Archive for the ‘C Ramchandra songs as a singer’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4049 | Post No. : | 15178 | Movie Count : |
4171 |
Today’s song is from a Marathi film- Dhananjay-66. This is a Hindi song, sung by Chitalkar, under his own baton ! Lyrics are by P L Santoshi. The film was based on a story by Marathi’s renowned Detective Novelist of yesteryear – Baburao Arnalkar.
In the early 50s,when I was about 10-11 years old, I first read a Marathi detective novel written by Baburao Arnalkar. In those days, reading such stuff was a no-no for children, and so I had to read it, sitting in some lonely corner, keeping one eye and one ear for checking if anybody is seeing me. I was simply thrilled by reading this book and then started the marathon reading of detective novels- of course chori chori ! Happily I found some of my friends also doing the same thing and even my elder brother was seen reading these books.
Shortly, this became an open programme and I joined a local book library, catering to such books. Every month such 10 books used to come there and all these books were written by one author- Baburao Arnalkar. We always wondered how can any one man write so many books, so varied and entertaining every month. As the time went by, the author wrote in a magazine, how he was impressed by novels of Edgar Wallace, Berkeley grey, Roderick Graeme, Peter Cheyney, Sax Rohmer and few others. He decided to adapt their stories to Indian environment, culture and customs, so that Marathi readers felt affinity for them. Certain books, however, were just not possible to adapt lest they lost their charm and such books were presented just in a translated form, with same name and places to maintain reality.
Baburao’s main character, on whom he wrote more books was Dhananjay ( he got this name from Bhagwadgeeta) – a private detective with a sharp intelligence, fearlessness, a high degree of common sense and an ability to use logic rightly. This character seemed to be a combination of Perry Mason (Earl Stanley Gardener), Hercule Poirot (Agatha Christie) and Sherlock Holmes (Arthur Connon Doyle).
Baburao also brought into Marathi the dashing ” Normon Conquest ” of author Berkeley Grey as Zunjar (झुंजार) along with his wife Joy (Vijaya) and the faithful assistant Biji (Netaji). Novels of Zunjar were particularly more popular because he was flamboyant, adventurous and of humorous nature with a speciality of getting his commission from every villain,before Police arrested him. He was one who would not hesitate to cross legal boundaries in order to book the villains in the final chapter. Zunjar’s Guru Bhimsen and successor Golandaz also had many books on them.
The other popular character Baburao Arnalkar brought was Roderick Graeme’s famous “Black Shirt”. In Marathi he became Kalapahad(काळापहाड)- a successful Novelist by day and a daring adventurer by night. Baburao brought stories of Peter Cheyney and Ellery Queen. Brett Haliday’s Mike Shane became Jayant in Marathi. Carter Brown’s private detective was Sanjay in Marathi. Additionally he created from Edgar Wallace, Kodand rao- Public Prosecutor (J.G.Reader), Major(Retd.) Sudarshan- a private investigator and C.I.D. Inspector Murar Rao.
Shifting from the usual, Baburao brought Jungle stories of British Settlements in Africa by Edgar Wallace, featuring Commissioner Sanders, Capt.Hamilton and funny but brave Lt.Bones. These were brought in original form having English names and places. Similarly, the “Justmen” series by Edgar Wallace featuring George Manfred, Leon Gonsalves and Raymond Poicort – each having different skill and together punishing secretly the difficult to catch criminal, helping the Police. Baburao was too versatile. he brought stories of Sailors, featuring Capt Daryasarang and his assistant Savlaram. The seafaring criminal stories were an entirely different world for Marathi readers.
Baburao also gets credit for introducing the deadly Dr. Fu Manchu, a character created by Sax Rohmer. Fu Manchu is a Chinese scientist who wants to rule the world. An entire generation born in the 40s was mesmerised by Baburao’s detective novels and feasted on the stories of heroes created by British, American and German authors, in the 1920s and 1930s. These novels re-created the pre-war times and entertained people.
Having read Baburao Arnalkar’s books based on foreign authors, I got and read almost every English book that Baburao had translated. Novels by Edgar Wallace and others are still in my library. I had about 200 selected books-Marathi- of Baburao Arnalkar, which I gifted to my niece recently.
Baburao Arnalkar (real name Chandrakant Sakharam Chavan) was born on 9-6-1906 at Arnala in Vasai. He studied only up to 10th, but earned a proficiency in English, as he was an avid reader of books. In the 1942 Freedom struggle, he was jailed for 18 months. In this jail, he got hands on the books of Edgar Wallace. He was so thrilled that he decided to bring these books in Marathi. He had already written his first detective novel ” Queen of Diamonds” (चौकटची राणी) in 1939.
He started an Optical lenses shop in Bombay for earning a living. His writing started from 1946, but in the period 1952 to 1966, he was very prolific, writing 6 to 10 books a month. On completing 500 books,the then Maharashtra Government felicitated him and awarded Rs. 10000 also. He wrote 1042 detective novels, before he put his pen down due to old age. His name was entered in Guinness Book of World Records in those days.
He received several awards and honours from prestigious institutions. However the so called Classic literature writers never conceded Detective Novels as a respected form of literature. This always remained an entertainment for the middle class society who dreamt of super powered heroes. More than this recognition, he valued the love and affection an entire generation poured on him. He not only gave entertaining books but also sustained and developed the reading habit among the youngsters of those times.
Baburao Arnalkar died peacefully on 5-7-1996 at the ripe age of 90 years. He must have been a contented man. My thanks to him, for being a true entertainer.
Film Dhananjay-66, based on Baburao Arnalkar’s story, was produced by C.Ramchandra. After parting ways with Lata, in the late 50s, C.Ramchandra did not do well in Hindi films. He disappeared slowly. He turned to Marathi films and stage shows around the world. He got married second time to Shantabai and had a son and a daughter from this marriage. Most of his time he stayed in his Poona Bungalow. His son and daughter are leading doctors in USA, and are well settled. I do not know if Shantabai is still alive. C.Ramchandra had produced 2 Marathi films. The other film was Gharkul.
C.Ramchandra played the Hero- Dhananajay’s role in this film. After his first flop film Naganand-1935 ( only 9 people in the first show. There was no second show), this was his second film in the Hero’s role. The film did average business. The cast was Chitalkar, Uma, Arun Sarnaik ( he had acted in 2 Hindi films…Subhadra haran-64 and Lady killer-68), Ashalata, Gulab Mokashi, Jaymala , Shakuntala etc etc.
The film was directed by Raja Thakur. Rajaram Dattatreya Thakur was born in 1923 at Ponda in Goa. He did work as an assistant to Master Vinayak and later Raja Paranjape. Raja Thakur had produced an English film ” Birbal – My brother “-1973. His another film “Mumbaicha Jawai” (मुंबईचा जावई)-1970, was remade in Hindi as ‘Piya ka Ghar’-1971 by Basu Chatterjee.
There were 6 songs in the films. 3 songs were in Hindi. 1 song was in Konkani. This song “Hatat bangdi sonyachi, hi pori konachi ( हातात बांगडी सोन्याची, ही पोरी कोनाची ) became an evergreen song, so popular that even now, it is played in Ganesh utsav, Holi etc. programmes. Only 2 songs were in Marathi, in this Marathi film.
Today’s song has a tune, which Chitalkar seems to have borrowed from his own film Aazad-1955 – “Marna bhi muhabbat mein kisi kaam na aaya”. Enjoy today’s song in Chitalkar’s voice.
Song- Na mila hai na milega mujhe aaraam kahin (Dhananjay)(Marathi)(1966) Singer – Chitalkar, Lyricist – P L Santoshi, Music – C Ramchandra
Chorus
Lyrics
Na mila hai na milega mujhe aaraam kahin
Na mila hai na milega mujhe aaraam kahin
Na mila hai na milega mujhe aaraam kahin een een een
suniye
main musaafir hoon
meri subah kahin shaam kahin
main musaafir hoon
meri subah kahin shaam kahin
main musaafir hoon
meri subah kahin shaam kahin
o o o
o o o
main chala to chal diya zindagi ka kaarwaan
arre main ruka to ruk gaya zindagi ka kaarwaan
hans ke jisne dekh liya
arre hans ke jisne dekh liya
main usi ka ho gaya
aa aa aa aa
do ghadi bhar ke liye kar liya mukaam wahin
do ghadi bhar ke liye kar liya mukaam wahin
do ghadi bhar ke liye kar liya mukaam wahin
do ghadi bhar ke liye kar liya mukaam wahin een een
Na mila hai na milega mujhe aaraam kahin
Na mila hai na milega mujhe aaraam kahin
main musaafir hoon
meri subah kahin shaam kahin
o o o
o o o o
raat ke hai baad din aur din ke baad raat hai
arre chal rahi isi tarah saari kaaynaat hai
main bhi chala jaa raha
main bhi
main bhi chala jaa raha
gham aur khushi saath liye
ae ae
meri is zindagi mein thaharne ka kaam nahin
meri is zindagi mein thaharne ka kaam nahin
meri is zindagi mein thaharne ka kaam nahin
o meri is zindagi mein thaharne ka kaam nahin
een een een
Na mila hai na milega mujhe aaram kahin
main musaafir hoon
meri subah kahin shaam kahin
Raat din kis tarah ab gujaara karen
Posted on: July 7, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4006 | Post No. : | 15110 |
“Labelaa”(1966) was directed by Bhagwan for Young India Entertainers, Bombay. The movie had Sujit Kumar and Kum Kum in lead roles. Others in the movie were Bhagwan, Om Prakash, Helen, Bela Bose, Ratanmala, Maruti, Anwar Husain etc in it.
The movie had six songs in it. Two songs from the movie have been covered in the blog.
Here is the third song from “Labelaa”(1966) to appear in the blog. This song is sung by C Ramchandra Asha Bhonsle and chorus. Anand Bakshi is the lyricist. Music is composed by C Ramchandra.
The song is picturised as a dance song on Bhagwan Dada and Bela Bose, with many others also present. I request our knowledgeable readers to help identfy the other actors visible in the picturisation. The video has several cuts so putting together entire lyrics is a tall order and there may be errors in the lyrics. I request our readers with keener ears to help correct the lyrics.
Song-Raat din kis tarah ab guzaara karen (Labelaa)(1966) Singers-C Ramchandra, Asha Bhonsle, Lyrics-Anand Bakshi, MD-C Ramchandra
Both
Chorus
Lyrics
yeah
waah
aah
arre waah
hahahaahaha
hahaha
raat din kis tarah ab guzaara karen
tu hamen ham tujhe na pukaara karen
lalalaaluralu
lalalaaluralu
hahaahauaha
lalaallalularalu
raat din kis tarah ab gujaara karen
tu hamen ham tujhe na pukaara karen
chup rahen
bas nazar se ishaara karen
ae dil mere dil
huaa ru
aa padi hai mushqil
huaa ru
dil ki baat
laahu
kaise kahen
laa hu
kaise kahen
kaise sun rahi hai mahfil
ae dil
har kisi baat ka ek fasaana bana
o deewaani sabhi ko diwaana bana
lalalalluralu
lalalaluraalu
hahahahuahua
lalalaluraaru
har kisi baat ka ek fasaana bana
o deewaani sabhi ko deewaana bana
aaj tu heer ko bhi nishaana bana
ae dil mere dil
huaaru
ha kar yaahu yaahu
- In: Aansoo song | C Ramchandra - Lata duet | C Ramchandra - Lata duet | C Ramchandra songs as a singer | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata song | Lyrics by Sudhir | Lyrics contributed by readers | MD-Singer Song | philosophical song | Post by Arunkumar Deshmukh | Songs of 1940s (1941 to 1950) | Songs of 1949 | Yearwise breakup of songs
- 2 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3843 | Post No. : | 14854 |
Today’s song is from film ‘Bhedi Bangla’ (1949). This film was produced by Anand Subramanyam, under the banner of Jagriti films, owned by Master Bhagwan. The story, dialogues and songs were by Ehsaan Rizvi and music was by P Ramakant. This was a name used by C Ramchandra, because he was under contract with Filmistan and could not give music in his own name. It started with Raja Nene’s film Shadi Se Pehle’ in 1947, in which he first used his assistant’s name Paingankar (the joint MD was Karnad). His name was Ramakant Paingankar and was assisting Chitalkar for a long time. Later, for Bhagwan’s films like ‘Bhedi Bangla’, ‘Bhole Bhale’ (1949), ‘Babuji’ (1950), and ‘Bakshish’ (1950) also, Chitalkar used the pseudo name P Ramakant as MD (information from Marathi Chitrapat Sangeetkar Kosh by Madhu Potdar).
Master Bhagwan was a very hard working person. In the real sense, he brought in the wave of stunt films in the late 40s. After the films of Master Vithal and Fearless Nadia waned in their popularity by 1944-45, it was Master Bhagwan, who established his own Production house – Jagriti Films, and produced several stunt films. He had a set of actors and actresses, which included Baburao Pehelwan, Vasantrao Pehelwan, Azeembhai, Shanta Patel, Chanchal, Leela Gupte, Usha Shukla and Vitha Lokare.
The storyline for most of his films was also fixed. Two young vagabonds – Baburao Pehelwan and Bhagwan, come to Bombay in search of employment. One Sethji (Azeembhai) appoints them to protect him from the local criminal (Vasantrao Pehelwan). Sethji has a good looking daughter (one of the stock Heroines), who has a maid (another girl from the stock). Baburao loves Seth ji’s daughter and Bhagwan loves the maid. After lot many stunts and fighting scenes, the end would be happy. The same story with changed names and other minor changes was used in almost all his films like ‘Badla’, ‘Bahadur’, ‘Jalan’, ‘Madadgaar’, ‘Dosti’, ‘Shake Hand’, ‘Matlabi’, ‘Bach Ke Rehna’, ‘Bhole Bhale’, ‘Jeete Raho’ or such other films. The audience did not mind . They were happy with the stunts. (Did Nasir Hussain get inspiration from Bhagwan in this matter ?)
Master Bhagwan entered the film world with silent film ‘Bewafa Ashiq’ (1930). His first talkie film was ‘Himmat-e-Marda’ (1934). Initially, like all other heroes, even Bhagwan used to sing his own songs. Once he had gone to Columbia company for rehearsal and recording a song. While entering, he saw a young man sitting under a tree and writing something. After rehearsal, he saw that fellow again and even after recording the man was still writing something. Bhagwan went to him and asked with curiosity what was he writing. The man answered, I am writing songs and stories. He came to know that his name was Ehsaan Rizvi and that he too lives in Dadar like Bhagwan. He took Rizvi’s address and left.
In 1938, Bhagwan got his first film as a director- ‘Bahadur Kisaan’ (1938). He called Ehsan Rizvi and gave him the job of writing the story, dialogues and songs. From that day Ehsaan Rizvi became a part of his team. He wrote for at least 25 films of Bhagwan’s. Born in 1914, Rizvi wrote lyrics for 60 films, but most of them were B or C grade films. He however wrote dialogues and screenplay for some well known films like ‘Do Ustad’ (1959), ‘Mughal e Azam’ (1960), ‘Woh Kaun Thi’ (1964), ‘Aan Milo Sajna’ (1971), ‘Gopichand Jasoos’ (1982) etc. He had shared the Filmfare award for dialogues of ‘Mughal e Azam’, with 3 other writers. He died on 16-1-1983.
Bhagwan and CR got introduced when Bhagwan was directing film ‘Bahadur Kisaan’ for producer Chandrarao Kadam. The MD was Meer Saheb and CR was his assistant. Of course, that time he was just Ram Chitalkar. Their friendship lasted for many more years. For film ‘Bahadur Kisaan’, the background music was composed by Naushad, CR and Sajjad Hussain. Naushad played piano, CR played organ and Sajjad played mandolin. Another person Prem, played clarinet. They were all struggling artistes then.
In 1942 Bhagwan directed ‘Sukhi Jeevan’, for which CR was the MD for the first time. Bhagwan and the producer Harishchandra Rao Kadam had some dispute on payments. Bhagwan decided to start his own production company and he started Jagriti Pictures. His first film was ‘Badla’ (1943). For this film he took 80,000 from a financier, with a condition of repaying one lakh rupees after the film is released. After this film Bhagwan churned out film after film in the stunt genre. In 1949, Bhagwan made film ‘Bhedi Bangla’, which was the first of its kind – a sort of horror cum mystery film. The film was a hit film. With this film Bhagwan had reached the zenith of his stunt films.
In this film, there were several scenes, where Bhagwan sees a ghost and his eyes widen and breath is held up. Due to the strain on the eyes, they became red and swollen and after some time, suddenly, he could not see anything. He thought that he has become blind. He shouted for his brother Shanker. Bhagwan was immediately taken to a hospital in Girgaon. The doctor examined him,gave him an injection and some tablets. That night he slept like a dead man, but after getting up on next day noon, he was happy that his eyesight was normal now.
Bhagwan had noticed that whenever his film’s trial show was arranged, a handsome young man would be present there. When he saw this man at the trial show of ‘Bhedi Bangla’ again, he inquired as to who he was. The young man told him that his name was Raj Kapoor and he was son of the great Prithviraj Kapoor. Bhagwan called him and asked him why he came. Raj kapoor said, “Sir, I like your stunt films. I am your fan. In my films, I copy your dance style. Why don’t you make a social film ?”. Few days later, even CR also pushed him hard to enter the social film genre now, so that CR can openly lend his name to Bhagwan’s films as MD and his film will get the benefit of his fame. Thereafter Bhagwan started thinking about it seriously and then ‘Albela’ happened. The rest is history, as they say! The story of Albela making, some other time. . .
The story of film Bhedi Bangla was,
Shyam (Baburao Pehelwan) and Manglu (Bhagwan) are friends and good for nothing. They come to Bombay to look for easy money. They pretend to be lame and blind and start begging. However, after few days, their secret is out and and the enraged public of Bombay gives them a sound thrashing. An onlooker calls them and asks if they would do a good job, instead of this nonsense. The agree and they are appointed as watchmen for a deserted haveli. It is owned by a Sethani (Tarabai – elder sister of Sitara Devi and mother of dancer Gopi Krishna). Her daughter is beautiful Prema (Leela Gupte). There is an estate manager also (Azeembhai – who later became a famous fight master in Hindi films), who does not like their coming there.
One day the friends find the dead body of the haveli’s maali (gardener) (Inamdar) in the premises of the haveli. The estate manager complains to the police. Police start investigations. Maali had a good looking daughter – Champa (Usha Shukla). While Manglu tries to take care of her, the estate manager tells police that he suspects this duo of murdering the maali. In absence of any proof, police do not arrest them but keep an eye on them.
Suddenly, the friends start seeing ghosts in the haveli. First few days, they are scared, but realise that this is all bogus and they try to reach the bottom of the matter. Finally, they unearth a plan of the estate manager to scare everybody, so that no one will remain there and he can conduct his gold smuggling business from there. He only has murdered the maali. After solid stunts and fighting scenes, the culprits are arrested and Shyam and Prema and Manglu and Champa are united. (658).
The film had 8 songs. Most songs are available on You Tube. 4 songs are already discussed here. Today’s song is the 5th song. It is a duet of Lata and Chitalkar. All in all, ‘Bhedi Bangla’ aka ‘The House of Mystery’ was a ‘paisa vasool‘ entertainment.
(Thanks to ‘Ek Albela’ by Isaq Mujawar and Mike Barnum’s Blog, for some information used here).
Song – Aansoo Na Bahaana, Ab Aansoo Na Bahaana (Bhedi Bangla (aka House of Mystery)) (1949) Singer – Chitalkar, Lata Mangeshkar, Lyrics – Ehsaan Rizvi, Music – P Ramakant (aka C Ramchandra)
Chitalkar + Lata Mangeshkar
Lyrics (Provided by Sudhir)
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
mast pawan is phulwari mein
kali kali khilaati hai
mast pawan is phulwari mein
kali kali khilaati hai
usi chaman mein raen andhere
shabnam neer bahaati hai
usi chaman mein raen andhere
shabnam neer bahaati hai
tum kehte ho is jag mein
bas hansna aur hasaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
sukh mein to hansti hai duniya
sabka yehi haal hai
sukh mein to hansti hai duniya
sabka yehi haal hai
lekin dukh utha kar koi
hanse to phir ye kamaal hai
lekin dukh utha kar koi
hanse to phir ye kamaal hai
jag ki reet badal kar dekho
dukh ko bhi sukh banaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
sach poocho do dil ka milna
kaanta bhi hai phool bhi
pyaar ko sach maano to sach hai
bhool kaho to bhool bhi
sach poocho do dil ka milna
kaanta bhi hai phool bhi
pyaar ko sach maano to sach hai
bhool kaho to bhool bhi
lekin dil mein himmat ho to
khud badlega zamaana
kaanton bhari ye raah se hai
muskuraate jaana
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
मस्त पावन इस फुलवारी में
कली कली खिलाती है
मस्त पावन इस फुलवारी में
कली कली खिलाती है
उसी चमन में रैन अंधेरे
शबनम नीर बहाती है
उसी चमन में रैन अंधेरे
शबनम नीर बहाती है
तुम कहते हो इस जग में
बस हँसना और हँसाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
सुख में तो हँसती है दुनिया
सबका येही हाल है
सुख में तो हँसती है दुनिया
सबका येही हाल है
लेकिन दुख उठा कर कोई
हँसे तो फिर ये कमाल है
लेकिन दुख उठा कर कोई
हँसे तो फिर ये कमाल है
जग की रीत बदल कर देखो
दुख को भी सुख बनाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
सच पूछो दो दिल का मिलना
काँटा भी है फूल भी
प्यार को सच मानो तो सच है
भूल कहो तो भूल भी
सच पूछो दो दिल का मिलना
काँटा भी है फूल भी
प्यार को सच मानो तो सच है
भूल कहो तो भूल भी
लेकिन दिल में हिम्मत हो तो
खुद बदलेगा ज़माना
काँटों भरी ये राह से है
मुसकुराते जाना
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3830 | Post No. : | 14836 |
“Safar”(1946) was directed by B Mitra for Filmistan Limited, Bombay. This “social” movie had Shobha, Kanu Roy, V H Desai, S L Puri, Rajendra, Chandrika, Harun, Mumtaz Banu, Satyanarayan etc in it.
The movie had ten songs in it. Seven of these songs have been covered in the past.
Today is the 101st birth anniversary of C Ramchandra (12 january 1918- 5 January 1982)
Here is the eighth song from “Safar”(1946) to appear in the blog. This song is sung by Shamshad Begam and C Ramchandra. Gopal Singh Nepali is the lyricist. Music is composed by C Ramchandra.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
I have not been able to get a few words righ in the lyrics of the song. I request our readers with keener ears tohelp fill in the blanks/ suggest corrections as applicable.
Song-Kabhi chupke se ratiyaa mein aaiho raaja jee (Safar)(1946) Singers- Shamshad Begam, C Ramchandra, Lyrics-G S Nepali, MD- C Ramchandra
kabhi chupke se aaiho
kabhi chupke se aaiho
kabhi chupke se ratiyaa mein aaiho raaja jee
kabhi chupke se ratiyaa mein aaiho raaja jee
aaiho raaja jee
phir na jaiho raaja jee
aaiho raaja jee
phir na jaiho raaja jee
kabhi chupke se ratiyaa mein aaiho raaja jee
baadal aayen ghir ghir jaayen
wo din mein bijli kadkaayen
baadal aayen ghir ghir jaayen
wo din mein bijli kadkaayen
raaja mere mauj udaayen
ham to ro ro bain ganwaayen
din bhar na chain paayen
aise kab tak karejwa dukhaiho raaja jee
aise kab tak karejwa dukhaiho raaja jee
oonchi ataari meri
sooni phulwaari meri
duniya hai nyaari meri
aaja ?? teri
raaja kariyo na deri
oonchi ataari meri
sooni phulwaari meri
duniya hai nyaari meri
aaja ?? teri
raaja kariyo na deri
aaiho aaiho
?? raaja jee
aaiho aaiho
?? raaja jee
chaandni raat mein
sirhaane chaand ho
chaandni raat mein
sirhaane chaand ho
phoolon ki sej pe
tu mere saathh ho
galey mein haathh ho
aankhon aankhon mein baat ho
zara dheere se batti bujhaiho raaja jee
zara dheere se batti bujhaiho raaja jee
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3711 | Post No. : | 14638 |
Today’s song is from a film Manorama-1944. HFGK does not mention singers’ names, but the voices are that of Chitalkar and Hamida Banu with chorus. The film Lyricist was Anjum Pilibhiti and the MD was C Ramchandra.
Last week we had discussed a New pair of names fitting under ” The Same Name Confusion” series, which came first time, only on this Blog. The names were similar sounding Ramola and Romilla. Our Sadanand ji had also added some new information about Romilla, in his comments. This is how informations get updated. Thank you, Sadanand ji.
Today we have yet another New pair-again first time on this Blog- which are not similar sounding names, but have exactly the same spellings. The name is Naseem, who was a part of the film’s cast along with Leela Chitnis, Ishwarlal, N M Charlie, Kantilal, Mubarak, Alaknanda and others.
NASEEM is the name which caused confusion in the 40s, because two actresses with the same name were working in the films at the same time. Generally, the younger one was mentioned as (Junior), but in some films she is just mentioned as Naseem. These are the films which are coolly added to the Senior Naseem’s Filmography, because she was more famous. This is exactly what happens in such cases of SNC. One has to take extra efforts to credit the right films to the right artiste. Most of the times, this is a very tedious job and may take months to get the right answer which can be defended with corroborative evidence. All these old artistes are no more and not every artiste’s information is available. particularly those artists who created confusion and either left the films or the country or the world, are the toughest cases as no information is available on them in India and Pak sites do not give full information on pre-independence films or artists.
Interestingly, the problem of Same Name Confusion is non existent in Hollywood. Not because there are no such names, but because they are very alert and take preventive measures. No one can act in films or on TV, unless he is registered with the ‘ Screen Actors Guild ‘ (estd 1933). They have a strict rule that no two actors will have same names. If a New actor comes with a same name that is already existing on the rolls, he is required to change his name before registration, or add a prefix or a suffix. That is why this problem is not there in Hollywood, in spite of more than 130,000 active members.
Though in India, no such system operates, this problem has almost become extinct in recent times, because of a variety of names ( unlike the western world) available now. Now, let us see more about these two Naseems. First, the senior one.
Born on 2-9-1920,at Delhi -ROSHAN ARA aka Naseem Bano was the daughter of a famous classical singer Shamshad Begum. She too was very good looking . She was called ” Chhamiya” due to her adakari while singing. Naseem was so beautiful that even is school days her beauty was discussed by people. When sh was in school,once she came to Bombay and happened to see the shooting of ” Silver King-35″. She was so impressed with it that she decided to become an actress.
When Sohrab modi proposed to cast her as a Heroin in his “Hamlet”,her family flatly refused but gave in after Naseem sat on a Hunger Strike !. For her second film,’ Khan Bahadur’ she was advertised as a ‘ Beauty Queen’. (Later her daughter Saira bano also got this title). After some films like Divorce,Meetha Zahar and Vasanti,the most important film of her life and also for Minerva Movietone, PUKAR-39 was launched. In this film she enacted the role of Empress Noorjahan,opposite equally handsome actor Chandramohan as Jehangir. She looked cute and beautiful as Queen in the get up. She became an All India star overnight and got the Title ” Pari-Chehra ” from the critics. Her song ‘ Zindagi ka saaz” became so famous that thousands of records were sold in no time.
She married producer Director Mohammed Ehsaan, in 1942. They started their own company- Tajmahal Films and produced Ujala, Begum, Mulaqat and Ajeeb Ladki. The couple had two children- Sultan Ahmed and Saira Banu. After 1947,she stopped singing and did only acting.
Naseem acted in limited films,like Hamlet, Divorce, khan bahadur, Vasanti, Meetha Zahar, Pukar, Ujala, Chal chal re Naujawan, Chandni Raat, Main Haari, begum, Mulakat, Sheesh mahal, Anokhi Ada, Baghi, Shabistan, Sindbad the Sailor, Betaab, Ajeeb Ladki, and Nausherwan E Adil. She did only 20 films. She sang 42 songs in 14 films.
When her mother Shamshad Begum “Chhamiya” died in 1983,many newspapers,magazines and Internet sites published erroneous news that the famous singer Shamshad Begum had died.
In 1953, her husband deserted her and went to Pakistan with the negatives of her films. He made money and Naseem became famous and Popular in Pakistan, without going there. She took her children and went to England for few years, but came back to India to make her daughter an actress.
Naseem Bano died on 20-6-2002.
Naseem bano was never a singer, but she sincerely tried to improve her singing. Her voice was thin and there was a tremor in it,so it sounded sweet( just like Talat).
Naseem Jr. or Miss Naseem Jr. was younger sister of actress Shameem. She was born in Lahore on 8-2-1930. Her father had a shop and he was a General merchant. She was educated in Islamia Girls school, Bombay where she was staying with her actress sister Shameem. After Matriculation, she too wanted to become an actress. While in school she did many dramas. At the age of 13, she did an uncredited small role in film Salma-43.
Her first major film was Jwar Bhata-44- also the first film of Dilip kumar and Mrudula. Her second film was Manorama-44. She acted in few more films Sanyasi-45, Zeenat-45, Door Chalen-46, Amar Raj-46, Jeewan Sapna-46 and Mera Geet-46.
She had a hot temperament and could not get along with co stars and the Directors. Soon the offers diminished. She got married and returned to her hometown-Lahore along with her husband. She did only few films, but it was enough to cause confusion. Her films Jeewan Swapna-46 and Door chalen-46 are generally credited to Naseem Sr.’s filmography.
You will find one more name in the cast-Alaknanda. In Hindi films, there were many sister-pairs who worked as actresses, but in the history of Hindinfilms-both Silent as well as Talkie- there have been only 3 sets of 3 sisters who worked as actresses in the same periods. The first set was of Zubeida, Sultana and Shehzadi in the early 30s. Then in the 40s came the second set of Alaknanda, Tara and Sitara Devi. In the 50s, the last Trio of Padmini, Ragini and Lalitha worked in same period. After this, to my knowledge, no such Trio of actresses came on the screen. If you count step-sister also, then Mehtab was the step sister of Zubeida, Sultana and Shehzadi trio. This made the only Quartet of Sister Actresses in Hindi Film History ever ! Even their mother Fatima acted, directed and Produced films, to boot !! Only their father did not join films !!!
Alaknanda was born in or around 1910 in a Banares situated Mishra family. her clan had a tradition of singing in temples for the last 5 centuries. The family had close relations with Nepal and its Royal family. Her Grandfather was a court singer. Her grandmother and mother were from Nepal, so Alaknanda called herself as ‘ half Nepalese ‘.
When her father wanted to train her and her younger sister Tara, in Dancing and music, there was opposition from their society. Therefore the family moved to another corner of Banares and he started a Music school and trained children of Royal families from Bengal. In one of their visits to Calcutta, Sitara Devi was born in Calcutta. Alaknanda’s first Talkie film was Suryakumari-33. She worked in 38 films till late 40s. She had sung 15 songs in 7 films. She got Cancer and died sometime in or around 1947. Not much information is available about her or her sister Tara/Tara Devi/Tarabai. Vithal Pandya, in his book mentions that in her last days, Tara stayed in Bombay slums and worked as extra in films in her old age.( Famous dancer Gopi krishna was her son) Sitara Devi, on the contrary,lived a famous,rich and majestic life, with several marriages. That’s life, anyway.
The Hero of the film was Ishwarlal, who was a fixture in Ranjit for 13 years. ISHWARLAL was born on 9-10-1911 at Ghanghaniya,Kathewar,Gujrat, as Ishwarlal Hariprasad Doshi.
He belonged to a Jain family. His father was in Police department at Kathiawar Agency. His father died when Ishwarlal was just 3 year old and mother raised him.
After Matriculation, he completed Teaching Diploma at the age of 16, but did not a job as he was underage.He came to Bombay, where his brother had some business, in 1927 to act in films. Ishwarlal was very handsome.
He got a job in Ranjit Studios. He started with silent films at a salary of Rs. 35 pm.His first Talkie film was Bhutiya Mahal-1932.Then came Char Chakram-32.He started acting and singing in films.Initially he sang only duets.Meanwhile,with Jwalamukhi-36,he became Hero.He sang many songs in Ranjit films,but the records are not available.Those days,not all songs of the film were recorded for commercial purpose.
In Billi-38,he sang a duet with Sunita devi and also in Aaj ka Hindustan.In Ummeed-41,he had a duet with Nurjahan.In Pyaas-41,he sang with S.Pradhan.
He got to sing a solo song for the first time in 1942 in Fariyaad. In Jabaan, under C.Ramchandra,he sang 7 songs.
Some of his films were-
Diwali, Dheeraj, Chandni, Bhola shikar, Nadira, Sitamgar, Veer babruwahan, Barrister’s wife, College kanya, Desh dasi, Keemti aansoo, Dil ka daku, Jwalamukhi, Sajni, Dil farosh, Adhuri kahani, Thokar, Holi, Pyar, Bansari Lalkar, Chirag, Us paar etc.
He worked in Ranjit for 13 years. Then he worked with Prafull pictures, Sun art, Wadia, Hind pictures and Atre Pictures also.
In 1945,he was the hero of Noorjehan in Badi Maa,but he had no songs, in fact his last songs were in Us Paar-1944. His singing stopped completely when Rafi gave him playback in film Sharbati Aankhen-45.
Then he did character roles in Subhadra,Mahasati tulsi vrinda,Sanskar,Naulakha haar,Khuda ka banda etc.
He acted in 86 films. He also directed 11 films. He sang36 songs in 14 films. His last film released was was kahani kismet ki-73
He was married in 1931 to a loyal wife kamalabai. They had no issues. Due to excessive smoking he contracted lung diseases and died on 22-1-1969 in Bombay.
With today’s song, film Manorama-44 makes its Debut on this Blog.
(Credits- Vithal Pandya’s books, Film Directory, Beetehuedin blog, Harish Raghuwanshi ji, HFGK and my notes )
Song-Taaron ki chhainyyaan mein jamuna kinaare(Manorama)(1944) Singers-C Ramchandra, Hamida Bano, Unknown male voice, Lyrics-Anjum Pilibhiti, MD-C Ramchandra
Chorus
C Ramchandra + Chorus
Lyrics
Taaron ki chhainyyaan mein jamuna kinaare
Taaron ki chhainyyaan mein jamuna kinaare
gaawe khushi ke geet gin gin
gaawe khushi ke geet
ho
jiyo raam jiyo
dhobi ke laal jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo
ho ho ho ho
ho o o
dhobiyaa ko chahai
haan
dui dui mehariya
haan
dhobiyaa ko chaihai
dui dui mehariya
ek ghar aur ek ghaat
ek se mangaawen chiilam tambaaku
ek se mangaawen chilam tambaaku
ek se karihen preet
hilmil
gaawen khusi ke geet
ho
ho jiyo raam jiyo
dhobi ke laal jiyo
ho
jiyo raam jiyo
dhobi ke laal jiyo
ho ho ho ho
zulfon mein daal phoolinwa dhobiyaa
moonchhon pe daike taav
zulfon mein daal phoolinwa dhobiyaa
moonchhon pe daike taav
bainyya pakad mohe chhatiyaa lagaike
bainyya pakad mohe chhatiyaa lagaike
jobna liyo hai jeet
hamra jobna liyo hai jeet
ho jiyo jiyo raam jiyo
dhobi ke laal jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo
ho ho ho ho
taas mein jeete nahile ko dahila
dahile ko jeete ghulaam
haan
taas mein jeete nahile ko dahila
dahile ko jeete ghulaam
hamri ?? bitiya re tori
hamri ?? bitiya re tori
?? ne li hai jeet
haay raam
?? ne li hai jeet
ho
jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo
ho ho ho ho
na main maangoon kotha atariya
na kuchh maangoon aur
na main maangoon kotha atariya
na kuchh maangoon aur
godi mein dhobiya ke hamre gosainyya
godi mein dhobiya ke hamre gosainyya
jaaye umariya beet
hamri jaaye umariya beet
ho
jiyo jiyo raam jiyo
dhobi ke laal jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo
ho ho ho ho
Achcha hai mauqa kisne hai roka
Posted on: August 21, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3686 | Post No. : | 14592 |
“Shaarda”(1957) was produced and directed by L V Prasad for Prasad Productions. It was a Hindi remake of Tamil original original Tamil film ‘Edhir Paradhathu’ (1955). The movie had Meena Kumari, Raj Kapoor, Raj Mehra, Shyama, Gope, Manorama, Om Prakash, Agha etc.in it.
The movie had nine songs in it. Seven songs from the movie have been covered so far.
Here is the eighth song from “Shaarda”(1957) to appear in the blog. This song is sung by C Ramchandra and Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.
Like most C Ramchandra duets, this song is picturised as a romantic comic side plot song. The song is picturised on Agha and a lady whom I am unable to identify. I request our knowledgeable readers to help identify her.
Song-Achcha hai mauqa kisne hai roka (Shaarda)(1957) Singers-C Ramchandra, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Both
Lyrics
achha hai mauqa
kisne hai roka
ho jaaye pyaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara
achcha hai mauqa
kisne hai roka
ho jaaye pyaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara
dil ka ye bangla
rakha hai khaali
kab se tumhaare liye ae
hum jaante hain
karte ho kya kya
tum bhi hamaare liye ae
dil ka ye bangla
rakha hai khaali
kab se tumhaare liye ae
hum jaante hain
karte ho kya kya
tum bhi hamaare liye
pyaar hai jaaga
jab se hai laaga
nainon ka paad(?) zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara
duniya hai dariya
tum ek lehar ho
main hoon tumhaara kinaara
humne bhi tumko samjha hua hai
jaan se dil se hamaara
jitna tumhe hai
utna humen hai
dil ka bukhaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara
pyaar ki baaten
dekho ji ??
kal hi register kar doonga shaadi
duniya jale to jale
??
kal hi register kar doonga shaadi
duniya jale to jale
hai aitbaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara
achcha hai mauqa
kisne hai roka
ho jaaye pyaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara
Aao more pyaare saanwariya
Posted on: August 1, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3666 | Post No. : | 14538 |
“Bahaadur”(1944) was directed by Bhagwan for Jagriti Pictures, Bombay. This stunt movie had Baburao Pahalwan, Bhagwan, Samson, Bhagwandas, Dharpure, Yashwant, Shanta Patel, Bibi, Surekha, Nirasha etc in it.
The movie had eight songs in it.
Here is the first from “Bahaadur”(1944) to appear in the blog. HFGK is silent about the singers of this movie. The uploader (our own Mr Sadanand Kamath) identifies the singers as Hamida Bano and C Ramchandra.
Ehsan Rizvi is the lyricist. Music is composed by C Ramchandra.
Only the audio of the song is available. Assuming that Bhhagwan and Shanta Patel were the lead pair in the movie, it would appear that the song was picturised on them. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
With this rare song, “Bahaadur”(1944) makes its debut in the blog.
Song-Aao more pyaare saanwariya(Bahaadur)(1944) Singers-Hamida Bano, C Ramchandra, Lyrics-Ehsan Rizvi, MD-C Ramchandra
Both
Lyrics
Aao more pyaare saanwariya
aao more pyaare saanwariya
man ki
man ki sooni nagariya
man ki
man ki sooni nagariya aa aa aa
pihu pihu bole papeeha
pihu pihu bole papeeha
chhaayi hai
chhaayi hai kaali badariya
chhaayi hai
chhaayi hai kaari badariya aa aa
aao more pyaare saanwariya
aayi mere man ko sajan yaad tihaari
aayi mere man ko sajan yaad tihaari
laagi mere man mein ye aankhon ki kataari
laagi mere man mein ye aankhon ki kataari
bane kyun un un
bane kyun prem pujaari
bane kyun un un
bane kyun prem pujaari
baanki hai tori najariya
un hoon
tori najariya
aao more pyaare saanwariya
maine wahaan tumko nazar kah ke pukaara
maine wahaan tumko nazar kah ke pukaara
kiski nigaahon ne kiya phir ye ishaara
kiski nigaahon ne kiya phir ye ishaara
maine aen aen
maine papeeha ko pukaara
maine
maine papeeha ko pukaara aa aa aa
aaya main teri atariya aa aa aa
aaya main teri atariya
man ki
man ki sooni nagariya
man ki
man ki sooni nagariya aa aa aa
aao more pyaare saanwariya
Kisi ki yaad kisi ko aayi
Posted on: July 29, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3663 | Post No. : | 14532 |
“Naghma e Sahra”(1945) aka Song of desert was directed by Bhagwan for Jagriti Pictures, Bombay. This Constume drama movie had Master Vitthal, Khursheed Junior, Bhagwan, amarnath, Bhagwandas, Kavita devi, Shanta Patel, Vasant, Nawaz etc in it.
The movie had seven songs in it. One song has been covered in the past.
Here is the second song from “Naghma e Sahra”(1945) to appear in the blog. HFGK is silent about the lyricist. The uploader (our own Mr Sadanand Kamath) identifies the singers as Hamida Bano and C Ramchandra, and I agree with this identification.
Ehsan Rizvi is the lyricist. Music is composed by C Ramchandra.
Only the audio of the song is available. assuming that Bhhagwan and Shanta Patel were the lead pair in the movie, it would appear that the song was picturised on them. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Kisi ki yaad kisi ko aayi (Naghma e Sahra)(1945) Singers-Hamida Bano, C Ramchandra, Lyrics-Ehsan Rizvi, MD-C Ramchandra
Both
Lyrics
kisi ki yaad kisi ko aayi
kisi ki yaad kisi ko aayi
mujhko to maaloom nahin
ye ulfat ke afsaane
yaad kisi ki chhalkaaye kyun
aankhon ke paimaane
ye kaisi baat sunaayi ee ee
ye kaisi baat sunaayi ee ee
kisi ki yaad kisi ko aayi
kisi ki yaad kisi ko aayi
kyun dil ka raaj chhupati ho
hmm hmm hmm
jab dil ka chor pakadta hai
duniya to ab jaan gayi
jo do dil ka afsaana hai
teri yaad yahaan tak laayi ee ee
teri yaad yahaan tak laayi ee ee
kisi ki yaad kisi ko aayi
kisi ki yaad kisi ko aayi
jo munh se baat nikalti hai ae ae
wo afsaana ban jaati hai ae
mast nazar chup rah kar bhi ee
apna bhed bataati hai
hai ulfat mein ruswaayi ee ee
hmm hmm
hai ulfat mein ruswaayi ee ee
kisi ki yaad kisi ko aayi
kisi ki yaad kisi ko aayi
Le lo le lo gubbaare
Posted on: June 9, 2018
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3613 | Post No. : | 14406 |
“Amardeep” was a movie that was made by Shivaji Productions and directed by T. Prakash Rao in 1958. It was a remake of the Tamil “Amara Deepam” (1956) which also directed by T. Prakash Rao; which itself was a remake of the 1942 English film “Random Harvest” which was based on the novel of the same name by James Hilton. There was also a Bengali movie in 1957 “Harano Sur” on the same story. (all this information is thanks to Wikipedia) So that means there were audiences for this kind of sentimental stories.
The Tamil and Hindi versions had Padmini playing the character of Roopa who takes care of the hero- Dev Anand in Hindi and Shivaji Ganesan in Tamil- after he meets with an accident and forgets his past with Vyjayantimala (in Hindi) and Savitri (in Tamil). I had heard from my dad that he had seen the movie at the time of its release -first day first show and when the Tamil version released in a morning show (that was the name for the 9 or 10 A.M. show) he saw that too. I don’t remember what his review of the movie was but he had told me that the Hindi movie had 12 songs in it; the most popular one being “dekh humein awaaz na dena o bedard zamaane” having two versions.
Before I wrote this post, I sat through the movie. A decent movie, not exactly a tear-jerker but full of emotions on the part of the central characters. Plus, we have Pran putting in an act of possessive and hot- tempered “mangetar” (fiancé) of Vyjayantimala. So, there is scope for little fisticuffs at the climax. Then we also are surprised by the fact that the heroines are sisters who are separated in their childhood as the father gives away the younger daughter for cash to a wealthy man so that he can treat his sick elder daughter. And when the sisters, who are in love with the same man realise this, the elder one sacrifices her love and conveniently comes in the way when Pran fires at Dev Anand. There is a strained comedy track involving Johnny Walker and Mukri (which we could have done without). I hope this gives a brief idea about what the movie was all about. ??
There was one more reason for me to sit through this movie. I was trying to locate a song and its relevance in the movie. The song if it had ever been shot should have appeared here at 43:35 or thereabouts of the movie as we can see Dev and Vyjayantimala roaming around a mela and she has got some balloons in her hand. I was also trying to get the balloons (gubbaare) as it is the birthday of a keen follower of the blog. We also call him our in-house encyclopedia. Our dear Shri. Arunkumar Deshmukh turns a year younger today(9 june 2018).
Wishing him a musical journey with us forever with this song by a singer- music composer about whom he has provided us vast information. Rajinder Kishan is the lyricist. It has an “Eena meena deka” feel to it. Specially the opening and interlude music piece. I would love to know if it was ever picturised, if so on whom and if not why such a lively song was left out of the movie, it would have lightened the proceedings.
Song-Le lo le lo gubbaare (Amardeep)(1958) Singer-C Ramchandra, Lyrics-Rajinder Krishan, MD-C Ramchandra
Lyrics
le
lo
arre le lo le lo
lelo lelo gubbaare
le lo le lo
lelo gubbaare lelo
rang birange pyaare saare
rangbirange pyaare saare
le lo le lo lelo lelo gubbaare
sukde ko patle
arre phoole ko mote
darshan bhaari naam hai chhote
kaliyon se halke lelo
phoolon se pyaare lelo
rang birange pyaare pyaare
rangbirange pyaare pyaare
le
lo
le lo
le lo
lelo lelo gubbaare
neele
are peele
hai neele peele hare gulaabi
jhoome hawa mein jaise sharaabi
dole talab mein dole
saaqi ke dwaare dole
rangbirange pyaare pyaare
rangbirange pyaare pyaare
le
lo
le lo le lo
lelo lelo gubbaare
baba bhi khele
aur baby bhi khele
jodi salaamat o baabu lele
chamke tumhaari waah waah
ulfat ke taare wah wah
rangbirange pyaare pyaare
rangbirange pyaare pyaare
le
lo
le lo le lo
lelo lelo gubbaare aeeeee
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3548 | Post No. : | 14236 |
Today’s song is from a film called Ahinsa-1947. The film makes its Debut on the Blog. The song is sung by Chitalkar, an unknown female voice and Chorus. Written by G S Nepali, it is composed by C Ramchandra.
1947 was a very momentous and memorable year in the annals of Hindi film Industry.Many talented actors, directors,singers, composers, lyricists, writers and technicians left India, opting to migrate to Pakistan. The year 1947 actually started with a bad Omen. K L Saigal died on 18th January 1947. The country was on the threshold of Partition and Independence for two countries. The film industry, which was a true Secular industry, started harbouring doubts about each other.
Muslim artists who decided to migrate, started completing their assignments hurriedly. Suddenly, the film industry became extremely busy, resulting in churning out 181 Hindi films in just one year.This was a record in itself. It took another 40 odd years to break this record.187 films were made in 1985.
A void was created suddenly, when scores of film artistes from various disciplines migrated en masse to Pakistan.Most left in 1947,few more left within next 5 to 10 years and still some more,like actor Kumar left in the early 60s. By 1965, the entire process was almost complete, with few exceptions. Though the list is very long, some names who left India are, M.Ismail, Rafiq Gaznavi, Ghulam Mohd. actor, Zahur Shah, Zahur raja, Mukhtar Begum, Charlie, Nazir Ahmed, Ghulam haider, Najmul Hasan, Noorjehan, S M Yousuf, G A Chisti, Firoz Nizami, Ajmal, Khurshid Anwar, Saadat manto, Najam Naqvi, Ragini, W Z Ahmed, Swarnalata, Nashaad, Premlata,Shaukat Rizvi, Himalaywala, Rasheed Atre, meena Shorey, Asha Posley, Renuka devi, Nissar Bazmi, Sudhir, Santosh etc etc……..
In 1947, so many films were made, but since many were completed in a hurry, a large chunk of films failed miserably. Only a handful films were good and successful. In fact these films were so good that their music and songs actually heralded the beginning of “The Golden Period”. Films like Jugnu, Do Bhai, Dard, Mirza Sahiban, Shehnai, Elaan, Sindoor, Meera, Parwana, Saajan, Aapki sewa mein, Bela, Do dil and many more gave excellent and long lasting songs.
Some landmarks too took place. Lata’s first playback song, Usha Kiran’s debut in film Lalat, in her real name-Usha Marathe, Extra ordinary film Elaan, which was much ahead of its time and a very bold film on Muslim society weaknesses, Madhubala’s debut, debut of Uma Devi, Debut of Manhar Desai(Malcom D’souza), Last film of Saigal-Parwana, Last film of Noorjehan-Mirza Sahiban, First Simhali film ‘Broken promises’ made in Bombay, First studio-Uday in Kerala and the rise of C Ramchandra as a strong competitor to Naushad, were some important events of 1947.
C Ramchandra left Jayant Desai’s job in 1945. Then he was working on a film called ” Ahinsa”, which was delayed, censored in 1947 and released only in 1948.
The story was based on 1942 Quit India movement, but since it was delayed, lot of changes in story and songs took place. That was a period when Gandhi ji was on Top. He was the epitome of Ahinsa (Non violence), though the Partition took place with his consent only. So, to cash on the Gandhi wave, the film title must have been kept Ahinsa. I have not seen the film, but Baburao Patel’s Film India does not speak good about the film. Actually, this film was a resounding flop.
The gist of the film story is, Santosh- an upholder of Ahinsa, saves a British soldies from getting killed with an axe, by some terrorists. In the melee that ensues, the culprits run away and Santosh is caught with axe in his hands. Luckily, the soldier testifies in his favour and he is saved. This was a Debut film for the actor Santosh Kumar, the production house, Kashmir films and its Director Rajaram.
The real name of Santosh Kumar was Syed Moosa Abbas Raza. He was born on 25-12-1925 at Lahore. He hailed from a noble family of U.P. he graduated from Osmania University of Hyderabad Deccan, he also passed the ICS exam with flying colours. He was a tall and very handsome young man with command over English and Urdu.
His first film was ‘Ahinsa’-47 and second film was ‘ Meri kahani-48’. Then he migrated to Pakistan. He was one of the most successful actors of Pakistani films.He was the Hero of film ‘ Do Aansoo’-50, the first film in Pakistan to celebrate Silver Jubilee. He won the first Nigar Award too.
After working in more than 100 films, he diversified and became a Director in an American food company. He had also led many film industry delegations abroad. he was truly a Superstar. His second wife was actress Sabiha Khanum. His all family was in films. he died on 11-6-1982, just a few days before his son’s marriage. It was often said in Pakistan that if he had opted to remain in India, he would have overtaken Dilip kumar !
Navin Yagnik ( from U.P.), who also wrote the film story, did the role of the terrorist, Ramayan Tiwari was the Boss of the gang. The film was directed by Rajaram-his first film as a director. later he directed 3 more films,namely, Madadgaar-47, Dhoom dham-49 and Dilbar-51.
Film Ahinsa was released at Novelty Theatre Bombay on 20-2-1948, just about 3 weeks after Gandhi’s death. may be the timing was wrong, as there were many riots all over India during this period. Today’s song seems to be a marching song. the music and tune of the song is very good. I liked it. The songs of film Ahinsa were not available so far. They have been uploaded on You Tube only on 16th March 2018, about 20 days ago.h
Song-Azaad hain hum aaj se (Ahinsa)(1947) Singers- Unknown female voice, Chitalkar, Lyricist- Gopal Singh Nepali, MD- C Ramchandra
Male chorus
Female chorus
Both
Both +chorus
Lyrics
Azaad hain hum aaj se
jailon ke taale tod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do
?? phusla ke chhen li
tumne ?? shamsheer
kaanoon padhkar pyaar se
phir pahna di zanjeer
do sau baras se bhar gaya thha
paapon ka ghada phod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do
Azaad hain hum aaj se
jailon ke taale tod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do
maara hai deshbhakton ko tumne
goli se bhoon ke
jaallianwaala bagh mein
hain daagh ab bhi khoon ke
jaallianwaala bagh mein
hain daagh ab bhi khoon ke
saari duniya dhikkaar ki
ab to apna munh mod lo
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do
Azaad hain hum aaj se
jailon ke taale tod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do
le kar mazhab ka maamla
tumne jhagda badha diya
le kar mazhab ka maamla
tumne jhagda badha diya
Hindu aur musalmaanon ko
aapas mein lada diya
Hindu aur musalmaanon ko
aapas mein lada diya
ham lad maren ya kuchh karen
tum ghar hamaara chhod do
ham lad maren ya kuchh karen
tum ghar hamaara chhod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do
Azaad hain hum aaj se
jailon ke taale tod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do
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