes us wish that it will continue forever and not end.

The lyricist is Javed Akhtar and this song is sheer poetry visually also.


Song-Dheeme dheeme gaaun (Zubeida)(2001) Singer-Kavita Krishnamoorthy, Lyrics-Jawed Akhtar, MD-A R Rahman

Lyrics

dheeme dheeme gaaun
hmmm
dheere dheere gaaun
haule haule gaaun
tere liye piyaa

dheeme dheeme gaaun
hmmm
dheeme dheeme gaaun
dheere dheere gaaun
haule haule gaaun
tere liye piyaa
gun gun main gaati jaaun
chhun chhun paayal chhankaaun
sun sun kab se dohraaun
piyaa piyaa piyaa aa

gulshan mehke mehke
ye man behke behke
aur tan dehke dehke
kyun hai bataa piyaa
man ki jo haalat hai ye
tan ki jo rangat hai ye
teri muhobbat hai ye
piyaa
piyaa piyaa
gun gun main gaati jaaun
chhun chhun paayal chhankaaun
sun sun kab se dohraaun
piyaa
piyaa piyaa aa

piyaa piyaa
o o o o
zindagi mein tu aaya to
dhoop mein milaa saaya to
jaage naseeb mere
o o o o
anhonee ko thha honaa
dhool ban gayi hai sonaa
aa ke qareeb tere
o o o o
pyaar se mujh ko
tu ne chhuaa hai
roop sunehraa tab se huaa hai
rang aur kya
mujh mein piyaa
o o o o o o o o
teri nigaahon mein hoon
teri hi baahon mein hoon
khwaabon ki raahon mein hoon
piyaa
piyaa piyaa
gun gun main gaati jaaun
chhun chhun paayal chhankaaun
sun sun kab se dohraaun
piyaa piyaa piyaa aa

piyaa piyaa
o o o o
o o o o
main ne jo khushi paayee hai
jhoom ke jo rut aayi hai
badle na rut wo kabhi ee
o o o o
dil ko devtaa jo laage
sar jhukaa hai jis ke aage
toote na but wo kabhi
o o o o
kitni hai meetthhee
kitni suhaanee
tu ne sunaayee
hai jo kahaani
main jo kho gayee
nayee ho gayee
ho o o o
o o o o
aankhon mein taare chamke
raaton mein jugnu damke
mit gaye nishaan gham ke
piyaa
piyaa piyaa
gun gun main gaati jaaun
chhun chhun paayal chhankaaun
sun sun kab se dohraaun
piyaa piyaa piyaa aa

——————————–
Devnagri script lyrics (Provided by nahm)
——————————–
धीमे धीमे गाऊँ
हम्म म म
धीरे धीरे गाऊँ
हौले हौले गाऊँ
तेरे लिए पिया आ

धीमे धीमे गाऊँ
हम्म म म
धीमे धीमे गाऊँ
धीरे धीरे गाऊँ
हौले हौले गाऊँ
तेरे लिए पिया आ
गुन गुन मैं गाती जाऊं
छुन छुन पायल छंकाऊँ
सुन सुन कब से दोहराऊँ
पिया पिया पिया आ

गुलशन महके महके
ये मन बहके बहके ए
और तन दहके दहके
क्यूँ हैं बता पिया आ
मन की जो हालत है ये
तन की जो रंगत है ये
तेरी मोहब्बत है ये
पिया
पिया पिया आ
गुन गुन मैं गाती जाऊं
छुन छुन पायल छंकाऊँ
सुन सुन कब से दोहराऊँ
पिया पिया पिया आ

पिया पिया
ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ
ज़िंदगी में तू आया तो
धूप में मिला साया तो
जागे नसीब मेरे ए
ओ ओ ओ ओ ओ ओ
प्यार से मुझ को ओ ओ
तू ने छुआ है
रूप सुनहरा तब से हुआ है
रंग और क्या
मुझ में पिया
ओ ओ ओ
ओ ओ ओ ओ ओ
तेरी निगाहों में हूँ
तेरी ही बाहों में हूँ
ख्वाबों की राहों में हूँ
पिया
पिया पिया आ
गुन गुन मैं गाती जाऊं
छुन छुन पायल छंकाऊँ
सुन सुन कब से दोहराऊँ
पिया पिया पिया आ

पिया पिया
ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ
मैं ने जो खुशी पायी है
झूम के जो रूत आई है
बदले न रूत ये कभी ई
ओ ओ ओ ओ
दिल को देवता जो लागे
सार झुका है जिस के आगे
टूटे न बूत वो कभी
ओ ओ ओ ओ
कितनी है मीठी
कितनी सुहानी
तू ने सुनाई
है जो कहानी
मैं जो खो गाई
नई हो गई
ओ ओ ओ ओ ओ ओ ओ ओ
आँखों में तारे चमके
रातों में जुगनू दमके
मिट गए निशान ग़म के
पिया
पिया पिया आ
गुन गुन मैं गाती जाऊं
छुन छुन पायल छंकाऊँ
सुन सुन कब से दोहराऊँ
पिया पिया पिया आ


This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3925 Post No. : 14992 Movie Count :

4102

= = = = = = = = = = = = = = = = = = = = = = = =

Atul Song-A-Day 15K Song Milestone Celebrations – 4
– – – – – – – – – – – – – – – – – – – – – – – – – – – –

It is that time of the year again. Time to celebrate another landmark of this beloved blog by all the members who contribute to it. Congratulations to the blog, its members and readers for hitting the 15K landmark.

I tend to ‘wake up’ only during the celebrations, though I like to keep afoot of the blog, not as much as I used to. Time was when I was tethered to a chair and computer for eight hours a day when I was working. There were many hours to be whiled away at times and it was easy to read the blog more often. Now that I am retired and a new member of Grandparents Club, I find less time to sit at the laptop. I often read posts on my mobile and find it hard to post comments from there. Nevertheless, it is still my number two most visited blog. Number one is my own blog, sorry, heh heh.

From something that was once Atul ji’s hobby, posting a song a day, this blog has burgeoned into a treasure trove of information. Various contributors keep the blog humming and it now has two fathers, Atul ji has been joined by Sudhir ji. This makes it easier for the blog to keep growing. There are a number of regular contributors, Arunkumar ji Deshmukh is the Bhishm Pitamah of the blog. Nalini ji is passionate about the blog, commenting and writing posts. Sadanandji, Avinash ji, Nahm ji, Mahesh ji, Satyajit ji, Gajendraji, Satishji are some of the other stalwarts. Raja is a personal friend of mine as well as the co-mentor of the blog. Forgive me if I have forgotten the names of other contributors – my memory is shaky post-retirement. 🙂

What do I love most about this blog? Number one reason is the sheer amount of information I gather by being here. Number two is the consistency of high standards in keeping the posts original and error free. Number three is the liveliness of the blog, the constant refreshment of content.

Hindi film music is a vast ocean, no, it is more like the skies that are endless. Luckily for the lovers of this blog, there will always be new songs and new posts to keep us occupied.

Now about this song. When new movies are promoted on television, they are accompanied by one or two big songs from the film. It becomes the signature song for the movie. Hence we get to know the popular songs from each movie and hum it more often. Yet there are often hidden gems within the songs of each movie, less popular but more beautiful. We do not hear them unless we watch the movie and are struck by it or listen to the complete playlist. ‘Haasil’ has a signature song too, “Ankhen Bhi Hoti Hain Dil Ki Zubaan”. But I am struck more by this song – “Ab Ghar Aa Ja”, a classical number which plays in the background during a poignant passage in the film.

‘Haasil’ (2003) was directed by Tigamanshu Dhulia and featured Jimmy Shergill, Irfan Khan and Hrishita Bhatt. College politics and gang war in Allahabad form the backdrop in which Jimmy and Hrishita meet and fall in love. Unfortunately, Jimmy becomes involved in the gang wars between two student leaders and is forced to flee to Mumbai. But soon he realises that he cannot keep hiding and lose his girlfriend in the bargain. He decides to return to Allahabad and face the consequences.

This song plays when the hero is traveling back to Allahabad from Mumbai in a train. The picturisation is very apt, the hero is pensive as he misses his girl, also because he knows he is soon going face danger. His mood is reflected in this slow classical number.

This song will debut the movie ‘Haasil’ on the blog. If I am not mistaken, singer Javed Ali debuts on the blog too. I hope you will like the song as much as I do.

Video

Audio

Song – Ab Ghar Aa Ja, Piya Morey Aa Ja (Haasil) (2003) Singer – Javed Ali, Lyrics – Satyaprakash, MD – Jatin Lalit

Lyrics
(Based on Video Version)

piya morey aa ja

tum bin kaun
mora dukh jaane
ab ghar aa ja

kaahe aiso nithur
bhayo bataa de
ho
kaahe aiso nithur
bhayo bataa de
ho
tum bin saawan jiyaara jalaave
ab… ghar aa ja

hum se chhal na kariyo
piya morey
hum se chhal na kariyo
piya morey
hamri preet hai
tumhri pooja
hamri preet hai
tumhri pooja
ab… ghar aa ja
ghar aa ja
ghar aa ja
ghar aa..aa ja

(Based on Audio Version)

ab.. ghar aa ja
piya morey aa ja

ab ghar aa ja
piya morey aa ja 
ab ghar aa ja
piya morey aa ja 
tum bin kaun
mora dukh jaane
tum bin kaun
mora dukh jaane
ab ghar aa ja
piya more aa ja
tum bin kaun
mora dukh jaane
ab ghar aa ja…

kaahe aiso nithur
bhayo bataa de
ho
kaahe aiso nithur…
nithur…
kaahe aiso nithur
bhayo bata de
ho
tum bin saawan
jiyara jalaave
ab ghar aa ja
piya morey aa ja
ab ghar aa ja

hum se chhal naa kariyo
piya morey
ham se chhal naa kariyo… piya…
piya…
piya…
piya…
hum se chhal naa kariyo
piya morey
hamaree preet hai
tumhri puja
hamaree preet hai
tumahri puja

ab ghar aa ja
piya morey aa ja
tum bin kaun
mora dukh jaane
tum bin kaun
mora dukh jaane
ab ghar aaja…
ghar aa ja…
ghar aa..aa ja…

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

(विडियो पर आधारित)

पिया मोरे आ जा

तुम बिन कौन
मोरा दुख जाने
अब घर आ जा

काहे अइसो निठुर
भयो बता दे
हो
काहे अइसो निठुर
भयो बता दे
हो
तुम बिन सावन
जियरा जलावे
अब॰ ॰ ॰ घर आ जा

हमसे छल ना करियो
पिया मोरे
हमसे छल ना करियो
पिया मोरे
हमरी प्रीत है
तुम्हरी पूजा
हमरी प्रीत है
तुम्हरी पूजा
अब॰ ॰ ॰ घर आ जा
घर आ जा
घर आ जा
घर आ॰॰आ जा

(औडियो पर आधारित)

अब॰ ॰ ॰ घर आ जा
पिया मोरे आ जा

अब घर आ जा
पिया मोरे आ जा
अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा॰ ॰ ॰

काहे अइसो निठुर
भयो बता दे
हो
काहे अइसो निठुर॰ ॰ ॰
निठुर॰ ॰ ॰
काहे अइसो निठुर
भयो बता दे
हो
तुम बिन सावन
जियरा जलावे
अब घर आ जा
पिया मोरे आ जा
अब घर आ जा

हमसे छल ना करियो
पिया मोरे
हमसे छल ना
करियो॰ ॰ ॰ पिया॰ ॰ ॰
पिया॰ ॰ ॰
पिया॰ ॰ ॰
पिया॰ ॰ ॰
हमसे छल ना करियो
पिया मोरे
हमरी प्रीत है
तुम्हरी पूजा
हमरी प्रीत है
तुम्हरी पूजा

अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा॰ ॰ ॰

घर आ जा॰ ॰ ॰

घर आ॰॰आ जा॰ ॰ ॰


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3922 Post No. : 14988 Movie Count :

4100

= = = = = = = = = = = = = = = = = = = = = = = =
Atul Song-A-Day 15K Song Milestone Celebrations – 1
– – – – – – – – – – – – – – – – – – – – – – – – – – – –

Hullo to Atuldom.

Let me wish all a very Happy New Year.

No, my post is not late by three and half months, it is just that India is a country which follows a calendar called Shak Samvat which the Hindus follow and Hijri which the Muslims follow. The new year by the Hijri calendar starts sometime in September but as far as the Hindu Calendar is concerned every region seems to have a different time of the year when the new year starts. And each region has a name for its New Year’s Day – Gudi Padva (Samsaar Padvo in Konkani), Ugadi, Poila Baishak (in East Indian States), Bighu (Bikhu in Uttarakhand), Bishuva Sankranti, Cheti Chand, Vishu or Chitra Vishu (in Kerala and Tamil Nadu), I am sure I am missing a few names in this list – what do I do, we have a vast country. But the common thread here is most of the above are in March – April of the Gregorian calendar (only in some parts new Year is during Diwali and southern part of Kerala has its new year at Onam). In Punjab it is Baishakhi, celebrated on the Mesha Sankraanti which occurs today for this year (generally it is 13th April). So now that explains why I wished Happy New Year.

14th April also happens to be the birth anniversary of the architect of the constitution of India, first law and justice minister and one of India’s founding fathers – Bharat Ratna Bhimrao Ramji Ambedkar or Babasaheb Ambedkar as he is popularly known the world over.

He was a jurist, economist, politician and social reformer who inspired the Dalit Buddhist movement and campaigned against social discrimination towards the untouchables (Dalits), while also supporting the rights of women and labour. My tributes to him on his 128th birthday without spelling his biography here.

There is another event which takes up my day on 14th April every year. In addition to it being our New Year (what we call Vishu) it is the birthdate of a very special person. There is a departure from the usual this year in that the New Year is on the 15th but birthdates don’t change, do they?

So, 14th April is the birthdate of part-time Atulite, full-time Satulite. He is at that year of life when people hang up their boots (he is not hanging them yet) and try to find time for other pleasures and hobbies that took a back seat when they were working hard to make ends meet. This Satulite calls himself Peevesie’s Dad. He takes pleasure in the achievements of his family – his son, daughter, brothers-sisters, brothers & sisters -in-law; is a big bhakt of his parents and parents-in-law; and is generous in encouraging his wife and kids towards whatever they are good at and forever supportive.

Infact he tried his level best to teach me to ride a two-wheeler and didn’t actually give up on me, but I must say I was a bad student who took a whole decade to master riding a two-wheeler. And was rewarded with a two-wheeler to ease my work load as soon as I mastered it. 🙂

As a teenager and right upto the end of my student days I was a staunch hater of any kind of automation and computers in particular. I had a feeling that each computer would eat up the job opportunity of two or three deserving humans (people called me crazy, maybe I was). But it does seem to have replaced a lot of things in people’s lives. Now, today’s birthday boy tried to change my mindset vis-à-vis computers and persuaded me to enroll myself in one of the many match-box size training institutes that tutored commoners about Word, Excel, PowerPoint etc, in addition to teaching a crash course in Corel or PageMaker. He thought it will be a useful skill, I must admit he was not wrong. Then he initiated me into the World-Wide Web and emails, and I am 100% sure he is ruing the day I agreed to learn all that he tried to get me to learn. He finds me at the desktop most of the time these days, and zooming in and around Bangalore (never unnecessarily) on a two-wheeler. And am also sure (secretly) he must be thanking my nervousness of being behind the wheel of a four-wheeler 😉

Oh, there are so many things that I can thank him for – he has lived half his life trying to understand me and my ways and moods. We have common interests in most aspects of life, possibly a little too much of compatibility, according to our children. The song with this post is ideal to express everything that I need to tell him. And the best part about the song is that it is not a lovey-dovey young couple song but a song choreographed on a motley group of honeymoon tourists which has a middle aged couple (Shabana Azmi – Boman Irani), mismatched couple (Ameesha Patel – Karan Khanna), small- town couple (Kay Kay Menon – Raima Sen), seemingly perfect couple (Minisha Lamba – Abhay Deol); and two other couples (Sandhya Mridul – Vikram Chatwal & Dia Mirza – Ranvir Shorey) who are on honeymoon but not exactly in love. (Dia Mirza and Ranvir are not in this song but they are part of the tourists in the Honeymoon Travels bus.) It is from the 2007 Reema Kagti directed “Honeymoon Travels Pvt. Ltd.” The music for this song is by Vishal- Shekhar and Javed Akhtar is the lyricist. Sunidhi Chauhan and Shekhar Ravjiani are the playback. The movie was produced by Farhan Akhtar and Ritesh Sidhwani. I am in love with the choreographer of this song who has allowed the actors do their own thing which adds to the sweetness of the song.

Today’s song is a party song filmed aboard a cruise ship in Goa. I think the song is ideal for one more occasion – partying for the post number 15000 (FIFTEEN THOUSAND Phew!) of the blog. Let me try to list out all that we are celebrating in this series of celebratory posts – 10 complete years of the blog, 10 year challenge (on-going series); 1,15,40,016 hits (as I write this); 3919 days of existence (at the time of writing this) AND 11032 posts by our fearless leader (as Sudhir calls Atul ji) – we celebrated Atulji’s 10000 individual posts but missed complimenting him for tirelessly giving us 11000 posts. And the biggest point of celebration – post number 15000. In addition to celebrating the New Calendar in various parts of the country.

It has taken five years to get to 15k from 10k with numerous milestones and centuries strewn enroute.  The blog has bonded all of its regular followers, some of who are contributors in various avatars, in a bond like none other, a whole bunch of unrelated people who had never dreamt of being friends and don’t mind being called Atulites. For all this and more to come I thank ASAD the blog which is our collective addiction.

Also a very Happy Birthday to our Satulite.


Song – Sajnaa Ji Vaari Vaari Jaaun Ji Main (Honeymoon Travels) (2007) Singer – Sunidhi Chauhan, Shekhar Ravijani, Lyrics – Javed Akhtar, MD – Vishal Shekhar
Chorus

Lyrics

sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
charnon mein jo na jagah paaun ji main
charnon mein jo na jagah paaun ji main
to mera jeena hi bekaar hai
aisa mera pyaar hai
aisa mera pyaar hai

mera maan hai tu
abhimaan hai tu
meri pooja hai tu
mera dhyaan hai tu
tu devta mein pujaaran
sajnaa tujh pe main arpan
tere gungaan hee to gaaun ji main
haan tere gungaan hee to gaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai

sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
ae. . . ae. . . ae. . .

ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo

o meri dhadkan mein tu
mere tan mann mein tu
meri sanson mein tu
mere nainan mein tu
tu hai to chamke kajra
tu hai to mehke gajra
tere bina to na jeene paaun ji main
haan tere bina to na jeene paaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai

sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
charnon mein jo na jagah paaun ji main
charnon mein jo na jagah paaun ji main
to mera jeena hi bekaar hai
aisa mera pyaar hai
aisa mera pyaar hai

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है’
सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
चरणों में जो ना जगह पाऊँ जी मैं
चरणों में जो ना जगह पाऊँ जी मैं
तो मेरा जीना ही बेकार है
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है

मेरा मान है तू
अभिमान है तू
मेरी पूजा है तू
मेरे ध्यान है तू
तू देवता मैं पुजारन
सजणा तुझ पे मैं अर्पण
तेरे गुणगान ही तो गाउँ जी मैं
हाँ तेरे गुणगान ही तो गाउँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है

सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
ऐ॰ ॰ ॰ ऐ॰ ॰ ॰ ऐ॰ ॰ ॰

ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ

ओ मेरी धड़कन में तू
मेरे तन मन में तू
मेरी साँसों में तू
मेरे नैनन में तू
तू है तो चमके कजरा
तू है तो महके गजरा
तेरे बिना तो जी ना पाऊँ जी मैं
हाँ तेरे बिना तो जी ना पाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है

सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
चरणों में जो ना जगह पाऊँ जी मैं
चरणों में जो ना जगह पाऊँ जी मैं
तो मेरा जीना ही बेकार है
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3900 Post No. : 14950

When I was in school, we had some “boring” subjects like, History, Geography, Social Science etc. These were “arts” subjects and were considered low scoring as well.

When I think about it now, I realise that History text book basically used to be like a collections of a few chapters and each chapter was like a story of a particular era. For instance, first chapter was Ramayana. second Chapter was Mahabharata. Third chapter was Mauryavansh (Chandragupta Maurya , Samrat Ashok etc. A few chapters later, we were into Mughal era (Akbar, Shahjahaan etc, and then British Era.

In British era, we had discussion on freedom struggle. In freedom struggle, we basically read that non violent movement by Mahatma Gandhi earned India their freedom. There was passing mention of Bhagat Singh, Chandrashekhar Azad, Subhash Chandra Bose etc as well.

Then we were told that British were defeated by the non violent movement of Gandhi and they gave India independence, but at the last moment, they played a dirty trick and divided the country into two.

Many decades on, when we can gain information from sources other than test books published by the government or gooverment approved publishers, we can have a more holistic picture of things as they unfolded. We now have access to other sources as well as so we can form our own opinion on what was happening those days.

It could be seen that the country, like now, had people with different ideologies and people followed their own ideologies. There were followers of Mahatma Gandhi, but then there were followers of other leaders as well. We have seen that Subhash Chandra Bose had a tremendous following. And his philosophy of gaining independence for India was different from that of Mahatma Gandhi. Since history is written by “victors” and somehow Mahatma Gandhi’s non violent movie has been credited as the reason for India gaining independence so Indian freedom struggle has been penned accordingly.

When one thinks about it dispassionately, one realises that British were no saints who would somehow be shamed by “non violent” movements and would grant independence to India out of shame. There were many factors that made it increasingly difficult for them to continue to rule India. It was a combination of all these factors that finally broke the back of camel and Britain finally granted independence to India and left at the earliest opportunity.

The major cause why Britain left was that two world wars had taken place and it had taken a heavy toll on Britain financially. Britain was the sole superpower of the world before the first world war. After the end of the second wold war Britain was economically on the verge of collapse. They had to take loan from USA the new superpower of the world to keep their economy afloat.

India had contributed a good number of armymen to fight the world wars for Britain. It was the understanding that Britain would grant Indian independence after the world war.

Moreover, with Media (radio, newspapers etc) becoming influential, world opinion was turning in favour of freedom of India and it was becoming difficult for Britain to hang on to its colonies.

When we look at history, we find India was becoming ungovernable from early 1900s, because there were many cases of armed resistance from all over the country.

Not all freedom fighters were moderates. There were radicals as well. In fact , there was a trio of radicals popularly called Lal, Bal, Pal- viz Lala Lajpat Rai, Bal Gangadhar Tilak, and Bipin Chandra Pal. They incidentally, belonged to three major regions of the country and helped spread their message of armed struggle in their regions. Taken together, that was almost entire India. They advocated civil agitation and direct revolution to overthrow the British Empire.

British Government divided Bangal province and that caused widespread resentment among people. The protest against it was violent and quite a few protests died, some in police custody (viz Brahmabhandav Upadhyay) while some were hanged (Khudiram Bose, Bagha Jatin).

Then Draconian Rowlatt act was passed in 1919. Protest against this act led to the Jallianwala Massacre on 13 april 1919. The main perpetrator Dyer was forced to retire but he was hailed as a hero in Britain. Whatever goodwill Indians had for British government evaporated totally.

During 1920s, several armed resistances happened all over the country. One of the more prominent of them was Kakori Case (1925) in UP. Government treasury was looted while it was being carried in a train. In this case, three revolutionaries, namely Ramprasad Bismil, Rajendra Lahiri, Raushan Singh and Ashfaqullh.

It is noticeable that such activities were happening all over India, and in all these cases some people were prompmtly being found guilty and were being sentenced to death, no less. So many people were sentenced to death those days that the claim of Indian freedom fight being mostly non violent does not sound too convincing.

On March 23, 1931, Bhagat Singh along with his associates Sukhdev Thapar and Shivaram Rajguru were hanged to death for the killing 21-year-old British police officer John Saunders. They mistook Saunders for Superintendent James Scott, who was responsible for leading a lathi charge against Lala Lajpat Rai, who along with his followers was protesting against the Simon Commission.

Lala Lajpatrai was mortally injured in a Lathi charge on him by police led by Superintendent James Scott, when Lala Lajpatrai was leading a protest march against Simon Commision. Death of Lala Lajpat Rai stung Indians. Bhagat Singh, Bhagat Singh along with his associates Sukhdev Thapar and Shivaram Rajguru decided to avenge it by killing James Scott, but instead they killed 21-year-old British police officer John Saunders.

The case was heard on the court of Lahore Case Tribunal from 5th may 1930 and death penalty was pronounced on 27 october 1930.

Bhagat Singh along with Sukhdev Thapar and Shivaram Rajguru were hanged to death this day 88 years ago (23 march 1931).

Several movies have been made on Bhagat Singh. In all these movies, the song “Mera rang de basanti chola” gets played prominently. In these movies the three revolutionaries are seen marching to the gallows while singing this song (or while this song plays in the backgound).

Here is this song from “The Legend of Bhagat Singh”(2002). This song is sung by Sonu Nigam and Manmohan Waris. Sameer is credited as the lyricist, though this lyrics could well be a traditional song. Music is composed by A R Rahman.

Lyrics of this song were sent to me by Avinash Scrapwala.

Video

Song-Mera rang de basanti chola (the Legend of Bhagat Singh)(2002) Singers-Sonu Nigam, Manmohan Waris, Lyrics-Sameer,MD-A R Rahman
Both
Chorus

Lyrics(Provided by Avinash Scrapwala)

Mera rang de ae ae ae ae ae ae ae ae
Mera rang de ae basanti chola
maaye rang de ae
Mera rang de
basanti chola
maaye rang de
Mera rang de
basanti chola rang de
rang de ae ae
rang de
basanti chola
maaye rang de

ho o o o o o°°°°°
o o o o o
o o o o o o o o o o

nikley hai veer jiyaale
yoon apnaa seena taane
hans hans ke jaan lutaane
aazaad saweraa laane ae
mar ke kaise jeete hain
is duniyaa ko batlaane
tere laal chaley hain maaye
ab teri laaj bachaane

mar ke kaise jeete hain
is duniyaa ko batlaane
tere laal chaley hain maaye
ab teri laaj bachaane

aazaadi ka shola banke
khoon ragon mein dolaa aa

Mera rang de ae ae ae ae ae ae ae ae°°°°°
Mera rang de ae basanti chola
maaye rang de ae
Mera rang de
basanti chola
maaye rang de ae
Mera rang de
basanti chola rang de
rang de ae ae
rang de
basanti chola aa maaye rang de

din aaj ka badaa suhaana
Mausam bhi badaa sunehra
Ham sar pe baaandh ke aaye ae
Balidaanon ka ye sehra
Betaab hamaare dil mein
ik masti si chhayai hai
Ae desh alvidaa tujhko
Kehne ki ghadi aayi hai
Mehkenge teri fizaan mein
Ham banke hawaa ka jhonkaa

Kismat waalon ko miltaa aa
Aise marne ka mauka

Nikli ee hai baaraat
sajaa hai
Inquilaab ka dolaa aa

Mera rang de ae ae ae ae ae ae ae ae °°°°°
Mera rang de ae ae ae ae ae ae ae ae °°°°°
Mera rang de basanti chola rang de
rang de ae ae

rang de
basanti chola
maaye rang de ae
Mera rang de
basanti chola rang de

rang de ae ae
rang de
basanti chola maaye rang de ae ae ae

___________________________________________________________
Devnagri Script lyrics (Provided by Avinash Scrapwala)
__________________________________________________________

मेरा रंग दे ए ए ए ए ए ए ए°°°°°
मेरा रंग दे ए बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला रंग दे
रंग दे ए
रंग दे
बसंती चोला माये रंग दे

हो ओ ओ ओ ओ ओ°°°°°
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ

निकले है वीर जियाले
यूं अपना सीना ताने
हंस हंस के जान लूटाने
आज़ाद सवेरा लाने ए
मर के कैसे जीते है
इस दुनिया को बतलाने
तेरे लाल चले है माये
अब तेरी लाज बचाने

मर के कैसे जीते है
इस दुनिया को बतलाने
तेरे लाल चले है माये
अब तेरी लाज बचाने

आज़ादी का शोला आ बनके खून
रगों में डोला आ

मेरा रंग दे ए ए ए ए ए ए ए°°°°°
मेरा रंग दे ए बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला माये रंग दे
रंग दे ए
रंग दे
बसंती चोला आ माये रंग दे

दिन आज का बड़ा सुहाना
मौसम भी बड़ा सुनेहरा
हम सर पे बाँध के आये ए
बलिदानों का ये सेहरा
बेताब हमारे दिल में
इक मस्ती सी छायी है
अय देश अलविदा तुझको
कहने की घडी आयी है
महकेंगे तेरी फिजा में
हम बनके हवा का झोंका

किस्मत वालों को मिलता आ
ऐसे मरने का मौका

निकली ई है बरात सजा है
इन्किलाब का डोला आ

मेरा रंग दे ए ए ए ए ए ए ए°°°°°
मेरा रंग दे ए ए ए ए ए ए ए°°°°°
मेरा रंग दे ए बसंती चोला रंग दे
रंग दे ए

रंग दे
बसंती चोला माये रंग दे ए
मेरा रंग दे
बसंती चोला रंग दे

रंग दे
रंग दे ए
रंग दे
बसंती चोला माये रंग दे ए ए ए


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3886 Post No. : 14915 Movie Count :

4073

This song I am posting is from the 2010 movie ‘Aisha’ starring Sonam Kapoor & Abhay Deol.  There are other actors but the movie focuses on these two central characters.  It is about characters who do sometimes act out of character.   Aisha is a social butterfly, who dabbles into all i.e. baking, yoga, gardening, drawing, shopping, event management and match making.  In between all this she also finds time to jog in the morning and spends time at animal shelter.  Watching polo match is a foregone conclusion considering her upper class background.  Her charmed circle goes for picnics, stays in tents next to the river and goes river rafting to end the evening singing by the bonfire. She even goes pubbing and parties at farm houses in true Delhi style, in between bitching about a New York returned female colleague of Abhay Deol, who is a corporate slave according to Aisha.  Who wouldn’t want to do all of the above, if one was so inclined within one hour 🙂 .

Sonam Kapoor aka Aisha even goes shopping and transforms a small town girl, Shefali into a clone of herself.  So far as that Abhay Deol, tells her to rename the girl, Maisha or Naisha to rhyme with Aisha.  The film has more crazy antics that Aisha ends up doing. She has access to a tree house too, to sit in the balcony, and make up with the best friend she messed up with.   Wow, how the truly rich people live.  Who wouldn’t want a tree house, who wouldn’t want a real live tree in the house, for that matter.  We all have houses with lots of trees in native places, but cannot stay there.  We want such luxuries here, where we are.  This would be true at least for some of the regulars here, especially those in the metros.

Actually, the film starts and ends with a wedding.  Talking of weddings and looking for a wedding song is what brought me back to this movie, after seeing a whole gamut of Hindi film songs which are about weddings.  My first choice was “Mud Ke Na Dekho Dilbaro” from ‘Raazi’ (2018) which is already posted.   Couple of songs I would have liked to post were also posted like ‘Maaye Ni Maaye” from ‘Hum Aapke Hain Kaun’ (1994) posted Peevesie’s Mom.  “Mud Ke Na Dekho Dilbaro” is such a soulful song that I kept playing it in the office after it was posted back in October 2018.  My daughter’s wedding date was fixed for December 2018 and some colleagues / friends who knew it, were quick to point out the aptness of song for the upcoming wedding.

It was Peevesie’s Mom’s post of “Navraai Maajhi Ladaachi Ladaachi Ga” from ‘English Vinglish’ (2012) that gave me the idea of sharing all the good news on my family front.  So let me take this opportunity and congratulate Peevesie’s Mom and family for the important milestone and wish the couple a very long and happy married life.

Almost exactly a month before this happy occasion was the day of our family celebration with our daughters ‘nikaah’ solemnised.  It was our very first experience of personally being responsible for the organisation of an event on this scale.  It is said that man proposes and God disposes.  I have learnt in this event that things have their own way of slipping out of hands and God sends help in the shape of these good souls as ‘Rehmat ke Farishte‘ to save the day.

It was an exciting and hectic period for all of us.

Anyway, as my cousin who is also now daughter’s sister in law too said all that really matters is that the two people getting married are happy together, everything else is secondary.

Coming back to the wedding celebrations, it was my younger sister and brother in law, who did a lot of hard work getting this show on the road.  My daughter being the only girl child among us three sisters, my brother and sister and brother in law really wanted to make an event of it.  They rallied the kids and some adults in the family including my son to make short and cute singing, dancing cameo performances for the Mahendi function.

Alhamdullillah, the year 2018 has been an eventful and fortunate year for us, with my son’s success in NEET’2018 and being admitted in college of his choice in Mumbai and we cannot thank the Almighty Allah(swt) for all the blessings that he has bestowed upon us all.

How time has flown.  When I started contributing in the blog my daughter was still in school and my son was a mischievous hyper-active boy who needed all round supervision and attention.   Now it seems my husband and me both are almost daily try to remind him that he has parents too and he should at least try put in a WhatsApp message in the family group.  Frequently, his phone battery is discharged, or he loses the charger or sitting in the library where his phone has no range.

As the blog moves towards 15000 song post mark, I am trying to send a fair number of song posts.  Hopefully, my posts won’t need too much of proof reading.

This song from ‘Aisha’ has a mukhda fully in Punjabi, which was a bit tricky in getting the lyrics right.  Rather think that I have done a good job of correcting the lyrics which ‘Google’ came up with.  Javed Akhtar’s lyrics and Amit Trivedi’s music and Tochi Raina’s singing make this a good, if peppy number.  I think this Tochi Raina, making his debut in the blog is the same as Toshi Rana, a winner on ‘Indian Idol” years ago, back during my TV watching days.

Video (partial)

Audio (complete)

Song – Gal Mitthi Mitthi Bol (Aisha) (2010) Singer – Tochi Raina, Lyrics – Javed Akhtar, MD – Amit Trivedi
Chorus

Lyrics (Based on Audio Version)

gal mitthi mitthi bol
ras kaano vich ghol
bajne de taashe dhol
masti mein tu vi dol
mann de naina tu khol
chahat ke moti rol
dil haunda ae anmol
ye daulat se na tol
aa soni tainu chaand ki main choodi pehrawa
mainu kar de ishaara te main doli lai aanwa

gal mitthi mitthi bol
ras kaano vich ghol
bajne de taashe dhol
masti mein tu vi dol

jaanleva teri adaa
kaise na koi ho fidaa
tera ang sharaara
jaise mare lishkara
sohniye
dekhan ta dil dhadke
tann mein agan bhadke
surat aisi mannmoni
kiddan dasaan tu hai soni
heeriye
gal mitthi mitthi bol
ras kaano vich ghol
bajne de taashe dhol
masti mein tu vi dol
mann de naina tu khol
chaahat ke moti rol
dil hunda ae anmol
ye daulat se na tol
aa sohni tainu chaand ki main choodi pehrawa
mainu kar de ishaara te main doli lai aanwa

chaahne waala hoon tera
dekh le aidar zara
tu jo vekhe ik nazar
karaan lakkhaan da shukar
sohniye
dekh to keh ke tu mujhe
jaan bhi de dunga tujhe
tera aisa hoon deewana
tu ne ab tak yeh na jaana
heeriye
gal mitthi mitthi bol
ras kaano vich ghol
bajne de taashe dhol,
masti mein tu vi dol
mann de naina tu khol
chaahat ke moti rol
dil hunda ae anmol
ye daulat se na tol
aa sohni tainu chaand ki main choodi pehrawa
mainu kar de ishaara te main doli lai aanwa

gal mitthi mitthi bol

gal mitthi mitthi bol

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

गल्ल मिट्ठी मिट्ठी बोल
रस कानों विच घोल
बजने दे ताशे ढोल
मस्ती में तू वी डोल
मन दे नैना तू खोल
चाहत के मोती रोल
दिल होंदा ए अनमोल
ये दौलत से ना तोल
आ सोनी तैनू चाँद की मैं चूड़ी पहरान्वाँ
मैंनू कर दे इशारा ते मैं डोली लई आंवाँ

गल्ल मिट्ठी मिट्ठी बोल
रस कानों विच घोल
बजने दे ताशे ढोल
मस्ती में तू वी डोल

जानलेवा तेरी अदा
कैसे ना कोई हो फिदा
तेरा अंग शरारा
जैसे मारे लिशकारा
सोःनिए
देखां ता दिल धड़के
तन में अगन भड़के
सूरत ऐसी मनमोनी
किद्दान दस्सां तू है सोनी
हीरीए
गल्ल मिट्ठी मिट्ठी बोल
रस कानों विच घोल
बजने दे ताशे ढोल
मस्ती में तू वी डोल
मन दे नैना तू खोल
चाहत के मोती रोल
दिल होंदा ए अनमोल
ये दौलत से ना तोल
आ सोनी तैनू चाँद की मैं चूड़ी पहरान्वाँ
मैंनू कर दे इशारा ते मैं डोली लई आंवाँ

चाहने वाला हूँ तेरा
देख लै ऐदर ज़रा
तू जो वेखें इक नज़र
करां लक्खान दा शुकर
सोःनिए
देख तो कह के तू मुझे
जान भी दे दूँगा तुझे
तेरा ऐसा हूँ दीवाना
तू ने अब तक ये ना जाना
हीरीए
गल्ल मिट्ठी मिट्ठी बोल
रस कानों विच घोल
बजने दे ताशे ढोल
मस्ती में तू वी डोल
मन दे नैना तू खोल
चाहत के मोती रोल
दिल होंदा ए अनमोल
ये दौलत से ना तोल
आ सोनी तैनू चाँद की मैं चूड़ी पहरान्वाँ
मैंनू कर दे इशारा ते मैं डोली लई आंवाँ

गल्ल मिट्ठी मिट्ठी बोल

गल्ल मिट्ठी मिट्ठी बोल


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3841 Post No. : 14853

Today (23 january 2019) is the birth anniversary of Subhash Chandra Bose, one of the most admired freedom fighters of India.

One year ago, I had written a detailed writeup about his escape from his house arrest. That writeup was accompanied by the song Jodi tor daak..tanha raahi apni raah chalta jaayegaa.

Writing that article was quite a emotional roller coaster ride for me, because I tried to imagine all the meticulous planning of that escape, including the successful execution of the plan.

In the process, I watched snippets of the movie “Bose The forgotten Hero”(2004) which contains this song.

Lyrics of that song were sent to me by Avinash Scrapwala. One year later, he sent the lyrics of another song from the movie to be posted on this occasion with a request of a writeup by me because I have seen the movie. No, I have not seen the movie. I have only seen parts of it, because I cannot bear to see the full movie even though I know that it is a movie and the scenes depicted in the movie happened over seven decades ago.

So, my writeup is not based on my watching the movie, rather it is based on my impressions on Subhash Chandra Bose.

It seems to me, and many people would agree that his contributions towards the independence movement has been vastly underrated and attempts have been made to consign his contribution to just a few lines. We have been fed the history that non violent agitations led by Mahatma Gandhi won us our freedom.

When I try to think about it now, it does not seem to add up. If non violent agitations gave us freedom, then what explains the violence that took place during the partition ? Why the proponents of these non violence agitations agreed to the participation of Indian armymen in the second world war and also the first world war before that ? If people in India really followed non violence, then what explains the Indo Pak wars that took place and the terror attacks that are taking place from across the border.

When one tries to look at the reasons for the independence of India, it appears that the reason why India got independence was not Non violent agitations but it was mainly due to the precarious economical situation of Britain.

Britain which used to be the strongest economy in the world till the 18th century found itself being overtaken by USA and Germany by the turn of 19th century. USA was able to cash in because it pioneered new indstries, viz automobiles, motorbikes and aircrafts and became the leading manufacturer of these new technology items. The first world war and later the second world war devastated British economy. After the second world war ended Britain had lost much of its absolute wealth. Its trade reduced to just one third vis a vis its pre war trade. Dollar had become the preferred currency and Britain had shortage of dollars to pay off its wartime debts. As an emergency measure, Britain began to hive off its overseas assets. USA extracted a heavy price from Britain for getting involved in the second world war. Britain had to take a loan of $ 4.33 billions from USA. Winter of 1946-47 broke the back of British economy, with cutrailed economic production and shortage of coal. The situation reeached its worst in August 1947 !

Is it a coincidence that India got its independence in August 1947 ! With the benefit of all the information contained in the above para, it appears that Britain were in no position to be able to hold on to India any longer. Even if there were no agitations, violent or otherwise, Britain woould have left India sooner or later.

It appears to me that holding on to the Indian empire was becoming more and more prohibitively expensive for Britain. It would seem to me that “Non violent” agitations were not the only thing Britain had to worry. They also had to worry about the real possibility of disenchantment in the natives who manned Indian Army. The contribution of Subhash Chandra Bose’s Azad Hind Fauz, which actually participated in world war II cannot be underestimated.

The end of the war saw a large number of the troops of Azad Hind Fauz repatriated to India where some faced trials for treason at Red Fort in Delhi. Instead of acting as a deterrent,as hoped by the British, these trials became a galvanising point in the Indian Independence movement. The Bombay mutiny in the Royal Indian Navy and other mutinies in 1946 are thought to have been caused by the nationalist feelings that were caused by the INA trials. Many historians believe that these events played a crucial role in hastening the end of British rule in India.

After independence, Gandhian freedom fighters were given the status of freedom fighters but Azad Hind Fauz members were denied this privilege. Nevertheless, the Azad Hind Fauz remains a popular and passionate topic in Indian culture and politics.

India became politically independent on 15 august 1947. It wold take decades and decades of slog with lots of troubles enroute, before Indian fortunes would begin to look up and they would shrug off the tag of a begging bowl nation and subsequently a nation considered the fastest growing major nation in the world. I would cover this vast topic in another writeup on the occasion of Republic day, which falls three day later.

For now, let us listen to this song of hope. The hopes of securing independence. The hopes of living happily ever after. The song is a chorus song. Jawed Akhtar is the lyricist. Music is composed by A R Rahman.

Lyrics of the song were sent to me by Avinash Scrapwala.

Video
(video)
Audio

Song-Ham Dilli Dilli jaayenge (Bose-The Forgotten Hero)(2004) Lyrics-Jawed Akhtar, MD-A R Rahman

Lyrics(Provided by Avinash Scrapwala)

Ham Dilli Dilli jaayenge
Ham apna Hind banaayenge
Dilli Dilli jaayenge
Ham apna Hind banaayenge
Fauji ban ke rehna hai
Dukh dard museebat sahna hai
Ab fauji ban ke rehna hai
Dukh dard museebat sahna hai

Subhash kaa ye kehna kehna hai
Chalo Dilli chal ke rehna hai
Ham Dilii Dilli jaayenge
Ham apna Hind banaayenge
Dilli Dilli jaayenge
Ham apna Hind banaayenge

Ham goli kha ke jhoomenge
Maut ko badhh ke chumenge
Matawaale ban aazaadi ke
Hum dariya jungle ghoomenge
Goli kha ke jhoomenge
Maut ko badhh ke choomenge
Matawaale ban aazaadi ke
Ham dariya jungle ghumenge
Subhash hamaara haawi hai
Ghulaami ke taalon ki chaabhi hai
Phir kaisa khatraa baaki hai
Khuda bhi hamaara saathi hai
Ham Dilii Dilli jaayenge
Ham apna Hind banaayenge
Dilli Dilli jaayenge
Ham apna Hind banaayenge

Fauji ban ke jaayenge
Aur Dilii ko sajaayenge
Fauji ban ke jaayenge
Dilii ko sajaayenge
Zaalim firangi qaum kaa
Ham naam-o-nishaan mitaayenge
Ham Dilli Dilli jaayenge
Ham apna Hind banaayenge
Dilli Dilli jaayenge
Ham apna Hind banaayenge
Fauji ban ke rehna hai
Dukh dard museebat sahna hai
Ab fauji ban ke rehna hai
Dukh dard museebat sahna hai
Subhash kaa ye kehna kehna hai
Chalo Dilli chal ke rehna hai

—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————–

हम दिल्ली दिल्ली जायेंगे
हम अपना हिन्द बनायेंगे
दिल्ली दिल्ली जायेंगे
हम अपना हिन्द बनायेंगे
फौजी बन के रहना है
दुःख दर्द मुसीबत सहना है
अब फौजी बन के रहना है
दुःख दर्द मुसीबत सहना है

सुभाष का ये कहना कहना है
चलो दिल्ली चल के रहना है
हम दिल्ली दिल्ली जायेंगे
हम अपना हिन्द बनायेंगे
दिल्ली दिल्ली जायेंगे
हम अपना हिन्द बनायेंगे

हम गोली खा के झूमेंगे
मौत को बढ़ के चूमेंगे
मतवाले बन आज़ादी के
हम दरिया जंगल घूमेंगे
गोली खा के झूमेंगे
मौत को बढ़ के चूमेंगे
मतवाले बन आज़ादी के
हम दरिया जंगल घूमेंगे
सुभाष हमारा हावी है
ग़ुलामी के तालों कि चाभी है
फिर कैसा ख़तरा बाकी है
खुदा भी हमारा साथी है

हम दिल्ली दिल्ली जायेंगे
हम अपना हिन्द बनायेंगे
दिल्ली दिल्ली जायेंगे
हम अपना हिन्द बनायेंगे

फौजी बन के जायेंगे
और दिल्ली को सजायेंगे
फौजी बन के जायेंगे
दिल्ली को सजायेंगे
ज़ालिम फिरंगी कौम का
हम नाम-ओ-निशान मिटायेंगे

हम दिल्ली दिल्ली जायेंगे
हम अपना हिन्द बनायेंगे
दिल्ली दिल्ली जायेंगे
हम अपना हिन्द बनायेंगे
फौजी बन के रहना है
दुःख दर्द मुसीबत सहना है
अब फौजी बन के रहना है
दुःख दर्द मुसीबत सहना है

सुभाष का ये कहना कहना है
चलो दिल्ली चल के रहना है


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3745 Post No. : 14704

Happy Dussehra Atulites

Today’s song is a modern version of the Ram- Raavan story. It is from the 2001 supernatural thriller “Aks” produced by Amitabh Bachchan and Jhamu Sughand. Director was Rakeysh Omprakash Mehra. The movie had a star cast of Amitabh Bachchan, Raveena Tandon, Nandita Das, Manoj Bajpai and Amol Palekar in a special appearance. The songs were written by Gulzar and Anu Malik was the music director. Today’s song is in the voices of Amitabh Bachchan, Nandita Das and Kavita Mundra.

I like the touches of modernism that Gulzar has written into the song:
Lanka- Bharat baant diya hai.
Communication systems have changed- the song mentions phone lines are obsolete and emails were in use. (2018 even emails are rare)
And finally- jab tak ram hai raavan rahega (a real mirror to the times we are in)

Jai Bolo Shree Ram Ki.
Jai Maa Durge. Jai Mata Di.

Video

Audio

Song-Hat jaao raavan maaroongi baan (Aks)(2001) Singers-Kavita Mundra,Amitabh Bachchan, Nandita Das, Lyrics-Gulzar, MD-Anu Malik
Kavita Mundra + Nandita Das

Lyrics

(Whole lot of gibberish)

hat jaao raavan
maaroongi baan
raam ke paas hai teer kamaan
teer kamaan
arre jaao jaao
haha ha

hat jaao raavan
maaroongi baan
raam ke paas hai teer kamaan
teer kamaan

raavan ke paas hai gyaan hi gyaan
raavan hai tujhse bada vidwaan
bada vidwaan

lanka mein ja ja ke danka bajaiyyo o o
arre ja apne ghar mein tu shekhi dikhaiyo
jaanti nahin tu
arre sorry sorry sorry
jaanta nahin tu raavan ka dabdabaa aa
khol ke rak dega duniya ka dabba

haaan
chutki mein tujhko masal denge raam
mmm mmm
mmm mmm
mmm mmm

chutki mein tujhko masal denge raam
aedi ke neeche kuchal denge raam
kuchal denge raam
hoy
bolti bahut hai tu raam ki bachchi,
haan
bolti bahut hai tu raam ki bachchi
haran dikha ke le jaaunga sachchi
haran dikha ke le jaaunga sachchi
phir dekhenge jab aayega hanuman
ha ha ha ha ha ha ha

(dance ke taal)

ae aeeee
raavan hai raavan bol na zyaada
hasti hai kya teri paaltu piyada
poonch mein aag laga ke,
teri sone ki lanka jala doongi

arre gi nahin ga ga ga
okay,
sone ki lanka jala doonga

haan
sita ko bandi banaya hai toone aee,
raam ko jaake bata doonga

hmmm ha ha ha ha ha
arre sagar kaise paar karega,
paani mein gir ke doob marega
arre lanka bharat baant diya hai
phone ka taar bhi kaat diya hai
phone ka taar bhi kaat diya hai

hanuman
hanuman
hanuman
hanuman
hanuman
hanuman
hanuman bhaiyya e-mail kar do
mmhm mmhm mmhm mmhm
hanuman bhaiyya e-mail kar do
raam ko mere jaldi khabar do
jaldi khabar do
mmhm mmhm mmhm mmhm
aa aa ha
aa aa ha
aa aa ha

raavan hey raavan yudh ho jaye
haan ho jaaye ho jaaye ho jaaye
paapiyo se duniya shudh ho jaaye
arre lanka ka danka bajta rahega
jab tak raam hai raavan rahega,
jab tak raam hai raavan rahega
jab tak raam hai raavan rahega,
jab tak raam hai raavan rahega
raavan rahega
haan raavan rahega,
raavan rahega
arre bhai raavan rahega yaar

ha ha ha ha

raam ke roop hazaaron hai raavan
raghupati raghav patit paawan
patit paawan
raam ke roop hazaaron hai raavan
raghupati raghav patit paawan
patit paawan


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3724 Post No. : 14661 Movie Count :

4007

 Today we remember the great son this soil Sardar Bhagat Singh (28th September 1907 – 23rd March 1931), on his birth anniversary.

We remember him for his bravery, courage, determination and supreme sacrifice made for a cause of the people, the people of this country.

He laid down his life at a young age of only 23 years, 5 months, and 25 days. He could have surrendered to the British and chosen a leisurely life enjoying the benefits and luxuries showered by the Britishers on him, had he requested to forgive him as proposed by them. However instead of choosing ‘the life of slavery’ he chose to dedicate his life for the ‘noblest cause – the freedom of his Motherland’ from the Britishers.

He will remain the inspiration for many as long as humanity exists and people read about him and realize what Bhagat Singh was and how great was he to have done so much in one single life of only 23 years.

I have earlier presented my thoughts while presenting the songs ‘Pagdi Sambhaal Jatta’ and ‘Vekho Loko Khidan To Pehlon’. Whatever will be written about him to remember him and his thoughts, is very less in comparison to the legacy he has left for us. And I am sure as the coming generations read about him will find his thoughts still relevant in terms of what his dreams of ‘true freedom’ for India was and what we have achieved after getting our ‘freedom’ – and they will find that yes, we have still miles to go to build this nation in the pursuit of those dreams.

As I have mentioned earlier in my posts the year 2002 was a special year as in that year there were as many as three movies released on the life of Bhagat Singh.

  • 23rd March 1931 Shaheed
  • The Legend Of Bhagat Singh
  • Shaheed-E-Azam

While “23rd March 1931 Shaheed” and “The Legend Of Bhagat Singh” were released on the same date the other movie “Shaheed-E-Azam” was delayed and was released at a later date.

I will not go into which one amongst them was better than the other. The important thing is that they were made on the life of Bhagat Singh and to make people aware of his true story (may be with a little or more filmy touch).

Today I present a song from the Rajkumar Santoshi directed ‘The Legend of Bhagat Singh-2002’. This movie was produced by Kumar Taurani and Ramesh Taurani (of TIPS). It had the star cast of Ajay Devgan, Sushant Singh, D. Santosh, Akhilendra Mihsra, Raj Babbar, Farida Jalal, Amrita Rao, Mukesh Tiwari, Surendra Rajan, Saurabh Dubey, Kenny Desai, Sitaram Panchal, Bhaskar Chatterjee, Sunil Grover and others.

The screenplay was written by Rajkumar Santoshi, Piyush Mishra and Anjum Rajabali. It was edited by VN Mayekar. Songs for this movie were penned by Sameer and music was composed by AR Rehman.

All songs of this movie composed by AR Rehman are very very good and I liked them as they fill us with patriotic fervour and with a poignant touch, yet making us thoughtful on the life and times of the martyrs and their feelings for their motherland.

Today’s song is in two parts and is sung by AR Rehman and Sukhwinder Singh.

Let us listen to this wonderful song now …

Desh Mere Desh Mere Meri Jaan Hai Tu …

 

Video (Partial)

Audio (Full)

Audio (Part II)

Song – Desh Mere Desh Mere Meri Jaan Hai Tu (The Legend of Bhagat Singh) (2002) Singer – Sukhwinder Singh, AR Rehman, Lyrics – Sameer, MD – AR Rehman

Lyrics

des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

mitaane se..ae nahin mit’te
daraane se..ae ae nahin darte
watan ke naam pe..ae
ae ae ae ae ae ae
watan ke naam pe..ae
ham sar kataane se nahin darte
mitaane se nahin mit’te..ae
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

hazaaron khwaab roshan hain
sulagati si nigaahon mein
sulagati si nigaahon mein
qafan ham baandh ke nikle hain aazaadi ki raahon mein
ae ae ae ae
kafan ham baandh ke nikle hain aazaadi ki raahon mein
nishaane pe ae jo rehte hain
nishaane se..ae..ae
nahin darte
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

hamaari ek manzil hai
hamaara ek naara hai
dharam se zaat se jyaada
hamen ye mulq pyaara hai
ae ae ae ae ae
dharam se zaat se jyaada
hamen ye mulq pyaara hai
ham is pe zindagi apni
lutaane se..ae nahin darte
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

mitaane se..ae nahin mit’te
daraane se..ae nahin darte
watan ke naam pe..ae..ae
ae ae ae ae ae ae
watan ke naam pe..ae
ham sar kataane se nahin darte
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

———————————-
(Part II)
———————————-
dil se ae niklegi na mar kar bhi
watan ki ulfat
meri mitti se bhi khushboo e watan aayegi

des mere des mere meri jaan hain tu
des mere des mere meri jaan hain tu
des mere des mere meri shaan hai tu u

sunaayi thi jo bachpan mein
wahi lori suna de maa..aa
sunaayi thi jo bachpan mein
wahi lori suna de maa
tu apni god mein ab chain se
mujhko sula de maa..aa..aa..aa
tere charnon mein sab kuchh hum
lutaane se..ae nahin darte

des mere ae..ae
des mere ae..ae

des mere des mere meri jaan hain tu
des mere des mere meri jaan hain tu
des mere des mere meri shaan hain tu

des mere des mere meri shaan hain tu

des mere
des mere..ae..ae
des mere

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

मिटाने से॰॰ए नहीं मिटते
डराने से॰॰ए॰॰ए नहीं डरते
वतन के नाम पे॰॰ए
ए ए ए ए ए ए
वतन के नाम पे ए
हम सर कटाने से नहीं डरते
मिटाने से॰॰ए नहीं मिटते॰॰ए
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

हज़ारों ख्वाब रोशन हैं
सुलगती सी निगाहों में
सुलगती सी निगाहों में
कफन हम बाँध कर निकले हैं आज़ादी कि राहों में
ए ए ए ए
कफन हम बाँध कर निकले हैं आज़ादी कि राहों में
निशाने पे॰॰ए जो रहते हैं
निशाने से॰॰ए॰॰ए
नहीं डरते
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

हमारी एक मंजिल है
हमारा एक नारा है
धरम से ज़ात से ज्यादा
हमें ये मुल्क प्यारा है
ए ए ए ए ए ए
धरम से ज़ात से ज्यादा
हमें ये मुल्क प्यारा है
हम इस पे ज़िन्दगी अपनी
लुटाने से॰॰ए नहीं डरते

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

मिटाने से॰॰ए नहीं मिटते
डराने से॰॰ए॰॰ए नहीं डरते
वतन के नाम पे॰॰ए
ए ए ए ए ए ए
वतन के नाम पे॰॰ए
हम सर कटाने से नहीं डरते

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

(भाग दो)

दिल से॰॰ए निकलेगी न मर कर भी
वतन कि उल्फत
मेरी मिटटी से भी खुशबू ए वतन आएगी

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी शान है तू॰॰उ

सुनाई थी जो बचपन में
वही लोरी सुना दे माँ॰॰आ
सुनाई थी जो बचपन में
वही लोरी सुना दे माँ॰॰आ
तू अपनी गोद में अब चैन से
मुझको सुला दे माँ॰॰आ॰॰आ॰॰आ
तेरे चरणों में सब कुछ हम
लुटाने से॰॰ए नहीं डरते

देस मेरे॰॰ए॰॰ए
देस मेरे॰॰ए॰॰ए

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी शान है तू
देस मेरे देस मेरे मेरी शान है तू

देस मेरे
देस मेरे॰॰ए॰॰ए
देस मेरे


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15000 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15070

Number of movies covered in the blog

Movies with all their songs covered =1171
Total Number of movies covered =4135

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