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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Light hearted song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Agra Road” (1957) was produced and directed by Ravindra Dave for Nagina Films, Bombay. This crime movie had Shakila, Vijay Anand, Nanda, Bhagwan, Satish Vyas, Amarnath, Krishnkant, Dhumal, Nazi etc in it.

The movie had nine songs in it. Eight songs from the movie have been discussed in the past.

Here is the ninth and final song from “Agra Road” (1957) to appear in the blog. This song is sung by Rafi. Bharat Vyas is the lyricist. Music is composed by Roshan.

This is a rare song. Only its audio is available and that too just the first stanza. One uploader of this song has joined this first stanza with portions of other songs from the movie and attempted to pass it off as a full song.

I have only provide lyrics of the first stanza. The joined up portions are part of other songs that have already been covered in the blog.

This is the best we can do at present till we come across the full version of the song. Till then we ahve to remain satisfied with just this small portion of the song.

With this song, “Agra Road” (1957) joins the list of movies thatg have all their songs covered in the blog.

And with this fun song, Bharat Vyas has slowly and un-noticeably has completed 300 songs as a lyricist in the blog.


Song-Pocket mein botal haathon mein pyaala (Agra Road)(1957) Rafi, Lyrics-Bharat Vyas, MD-Roshan

Pocket mein botal
haathon mein pyaala
main hoon bairam ji daaroowaala
daaroowaala

duniya mere khilaaf
ghar ke mere khilaaf
?? mere khilaaf
aur bachche mere khilaaf
ye bhi khilaaf
wo bhi khilaaf
tum bhi khilaaf
sabhi khilaaf
arre waah waah
phir bhi
sunday ke sunday jaaun khandaala
sunday ke sunday jaaun khandaala
main hoon bairam ji daaroowaala
daaroowaala

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Reporter Raju”(1962) was a Wadia Brothers Productions/ Basant Pictures production movie. It was produced by Homi Wadia and directed by Dwarka Khosla. The movie had Feroze Khan, Chitra, Jeevankala, Indira, Baby Vidya Rani, Manorama, Ratnamala, Sulochana Chatterjee, Shah Agha, Sunder, Majnoo, Shakeel Noomani, Raj Adeeb, Mintobai, Gani, Mohammed Ali, Geeta, Paro, Julian, B.M.Vyas, Anthny, Bismilla, Mithoo miyaa etc in it.

The movie receives a favourable review from Memsaab.

This movie had five songs in it. Four songs from the movie have been discussed in the past.

Here is the fifth and final song from “Reporter Raju”(1962) to appear in the blog. This song is sung by Suman Kalyanpur, Rafi and chorus. Raja Mehdi Ali Khan is the lyricist. Music is composed by S Mohinder. This is the most fun filled on all the songs in the movie. From the details provided in Memsaab’s review, we gather that this qawwali is performed by Kohinoor Theater Company led by Dewan Sunderlal (Sunder) and his beloved Gopi (Jeewankala). The lyrics of the qawwaali tell us of the situation when women would rule. If that happened then it is the males who would be required to remain behind veil. Women would go to office and males would be left holding up crying kids.

The lyricist, Raja Mehdi Ali Khan has let his hair down and he has come up with some wonderfully hilarious scenario for hapless males in a women ruled world. 🙂 The song is an aural and visual delight !

PS-My thanks to Prakashchandra for identifying several actors in the picturisation.

With this fantastic gem of a qawwwali, “Reporter Raju”(1962) joins the list of movies that have all their songs covered in the blog.


Song-Tum mard nikaaloge ghoonghat (Reporter Raju)(1962) Singers-Suman Kalyanpur, Rafi, Lyrics-Raja Mehdi Ali Khan, MD-S Mohinder
Female chorus
Male chorus

Lyrics

tum mard nikaaloge ghoonghat
jab raaz hamaara aayega
tum mard nikaaloge ghoonghat
jab raaz hamaara aayega
tum mard nikaaloge ghoonghat
tum mard nikaaloge ghoonghat
tum mard nikaaloge ghoonghat
jab raaz hamaara aayega
o o o
o o
duniya ho jaayegi chaupat
duniya ho jaayegi chaupat
duniya ho jaayegi chaupat
jab raaz tumhaara aayega
tum mard nikaaloge ghoonghat
jab raaz hamaara aayega

maathe pe tumhaare hogi bindiya
aur naak mein nathh latka denge
aur naak mein nathh latka denge
hum shaan se office jaayenge
chauke mein tumhen bithhla denge
chauke mein tumhen bithhla denge
haathon mein tumhaare rota hua
ik ik bachcha pakda denge
ik ik bachcha pakda denge
band kar ke chaar deewaari mein
upar ye board laga denge
kya
aa aa aa
aa aa aa
bulbulon
mat ro
yahaan aansoo bahaana hai mana aa
is kafas ke qaidiyon ko
gul machaana hai mana
bulbulon mat ro yahaan aan

aa aa aa
aa aa aa
hamko jo tumne tang kiya
aakhir mein tumhi pachhtaaogi
aakhir mein tumhi pachhtaaogi
dil leke agar hum bhaag gaye
munh takti hi rah jaaogi
munh takti hi rah jaaogi
aage aage hum sab honge
peechhe peechhe tum aaogi
peechhe peechhe tum aaogi
hum to phir haath na aayenge
tum sab ro ro ker gaaogi
kya
??????
gham diye mustaqil
kitna naazuk hai dil
ye na jaana
haaye haaye
ye zaalim jamaana

aa aa aa
aa aa aa
tum mard nikaaloge ghoonghat
jab raaz hamaara aayega
tum mard nikaaloge ghoonghat
jab raaz hamaara aayega
duniya ho jaayegi chaupat
jab raaz tumhaara aayega

lahraayega saari duniya pe
ye jhanda laal chunariya ka
ye jhanda laal chunariya ka
na viraha ka koi dukh hoga
na gham hoga saanwariya ka
na gham hoga saanwariya ka
nanadon se na kuchh khatpat hogi
na jhagda saas dewariya ka
na jhagda saas dewariya ka
bandooken lekar chheenenge
hum raaz har ek nagariya ka

aa aa aa
aa aa aa
bandook uthhaiyo mat raani
kahin patli kamar bal kha jaaye
kahin patli kamar bal kha jaaye
ghode pe na chadhna o madam
kahin pairon mein na moch aa jaaye
kahin pairon mein na moch aa jaaye
dushman ne pyaar se dekha to gori na kahin sharma jaaye
gori na kahin sharma jaaye
ik baar kalaiya thhaam jo li
ghabraake na dil gash kha jaaye

aa aa aa
aa aa aa
tum mard nikaaloge ghoonghat
jab raaz hamaara aayega
tum mard nikaaloge ghoonghat
jab raaz hamaara aayega
duniya ho jaayegi chaupat
jab raaz tumhaara aayega
tum mard nikaaloge ghoonghat
jab raaz hamaara aayega
duniya ho jaayegi chaupat
jab raaz tumhaara aayega
tum mard nikaaloge ghoonghat
jab raaz hamaara aayega
duniya ho jaayegi chaupat
jab raaz tumhaara aayegaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Do Bhai”(1961) was directed by Vishram Bedekar for All India Pictures. The movie had Abhi Bhattacharya, Shakila, Anil Kumar, Helen, Sulochana, Daisy Irani, Manorama, Rajan Haksar, Indira Bansal, Durga Khote, Om Prakash etc in it.

Fivesongs from this movie have been discussed in the past.

Here is the sixth and final song from “Do Bhai”(1961) to appear in the blog. This song is a light hearted children’s song. It is sung by Asha Bhonsle and chorus. The song is picturised on Daisy Irani and other children and it is about the exploits of a mighty mouse who has terrified reputed hunters as well as cats, sending them packing to places as far as Calcutta and Delhi respectively. 🙂

Jaan Nisaar Akhtar is the lyricist. Music is composed by N Datta.

With this forgotten gem of a song, “Do Bhai”(1961) joins the list of movies that have all their songs covered in the blog.


Song-Chaacha daudiyo re (Do Bhai)(1961) Singer-Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-N Datta
Chorus

Lyrics

chaacha daudiyo re ki chuhiya kaatne ko aayi
o chaacha daudiyo re ki chuhiya kaatne ko aayi
chuhiya kaatne ko aayi
chuhiya kaatne ko aayi
chaacha daudiyo re ki chuhiya kaatne ko aayi

desh desh ke raaje aaye le le ke bandooken
oye le le ke bandooken
jab chuhiya ne poonchh hilaayi nikli sabki phoonken
chaacha daudiyo re ki chuhiya kaatne ko aayi
chuhiya kaatne ko aayi
chuhiya kaatne ko aayi

o chaacha daudiyo re ki chuhiya kaatne ko aayi

ek din chaacha bola kaatoon chuhiya ka main patta
kaatoon chuhiya ka main patta
kaatoon chuhiya ka main patta

o o
ek din chaacha bola kaatoon chuhiya ka main patta
chuhiya ne ek phoonk jo maari
chuhiya ne ek phoonk jo maari
ja pahuncha Kalkatta
chaacha daudiyo re ki chuhiya kaatne ko aayi
chuhiya kaatne ko aayi
chuhiya kaatne ko aayi

o chaacha daudiyo re ki chuhiya kaatne ko aayi

apna chaacha bada sayaana
apna chaacha bada sayaana
ik din laaya billi
oye ik din laya billi
chuhiya ne ek thokar maari
ja pahuncha wo Dilli
chaacha daudiyo re ki chuhiya kaatne ko aayi
chuhiya kaatne ko aayi
chuhiya kaatne ko aayi

o chaacha daudiyo re ki chuhiya kaatne ko aayi

atom bomb ko lekar aaya chaacha ye matwaala
o chaacha ye matwaala
chaacha ye matwaala

o o
atom bomb ko lekar aaya chaacha ye matwaala
chuhiya ne ik chheenk jo maari
chuhiya ne ik chheenk jo maari
ja pahucha Patiyaala
chaacha daudiyo re ki chuhiya kaatne ko aayi
chuhiya kaatne ko aayi
chuhiya kaatne ko aayi
chaacha daudiyo re ki chuhiya kaatne ko aayi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maasoom” (1960) was directed by Satyen Bose for Bani Roop Chitra. The movie had Ashok Kumar, Sarosh Irani, Aziz, Honey Irani, Anuva Gupta, Manmohan Krishna, Mohan Choti, Chaman Puri, Bhagwan Sinha, Keshto Mukherjee, Master Nissar, Jeevankala, Gautam, Bir Sakuja etc in it.

The title of the movie was an indication that this movie contained the tale of a kid. Today, this movie is known mainly because of its iconic song viz. Naani teri morni ko mor le gaye .

This movie had six songs in it. Five songs from the movie have been discussed in the past.

Here is the sixth and final song from “Maasoom” (1960) to appear in the blog. This song, the least well known song, which is rather an obscure song, is sung by Sabita Bannerji and Rafi. Raja Mehdi Ali Khan is the lyricist. Music is composed by Robin Bannerji.

Only the audio of this song is available. This song is a lighthearted song. It is a parody song sung to the tunes of some well known songs of earlier years.

I request our knowledgeable readers to throw light on the picturisation of this interesting song.

With this song, “Maasoom” (1960) joins the list of movies that have all their songs covered in the blog.


Song-Tu premnagar ka saadhu chalaa kar jaadu (Maasoom)(1960) Singers-Sabita Bannerji, Rafi, Lyrics-Raja Mehdi Ali Khan, MD-Robin Bannerji

Lyrics

tu prem nagar ka saadhu
chalaakar jaadu
mera dil loot liya
oye mera dil loot liya
tu roop nagar ki raani
badi mastaani
mera dil loot liya
haaye mera dil loot liya

ham dekhan ko gaya thha
chalti ka naam gaadi
jab ticket na mila to ham dekh aaya anaadi

sabkuchh tumne dekha
na dekhi hunter waali
hunter waali se mister
darte hain akhkhi chaali(?)
sabkhuch hamne dekha
na dekhi hantar waali

tu prem nagar ka saadhu chalaakar jadu
mera dil loot liya
oye mera dil loot liya
tu roop nagar ki raani
badi mastani
mera dil loot liya
hoye mera dil loot liya

o tere baap ka makaan
sainyya bada aalishaan
poochhe mere abba jaan
hai kiraaya kitna
le ke poora khaandaan
aaja banke mehmaan
main na poochhoon meri jaan
toone khaaya kitna
pyaar ke sholon mein tere
main jaloonga ek din
chhod ke duniya jahannum ko chaloonga ek din
chhod ke duniya jahannum ko chaloonga ek din

tumhaare sang
tumhaare sang main bhi chaloongi piya
jaise patang peechhe dor
haan re piya
jaise patang peechhe dor

chaand chhupa aur kutte bhaunke raat ghazab ki aayi
soch samajh ke milne aana
dekh na le hamsaayi
o o
dekh na le hamsayi

oonche oonche bangle ki diwaare sainya faand ke
ji faand ke
main aaungi
tere liye taangen apni tod ke main aaungi
tere liye taangen apni tod ke
haaye haaye
aha
hurr
hoy
hoy


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Basant-60. Its namesake film Basant was made in 1942 as well. But in matters of success, both films were opposite to each other. Basant-42, directed by Amiya Chakrawarty , was a successful film, having well known actors and Music Director. Basant-60 in contrast was not so much successful. It was not liked by people, though the lead actors were well known. Nutan was already acclaimed but Shammi Kapoor had yet to come to his elements which he would do with the film Junglee-61. He was still struggling with ‘ Hum sab chor hain ‘ and ‘ Tumsa nahi dekha ‘ acting styles.

Nutan and Shammi Kapor came together for the first time in the film ” Laila Majnu “-53. Basant-60 was their second film. They were yet to become comfortable with each other and it was noticeable in the film too ! Nutan was a fine, talented artiste. She did such films for sustenance. Later this pair was to do yet another film, “Laat sahib “-67, by which time they had beccome seasoned actors.

However, one feels that Nutan was not an actress suited for Shammi’s style. He was suited more for actresses like Sharmila, Asha Parekh, Saira Bano, Kalpana etc. Moreover in the 60s, Shammi Kapoor’s films did not need any story. His films had almost the same story, with few cosmetic changes here and there. Audience went to see the film for Shammi’s antics, his love scenes with New actresses every time and for its Music.

Otherwise also, 1960’s films were escapist films. There was a quantum shift from social issues, reforms, poor farmers, family feuds etc of 1950s to Love, Romance,Music and Dance. Cinema showed us what we always dreamt-Ooty, Shimla, Kashmir, Manali, Musoorie, Himalayas, Villas, Imported cars, Heroines changing clothes 10 times in a day, Heroes stunningly rich or without a job need, or worry of any kind, circling around trees, Bees kissing each other and comic respites with specialist Comedians. In the beginning of such genre of films, a few early films could not develop this technique fully, but it was perfected soon enough and then we had films like Dil deke dekho, Love in Simla,Jab pyar kisise hota hai, Ek Musafir ek haseena etc etc.

The director of this film was B.Mitra or Bibhuti Mitra. Born in 1915 at Calcutta, he joined New Thatres as an assistant in the studio after graduating. Soon he shifted to Bombay and produced two documentaris- V for Victory and Voice of Youth, both in 1941, for British Government as an effort to their war propoganda. These documentaries were shown all over India, in the Theatres.

He tried his hand at film direction. His first film ‘Angoothi’-43 was a resounding Flop. Ashok Kumar was its Hero.when Angoothi was released Ashok’s film Kismet was creating records all over India. Even then, Angoothi ran only for 3 days and it was withdrawn from theatres.

Normally, in Film Industry, an unsuccessful Director is not touched with even a barge pole, but S. Mukherjee selected him as a Director, in Filmistan.

His first film with Filmistan was Safar-46. The director of the film was Bibhuti Mitra. C.Ramchandra was the Music Director. In fact this was his first film after joining Filmistan. Mitra had a nasty habit of interfering in the Music Director’s work. C.Ramchandra did not like it. But because of Shashdhar Mukherjee, he kept quiet. Luckily, halfway through the film, Mitra left and went away to Calcutta.

In late 1950, when the work for film Shabistan started, Bibhuti Mitra came back to Filmistan to direct this movie. The MD was C.Ramchandra. As expected, Mitra started interfering in film’s music. By now, C.Ramchandra was a well known and successful composer and was in great demand from producers. This time he did not tolerate Mitra’s interference. The matter went to S. Mukherjee. Mukherjee took Mitra’s side, as he had brought him back. C.Ramchandra decided to leave Filmistan. Mukherjee was shocked and tried to dissuade CR from leaving,but CR was firm. However he promissed to mukherjee that whenever Filmistan needed him, he will come back and work. True to his word, C.Ramchandra did come back to do Anarkali-53 and Nastik-54 later on. The balance work of Shabistan was done by Madan Mohan.

Bibhuti mitra( 1-1-1915 to 14-3-1989 ), had directed about 12 films from 1941 to 1972 (including phagun-58 and Ji chahta hai-64). He became a producer with his own Mitra productions. he produced Shart-54, Phagun-58 and Basant-60. After Basant’s failure he wound up his production outfit. He directed his last film Mehmil-72, in which he acted also.

Film Basant-60 had music by O P Nayyar. This was a film of Records. One- the film had 14 songs. One duet ‘Raste mein ek haseen’ featured twice in the film, thus effectively making it 15 songs in the film. Two- in all the 14 songs, Asha Bhosle’s voice was there. Three- she had only 1 solo ( and 2 with chorus). Four- there were 10 duets of Rafi and Asha. This was the highest for both of them in any film, in their careers. There was also a triad with Asha, Rafi and Batish. Even Mughal-e-azam had 12 songs. Five- Comedian Johnny Walker had 4 songs, the highest for him as a comedian in any film where he was not the hero.

One of the reasons why Basant-60 flopped was that its story was a mixture of Safar-46 and Shabnam-49 ( both films had their origins in Hollywood films), which were the most successful films of B.Mitra.

Greta memsaab has been writing reviews of Hindi films since some years now. She has reviewed this film also. As per her review, here is an edited synopsis of film Basant-60…..

“Take the plot of It Happened One Night, sprinkle in some ingredients from An Affair To Remember, then stir in a third plot which is completely nuts, and voila! it’s Basant. Two of my favorite Hollywood films and some masala craziness for the price of one Hindi film! Sure, there are huge plot holes and it’s nonsensical at times, but what do I care—especially when the hero and heroine are my beloved Shammi Kapoor and beautiful Nutan. They are great together: his nonchalant silliness complements her feisty character perfectly.
Plus, there’s Pran! and lovely music from OP Nayyar.

Meenakshi Rai (Nutan) is the spoiled daughter of millionaire Rai Bahadur (Murad). We know that she’s a modern girl because she wears trousers and says “My foot!” a lot. She wants to marry Rajesh (Pran), a man of whom her father disapproves strongly.

Her father is escorting her to Calcutta by train to get her away from Rajesh, but she disembarks at another stop in the middle of the night as he is sleeping. Her bag is stolen on the platform by a scoundrel named Billoo (Johnny Walker) and she chases him to a nearby fairground, where she recovers her bag but discovers that her father already has the police after her.

To escape them, she takes to the stage and sings a lovely song (“Raaste Mein”) with a guy named Ashim (Shammi Kapoor). But when she returns to the train station to catch the Bombay train, it’s crawling with police and her father is there! So is Ashim, who has figured out who she is; he’s traveling to Bombay as well.

She decides to take the bus instead and sits next to Billoo—who steals all the money from her purse when she isn’t looking. For some reason never explained, Ashim is on the bus too, and sees a police roadblock ahead. He pushes Billoo aside and saves her from detection.

They enact a hilarious drama of a possessive husband and his shrewish wife, and the policeman flees to avoid getting involved. Shammi and Nutan are really fun to watch as he continues to needle her (and imitates her “My foot!” at every opportunity), and she gives it back to him as good as she gets.

To escape further notice, Meenakshi and Ashim take to the side roads. When Billoo the con man sees a poster with her photo and a Rs 50,000 reward, he starts trailing them. There is a lot of other comic side plot action with Johnny, but I won’t go into it here. He is pretty funny, though.

As Meenakshi and Ashim head towards Bombay by whatever transport they can find, they argue a lot but are getting acquainted too. She tells him that she is headstrong because her father has always been so controlling, and she is longing for a little freedom. They are so CUTE together.

Back in Bombay, Rai Bahadur just wants his daughter back, and is even willing to compromise with Rajesh.

But Ashim and Meenakshi are falling in love.

So true! When the two reach her home in Bombay, she confesses her feelings to Ashim. He tells her to meet him after one month apart, as a test to make sure their love is true. This seemed like a bad idea in An Affair To Remember, and it seems like a bad idea now, but she happily agrees.

Unfortunately, Rajesh is waiting in the wings, and he needs her money. On Meenakshi’s birthday—which Ashim attends in disguise—Rai Bahadur announces her engagement to Rajesh, as promised. Ashim is furious and confronts her, but she reassures him that she loves him. Rajesh overhears them, and sends his thugs to kill Ashim when he goes on a trip to deliver a valuable necklace in this place (our lunatic third plot development):

On the night when they are to meet, Meenakshi has a car accident and is paralyzed from her waist down. Rai Bahadur dies of a heart attack when he hears the news. When she recovers enough to leave the hospital in a wheelchair, Rajesh tells her that Ashim is dead too.

Poor Meenakshi is bereft. Is Ashim really dead? If not, where is he? Did he show up for their rendezvous and think her absence meant she had decided to marry Rajesh? Will she marry Rajesh? Will she ever walk again?

Oh, the drama! The tears! The beauty of Shammi! ”

Thank you Greta Memsaab. ( Do you find traces of ‘Chori- Chori’ and ‘Dil hai ki manata hi nahin ‘-91 in this film too ? )

Let us now enjoy one of the funny duets, filmed on Johnny Walker in the film Basant-60.


Song-Duniya pakki four twenty(Basant)(1960) Singers-Rafi, Asha Bhonsle, Lyrics-Qamar Jalalabadi, MD-O P Nayyar

Lyrics

duniya pakki four twenty
duniya pakki four twenty
maar maar ke
are maar mar ke chappal
meri kardi chaplam chanty
duniya four twenty
duniya pakki four twenty

aashiq ki hai reet niraali
bin tabley ke kare qawwaqli
akal ka andha gaanthh ka poora
dil mein mohabbat pocket khaali

jimijimijimijimi
jahaan bhi dekhe koi haseena
wahin baja di ghanty
duniya four twenty

duniya pakki four twenty

chhokariyaan baanki mastaani
sab hai paise ki diwani
inko chaahiye mota bakra
motor saadi surmedaani
jaha bhi tagda engine dekha
karti thamtham thanti
duniya four twenty
duniya pakki four twenty

waah re teri mohabbat ka
len den ke sar par haath
haan tu agar hai chalte purje
mister hum bhi hain chaalaak

aha
bhookhe pet mohabbat kaisi
chhodo tantam tanti
duniya four twenty

duniya pakki four twenty

biwi bachche bahan aur bhaai
sab hain matlab ke shaidaayi
jeb garam to yaara hazaro
kadki ho to kaun ho bhai
haan
biwi bache bahan aur bhai
sab hai matlab ke shaidayi
jeb garam to yara hazaro
kadki ho to kaun ho bhai
ik din inko maal na do to phir
dekho phantam ??
duniya four twenty
duniya pakki four twenty
hahah
hahahwah
duniya pakki four twenty
maar maar ke
haa haha
maar maar ke chappal meri
kar di chaplam ??
duniya four twenty
duniya pakki four twenty


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 4
——————————————————————–

कर्मणये वाधिकारस्ते मां फलेषु कदाचन ।
मां कर्मफलहेतुर्भू: मांते संङगोस्त्वकर्मणि ।।
Karmanye aadhikaraste ma phaleshu kadachan
Ma karmaphalheturbhu maate sangostavakarmani

[You have a right to perform your duties but without any expectation.  You have no right to the fruits of your works. Let yourselves be not attached to inaction.]

I used to remember this shloka (verses) during the telecasting of ‘Mahabharat’ on TV. In the recent period, I have once again started recalling this shloka as I find this shloka apt for Atul ji! He has been doing his karma (duties) of posting Hindi film and non-film songs faithfully since the inception of the Blog on July 19, 2008 without expectation of any kind of rewards.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is believed that one needs to train hard and later work hard to become anything in life. But in India, people try to avoid hard work and want to succeed overnight. People trying to use “approach” to please higher ups-be they top officials or gods, instead of working to qualify for the job, is common.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is my turn today to celebrate a ‘Yippeee’.  I am not sure if I have specifically announced a ‘Yippeee’ in any of my earlier posts. Possibly that could have been before the term ‘Yippeee’ was coined. Today we announce the completion of posting of all songs of the 1956 film ‘Makheechoos’. The important thing for me is that the music is by that unsung genius Vinod.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pyaar Ka Bandhan”(1963) was produced and directed by Naresh Saigal for N S Films. The movie had Raj Kumar, Nishi, Dhumal, Pratima Devi, Helen, Naaz, Jagdish Raaj, Johnny Walker etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sheesham”(1952) was produced by Ram Idnani and directed by Kishore Sharma for Anil Pictures Corporation, Bombay. The movie had Nutan, Nasir Khan, Kuldeep, Gope, Gulab, Kamal, Cuckoo, Gulnar, Anjum, Ramlal, Uma Dutt, Abu Bakr, Kathana, Indu etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13200 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13273

Number of movies covered in the blog

Movies with all their songs covered =1003 Total Number of movies covered =3703

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Blog Start date: 19 july 2008 Active for 3000 days.
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