Archive for the ‘Light hearted song’ Category
Ni sa ga ma pa
Posted on: May 25, 2023
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5424 | Post No. : | 17790 |
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Blog 10-Year Challenge (2013-2023) – Song No.124
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On this date ten years ago (25 May 2013),two songs from two different movies was covered in the blog. Here are the details:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 8127 | Is duniya mein sab chor chor | Bhai Bhai (1956) | Movie YIPPEED in the blog by now |
| 8128 | Aa jaa aa jaa o jaane waale | Sabak (1950) | 8 songs covered out of 10 by now |
We observe that one movie (out of two) whose songs were represented in the blog on this day ten years ago (on 25 May 2013) has since been YIPPEED in the blog. That leaves us with one song which is unYIPPEED and is therefore eligible for Blog Ten Year Challenge today (25 May 2023).
This movie is “Sabak”(1950).
“Sabak”(1950) was produced and directed by M Sadiq for Sadiq Productions Private Limited, Bombay. The movie had Munawar Sultana,Jagirdar,Karan Dewan,Om Prakash,Kumar, Cuckoo, Jilloo Maa, Shyama etc in it.
The movie had ten songs in it. Eight songs have been covered in the past.
Here is the ninth song from “Sabak” (1950). This song is sung by G M Durrani. D N Madhok is the lyricist. Music is composed by A R Qureshi.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song were sent to me by Prakashchandra.
audio link:
Song-Ni sa ga ma pa (Sabak)(1950) singer-G M Durrani, Lyrics-D N Madhok, MD-A R Qureshi
Lyrics(Provided by Prakashchandra)
ni saa gaa maa paa..aa..aa
haayye raam ji pa ma ga rey saa
ni saa gaa maa paa..aa
haayye raam ji pa ma ga rey saa
bachpan se ye meraa saathi…eee
ab to banaa dey isko haathi…eee
bachpan se ye meraa saathi…eee
ab to banaa dey isko haathi…eee
kartaa hoon yahee duaa
haayye raam jee pa ma gaa rey saa
kartaa hoon yahee duaa
haayye raam jee pa ma gaa rey saa
hoyye ni saa gaa maa paa
haayye raam ji pa ma ga rey saa
lagaataar ghanton rotaa hai..aey ae
jab kahey punjaabi tu khotaa hai ae ae
lagaataar ghanton rotaa hai..aey ae ae
jab kahey punjaabi tu khotaa hai ae
chhod ghaas khaataa hai hawaa..aa
haayye raam ji pa ma ga rey saa
chhod ghaas khaataa hai hawaa..aa
haayye raam ji pa ma ga rey saa
ni saa gaa maa paa
haayye raam ji pa ma ga rey saa
donon ka ghar aabaad karo..oo
hamein ek baar to yaad karo..oo
donon ka ghar aabaad karo..o..oo
hamein ek baar to yaad karo..oo
Hindu ke Raam Muslim ke Khudaa
haayye raam ji pa ma ga rey saa
Hindu ke Raam Muslim ke Khudaa
haayye raam ji pa ma ga rey saa
hoyye nee saa gaa maa paa
haayye raam jee paa maa gaa rey saa
paa maa gaa rey saa
paa maa gaa rey saa
Laali mere laal ki
Posted on: May 7, 2023
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5406 | Post No. : | 17739 |
We often hear this lament from oldtimers that things were simpler in their days and they have become complicated now a days. As a fresh entrant into the club of oldtimers, I tend to agree. Things were really simple in the old days. And they were easy to remember as well if you were a student who was required to remember these facts.
Take some examples from the past(my days of 1960s) and compare them with the present situation (2023)
| Question asked | Reply in 1960s | Reply in 2023 |
|---|---|---|
| Name of all Presidents of India | Dr Rajendra Prasad, S Radhakrishnan, Zakir Hussain | Too many to recall and name |
| Name of all Prime Ministers of India | Jawaharlal Nehru, Lal Bahadur Shashtri, Indira Gandhi | Too many to recall and name |
| How many cricketers have scored over 8000 test runs | Only one, Garfield Sobers | Too many to recall and name |
| How many cricketers have taken over 300 test wickets | Only one, Freddie Trueman | Too many to recall and name |
| How many Indian cricketers have scored over 3000 test runs | Only three, Polly Umrigar, Vijay Manjrekar, Chandu Borde | Too many to recall and name |
| What are the various car models manufactured in India | Ambassador, Premier Padmini | Too many to recall and name |
| Days that are celebrated | New Year, Republic Day, Independence day, Children’s day, Labour day | Too many to recall and name |
It is the answer to the last question that has led to this writeup. This morning Avinash Scrapwala informed me that today (7 May) is Laughter day. Now what is this laughter day ? And who decides these days ? Every day now a days has some vague day or the other. There are some days that celebrate more than one topic, often vague and unheard ones. There are 365 days but there many be more number of “Day” to celebrate. It is an overload of “days” now a days. No one can remember them, and no one can “celebrate” them all.
Who decided that today is Laughter day ? Does he mean that we need not laugh on other days, or did he think that laughter has become so rare that a day needed to be dedicated for it ? I do not think that alarming situation has arrived as yet.
My own view is that all these days are meant to create business for say greeting card makers. But now a days even greeting card makers cannot keep up with these days.
We also have world music day. This one day is for others. We in this blog have our music day every day.
My take on all these days is that they are for lazy people. What is the need to have say Music day. We do not have this need. Every day is music day for us. Why should we have Women’s day. Every day should be a Women’s day and well as Men’s day. Also Children’s day.
Coming to Laughter day, I think this day too is unnecessary. At least for us music lovers. Regulars of this blog many of them also connected through whatsapp, share jokes in the group every day. So we are having our laughter day daily.
Nevertheless, someone has decided to have a world laughter day today on 7 May. By the way, is this fellow the same one who came up with the idea of Happiness Index ? Let him come up with a laughter Index as well. I can predict that European countries will top the ranking. India will be ranked behind Pakistan and Bangladesh and this ranking will be used by Western Media to pooh pooh India achievements in various sectors.
But that is in the future. So far we only have a world Laughter day today. So we have to celebrate it.
Looking at the right side of the blog, I notice that there are 88 songs under the category of “Comedy” and another 73 under “comedy songs”. Then there are 319 songs under the category of “lighthearted” songs. There may be more but they have not been categorised under these heads. So this suggests that we have about 450 songs out of 17000 plus songs as comedy song. This suggesdts that 2.5 % of the songs represented in the blog are comedy songs.
If we have world sadness day or world melancholic day, we in the blog will be right up there with the best sad and / or melancholic people there. But they someone will create a world melancholy index and prove that Indians are way down that list too. 🙂
When we think of laughter, one thinks of Kishore Kumar immediately. Quite a few of his comedy songs are already represented in the blog. To celebrate the Laughter day, here is a less known of his comedy song. This song is from “Phagun”(1973).
“Phagun”(1973) was directed by Rajinder Singh Bedi for ‘Dachi Films, Bombay’. The movie had Waheeda Rehman, Dharmendra (special appearance), Jaya Bhaduri, Vijay Arora, Om Prakash, Ravi Ghosh, Jagdev Bhambri, K.S. Kriplani, Vimal Joshi, Indu Mehta, Smita, Rajrani, Suman Sinha, Baldev Trehan, Ramlal, Pardesi, Narmada Shankar, V. Gopal, Anand (Mamaji), Beri and others in it.
“Phagun”(1973) had six songs in it. Four songs have been covered in the past. Here is this song, the fifth from the movie to appear in the blog. The song is sung by Kishore Kumar, Pankaj Mitra, Sunil Kumar and R.S. Bedi. Majrooh Sultanpuri is the lyricist. Music is composed by S D Burman.
It appears that only audio of the song is available. The movie itself came during the days when Rajesh Khanna ruled the roost and movies with other heroes did not find much favour with the audience. This movie was one of the lesser patronised movies of its time. That explains why this song, despite having the voice of Kishore Kumar in it failed to get popular. Personally I am listening to this for the first time. The song would have become popular had the movie done better at the box office.
Song-Laali mere laal ki (Phaagun)(1973) Singers-Kishore Kumar, Pankaj Mitra, Sunil Kumar, R.S. Bedi, Lyrics-Majrooh Sultanpuri, MD-S D Burman
Lyrics(Provided by Avinash Scrapwala)
Arey bhai
Tum log chup kyun ho
Bolo
Kuchh to bolo
So jaao o
Arre mitthu miyaan
Kuchh bolo ni
Hmm hmm
Kuchh chaalo ni
Hmm
Wadi chup kyun ho
Kuchh bolo ni
Haan bolon se Banti hai boli
Aur boli se bante hain geet
Geet
Haan haan geet
To phir
Haan haan aan aan
Hun hun hunh oon
Haan haan aan
Hun hun hunh oon
Haan haan aan
Hun hun hunh oon
Laali mere laal ki
Hun hun hunh oon
Laali mere laal ki
jit dekhoon tit laal
Hun hun hunh oon oon oon
Laali dekhan main gayi ee
arey
Arey main bhi ho gayi laal
Waah waah
Haa haa
Saadhu saadhu
Phir
Phir
raat huyi
Ek baat huyi
Chori chori chori ee
Mulaaqaat huyi
Phir
Phurr
Phurr phurr rr
Bataao ni wadi
Kyaa baat huyi
Keh doon
Keh do
Keh doon
Keh do
Hunh hunh
Nahin kahoongaa
Nahin kahoongaa
Nahin kahoongaa
Nahin kahoongaa
Nahin kahoongaa
Nahin kahoongaa
Chaahe maaro
Chaahe peeto
Chaahe maskaa lagaao
Chaahe maaro
Chaahe peeto
Chaahe maskaa lagaao
Magar
Nahin boloongaa
Nahin boloongaa
Nahin boloongaa
Bolo naa
Nahin boloongaa
Nahin boloongaa
Nahin boloongaa
Chanakya pandit bol gaye
Udoon
Hi hi
Haa haa
Waah waah
Haa aa aa aan
Suno suno aur suno o
Wo oonchaa saa
Haan haan
Ped jo hain naa
Haan haan
Kal main uske
He hey
paas gayaa thhaa
achchaa achchaa
patte neeche pade huye thhe
pandit mullaah aa chadhey huye thhe
Ishwar allaah ladey huye thhe ae
Sar ke liye
Nahin re nahin
Ghar ke liye
Naahi re naahi
Dar ke liye
Nahin re nahin
To phir kiske liye ae
Keh doon
Keh do
Keh doon
Keh do
Hunh hunh
Nahin kahoongaa
Nahin kahoongaa
Nahin kahoongaa
Nahin kahoongaa
Nahin kahoongaa
Nahin kahoongaa
Chaahe maaro
Chaahe peeto
Chaahe maskaa lagaao
Chaahe maaro
Chaahe peeto
Chaahe maskaa lagaao
magar
Nahin boloongaa
Nahin boloongaa
Nahin boloongaa
Bolo naa
Nahin boloongaa
Nahin boloongaa
Nahin boloongaa
Chanakya pandit bol gaye ae
Hi
Hoore ae…
Hi hi
Hurey
Hurey
Arey baap re a
Main to darr rrr gayaa
Ha
Ha
Ha
He ah ah ah
He ah ah ah
He ah ah ah
(hunh ha ha hunh ha ha )
He ah ah ah
(hunh ha ha hunh ha ha )
Gaadi roko o
Paaro
Bolo devdaashaa aa
Roti kyun ho paaro
Haan haan
Preetam jo main jaanti
Hunh hunh oon oon
Preetam jo main jaanti
Preet kiye dukh hoye ae
Hunh hunh oon oon oon
Nagar dhhandhhoraa
Dhhandhhoraa aa
pit ti
Preet na
kariyo koye ae
chh chh chh chh
Allaah
To aashiq ko naa
Dikhlaaye buddhaapaa
Allaah
To aashiq ko naa
Dikhlaaye buddhaapaa
Haaye haaye re
Budhhapaa
Haaye haaye
Haaye are budhhaapaa
Haaye haaye re
Budhhapaa
Haaye haaye
Haaye are budhhaapaa
Jab ham bhi chaley
Saath chaley
Reechh ka bachchaa
Jab ham bhi chaley
Saath chalaa
Reechh ka bachchaa
Arey reechh kaa bachchaa
Arey reechh kaa bachchaa
Jaako naahin
Phate biwaai
U kaa jaane
Peer paraayee
Jaako naahin
Phate biwaai
U kaa jaane
Peer paraayee
Ayin
Raghu kul chalaa sati
Raghu kul reet sadaa
Chali aayi
pran jaaye par bachan na jaayee
jaayee jaayee
Ban chaley
Raam raghuraayi ee
Ban chaley
Raam raghuraayi ee
Chanakya
chi chi chi chanakya
Ban chaley
Raam raghuraayi ee
Chanakya pandit bol gaye
Hi hi
Hi hi
Ae guduum
Arey bhaalu aaya
Nahin aaya
To phir so jaao
(Snoring sound)
(whistling sound)
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5394 | Post No. : | 17697 |
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Blog 10-Year Challenge (2013-2023) – Song No.94
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On this date ten years ago (25 April 2013), six songs from six different movies (plus one non film song) were covered in the blog. Here are the details:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 7972 | O maina mastaani o pinjre ki raani | Jungle Princess (1942) | 7 songs covered out of 11 by now |
| 7973 | Jhumka gira re Bareli ke baazaar mein | Dekho Ji(1947) | 7 songs covered out of 11 by now |
| 7974 | Maaroongi nainon ke baan zara bachke rehna | Bijli (1950) | 5 songs covered out of 8 by now |
| 7975 | Chandrakiran ke daal hindoley jhool rahin aashaayen | Veena(1948) | 8 songs covered out of 12 by now |
| 7976 | Meri ghaghri noo ghunghroo lawaa de | Saawan (1959) | Movie YIPPEED by now |
| 7977 | Wo jo roothen to manaana chaahiye | Mukesh Talat Mehmood NFS(1969) | |
| 7977 | Raat ki hathheli par chaand jagmagaata hai | Refugee(2000) | 2 songs covered out of 8 by now |
We observe that one movie (out of six) whose songs were covered on this date ten years ago (on 25 April 2013) has since been YIPPEED in the blog. That leaves us with five movies that are eligible for Blog Ten Year Challenge today (25 April 2023).
“Dekho Jee”(1947) is one such movie.
“Dekho Jee”(1947) was produced and directed by Wali Sahab for Punjab Film Corporation. This movie had Mumtaz Shanti, Anjum, A.Shah, Khatoon, Haroon, Afzal, Dilshad, Mintobai,P.D.Lal, Gulnar, Prakash Trehan etc in it.
“Dekho Jee”(1947) had 11 songs in it. Seven songs have been covered in the blog in the past.
Here is the eighth song from “Dekho Jee”(1947) to appear in the blog. This song is sung by Hamida Bano and chorus. Wali Sahab is the lyricist. Music is composed by Sabir Hussain.
This song is a fun song where kids are hoping that their teacher falls sick so that they could have a field day enjoying themselves in school. So school kids 75 years ago were no different from school kids of subsequent generations. 🙂
Lyrics of this song were sent to me by Prakashchandra.
audio link:
Song-Hamaara master allah kare beemaar ho jaaye (Dekho Jee)(1947) Singer-Hamida Bano, Lyrics-Wali Sahab, MD-Sabir Hussain
Chorus
Lyrics (Provided by Prakashchandra)
hamaaraa master haan haan
hamaara mastar ho ho
hamaara mastar hee hee
hamaara mastar allaahaa karey beemaar ho jaaye
hamaara mastar allaahaa karey beemaar ho jaaye
hamaaraa mastar allaahaa karey beemaar ho jaaye ae
hamaaraa mastar allaahaa karey beemaar ho jaaye ae
hamaara mastar
hamaaraa mastar…rrr allaahaa karey beemaar ho jaaye ae
ae aey ae ae ey ae
hamaaraa mastar allaahaa karey beemaar ho jaaye ae
hamaaraa mastar allaahaa karey beemaar ho jaaye
to mangalwaar bhi apne liye
itwaar ho jaaye
to mangalwaar bhi apne liye
itwaar ho jaaye
hamaaraa master haan haaan
hamaara mastar ho o ho o
hamaara mastar hee hee
hamaara mastar allaahaa karey beemaar ho jaaye ae
hamaara mastar allaahaa karey beemaar ho jaaye ae
hamaaraa mastar
chadhaa den mastar ko o o
do maheeney ke liye ae phaansee eeee
haa aaa aaa haaa aaa aaa
chadhaa den mastar ko do maheene ke liye phansee
chadhaa den mastar ko do maheene ke liye phansee
jo hum mein se koyee do din ko
thhaanedaar ho jaaye
to hum mein se koyee do din ko thhaanedaar ho jaaye
hamaaraa master haan haaan
hamaara mastar o ho
hamaara mastar hee hee
hamaara mastar allaahaa karey beemaar ho jaaye ae
hamaara mastar allaahaa karey beemaar ho jaaye ae
hamaaraa mastar
jo sotey hee main boloon raam
ho jaaye kaheen unnkaa aaan aaa
aaa aaan aaa aaaa
aaa aaan aaa aaaa
ho o ho
jo sotey hee main
bolo raam
raam hee raam
bolo raam
raam hee raam
bolo raam
raam hee raam
bolo raam
raam hee raam
bolo raam
raam hee raam
jo sotey hee main boloon raam
ho jaaye kaheen unnkaa
jo sotey hee main boloon raam
ho jaaye kaheen unnkaa
to phir saaree jamaat kaa hee
bedhaa paar ho jaaye
to phir saaree jamaat kaa hee bedhaa paar ho jaaye
hamaara mastar allaahaa karey beemaar ho jaaye
hamaara mastar
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5380 | Post No. : | 17649 |
Today’s song is a comedy song from the film Gazal-1945. It is ‘ sung ‘ by comedian N.M.Charlie.
Though the playback system started in India in 1935, it had not become popular immediately for various reasons. Most important reason was, due to the poor quality of stage type songs in films, not many records were made and sold. Additionally, there was an acute shortage of playback singers for the films. Slowly, over a period, the picture changed and by 1940, the playback system was firmly entrenched in films. This not only increased the number of songs recorded and the subsequent increase in their sales, but also newer playback singers were discovered and encouraged to sing for films.
This actually gave a true relief to the composers, who were forced to make do with existing singers who were mostly Non-Singers, meaning they were neither trained by any professional singer nor they had any singing talents. Thus all actors now had playbacks from professional singers to the merriment of composers !
However, some producers still wanted their comedians to sing their own songs themselves. Thus you had comedians like Sundar, Yakub and Charlie singing for themselves, till the 50’s decade. Luckily other comedians like Bhudo Advani, Dixit, V.H.Desai or Master Bhagwan could not dare to sing songs !
1945 was the period when Noor Mohammed Charlie was at the peak of his popularity. He not only sang his songs, but he also became a Hero in a few pictures and stories were amended to give him more scope in the films. In the 1950s and the 1960s, this honour went to comedian Johnny Walker. Thank God, he did not sing songs ( though he spoke in his chirpy voice in some songs). Mohammed Rafi compensated enough for him by having a special style of singing and a special voice for Johnny Walker songs.
These days everyone likes the comedy of Amitabh Bachhan. His many films became Hits due to his comedy work. Today most of the Heroes do the comedy part in the film themselves. But till 1970, there used to be a separate slot for a comedian.
Today’s generation knows comedians like Paresh Raval, Anupam Kher etc. For them older comedians are Johnny Lever, Satish Shah or Rajpal Yadav. Before that, they can think of Johnny Walker, Mehmood, Keshto Mukherjee, Asit Sen, Dhumal, Jagdeep, Asrani or Deven Verma. But the art of Comedy had started much earlier, in the 1930s and 1940s. Comedians like Ghori, Dikshit, Fatty Prasad, V H Desai, Bhudo Advani were famous. Amongst all the comedians of that era,there was ONE superstar of Comedy- NOOR MOHAMMED CHARLIE.
Noor Mohd. was born on 7-1-1911 at Ranavav, near Porbandar, Gujarat, in a Memon family (Later, comedian Mukri was also a Memon from Konkan area). Not interested in studies, he was very fond of seeing films, even by stealing money from house, at times-if need be. He was sent to Bombay and worked as an Umbrella Repairer in a shop. His desire to become an actor was so strong that one day he straightaway went to the Imperial Film Company’s owner and asked for a job. In the tradition of those days, he was asked if he could sing… His reply was,” I can sing, act, ride, run, fight, cry, laugh, quarrel, dance, play or swim”. He was hired instantly at a salary of Rs. 40 pm.
From 1925 to 1931 he did 9 silent films. In one of these films he did the acting of Charlie Chaplin. It became so popular that he made this get up his Trademark and developed Toothbrush Moustache ,like Charlie Chaplin. he also added ‘Charlie’ to his name. He did his first talkie film ” Zarina” in 1932 and then there was no looking back.
Initially with Sagar Movietone, he shifted to Ranjit and did 17 films with Ranjit. He became so famous and Popular that films were sold in his name. He was the First superstar amongst the comedians. He started to get special songs shot on him in almost every film-much before Johnny Walker in the 1950s. He sang his own songs. He left Ranjit and was the first actor to become a ‘Free-lance’ breaking the Studio system.
Some of his films and songs were famous all over India. In the film Sanjog, he sang ” Palat,tera dhyan kidhar hai “. This line became so famous that young boys in colleges used this line for calling girls,in those days. In the film Dhindhora, he sang ” ek do teen char panch chhe saat aath nau dus gyara bara,teri nazar ne mujhe mara”. ( Raj Kapoor used ‘Ek do teen aaja mausam hai rangeen’ and later Madhuri Dixit’s “Ek do teen” was very famous.) In the film Taqdeer he sang- “Thank you mention not” and ” I am very very Sorry”. This too became popular.
There was a time when Charlie drew more salary than even Prithwiraj kapoor ! He did about 62 films in all. He was the Hero opposite Swarnalata in Chaand Taaraa-45, hero opposite Leela Chitnis in Ghazal-45 and hero opposite Chandraprabha (Saraswati devi’s sister) in Dulha-46.
He directed only one film,while in Ranjit-Dhandora-41. Charlie sang 36 songs in 15 films.
After partition he opted for Pakistan. he did 6 Urdu, 2 Sindhi and 1 Punjabi films there but was not popular. He came back to India in 1960, but by then here too the position had changed. He did 3 films here. His last film in India was Ranjit’s last film ” Akeli mat Jaiyo”-63 and then that was the end of his film career and that of Ranjit studios too. Due to Visa problems, he had to leave India. He went to the USA to live with his son, who had a dairy farm business. He had 6 sons and 6 daughters. Only 1 son-Latif Charlie became an actor In Pakistan. (He died on 19-7-2011). Charlie came back to Pakistan when his wife expired, but later he himself died in Karachi on 30-6-1983.
If he had not gone to Pakistan, who knows he would have prospered here. Mehmood and Johnny Walker consider him as GURU and have copied his actions in films many times. Raj Kapoor and Guru Dutt were also his fans. His film Manorama-44 was remade as Manchala in 1953 with Agha in his role. Thokar-39 was remade as Mai Baap and Taqdeer-43 was remade as Duniya ka Mela, with Mehmood in Charlie’s role.
When he died in Pakistan, no film personality from the Pakistan Film industry attended his funeral. He died unsung !
Film Gazal-1945 was made by Raja Movietone, Bombay, a banner owned by its director Jahoor Raja. Like some of the older artistes, he was probably one of the last multifaceted artistes. ZAHOOR RAJA (Born 7 July 1918 Abbottabad – Died 1992 England) Pre Partition Hindi/Urdu Film Actor, Producer, Director, Editor, Writer, Singer, Lyricist & Music Composer. He graduated from editing and story writing to become a producer-director in 1943.
Zahoor Raja was born in a wealthy family in Abbottabad, Pakistan. After schooling , he studied BA from Rawalpindi but could not complete his graduation as he was more interested in sports than in studies. His father, a Police Inspector, was keen in admitting him in Dehradun for a career in the army. But he ran away from home and landed in Bombay with a letter of introduction to Film maker A R Kardar. Since he was a very handsome and well built man, getting into the Bombay film industry was not difficult. At that time, Kardar was directing Punjabi film ‘Mirza Sahiban’ (1939) for Ranjit Movietone and . Kardar took Zahoor Raja as Hero in the film.
Within a year after the release of the film, V Shantaram invited him to join Prabhat Films and was taken on a contract of 3 years. His association with V Shantaram was not beneficial and he did not get much work. Kardar once again came to his rescue and got him employed in National Studios and got him a role in ‘Pooja’ (1940). Thereafter, he got a role in Minerva Moveitone’s ‘Sikandar’ (1941). During the making of the film ‘Sikandar’ (1941), he fell in love with his co-star Meena (Meena Shourie) and married her. The marriage did not last long and Meena later married another handsome actor, Al Nasir in the mid 1940s.
Zahoor Raja later worked as a Hero in ‘Sewa’ (1941). During this time, while looking for a change from his acting career, he got a chance to direct the film ‘Badal’ (1942) produced under Eastern Pictures where he also acted in the lead role. Though the film failed at the box office, his direction was appreciated by the critics. In 1943, he floated his own film production company, Raja Movietone and made its maiden film ‘Mazaq’ (1943) which he also directed, acted in a negative role and composed its music. He also acted in the film Bhai-44. His banner produced ‘O Panchhi’ (1944), ‘Ghazal’ (1945) and ‘Dhadkan’ (1946).
In most of the films in which he acted, Zahoor Raja was paired with Radha Rani. He also sang the song ‘Bhulaane waale hamen bhi na yaad aaya karo’ along with Naseem Akhthar in the Movie ‘Ghazal’ (1945) composed by Gyan Dutt. His last movies in India before moving to Pakistan were ‘Anmol Ghadi’ (1946) and Director-1947. He acted in 9 films, directed 5 films, sang 15 songs in 5 films (Pooja-40, Sewa-42, Badal-42, Gazal-45 and Director-47), wrote lyrics in 1 film (Dhadkan-46) and was MD for 1 film( Mazaaq-43)
After partition, Zahoor Raja returned to Pakistan in 1950 and he was active in the Pakistani film industry until 1966. After 1966, he migrated to England, married an English lady and later died in 1992 in England.
The storyline of film gazal could not not be found anywhere on the internet. The film had the cast of Leela Chitnis, N.M.Charlie, Radharani, Zahoor Raja, Nurjahan sr., Nagendra, Razia Bano (elder sister of Suraiya Zulfi) and many others. There were 4 lyricists but HFGK does not mention their individual credits for every song.
Today’s so-called Comedy song is sung by Charlie. Like all his songs, much of the lyrics are plain prose rather than any poetry. But then, in those days, people liked it that way from a popular comedian ! Try to enjoy….
Song- Ae jaan apne honthhon ka phaatak to kholiye (Ghazal)(1945) Singer- Noor Mohd. Charlie, Lyricist- Not known, MD- Gyan Dutt
Lyrics
Ae jaaaan
Ae jaaaan
Ae jaaaan
Ae jaan
apne honthon ka phaatak to kholiye
phaatak to kholiye
haan jee
kuchh to boliye
ajee kuchh to boliye
Ae jaaaan
ae phaatak to kholiye
honthon ka phaatak to kholiye
honthon ka phaatak to kholiye
ajee kuchh to boliye
ajee kuchh to boliye
ae jaaan
teer e nazar se aashiqon ka dil tatoliye
teer e nazar se aashiqon ka dil tatoliye
ajee kuchh to boliye
ajee kuchh to boliye
ae jaaaan
ae honthon ka phaatak to kholiye
honthon ka phaatak to kholiye
honthon ka phaatak to kholiye
ajee kuchh to boliye
ajee kuchh to boliye
ae jaaaaan
dikha doon cheer kar seena tujhe
naaz o adaa waale
Khuda ke waaste
tu khol de
tu khol de
tu khol de
honthon ke lab taale taale
taale
ye nahin achcha tera
haan
nahin achcha tera
ae jaaneman
khaamosh ho jaana
bigadna roothhna
haan haan
bigadna roothhna
ladna jhagadna
ik jagah maaraa maaree karna
jhagde karna
very well
my dear darning
its very nice
meri godi mein rakh kar
sar tera behosh ho jaana
meri godi mein rakh kar
sar tera behosh ho jaana aa aa
ae Majnu jee to bolte hain
Laila jee khaamosh hain
Laila jee khaamosh hain
Laila jee khaamosh hain
Ae farhad jee to hosh mein hain
Shirin jee behosh hain
Shirin jee behosh hain
Shirin jee behosh hain aen aen
kyon chupke chupke dil ko chura aya hai aapne
kyon chup ka munh pe taala lagaaya hai aapne
na is tarah se dil ko mere ?? keejiye ae ae
I am student of love
is liye ?? ko naapaak na keejiye
gar kuchh nahin to jaaneman
bakwaas keejiye ae
bakwaas e
bake bake
bakwaas nahin bhai
maaf keejiyega main zara bhool gaya
ye irshaad keejiye
ye irshaad keejiye
irshaad keejiye
ajee kuchh to boliye
ajee kuchh to boliye
ae jaaaan
ae honthon ka phaatak to kholiye
honthon ka phaatak to kholiye
ek honthon ka hat
bababa
phaatak to kholiye
honthon ka phaatak to kholiye
ajee kuchh to boliye
ajee kuchh to boliye naa
ajee kuchh to boliye naa
ae jaaaaaan
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5327 | Post No. : | 17462 |
Today’s song is from a C grade imaginary film – Jadui Angoothi-1948.
The man has been attracted, with awe, towards the miracles and magic powers from the time immemorial. All of us, in our school days were drawn towards stories of magic, be it from Puranas, or from Arabian Night type stories. This is a worldwide phenomenon and you find books for children have about 30 to 40 % stories about magic, super powers and supermen. Even the film industry all over the world-in all languages, have taken advantage of this fact and made films on men with magic and super powers.
Being a normal school child, I was not an exception and loved to read such books and see such films. Maybe because of this, I was fascinated by the Mythological films from childhood. When I started seeing films, my first priority, in the initial phase, was for films which would quench my thirst for magic. This was easily fulfilled by the Mythological and cheap stunt films in third rate theatres, where the ticket rates were low ! Even Hollywood films like Superman, Captain Marvel, The 3-D Man, The invisible man and the others of this ilk were my staple food on Sundays and Holidays. Actually most adults too are enamoured by magic and miracles but hesitate to admit openly. I do not suppress the child in me and I am always ready for such films even now, knowing full well that it is nothing but trash !
As per the film Index list, about 40 films are made with the titles starting with the word ‘Jadu’ and 16 films with ‘Jadui’. It feels funny when you see films made like jadui Topi, Jadui Shehnai,Jadui Sindoor, Jadui Sandook or Jadui Danda !
Today’s film Jadui Angoothi-1948 was made by Mohan Pictures owned by Ramnik Lal Shah, husband of yesteryear heroine Indurani. She was a popular Heroinein the 1930s and the 1940s, before she quit films. I have interviewed her son Salim Shah , who is settled in the USA, and written about her on the Internet. Later Dr. Surjit Singh ji published a detailed book on her. There were few film companies which were specialised in making stunt, action, costume and imaginary films together with popular Arabian Night stories. Mohan Pictures was one of them. In the year 1948 itself they had made such C grade films like Jadui Angoothji, jadui Bansuri and jadui Shehnai. Film Jadui Sindoor-also made in 1948 was censored in early 1949,
Film Jadui Angoothi was directed by A.M.Khan. Now, this Khan was a person with many qualities. He was an actor, a lyricist and a director. In his 30 years’ career he had acted in 2 films – Dil-46 and Bigde dil-49. He wrote 24 songs in 3 films – Cyclewali-38, Ran Sangream-39 and Bahana-42. A M Khan directed 37 films. His first film was Woh kaun-1935 and his last film was Jadui Anguthi-1965. When I went through his Filmography as a Director, I found that he directed mostly Stunt, Action and Costume films only.
Some of his films had interesting Titles….Cycle Wali-38, Chabuk wali-39, Motor wali-42, Khanjar wali-43 and to top it all, he also directed Police wali-49 ! Titles of his films had words like Lutari, Lutaran, Bala, Sundari, Lady, Tilasmi, Jadui, and Toofani. These are typically indicative of their genre-Stunt. A M Khan was also a Stunt specialist. In those days, some directors specialised in such films. For example, Nari Ghadiyali, Aspy irani, Ramniklal Shah,Master Bhagwan, Harischandra rao and Chandra rao kadam etc. Other than Khan’s Filmography, no information about him is available.
The story of film Jadui Angoothi-1948 was….Sunder Singh, a poor youth, wishes to leave home in search of fame and fortune, but his mother, believing that one’s life is determined by fate, tries to reason with her son, and as a test she suggests he try to marry a princess and see what happens. Sunder takes the challenge and heads out to find and woo his would-be bride. On the journey, Sunder battles two ruffians, Bahadur Singh and Sher Singh, and when the princess learns of Sunder’s valor and heroism, she falls in love.
Sunder requests to marry the princess, and the king agrees, but on one condition — that the young man search for, and bring back, a legendary magic ring which is kept by an evil wizard. Bahadur Singh and Sher Singh, still stinging from their defeat, use black magic to try and stop Sunder from reaching his goal.
Sunder Singh, with great courage and valour fights all evils, kills the evil wizard and gets the Magic Ring. The king is very happy and marries the princess with Sunder singh. However, after the marriage, the Magic Ring is transformed into a Fairy who blesses Sunder singh, the king and the princess and vanishes. (with thanks to cinemajadoo.com)
The cast of the film was Husn Ara, Anil Kumar, Shanta Patel,P.D.Lal,Gulnar, Agha Shapoor, Anwari, Razia Begum etc. Anwari was the second wife of Music Director Rafiq Ghaznavi and was already divorced. Razia Begum was the elder sister of actress Suraiya Zulfi.
Actor Anil Kumar (Sardar Gul) was born in 1915 at Calcutta.His father had a fruit business. They were from Peshawar (just like Dilip Kumar). He was not much educated but could speak Hindi, Urdu and English fluently. Once he went to Bombay to meet a friend. There he met an old acquaintance, who took him to Sohrab Modi.
The good looking Sardar Gul was liked by Modi and he offered him the lead role in his film ‘ Saed E Havas’-36. Sardar Gul was given the screen name of Chandra Kumar. The film was based on a translation of William Shakespeare’s drama- King John, by Agha Hashra Kashmiri in 1907. Sardar Gul was to get Rs. 200 for this work. The film was a flop and Sohrab Modi refused to pay him more than Rs 50. Annoyed, he left Bombay and returned to Calcutta.
However he came back in 1938 and did his first film with a new screen name Anil Kumar. The film was Talwar ka Dhani-38. Soon he was well known and acted in 10 films in the next 3 years. As the decade of the 40s saw many new actors, producers and directors, he was reduced to Character roles and side roles. By 1950, he was almost like an extra. He did work in many films, but only few films credited him, as his roles were negligible. We find his name in just 30 films, where he was credited, the last such film being Tarzan and Deliailah-64.
He had married an actress named Nurjehan, who left films after their marriage.
Today’s song is a duet sung by Hamida Bano and Miss Kalyani aka Kalyani Bai. This seems to be a comedy song.
Song- Sawa gaz ka ghoonghat nikaal meri joru (Jaadui Angoothhi)(1948) Singers- Hamida Bano, Miss Kalyani, Lyricist- Roopbani, MD- Allah Rakha Qureshi
Lyrics
Sawa gaz ka ghoonghat nikaal meri joru
zamaana buraa hai
ho o
ho o
zamaana buraa hai
haaye raam
Sawa gaz ka ghoonghat nikaal meri joru
zamaana buraa hai
ho ho
ho o
zamaana buraa hai
aankhon mein aankhen na daal
mere pyaare
zamaana buraa hai
ho o
ho o
zamaana buraa hai
aankhon mein aankhen na daal
mere pyaare
zamaana buraa hai
ho o
ho o
zamaana buraa hai
joru hamaari badi bholi bhaali ee ee
joru hamaari badi bholi bhaali ee ee
soorat tumhaaree na gori na kaali
soorat tumhaaree na gori na kaali
tum ho badi bemisaal
meri sakhiyon
zamaana buraa hai
ho o
ho o
zamaana buraa hai
Sawa gaz ka ghoonghat nikaal meri joru
zamaana buraa hai
ho o
ho o
zamaana buraa hai
joru hamaari ki kismat niraali ee ee
joru hamaari ki kismat niraali ee ee
ho gayi budhiya magar goad khaali
ho gayi budhiya magar goad khaali
na munni na godi mein laal
meri pyaari
zamaana buraa hai
ho o
ho o
zamaana buraa hai
Sawa gaz ka ghoonghat nikal meri joru
zamaana buraa hai
ho o
ho o
zamaana buraa hai
swaami hamaare
abhi to hain bachche ae ae
swaami hamaare
abhi to hain bachche ae ae
umar ke bhi chhote
akal ke bhi kachche
umar ke bhi chhote
akal ke bhi kachche
umar ho ?? hazaar
sakhi ree
zamaana buraa hai
ho o
ho o
zamaana buraa hai
Sawa gaz ka ghoonghat nikaal meri joru
zamaana buraa hai
ho o
ho o
zamaana buraa hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5279 | Post No. : | 17296 |
———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 141
————————————————————————————–
On this date ten years back viz on 31 December 2012, seven songs from seven movies were covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 7294 | Jhulna jhulaave Nandlala | Narsi Bhagat (1940) | 3 songs covered out of 15 by now |
| 7295 | Dekho dekho sajan tum na aana | Meri Kahaani (1948) | 4 songs covered out of 10 by now |
| 7296 | Baaje waala Patiyaale waala | Basant (1960) | 12 songs covered out of 14 by now |
| 7297 | Chhainyaa re chhainya re taaron ki chhainyaa | The Train(1970) | Movie YIPPEED by now |
| 7298 | Dil agar hai paas to huzoor zara laaiye | Shree Naqad Narayan(1955) | 5 songs covered out of 11 by now |
| 7299 | Dil ko na mere tadpaao | Badtameez (1966) | Movie YIPPEED in the blog with this song |
| 7300 | Mohabbat ka haath jawaani ka palla | Howrah Bridge(1958) | Movie YIPPEED by now |
We notice that three movies (out of seven) whose songs were discussed ten years ago on this date (viz on 31 decemberb2012) have since been YIPPEED. One of them in fact was YIPPEED on that date.
That leaves us with four movies that are eligible for blog Ten Year Challenge today. One movie was earlier taken up under Blog Ten Year Challenge. Another movie eligible for Blog Ten Year Challenge today is “Shri Nagad Narayan”(1955).
This movie was a comedy movie. It was produced by Suraj Narayan Kanav and directed by I S Johar for Kamdhenu Films, Bombay. The movie had Meena(Shorey) , Motilal, Majnu, Badri Prasad, Om Prakash, Murad, Shireen, Baby Naaz, Leela Mishra etc in it.
“Shri Nagad Narayan”(1955) had 11 songs in it. Five songs have been covered so far.
Here is the sixth song from the movie to appear in the blog. This song is sung by Shamshad Begam and chorus. Qamar Jalalabadi is the lyricist. Music is composed by Vinod.
Lyrics of the song and other details were sent by Prakashchandra.
Some words in the lyrics do not make sense. I request our knowledgeable readers to suggest corrections, in any in the lyrics of this song that sounds like a comedy song.
audio link:
Song-Hum to aaya hain tere deedaar ke liye (Shri Nagad Narayan)(1955) Singer-Shamshad Begam, Lyrics-Qamar Jalalabadi, MD-Vinod
Chorus + Shamshad Begam
Male Chorus
Male chorus + Female chorus
Lyrics(Provided by Prakashchandra)
O aayaa hai ae ae
hum to aayaa hai
tere deedar ke liye
okhhoo jaan bhee dey degaa
tere pyaar ke liye
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa aa
chakey gulfam ke vaavvaa wayyi
chakey gulfam ke vavvaa aa
aankh milaa ke zaraa tu
dil ki baat jaan ley ae
o o o wayyee wayyi..ee
sachchaa teraa pyaar hai to
tu hamein pehchaan ley ae
o o o wayyee wayyi
tu hamein pehchaan ley
tu hamein pehchaan ley
kaafi hai ishaara samajhdaar ke liye
okho jaan bhee dey degaa
tere pyaar ke liye
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa aa aa aa
aapko gharoor thhaa
kareeb khaa gayee nazar
oo oo o wayyee wayyi
dekhiye zaraa idhar
magar jigar ko thhaam kar
o o o o wayyee wayyi
haan jigar ko thhaam kar
hho jigar ko thhaam kar
ladki ek ladkaa banee pyaar ke liye
oohho jaan bhee de degaa
tere pyaar ke liye
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa aa
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa aa aaaa
deejiye muaaf
ab hazoor mere bhool ko
o o wayyee wayyi
leejiye bulbul chalee hai
saath leke phool ko
o o o wayyee wayyi
saath leke phool ko
saath leke phool ko
phool to banaa hai
gulzaar ke liye
oho jaan bhee de degaa
tere pyaar ke liye
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa
chakey gulfam ke vaavvaa wayyi
chakey gulfam ke vavvaa aa aaaa
oh aayaa hai ae aey ae
hum to aayaa hai
tere deedaar ke liye
ohho jaan bhee dey degaa
tere pyaar ke liye
chakkey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa aa aaaa
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa aa aaa
chakey gulfam ke vaavaa wayyi
chakey gulfam ke vavvaa aa
Iskee ho gayee uski ho gayee
Posted on: December 30, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5278 | Post No. : | 17292 |
We have been introducing new movies on the blog at a fair rate. Somehow in this process our other objective of ‘Yippeeee’ing’ the movies closer to their final songs have taken a back seat. With this post we once again resume this activity and start taking such movies to ‘Yippeeee-land’.
One such movie waiting for its final song to be covered on the blog, since Feb’2022 (there might be movies pending before this also), is today’s movie ‘Aag Aur Daag’ of the year ‘1971’.
It has been over fifty years now since this movie was released.
Alphabetically ‘Aag Aur Daagh-1971’ is the first movie of the decade 1971-1980. It was passed by Censor Board on 20.01.1971.
The first movie 0f ‘1971’, as per date of certification by censor board, is ‘Johar Mehmood In Hongkong’. It was passed by censor board on 04.01.1971.
Both these movies have been represented on the blog, and both are yet to be Yippeeee’ed 😊 We are going to say ‘Yippeeee’ to one today.
‘Aag Aur Daagh-1971’ was directed by A. Salam for ‘Movie Temple, Bombay’. It was produced by Swarn Singh.
It had Joy Mukherji, Komal, Jayant, Madan Puri, I.S. Johar, Helen, Bhagwan, Sudhir, Zeb Rehman, Rajan Haksar, Shetty, Kundan, Shefali, Paro, Majnu, Roopali, Uma Dutt, Shabana, Rajrani, Darshan, Amar, Subhash, Shaloo, Sameena, Master Rodney, Sumeet, Bipin Khosla and others.
This movie was written by Charandas Shokh. Editing of this movie was done by R.V. Shrikhande.
This movie had six songs (including one two-part song) written by Noor Dewasi (one song) and S.H. Bihari (five songs, including one two-part song).
Music for ‘Aag Aur Daagh-1971’ was composed by N. Dutta.
Following is the list of songs in this movie as appearing in HFGK Vol-V (1971-1980).
| S.No. | Song Title | Singer/s | Lyricist | Posted on |
|---|---|---|---|---|
| 01 | Ye pyaar ka jhagdaa hai | Mohd Rafi | Noor Dewasi | 29.04.2012 |
| 02 | Choli bheegi, lat bheegi | Asha Bhonsle | S.H. Bihari | 16.04.2012 |
| 03 | Hamse badhhkar kaun hoga aap ka deewaanaa/a> | Mohd Rafi,Asha Bhonsle | S.H. Bihari | 06.07.2021 |
| 04 | Aaj in haathon mein phir se zindagi…Tere is pyaar ka shukriyaa | Mohd Rafi | S.H. Bihari | 09.02.2012 |
| 05 | a) Iski ho gayi, uski ho gayi b) Naa baaba naa | Mohd Rafi | S.H. Bihari | Being covered today |
| 06 | Aaj ki raat faisle ki raat hai | Asha Bhonsle | S.H. Bihari | 09.02.2022 |
From the above table we can see that this movie ‘Aag Aur Daagh-1971’ started its journey on the blog on 09.02.2012 when one of its songs was posted on the blog. Two more songs were posted on 16.04.2012 & 29.04.2012. After posting of these three songs there was a long gap between the third and fourth song of this movie on the blog. The fourth song of this movie was posted on the blog on 06.07.2021 and the fifth followed on 09.02.2022. Today we are going to post the sixth* and final song of this movie on the blog.
Lyrics for today’s song have been sent by Prakashchandra.
(*HFGK Vol-V 1971-1980 mentions the today’s song as a two-part song).
Today’s song is sung by Mohd Rafi and an unattributed female voice. On screen it is Bhagwan Dada lip-syncing for Rafi’s voice and participating with him in the song dance is actress Roopali (as noted by Prakashchandra).
Lyrics for today’s song are written by S.H. Bihari and music is composed by N. Datta.
Also seen in the picturisation of this song is Joy Mukherjee, Poonam Sinha aka Komal, Sudhir, Zeb Rehman, Kundan, Madan Puri and many others.
With today’s song this movie ‘Aag Aur Daagh-1971’ has all its songs posted on the blog and it joins the ‘list of movies -all songs covered’ on the blog 😊
Let us now listen to today’s song and enjoy it by watching it on the blog …
Audio
Video
Song-Iskee ho gayee uskee ho gayee (Aag aur Daag)(1971) Singer-Rafi, Lyrics-S H Bihari, MD-N Datta
Unknown female voice
Lyrics (Provided by Prakashchandra)
brrr…bru…ruuu brurrrrrrrrrrr hhaa
aahhaa aahhaa aahhaaa aahhaa
adippaa adippaa adippaa
addippaa..aa…aaa
aahhaa aahhaaa aahhaa aahhaaa
hhaa aa hhaa aaa hhaa aa hhaa
hoyye aey ae ae ae
haaye iski ho gayee
oye uski ho gayee
arre iski ho gayee
o uski ho gayee
iski ho gayi
uski ho gayi
sabki ho gayi shaadi
main bechaaraa bhaag mein jiske
ab tak hai barbaadi
koyi to dayaa karo re
koyi to reham karo re
koyi to dayaa karo re
koyi to reham karo re ae ae ae
aahoon aahoon
main aaoon aaoon
aaoon aaoon
main aaoon aaoon..oon
naa aa naaa aaan
sab khaate hain pakee pakaayi
main ik phoonkoon choolhaa…aa…aaa…aa
sab khaate hain pakee pakaayi
main ik phookoon choolhaa…aa
mujhko bhi to mil kar yaaron
kabhi banaa do dulhaa…aaa..aa
aahaa ahaa aahaa…aaa…
aaa ahaa
beech umariyaa aan phansee hai ab jeewan ki naao…oo
mujhko bhi to badh kar koyi varmaalaa pehnaao…oo
ujdey ujdey ghar mein mere ae ae ae
ujdey ujdey ghar mein mere
ho jaaye aabaadi
koyi to dayaa karo re
koyi to reham karo re ae
koyi to dayaa karo re
koyi to reham karo re ae ae ae
aaoon aaoon
o bolo aaoon aaoon
tum bolo bolo bolo
main aaoon aaoon…oon..oon
naa aa baabaa naaa aaa
bru rrr rr bru.rrr…rrr…rrr
aahaa aahhaaa aahaa aahaahaaa aaa
oo ooo o aa aaa aa
Bikaner ka ghagraa choli aur
Dilli ke kangnaa…aa…aaa..
Bikaner ka ghagraa choli aur
Dilli ke kangnaa…aa
mat poochho jab chalegi gori
chhamm chhamm more angnaa…aa…aa
paas pados ke rehne waale
dekhenge lalchaake ae ae
geet Milan ke gaayegi meri chhammo dhol bajaa ke
daan dahej mein bartan honge ae ae ae ae
daan dahej mein bartan honge
asal morabdabadi
koyi to dayaa karo re
koyi to reham karo re ae
koyi to dayaa karo (he) re
koyi to reham karo re ae ae
aahoon aahoon
o bhai aaoon aaoon
o bolo ahoon aaoon
main aaoon aaoon..oon
na baabaa naa…aaa…aaa
mujhko bhaiyya sabhi chalegi
gori ho yaa kaali ee ee ee ee ee
mujhko bhaiyya sabhi chalegi
gori ho ya kaali
itnaa dhyaan rahe ke ho koyi chhori nakhre waali ee
o bachke zaraa aa aaaa
hahaa aaa aaa
do nainaa matwaare hon to kya kehne hain uske ae
chhod ke saaraa dhandhaa
baithhaa rahoongaa ghar mein ghus ke
aur badhaataa jaaoongaa main aen aen aen aen
aur badhaataa jaaoongaa main
Bhaarat ki aabaadi
koyi to dayaa karo re
koyi to reham karo re
koyi to dayaa karo re
koyi to reham karo re ae ae ae ae
aaoon aaoon
main aaoon aaoon
o main aaoon aaoon
o main aaoon aaoon bolo
naa aa naa baabaa…aa…aaaa
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5272 | Post No. : | 17281 |
98th birth anniversary of Mohammed Rafi sahab
Rafi Sahab’s Legendary Associations – 11
How the human mind works and the vagaries of human memory system, the scientists are still figuring out. I, for one, am very grateful that my memory brings forth to the mind a significant Rafi song to write a post at the most unexpected moment.
Since last few months, things have been very hectic at the domestic front, for no real tangible reason. They just are somewhat crazy, with stress levels running high on the work front too. Family events, travels notwithstanding, I should have written a few more posts this year, if only I could focus. So much so that I was on the verge of advising the HOD that the office needs a “self-help-stress management” “how to make the office atmosphere positive” “How to have healthy work relations with colleagues” sort of workshops/seminar. Not that I am going to do any such thing as advising the HOD, at-least I am trying not to. The thing is, a close friend expressed an opinion, if any such events are organised at the office, this will add to the stress levels of the already stressed-out officers.
I could also suggest some soothing music to be played on the non-existing PA system. There really are many classic music compositions, human civilization has produced. Many of them are having soothing qualities, some have the capacity to amaze the listener, that something like this could be created. There are many amazing and wonderful things, that we human can be grateful for. Sounds of music is one of them. The simplest things in life, which are free are to be valued and be thankful for. I thought the pandemic and tribulations it brought to humans, would make us all better humans, and teach us thankfulness, for many of the blessings which we all take to granted.
Post pandemic, as the world is back to normal, the massive restrictions during 2020 & 2021 are all but forgotten, which seem like a bad dream. Only sometimes I think of those days when work from home was possible, that was one advantage.
I honestly feel, it has had an impact on the evolution of humans. It has had huge psychological impact on young kids and elders. It is to be hoped that kids with the resilience of the young, will get past this bad dream. But the reminders of the bad dream are everywhere around us. The other day, I saw those round circles painted on the floor outside a supermarket. We were made to stand in queue to buy groceries, only a few people allowed inside at a time, to buy essentials for gods sake. If this was not a trial of psychological bondage training imparted to masses, then what was it? No wonder, humans, evolved after the pandemic are more disgruntled than before.
As the scientific community is grappling with the impact on the mental health (which is the new pandemic), lowered immunity in young and old, it is the responsibility and duty of able-minded people in the society to take great care, of their social surroundings, environment and individuals who may need a word or two, of care, of encouragement, of belief, of faith that things do not remain the same, they always change for the better.
No doubt that the research papers and thesis that come out on the impact of COVID – 19 on humanity, will point to the great stress it put on the psychological strength of the world’s populace. For this, the disease is not at fault, but the handling of the crisis, is the culprit. Having said this, I admit that being judgmental in hindsight is easy. But dealing with the aftermath is not going to be easy and it requires all the resilience of humanity.
I read about the voyager 1 & 2 sometime back and about the recordings of sounds to earth which they carried. With great hope I looked for the details of Indian songs in the 90 minutes music record. I found this Hindustani classical song is part of that.
| Bhairavi: Jaat Kahan Ho | Traditional | Kesarbai Kerkar (vocals) with harmonium, Tanpura and tabla accompaniment | Recorded in Bombay, April 1953 | Hindustani Shastriya Sangeet (Indian classical music) | 3:30 |
Hindustani classical music is an important component of sound of earth in all senses, so its inclusion in the above record is not a surprise. For our part, we have here a hindi film song which is a Hindustani classical song, by Mohammed Rafi Sahab. This is from the film Mrig Trishna(1975), written and composed by Shambhu Sen. This is a soothing, mental massage, critically acclaimed song. I was aware of the song and have heard it many times before today. I have also heard a great fan of Rafi Sahab, singing this song, and he was all praises for this rendition by the maestro. Obviously, he knows a great deal more about classical music than me. I had seen the song many times of TV too. So as soon as he said the mukhda before singing it, I was able to recollect even the filming of the song, and Hema Malini dancing to it. This was a few years ago. But today seeing the song again, I have also remembered reading somewhere, about the location shoot of the song. It is filmed at an actual location of some Haveli or fort is Rajasthan. The original art work and carpet and the carving in the pillars and jharokhas is visible in the hall.
Before starting this post I had checked and could not find the film Mrig Trishna (1975) in the list. But I just thought of checking it again, and now I find that 2 songs from this film are posted and this particular song is posted here.
So here we are, in the 99th year of Rafi Sahab, we are soon going to enter the 100th year of Rafi Sahab. I hope and pray, that we maintain the equilibrium as humanity and take inspiration from the personality of Rafi Sahab and his life’s principles.
Rafi Sahab, keep spreading happiness and peace to the world and beyond, even if the Voyager, has missed out on including your amazing voice. No doubt, as one of the super creations, Rafi sahab has made his contribution to this civilization and increased the ‘shobhaa’ of this ‘sansaar’.
I am posting this funny group song from the film Madhur Milan(1955), which the antithesis of Hindustani classical, which was my original idea for this post. Geeta Dutt and A. R. Ojha are giving company or having fun with Rafi sahab in the song composed by Bulo C. Rani. Raja Mehdi Ali Khan is the lyricist. Among the legendary associations, Geeta Dutt, is next to only Asha Bhonsle. Raja Mehdi Ali Khan was also part of Madan Mohan’s team for a time. While Bulo C. Rani has composed many sweet renditions by Rafi sahab in early 50’s, some of which I have posted.
So we enjoy this social comic song by this team on this birth anniversary occasion.
Song-Joru ne nikaala hai deewaala mere ghar ka (Madhur Milan)(1955) singers-Mohammed Rafi, A R Oza, Geeta Dutt, Lyrics- Raja Mehdi Ali Khan, MD-Bulo C. Rani
A r Oza + Geeta Dutt
Mohammad Rafi + Geeta Dutt
Lyrics
Ek taraf meraa ghar hai
aur ek taraf susaraal.. ha
lut gayaa main duniyaa waalon
meraa bura haal… hunh hunh
joru ne nikaala hai diwaala mere ghar ka
diwaala mere ghar ka
diwaala mere ghar ka
suno bhai
ban gaya hai maalik
meraa saala mere ghar ka
ban gaya hai maalik
meraa saala mere ghar ka
o joru ne
nikaala hai
deewaala mere ghar ka
ghar ka mere ghar ka
o joru ne
nikaala hai
diwaala mere ghar ka
ghar ka mere ghar ka
o joru ne
aisi taqdeer jaagi
do gharon ke mel se
jale unn ki laaltain
woh bhi mere tel se
handiya mein bhi padta hai
masaala mere ghar ka
handiya mein bhi padta hai
masaala mere ghar ka
ban gaya hai maalik
meraa saala mere ghar ka
ban gaya hai maalik
meraa saala mere ghar ka
laayi thhi jahez mein tu
poori baarah thhaaliyaan
tu poori baarah thhaaliyaan
le gayi utthaa ke
sab ki sab hain meri saaliyaan
de do unn ko jaa ke
chaabhi taala mere ghar kaa
ban gaya hai maalik
meraa saala mere ghar ka
ban gaya hai maalik
meraa saala mere ghar ka
arey saala saala saala
kya kehta hai
saala teraa kya le gayaa
nikaal ? ? ka photo
mere ghar se uttha ke le gayaa
tu ne bhi to odhaa hai
dushaala mere ghar ke
arey tu ne bhi to odhaa hai
dushaala mere ghar ke
khabardaar mister jo tu ne
meri behan ko daantaa
arre waah betaa
khabardaar mister jo tu ne
meri behan ko daantaa
peethh pe mukka maaroongaa main
munh pe doonga chaanta
peetth pe mukka maarungaa main
munh pe doonga chaanta
arey ladna hai to lad lo jimaar daala maar daala maar daala
bhai ko bachaao ji bachaao ji bachaao ji bachaao ji
maar daala maar daala maar daala
(h oho h oho h oho)
bhai ko bachaao ji bachaao ji bachaao ji bachaao ji
bachchon budhon naujawaanon
meri madad ko aao ji
maar daala maar daala maar daala
bhai ko bachaao ji bachaao ji bachaao ji bachaao ji
hosh mein aao
duniyaa ko
tamasha kyun
dikhaaaate ho…..
apne ghar ka ronaa ro ke ae ae
duniyaa ko hansaate ho o o
haayen… jaao bhai
jaao tum kya
dekhte deewar se
jaao bhai
jaao tum kya
dekhte deewar se
miyaan biwi
aapas mein to
lad rahen hain pyaar se
ha ha ha ha
miyaan biwi
aapas mein to
lad rahen hain pyaar se
bandar ka tamasha nahin
bhaalu ka tamasha nahin
tum kaahe ko dekhte
ghotaala mere ghar ka
arey tum kaahe ko dekhte
ghotaala mere ghar ka
dekho ji
ab na gaana
kya
o joru ne
nikaala hai
diwaala mere ghar ka
ghar ka mere ghar ka
o joru ne
Tu thahar abhi main aaya
Posted on: December 23, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5271 | Post No. : | 17280 |
Today’s song is a comedy duet from the film Jhamela-1953.
The song is sung by Chitalkar and Sunder Singh – the comedian. Many of you would be surprised if I tell you that in the beginning of his career, Sunder-the well known comedian was a Hero in many films. Not only this, but also that he was a good singer and he has sung as many as 40 songs in as many as 25 films !
In the world of Hindi cinema, there are many such surprises. Can you believe that the actor Ranjan ( Ramnarayan Venkataraman Sarma) was a highly qualified and educated editor of a Music and Dance Magazine in Madras and that he was selected for a film role by a producer, when he was seen by that Producer, when Ranjan was standing in a bus queue ? Ranjan was a Fencing champion of International Olympic standard.
Can you imagine that another comedian and a character actor Janakidas Mehra had represented India in 3 International sports meets as a Cyclist and an Athlete and that he was the only Indian to win the British Empire games Distinction medal ?
Can you believe that the child actor Shashi kapoor (Sr.) left his prospering film career after doing 21 roles in Hindi films and became a Maths professor in the Western Michigan University and taught for 30 years ?
Well, well,well ! I can write a full article, only on such wonders of film artistes. Like their Glory stories, artistes also had sad stories. Once a shining star in the industry some stars ended their lives in the most pathetic way. Music Director Bulo C Rani immolated himself and when the pain became unbearable, he ran on the road screaming for help and died finally falling on the road .
Singing prodigy Parshuram begged on road daily and died drunk on the road of Bandra. His body was burnt by the Municipality as an unclaimed and unknown person.
Actress and singer Vatsala Kumthekar became mad, lived on the road and one day died as an unknown beggar.
Actress singer Rattanbai and actor Wasti begged near the Haji Ali Darga and opposite Liberty Cinema in Bombay, in their last days.
Lalita Pawar, Nalini Jayawant and Parveen Babi died lonely and their bodies were discovered after 3-4 days, by their neighbours and relatives.
Coming back to Sunder Singh, let us see his short Bio… For a long time,I was searching for information on comedian Sunder. I got hold of a 2 page detailed article on Sunder, but it was in Punjabi- which I could not read or use. I found a small paragraph on Sunder in Sanjit Narvekar ji’s book ” Eena Meena Deeka”. Lastly, I requested Harish Raghuwanshi ji for help. Despite his failing health, he promptly sent me articles in Hindi, English and Gujarati, on Sunder. He is such a helpful person. May God give him a healthy life.
Sunder Singh aka Sunder was born in Sialkot, Punjab on 10th August 1916. His father was working in Madon Theatres, Calcutta. Sunder also started working there. Initially, for a long period,he did Girl’s roles. Once his work was seen by H.S.Rawail (Director in later life). He was quite impressed. Later Rawail started working with R.N.Vaidya as his assistant in direction.Meanwhile Sunder started working in Talkie films. His first film,where he was credited, was ” Na hone wali baat”-38. Before that, Rawail and Vaidya were preparing to make the film Banke Sipahi-37.Rawail recommended Sunder and Vaidya gave him an uncredited small role in that film.
Sunder and Rawail became good friends and started staying in one flat in Calcutta. After a few films here, they both went to Lahore and Sunder got the Hero’s role in the film ” Shukriya”-44. There were 4 Heroines in the film- Ramola, Rooplekha, Manorama and Raksha. Sunder’s role in this film was that of a young man from a village and Ramola was from a City. Sunder’s one song from this film-‘ Nayanon ke teer chala gayee ek shehar ki laundiya’ became very popular all over India, However the song was banned in Punjab due to its lyrics. After this they both came back to Calcutta.
His next film was Albeli-45, in which too there were 4 Heroines- Ramola, Rooplekha, Manorama and Usha. In the 40’s , Sunder acted in many films like Arabian Nights, Baap, Shabri, Chandrashekhar, Ek aurat, Grihalaxmi, Lottery, Samapti, Jhoothi kasme, Savyasachi, Do baaten, Shadi ke baad, Bawra, Khiladi, Nai Bhabhi etc. In Calcutta, Sunder got married to a girl from his community. Rawail left for Bombay. After a few months, Sunder also returned to Bombay.
Rawail was very happy to get him back and gave him roles in almost all of his films. Not only Rawail, but also J.Om Prakash, Mohan Kumar, Lekhraj Bhakri, Manoj kumar etc gave him roles in all their films and he became a busy actor. He was at one time, in great demand. He was quite popular due to his nature.In the decade of 50’s he did 88 films, which increased in the 60s and 70s. In the 80s however films came haltingly.
From singing Hero, he became a Junior artiste( extra), in presence of the new crop of actors. The role of comedians was on decline, as Heroes like Amitabh and others did comedy scenes themselves. His health started troubling him. His last film was probably Bahurani-89. He became ill for a long time and finally died on 5-3-1992. Sunder acted in 436 films. He was a good singer and sang his own songs in early cinemas. In all, Sunder sang 40 songs in 25 films. ( Thanks to Harish Raghuwanshi ji for material for adaptation.)
The Music Director of Jhamela-1953 was C.Ramchandra. He and Bhagawan were very good friends from 1936 onwards, when they had first met. That time CR was working under Music Director Meer Saheb, as a Harmonium player and his assistant and Bhagwan was acting in the films of Harishchandra Rao and Chandra Rao Kadam. They were masters in making stunt and action films. In Minerva Movietone of Sohrab Modi, CR worked under several MDs. First it was Bundu khan, then came Habib Khan. After this came B.S.Hoogan. CR learnt many things from Hoogan, especially how to play Indian ragas on western instruments as well as how to make tunes. After Hoogan came Meer Sahib. During the shooting of the film ‘ Bahadur Kissan’, CR and Bhagwan became friends.
With Bhagwan’s help, CR got 2 Tamil films as a M.D. and then made his Debut with Bhagwan’s film “Sukhi Jeevan” in Hindi as a Music Director ,in 1942. Thus they were thick friends till Jhamela-1953. All those years Bhagwan made stunt films and CR gave music to his films as “Anna Saheb”. Due to his encouragement and persistence, Bhagwan jumped into Social films with the film “Albela ”-1951. The film made history in music and a grand run as a film.Even today, the film draws crowds. This was the first film of bhagwan when CR gave music as “C.Ramchandra ” and not Anna Saheb.
CR described all this in his Marathi autobiography – माझ्या जीवनाची सरगम . This book, published in 1977 was never translated into Hindi or English. I ran a series of ” CR and Lata Songs” on this Blog from 30-1-2013 to 11-2-2013, in which I had translated his Marathi autobiography into English serially in each post.`Seeing this translation, many people suggested that I publish the English translation of the Marathi book. The book was copyrighted by the son and daughter of CR , who are practicing doctors in the USA. I always denied doing this, even though great pressure was put on me.
I believe, two years ago its Hindi version came out and last year the book was published in English, though with a different format and a different Title. I am a great fan of CR, but I feel that his autobiography details his sexepades more than his musical journey. In that context, it is a boring book.
Although Bhagwan’s first Social Film Albela became a great Hit giving him name, fame and money, Bhagwan could never repeat this success ever in his life again. He tried all possible ways, conjuring the same team of actors,Lyricist and MD but success always eluded him. More than anything these attempts drained him of his reputation and riches. He had to sell his 7 cars and 4 bungalows and go back to his old Chawl life in a 2 room house. His age was increasing and he landed up doing small,insignificant roles like an ‘Extra’.
Jhamela-53 also became the cause of an unrepairable rift between Bhagwan and CR. CR also lost the companionship of Lata Mangeshkar and his friend Rajinder krishen within the next few years. This is life in the Film Line !
Today’s song is a comedy and fun song between two friends. Enjoy…..
Song- Tu thahar abhi main aaya (Jhamela)(1953) Singers-Chitalkar, Sunder Singh, Lyricist- Rajendra krishna, MD- C.Ramchandra
Lyrics
Tu thahar abhi main aaya
manzoor
Tu thahar abhi main aaya
paape tu thahar abhi main aaya
ho ho tu thahar
abhi main aaya,/em.
Tu thahar abhi main aaya
Tu thahar abhi main aaya
aha
Tu thahar abhi main aaya
nahin
Tu thahar abhi main aaya
paape
Tu thahar abhi main aaya
achcha
arre der na karna bhaiyya
bas abhi gaya
abhi aaya
thank you
Tu thahar abhi main aaya
Tu thahar abhi main aaya
mujhe chhod ke jaa na akela
ho jaaye na koi jhamela
mere paas bahut hai rupaiyya
arre zara jaldi aana
bhaiyya
main pardesi ghabraaya
haa haa
tu thahar abhi main aayapapa tu
manzoor
Tu thahar abhi main aaya
papa tu thahar abhi main aaga
lala tu theher abhi main aaya
meri jeb hai mera khazaana
santanan baje taraana
arre balidaan ki duniya
noton ki na jhalak dikhaana
main tu kehke ho pachhtaaya
haha
Tu thahar abhi main aaya
Tu thahar abhi main aaya
dhan daulat ek museebat
ye duniya bhar ki laanat
thhodi ho to bhookh lagaaye
ho bahut to neend na aaye
bhai ye to sach farmaaya
haha
tu thahar ahi main aaya
no
tu thahar abhi main aaya
bhaiyya
tu thahar abhi main aaya
lala
tu thahar abhi main aaya
pape
tu thahar abhi main aaya
arre der na karna bhaiyya
bas abhi gaya abhi aaya
thank you
Besharmi se sharm na kar
Posted on: November 3, 2022
- In: "Advice" song | Blog Ten Year Challenge (2012-2022) | Light hearted song | Lyrics by Prakashchandra | Lyrics contributed by readers | Manna Dey songs | Mukesh songs | Rafi songs | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5221 | Post No. : | 17213 |
———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 123
————————————————————————————–
Ten years back on this date viz on 3 October 2012, six songs from six movies were covered on the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6939 | Chori chori tori aayi hai Radha | Ham Hindustani (1960) | Movie YIPPEED by now |
| 6940 | Pawan morey angna mein dheere dheere aana | Shehnaayi (1964) | Movie YIPPEED by now |
| 6941 | Tere labon ke muqaabil gulaab kyaa hoga | Mukesh NFS(1965) | |
| 6942 | Ham ne jo tum ko salaam kiya | Insaan Aur Shaitaan (1970) | Movie YIPPEED by now |
| 6943 | Man ke khajaane mein maaya hi maaya | Teen Chor(1973) | One song out of five done |
| 6944 | Ek chhatri aur ham hain do | Maan Gaye Ustaad(1981) | 3 songs covered out of 7 done |
We can see that three movies whose songs were covered on this date ten years ago have since been YIPPEED. Fourth song was an NFS. That leaves us with two movies that are eligoible for blog ten year challenge today (3 November 2022).
“Teen Chor”(1973) is one such movie.
“Teen Chor”(1973) was produced by Gordhandas and Ravi Malik and directed by V Dada Mirasee for The Bharat Pictures, Madras. Th movie had Om Prakash, I.S.Johar, Jeevan, Vinod Mehra, Zaheeda, Ranjeet, Ashoo, Sulochana Latkar, Chaman Puri, Manmohan Krishna, Manmohan, Jagadish Raj, Sudesh Kumar etc in it.
The movie had five songs in it. One song has been covered so far and that song was covered ten years ago. Now exactly ten years later to the date, here is the second song from “Teen Chor”(1973) to appear in the blog. The song is sung by Rafi Manna Dey and Mukesh. It is lip synced by m Prakash, Jeevan and I.S.Johar respectively.
Rajinder Krishan is the lyricist. Music is composed by Sonk Omi.
Lyrics of the song and other details were sent to me by Prakashchandra.
audio link:(includes only 1st and 3rd stanza)
Video link:
Song-Besharmi se sharm na kar (Teen Chor)(1973) Singers-Rafi, Manna Dey, Mukesh, Lyrics-Rajinder Krishan, MD-Sonik Omi
All three
Lyrics(Provided by Prakashchandra) (Video link)
besharmi se ae sharam na kar
hera pheri se mat dar
arrey besharmi se sharam na kar
arrey hera pheri se mat dar
ek pate ki baat kahein hum
jisskaa jootaa
usee kaa sar
ho mister
jiskaa joota usee kaa sar
arrey besharmi se sharam na kar
arrey hera pheri se mat dar
ho besharmi se sharam na kar
arrey hera pheri se mat dar
arrey ek pate ki baat kahein hum
jiskaa jootaa
usee kaa sar
ho mister
jisskaa joothaa usee kaa sar
jhuko toh ye duniyaa thukraaye
akdo toh ye gale lagaaye
jhoothe kaa toh bol hai baalaa
sachchaa dar dar thokar khaaye
jhuko toh ye duniyaa thukraaye
akdo toh ye gale lagaaye
jhoothe kaa toh bol hai baalaa
sachchaa dar dar thokar khaaye
arrey baabaa jhooth ko nis din maalish kar
hoyye sach pe boot ki paalish kar
jhooth ko niss din maalish kar
sach pe boot ki paalish kar
ek pate ki baat kahein hum
jiskaa jootaa usee kaa sar
ho bitwa
jiskaa jootaa usee kaa sar
dekh kabhi naa khotaa sapnaa
maal paraayaa kar le apnaa
apnaa kaam nikal jaaye toh
raam naam ki maalaa japnaa
dekh kabhi naa khotaa sapnaa
maal paraayaa kar le apnaa
arrey apnaa kaam nikal jaaye toh
raam naam ki maalaa japnaa
guru ne ik din khush ho kar
diyaa tha hamko ye mantarrrrrrr
arrey
guru ne ek din khush hokar
diyaa tha hamko ye mantharrr
arrey
ek pate ki baat kahein hum
jiskaa jootaa usee kaa sar
o munna
jisskaa jootaa usee kaa sar
haa
sethon kaa imaan hai paisaa
nirdhan kaa bhagwaan hai paisaa
waisey toh bejaan hai lekin
duniyaa bhar ki jaan hai paisa
arrey baabaa
sethon kaa imaan hai paisaa
nirdhan kaa bhagwaan hai paisaa
waissey toh bejaan hai lekin
duniyaa bhar ki ee jaan hai paisaa
khoon aadmi ee kaa pee kar
aur kaan mein kehtaa thha machchar
arrey khoon aadmi kaa peekar
kaan mein kehtaa tha machchar
ek pate ki baat kahein hum
jisska jootaa usee kaa sar
waahh rey waah
jiskaa jootaa usee kaa sar
arrey besharmi se sharam na kar
hera pheri se mat dar
besharmi se sharam na kar
hera pheri se mat dar
ek pate ki baat kahein hum
jiskaa jootaa usee kaa sar
ho mister
jisskaa joota usee kaa sar
laallalalalaala lalalalalaalaall
lllalalalalalala lllaalalalalalalala
babbababababbbaa..bbbaaaaaaa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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