Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi songs’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4787 Post No. : 16543

‘Ghunghroo’ (1952) was produced under the banner of Filmkar, owned by Rajendra Jain which had produced ‘Deedar’ (1951) and later, ‘Maan’ (1954). The film was directed by Hiren Bose. The star cast included Om Prakash, Sumitra Devi, Kuldeep Kaur, K N Singh, Murad, Badri Prasad etc. A feature of the film’s casting was that Om Prakash was the lead actor in a double role – one as a shy man and the other in a role of a lead actor in a theatre.

Om Prakash, who commenced his filmy career in a small role of a villain in his maiden film, ‘Dassi’ (1944) followed by another villain role in ‘Dhamki’ (1945), had worked in lead roles in ‘Aai Bahaar’ (1946), ‘Shahar Se Door’ (1946) and ‘Pagdandi’ (1947). However, all these three films failed at the box office and with this, his dream of becoming a lead actor was shattered. The partition in 1947 further compounded his problems for he had to start afresh his career in Hindi films in Mumbai. After remaining unemployed for a year, Om Prakash accepted whatever roles that were offered to him. In about 2 years from his first film in Mumbai – ‘Lakhpati’ (1948) in post-partition period, Om Prakash had become a busy actor doing various character roles.

Against this background, it must be a pleasant surprise for Om Prakash that after a gap of 5 years, he got not only the lead role but also a double role in ‘Ghunghroo’ (1952). But the film failed so miserably that in no time, it went into the list of obscure films. It appeared that Om Prakash was destined to become a popular actor in his various typles of character actor’s roles some of which became unforgettable like in ‘Pyaar Kiye Jaa’ (1966), ‘Padosan’ (1968), ‘Gopi’ (1970), ‘Chupke Chupke’ (1975) and many more.

Having watched Om Prakash in character roles in many films, I wish, I could have watched him as a hero in ‘Ghunghroo’ (1952). Unfortunately, the film seems to have been lost forever for viewing. A few of the lobby images available on-line featuring Om Prakash with Sumitra Devi and Kuldeep Kaur looked interesting. I have incorporated a couple of them in the video of the song which I propose to present with this write-up.

As with most of the obscure films, I could not find the story and review of ‘Ghunghroo’ (1952) on the internet, After some intense searches, I could get a synopsis of the story from one of many lesser known websites on Hindi films which appers to be copied from the film’s song-synopsis booklet because it was written in typical synopsis style language without revealing the ending of the film. From what I could gather from the synopsis, I present the gist of the story as under:

Vinod (Om Prakash) is a shy person who lives in Pune. He is in love with Hema (Sumitra Devi) but does not have enough courage to disclose to her. When he comes to know that Hema also loves him he is the happiest person.

Vinod has a twin brother, Baalam (Om Prakash) who works for a theatre in Mumbai as a lead actor. He often pairs with Kamini (Kuldip Kaur) and their pair is very popular thus making them a box office attraction. Baalam gets attracted towards Kamini and she exploits this by her false love to him to keep her popularity intact at the box office. In this way, she earns fortunes by way of gifts from royal and aristocratic visitors to the theatre.

Kamini’s exploitation game is exposed to Baalam. After a quarrel, she gets Baalam killed with the help of her accomplice, Hiralal (K N Singh). The ghost of Ballam cames out and starts taking revenge on his enemies. Baalam’s ghost also appears in Vinod’s house and enters Vinod’s body. Vinod suddenly becomes Baalam Baalam’s ghosht takes Vinod to Mumbai as Baalam. Hema followes him to Mumbai. Now starts the vicious circle of chase. Heart-broken Hema ran after Vinod who, in turn, runs for his life from Baalam. Baalam runs after Kamini for his revenge. Vinod turned Baalam is dragged by Hiralal and his goons. Thus, all of them find inyolved in a chain resulting in ‘comedy of errors’.

I have no idea as to how the film ends in reality. But in such a type of the story, the villains, K N Singh and Kuldip Kaur would be exposed and arrested with Om Prakash and Sumitra Devi united.

‘Ghunghroo’ (1952) had 9 songs, all written by Rajendra Krishan which were set to music by C Ramchandra. All the 9 songs are available which I have heard and find them melodious with typical brand of C Ramchandra’s compositions.

I am presenting the 5th song from the film, ‘dil kisi ko deejiye dil kisi kaa leejiye’ sung by Zohrabai Ambalewaali, Mohmmed Rafi and chorus. The song appears to be a part of the stage show in the film.

Audio Clip:

Song-Dil kisi ko deejiye dil kisi ka leejiye(Ghunghroo)(1952) Singers-Zohrabai Ambalewaali, Rafi, Lyrics-Rajinder Krishan, MD-C Ramchandra
Both

Lyrics

dil kisi ko deejiye
dil kisi kaa leejiye
zindagi hai chaar din
yahi kaam keejiye
yahi kaam keejiye
dil kisi ko deejiye
dil kisi kaa leejiye
zindagi hai chaar din
yahi kaam keejiye
yahi kaam keejiye

le na jaaye dil koi aapka mazaaq mein
le na jaaye dil koi aapka mazaaq mein
ae ji zara soch ke ki soch ke
aisi baat keejiye
aisi baat keejiye

dil kisi ko deejiye
dil kisi kaa leejiye
zindagi hai chaar din
yahi kaam keejiye
yahi kaam keejiye

aaaa aa aaa
aaaa aa aaa aaa
aa aa aa aa

aaa aa aaa aa
aaa aa aaa aa
aa aa aa aa
zindagi hai chaar din
yahi kaam keejiye
yahi kaam keejiye

aapko huzoor kyon husn ka guroor hai
aapko huzoor kyon husn ka guroor hai
aaine mein dekh ke ki dekhe ke
phir se baat keejiye
phir se baat keejiye
dil kisi ko deejiye
dil kisi ka leejiye
zindagi hai chaar din
yahi kaam keejiye
yahi kaam keejiye

aaaa aa aaa
aaaa aa aaa aaa
aa aa aa aa
aaa aa aaa aa

aaa aa aaa aa
aa aa aa aa aa
zindagi hai chaar din
yahi kaam keejiye
yahi kaam keejiye

dil hamaara thhaa kabhi
ab tumhaara ho chuka
dil hamaara thhaa kabhi
ab tumhaara ho chuka
aapki khushi huzoor
deejiye na deejiye
deejiye na deejiye

dil kisi ko deejiye
dil kisi kaa leejiye
zindagi hai chaar din
yahi kaam keejiye
yahi kaam keejiye


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4780 Post No. : 16533

#The Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 149 # Qawwalis – 13 #
———————————————–

Today’s song – a qawwali – is from the 1979 movie “Aatish”. Memories of this qawwaali were revived when I was listening to a daily programme on Vividh Bharati. I had earlier shared another song from the same movie. That song too was a result of memories coming alive when I listened to that song on Vividh Bharati. That was in March-2021, and the song was Main nehlaa thhi bas nehlaa ….

When I listened to this ‘qawwali’ I liked it because of its ‘catchy’ tune. The picturisation of this ‘qawwali’ suggests that it takes place in the movie in the ‘villain’s den’ where Neetu Singh is in double role. One of the two disguised persons trying to help is Jeetendra I guess. Also seen in the picturisation of the song are Mukri, Dheeraj Kumar, Madan Puri, Master Raju, and many others.

“Aatish-1979” was directed by Ambarish Sangal for ‘M.K. Enterprises, Bombay’. It had Jeetendra, Neetu Singh, Rinku, Dheeraj, Leena Das, Om Shivpuri, Mukri, Mumtaz Begam, Master Raju, Nirupa Roy, Madan Puri, Sujit Kumar (in special appearance), Brahm Bharadwaj, Subhash Kanwal, Kamal Deep, Ranveer Raj, Chandru, Kishan, Ashok Saxena, Raj Kumar, Ram Narayan, and others.

This movie was passed by Censor Board on 16.02.1979.

There were six songs in this movie written and composed by Ravindra Jain.

Here is the list of songs of this movie as appearing in HFGK Vol-V (1971-1980).

S.No. Song Title Singer/s Posted On
01 Ladke ke bhes mein ladki hoon Asha Bhonsle, Chorus
02 Main nehlaa thhi bas nehlaa … Asha Bhonsle 28.03.2021
03 O meri laadli pyaari behnaa Mohd Rafi, Hemlata 13.08.2011
04 Sharaab hai, haan, sharaab hai, Mohd Rafi, Chorus
05 Babu manejara ve he babu, manejara ve Lata, Rafi, Chorus
06 Kahin naam na apnaa likh dena … Asha Bhonsle, Hemlata, Bhushan Mehta, Mohd Rafi, chorus Being discussed today

Today’s qawwali song is only the third such song composed by Ravindra Jain. We have as many as 171 qawwali songs already posted in the blog. I have tried to compile some statistics with respect to Lyricists, Composers and Years of the movies of these qawwali songs posted on the blog.

Here are the details of the Composers for 171 qawwali songs excluding the today’s song.

Composer No of Songs
Roshan 12
Kalyanji-Anandji 9
Madan Mohan 8
Ravi 8
Laxmikant-Pyarelal 8
Iqbal Qureshi 7
N. Datta 7
R.D. Burman 7
S. Mohinder 6
C. Ramchandra 5
Jaidev 5
Chitragupt 5
Naushad 5
Ghulam Mohammad 4
Iqbal 4
Hemant Kumar 3
Husnlal Bhagatram 3
S.D. Burman 3
Shyam Sundar 3
Jaani Babu Qawwal 3
Anil Biswas 2
Aziz Nazaan 2
Baabul/Babul 2
Dattaram 2
Hansraj Bahl 2
Jimmy 2
Khayyam 2
Ravindra Jain 2
Shankar Jaikishan 2
Sonik Omi 2
Usha Khanna 2
Nashad 1
A.R. Qureshi 1
A.R. Rehman 1
Aziz Ahmed Khan Warsi 1
B.N. Bali 1
B.T. Singh 1
Babloo Dheeraj 1
Bappi Lahiri 1
Bipin Mehboob 1
Bulo C. Rani 1
C. Arjun 1
Chaand Pardesi 1
Damodar Sharma 1
Hafeez Khan 1
Harbans 1
Jay Kumar 1
Khemchand Prakash 1
Lala Sattar 1
Nirmal Kumar (S.D. Batish) 1
Nisar Bazmi 1
Nusrat Fateh Ali Khan 1
Peter Nawab 1
Rashid Atre 1
Ravindran 1
Robin Bannerji 1
S. Kishan 1
S.N. Tripathi 1
Sajjad Hussain 1
Shankar Ehsaan Loy 1
Shankar Shambhu 1
Snehal Bhatkar 1
Sudipta Bhattacharya 1
Vasant Ramchandra 1
Vinod 1

From the above table we can see that Music director Roshan is at the top in the blog as far as creating the highest number of qawwalis is concerned.

We will have details of lyricist wise number of qawwalis too in a future post in this series.

Let us now move to today’s ‘Qawwali’ and move forward in this series. I hope readers will also find this ‘qawwali’ enjoyable and entertaining.

This song is sung by Mohd Rafi, Asha Bhonsle, Hemlata, Bhushan Mehta and chorus.

Lyrics are written by Ravindra Jain who is also the music director of this movie.

Video

Audio (Longer)

Song-Tere chaahne waale aaye hain ik shor uthha ke jaayenge (Aatish)(1979) Singers-Asha Bhonsle, Rafi, Hemlata, Bhushan Mehta, Lyrics-Ravindra Jain, MD-Ravindra Jain
Male chorus
Female chorus
All chorus

Lyrics

kahin naam naa apnaa likh dena
kisi ulte seedhe kaaghaz par
ham dil ka parchaa laaye hain aen aen
naam us pe likhaa kar jaayenge

tere chaahnewaale aaye hain
aaye hain
tere chaahnewaale aaye hain

ik shor uthhaa ke jaayenge
ik shor utthaa kar jaayenge/font>
yaa dilbar lekar lautenge
lautenge
yaa dilbar lekar lautenge

yaa jaan lutaa kar jaayenge
yaa jaan lutaa kar jaayenge
tere chaahne waale aaye hain

garajte hain jo baadal
baraste nahin
baraste nahin
keh do in logon se jaayen aur kahin
ye to naam ke aashiq aaye hain
aaye hain
ye to naam ke aashiq aaye hain

bas shor machaakar jaayenge
bas shor machaakar jaayenge
hamen qasam hain apni Jawaani ki
haaye re
hamen qasam hain apni Jawaani ki

Mehboob ko paa kar jaayenge
Mehboob ko paa kar jaayenge
tere chaahne waale aaye hain

aye jaan e Wafaa chehre pe naa jaa
nazron se bhi kuchh andaazaa kar
nazron se bhi kuchh andaazaa kar
nigaahen keh rahi hain
mere dil ka fasaanaa
o tere saamne hai
jo hai tera deewaanaa
ham tujhko aankhon hi aankhon mein
ham tujhko aankhon hi aankhon mein
koi raaz bataa kar jaayenge
ye to shor machaa kar jaayenge
tere chaahnewaale aaye hain

ham jaan gaye
pehchaan gaye
kya asli hai
kya naqli hai

kya asli hai
kya naqli hai

haqeeqat hai haqeeqat
kahaani hai kahaani
tumhi se hai mohabbat
tumhi ho zindagaani
koyi kuchh bhi kahe
ham tumko hi

ho koyi kuchh bhi kahe
ham tumko hi

doli mein bithhaakar jaayenge
doli mein bitthaakar jaayenge
tere chaahnewaale aaye hain

doli ke haqdaar hain ham
aap kahaan se aa tapke
ho tapke nahin ham aaye hain
inki hi maalaa jap jap ke

kisika pyaar chheeno
kahaan ki hai sharaafat
saraasar hai dakaitee
oh qayaamat hai qayaamat
zaraa sabr karo haq donon ke
zaraa sabr karo haq donon ke
donon ko dilaa kar jaayenge
ham jaan lutaa kar jaayenge
tere chaahnewaale aaye hain

paar ho jaa
paar ho jaa
dilbar ko leke faraar ho jaa
paar ho jaa
paar ho jaa
dilbar ko leke faraar ho jaa
paar ho ja
paar ho ja
dilbar ko leke faraar ho jaa

ustaad ho tum ustaadon ke
ham chele tumhaare chelon ke

ham chele tumhaare chelon ke
wahi hamne kiyaa hai
ke jo tumne seekhaayaa
jo mantar tum se seekhaa
tumhi pe aajmaayaa

jin guruon ke aise chele hon
jin guruon ke aise chele hon
wo to naam kamaa kar jaayenge
wo to naam kamaa kar jaayenge
tere chaahnewaale aaye hain

ik tum hi ham ko samjhe ho
auron ko to ham bhi
samajhte hain
auron ko to ham bhi
samajhte hain
samajhdaari ka tum ko
chalo inaam de den
nahin jiski tavaqqo
wohi anjaam de den
kuchh hathkande ustaadi ke
ho kuchh hatkande ustaadi ke
tum ko bhi dikhaa kar jaayenge
tum ko bhi dikhaa kar jaayenge

tere chaahnewaale aaye hain
tere chaahnewaale aaye hain


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4761 Post No. : 16507

Today 31st July’2021 is the forty-second ‘Remembrance Day’ of Singer Mohd Rafi (born on 24.12.1924 and passed away on 31.07.1980).

On this occasion as a tribute to him I am presenting a song from the 1965 movie ‘Sant Tukaram’.

This was the oldest song, movie-wise, and oldest one that I had noted among the Rafi songs lying ready with me.

“Sant Tukaram-1965” was directed by Rakesh Nanda for ‘Ashok Films, Bombay’. It had Anita Guha, Shahu Modak, B.M. Vyas, Rohit Kumar, Madhu Apte, Badri Prasad, Kesari, Narmada Shankar, Vishwas Kunte, Tun Tun, Sadhna Khote, Helen, Rajpal and others.

Our respected Arun ji has given the story of this movie while discussing this song ‘Is jeewan mein jin jin se… ham to chale apne gaaon, sab ko mera raam raam’ as below.

About there centuries ago, Tukaram was born in Dehu Gaon. He was a sudra and had poor village folk take good from his shop and asked them to pay when they could afford. Mumbaji, the Pujari of the Ganesh Temple held permanent grudge against him. He instigated another grocer of the village to set fire to Tukaram’s shop. As if all these calamities were not enough one more was added to his lot in the form of famine. Tukarams old mother, his first wife and son died of starvation. Thukaram became detached from the world and spent his whole time in worship. He developed extraordinary powers. He even gave life to a dead child. But all this didn’t offer bread to his family. His surviving wife, Jeeja Bai implored him to seek some avocation. The landlord offered him the job as the watchman in his fields. Mumbaji drove cattle in the fields in order to destory the crop. By the grace of Lord Krishna, the yield was double, and the landlord gave Tukaram place for worship of the Lord.

Now Mumbaji asked Rambha a Nautch girl to spoil his reputation by enticing Tukaram with her fake love. Rambha failed. As a last resort he invited Rameshwar Bhatt the religious head to Dehu Gaon. Rameshwar Bhatt ordered Tukaram to stop writing abhang since he was born a shudra and ordered him to throw his `Gatha (Collection of Abhangs) in the Indrayani river. He did so but took a vow that he will fast unto death till his Gatha was restored to him by the Deity of the river. This miracle happened after two weeks ordeal. Shivaji Maharaj come to meet him. He offered money and gold to Tukaram, but he humbly declined to accept it. Shivaji that evening joined his keertan. Mumbaji informed the Moghuls to capture Shivaji. The Moghul Army found a thousand Shivaji’s and they returned flabbergasted. After this incident he peacefully wrote more abhangs. Mumbaji turned a leper and the village children pelted stones on him. Rameshwar Bhatt’s body felt burning sensation and even long submerging of the body in water could not heal him. At last, Tukaram received the message of the Lord to go to Heaven. The village folk thronged the streets for his Darshan. Even Mumbaji and Rameshwar Bhatt came to ask his forgiveness. They were cured of their maladies. The celestial Viman descended from the sky before the entire gathering of the village, and he went to heaven bodily.

This movie had eight songs. They ere written by Bharat Vyas (six songs) and Madhukar Rajasthani (two songs). Music for this movie was composed by Vedpal.

Here are the details of the songs in this movie.

SNo Song Title Singer/s Lyricist Posted On
01 Bhagwaan ne janm diya manav ko Manna Dey Bharat Vyas
02 Banaa sakte ho jab duniya … ab to bataa de avgun mere Mohd Rafi Madhukar Rajasthani 26.12.2015
03 Shri Krishna Govind Gopalam… Jaagaa naya sawera Mohd Rafi Madhukar Rajasthani Being discussed today
04 Nandlala Gopala, baal Gopala Manna Dey, chorus Bharat Vyas
05 Pehle beej akela, ankoor phoota garbh se chhoota Manna Dey Bharat Vyas 01.05.2013
06 Yah poonam ki chaandni… O bholey jogi sun meri paayliya Asha Bhonsle,Manna Dey Bharat Vyas
07 Deen dayaalu hain bade… Raam jisey taarey to usey kaun maarey Manna Dey, chorus Bharat Vyas
08 Is jeewan mein jin jin se… ham to chale apne gaaon, sab ko mera raam raam Manna Dey Bharat Vyas 10.11.2013

Today’s song is sung by Mohd Rafi and it is lip-synced on screen by Shahu Modak.

There is this incidence of Rameshwar Bhatt asking Sant Tukaram to immerse all his writings – Abhangs in the river Indrayani. In the movie the today’s song seems to be happening at this incidence where Sant Tukaram immersed his writings into the river and singing this song.

Let us now listen to today’s song sung by Mohd Rafi. Lyrics are by Madhukar Rajasthani, and music is composed by Vedpal.

Video

Audio

Song-Jaaga naya sawera andhiyaara dhal gaya (Sant Tukaram)(1965) Singer-Rafi, Madhukar Rajasthani, MD-Vedpal

Lyrics

Shri Krishna govind gopalam
Shri Krishna govind gopalam

Jaaga naya sawera
Andhiyaara dhal gaya
Jaaga naya sawera
Andhiyaara dhal gaya
Toote jagat ke bandhan
Jeewan badal gaya aa
Jaaga naya sawera
Andhiyaara dhal gaya

Apnon ki moh maaya
Jhoothi baraat hai
Such dukh ka ye kabeelaa
Bande ke saath hai
Isko samajh ke bachna
Apne hi haath hai
Vedon ka saar ismein
Chhoti si baat hai
Aankhon ne jab ye parkha
Sankat hi tal gaya aa aa
Jaaga naya sawera
Andhiyaara dhal gaya

Chhal aur kapat mein uljha
Phirta hai aadmi
Karta hai jag mein jaisa
Bharta hai aadmi
Sab kuchh samajh ke kuchh naa
Samjha hai aadmi
Jaaye naa saath kuchh bhi
Jaata hai aadmi
Socha ye jisne uska
Har pal sambhal gaya aa aa
Jaaga naya sawera
Andhiyaara dhal gaya

Jhoothhe hain saare bandhan
Saanson ke taar ke
Rakh de re jag ka bojha
Jag mein utaar ke
Shamshaan ki chitaayein kehtin pukaar ke
Aana yahaan padega
Maanav ko haar ke
Oonche gagan pe chadh ke
Suraj bhi dhal gaya aa aa
Jaaga naya sawera
Andhiyaara dhal gaya
Toote jagat ke bandhan
Jeewan badal gaya aa aa
Jaaga naya sawera
Andhiyaara dhal gaya


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4761 Post No. : 16506

Hullo Atuldom

July 31st. Important date for lovers of Bollywood sangeet. This date-41 years ago- music lovers lost a singer who was a wonderful human being. He went by the name Mohammad Rafi.

We used to have pages and pages written about the greatness of this legend’s voice, singing style, kind-heartedness, etc in the pre-internet era. Then various people took up blogging as a passion and any blog on Bollywood and its music will definitely have atleast a few posts on this great singer. AM I COMPLAINING? NO NOT AT ALL. Because as our very own Rajaji has said in many of his posts ‘one cannot tire of writing or reading about Rafisaab and his persona’.

Similarly, the music channels on satellite television and FM radio will try to outdo each other in playing popular songs sung by Rafisaab. Again, I am stating a statement of fact and not complaining. Because any fan of Bollywood music can never tire of hearing and humming songs sung by this legend who had a smooth and soothing voice.

I have never tried making a personal list of favourite Rafi-songs as I fear that I might miss out on some gem which I have always loved. Maybe my list will start with ‘yaahhooo’, or ‘tel maalish’ on one day and another day may see me start listening from ‘chaand mera dil’ or ‘chura liya hai tumne jo dil ko’. Probably I may add a less heard song like ‘mann mora baawra’, ‘tumne mujhe dekha’, ‘hai duniya usiki zamaana usika’ and by the time I finish listening to all the songs in the list I may have reached ‘kaan mein jhumka taal pe thumka’ and ‘kitna pyaara vaada’ or ‘vaada karle saajna’ with a few soulful numbers in between. I think I should also clarify that the songs that I have mentioned are only a sample of the kind of songs I love to hear and not an exhaustive list.

Now I was looking for a song that would also help me wish a yesteryear actress on turning 74. She was born just as India was gaining Independence from the British rule. She was born in Mumbai to parents of Irani origin. Her sister (Malika) also was an actress and married to Randhawa (brother of Dara Singh); I think these are hints that point towards Mumtaz Askari famous as Mumtaz. Mumtaz’s journey in the movie industry was a tough one starting as a child in 1958, going on to teenage roles in early 60s. As an adult her first role in an A-grade movie was in O P Ralhan’s ‘Gehra Daag’ where she played one of Rajendra Kumar’s sister. Years later, when she was a commercially successful heroine, she was cast as Rajendra Kumar’s heroine in “Taangewala” which released in 1972.

“Taangewala” was a Dimple Films’ presentation and directed by Naresh Kumar meaning it was Rajendra Kumar’s home production. It had songs written by Majrooh Sultanpuri and tuned by Naushad. Mohd. Rafi, Mukesh, Asha Bhonsle and Lata mangeshkar were the playback singers used. The cast included Sujit Kumar, Bhagwan, Kanhaiyalal, Mohan Choti, Kumud Chuggani, I S Johar, Kaamini Kaushal Mehmood Jr. in addition to Mumtaz and Rajendra Kumar.

It had about seven songs of which the blog has four. Today we shall have the fifth one. Unfortunately I have not seen the movie or been able to lay my hands on a video link. My guess is this Asha- Rafi duet is picturised on the lead pair.

Here is Wishing Mumtaz health and happiness (heard that she is a Cancer survivor) and remembering the one and only Rafisaab who could do justice to any song and was sincere towards every composition that he sang making every song a gem.

This should be Rafi- Asha Bhonsle duet number 547.


Song-Aisa phanda maare gori dil pe tera pyaar (Taangewaala)(1972) Singers-Rafi, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Naushad

Lyrics

aisa phanda maare gori dil pe tera pyaar
ke phaansi pe latke jiyara hamaar
ke phaansi pe latke jiyara hamaar
saajan tere nainon se jab naina hue chaar
kaleje mein dans gaye bichhua hazaar
kaleje mein dans gaye bichhua hazaar

din ye judaai ka re sahaa nahin jaaye
raaton ko akele hamse rahaa nahin jaaye
din ye judaai ka re sahaa nahin jaaye
o raaton ko akele hamse rahaa nahin jaaye
jaane kab
jaane kab sunegi tu dil ki pukaar
ke phaansi pe latke jiyara hamaar
o aisa phanda maare gori dil pe tera pyaar
ke phaansi pe latke jiyara hamaar

tere bina bhatke yeh chadhti jawaani
paagal meri bindiya paayaliya deewaani
o tere bina bhatke yeh chadhti jawaani
paagal meri bindiya paayaliya deewaani
aisi bhi kya
arre aisi bhi kya aayi hai jawaani pe bahaar
kaleje mein dans gaye bichhua hazaar
saajan tere nainon se jab naina huye chaar
kaleje mein dans gaye bichhua hazaar

ab to leke chal kahin saathi mere mann ke
chal mere angana dulhan meri ban ke
ho ab to leke chal kahin saathi mere mann ke
o chal mere angana dulhan meri ban ke
doli leke ae ae
doli leke aaja re tu kal mere dwaar
kaleje mein dans gaye bichhua hazaar

ki phaansi pe latke jiyara hamaar
kaleje mein
dans gaye bichhua hazaar

ke phansi pe latke jiyara hamaar


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4758 Post No. : 16501

# Superstar Child Artist – Junior Mehmood # 11
——————————————————–

Welcome all to this today’s post which is the final post in this series.

And, before moving to this post, first, I would like to thank Atul ji and Sudhir ji for giving me this opportunity to present this series.

So far, we had the following ten posts in this series earlier.

1) Lagey koi lottery koi jackpot lagey
2) Na koi paisa na ilm banaao bambai mein film
3) Mera naam hai Mehmood
4) Birha ki rain sooni sooni sejariya
5) Aisa banoonga actor main yaaron
6) Ham hi jaanen ek torey manwa ki peer
7) Janamdin tujhko mubaarak ho
8) Parda uthhne waala hai tamaasha honewaala hai
9) Hamne dekhi hai honewaali bhaabhi
10) Kaan mein jhumkaa, chaal mein thhumkaa

So far, we have enjoyed the above ten songs in this series.

Today’s song is from the ‘1974’ movie ‘Thokar’.

But before that let us have a recap on this series.

I had watched The movie ‘Rivaaz-1972’ during my childhood in my childhood days. One of its songs ‘jalaa do jalaa do duniya ko jalaa do’ had a lasting impression on my mind.

When I became a contributor to our blog, I shared this song and one other song a Rafi-Asha duet from this movie ‘Rivaaj-1972’. During preparation for these songs, I came across the song ‘lagey koi lottery’ lip synced by Junior Mehmood on screen and sung by Rafi Saab.

That made me curious to know if there were more such songs where Rafi Saab’s voice was used for Junior Mehmood. To know more about it I searched for the contact number of Junior Mehmood and on one fine day I had the chance to speak to him in person. And what a memorable day it was for me!!

I was excited and very happy on that day when I got this opportunity to speak to him. I have already shared about my discussion with him and the songs of Rafi Saab for him, which he himself noted to me, in this post here.

So, initially it started with ‘Rafi sings for Junior Mehmood’, and further got included songs by other singers for Junior Mehmood. I also had my memories of Junior Mehmood movies and his ‘stage programs’ in those years of my childhood.

After I spoke to him, it became a routine for me to send birthday wishes to him on his birthday every year and send him greetings on festivals.
I also spoke to him a few times in between these years. I will never forget the way he responds to my calls always and how humble and down to earth he is. He always generously shares information whenever I speak to him.

When I spoke to him about the song ‘aisa banoonga actor main yaaron’, I asked him how he felt when he was doing mimicry of all those great actors?

He said that though he did not exactly remember many thingsbut overall, it was an exciting experience to get positive response from people all over and that they showered appreciation and love on him.

In one of my earlier posts in this series I had given the list of his filmography from 1967 to 1970 in this post here. That time I had written that I plan to present the list of his movies from 1971 and onwards in future posts to come.

I am presenting this list for 1971 and onwards up to 1980 here today. I have noted and compiled the details with the help of HFGK Vol-V (1971-1980).

(Details of filmography of Junior Mehmood)

(1967 – 1970)

Sno Movie Name Year
1 Naunihaal 1967
2 Gunehgaar 1967
3 Parivaar 1967
4 Brahmachari 1968
5 Farishta 1968
6 Sangharsh 1968
7 Suhaag Raat 1968
8 Vaasna 1968
9 Anjaana 1969
10 Baalak 1969
11 Chanda Aur Bijli 1969
12 Do Raaste 1969
13 Nateeja 1969
14 Pyaar Hi Pyaar 1969
15 Raja Saab 1969
16 Simla Road 1969
17 Vishwas 1969
18 Aan Milo Sajna 1970
19 Bachpan 1970
20 Ghar Ghar Ki Kahaani 1970
21 Harishchandra Taramati 1970
22 Kati Patang 1970
23 Yaadgaar 1970

(1971 – 1980) –

Sno Movie Name Year
1 Behroopia 1971
2 Caaravaan 1971
3 Chhoti Bahu 1971
4 Dost Aur Dushman 1971
5 Haathi Mere Saathi 1971
6 Hangaamaa 1971
7 Hare Raama Hare Krishna 1971
8 Johar Mehmood in Hongkong 1971
9 Khoj 1971
10 Ladki Pasand Hai 1971
11 Raamu Ustaad 1971
12 Ustaad Pedro 1971
13 Bansi Birju 1972
14 Bharat Ke Shaheed 1972
15 Bijli 1972/td>
16 Bombay To Goa 1972
17 Do Bachche Dus Haath 1972
18 Ek Khilaadi Baawan Patte 1972
19 Hari Darshan 1972
20 Munimji 1972
21 Rivaaj 1972
22 Sazaa 1972
23 Sharaarat 1972
24 Taangewaalaa 1972
25 Tanhaai 1972
26 Archanaa* 1973
27 Dhamkee 1973
28 Ek Naari Do Roop 1973
29 Guru Aur Chela 1973
30 Jheel Ke Us Paar 1973
31 Koraa Aanchal 1973
32 Meraa Shikaar 1973
33 Nirdosh 1973
34 Aap Ki Qasam 1974
35 Ameer Ghareeb 1974
36 Geeta Meraa Naam 1974
37 Thokar 1974
38 Ujaalaa Hi Ujaalaa 1974
39 Aag Aur Toofaan 1975
40 Geet Gaataa Chal 1975
41 Romeo In Sikkim 1975
42 Aap Beetee 1976
43 Deewaangee 1976
44 Do Ladkiyaan 1976
45 Koi Jeeta Koi Haaraa 1976
46 Ladki Bholi Bhaali 1976
47 Qasam 1976
48 Sangraam 1976
49 Daakoo Aur Mahaatmaa 1977
50 Jaadoo Tonaa 1977
51 Jaagriti 1977
52 Khel Khilaadi Ka 1977
53 Taxi Taxi 1977
54 Ankhiyon Ke Jharokhon Se 1978
55 Atithi 1978
56 Ek Baap Chhe Bete 1978
57 Khoon Ka Badlaa Khoon 1978
58 Bagulaa Bhagat 1979
59 Bin Maa Ke Bachche 1979
60 Jaan-e-Bahaar 1979
61 Jaayen To Jaayen Kahaan 1980
62 Aahat (UR) UR
63 Chingaari 1989
64 Ek Aurat Do Joote UR
65 Insaaf Kahaan Hai UR

(I have compiled the above list by checking the movie details in HFGK Vol-V for the years 1971-1980. For the movie ‘Archana-1973’ the details in HFGK does not mention the name of Junior Mehmood in the star-cast, however since I have presented a song from this movie, I was aware of Junior Mehmood’s appearance in this movie.
The above lists are open for correction/addition, if any, and scrutiny by knowledgeable readers.
(List of movies for 1981 and onwards needs to be compiled I will try to bring that here in future as and when I get the opportunity to present an article here.)

Coming back to the ‘series’ ‘Superstar Child Artist – Junior Mehmood’, we started this series by discussing a song on ‘lottery’ and incidentally we are finishing up this series with a song related to ‘lottery’ 😊.

Today’s song is from the movie ‘Thokar-1974’.

“Thokar-1974” was directed by Dilip Bose for ‘Movie Temple’. It was produced by Swarn Singh. It had Baldev Khosa, Alka, Jr. Mehmood, Joginder, Surekha, Brahmchari and Shivkumar with Sunder, Tun Tun, Rajan Haksar, Ram, S.K. Prem, Mumtaz Begum, Ravikant, Lolita Chatterjee, Ketty, Panna Kapur, Shefali, Inder Khosla, Dharmesh, Jai Kishan, Mona, Pt. Amar, Kamal, Manjit, Malini. Ravi Kapur, Paul Sharma, Sabeena, Sharat Rao, J.N. Batra, Darshan, Minoo Mehtab, Maruti, and Sudhir.

Zeb Rahman made a special appearance in this movie, and this movie introduced Poonam Vaidya.

Story Idea of this movie was by Baldev (I do not know if it is Baldev Khosa). Screenplay and dialogues were written by Qamar Jalalabadi. Editing of this movie was done by P.S. Wagle.

This movie was passed by Censor Board on 11.01.1974.

This movie had five songs in it. Lyrics for four songs were written by Sajan Dehlvi and Kulwant Jani was the lyricist for one song.

Music was composed by Shamji Ghanshamji. Mohd Rafi, Suman Kalyanpur, Mukesh, Krishan Kalle had given their voices to the songs in this movie.

Today’s song is sung by Mohd Rafi. Sundar lip-syncs on screen. Junior Mehmood is not lip syncing the song (except couple of words) but he is present in this song performing with Sundar and another actor (I am unable to identify him). Many other artists are also seen in the picturisation..

Let us now enjoy today’s song …

Lyrics are by Sajan Dehlvi and music is composed by Shamji Ghanshamji.

With this post we also conclude this series ‘Superstar Child Artist – Junior Mehmood’.


Song-Ho meri sun le deendayaal (Thokar)(1974) Singer-Rafi, Lyrics-Sajan Dehalvi, MD-Shamji Ghanshamji

Lyrics

pathhar dil hai ae ae
ye duniya aa
yahaan khudgarzi
byopaar hai
mujh ghareeb ka
tu hi daataa
tu hi paalanhaar hai

ho meri sun le deendayaal
kar de mujhko maalaamaal
meri lottery nikaal
murliwaale nandlaal
meri sun le deendayaal
kar de mujhko maalaamaal
meri lottery nikaal
murliwaale nandlaal
meri sun le deendayaal

sotaa hoon footpath pe daataa
paas nahin hai bistar
he prabhuji
sotaa hoon footpath pe daataa
paas nahin hai bistar
bibi banglaa car dilaa de
jag de prime minister
main to
ho main to
karoon bhookh hadtaal
tere dar pe ho nandlaal
meri lottery nikaal
murliwaale nandlaal
meri sun le deendayaal

haryana mysore udisaa
ya nikle madras
he krishnammaa
haryana mysore udisaa
ya nikle madras
dilli UP ki rehti hai
mujhko hardam aas
ho phirtaa
ho phirtaa hoon dar dar behaal
ud gaye mere sar ke baal
meri lottery nikaal
murliwaale nandlaal
meri sun le deendayaal/em>

he prabhuji ee

paanch laakh ki aaye lottery
phir dhoondhoon gharwaali
ahaa ahaa aa
waah waah
paanch laakh ki aaye lottery
phir dhoondhoon gharwaali
nakti
chapti
moti
patli
ho gori ya kaali
ho aisaa
ho aisaa chakkar chalaa jagpaal
main bhi chaloon seth ki chaal
meri lottery nikaal
murliwaale nandlaal
meri sun le deendayaal
kar de mujhko maalaamaal
meri lottery nikaal
murliwaale nandlaal
meri sun le deendayaal

murliwaale ae ae
nandlaaaaal
murliwaale ae ae
nandlaaaaal


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4751 Post No. : 16488

Hullo Atuldom

I have been wanting to send this song for almost a week or ten days now. I had first thought of 12th July which was the death anniversary of Jubilee Kumar a.k.a Rajendra Kumar. But, I was unable to, due to various reasons.

Then, yesterday, 20th July the birth anniversary of Rajendra Kumar- missed that too. Why? I was too busy attending (online) birthday parties. And reading all the blog-birthday posts. That simple.

But today is another opportunity to present this song to the blog-followers. Anand Bakshi – the lyricist- has his birth anniversary today. Would have been 91.

The song from the 1972 release “Gora Aur Kala” is composed by Laxmi-Pyare and sung by Mohd Rafi. The movie had a cast of Rajendra Kumar, Prem Chopra, Jagdeep, Madan Puri, Sundar, Premnah, Rajan Haksar, and two very young beauties (my personal favourites) Hema Malini and Rekha with Sulochana playing the mother of the two Rajendra Kumars (yes he played a double role in the movie). This song is sung by the Karan Singh (the better looking and well-mannered twin) in a disguise in the court. I haven’t seen the movie but I am sure that it is an attempt to fool Madan Puri who is on the throne (I think he plays Hema’s father), along with Prem Chopra and others in the court. The power of the song is seen in the fact that the Princess Anuradha (Hema) starts dancing to the song.

On reviewing what I have written in the beginning of this post, a thought crossed my mind. If Atulji had given us such excuses this blog would not have completed 13 years – 4,749 days – 16,484 posts. (as on 19th July). A statement (in Sudhirji’s post of the 19th) “Do you know that the average daily rate of posting is upwards of three posts per day. Try doing that seven days a week, 365 days a year, and continuously at that rate for 13 years. Try writing a letter each to three friends every day, day on day, for 13 years. My, does that no yet boggle the mind.” also set me thinking.

Hatsoff to Atulji for relentlessly giving us more than one song-a-day.


Song-Tere nain nashe de pyaale (Goraa Aur Kaala)(1972) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

tere nain
tere nain
tere nain nashe de pyaale ae
tere nain nashe de pyaale
inhen piyenge naseebon wa..aa..le ae ae
tere nain nashe de pyaale
inhen piyenge naseebon wa..aa..le ae
tere nain
tere nain

kya kaha tujhe qaatil agar na kaha aa aa aa
kya kaha tujhe qaatil agar na kaha aa
kya kahoon kuchh kehna hi mushkil hua
aa aa
tauba meri zulfein teri
jaise baadal kaale
tujhe ek nazar dekha toh
tujhe ek nazar dekha toh
mere honthon pe lag gaye taale ae ae
tere nain nashe de pyaale
inhen piyenge naseebon waale ae ae
tere nain
tere nain

aa gayi yaad mujhko jawaani meri ee ee ee
aa gayi yaad mujhko jawaani meri
lut gayi aaj phir zindgaani meri ee ee
rang gulaabi chaal sharaabi
kehte hain kehne wale
thukhra de woh iss duniya ko
thukhra de woh iss duniya ko
jise roop tera apna le ae
tere nain nashe de pyaale
inhen piyenge naseebon waale
tere nain
tere nain

kya hai tu khoobsoorat kahaani hai tu oo oo
kya hai tu khoobsurat kahaani hai tu
aasmaanon ki pariyon ki raani hai tu oo oo
tu jo aaye masti chhaaye jhoom uthhe dilwaale
bin aaj piye mehfil mein
bin aaj piye mehfil mein
sab log huye matwaale ae
tere nain nashe de pyaale
inhen piyenge naseebon waale ae
tere nain
tere nain
tere nain
tere nain


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4740 Post No. : 16467

Dilip Kumar – The Legend (1922-2021)
——————————————————

Since last two days I have been watching the various videos on whatsapp and on the net and also read some articles on the net. I have tried to see and absorb as much of the information I could about the events after, when the thespian is no more. After all is said and done, I have tried various tacks on how to approach this tribute to the method actor, who some call the “Marlon Brando” of India, without the ferociousness. But I find a ferocious, peasant turned dacoit in ‘Ganga Jamuna’ and a fractioned rebel prince Salim who is equally ferocious in protecting his Anarkali. The work on the silver screen was a very important part of the personality, but by no means it was the whole personality.

The best of Dilip Kumar, the actor and star was over, well before I grew up. But the admiration for his qualities as a screen performer and as a person conscious of his social responsibilities, was an inculcation process in my conscious mind. It has not happened overnight. These are small snippets of information, fed to my mind and stored away. Many incidents and events heard and read about long ago are surfacing in the memory. The trigger is the passing away of Dilip Kumar on 07/07/2021.

I was preparing the posts thinking of some old songs which have not been posted in the blog yet, preferably a song sung by Rafi sahab, writing a para here about this, and there about that, in yahoo mail, in gmail, on my office desktop and my laptop. This is not the way I prefer to do a post, but it was happening like this in this instance, as I was not able to assimilate the thoughts and lacked the drive to concentrate on the topic, maybe.

Then, I had divine help in the shape of a TV news show. I am pretty impressed with the contents of the particular show aired on 07/07/2021, with the byline – An era ends with Dilip Kumar’s death. It is very much close to my own feelings on this occasion, so I am reproducing some parts of the text of the show in hindi – trying to do verbatim translation is beyond me at the moment.

“Apni gair haazri mein iss se adhik haazir koyi kya ho sakta hai ke aap unhen alvidaa kehte waqt iss tarah se yaad kiye jaa rahe hain, jaise woh laut kar aaye hon. Yeh desh jo har waqt hindu-musalmaan ke beech nafrat ki deewar par chal raha hotaa hai, uss desh mein aisa ek hi shakhs thha jo Dilip Kumar bhi thha aur Yusuf Khan bhi. 1947 ke vibhajan rekha ko wo jis aasaani se paat diya karte thhe, bahot kam logon mein waisi quwwat hoti hai. Unn ka ek makaan phoolon ke shehar peshawar mein aaj tak hai. Unn ka ek makaan paison ke shehar Mumbai mein bhi hai. Aaj hindustan ne jitna khoya hai, utna pakistan ne bhi khoyaa hai.

Pichhle saal sitamber mein jab pakistan ke patrakaar Shiraz Hasan ne apne twitter handle par Dilip Kumar ke puraane makaan ki tasveer sajhaa ki, tab Dilip Kumar ne apne twitter handle se jawaab diya ke Peshawar mein sabhi se guzaarish hai ke mere pushtaini makaan ki tasveeren den. Phir to tasveeron aur videon ka taantaa hi lag gayaa. Peshawar ke ‘Qissa-Khwaani’ bazaar mein unn ka makaan hai. Dilip Kumar ne apni aatma katha mein likkha hai ki aaj bhi wahan ki khushbu, rang aur mausamon ki yaaden taazi hain. Kanpwa dene wali sardiyaan yaad hain. Unhen yaad hai Wahabbat Khan ki masjid huaa karti thhi. Iss bazaar ka naam qissa khwaani bazaar iss liye bhi padaa ke yehan vyapari apne qisse sunaate thhe aur doosron ka qissa sunte thhe. Kise pataa thha ke unn tamaan anaam qisson ke beech itna bada qissa niklegaa jis ka naam Yusuf Khan se badal kar Dilip Kumar kar diya jaayegaa. Do naamon ko ek saathh jeena aur khabron se bhari iss duniyaa mein tthag ki jagah behadd imaandar aur shaaleen shakhs ke roop mein dekhaa jaanaa, yeh bhi apne aap mein ek qissa hai, jis ka bazaar aaj unn ke jaane ke baad sajaa hai.

Apni aatma khathha mein unhon ne likkha hai ke bazaar mein aag lagi thhi jis waqt unn ki paidaaish hui thhi.
“Dilip Kumar – The substance and the shadow” aap ko unn tamaam chaukhaton tak le jaati hai, ye dikhaane ke liye ke ek kalaakar apne wajood se alag ho kar ek bada kalaakar nahi bantaa hai.
Waise unn ki aatma katthaa ke shuruaat se le kar akhir ke panno par, ghar ki dadi, ammi, phuphi aur didi ke qisse bhare pade hain. Maaon aur behnon ke beech ek kumar bada ho raha thha, pata chalta hai ke khaandaani aadmi thhe.
Saira Bano se unn ki shadi 1966 mein hui. Woh apne aap mein uss waqt ki mash-hoor aur maqbool kalaakar thhin. Unn ki aakhri saans tak unn ke saath saaye ki tarah khadi rahin. Ham aur aap ek tarah se Dilip Kumar ko celebrate kar rahe hain. Unn ke hone aur na-hone ko unn ke abhinay ki katranon ko nikaal kar tukde tukde mein jiye jaa rahe hain.
Lekin Saira Bano ke liye Dilip Kumar ek video clip bhar nahin thhe. Unn ke dukh ki dahleez tak koyi nahi pahunch saktaa.
Ham ne baat peshawar ke makaan se shuru ki thhi. Bambai ke Anjuman Islam school mein padhne lagte hain Dilip Kumar. Vibhajan se pehle aa gaye thhe. Lekin school ki chhuttiyon mein unn ka Peshawar aana jaana raha, angrezi ki kavitaayen sunaane aur unn ki daad lene ke liye.

1930 ke dashak ke baare mein Dilip Kumar ne likkha hai ke yehaan tab hindu chai, muslim chai, hindu paani, muslim paani milaa karta thha.

Dilip Kumar apne bachpan ko kandhe par rakh kar chalte thhe. Ek qissa hai ke jab akhbaaron mein chhapa ke bombay mein tram band hone waali hai, to unhen dard huaa 31/03/1964 ko hazaaron logon ne dadar aur parel ke beech chali uss aakhri tram ko bidaai di. Dilip Kumar likhte hain ke agar wo Dilip Kumar naam ka star na hote aur Yusuf Khan hi rehte to uss akhri tram mein zarur safar karte. Hazaaron logon ne antim tram ko vidaayi di thhi. Unn ki yaadon mein jitna peshawar thha utnaa hi bombay thaa. Koyi abhinetaa apne shehar ko unn daftaron se yaad karta hai, koyi Dilip kumar hai jo apne uss ki mohallon bason aur pedon se yaad karta hai. Yahin par unn ka makaan hain, yahin unn ko Juhu qabrastaan mein suprud-e-khaak kiya gayaa. Badi sankhya mein aam log iss shaandaar abhineta ko vidaayi dene aaye. Unhen maaloon hai yehan Dilip sahab dafan ho rahe hain. Unn ka ek makaan, jism ka har ek qatra hindustaan mein hai, lekin ek makaan peshawar mein bhi hai jis ke baahar unn ki yaad mein ek poster lagaaya gaya hai.

Ye bheed tab hai jab zamaane se unn ki koyi film nahi aayi hai, dashkon se nahi aayi. 1952 mein unn ki film “Aan’ release huyi, super hit huyi jo uss waqt ki sab se adhik kamaayi karne waali film bani. 1947 mein wo vibhajan rekha kheenchi gayi jis ke baad log udhar se idhar, aur idhar se udhar hogaye. Dilip kumar par pakistan ki oar se jaasoosi karne ke aarop lage, Deepa Mehta ki film ‘Fire’ ka samrthan karne par bhi bahot aalochna hui. In sab ke baad bhi unhen na koyi udhar dhakel paaya na idhar dhakel paaya.

Is interview mein aap inhen bolte suniye. Saamne koyi script nahi hai lekin aap parde ke Dilip Kumar aur asli jeewan ke Dilip Kumar mein farq nahi kar sakte. Patrkar Sunil Sethi ne NDTV ke liye Dilip Kumar ka interview kiya thha. Puraana interview hai. Angrezi mein iss interview ko aap bhasha, aur usse baratne ke lehje ke liye bhi suniye. Unhenn bolte huey sunne se bhi lagta hai ham ne jin i’laaqon ko, rawaayaton aur lafzon ko baant diya hai. Dilip Kumar jab bolte thhe to woh saara kuchh ek aisi zameen se aaya lagtaa thha, jis ka batwaara kabhi huaa hi nahi. Unn ka bolna uss i’laaqe ka ek mukammal chehra thha, jise aap bharatiya up-mahadweep kehte hain.

“nishaan-e-imtiyaaz’ ko le kar huey vivaad ke waqt, unhon ne ye kahaa thha ke 65 saal hindustaan mein rehne ke baad mujhe apni wafadaari saabit karni pad rahi hai.

Unn ka ghar iss waqt ghamon se bhara huaa hai. Unn ki adaakari ham sab ke hisse mein maujood hai. Dilip Kumar ne cinema mein abhinay ko adhyay mein badal diya, iss liye unhen method actor kahan jaata hai. Mughal-e-azam jaisi film mein Salim ke kirdaar ko baadshahat dene waale Dilip Kumar kam samay mein dekhna ya unn ke baare mein samjhana bahot mushkil kaam hai.”

The show goes on to talk about Dilip Kumar’s philanthropic acts. I had meant to write a bit on this facet of his personality, as I found that the Wikipedia page on him is not mentioning this part of his life. The show than goes in detail about how his biography was written and published, and what were his specifications about writing about his personal life and relations with other female stars with whom he was linked romantically.

I would like to read the book and see what he writes about his equation with Madhu Bala and what went wrong with his second marriage to Asma Rehman.

I have read the letter hand written by Dilip Kumar in urdu, to the editor of ‘Shama’ which is part of a book. The beauty of the handwriting and the dignity in the sentences, conveying his outrage, subtle yet firm, that he will not tolerate any such inferences towards his personal matters, is to be read to be believed. I have not read that much of Urdu over the years, as I could have, but the conviction about the ‘shaaistagi’ of the language, written and spoken is never in doubt. The letter vindicates my convictions about urdu, and reassured me that Urdu is a deserving heritage ofvast populations across the world. I am still talking about Dilip Kumar’s cultured, educated, wise and dignified persona.

One dialogue from Mughal-e-azam :

“ye zakhm nahi phool hain Durjan. Aur phoolon ka murjhaana bahaar ki ruswaayi hai.
Suno,
ye qaatil hi nahi dildaar bhi hai,
yeh shaakh-e-gul bhi hai talwaar bhi hai”

Yes. In classic Urdu, sentences do begin with ‘aur’.

Going back to Dilip Kumar’s acts of charity and his commitment to social causes, I know it for a fact that he was a partner in many such deeds and was a patron and supporter of educational institutes, orphanages etc. Dr.Is-haq Jamkhanawala (https://en.wikipedia.org/wiki/Ishaq_Jamkhanawala) from Belgaum was a close friend of Dilip Kumar. These two friends had been involved in many charity projects, which can be verified. In fact Dilip Kumar visited Belgaum in early 80’s accompanied by Saira Bano for inaugration of an educational institute. I have a photographe where Dr. Is-haq Jamkhanawala also can be seen alongwith another illuminous person, a doctor from Belgaum. (Photo attached).

Saahir Ludhianvi says in his inimitable way that:

duniyā ne tajrabāt o havādis kī shakl meñ
jo kuchh mujhe diyā hai vo lauTā rahā huuñ maiñ

His stature and standing in the film industry as well as the country ensured that he is a blessed and deserving of the honour of State funeral given to him. A real ‘badaa aadmi’ in the way he was blessed with the affections and respect in this world. And bigger the stature and the power bestowed in this world, the bigger is the test of the character. The toughness of the test is directly in proportion to the worldly blessings. By all accounts he seems to have fared well in this test, as far as we can see, rest all is with Allah(swt), who is the best of judges.

Lata Mangeshkar says this in her tribute:

“Yusuf bhai has gone leaving his younger sister behind. His death seems like the end of an era. I am unable to comprehend anything, I’m extremely sad, speechless, he gave me many memories and left. Yusuf bhai has been unwell for the last many years. He couldn’t recognise anyone, at such time, Saira bhabhi left everything and took care of him day and night. She had no other life. I bow down to such a woman and I pray for Yusuf bhai’s soul to rest in peace,”

What is a better celebration of this legendary actor, multi-lingual and multi-dimensional personality, than a song from the magnum opus “Ganga Jamna’ which he produced, wrote and said to have ghost directed? I am presenting two song snippets from this film.

Shakeel Badayuni-Rafi-Naushad is the team, whose association with Dilip Kumar is again a stuff of legends. Some enthusiasts can write a thesis on this topic. There is a female voice in the longer snippet, which sounds like Rajkumari Dubey, but I cant be sure. I am positive that it is not Lata Mangeshkar and sound different from Shamshad Begum.

My own favourite song from “Ganga Jamuna” is:

Nain lad jayi hain
to manwaa maa kasak hoibe kari
prem ka chhutiye patakha to dhamak
hoibe kari

The film and songs are definitely worth revisiting and so is the thespian, Gulfaam, the originial angry young man, and so much more.

Snippet I


Snippet II

Song-Bailan ki jodiyaa/ aaj bhaya re gori (Ganga Jamuna)(1961) Singer-Rafi, Lyrics-Shakeel Badayuni, MD-Naushad

Lyrics

snippet I
—————

Bailan ki jodiyaan
Jaane man ki sab batiyaan re ae
Oh ho ho ooo
Ooo oooo ooooo
Hrrr rrrrrr haa
Bailan ki jodiyaan
Jaane man ki sab batiyaan re ae
Dara ri da da daa ra raa
Lahaa lo laa Laha la lo laao

Snippet II

Di ra dee re ea ea
gori ee
Aaj bhaya re gori
Hamra gawanwaa
Ganga se jamna ka
hoyibe milanwaa
aa aa
neele gaganwaa ki chhaaon
oo ooo
chal chal ri goriyaa
pi ki nagariyaa aa
o chal chal ri goriyaa
pi ki nagariyaa aa
o nadiyaa kinaare moraa gaaon
ho oo nadiyaa kinaare moraa gaaon
o chal chal ri goriyaa
pi ki nagariyaa aa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4738 Post No. : 16460

Hullo Atuldom

“On the 103rd Birth Anniversary of my father – Late Saraswati Kumar Deepak. I pay my respect to his divine soul with a very good Song in the praise of Lord Ram, written by him for the film – Pawan Putra Hanuman – 1955.

महिमा अपरंपार राम की, महिमा अपरंपार – पवन पुत्र हनुमान – by Mohammad Rafi

Lyricist: Saraswati Kumar Deepak,
Composed by Chitragupt,
Singer is Mohammad Rafi and
Film: Pawan Putra Hanuman
Actors are Anita Guha, Mahipal &
famous composer S.N.Tripathi as Hanuman”

The trigger for this post is the Whatsapp mesage (posted above) that I received from my husband who forwarded his colleague and friend Alok Sharmaji’s message.

I myself had earmarked a song to be sent to Atulji for today’s anniversary but couldn’t write it out on time. But, on receiving the above, I decided to push what I had bookmarked to a later occasion.

“Pawanputra Hanuman” had 10 songs of which the blog has four as under

Song Date of post Post by
Jai bolo Siyaaar Raam ki 2 May 2014 Arunkumarji
Jaago hey bajrang bali 8 June 2014 Arunkumarji
Kaliyon mein Raam mera kiranon mein Raam 1 February 2016 Sadanandji
Mere Raam kahaan ho tum 2 February 2018 Avinashji

Chitragupt, the music director, used Mohammad Rafi, Shamshad Begum, Sudha Malhotra, Asha Bhonsle, Usha Mangeshkar and Geeta Dutt as playback singers for songs/bhajans written by G S Nepali and Saraswati Kumar Deepak.

Here is the next song from the movie, the one which Alok Sharmaji has mentioned. It is sung by Pawanputra Hanuman in the court of ShriRam. Jai Shri Ram. Jai Jai Jai Bajrangbali. 🙏🙏

It is Shri Saraswati Kumar Deepak’s 35th anniversary on 8th July. There is a good post by Sudhirji which gives us Deepakji’s biography.


Song-Mahima aprampaar Raam ki mahima aprampaar(Pavanputra Hanuman)(1957) Singer-Rafi, Lyrics-Sarasati Kumar Deepak, MD-Chitragupta
Chorus

Lyrics

bhari sabha mein Raam bhakt ki
hoti aaj hansa..aa..aai
bhakt dare kyun duniya se jab
Raam hain uske sahaayi
mahima aprampaar Raam ki
mahima aprampaar
mahima aprampaar Raam ki
mahima aprampaar
jab jab sunte karun pukaar
aate pal mein karunadhaar
Raam ki mahima aprampaar

baalpane mein Vishwamitra ke
saath chale raghuraai
ek teer se maar giraaya jabhi Taadka aayi
rakhwaale ban gaye kripaalu
yagya bhoomi ke dwaar
Raam ki mahima aprampaar
mahima aprampaar Raam ki
mahima aprampaar

patthar ban kar padi Ahilya
shraap pati ka paaya
deen bandhu ne charan dhool se
uska shraap mitaaya
sati Ahilya ko bhagwan ne
pal mein diya ubaar
Raam ki mahima aprampaar
mahima aprampaar Raam ki
mahima aprampaar

jab hua Seeta swayamvar
door se aaye dhanurdhar
haar kar baithe sabhi
Shiv ke dhanush ko chhod ke
akad mein lankesh aaya
dhanush usse uthh na paaya

Raam ne tab rakh diya pal mein
dhanush ko tod ke
magan ho gayi Mithila nagari ee ee
magan ho gayi Mithila nagari
huyi suman bauchhaar
Raam ki mahima aprampaar
mahima aprampaar Raam ki
mahima aprampaar

bholi bhaali Shabari ne chakh chakh kar ber jutaaye
ber prem ke ber ber shri Ramchandr ne khaaye
bhole bhagwan bhed bhaav ka
karte kahaan vichaar
Raam ki mahima aprampaar
mahima aprampaar Raam ki
mahima aprampaar

bhakton ke rakhwaale bhagwan
meri aan nibhaao o
bhakton ke rakhwaale bhagwan
meri aan nibhaao
mann mandir ke swaami mere
mann mein daras dikhaao
mann mein daras dikhaao
jai jai jai shri Raa..aa.m

ho o o o
Raghupati raghav raaja Raam
patit paawan Seeta Raam
Raghupati raghav raaja Raam
patit paawan Seeta Raam
Raghupati raghav raaja Raam
patit paawan Seeta Raam
Raghupati raghav raaja Raam
patit paawan Seeta Raam
Raghupati raghav raaja Raam
patit paawan Seeta Raam
Raghupati raghav raaja Raam
patit paawan Seeta Raam
Raghupati raghav raaja Raam
patit paawan Seeta Raam
Raghupati raghav raaja Raam
patit paawan Seeta Raam
Raghupati raghav raaja Raam
patit paawan Seeta Raam
Raghupati raghav raaja Raam
patit paawan Seeta Raam


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4736 Post No. : 16458

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 144 # Fifty years of ‘1971’ – 1
———————————————–—————————————-

The year 1971 completes ‘fifty’ years in this year ‘2021’. These days, we are discussing the movies released in the year ‘1971’. In this series today’s song is from the movie ‘Aag Aur Daagh-1971’.

Alphabetically ‘Aag Aur Daagh-1971’ is the first movie of the decade 1971-1980. It was passed by Censor Board on 20.01.1971. The first movie 0f ‘1971’, as per date of certification by censor board, is ‘Johar Mehmood In Hongkong’. It was passed by censor board on 04.01.1971.

Both these movies have been represented on the blog, and both are yet to be Yippeeee’ed 😊 and that gives us the opportunity for this post here.

‘Aag Aur Daagh-1971’ was directed by A. Salam for ‘Movie Temple, Bombay’. It was produced by Swarn Singh. It had Joy Mukherji, Komal, Jayant, Madan Puri, I.S. Johar, Helen, Bhagwan, Sudhir, Zeb Rehman, Rajan Haksar, Shetty, Kundan, Shefali, Paro, Majnu, Roopali, Uma Dutt, Shabana, Rajrani, Darshan, Amar, Subhash, Shaloo, Sameena, Master Rodney, Sumeet, Bipin Khosla and others.

This movie was written by Charandas Shokh. Editing of this movie was done by R.V. Shrikhande.

This movie had six songs (including one two-part song) written by Noor Dewasi (one song) and S.H. Bihari (five songs, including one two-part song).

Music for ‘Aag Aur Daagh-1971’ was composed by N. Datta.

Following is the list of songs in this movie as appearing in HFGK Vol-V (1971-1980).

S.No. Song Title Singer/s Lyricist Posted on
01 Ye pyaar ka jhagdaa hai Mohd Rafi Noor Dewasi 29.04.2012
02 Choli bheegi, lat bheegi Asha Bhonsle S.H. Bihari 16.04.2012
03 Hamse badhkar kaun hoga aap ka deewaanaa Mohd Rafi,
Asha Bhonsle
S.H. Bihari
04 Aaj in haathon mein phir se zindagi…Tere is pyaar ka shukriyaa Mohd Rafi S.H. Bihari 09.02.2012
05 a) Iski ho gayi, uski ho gayi b) Naa baaba naa Mohd Rafi S.H. Bihari
06 Aaj ki raat faisle ki raat hai Asha Bhonsle S.H. Bihari

We can see from the above table that, so far, three songs from this movie have been posted on the blog.

Incidentally all the three songs from this movie that have been posted were posted in ‘2012’ only and after that no song from this movie have been posted on the blog.

So, it’s a long gap of more than nine years now to have the next song from this movie here.

Today we will listen to a nice duet sung by Mohd Rafi and Asha Bhonsle from this movie. On screen Joy Mukherji and Komal are seen performing on this song and they are lip syncing in the voices of Mohd Rafi and Asha Bhonsle, respectively.

I have not watched this movie and neither I remember to have listen any songs from this movie.
I like today’s song and I feel it is better heard than watched (however Joy Mukherji is as good as ever in such type of songs, but the actress in this song seems to be performing as ‘unnatural’ as possible 😊

Lyrics for today’s song are by S.H. Bihari and music is composed by N. Dutta.

(Today’s song also seems to have missed the many ‘Asha-Rafi’ duets compilation albums released by HMV in the past).

Let us now listen to the song … I am sure you like it and enjoy the composition …

Video

Audio

Song-Hamse badhkar kaun hoga aap ka deewaana (Aag Aur Daagh)(1971) Singers-Rafi, Asha Bhonsle, Lyrics-S H Bihari, MD-N Datta

Lyrics

hamse badhkar kaun hoga
aapka deewaanaa
kitney din ki hai mohabbat
ye zaraa farmaanaa

hunh achchaa
waah waah
ho hamse badhkar kaun hoga
aapka deewaanaa aa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa

chaahe jitney bhi kathin ho
zindagi ke raaste
zindagi saari hai dilbar
aap hi ke waaste ae
kya baat hai
chaahe jitney bhi kathin ho
zindagi ke raaste
zindagi saari hai dilbar
aap hi ke waaste
do kadam chal ke kahin
ruk jaaye naa deewaanaa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa

haan hamse badhkar kaun hoga
aapka deewaanaa aa
hey kitney din ki hai mohabbat
ye zaraa farmaanaa

aaj to vaade bhi hain
kasmein bhi hain
aur pyaar bhi
pyaar ki baazi mein lekin
jeet bhi hai
haar bhi

hunh
chalegaa
aaj to vaade bhi hain
kasmein bhi hain
aur pyaar bhi
pyaar ki baazi mein lekin
jeet bhi hai
haar bhi

aag se dar jaaye jo
main wo nahin parwaanaa
hey kitney din ki hai mohabbat
ye zaraa farmaanaa aa

haan
haan
hamse badhkar kaun hoga
aapka deewaanaa aa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa

kya pataa taqdeer ko
kuchh aur hi manzoor ho

chal pade hain
ab to manzil
chaahe jitni door ho
kya pataa taqdeer ko
kuchh aur hi manzoor hon

chal pade hain
ab to manzil
chaahe jitni door ho
reh nahin saktaa adhooraa
pyaar ka afsaanaa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4731 Post No. : 16451 Movie Count :

4466

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 143 # Kalyanji-Anandji – Year 1975 (2)
———————————————–———————————————

Yesterday 30th June 2021 was the 93rd birth anniversary of Kalyanjibhai Virjibhai Shah (30 June 1928 – 24 August 2000) of the music director duo Kalyanji-Anandji.

On this occasion I am presenting a song from the ‘1975’ movie ‘Anokhaa’.

In the year ‘1975’ there were twelve films where the music was composed by Kalyanji-Anandji.

Here is the list of these movies and their status on the blog.

Sno. Title (Year) Censor certificate date Lyricist Represented on the Blog
1 Anokhaa(1975) 02.04.1975 Indeewar, Sawan Kumar Being introduced today
2 Apne Dushman(1975) 19.11.1975 Verma Malik, Qamar Jalalabadi
3 Bhoolaa Bhatkaa(1975) 13.10.1975 Anand Bakshi
4 Chori Mera Kaam(1975) 30.04.1975 Verma Malik Yes/Yippeeee’ed
5 Dharmaatmaa(1975) 30.04.1975 Indeewar Y
6 Do Thug(1975) 05.12.1975 Rajinder Krishan
7 Faraar(1975) 11.11.1975 Rajinder Krishan Y
8 Himaalaya Se Ooncha(1975) 15.04.1975 Indeewar Y
9 Monto(1975) 15.05.1975 Verma Malik
10 Rafoo Chakkar(1975) 02.01.1975 Gulshan Bawra Y
11 Uljhan(1975) 31.10.1975 M.G. Hashmat Y
12 Zorro(1975) 31.10.1975 Verma Malik

We can see in the above table that alphabetically ‘Anokhaa’ is the oldest movie which has so far not been represented on the blog from the year 1975 where music was composed by Kalyanji-Anandji.

Today we are going to listen to a song from this movie.

‘Anokhaa-1975’ was directed by Jugal Kishore for ‘Jugal Productions, Bombay’. It had Shatrughan Sinha, Zareena Wahab, A.K. Hangal, Imtiaz, Kanhaiyalal, Maruti, Jayshree T., Paintal, Mohan Shery, Jeevan, Hercules, Mirza Musharraf, Tulsi, Meher Mittal, Badri Prasad, Brijednra Mohan, Ved Gandhi, Vikrant, Omi Chopra, Ratnesh, Meher Banu, Chandar Singh, Mohan Jery, Bhupendra, Bipin Kumar, Bholanath, Master Kotak, Mahender Singh and others.
Meena T. makes a guest appearance in this movie.

This movie was passed by Censor Board on 02.04.1975.

This movie had five songs (including one two-part song) written by Indeevar (three songs, one of them a two-part song) and Sawan Kumar (two songs).

Here is the list of songs of this movie as given in HFGK Vol-V (1971-1980).

S.No. Song Title Singer/s Lyricist
01 Apna desh videsh kea age haath naa failaaye Mukesh, chorus Indeevar
02 part 1 Jab aayi hai wo gaaon se hamaar gori baala(part 1)1 Mahendra Kapoor, chorus Indeevar
02 part 2 Jab jaayega Shahar se gori ka ghar waala (part 2) Amit Kumar, chorus Indeevar
03 Jaaneman aap hamse muhabbat naa kijiye Mohd Rafi, Suman Kalyanpur Sawan Kumar
04 Meri baaton se tum bore ho gayi ho to Kishore Kumar, Usha Timothy Sawan Kumar
05 Dharti hai hamaari jaan, jaan lagaa kar boyen dhaan Mohd Rafi, chorus Indeevar

I have not watched this movie and I have not even listened to its songs earlier, so I would request knowledgeable readers to throw more light on this movie and its songs.

Today’s song is sung by Mohd Rafi and Suman Kalyanpur and on screen it is lip synced by Shatrughan Sinha and young looking Zareena Wahab. Paintal and others are also seen in the picturization of this song.

Lyrics for the today’s song are by Sawan Kumar and music is composed by Kalyanji-Anandji.

Let us listen to the song now …

Video

Audio

Song-Arre Jaaneman aap humse muhabbat na keejiye (Anokha)(1975) Singers – Mohd Rafi, Suman Kalyanpur, Lyrics – Sawan Kumar, Music – Kalyanji-Anandji
Chorus

Lyrics (as per audio link)

ae
ae jaaneman

tumhe to sabse pehle
chaahiye tha
bazm mein aanaa
kahenge log kya
shamma parwaanon ke baad aayi

jo pehle aa gayi hoti to
tum sab jal gaye hote ae
ye achchaa hi huaa ke
shamma
parwaanon ke baad aayi

arey jaaneman
hoye jaaneman
aap hamse muhabbat naa keejiye
jaaneman
aap hamse muhabbat naa keejiye
dekhiye do din mein
aapkaa
chehra utar gayaa aa aa a
dekhiye do din mein
aapkaa
chehra utar gayaa aa aa
janaab e man
haan janaab e man
jaa ke ghar aayeenaa to dekhiye
janaab e man
jaa ke ghar aayeenaa to dekhiye
chehraa hamaaraa yaa ke
tumhaaraa utar gayaa aa aa
chehraa hamaaraa yaa ke
tumhaaraa utar gayaa aa aa

jaan e man
janaab e man
oye jaaneman
janaab e man

maine jisko pyaar se dekha
dekha kabhi
arey maine jisko pyaar se dekha
dekha kabhi
armaan ban ke
armaan ban ke uske
dil mein utar gayaa aa
hamse nazar milaane ki
hamse nazar milaane ki
aap himmat naa keejiye ae
aap himmat naa keejiye

achchaa
jo teer nazar
jo teer nazar
chal gayaa
dekhoge mar gayaa aa
jo teer nazar
chal gayaa
dekhoge mar gayaa

jaaneman
hoye jaaneman
aap hamse muhabbat naa kijiye
janaab e man
jaa ke ghar aayeenaa to dekhiye

jaaneman
janaab e man

laa laa laa laa laa
laa laa laa laa laa
la la la la
la la la la la la la laa
la la la la la la la laa
la la la la la laal aa

dekh aashiq hain
mar bhi jaayenge ae
dekh aashiq hain
mar bhi jaayenge ae
leke nayaa janam laut aayenge
milenge tumhen phir sanam ham
milenge tumhen phir sanam ham
ishq tumhi se ham farmaayenge
ishq tumhi se ham farmaayenge ae
akadte kya ho
apni jaat dekho
akadte kya ho
apni jaat dekho
chhote munh aur badi baat dekho
ishq hamse karoge kya
hoob socha hai
ishq hamse karoge kya
khoob socha hai
zaraa dekho
haan apni aukaat dekho
zaraa dekho
haan apni aukaat dekho

roti rahogi raaton ko o
arey roti rahogi raaton ko
sakhiyon se lipat
lipat ke ae
sakhiyon se lipat
lipat ke
arey ishq nahin hai
ishq nahin hai
aisaa nashaa jo chadhke utar gaya
janaab e man
haan janaab e man
jaa ke ghar aayeenaa to dekhiye
chehraa hamaaraa
yaa ke
tumhaaraa utar gayaa aa aa

oye jaaneman
ho jaaneman
aap hamse muhabbat naa keejiye
dekhiye do din mein
aapkaa
chehra utar gayaa aa aa
janaab e man
ho jaaneman
janaab e man
janaane man …


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16569

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4510

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