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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Light hearted song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (25 june 2017) is the 93rd birth anniversary of Madan Mohan (25 june 1924- 14 july 1975). We in this blog traditionally cover songs of artists on their anniversaries. Madan Mohan is a key artist for this blog and we indeed have discussed his songsextensively in the blog, not only on his anniversaries, but also on other days.

According to my records, Madan Mohan composed 627 songs in 93 released movies. This blog has 517 Madan Mohan compositions in the blog from 90 of these released movies, one unreleased movie and also one un-utilised song. 58 movies with Madan Mohan’s compositions are already YIPPEED in the blog. So only 31 movies (plus four movies as yet unrepresented in the blog) are left to be covered. In all, just over 110 odd Madan Mohan compositions are left to be covered.

It goes without saying that this blog is a one stop destination for lots and lots of Madan Mohan compositions at one location.

The earliest Madan Mohan movie that is not yet YIPPEED in “Anjaam”(1952). This movie was produced by V M Vyas and directed by Shanti Kumar for Sunrise Pictures, Bombay. The movie had Premnath, Vyjyanti Mala, Kuldeep Kaur, Yakoob, Dulari, Jankidas, H Prakash, Shammi, Chitralekha etc in it.

The movie had eight songs in it. Six of these songs are already covered. Only one out of the two remaining songs is available online. The one song that is available is a delightful light hearted song that tells us the qualities that a husband should possess. Then it is followed by a wishlist of qualities that a biwi should possess. This song is sung by Asha Bhonsle and Shamshad Begam. Asha Bhonsle tells us about the desirable qualities of a husband-“he should get you a home, a car, should be at your beck and call, etc). Shamshad Begam’s description of a biwi is quite togue in cheek though-“a biwi should divide her day in hotel and night at club. She should be interested in learning all kinds of dances and looking after household works should be least of her priorities”. 🙂

This light hearted song is written by Qamar Jalalabadi, who was quite adept in coming up with such fun songs dealing with Husband-wife nok jhonk. Later he would pen the immortal songs of “Pehli Taareekh”(1954) as well which dealt with the same topic.

Music is composed by Madan Mohan, of course.

The song is sung in one breath, and there is no gap anywhere. So this song, more than three minutes long has just one stanza in it, without any pause !

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, the seventh and penultimate song from “Anjaam”(1952), the only song remaining to be covered is a group song viz-“Saanwar ke rang raati”. I have not been able to locate this song online. So unless this song can be unearthed and posted, “Anjaan”(1952) will remain unYIPPEED. I request our knowledgeable readers to keep an eye on this missing song and inform us as and when this song gets located.

For now, here is this fun song from “Anjaam”(1952) on the occasion of Madan Mohan’s birth anniversary.


Song-Baalam ho to aisa (Anjaam)(1952) Singers-Asha Bhonsle, Shamshad Begam, Lyrics-Qamar Jalalabadi, MD-Madan Mohan

Lyrics

baalam ho to aisa
baalam ho to aisa
hoye baalam ho to aisa
baalam ho to aisa
mohe bangla bana de
car manga de
bank mein rakh de paisa
baalam ho to aisa
baalam ho to aisa
meri jaan
biwi ho to aisi
biwi ho to aisi
hoye biwi ho to aisi
biwi ho to aisi
din hotel mein raat club mein
shakl ho bulbul jaisi
meri jaan
biwi ho to aisi
biwi ho to aisi

hoye baalam ho to aisa
baalam ho to aisa
hoye baalam ho to aisa
baalam ho to aisa
subah shaam jo kare salaam
ban ke rahe biwi ka gulaam
subah shaam jo kare salaam
ban ke rahe biwi ka gulaam
biwi din ko raat kahe
to wo bhi kah de waisa
biwi din ko raat kahe
to wo bhi kah de waisa
baalam ho to aisa
baalam ho to aisa
meri jaan
biwi ho to aisi
biwi ho to aisi
hoye biwi ho to aisi
biwi ho to aisi
baalam se maange bechaari
naye naye jewar nayi nayi saadi
baalam se maange bechaari
naye naye jewar nayi nayi saadi
nikle baalam ka deewaala
haalat kar de aisi
nikle baalam ka deewaala
haalat kar de aisi
biwi ho to aisi
biwi ho to aisi

hoye baalam ho to aisa
baalam ho to aisa
hoye baalam ho to aisa
baalam ho to aisa
naukar jaaye chutti par to wo naukar ban jaaye
haath jodkar bole ae ji madam pi lo chaai
madam chaai pikar bole saahab ho to aisa
madam chaai pikar bole saahab ho to aisa
baalam ho to aisa
baalam ho to aisa
meri jaan
biwi ho to aisi
biwi ho to aisi
hoye biwi ho to aisi
biwi ho to aisi
ghar ke kaam pe daale khaakh
seekh chukhi ho saare naach
ghar ke kaam pe daale khaakh
seekh chukhi ho saare naach
ghar ki haalat jo bana de bilkul hotel jaisi
ghar ki haalat jo bana de bilkul hotel jaisi
biwi ho to aisi
biwi ho to aisi

hoye baalam ho to aisa
baalam ho to aisa
meri jaan
biwi ho to aisi
biwi ho to aisi

hoye baalam ho to aisa
baalam ho to aisa

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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Today we will have a song from the 1957 L.V. Prasad directed Meena Kumari- Raj Kapoor- Shyama starrer ‘Sharada’ – written as ‘Shaarda’ by Atulji in the ‘List-of songs-moviewise’. It is mentioned as ‘Sharada’ in the filmography of Meena Kumari (a rule in English grammar says that proper nouns can be written with any spelling, specially there is no right or wrong spellings as far as Indian words are concerned).

The movie had ten songs with “Raghupati Raaghav Raaja Ram” being a multi-part or multi-version song. Atulji posted the first song from this movie in 2009 – “Lehraaye Jiya Balkhaaye Jiya”   a song sung by Asha Bhonsle and picturised on Shyama. And Atul ji opened that post with these lines.

I thought that I had posted songs from “Sharada” in the past. It turns out that I was confusing “Sharada” with “Sadhana”. Yes, those days we had movies with names like “Sharada”, “Sadhana”, “Kalpana” etc which were also the names of some well-known actresses. Incidentally, the actress with the same name was nowhere to be found in these movies.

The next song to posted on the blog was “Chaahe Zindagi Se Kitna Bhi Bhaag Re“. This was a philosophical song and in his write up with the song Atul ji has mentioned that he was surprised about the company that Raj Kapoor had in this movie namely Meena Kumari heroine, Rajinder Krishan as lyricist and C Ramachandra for music. There have been two more songs since then “Jap Jap Jap Jap Jap Re” and “Raghupati Raaghav Raaja Ram” . This means that it is exactly two years since the last song from the movie was posted.

It is a known fact that Ramchandra Chitalkar mostly used Lata Mangeshkar for his requirements of female voice. But recently I gained knowledge that he has used other singers too. Last month there was this meet of RMIM in Bangalore and at the invitation of our Gajendra Khanna ji I attended it primarily because the focus was to be on C Ramachandra on his birth centenary year. This was a meet of like-minded music aficionados from all parts of India. I felt like a trivial creature in the midst of people who boasted of knowledge about Chitalkar. The feeling of triviality was further compounded when I heard about how people were passionate about their collections of vinyl records, pamphlets of movies, articles about films etc. (A detailed report on the meet is awaited from the master of ceremonies of that event – Gajendra Khanna ji). It was there, at the meet, that I learnt that he has used other female singers too.

Today’s song has Chaandbala, Shamshad Begum and Asha Bhonsle as singers. The song is a stage song. It has Anita Guha playing a dominating wife to a timid husband. There is Agha peeping from behind the sidelines. I would love to know who is the artist – the one lip syncing the lines about the “Lala being a Joru Ka Ghulam”- for whom Asha Bhonsle has given her voice. I would love to know who is playing the timid husband.

I am sure all the regular followers of the blog would have guessed where I am headed. Why I have chosen this particular song and music director. This is my humble gift to the Mahaan fan of C. Ramchandra in our midst.

On the occasion of our Guruji’s birthday let us wish him lots of fun and joy, music and entertainment. I thank the Almighty that he is with us for guiding us through this musical journey of ours, and pray that this journey together continues on and on and . . .

Wish you a very happy Birthday, Guru ji

P.S: please throw some light on the singers of this song specially Chandbala.

Song – Bhaagwaan Zara Dheere Bol (Sharada) (1957) Singers – Asha Bhosle, Shamshad Begum, Chaandbala, Lyrics – Rajendra Krishan, MD – C Ramchandra

Lyrics

ye subah subah kya karte aap
bhaagwaan geeta ka jaap
kyon re nikhattu
bhaade ke tattu
aur nahi koi tujhko kaam
jab dekho ye pustak lekar
japta hai tu ram naam 
ari bhaagwaan
naam ram ka lena to koi paap nahi hai
paki pakai dene wala
ghar me koi tera bap nahi hai

bhaagwaan zara dheere bol
ari bhaagwaan zara dheere bol
kya mai ooncha bol rahi hoon
baat baat me zehar na ghol 
main to amrit ghol rahi hoon
ye amrit hai to ja la de ek zahar ka pyala
ye amrit hai to ja la de ek zahar ka pyala
arre main nahin vidhva hone wali tere kahe se lala
main nahin vidhva hone wali tere kahe se lala
bol ko pehle apne tol
main to moti rol rahi hoon
bhagwaan zara dheere bol
kya mai ooncha bol rahi hoon

kyon bhai lala sundar lala
kaho aajkal kya hai haal
biwi ke haathon bezaar
mar gaye jeete ji hum yaar
chup baithun to wo naraaz
bol padoon to sataynash 
yaar kahi se la de mujhko
tola bhar affyum
sukh saans miley jo chhoote
ye htayaari joon 

dekh lo ye joru ka ghulam dekh lo
dekh lo ye joru ka ghulam dekh lo
mardon ko karey badnam dekh lo
mardon ko karey badnam dekh lo
dekh lo ye joru ka ghulam dekh lo
dekh lo ye joru ka ghulam dekh lo

aaurat se ye maar khaaye
haath utha na paaye
aaurat se ye maar khaaye
haath utha na paaye
to bolo bhaiya kaahe duniya me tum aaye
to bolo bhaiya kaahe duniya me tum aaye

dekhna ho to ye bhola ram dekh lo
dekhna ho to ye bhola ram dekh lo
mardon ko karey badnam dekh lo
dekh lo ye joru ka ghulam dekh lo

are tu hovat bhai kaahe udaas
jab kah hi gaye kavi tulsidas
par lalle ki maa ne bhaiya
padhi nhai ramayan
padhi jo hoti kaahe mere
peechhe padti daayan

to suno bataaun ek tarqeeb
ho jaaoge dang
hing lagey na fitkari
aur chokha aaye rang

kyon re nikhattu
bhaade ke tattu
ho tera satyanash
bol ye tere munh se kaisi
aaj aa rahi baas
hum to aaj chadhaa ke aaye
pee ke aur pila ke aaye
arre bol kahaan se pee ke aaya
ye na samjhna chori ki hai
tere baba ke sang pi hai
leta hai mere baap ka naam 
tera baba badaa sharaabi
mera baba
haan
tera baba badaa kabaabi
mera baba
haan
tera baba
mera baba
tera baba
tera baba
tera baba tera baba
tera baba tera baba

kya ho gaya in ko haaye ram
badal gaye din bhagwaan

bol tu dheere bolegi
bolungi
bol tu dheere bolegi
haan bolungi
zahar kabhi phir gholegi
na na amrit gholungi

kshama karo mere swami mujhko
kshama karo mere swami mujhko
bol ko pehle tolungi
sada hi moti rolungi
sada hi dheere bolungi
haan sada hi dheere bolungi
sada hi dheere bolungi
haan sada hi dheere bolungi
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ये सुबह सुबह क्या करते आप
भागवान गीत का जाप
क्यों रे निखट्टू
भाड़े के टट्टू
और नहीं कोई तुझको काम
जब देखो ये पुस्तक लेकर
जपता है तू राम नाम
अरी भागवान
नाम राम का लेना कोई पाप नहीं है
पकी पकाई देने वाला
घर में कोई तेरा बाप नहीं है

भागवान ज़रा धीरे बोल
अरी भागवान ज़रा धीरे बोल
क्या मैं ऊंचा बोल रही हूँ
बात बात में जहर ना घोल
मैं तो अमृत घोल रही हूँ
ये अमृत है तो जा ला दे एक जहर का प्याला
ये अमृत है तो जा ला दे एक जहर का प्याला
अरे मैं नहीं विधवा होने वाली तेरे कहे से लाला
मैं नहीं विधवा होने वाली तेरे कहे से लाला
बोल को अपने पहले तोल
मैं तो मोती रोल रही हूँ
भागवान ज़रा धीरे बोल
क्या मैं ऊंचा बोल रही हूँ

क्यों भई सुंदर लाला
कहो आज कल क्या है हाल
बीवी के हाथों बेज़ार
मर गए जीते जी हम यार
चुप बैठूँ तो वो नाराज़
बोल पड़ूँ तो सत्यानास
यार कहीं से ला दे मुझको
तोला भर अफफ़्यूम
सुख सांस मिले तो छूटे
ये हत्यारी जून

देख लो ये जोरू का ग़ुलाम देख लो
देख लो ये जोरू का ग़ुलाम देख लो
मर्दों को करे बदनाम देख लो
मर्दों को करे बदनाम देख लो
देख लो ये जोरू का ग़ुलाम देख लो
देख लो ये जोरू का ग़ुलाम देख लो

औरत से ये मार खाये
हाथ उठा नहीं पाये
औरत से ये मार खाये
हाथ उठा नहीं पाये
तो बोलो भैया काहे दुनिया में तुम आए
तो बोलो भैया काहे दुनिया में तुम आए

देखना हो तो ये भोला राम देख लो
देखना हो तो ये भोला राम देख लो
मर्दों को करे बदनाम देख लो
देख लो ये जोरू का ग़ुलाम देख लो

अरे तू होवार भाई काहे उदास
जब कह ही गए कवि तुलसीदास
पर लल्ले की माँ ने भैया
पढ़ी नहीं रामायण
पढ़ती जो होती काहे मेरे
पीछे पड़ती डायन

क्यों रे निखट्टू
भाड़े के टट्टू
हो तेरा सत्यानास
बोल ये तेरे मुंह से कैसी
आज आ रही बास
हम तो आज चढ़ा के आए
पी के और पिला के आए
अरे बोल कहाँ से पी के आया
ये ना समझना चोरी की है
तेरे बाबा के संग पी है
लेता है मेरे बाप का नाम
तेरा बाबा बड़ा शराबी
मेरा बाबा
हाँ
तेरा बाबा बड़ा कबाबी
मेरा बाबा
हाँ
तेरा बाबा
मेरा बाबा
तेरा बाबा
तेरा बाबा
तेरा बाबा तेरा बाबा
तेरा बाबा तेरा बाबा

क्या हो गया इनको हाए राम
बादल गए दिन भागवान

बोल तू धीरे बोलेगी
बोलुंगी
बोल तू धीरे बोलेगी
हाँ बोलुंगी
जहर कभी फिर घोलेगी
ना ना अमृत घोलुंगी

क्षमा करो मेरे स्वामी मुझको
क्षमा करो मेरे स्वामी मुझको
बोल को पहले टोलुंगी
सदा ही मोती रोलुंगी
सदा ही धीरे बोलुंगी
हाँ सदा ही धीरे बोलुंगी
सदा ही धीरे बोलुंगी
हाँ सदा ही धीरे बोलुंगी


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sangeeta” (1950) was directed by Ramanlal Desai for Sudha Pictures Production. The movie had Shyam, Nigar Sultana, Suraiya Choudhary, Ramsingh, Radha Krishnan, Pran, Mumtaz Ali etc in it.

As many as si songs from this movie have been discussed in the past. Here is the seventh song from the movie to appear in the blog. This light hearted song is sung by Lata and C Ramchandra. P L Santoshi is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. My guess is that this song is picturised on Nigar Sultana and Shyam, though I could be wrong. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Girgit ki tarah hain rang badalte fashion waale baabu (Sangeeta)(1950) Singers-Lata, C Ramchandra, Lyrics-P L Santoshi, MD-C Ramchandra
Both

Lyrics

girgit ki tarah hain rang badalte fashion waale baabu
girgit ki tarah hain rang badalte fashion waale baabu
girgit ki tarah hain rang badalte fashion waale baabu

munh pe choone ki safedi
tan pe kaalaa suit hai
tie aayi hai kahin se
to kisi kaa boot hai
jeb mein damdi nahin aur baate karte laakh ki
muft ki cigarette bhi peete
shaan hai ye aap ki
aur matak matak kar chalte hain ye fashion waale baabu
girgit ki tarah hain rang badalte fashion waale baabu

achchhi soorat koi dekhi
chat se aashiq ho gaye
kah diyaa bas tum hamaare
ham tumhaare ho gaye
inki baaton kaa nahin saahib mujhko koi aitbaar
inki baaton kaa nahin saahib mujhko koi aitbaar
ye kapdo ki tarah badalte maashooq bhi din mein teen baar
ye kapado ki tarah badalte maashooq bhi din mein teen baar
har nayi shakl par machalte hain ye fashion waale baabu
har nayi shakl par machalte hain ye fashion waale baabu
girgit ki tarah hain rang badalte fashion waale baabu

bholi bhaali soorat waale
hote hain sab bewafaa
inse jo ulfat kare
ho jaaye duniyaa se safaa

aison hi se karke ulfat
baad mein pachhtaate hain
rang gulaabi dekh ke sehre ka ye mar jaate hain
rah rah ke haath phir malate hai ye fashion waale baabu
rah rah ke haath phir malte hain ye fashion waale baabu
girgit ki tarah hain rang badalte fashion waale baabu


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Agra Road” (1957) was produced and directed by Ravindra Dave for Nagina Films, Bombay. This crime movie had Shakila, Vijay Anand, Nanda, Bhagwan, Satish Vyas, Amarnath, Krishnkant, Dhumal, Nazi etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Reporter Raju”(1962) was a Wadia Brothers Productions/ Basant Pictures production movie. It was produced by Homi Wadia and directed by Dwarka Khosla. The movie had Feroze Khan, Chitra, Jeevankala, Indira, Baby Vidya Rani, Manorama, Ratnamala, Sulochana Chatterjee, Shah Agha, Sunder, Majnoo, Shakeel Noomani, Raj Adeeb, Mintobai, Gani, Mohammed Ali, Geeta, Paro, Julian, B.M.Vyas, Anthny, Bismilla, Mithoo miyaa etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Do Bhai”(1961) was directed by Vishram Bedekar for All India Pictures. The movie had Abhi Bhattacharya, Shakila, Anil Kumar, Helen, Sulochana, Daisy Irani, Manorama, Rajan Haksar, Indira Bansal, Durga Khote, Om Prakash etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maasoom” (1960) was directed by Satyen Bose for Bani Roop Chitra. The movie had Ashok Kumar, Sarosh Irani, Aziz, Honey Irani, Anuva Gupta, Manmohan Krishna, Mohan Choti, Chaman Puri, Bhagwan Sinha, Keshto Mukherjee, Master Nissar, Jeevankala, Gautam, Bir Sakuja etc in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Basant-60. Its namesake film Basant was made in 1942 as well. But in matters of success, both films were opposite to each other. Basant-42, directed by Amiya Chakrawarty , was a successful film, having well known actors and Music Director. Basant-60 in contrast was not so much successful. It was not liked by people, though the lead actors were well known. Nutan was already acclaimed but Shammi Kapoor had yet to come to his elements which he would do with the film Junglee-61. He was still struggling with ‘ Hum sab chor hain ‘ and ‘ Tumsa nahi dekha ‘ acting styles.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 4
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कर्मणये वाधिकारस्ते मां फलेषु कदाचन ।
मां कर्मफलहेतुर्भू: मांते संङगोस्त्वकर्मणि ।।
Karmanye aadhikaraste ma phaleshu kadachan
Ma karmaphalheturbhu maate sangostavakarmani

[You have a right to perform your duties but without any expectation.  You have no right to the fruits of your works. Let yourselves be not attached to inaction.]

I used to remember this shloka (verses) during the telecasting of ‘Mahabharat’ on TV. In the recent period, I have once again started recalling this shloka as I find this shloka apt for Atul ji! He has been doing his karma (duties) of posting Hindi film and non-film songs faithfully since the inception of the Blog on July 19, 2008 without expectation of any kind of rewards.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is believed that one needs to train hard and later work hard to become anything in life. But in India, people try to avoid hard work and want to succeed overnight. People trying to use “approach” to please higher ups-be they top officials or gods, instead of working to qualify for the job, is common.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13300 song posts by now.

This blog is active and online for over 3200 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13378

Number of movies covered in the blog

Movies with all their songs covered =1012
Total Number of movies covered =3703

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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