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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘C Ramchandra songs as a singer’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3548 Post No. : 14236

Today’s song is from a film called Ahinsa-1947. The film makes its Debut on the Blog. The song is sung by Chitalkar, an unknown female voice and Chorus. Written by G S Nepali, it is composed by C Ramchandra.

1947 was a very momentous and memorable year in the annals of Hindi film Industry.Many talented actors, directors,singers, composers, lyricists, writers and technicians left India, opting to migrate to Pakistan. The year 1947 actually started with a bad Omen. K L Saigal died on 18th January 1947. The country was on the threshold of Partition and Independence for two countries. The film industry, which was a true Secular industry, started harbouring doubts about each other.

Muslim artists who decided to migrate, started completing their assignments hurriedly. Suddenly, the film industry became extremely busy, resulting in churning out 181 Hindi films in just one year.This was a record in itself. It took another 40 odd years to break this record.187 films were made in 1985.

A void was created suddenly, when scores of film artistes from various disciplines migrated en masse to Pakistan.Most left in 1947,few more left within next 5 to 10 years and still some more,like actor Kumar left in the early 60s. By 1965, the entire process was almost complete, with few exceptions. Though the list is very long, some names who left India are, M.Ismail, Rafiq Gaznavi, Ghulam Mohd. actor, Zahur Shah, Zahur raja, Mukhtar Begum, Charlie, Nazir Ahmed, Ghulam haider, Najmul Hasan, Noorjehan, S M Yousuf, G A Chisti, Firoz Nizami, Ajmal, Khurshid Anwar, Saadat manto, Najam Naqvi, Ragini, W Z Ahmed, Swarnalata, Nashaad, Premlata,Shaukat Rizvi, Himalaywala, Rasheed Atre, meena Shorey, Asha Posley, Renuka devi, Nissar Bazmi, Sudhir, Santosh etc etc……..

In 1947, so many films were made, but since many were completed in a hurry, a large chunk of films failed miserably. Only a handful films were good and successful. In fact these films were so good that their music and songs actually heralded the beginning of “The Golden Period”. Films like Jugnu, Do Bhai, Dard, Mirza Sahiban, Shehnai, Elaan, Sindoor, Meera, Parwana, Saajan, Aapki sewa mein, Bela, Do dil and many more gave excellent and long lasting songs.

Some landmarks too took place. Lata’s first playback song, Usha Kiran’s debut in film Lalat, in her real name-Usha Marathe, Extra ordinary film Elaan, which was much ahead of its time and a very bold film on Muslim society weaknesses, Madhubala’s debut, debut of Uma Devi, Debut of Manhar Desai(Malcom D’souza), Last film of Saigal-Parwana, Last film of Noorjehan-Mirza Sahiban, First Simhali film ‘Broken promises’ made in Bombay, First studio-Uday in Kerala and the rise of C Ramchandra as a strong competitor to Naushad, were some important events of 1947.

C Ramchandra left Jayant Desai’s job in 1945. Then he was working on a film called ” Ahinsa”, which was delayed, censored in 1947 and released only in 1948.

The story was based on 1942 Quit India movement, but since it was delayed, lot of changes in story and songs took place. That was a period when Gandhi ji was on Top. He was the epitome of Ahinsa (Non violence), though the Partition took place with his consent only. So, to cash on the Gandhi wave, the film title must have been kept Ahinsa. I have not seen the film, but Baburao Patel’s Film India does not speak good about the film. Actually, this film was a resounding flop.

The gist of the film story is, Santosh- an upholder of Ahinsa, saves a British soldies from getting killed with an axe, by some terrorists. In the melee that ensues, the culprits run away and Santosh is caught with axe in his hands. Luckily, the soldier testifies in his favour and he is saved. This was a Debut film for the actor Santosh Kumar, the production house, Kashmir films and its Director Rajaram.

The real name of Santosh Kumar was Syed Moosa Abbas Raza. He was born on 25-12-1925 at Lahore. He hailed from a noble family of U.P. he graduated from Osmania University of Hyderabad Deccan, he also passed the ICS exam with flying colours. He was a tall and very handsome young man with command over English and Urdu.

His first film was ‘Ahinsa’-47 and second film was ‘ Meri kahani-48’. Then he migrated to Pakistan. He was one of the most successful actors of Pakistani films.He was the Hero of film ‘ Do Aansoo’-50, the first film in Pakistan to celebrate Silver Jubilee. He won the first Nigar Award too.

After working in more than 100 films, he diversified and became a Director in an American food company. He had also led many film industry delegations abroad. he was truly a Superstar. His second wife was actress Sabiha Khanum. His all family was in films. he died on 11-6-1982, just a few days before his son’s marriage. It was often said in Pakistan that if he had opted to remain in India, he would have overtaken Dilip kumar !

Navin Yagnik ( from U.P.), who also wrote the film story, did the role of the terrorist, Ramayan Tiwari was the Boss of the gang. The film was directed by Rajaram-his first film as a director. later he directed 3 more films,namely, Madadgaar-47, Dhoom dham-49 and Dilbar-51.

Film Ahinsa was released at Novelty Theatre Bombay on 20-2-1948, just about 3 weeks after Gandhi’s death. may be the timing was wrong, as there were many riots all over India during this period. Today’s song seems to be a marching song. the music and tune of the song is very good. I liked it. The songs of film Ahinsa were not available so far. They have been uploaded on You Tube only on 16th March 2018, about 20 days ago.h


Song-Azaad hain hum aaj se (Ahinsa)(1947) Singers- Unknown female voice, Chitalkar, Lyricist- Gopal Singh Nepali, MD- C Ramchandra
Male chorus
Female chorus
Both
Both +chorus

Lyrics

Azaad hain hum aaj se
jailon ke taale tod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do

?? phusla ke chhen li
tumne ?? shamsheer
kaanoon padhkar pyaar se
phir pahna di zanjeer
do sau baras se bhar gaya thha
paapon ka ghada phod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do
Azaad hain hum aaj se
jailon ke taale tod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do

maara hai deshbhakton ko tumne
goli se bhoon ke
jaallianwaala bagh mein
hain daagh ab bhi khoon ke
jaallianwaala bagh mein
hain daagh ab bhi khoon ke
saari duniya dhikkaar ki
ab to apna munh mod lo
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do

Azaad hain hum aaj se
jailon ke taale tod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do

le kar mazhab ka maamla
tumne jhagda badha diya
le kar mazhab ka maamla
tumne jhagda badha diya

Hindu aur musalmaanon ko
aapas mein lada diya
Hindu aur musalmaanon ko
aapas mein lada diya
ham lad maren ya kuchh karen
tum ghar hamaara chhod do
ham lad maren ya kuchh karen
tum ghar hamaara chhod do
ab jaao apne desh ko
angrezon bharat chhod do

bharat chhod do
bharat chhod do
Azaad hain hum aaj se
jailon ke taale tod do
ab jaao apne desh ko
angrezon bharat chhod do
bharat chhod do
bharat chhod do

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3523 Post No. : 14149

“Jigar”(1949) was directed by Bhagwan for Chandni Chitra Production. The movie had Bhagwan, Leela Gupte, Vasantrao, Baburao etc in it.

The movie had eight songs in it. Four songs from the movie have been discussed in the past.

Here is the fifth song from “Jigar”(1949) to appear in the blog. This romantic expression of love “panghat” song is sung by Rajkumari, C Ramchandra and chorus. Ehsan Rizvi is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song. My guess is that this song is picturised on Bhagwan and Leela Gupte. My guess could be wrong, seeing that I had made the same guess of actors for a C Ramchandra- Lata duet from this movie in the past as well. 🙂


Song-Mohe panghat pe jaate darr laage (Jigar)(1949) Singers-Rajkumari, C Ramchandra, Lyrics-Ehsan Rizvi, MD-C Ramchandra
Chorus

Lyrics

mohe panghat pe jaate darr laage
ho darr laage
mohe panghat pe jaate darr laage
ho darr laage

raste mein sainyyaa ka ghar laage
raste mein sainyya ka ghar laage
mohe panghat pe jaate darr laage
ho darr laage
mohe panghat pe jaate darr laage
ho darr laage

sainyya to ghar chhod aaye hain tere dwaare
phirte hain tere peechhey kheton mein maare maare
kyun tujhko sainyya se darr laage
ho
kyun tujhko sainyya se darr laage

mohe panghat pe jaate darr laage
ho darr laage
mohe panghat pe jaate darr laage
ho darr laage

maare maare phiroge tum
haath nahin aaungi
main haath nahin aaungi
maare maare phiroge tum
haath nahin aaungi
main haath nahin aaungi
gora mukh dikha ke main
aur bhi tarsaaungi
gora mukh dikha ke main
aur bhi tarsaaungi
dekho na
tumhri najar laage
ho
dekho na
tumhri najar laage
mohe panghat pe jaate darr laage
ho darr laage
mohe panghat pe jaate darr laage
ho darr laage

aurat ke aage hathh na chalegi
aurat ke aage hathh na chalegi
apna apna kaam dekho
daal na galegi
apna apna kaam dekho
daal na galegi
ab chaahe saari umar laage
ho
ab chaahe saari umar laage

mohe panghat pe jaate darr laage
ho darr laage
mohe panghat pe jaate darr laage
ho darr laage


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3476 Post No. : 13961

Today, 23rd January 2018 is the 121st Birth Anniversary of India’s best known revolutionary- Netaji Subhash Chandra Bose. His life story and name is known to every Indian. It is not only very inspiring, but is very motivating as well. Unfortunately Netaji did not get the kind of help or support he needed and deserved for his Military action, from Indian politicians of his times. Netaji’s philosophy clashed with the Non-Violence policy espoused by Gandhi and his Congress Party. He pursued his dream single handedly. It is once in a Century that such a person is born. My respectful obeisance to Netaji.

On this occasion, here is a song describing his life which was nothing but a life of Balidaan or sacrifice.

Today’s song is from film Samadhi-1950. With this song, I remember and pay my respects to Music Director C.Ramchandra, in his Centenary Year.

Indian film industry is notably poor in making Patriotic films. Agreed that the first 16 years of the Talkie in India were not suitable or encouraging for making such films, as India was under British rule. But now, after 70+ years of ibdependence, the number of such films can be counted on the fingers of just one hand. Historical films have suffered the same fate. Our Historical films are based on some fictitious love stories and the history part is limited only to the costumes and Horses,Elephants etc.

No doubt, some film makers did make films based on Patriotic themes, almost immediately after independence or in the first few years after that. Songs with Patriotic themes were also used in few films. Films like Apna Desh-49,Samadhi-50, Pehla Admi-50, Andolan-51 and Anand Math-52 are some such examples, but these are only a few among the heap of song and comedy films that were being produced.Sporadic films like Jagriti-54, Chhatrapati Shivaji (52,61 and 2007) and some films of Manoj Kumar were made combining Patriotic themes in later years. As for “Historical” made those days- Mughal e Azam, Anarkali or Taj Mahal were more of Love story films than Historical films.

On this background, making a film like Samadhi was actually a risk. But this risk was offset by planting a Love story and some foot tapping songs and dances. In this, C.Ramchandra’s contribution was extremely important. The evergreen song ” Gore gore, o banke chhore” by Lata and Amirbai and few more lilting songs by Lata and Shamshad Begum made the film a memorable musical extravaganza. However, care was taken that the Patriotic theme of the movie was not compromised.

It was said that Samadhi’s story was based on a True Life story. The film was directed by Ramesh Saigal (2-3-1918 to 20-1-1980), who directed only 10 films in his career, but what some of his films were ! Shaheed-48, Samadhi-50, Shikast-53, Railway Platform-55 and Phir subah hogi-58 can not be forgotten. Film Samadhi had all the elements in it that make a movie successful. Moreover the film had the background of Indian National Army, led by Netaji Subhash Chandra Bose, who was loved by people of India. These factors made the film a grand success at the Box Office. By one estimate, film Samadhi-50 was the highest earner on Box Office in 1950. It reportedly made a gross collection of Rs.1,35,00,000 and a net profit of Rs. 75,00,000 (wiki).

The film cast was Ashok Kumar, Nalini Jaywant, Shyam, Mubarak, David, Badri Prashad, Shashi Kapoor Sr., Collins Paul etc etc.

Ashok Kumar and Nalini Jaywant came together for the first time with this film. They then went on to do 11 films together from 1950 to 1966. Together, they even went abroad for shooting of the film Naaz-54 . Their mutual attraction was well known in the industry. But later they parted ways and though their Bungalows in Union Park, Chembur, Bombay were opposite to each others, they did not even exchange greetings.

Actor Shyam (20-2-1920 to 15-4-1951), who was a popular Hero those days, did the role of Ashok Kumar’s elder brother despite being almost 10 years younger to Ashok Kumar. His height and good physique enabled him to look quite convincing as the elder brother of Ashok Kumar.

Shashi Kapoor Sr.(Shashi Chand Kapoor) did the role of young Ashok Kumar. It is interesting to note that the other Shashi kapoor Jr. ( Raj kapoor’s brother) did the young Ashok kumar’s role in film Sangram-50 in the same year

It is also interesting to note that Netaji’s role in this film was done by an actor named Collins. He was like an O.T.P.- never seen again in any film.

The story of this film was given by me earlier for some other post from this film, so I am not repeating it here. Baburao Patel of ” Film India”, wrote in its May-50 issue that the film was ” irrelevant and obsolete politically, since India had got its freedom now.” However the audience and the readers of his magazine did not agree to his comments and made this film a tremendous success. It goes to prove that Patriotic themes are never irrelevant.

Film Samadhi-50 had 7 songs. 5 songs were already discussed on the Blog. Let us enjoy the song by C.Ramchandra, describing Netaji’s life story in essence.

Ed note:- One song is now left to be covered. This balance song is “Sab mil kar Hind pukaaren” according to HFGK whose record was not made and this song is apparently not available.


Song-Netaji ka jeewan hai balidaan ki ek kahaani (Samadhi)(1950) Singer-C Ramchandra, Lyrics-Rajinder Krishan, MD-C Ramchandra
Nalini Jaiwant
Female chorus
Male chorus
All chorus

Lyrics

ho o o o
Netaji ka jeewan hai balidaan ki ek kahaani
Netaji ka jeewan hai balidan ki ek kahaani
balidaan hi balidaan hai
bachpan aur jawaani
bachpan aur jaawani
balidaan ki ek kahaani
balidaan ki ek kahaani

hoye bachpan hi se chanchal man mein armaanon ka mela thha
chhoti si ek lehar thhi dil mein
toofaanon ka rela thha
college mein ustaad jo thha wo thha london ka gora
arre usne kaha college me ek din
hindi kaala log chhichhora

sher bose ka khoon jo khaula
sher bose ka khoon jo khaula
gore ko ik chapat lagai
naam kata college se lekin
hind ki laaj bachaai
Netaji ka jeewan hai balidaan ki ek kahaani
balidaan hi balidaan hai bachpan aur jawaani
balidaan ki ek kahaani
balidaan ki ek kahaani

maat pita ne samjhaaya
aur englishtan ko kiya ravaana
badon ke aage honth na khole
lekin baagi dil na maana
europe mein ICS ke imtihaan ko paas kiya
arre itna ooncha ohda paakar
deshbakht ne chhod diya
phir
hindsutan mein aakar pehle gaandhi ko parnaam kiya
gaandhi ko parnaam kiya
gaandhi ko parnaam kiya

wo desh ki seva ka baapu se pehla pehla sabak liya
pehla pehla sabak liya
pehla pehla sabak liya

bharat ke dukh dard ko socha samjha aur pehchaana
kamar baandh kar rann mein aaya
aazaadi ka deewaana
aazaadi ka deewaana
aazaadi ka deewaana

kiya angrezon ne ye aid
karen is baagi ko ab qaid
kuchal daalen
masal daalen
kuchal daalen
masal daalen

magar
bachpan se jo baagi ho
wo zulm se darna kya jaane
jalne se kab ghabraate hain
shama watan ke parwaane
jiski rag rag mein shole hon
wo kya samjhe chingaari ko
hathkadiyon ko
zanjeeron ko
jailon ki chaar deewaari ko
kadam kadam par mushqil aayi
lekin sher sada lalkaara
rah nahin sakta gair ke bas mein
Hidustan hamaara
rah nahin sakta gair ke bas mein
hidustan hamaara
rah nahin sakta gair ke bas mein
hidustan hamaara

sarkaar ne kar daali nazarband zabaanband
maidaan ke jo mard hain hote hai kahaan band
ek raat ko chupke hi se gum ho gaye Neta
shor hua subah kahaan kho gaye Neta
janta bhi thhi hairaan
to sarkaar bhi hairaan
ud jaane se bulbul ke thha saiyyaad pareshan

lekin
maata ko ye ummeed thhi
laut aayega beta
maata se kahe bina kahaan jaayega beta
is aas mein darwaaje bhi ghar ke na kiya band
aa jaayega
aa jaayega
wo laal wo farjan

us maa se badi maa hai jo hindustan hai
wo chodd gaya maa ko
badi maa ko chudaane
is hind ki bigdi hui taqdeer banaane

badal pathaani bhesh
chala pardes
chhod kar desh
hamaara neta
badal pathaani bhesh
chala pardes
chhod kar desh
hamaara neta
aazadi ki nayi ladaai
ladne pyaaara neta

hindustan se kabul mein
aur kabul se berlin mein
chalte chalte pahunch gaya
wo singapore ke rann mein
qaum ki ye fauj aur qaumi taraana ban gaya
qaum ki ye fauj aur qaumi taraana ban gaya

ek ek tinka chuna
aur aashiyaana ban gaya
jai gandhi jai subhash
jai gandhi jai subhash
jai hind jai hind
jai hind jai hind
jai hind jai hind
jai hind


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3468 Post No. : 13922

Lata’s songs NOT YET covered in this Musical Blog – 22
—————————————————————

The 1949 film ‘Bhedi Bangla’ was a stunt film Produced by ‘Jagruti Pictures, Bambai’ (as the city was called then) and Directed by Master Bhagwan. The star-cast included himself as well as Baburao, Azim, Shankar Mirajkar, Inamdar, K K Swamy, Leela Gupte, Usha Shukla, Tarabai etc.

Music was provided by P Ramakant to the lyrics of Ehsan Rizvi. The Film Had Six songs and Lataji had Five songs according to ‘Lata Samagra’. (2 Solos and 3 Duets with Chitalkar)

HFGK is slent about the singers of 7 songs and attributes only one song to the credit of Lataji.

After this duet of Lata and Chitalkar, only one duet is to follow soon, in this serial ‘Lata’s songs NOT YET covered in this Musical Blog’.


Song– Jhoolo more laalna sukh ke hindole (Bhedi Bangla) (1949) Singer– Lata, Chitalkar, Lyrics– Ehsan Rizvi, MD–P Ramakant

Lyrics

jhoolo more laalna sukh ke hindole ae
jhoolo more laalna sukh ke hindole
resham ki ho doriyaan aaa aa
resham ki ho doriyaan
sone ka ho paalna
jhoolo more laalna sukh ke hindole ae
jhoolo more laalna

chaandni suhaani tumhen jhoolnaa jhulaaye
chaandni suhaani tumhen jhoolnaa jhulaaye
taaron ke des pe phir nindiya raani aaye
ho nindiya raani aaye
apni nindiya rani ko tum nainon mein sambhaalna
jhoolo more laalna sukh ke hindole ae
jhoolo more laalna

kaun hamen sunaata hai yeh meethhi loriyaan
kaun hamen sunaata hai yeh meethhi loriyaan
badhha rahi hain peengen mere hirday ki doriyaan
ho hirday ki doriyaan
jhoolnaa jhulaane waale saath(?) se na taalnaa

jhoolo more laalna sukh ke hindole ae
jhoolo more laalna
waan waan waah
hun hun hun uu
haa aaa aaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3465 Post No. : 13907

I was vaguely aware that today (12 january 2018) was an anniversary of C Ramchandra. Subsequently, I came to know that it was no ordinary anniversary. It was the birth centenary of C Ramchandra (12 january 1918- 5 january 1982).

It goes without saying that C Ramchandra was one of the many pioneers of HFM who helped add considerably to the cause of HFM.

For someone who is known as a music director among music lovers, C Ramchandra did not start his career that way. His film career began as a lead actor in “Naganand”(1935). After a few stints as an actor, he turned a music director-and that too in a Tamil film !

He became a music director in Hindi movies with “Sukhi Jeewan” (1942).

C Ramchandra kept working as a music director as well as a singer for some time before he made it big in the second half of 1940s. He was a leading music director of Hindi movies for nearly one year before he found himself relegated to the background.

During his career as a music director C Ramchandra worked in 111 Hindi movies where he composed 907 songs. This blog has 484 of his compositions, which adds up to more than 53 % of all C Ramchandra compositions in Hindi movies.

As many as 30 of these movies have already been YIPPEED in the blog.

Today is an ideal day to showcase a rare C Ramchaandra composition which also happens to the the final song of the movie. The movie under question is “Sangeeta”(1950). The movie had ten songs in it and the song under dicussion is the tenth and final song from the movie.

This song is sung by C Ramchandra and Snehal Bhatkar. It must be one of very few occasions when two persons, better known as music directors rather than singers sang a duet !

P L Santoshi is the lyricist. Music is composed by C Ramchnadra, of course.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Sangeeta”(1950) joins the list of movies that have all their songs covered in the blog.


Song-Arre jaise hukke ke dhuyen se…teri haay ke saath(Sangeeta)(1950) Singers-C Ramchandra, Snehal Bhatkar, Lyrics-P L Santoshi, MD-C Ramchandra

Lyrics

haaye
haaye
haaye
haaye
haaye

arre jaise hukke ke dhunye se
dhuaan mil jaaye
jaise chilam ke dhunye se dhuaan mil jaaye
haan aan aan aan aan aan aan
arre haaye
teri haaye ke saath niklegi meri bhi haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath nikalegi meri bhi haaye

jahaan tumhaara bahe paseena
ham sab khoon baha den
are khoon ki nadiyaan bhi baha den
ishq mein marke majnu aur farhaad ka naam mita den
ha unka bhi nam ek dam dho daalenge yaar
agar hame bhi koi laila aur shirin mil jaaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye

ek baar dil dekar dekho
uska dil na dukhaana
gale lagaao yaar
uska dil mat dukhao
soch samajh kar chalna hero
bahut bura hai zamaana
bahut bura hai
ek dum
kahin jaal mein phansi chiraiya
furr se na ud jaaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This song is from the film Girls School-1949. It is sung by Chitalkar and Shamshad Begum- one of the most popular singing pair of the late 1940s. The song was written by Kavi Pradeep and the Music Director for this song was C.Ramchandra. In this film, there were two Music Directors. One was Anil Biswas ( he composed 4 songs) and C.Ramchandra ( he composed 5 songs).

In those days, it was quite unusual to have 2 very well known and well established composers for one film. During Partition time, few composers had left India without completing their assignments and the work was then completed by another composer. So there was a convincing reason for such cases. There were few pairs of composers like Husnlal-Bhagatram, but it was a professional and permanent team. In case of Girls School-49, having two big composers was quite unusual and it created ripples in the industry, not only in those times, but its echos were heard again in 1954 also. Let us see how it all happened.

This film was produced by Kavi Pradeep under the banner of Lokmanya Productions, Bombay. This was a company floated by him and Amiya Chakrawarty-director of this film. To understand the complexiities of Girls school, we must go back a little. In 1942, Anil Biswas was invited by Ranjit at a salary of Rs. 1500/ per month and by Bombay Talkies at a salary of Rs 2500/ per month. As National studio was winding up, Anil Biswas wanted to make a change anyway, but due to the contract of national he could not join Bombay Talkies openly. He, however, gave music to the film Basant-42 and name of his brother in Law, Pannalal Ghosh was used as its Music Director.

Finally when Anil Biswas joined Bombay Talkies, there were already two groups there. One was led by Devika Rani and Amiya Chakraborty and the other was led by S. Mukherjee along with Ashok Kumar, Gyan Mukherjee, Pradeep etc-a total of 15 artistes. Anil Biswas was invited by Devika Rani and that too at a salary of Rs. 2500/ per month, when Pradeep was getting Rs 1500 per month. This irritated Pradeep no end and he started troubling and finding faults with Anil Biswas. However Anil Biswas gave excellent music in the film Kismet and then everyone was happy as the film celebrated jubilees everywhere.

With this back ground, Anil Biswas joined Girls school as a Music Director, mainly due to Amiya who knew his calibre. Because of everybody’s background , the film was entirely shot in the Studios of Bombay Talkies. Kavi Pradeep being a producer and a Lyricist started interfering with Anil Biswas’s work and criticising him at every opportunity. Anil Biswas was fed up. He had already recorded three songs and a solo by Lata , ” tum hi kaho, mera man udas kyun na rahe” was to be recorded. Anil Biswas had taken C Ramchandra as his assistant for this film. Though C Ramchandra was already a popular and wellknown idndependent composer himself , still he had accepted to be his assistant here due to his respect for Anil Biswas. When the tune for Lata’s solo was made, Pradeep passed caustic remarks about it being not so good. There was an altercation between Anil Biswas and Pradeep and Biswas quit then and there and went away.

C Ramchandra had to take over as the Music Director for the balance songs of the movie. Pradeep was very happy. Next day recording of Lata’s solo song took place under the supervision of C Ramchandra, as planned. Later when Lata came to know that Anil Biswas has left and C Ramchandra had replaced him, she was very angry and said that she would not have recorded the song had she known about Anil Biswas’s exit. She objected to C Ramchandra taking over as the music direction and complained about it in the Artists association too. (Remember that Lata and C Ramchandra’s relations had not formed yet and Lata was still with Husnlal at that time.)

Later on in 1954, when O P Nayyar replaced Roshan for Mehbooba, Lata took up the issue with the Music Directors’ association. Anil Biswas was the chairman at that time and O P Nayyar was boycotted. At that time Lata quoted Girls school incident to prove that she was “highly Principled” on such matters!

Anyway, that was how C Ramchandra became the Music Director of Girls school-49 and he composed 4 duets of Shamshad and 1 solo of Lalita Deulkar in this movie. All the four duets of this pair are very interesting. However, with all this jhamelas, film Girls school was a total Flop. Pradeep lost heavily and closed the production company forthwith, after just this one film.

I had not seen this film, so I was curious to find its review in contemporary magazines. I did not find it in Film India or in other periodicals. However I read one letter from a reader in Film India, which criticised the film for not having to do anything with women’s education. He further asserted that the film title was a misnomer, since not even one scene was there in entire film which showed running classes or a teacher in the class etc. Finally I found a short synopsis of his film in the ‘ Encyclopedia of Indian Cinema, which is given here to give an idea of what the film was about.

” Rural drama about Meena (Geeta Bali) who leaves home rather than submit to an arranged marriage and starts a girls school in a village, although opposed by the local zamindar. The zamindars brother-in-law Bipin (Sajjan), who lusts after Meena, is the villain. The hero (Sohan) appears in answer to an advertisement for a schoolteacher and is appointed only because Meena mistakes his name – Shanti Kumar Majumdar for that of a woman. The zamindar’s widowed sister Sumitradevi, a supporter of the school, objects because he is not married. Meena and Shanti Kumar fall in love but realises the damage he may cause to her school and leaves. Bipin then spreads rumours about Shanti Kumar morals, which causes further difficulties that have to be resolved before both the future of the school and of the loving couple could be assured. ”

The cast of the film consisted of Rehana, Sohan, Kuldeep Kaur, David, Pran, Iftekhar etc etc. Not much information is available about this Hero- Sohan. In Hindi films, many aspirants tried their luck. Not all of them got an opportunity to enter films. In the early era, it was easy, but as the years passed by, it became difficult for the hopefuls. Few lucky ones got a Mentor- it helped them to only to enter films but not stay in the industry.

“Aaye bhi vo, gaye bhi vo, khatam fasana ho gaya “. These newcomers were given a fair opportunity to showcase their abilities, but unfortunately, despite their honest efforts, their skill did not show up and the audience was unimpressed. They got big banners, good experienced directors, but they disappointed their Mentors with non existent abilities to act. They proved to be ‘Non- Actors ‘.

Among them, some male actor’s names which I remember off hand are Arjun in Malhar-51, Rattan Chopra in Aman-67,Mom ki Gudia-72, Vijay kumar in Alif laila-54,Premendra in Holi aayee re-70, Deepak kumar in Aabroo-68, Ajay in Wapas-69, Som Dutt in mann ka meet-68, Vikram in Julie-75,Rajeev Kapoor in Raam teri Ganga maili-85, Shekhar Suman in Utsav-84, Kaycee mehra in Chhabilee-60 and mem didi-61, prashant in Sehra-63, Ashok Sharma in Hamari yaad aayegi-61, Ajit Chitnis in Aaj ki baat-55, Nusrat Kardar in Dard-47, Manish in Saraswati Chandra-68, Rajiv in Nayi umar ki nayi fasal-65, Aroop kumar in Bezubaan-62 etc etc.

Sohan Kapila was also one such actor, who was not successful as a Hero. Actually, big banners like Filmistan supported him. He got seasoned Heroines like Geeta Bali and Rehana as well as Debutants Jayashree Gadkar and Nalini Chonkar, but nothing worked. He proved that you can take the Horse to the water, but you can not make it drink !!! He acted in Girls school-49, lajawab-50, Sanskar-58, Ek armaan mera-59, Chaand ki duniya-59, Babar-60, Commercial pilot officer-63 and Picnic-66 and may be some more as character roles. After he retired, his daughter actress Padmini Kapila also had the same fate !

The film had 9 songs (4-by Anil Biswas and 5 by C.Ramchandra). Five songs are already discussed in this Blog. Today’s song is the sixth song. The song is not very melodious or foot tapping, but it has an unmistakable C.Ramchandra stamp on it. So let us enjoy this fun song.

Editors comments:
Today (11 december 2017) is Kavi Pradeep’s remembrance day. So this song serves as a tribute to him.

Secondly, this song is the 600th song of Shamshad Begam in the blog. She becomes the 18th artist and seventh singer to reach this mark in the blog.


Song-Danke ki chot par kehta hoon main (Girls School)(1949) Singers-C Ramchandra, Shamshad Begum, Lyrics-Kavi Pradeep, MD-C Ramchandra
Both

Lyrics

o o o o
danke ki chot par kehtaa hoon main
sunte jaao ji laalaa
aji sachche kaa hai bolbaalaa jagat mein
jhoothe kaa hai munh kaalaa
aji sachche kaa hai bolbaalaa jagat mein
jhoothe kaa hai munh kaalaa

oy laalala
o o
badi badi deengen jo haank rahe thhe
unke honthon pe lag gayaa taalaa

oy kal tak diwaali manaate thhe jo
dekho nikalaa hai unkaa deewaalaa
aji sachche kaa hai bolabaalaa jagat mein
jhoothe kaa hai munh kaalaa
aji sachche kaa hai bolbaalaa jagat mein
jhoothe kaa hai munh kaalaa
oy laala

chhip chhip ke chhuriyaan chalaane waalon
kab tak manaaoge khair

ho o o
chhip chhip ke chhuriyaan chalaane waalon
kab tak manaaoge khair
ishwar ki duniyaa mein der hai bhaiyaa
lekin nahin andher
ishwar ki duniyaa mein der hai bhaiyaa
lekin nahin andher
doosron ke liye mat khodo kunwaa
kisi kaa bhi is’se bhalaa naa huaa

are ham sab ke upar jo maalik khadaa hai
wo hai hazaar haathwaalaa
aeji sachche kaa hai bolabaalaa jagat mein
jhoothe kaa hai munh kaalaa
aji sachche kaa hai bolabaalaa jagat mein
jhoothe kaa hai munh kaalaa
oy laala

jeet naa sakegaa koi ab hamse baazi
jeet naa sakegaa koi ab hamse baazi
miyaan bibi raazi to kyaa karegaa kaazi

chullu bhar paani mein doob maro bhaiyaa
kehtaa hai ye gaadiwaalaa
chhote chhote baadalon
tum kyaa chhupaaoge
chandaa kaa ujiyaalaa
arre chhote chhote baadalon
tum kyaa chhupaaoge
chandaa kaa ujiyaalaa
aeji sachche kaa hai bolbaalaa jagat mein
jhoothe kaa hai munh kaalaa
aji sachche kaa hai bolbaalaa jagat mein
jhoothe kaa hai munh kaalaa
oy laala


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jigar”(1949) was directed by Bhagwan for Chandni Chitra Production. The movie had Bhagwan, Leela Gupte, Vasantrao, Baburao etc in it.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulites

Today is 1st August 2017 – the birth anniversary of Bhagwan Dada. He would have been 104. Phew! Whatever I know of Bhagwan Dada or Bhagwan is all hearsay and whatever I have read up on the various sites on the net.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Roshni”(1949) was directed by Ramanlal Desai for Standard Pictures, Corporation, Bombay. The movie had Rehana, Nihal, Mumtaz Ali, Sophia, Benjamin, Pran, Harun, Chaand Burque, Sita Bose, V H Desai, Kesri, Shyam lal, Ramlal, Kamal Krishn, Gulnar, Indira, Shyama, zarina, Ishrat etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sangeeta” (1950) was directed by Ramanlal Desai for Sudha Pictures Production. The movie had Shyam, Nigar Sultana, Suraiya Choudhary, Ramsingh, Radha Krishnan, Pran, Mumtaz Ali etc in it.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14300 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

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