Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Nok-Jhonk” song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4561 Post No. : 16158

“Tamanna”(1969) was directed by K P Atma for K S Pictures, Bombay. This “social” movie had Mala Sinha, Biswajeet, Shashikala, Agha, Nazima, Deven Verma, Nazeer Hussain, Sulochana, Sajjan, Achla Sachdev, Asit Sen, Krishn Dhaan, Rasheed Khan, Narbada Shankar, Kesri, Khairaati, Vimal Raj, Moolchand, Radheshyam, Sayyad, Md Ibrahim, Fatima, Santosh etc in it.

The movie had five songs in it. To of these songs have been covered in the past.

Here is the third song from “Tamanna”(1969) to appear in the blog. This song is sung by Asha Bhonsle, Rafi and chorus. Anand Bakshi is the lyricist. The O P Nayyarish Punjabi dance music is composed by Kalyanji Anandji.

The song is picturised as a dance song on Mala Sinha, Biswajeet and others. It is a song that deserved to be better knon, but it ended up as an obscure song from an qually obscure movie.

Unnoticeably, ith this song, Kalyanji Anandji complete their 600th song in the blog as music directors.


Song-O soniya matwaaliya main jaan gayi dilwaaliyaa(Tamanna)(1969) Singers-Asha Bhonsle, Rafi, Lyrics-Anand Bakshi, MD-Kalyanji Anandji
Female chorus
Male chorus

Lyrics

hoy
ho o o
o o o o
o o o

o soniya matwaaliya
main jaan gayi dilwaaliya
o soniya matwaaliya
main jaan gayi dilwaaliya
akela
akela mohe jaan ke tu raste mein chhedega
akela mohe jaan ke tu raste mein chhedega
o soniya matwaaliya
main jaan gayi dilwaaliya
akela
akela mohe jaan ke tu raste mein chhedega
akela mohe jaan ke tu rashte mein chhedega

hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy

tere saath main o panhaaran teri saari sakhiyaan
tere saath main o panharan teri sari sakhiya
main kaise chhedoonga tujhko
dekhen sabki ankhiyaan

dekhen sabki ankhiyaan ankhiyaan
dekhen sabki ankhiyaan

thhodi der mein paniya bhar ke chal dengi sab sakhiyaan
reh jaaungi jab main akeli
tab hongi ye batiyaan
tab hongi ye batiyaan batiyaan
tab hongi ye batiyaan
tab hongi ye batiyaan batiyaan
tab hongi ye batiyaan
(aa aa aa aa aa aa aa)

o peele kurte waliya
main jaan gayi dilwaliya
akela
haay haay
akela mohe jaan ke tu raste mein chhedega
akela mohe jaan ke tu rashte me chhedega

o o o o o
o o o o o

main pardesi
is panghat pe
pyaas bujhaaaane aaya
main pardeshi is panghat pe pyaas bujhaane aaya
pyaas bujhaayi na toone
ulta ilzaam lagaaya

ulta ilzaam lagaaya
ulta ilzaam lagaaya

jab bhi koi pyasa pardesi
panghat pe aaya
lut gayi mar gayi koi gujariya
man ka chain ganwaaya
man ka chain ganwaaya ganwaaya
man ka chain ganwaaya
hoy hoy
man ka chain ganwaya ganwaya
man ka chain ganwaya

o o o o
o bhole mukhde waliya
main jaan gayi dilwaliya akela
akela mohe jaanke
tu rashte mein chhedega
akela mohe jaan ke
tu raste mein chhedega

hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy

na te aaj baisakhi da mela
kudiya na aaj holi
na te aaj baisakhi da mela
kudiya na aaj holi
phir main kaise kheloonga
tere sang aankh michauli

tere sang aankh michauli
tere sang aankh michauli

ab kya aayegi baisakhi
kya aayegi holi
tab tak to tu le jaayega
sajna meri doli ho
sajna meri doli doli
sajna meri doli
hoy hoy
sajna meri doli doli
sajna meri doli

(aa aa aa aa aa aa)

o neeli pagdi waliya
main jaan gayi dilwaliya
akela
aah ri paaniye
akela mohe jaanke tu rashte mein chhedega
akela mohe jaanke tu raste mein chhedega

o soniya matwaliya
main jaan gayi dilwaliya
akela aa
akela mohe jaanke tu rashte mein chhedega
akela mohe jaanke tu raste mein chhedega

hurr


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4560 Post No. : 16156

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Blog 10-Year Challenge (2011-2021) – Song No. 1
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Blog Ten year Challenge, which was started in 2019 and which continued in 2020 as well, now enters 2021. This post is the first post for blog ten year challenge (2011-2021).

January 2011 was quite like January 2021, with only one or two songs being posted everyday. Unlike 2021, we already had DOT days in the year 2011 by 11 january 2011. Thankfully, these days I am very particular about avaoiding DOT days at any cost. As a result, the just concluded year 2020 sa NIL DOT days. The only other year in the bloh]g that had NIL DOT days as the year 2017.

This day on 2011 saw only one song being discussed and that song was a song from “Shola Aur Shabnam”(1961) namely Jeet hi lenge baazi ham tum…pyaar ka bandhan toote naa .

“Shola Aur Shabnam”(1961) was directed by Ramesh Sahgal for Parijat Films, Bombay. This “social” movie had Tarla, Dharmendra, Abhi Bhattacharya, M Rajan, Mubarak, Vijaylaxmi, Jeeankala, Sulochana, Leela Mishra, Dhumal, Johny hisky, B N Shukla, B Perera, Baby Chandrkala, Master Akashdeep etc in it.

The movie had ten songs in it. Five songs have been covered in the blog. Here are the details of the songs that have been discussed so far:-

Blog post number Song Date of posting
1257 Jaane kyaa dhoondhti rahti hain 10 May 2009
1803 Jeet hi lenge baazi ham tum…pyaar ka bandhan toote naa 25 August 2009
3430 Ladi re ladi tujhse aankh jo ladi 11 January 2011
5983 Phir wohi saawan aayaa 21 May 2012
10393 Mathura Shyaam chale 22 October 201

The song under discussion today is sung by Rafi and Jagjeet Kaur. Khayyam is the lyricist. Music is composed by Khayyam.

Only the audio of the song is available. I request our knowledgeable readers to thro light on the picturisation of the song. My guess is that the song was picturised on the lead pair of Tarla and Dharmendra.

Lyrics of this song were sent to me by Prakashchandra.


Song-Pehle to aankh milaana (Shola Aur Shabnam)(1961) Singers-Rafi, Jagjeet Kaur, Lyrics-Kaifi Azmi, MD-Khayyaam

Lyrics(Provided by Prakashchandra)

pehle to aankh milaana
phir thhoda sa sharmaana
sharma ke chale jaana
are waah waah waah wah
haan
pahle to paas bulaana
thhoda sa pyaar jataana
ghabra ke chale jaana
arre waah waah waah waah

kaise gori apne dil ki baat labon par laaun
arre kaise gori apne dil ki baat labon par laaun
husn tumhaara bijli jaisa
dekh ke main darr jaaun
main ik hindustani chhori
main kyun pyaar jataaun
main ik hindustani chhori
main kyun pyaar jataaun
itna kar sakti hoon
tujhko dekhoon aur muskaaun

ghoonghat pat ko sarkaana
phir thhoda sa muskaana
muskaa ke chale jana
arre waah waah waah waah
pahle to paas bulaana
thhoda sa pyaar jataana
ghabra ke chale jaana
arre waah waah waah waah

in aankhon ko o gori
tu kitni achchi laage
in aankhon ko o gori
tu kitni achchi laage
hum jaison se aakhir kyun tu haath chhudaakar bhaage
jab tu hans kar aankh milaaye
dil ye dhadkan laage
jab tu hans kar aankh milaaye
dil ye dhadkan laage
jee chaahe main sharmaaker dil rakh doon tere aage

pehle ban thhan ke aana
hamen thoda sa tarsaana
tarsaa ke chale jaana
are waah waah waah waah
kamaal hai
pehle to paas bulaana
thhoda sa pyaar jataana
ghabra ke chale jaana
arre waah waah waah waah

pehle to aankh milaana
phir thhoda sa sharmaana
sharma ke chale jaana
arre waah waah waah waah


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4518 Post No. : 16074

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 97
———————————————————————————–

‘Jab Se Tumhe Dekha Hai-1963’ is an eligible movie under the ‘Blog Ten Year Challenge’ today (30 november 2020) as one of its songs was posted on 30.11.2010.

Though one song of this movie was also posted on 18.11.2010, we missed the opportunity of discussing its song on that day ten years later. Our dear Prakash ji had already sent lyrics for two songs to cover these two occasions. Today gives us another opportunity of covering a song from this movie under the “Blog Ten Year Challenge” series.

Following six posts were published this day ten years ago on 30 november 2010:-

Song Movie title-Year Remarks
Jhoome re kali bhanwraa ulajh gayaa kaanton mein Naukri-1954 All songs covered
Hamko hanste dekh zamaanaa jalta hai Ham Sab Chor Hain- 1956 All songs covered
Aag lagaanaa kyaa mushkil hai Kangan-1959 All songs covered
Maane naa maane naa maane naa Saweraa-1958 All songs covered
Ye din din hain khushi ke Jabse Tumhe Dekha Hai-1963 03 songs posted
Hamse hoti muhabbat jo tumko Muhabbat Isko Kehte Hain-1965 All songs covered

Though the blog scored a ‘sixer’ on the last day of the month of that year 2010 it left ‘three balls’ without scoring a single run 😊 i.e. 27th, 28th & 29th November’2010 were the ‘dot’ days for the blog. Still it managed to hit a century with this ‘six’ on the last day of the month. Total score of posts of November’2010 is 105. (Things like this happen in Hindi movies or specially in ‘MKD’ movies 😊

Now, in the current month, the blog is still struggling at sixty-one posts till the time of writing of this post.

Let us just take a quick look at how the blog has so far been performing in the month of November in previous years since its ‘inception’;

S.No. Year No of posts
01 2008 126
02 2009 96
03 2010 105
04 2011 166
05 2012 173
06 2013 168
07 2014 120
08 2015 98
09 2016 131
10 2017 92
11 2018 45
12 2019 42

HFGK Vol-IV mentions the following seven songs in this movie, all written by Shailendra and composed by Datttram.

So far, only three songs from this movie ‘JAB SE TUMHE DEKHA HAI-1963’ have been posted on the blog; (highlighted with their links)

Song Posted On
Ye din din hain khushi ke 30.11.2010
Chaand taley jhoom jhoom thirak rahi hai ghoongharwaaliyaan
Arey re re re dil kho gaya, dhoondhoon kahaan Being covered today
Tumhe husn deke khudaa ne sitamgar banaaya (part-I) 27.07.2010
Muhammad Shaah rangeeley, gaavat aaj prem raag
Ham aapki mehfil mein bhoole se chale aaye 18.11.2010
Tumhe husn deke khudaa ne sitamgar banaaya (part-II)

Today’s song is the fourth song from this movie to be presented on the blog. It is sung by Mohd Rafi and Asha Bhonsle.

Let us enjoy today’s lovely nok jhonk song and close November’2020 on a happy note for the ‘Blog Ten Year Challenge’ and move on to December …

If we look at the statistics of the month of November over the years, this will be the first November where number of posts cross fifties and do not not enter nineties. 😊 Out of twelve Novembers so far, seven have scored centuries, two closed in the forties, and three in nineties. This, the thirteenth November for the blog seems to be ending in the sixties today …

over to the song now …

Lyrics of this song have been sent by Prakashchandra.

Audio

Song-Arre re re dil kho gaya (Jabse Tumhen Dekha Hai)(1963) Singers-Rafi, Asha Bhonsle, Lyrics-Shailendra, MD-Dattaram

Lyrics(Provided by Prakashchandra)

arrey rey rey rey rey
dil kho gayaa aa..aaa…aaa
dhoondhoon kahaan
dhoondhoon kahaan
ae dilruba
haaye haaye ye kya ho gayaa…aa
haaye haaye ye kya ho gayaa
dekho apni daayeen jeb mein
kya rakha hai is fareb mein
chhodo dhokha baar baar ka
kyon karte ho dhong pyaar ka

dil kho gayaa aa aa…aa aa…aa..hh

haaye haaye
haaye
mushkil ki raat mein
rehta tha saath mein
mera woh dil bholaabhala…aa
ho o o o o
chhootaa kis baat pe
nikla kyon haath se
hoga kahin kuchh ghotaalaa

dum bhar main sapnon mein kho gaya
itne mein dil paar ho gayaa
ye to duniya ka usool hai
chhoti si woh bhool bhool hai

dil kho gayaa aa..aa..aaa
dhoondhoon kahaan
dhoondhoon kahaan
ae dilruba
haaye haaye ye kya ho gayaa

hoye hoye hoye hoye hoye hoye
gham hai din raat ka
itni si baat ka
mera woh dil thha tumhaara aa
ho ho o
mera khayaal hai
mere mizaaz se dar ke chhupa hai bechaaraa

mera bigdaa haal dekhiye
behki behki chaal dekhiye
sheeshaa leke shaql dekhiye
mil jaayein to akal dekhiye

dil kho gayaa aa
dhoondhoon kahaan
dhoondhoon kahaan
ae dilruba
haaye haaye ye kya ho gayaa

ho ho o
anjaani raah par
khud se wo bekhabar
phirta tha aksar aawaaraa

alley alley alley alley alley alley
woh to naadaan thha
jag se anjaan thha
jaataa kahaan besahaaraa aa
shaayad uss ko saath mil gaya
chhupke woh Bambai chal diya

Bambai woh kis liye jaayega
kaun usey actor banaayega
dil kho gayaa aa
dhoondhoon kahaan
dhoondhoon kahaan
ae dilruba
haaye haaye ye kya ho gayaa…aa aa
haaye haaye ye kya ho gayaa
dekho apni daayeen jeb mein
kya rakha hai is fareb mein
chhodo dhokha baar baar ka
kyon karte ho dhong pyaar ka

dil kho gayaa aa aa…aa aa…aaa..hh


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4506 Post No. : 16047

Today’s song is from the film Kaise Kahoon-1945.

To start with, Bombay was the first film making centre followed closely by Calcutta. Slowly, some other centres like Madras, Coimbatore, Poona, Bangalore etc. as occasional film centres also developed. In 1924,i.e. 11 years after the first silent feature film was released in Bombay, Lahore made its first silent film-“The daughters of Today”. It was made and released in Lahore. This film was made by Mr. G K Mehta, a former officer of North Western Railways, who had imported a Camera from London. A R Kardar, who was making posters for foreign film productions and who was a qualified well known Calligrapher, assisted Mehta. Kardar and his friend Ismail both also acted in that film.

In 1928, Kardar, with no other work on hand, decided to start a film making studio and a production company called ” United Players Corporation” to make films. He made 12 silent films in Lahore, thus bringing Lahore’s name on the map of film centres in India. Therefore, Kardar can be called the architect of Lahore film industry, in a sense. Slowly Talkie films were planned in Lahore. Dalsukh Pancholiestablished his studio. The making of films like Khazanchi, Khandan and Zamindar firmly established Lahore as a Film making centre. Many films like Poonji, Daasi etc were made there. Punjabi aspirants in various fields like acting, direction, music, singing, cinematography etc found Lahore convenient to start careers, rather than going to Bombay all the way.

Film Kaise Kahoon – 45 was made by Pancholi Art Studio, Lahore which had earned All India fame with its highly successful films. As per Baburao Patel’s review in Film India magazine January 1945, the film’s story was by Dalsukh pancholi himself. He had also written the story for another hit film Daasi-44 earlier. Patel said in his review that ” Pancholi stole ideas from foreign films “. Whether True or not, the treatment Pancholi’s films gave to the stories was certainly loved by the audience all over India, so there was no problem. The film was directed by foreign trained Moti B Gidwani, who directed 17 films in his career. It is interesting to know, however, that his first film as a director, ” Midnight Girl -29″ was a resounding flop and it caused the film maker company- Maharashtra Film company of Kolhapur to close down. It also caused a group of 5 people to leave the company earlier and start their own Prabhat Film Company, at Kolhapur.

Cast of the film was Ragini, Najmul Hasan, Akhtar, Jagirdar, Durga Mota etc. Ragini was famous and popular. She was one of the two actresses of Hindi films, who had Brown eyes, the other being Vanmala. The hero Najmul Hasan was a compromise actor, who had become infamous due to his elopement with Devika Rani of Bombay Talkies. She returned to her husband and he was left high and dry ! Baburao Patel described him as ” an overfed Owl ” !

One name in the cast is that of Durga Mota. His real name was Durgaprasad. Due to his heavy build he was nicknamed Mota(fat). He was a permanent member of Pancholi films as a comedian. It is very sad that his career ended in a gruesome way. In 1947, after Partition, there was an exodus of millions from Lahore to India. Durgaprasad also wanted to shift to Delhi. He went to Lahore station to catch the train. Suddenly, a frenzied mob of rioters invaded Lahore station and they started killing all the passengers waiting to go to India. People started running to save life. Due to his fatness, Durgaprasad could not move faster and was caught by the mob, who cut him in pieces on the Lahore Railway station platform itself.

The film was released on 16-11-45 ( 75 years ago to the date, almost), in Imperial Cinema, Bombay. The story of the film, as adapted from the Film India magazine review by our Sadanand kamath ji, was – A doctor (Gajanan Jagirdar) has a son and two grown up daughters – Geeta (Ragini) and Basanti (Baby Akhtar). The son who was in Burma is expected to return home, However, he is accidentally killed by Pradeep (Najam ul Hasan) without knowing the identity of the deceased. As it often happens in Hindi films, coincidentally, Pradeep lands in a doctor’s house for an overnight stay. He falls in love with Geeta instantaneously. The overnight guest becomes a permanent attachment. Basanti, the younger sister of Geeta, is also happy about her sister’s love for Pradeep.

As usual in Hindi films, when the love reaches a finale, a villain, a zamindar (probably Ajmal) steps in the picture. He comes to know about the accidental death of the doctor’s son and the killer who is none other than Pradeep. After a lot of suspicions and misunderstanding, the things get cleared and Pradeep gets his fiancee Geeta.

The music of film kaise Kahoon-45 was by a veteran Pt. Amarnath Batish. I am purposely calling him Batish, because there was another MD with the same name of Pt. Amarnath Chawla. They were obviously different, but were a case of ” Same Name Confusion” because both never wrote their full names. In this matter Marathi actresses never became a case of SNC, because they all used their surnames, like Shanta Apte and Shanta Hublikar, Nalini Tarkhad and Nalini Jaywant, Leela Chitnis and Leela Chandragiri etc. etc. This made matters clear and easy to identify.

In 1931 the first Talkie film was released. There were seven songs in this film. With this film, along with the existing Film Industry an additional Music Industry also came into existence. The early film makers understood the importance of music in India. Music, Instrumental or Vocal had secured the Royal Patronage from the kings and Nawabs. For the common people Gramophone records were providing musical entertainment. Occasional open air dramas and music concerts too were popular. By the 30’s decade the NFS (Non Film Songs) became a craze and several popular singers churned out their records.

Music became an integral part of Hindi films. Famous filmmakers like Prabhat, Ranjit, New Theatres, Madon Theatres, Bombay Talkies, Saraswati Cinetone etc. also helped in promoting film music. Initially Film music was greatly influenced by Parsi Theatre, and Marathi and Gujarati Natya Geets as well as Folk songs. This was successfully changed by Ghulam Haider with Punjabi Music in Lahore and Naushad with UP folk music in Bombay. Pt. Amarnath and his younger brother pair of Husnlal-Bhagatram carried forward the Punjabi music.

Amarnath Batish was born in 1912 in Jalandhar. He started his career as an actor and singer on stage dramas. He was a good Harmonium and Tabla player. He started his career with HMV as an Orchestra Director, in Delhi. Master Madan, the child Prodigy recorded few Punjabi songs under his baton.

It was natural that Amarnath joined Films. His first film was Roop K Shorey’s Nishani-1942. Pandit ji had discovered Naseem Akhtar. She and Shamshad begum sang songs for him. In the same year, his first Punjabi film Govandi-42 was released. His new find Zeenat Begum sang in it. Even Amarnath sang a song ” Pagadi utaar jatta” along with S D Batish and chorus in it. However, the British government banned this Patriotic song. The film was a hit film. Film Daasi-44 was his most popular film. All songs became hits. He did a film Irada-44, in Calcutta in which he introduced Hemant Kumar in Hindi films.

Simultaneously, he was giving music to Punjabi films too like Koel-44 and Gul Baloch-45.During the 40s decade Pt. Amarnath was the most busy composer, with a line up like- Nishani-42, Paapi-43, Irada-44, Daasi-44, Panchhi-44, Shirin Farhad-45, Ragini-45, Kaise Kahoon-45, Dhamkee-45, Sham Savera-46, Shalimar-46, Shehar se door-46, Jhumke-46, Aai Bahar-46, pagdandi-47, Mirza Saheban-47, Roop Rekha-48 and Ek Teri Nishani-49.

He gave music to 18 Hindi films, composing 152 songs in all. Due to his success, he started taking drinks, which became his nemesis. At the time of film Pagdandi-47, after a few songs, he was replaced by Khurshid Anwar. Even in his last two films Roop Rekha-48 and Ek teri nishani-49 after a few songs, he was replaced by other MDs. Film Patjhad, which he had signed, was given to Ghulam Haider.

During the making of the film Mirza Sahiban-47, Pt. Amarnath died at the age of just 35 years, on 20-2-1947. The balance songs were done by Husnlal Bhagatram.

(Adapted with thanks, from Film Sangeetkar by Prof. Yadav, an article by Sharad Dutt in milleniumpost.in, Dhunon ki yatra by P.Raag, HFGK, muVyz and my notes).

So far, 2 songs of this film were discussed. Today’s song is the third song here. I would say, songs of this film do not conform to the fame of Pt. Amarnath for giving melodious songs. But then, every song of every film can not be of the same quality.


Song-Gori gaagar ki Ganga udhhaar diye jaa (Kaise Kahoon)(1945) Singers- S D Batish, Shamshad Begum, Lyricist- Sharma, MD- Pt. Amarnath
Chorus

Lyrics

Gori ee
gaagar ki Ganga udhhaar diye jaa
udhhaar diye jaa
tujhe ganga kasam
o tujhe Ganga kasam

haan
dil waalon ke dil ka vyopaar kiye jaa
vyopaar kiye jaa
tujhe ganga kasam
o tujhe Ganga kasam
gori ee
gaagar ki ganga

wo bageeche mein dekho
wo gaagar pade
wo bageeche mein dekho
wo gaagar pade
nahin hoti hai
?? mein pade
babu dil mein hi
o babu dil mein hi
dil ka vyopaar kiye jaa

gori
gaagar ki Ganga udhhaar diye jaa
udhhaar diye jaa
tujhe ganga kasam
o tujhe
o tujhe
o tujhe
ganga kasam

baabu
dil mein hi Ganga utaar kiye jaa
utaar kiye jaa
tujhe ganga kasam
o tujhe Ganga kasam

Gori ee
gaagar ki ganga

Gori har roz tumse to kehna nahin
Gori har roz tumse to kehna nahin
sada gaagar ki ganga mein behna nahin
sada roop jawaani mein rehna nahin
rehna nahin
aji din hain tere
upkaar kiye jaa aa
baabu u
dil mein hi dil ka vyopaar kiye jaa
vyopaar kiye jaa
tujhe ganga kasam
o tujhe
o tujhe
o tujhe
ganga kasam

o gori ee
gaagar ki ganga

baabu baala jobanwa hai
pyaar kiye jaa
pyaar kiye jaa
baabu baala jobanwa hai
pyaar kiye jaa
pyaar kiye jaa
kachchi kaliyaan hain
kachchi kaliyaan hain
tan man nisaar kiye jaa
nisaar kiye jaa
phool ban’ne talak
intzaar kiye jaa

gori ee ee
gaagar ki ganga udhhaar kiye jaa
udhaar diye jaa
tujhe ganga kasam
o tujhe
o tujhe

baabu
dil mein hi dil ka vyopaar kiye jaa
vyopaar kiye jaa
tujhe ganga kasam
o tujhe
ganga kasam

o gori ee
gaagar ki ganga


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4486 Post No. : 16005

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Blog 10-Year Challenge (2010-2020) – Song No. 88
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After a gap of more than one month, we are back with this blog ten year challenge. There is a very good reason why I have decided to resume this series on THIS day viz 29 October 2020. That reason will become clear only in the evening, when I will post the second Blog ten year challenge post of the day.

On this day ten years ago, viz on 29 october 2010, I had posted five songs in the blog. As was usual those days, all the posts were done and dusted with in the morning. The first post of the day appeared at 7:19 AM and the final post at 9L29 AM.

Here are the details:-

Blog Post number Song Movie Year of release Posting time Remarks
3149 Teri nazar mein main rahoon meri nazar mein tu 1857 1946 7:19 AM Movie YIPPEED by now
3150 Tum hamen bhool gaye Balam 1949 8:13 AM Movie YIPPEED by now
3151 Barbaad huyi dil ki duniyaa Jalpari 1952 8:51 AM 7 songs covered out of 9
3152 Hamko samajh baithhi hai ye duniyaa deewaanaa Chaar Deewaari 1961 9:13 AM Movie YIPPEED by now
3153 Mujhe tumse muhabbat hai magar main keh nahin saktaa Bachpan 1963 9:29 AM 3 songs covered out of 7

One can notice that three out of five movies that were represented ten years ago have been YIPPEED by now. That leaves us with “Jalpari”(1952) and “Bachpan”(1964) as the two movies eligible for the Blog ten year challenge.

I had chosen the song for “Bachpan”(1964) yesterday itself, and I thought I had done the same for “Jalpari”(1952) as well. but today morning, I discovered that the song chosen by me was already discussed. What is more, it was discussed exactly ten years ago. So I had to search for another song. Only two songs of “Jalpari”(1952) are left. The first song mentioned in HFGK has no details viz record number, singers etc. That song is as good as unavailable. That leaves us with only one song, viz “Namkeen tumhaari soorat hai”. On YT, a one minute partial version of this song is available which does not do justice to the song. Locating the full song and uploading it took me better part of the morning and so I was not able to post any post in the blog till now.

This elusive song is described in HFGK as sung by Rafi, Shamshad Begam and Zohrabai Ambalewali. On listening to the song, I find that the female singers are correctly identified, but the male singer is not. There are two male playback singers to match the two playback singers. Rafi’s voice is not at all there . Two two male voices sound familiar. One of them sounds like S Balbir to me. I request our knowledgeable readers to help identify the voices.

There were three lyricists in the movie, but only two songs are credited to two lyriciasts. Lyricists of others songs, including the song under discussuion, are not known. Music is composed by Pt Govindram.

Two males and two females have an interesting exchange of words in the song where expression of love is couched in the form of nok jhonk. Very interesting song that has been forgotten with time.

I request our knowledgeable readers to throw light on the picturisatioon of this song.

I feel that the only remaining song from the movie may not be available and so this movie, after this song, may remain unYIPPEED, or may be conditionally YIPPEED, as described by Sudir Jee in one of his posts.

I have mentioned it that one more Blog Ten Year Challenge post will appear today. That would be a special kind of Blog ten yewar challenge. So watch this space.


Song-Namkeen tumhaari soorat hai(Jalpari)(1952) Singers-Male voice 1, male voice 2, Shamshad Begam, Zohrabai Ambalewali, Lyricist-Unknown, MD-Pt Govindram

Lyrics

namkeen tumhaari soorat hai
arre naina tore matwaare hain
ye laddoo pede barfi sab
iske aage jhak maare hain

roop ka bhojan tumhaara
dil pe jaadoo kar gaya
haaye
dil pe jaadoo kar gaya
arre dekh kar soorat tumhaari
pet apna bhar gaya

chaahe nakad karo ya udhaar karo
ho par thhoda thhoda hamse pyaar karo
par thhoda thhoda hamse pyaar karo
dekho hamse na yoon taqraar karo
jora jori mat ankhiyaan chaar karo
jora jori mat ankhiyaan chaar karo

ham gore hain ya kaale hain
arre mard muhabbat waale hain
dhun ke sachche dhun ke pakke
tere roop ke ham rakhwaale hain
in moochhon par
in moochhon par
in moochhon par aitbaar karo
ho par thhoda thhoda hamse pyaar karo

in moochhon se ham darte hain
teri shakl se nafrat karte hain
tum daanav jaise chakram to
meri gali mein paani bharte hain
arre sunaa

oon hoon
mat baaten yoon bekaar karo
jora jori mat ankhiyaan chaar karo

o chaahe nakad karo ya udhaar karo
o par thhoda hamse pyaar karo

aji maine kahaa huzoor
zara suniye to
chal chal
aji maine kahaa sarkaar
zara dekhiye to
kya hai

main ho gaya tera deewaana
tu shamma main tera parwaana
o meri bulbul dekh zara
dil kar diya tujhko nazraana
haaye

chaahe soch karo ya vichaar karo
ho par thhoda thhoda hamse pyaar karo
dekho hamse na yoon taqraar karo
jora jori mat ankhiyaan chaar karo

tum maanus bade nikhhattoo ho
moorakh ho zaahil jattoo ho
tum nayi nawelan naar dekh
phat ho jaate lattoo ho
arre kuchh samjhe
bilkul nahin

mat hamse yoon takraar karo
jora jori mat ankhiyaan chaar karo
o chaahe nakad karo ya udhaar karo
ho par thhoda thhoda hamse pyaar karo


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 16000th post in the blog.

Blog Day :

4484 Post No. : 16000 Movie Count :

4382

This blog regularly clocks centuries of songs. So it follows that the blog clocks thousand songs too after every ten centuries.

The blog has seen 15 instances of thousandth posts so far.

These were special occasions when special writeups are presented with special songs.

It is interesting to look back at the 15 instances of thousandth posts in the blog. Here are their details:-

Post number Date of posting Song Movie (year) Blog day Days taken for the thousandth post
1000 30 march 2009 Piya ham saat mulk ka paani Lootmaar (1980) 255 days 255 days
2000 27 September 2009 Dhakdhak karti chali jeewan ki rail re Dilruba (1950) 436 days 181 days
3000 20 september 2010 Maa mujhe apne aanchal mein chhupa le Chhota Bhai (1966) 794 days 358 days
4000 13 june 2011 Kya se kya ho gaya bewafa tere pyaar mein Guide (1965) 1060 days 266 days
5000 13 nov 2011 Hamen to loot liya mil ke husn waalon ne Al Hilal (1957) 1213 153 days
6000 23 May 2012 Geet kitne gaa chuki hoon Asha Bhonsle NFS 1405 days 192 days
7000 13 Nov 2012 Falak se utre zameen pe taare Rafi NFS 1579 days 174 days
8000 28 april 2013 Beautiful baby of Bombay Ek Phool Chaar Kaante (1960) 1745 days 166 days
9000 13 November 2013 Ankhiyaan sang ankhiyaan laagi aaj Bada Aadmi (1961) 1944 days 199 days
10000 20 July 2014 Phul rahin belariyaan dole Trapped (1931) 2193 days 249 days
11000 31 March 2015 Kaam ki dhun mein hain rawaan Gyaarah Hazaar Ladkiyaan(1962) 2447 days 254 days
12000 20 April 2016 Door desh se aane waale Gaja Bhau(1943) 2833 days 386 days
13000 4 March 2017 Dil tumse lagaaya kyun hamne Captain Aazaad (1964) 3151 days 318 days
14000 1 February 2018 Khayyam hai Allah waala Omar Khayyam (1946) 3485 days 334 days
15000 21 April 2019 Deepak jo gaaye so paaye gyaan dhyaan Sahhanshah Akbar (1943) 3929 days 444 days
16000 26 october 2020 4484 days 555 days

We can see from the above that there has been at least one Thousandth song post every year from 2009 onwards. 2009, 2011, 2012 and 2013 saw two such posts, which means that the blog added nearly 2000 songs in these years.

All these songs were very very special songs in one way or the other. Some songs were iconic songs, some extremely rare, while some were popular in their times but had been forgotten with passage of time.

Some of these posts combined other major blog landmarks. For instance song post number 3000, a popular song, was Lata Mangeshkar’s 1000th post in the blog. Song post number 4000 , a popular songwas Rafi’s 1000th. 6000th post, a non film song was Asha Bhonsle’s 1000th post in the blog.

The 5000th song post, recognised Bulo C Rani, the less known music director of this iconic qawwaali, who completed his century in the blog with this song.

In the earlier days of the blog, regulars would eagerly look forward to the thousandth post and would try to guess the song. In some cases, for instance the 5000th post, people successfully guessed the song because we were posting far too many Bulo C Rani compositions in the blog those days to take him to his hundredth song in the blog. 🙂

Who could forget the leadup to the ten thousandth song in the blog ! Regulars, on those pre whatsapp days were keeping in touch with each other on e mail, sharing messages like, one more song posted, three to go. What song it is going to be, etc. The excitement, the eager anticipation, and finally the song getting posted, and the comments on the song post- those were heady days for the blog. Those who were part of those exciting days still fondly remember those days.

One can notice that the thousandth posts have been coming relatively slowly ever since. Song post 11000 took 254 days, whereas the next thousandth posts took over 300 days each to materialise.

Song post 15000 was the slowest. It took 444 days.

What about song post 16000 ? This gets posted today. It has taken 555 days !

444, 555. Such honky tonk numbers inadvertently and unnoticeably creep into the affairs of the blog. Who can forget the concidences involved while posting the “1” songs- viz song post numbers 1, 11, 111, 1111 and 11111 ! Those who have forgotten about the amazing coincidences noticed are requested to go though this article.

Another thing noticeable about these writeups is that they are penned by pillars of the blog, such as Raja, Sudhir Jee etc. Some of these writeups have been joint efforts, involving upto three contributors. Sudhir Jee’s contribution extends beyond the article writing. He would also dig up the song for the occasion, often a rare not yet on internet gem and upload that specially for the occasion. For instance, the 10000th song post was a song of 1931 (the earlist year for HFM) and it was especially uploaded by him minutes before that post was published on 20 July 2014 !

Selection of the song has been a matter of much speculation among the regulars of the blog, as discussed above. While some of these songs have been correctly guessed by them, guessing them has become difficult of late. That is because the person writing the article (that is often me) is not sure what song to pick. I myself manage to land an appropriate song often at the last moment. For example, I accidentally discovered the song for song post number 13000 and posted it for that occasion. When I was myself not clear about the song, how were others going to guess the song ! That way I feel like legendary leg spinner B S Chandrashekhar. He himself did not know what ball he was going to deliver next, so how was it possible for the batsman to anticipate his next delivery ! 🙂

In our whatsapp group of regulars, some of them have been guessing the song that would be the 16000th song for the blog. One guess is that it would be a Lata Mangeshkar song, alongwith her career records. That did not happen.

I was actually toying with such an idea. But then I realised that the songs that I could use with such an idea did not seem suited for an occasion like the 16000th song for the blog.

Just when it seemed that I was unable to find a suitable song, I stumbled upon this song which is being presented today. This song was discovered by me almost like how I discovered the 13000th song post song.

This song is as rare as they can be, from a movie that can be as rare as they come. The movie is “Toofaani Teerandaaz”(1959). The movie, a “stunt” movie, is produced and directed by A R Zameendaar for Navshakti Films, Bombay. The movie had Shanta Kumari, Deep Kumar, Tuntun, Sheikh, Habeeb, Shakeela Bano Bhopali, Ismail Azad, Sajjan, Goldstein, Daya Devi, Nazeer Kashmiri, Amir Ali, Sattar, Md Ali, Ghani, Azam, Haneef, Yunus, Nawab, Funtoosh, Baby Shahjahaan, Khan Habib, Khan Nusrat, Khan Atiq etc in it.

The movie had five songs in it. The movie is yet to make its debut in the blog.

The songs are rare, but they have been made available online thanks to the generosity of some well known HFM music collectots and sharers.

The song under discussion is a qawwaali. It is sung by Ismail Azad qawwaal and Sudha Malhotra,accompanied by male and female chorus. In all great qawwaalis, it is the lyricist who makes the qawwaali great.Farooque Kaiser is the lyricist of this fantastic qawwaali. Music is composed by Iqbal.

Only the audio of thd song is available. My guess is that this song was picturised on Ismail Azad (singing for himself) and Shakila Bano Bhopali, with others in the standard qawwaali set up so common in Hindi movies those days.

The song is in the same league as many iconic qawwaalis of Hindi movies. It is just that this song failed to get popular and so remained under the radar. With time, the song was forgotten. Thanks to music collecter Shri Girdharilal Vishwakarma, and the uploader shri Aditya Pant, we can enjoy this fantastic fantastic qawwaali. Our thanks to them.

The song, a nearly seven minute feast, starts with a long harmonium piece, followed by an interesting war of words between the two genders. Quite a remarkable song that will grow on the listeners if they listen to it a few times. I know it because I got tolisten to it quite a few times while trying to get the lyrics right.

“Toofaani Teerandaaz”(1959) makes its debut in the blog with this song.

Another thousandth song post done ! I feel relieved and happy. It will be a while before I will have to worry about finding another suitable song for the occasion. 🙂

I take this opportunity to thank one and all. This set of thousand songs took 555 days to arrive at a rate of less that two songs per day, but what is important is that we are still on the move and we continue to add to an already rich collection of songs. I take this opportunity to thank one and all. I expect that we will continue to recive the same support, help, encouragement, contributions etc for one and all.


Song-Hum wafaadaar nahin tu bhi to dildaar nahin(Toofaani Teerandaaz)(1959) Singers-Ismail Azad, Sudha Malhotra, Lyrics-Farooque Kaiser, MD-Iqbal
Male chorus
Female chorus

Lyrics

Shukr kar hamne tujhe chaand si soorat de di
naaz kaliyon ka hawaaon ki nazaakat de di
teri zulfon ko ghataaon ki bhi rangat de di
loot kar saare zamaane ki muhabbat de di
phir bhi hamse ye gila hai ke wafaadaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

ham na hote to bahaaron mein na rangat hoti
chaand mein noor na kaliyon mein nazaakat hoti
pad gayi jaan zamaane mein hamaare dam se
pyaar tum kisko jataate jo na aurat hoti
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin

tujhko magroor kiya
keh ke haseena hamne
teri khaatir kiya
manzoor ye jeena hamne
banke majnu kahin laila pe huye hain qurbaan
cheer laaye pahaadon ka bhi seena hamne
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

chaahe joban bhi
tera hukm na taala hamne
daali Mirza ke gale pyaar ki maala hamne
isko kehte hain muhabbat yahi hoti hai wafa
khud to girte bhi rahe
tujhko sambhaala hamne
phir bhi hamse ye gila hai ke wafaadaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin

le sahaara meri baahon ka zara ab to sambhal
do kadam raah e wafa mein tu mere saath to chal
teri ulfat ki nishaani nahin jag mein koi
mard ke pyaar ka wo dekh nishaan Tajmahal
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

pahle mumtaz ne ki jaan muhabbat mein nisaar
baad mein Tajmahal ka hai banaana bekaar
waqt ne phoonk diye kitne wafaaon ke charaag
beh gaye mauj mein kitni hi kumhaaran ke pyaar
aise hamse ye gila hai ke wafaadaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

zahar aankhon ka har ek jaam mein daala tumne
zulf ke parde mein hai saanp ko paala tumne
hashr(?) tak yaad rahega tera ye zulmo sitam
banke hawwa hamen jannat se nikaala tumne
phir bhi hamse ye gil hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

taane sakhiyon ke sune
hamne hi Radha banke
pyaar mein ho gaye ruswa kahin Laila ban ke
Ram ka saath diya kisne museebat mein bata
kaun jungalon mein phira saath mein Seeta ban ke
phir bhi hamse ye gila hai ke wafaadaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

jaa tere husn ka ab koi talabgaar nahin
dil hai aurat ka koi pyaar ka baazaar nahin
ham nahin ?? ke ab naaz uthhaane waale
aur aa jaayenge dil hampe lutaane waale
ham na honge to ye kya shaan rahegi baaqi
jaan jaayegi magar aan rahegi baaqi
kaun hai aap ki soorat se jo bedaar nahin
qatl kar denge tumhe haath mein talwaar nahin
?? naazuk mein ye taaqat meri sarkaar nahin
?? se nipatna koi dushwaar nahin
phir bhi hamse ye gila hai ke wafaadaar nahin

ham wo baazaar nahin tu bhi to dildaar nahin…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4483 Post No. : 15995

Sahir Ludhianvi & His Music Directors-1 – (one movie collaboration only)
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Welcome all to this post.

Some of you would be surprised to see a ‘Sahir’ related post here today again, because we celebrated Sahir yesterday on his ‘Remembrance Day’ and paid our tributes.

But today’s day is also important for us. It the birthday of one of the founding members of this blog and our beloved Raja Saab. So here is wishing Raja Saab a very happy birthday and ‘many many happy returns of the day’ and ‘healthy, peaceful and ‘full of music- life’ ahead.

And I am sure he is going to enjoy this song in ‘Punjabi’ folk based song as I am aware of his love for ‘Punjabi folk based’ songs.

Well he is also a Sahir fan so a song from Sahir. And he is Kaka fan too. So, we have Rajesh Khanna making an appearance in this song in the movie ‘Dhanwaan-1981’, and if I am correct, he lip-syncs the one stanza in Amit Kumar’s voice. But that is not covered in the video of the song though the audio version of this song is having it.

Not only that we have one more ‘celebration’ here today.

Regulars on the blog might be remembering that I had mentioned in my earlier post with the ‘couplet song’ ‘aap abhi ishq ki tehzeeb se aagaah nahin’ from ‘Dil Hi To Hai’ (1963), that I had prepared an excel sheet for Sahir and his music directors with the number of songs in the movies where Sahir Ludhianvi was lyricist and was going to share it with a new series.

But somehow this series got delayed and what a better occasion than today. Today we discuss Sahir’s association with music directors where they collaborated for only ‘one movie’ (or ‘only one song in some cases).

Today’s song is composed by Hridaynath Mangeshkar from the ‘1981’ movie ‘Dhanwaan’.
And today 26th October’2020 (born on 26th October 1937) is the eighty-third birth anniversary of Hridaynath Mangeshkar. So here is wishing him too a very happy birthday and healthy and peaceful life ahead.

Coming to the list of music directors where Sahir had only one film association the list as given below; (I have tried to compile the details accurately as possible, and would request readers to bring to my notice if any mistake is there and forgive me for that error).

S.no Name of the Movie Year Music Director Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 Aazadi Ki Raah Pe 1948 G.D. Kapoor 1 4 4
2 Alif Laila 1953 Shyam Sundar 8 8 8
3 Humsafar 1953 Ali Akbar Khan 7 8 8
4 Sholey 1953 Dhani Ram 1 1 1
5 Saavdhan 1954 Vasant Ramchandra 7 7 7
6 Chingaari 1955 Manohar 1 1 1
7 Didi 1959 Sudha Malhotra 1 1 1
8 Laal Nishaan 1959 Nirmal Kumar 1 1 1
9 Girl Friend 1960 Hemant Kumar 7 7 7
10 Maasoom 1960 Robin Banerjee 1 1 1
11 Bahurani 1963 C. Ramchandra 7 7 7
12 Bhaai Ho To Aisa 1972 Sonik Omi 1 5 5
13 Nawaab Saahib 1978 C. Arjun 5 4 5
14 Kaalaa Patthar* 1979 Rajesh Roshan 7 6 7
15 Dhanwaan 1981 Hridaynath Mangeshkar 4 5 5
Total 15 movies 59 66 67

(*jageya jageya considered as two-part song)

Coming back to the today’s movie, Dhanwaan-1981” was directed by Surendra Mohan for ‘Film Nagar, Bombay’. It was produced by Sohanlal Kanwar.

This movie had Rajesh Khanna, Reena Roy, Rakesh Roshan, Shakti Kapoor, Pinchoo Kapoor, Vijayendra, Mazhar Khan (there were two persons with same name Mazhar Khan(reference-HFGK)), Aruna Irani, Birbal, Kamal Deep, Chandrashekhar, Ajit Kumar, S.N. Tripathi, Madhok Sharma, Baljeet Mineria, Master Vikas, Om Prakash and others.

This movie was passed by Censor Board on 01.07.1981.

This movie had five songs (to be corrected on the blog) written by Sahir Ludhianvi and composed by Hridaynath Mangeshkar.

Here is the list of songs as per their appearing order in HFGK Vol-VI (1981-1985). Four songs have already been posted on the blog;

Song Posted On
Idhar aa aa aa bhi jaa 21.02.2013
Kuchh log mohabbat ko vyopaar samajhte hain 07.01.2020
Ye aankhen dekh kar ham saari duniya bhool jaate hain 11.09.2008
Maaro bhar bhar kar pichkaari 13.03.2017
Ho balle balle bhai reshmi dupatta waaliye … Being posted today

Last but not the least, to add the above celebrations, this movie ‘Dhanwaan-1981’ gets ‘Yippeeee’ed’ on the blog today with all its songs covered.

Let us now enjoy today’s ‘nok-jhonk’ song 😊 sung by Lata Mangeshkar, Mahendra Kapoor and Amit Kumar…

Mazhar Khan and Aruna Irani are lip syncing in the voices of Mahendra Kapoor and Lata Mangeshkar respectively. I guess that the Amit Kumar’s voice is for Rajesh Khanna who resolves the ‘nok-jhonk’ and make Aruna Irani accept the proposal of Mazhar Khan. However, the video for the Amit Kumar part is not available. The lyrics as per the audio link which is a longer version.

Let us now enjoy this foot tapping entertaining song. 😊

Video (Partial)

Audio (Full)

Song-Ho balle balle bhai reshmi dupatte waaliye (Dhanwan)(1981) Singers-Mahendra Kapoor, Lata, Amit Kumar, Lyrics-Sahir Ludhianvi, MD- Hridaynath Mangeshkar
All
Male chorus
Female chorus

Lyrics

ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
tera roop lashkaare maare
reshmi dupatte waaliye ae
ho tauba tauba
ye gora rang aafat hai
tauba tauba
ye gora rang aafat hai
peechhe pad gaye saare kunwaare

gora rang aafat hai

ho balle balle
bhai duniya ke jamghat mein
sabhi dil milne ke mele ae
duniya ke jamghat mein ae
haa jaa jaa
jaa jaa ke main naa tere haath aaun
chaahe laakh tu paapad bele ae

main naa tere
haath aaun

hai ke jamghat mein ae
sabhi dil milne ke mele ae

main naa tere
haath aaun
chaahe laakh tu paapad bele ae

ho balle balle balle
maan jawaani ka
gori aashiqon ki qadar naa jaane
maan jawaani ka
ha jaa jaa jaa jaa
ke main naa tere munh lagti ee
badaa aaya qadar karaane ae

main naa tere munh lagti

ho balle balle bhai
ham hi mein aib kya hai
tujhe kisika to ghar hai basaana
ham hi mein aib kya hai
tauba
tauba
tauba
tauba
tauba

haaye
tauba
haaye
tauba
haaye
tauba
tauba

tauba tauba ke main naa tere ghar jaaun
chaahe pad jaaye thaane jaanaa

main naa tere ghar jaaun

baliye ae ae ae ae
goriye
soniye
baliye ae
baliye
ho balle balle
ke buddhi ho ke tarsegi
koyi aayega na haath pakadne
buddhi ho ke tarsegi
are jaa jaa
jaa jaa
ke tere jaise laakhon hain
kayi aayenge naak ragadne

tere jaise laakhon hain
ho balle balle
bhai reshmi dupatte waaliye
ho tera roop lashkaare maare
reshmi dupatte waaliye ae
aa haa

jawaani phir naa aaye
karegi haaye haaye
aa haa karegi haay haaye
mera gham tu kyun khaaye
tujhe kyun neend na aaye

aa haa
tujhe kyun neend na aaye

jo tujhpar aankh tikaaye ae ae
wo tera maan badhaaye
jo tujhpar aankh tikaaye
wo tera maan badhaaye
wo tera maan badhaaye

tu chaahe mar bhi jaaye
ye jatti haath na aaye

aa haa
ye jatti haath na aaye

naa jab tak haan kahlaaye
ye jatt waapas naa jaaye
aa haa
ye jatt waapas naa jaaye

jo mujhko haath lagaaye ae
wo apnaa sar tudwaaye

jo mujhko haath lagaaye
wo apnaa sar tudwaaye
wo apnaa sar tudwaaye

jo mujhko haath lagaaye
wo apnaa sar tudwaaye

aa haa
wo apnaa sar tudwaaye

ho balle balle
bhai tere aage haath jodtaa
ho balle balle
bhai tere aage haath jodtaa
jaat jisne akhaade jeete ae

tere aage haath jodtaa
baliye ae ae ae
soniye
soniye
baliye baliye
balle balle
bhai tere aage haath jodtaa aa

achchaa achchaa to aaj maine
haan kar di
achchaa achchaa to aaj maine
haan kar di
ise taalte bahot din beete ae

aaj maine haan kar di
ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
oye tera roop lashkaare maare ae
reshmi dupatte waaliye ae

aa haa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4479 Post No. : 15988 Movie Count :

4379

Hullo Atuldom

Today we are remembering a celebrity who began his life as a Professor of Civil Engineering in a Mumbai engineering college. A huge fan of Dilip Kumar, he was spotted by comedian Agha when he was performing in a play “Taash ke Pattey”. The play was recommended to Dilip saab who saw it, and signed this Professor/ stage actor for “Sagina” and “Bairaag”. This was the start of a career that spanned from the ’70s to 2019 – Govinda starrer Rangeela Raja released in 2019.

This post is about Kadar Khan who was born in Kabul to Afghan parents. He was educated in Mumbai and graduated as a civil engineer. His career as a writer in Bollywood took off when he was offered to co-write the script of “Jawaani Diwaani” by Narinder Bedi. This was followed by dialogue, script writing for over 200 films in addition to acting in around 300.

I am unable to decide if he was a better actor or writer. I am unable to decide if he evoked more emotion in the public as a villain or comic character actor. I am in love with his pairing with Govinda in both serious and comic roles. There are many movies to choose from where they have showcased their comic timing but that does not mean that they couldn’t emote serious situations. They have played grandfather -grandson in “Jaisi Karni Waisi Bharni”, father-n-son in “Haseena Maan Jaayegi”, “Sindoor”; father-in law son-in-law in “Dulhe Raja”. I don’t know if David Dhawan brought out the best in them. But it is to Rajesh Khanna’s credit that Manmohan Desai paid Kadar Khan handsomely for writing the dialogues of “Roti” in 1974.

I loved him as the lovable old man in “Gharwali Baharwali”, “Saajan Chale Sasural”, “Mr & Mrs Khiladi”. He was cute as the outwardly-submissive husband of Bindu in “Biwi Ho To Aisi”. He played a similar character with Shashikala as his wife in “Ghar Ghar Ki Kahaani” (1988). He has played serious characters too as in “Yaarana”, “Adalat”, “Roti”, “Tohfa”- there is a whole list of such films.
He has had a few songs picturized on him in his long and illustrious career. Some have been philosophical and some have been funny. He has also tried to dance in some of these songs and it used to be rather cute to see.

In today’s song too, we see Kadar Khan play a slightly old character who is frustrated by the presence of a “Dhaaba” in the premises of his five star hotel. He has tried all possible tactics to evict the dhabbawala. The competition in the song is one such attempt.

This song is written by Sameer and Anand- Milind are the music composers. It is sung by Vinod Rathod and Sonu Nigam. The song has a lot of well-known couplets strung together rather imaginatively and that had made it appealing to the younger generation of that period. Besides being a song from my own ‘list of loved songs’ it also belonged to my dad’s list. He must have seen this movie every time it came on television and so have I. I am sure that the song was inspired by the song from “Padosan”- “ek chatur naar” going by the way the characters are emoting- all over the top.

The movie had Raveena Tandon as his daughter and Johnny Lever played Kadar Khan’s Man-Friday who is in cahoots with the dhabbawala -Govinda- who feels that he should be the “Dulhe Raja” of the hotel owner Singhania -played by Kadar Khan.

“Dulhe Raja” released on 10th July 1998. This was one of the 13 films that released in 1998 with Kadar Khan in the cast, he was definitely a busy 60-year old in that year.


Song-Kahaan Raja bhoj kahaan gangu teli (Dulhe Raja)(1998) Singers-Sonu Nigam, Vinod Rathod, Lyrics-Sameer, MD-Anand Milind
Male chorus
Female chorus

Lyrics

Aaa aaa aaa aaaa
khushboo shabaab rang
rawaani uthha ke la
kehte hain umr rafta kabhi laut’ti nahin
jaa maikade se meri jawaani uthha ke lah
waah waah kya baat hai
waah ustaad

arre hey hey ae
guzara hua zamaana
kabhi laut’ta nahin
shaayad kabhi bhi isne dekha na aaina
sathhiya gaya hai isko
kuchh soojh’ta nahin

aaha ohho
aaha
chachhunder ke sar pe na bhaaye chameli
chachhundar ke sar pe hae ae
chachhundar ke sar pe na bhaaye chameli
kahaan raaja bhoj
kahaan gangu teli
kahaan raaja bhoj
kahaan gangu teli
kyun ustaad
thheek hai na

kya bola
cha chhundar
hoo
main shakkar ki bori
yeh hai gud ki bheli
main shakkar ki bori ee ee ee
main shakkar ki bori
yeh hai gud ki bheli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli

kabar ke andar teri kamariya
aa aa aa kabar ke andar teri kamariya
kamariya
kamariya

(haan)
kabar ke andar teri kameriya
bus kuchh din hai baaki umariya

ni sa ni re re
ni sa ni dha dha dha dha
ni sa ni re re
ni sa ni dha dha dha dha
aaaa aa aaa aaa
ghar mera dekhe
jhaanke atariya
aaa aaa aaa ghar mera dekhe
jhaanke atariya
atariya, (haan)
atariya (haan)
ghar mera dekhe
jhaanke atariya
dhan pe hai mere
iss ki nazariya

arey boodhau
ye sher arz hai tere liye
log acchhe hon toh
daulat nahin dekhi jaati ee
seerat achchi ho o toh o o o
o o o
soorat nahin dekhi ee ee jaati
itna bata do
iss bekhabar saudaagar ko o o
maal achcha ho o toh o o o o o
keemat nahin dekhi eee eee jaati

kya sher maara hai

duboya mujhko hone ne
duboya tujhko hone ne
na main hota toh kya hota
na tu hota toh kya hota
na tu hota toh ye hotal nahi hota
na main hota toh ye dhaaba nahin hota
na yeh hotal hota,
na dhaba hota
na yeh ragda hota,
na jhagda hota
ee ee

bujha na mujhe jhoothi moothi paheli
bujha na mujhe ae ae ae ae ae ae
bujha na mujhe jhoothi moothi paheli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli

ae gangu
ae pangu
arey gangu gangande
ae pangu langade
arre kuchh suna suna
toh sun
samajh samajh ke
samajh ko samajho
samajh samajhna
bhi ek samajh hai
aa aa aa aaa
samajh samajh ke
samajh ko samajho
samajh samajhna
bhi ek samajh hai
samajh samajh ke
jo na samajhe
meri samajh mein
woh naasamajh hai
ae naasamajh
na samajh naa samajh mujhe
are nasamjh
nasamajh naa samajh mujhe
meri samajh toh teri
samajh ki samajh se baahar hai
baahar hai
meri samajh toh teri
samajh ki samajh se bahar hai

maine dil diya unko
pyaar ki hadd thhi
maine jaan di unko
aitbaar ki hadd thi
marne ke baad bhi khuli rahi aankhen
ye mere intezaar ki hadd thi
ye mere intezaar ki hadd thi
ye mere intezaar ki hadd thhi
ye mere intezaar ki hadd thi

haan
main tujhe jhel gaya
jhelne ki hadd thhi
arre main tujhse khel gaya
khelne ki hadd thhi
tere saamne dhaaba khola aa aa
ye mere kholne ki hadd thhi
haan mere kholne ki hadd thhi

ye tere kholne ki hadd thhi
ye tere kholne ki hadd thhi

sa ri ga ma pa dha ni sa
sa ni dha pa ma ga ri sa
tere ghar mein paisa paisa
mere ghar mein paisa paisa

main idhar jaaun ke udhar jaaun
badi mushkil,
mushkil,
mushkil
mushkil mein hoon
mai kidhar jaaun
idhar jaaun
udhar jaaun
udhar jaaun
idhar jaaun
kidhar jaaun
kidhar jaaun
ooo ho

yeah
yeah
yeah
daulat se gaya
shohrat se gaya
bhari mehfil mein izzat se gaya
ha ha ha
bahut hawa mein thha
yaaron main baazi maar gaya
meri jeet hui
yeh haar gaya
meri jeet hui
yeh haar gaya
meri jeet hui
yeh haar gaya
meri ho gayi iss ki kothi haweli
meri ho gayi haan aan
meri ho gayi iss ki kothi haweli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli

kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli

hoy hoy hoy hoy
ahaa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4468 Post No. : 15963

Hullo Atuldom

“Coolie” was released on 2nd December 1983. It was produced by Ketan Desai and directed by Manmohan Desai. Kadar Khan was the script writer as also the dialogue writer. It starred Waheeda Rehman, Rati Agnihotri, Shoma Anand, Rishi Kapoor, Kadar Khan, Satyen Kappu, Goga Kapoor, Suresh Oberoi, Om Shivpuri, Nilu Phule, Ashalata (who passed away recently),and Shubha Khote, Amrish Puri and Mukri in guest appearances. Of course it had Manmohan Desai cast Amitabh Bachchan in the title role with an Eagle as his companion. The Eagle was called Allah Rakha in the movie.

The movie had Kadar Khan give some great dialogues to his characters, some of which were heavy duty and some were funny. For example Iqbal introduces himself with “Humaari taarif zara lambi hai. Bachpan se hain sar pe Allah ka haath aur Allahrakha hai apne saath. Baju pe 786 ka hai billa, 20 number ki bidi peeta hoon. kaam karta hoon coolie ka aur naam hai Iqbal”. He follows it up with “jiske sar pe pad jaaye haath bache na uska ek bhi baal” and that get smirks from the audience. Then during the course of a fight scene with Suresh Oberoi, Amitabh Bachchan picks up a Hammer and Sickle, holds it up in a particular fashion and mouths “Hum mazdooron ka seena lohe ki deewaar hai, aur yeh humaare hathyaar hain. Yeh humara pet paal bhi sakte hain aur tum jaison ka pet phaad bhi sakte hain”.

“Coolie” was a movie that was slammed by the critics as the worst ever etc. but was lapped up by the paying public. It has attained cult status over the years. Puneet Issar was just a villains’ henchman when he was signed for the movie but the fight sequence in which AB was hurt made Puneet Issar famous. And the smart Manmohan Desai froze the scene in the final cut of the movie and a message appears on screen marking it as the shot when AB was injured. Apparently this was done at Amitabh’s behest. That was the kind of relation that AB shared with Manji (as Mamohan Desai was called by his friends).

One thing was on display in 1982. The level of love that the public had for the actor by the name Amitabh Bachchan. When he lay comatose in a Bombay Hospital, a whole nation prayed for him. There were reports of how people made promises to their respective gods and even fulfilled them when he recovered and restarted work on 7th January 1983. It proved that the struggle that he had on the way to superstardom had borne fruit.

Just another matter that he was a good actor who made the incredible seem normal, like fighting a leopard, tiger and a crocodile at times, with bare hands (he was not the first one to do this onscreen) in “Khoon Pasina” and some other movies. He made it seem normal that a roadside orphan could grow up to be a well to-do do-gooder who is even benevolent on the man who insulted him when he was in his teens- remember “Muqaddar Ka Sikandar”. He mastered rhythm and could move a leg to music without making a fool of himself. He was appreciated when he tried to sing in his tuneless style to begin with and he has sung around 20-30 songs in his career that started in 1969. Of course he has recited poems in “Kabhi Kabhi” and “Silsila”.

He has had a wide range of roles post 2000 when he switched tracks to play characters that are appropriate to his age. He has co-starred with heroes who are his children’s age group. He is one of the actors of that generation who still has movie-makers seek him with specific roles & movies. The other was Rishi Kapoor.

Rishi Kapoor and Amitabh Bachchan have acted together in a number of movies first time being in “Kabhi Kabhi” 1976. Their first successes also came in the same year-1973. Rishi Kapoor’s “Bobby” and Amitabh Bachchan’s “Zanjeer”. The two were long time friends and the last time they collaborated was in “102 not out” in 2018.

This jodi has been my personal favourite from the first time I saw them. And it is but natural that I present this song of “Coolie”. It shows the two actors’ comic side. The two of them are not eyeing the same girl. Their target is the prize money that the girl’s father Mukri promises for bringing the girl back home. She has this penchant for running away from home and is in cahoots with Sunny (Rishi) who dons a new getup every time he drops her home. Only this time Iqbal has also spotted the girl and decides to drop her home and claim the prize money.

What I like about the song is the various outfits and wigs that AB and Chintu use. The detailing that has gone into draping Chintu with a dhoti that has extra width to cover the stilts when he is trying to compete with the elephant’s height. And also the pronounced jerks that AB and Shoma Anand experience when on the elephant which at first feels that they are having a camel ride.

This song is in the voices of Shailendra Singh and Shabbir Kumar. This movie was the first time AB had a different voice.
All in all a fun song to celebrate the 78th birthday of the superstar of the millennium who has also been given the epithet BigB.


Song-Lambu jee lambu jee bolo tingu jee (Coolie)(1983) Singers-Shailendra Singh, Shabbir Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

lambu ji lambu ji
bolo tingu ji”,
lambu ji lambu ji
haan bolo tingu ji
mere raste mein taang na adaana
mere raste mein taang na adaana
iss kanya ko haath na lagaana
o haath na lagaana
ae tingu ji tingu ji
bolo lambu ji,
tingu ji tingu ji
haan bolo lambu ji
mere raste mein taang na adaana
mere raste mein taang na adaana
iss kanya ko o haath na lagaana
o haath na lagaana
tingu ji tingu ji

bolo lambu ji
lambu ji lambu ji
bolo tingu ji

o dekha isse maine tumse pehle
arre dhoondhha isse maine tumse pehle
arre dekha isse maine tumse pehle
hey dhoondha isse maine tumse pehle
par le rahi hai yeh naam mera
chhodo ji yeh hai inaam mera
inaam mera
lambu ji lambu ji
bolo tingu ji
mere gusse ko na neend se jagaana
iss kanya ko haath na lagaana
o haath na lagaana
lambu ji lambu ji
kya bolo tingu ji

taam ti taam
ae taam ti taam
aiyyo taam ti taam
re taam ti taam
madras se main aaya hoon Bombay,
raste mein ho gaye tum kitne lambe
lambi udaanen kad kitna chhota

iss khel mein kya chhota kya mota
kya chhota kya mota
lambu ji lambu ji
haan bolo tingu ji
lambe kad ka na rob tu jamaana
iss kanya ko haath na lagaana
o haath na lagaana
lambu ji lambu ji
o bolo bolo tingu ji

layaa nahin isko bhagaakar
yeh faisla karega iska father
o layaa nahin isko bhagaa kar,
haan
ye faisla karega iska father
kar daale na yeh kissa baraabar,
hmm donon ka yaani hissa barabar
lambu ji lambu ji
bolo tingu ji
ladki hai yeh nahin koi khazaana
iss kanya ko haath na lagaana
o haath na lagaana
ji haath na lagaana
oye hatah na lagaana,
tingu ji
lambuji
tinguji
lambuji
tinguji
lambuji
tinguji
lambuji
tingu
lambu
tingu lambu


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4467 Post No. : 15959 Movie Count :

4373

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 104# Qeemat-1973 (Happy Birthday – Rekha) #
—————————————- ————————————————–

On the blog, other than sharing songs and posts for special occasions we also simultaneously work on ‘different projects’ from time to time. One of the projects that I have taken up is to introduce ‘movies having same titles’ on the blog.
We also combine launching of new ‘movie’ with special occasions like anniversaries of artists, actors, actresses etc.

Today I am presenting a song from the 1973 movie ‘Qeemat’. We already have a movie titled ‘Qeemat-1946’ on the blog and all its songs have also been covered on the blog.

Movies with the title ‘Qeemat’ (or ‘Keemat’) were also made in the year 1956 and later on recently in 1998.
However, I guess that the songs of the ‘Qeemat-1956’ are difficult to find and may be not available as of now.

Coming back to today’s movie and its song, the song is from ‘Qeemat-1973’ and it is picturised on lead pair of Dharmendra and Rekha of this movie.

Today 10th October is sixty-sixth birth anniversary (born on 10th October’1954) of Bhanurekha Ganeshan or Rekha as we fondly know her. So, today we wish her a very happy birthday and a healthy and peaceful life ahead.

Today’s song is from a movie of ‘1973’ i.e. a movie released almost forty-seven years back. Let us have a look on how this year was for Rekha and the movies she appeared on screen in this year;

SNo Movie Title Date Passed by Censor Board Director Co-Star
01 Anokhi Adaa 03.04.1973 Kundan Kumar Jeetendra
02 Barkhaa Bahaar 15.10.1973 Amar Kumar Navin Nischol
03 Dharmaa 23.11.1973 Chaand Navin Nischol
04 Double Cross 25.10.1973 Gogi Anand Vijay Anand
05 Kahaani Qismat Ki 19.12.1973 Arjun Hingorani Dharmendra
06 Kashamkash 21.11.1973 Feroz Chinoy Feroz Khan
07 Khoon Khoon* 02.06.1973 Mohammad Hussain
08 Namak Haraam 19.11.1973 Hrishikesh Mukherjee Rajesh Khanna
09 Pran Jaaye Par Vachan Na Jaaye 29.12.1973 Ali Raza Sunil Dutt
10 Qeemat 29.06.1973 Ravi Nagaich Dharmendra

*(as ‘Special appearance’)

We can see from the above details that she was paired with Dharmendra in ‘Qeemat’ and ‘Kahaani Kismat Ki’. ‘Kahaani Kismat Ki’ was one of the super-hit movies of that year.

I am not aware of the today’s movie ‘Qeemat’. I guess it was flop and forgotten movie.
I had watched this movie ‘Keemat-1973’ in 1985-1988 during my stay Parli-Vaijnath and I had earlier mentioned the same in my post here .

I do not remember the story of the movie now, nor do I remember how I felt about the moview back then. This movie was an action packed ‘spy thriller’ movie.

Dharmendra was known as ‘he-man’ those days. Considered the most suitable hero for ‘action packed’ movies, he was in the lead role in this movie along with Rekha, Prem Chopra and others.

1973 was a significant year in Dharmendra’s career as many of his movies released during 1973 were ‘super-hits’ and his roles in these movies were well appreciated.

The year preceding ‘1973’ and succeeding it were also successful years in his film career.
He was nominated for the ‘best actor’ ‘Filmfare award’ for ‘Yaadon Ki Baaraat-1973’, however he did not win it.

Here let us have a look at the movies starring Dharmendra released in the year 1973 (in alphabetical order):

SNo Movie Title Date Passed by Censor Board Director Co-Star
01 Blackmail 28.11.1973 Vijay Anand Rakhi
02 Jheel Ke Us Paar 28.08.1973 Bhappi Soni Mumtaz
03 Jugnu 28.07.1973 Pramod Chakravarty Hema Malini
04 Jwaar Bhaataa 16.10.1973 A. Subbarao Saira Banu
05 Kahaani Qismat Ki 19.12.1973 Arjun Hingorani Rekha
06 Loafer 12.03.1973 A. Bhim Singh Mumtaz
07 Phaagun* 08.06.1973 Rajinder Singh Bedi Waheeda Rehman
08 Qeemat 29.06.1973 Ravi Nagaich Rekha
09 Yaadon Ki Baarat 05.10.1973 Nasir Hussain


*(as ‘Special appearance’)

‘Qeemat-1973’ or ‘Keemat-1973’was directed by Ravi Nagaich for ‘Bharti Internationals, Madras’. Ravi Nagaich had also done the photography of this movie. It was produced by P. Mallikharjuna Rao.

It had Dharmendra, Rekha, Prem Chopra, Rajendra Nath, Aagha, Satyen Kappu, Maruti, Murad, Puranik, J.N. Anand, Prem Kumar, Kirti Kumar, Subhash, Suhail, Arjun Kumar, Shabnam, Indira Bansal, Halam, Kalam, Munni, Rani, with Jayshree T., Padma Khanna, Ranjeet.

K.N. Singh and Jayadev make a friendly appearance in this movie.

Dialogues of this movie were written by Vishwamitra Adil while the story idea was by Ramjee. V.D. Puranik was the dialogue director for this movie. Editing of this movie was done by N.S. Prakasam.

This movie had total six songs composed to music by Laxmikant-Pyarelal. The lyrics for all the six songs were written by Anand Bakshi.

Asha Bhonsle, Kishore Kumar and Lata Mangeshkar had given their voices to the songs in this movie. (The titles of this movie mentioned the name of Ajit Singh in the list of singers, however HFGK Vol V doesn’t mentioned his voice in the songs of this movie in the list on the movie page of this movie).

Today’s song is sung by Kishore Kumar and Lata Mangeshkar. I guess this song would have been the only somewhat ‘known song’ from this movie. Because I remember to have listened to it in my childhood years on the radios and so when I watched the movie in 1987-88, I remember to have heard it earlier.
However, this and other songs of this movie seem to be all forgotten because in the recent years also I have recollections of listening to them on radio.

I would request knowledgeable readers to throw more light on this movie and its songs.

‘Qeemat-1973’ was passed by Censor Board on 29.06.1973 under ‘restricted viewing’ (A) certificate.

Today’s song is picturised on Dharmendra and Rekha where Dharmendra in his ‘own’ style is requesting Rekha to forgive him 😊

Let us now listen to this song…!!!

With this song ‘Qeemat-1973’ makes its debut on the blog. 🙂


Song-Maaf karo o baba maaf karo (Qeemat)(1973) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

suno to
naa naa naa naa naa
dekho to
naa naa naa naa naa
ruko naa
naa naa naa naa naa
ruko
ruko
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo

aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baaba maaf karo
oon hoon
oon hoon

maaf karo
o baaba maaf karo
aisaa bhi kya pyaar
Insaaf karo o
maaf karo
o baaba maaf karo

maaf karo
o baaba maaf karo

roz nayaa roop tera
roz nayaa rang
main to aa gayi re tang
behroopiye
roz nayaa roop tera
roz nayaa rang
main to aa gayi re tang
behroopiye
aaj koi des
kal aur koi bhes
mere dil pe lagi thhes
behroopiye
bol mujhe tang tune
kiya ke nahin kiya

kiya
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baby maaf karo
maaf karo
o baby maaf karo

neend hai naa chain
miley jab se mere nain
rahaa ye dil bechain
teri yaad mein
neend hai naa chain
miley jab se mere nain
rahaa ye dil bechain
teri yaad mein
dil se nikaal mat mera khayaal
o buraa hai mera haal
teri yaad mein
pyaar tere sang maine kiya ke
nahin kiya
kiya
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya pyaar
Insaaf karo o

maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baby maaf karo
oon hoon
oon hoon
maaf karo
o baaba maaf karo

__________________________________________________________

Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————-
सुनो तो
ना ना ना ना ना
देखो तो
ना ना ना ना ना
रुको ना
ना ना ना ना ना
रुको
रुको
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो

ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बाबा माफ़ करो
ऊँ हूँ
ऊँ हूँ

माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या प्यार
इन्साफ करो ओ
माफ़ करो
ओ बाबा माफ़ करो

माफ़ करो
ओ बाबा माफ़ करो

रोज़ नया रूप तेरा
रोज़ नया रंग
मैं तो आ गयी रे तंग
बहरूपिये
रोज़ नया रूप तेरा
रोज़ नया रंग
मैं तो आ गयी रे तंग
बहरूपिये
आज कोई देश
कल और कोई भेस
मेरे दिल पे लगी ठेस
बहरूपिये
बोल मुझे तंग तूने
किया के नहीं किया

किया
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बेबी माफ़ करो
माफ़ करो
ओ बेबी माफ़ करो

नींद है ना चैन
मिले जब से मेरे नैन
रहा ये दिल बेचैन
तेरी याद में
नींद है ना चैन
मिले जब से मेरे नैन
रहा ये दिल बेचैन
तेरी याद में
दिल से निकाल मत मेरा ख़याल
ओ बुरा है मेरा हाल
तेरी याद में
प्यार तेरे संग मैंने किया के
नहीं किया
किया
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या प्यार
इन्साफ करो ओ

माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बेबी माफ़ करो
ऊँ हूँ
ऊँ हूँ
माफ़ करो
ओ बाबा माफ़ करो


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has more than 16100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16162

Number of movies covered in the blog

Movies with all their songs covered =1244
Total Number of movies covered =4401

Total visits so far

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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