Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Light hearted song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Taxi Driver”(1973) was produced and directed by Mohammad Hussain for M H Films Production, Bombay. The movie had Ashok Kumar, Nirupa Roy, Helen, Vishal Anand aka Bhisham Kohli(Chalte Chalte fame), Anupama, Habib, Asit Sen, Munshi Munaqqa, Nazir Kashmiri, Uma Dutt, Ratna Mala, JankiDAss, Tuntun, Paro, Upendra Trivedi, Mohan Choti, Shabnam, Bhagwan dada, Sham Kumar,Dada Curtey, Prabha Desai, Jerry, Sabir, Gul Hamid, Maqbul, Dog Prince, Faryal, Jayashree T, Jagdeep, Randhir etc. in it.

The movie had six songs in it. Five songs from the movie have been discussed in the blog. Here is the sixth and final song from “Taxi Driver”(1973) to figure in the blog.

This song, the least known song from the movie, is sung by two unknown singers called Badri and Ambar Kumar. Farooque Kaiser is the lyricist. Music is composed by O P Nayyar.

In this song, two bemused visitors to Bombay get a culture shock looking at the ways of the Bombay residents in general and Bombay ladies in particular. Only the audio of this song is available so we cannot tell how and on whom this song is picturised. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Taxi Driver”(1973) joins the list of movies that have all their songs covered in the blog.


Song-Na inka rang asli hai na inka roop asli hai (Taxi driver)(1973) Singers-Badri, Ambar Kumar, Lyrics-Farooque Kaiser, MD-O P Nayyar

Lyrics

na inka rang asli hai
na inka roop asli hai
ye bambai hai haseenon ki
yahaan har cheez naqli hai
na inka rang asli hai
na inka roop asli hai
ye bambai hai haseenon ki
yahaan har cheez naqli hai
na inka rang asli hai
na inka roop asli hai

pahan kar bhai ki lungi
chali hai sair ko bahna
meri maano to tum aisi bala se door hi rahna
chipak kar rah gayi taangon se ye patloon angrezi
chipak kar rah gayi taangon se ye patloon angrezi
ye kapde aise pahne hain ke jaise kuchh nahin pahna
ye kapde aise pahne hain ke jaise kuchh nahin pahna
lage hain is ko par jhoothe
ye dhokhebaaz titli hai
ye bambai hai haseenon ki
yahaan har cheez naqli hai
na inka rang asli hai
na inka roop asli hai

laga ke surkhi aur laali
kiya hai laal gaalon ko
banaaya ghonsla chidiyon ka
apne sir ke baalon ko
na iski aankh mein jaadu
na iski chaal mein masti
na iski aankh mein jaadu
na iski chaal mein masti
bana daala hai andha
isne saare aankh waalon ko
bana daala hai andha
isne saare aankh waalon ko
ye baahar se hai naarangi
magar andar se imli hai
ye bambai hai haseenon ki
yahaan har cheez naqli hai
na inka rang asli hai
na inka roop asli hai

ye nakhre aise karti hain
ke jaise cheeni gudiya hai
magar nazdeek se dekho
to ye painsath ki budhhiya hai
pati bhi iska ghabraata hai
ghar waale bhi darte hain
pati bhi iska ghabraata hai
ghar waale bhi darte hain
na ud jaaye kahin haathon se
ye sone ki chidiya hai
na ud jaaye kahin haathon se
ye sone ki chidiya hai
ye soorat se lage devi
magar aafat ki putli hai
ye bambai hai haseenon ki
yahaan har cheez naqli hai
na inka rang asli hai
na inka roop asli hai
ye bambai hai haseenon ki
yahaan har cheez naqli hai
na inka rang asli hai
na inka roop asli hai

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

While discussing interesting songs from the decade of the 50s, one can not keep away from C Ramchandra’s films. In the early 1950s, Chitalkar was in great demand and his films were becoming popular because of his songs. Of course, there were films like Jhanjhar-53 and Ghungroo-52, which did not become hits in spite of good songs.

Jhanjhar-53 was his own production and he had put great efforts in composing songs for Jhanjhar-53. At the same tie, Filmistan’s film “Anarkali “was also in the making and C.Ramchandra was its Music Director. At one point of time, C.Ramchandra was spending lot of time on Jhanjhar and Filmistan feared that he may neglect their film Anarkali. They even sent a legal notice to him alleging so. Of course, C.Ramchandra refuted this charge. When both films released, it was Anarkali’s music which proved to be record making popular and a hit, while Jhanjhar was declared a Flop. Jhanjhar was a story of an Indian family settled in Malaysia and C.Ramchandra had used Malaysian fast music tunes for this film, but it did not click.

Similarly, Ghungroo-52, which was produced by C.Ramchandra’s close friend Omprakash, was naturally offered to him for its music. Omprakash was its Hero and had two Heroines-Sumitra Devi and Kuldeep kaur, because he had a double role in this film. CR too left no efforts to compose the tunes with great efforts, but the film flopped but the music became popular. In my opinion, all the songs are good in this film, but as the film flopped the songs did not reach a larger audience. Today’s song is from this film, Ghunghroo-52.

The film was directed by Hiren Bose. His name may not be familiar to most readers, but he was a big gun in Bengal. In Bombay, he did not have much success. Several well known actors came from Bengal. Many Directors like, Bimal Roy, Hrishikesh Mukherjee, Nabendu Ghosh, Basu Chatterjee, Basu Bhattacharya, Shakti Samanta, Amiya Chakravarty, Gyan Mukherjee etc enriched the Hindi cinema.

Music directors who came from Bengal like,Hemant kumar,Salil Chaudhari,S D Burman,Anil Biswas,K C Dey,Pankaj Mullik etc provided us wonderful everlasting music.

Most of the directors and composers from Bengal are well known to most of us,but there was ONE name that appeared in many categories like Actor,Director,Story writer,S/Play writer,Lyricist,and Composer too,yet that name is as obscure today as it can be !

That name is HIREN BOSE ( Hirendra Kumar Bose).

Born in Calcutta on 26-9-1903,Hiren completed his college education and learnt classical music & Rabindra sangeet to such proficiency that soon he earned titles of “Vidya Bhushan” and “Sangeet Ratna “. He wrote in Begali papers and for Bangla films too.

He knew that if he has to shine in Films,he must go to Bombay and operate in both in Bombay and Calcutta.He saw Anil Biswas struggling hard in those days and advised him to come to Bombay.Hiren Bose was a very respected man in Film world.Accordingly Anil Biswas came to Bombay and Hiren gave him his first film for Music Direction-Dharam ki Devi-1935,for which Hiren Bose was the Director.

Hiren Bose started acting and directing Bangla filma from 1931 and did 20 films till 1957.

In 1932 he wrote the story and s/play for meerabai-32 and again for Rajrani meera-33.His Hindi films were,Dharam ki devi,Piya ki Jogan,mahageet,India in Africa,Daasi,Banjare,Ghungroo,Raami Dhoban and Raj Ratan.

He even directed a Telugu film-Bhakta Jaidev-1938.

Mahageet-37 was the First Hindi film to have Playback singing from Bombay( after Calcutta in 1935).

Hiren Bose gave music to only 2 films- India in Africa-39 for which no records were issued and then Raami Dhoban-1953.

his last film was Ek Tara(Bangla)-1957. Then he retired.

Hiren Bose died on 18-6-1987 at Calcutta and a most versatile,multifaceted and multilingual personality disappeared for ever.

The cast of the film Ghungroo-52 was Omprakash, Sumitra Devi, Kuldeep Kaur, Badri Pershad, K.N.Singh,Murad etc etc.

Hamid Ali Murad or simply Murad was born at Rampur in Uttar Pradesh in 1911. He was very fair and good looking. He came to Bombay in 1942 to seek roles in films. Mehboob Khan had just established his own studio and Production hose and was making his first film Najma. He gave a role to the fair and handsome Murad in film Najma and thus started his film career with a character role. His career lasted till film Tamacha-1988, All these years he did only character roles.

Murad was so fair and tall that, in those days, many Policemen saluted him as if he was a British person !

Due to his personality, he would be selected for roles of Judge, Police Commissioner, Badshah or a Maharaja. He was a favourite of producers / directors like Mehboob, K.Asif, Sohrab Modi, Kardar, Nitin Bose, Bimal Roy, K.A.Abbas, M.Sadiq etc, who would cast him in their films. Murad did more than 3oo films and in almost 250 films, he did the role of a Judge. That must be a sort of a record,like Iftekhar as Police Commissioner !

Some of his famous films were Andaz, Anandmath, Do Bigha Zameen, Mirza Ghalib, Durgesh Nandini,Heer, Yahudi, Mugha e Azam, Palki etc etc. He fitted perfectly inn Costume, Mughal and Historical films. In 1976-77, he became President of Cine Artistes Association. In 1981, he suffered from Paralysis, but continued to work in films till 1988.

Murad died on 24-4-1997, leaving behind a wife, 3 daughters and one son. His son Raza Murad-famous for his voice- is also an actor. ( Thanks to shri Harish Raghuwanshi ji for information on Murad. )

Film Ghunghroo(1952) had 9 songs. 2 songs are already discussed by Sadanand Kamath ji. This will be the 3rd song. 2 Duets were by Chitalkar and Shamshad Begum. C.Ramchandra had always banked on Shamshad for naughty, playful and comic songs in his films. She too did full justice to his trust Some of their duets like “Mere Piya gaye Rangoon” have become iconic songs. After Lata Mangeshkar became his lead singer, his films were clearly divided into comic, playful and serious songs. While Chitalkar took care of the playful comic songs, serious soft songs were reserved for Lata- who excelled in such songs.

Initially, C.Ramchandra tried to make comic duets with Lata, but he soon found that she was not very comfortable with such songs, though she did full justice to the songs. For example, in film Sargam-50, Lata had 6 duets with Chitalkar and Rafi, in addition to 2 solos and 1 duet with Saraswati Rane. Chitalkar had one solo. No doubt all songs of Sargam-50 became popular, but Lata’s solo and duet with Rane were too good songs. C.Ramchandra had realised that soft and serious songs( Birah songs, particularly) were the comfort zone of Lata and she excelled in such songs. So he was keen on keeping at least 3-4 such songs in every film for Lata.

Today’s song is also a fun song by Chitalkar and Shamshad. The Lyricist of this light hearted song is Rajendra Krishna. Enjoy this duet….


Song-Mere peechhe peechhe aake (Ghunghroo)(1952) Singers-Shamshad Begam, C Ramchandra, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics

ah ha hahaha

mere peechhe pichhe aake
o chhore gore gore
mat khaans re
mat khaans re
mat khaans re
mat khaans re

ye jhooth moothh ki khansi
main lagwa doongi faansi
mat khaans re
mat khaans re
mat khaans re
mat khaans re

ye gali nahin tere baap ki
jaagir nahin hai aapki
ye gali nahin tere baap ki
jaagir nahin hai aapki
mere peechhe tum na aao
mere aage tum na jaao
yoon daal na mujhpe dore
o chhore gore gore
mat khaans re
mat khaans re
mat khaans re
mat khaans re
mere peechhe peechhe aake
o chhore gore gore
mat khaans re
mat khaans re
mat khaans re
mat khaans re

lahron mein shor machaaun
aur tumko maja chakhaaun
lahro me shor machaaun
aur tumko maja chakhaaun
main hanste hanste phir bhi
kho kho kho khaanse jaaun
pad jaao painyya more
aur kaho o gore chhore
mat khaans re
mat khaans re
mat khaans re
mat khans re

mere peechhe peechhe aake
o chhore gore gore
mat khaans re
mat khaans re
mat khaans re
mat khaans re

lo padi main tore painyya
lo padi main tore painyya
ab maana mujhko sainyya
maana re maana
ab chhodo meri bainyya
hum ho gaye hum to tore
o chhore gore gore
mat khaans re
mat khaans re
mat khaans re
mat khaans re
ye jhoothh moothh ki khaansi
ab phir na kahna faansi
mat khaans re
mat khaans re
mat khaans re
mat khaans re


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is a parody song from Devar Bhabhi-58. It is sung by Mohd.Rafi,under the baton of Music Director Ravi. The song is written by Raja Mehandi Ali Khan. The film is making a debut on the Blog with this song.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In Hindi movies, carrying out romance is considered the sole prerogative of the lead pair. Lesser characters in the movie are virtually forbidden to have any feelings, including romantic feelings and so they are not supposed to act romantic.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Wo Din Yaad Karo” (1971) was produced and directed by K Amarnath. The movie had Nanda, Sanjay Khan, Shashikala, Mehmood, Madan Puri, Rajan Haksar, Tuntun, Dhumal, Wasti etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jawaab”(1942) was produced and directed by P C Barua for M P Production, Calcutta. The movie had P C Barua, Kanan Devi, Jamuna, Ahindra Chaudhary, Devbala, Zahar Ganguly, Tulsi Chakraborty, Tandon, Bikram Kapoor etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaahi Lutera”(1965) was produced by Nirmal Anand and directed by Akkoo for BNT Films. The movie had Chitra, Azad, Indira, B.M.Vyas, Nirmal Anand, Tiwari, Shaikh, Heera Sawant, Ram Raseela, Arvid Kumar, Jilani, Krishna, Dog Tiger, Bela Bose etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ilzaam”(1954) was produced and directed by R C Talwar. The movie had Meena Kumari, Kishore Kumar, Shammi, Randheer, Meera Devi, Amar, Jagdish Kamal, Om Prakash, Jagdish Sethi etc in it with Tiwari is gyest appearance
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhakt Pooran”(1952) aka “Parasmani” was a partially colour film. It was produced by Vinod Chandra Desai and directed by Dhirubhai Desai for Vinod Films, Bombay. The movie had Nirupa Roy, Shahu Modak, Vanmala, Sapru, B M Vyas, Niranjan Sharma, Lalita Pawar, Shanta Kunwar, Radha, Dhuliya, Lathani, Amina, Munnas, Anwari, Pratibha, Ramesh Tiwari, Dilip Pahalwan, M Tandon, Baby Naaz, Pappu etc in it.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Many aspirants, dreaming of becoming actor, singer, lyricist, music director etc. have been attracted towards Bollywood right from the time that sound films came into existence in 1931. However, a significantly large numbers of such aspirants do not get a chance to prove their perceived talents. Some of them who get chances in Bollywood are mainly those who have their relatives or friends to recommend them to producers/directors. But there is no guarantee that they would be successful and would establish themselves in the Hindi film industry. Many of them had to either leave the film industry or look for some other vocations in the film industry which were not of their choices.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13000 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13061

Number of movies covered in the blog

Movies with all their songs covered =943 Total Number of movies covered =3664

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Blog Start date: 19 july 2008 Active for 3000 days.
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