Posts Tagged ‘1961’
Kehna na maanoon main jawaani ka
Posted on: July 1, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3635 | Post No. : | 14463 |
“Razia Sultaana”(1961) was directed by Devendra for Movie India, Bombay. This historical movie had Nirupa Roy (in title role), Jairaj, Kamran, M Kumar, N A Ansari, Agha, Sadhana Chaudhary, Leela Mishra, Rajan Kapoor, S M Sagar, Narad Muni, Madhumati, Jeewan Kala, Meena, Maqbool etc in it.
The movie had seven songs in it. Two of these songs have been covered in the past.
Here is the third song from “Razia Sultaana”(1961) to appear in the blog.
This song is sung by Asha Bhonsle and chorus. Anand Bakshi is the lyricist. Music is composed by Pt Lachchiram.
The song is picturised as a raj darbaar dance song. I am unable to identify the dancers. I request our knowledgeable readers to help identify them.
I may have got a few words wrong in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.
Song-Kehna na maanoon main jawaani ka (Razia Sultana)(1961) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Pt Lachchiram
Chorus
Lyrics
kehna na maanoon main
kehna na maanoon main jawaani ka
naam badnaam hai deewaani ka
ho
kehna na maanoon main jawaani ka
lalalaalalalalalalaa
lalalaalalalalalalaa
pehle nazron ki kamaanen kas ke
ye bade teer chalaayen hans ke
teer chalaayen hans ke
teer chalaayen hans ke
aur phir baithh ke royen naadaan
kisi ke jaam e nazar mein phans ke
jaam e nazar mein phans ke
jaam e nazar mein phans ke
iska har kaam hai
iska har kaam hai naadaani ka
naam badnaam hai deewaani ka
kehna na maanoon main jawaani ka
laalalalaalalaalala
laaalaalalaalalalala
lalaalaalaalaalaalaa aa aa
kya kahoon mujhse kya kehti hai
jo meri laakh sitam sahti hai
laakh sitam sahti hai
laakh sitam sahti hai
?? dubone ko safina dil ka
ek nadi hai ki chadhhi rahti hai
haay chadhhi rahti hai
nadi chadhi rahti hai
mauqa na doon ise
mauqa na doon ise rawaani ka
naam badnaam hai deewaani ka
haaye
kehna na maanoon main jawaani ka
laalaalalaallalala
laalaalalalalala
lalalalaaalaalaa aa aa
shirin farhad ka hai afsaana
donon ko isne kiya deewaana
isne kiya deewaana
isne kiya deewaana
ye wo kaafir hai ke jiski khaatir
laila majnu ko pada mar jaana
haaye pada mar jaana
haaye pada mar jaana
sabko pata hai
sabko pata hai is kahaani ka
naam badnaam hai deewaani ka
ho
kehna na maanoon main jawaani ka
Babalu…chhod ke na jaana
Posted on: April 10, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3553 | Post No. : | 14257 |
“Mr India”(1961) was produced and directed by G P Sippy. This movie had I S Johar, Geeta Bali, Helen, Kamal Jeet, Praveen Paul, Hari Shivdasani etc in it.
The movie had eight songs in it. Seven songs have been covered in the past. Here are the details of these seven songs:-
|
Song Title |
Post No. |
Post Date |
| Mat poochh meraa hai kaun watan | 1311 | 19-May-09 |
| Dekhaa naa jaaye sochaa naa jaaye | 1992 | 26-Sep-09 |
| Kahaan chali chham se bachaa ke aankh ham se | 7849 | 8-Apr-13 |
| Haay teri aankh mein wo kamaal hai | 8570 | 22-Aug-13 |
| Kya soch raha matwaale | 9176 | 19-Dec-13 |
| Main maachis ki teeli | 10014 | 25-Jul-14 |
| Nazar ye teri teekhhi na maar goriye | 14253 | 9-Apr-18 |
The eighth and final song from “Mr India”(1961) is sung by Asha Bhonsle and Rafi, alongwith chorus. Jaan Nisaar Akhtar is the lyricist. Music is composed by G S Kphli.
Only the audio of the song is available. It sounds like a dance song. I request our knowledgeable readers to throw light on the picturisation of this song.
With this song, “Mr India”(1961) joins the list of movies that have all their songs covered in the blog.
Today (10 march 2018) is the 100th day of the year 2018. We have been seeing one movie attaining YIPPEEHOOD everyday from the first day of the year 2018 . This streak lasted till 2 april 2018. I posted what I thought a “YIPPEE” song on 3 april 2018 as well, but it was pointed out the next day that the movie had more songs. So the YIPPEE streak came to an end, but that was not because of any lack of effort or motivation on our part. We have since resumed the one one YIPPEE movie per day routine once again.
There was one day (16 january 2018) when two YIPPEE movies had been covered. So in effect, we have YIPPEED 100 movies in 100 days of the year and the movie “Mr India”(1961) is the 100th YIPPEED movie of 2018. So this is another of those “artificial” centuries milestones that we often achieve in the blog these days. 🙂
That is not the only “artificial” century distinction with this post. There is another. This movie becomes the 100th YIPEED movie in the blog whose title begins with the letter M. 🙂
Song-Babalu… chhod ke na jaana (Mr India)(1961) Singers-Asha Bhonsle, Rafi, Lyrics-Jaan Nisaar Akhtar, MD-G S Kohli
Male chorus
Female chorus
Lyrics
ba balu
o ba balu
o o
chhod ke na jaana aadhi raat ko
o chhod ke na jana aadhi raat ko
tu kya jaane re bedardi
tu kya samjhe re bedardi
meri baat ko
dil tod ke na jaana aadhi raat ko
baba lu
o baba lu
babalu babalu
babalu babalu
chamke abhi to mere maathe ke taare
maathe ke taare ho
kyun humko meethhi meethhi baaton se maare
baaton se maare
daala aate hi bahaana
haaye aisa bhi kya aana o mulakaat ko
dil tod ke na jaana aadhi raat ko
o o chhod ke na jaana aadhi raat ko
tu kya jaane re bedardi
tu kya samjhe re bedardi
meri baat ko
dil tod ke na jaana aadhi raat ko
ba balu
o ba balu
ba balu ba balu
ba balu ba balu
uljhi laton se khele ban ke hawaayen
ban ke hawaayen ho
bhole dilon ko loote teri adaayen
teri adaayen
karna hamse na kinaara
dil na tarse kal tumhaara
mere saath ko
dil tod ke na jaana aadhi raat ko
o o chhod ke na jaana aadhi raat ko
tu kya jaane re bedardi
tu kya samjhe re bedardi
meri baat ko
dil tod ke na jaana aadhi raat ko o
ba balu
o ba balu
ba balu ba balu
ba balu ba balu
ba balu ba balu
(aa aa aa aa aa)
ba balu ba balu
ba balu ba balu
ba balu ba balu
ba balu ba balu
ba balu ba balu
o o o o
ba balu ba balu
ba balu ba balu
ba balu ba balu
ba balu ba balu
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3552 | Post No. : | 14253 |
“Mr India”(1961) was produced and directed by G P Sippy. This movie had I S Johar, Geeta Bali, Helen, Kamal Jeet, Praveen Paul, Hari Shivdasani etc in it.
The movie had eight songs in it. Six of these songs have been covered in the past.
Here is the seventh song from “Mr India”(1961) to appear in the blog. The song is sung by Rafi and Asha Bhonsle. Jaan Nisaar Akhtar is the lyricist. Music is composed by G S Kohli.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song. My guess is that this song, which sounds quite O P Nayyar like is picturised on I S Johar and Geeta Bali.
Song-Nazar ye teri teekhi na maar goriye hoy hoy (Mr India)(1961) Singers-Rafi, Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-G S Kohli
Lyrics
nazar ye teri teekhi
na maar goriye hoye hoye
na maar goriye haaye haaye
na maar goriye humko tu
dilon pe dale kyun jaadu u
hoye bada kahin ka aaya
na chhed soniya aaye haaye
na chhed soniya oye hoye
na chhed soniya humko tu
zara to dil par rakh kaabu u u
ho o o
o o o
o o o
phoolon mein meri gori
gende ka phool hai
ho o o
tere gale lagoongi
ye teri bhool hai
ho o o
phoolon mein meri gori gende ka phool hai
ho o o
tere gale lagoongi
ye teri bhool hai
dekhe ja bas ghoor ke
oy maze le le door ke
hoy dekhe ja bas ghoor ke
oy maze le le door ke
aay haay
hoy
najar ye teri teekhi
na maar goriye haay haay
na maar goriye hoy hoy
na maar goriye hamko tu
dilon pe daale kyun jaadoo u
haan
hoy
bada kahin ka aaya
na chhed soniya haay haay
na chhed soniya oye hoye
na chhed soniya humko tu
zara to dil par rakh kaabu u u
o o o
o o o
o o o
o o o
nakhron mein meri gori aage hai heer se
o o o
ghayal karoongi tujhko kaajal ke teer se
ho o o o
nakhron mein meri gori aage hai heer se
aa aa aa
ghayal karoongi tujhko kaajal ke teer se
chhede dekho jaan ke ji
kaisa seena taan ke
oye chhede dekho jaan ke ji
kaisa seena taan ke
are waah waah
oy nazar ye teri teekhi
na maar goriye haaye haaye
na maar goriye hoye hoye
na maar goriye humko tu
dilo pe daale kyu jaadu u
haan
oy bada kahin ka aaya
na chhed soniya aay haaye
na chhed soniya oye hoye
na chhed soniya humko tu
zara to dil par rakh kaabu u u
Kahiye Kaisa Mizaaj Hai Aapka
Posted on: March 11, 2018
- In: Asha Bhonsle songs | Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Kum Kum Dance Song | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1961 | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3523 | Post No. : | 14151 |
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 8
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
/ औ, ऋ /
‘क’ – कहिए कैसा मिज़ाज है आपका
ना जाने कौन ये आवाज़ देता है॰ ॰ ॰
The sounds of his voice keep reverberating in the valleys of the mind – the voice that carries a million musical memories of an entire lifetime, unforgettable.
Today’s song in this series is a delightful exchange of young hearts in love. The film is ‘Salaam Memsaab’ from 1961. On screen, the song is performed by a very young Subiraj, and a very enchanting Kum Kum. It is always such a joy to watch Kum Kum on screen with that scintillating smile and the twinkle in the eyes that goes along with it. In a chirpy naughty mood, her expressions and her movements are such a pleasure to see. However, in this clip, I must say, her dance movements are just the typical signature dance steps of Bhagwan. Now Bhagwan is also in this film, and it is a matter of conjecture whether he had some say in the choreography and songs picurization. Maybe he did, the steps in this clip are so very much Bhagwan.
The film is produced by an entity that is called the Young Technicians Unit – Baria Films, and is directed by K Parvez. The star cast is listed as
Kumkum, Subiraj, KN Singh, Sheikh, Bhagwan, Meena, Wasi Khan, Arvind Kumar, Ahmed Patni, S Malik, Bir, and Naazi. Music for this film is composed by Ravi. The eight songs in this film are written by four songwriters – Asad Bhopali, SH Bihari, Priyadarshi and Qamar Jalaalabaadi. This particular song is from the pen of Asad Bhopali.
The singing voices are of Rafi Sb and Asha Bhosle. The song is a lover’s tete-a-tete with the young Subiraj pursuing Kum Kum. At first, he is responsible for making her fall, then he tries to appease her by asking her “कहिए कैसा मिजाज है॰॰॰”.
A fun song, that is also such a wonderful melodious memory from the radio listening days. Listen and enjoy.
Song – Kahiye Kaisa Mizaaj Hai Aapka (Salaam Memsaab) (1961) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Asad Bhopali, MD – Ravi
Mohammed Rafi + Asha Bhosle
Lyrics
kahiye kaisa mizaaj hai aapka
hum se kya vaasta hai janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
o kahiye kaisa mizaaj hai aapka
hum se kya vaasta hai janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
o kahiye kaisa mizaaj hai aapka
jis din se pyaar hua
dil beqaraar hua
jeena dushvaar hua teri kasam
jis din se pyaar hua
dil beqaraar hua
jeena dushvaar hua teri kasam
yun na sataaya karo
dil na jalaaya karo
kasmen na khaaya karo jhoothe sanam
tera deewaana hoon teri kasam
kya bharosa hai mardon ki zaat ka
kya iraada hai aakhir janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
kahiye kaisa mizaaj hai aapka
nazron ne jaan liya
dil ne pehchaan liya
lo hum ne maan liya apna tumhen
nazron ne jaan liya
dil ne pehchaan liya
lo hum ne maan liya apna tumhen
mushkil se baat bani
dil ko bas hai ye khushi
tumne samjha to sahi apna mujhe
dekho ji aise na dekho hamen
o saara jhagdha tha itni si baat ka
hum se kya vaasta hai janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
o kahiye kaisa mizaaj hai aapka
ye rut ye pyaara samaan
dil ki duniya hai jawaan
ye baaten roz kahaan jaane wafaa
ye rut ye pyaara samaan
dil ki duniya hai jawaan
ye baaten roz kahaan jaane wafaa
aise mein dil bhi mera
masti mein jhoom utha
halka halka sa nasha chhaane laga
ab zindagi ka mazaa aane laga
kahiye kaisa mizaaj hai aapka
hum se kya vaasta hai janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
kahiye kaisa mizaaj hai aapka
hum se kya vaasta hai janaab ka
aaa aaa aaaa aaaaa
ho ooo ooo ooo ooo ooo
aaa aaa aaaa aaaaa
ho ooo ooo ooo ooo ooo
aaa aaa aaaa aaaaa
ho ooo ooo ooo ooo ooo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
कहिए कैसा मिज़ाज है आपका
हमसे क्या वास्ता है जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
ओ कहिए कैसा मिज़ाज है आपका
हमसे क्या वास्ता है जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
ओ कहिए कैसा मिज़ाज है आपका
जिस दिन से प्यार हुआ
दिल बेक़रार हुआ
जीना दुश्वार हुआ तेरी कसम
जिस दिन से प्यार हुआ
दिल बेक़रार हुआ
जीना दुश्वार हुआ तेरी कसम
यूं ना सताया करो
दिल ना जलाया करो
कसमें ना खाया करो झूठे सनम
तेरा दीवाना हूँ तेरी कसम
क्या भरोसा है मर्दों की ज़ात का
क्या इरादा है आखिर जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
कहिए कैसा मिज़ाज है आपका
नज़रों ने जान लिया
दिल ने पहचान लिया
लो हमने मान लिया अपना तुम्हें
नज़रों ने जान लिया
दिल ने पहचान लिया
लो हमने मान लिया अपना तुम्हें
मुश्किल से बात बनी
दिल को है बस ये खुशी
तुमने समझा तो सही अपना मुझे
देखो जी ऐसे नहीं देखो हमें
ओ सारा झगड़ा था इतनी से बात का
हम से क्या वास्ता है जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
कहिए कैसा मिज़ाज है आपका
ये रुत ये प्यारा समां
दिल की दुनिया है जवां
ये बातें रोज़ कहाँ जान ए वफा
ये रुत ये प्यारा समां
दिल की दुनिया है जवां
ये बातें रोज़ कहाँ जान ए वफा
ऐसे में दिल भी मेरा
मस्ती में झूम उठा
हल्का हल्का सा नशा छाने लगा
अब ज़िंदगी का मज़ा आने लगा
कहिए कैसा मिज़ाज है आपका
हमसे क्या वास्ता है जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
कहिए कैसा मिज़ाज है आपका
हमसे क्या वास्ता है जनाब का
आss आss आsss आssss
हो ओs ओs ओs ओs ओs
आss आss आsss आssss
हो ओs ओs ओs ओs ओs
आss आss आsss आssss
हो ओs ओs ओs ओs ओs
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is the 2800th song of Rafi Sb to be showcased on our blog.
‘Mera Suhaag’ (1961) is the 3800th film represented on our blog.
| Blog Day : | 3471 | Post No. : | 13936 |
Series of Rafi songs-Rafi with music directors
—————————————————————-
(Pal do pal ka saath)-MD composing just one Rafi song
——————————————————————-
Part I-Arun Raghavan
—————————-
During his HFM career, Rafi worked with 14 music directors in more than 100 songs each. I describe them as Major music directors for Rafi or three figure music directors with Rafi. Then there were 45 music directors who composed between 11 to 99 songs with Rafi. We can call them semi major or two figure music directors with Rafi.
Major (viz three figure) music directors created 2743 song with Rafi, which is 53 % of all Rafi songs in HFM. The semi major (viz two figure) music directors created 1528 Rafi songs, viz 30 % of all Rafi songs in HFM. So we can say that the major and semi major music directors (59 in number) contributed a whopping 83% of all Rafi songs, which adds up to 4271 songs in all.
Then there were 170 music directors who worked with Rafi in less than 10 songs each. They were like the proverbial squirrels of Ramayan fame, who would carry a few grams of tiny pebbles each on their tiny paws while the giant vaanars would carry large boulders on their shoulders. The individual contributions of each of these music directors may be small in comparison to the major music directors, but the cumulative total of Rafi songs by these single figure music directors adds up to a figure of 503 ! This total is bigger than the career total of HFM songs sung by some well known playback singers, viz K L Saigal, Suraiyya, Talat Mehmood etc. And these songs contain quite a few wonderful songs as well.
I had discussed this fact while discussing a song on the occasion of Rafi’s birth anniversary. Raja, while commenting on that article had written –
“Just wondering if we have covered songs of all those 173 composers (1-9 songs category) here already? If not, that could be a project. Every composer who has used Rafisaab should be on the blog, even if the song being posted for that composer isn’t necessarily the Rafisaab one (if it is, of course better!).
That could be our way of showing our gratitude to that composer.”
I had taken note of Raja’s suggestion. And this writeup begins our series of articles about those music directors who were associated with Rafi in less than ten songs each. The name that I have chosen for this series is- pal do pal ka saath. This phrase is taken from that memorable qawwaali from “The Burning Train” (1981) containing this phrase.
In the beginning, I will discuss those music directors who have worked with Rafi in just one song each.
There are 48 such music directors. While most of them are small time less heard music directors, we have some rather well known names too in the list.
I decided to take up these names alphabetically. The first name that crop up in Alphabetical order is Aabid Hussain Khan who composed one Rafi-Zohrabai Ambalewaali duet in a 1949 movie called Last Message”(1949). While a few songs from this movie are available, the Rafi song , viz. “na thahar sake na tadap sake” does not seem to be available.
The next name that comes up alphabetically is Aparesh Lahiri (father of Bappi Lahiri). He has composed one Rafi song in a movie called “Subhash chandra” (1978). Since Netaji Subhash Chandra Bose’s birth anniversary is coming up next week, that would be the opportune time to cover this song.
The next name in the list of music directors is Arun Raghavan. He was a South Indian music director and he worked in just one Hindi movie. This movie, called “Mera Suhaag” (1961) was produced by Produced by N S R Mani and directed by H Krishnamoorthy for Secarts, Madras. The movie had Kanta Rao, Rajnala, Ramkrishna, K V S Sarma, A V subbarao, Balkrishna, Krisha Kumari, Girija, Rajshree, Hemlata etc. in it. In all likelihood, this movie was a remake of a south Indian movie where songs were re reccorded in Hindi. There were nine songs in the movie. Eight of these songs were sung by well known South Indian playback singers viz. P Susheela, S Janki and P B Srinivas.
But there was one song in the movie which was sung by Rafi. And that happens to be the one and only collaboration of Arun Raghavan as a music director with Rafi in a Hindi movie.
The song is penned by Vinod Sharma, who like the music director is an obscure name for this blog.
This song is a rare song. Only the audio of the song is available.
From the sounds of it, the song appears to be used as a background song in the movie.
I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
So much discussion on a song which is a rare and obscure song. Most sites dealing with HFM will struggle to find anything to write on this song. But trust us in this blog to treat most songs in general and songs like this in particular with so much care and respect, and we are able to come up with so many special things to say about songs like this.
This song is special for us for the following reasons:
1. This is the only occasion when Rafi has sung a song under the music direction of Arun Raghavan and under the penmanship of Vinod Sharma.
2. This is the 2800th Rafi song in the blog. It was a conscious decision on our part to use a Rafi song from a less known music directors to emphasize that they too have contributed their mite in enriching HFM.
3. With this song, “Mera Suhaag”(1961) becomes the 3800th movie to get represented in the blog. The same reason as given above applies here as well for considering this movie for this honour.
Song-Yug yug se anyaay ho raha hai naari ke saath (Mera Suhaag)(1961) Singer-Rafi, Lyrics-Vinod Sharma, MD-Arun Raghvan
Lyrics
Yug yug se anyaay ho raha hai naari ke saath
kaun samajh paaya uska dukh uske man ki baat
Yug yug se anyaay ho raha hai naari ke saath
dharmraj ne drupad suta ko diya juye mein haar
harichandra ki raani taara bik gayi beech baazaar
bik gayi beech baazaaaar
Yug yug se anyaay ho raha hai naari ke saath
kaun samajh paaya uska dukh
uske man ki baat
Shakuntala ko raaja bhoola
jiska thha vishwaas kiya
chhoti si thhi baat
Raam ne
Seeta ko vanwaas diya
Seeta ko vanwaas diya
Seeta ko vanwaas diya
tujhko bhi vanwaas mila hai
teri karun kahaani
kul maryaada raah mein teri
?? deewaani
tera dharm piya ko paana
?? tujhko mil jaaye
haan
?? tujhko mil jaaye
dukh ki kaali si raat kate
sukh ka sooraj muskaaye
tere man ka kamal khilaaye
tere man ka kamal khilaaye
tere man ka kamal khilaaye
- In: "Zindagi" song | Asha Bhonsle songs | Celebration Song | Club song | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Happy song | joie de vivre | Lyrics contributed by readers | Post by Raja | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1961 | Yearwise breakup of songs
- 2 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today is a very special day for all HFM lovers. It is the birth anniversary of one of the most beloved of artistes, and one of the greatest and most respected. I am, of course, talking about the one and only Rafi Saab.
Had he been alive today, he would have completed 93 years. But as fate would have it, he left us in 1980 itself, when he was barely 55. One does not have control over these matters – one can only have fond memories of the person concerned, and enjoy the rich legacy that he or she has left behind.
And WHAT A LEGACY Rafisaab has left behind!
There’s not a single day that his songs are not aired on the Indian radio channels. And I am not talking about just the odd song – we are talking about the chance that every programme (not deliberately exclusionary) that has songs up to 1980 having at least one Rafisaab song. He was just so prolific and his songs just so popular.
There’s also not a single day that I do not sing (to myself only, of course 🙂 ) a Rafisaab song. I sing a lot sub-consciously, it is second nature to me (although it might be an irritant to others). And often the song is a Rafi Saab song. It could be a sad song or a happy song, a bhajan or a qawwali, one of his early songs (like “Yahaan Badla Wafaa Ka. . .”) or one of his 1970s songs (like “Main Tere Dar Pe Aaya Hoon”- one of my favourites from his later years). But whatever it is, a Rafi Saab song always seems to be on my lips.
Just like Rafisaab is always in my heart.
Which is why I am writing this hurried tribute to him on this occasion. It is hurried because I am already late on this and am writing this post on the day, instead of at least a day earlier, allowing Atul or Sudhirji some time to process it. I hope they are still able to post it on Rafi Saab’s anniversary. If not, a day later is ok too.
It is also hurried because I have suddenly a lot of family-related demands on my time. This has been the situation for more than a month now – there has been a wedding in the family, a lot of work to be done for it, a whole lot of visitors/family arriving to attend, some illnesses in the family, Christmas time (always busier than usual because of family visiting anyway), etc. Due to all this, I have been very limited in my social activities of late. I’ve hardly visited the blog (a lot of catching up to do!), hardly been on other social media either. Family has taken precedence over everything else.
In spite of all this, I was hoping to be able to come up with a Rafi Saab post in time. Whether I miss other occasions or not, I almost always try to write a post, however short, on Rafi Saab’s birth and death anniversaries. But even that has not happened. One big reason is that I’m going to bed very early nowadays. I sleep by 10.30 pm or so – earlier I would sleep after midnight! That extra hour or two in the night would be peaceful – it would give me time for social media, writing and catching up on posts. During the daytime, there’s little chance of being able to concentrate on anything, with lots of people around. 🙂
But I digress – this post isn’t about me, it’s about Rafi Saab. So back on topic. (I still haven’t lost the habit of digressing, have I? 🙂 ). So here I am – with this hurried post. It might not be 2000 words long (do I hear a sigh of relief?), but it is a tribute to Rafi Saab straight from the heart.
After all, Rafi Saab’s songs went straight to the heart, didn’t they? He sang every song, sad or happy, with such love and dedication that you could sense he gave it his best. Not all songs were successful commercially (and that’s natural when you’ve sung so many thousands) but you could rarely fault Rafi Saab for this. And his dedication was the same, whether he was singing for a big composer or a small composer. In that respect, Rafi Saab was a true professional, who did full justice to his art. In fact, Rafisaab worshipped it. It was his humility that always made him refer to his divine voice as a gift from above. He used to point upwards whenever someone complimented him on a song.
I’ve written often enough about how I became a Rafi Saab fan in an era when he was considered to be “down and out” – an era when Kishore Kumar reigned. The early 70s. I am a huge fan of Kishore Kumar too – there’s no contradiction here at all. When you truly love music, you just soak in all the great music that is out there, and be thankful for it. At least I, for one, don’t like to pit one artiste against another. Once I became a Rafi Saab fan, I listened to his songs more intently – and realized how pure his voice is. Truly divine.
The other thing that makes Rafisaab very special for me is the PERSON he was. It is very easy for a person successful in his field to let this success get to his head. There are many examples of this. But to remain level-headed, and not just that, but also to be humble and big-hearted enough to help others to achieve success too, is a rare quality.
Rafi Saab is highly respected, not just in the industry, but by millions outside it, for this quality. Stories abound of how big-hearted he was. Even at the height of his success, he would sing for absolutely new composers – that too for a token amount. There are many such stories about him. His humility, no airs, always there to help anyone in need. He was far more than “just another great artist” in the industry.
How can you then NOT respect such a person, or hold him in special regard? So for me, Rafisaab is a very very very special person. As many say in interviews about him “Rafi Saab Khuda ke bande the”. God does not seem to make them like him anymore.
So, the 24th of December 1924, when he was born will always be a special day for me. And every year, the 24th of December is a date we should all remember and celebrate. Christmas is a day later, but for us HFM lovers, celebrations start a day earlier.
Now onto the song for today.
Despite time constraints, I spent a lot of time looking for a suitable Rafi Saab song last evening. I found a wonderful short and sweet, song which I was all set to post – but then realized it has already been posted. (A song from the film ‘Saaranga’ (1960) – I left a comment on the song on the blog). Anyway, during the search process, I happened to hear this song for the first time yesterday. I quite liked it – it’s a cheerful, positive song, and fit for a celebration.
The song is from the film ‘Wanted’ of 1961. I haven’t seen the film, but since it is directed by NA Ansari, it’s probably a fun film, worth watching. 🙂 . This song is picturised on Vijay Kumar (brother of Johnny Walker) and Saeeda Khan. (I remember Vijay Kumar from ‘Kaun Apna Kaun Paraya’ (1963), opposite Waheeda Rehman, lip-synching to the lovely “Zara Sun Haseena e Naazneen”.) I think I recognize Bela Bose amongst the other dancers. The lyricist-composer duo is Shakeel Badayuni and Ravi. It is a pleasant song that I took an instant liking to. I hope you like it too.
Song – Aayi Zindagi Ki Raat Chhodo Kal Pe Kal Ki Baat (Wanted) (1961) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Shakeel Badayuni, MD – Ravi
Male Chorus
Female Chorus
All Chorus
Lyrics
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
kadam kadam pe shokhiyaan
nazar nazar hijaab hai
nayi nayi umang hai
naya naya shabaab hai
hoo oo oo oo oo
kadam kadam pe shokhiyaan
nazar nazar hijaab hai
nayi nayi umang hai
naya naya shabaab hai
aaj husn ishq ka hai kya haseen saath
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
(aaa aaa aaa aaa aaa)
chhodo kal pe kal ki baat
(aaa aaa aaa aaa aaa)
naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)
ho naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)
aayi zindagi ki raat
(aaa aaa aaa aaa aaa)
chhodo kal pe kal ki baat
(aaa aaa aaa aaa aaa)
naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)
ho naacho jhoom jhoom ke
(aaa aaa aaa aaa aaa)
ha ha ha ha ha ha ha ha ha
ho ho ho ho ho ho ho ho ho
adaa adaa mein mastiyaan
tarang ang ang mein
range hue hain dil sabhi
mohabbaton ke rang mein
aa aa aa aa aa
adaa adaa mein mastiyaan
tarang ang ang mein
range hue hain dil sabhi
mohabbaton ke rang mein
bekhudi ke haath mein hai zindagi ka haath
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
aayi zindagi ki raat
chhodo kal pe kal ki baat
naacho jhoom jhoom ke
ho naacho jhoom jhoom ke
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
कदम कदम पे शोखियाँ
नज़र नज़र हिजाब है
नई नई उमंग है
नया नया शबाब है
हो ओ ओ ओ ओ
कदम कदम पे शोखियाँ
नज़र नज़र हिजाब है
नई नई उमंग है
नया नया शबाब है
आज हुस्न इश्क़ है क्या हसीन साथ
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
(आ आ आ आ आ)
छोड़ो कल पे कल की बात
(आ आ आ आ आ)
नाचो झूम झूम के
(आ आ आ आ आ)
हो नाचो झूम झूम के
(आ आ आ आ आ)
आई ज़िंदगी की रात
(आ आ आ आ आ)
छोड़ो कल पे कल की बात
(आ आ आ आ आ)
नाचो झूम झूम के
(आ आ आ आ आ)
हो नाचो झूम झूम के
(आ आ आ आ आ)
अदा अदा में मस्तियाँ
तरंग अंग अंग में
रंगे हुए हैं दिल सभी
मोहब्बतों के रंग में
आ आ आ आ आ
अदा अदा में मस्तियाँ
तरंग अंग अंग में
रंगे हुए हैं दिल सभी
मोहब्बतों के रंग में
बेखुदी के हाथ में है ज़िंदगी का हाथ
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
आई ज़िंदगी की रात
छोड़ो कल पे कल की बात
नाचो झूम झूम के
हो नाचो झूम झूम के
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (18 november 2017) is the birth anniversary of V Shantaram (18 november 1901- 30 october 1990).
“Stree”(1961) was one of the later movies of V Shantaram. It was produced and directed by V Shantaram for his Rajkamal Kalamandir, Bombay. The movie had Sandhya, V Shantaram, Charusheela Shantaram, Uma, Padma Chavhan, Bablu, Baburao Pendharkar, Indira, Kamaal, Vandana, Bhagwan, Neelambai, Zeenat, Rajshree Shantaram, V Verma etc. Thus one can see that several members of V Shantaram clan appeared in this movie.
The movie had eleven songs in it. As many as six of these songs have been covered in the blog.
On the occasion of V Shantaram’s birth anniversary, here is the seventh song from “Stree”(1961) to appear in the blog. The song is sung by Lata and it is picturised on Sandhya and others. Bharat Vyas is the lyricist. Music is composed by C Ramchandra.
Lyrics of this song were sent to me by Avinash Scrapwala.
Video
Song-Jhilmil jhilmil lehron ka aanchal udtaa hai chanchal (Stree)(1961) Singer-Lata, Lyrics-Bharat Vyas, MD-C Ramchandra
Lyrics(Provided by Avinash Scrapwala)
Jhilmil jhilmil lehron ka aa
Aanchal udtaa hai chanchal
Pal pal man lehraaye
ye kaisi halchal
Jeewan kal kal
Man bhi kal kal
Jhal jhal jhal
Jhal jhal jhalke ae
Sukh ka saagar
Jeewan kal kal
Man bhi kal kal
Jhal jhal jhal
Jhal jhal jhalke ae ae
Sukh ka aa saagar
Pyaasi abhilaashi palkon mein ae
Chhal chhal chhal
Chhalake madhu ka gaagar
Pyaasi abhilaashi palkon mein ae
Chhal chhal chhal
Chhalake madhu ka gaagar
Jhirmir jhirmir barse re
Tan mein
Man mein
Ras ke baadal
Pal pal man lehraaye
Ye kaisi halchal
Jhilmil jhilmil lehron ka aa
Aanchal udtaa hai chanchal
Pal pal man lehraaye ae
Ye kaisi halchal
Boonden girtin
Kaliyaan khiltin
Boonden ae girtin
Kaliyaan khiltin
Saritaayen aen aen
Saagar se miltin ee
Boonden girtin
Kaliyaan khiltin
Saritaayen ae aen aen
Saagar se miltin
Tal mal tal mal tal mal
Tal mal tal mal tal mal
Mere man ki ee duniya hilti
Jhimjhim jhimjhim
Jhoome re ae
Man ke ban mein
Bhramaron ke dal
Pal pal man lehraaye ae
Ye kaisi halchal
Jhilmil jhilmil lehron ka aa
Aanchal udtaa hai chanchal
Pal pal man lehraaye
Ye kaisi halchal
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