Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 2000s (2001 to 2010)’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6559Post No. :20417Movie Count :5233

Hullo to all in Atuldom

Some films don’t attract audiences, they just flop. No filmmaker makes a film to loose his investments. They begin with a firm story in mind but incorrect promotion and/or word of mouth spread by the few who see it works against the fortunes of the film.

“My Name Is Anthony Gonsalves” that released on 11th January 2008 is one such film. The first thing that was touted about the film was the protagonist played by Nikhil Dwivedi was a Shahrukh Khan look-alike. Second, the title of the film itself was not something that would give an idea to moviegoers about the content of the film. All this was in the year 2007/2008.

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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6548Post No. :20382Movie Count :5228

Moving ahead with the series on Asha Bhosle singing for actresses whose first names begin with the letter “A”, we come to Ashima Bhalla.

Ashima Bhalla, as is the case with many Hindi film actresses, comes from a military background on her paternal side. She acted in only a few Hindi films, and the total number of films in her career was not very large either. She made her debut in the Hindi film Pyaar Zindagi Hai (2001). In the same year, she also appeared in the Telugu film Daddy. Later, she went on to act in Tamil and Kannada films as well. Over time, she shifted her focus increasingly towards television serials.

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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6540Post No. :20351Movie Count :5218

We now move on to the next actress whose name begins with an “A” and who has lip-synced to a song by Asha Bhosle. Today, we feature Anjala Zaveri.

Anjala Zaveri was launched in a big way through Vinod Khanna’s film Himalay Putra (1997). Since Akshaye Khanna was to be introduced in this film, a nationwide search campaign was conducted to find a suitable heroine for him. A similar kind of large-scale build-up had earlier been seen with Henna (1990), which benefited from it and became successful.

Anjala Zaveri was born in the UK into a Gujarati-speaking family. However, since Himalay Putra was not a major success, her acting career stalled before it could properly take off. The success that eluded her in the Bombay film industry was partially compensated by her work in the Telugu and Tamil film industries, where she remained active for the next eight years or so. In total, she appeared in 23 films: 7 in Hindi, 11 in Telugu, 3 in Tamil, and 1 each in Kannada and Malayalam.

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This article is written by Peevsie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6475 Post No. : 20117 Movie Count :

5202

Hullo Atuldom

The song with this post is courtesy Peevesie. My daughter who led me to this blog in 2009. I just popped a question to her and the answer was this song. And why does she love this song because of its lyrics, which are very layman-friendly; almost like what she herself will tell or write.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6464 Post No. : 20080 Movie Count :

5200

Hullo Atuldom

30th March marks 24 years since Anand Bakshi bid goodbye to this mortal world. He was all of 72 then. In the 45 years that he was active in the Hindi film industry he had worked with nearly 95-100 music directors (as per google) beginning with “Silver King” (1957) which had music by Sudipta (knowledgeable Atulites, please confirm if this music director is same as Sudipta Bhattacharya) & “Bhala Aadmi” (1958) with music by Nisar Bazmi; Bakshisaab first wrote for ‘Bhala Aadmi’ but ‘Silver King’ released first is what I discovered on google as I sat to write this post.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6462 Post No. : 20073 Movie Count :

5199

‘Monsoon Wedding’ (2001) was an English language film which was produced by Mira Nair and Caroline Baron and was directed by Mira Nair. The cast included Naseeruddin Shah, Lillete Dubey, Shefali Shah, Vijay Raaz, Tilottama Shome, Parvin Dabas, Vasundara Das, Kulbhushan Kharbanda, Rajat Kapoor, Neha Dubey, Kamini Khanna, Randeep Hooda (debutant), Roshan Seth, Soni Razdan, Sameer Arya, Ram Kapoor etc. It was Mira Nair’s wish to make a Bollywood type film in English with a lot of songs from her viewpoint.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6458 Post No. : 20055 Movie Count :

5198

Hullo Atuldom

Syed Emraan Anwar Hashmi (known simply as Emraan Hashmi in the entertainment industry) was born in Mumbai to Anwar Hashmi who was essentially a businessman who had acted in “Baharon Ki Manzil” (1969) as the character that Farida Jalal’s character is supposed to marry (found this bit of information on the internet). Emraan Hashmi’s paternal grandmother was the yesteryear actress Meherbhano Mohammad Ali who was popular as Purnima, whose last released film came in the late 1990s. Purnima’s father (a Tamil Brahmin), was supposed to have been an accountant in the office of film distributor Kikubhai Dessai. Emraan Hashmi’s grand aunt was the mother of filmmakers Mahesh Bhatt & Mukesh Bhatt.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6425 Post No. : 19943

Tum ko paaya hai to jaise khoya hoon
Kehna chaahoon tum se bhi to kya kahoon
Kisi zabaan mein bhi wo lafz hi nahin
Ke jin mein tum ho kya tumhen bataa sakoon
Main agar kahoon tum saa haseen
Kaayenaat mein nahin hai kaheen
Ta’areef yeh bhi to sach hai kuchh bhi nahin

How can an emotion, an achievement, a lacking, a statement, a praise, an expression of being lost, are to be expressed in a few lines? This mukhda of the song in “Om Shanti Om” is a perfect example. It says quite plainly that there are not words to be found in any language to describe you, i.e. the heroine. It is not just her beauty, the hero wants to praise. It is the essence of the person, that he is unable to describe.

In the stanza, her attributes are detailed as shokhiyon, adaayen, zulf, aanchal, roop ki chaandni etc. also dilkashi. But these words are just not enough to say what the hero wants to say. I have seen this film, but cant recall the whole story. Will have to see this once more to refresh the memory.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6390 Post No. : 19821

After that qawwali like fusion wedding song from “Bombay”, I remembered a few filmy qawwalis from the 21st century. Several of them are composed by ARR, so there is a possibility of at least one more qawwali in that series. There is another one from the 90’s which should follow in the next few days.

After the top one “Na to karwaan ki talaash hai” many people consider “parda hai parda hai” to be second most liked and famous qawwali in Rafi Sahab’s songs. I am sceptical about this rating. I have personally always liked “pal do pal ka saathh hamaara” and “Hai agar dushman” better than the hugely popular “Parda hai parda hai”. This qawwali is performed in most of the shows of Rafi Sahab songs. That is fine, as someone remarked, that it is a more engaging one and singers enjoy performing it. That makes it a favourite for the singers too. So, it has somethings going for it. I just wish that the singers try other equally appealing and engaging qawwalis too. All of them are trying to touch the benchmark, in playback singing left by Rafi Sahab. Some say that the textbook is written, and ink dried, and they just need to open the pages and try and absorb.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6368 Post No. : 19750

After covering songs released in 1900s (mostly from 1960s to 1980s), this becomes my first post covering a song released in the current millenium that started from 2000.

Many HF music lovers consider the golden era of HFM as finished in 1970. For me personally, it stopped in 1980. Not that post 1980 there was not good music but it was too few and far between. So if till the 70s decade, every year 7 or 8 movies out of 10 had good music, then it fell down to 4-5 out of 10 in 80s and 2-3 out of 10 during the 90. But post 2000 it became 2-3 out of every 25 movies released. These are entirely my figures from my gut feeling, I don’t attribute them to any study or report. Therefore, you have been seeing my posts from primarily the 60s to the 80s decades.
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