Archive for the ‘C Ramchandra songs as a singer’ Category
Tumhen hum yaad karte hain
Posted on: January 22, 2023
- In: Blog Ten Year Challenge (2013-2023) | C Ramchandra Shamshad Begam duet | C Ramchandra songs as a singer | Duet | Lyrics by Prakashchandra | Lyrics contributed by readers | Missing the loved ones | Separation song | Shamshad Begam songs | Songs of 1940s (1941 to 1950) | Songs of 1949
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5301 | Post No. : | 17366 |
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Blog 10-Year Challenge (2013-2023) – Song No. 6
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On this date ten years back viz on 22 January 2013, six songs from six movies were covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 7383 | Main dekhoon tohe din raati | Naina (1953) | 3 songs covered out of 7 by now |
| 7384 | Jaani re hum jaani re | Saanwariya(1949) | 8 songs covered out of 10 by now |
| 7385 | Sab din hot na ek samaan | Senapati(1961) | 2 songs covered out of 7 by now |
| 7386 | Ham pyaar ki baazi haare | Sazaa (1951) | Movie YIPPEED with this song |
| 7387 | Mera antar ek mandir hai tera | Tere Mere Sapne (1971) | Movie YIPPEED by now |
| 7388 | Maine tumko chaaha pehli baar | Double Cross (1973) | 2 songs covered out of 5 by now |
We observe that two movies (out of six movies) whose songs were covered ten years ago on this date (viz 22 January 2013) have since been YIPPEED. That leaves us with four movies that are eligible for Blog Ten Year Challenge today (22 January 2023).
Chronologically, “Sanwariya”(1949) is the oldest among the BTYC eligible movies.
“Saanwariya”(1949) was directed by Nasrat A Mansoori for Filmistan, Bombay. The movie had Rehman, Hafeez Jehan, Veera, S.L.Puri, Leela Mishra, Nasrat A Mansuri, Haroon, Hamid Butt etc in it.
The movie had ten songs in it. As many as eight songs have already been covered in the blog.
Here is the ninth song from “Sanwariya”(1949) to appear in the blog. This song is sung by C Ramchandra and Shamshad Begam. P L Santoshi is the lyricist. Music is composed by C Ramchandra.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song were sent to me by Prakashchandra.
audio link:
Song-Tumhen hum yaad karte hain (Sanwariya)(1949) Singers-C Ramchandra, Shamshad Begam, Lyrics-P L Santoshi, MD-C Ramchandra
Lyrics(Provided by Prakashchandra)
tumhein maaloom ho maaloom ho o o
tumhein hum yaad kartey hain
tumhein hum yaad karte hain
miley ek baar phir ek baar phir r r
yehee fariyaad kartey hain
yehee fariyaad kartey hain
yaad kartey hain
yaad kartey hain
keh gayeen nazrein
jo kehnaa thhaa woh tumse keh gayeen
hasratein jo dil mein thheen
khaamosh ho kar reh gayeen
kyaa bataayein aen aen aen aen
kyaa bataayein
kaisey ab din ye guzartey hain
tumhein hum yaad karte hain
tumhein hum yaad karte hain
milein ek baar phir ek baar phir r r
yehee fariyaad kartey hain
yehee fariyaad karte hain
yaad kartey hain
yaad kartey hain
door ho hamse ke
jitnaa door hai woh aasmaan
paas ho hum se ke jitnaa aa
hai jigar ke paas jaan
dard samjhaa hai
tumhein aen aen aen
dard samjhaa hai
tumhein aur dil mein rakhte hain
tumhein hum yaad karte hain
tumhein hum yaad karte hain
milein ek baar phir ek baar phir r r
yehee fariyaad kartey hain
yehee fariyaad karte hain
yaad kartey hain
yaad kartey hain
Tu thahar abhi main aaya
Posted on: December 23, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5271 | Post No. : | 17280 |
Today’s song is a comedy duet from the film Jhamela-1953.
The song is sung by Chitalkar and Sunder Singh – the comedian. Many of you would be surprised if I tell you that in the beginning of his career, Sunder-the well known comedian was a Hero in many films. Not only this, but also that he was a good singer and he has sung as many as 40 songs in as many as 25 films !
In the world of Hindi cinema, there are many such surprises. Can you believe that the actor Ranjan ( Ramnarayan Venkataraman Sarma) was a highly qualified and educated editor of a Music and Dance Magazine in Madras and that he was selected for a film role by a producer, when he was seen by that Producer, when Ranjan was standing in a bus queue ? Ranjan was a Fencing champion of International Olympic standard.
Can you imagine that another comedian and a character actor Janakidas Mehra had represented India in 3 International sports meets as a Cyclist and an Athlete and that he was the only Indian to win the British Empire games Distinction medal ?
Can you believe that the child actor Shashi kapoor (Sr.) left his prospering film career after doing 21 roles in Hindi films and became a Maths professor in the Western Michigan University and taught for 30 years ?
Well, well,well ! I can write a full article, only on such wonders of film artistes. Like their Glory stories, artistes also had sad stories. Once a shining star in the industry some stars ended their lives in the most pathetic way. Music Director Bulo C Rani immolated himself and when the pain became unbearable, he ran on the road screaming for help and died finally falling on the road .
Singing prodigy Parshuram begged on road daily and died drunk on the road of Bandra. His body was burnt by the Municipality as an unclaimed and unknown person.
Actress and singer Vatsala Kumthekar became mad, lived on the road and one day died as an unknown beggar.
Actress singer Rattanbai and actor Wasti begged near the Haji Ali Darga and opposite Liberty Cinema in Bombay, in their last days.
Lalita Pawar, Nalini Jayawant and Parveen Babi died lonely and their bodies were discovered after 3-4 days, by their neighbours and relatives.
Coming back to Sunder Singh, let us see his short Bio… For a long time,I was searching for information on comedian Sunder. I got hold of a 2 page detailed article on Sunder, but it was in Punjabi- which I could not read or use. I found a small paragraph on Sunder in Sanjit Narvekar ji’s book ” Eena Meena Deeka”. Lastly, I requested Harish Raghuwanshi ji for help. Despite his failing health, he promptly sent me articles in Hindi, English and Gujarati, on Sunder. He is such a helpful person. May God give him a healthy life.
Sunder Singh aka Sunder was born in Sialkot, Punjab on 10th August 1916. His father was working in Madon Theatres, Calcutta. Sunder also started working there. Initially, for a long period,he did Girl’s roles. Once his work was seen by H.S.Rawail (Director in later life). He was quite impressed. Later Rawail started working with R.N.Vaidya as his assistant in direction.Meanwhile Sunder started working in Talkie films. His first film,where he was credited, was ” Na hone wali baat”-38. Before that, Rawail and Vaidya were preparing to make the film Banke Sipahi-37.Rawail recommended Sunder and Vaidya gave him an uncredited small role in that film.
Sunder and Rawail became good friends and started staying in one flat in Calcutta. After a few films here, they both went to Lahore and Sunder got the Hero’s role in the film ” Shukriya”-44. There were 4 Heroines in the film- Ramola, Rooplekha, Manorama and Raksha. Sunder’s role in this film was that of a young man from a village and Ramola was from a City. Sunder’s one song from this film-‘ Nayanon ke teer chala gayee ek shehar ki laundiya’ became very popular all over India, However the song was banned in Punjab due to its lyrics. After this they both came back to Calcutta.
His next film was Albeli-45, in which too there were 4 Heroines- Ramola, Rooplekha, Manorama and Usha. In the 40’s , Sunder acted in many films like Arabian Nights, Baap, Shabri, Chandrashekhar, Ek aurat, Grihalaxmi, Lottery, Samapti, Jhoothi kasme, Savyasachi, Do baaten, Shadi ke baad, Bawra, Khiladi, Nai Bhabhi etc. In Calcutta, Sunder got married to a girl from his community. Rawail left for Bombay. After a few months, Sunder also returned to Bombay.
Rawail was very happy to get him back and gave him roles in almost all of his films. Not only Rawail, but also J.Om Prakash, Mohan Kumar, Lekhraj Bhakri, Manoj kumar etc gave him roles in all their films and he became a busy actor. He was at one time, in great demand. He was quite popular due to his nature.In the decade of 50’s he did 88 films, which increased in the 60s and 70s. In the 80s however films came haltingly.
From singing Hero, he became a Junior artiste( extra), in presence of the new crop of actors. The role of comedians was on decline, as Heroes like Amitabh and others did comedy scenes themselves. His health started troubling him. His last film was probably Bahurani-89. He became ill for a long time and finally died on 5-3-1992. Sunder acted in 436 films. He was a good singer and sang his own songs in early cinemas. In all, Sunder sang 40 songs in 25 films. ( Thanks to Harish Raghuwanshi ji for material for adaptation.)
The Music Director of Jhamela-1953 was C.Ramchandra. He and Bhagawan were very good friends from 1936 onwards, when they had first met. That time CR was working under Music Director Meer Saheb, as a Harmonium player and his assistant and Bhagwan was acting in the films of Harishchandra Rao and Chandra Rao Kadam. They were masters in making stunt and action films. In Minerva Movietone of Sohrab Modi, CR worked under several MDs. First it was Bundu khan, then came Habib Khan. After this came B.S.Hoogan. CR learnt many things from Hoogan, especially how to play Indian ragas on western instruments as well as how to make tunes. After Hoogan came Meer Sahib. During the shooting of the film ‘ Bahadur Kissan’, CR and Bhagwan became friends.
With Bhagwan’s help, CR got 2 Tamil films as a M.D. and then made his Debut with Bhagwan’s film “Sukhi Jeevan” in Hindi as a Music Director ,in 1942. Thus they were thick friends till Jhamela-1953. All those years Bhagwan made stunt films and CR gave music to his films as “Anna Saheb”. Due to his encouragement and persistence, Bhagwan jumped into Social films with the film “Albela ”-1951. The film made history in music and a grand run as a film.Even today, the film draws crowds. This was the first film of bhagwan when CR gave music as “C.Ramchandra ” and not Anna Saheb.
CR described all this in his Marathi autobiography – माझ्या जीवनाची सरगम . This book, published in 1977 was never translated into Hindi or English. I ran a series of ” CR and Lata Songs” on this Blog from 30-1-2013 to 11-2-2013, in which I had translated his Marathi autobiography into English serially in each post.`Seeing this translation, many people suggested that I publish the English translation of the Marathi book. The book was copyrighted by the son and daughter of CR , who are practicing doctors in the USA. I always denied doing this, even though great pressure was put on me.
I believe, two years ago its Hindi version came out and last year the book was published in English, though with a different format and a different Title. I am a great fan of CR, but I feel that his autobiography details his sexepades more than his musical journey. In that context, it is a boring book.
Although Bhagwan’s first Social Film Albela became a great Hit giving him name, fame and money, Bhagwan could never repeat this success ever in his life again. He tried all possible ways, conjuring the same team of actors,Lyricist and MD but success always eluded him. More than anything these attempts drained him of his reputation and riches. He had to sell his 7 cars and 4 bungalows and go back to his old Chawl life in a 2 room house. His age was increasing and he landed up doing small,insignificant roles like an ‘Extra’.
Jhamela-53 also became the cause of an unrepairable rift between Bhagwan and CR. CR also lost the companionship of Lata Mangeshkar and his friend Rajinder krishen within the next few years. This is life in the Film Line !
Today’s song is a comedy and fun song between two friends. Enjoy…..
Song- Tu thahar abhi main aaya (Jhamela)(1953) Singers-Chitalkar, Sunder Singh, Lyricist- Rajendra krishna, MD- C.Ramchandra
Lyrics
Tu thahar abhi main aaya
manzoor
Tu thahar abhi main aaya
paape tu thahar abhi main aaya
ho ho tu thahar
abhi main aaya,/em.
Tu thahar abhi main aaya
Tu thahar abhi main aaya
aha
Tu thahar abhi main aaya
nahin
Tu thahar abhi main aaya
paape
Tu thahar abhi main aaya
achcha
arre der na karna bhaiyya
bas abhi gaya
abhi aaya
thank you
Tu thahar abhi main aaya
Tu thahar abhi main aaya
mujhe chhod ke jaa na akela
ho jaaye na koi jhamela
mere paas bahut hai rupaiyya
arre zara jaldi aana
bhaiyya
main pardesi ghabraaya
haa haa
tu thahar abhi main aayapapa tu
manzoor
Tu thahar abhi main aaya
papa tu thahar abhi main aaga
lala tu theher abhi main aaya
meri jeb hai mera khazaana
santanan baje taraana
arre balidaan ki duniya
noton ki na jhalak dikhaana
main tu kehke ho pachhtaaya
haha
Tu thahar abhi main aaya
Tu thahar abhi main aaya
dhan daulat ek museebat
ye duniya bhar ki laanat
thhodi ho to bhookh lagaaye
ho bahut to neend na aaye
bhai ye to sach farmaaya
haha
tu thahar ahi main aaya
no
tu thahar abhi main aaya
bhaiyya
tu thahar abhi main aaya
lala
tu thahar abhi main aaya
pape
tu thahar abhi main aaya
arre der na karna bhaiyya
bas abhi gaya abhi aaya
thank you
- In: C Ramchandra Shamshad Begam duet | C Ramchandra songs as a singer | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Light hearted song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Shamshad Begam songs | Songs of 1940s (1941 to 1950) | Songs of 1949 | Yearwise breakup of songs
- 2 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5131 | Post No. : | 17086 |
Today’s song is a comedy duet from the film ‘Roshni’ (1949).
The film was made by Standard Pictures Corporation, Bombay. It was directed by Ramanlal Desai and the MD was C Ramchandra. The lyricist was PL Santoshi. The cast of the film was Rehana, Nihal, Pran, VH Desai, Mumtaz Ali, Sophia, Chand Barq, Indira, Shama, Zarine, Ishrat etc.
After making it in Hindi films as an MD for film ‘Sukhi Jeevan’ (1942), C Ramchandra had joined Jayant Desai productions on a salary of Rs. 300 pm. He gave successful films like ‘Bhaktaraj’ (1943), ‘Zaban’ (1943), ‘Lalkar’ (1944), ‘Manorama’ (1944) and ‘Samrat Chandragupta’ (1945), C Ramchandra felt that he deserved a salary increase. As Jayant Desai was not ready to increase it to his desire, he left the company. After a few months, with the help of Kavi Pradeep, C Ramchandra joined Filmistan, where he got what he wanted, namely salary of Rs. 1,000 pm and freedom to give music to outside films also.
While he continued with Filmistan, he reached his peak in career by giving hit musicals like ‘Safar’ (1946), ‘Shehnai’ (1947), ‘Sajan’ (1947), ‘Nadiya Ke Paar’ (1948), ‘Khidki’ (1948), ‘Patanga’ (1949), ‘Sargam’ (1950) and many more. Meanwhile he was giving music to films of other production companies, but managing a proper balance with Filmistan films. ‘Roshni’ (1949) was also one such film.
Taking a look at the cast, I found 3 actresses of interest, about whom not much is known to common lovers of old films and music. The first was Shama. During the period of 1930’s and the 1940’s, there were 3 actresses with the name Shama or Shyama. The first of them was Shyama Zutshi, second was Shama Dulari and the third was actress Shyama, who ruled in the 50’s and the 60’s with over 160 films.
Shyama Zutshi was the first Kashmiri Girl who joined films in 1934. She acted in many films, some of which are :-
1 ‘Vishnu Bhakti’ in 1934
2 ‘Laila Majnu’ in 1935
3 ‘Khooni Jadugar’ in 1939
4 ‘Kaarwaan e Hayaat’ in 1935
Shyama Zutshi belonged to a well to do family of Lahore. Her father was a barrister. She was quite a successful and sought after actress but suddenly she moved out from films and focused on politics and freedom struggle. Shyama was a congress leader .
Another reason for her to quit films was the presence of a fellow Kashmiri Actor Chander Mohan Wattal. Chander Mohan would always tell her to quit as according to him acting in films was not meant for girls from good families . Chander Mohan Wattal opposed the entry of Kashmiri girls to films .
The second was Shama Dulari. Not much is known about her personal life. Shyama Dulari hailed from a small city of Madhya Pradesh. She was interested in acting and had acted in school and college dramas. After education, she came to Bombay and appeared for a screen test and interview at Filmistan. She passed the test, but did not like the salary that was offered.
She went to Poona and met WZ Ahmed of Shalimar Pictures. He was quite impressed with her and signed an exclusive contract for 3 years, offering her a very lucrative salary. However in the next two years she acted only in two films – ‘Meerabai’ (1947) and ‘Shehzadi’ (1947). Due to the contract, she could not work anywhere else also.
After 1947, when Ahmed migrated to Pakistan along with Neena, she came to Bombay. Jayant Desai signed her for the lead role in the film ‘Lakhpati’. Unfortunately, due to her father’s illness, she had to leave Bombay and go back to her native city in MP. She came back and tried to get work. She worked in films like ‘Rangeela Rajasthan’ (1949), ‘Shair’ (1949), ‘Roshni’ (1949), ‘Rooplekha’ (1949), ‘Naqli Baap’ (1949), ‘Jal Tarang’ (1949), ‘Ek Teri Nishani’ (1949), ‘Char Din’ and ‘Dolti Naiya’ (1950). Her last known film was ‘Babul’ (1950) wherein she did a small role.
No information after that. Problem was that at the same time the famous actresses Shyama (Khurshid Akhtar) and Shyama Dulari were in the film line. Shyama initially was acting under the names like Baby Akhtar, Baby Khurshid and Baby Shyama; whereas Shama Dulari was credited as Shama, Shama Dulari and sometimes Shyama also. I listed films in Shyama’s name and tried to see the credits of films which were available. Though very few films are available on You Tube, I tried to separate the films for Shama Dulari based on her credits and by conjuncture. Still there could be some errors, which will be corrected when proof comes up suitably.
The third was Shyama, too well known to write anything about. We all know her well.
The case of Shama Dulari was different. She was actually a victim of an intentional restrictive contract. When she signed a contract with WZ Ahmed of Shalimar Pictures, Poona, little did she know that she would rot there without work for 3 years ! The company used her only in 2 films – ‘Shehzadi’ (1947) and ‘Meerabai’ (1947). Rest of the time she was paid only half salary and legally she was prohibited from working elsewhere. It was only after Ahmed migrated to Pakistan, with Neena and without paying the staff salaries, she became a free bird.
Such cases were not uncommon in the Hindi film industry. This happened with actress Meena Shorey too (Lara Lappa girl) and Sohrab Modi, who demanded Rs. 60,000 from her to remove a legal case against her for breaking their contract and working in a Lahore film. It was with the intervention of Mehtab, that the amount was reduced to Rs. 30,000, which Meena had to pay through her nose to avoid legal action.
Same happened with Mrudula, the first heroine of Dilip Kumar in the film ‘Jwaar Bhata’ (1944). She had signed a contract with Devika Rani of Bombay Talkies for work in the films. However, after ‘Jwaar Bhata’, she did not get any film. After 1945 end, Devika Rani left Bombay Talkies, selling all her shares and getting married to Svetoslav Roerich, a Russian artiste, leaving Mrudula to rot for the remaining 3 years without work and thus spoiling her career.
This also took place with the firebrand actress Shanta Apte, when Prabhat Film company threatened her to take legal action if she worked in films of other companies, breaking their contract. She was a tough person. She staged a demonstration at the gates of Prabhat film company and also sat for Fasting (अन्न सत्याग्रह). Newspaper reporters were called, and for the fear of bad publicity, Prabhat compromised and relieved Shanta Apte unconditionally !
The third name in the cast is Indira (Wadkar). In the 40’s and 50’s, there were 3 Indira named actresses. Indira Wadkar, Indira Billi (heroine of some Punjabi films) and Indira Bansal – the fat comedienne. Hansa Wadkar’s father had three sisters, Kesharbai, Indirabai and Sushilabai. Sushila was married to Master Vinayak, a renowned actor-director of the early era of Indian cinema. The elder sister as well as Indira Wadkar were acting in films and Indira was a classical singer as well. Indira acted in several films including ‘Duniya Kya Hai’ (aka ‘Resurrection’) (1937) and in films of Vinayak’s production company Hans Films like ‘Devata’ (1939) in Marathi. Indira used the surname Wadkar to avoid using the family name Salgaokar, for fear of reprisal from society against women acting in films. Her older sister, Kesharbai, was working in a film made by MG Rangnekar and suggested that Indira Wadkar work in films to sustain her family. She acted in 11 Hindi films. She was a popular shrewish mother in law in Marathi films.
Today’s song is a comedy duet sung by Chitalkar and Shamshad Begum. Enjoy.
Song- Mere dil ka dil ka mere dil ka kabootar(Roshni)(1949) Singers-Chitalkar, Shamshad Begam, Lyrics-P L Santoshi, MD-C Ramchandra
Chitalkar + Shamshad Begam
Lyrics
mere dil ka dil ka
mere dil ka
o mere dil ka kabootar
tere chhajje pe bole
tere chhajje pe bole
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka
mere dil ka kabootar
tere gali ke karoon main sau sau phere
saanjh sawere
tere gali ke karoon main sau sau phere
saanjh sawere
duniya kahe tu laila hai meri
main tera majnu
duniya kahe tu laila hai meri
main tera majnu
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka mere dil ka
haan mere dil ka kabootar tere chhajje pe bole
tere chhajje pe bole
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka
mere dil ka kabootar
gali ke phere na kar more raja
ankhiyon mein aa jaa more raja
gali ke phere na kar more raja
ankhiyon mein aa jaa more raja
nazar bachaa ke main duniya se
palkon mein rakh loon
nazar bachaa ke main duniya se
palkon mein rakh loon
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka mere dil ka
haan mere dil ka kabootar
tere chhajje pe bole
tere chhajje pe bole
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka
mere dil ka kabootar
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
मेरे दिल का दिल का
मेरे दिल का
ओ मेरे दिल का कबूतर
तेरे छज्जे पे बोले
तेरे छज्जे पे बोले
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का
मेरे दिल का कबूतर
तेरी गली के करूँ मैं सौ सौ फेरे
साँझ सवेरे
तेरी गली के करूँ मैं सौ सौ फेरे
साँझ सवेरे
दुनिया कहे तू लैला है मेरी
मैं तेरा मजनूँ
दुनिया कहे तू लैला है मेरी
मैं तेरा मजनूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का
हाँ मेरे दिल का कबूतर
तेरे छज्जे पे बोले
तेरे छज्जे पे बोले
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का कबूतर
गली के फेरे ना कर मोरे राजा
अँखियों में आजा मोरे राजा
गली के फेरे ना कर मोरे राजा
अँखियों में आजा मोरे राजा
नज़र बचा के मैं दुनिया से
पलकों में रख लूँ
नज़र बचा के मैं दुनिया से
पलकों में रख लूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का
हाँ मेरे दिल का कबूतर
तेरे छज्जे पे बोले
तेरे छज्जे पे बोले
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का कबूतर
- In: C Ramchandra - Lata duet | C Ramchandra songs as a singer | Century songs for the blog | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest poster century song | Guest posts | Lata song | Lover's tête-à-tête | Lyrics contributed by readers | MD-Singer Song | Post by Arunkumar Deshmukh | Songs of 1950s (1951 to 1960) | Songs of 1953 | Yearwise breakup of songs
- 25 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is the 1,100th post by Arunkumar Deshmukh.
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Blog Day : |
5083 | Post No. : | 17006 |
POST NO. 1100 !!!!
Song- Kaho Ji Kaho Ji Kaho Ji, Kahin Tumse Hui Hai Mulaqaat (Jhamela) (1953) Singers – Lata Mangeshkar, Chitalkar, Lyricist – Rajendra Krishan, MD- C Ramchandra
Lata Mangeshkar + Chitalkar
Lyrics
kaho ji kaho ji kaho ji
kahin tumse hui hai mulaqaat
suno ji suno ji suno ji
hamen yaad nahin hai ye baat
kaho ji
kaho ji
kaho ji
jhoothe bahaane banaana
ye hai mardon ki aadat puraani
h h
aurat pe bharosa na karna
sun rakhi hai hamne kahaani
hato ji hato ji hato ji
mardon ki jhoothi hai zaat
suno ji suno ji suno ji
hamen yaad nahin hai ye baat
kaho ji
kaho ji
kaho ji
seekha kahan se ye tumne
raah chalte galey pad jaana
tum aise kahaan ke haseen ho
zara dho ke suratiya aana
achchha ji achchha ji achhha ji
tum to din ko bhi kehte ho raat
ja ja
suno ji suno ji suno ji
hamen yaad nahin hai ye baat
kaho ji
kaho ji
kaho ji
jaao bade tum wo ho
pachhtaaye tumhen munh laga ke
parvaah bhi yahan hai kisi ko
jaate ho to meri balaa se
aji bolo ji bolo ji bolo ji
ab kiski hui hai maat
suno ji suno ji suno ji
hamen yaad nahin hai ye baat
kaho ji
kaho ji
kaho ji
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
कहो जी कहो जी कहो जी
कहीं तुमसे हुई है मुलाक़ात
सुनो जी सुनो जी सुनो जी
हमें याद नहीं है ये बात
कहो जी
कहो जी
कहो जी
झूठे बहाने बनाना
ये मर्दों की आदत पुरानी
ह ह
औरत पे भरोसा ना करना
सुन रखी है हमने कहानी
हटो जी हटो जी हटो जी
मर्दों की झूठी है ज़ात
सुनो जी सुनो जी सुनो जी
हमें याद नहीं है ये बात
कहो जी
कहो जी
कहो जी
सीखा कहाँ से ये तुमने
राह चलते गले पड़ जाना
तुम ऐसे कहाँ के हसीं हो
ज़रा धो के सुरतिया आना
अच्छा जी अच्छा जी अच्छा जी
तुम दिन को भी कहते हो रात
जा जा
सुनो जी सुनो जी सुनो जी
हमें याद नहीं है ये बात
कहो जी
कहो जी
कहो जी
जाओ बड़े तुम वो हो
पछताए तुम्हें मुंह लगा के
परवाह भी यहाँ है किसी को
जाते हो तो मेरी बला से
अजी बोलो जी बोलो जी बोलो जी
अब किसकी हुई है मात
सुनो जी सुनो जी सुनो जी
हमें याद नहीं है ये बात
कहो जी
कहो जी
कहो जी
Gori ek baat sun badi mazedaar hai
Posted on: July 9, 2021
- In: "Nok-Jhonk" song | Blog Ten Year Challenge (2011- 2021) | C Ramchandra Shamshad Begam duet | C Ramchandra songs as a singer | Duet | expression of love | Feelings of heart | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sadanand Kamath | Shamshad Begam songs | Songs of 1940s (1941 to 1950) | Songs of 1949 | Yearwise breakup of songs
- 1 Comment
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4739 | Post No. : | 16463 |
Blog 10-Year Challenge (2011-2021) – Song No.30
——————————————————————
In Hindi film industry, the experiences of lyricists turning producer/director have not been generally good barring very few exceptions like P L Santoshi and Gulzar. Dr. Safdar Aah Sitapuri, after successfully writing lyrics for 25 films during 1939-1945, turned director with ‘Bhook’ (1946). The film flopped at the box office. With this, he reverted to song writing until 1954 when he directed ‘Maan’ (1954). This film also flopped. After this, he went back to his teaching profession.
Nakshab Jarchvi, who started his filmy career as lyricist in 1945, turned producer-director with ‘Nagma’ (1953) which was a successful film at the box office, He produced and directed his next, ‘Raftaar’ (1955) which flopped. Next, he directed ‘Zindagi Ya Toofaan’ (1958) which did not do well on the box office front. After this film, he migrated to Pakistan.
Ishwar Chand Kapoor directed two films – ‘Chaand Sitaare’ (1948) and ‘Tarang’ (1952) after which he was absent from Hindi film industry between 1952-57 to resurface as lyricist in 1957. J S Kashyap, the writer and lyricist, directed the only film ‘Anyaya’ (1949). Bharat Vyas, after directing his first film, ‘Rangeela Rajasthan’ (1949), refrained from directing any film thereafter. Aziz Kashmiri directed his first film, ‘Sabz Baag’ (1951). After about a decade, he directed his second and the last film, ‘Pathan’/’Rang Raliyaan’ (1962). Both the films were failures at the box office.
The hardship experienced by Shailendra when he produced ‘Teesri Kasam’ (1966) is well known. Jaan Nisar Akhtar produced ‘Bahu Begum’ (1967). Despite having top actors and excellent music, the film failed at the box office. Probably, he may have realised that producing a film was not his cup of tea. He, therefore, concentrated only on song writing thereafter. There may be some more examples of lyricists turning producer/director and failed. Kavi Pradeep was one among them.
Kavi Pradeep started his career as lyricist with Bombay Talkies and wrote lyrics for six films between 1939-43. The tremendous success of ‘Kismet’ (1943) with its songs, all written by Kavi Pradeep becoming very popular, took his career as a lyricist took a great height. In 1943, because of the internal rift, Ashok Kumar, Shashdhar Mukherjee, Gyan Mukherjee, Rai Bahadur Chunnilal and a few more left Bombay Talkies to form Filmistan. Kavi Pradeep also joined them with a 5-year contract.
‘Chal Chal Re Naujawaan’ (1944) was the first film produced under Filmistan banner whose all songs were written by Kavi Pradeep. The film failed at the box office. It appears that after this, Kavi Pradeep was sidelined in Filmistan. Except for ‘Shikari’ (1946), Kavi Pradeep did not get to write songs for Filmistan’s other films like ‘Mazdoor’ (1945), ‘Eight Days’ (1946), ‘Do Bhai’ (1947), ‘Nadiya Ke Paar’ (1948) and ‘Shaheed’ (1948). Since he was under contract with Filmistan and was almost inactive, Kavi Pradeep wrote for films made outside Filmistan such as ‘Kadambari’ (1944), ‘Amrapali’ (1945), ‘Sati Toral’ (1947) and ‘Veerangana’ (1947) under an assumed name of ‘Miss Kamal B.A.’
After the end of his contract period with Filmistan in 1948, Kavi Pradeep became a freelancer. During this period, he decided to turn producer with a newly set up film production company, Lokmanya Productions along with Amiya Chakrabarty and produced the first (and the last) film, ‘Girls’ School’ (1949) which was directed by Amiya Chakrabarty. The film’s star cast included Geeta Bali and Sohan in lead role with Sajjan, Shashikala, Ram Singh, Mangala, Vimala Vashisht, Haroon, in subsidiary roles.
The film’s synopsis is as under:
Meena (Geeta Bali) leaves home when she is forced to accept an arranged marriage. She comes to a village and set up a girls’ school which is opposed by local landlord. Bipin (Sajjan), the landlord’s brother-in-law has an eye on Meena. The school is in need of a teacher. In response to an advertisement, Shanti Kumar Majumdar appears for an interview and gets selected as teacher in the girls’ school. The landlord’s widowed sister Sumitra Devi (Vimla Vashisht), a supporter of the school, objects because he is not married. Meena and Shanti Kumar fall in love but he realises the damage he may cause to her school and leaves. Bipin then spreads rumours about Shanti Kumar’s morals, which cause a further difficulty that has to be resolved before both the future of the school and of the loving couple may be assured. (Source: https://indiancine.ma/FLM).
The film failed miserably at the box office and Kavi Pradeep lost his good amount of money which probably made him realised to settle for only the song writing for the rest of his life. Amiya Chakravarty started his own banner ‘Mars & Movies’ and successfully produced and directed films like ‘Daag’ (1952), ‘Patita’ (1953) and ‘Seema’ (1955).
‘Girls’ School’ (1949) had 9 songs of which 7 songs have been covered in the Blog, details of which are given below:
| Sr. No. | Details of Songs | Date of Posting |
|---|---|---|
| 1. | Tumhi kaho mera man kyun rahe udaas nahin | 25/04/2011 |
| 2. | Baar baar tum soch rahi ho…chaar din ki chaandni hai | 09/07/2011 |
| 3. | O shahar ke baanke baaboo…zara dil pe rakhiyo qaaboo | 19/05/2015 |
| 4. | Kuchh sharmaate huye aur kuchh saham saham | 06/02/2016 |
| 5. | Raam bharose meri gaadi | 25/10/2016 |
| 6. | Danke ki chot par kehta hoon main | 11/12/2017 |
| 7. | Phoolon ka sapna dekhne waalon | 01/05/2021 |
Generally, Kavi Pradeep was known for his patriotic, inspirational and religious songs. In ‘Girls’ School’ (1949), he had written some light-hearted songs such as songs at Sr. Nos. 4 and 6 in the above table. I am presenting one more light-hearted song, ‘gori ek baat sun badi mazedaar hai’ from the film sung by Chitalkar (C Ramchandra) and Shamshad Begum. The song is set to music by C Ramchandra. I had uploaded the video of the song more than 4 years back with a view to posting the song on the Blog. It is only today, the song got a muharat to be presented under ‘Blogs 10-Year Challenge (2011-2021)’.
Enjoy this ‘nok jhok’ song.
Lyrics of the song were provided by Prakashchnadra.
Audio Clip:
Song-Gori ek baat sun badi mazedaar hai (Girls’ School)(1949) Singers-C Ramchandra, Shamshad Begam, Lyrics-Kavi Pradeep, MD-C Ramchandra
Both
Lyrics(provided by Prakashchandra)
gori ek baat sun
badi mazedaar hai
kyaa
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai
piya tum kitne samajhdaar ho
ha ha
kaun kehta hai ki tum ganwaar ho
kyon gori kaisi kahi
badi mauke ki rahi
magar ye baat tumhaari nahin
magar ye baat tumhaari nahin
udhaar hai
haain
teri takraar mein bhi
uun hoon
teri akal se das guni hai gori
mujh mein akal
zara sheeshe mein dekho apni shakal
jyaada bak bak mat kar
jyaada bak bak mat kar
bas ho jaa chupchaap
baap re baap
ghadi ghadi mujhko sata mat
lagega paap
baap re baap
mere bhagwaan bata…aa
mere bhagwaan bata
ye kya chamtkaar hai
mera baalam hai
ya police ka zamadaar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai
aaj se sun papeeha
aaj se sun papeeha
teri meri kutti
apne naihar ko chali ja
hai tujhe chhutti
aisa mat bolo piya
dhak dhak hoye jiya
aisa mat bolo piya
dhak dhak hoye jiya
phir kaahe ko akadti
meri sarkaar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai
teri meri preet gori
kabhi nahin chhoote
kabhi nahin chhoote
hato ji hato balam
hato ji hato balam
tum ho bade jhoothe
meri dugdugi baje dug dug
o mere saiyyaan jio jug jug
meri dugdugi baje dug dug
o mere saiyyaan jio jug jug
tera mera jhagda mita
ab to beda paar hai
tera mera jhagda mita
ab to beda paar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4469 | Post No. : | 15964 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part III: 1950
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So, we come to the year 1950. Lata Mangeshkar had announced her arrival on HFM scene in 1949. That year also marked the beginning of the golden era of HFM, which lasted till 1980.
Here are the details of the songs that Lata Mangeshkar sang in HFM in movies that were released in 1950:-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aadhi Raat | Husnlal Bhagatram | 6 | 6 | 5 | 1 | 0 | 0 | Asad Bhopali (3) Sarshar Sailaani (2) Khumar Barabankvi (1) |
| 2 | Anmol Ratan | Vinod | 7 | 7 | 5 | 2 | 0 | 0 | D N Madhok |
| 3 | Apni Chhaaya | C Ramchandra | 1 | 2 | 1 | 1 | 0 | 0 | P L Santoshi |
| 4 | Aarzoo | Anil Biswas | 5 | 5 | 5 | 0 | 0 | 0 | Majrooh Sultanpuri (3) Prem Dhawan (2) |
| 5 | Baawra | Krishn Dayal B Sc | 2 | 2 | 2 | 0 | 0 | 0 | Raghupat Rai (1) Gafil Harnalwi (1) |
| 6 | Baabul | Naushaad | 3 | 3 | 2 | 0 | 1 | 0 | Shakeel Badayuni |
| 7 | Beqasoor | Anil Biswas (4) Hansraj Bahl (2) | 6 | 6 | 4 | 2 | 0 | 0 | Ehsan Rizvi (4) Aarzoo Lucknowi (2) |
| 8 | Bhai Bahan | Shyam Sundar | 1 | 1 | 1 | 0 | 0 | 0 | Rajinder Krishan |
| 9 | Birha Ki Raat | Husnlal Bhagatram | 2 | 2 | 1 | 1 | 0 | 0 | Sarshar Sailaani |
| 10 | Chhoti Bhaabhi | Husnlal Bhagatram | 4 | 5 | 3 | 2 | 0 | 0 | Qamar Jalalabadi |
| 11 | Chore | Pt Govindram | 3 | 4 | 3 | 0 | 1 | 0 | Rammurty Chaturvedi (3) I C Kapoor (1) |
| 12 | Gauna | Husnlal Bhagatram | 0 | 1 | 1 | 0 | 0 | 0 | Qamar Jalalabadi |
| 13 | Hamaari Beti | Snehal Bhatkar | 1 | 3 | 3 | 0 | 0 | 0 | Pt Phani (1) Unknown (2) |
| 14 | Hanste Aansoo | Ghulam Mohammad | 1 | 1 | 0 | 1 | 0 | 0 | Shewan Rizvi |
| 15 | Hanste Rahna | Wadhwa | 0 | 1 | 1 | 0 | 0 | 0 | Unknown |
| 16 | Khel | Sajjad Hussain | 2 | 2 | 2 | 0 | 0 | 0 | Saaghar Nizami (1) Shams Azimabadi (1) |
| 17 | Khilaadi | Hansraj Bahl | 1 | 1 | 1 | 0 | 0 | 0 | Nakshab |
| 18 | Laajawaab | Anil Biswas | 5 | 9 | 4 | 2 | 1 | 2 | Prem Dhawan (4) Shekhar (2) Safdar Aah Sitapuri (2) |
| 19 | Maang | Ghulam Mohammad | 4 | 5 | 3 | 1 | 1 | 0 | Sagheer Usmani (2) Nizaam (1) Raja Mehdi Ali Khan (1) Prakash (1) |
| 20 | Mashaal | S D Burman | 2 | 2 | 2 | 0 | 0 | 0 | Kavi Pradeep |
| 21 | Meena Baaazaar | Husnlal Bhagatram | 6 | 6 | 1 | 5 | 0 | 0 | Qamar Jalalabadi |
| 22 | Meharbaani | Hafeez Khan | 1 | 5 | 2 | 2 | 1 | 0 | Anjum Jaipuri (2) Mashhar (1) Khawar Zamaan (2) |
| 23 | Niraala | C Ramchandra | 5 | 5 | 5 | 0 | 0 | 0 | P L Santoshi |
| 24 | Nirdosh | Shyam Sundar | 1 | 1 | 1 | 0 | 0 | 0 | Asad Bhopali |
| 25 | Pardes | Ghulam Mohammad | 6 | 6 | 5 | 1 | 0 | 0 | Shakeel Badayuni |
| 26 | Pyaar Ki Manzil | Husnlal Bhagatram | 3 | 6 | 4 | 1 | 1 | 0 | Shewan Rizvi (4) Rajinder Krishan (2) |
| 27 | Raaj Mukut | Pt Govind Ram | 1 | 4 | 2 | 1 | 1 | 0 | Bharat Vyas |
| 28 | Raaj Raani | Hansraj Bahl | 1 | 2 | 2 | 0 | 0 | 0 | D N Madhok |
| 29 | Samaadhi | C Ramchandra | 3 | 3 | 2 | 0 | 1 | 0 | Rajinder Krishan |
| 30 | Sangeeta | C Ramchandra | 8 | 8 | 7 | 1 | 0 | 0 | P L Santoshi |
| 31 | Sangraam | C Ramchandra | 5 | 5 | 3 | 1 | 1 | 0 | Brajendra Gaud (2) Raja Mehdi Ali Khan (2) P L Santoshi (1) |
| 32 | Sargam | C Ramchandra | 9 | 9 | 2 | 4 | 1 | 2 | P L Santoshi |
| 33 | Sartaj | Husnlal Bhagatram | 2 | 6 | 3 | 1 | 2 | 0 | Majrooh (4) Partab (1) Shewan (1) |
| 34 | Shaadi Ki Raat | Pt Govind Ram | 0 | 2 | 2 | 0 | 0 | 0 | Sarshar Sailaani (1) Feroz (1) |
| 35 | Surajmukhi | Husnlal Bhagatram | 1 | 2 | 0 | 1 | 1 | 0 | Aabid Gulrej |
| 36 | Wafa | Vinod | 3 | 5 | 3 | 1 | 1 | 0 | Hasrat Jaipuri(3) Aziz Kashmiri(2) |
| Total | 36 movies | 15 MDs | 111 | 143 | 93 | 32 | 14 | 4 | 40 lyricists |
Thus we can see that Lata Mangeshkar sang 143 songs under the music direction of 15 Music composers in 1950.
But during those days no one knew what future had in store. If one thinks about it, Geeta Roy was also doing very well. During 1949, she sang 103 songs while Lata Mangeshkar had sung 157 songs 143 songs. In 1950, Geeta Roy sang 166 songs ! More than what Lata Mangeshkar sang in the year ! So, it was Geeta Roy who was ahead of Lata Mangeshkar in 190s in the race for the leading female playback singer of HFM.
Out of 36 movies of 1950, all Lata songs of as many as 20 movies have already been covered. So, only 16 movies of 1950 can be taken up for discussing a Lata song in the blog.
“Apni Chhaayaa”(1950) is alphabetically the first such movie of 1950. This movie was directed by P L Santoshi for Chitralaya Limited, Bombay. This “social” movie had Sulochana Chatterjee, Balwant singh, Radhakishan, Mumtaz Ali, Sajjan, tiwari, Ram Singh, Dulaari, Mona, Neelam, Satyarani, Jawahar Kaul, Bab Raja, Narbada Shankar, Karadkar, Niranjan, Madan singh, Cuckoo etc in it.
The movie had ten songs in it, including two Lata songs. Four songs from the movie, including one Lata solo (incorrecly mentioned in HFGK as a Lata Chitalkar duet), namely Andhiyaare ghar mein jyot jali has been covered in the blog.
Here is the second and final Lata song from “Apni Chhaayaa”(1950) to appear in the blog. This song is sung by Lata and Chitalkar. P L Santoshi is the lyricist.
The movie had two music directors, via=z Husnlal Bhagatram Nd Hanuman Prasad. HFGK mentions two songs as Hanuman Prasad composion and is silent about the music directors of other movies. Here I have assumed Husnlal Bhagatram as the music director of the song.
Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Ae jee bade bade mahlon se wo ghar bhale (Apni Chhaaya)(1950) Singers-Lata, C Ramchandra, Lyrics-P L Santoshi, MD-Husnlal Bhagatram
Both
Lyrics
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
ae jee bade bade
un mehlon pe laanat
un mehlon pe thhoo
un mehlon pe thhoo
jin ki deewaaron mein daulat ki boo
aji daulat ki boo
jo dukhiyon ke aahon se ban ke khade
jo dukhiyon ke aahon se ban ke khade
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
Ae jee bade bade
daulat jahaan hai wahaan laakhon beemaari
laakhon beemaari
laakhon beemaari ki ek hai beemaari
ek hai beemaari
jis mein ghul ghul ke rahne waale maren
jis mein ghul ghul ke rahne waale maren
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
Ae jee bade bade
o jee duniya se door kahin ambuwa tale
duniya se door kahin ambuwa tale
chhoti hamaari madhhaiyya bane
tum Radha bano
tum Radha bano
ham Kanhaiyya banen
jahaan preet ki paavan jamuna bahe
aur prem ki mohan bansi baje
Ae jee bade bade
Ae jee bade bade mehlon se wo ghar bhale
jinmein nanha sa preet ka deepak jale
Ae jee bade bade
Dhak dhak dhak dhak kare dil
Posted on: September 9, 2020
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4436 | Post No. : | 15875 |
Today’s song is from the film Baraati-54. This is a comedy song sung by Chitalkar and the MD is Roshan. The director was J.K.Nanda and the cast was Chand Usmani, Peace Kanwal,Agha, Omprakash, Shyam Kumar, Leela Mishra, Johnny Walker, Rajan Haksar, Kathana and many others.
The director J.K. Nanda aka Jai Kishen Nanda was born in 1904, in Bham, Punjab. He was a director, story writer and screenwriter. In spite of all these qualities and having got good films to direct, Nanda could not have a crowded career and directed only 12 films in his career. He wrote screenplay and story of films like Jailor-1938, Singaar-49, Baraat-54 and Mirza Ghalib-54. Films of his direction were Pavitra Ganga-32, Inteqaam-33, Bahen ka Pyar-35, Kudmai-41, Ishara-43, Jhumke-46, Parwana-47, Singaar-49, Chamkee-52, Baraati-54, Dhake ki Malmal-56 and Chaalaak-66.
Out of the total 8 songs of this film, 6 songs are already posted here. Today’s song is the 7th song and the 8th song is also available freely on YT. If one of us discusses that, this film too can be Yippeed.
Though this films’ songs are not composed by C Ramchandra, he has sung this song for Roshan. This is because Chitalkar was very fond of singing. From his childhood his interest was in music and singing. He had actually been trained by qualified singers. He had done singing roles in stage dramas also in his younger age. Even in his first ever film ” Naganand-35″ he had sung 2 songs. Though the actual number of his songs-sung by him- is not available, according to one estimate ,he sang about 150 duets or trios with various singers and about 50 odd solo songs in his career, in 77 films. This number is as good as any second line singer in the industry. Of course Chitalkar sang essentially for his own films. However there were occasions when he was invited by other composers for singing songs.
In those days there was a friendly atmosphere and cordial relations existed among the musical fraternity. All composers, singers, their assistants, lyricists, musicians used to have a lot of fun, get-to-gethers and even outings. One can find many such photographs on the Internet. Though there was keen competition, it was very healthy and not a Cut-Throat type – yet. This clean atmosphere started getting spoiled when some conniving composers (read Shankar Jaikishan, Laxmikant Pyarelal and others of their ilk) started unethical means to grab undeserving awards and films. Honest and True to music composers like S D Burman, C Ramchandra, Madan Mohan, Khayyam etc were thrown aside as they proved to be misfits in this new ” Dog Eat Dog ” culture that crept stealthily, in the film industry !
Anyway, Chitalkar sang in films composed by other Music Directors very selectively and for the sake of specific reasons. He seems to have sung for Mir Sahib (his first Guru), Anil Biswas(his idol),S D Burman, Roshan(his close friend), P.Ramakant, Chic Chocolate(his assistant of many years), Hemant Kumar, Laxmikant Pyarelal,Usha Khanna and Kishore Kumar. He sang for the last three in his last few years.
His songs with other Music Directors may not exceed 15 at the most. Lata sang hardly 2-3 songs as duets with him, for other music directors. Remaining of his duets for other music directors were with other singers.
I feel that he sang only ONE duet with Asha Bhonsle for other Music Directors and that song is from today’s film Baraati-54.
Anyway, today’s song is from Baraati, a film from 1954 and the Music Director was Roshan. At this juncture, Roshan was fighting for survival. After Bawre Nain and Malhar he had not given any Hit film. Few songs from his films had become popular. In 1954, he was summarily removed from the film MEHBOOBA and O P Nayyar took over . There was a huge hue and cry and the matter was taken up by the Association too. One good thing that happened was that during this period Lata stood behind Roshan like a Rock. Their relations were extremely sweet, so much so that when Lata decided to produce a Film “Bhairavi”, she appointed Roshan as its Music Director, much to the amazement of the industry ! The film did not materialise, is another matter. Though Roshan was never a Front row composer in the industry, Lata had recognised his Talent in the musical arena. The sweet relations between Lata and Roshan remained so for a long time-only to become bitter when Roshan gave opportunities to Hemlata in his films.
Chitalkar and Roshan were very good friends. After Chitalkar had retired from films, Roshan used to frequently go to his house in the evenings for drinks. Though Roshan hardly drank anything, Chitalkar more than compensated the deficit!. They used to exchange their sorrows. Roshan’s family life was not a happy one, which added to his nervous nature and took its toll finally.
Initially BARAATI-1954 was given to Chitalkar, who was already doing Yasmeen for Kardar Studios. Since Chitalkar knew that Roshan was without work, he persuaded A R Kardar to give the film to Roshan, thus Roshan became the Music Director for this movie.
When this song of Baraati-54 was to be recorded, Roshan purposely opted for Asha, since he knew that in future Chitalkar would try to bank upon her as a replacement for Lata. However it was not to be, though Chitalkar tried his best in this direction. In the film Amardeep-58, out of 12 songs,Asha was given 7 songs while Lata sang only two. In this connection there is an interesting incident….
In January 1957,there was a singing competition called ” MURPHY-METRO SINGING CONTEST ” held on the open grounds of Mahalaxmi Racecourse, Bombay. The judges were Naushad, Anil Biswas, C Ramchandra, Vasat Desai and Madan Mohan (He was the youngest of them all, which was an honour for him). Aarti Mukherjee and Mahendra Kapoor were the winners in this contest.
At the end of the Contest,when the curtain opened after a break, C Ramchandra suddenly appeared at the Centre-stage, with his full orchestra. (This was NOT announced to the audience earlier, giving them a pleasant surprise.)
Within minutes Asha Bhonsle appeared on the stage and they started a live show under his baton, presenting the First ever ROCK N ROLL number in the annals of Hindi film Music. Asha brought down the whole Mahalaxmi house that evening with her ultra spirited singing of ‘ Mr. John, ya Baba khan ya Lala Roshan daan ” from film BAARISH-57 to be released only next month viz. February 1957.
Such was C Ramchandra’s clout in his heydays that he was considered the heralder of westernised music in Indian films. It is well known that once S D Burman told his son, Pancham “If you want to go western, do it by all means, but first study the songs of C Ramchandra,study the vistas explored by him as a composer !!”
In the film Baraati-54, there were two Heroines – Chand Usmani and Peace Kanwal. For both of them, this was their second movie in their career. Peace Kanwal had a very short career of only 10 films. Then she got married and quit films. Chand Usmani survived for a longer period. She did 109 films. Her last film was a record-delayed film. Started in 1987, the film Yaar meri zindagi finally released in 2008 !
Chand Usmani was one of those actresses, who were good in acting but poor in good luck ! Actresses like Farida Jalal, Tabassum, Shubha Khote, Nazima, Zahira,Zahida, Yashodhara katju and many more fell in this category. These actresses never made upto regular Heroine roles, more than a few films. They had some beginner’s luck but that was the end. They continued in side roles only.
Chand Bibi Khanam Usmani was born on 3-7-1933 in Agra, U.P.and came to limelight by participating in ‘Kardar-Kolynos-Teresa Contest’ in 1949.She felt surprised when she was selected for the contest and overjoyed when selected as the second in the finals.She acted as the female lead of ‘Jeevan Jyoti’ directed by Mahesh Kaul in 1953, opposite Shammi Kapoor.It was the debut film of Shammi Kapoor also.
Chand Usmani became an established actress later on, but she got only secondary roles which she performed always nicely.Gradually she accepted supporting roles,character roles,mother roles etc.She got Filmfare Best Supporting actress award for her portrayal of the character as ‘Champa’ in the 1970 film ‘Pehchan’.
Chand Usmani acted in films of all prominent actors of that period.
In 1957 in the film ‘Naya Daur’ directed by B.R.Chopra, and in which Dilip Kumar-Vyjayantimal were the main pair, Chand Usmani acted as sister of the hero Dilip Kumar’s character ‘Shankar’.
In the historical film ‘Samrat Pritviraj Chauhan’ she acted in the role of Rajkumari.
‘Prem Patra’ was a well noted film directed by Bimal Roy in 1962.A medical College student Arun Kumar Mathur(Shashi Kapoor) has a misunderstanding over a love letter and the consequences were the theme of the film.Sadhna was the heroine and Chand Usmani acted in the supporting role as ‘Sumitra’.
‘Biswajeet,Saira Banu,Jayant,Sajjan,Nazima,Chand Usmani’ etc were the cast of ‘April Fool’ directed by Subodh Mukherjee.This film pointed to the fact that sometimes even practical jokes done for just fun can also lead to unexpected serious problems.
In the super hit film ‘Khilona’ in which Sanjeev Kumar acted in leading role in 1970, Chand Usmani acted as the character Laxmi Singh.
In the film ‘Ujala Hi Ujala'(74), she portrayed mother’s role and acted as mother of Yogita Bali’s character Anuradha.
She presented excellent acting skills along with Shabana Azmi in the 1976 classic movie ‘Kadambari’.
In the 1977 super hit movie of Manmohan Desai ‘Parvarish’ in which Amitabh Bachchan,Shammi Kapoor,Neetu Singh,Shabana Azmi,Vinod Khanna,Amjad Khan,Kader Khan’ etc acted, Chand Usmani acted skilfully as the mother of Neetu and Shabu (Neetu Singh and Shabana Azmi).
She had a well noted character role in another super hit film of Amitabh Bachchan-Neetu Singh pair ‘Yaarana’ in 1981 and yet another film ‘Pukar'(83) in which Amitabh Bachchan and Zeenat Aman were the main pair.
She acted as mother of Suraj (Raj Babbar) in the film ‘Zakhmi Aurat'(88). In all, she acted in 109 films. Her first film was Jeewan Jyoti-53 and the last released film was a record delayed film, Yaar meri zindagi, which started in 1987 and was released in 2008 !
Chand Usmani died on 26-11- 1989 at Mumbai.
As far as Peace Kanwal is concerned, film Kismet-56 was her third and last film as a Heroine. When the film was released, she was pregnant and delivered in 1957. Later she did only side or character roles in films. As such, her tenure in films was not very long. she just did 10 films in all.
She was born on 16th December ( she never told the year of her birth). Her father was a doctor in a Mission Hospital in Agra. He had his private Hospital in Amritsar also.He was related to the Royal families of Jaipur and Jodhpur. He converted to Christianity and changed his old name Indriyas to Andrew Kanwal.
Peace studied in Amritsar, Lahore, Rawalpindi and Delhi. She got admission in Ludhiana Medical college.In the vacations after her first year MBBS, she visited Bombay. Due to persuasion from a newly acquired friend, Peace participated in the ” Kardar Kolynos Talent Contest”. She won the contest (Chand Usmani was second. Shubha khote and Anita Guha too competed in the contest).
A R Kardar signed a 2 year contract with Peace for Kardar Studios. Her debut film was ” Dil E Nadaan ”-53 in which Talat Mehmood also made a Debut as a singer Hero, opposite her. The film was a musical hit. her second film was ” Baraati”-54, opposite Agha. On the sets of this film, she got introduced to Susheel Ruia and soon they got married in 1955. Her name after marriage was Rajashri.
Her third film was Kismat-56, opposite Ranjan. In 1957, she gave birth to her first child and took a break from working. Later she started doing character roles. Her husband was against her working in films. They divorced in 1968. She engaged herself in a lot of social work and painting,her hobby. Her Paintings were in great demand and she held exhibitions of her paintings in India and the USA as well as in Australia.
In 1976, she was introduced to Mr. V.Ramesh, grandson of ex-president V.V.Giri. She married him in 1977. Presently, she stays in Juhu, Mumbai and is into social work and paintings upto her neck. She worked in Dil e Nadaan-53, Baraati-54, Kismat-56, Nai maa-60,Maa Baap-60, Barsaat ki raat-60, Aarti-62, Chambal ki kasam-80, Aasmaan-84, and Woh subah kabhi to aayegi-91 ( adapted from interview on Beetehuedin.blogspot.com, with thanks).
The story of the film Baraat was…..Lajo (Chand Usmani) is a homely girl. She has no father and stays with her widowed mother and brother Sunder (Agha). Her mama-Bishen Das(Omprakash) and Mami (Leela Mishra) also stay in the village. Lajo’s mother depends upon Sunder and Mama Bishen for finding a groom for Lajo. Sunder starts visiting prospective grooms, but at one place, falls in love with a girl and marries her. When he and the new Bride Pilu (Peace Kanwal) come home, they are not allowed to enter unless Sunder finds a suitable match for Lajo. Sunder and Bishen start the mission again and finalise a boy, Atmaram, son of a rich Zamindar, Girdharilal(Shyam Kumar),who is very stingy and money minded. He puts many conditions which are all accepted. The marriage takes place, but Girdharilal makes additional demands and refuses to take the bride into his house. Lajo is devastated and attempts suicide, but Bishen Das saves her. He suggests that Lajo win back her husband by her love. She succeeds in doing this and Atmaram rebels against his father,takes Lajo into his home and the father relents.
Song-Dhak Dhak kare dil…Jhatpat pat jhat aake mil (Baaraati)(1954) Singer-C Ramchandra, Lyrics-D N Madhok, MD-Roshan
Lyrics
dhak dhak dhak dhak
dhak dhak kare dil
jhat phat pat jhat jhat phat aake mil aa ke mil
aake mil
dhak dhak dhak dhak
dhak dhak kare dil
jhat phat pat jhat jhat phat aake mil aa ke mil
aake mil
chanda un se jaakar kahna
mushkil un bin jeete rahna
roti hai majboor jawaani
haaye re dhadke hai dhadke hai
bechaara dil
jhat phat pat jhat
jhat pat aake mil
aa ke mil
dhak dhak dhak dhak
dhak dhak kare dil
jhat phat pat jhat jhat phat aake mil aa ke mil
aake mil
mere dil ko dil mein rakh le
dard piya ke aap parakh le
thhes lagi khud kah dogi tum
haaye re
toot gaya
toot gaya mera nannha sa dil
jhat pat pat jhat pat
aake mil
aa ke mil
dhak dhak dhak dhak
dhak dhak kare dil
jhat pat pat jhat
jhat pat aake mil
aake mil
mere pyaar ki alakh jaga de
haaye alakh jaga de
sharam haya ko aag laga de
haan aag laga de
aisi raaten aur tanhaayi
haaye re patther ka
patthar ka hai tera dil
jhat pat pat jhat
jhat pat aake mil
aa ke mil
dhak dhak dhak dhak
dhak dhak kare dil
jhat pat pat jhat jhat pat
aake mil
aa ke mil
Dilon ka melon ka naam picnic
Posted on: July 19, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4384 | Post No. : | 15738 |
A week before the 12th birth anniversary of the Blog on July 19, 2020, an idea propped up in my mind. Some time back, I had read the interviews of a 78 RPM record collector of Indore and also of the vintage gramophone turn-table collectors of Pala near Kottayam which were published in some newspapers. Atul ji’s Blog has been in existence for 12 years with almost daily posting of songs. With nearly 15800 songs spread over 4300 films covered and a hit of a little over 1,36,22,000, the Blog must have attained the numero uno position among the musical blogs in India. This is a great achievement. So, I felt that the creator of this Blog – Atul Besra deserves to be interviewed which should get published in newspapers/magazines. This was just my momentary thought.
Soon, I found myself alighting from a train at Gorakhpur Junction railway station on Sunday morning, July 19th. I hired one of the yellow-coloured autorickshaws queued up outside the railway station for reaching Atul’s railway quarters. Luckily, I found Atul ji taking a stroll in his railway quarter complex with his dog, Bhole when my autorickshaw was on its way to enter the complex. I got down from the autoricksha and walked towards Atul ji.
‘Good morning’. I wished him to which he reciprocated looking at me somewhat perplexed and confused. Either he must have been surprised to find me suddenly in front of him or he failed to recognise me.
‘I am sorry I came here to meet you without giving you any intimation. My intention was to make a surprise visit to your house to wish you personally on the occasion of 12th birth anniversary of the Blog and to have a tete-a-tete with you’. I said apologetically to Atul ji.
‘Oh! Thank you. I am pleasantly surprised to find you here’. With this, the confusion in Atul ji’s mind vanished. He cut short his stroll and took me inside the complex of the Officers’ Quarters. As I was walking through the complex, I saw a couple of peacocks roaming on the lawns. The lawns were skirted by flower plants. There were good number of trees in the complex. As we were walking through the lawns, I found some squirrels running away from us and climbing on the trees. From the tree, a squirrel looked at us in contempt flipping its tail, probably signaling us that we had encroached upon his territory. Overall, the complex had a good ambience.
Inside the complex, there were rows of brick-coloured houses. Atul ji showed me his house which had a mini-gate. A name board at the gate displayed his name in Hindi and English. Below his name was a caution notice to the visitors: ‘Beware of friendly Dogs inside the house’. This, I thought, may be a caution of a different type – the dogs can ‘lure’ the visitors with their friendly dispositions.
After freshening up and finishing a breakfast of Aaloo Parathas with curd and pickles, we relaxed for sometime in main room which was much larger than what I had in my flat. There was an open wall unit on which I specifically noticed a replica of Vande Bharat Train-18 and a cricket bat personally signed by MS Dhoni. On a corner low-height table, an old gramophone record player with a big pavilion horn was kept. Suddenly, Bhole came from nowhere and sat in front of the turn-table, looking straight into the horn giving a logo-like image of HMV. The wall hanging comprised of a Railway Calendar, a portrait of Kapil Dev holding World Cup 1983, and a photo-collage comprising of popular singers, lyricists and music directors of golden period of Hindi film music. Lastly, I noticed a metal photo-frame in which a picture of Bhole, Chhote and a cat resting together was placed.
When I was surveying the main room, Atul ji was immersed in some thoughts – may be thinking about an outline of an article to be written and posted on the Blog for today’s special occasion or about some official work in the pipe line.
‘Let me formally congratulate you for completing 12 years of continuous blogging without a break’ and a Happy 12th anniversary of the Blog. I wished him once again to commence an informal interview with him so that his responses looked natural.
‘Thank you for a pleasant surprise visit. The Blog is the labour of love not only of me but all those who have been regularly contributing by way of guest posts, comments, suggestions etc’. Atul ji said with all humilities, keeping a watch over Bhola who had sat in front of the horn of an old turn-table.
I started with some questions to Atul ji which I had already framed in my mind. But in order not to appear as a formal interview, I asked these questions as of I was in conversation with him.
Me: Since when did you get interested in Hindi film songs?
Atul ji: During my growing up days in the late 1960s, one day I heard a song ‘mere saamne waali khidki mein’ on the radio. I loved the song. I was told by my maternal uncle that the singer was Kishore Kumar. Later, I heard several songs of Kishore Kumar. A few months later, the songs of ‘Aradhana’ (1969) became the rage of the nation. Some songs of this movie were sung by Kishore Kumar. I came to know that Rajesh Khanna was the hero of that movie. Rajesh Khanna as an actor and Kishore Kumar as the male playback singer became instant hits in Hindi films. Gradually, my liking in Hindi film music widened to songs of the golden period of Hindi film music, broadly comprising of the songs of the films released during 1950-65. Later on, when I got involved in my Blog, I also developed taste for the old film songs especially of K L Saigal, Pankaj Mullick, Kanan Devi, Ameerbai Karnataki and many more.
Me: How did you get the idea of starting a blog exclusive for discussing a Hindi film song a day?
Atul ji: I used to converse with Raja ji on a cricketing forum on the matter relating to cricket. Gradually, the conversations turned toward Hindi films songs also when I came to know that Raja ji was also interested in discussing Hindi film songs. We felt that it was not appropriate to discuss Hindi films songs on a cricketing forum. Since we had a mutual passion for Hindi film songs, I proposed creating a separate blog for discussing Hindi film songs which Raja ji whole-heartedly supported the idea. Thus, https://atulsongaday.me/ was born on July 19, 2008 with the intention of discussing one Hindi song a day on the Blog. I can say that it was Raja ji who inspired me to create the Blog. The first song posted on the Blog was mile na phool to kaanton se dosti kar lee.
Me: What was the response to the Blog?
Atul ji: It is quite natural that in the initial period, the responses by way of the visitors to the Blog and comments on the songs were slow as the Blog was newly started and its existence was not known to many potential readers. But during the first three months, the average visitors to the Blog per day picked up to around 300 which further rose to around 500 during the first 6 months. By the time the Blog had completed one year, it had covered around 1500 songs. Over the years, the Blog coverage of songs as well as visitors have shown significant upward trends. As against the target of one song a day, we had many time posted 5-6 songs per day. As of now, the Blog has clocked over 13 million visitors with nearly 15800 songs covered which are spread over 4300 films. Also, the Blog has over 1200 Hindi films for which all the songs in the films have been covered. These are remarkable achievements.
Me: Do you feel that the purpose for which the Blog was created has been achieved to your satisfaction?
Atul ji: I would say without any hesitation that the Blog has achieved much more than what I had intended at the time it was created. Apart from coverage in terms of the number of songs and the films, the Blog has become fairly an authentic reference point for those who intend to study the Hindi film music. We have endeavor to cover artists who are unknown to the present generations by bringing them to the notice of the readers, their contributions to Hindi films in general and the Hindi film music in particular. Over a period of time, we have also widened the scope of the Blog by cover non-film Hindi songs. As you may aware, we have covered all the available songs sung by K L Saigal and Suraiya and all the avalable songs composed by Sajjad Hussain.
But the greatest achievement of the Blog which I had not thought of when it was created is that it has become a platform for collaborative efforts of like-minded Hindi film music lovers. The regular visitors of this Blog share certain unwritten common values. They are all knowledgeable, intelligent, mature and well settled individuals, whose love for the Hindi film music is deep and long lasting. The Blog has helped create a close-knit community of like-minded individuals, who share common interests, and they share each other’s joys and sorrows too.
Me: Just a wild thought occurred to me – 25000 songs by 25th Birth Anniversary of the Blog. Is it achievable?
Atul ji: Oh! It is too long a period to think about this target. But going by the present rate of coverage of the song per month, the target seems to be achievable.
Me: A last question. I have planned to publish our conversations as a part of your interview in a reputed newspaper or magazine. I hope I have your permission to do so.
Atul ji: I personally feel that there is no need to publish my interview in any newspaper or magazine. I speak through my Blog. I would, therefore, request you to just use my laptop and type the article based on our discussion with a song of your choice. I will get it uploaded on our Blog. This is quicker and timelier than on the newspaper/magazine. Besides, the Blog has readers across all continents.
Before I could respond to Atul ji, my wife woke me after the alarm set at 05:30 AM started ringing for my morning walk. I sat on my bed for some time before realising that I was infected by ‘Mungerilal Ke Haseen Sapne’.
Happy 12th birth anniversary of the Blog to Atul ji and his bandwagon.
On the occasion of the 12th birth anniversary of our musical Blog, I have chosen a picnic song, ‘dilon ke melon ka naam picnic’ from ‘Naadaan’ (1951). The song is sung by Geeta Dutt, Chitalkar and Chorus. The song is written by P L Santoshi which is set to music by Chic Chocolate who was the music arranger for C Ramchandra.
With this song, all the songs of ‘Naadaan’ (1951) have been covered in the Blog.
Enjoy this picnic song. Our Blog is like a ‘picnic point’ where musically like-minded persons meet for enjoyment.
Audio Clip:
Song-Dilon ke melon ka naam picnic (Naadaan)(1951) Singers-Geeta Dutt, Chitalkar, Lyrics-P L Santoshi, MD-Chic Chocolate
Chorus
Lyrics
dilon ke melon ka naam picnic
nazar ke khelon ka naam picnic
dilon ke melon ka khelon ka naam
pic pic pic pic pic picnic
dilon ke melon ka naam picnic
nazar ke khelon ka naam picnic
dilon ke melon ka khelon ka naam
pic pic pic pic pic picnic
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
pyaar ke ye din nahin
aayenge waapas na phir kabhi
ye maze ye kahkahe
ye zindagi aur ye khushi
isi liye tum hans ke guzaaro
jeewan ke din ye albele
ye albelon ka khelon ka naam
pic pic pic pic pic picnic
dilon ke melon ka naam picnic
nazar ke khelon ka naam picnic
dilon ke melon ka khelon ka naam
pic pic pic pic pic picnic
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
jisne apne dil ka sauda
zindagi mein kar liya
hum kahenge usne sab kuchh
zindagi mein kar liya
isi liye tum karo mohabbat
chaahe aaye laakh jhamele
inhin jhamelon ka melon ka naam
pic pic pic pic pic picnic
dilon ke melon ka naam picnic
nazar ke khelon ka naam picnic
dilon ke melon ka khelon ka naam
pic pic pic pic pic picnic
dilon ke melon ka naam picnic
nazar ke khelon ka naam picnic
dilon ke melon ka khelon ka naam
pic pic pic pic pic picnic
Tum Ne Dekha Kya Bhala. . .
Posted on: February 2, 2020
- In: "disguise" song | Bela Bose dance song | C Ramchandra Mahendra Kapoor duet | C Ramchandra songs as a singer | Club song | Dance song | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1965 | stage dance | Stage song | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4216 | Post No. : | 15417 |
Fabulous Foot Tappers – 10
– – – – – – – – – – – – – – –
Ah, a post waiting for some time now to come on board. This post and this song is specially for dear Avinash ji. 🙂 🙂
As you listen to the song, and the words settle down in the mind, you can almost imagine – Avinash ji, on his flight back from Kenya to India, thinking about this song. And then the landing at Mumbai, then passing thru the immigration and baggage collect. He bumps into an old friend while waiting for the bags. The friend asks him where from he is returning. Avinash ji says, Kenya. The friend says – अरे यार, वो भी कोई जगह है देखने की, see, I am returning from Barcelona, now that is a place to visit. And instantly Avinash ji breaks into this song, telling his friend “Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika”. And there is a loud applause from the crowd waiting for their baggage.
And then, Avinash ji decides that this song must also be screened for the musical bandwagon on our blog. The Atulites must be made aware – they have missed something significant in life – “तुमने क्या देखा भला, जो ना देखा आफ्रिका”. 🙂
The song is performed as a club dance cum stage dance setting. A fiesty rock and roll number, which should have been heard more. But maybe then, the 1960s was overflowing with such rollicking dance numbers. The film itself, of course did not seem to have made any impact, and so this superb song seems to have dived below the radar of listeners.
The first one to make an entrance is Bela Bose, all made up as a native African belle. Next on the scene is Bhagwan Dada, also in an African attire and face wash. The first stanza goes by. And then, in the second stanza, we have Chandrashekhar make his appearance – a white man, suited and booted, riding in an open car. He declares that he was on way to America (jeez) but then the beauty of Africa and the African ‘माहजबीं’ made him change his mind. Quite a stretch of imagination here by Bakshi Sb (I mean Anand Bakshi 🙂 ), calling a dark and dusky damsel as ‘माहजबीं’ (literal meaning – moon faced).
And then we are on to the third stanza, in which Bhagwan Dada, feeling threatened by the invasion of the white male competitor, advises his heart throb that the fair color is not so fair, if the heart is not in the game.
In the interludes, we see the audience as well as a quartet of sinister looking ‘thugs’ who are apparently up to no good, and most likely are looking for somebody. Could be the scenario is that Bhagwan and Chandrashekhar are on the run followed by this quartet, and they both mingle in with this performance, trying to hide behind the disguises. Now isn’t that so original 🙂
The film is ‘Hum Deewaane’ from 1965. Produced under the banner of Young India Entertainer, Bombay, the film is directed by Bhagwan himself. The star cast is listed as Mumtaz, Chandrashekhar, Bhagwan, Helen, Iftikhar, Anwar, Agha, Maruti, Rajan Haksar, Kundan, Prem Sagar, Rajan Kapoor, Kanchanmala and Bela Bose.
The songs are written by Anand Bakshi, and the music is by C Ramchandra under the name of Anna Saheb. This song is an all male duet in the voices of C Ramchandra himself, as Chitalkar, accompanied by Mahendra Kapoor.
Goodness, almost one and a half years since the last post in this series. I need to pull up my socks. 🙂
Audio
Video
Song – Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika (Hum Deewaane) (1965) Singer – Chitalkar, Mahendra Kapoor, Lyrics – Anand Bakshi, MD – Anna Sahab (C Ramchandra)
Chitalkar + Mahendra Kapoor
Lyrics
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
muskura o dilruba
ho ja fida honay de fida
muskura o dilruba
ho ja fida honay de fida
jeene ka yahi hai
jeene ka yahi hai
tareeka
tareeka
tareeka
hoye tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
thi whaan wo mahjabeen
reh gaya main bhi wahin
thi whaan wo mahjabeen
reh gaya main bhi wahin
jaan tha mujhe
arey jaana tha mujhe
amreeka
amreeka
amreeka
haa haa
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
o sanam teri kasam
kaale hain par dilwaale hum
o sanam teri kasam
kaale hain par dilwaale hum
dil bina ye rang gora
dil bina ye rang gora
hai pheeka
hai pheeka
hai pheeka
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
जीने का यही है
जीने का यही है
तरीका
तरीका
तरीका
होय तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
जाना था मुझे
अरे जाना था मुझे
अमरीका
अमरीका
अमरीका
हा हा
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
दिल बिना ये रंग गोरा
दिल बिना ये रंग गोरा
है फीका
है फीका
है फीका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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