Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Durga bhajan’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing

#the Decade of Seventies – 1971 – 1980 #
————————————————
# Bhoole-Bisre Geet # 56 #
———————————————–—————-

Recently the blog had been going slow as both our bosses were occupied by some work or the other, blog related, as well as occupational and personal. 🙂  Taking a clue from the number of posts on the blog and later on clarified by Atul ji himself (about the housekeeping of the blog), I had also almost stopped sending mails for new contributions, reminder for old ones and others.

Now, few days back I got into touch with Atul ji to check if it is convenient now for him to review some posts. He immediately advised me that ‘I should do that’. Now, where to start and with which song/post? Was the big question. It always happens when I have to resume something on the blog after a gap. Though I may not be sending some contributions but the thought process and thinking of new posts/topics is always going in the mind. It becomes very difficult when we already have many many songs yet to be posted on the blog even if we consider them for the period 1930 to 1980s.

Given that the ‘Navratri’ festival is in progress, I decided to resume sharing with this song (pending for long, since 2013 🙂 ). It is a ‘Maata Bhajan’. It is from the 1974 movie ‘Aalingan’, sung by Mahendra Kapoor.

‘Alingan’ (alias ‘The Embrace’) is directed by CL Dheer for ‘Jasmine Films, Bombay’. It is produced by PP Javeri. The star cast of this ‘social’ movie incudes Romesh Sharma, Zahira, Suresh Chatwal, Anjana, Achala Sachdev, Nitin Sethi, Ashoo, Raji Sethi, Satyen Kappu, Chanda, Poonam, Vinod Sharma, Raj Verma, Nagar, Cando, Jugnu and Pompy.

The story and screenplay of this movie was written by Shashi Bhushan, and the dialogues were written by Sagar Sarhadi. Ramesh Ahluwalia had done the editing for this movie. This movie was passed by Censor Board on 27.03.1974.

The movie has total five songs (including the today’s two part song), four written by Jan Nisar Akhtar, and one by Naqsh Lyallpuri. As per HFGK Vol-V, the music for this movie was composed by Jaidev and Sapan Jagmohan. Asha Bhonsle, Manna Dey, Mahendra Kapoor and Mohd Rafi had given their voices to the songs in this movie. As per HFGK the song being presented today is written by Naqsh Lyallpuri.

Out of the five songs of this movie three songs have been posted on the blog so far. Today’s song is fourth song of this movie ‘Aaglingan’ to appear on the blog. When I initially shared this song in 2013 there was only one version (or part) of this song that I could locate at that time. Later after a gap of two years i.e. in 2015 I became aware of a second part of this song (which in the movie is an extension of the first part), having an unknown male voice along with Mahendra Kapoor who is main singer of the song. However HFGK Vol V does not mention this song in two parts and the name of the other singer (I guess it is Narendra Chanchal).

Now since the movie is available online I decided to watch it, because the link of the second part that I found in 2015 had become obsolete now and was not available. Though audio for both the parts was now available. I must say that the movie is interesting and one can watch it once. It did have its own highs and lows, but also touches some relevant issues like the individuals sacrificing their lives for the country and families serving the armed forces and where we have families whose generation after generation have been serving the armed forces and sacrificing their lives fighting wars.

Now as per the titles of this movie credits for ‘Music’ are to Jaidev only. I would request knowledgeable readers to throw more light on this.

So far we have three songs from this movie already posted on the blog. These are,

Pyaas Thi Phir Bhi Taqaaza Na Kiya
I am aware of this song since late eighties as it is in one of the compilation cassette of Manna Dey songs in my collection.

Hamaare Dil Ko Tum Ne Dil Bana Diya
In the above post Atul ji have mentioned the name of both Jaidev and Sapan Jagmohan, which I am sure he has taken from the information given in HFGK.

And, “Is Tarah Jaao Nahin

Coming back to the today’s song, a Goddess Durga bhajan, it happens at the end of the movie where the hero’s mother Achala Sachdev has organized a ‘Durga Pooja’ as our hero and heroine are getting marry. But one can see in the video of this song that the heroine has some different thoughts in her mind and she decides to run away from the marriage (and commit suicide). However the hero saves her and then it is there that the heroine explains the trauma she had gone through. And this brings us to the climax of the movie where the hero of the movie Romesh Sharma, heroine Zahira and Zahira’s mother (I am unable to identify the actress) get rid of Zahira’s step father, who is the villain in this movie. Again I am forgetting this actor’s name who I remember to have watched in many movies of those years.

All this happens while the pooja ceremonies are still in progress, and the ‘devotees’ are still praising the Goddess and singing this bhajan. As the hero and heroine happily join the ‘pooja’ after the villain’s end, we get to the extended version of this song which is part two of this song. I am also unable to identify the actor lip syncing in Mahendra Kapoor’s voice and I would request knowledgeable readers to identify this actor please.

Let us now listen to this beautiful composition, 

Maat Ang Chola Saaje Har Ek Rang Chola Saaje

Video

Audio (Part 1)

Audio (Part 2)

Song – Maat Ang Chola Saaje, Har Ek Rang Chola Saaje (Aalingan) (1974) Singer – Mahendra Kapoor, Lyrics – Naqsh Lyallpuri, MD – Sapan Jagmohan
Unidentified Male Voice
Chorus

 

Lyrics

Part i
hey maa

maa aa aa
maat ang cholaa saaje ae
har ek rang cholaa saaje
maat ang cholaa saaje
har ek rang cholaa saaje
maat ang cholaa saaje ae
har ek rang cholaa saaje

maat ki mahima dekho
jyot din raina jaage
maat ki mahima dekho
jyot din raina jaage
maat ang cholaa saaje
har ek rang cholaa saaje
maat ang cholaa saaje
har ek rang cholaa saaje

hey maa
hey maa aa
hey maa aa
tu odhe laal chunariyaa
gehnon se kare singaar
tu odhe laal chunariyaa
gehnon se kare singaar
sheron par kare sawaari
tu shakti ka avtaar
sheron par kare sawaari
tu shakti ka avtaar

tere tej bhare do naina
tere adhron pe muskaan
tere dwaare sees jhukaayen
kya nirbal kya balwaan

hey maa sheraa waaliye
paunawaaliye
hey maa
hey maa

tu odhe laal chunariyaa
gehnon se kare singaar
sheron par kare sawaari
tu shakti ka avatar

(The following does not appear in the video clip; it is taken from other versions available).

(———-
o o o o

tere hi naam ka maata
jagat mein dankaa baaje
tere hi naam ka maata
jagat mein dankaa baaje

maat ang cholaa saaje
har ek rang cholaa saaje
maat ang cholaa saaje ae
har ek rang cholaa saaje

maat ki mahima dekho
jyot din raina jaage
maat ki mahima dekho
jyot din raina jaage
maat ang cholaa saaje
har ek rang cholaa saaje
maat ang cholaa saaje
har ek rang cholaa saaje

———-)

hey maa
hey maa aa
hey maa aa aa

ooncha hai mandir tera
ooncha tera sthaan
ooncha hai mandir tera
ooncha tera sthaan
daani kya koi dooja
maa hoga tere samaan
daani kya koi dooja
maa hoga tere samaan

jo aaye shradhha leke
wo le jaaye wardaan
he maata tu bhakton ke
dukh sukh ka rakkhe dhyaan
o laatawaaliye
sherawaaliye
paunawaaliye
meri ya raaniye
maa
ooncha hai mandir tera
ooncha tera sthaan
daani ko kya koi dooja
maa hoga tere samaan
hey maa
hey maa
tere charnon mein aake
bhagya kaise na jaage
tere charnon mein aake
bhagya kaise na jaage
maat ang cholaa saaje
har ek rang cholaa saaje
maat ang cholaa saaje
har ek rang cholaa saaje
maat ki mahima dekho
jyot din raina jaage
maat ki mahima dekho
jyot din raina jaage
maat ang cholaa saaje
har ek rang cholaa saaje
maat ang cholaa saaje
har ek rang cholaa saaje

Part- 2

oonche mandrawaaliye maata teri sadaa hi
jai
paunawaaliye maata teri sadaa hi
jai
bol saanche darbaar ki
jai

maat ang cholaa saaje
har ek rang cholaa saaje
maat ang cholaa saaje
har ek rang cholaa saaje

maat ki mahima dekho
jyot din raina jaage
maat ki mahima dekho
jyot din raina jaage
maat ang cholaa saaje
har ek rang cholaa saaje ae
maat ang cholaa saaje ae
har ek rang cholaa saaje

hey maa aa
hey maa aa
hey maa aa aa
hey maa

mere dukhde door karo maa aa
mere sankat door karo o
mere dukhde door karo maa aa
mere sankat door karo o

mere saare kashta haro maa
meri vipadaa door karo
mere saare kashta haro maa
meri vipadaa door karo

meri vipadaa door karo maa
meri duvidhaa door karo
mere dukhde door karo maa aa
mere sankat door karo o

jeene ka saahas do maa
jeene ki shakti do

mere saare kashta haro maa
meri vipadaa door karo o

mere dukhde door karo maa
mere sankat door karo 0

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

भाग १
हे माँ
माँ आ आ
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मात अंग चोला साजे ए
हर एक रंग चोला साजे

मात की महिमा देखो ओ
ज्योत दिन रैना जागे
मात की महिमा देखो ओ
ज्योत दिन रैना जागे
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मात अंग चोला साजे ए
हर एक रंग चोला साजे

हे माँ
हे माँ आ
हे माँ आ
तू ओढ़े लाल चुनरिया
गहनों से करे सिंगार
तू ओढ़े लाल चुनरिया
गहनों से करे सिंगार
शेरों पर करे सवारी
तू शक्ति का अवतार
शेरों पर करे सवारी
तू शक्ति का अवतार
तेरे तेज भरे दो नैना
तेरे अधरों पे मुस्कान
तेरे द्वारे सीस झुकाएं
क्या निर्बल क्या बलवान
हे माँ शेरा वालिये
पौनावालिये
हे माँ
हे माँ
तू ओढ़े लाल चुनरिया
गहनों से करे सिंगार
शेरों पर करे सवारी
तू शक्ति का अवतार

हे माँ
हे माँ
हे माँ
ऊंचा है मंदिर तेरा
ऊंचा तेरा स्थान
ऊंचा है मंदिर तेरा
ऊंचा तेरा स्थान
दानी क्या कोई दूजा
माँ होगा तेरे समान
दानी क्या कोई दूजा
माँ होगा तेरे समान

जो आये श्रद्धा ले के
वो ले जाए वरदान
ए माता तू भक्तों के
दुःख सुख का रखे ध्यान
ओ लाटावालिये
शेरांवालिये
पौनावालिये
मेरी या रानिये
माँ
ऊंचा है मंदिर तेरा
ऊंचा तेरा स्थान
दानी क्या कोई दूजा
माँ होगा तेरे समान
हे माँ
हे माँ
तेरे चरणों में आ के ए
भाग्य कैसे न जागे
तेरे चरणों में आ के ए
भाग्य कैसे न जागे
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मात की महिमा देखो ओ
ज्योत दिन रैना जागे
मात की महिमा देखो ओ
ज्योत दिन रैना जागे
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मात अंग चोला साजे ए
हर एक रंग चोला साजे

भाग २

ऊंचे मंदरावालीये माता तेरी सदा ही जय
पौनावालिये माता तेरी सदा ही
जय
बोल सांचे दरबार की
जय

हे माँ आ
हे माँ आ
हे माँ आ आ
हे माँ
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मात की महिमा देखो ओ
ज्योत दिन रैना जागे
मात की महिमा देखो ओ
ज्योत दिन रैना जागे
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मात अंग चोला साजे ए
हर एक रंग चोला साजे
मेरे दुखड़े दूर करो माँ
मेरे संकट दूर करो ओ
मेरे दुखड़े दूर करो माँ
मेरे संकट दूर करो ओ
मेरे सारे कष्ट हरो माँ
मेरी विपदा दूर करो
मेरे सारे कष्ट हरो माँ
मेरी विपदा दूर करो
मेरी विपदा दूर करो माँ
मेरे सारे कष्ट हरो
मेरी विपदा दूर करो माँ
मेरे सारे कष्ट हरो

जीने का साहस दो माँ
जीने की शक्ति दो

मेरे सारे कष्ट हरो माँ
मेरी विपदा दूर करो ओ
मेरे दुखड़े दूर करो माँ
मेरे संकट दूर करो ओ

Advertisements

This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Today’s post is under instructions from my husband- Peevesie’s Dad. Oh yes, he is a silent-satulite (a term coined by team Atulites when referring to spouses of Atulites, the term has no geographical or scientific connotation and will be found only in Atulite-lingo 🙂 ). He had asked me to write a post after we returned from a pilgrimage of Sabarimala, which is the abode of Swami Ayyappa. And as far as possible I fulfil every farmaish/ request of his (actually the children, Peevesie more than her brother, rag the two of us for going out of our way to fulfil each other’s requests- there have been no demands between the two of us only requests).

A recent program that I attended at Chowdiah Memorial with Asha Bhonsle as the attraction is a case in point – we were scheduled to go to Kerala on that date to drop my dear mom-in-law at our native village and my husband (sweetly) asked me to go ahead and book tickets for the show and he himself went with his mom. So, when he indulges me how can I not do what he says? 🙂 These last two months I had been looking for a song that would accompany the post but never found any song or bhajan dedicated to Ayyappa in a Hindi song album- filmy or non-filmy. Even looking up dubbed movies drew a blank. Whatever the internet had to offer were songs in the south Indian languages. But now I think I have found a way out.

The pilgrimage to Sabarimala is neither easy nor tough; what it needs is commitment on the part of the devotee. It can be undertaken by all men and females below the age of 10 and above the age of 50. There are a few legends to explain why this restriction is in place for the ladies. But the main reason, for ladies of age group 10-50 not being allowed is biological and instead of arguing against it; which some sections of the equality for females brigade has undertaken, my personal view is we should respect it. If some rule has been in place for an activity we follow it. If there is a dress code to a party we adhere to it. I have seen people follow the rule of covering their heads at gurudwaras and mosques (am not sure if churches have this rule, but have seen some sections of Kerala Christians cover their heads). If rules can be followed at these places then why not at Hindu places of worship. (I hope that my thoughts are not construed to be against equality for the female gender, they are just my way of looking at things)

The Sabarimala temple is open for a few days (of the Malayalam calendar) every month and from November 15th to January 20th (I think). Devotees who plan to undertake the trip normally live a satvik life for a period of 40 days. They abstain from wine and women, the stricter followers make their own food, visit an Ayyappa temple twice a day, walk bare foot and also don’t shave. Then just before leaving for the trip they have a ritual wherein they gather the main things needed for the pilgrimage in a bag which is carried on their heads till they reach the temple. The bag typically contains two or three coconuts, one of which is filled with ghee for the abhishek of the deity. Plus, pooja items like camphor, agarbatti, pan-supari, beaten rice etc.

The temple itself is in the Periyar Tiger Reserve of western ghats in Kerala’s Pathanamthitta District. One can go up to the Pampa river (which is at the base of the path leading up to the temple) by road, from where it is a climb of about 5 kms of which the initial 2 km or so is very steep. Of course, there are a few palkhis available to carry up those who find the climb difficult. But when one sees the passion in those climbing alongside us it spurs us to try and do the distance without palki assistance. That is what happened with me. I felt a sense of tiredness after the initial half an hour; then I saw who were the people around me. There was a small boy taking his almost 80-year-old grandparents with him. Then there was a man with a twisted ankle making his way uphill and that made me feel I should complete the route. And there is the chant of Swamiye Sharanam Ayyappa (we take refuge in you ayyappa) reverberating about the route, enough to egg you on. A seasoned devotee (like my husband who has gone close to 25 times) may do the path in about two or two and half hours depending on the weather; and I took about two hours and forty minutes in spite of the initial panting and nausea due to the height. But I must admit that then it had felt like a never-ending walk.

Now any person undertaking the pilgrimage for the first time is called a “Kanni Ayyappan” and our group had two of us. And then last month around Onam time when the temple was open my sister’s family- her husband and two nine-year-old sons- also went to the temple. The twins were the life of the group along with a few other kids. About 10-15 years back my aged parents-in-law and parents had undertaken the trip. So, what I am trying to say is age and health should not stop a determined soul from making the trip and there are experienced Ayyappas (that is the term with which the male devotees address each other) to guide those who want to make the trip and believe me it was a great experience enough to make me feel I should redo it.

Reading the above description may have sent images of the trek to Kedarnath, Yamunotri or Vaishno Devi to the reader. Even I recalled my Kedarnath, Yamunotri trip as I was chanting Swamiye Sharanam Ayyappa and singing all the Ayyappa songs I knew to myself during the walk. And in my mind, I visualised my dearest mom-in-law undertaking the Vaishno Devi pilgrimage about 10 years back. Hats off to her spirit! I hope I am half as energetic when I reach her age.

Now that I have mentioned vaishno devi I looked for a song that will show the journey to the temple in the Himalayas in Kashmir. And I found that there is a song in the 1980 released J. Om Prakash movie which shows Rameshwari and Jeetendra going to Vaishno Devi as “Mannat” fulfilment of his mother Sulochana. (wonder why she didn’t accompany them 🙂 ) it shows them trudging up to the temple along with other devotees much like what I experienced. But the difference is the distance which my mom-in-law says is close to 14 kms. The song is from the pen of Anand Bakshi and Laxmi- Pyare are the music directors. Narendra Chanchal and Mohd. Rafi are the playback.
I think this is a good song to start Navaratri with. Bolo Jai Mata Ki!

Editor’ note:- This is the sixth and final song from “Asha”(1980) to appear in the blog. with this song, “Asha”(1980) joins the list of movies that have all their songs covered in the blog.


Song-Toone mujhe bulaaya shera waaliye (Asha)(1980) Singers-Narendra Chanchal, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Rafi + Chanchal

Lyrics

saanchi jyoto waali maata
maata
teri jay-jay-kaar
jay-jay-kaar
jay-jay-kaar
jay-jay-kaar

toone mujhe bulaaya shera waaliye ae
main aaya
main aaya shera vaaliye

toone mujhe bulaaya shera vaaliye
main aaya,
main aaya shera vaaliye

o jyota vaaliye
pahaada vaaliye
o mehra vaaliye ae
toone mujhe bulaaya shera vaaliye
main aaya,
main aaya shera vaaliye

o o
toone mujhe bulaaya shera vaaliye
main aaya
main aaya shera vaaliye

saara jag hai ik banjaara
saara jag hai ik banjaara
sabki manzil tera dwaara
oonche parvat lamba rasta
oonche parvat lamba rasta
par main rah na paaya shera vaaliye
toone mujhe bulaaya shera vaaliye
ho o
main aaya,
main aaya shera vaaliye
toone mujhe bulaaya shera vaaliye

soone man mein jal gayi baati
tere pathh mein mil gaye saathi
munh kholoon kya tujhse maangoon
munh kholoon kya tujhse maangoon
bin maange sab paaya
shera vaaliye ae

toone mujhe bulaaya shera vaaliye
o o o
main aaya
main aaya shera vaaliye

toone mujhe bulaaya shera vaaliye

kaun hai raaja
kaun bhikhaari
kaun hai raaja
kaun bhikhaari
ek baraabar tere saare pujaari
toone sabko darshan de ke
toone sabko darshan de ke
apne gale lagaaya shera vaaliye
toone mujhe bulaaya shera vaaliye
o jota vaaliye
pahaada vaaliye
o mehra vaaliye ae
toone mujhe bulaaya shera vaaliye
main aaya
main aaya shera vaaliye

o prem se bolo
jay maata di
o saare bolo
jay maata di
o aate bolo
jay maata di
o jaate bolo
jay maata di
o kasht nivaare
jay maata di
o paar utaare
jay maata di
devi maan bholi
jay maata di
bhar de jholi
jay maata di
o jode dar par
jay maata di
maa deke darshan
jay maata di
o jay maata di
jay maata di
jay ay ay maata di
jay maata di

jai bhavaani ki jai
pahaada vaali ki jay,
vaishno raani ki jay
ambe raani ki jay
pahada waali ki jai


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Happy Navaratri, Dussehra to all in Atuldom

Today is the second last day or the penultimate day of the Sharad Navaratr also simply called Navaratri? We worship the mother goddess in her various forms viz: Shakti or Durga along with Lakshmi and Saraswati. But I am not going to describe the festival and the rituals attached with it here. Some parts of the country celebrate Dussehra as the day when Lord Rama vanquished the ten headed Demon- King Raavan. This is usually preceded by the Ram Leela being staged in some parts of the country. Lets us summarise to say that Navaratri is the festival where the good is supposed to triumph over the Evil.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp-8)
————————————-

Indians simply love Festivals. If you see carefully, almost throughout the year, some or the other Festival or an important day is being celebrated somewhere in India. For example, take a look here…
Read more on this topic…


Not all Hindi movies are made by big producers. There are many movies that are made by lesser producers with lesser names. Most of these movies, which are known as B and C grade movies, end up remaining unsung and unwatched as majority of such movie do not get proper exposure with the public.
Read more on this topic…


Advertisements

Important Announcement

(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13600 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13654

Number of movies covered in the blog

Movies with all their songs covered =1024
Total Number of movies covered =3736

Total visits so far

  • 9,750,951 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,519 other followers

Bookmark

Bookmark and Share

Recent comments

Category of songs

Archives

Current Visitors

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Stumble

Historical dates

Blog Start date: 19 july 2008

Active for more than 3250 days.

%d bloggers like this: