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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi songs’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
——————————————————————
# Bhoole-Bisre Geet # 54 # Qawwalis – 6#
———————————————–—————-

Today I present a ‘qawwali’ which I was not aware until a year ago till I took up presenting the ‘qawwalies’ from the seventies. Neither have I heard this qawwali anywhere before.

This is from an unreleased movie “Shaadi Kar Lo” (from the decade 1971-1980).

“Shaadi Kar Lo” was directed by Sikandar Khanna for ‘Laxmi Art International, Bombay’. As per information available in HFGK, only two names of its star cast is mentioned – Rupesh Kumar and Helen. Music for this film was composed by Jaidev and its lyricist was Jaan Nisar Akhtar.

But so far as per HFGK this is the only song listed under this movie and until we come across any new discovery or addition of any song which might have been recorded for this movie, the today’s song is the only song from this movie, which is a ‘Qawwali’ sung by Mohd Rafi and Parveen Sultana.

As mentioned above lyrics are by Jaan Nisar Akhtar and this is composed by Jaidev.

I would request knowledgeable readers to throw more light on this movie and its songs.

(The EP record for this song was released by EP no. 7EPE 7225)

Thanking Surinder Sidhu ji for this wonderful upload, let us now enjoy this ‘muqabla qawwali’!!

Song – Na Tum Hato Na Hum Haten (Shaadi Kar Lo) (1970s)(UR) Singer – Mohammed Rafi, Parveen Sultana, Lyrics – Jaan Nisar Akhtar, MD – Jaidev
Unidentified Male Voice
Male Chorus
Female Chorus
All Chorus

Lyrics

aa aa aa aa aa
waah ustaad waah

aa aa aa aa aa aa aa aa aa
aa aa aa aa

shabaab o husn ka tay aaj maskila ho jaaye
zaraa to saaf dilon ka maamila ho jaaye
tumhaara husn hamaari nazar ka saaya hai
tumhaara aa aa aa husn
hamaari nazar ka saaya hai
hamaare saamne baitho
baitho na aa
hamaare saamne baithho
ke faislaa ho jaaye
ho jaaye
ustaad
ho jaaye
ustaad

kya kahaa
hamaara husn
tumhaari nazar ka saaya hai
huzoor ne hamein itna haseen banaaya hai
hoon

haan aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa

kya baat hain

hamen qubool 
hamen qubool jo hona hai
faislaa ho jaaye
muqaabila hai to aao
muqaabila ho jaaye
ho jaaye
ho jaaye

rahe to kyun kafal rahe
rahe to kyun kafal rahe
mili huyi nazar rahe
na tum hato
na ham haten
na tum hato
na ham haten
na tum hato
na ham haten
na tum hato
na ham haten

muqaabila ab to muqaaabila
muqaabila ab to muqaaabila
muqaabila
muqaabila aa
na tum hato
na ham haten
na tum hato
na ham haten

laakh taqraar karo
aa haa
ye to ikraar karo
aa haa
tum ko sau naaz diye
aa haa
saare andaaz diye
aa haa
tum ko sau naaz diye
aa haa
saare andaaz diye
aa haa
rang gaalon mein bharaa
aa haa
dekho aayinaa zaraa
aa haa
zulf ik raat bani
hamse har baat bani
zulf ik raat bani
hamse har baat bani
hamne har tarah sajaaya hai
sanwaaraa hai tumhe
ik haseen phool ke maanind
nikhaara hai tumhe
ham na hote to ye andaaz kahaan se milte
husn ko husn ke aijaaz kahaan se milte
tum qayamat hi sahi
ek aafat hi sahi
ham agar chhod gaye
tum se munh mod gaye
kaun pooje ga tumhe
kaun poochhega tumhe
haar jaaogi aji
sab udaayenge hansi

ha ha ha ha haa

agar hai ab bhi hai hausla aa
to phir rahe muqaabla aa
na tum hato
na ham haten
na tum hato
na ham haten

haan aan
aa aa aa aa aa
na tum hato
na ham haten ae
na tum hato
na ham haten
muqaabila ab to muqaaabila
muqaabila ab to muqaaabila
muqaabila
muqaabila aa
na tum hato
na ham haten
na tum hato
na ham haten

zamaana kul nisaat hai
koi to ham mein baat hai
zamaana kul nisaat hai
koyi to ham mein baat hai
ke aap ham pe
mar mite ae ae
ke aap ham pe
mar mite ae ae
sanam sanam pe mar mite ae
sanam sanam pe mar mite ae
hamen jo chhod jaaoge ae
to dukh pe dukh
uthhaaoge ae
dukh pe dukh
dukh pe dukh
to dukh pe dukh uthhaaoge ae
hai kaun hum sa doosra aa
idhar to dekhiye zaraa aa
rahe to kyun kafal rahe ae ae
mili huyi nazar rahe ae ae ae
na tum hato
na ham haten
na tum hato
na ham haten
na tum hato
na ham haten
na tum hato
na ham haten
muqaabila ab to muqaaabila
muqaabila ab to muqaaabila
muqaabila
muqaabila
na tum hato
na ham haten
na tum hato
na ham haten

hum se roothha na karo
aa haa
itna gussa na karo
aa haa
khair aaraam na do
aa haa
muft ilzaam na do
aa haa
khair aaraam na do
aa haa
muft ilzaam na do
aa haa
dil ko qurbaan kiya
aa haa
kam ye ehsaan kiya
aa haa
hamne har dard sahaa
tumse kuchh bhi na kahaa
hamne har dard sahaa
tumse kuchh bhi na kahaa
hamne tahzeeb e mohabbat se na rishta toda
ho gaye khaaq pe daaman na tumhaaraa chhoda
kisliye hamse har ik baat pe jhagdaa karna
ishq kya jaane bhalaa husn ko ruswaa karnaa aa
itni bedard na ho
haaye
is kadar sard na ho
hoye hoye
ishq ki shaan judaa aa
hoye ae
ishq ki aan judaa aa
haaye haaye
ishq hai dil ki sazaa
ishq aadaab e wafaa
ishq ke saamne kya
husn thehrega bhalaa
ishq ke saamne kya
husn thehrega bhalaa
husn thehrega bhalaa aa

ustaad zaraa hauslaa rakho
hauslaa
haa
agar hai ab bhi hauslaa aa
to phir rahe muqaabila aa aa
muqaabila ab to muqaaabila
muqaabila ab to muqaaabila
muqaabila
muqaabila
na tum hato
na ham haten
na tum hato
na ham haten

tumhe jo hum se pyaar hai
wo jism ki pukaar hai ae
tumhe jo ham se pyaar hai
wo jism ki pukaar hai ae
kabhi chunar dhalak gayi ee
kabhi chunar dhalak gayi ee
to aag si bhadak gayi ee ee
to aag si bhadak gayi ee ee
jawaan badan per mar gaye
lab o dahan pe mar gaye
lab o dahan
lab o dahan
lab o dahan pe mar gaye
tumhaara ishq jhooth hai
ye tan badan ki loot hai
ye loot hai
ye loot hai
ye jhooth hai
ye jhooth hai
ye jhooth hai ae ae ae ae

o ho ho ho o
be baat ye jhagdaa mol liya
be baat ye jhagdaa mol liya
be baat ye jhagdaa mol liya
be wajah dilon ke pyaar gaye
be wajah dilon ke pyaar gaye
lo haath bhi hamne jod liye ae
lo haath bhi hamne
jodo bhai haath jodo
lo haath bhi hamne jod liye ae
tum jeet gayin ham haar gaye
ham haar gaye
tum jeet gayin ham haar gaye
ham haar gaye
ham haar gaye
ham haar gaye
dil haar gaye ae ae ae

bahot muqaabila huaa
bahot muqaabila aa huaa
chalo ye faislaa huaa
ke ham bin tum adhoore
ke tum bin ham adhoore
ke ham bin tum adhoore
ke tum bin ham adhoore

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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, I am presenting a duet song “Zulm Bhi Karten Hain Aur Kehten Hain Fariyaad Na Kar” sung by Suman Kalyanpur and Mohammed Rafi in ‘Mera Ghar Mere Bachche’ (1960). This song has been in my radar for more than two years, to present in the blog. However, I got overtly involved with locating the rare songs from the films of 1940s and share those. During this period, I thought that Rafi fans or ‘Sureeli’ Suman Kalyanpur fans among the Atulites would post this song on the Blog. But this did not happen. So I am destined to present this song.

I have been occasionally listening to this song during the last two years. Each time I heard this song, I felt that what a loss of opportunity for many top music directors to exploit Rafi-Suman Kalyanpur combination which has its own charm for listeners like me. There are obvious reasons for not utilising Rafi-Suman Kalyanpur combination by music directors which are known to most of the Hindi film music lovers. To evaluate what the Hindi film music lovers have lost, listen to some of her songs with Rafi given below:

Chand Takta Hai Idhar  –   Dooj Kaa Chaand (1964) – Roshan

Aapne Huzoor Mujhe Kya Se Kya Bana Diya – Fariyaad (1964) – Snehal Bhatkar

Mujhe Ye Phool Na De Tujhko Dilbari Ki Kasam –  Ghazal (1964) – Madan Mohan

Parbton Ke Pedon Par Shaam Ka Basera Hai – Shagoon (1964) – Khaiyyam

Agar Teri Jalwaa Numaayee Na Hoti –   Beti Bete (1964) – Shankar-Jaikishan

Thahariye Hosh Mein Aa Loon – Mohabbat Isko Kehten Hain (1965) – Khaiyyam

Aise To Na Dekho –   Bheegi Raat  (1965) – Roshan

Incidentally all the teasers listed above had been sung by Suman Kalyanpur with Rafi when Lata Mangeshkar  had stopped singing with him. I did not miss Lata Mangeshkar in the above listed songs.

I have done some approximate calculations of Suman Kalyanpur’s songs with Mohammed Rafi which gives me a tally of 133 songs out of the total of about 760 songs sung by her during her career.  I note from the right side of the home page of the blog that as many as 86 duets of Rafi-Suman Kalyanpur have been covered in the Blog.

While it is difficult of get the exact figure as to how many songs Suman Kalyanpur sang with Mohammed Rafi during the period when Lata Mangeshkar had stopped singing with him (1960-63). The reason is that the points of cessation/resumption of singing by Lata Mangeshkar with Rafi as well as the releases of the films are at different points of time.   One important advantage that Suman Kalyanpur got during 1963 to say 1967 was that  she started getting A grade films with top music directors as against mostly B grade films she used to get for singing during the earlier part of her playback singing career.

‘Mera Ghar Mere Bachche’ (1960) was a Minerva Movietone’s film, produced and directed by Sohrab Modi. The star cast included Sohrab Modi, Sulochana Latkar, Sudesh Kumar, Naaz, Subbiraj, Kavita, Balraj, Sadhana Chowdhari, Charlie, Nana Palsikar, Daisy Irani etc. I have watched the film which is available on YT with some missing portions resulting in the loss of continuity in the film’s story including the end of the film.While the subject of the film – the effect of generation gap – is good, somehow, Sohrab Modi has not been successful in making the subject interesting. Probably, financial constraint may be the reason.

It appears to me that the film was considerably delayed in production. Two signs I get from the film in this context. First, different playback singers have been used for the same character played by Sudesh Kumar for whom both Rafi and Mukesh lip sync for him. Again Mukesh lip syncs for Subbiraj and Rafi for Charlie as well. The second and more important evidence for the film getting delayed is that the credit title shows actress Sadhana Chowdhari being introduced in this film for the first time. The fact is that Sadhana Chowdhari appeared in films ‘Sahara’ (1958), ‘Post Box No,999 (1958) and ‘Bus Conductor’ (1959) which were released earlier than the  ‘Mera Ghar Mere Bachche’ (1960).

Now the story in nutshell:

The story of the film is built around the effect of the generation gap. Inderjit, the father, (Sohrab Modi) and the owner of an engineering firm, is a strict disciplinarian and autocrat. His younger son, Kishore (Sudesh Kumar) and daughter Meena (Naaz) wish to pursue the careers in music and dance respectively which is resented by the father. He imposes his own will as to what career path they should choose. There is a resentment in son and the daughter on this issue. But they cannot express their feelings to the father because of his autocratic nature.

While the younger son is in love with Lata (Kavita) who was an orphan and given shelter in the house, the daughter is in love with Narendra (Subbiraj) whose father (Nana Palsikar) works in  Inderjit’s firm. The father resents both the love affairs mainly because they are not in the same financial status as him. Lata is sent back to her native place and Kishore is made to work in his father’s factory. Narendra’s father is dismissed from the job.

In the meanwhile, knowing her daughter and son’s preferences for their life partners, Parvati, the mother (Sulochana) secretly arranges their marriages. Inderjit is furious and in a fit of anger, he drives all of them out of his palatial house. Now he lives alone in the house.

On the marriage front, nothing works out between Narendra and Meena and between Kishore and Lata. There are arguments and quarrels. In this scenario, Kishore falls in the trap of Lily (Sadhana Chowdhari) and Meena returns to her mother.  The family is in the verge of disintegration.

[Since, the end part of the film was missing in the VCD, I am not aware as to how the film ends. But a scene shown in Inderjit’s office with Lily does gives an indication that Inderjit is prepared to mend his way. But what is the trigger that unites the family? Arun ji, in his comments on one of the songs of the earlier posted songs of this film, has indicated that]
Inderjit suffers a heart attack. The entire family comes to his side to attend to him to make him recover from the illness. This gesture makes Inderjit to realise the importance of family. The entire family is united.

The film had 9 songs all penned by Hasrat Jaipuri, the brother-in-law of Sardar Malik who set the songs to music. Four songs have been covered in the Blog. The song which I am presenting is not available on the DVD/VCD of the film. I have no idea whether the song was originally deleted from the film or deleted only from the DVD/VCD.

Without video also the song is pleasant to the ears.  It is worth noting that the first part of the last two antaras have been rendered by both the singers in higher octave.

Enjoy the romance filled teasing song written by the king of the romantic songs, Hasrat jaipuri.


Song – Zulm Bhi Karte Hain Aur Kehte Hain Ke Fariyaad Na Kar (Mera Ghar Mere Bachche) (1960) Singer – Suman Kalyanpur, Mohammed Rafi, Lyrics – Hasrat Jaipuri, MD – Sardar Malik

Lyrics

zulm bhi karten hain
zulm bhi karten hain
aur kehte hain fariyaad na kar
ek bulbul pe sitam
o mere sayyaad na kar
ek bulbul pe sitam
main hoon tera meri ummeed ko naashad na kar
meri ulfat ko samajh le
meri ulfat ko samajh le
mujhe barbaad na kar
meri ulfat ko samajh le

kuchh na puchho bade zaalim hai zamaane waale
dil kahin aankh kahin jaa ke milaane waale
dil kahin aankh kahin jaa ke milaane waale
ab koi yaad bhi aaye to usey yaad na kar
ek bulbul pe sitam
o mere sayyaad na kar
ek bulbul pe sitam

sab to zaalim nahi hote hain zamaane waale ae
sab to zaalim nahi hote hain zamaane waale
ishq mein jaan bhi dete hain nibhaane waale
ishq mein jaan bhi dete hain nibhaane waale
jhoota ilzaam na de haaye re bedaad na kar
meri ulfat ko samajh le mujhe barbaad na kar
meri ulfat ko samajh le

pyaar sach hai to hamen koi shikaayat hi nahin
pyaar sach hai to hamen koi shikaayat hi nahin
ye na samajho ke hamen tumse mohabbat hi nahin
ye na samajho ke hamen tumse mohabbat hi nahin
pyaar se dil mein samaa pyaar ki fariyaad na kar
pyaar se dil mein samaa….aa

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

ज़ुल्म भी करते हैं
ज़ुल्म भी करते हैं
और कहते हैं फरियाद ना कर
एक बुलबुल पे सितम ओ मेरे सैय्याद ना कर
एक बुलबुल पे सितम
मैं हूँ तेरा मेरी उम्मीद को नाशाद ना कर
मेरी उलफत को समझ ले
मेरी उलफत को समझ ले
मुझे बर्बाद ना कर
मेरी उलफत को समझ ले

कुछ ना पूछो बड़े ज़ालिम हैं जमाने वाले
दिल कहीं आँख कहीं जा के मिलाने वाले
दिल कहीं आँख कहीं जा के मिलाने वाले
अब कोई याद भी आए तो उसे याद ना कर
एक बुलबुल पे सितम ओ मेरे सैय्याद ना कर
एक बुलबुल पे सितम

सब तो ज़ालिम नहीं होते हैं जमाने वाले
सब तो ज़ालिम नहीं होते हैं जमाने वाले
इश्क़ में जान भी देते है निभाने वाले
इश्क़ में जान भी देते है निभाने वाले
झूठा इल्ज़ाम ना दे हाए रे बेदाद ना कर
मेरी उलफत को समझ ले
मुझे बर्बाद ना कर
मेरी उलफत को समझ ले

प्यार सच है तो हमें कोई शिकायत ही नहीं
प्यार सच है तो हमें कोई शिकायत ही नहीं
ये ना समझो के हमें तुमसे मोहब्बत ही नहीं
ये ना समझो के हमें तुमसे मोहब्बत ही नहीं
प्यार से दिल में समा प्यार की फरियाद ना कर
प्यार से दिल में समा॰॰आ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

5th June is celebrated as ‘World Environment Day’ all over the world every year. The theme for this year is “Connecting People to Nature“.

I am approaching today’s post in a different manner. Instead of going into the details of the environmental agencies, their history and purpose, the significant environmental issues being faced by humanity on this planet, etc. I am thinking of our Hindi films and their music. The nature is so intimately connected herein. We cannot imagine our Hindi Film Music without ‘connecting with nature’.

So here I am trying to ‘connect with Nature’ with these beautiful ‘verses’ (taken from some of the memorable songs / poems / lyrics of Hindi films) and pray God that

May the earth be beautiful and
May the nature be bountiful
For the mankind, today
And generations to follow
Forever

The Hindi film song is the ultimate in the variety of just everything under the sun. Just thinking of nature and thinking of environment, there will zip through the mind, countless melodies and snippets of songs. And they moved so fast and so thick, that I am not able to capture them all. As quick as I could jot them down, as they sped past the vantage point in the mind, I make a connect yet once again with these memorable celebrations of the nature and all its elements – the rivers, the oceans, the trees, the mountains, the seasons, the birds, the flowers, the winds, the farmlands. . . you think of it, and there is a song for it in our films. And it makes me wonder, really wonder. . .

ये किस कवि की कल्पना का चमत्कार है
ये कौन चित्रकार है, ये कौन चित्रकार॰ ॰ ॰

I present what I believe is a very short list of nature’s presence in our song and music. I am sure there is a thousand more that you can think of and add. 🙂

हरियाला सावन ढ़ोल बजाता आया॰ ॰ ॰

मतवाला जिया डोले पिया झूमे घाटा छाए रे बादल॰ ॰ ॰

देखो रे आया मौसम सुहाना
कैसे कहूँ सोने का रंग आज लहराया॰ ॰ ॰

नील गगन पे उड़ते बादल आ आ आ
धूप में जलता खेत हमारा कर दे तू छाया॰ ॰ ॰

हे॰॰॰ नीले गगन के तले, धरती का प्यार पले
॰ ॰ ॰
शबनम के मोती, फूलों पे बिखरे
दोनों कि आस फले॰ ॰ ॰

हो नीले पर्वतों की धारा
आई ढूँढने किनारा
बड़ी दूर से॰ ॰ ॰

हरी हरी वसुंधरा पे नीला नीला ये गगन
के जिस पे बादलों की पालकी उड़ा रहा पावन
दिशाएँ देखो रंग भरी
चमक रही उमंग भरी
ये किसने फूल फूल पे किया सिंगार है
॰ ॰ ॰
ध्वजा से ये खड़े हुये हैं वृक्ष देवदार के
गलीचे ये गुलाब के
बगीचे ये बहार के॰ ॰ ॰

परबत ऊपर खिड़की खोले झाँके सुंदर भोर
चले पावन सुहानी
नदियों के ये राग रसीले, झरनों का ये शोर 
बहे झर झर पानी
मदभरा मदभरा समा, बन धुला धुला
हर काली सुख पल यहाँ, रस घुला घुला॰ ॰ ॰

झुकती घटा गाती हवा सपने जगाये
नन्हा से दिल मेरा मचल मचल जाये॰ ॰ ॰

ठंडी हवाएं लहराके आयेँ॰ ॰ ॰

पीपरा के फतवा सरीखे डोले मनवा
के हियरा में उठत हिलोर
पुरवा के झोंकवा में आईओ रे संदेसवा
के चल आज देसवा की ओर॰ ॰ ॰

पुरवा सुहानी आई रे॰ ॰ ॰ पुरवा
ऋतुओं की रानी आई रे॰ ॰ ॰ पुरवा

पर्बतों के पेड़ों पर, शाम का बसेरा है 
सुरमई उजाला है, चम्पई अँधेरा है॰ ॰ ॰

हवाओं पे लिख दो, हवाओं के नाम
हम अंजान परदेसियों का सलाम
॰ ॰ ॰
शाख पर जब धूप आई हाथ छूने के लिए
छांव छम से नीचे उतरी हंस के बोली आइये

पिघला है सोना दूर गगन पर
फैल रहे है शाम के साए॰ ॰ ॰

ये रात ये चांदनी फिर कहाँ॰ ॰ ॰ 
॰ ॰ ॰ पेड़ों की शाखों पर सोयी सोयी चांदनी
॰ ॰ ॰ लहरों के होठों पे मीठा मीठा राग है

चाद मद्धम है आसमान चुप है॰ ॰ ॰

आसमान के नीचे
हम आज अपने पीछे
प्यार का जहां बसा के चले॰ ॰ ॰

चुप है धरती चुप है चाँद सितारे॰ ॰ ॰

चाँद को क्या मालूम चाहता है उसे कोई चकोर॰ ॰ ॰

लहरों में झूलूँ, तारों को छुलूँ
रंगों में तैरूं, फूलों में फूलूँ॰ ॰ ॰

इतनी हसीन इतनी जवान रात क्या करे॰ ॰ ॰

रात मुस्कुराती है धडकनें जगाती है॰ ॰ ॰

आज की रात मुरादों की बारात आई है॰ ॰ ॰

कल और आयेंगे नगमो की खिलती कलियाँ चुनने वाले॰ ॰ ॰

ये बहारों का समा॰ ॰ ॰

ये वादियाँ ये फिजायें बुला रही है तुम्हे॰ ॰ ॰

इन हवाओं में इन फिजाओं में॰ ॰ ॰

कहते हैं तारे
हँसते नज़ारे
खुशियाँ लुटाए चला जा॰ ॰ ॰

छाई कारी बदरिया बैरनिया॰ ॰ ॰

गर्जत बरसत सावन आयो रे॰ ॰ ॰

ओ सजना॰ ॰ ॰
बरखा बहार आई
रस की फुहार लायी

रिम झिम के तराने ले के आई बरसात॰ ॰ ॰

आई झूम के बसंत झूमो संग संग में॰ ॰ ॰

ज़िन्दगी भर नहीं भूलेगी वो बरसात कि रात॰ ॰ ॰

बस्ती बस्ती परबत परबत गाता जाए बंजारा॰ ॰ ॰

हवा चले कैसे,  हवा चले कैसे
न तू जाने, न मैं जानू॰ ॰ ॰

नीली नीली झील में झलके, नील गगन का रूप
बहे रंग के धारे
ऊंचे ऊंचे पेड़ घनेरे, छनती जिनसे धूप
खड़े बांह पसारे
चंपई चंपई फिजा दिन खिला खिला
डाली डाली चिड़ियों की सदा
सुर मिला मिला॰ ॰ ॰

बर्फीली सर्दियों में किसी भी पहाड़ पर
वादी में गूँजती हुई खामोशियाँ सुने॰ ॰ ॰

फूलों के डेरे हैं साए घनेरे हैं
झूम रही है हवाएं॰ ॰ ॰

इस धरती इस खुले गगन का क्या कहना
मदमाती मदभरी पवन का क्या कहना
फूलों भरे ये गुलशन हरे
मगन हुआ तन मन क्या कहना॰ ॰ ॰

भगवन तेरी सुन्दर रचना कितनी न्यारी है
तेरी महिमा के गुण गाता हर नर नारी है॰ ॰ ॰

कश्ती का खामोश सफ़र है, शाम भी है तन्हाई भी
दूर किनारे पर बजती है, लहरों की शहनाई भी
॰ ॰ ॰
आज मुझे कुछ कहना है

Yes, there is something that needs to be said, there is a message of care, of caution that needs to be sent out. And that message is contained in the verses below, from the film ‘Pyaasa’ (1957).

The foot that tramples the innocent bumblebee. . . don’t let that foot be yours. Let this legacy remain for the generations to come.

[Ed Note: Apologies that this post is delayed; should have appeared on 5th June. Avinash ji had sent it in good time. ]


Song – Ye Hanste Huye Phool, Ye Mehka Hua Gulshan (Pyaasa) (1957) Singer – Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – SD Burman

Lyrics

ye hanste huye phool
ye mehka huaa gulshan
ye rang mein aur noor mein
doobi huyi raahen
ye rang mein aur noor mein
doobi huyi raahen

ye phoolon ka ras pee ke
machalte huye bhanware
ye phoolon ka ras pee ke
machalte huye bhanware

main doon bhi to kya doon tumhe
aye shokh nazaaron
le de ke mere paas
kuchh aansoo hain
kuchh aahen

———————————-
Hindi script lyrics (Provided by Ashwini Scrapwaala)
———————————–
ये हँसते हुए फूल
ये महका हुआ गुलशन
ये रंग में और नूर में
डूबी हुयी राहें
ये रंग में और नूर में
डूबी हुयी राहें
ये फूलों का रस पी के
मचलते हुए भंवरे
ये फूलों का रस पी के
मचलते हुए भंवरे

मैं दूं भी तो क्या दूं तुम्हे
अय शोख नजारों
ले दे के मेरे पास
कुछ आंसू है
कुछ आहें



This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Santaan”(1959) was produced by Mahesh Kaul and directed by Jyoti Swaroop for Anupam Chitra Production. The movie had Rajendra Kumar, Kamini Kadam, Nazir Hussain ,Rita Roy, Dulaari, Leela Mishra, Manorama,David Abraham etc in it.

The movie had seven songs in it. Two songs from the movie has been discussed in the past.

Today (8 june 2017) is the 10th remembrance day of Dattaram (1929- 8 june 2007). As a tribute to the music director, here is a song from “Santaan”(1959). This song is sung by Rafi and chorus. Hasrat Jaipuri is the lyricist. Music is composed by Dattaram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song that sounds like a philosophical song and a song with a message.


Song-Jeene waale khushi se jiye jaa (Santaan)(1959) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-Dattaram

Lyrics

aa aa
moorakh bande
aa aa
taqdeer ye bole
aa aa
gham ke toofaan se
yoon na ghabra tu
aa
o o o
aa aa aa
o o o
o o o

jeene waale khushi se jiye ja
apne aansu tu hans kar piye ja
aa aa aa
jeene waale khushi se jiye ja
apne aansu tu hans kar piye ja
jeene waale ae

aa aa aa
aa aa aa
aa aa aa
aa aa aa

yaad aati hai jiski suhaani
aa aa aa aa aa
yaad aati hai jiski suhaani
paas tere hai uski nishaani
ho
paas tere hai uski nishaani
aa aa aa
paas tere hai uski nishaani
kaam tera jo hai wo kiye jaa
aa aa aa
apne aansu tu hans kar piye ja
jeene waale
aa aa aa
aa aa aa
aa aa aa
aa aa aa

laakh mushkil aaye
tu na darna
aa aa aa
laakh mushkil aaye
tu na darna
sabr ki manzilon se guzarna
ho sabr ki manzilon se guzarna
aa aa
sabar ki manzilon se guzarna
toote dil ko tasalli diye ja
aa aa
apne aansu tu hans kar piye ja
jeene waale
aa aa aa
aa aa aa
aa aa aa
aa aa aa

aisi uljhan se kya faayda hai
aa aa aa aa aa
aisi uljhan se kya faayda hai
jo bhi hona thha wo ho chuka hai
haay
jo bhi hona thha wo ho chuka hai
aa aa
jo bhi hona thha wo ho chuka hai
dil ke tukde ki khaatir jiye jaa
aa aa
apne aansu tu hans kar piye ja
aa aa aa
jeene waale khushi se jiye ja
apne aansu tu hans kar piye ja
jeene waale ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Raajraani Damyanti”(1952) was a mythological movie which was produced by Mahipat Rai Shah-Anupchand Shah and directed by Raja Nene for Roopkamal Chitra, Bombay. The movie had Nirupa Roy, Trilok Kapoor, Usha Kiran, Vikas, Baby Tabassum, Ratan Kumar, Prakash, Vasant Kaanse, Shakeela, Shakuntala, Uma Devi, Yashwant Dave, Ram Singh etc in it.

One song from this movie has been discussed in the past.

Here is the second song from this movie to appear in the blog. This song is sung by Rafi. Pt Mukhram Sharma is the lyricist. Music is composed by Avinash Vyas.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-O kaal teri jholi mein kya kya bharey(Raajraani Damyanti)(1952) Singer-Rafi, Lyrics-Pt Mukhram Sharma, MD-Avinash Vyas

Lyrics

o kaal
o kaal
o kaal teri jholi mein kya kya bharey
o kaal teri jholi mein kya kya bharey
hansti hui khushiyaan bharey
rote huye aansoo bharey
o kaal teri jholi mein kya kya bharey

jin pe chhaaya thhi sukhon ki
aaj dukh hain chha rahe
hey mukutdhaari
bhikhaari aaj ban ke ja rahey
praat ko chadhta jo suraj
saanjh ko wo hi gire
o kaal teri jholi mein kya kya bharey

god mein belon ki jhoole
jhool ke jo muskuraaye
chheen kar wo phool toone
door kitni ja giraaye
o kaal tu balwaan hai
koi kare bhi kya karey
o kaal teri jholi mein kya kya bharey

mahlon ke jo rahne waale
khojne saaya chaley
tan hai nanga pair nange
lab jaley bhootal jaley
o kaal teri chaal mein
koi jiye koi mare
o kaal teri jholi mein kya kya bharey
o kaal teri jholi mein kya kya bharey
o kaal teri jholi mein kya kya bharey
hansti hui khushiyaan bharey
rote hue aansu bharey
o kaal teri jholi mein kya kya bharey


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaala Chashma”(1962) was directed by K Vinod for SBV Productions, Bombay. the movie had Manju, Amarnath, Madan Puri, Maruti, Jeevan Kala, Sheikh, Sheela Kashmiri, Abeela Kashmiri, Uma Dutt, Ravikant, Kundan, Ridku, Rani Kaushal, Rehana, Madan Khanna, Soni, Narinder, Prakash, Kailash etc. in it.

This movie had six songs in it. One song from the movie has been discussed in the past.

While discussing the first song from the movie, Sudhir Jee mentioned that with a title like this, he would have steered clear of the movie if he had been in a movie going age at that time. so those who are trying to find the age of Sudhir Jee has some clue that he was not of a movie going age when “Kaala Chashma”(1962) was released. 🙂

As far as I am concerned, I remember that wearing kaala Chashma was considered a style statement among young kids like me and we were always on the look out for such kaala chashma. We would feel jealous of fellow kids who somehow managed to get hold of this coveted item. 🙂

For all we know, this movie may have been meant for kids and those who were kids at heart and who took a fancy for kaala chashma. 🙂

Here is the second song from “Kaala Chashma”(1962) to appear in the blog. Like the first song that has appeared in the blog, this song too is a duet which is sung by Rafi and Kamal Barot. Bismil Ludhianvi is the lyricist. Music is composed by Sardul Kwatra.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song. My kid at heart mind suggests that the lady was not wearing “Kaala chamshma” in the picturisation of this song and that is how the gentleman could diagnose that her nain were “nasheele”. 🙂


Song-Nain nasheele honth gulaabi (Kaala Chashma)(1962) Singers-Rafi, Kamal Barot, Lyrics-Bismil Ludhianvi, MD-Sardul Kwatra

Lyrics

nain nasheele honth gulaabi
mukhda gora gora
roop tera hai chhalke
jaise ras ka bhara katora
mera rah rah ke dil machle
allah ji mera rah rah ke dil machle
dekh akeli
samajh ke bholi
kaahe daale dorey
haath nahin main aane waali
sunle o munhjore
chaahe dil mein tu laakh jaley
haaye haaye ji chaahe dil mein tu laakh jaley

o o o
neechi nazar ka hoon maara
phiroon main ban aawaara
teri kasam
o o o
hosh mein aa deewaane
sambhal mastaane
kaisi kasam

naagin si bal khaati kamar
aur chaal teri mastaani
jaise dharti pe chaand chale
haan haan ji mera rah rah ke dil machle
dekh akeli
samajh ke bholi
kaahe daale dorey
haath nahin main aane waali
sunle o munhjore
chaahe dil mein tu laakh jaley
haaye haaye ji chaahe dil mein tu laakh jaley

o o o
raat gujaaroon gin taare
o gori bin tumhaare
chain nahin
o o o
jaao ji jaao
na banaao
hamen na yoon sataao
nahin hai yaqeen

palkon se main kaanten chun loon
phool bichha doon raah mein
jo tu mil ke hai saath chale
allah ji mera rah rah ke dil machle
dekh akeli
samajh ke bholi
kaahe daale dorey
haath nahin main aane waali
sun le o munhjore
chaahe dil mein tu laakh jaley
haaye haaye ji chaahe dil mein tu laakh jaley


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Riyaasat”(1955) was directed by Jaswant Jhaweri for Roopkamal Chitra, Bombay. The movie had Mahipal, Mala Sinha, Sunder, Kamal, Hiralal, Prakash, Babu Raje etc in it.

The movie had seven songs in it. One song from the movie has been covered in the past.

Here is the second song from “Riyaasat”(1955) to appear in the blog. This song is a duet sung by Geeta Dutt and Rafi. Prem Dhawan is the lyricist. Music is composed by Avinash Vyas.

Only the audio of this rare song is available. My guess is that this song is picturised on the lead pair of Mahipal and Mala Sinha, but I cannot be sure. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Aisi nazren na daal (Riyaasat)(1955) Singers-Geeta Dutt, Rafi, Lyrics-Prem Dhawan, MD-Avinash Vyas

Lyrics

aisi nazren naa daal
kar le khayaal
keh dengi aankhen saari duniya se haal
rakkho ji dil ko zara apne sambhaal
aa haa
ye gore gore gaal
lahraate baal
thumak thumak matwaali chaal
rakkhe ji kaise koi dil ko sambhaal

o o
teri mastaani aankhon mein dil mera kho gaya
ab kya karen ji
ab kya karen ji
jo bhi hona thha ho gaya

meethhi baaton ke jaal mujhpe na daal
main jaanoon pahchaanoon nazron ki chaal
rakho ji dil ko zara apne sambhaal

o o o
o o o
o o o
o o o
o o o
o o o

o o o
chhodo balam chhodo haath hamaara
jaao ji jhoothha hai pyaar tumhaara
ye tera jalaal
jaise jalti mashaal
patli kamar jaise phoolon ki daal
rakkhe ji kaise koi dil ko sambhaal

o o o
o o o
o o o
o o o
o o o
o o o
o o
o o
jab milte hain bichhde saathi to mil jaaye jag saara

deepak se mil jaaye baati to mit jaaye andhiyaara
mere dil ka sawaal
ab to na taal
nainon mein aaj zara naina to daal
rakkhe ji kaise koi dil ko sambhaal

aisi nazre na daal karle khayaal
keh dengi aankhen sari duniya se haal
rakkho ji dil ko zara apne sambhaal
o o o
o o o
o o o
aa aa aa aa aa
aa aa aaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaara Ghar”(1950) was directed by Nanabhai Bhatt for Hindustan Chitra, Bombay. The movie had Durga Khote, Umakant Desai, Veera, Agha, Meena Kumari, Geeta Bose, David, Jankidas, Ramesh Gupta etc in it.

The movie had seven songs in it. One song from the movie has been discussed in the blog in the past.

Here is the second song from “Hamaara Ghar”(1950) to appear in the blog. This song is sung by Geeta Dutt and Rafi. Rammurty Chaturvedi is the lyricist. Music is composed by Chitragupta.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Chupke chupke dil mein mere aane waale ho (Hamaara Ghar)(1950) Singers-Geeta Dutt, Rafi, Lyrics-Rammurty Chaturvedi, MD-Chitragupta
Both

Lyrics

chupke chupke dil mein mere aane waale
ho
dekho preet nibhaana
chupke chupke dil mein mere aane waale
ho
dekho preet nibhaana
aji hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana
hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana

bachpan ke din bhole bhaale
khel khel mein beete
haan khel khel mein beete
bachpan ke din bhole bhaale
khel khel mein beete
ho khel khel mein beete

nayi kahaani kaho baalma
ham haare tum jeete
haan
ham haare tum jeete
nayi kahaani kaho baalma
ham haare tum jeete
haan
ham haare tum jeete

aaj umangon ka hai mela aa
aaj umangon ka hai mela

dheere dheere
dheere dheere rah rah ke tadpaane waale
ho
dekho preet nibhaana
hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana

janam janam ke jeewan-saathi
saath kabhi na chhoote
ho saath kabhi na chhoote
janam janam ke jeewan-saathi
saath kabhi na chhoote
haan saath kabhi na chhoote
dekho apne madhur milan ka
taar kabhi na toote
ho taar kabhi na toote
dekho apne madhur milan ka
taar kabhi na toote
ho taar kabhi na toote

tum mere
main bani tumhaari ee
tum mere
main bani tumhaari
jhoom jhoom ke
jhoom jhoom ke dil mera bahlaane waale
ho
dekho preet nibhaana
chupke chupke dil mein mere aane waale
ho
dekho preet nibhaana
hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

REPORT ON MUMBAI GANGOUT – Part 2
—————————————–

……Javed ji was introduced to Sadanand ji, as they were meeting each other for the first time. Even I had met him for the first time, though we had E-mail communications earlier. It so happened that, in the last Mumbai Gangout which Sudhir ji attended, he had gifted all of us a copy of Javed ji’s first Hindi book ( he has more books in Urdu), ” Kuchh kalaakaar-kuchh yaden “. After reading that book, I wrote a mail to Javed ji about certain discrepancies, I had found in the book. Actually I was hesitant whether to write such a mail to him, but my adventurism won over me and the mail was sent finally.

Happily, I received Javed ji’s reply in due course, in which he thanked me profusely and assured me that in the next editions all those corrections would be incorporated. Thus, we knew each other Electronically, before this physical meeting.

Sadanand ji and me had decided earlier that in an informal meeting of 2-3 persons, an Agenda would be superfluous. So, we did not have any written down agenda as such, but we had some points about some songs, to be discussed with Sudhir ji. Sudhir ji and Sadanand ji sat separately discussing from Sudhir ji’s Laptop. Javed ji had sent me a typed manuscript of his forthcoming Hindi book. Before sending the same to the publisher, Javed ji wanted that I see it and give my suggestions. So Sudhir ji and Sadanand ji made a pair discussing about their points and me and Javed ji sat discussing his book.

The first thing javed ji wanted me to do was to finalise the Title of the book. He had 3 Titles on offer and asked me to select one which he would give to the book. I remembered the occasion when Devika Rani had asked Yousuf-the fruit seller to select one of the 3 screen names for him- Dilip kumar, Jehangir and Vasudev. Oh my God ! Dilip Kumar and Arun Kumar ! What a coincidence !! Both in the same situation !!! We know what Yousuf selected and you will know what I suggested when the book is released soon.

My ego-balloon was soon deflated by a simple query about the lunch, as it was Lunch time already. We ordered few items from a nearby hotel. Upon its arrival and arrangements, an elaborate lunch programme was undertaken. After lunch, we decided to keep the book evaluation postponed to next day (accordingly, Javed ji came next day and we completed the exercise satisfactorily). We then discussed matters concerning the blog and related topics. However Javed ji was not able to participate, so we changed the discussions to old films and actors etc and Javed ji was kind enough to enthrall us with his knowledge.

At around 4pm we had tea with snacks. In the meantime, Sudhir ji was worried if Bakshish Singh ji would come to Mumbai next day to attend the seminar or not. Sudhir ji’s fear and the Mumbai-visit-curse took its toll and by evening Bakshish Singh ji confirmed that he has cancelled his coming as his own grandson met with an accident and had fracture of both legs-in the afternoon itself. (Next day, as a proof, he sent photographs of the poor child in plaster for both legs). The obvious conclusion was Bakshish Singh ji’s proposed Mumbai visit had caused all these mishaps !

By about 5 pm or so, Javed ji left the meeting venue to go to his relative for further stay. In the meantime Sadanand ji and Sudhir ji had planned to go to meet Khyati ji, who was to leave for USA later that night. She was in Borivali. Though keen to meet Khyati ji, after the double mishap in her family, I could not go with them due to my knee problems (doctors have advised me to avoid using stairs for a month. Khyati ji’s house was on ground floor, but my flat was on first floor !) and I was virtually under “house arrest ” !

By about 6 pm the meeting was concluded and Sudhir ji and Sadanand ji left to visit Khyati ji, along with my apologies to her. Later, I spoke to her on phone also.

Next 2 days, Sudhir ji was busy in attending his seminar. Third day also he visited Kushal ji. Next day he visited Famous Studios and also Anand ji (of he Kalyanji Anandji duo). On the 4th of May afternoon Sudhir ji shifted to his Mamaji’s place and on the 5th May, he and Javed ji left for Delhi, in the evening. Sudhir ji is hereby requested to write about his Mumbai visit.

I can not resist myself in sharing a secret of Sudhir ji, with all of you. One day, when we both were chatting in the evening, I asked Sudhir ji about his age. Pat came the answer “32 years”. I was stunned. I understood that he did not want to disclose his age. So I calculated. In 1988, Sudhir ji was working for some company in Bombay. That was 29 years ago. If he is 32 year old today, that time he must have been just 3 year old . When I pointed out this to him, with a straight face Sudhir ji answered, “Yes, I started earning early !”. Now mark my words…. very soon Sudhir ji’s name will be in The Guinness Book of World Records !!!

End of Report – Part 2
———————————-

Today’s song is from a film called ‘Hum Ek Hain’ (1969) which is making its debut in the blog. There were three films with the same title. The first ‘Hum Ek Hain’ was released in 1946, in which the lead pair of Dev Anand and Kamla Kotnis, along with Rehana and Rehman were making their debuts. Even the film’s director PL Santoshi was making his debut as a director with the film. Till them he had only worked as a lyricist and story writer. The second film with that title is today’s 1969 film and the third film was made in 1982.

Film ‘Hum Ek Hain’ (1969) was a social film, about sacrificing for the country. The film tried to put emphasis on National Integration too. The film shows a multi lingual family’s story. The main actors were Balraj Sahni and Nirupa Roy. The others in the cast were Dara Singh, Ravi Khanna, Samson, Jagdeep, Helen, Madhumati, Lalita Pawar, Rani, Savita, Naina etc etc.

The film was directed by Daljit. Daljit (real name Joginder Puri) was born in Sialkot on 17-9-1931. He was good looking. His first film was Punjabi – ‘Kauday Shah’ (1953). He entered Hindi films with ‘Noor Mahal’ (1954). He acted in 43 films, He was seen mostly in B and C grade action and stunt films. His last film as an actor was ‘Chowkidaar’ (1974). He directed 2 films. Hum ek hain-69 and Rajyogi-82. He paired with actress Chitra in 11 films.

The music director was Usha Khanna and the lyricist was Indeevar. There were only 5 songs but 8 singers were used. They were Lata, Asha, Rafi, Kamal Barot, Mukesh, Mubarak Begum, Mahendra Kapoor and Manna Dey. One song was about all religions being equal and another was stressing that all Indians were one. Looking at the type of songs and the story, I think this film must be one of those films which flooded after the 1965 war with Pakistan. During that period the patriotic fever was at peak. Looks like the film must have been delayed during its completion. By the time it came to the theatres, the fever had subsided and the topic of the film had become out of relevance. Naturally, the film flopped.

I was one of the people who went to the theatre to see the film. Here is the story in short-

In a certain town, there is a Punjabi family – husband, wife (Balraj Sahni and Nirupa Roy) and 3 sons. The eldest son Ashok, has married a Maharashtrian girl. The second son Raj, is engaged to a Kashmiri girl. The third son Dara chooses to remain bachelor. The entire family is a staunch patriotic one. All 3 sons are in Army.

In due course of time the war starts with the neighbouring country. All sons are sent on the border fronts. Two sons, Ashok and Dara die in action. During the war, the parents train their bahu as a nurse and send her on border to look after injured soldiers.

When the bodies of the dead sons are brought to the village for cremation, all the villages gather to mourn the deaths and console the family. However, Bharati Devi, the mother comes out and gives a long lecture, stating that her children did their duty to the nation and became Shaheeds. The family is proud of their sacrifice and no one should mourn their death…….

When I was checking the film’s cast etc, I found that the film’s Choreography is done by Badri Prasad and Vasant Naidu. I was surprised. Badri Prasad was a versatile and multifaceted artist of Hindi Cinema. He was an actor (first as a Hero, in the 1930s and then as a character artist) in 147 films. He was a singer – 7 films, 11 songs. He was lyricist for 1 film, 8 songs. He was a music director – 16 films, 168 songs. And he was a choreographer in 30 films. What a talent! His one daughter – Surekha Pandit was also an actress (played the role of the mother of Sharmila Tagore in film ‘Anupama’ (1966).

Similarly, the other choreographer Vasant Naidu was an active music director from 1939 to 1947, 22 films and 160 songs. He also sang in film ‘Mere Sajan’ (1941).

Strange are the ways of Filmi Duniya !!!


Song- Hum punjabi hum Bangali (Ham Ek Hain)(1969) Singers-Rafi, Manna Dey, Asha Bhonsle, Lyrics-Indeewar, MD-Usha Khanna
Chorus
All

Lyrics

hum punjabi
hum bengali
hum hain maratha
hum madrasi
hum punjabi
hum bengali
hum hain maratha
hum madrasi
baad mein kuchh aur magar
hum pahle hain bharatwasi
hum punjabi
hum bengali
hum hain maratha
hum madrasi

hoy
hoy
oho
hoy

doodh ki taaqat rakhnewaala aa aa aa
ye punjaab ka paani hai
bhagat singh ke saath yahaan aan aan
heer aur raanjhe ki kahaani hai
bhaarat ka hai roop yahi
bhaarat ki yahi jawaani hai
hum punjabi hum bengali
hum hai maratha hum madrasi

o o o
o o o
oho
hmm
oho
hmm
oho

maut ghulaami se behtar
netaji ne maut hi chuni hai
maut ghulaami se behtar
netaji ne maut hi chuni hai
ye tagore ki kavita
jisko duniya sun kar jhoomi hai
ye buniyad aazad hind ki
ye bengal ki bhoomi hai
ye buniyad aazad hind ki
ye bengal ki bhoomi hai
hum punjabi
hum bengali
hum hain maratha
hum madrasi

aa aa
aa aa aa aa aa
ye maharashtra ki paawan seema
sapna veer shivaji ka
ho sapna veer shivaji ka
hum sabne seekha hai
jis’se pahla sabak aazaadi ka
o pahla sabak aazadi ka
yahi desh ka tilak
yahi hai bharat mata ka teeka
yahi desh ka tilak
yahi hai bharat mata ka teeka
hum punjabi
hum bengali
hum hain maratha
hum madrasi

nritya aur sangeet se jo
sansaar ke man ko harti hai
har ghar ek kala ka mandir
ye dakkhan ki dharti hai
yahi hai bharat ki jal sena
jis’se duniya darti hai
yahi hai bharat ki jal sena
jis’se duniya darti hai
hum aasaami
hum hain udiya
hum gujraati raajasthani
baad mein hain kuch aur magar
hum pahle hain hindustani
hum punjabi
hum bengali
hum hain maratha
hum madrasi

ek phool ke liye chaman ko nahin ujaada jaayega
ek phool ke liye chaman ko nahi ujaada jaayega
ek daal ke liye ped ko nahi ukhaada jaayega
ek daal ke liye ped ko nahi ukhaada jaayega
dushman ko aa hi gaya
to milke pachhaada jaayega
milke pachhaada jaayega
o milke pachhaada jaayega
haan milke pachhaada jaayega


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (10 may 2017) is the third anniversary of passing away of character actor Sudhir (10 May, 2014).

Now the last I had seen him in a movie was in ‘Jhoom Barabar Jhoom’ in 2007 in a blink and miss role. Then we had also seen him in movies like ‘Dulhe Raja’ (1998) in a slightly less brief role with some comic timing thrown in. Prior to this I can remember him in Shahrukh Khan’s ‘Baadshah’ (1999) where also he had some comedy in the situation of his character. In the interim he was also seen in a few television serials. But of course if someone asked me who Sudhir was I can say that he was the smart guy (smarter than Dev Anand if I am allowed to say) in ‘Gambler’ (1971) who sits besides the heroine, Zahida, in the song “Dil Aaj Shaayar Hai Gham Aaj Naghma Hai“. But I had no material at hand to write about Sudhir. For example, I didn’t know where he was from etc. He played characters that were always behind the scenes in many of his movies like ‘Shareef Badmash’ (1973) etc. I checked online and found that his real name was Bhagwandas Mulchand Luthria. I also learnt that he is uncle to Milan Luthria who has made a few movies in recent times. Then on further googling I also saw that he had produced a movie or two (according to IMDB.com). It seems he was also an assistant director.  But nothing more that would stand out so I am leaving it to our experts in Atuldom to fill about this character artiste.

[Ed Note: Please see the post for the song “Na Maano To Koi Shikaayat Nahin” from film ‘Ustad 420’ (1969), as well as the comments therein. The comments plus the post provide a fairly detailed bio sketch of the character actor Sudhir.]

Today’s song is from the film ‘Poonam’ (1981), directed by Harmesh Malhotra, starring Raj Babbar & Poonam Dhillon with Shakti Kapoor, Madan Puri, Pinchoo Kapoor, Kalpana Iyer and all the required mother, friends and grey characters that family drama movies need to stop the lovers from getting married the minute they fall in love. The song is in the divine voice of Mohd. Rafi. It is written by Anjaan and Anu Malik was the music director. (This was one of Anu Malik’s first movies.)

[Full Song]

[Short Reprise]

Song – Laagi Lag Jaaye Logo, Lagaai Nahin Jaaye (Poonam) (1981) Singer – Mohammed Rafi, Lyrics – Anjaan, MD – Anu Malik
Chorus

Lyrics

laagi lag jaaye..e..e logo
lagaayee..ee nahin jaaye re
ye agan lag jaaye to
bujhaai nahin jaaye re

laagi lag jaye logo
lagaayee..ee nahin jaaye re
ye agan lag jaaye to
bujhaai nahin jaaye re

beliya beliya
beliya beliya
ho o dil tera
kisi ne le liya

jab ye bachpan kahin door jaane lagey
rut jawaani ki ye paas aane lagey
dil ki dhadkan naye geet gaane lagey
saans nagme naye gungunaane lagey
bin piye ye kadam dagmagane lagey
bin piyeyeh kadam dagmagane lagey
phir kisi din kahin aankh aise ladey
aankh aise ladey
saath dil le udey
jab mile dil jawaan
to shuru dastaan
do diwaane baney jism do ek jaan
yun mile dil to mil ke juda ho kahaan
yun mile dil to mil ke juda ho kahaan
ye mohabbat dilon se
mitaai nahin jaaye re
ye agan lag jaaye to
bujhaai nahin jaaye re

beliya beliya
beliya beliya
ho o dil tera
kisi ne le liya

pyaar ke rang se phir haseen ho jahaan
phoolon ki ho zameen
taron ka ho aasman
ho sharabi hawa
ho gulabi ghata
muskuraye nazar dagmagaye adaa
har kadam pe khushi har kadam pe nasha
har kadam pe khushi har kadam pe nasha
aate aate kabhi aaye phir ye ghadi
zindagi se jude
zindagi ki kadi
preet dulhan bane
lal joda saje
pyar dulha bane sar pe sehra bandhe
hath mehandi rache aur piya thaam le
hath mehandi rache aur piya thaam le
jodi ban jaaye..e..e logo
banaai nahin jaaye re
ye agan lag jaaye to
bujhaai nahin jaaye re

aa aaaa aaaaa
aa aaa aaaaaa
aa aaaa aaaaa
aa aaaa aaaaa aaaa

beliya beliya
beliya beliya
beliya beliya
beliya beliya
beliya beliya
beliya beliya

par hamesha yahaan aisa hota nahin
sunte aaye hain jo waisa hota nahin
ishq ki raah mein baarhaa ye hua
ishq ki ye dua ban gayi bad-dua
pyaar bichada kahin yaar maara gaya
pyaar bichada kahin yaar maara gaya
yaar bichade jahaan
leke tanhaaiyaan
dil se lipti hui
jalti parchhaaiyaan
phir sulagne lagey
jism ke sang jaan
aag aisi lagey
chhaaye aisa dhuaan
khaak ho jaayen jal jal ke dono jahaan
khaak ho jaayen jal jal ke dono jahaan
dil ki basti lutey to

basaayi nahin jaaye re
ye agan lag jaaye to
bujhaai nahin jaaye re
beliya beliya
beliya beliya
ho o dil tera
kisi ne le liya

laagi lag jaaye..e..e logo
lagaayi nahin jaye re
ye agan lag jaayea to
bujhaai nahin jaaye re

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
लागि लग जाये॰॰ए॰॰ए लोगो
लगाई॰॰ई नहीं जाये रे
ये अगन लग जाये तो
बुझाई नहीं जाये रे

लागि लग जाये॰॰ए॰॰ए लोगो
लगाई॰॰ई नहीं जाये रे
ये अगन लग जाये तो
बुझाई नहीं जाये रे

बेलिया बेलिया
बेलिया बेलिया
हो ओ दिल तेरा
किसी ने ले लिया

जब बचपन कहीं दूर जाने लगे
रुत जवानी की ये पास आने लगे
दिल की धड़कन नए गीत गाने लगे
सांस नगमे नए गुनगुनाने लगे
बिन पिये ये कदम डगमगाने लगे
बिन पिये ये कदम डगमगाने लगे
फिर किसी दिन कहीं आँख ऐसे लड़े
आँख ऐसे लड़े
साथ दिल ले उड़े
जब मिले दिल जवान
तो शुरू दास्तान
दी दीवाने बने
जिस्म दो एक जां
यूं मिले दिल तो मिल के जुदा हो कहाँ
यूं मिले दिल तो मिल के जुदा हो कहाँ
ये मोहब्बत दिलों से
मिटाई नहीं जाये रे
ये अगन लग जाये तो
बुझाई नहीं जाये रे

बेलिया बेलिया
बेलिया बेलिया
हो ओ दिल तेरा
किसी ने ले लिया

प्यार के रंग से फिर हसीं हो जहां
फूलों की हो ज़मीन
तारों का आसमां
हो शराबी हवा
हो गुलाबी घटा
मुस्कुराए नज़र डगमगाये अदा
हर कदम पे खुशी
हर कदम पे नशा
हर कदम पे खुशी
हर कदम पे नशा
आते आते कभी आए फिर ये घड़ी
ज़िंदगी से जुड़े
ज़िंदगी की कड़ी
प्रीत दुल्हन बने
लाल जोड़ा सजे
प्यार दूल्हा बने सर पे सेहरा बंधे
हाथ मेहंदी रचे और पिया थाम ले
हाथ मेहंदी रचे और पिया थाम ले
जोड़ी बन जाये॰॰ए॰॰ए लोगो
बनाई नहीं जाये रे
ये अगन लग जाये तो
बुझाई नहीं जाये रे

आ आss आsss
आ आs आssss
आ आss आsss
आ आss आss आss

बेलिया बेलिया
बेलिया बेलिया
बेलिया बेलिया
बेलिया बेलिया
बेलिया बेलिया
बेलिया बेलिया

पर हमेशा यहाँ ऐसा होता नहीं
सुनते आए हैं जो
वैसा होता नहीं
इश्क़ की राह में बारहा ये हुआ
इश्क़ की ये दुआ बन गई बददुआ
प्यार बिछड़ा कहीं यार मारा गया
प्यार बिछड़ा कहीं यार मारा गया
यार बिछड़े जहां
लेके तनहाइयाँ
दिल से लिपटी हुई
जलती परछाइयाँ
फिर सुलगने लगे
जिस्म के संग जां
आग ऐसी लगे
छाए ऐसा धुआँ
खाक हो जाये जल जल के दोनों जहां
खाक हो जाये जल जल के दोनों जहां
दिल की बस्ती लुटे तो
बसाई नहीं जाये रे
ये अगन लग जाये तो
बुझाई नहीं जाये रे
बेलिया बेलिया
बेलिया बेलिया
हो ओ दिल तेरा
किसी ने ले लिया

लागि लग जाये॰॰ए॰॰ए लोगो
लगाई॰॰ई नहीं जाये रे
ये अगन लग जाये तो
बुझाई नहीं जाये रे


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13300 song posts by now.

This blog is active and online for over 3200 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13351

Number of movies covered in the blog

Movies with all their songs covered =1012
Total Number of movies covered =3703

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