Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 2000s (2001 to 2010)’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4455 Post No. : 15929 Movie Count :

4369

Hullo Atuldom

A few phrases and idioms are coming to my mind as I sit to write this post.

“Chip off the old block” meaning “jaisa baap waisa beta”. I am talking of an actor who is representing Gen”X” of the family of entertainers, following in the footsteps of his father, uncles, grandfather, granduncles, great grandfather and great great grandfather. In fact a few of his cousins are also active in carrying the family flag of entertaining the country with their acting talents. This is one talented clan.

But I will not use the public’s favorite word ‘Nepotism’ here because being a star son will only help you get an entry to the producers’ and production house’s offices. They may be nice to you and offer you a role too but after that it is purely the business that the film generates and how much that the audience loves you that decides which direction your career goes. We can name any number of actors whose careers have fallen by the roadside for want of success.

Coming back to the “chip of the old block” that I started the post with, he started out as an assistant to Sanjay Leela Bhansali when he made “Black” (2005). Sanjay Leela Bhansali also gave him his debut film “Saawariya” in 2007 for which the music director was Monty Sharma, another person trying his hand at carrying the family flag- he is Pyarelal Sharma’s nephew.

We are here wishing Ranbir Kapoor on his 38th birthday. He is as versatile as any other of his family in emoting, comedy, dance and every aspect of acting. He has had a fair bit of successful movies and he was simply amazing in the comic climax at the villain’s den in the movie “Ajab Prem Ki Ghazab Dastaan”. He was able to stay in step with Madhuri in the “ghagra” song. He is the recipient of awards for various categories. He was fortunate to have worked with his parents in “Besharam” and also his granduncle in “Rockstar”.

I am a little confused as to which will be an appropriate song to go with this post, because the songs in his movies had good lyrics, choreography and were all eye-pleasing. I am going to settle for a song from “Ajab Prem Ki Ghazab Kahaani” which has lyrics by Irshad Kamil and music by Pritam Chakraborty. The movie was a remake of a 2005 Telugu hit and got Ranbir a critics award of best actor. Rajkumar Santoshi was the director and Katrina Kaif, Upen Patel, Darshan Jariwal, Smita Jaykar, Govind Namdeo and Zakir Hussain as the don who has a gang that cannot do anything right. Ranbir and Katrina played characters that have a speech problem every time they get emotional.

I find the names of singers who are new to me – Naresh, Atif Aslam, Soham Chakraborty, Kailash Kher (this one I have heard for some time now) and Ashish Pandit. This is an all-male song.


Song-Tu jaane naa (Ajab Prem Ki Ghazab Daastaan)(2009) Singers-Naresh, Atif Aslam, Soham Chakrabarthy, Kailash Kher, Ashish Pandit, Lyrics-Irshad Kamil, MD-Preetam

Lyrics

kaise bataayen
kyun tujhko chaahe
yaraa bata na paaye
baatein dilon ki
dekho zubaani
aankhen tujhe samjhaayen
tu jaane naa aa aa
tu jaane naa
tu jaane naa aa aa
tu jaane naa

milke bhi hum na mile
tumse na jaane kyun
milon ke hai faasle
tumse na jaane kyun
anjaane hain silsile
tumse na jaane kyun
sapne hain palkon tale
tumse na jaane kyun oon oon
kaise bataayen
kyun tujhko chaahen
yaraa bata naa paayen (aaaaa)
baatein dilon ki (aaaa)
dekho zubaani
aankhen tujhe samjhaaye
tu jaane na aa aa(aaaaa)
tu jaane na (aaaa)
tu jaane na aa aa (aaaaa)
tu jaane na (aaaa)

nigaahon mein dekho meri jo hai bas gaya
wo hai milta tumse hu bahu
ho o o
jaane teri aankhen thi ya baatein thi wajah
huye tum jo dil ki aarzoo
tum paas hoke bhi
tum aas hoke bhi ee
ehsaas hoke bhi apne nahim
aise hain hamko gile
tumse na jaane kyun
meelon ke hai faasle
tumse na jaane kyun oon oon
tu jaane na aa aa
tu jaane na
tu jaane na aa aa
tu jaane na
o jaane na jaane na jaane na aa
haan aan
tu jaane na

khyaalon mein laakhon baatein yoon toh keh gaya aa
bola kuchh na tere saamne
o o o
huye na begaane bhi tum hoke aur ke ae
dekho tum na mere hi bane
afsos hota hai
dil bhi ye rota hai ae
sapne sanjota hai
pagla hua soche ye
hum thhe mile
tumse na jaane kyun
meelon ke hain faasle
tum se na jaane kyun
anjaane hain silsile
tumse na jaane kyun
sapne hain palkon tale
tumse na jaane kyun oon oon
kaise bataayen
kyu tujhko chaahen
yaraa bata na paayen
baatein dilon ki
dekho zubaan ki
aankhen tujhe samjhaayen
tu jaane na aa aa
tu jaane na,
tu jaane na aa aa
tu jaane na
tu jaane na aa aa
tu jaane na,
tu jaane na aa aa
tu jaane na
tu jaane na aa aa
tu jaane na


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4414 Post No. : 15815 Movie Count :

4359

Hullo Atuldom

Thank you Nahmji for reminding me of this song. How? Well in your previous post on Nusrat Fateh Ali Khan you mentioned his nephew. And immediately I thought of today’s song which is written by the poet, lyricist, author screenwriter and director who turns a year younger today.

This man has worked with all the legends of the Hindi film industry beginning (as lyricist) with Sachin Dev Burman in 1963 in a movie directed by Bimal Roy. His last released movie is “The Sky is Pink” which released in September 2019 and was directed by Shonali Bose (a new director who has been making films since 2005) and had music by Pritam Chakravarty. In the interim (1963 to 2019) he has written songs for movies directed by Hrishikesh Mukherjee, Asit Sen etc of the earlier brigade and Shaad Ali, Mani Ratnam, Danny Boyle etc from the newer set of directors. He has of course written songs in the movies he himself directed, the last of which came in 1999 – Hu Tu Tu. This Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan award winner has won several National Film awards, 21 Filmfare awards and also an Academy Award (popular as Oscars) plus a Grammy. Such a talent that even International juries cannot ignore right?

So it must already be clear that I am here wishing Shri. Sampooran Singh Kalra professionally called Gulzar on his 86th birthday. There is enough material in various posts about this man’s biography so let us go directly to the song which has a play of words that is typical of Gulzar saab.

In this song he has used words like “Piri” which I am sure that common people like me don’t know the meaning of. I would love it if someone can give synonyms.
This song is from “Ishqiya” which released in 2010. (10 years back). It was directed by Abhishek Chaubey, produced by Raman Maroo and Vishal Bharadwaj and has music by Vishal Bharadwaj. It had a highly talented star cast headed by stalwart Naseeruddin Shah, Vidya Balan, Arshad Warsi and a whole lot of talent in supporting cast too. It was written by Gulzar too. The story was placed in Gorakhpur. It had to do with the escapades of two criminals who botch up a job and run away to take refuge in the home of one Vidyadhar Verma (Adil Hussain- remember seeing him as Sridevi’s husband in “English Vinglish”) and end up meeting Verma’s wife Krishna (Vidya Balan) who gives them shelter to achieve her own secret goal.

Baaki ki kahaani parde pe (see the movie to enjoy this ‘black comedy’). After all if this 86 year old can say “dil toh bachcha hai ji” even we, his fans, should have bachhpana in our “dil”
The song is sung by Raahat Fateh Ali Khan.

Happy Birthday once again Kalraji a.k.a Gulzar saab.


Song-Dil to bachcha hai jee (Ishqiya)(2010) Singer-Rahat Fateh Ali Khan, Lyrics-Gulzar, MD-Vishal Bhardwaj

Lyrics

aisi uljhi nazar unse hat’ti nahin
daant se reshmi dor kat’ti nahin
umr kabki baras ke sufed ho gayi
kaari badri jawaani ki chhat’ti nahin
wallah yeh dhadkan
badhne lagi hai
chehre ki rangat
udne lagi hai
darr lagta hai tanha sone mein jee
dil toh bachcha hai jee
dil toh bachcha hai jee
thoda kachcha hai jee
aaaaa
dil toh bachcha hai jee
aisi uljhi nazar unse hat’ti nahin
daantse reshmi dor kat’ti nahin
umr kab ki baras ke sufed ho gayi
kaari badri jawaani ki chhant’ti nahin
raaa ra aaa aaa aa
raaa ra aaa aaa aa
raaa ra aaa aaa aa
raaa
raaa ra aaa aaa aa
raaa ra aaa aaa aa
raaa ra aaa aaa aa
raaa

kisko pata thha pehlu mein rakkha
dil aisa paaji bhi hoga
hum toh hamesha samajhte thhe koi
hum jaisa haaji hi hoga
haaye zor karein kitna shor karein
bewajah baaton pe ainvayi gaur karen
dil sa koi kameena aa nahin
koi toh roke
koi toh toke
iss umr mein ab khaaoge dhokhe
darr lagta hai ishq karne mein jee
dil toh bachcha hai jee,
dil toh bachcha hai jee
thhoda kachcha hai jee,
aaaa
dil toh bachcha hai jee

aisi udaasi baithhi hai dil pe
hansne se ghabra rahe hai
saari jawaani katra ke kaati
piri mein takra gaye hai
dil dhadkta hai toh
aise lagta hai woh
aa raha hai yahin dekhta hi raho
prem ki maare kataar re ae
tauba yeh lamhe
kat’te nahin kyun
aankhon se meri
hat’te nahin kyun
darr lagta hai khud se kehne mein bhi
dil toh bachcha hai jee,
dil toh bachcha hai jee
thhoda kachcha hai jee,
aaaaa
dil to bachcha hai jee


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4412 Post No. : 15809

Today, August 16, 2020 is the 2nd Remembrance Day of Atal Bihari Vajpayee (25/12/1924 – 16/08/2018), the former prime minister, one of the greatest statesmen, a nationalist, a good orator and a poet.

The political career of Atal Bihari Vajpayee has been an open book and it does not require an elaborate discussion. Suffice to say in brief that at the age of 18, Atal Bihari Vajpayee became politically active by participating in Quit India Movement of 1942 and was imprisoned for one month. In 1957, He became the member of Lok Sabha for the first time at the age of 33. From 1967 to 1984, he continued as a member of Lok Sabha without any interruption. Again from 1991 to 2009, he became the member of Lok Sabha. With nearly 5 decades of experience – both from the opposition and ruling parrties’ sides, one can gauge the vast political knowledge he had gathered to be rightly called as ‘Bhishma Pitamah’ of Indian politics who was admired by both the ruling and opposition parties.

Atal Bihari Vajpayee was known for his hard-hitting speech as a member of the opposition. But his speeches always remained within the boundary of political rivalry on ideological platforms and did not spill into personal enimity. It is because of this quality that Atal Bihari Vajpayee commanded the respect of all the prime ministers he faced in the Lok Sabha and of members of the opposition when he was the prime minister. In his very first terms in Lok Sabha during 1957-62 as a member of the opposition parties, Pandit Nehru, the then prime minister, was very much impressed by his debating skills. Once, he introduced Atal Bihari Vajpayee to a visiting foreign dignitary as a young and dynamic member of the opposition and he predicted him to be India’s future prime minister. His prediction came true after 40 years.

Let us recall a couple of examples in support of what has been stated above. During the Vote of Confidence motion in 1996 in Lok Sabha, Atal Bihari Vajpayee as a prime minister had quoted an instance that happened in the Rajya Sabha in November 1962 during the discussion on Chinese aggression in October 1962 :

It is not that I did not have disagreements with Nehru ji. These disagreements came out strongly during debates. In one of such debates I called Nehru’s personality and character as a mixture of Churchill and Chamberlain. (Neville Chamberlain, the Prime Minister of the UK from 1937-40 was highly criticised for his appeasement policy with Adolf Hitler. Winston Churchill was the prime minister who led the English to victory against Nazi Germany in the Second World War). Despite the comparison to two of the most controversial and critiqued world leaders, Nehru did not get angry. Later that evening, I ran into Nehru ji at a banquet in honour of a visiting foreign dignitary. He called and congratulated me for giving a rousing speech in the Rajya Sabha and he left smiling.

In 1994, when United Nations Human Right Commission at Geneva was to discuss a Pakistani resolution to label India as human right violator in Jammu & Kashmir, the then Prime Minister, P V Narsimha Rao chose the leader of the opposition, Atal Bihari Vajpayee as the leader of the Indian delegation to defend India. The Pakistani resolution was defeated. The fact that Narsimha Rao selected Atal Bihari Vajpayee as the leader of the delegation rather than other senior leaders from his party like Salman Khurshid who were part of the delegation, speaks volume about the calibre of and confidence reposed on Atal Bihari Vajpayee by then prime minister.

It is not known when Atal Bihari Vajpayee turned a poet. Whether it was the poet in him that pushed him to the politics or vice versa. He had said once that ‘he was poet by instinct and the politician by accident’. He had a literary bend of mind if we go by his association with magazines such as ‘Rashtradharma’, ‘Panchjanya’ and the newspapers like ‘Swadesh’ etc, during his younger days. Probably, he may have started writing poems during the the Quit India Movement of 1942. On August 15, 1947 when India got indepedence and people were celebrating the freedom from British Rule, Atal Bihari Vajpayee wrote the poem in a sombre mood:

पंद्रह अगस्त का दिन कहता
आज़ादी अभी अधूरी है।
सपने सच होने बाकी है,
रावी की शपथ न पूरी है॥

जिनकी लाशों पर पग धर कर
आज़ादी भारत में आई,
वे अब तक हैं खानाबदोश
ग़म की काली बदली छाई॥

The people of India at large came to know Atal Bihari Vajpayee also as a poet after his release from the Bengaluru Central Jail in 1977 following emergency. In his one year of life in the jail, Atal Bihari Vajpayee had written many poems in the pseudo name ‘Kaidi Kavirai’, some of which used to be smuggled out of the jail, translated in Kannada and pasted on the walls of colleges in Hubbali and Dharwad. ‘Kaidi Kavirai Ki Kundalian’, the collections of poems written by him while in the jail has been published. These poems belong to satirical and inspirational genres. An example of one of his satirical poems which he wrote while when he was ill in the jail:

डॉक्टरान दे रहे दवाई, पुलिस दे रही पहरा।
बिना ब्लेड के हुआ खुरदुरा, चिकना-चुपड़ा चेहरा।
चिकना-चुपड़ा चेहरा, साबुन, तेल नदारत।
मिले नहीं अखबार, पढ़ेंगे नई इबारत।
कह कैदी कविराय, कहां से लाएं कपड़े।
अस्पताल की चादर छुपा रही सब लफड़े।

But post-emergency years, Atal Bihari Vajpayee’s poems have become more visible than before. In some of his political rallies, he had started reciting his poems probably realising that poems of 6-8 lines have more impact on his audience to draw his point of view than a longer speech.

Atal Bihari Vajpayee’s most popular and an inspiring poem, kadam milaakar chalna hoga has been included in class-8 textbook along with the poems of Hazari Prasad Dwivedi, Ramdhari Singh Dinkar, Surykant Tripathi Nirala, Ismat Chugtai, Harishankar Parsai etc for 2019-20 onwards.

When Atal Bihari Vajpayee was admitted in a hospital in New York in 1988 for his kidney check-up, doctors had suggested kidney operations. That whole night, he could not sleep. During that night, the poem, maut se than gahi was born.

Another poem of Atal Bihari Vajpayee which I like is hari hari doob par. The last six lines sums up the philosophy of life which say that the sun will rise again and there will be sunshine. But I will not get to see the dew drop on the green carpet of grass of my garden in all the seasons:

सूर्य तो फिर भी उगेगा,
धूप तो फिर भी खिलेगी,
लेकिन मेरी बगीची की
हरी-हरी दूब पर,
ओस की बूंद
हर मौसम में नहीं मिलेगी।

To quote Bhagwat Goyal who has translated Vajpayee’s poems in to English, Atal Bihari Vajpayee believed that “politics and literature cannot belong to separate compartments. Rather they enrich and refine each other. When a litterateur gets involved in politics, his politics gets more refined. Similarly, if a politician has a literary background, he cannot ignore human feelings and emotions.” I have watched some of the important proceedings of the Lok Sabha in which I saw his speeches both as a Prime Minister and as a member of the opposition. To me, his speech sounded like a mix of statesmanship and literature like the one below.

The game of power would continue. Governments would come and go. Political parties would be formed and dissolved. But the country should survive and democracy should remain there forever. The debate (on Vote of Confidence Motion) would come to an end but the chapter which would start from the next day needed to be pondered over. The bitterness should not increase.

On the occasion of Atal Bihari Vajpayee’s 2nd Remembrance Day, I present one of his poems, ‘apne hi mann se kuchh bolen’ (2002) which has been turned into a non-film song composed and sung by Jagjeet Singh. The video of the song featuring Shahrukh Khan and Atal Bihari Vajpayee was produced by Saregama which was directed by Yash Chopra. The song is preceded by a preface read by Amitabh Bachchan, which was written by Javed Akhtar. This song is a part of an album, ‘Samvedna’ (Sensitivity) containing six poems written by Atal Bihari Vajpayee which have been turned into songs composed and sung by Jagjeet Singh.

The poem is philosophical one. It says that let the heart speak. Let it measure what has been gained and what has been lost. In one of the antaras, the poet says that earth is millions of years old and life is eternal. Elders may give a blessing of 100 years of life (sau sharadon ki vaani) but body has its limit. So, one should be ready to open the doors on the last knock.

Video Clip :

Audio Clip:

Song-Kya khoya kya paaya jag mein (Jagjeet Singh NFS)(2002) Singer-Jagjeet Singh, Lyrics-Atal Bihari Vajpayee, MD-Jagjeet Singh

Lyrics

kya khoya kya paaya jag mein
milte aur bichhadte mag mein
kya khoya kya paaya jag mein
milte aur bichhadte mag mein
mujhe kisi se nahin shikaayat
yadhyapi chhala gaya pag pag mein
ek drishti beeti par daalen
yaadon ki potali tatolen
ek drishti beeti par daalen
yaadon ki potali tatolen
apne hi mann se kuchh bolen
apne hi mann se kuchh bolen

prithhvi laakhon varsh puraani
jeevan ek anant kahaani
prithhvi laakhon varsh puraani
jeevan ek anant kahaani
par tan ki apni seemaayen
yadyapi sau sharadon ki vaani
itna kaafi hai antim dastak
par khud darwaaza kholen
itna kaafi hai antim dastak
par khud darwaaza kholen
apne hi mann se kuchh bolen
apne hi mann se kuchh bolen

janm maran kaa avirat phera
jeewan banjaaron kaa deraa
janm maran kaa avirat phera
jeewan banjaaron kaa deraa
aaj yahaan kal kahaan kooch hai
kaun jaanta kidhar savera
andhiyaara aakaash aseemit
praanon ke pankhon ko taulen
andhiyaara aakaash aseemit
praanon ke pankhon ko taulen
apne hi mann se kuchh bolen
apne hi mann se kuchh bolen
apne hi mann se kuchh bolen
apne hi mann se …. kuchh bolen


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4410 Post No. : 15805 Movie Count :

4355

This is a song for the rainy season. I have the lyrics noted with me since last year’s rainy season, but the post never got written. This is from the film Chameli (2003), which has 6 songs and Sunidhi Chauhan is the singer in all of them. Two are duets and the rest 4 are solo songs. This rain song is one of the solos. Sandesh Shandilya is the composer and lyricist is Irshad Kamil. This must be a record of sorts for the new millennium, one singer singing in all songs. Today is 14th August and it is Sunidhi Chauhan’s birthday. Can’t say for sure that there is no better song for celebrating the event, but the song is quite good. Sunidhi Chauhan is very versatile and has made a name for herself in her field. She has followed the footsteps of Alka Yagnik and a predecessor to Shreya Ghoshal. There was enough scope for many singers to work and make a name.

I was meant to watch the film for writing the post, but that was not to be. So, I have not seen the film, and as far as I know, I have seen only this song. The other details are available (here. This was a hit song and was all over the FM channels when the movie was new. Come to think of it, it sounds as if it is very new song and not 17 year old. Meaning it has fallen on unsuspecting ears all through the 16 years. For the last one year, this has been growing on me. Now it has come of age and time for it to arrive on the blog.

Kareena is singing this song in the rain and it is clear that she is a prostitute, in the movie.

The other day I read this post by Atul Jee . In this post he gave some highlights of Munshi Premchand’s life. Munshi Premchand’s literary contributions I was aware of since school days, through lessons in text books. It is an appreciable quality that he practiced what he preached in terms of women’s rights. A belief has to be translated into deeds, only than it is a belief otherwise it is hypocrisy. I can imagine how difficult it was for Munshi Premchand to go against the society norms and marry a widow in those times. But I dare say, for a large section of the population of undivided india, this was no crime. Widow remarriage, divorcee remarriage all was legally allowed for them. A part of the illiterate population may not have known about those rights, is another matter, being a socio-economic problem.

India’s struggle of independence was a revolutionary period in many aspects with society struggling with changes and newer values.
The struggle for women’s rights is a classic case study, in my opinion. And we have lost the game in our developed sense of rightness.
Over the centuries, women demanded voting rights, got them. They wanted property rights, got them. They want to be treated as an equal; they are getting there all the time. Right to divorce, right to re-marry etc. the list is endless.

But all through this so called cultural revolution and great emancipation of women in the last one century, one indignity, which I consider an ultimate insult to womanhood, has been blatantly allowed to flourish. A woman who is the mother of mankind is made to suffer this atrocity as a ‘profession’. It is a legalized profession in many countries of this modern world. By what law and rule of justice and fraternity, is this explainable or excusable? This is the social development the human race has achieved in 3+ millennia of recorded history.

All great religions of the world, all the prophets, all the emperors and kings, all just and unjust rulers of the civilized world, have taken their bow. And who among them was ever able to ensure a just and dignified life to women?
Where women were not made to suffer such humiliating life,
Where women had property rights and voting rights,
Where women had right to divorce, remarry and conjugal rights,
Where there existed a system for social security equality for all including women and their children, which more than adequately provided for all their needs, legally, without having to compromise on dignity and self-respect.

Everyone knows that ‘prostitution’ is a social evil. But has any one ever taken a step to eradicate it?

Many poets have raised the issue, and received accolades for his efforts. But poets can only show a mirror to the society, society has to make the correction itself. The poets alone cannot do it for the whole society.

Saahir said : Sansaar ki har ek besharmi, gurbat it god mein palti hai….
This is no longer true in our social set up of the modern world.

Some social reformers might have tried to oppose this practice, but there is no end to this, as far as the eye can see. The answer to the questions is available within this universe. One only needs to have eyes and ears and sense to find it. The universal rules of economics apply here, but calling it the oldest profession in the world will not suffice.

The civilization has made no progress in my opinion, as this most degrading of all social-economic condition is allowed to prevail. We the citizens of this world are responsible for this.

May be it is time that the civilization looks at this issue in the morally correct and humane way. It is less a women’s issue and more a social issue.

I have digressed enough now. Coming back to the song, let us enjoy this song as a song for “barsaat ka mausam”.

Video :

Song-Behta hai man kahin (Chameli)(2003) Singer-Sunidhi Chauhan, Lyrics-Irshad Kaamil, MD-Sandesh Shandilya

Lyrics

Behta hai man kahin
Kahaan jaanti nahin
Behta hai man kahin
Kahaan jaanti nahin
Koyi rok le yahin
Bhaage re man
Kahin Aage re man
chalaa jaane
Kidhar jaanoon naa aa aa
Bhaage re man
Kahin Aage re man
chalaa jaane
Kidhar jaanoon naa aa
Behta hai man kahin
Kahaan jaanti nahin
Koyi rok le yahin
Bhaage re man Kahin
Aage re man
chalaa jaane
Kidhar jaanoon naa aa aa
Bhaage re man
Kahin Aage re man
chalaa jaane
Kidhar jaanoon naa

Hannnnnnn
aaan
Chale thhandi hawaa
Hannnnnnn
Sang man bhi gayaa
Dhoondhhoon main kahaan uss ko
Batlaaye koyi mujh ko
Ke haay haay haa re…
Bhaage re man
Kahin Aage re man
chalaa jaane
Kidhar jaanoon naa aa aa
Bhaage re man
Kahin Aage re man
chalaa jaane
Kidhar jaanoon naa aa
Behta hai man kahin
Kahaan jaanti nahin
Koyi rok le
yahin

Haaaaan aan aan
haay aisa samaa aa
hmmmm mmmm
Phir hogaa kahaan
Jee loon main issey khul ke
Saawan mein zaraa ghul ke
Arrey sun sun sunnn ….
Bhaage re man
Kahin Aage re man
kahin Aage
Kidhar jaanoon naa


This article is written by Peevesie’s Mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4407 Post No. : 15796 Movie Count :

4351

Hullo Atuldom

We all have some song that occasionally comes to the forefront of our memory. Then we keep playing it in our head as if on LOOP. Very often we are stuck at the mukhda itself. And forget to pay attention to the song as a whole.

Today’s song is one such song which keeps coming up in my mind’s playlist every now and then. I knew who the actors involved in it are. But didn’t know other details like who the lyricist and music director were? I just knew that it was from the 2001 released Rahul Rawail directed “Kuch Khatti Kuch Meethi”.

This was one of the movies that gave the evergreen-lover boy Rishi Kapoor a change of image. He played a father to grown up daughters (twins played by Kajol). He was the divorced husband of Rati Agnihotri. He is brainwashed and kept permanently in a drunken stupor by his step-sister (Mita Vasisht) so that she can usurp (what else) his immense wealth. One daughter is with each parent absolutely unaware that the other is alive. Then in the true tradition of movies with twins, coming down the ages in movies like ‘Parent Trap’ ‘Do Kaliyaan’ ‘Pyar Ke Kaabil’ (this was also a Rishi Kapoor movie) ‘Pyar ke do Pal’ etc., the girls switch places once they discover each other and work towards reuniting the parents. The three Bollywood movies that I mentioned had twins in the age bracket of 7-12 years of age. “KKKM” had twins who were older so that brought in a love-story too for one of the girls and the other one helped in setting things right so that the marriage can happen. Now the love interest of Tina (one of the twins, the other being Sweety) was played by Sunil Shetty (he changed his spelling to Suniel Shetty in 2014 for numerological reasons).

Sunil is one actor who has been around since the ’90s, his debut being ” Balwaan”(1982) opposite the late Divya Bharati. His movies of the ’90s were primarily action oriented and with the turn of the century he found success in multi-starrer movies of various genres including the mad-cap comedy movies “Hera Pheri”, “Phir Hera Pheri”, “Awara Paagal Deewana”, “One Two Three”, “De Dana Dan” etc where his teaming with Paresh Rawal and Akshay Kumar were well received. “Mohra” was an action packed movie of this trio in the ’90s, meaning the new century saw everyone in new avatars. He even played the traditional bad character in Farah Khan’s “Main Hoon Na” in 2004. He is a cricket lover (which Indian isn’t) and is the captain of the Mumbai Heroes in the Celebrity Cricket League. He belongs to a family which is into the restaurant business and he has various other business interests including film production. His daughter Athiya has also made her debut in Bollywood in 2015. His son is also on his way to becoming an actor.

I have always felt that Sunil Shetty has been lucky with some really romantic songs picturised on him. Can anyone forget “tum dil ki dhadkan mein rehte ho”. For a long time I had not seen “Dhadkan” from which that song was and always thought that he was the protagonist. It was later that I discovered that he was playing a jilted lover who tries to reunite with his girlfriend even after she is married; his character was neither good nor bad but somewhere in between and he had the best song of the movie. He won the Filmfare Best villain award for this portrayal.

I also noticed that “main tumhe bhool jaoon yeh ho nahin sakta. Aur tum mujhe bhool jaao yeh main hone nahin doonga” was previously uttered by Pooja Bedi to Naseerudin Shah in the 1993 release “Lootere” (also a Dharmesh Darshan directorial). But this same https://www.youtube.com/watch?v=2hC0K2NMEMA is remembered as Sunil Shetty’s; something like Amitabh’s various dialogues down the years. By the way, “Dhadkan” was also by Dharmesh Darshan and he has written the dialogues of both the movies. That should explain why the statement was repeated.

Now today’s song has Sunil taking lessons from Rishi Kapoor on how to win back the affection of his ‘rootha’ pyar (i.e. appeasing the lover). This was a nice father-in-law son-in-law jodi 😉 This song is in the vocals of Kumar Sanu for both Rishi and Sunil. The female playback is by Alka Yagnik for Kajol and even Rati hums a line in the same voice later in the movie. And it is surprising (for me atleast) that this soft number is composed by Anu Malik and written by Sameer. Some parts of the song has an old times feel to it.

No prizes for guessing my sudden interest in Sunil Shetty. He turns 59 today and here is wishing him all the best for the future.

Rati Agnihotri version

Video

Audio

Song-Tumko sirf tumko hamne chaaha(Kuchh Khatti Kuchh Meethhi)(2001) Singers-Kumar Sanu, Alka Yagnik, Lyrics-Sameer, MD-Anu Malik

Lyrics

hmm hmm hmm hmm hmm hmm
aah haa haa haa haa
he he he
he he
aah haa haa haa haa

tumko .
sirf tumko,
hamne chaaha
chaahat ki kasam
tum bin
agar jeena
pada hamko
mar jaayenge ham
dil hai tumhaara
dhadkan tumhaari
tere liye hai
saansen hamaari
ho
itna hai kehna
sang rehna sanam m
hey hey hey
aa ha ha ha ha
eh hey hey hey hey
aah ha ha ha ha
tumko
sirf tumko
hamne chaaha
chaahat ki kasam
tum bin
agar jeena pada hamko
mar jaayenge ham
dil hai tumhaara
dhadkan tumhaari,
tere liye hai saansen hamaari
ho o
itna hai kehna,
sang rehna sanam m
hey hey hey
aah ha ha ha ha
hey hey hey hey hey
aah ha ha ha ha

phaagun ke khili khili dhoop ke
aashiq hain ham toh tere roop ke
phaagun ki khili khili dhoop ke
aashiq hain ham toh tere roop ke
ho
darrte hain ham toh iss bekhudi se,
dekho na aisi deewaangi se
dil hai tumhaara,
dhadkan tumhaari,
tere liye hai saansen hamari,
ho
itna hai kehna
sang rehna sanam m
hey hey hey
aah ha ha ha ha
hey hey hey hey hey
aah ha ha ha ha

poochho toh
humein kitna pyaar hai,
har lamha
tera intezaar hai

poochho toh
humein kitana pyaar hai,
har lamha
tera intezaar hai
ho
bheeghe labon ki
shabnam chura len
aa iss ghadi mein
sab kuchh bhula den

dil hai tumhaara,
dhadkan tumhaari,
tere liye hai saansen hamaari
ho
itna hai kehna
sang rehna sanam m
hey hey hey
aah ha ha ha ha
hey hey hey hey hey
aah ha ha ha ha

tumko sirf tumko
hamne chaaha,
chaahat ki kasam
tum bin agar jeena pada hamko,
mar jaayenge ham
dil hai tumhaara,
dhadkan tumhaari,
tere liye hai saansen hamaari
ho
itna hai kehna
sang rehna sanam m
hey hey hey
aah ha ha ha ha
hey hey hey ae
aah ha ha ha ha
hey hey hey
aah ha ha ha ha


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4308 Post No. : 15580 Movie Count :

4289

Hullo Atuldom

May 3 is not any celebrities birthday going by the listings on the anniversaries page of the blog. But a more important date for followers of movies. That was the date when the first Indian movie released in the year 1913.

“Raja Harishchandra” directed and produced by Shri. Dhundiraj Govind Phalke a.k.a Dadasaheb Phalke, was a silent film that released in Bombay’s Coronation Cinematograph and Variety Hall, Girgaon on 3rd May 1913 after a Premier at Olympia Theatre on 21st April. This was the genesis of the Indian Film Industry which has been entertaining generations since then. The movies, as we have come to love, has thrown up stories that are inspired from our mythology, history, real-life experiences etc. There are fans for a “Jai Santoshi Maa” as well as “Sholay”. I remember that when the Malayalam movie “Swami Ayyappan” came to the theatres in Bombay (it had hit the marquee in 1975 in Kerala) Manoj Kumar’s “Kranti” had also released and our family chose to see the Malayalam movie as it gave us an insight into the life and times of the lord Ayyappa.

Today we are having a song, from a movie, whose title is inspired from a famous song of the late 70s. The director of the movie was a person who has grown up in the film industry (so to say) as he is the son of a famous producer-director. The cast is headed by a fan of movies who himself has a huge fan-following.

I am talking of a song from the 2008 released “Rab Ne Bana Di Jodi” (meaning “Match made in the heavens”) which was written and directed by Aditya Chopra, son of Yash Chopra who was also the producer of the film. And I need not add that Yash Chopra was a successful producer- director who began his innings in the film industry in the 50s. The movie had a cast headed by Anushka Sharma and Shahrukh Khan.

Today’s song happens when the lead pair have gone to see movie. “A cinema inside a cinema” as I would like to put it. The lady- Taani (Anushka) is bored with the proceedings on the screen. Then she imagines that one of her acquaintances has jumped on to the screen and then the whole atmosphere perks up. He says: “Taani partner do not fear when Raj is here. Humne bhi Ishq ke ustaadon se seekha hai” (I think those are his exact words). And then the song starts.

IMHO this song can claim to be fully inspired by all the preceding generations of actors and actresses. We have Shahrukh Khan and Kajol beginning the song as Raj Kapoor and Nargis, this is followed by Shahrukh as Dev Anand and Bipasha Basu as Sadhana. Then we have Lara Dutta as Helen to Shahrukh’s Shammi Kapoor act which is followed by Rajesh Khanna and Sharmila Tagore by SRK and Preity Zinta. The song has SRK and Rani Mukherjee reminding us of Rishi Kapoor and Neetu Singh. So basically we go down memory lane as we see this song and try and relive the 50s, 60s and 70s.

I must complement the lyricist Jaideep Sahni for coming up with a song that had to have pre-existing words/lyrics/thoughts. One must not miss how “Babu Moshai” has fitted beautifully into the song. Also worth mentioning the art director’s and set designer’s contributions. They have done so much detailing- we should not miss the book that Preity as Sharmila Tagore is trying to read. It is called “Amar Prem” and has a photo of Rajesh Khanna and Sharmila Tagore from “Aradhana” in the song ‘Kora kaagaz tha ye mann mera’. Also we should not miss the huge Raj Kapoor hat at the start of the song as also the Dev Anand Cap, the eye from where the Shammi Kapoor segment starts and finally the long scarfs/mufflers that Rishi Kapoor used to sport and the steps that he and Neetu were exponents of. We should not forget the choreographer too. The composers Salim-Suleiman have also showed that they have also grown up on this fodder. They had an unenviable task of making a song from the music that was tuned by the legends of Bollywood and also not make a bad rehash.

Let us also enjoy this tribute to the great Ustaads (masters).

P.S: After I wrote this post I realized that 3rd May also happens to be Nargis’s death anniversary. It is 39 years since her passing and it was Dadasaheb Phalke’s birth anniversary on 30th April 1870- 150th birthdate.


Song-Hum hain raahi pyaar ke phir milenge chalte chalte(Rab ne bana di jodi)(2008) Singer-Sonu Nigam, Lyrics-Jaideep Sahni, MD-Salim Suleman

Lyrics

(awaara)
(Awaara)

(music uses awaara’s signature tune)

pyaar huwa ikraar huwa
jeena yahaan marna yahaan
inn baahon ko
inn raahon ko
chhod ye chhaliya jaaye kahaan
maana dil toh hai anaari,
yeh awaara hi sahi
are bol radha bol sangam hoga ke nahin
har janam mein
rang badal ke
khwaabon ke pardo pe hum khilte
ham hain raahi pyaar ke
phir milenge chalte chalte
hey
ham hai raahi pyaar ke
phir milenge chalte chalte

(here “Yeh dil na hota bechaara” tune is used)

dil ka bhanwar kare
kare pukaar jab
pyaar kisi se hota hai
jiya o jiya kuchh bol do
ab dard sa dil mein hota hai
tidli yoo
tidli yoo
oo tere ghar ke saamne ghar banaaunga
toota hi sahi
pal bhar ke liye koi humein pyaar karle
jhootha hi sahi
jhootha hi sahi,
haay jhootha hi sahi ee
har janam mein
rang badal ke
khwaabon ke pardo pe hum khilte ae
ham hain raahi pyar ke
phir milenge chalte chalte
ham hain raahi pyaar ke ae
phir milenge chalte chalte

yaahoo
yaahoo

(here “o haseena zulfonwaali” tune is used)

oh haseena
zulfonwaali jaane jahaan
chaahe mujhko
junglee keh de saara jahaan
ho mehfil mehfil tu phire,
yaahoo yaahoo dil kare
mehfil mehfil tu phire,
yaahoo yaahoo dil kare
badan pe sitaare lapete huwe
har janam mein
rang badal ke
khwaabon ke pardo pe hum khilte
ham hain raahi pyaar ke
phir milenge chalte chalte
hey
ham hain raahi pyar ke
phir milenge chalte chalte

babu moshai ( Rajesh Khanna’s voice)
(here the tune is “sapnon ki raani kab aayegi tu)
hooo hehe haaa
hey jai jai shiv shankar,
kaanta laage na kankar
chaahe kuchh kar le zamaana
mere jeevan saathi
mere sapnon ki rani
zindagi safar hai suhaana
hey kuchh to log kahenge,
na suna keejiye
hey chain aaye mere dil ko
duwa keejiye
hey har janam mein
rang badal ke
khwaabon ke pardon pe hum khilte ae
ham hain raahi pyar ke
phir milenge chalte chalte
hey
ham hai raahi pyar ke
phir milenge chalte chalte

papa papapa paaa
papa papapa paaa
zu zu zu zuuu zuuu
zuuu zuuu zu zu zu

(here tune is from “bachna ae haseeno”)

darde dil darde jigar,
zamaane ko dikhaana hai
darde dil darde jigar,
zamaane ko dikhaana hai
hum kisi se kum nahin hai,
tujhko yeh bataana hai
ye waada raha,
oh meri chaandni ee
har janam mein
rang badal ke
khwaabon ke pardon pe hum khilte
ham hain raahi pyar ke
phir milenge chalte chalte
hey ham hain raahi pyaar ke ae
ah ah ah
chalte chalet ae ae ae
ae ae ae ae
aa chalte chalte
hum hain raahi pyaar ke ae
phir milenge chalte chalte


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4209 Post No. : 15403

Hullo Atuldom

26th January is a national occasion which is celebrated across the country with hoisting of the national tricolour in the country’s capital New Delhi followed by the rest of the country in educational institutions, government buildings and some private housing complexes. There are speeches and parades all around showcasing india’s diverse cultures and achievements.

Our housing society too celebrates this national day with flag hoisting and a gathering of the residents. There is a small difference in that we also conduct a small Pooja the previous evening followed by small acts by the children of the apartment, dinner and games (in that order, mind it). The night always comes to an end with a game of housie and antakshari, I am going to be enjoying it this year after a long gap.

25th January happened to be the birthday of Kavita Krishnamurthy who was born Sharada Krishnamurthy in New Delhi. She is a trained classical singer who has also learnt Rabindra Sangeet. She first recorded a song under the baton of Hemant Kumar as a co-singer to Lata Mangeshkar in 1971 for a Bengali movie. In the second half of the 70s she was reintroduced to Hemantda by Ranu Mukherjee and was used as a singer in Hemantdas’ live shows from where Manna Dey spotted her and her slow journey into film music began.

Initially she was a dubbing artist and cut demos of songs intended to be sung by established singers. the 1980 release “Maang Bharo Sajna” featured a song in her own voice but was deleted from the final cut of the film. Her first major hit was in 1985 when “Pyaar Jhukta Nahin” hit the screens and “tumse milkar na jaane kyun” became a hit. From then she has been on the Indian film firmament with songs in Kannada (where she had recorded her first film song), Tamil, Telugu, Malayalam, Marathi, Gujarati, English, Urdu, Nepali, Bengali, Odiya, Konkani etc. She was a Padmashri winner in 2005 and four time filmfare award winner. A humble and courteous human being who I had the luck to meet on one of my trips between Bangalore and Mumbai. She is very approachable and forever smiling. Here is wishing that smile stays forever.

Today we have a version of our National Song “Vande Mataram” in the voices of Kavita Krishnamurthy and Usha Uthup from the 2001 Karan Johar directed Kabhi Khushi Kabhi Gham. We have various artists who have presented this song in their own styles. The ones which I love to hear on repeat are by Hemant Kumar in the 1952 release “Anand Math” and A.R.Rahman’s non-film version which came in 1997 which starts as “Maa tujhe salaam”. K3G had 5 songs by Jatin-Lalit, 5 by Sandesh Shandilya and one by Aadesh Shrivastva. Today’s “Vande Matram” is by Sandesh Shandilya.

Wishing everyone a Happy Republic Day. Let us try and be good citizens who are responsible towards our country with our actions.

Audio
(Audio)
Video

Song-Vande Maatram (Kabhi Khushi Kabhi Gham)(2001) Singer-Kavita Krishnamurthy, Usha Uthup, MD-Sandesh Shandilya

Lyrics

mmmmmm mmmmmmm
vande ae ae maatram
vande ae ae maatram
maatram
hehe
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram

sujalaam sufalaam maatram
malayaj sheetalam maatram
sujalaam sufalaam maatram
malayaj sheetalam maatram
shashya shamlam maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande maatram
vande ae ae ae
maatram

aaaaa aaaaaa
aaaaaaa
aaaaaaa aaaaaa
aaaaaaa aaaaa
aaaaaaa aaaaaa

hum bulbule hain iski
ye gulsitan hamaara hamaara
sare jaha se achcha
hindustan hamaara
hamara
saare jahan se achcha
Hindustan hamaara


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4154 Post No. : 15321

As I have said in one of my recent posts, whenever I read something inspiring, be it a poem or an article, it inspires me to write something of my own thoughts. Nowadays there is less and less readable material forthcoming from the print media. The blog and its posts are sometimes savior’s for the intellect. One such article was the post by Sudhir Sir – “Gandhi Tere Desh Mein Ye Kaisa Atyachaar“, on the birth anniversary of Mahatma Gandhi.  It appeared quite late in the night, but as I read it completely, it was a thoroughly readable and thought provoking post. At least I found it thought provoking and for the next few days the matters and the quotes from the Mahatma’s books, and my own thought relating to them were reverberating in my mind. I wrote a lengthy comment on the post which I am reproducing here.

Sir,

Congratulations on writing such an extensive, studied article on Mahatma Gandhi and his philosophies. Reading it, I realised I haven’t read any of his books.  Being a Kitaabi keeda from childhood hasn’t helped me reach out to any of Mahatma’s books. Where ever I have found a bookshelf and a rack of books I tend to go through the titles and authors. In my defence, I can only say that non-fiction is not my strong case. Nevertheless, it is sad and tragic that the works of such great thinking minds are nowhere to be found in present day libraries.

The para’s you quote from his writings, about non-violence and cowardice; I dare say are the sort of philosophy which is popular as well as non-popular, depending on disparities in viewpoints.

I will quote an incident to explain what I mean. This happened in friends household. The son was playing football with his friends. A few other boys from the neighborhood, came up to one of the boy and started beating him over some fight or rivalry. All the friends including my friend’s son ran away from there. The boy came home and told the parents about this. This was just a school going kid. The father said, how can you do this, being a punjab da puttar, how could you not help your friend. The son said, if tried to help him than they will start hitting me too. Logic here, self-preservation not cowardice, the mother opined.

In the light of the above incident, the Mahatma’s point is first one will try to stop the violence by non-violence. But avoiding the situation altogether is not non- violence, but cowardice.  As opposed to valour.  The will to defend the one in difficult situation. Not just defend, but save. This is valour, opposite of cowardice.

But this is an era of “tamashbeen”.  A vast majority of public now prefers to just be a bystander and watch, rather than doing anything to stop the violence. Which neither here, nor there. This is a side kick of mass media. We are used to watching violence and it doesn’t make us flinch. A humans natural tendency to reject violence is gone. We watch it like it is a natural movie watching experience.

I believe, big cities are little better, with regards to violence of any kind. For the disruption is bigger and inconvenient. Crowd will be of various dispositions in any urban setting, someone will be a local and saner than others. Hopefully.

One more point, I would make here is about the “decay” of creation. The decay in creation is caused by impurities. The very nature of creation in mortal. What has started will end, whatever has lived will die. A natural death. Like some civilisation of the past died, due to natural calamities and became a step for newer civilisation to develop.

It is the truth which is pure. The lies added to it make it impure, and cause decadence. The civilisations that decay and then die of decadence,  rot. No new civilisation can emerge from such decayed rot.

So, we as humans, the superior among all creation, have a duty to preserve this purity in ourselves.

Regards.

I realize that the comment is just one dimensional, and could not carry the total sum of my impressions on the article.   I have said that non-fiction is not my strong case, and here I am, daily trying my hand at writing non-fiction  :).

Now I simply must quote this from the article :

It goes to establish that Gandhi was no ordinary soul, and such souls appear on this planet quite rarely. Albert Einstein has so beautifully summed it up in his tribute – “Generations to come will scarce believe that such a one as this ever in flesh and blood walked upon this earth”.

Of course I have read this quote before and this is not fiction. Another important thing he highlighted was about the discourse around ‘the relevance of the Mahatma today’.  And films like “Lage Raho Munna Bhai” were just a final stone dropped in the (already dry) pond, through the popular film media, to explain to the second generation Indians born after the end of the Gandhian era, that over dose of Gandhian philosophy like any other philosophy is also capable of creating a ‘chemical locha’ in the mental equilibrium.

May be the decay of this great civilization of homo-sapiens has started. The very nature of creation is temporary; all that exists will be destroyed one day.  The Universe may be infinite, but the only definite thing here is death. So be it, whether it is the death of a philosophy, a society or a world. The very wisdom of this species is in danger of being homogenized with its earlier extinct versions.

If one really gives deep thought about the situation the human race is facing, it feels as if the ‘Qayamat’ is truly underway.  The life we are living is like a tight rope walk of ‘pul-e-siraat‘.  One wrong step and below is hellfire. It’s that difficult to keep to the truth, obey the truth and keep faith in the truth.

But then there is a superior power, the creator, the sustainer and the nourisher of all that exists. As Allama Iqbal said :

mudda’ee laakh buraa chaahe to kya hota hai
wohi hota hai jo manzoor-e-khuda hotaa hai

So I have here a very positive kind of feel good song written by Javed Akhtar from ‘Dil Chahta Hai’ (2001).  The singer is Srinivas and composers are Shankar-Ehsan-Loy.   Yeah, the name of composers has a message in it.  I can try and translate the middle one i.e. ‘Ehsan’.

We all are familiar with word  ‘ehsaan‘ in songs like “Ehsaan Mere Dil Pe Tumhaara Hai Dosto” and “Ehsaan Tera Hoga Mujh Par“. The word ‘ehsan’ is a related word, with a change in meaning.  It means the ‘beauty of good conduct’. Or rather the beauty of best behavior.

The song I am presenting has a dream like quality with Dimple in white, Akshaye Kumar in white, and a white canvas.  The portrait of Dimple gradually develops on the canvas, while the Akshaye is dreaming on of pure water streams, dipping his hand into the stream,  full moon, in a dreamy halo of light and roshni.   In this moon light, all the colours are amalgamated to make a portrait, in which the fragrances are visibly mingling. Moon, stream, clouds, song, rain and butterflies are all in favour – in favour of the flavor of love, that is created of such different matter.  Some physical and some metaphorical matter, to make the billions and trillions of DNA that comprise this universe.

Video

Audio

Song – Kaisi Hai Ye Rut Ke Jis Mein Phool Ban Ke Dil Khile (Dil Chaahta Hai) (2001) Singer – Srinivas, Lyrics – Javed Akhtar, MD – Shankar-Ehsan-Loy

Lyrics

kaisi hai ye rut ke jis mein
phool ban ke dil khile. . .

kaisi hai ye rut ke jis mein
phool ban ke dil khile
ghul rahe hain rang saare
ghul rahi hain khushbooen
chaandni jharne ghataayen
geet baarish titliyaan
hum pe ho gaye hain
sab meherbaan
kaisi hai ye rut ke jis mein
phool ban ke dil khile

dekho
nadi ke kinaare
panchhi pukaare..ea
kisi panchhi ko
dekho
ye jo nadi hai
milne chali hai..ea
saagar hi ko
ye pyaar ka hi
saara hai kaarwaan
kaisi hai ye rut ke jis mein
phool ban ke dil khile

ho ooo
kaise
kisi ko bataayen
kaise ye samjhaayen..en
kya pyaar hai
iss mein
bandhan nahin hai
aur na koi bhi
deewar hai
suno pyaar ki niraali
hai daastaan
kaisi hai ye rut ke jis mein
phool ban ke dil khile
ghul rahe hain rang saare
ghul rahi hain khushbooen
chaandni jharne ghataayen
geet baarish titliyaan
hum pe ho gaye hain
sab meherbaan

kaisi hai ye rut ke jis mein
phool ban ke dil khile
hnmnmnmnm
hmnmnmnmnmn
hnmnmnmnm
hmnmnmnmnmn
hnmnmnmnm
hmnmnmnmnmn
hnmnmnmnm
hmnmnmnmnmn

———————————————————-
Hindi script lyrics (Provided by Nahm)
———————————————————-

कैसी है ये रुत के जिस में
फूल बन के दिल खिले॰ ॰ ॰

कैसी है ये रुत के जिस में
फूल बन के दिल खिले
घुल रहे हैं रंग सारे
घुल रही हैं खुशबूएं
चाँदनी झरने घटाएँ
गीत बारिश तितलियाँ
हम पे हो गए हैं
सब मेहेरबाँ
कैसी है ये रुत के जिस में
फूल बन के दिल खिले

देखो
नदी के किनारे
पंछी पुकारे॰॰ऐ
किसी पंछी को
देखो
ये जो नदी है
मिलने चली है॰॰ऐ
सागर ही को
ये प्यार का ही सारा
है कारवां
कैसी है ये रुत के जिस में
फूल बन के दिल खिले

हो॰ ॰ ॰
कैसे
किसी को बताएं
कैसे ये समझाएँ॰॰ऐं
क्या प्यार है
इसमें
बंधन नहीं है
और न कोई भी॰॰ई
दीवार है
सुनो प्यार की निराली
है दास्ताँ
कैसी है ये रुत के जिस में
फूल बन के दिल खिले
घुल रहे हैं रंग सारे
घुल रही हैं खुशबूएं
चाँदनी झरने घटाएँ
गीत बारिश तितलियाँ
हम पे हो गए हैं
सब मेहेरबाँ

कैसी है ये रुत के जिस में
फूल बन के दिल खिले
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4136 Post No. : 15295 Movie Count :

4213

Happy Children’s Day to Atuldom

“Makdee” means spider. This was also the title of a movie in 2002 which was directed by Vishal Bharadwaj who was also the music director. This was one of the movies in recent times that portrayed children the way they actually should be – as bright, intelligent, naughty and playful. I am put-off when children are portrayed as miniature adults and made to mouth huge sentimental dialogues which I am 100% sure kids from normal upbringing would not even dream of. My definition of kids from a normal upbringing is where the only thing that a child has to do is finish their school, come home -play in the ground or backyard, do their studies for the next day, help around the family as per necessity, play mischief and be active through the day so that they sleep peacefully and wake up fresh to have their routines all over again. In between all this they should have time to read comics, novels, have memorable time with their grandparents and friends which will stay with them for their life as pleasant memories. ‘Makdee’ was one such movie.

It had Shweta Prasad play 10-year-old twin sisters – Chunni and Munni. Chunni who was a prankster and Munni the timid, studious kind. Chunni keeps fooling around the village and constantly gets into trouble with the local butcher Kallu along with her friend ‘Mughal-e-azam’ and on one occasion Kallu chases them around the village and in the melee Munni runs into a mansion which is famous around the village as to being haunted. Then what follows is Chunni’s struggle to find her sister, save her from the clutches of the witch who resides in the haunted mansion, and in the process solve the case of all the persons from the village, who went missing, when they ventured into the mansion. She also is felicitated by the collector of the district as she finds the reason for the witch (Shabana Azmi) making the mansion her home- a hidden treasure.

‘Makdee’ had all the elements that would was needed in a children’s film- fun/ fantasy and a moral – which is the essential of any story telling session with kids. The moral being that “you cannot cry wolf always, as a time will come when people will stop believing you.”

14th November is celebrated as children’s day in India in memory of Pandit Jawaharlal Nehru. He was fondly called chacha Nehru and it is said that he was fond of children. I remember my father used to tell me about his school trip to Delhi when he was in class 8 or 9 and they were fortunate to have an audience with the then Prime Minister Pandit Nehru and what an experience it was – today’s youngsters would use the word AWESOME. My father was also proud about nearly sharing birth dates- his birthdate was 15th November. In fact, he used to say that it was not difficult to remember chacha Nehru’s death anniversary as that was the date he landed in Mumbai from Ahmedabad for his job and found all available forms of transport had stopped as a mark of respect to the departed leader. But that is not the purpose of this post.

Let us move on and enjoy this lively song which shows the exact emotion a child will have when it is a holiday from school or vacation or there is an unexpected holiday declared due to rains, bharat bandh, or death of some trustee or anyone remotely important. Here I will confess that I see myself as Chunni, Munni, Mughal-e-azam and all the kids in this movie. I identified with them.


Song-Kukdoo koon chhutti hai (Makdee)(2002) Singer-Upagna Pandya, Lyrics-Gulzar, MD-Vishal Bhardwaj
Chorus

Lyrics

kukdu koon oo
kukdu koon oo
chhutti hai
he chhutti hai
he chhutti hai
kukdu koon oo

ghanti bajaao paape
ghanti bajaao re
bastaa uthhaao paape
bastaa uthhaao bhaago re
hai kitaabon se kutti
chhutti hai
arre chhutti hai chhutti
chhutti hai
hai kitaabon se kutti
kutti hai
arre chhutti hai chhutti
chhutti hai
he chhutti hai
he chhutti hai
kukdu koon oo

jhum tanakum tanakum
jhum tanakum tanakum
tara tara tara
la la la lala

somwaar susti mein katataa hai
mangal ko mood kahaan banta hai
arre somwaar susti mein katataa hai
mangal ko mood kahaan banta hai

budh ki chintaa mein veer ki fikar
shukkar ka tambu shani ke ghar
monday ko sunday ki chhutti hai
hai kitaabon se kutti
chhutti hai
are chhutti hai chhutti
chhutti hai

arre monday ko sunday ki
arre chhutti hai chhutti
chhutti hai
he chhutti hai
kukdu koon oo

ghanti bajaao paape
ghanti bajaao re (he he he he)
bastaa uthaao paape
bastaa uthaao bhaago re
da da daa da da
pom pom pom
da da daa da da
pom pom pom
da da daa da da
pom pom pom
da da daa da da
pom pom pom
master jee
bhaago


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4123 Post No. : 15278 Movie Count :

4203

Hullo Atuldom

November has dawned. Here is the first birthday post of the month.

It is the birthday of Aishwarya Rai Bachchan. This gorgeous Miss World 1994 is also a Padma award winner along with awards for Best Actress (Ham Dil De Chuke Sanam) and Best Actress in a supporting role as Parvati (Devdas).

She made her debut in movies after a brief stint as ramp model and modelling for products like Lux and Coca Cola where she appeared with Aamir Khan. Prior to that she had appeared in an ad for Pepsi with Amir Khan and Ritu Chaudhry (a.k.a Mahima Chaudhry) – remember the ad where the girls are Amir’s new neighbours and he jumps out of his window to run across and get a Pepsi for the girls and tries to impress them and Aishwarya appears as Sanjana at the end. I found other ads featuring Aishwarya on YouTube for products like watches, beauty creams etc. The next step after modelling was movies which happened with the Mani Ratnam directed Tamil film “Iruvar” (1997) with Mohanlal, Revathi, Prakash Raj as co-stars. She made her Hindi debut the same year with “Aur Pyar Ho Gaya” opposite Bobby Deol. And then she has not looked back. She has played a passionate artist in “Kandukondain Kandukondain” (Tamil) 2000, Tagore’s Binodini in “Choker Bali” (Bengali) 2003, depressed woman in “Raincoat’’ (Hindi) 2004, Kiranjit Ahluwalia -a much abused wife who got international attention for burning her husband to death- “Provoked’’ a British-drama genre movie in 2006, a nurse looking after a paralyzed magician turned Radio Jockey who has filed a petition seeking permission to end his life in “Guzaarish’’ in 2010. All the movies that I mentioned here gave her critical acclaim and she had a good number of successful critical and mass appeal films. She has proved the general thought wrong that a heroine loses her popularity and star appeal once married and a mother at that. She has been under public scrutiny for everything that she does but keeps mum and doesn’t reply to the trolls that she is subjected to. Isn’t that noteworthy?

A few years back, for my niece’s wedding, I had purchased a saree which my sister-in-law loved very much and was looking for a similar one only in a different colour combination. I tried to assist her in finding that or a similar saree in the combo she wanted. I am happy to say I finally managed to get it for her on my recent trip to Calcutta (now Kolkata) during Durga Puja. I am sure this sudden off-track by me has jolted the reader into thinking what is the connection with Aishwarya Rai!!

Well it is connected with the song that is coming with this post. It is the almost like the saree that all the ladies are wearing in this song (disclaimer: neither the song nor the movie was reason for my sis-in-law’s liking for the said combination; she doesn’t even know of its connection with Aishwarya 🙂  )

Another connection is that this song happens at a huge haveli in old Calcutta for Durga Puja. It is from the 2002 Sanjay Leela Bhansali directed “Devdas” based on the book of the same name by Sharath Chandra Chattopadhyay. We have Aishwarya Rai dancing with Madhuri Dixit (another heroine whose popularity has not decreased post marriage and kids) at the Sindhoor- Khela which is an essential part of Dussehra during Durga Puja.

The song is in the voice of Shreya Ghosal, Kavita Krishnamurthy and KK. It was written by Nusrat Badr and Ismail Durbar was the composer. Saroj Khan is the choreographer for this magnificent dance which had the two heroines looking extremely gorgeous and they matched step-for-step brilliantly.

It is a song which is my personal favourite 2-heroine dance and I don’t think I will ever tire of seeing it. The choreography got Saroj Khan her 8th Filmfare award and it must be the only song which has a Wikipedia page.

I suggest a visit to the page (dola re dola   ) for interesting trivia about the song.

Today “Devdas” version 2002 makes its debut on the blog to Wish the blue-green eyed Miss World, Miss Photogenic and Miss World Continental Queen of Beauty – Asia- Oceania (sub titles that she won at the Miss world pageant held in Suncity -South Africa) a very Happy Birthday.


Song-Dola re dola re dola (Devdas)(2002) Singers-Shreya Ghosal,  Kavita Krishnamurthy,  KK, Lyrics-Nusrat Badr, MD-Ismail Darbaar

Lyrics

he dola re dola re dola re dola,
he dola re
hpo ho ho ho 

haan haan hmm haan
haan haan haan haan

re dhaiya re dhaiya re re dhaiya aa
re dhaiya re dhaiya re re dhaiya aa

dhim ta dhim ta
dhim ta dhim ta

oooooo aaaa eeee 

he dola re dola re dola re dola
haay dola dil dola mann dola re dola
he dola re dola re dola re dola
haay dola dil dola mann dola re dola
lag jaane do nazariya
gir jaane do bijuriya
bijuriya
bijuriya
gir jane do aaj bijuriya
lag jaane do najariya
gir jaane do bijuriya
baandh ke main ghungharoo,
pehan ke main paayal
ooo baandh ke main ghungharoo,
pehan ke main paayal
ho jhoom ke nachoongi
ghoom ke naachoongi
dola re dola re dola re dola
haay dola dil dola man dola re dola
dola re dolaa re dola re dola
haay dola dil dola man dola re dola 

aiy yai yai yai yaa haa
aiy yai yai yai yaa haa
dekho ji dekho dekho
kaisi ye jhhankaar hai
inki aankhon mein dekho piyaaji ka pyar hai
inki aawaaz bhi haay kaisi khanakaar hai
piya ki yaadon mein yeh jiya bekraar hai 

haay haay haay haay haay haay
maathe ki bindiya mein woh hai
mm palkon ki nindiya mein woh hai
tere to tan man mein woh hai,
teri bhi dhadkan mein woh hai
choodi ki chhan chhan mein woh hai
chhan chhan chhan chhan
chhanak chhanak chhan chhanak chhanak
kangan ki khan khan mein woh hai
khanak khanak khan
khanak khanak khan
khan khan khan
choodi ki chhan chhan mein woh hai
kangan ki khan khan mein woh hai
baandh ke main ghungharoo,
haan pehan ke main paayal
haan jhoom ke naachoongi
ghoom ke naachoongi
dola re dola re dola re dola
haay dola dil dola mann dola re dola
he dola re dola re dolaa re dola
haay dola dil dola mann dola re dola 

hae ae ae ae ae ae
hae hae hae hae hae hae
hae ae ae ae ae ae
hae hae hae hae hae hae

tumne mujhko
duniya de di
mujhko apni
ho khushiya de di
unse kabhi naa hona door
dola dola dil dola dola dil dola dola dola
haan maang mein bhar lena sindoor
dola dola mann dola dola mann dola dola dola
unki baahon kaa tum ho phool
dola dola dil dola dola dil dola dola
main hoon kadmon ki bas dhool
dola dola mann dola dola mann dola dola
baandh ke main ghungharoo.
pehan ke main paayal
haan baandh ke main ghungharoo,
pehan ke main paayal
haan jhoom ke naachoongi
ghoom ke naachoongi
dola re dola re dola re dola
haay dola dil dola mann dola re dola
he dola re dola re dola re dola re dola re dola
haay dola dil dola mann dola re dola

dola dola dola dola dola dola
dola dola dola dola dola dola
dola dola dola dola dola dola
dola dola dola dola dola dola
he dola re


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15981

Number of movies covered in the blog

Movies with all their songs covered =1227
Total Number of movies covered =4375

Total visits so far

  • 13,905,168 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,912 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: